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That's not going in there, is it? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:07 | 0:00:10 | |
Oh, that's got lovely legs. | 0:00:10 | 0:00:11 | |
The answer could be hiding in over 20 million tons of household waste | 0:00:11 | 0:00:16 | |
thrown out by us every year. | 0:00:16 | 0:00:18 | |
I'm now going to SWAN off. | 0:00:18 | 0:00:19 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:22 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:27 | |
I'm a passionate maker, buyer and user of old stuff | 0:00:30 | 0:00:33 | |
and I've turned that passion into a moneymaking business. | 0:00:33 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
Let's brainstorm and see what we can do with it. | 0:00:45 | 0:00:47 | |
It is absolutely gorgeous. | 0:00:47 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Michael, I'm speechless. | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
That looks amazing! | 0:00:57 | 0:00:59 | |
..and hopefully saleable items. | 0:00:59 | 0:01:02 | |
SARAH LAUGHS | 0:01:02 | 0:01:03 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
then she can hand the profits back to the very people who had no idea | 0:01:06 | 0:01:11 | |
there was cash to be made from their trash. | 0:01:11 | 0:01:14 | |
That's lovely! A lovely ending. | 0:01:14 | 0:01:16 | |
Woking in Surrey is where HG Wells wrote War Of The Worlds. | 0:01:30 | 0:01:36 | |
But today at the recycling centre, it's war on waste. | 0:01:36 | 0:01:40 | |
Soldier of salvage Sarah is here to | 0:01:42 | 0:01:45 | |
separate the dreamy from the dreadful, | 0:01:45 | 0:01:48 | |
do it up and sell it on for cash. | 0:01:48 | 0:01:50 | |
You never know what's going to come in here. | 0:01:50 | 0:01:52 | |
Follow me. | 0:01:52 | 0:01:54 | |
We're going to find something fabulous. | 0:01:54 | 0:01:56 | |
Sarah needs to rescue three beauties from these bins | 0:01:57 | 0:02:01 | |
that she thinks have the potential for profit. | 0:02:01 | 0:02:04 | |
But don't you rush down to your local tip, | 0:02:05 | 0:02:07 | |
as Sarah has special permission to be here. | 0:02:07 | 0:02:10 | |
It is like a scrum up here, but I'm game on. | 0:02:10 | 0:02:14 | |
I'm going to try and convert as many bits of rubbish as possible. | 0:02:14 | 0:02:18 | |
Keep your eye on the ball, Sarah. | 0:02:18 | 0:02:20 | |
There might be something of interest in Christine's boot. | 0:02:20 | 0:02:24 | |
-Hi there. -Hello. | 0:02:24 | 0:02:26 | |
-I like the look of these. -Do you? -Ah, deckchairs. | 0:02:26 | 0:02:29 | |
Makes me all nostalgic for my childhood holidays in Torquay. | 0:02:29 | 0:02:33 | |
They look really sweet. Have you had them a long time? | 0:02:33 | 0:02:36 | |
I have had them a long time, and I've painted them, as you can see, | 0:02:36 | 0:02:39 | |
just to make them look a bit brighter. | 0:02:39 | 0:02:41 | |
They look lovely. Where did they come from originally? | 0:02:41 | 0:02:44 | |
-Gosh... -Were they new? -They weren't new, no. | 0:02:44 | 0:02:46 | |
That's why they were painted. | 0:02:46 | 0:02:48 | |
They're very old, actually, but they do still work. | 0:02:48 | 0:02:51 | |
The design for a portable adjustable chair was patented in 1886 | 0:02:51 | 0:02:57 | |
by John Thomas Moore, who went on to | 0:02:57 | 0:02:59 | |
manufacture the seaside seating in Macclesfield. | 0:02:59 | 0:03:02 | |
If it would be OK to take them away, | 0:03:02 | 0:03:04 | |
can I come and show you if I can do something with them? | 0:03:04 | 0:03:06 | |
-Yes, absolutely. -That would be lovely. Happy clearing. | 0:03:06 | 0:03:09 | |
Thank you so much for letting me have them. | 0:03:09 | 0:03:11 | |
-OK, you're welcome. -Bye-bye. -OK, thank you. | 0:03:11 | 0:03:15 | |
A fantastic first find for Sarah. | 0:03:15 | 0:03:18 | |
Is Christine pleased to see her deckchairs avoid the skip? | 0:03:18 | 0:03:22 | |
Well, it's good to recycle things, isn't it? | 0:03:22 | 0:03:24 | |
That's why we bring everything here. | 0:03:24 | 0:03:26 | |
So, hopefully, she'll do something good with them. | 0:03:26 | 0:03:28 | |
The deckchairs will make for a quirky transformation, | 0:03:28 | 0:03:32 | |
even by Sarah's standards. | 0:03:32 | 0:03:33 | |
Any idea how they'll end up? | 0:03:33 | 0:03:36 | |
I think she might paint them and possibly make them into a table | 0:03:36 | 0:03:39 | |
or something. I don't know. | 0:03:39 | 0:03:41 | |
I don't know. Wait and see. | 0:03:41 | 0:03:42 | |
There are few things more nostalgic and joyful than a deckchair, | 0:03:44 | 0:03:48 | |
but these ones have definitely seen better days. | 0:03:48 | 0:03:52 | |
Their relaxing beach days are over, and if there's any money to be made, | 0:03:52 | 0:03:56 | |
they're going to need a total refurbishment. | 0:03:56 | 0:03:59 | |
And Sarah has just the maker in mind for this seaside salvage. | 0:03:59 | 0:04:04 | |
Rupert Blanchard is a furniture designer | 0:04:08 | 0:04:11 | |
and self-confessed hoarder of anything old | 0:04:11 | 0:04:13 | |
he can turn into gold. | 0:04:13 | 0:04:15 | |
I work mostly with reclaimed materials. | 0:04:17 | 0:04:19 | |
These are found materials that other people have given up on. | 0:04:19 | 0:04:22 | |
I benefit from what other people throw away, but it's more than that. | 0:04:23 | 0:04:28 | |
I spend a lot of time and a lot of energy and a lot of love | 0:04:28 | 0:04:33 | |
in restoring things and somehow working | 0:04:33 | 0:04:37 | |
people's rubbish back into their home as something brand-new. | 0:04:37 | 0:04:42 | |
Well, you might have your work cut out making something for the home, | 0:04:42 | 0:04:46 | |
because these things... | 0:04:46 | 0:04:47 | |
I wouldn't even put them in the garden, frankly. | 0:04:47 | 0:04:49 | |
Sarah's bagged one item. Two more still to find. | 0:04:57 | 0:05:01 | |
It's bonkers up here. | 0:05:01 | 0:05:02 | |
What was that? Was that your shoe rack? | 0:05:05 | 0:05:06 | |
-Wine rack. -Wine rack? | 0:05:06 | 0:05:08 | |
That's the right kind of size wine rack. | 0:05:08 | 0:05:11 | |
There will be no cabernet for you, Sarah. | 0:05:11 | 0:05:13 | |
You're supposed to be working, remember. | 0:05:13 | 0:05:16 | |
Luckily, you've spotted Delia, who is having a clear-out. | 0:05:16 | 0:05:19 | |
Might she have something transformation-worthy? | 0:05:19 | 0:05:22 | |
Hello there. | 0:05:24 | 0:05:25 | |
Oh, hello. What are you dropping off? | 0:05:25 | 0:05:28 | |
All the stuff out the shed and the garage. | 0:05:28 | 0:05:30 | |
-Just getting rid of it all. -Oh, don't get rid of it too quickly. | 0:05:30 | 0:05:33 | |
This stuff looks amazing. How long have you had it? | 0:05:33 | 0:05:36 | |
Oh, it was my father's and he used to keep all his tools | 0:05:36 | 0:05:40 | |
and things in there. | 0:05:40 | 0:05:42 | |
I think that looks beautiful. Now, that is amazing. | 0:05:42 | 0:05:45 | |
Can I have a look at that? Let me just pop that down here. | 0:05:45 | 0:05:48 | |
That was his from a bench. | 0:05:48 | 0:05:50 | |
Oh, I know, it's the vice, isn't it? | 0:05:50 | 0:05:53 | |
Delia's father was a carpenter. | 0:05:53 | 0:05:55 | |
He used this wooden vice from the 1930s in his workshop. | 0:05:55 | 0:05:59 | |
That's a beautiful piece of wood. | 0:06:01 | 0:06:02 | |
You can have it, if you want it. | 0:06:02 | 0:06:04 | |
If it would be possible maybe to make a little group | 0:06:04 | 0:06:06 | |
of the things you're throwing away, if that's OK? | 0:06:06 | 0:06:08 | |
Yes, delighted. | 0:06:08 | 0:06:10 | |
And take them to some of my talented friends and see if there's something | 0:06:10 | 0:06:13 | |
-to be made out of them. -Well, I like to find a good home for things. | 0:06:13 | 0:06:17 | |
I'm sure something can be done with it. | 0:06:17 | 0:06:19 | |
Please may I come and find you and show you what happens to it? | 0:06:19 | 0:06:21 | |
-Yes. -Would that be all right? Beautiful, thank you. | 0:06:21 | 0:06:24 | |
-LAUGHING: -Yes, that would be interesting. | 0:06:24 | 0:06:26 | |
Sarah's got herself the contents of Delia's shed. | 0:06:27 | 0:06:31 | |
It's hard to imagine what will come of this lot. | 0:06:31 | 0:06:33 | |
Any ideas, Delia? | 0:06:34 | 0:06:36 | |
Well, I can't think what she's going to do with the screw exactly. | 0:06:36 | 0:06:40 | |
There's several things. | 0:06:40 | 0:06:42 | |
The boxes... Boxes are always useful. | 0:06:42 | 0:06:45 | |
You can always do something with boxes. | 0:06:45 | 0:06:47 | |
What a great collection of really old stuff. | 0:06:49 | 0:06:52 | |
Not particularly useful as it is, | 0:06:52 | 0:06:54 | |
but the marks and the age and the wear | 0:06:54 | 0:06:56 | |
on this part of the vice are just so beautiful that it's going to be | 0:06:56 | 0:06:59 | |
made into something that's decorative | 0:06:59 | 0:07:01 | |
and I'm sure will make a profit. | 0:07:01 | 0:07:02 | |
And I know exactly who to take it to. | 0:07:02 | 0:07:05 | |
Meet Josh and Oli - designers, wood experts and best buds. | 0:07:05 | 0:07:10 | |
These boys really think outside the box and the results | 0:07:10 | 0:07:14 | |
are always interesting. | 0:07:14 | 0:07:15 | |
So I'm Josh and this is Oli. | 0:07:15 | 0:07:18 | |
We work well together because we've both got interesting ideas. | 0:07:18 | 0:07:21 | |
When Sarah turns up with whatever she's managed to find at the tip, | 0:07:23 | 0:07:26 | |
it's like problem-solving. | 0:07:26 | 0:07:28 | |
You're faced with the problem and you've then got to turn that | 0:07:28 | 0:07:31 | |
into a product. It's really good. | 0:07:31 | 0:07:34 | |
It's difficult and challenging, but it's a good process, isn't it? | 0:07:34 | 0:07:36 | |
Yeah. It makes us think of new ideas that we wouldn't | 0:07:36 | 0:07:39 | |
otherwise have thought of. | 0:07:39 | 0:07:41 | |
Well, these boys will certainly need to rely on their imagination | 0:07:41 | 0:07:45 | |
for this project. | 0:07:45 | 0:07:47 | |
That's two items tucked away, | 0:07:52 | 0:07:54 | |
but Sarah can't put her feet up just yet. | 0:07:54 | 0:07:58 | |
She's on the prowl for one more piece of tip treasure. | 0:07:58 | 0:08:01 | |
And this time, she's looking for something she can revamp herself. | 0:08:01 | 0:08:06 | |
That is the stuff of nightmares. | 0:08:06 | 0:08:07 | |
Look at it crushing beautiful pieces of furniture | 0:08:07 | 0:08:10 | |
that I haven't managed to save. | 0:08:10 | 0:08:12 | |
Let's get to work. | 0:08:13 | 0:08:15 | |
Perhaps the contents of Martin and Yvonne's boot will be to her liking. | 0:08:17 | 0:08:21 | |
-Hi. -Hi there. | 0:08:21 | 0:08:22 | |
-What is that? -It's an old sideboard of my dad's. | 0:08:24 | 0:08:28 | |
No charity wants it. | 0:08:28 | 0:08:29 | |
There is a fine line between | 0:08:29 | 0:08:32 | |
the haters and the lovers of the sideboard. | 0:08:32 | 0:08:35 | |
Would it be possible to bring it out and have a closer look? | 0:08:35 | 0:08:38 | |
I love the shape on the front. Oh, thank you. | 0:08:38 | 0:08:43 | |
It just screws onto the legs. | 0:08:43 | 0:08:46 | |
They are concertinaed. | 0:08:48 | 0:08:50 | |
That's the unique feature. | 0:08:50 | 0:08:51 | |
I think my mum bought it in the '60s because of that. | 0:08:51 | 0:08:55 | |
Drinks cabinet... | 0:08:55 | 0:08:57 | |
and the drawers go in there. | 0:08:57 | 0:08:58 | |
I love the styling of it. | 0:08:58 | 0:08:59 | |
I've never seen anything with those lovely curved fronts | 0:08:59 | 0:09:02 | |
-on it like this. -No. -And I'm charmed. | 0:09:02 | 0:09:05 | |
It's for cutting the lemon, isn't it? | 0:09:05 | 0:09:07 | |
It's the Martini moment. | 0:09:07 | 0:09:08 | |
It's the definite 1960s gin and tonic, yes. | 0:09:08 | 0:09:11 | |
Yep. I think it's one of the most exciting things I've seen at | 0:09:11 | 0:09:15 | |
the recycling centre. I love its styling. | 0:09:15 | 0:09:17 | |
Please, may I have it? | 0:09:17 | 0:09:18 | |
All yours. It saves me throwing it over into the skip. | 0:09:18 | 0:09:22 | |
If I can restore it or do something with it, | 0:09:22 | 0:09:24 | |
-can I come back and show you what I've done? -Yes, please. | 0:09:24 | 0:09:27 | |
Fantastic. I think this is lovely. | 0:09:27 | 0:09:29 | |
I might have to ask you just one last thing. | 0:09:29 | 0:09:30 | |
Any chance you could give me a hand with moving it? | 0:09:30 | 0:09:32 | |
-No problem at all. -Thank you. | 0:09:32 | 0:09:34 | |
Sarah is one happy customer, but does Martin think she'll | 0:09:34 | 0:09:39 | |
make this '60s sideboard desirable again? | 0:09:39 | 0:09:42 | |
It just needs a bit of subtle renovation. | 0:09:42 | 0:09:44 | |
A bit of clearing up on the top, a bit of polish... | 0:09:44 | 0:09:47 | |
new front on one of the knobs, and then you wouldn't know it's old. | 0:09:47 | 0:09:50 | |
What an absolutely fantastic find for a recycling centre. | 0:09:53 | 0:09:57 | |
I think this sideboard has got bags of style as it is, | 0:09:57 | 0:10:00 | |
and after we've finished with it, who knows where this will go? | 0:10:00 | 0:10:03 | |
And with that, Sarah has her trio of items. | 0:10:05 | 0:10:09 | |
Rupert will take on the pair of deckchair frames, | 0:10:09 | 0:10:13 | |
Josh and Oli will be tasked with the wooden vice and boxes, | 0:10:13 | 0:10:17 | |
and Sarah will give the sideboard a much-needed style update. | 0:10:17 | 0:10:22 | |
Woking has been really good to me. | 0:10:23 | 0:10:25 | |
We have some fantastic things from this recycling centre, | 0:10:25 | 0:10:28 | |
but now, the hard work begins. | 0:10:28 | 0:10:30 | |
Sarah's first stop is Margate on the south-east coast. | 0:10:38 | 0:10:42 | |
A much-loved holiday destination, | 0:10:42 | 0:10:44 | |
Margate was the first place to offer donkey rides on the beach. | 0:10:44 | 0:10:48 | |
It even holds the prestigious title of Britain's best seaside town. | 0:10:48 | 0:10:52 | |
Sarah's dropping off her dilapidated deckchairs to Rupert. | 0:10:54 | 0:10:57 | |
Don't worry, Sarah, you can hire some new ones on the promenade | 0:10:57 | 0:11:00 | |
for about two quid each, I think. | 0:11:00 | 0:11:03 | |
Sarah's on her way. | 0:11:03 | 0:11:04 | |
I don't know what she's going to bring but I'm hoping | 0:11:04 | 0:11:06 | |
it will be a bit of a challenge. Something new to me, | 0:11:06 | 0:11:09 | |
something I've never seen before, | 0:11:09 | 0:11:11 | |
never worked on before. | 0:11:11 | 0:11:12 | |
They're the best ones, because you learn something new. | 0:11:12 | 0:11:16 | |
Where else do you bring a pair of bright yellow deckchairs | 0:11:16 | 0:11:19 | |
but to beside the seaside and Rupert? | 0:11:19 | 0:11:21 | |
-Rupert. -Hey, Sarah. | 0:11:24 | 0:11:26 | |
-How are you? -What have you done? | 0:11:26 | 0:11:28 | |
You've brought deckchairs to the seaside! | 0:11:28 | 0:11:31 | |
-Where else? -We've got loads of these here! | 0:11:31 | 0:11:33 | |
I bet they're in better nick than these. | 0:11:33 | 0:11:35 | |
These are great, though, these are yellow. | 0:11:35 | 0:11:37 | |
But how are you going to sit on them? | 0:11:37 | 0:11:39 | |
-Over to you, I thought, on that one. -Right, OK. | 0:11:39 | 0:11:42 | |
They're quite good. They're luxury versions, because they have arms. | 0:11:42 | 0:11:45 | |
-Do you want to put one up? -OK. | 0:11:45 | 0:11:47 | |
I'll leave that to you because I don't know | 0:11:47 | 0:11:49 | |
-how to put a deckchair up. -It's really easy. Erm... | 0:11:49 | 0:11:53 | |
Hold on. Arms first. | 0:11:53 | 0:11:54 | |
And that goes down there, and then that goes in there. | 0:11:54 | 0:11:58 | |
-Hold on. -OK. | 0:11:58 | 0:11:59 | |
Mm, you certainly don't make it look very easy, Sarah. | 0:12:01 | 0:12:05 | |
-There we are. -There you go. Weeee! | 0:12:05 | 0:12:07 | |
-They're easier when they've got the seat cover on. -Wow. | 0:12:07 | 0:12:12 | |
That's kind of great, but it's... It's so twisted. | 0:12:12 | 0:12:17 | |
It's not great, is it? | 0:12:17 | 0:12:18 | |
I did think maybe you could stretch them out | 0:12:18 | 0:12:21 | |
to make a pair of benches out of them. | 0:12:21 | 0:12:23 | |
As deckchairs, they're pretty much obsolete, past their best. | 0:12:23 | 0:12:27 | |
So anything you can do with them is better than where they're going. | 0:12:27 | 0:12:30 | |
I'm kind of thinking it makes some other framework, | 0:12:30 | 0:12:33 | |
maybe for a pair of bedside tables. | 0:12:33 | 0:12:37 | |
Just using the framework, not as seating any more. | 0:12:37 | 0:12:40 | |
It sounds fantastic. | 0:12:40 | 0:12:42 | |
A pair of Rupert bedside cabinets. | 0:12:42 | 0:12:44 | |
I think you've brought them back to the right place. | 0:12:44 | 0:12:47 | |
Back to the seaside, and let's see if we can get them | 0:12:47 | 0:12:49 | |
back in someone's home. | 0:12:49 | 0:12:51 | |
Now you're talking, Rupert. | 0:12:51 | 0:12:52 | |
We want those deckchairs to go from beach-side to bedside. | 0:12:52 | 0:12:56 | |
How much is it going to cost? | 0:12:56 | 0:12:58 | |
I don't know. This is quite a lot of work. | 0:12:58 | 0:13:00 | |
I'm thinking about £200. | 0:13:00 | 0:13:02 | |
I'm really happy with that. | 0:13:02 | 0:13:03 | |
200 quid, two cabinets, they must be able to make a profit on that. | 0:13:03 | 0:13:07 | |
-Fantastic. -Thank you. -Can't wait. -Great. | 0:13:07 | 0:13:09 | |
Well, it's not really an obvious transition, is it? | 0:13:12 | 0:13:14 | |
They've come to Margate as deckchairs, | 0:13:14 | 0:13:16 | |
they're certainly not going to leave that way. | 0:13:16 | 0:13:18 | |
I'm looking forward to this one | 0:13:18 | 0:13:20 | |
but they are really rickety and really warped | 0:13:20 | 0:13:23 | |
and bent timber, so what I've got to play with I've yet to find out. | 0:13:23 | 0:13:27 | |
It's going to cost £200 for Rupert to turn those old yellow frames | 0:13:30 | 0:13:35 | |
into bedroom furniture. | 0:13:35 | 0:13:36 | |
Sarah could be onto a winner here. | 0:13:36 | 0:13:39 | |
That is if Rupert has enough wood to work with. | 0:13:39 | 0:13:42 | |
Over to Sussex now, and just outside Chichester, | 0:13:51 | 0:13:55 | |
Sarah's on her way to see Josh and Oli | 0:13:55 | 0:13:57 | |
with her collection of bits from the tip. | 0:13:57 | 0:13:59 | |
And the boys are feeling positive. | 0:14:00 | 0:14:03 | |
You'd think they'd have learned by now. | 0:14:03 | 0:14:05 | |
Sarah's on her way. | 0:14:05 | 0:14:07 | |
Yeah, looking forward to whatever wonderful thing she's got for us. | 0:14:07 | 0:14:10 | |
Wonderful? | 0:14:10 | 0:14:11 | |
Hopefully we can turn it into something even more wonderful. | 0:14:14 | 0:14:17 | |
This is such a lovely little timeworn collection of stuff. | 0:14:18 | 0:14:22 | |
No idea what to do with it though. | 0:14:23 | 0:14:25 | |
-Hi, guys. -Hiya. -Hello. | 0:14:25 | 0:14:27 | |
-How are you doing? -Good. -Nice to see you. | 0:14:27 | 0:14:30 | |
-This looks cool. -This looks amazing. | 0:14:30 | 0:14:31 | |
-Yeah, I like the vice. -It is such a random mixture. | 0:14:32 | 0:14:36 | |
I don't know where to start with how to use it all. | 0:14:36 | 0:14:39 | |
-Do you like it? -Yeah, it's amazing. | 0:14:39 | 0:14:42 | |
In my experience, it's got to be beautiful, | 0:14:42 | 0:14:44 | |
it's got to be useful and it's got to have a mass appeal. | 0:14:44 | 0:14:47 | |
Maybe it could be like some sort of writing desk | 0:14:47 | 0:14:50 | |
or console table kind of thing. | 0:14:50 | 0:14:52 | |
Yeah, I like that idea. | 0:14:52 | 0:14:54 | |
Maybe use this. | 0:14:54 | 0:14:56 | |
We could make a little stool leg to go with the desk. | 0:14:56 | 0:15:00 | |
-Why don't we go for desk... -Yup. -..stool... -Yup. | 0:15:00 | 0:15:05 | |
..and hopefully some kind of little desk lamp as well? | 0:15:05 | 0:15:08 | |
Beautiful. Sounds great. | 0:15:08 | 0:15:09 | |
The boys have a sweet plan to utilise as much of the collection | 0:15:11 | 0:15:14 | |
as possible. What's the budget? | 0:15:14 | 0:15:17 | |
I'm thinking 650. | 0:15:17 | 0:15:19 | |
Any chance you could screw it down to the 600 mark? | 0:15:19 | 0:15:23 | |
-OK. -Very well done. | 0:15:23 | 0:15:25 | |
Yeah, for that pun we can come down to 625 maybe. | 0:15:25 | 0:15:29 | |
-OK, I'm out of here. Good luck. -Thank you very much. | 0:15:29 | 0:15:31 | |
Give us a call when my exciting collection is ready. | 0:15:31 | 0:15:34 | |
That was a lot of stuff to drop off. | 0:15:36 | 0:15:38 | |
Lots of great ideas and heaps of potential to turn a profit. | 0:15:38 | 0:15:41 | |
This is really cool. There's a lot of just good bits. | 0:15:43 | 0:15:46 | |
I hope we don't SCREW it up. | 0:15:46 | 0:15:49 | |
I hope you don't either. | 0:15:49 | 0:15:51 | |
Sarah has given Josh and Oli | 0:15:51 | 0:15:53 | |
a budget of £625 to turn that assortment | 0:15:53 | 0:15:57 | |
of old bits and bobs into something saleable. | 0:15:57 | 0:16:00 | |
It'll be a big job, but if they can pull it off, | 0:16:00 | 0:16:03 | |
there could be some serious profit to be made. | 0:16:03 | 0:16:05 | |
Good luck, lads. | 0:16:05 | 0:16:07 | |
With two items successfully dropped off to our trusty artisans, | 0:16:15 | 0:16:19 | |
Sarah is back home in West Sussex. | 0:16:19 | 0:16:23 | |
She's ready to renovate her '60s sideboard. | 0:16:23 | 0:16:26 | |
Well, love it or hate it, to find a piece of furniture like this, | 0:16:26 | 0:16:29 | |
that's amazing. Personally, I'm a lover. | 0:16:29 | 0:16:32 | |
Teak sideboards like this were all the rage in the '60s, | 0:16:32 | 0:16:36 | |
often taking pride of place in a dining room. | 0:16:36 | 0:16:40 | |
I think it's got bags of style and I'm hoping that with just | 0:16:40 | 0:16:43 | |
a little subtle update it will become really desirable | 0:16:43 | 0:16:46 | |
and the kind of thing that people want to have back in their house. | 0:16:46 | 0:16:49 | |
This sideboard is structurally sound and in great condition. | 0:16:51 | 0:16:55 | |
All Sarah has to do is beautify it. | 0:16:55 | 0:16:58 | |
Her first job is to remove the dated fixings. | 0:16:58 | 0:17:01 | |
Remember, Sarah - righty-tighty, lefty-loosey. | 0:17:01 | 0:17:05 | |
I think I might have been going the wrong way. | 0:17:05 | 0:17:07 | |
-Dearie me. -It would be so nice if they just came off, wouldn't it? | 0:17:07 | 0:17:10 | |
Ooh! | 0:17:11 | 0:17:13 | |
Sarah wants to get rid of the orange-tinged veneer finish. | 0:17:13 | 0:17:17 | |
It's out with the sandpaper and the elbow grease. | 0:17:17 | 0:17:20 | |
It's definitely looking a bit paler, | 0:17:24 | 0:17:26 | |
but it's still got that unattractive orange look. | 0:17:26 | 0:17:29 | |
Maybe it's time to upgrade your sander. | 0:17:32 | 0:17:35 | |
Oh, yeah. That'll do the trick. | 0:17:36 | 0:17:39 | |
-Still orange. -Oh, maybe not then. | 0:17:41 | 0:17:45 | |
Nothing is working as well as this and a bit of elbow grease. | 0:17:48 | 0:17:52 | |
Bye-bye, bingo wings. | 0:17:54 | 0:17:56 | |
That's it, Sarah. Who needs the gym? | 0:17:57 | 0:18:00 | |
Upcycling is a work-out in itself. | 0:18:00 | 0:18:02 | |
SHE EXHALES | 0:18:02 | 0:18:04 | |
Next Sarah starts to add some detail. | 0:18:04 | 0:18:06 | |
She's using masking tape to mark out a chevron pattern on the doors. | 0:18:09 | 0:18:14 | |
This is tricky. | 0:18:15 | 0:18:16 | |
She'll spray paint over the tape and then peel it off | 0:18:16 | 0:18:20 | |
to reveal thin, sleek lines. | 0:18:20 | 0:18:22 | |
Well, that's the plan anyway. | 0:18:24 | 0:18:25 | |
Accuracy, precision and a steady hand | 0:18:29 | 0:18:31 | |
are definitely required to get this right. | 0:18:31 | 0:18:36 | |
The problem with choosing a really crisp-edge smart pattern | 0:18:36 | 0:18:41 | |
is if you get it wrong, everyone will be able to tell. | 0:18:41 | 0:18:44 | |
You're not filling me with confidence. | 0:18:45 | 0:18:47 | |
Well, I hope that's the hard work done. | 0:18:50 | 0:18:52 | |
Now comes the fun. I'm going for gold. | 0:18:52 | 0:18:54 | |
Ooh, I'm looking forward to this bit. | 0:18:56 | 0:18:59 | |
Facemask on and... ready, steady, spray. | 0:18:59 | 0:19:03 | |
That's not good. It splodged everywhere. | 0:19:08 | 0:19:10 | |
Look at it. | 0:19:14 | 0:19:15 | |
It's not supposed to do that. | 0:19:15 | 0:19:17 | |
Well, it looks like the hard work isn't over yet, Sarah. | 0:19:17 | 0:19:21 | |
Don't worry, you'll get there. Let's hope. | 0:19:21 | 0:19:25 | |
Sarah has spent £20 on masking tape and spray paint, | 0:19:27 | 0:19:31 | |
but she's still got a long way to go | 0:19:31 | 0:19:33 | |
to make this sideboard saleable. | 0:19:33 | 0:19:36 | |
Back to the seaside, Margate in Kent. | 0:19:43 | 0:19:46 | |
It's all hands on deck for Rupert. | 0:19:46 | 0:19:48 | |
He's getting to work on the yellow deckchair frames | 0:19:48 | 0:19:52 | |
dropped off by Sarah. | 0:19:52 | 0:19:53 | |
What a beautiful pair of deckchairs...they are not. | 0:19:53 | 0:19:57 | |
Rupert's promised Sarah a pair of bedside cabinets. | 0:19:58 | 0:20:02 | |
How is he planning to do that? | 0:20:02 | 0:20:04 | |
Now that I look at them, I have no idea how I'm going to do that. | 0:20:04 | 0:20:08 | |
Off to a great start then(!) | 0:20:08 | 0:20:10 | |
I'm going to start cutting these out. | 0:20:10 | 0:20:12 | |
Goggles on. | 0:20:14 | 0:20:16 | |
Rupert gets cracking by dismantling the deckchairs. | 0:20:16 | 0:20:19 | |
The frames are held together with metal rivets. | 0:20:19 | 0:20:22 | |
These are horrible things to remove because the bolt heads in the backs | 0:20:24 | 0:20:28 | |
have been riveted together inside the wood, | 0:20:28 | 0:20:31 | |
so I can't sort of dig it out. | 0:20:31 | 0:20:33 | |
I can't gouge it out without damaging the wood. | 0:20:33 | 0:20:35 | |
The frames are over 35 years old, | 0:20:38 | 0:20:40 | |
so Rupert will need to be careful to make sure | 0:20:40 | 0:20:43 | |
they come apart in one piece. | 0:20:43 | 0:20:46 | |
He'll need to save as much as the timber from the frames | 0:20:46 | 0:20:49 | |
as he can if he's got any chance of making two cabinets. | 0:20:49 | 0:20:53 | |
Ah. I don't like the look of that. | 0:20:53 | 0:20:56 | |
I heard some cracking and it's just split a little bit on the end. | 0:20:56 | 0:20:59 | |
Those flimsy frames, | 0:21:01 | 0:21:02 | |
they don't seem to be coming apart as easily as he'd hoped. | 0:21:02 | 0:21:06 | |
I'm sure deckchairs used to break as soon as you sat on them. | 0:21:06 | 0:21:10 | |
Now this one doesn't want to come apart at all! | 0:21:10 | 0:21:12 | |
Well...surprisingly tough. | 0:21:15 | 0:21:17 | |
Oh, it looks like he's finally getting somewhere. | 0:21:21 | 0:21:24 | |
There you go, Rupert. You're cooking with gas. | 0:21:27 | 0:21:30 | |
This is a pretty scary part of the project, | 0:21:34 | 0:21:36 | |
because all I've got left now | 0:21:36 | 0:21:38 | |
is a big pile of sticks and I did promise Sarah furniture. | 0:21:38 | 0:21:44 | |
So, somehow, now I've got to turn this pile of firewood | 0:21:44 | 0:21:49 | |
into something great. | 0:21:49 | 0:21:51 | |
No pressure then. | 0:21:53 | 0:21:54 | |
I've cut enough pieces to make one of the tables now. | 0:21:55 | 0:21:59 | |
Hopefully this will make the skeleton framework for one piece. | 0:21:59 | 0:22:03 | |
This is one big jigsaw puzzle... | 0:22:04 | 0:22:07 | |
but I haven't got a picture, so not as easy. | 0:22:07 | 0:22:11 | |
Well, no-one said it was going to be easy, though that does look like | 0:22:12 | 0:22:16 | |
it's starting to take shape. | 0:22:16 | 0:22:19 | |
With a handful of screws, a bit of glue and a little bit of labour, | 0:22:19 | 0:22:24 | |
this will be something great for Sarah. | 0:22:24 | 0:22:27 | |
I promise. | 0:22:27 | 0:22:28 | |
I certainly hope so. | 0:22:29 | 0:22:31 | |
After some fixing, measuring and a lot of assembling, | 0:22:31 | 0:22:34 | |
it's coming together nicely. | 0:22:34 | 0:22:36 | |
That's the rough idea, the framework. | 0:22:39 | 0:22:41 | |
And it's... It's not terrible. | 0:22:41 | 0:22:45 | |
It's along the lines, definitely, of what I imagined. | 0:22:45 | 0:22:47 | |
I've still got a long way to go. | 0:22:47 | 0:22:49 | |
I've got to glaze the sides, put a base in, | 0:22:49 | 0:22:52 | |
somehow make a top, and then I've got to | 0:22:52 | 0:22:54 | |
do it all again for the second one. | 0:22:54 | 0:22:57 | |
No time to waste, Rupert. | 0:22:57 | 0:22:59 | |
Back to West Sussex. | 0:23:09 | 0:23:11 | |
Josh and Oli are getting to grips with the wooden vice and boxes. | 0:23:11 | 0:23:14 | |
Sarah's asked for a desk to encase the old oak drawer, | 0:23:16 | 0:23:20 | |
a stool to be made from the wooden vice | 0:23:20 | 0:23:23 | |
and a lamp from any bits left over. | 0:23:23 | 0:23:25 | |
Despite the hefty budget, it's still a tall order. | 0:23:26 | 0:23:30 | |
What's the plan, boys? | 0:23:31 | 0:23:32 | |
The plan is still making the desk | 0:23:32 | 0:23:34 | |
and a little stool to go with it, yeah? | 0:23:34 | 0:23:36 | |
-Yeah. -I guess the first job then is making the frame legs that we were | 0:23:36 | 0:23:39 | |
going to do and, like, a carcass for the top as well. | 0:23:39 | 0:23:43 | |
Yeah, then after that we can have a little think about the stool | 0:23:43 | 0:23:47 | |
-that we want to make. -Right, let's grab some boards and get cracking. | 0:23:47 | 0:23:51 | |
The boys are using planks of locally sourced English oak | 0:23:53 | 0:23:57 | |
to be cut to size to make the frame and the legs of the desk. | 0:23:57 | 0:24:01 | |
I reckon we'd get most of what we need out of these two bits. | 0:24:01 | 0:24:04 | |
Oli is using a table saw. | 0:24:06 | 0:24:08 | |
That will give him precise cuts and minimise wastage. | 0:24:08 | 0:24:11 | |
Once the wood is cut, | 0:24:12 | 0:24:13 | |
it's put through the planer to smooth both sides of the oak. | 0:24:13 | 0:24:17 | |
This creates a nice flat surface. | 0:24:17 | 0:24:20 | |
With the desk frame under way, Josh moves on to the stool. | 0:24:22 | 0:24:26 | |
We're going to use this as the top of the stool and try and use | 0:24:27 | 0:24:31 | |
this little guy as one of the legs. | 0:24:31 | 0:24:34 | |
And it's going to be a four-legged stool, | 0:24:34 | 0:24:36 | |
so I'll get the other three legs out of this oak dowel. | 0:24:36 | 0:24:39 | |
Josh begins by preparing the seat of the stool. | 0:24:42 | 0:24:45 | |
He is using a Japanese handsaw to remove excess wood | 0:24:45 | 0:24:49 | |
from the old vice. | 0:24:49 | 0:24:51 | |
Unlike typical saws, | 0:24:51 | 0:24:52 | |
it works by cutting on the pull rather than on the push. | 0:24:52 | 0:24:56 | |
Very energy-efficient, I should think. | 0:24:56 | 0:24:59 | |
It's got a lovely character and loads of saw cuts, | 0:24:59 | 0:25:02 | |
and you can see the history in there. So it's nice. | 0:25:02 | 0:25:06 | |
But I just think we just need a little bit of sanding down | 0:25:06 | 0:25:09 | |
and smoothing off before you'd really want to sit on this. | 0:25:09 | 0:25:12 | |
Yeah, Josh, I don't think Sarah will be happy | 0:25:12 | 0:25:14 | |
with a seat that gives splinters. | 0:25:14 | 0:25:16 | |
Oli's making good progress on the desktop. | 0:25:19 | 0:25:23 | |
This will hold the old oak drawer. | 0:25:23 | 0:25:25 | |
With the wooden frame clamped to allow the glue to set, | 0:25:33 | 0:25:36 | |
Josh now takes on the legs of the stool. | 0:25:36 | 0:25:39 | |
The boys need these to splay out at a 30-degree angle, | 0:25:39 | 0:25:43 | |
and it's all sounding rather complicated. | 0:25:43 | 0:25:46 | |
Just making... | 0:25:46 | 0:25:48 | |
extra, doubly sure that this is all working out all right. | 0:25:48 | 0:25:52 | |
You've got, like, two angles coming in here | 0:25:52 | 0:25:56 | |
and then also you've got the swivel of the bed | 0:25:56 | 0:25:58 | |
of the pillar drill as well, so there's three factors | 0:25:58 | 0:26:02 | |
that change everything. So if you don't get it right, | 0:26:02 | 0:26:05 | |
all of these legs are just going to be all over the place. | 0:26:05 | 0:26:08 | |
The pillar drill cuts holes using a revolving, circular press. | 0:26:10 | 0:26:15 | |
With any luck, it'll be perfect. | 0:26:15 | 0:26:18 | |
Right, that's that one done. | 0:26:18 | 0:26:19 | |
That's good. Hopefully the next three holes | 0:26:19 | 0:26:21 | |
will just work exactly the same | 0:26:21 | 0:26:23 | |
and that's all the complicated bits over. | 0:26:23 | 0:26:25 | |
So, yeah, chuffed that that's worked. | 0:26:25 | 0:26:27 | |
You're not out of the woods yet. | 0:26:29 | 0:26:30 | |
There's still the desk to go. | 0:26:30 | 0:26:32 | |
And didn't you promise Sarah some kind of lighting, too? | 0:26:32 | 0:26:36 | |
One thing in the back of my mind | 0:26:36 | 0:26:38 | |
is I know Sarah wanted us to make a lamp out of this. | 0:26:38 | 0:26:41 | |
But, eh, at the moment, we've put so much time into the other bits, | 0:26:41 | 0:26:45 | |
I'm not sure it's going to happen. | 0:26:45 | 0:26:47 | |
Why don't we keep that between us for the moment, lads? | 0:26:47 | 0:26:50 | |
Best of luck. | 0:26:50 | 0:26:51 | |
Back we go to Sarah's. | 0:26:58 | 0:27:00 | |
She's about to find out if spray-painting | 0:27:00 | 0:27:03 | |
the sideboard has worked out. | 0:27:03 | 0:27:04 | |
It's very satisfying. | 0:27:06 | 0:27:07 | |
I think the chevrons might be working. | 0:27:09 | 0:27:11 | |
I always had faith in you, Sarah. | 0:27:11 | 0:27:14 | |
When Sarah found the old sideboard, | 0:27:17 | 0:27:19 | |
it was stylish but needed a serious update. | 0:27:19 | 0:27:23 | |
But now... | 0:27:23 | 0:27:24 | |
Boy, oh, boy has Sarah delivered. | 0:27:26 | 0:27:29 | |
This classic mid-century piece has | 0:27:31 | 0:27:33 | |
undergone a very trendy transformation indeed. | 0:27:33 | 0:27:37 | |
Sarah's stripped the orange finish to reveal smart teak underneath. | 0:27:38 | 0:27:43 | |
The addition of black and gold chevrons adds a contemporary twist, | 0:27:45 | 0:27:49 | |
making this '60s piece swing. | 0:27:49 | 0:27:52 | |
The painted black base contrasts with the body of the unit, | 0:27:55 | 0:27:59 | |
while simple handles along with the gold feet bring it all together. | 0:27:59 | 0:28:03 | |
Beautiful and functional. Good job, Sarah. | 0:28:05 | 0:28:08 | |
So what do you think? Personally, it's a lot better | 0:28:08 | 0:28:11 | |
than I thought it was going to be. It did have a lovely, | 0:28:11 | 0:28:14 | |
strong shape to begin with but I'm hoping all that I've done | 0:28:14 | 0:28:16 | |
to it has just enhanced that. | 0:28:16 | 0:28:18 | |
At the tip, Sarah was lovestruck when she saw the sideboard. | 0:28:21 | 0:28:26 | |
I think it's one of the most exciting things | 0:28:26 | 0:28:28 | |
I've seen at the recycling centre. | 0:28:28 | 0:28:30 | |
Martin hoped she could give it a face-lift. | 0:28:31 | 0:28:34 | |
It just needs a bit of subtle renovation, | 0:28:34 | 0:28:36 | |
bit of clearing up on the top, bit of polish, | 0:28:36 | 0:28:39 | |
new front on one of the knobs and then you wouldn't know it's old. | 0:28:39 | 0:28:42 | |
Sarah took to social media to post pictures of the sideboard | 0:28:44 | 0:28:47 | |
in the hope of finding a buyer. | 0:28:47 | 0:28:50 | |
But did she secure a sale? | 0:28:50 | 0:28:52 | |
Now she's back in Woking to show Martin and Yvonne | 0:28:54 | 0:28:57 | |
the transformation of their '60s sideboard. | 0:28:57 | 0:29:00 | |
-Hiya. -Hello, Sarah. Nice to meet you again. | 0:29:03 | 0:29:06 | |
-Do you remember Yvonne? -Yes, I do. | 0:29:06 | 0:29:08 | |
-Hello, Yvonne. Come on out. -Hello, Sarah. | 0:29:08 | 0:29:10 | |
How are you doing? I was so excited when I saw you turning up at the tip | 0:29:10 | 0:29:15 | |
with your sideboard. Did you wonder what I might do with it or anything | 0:29:15 | 0:29:18 | |
you didn't want me to do with it? | 0:29:18 | 0:29:19 | |
Erm, ideally, I wouldn't want it sprayed gold or silver, | 0:29:19 | 0:29:22 | |
but on the other hand if somebody's done something to it | 0:29:22 | 0:29:24 | |
and it's improved it, then what can I say? | 0:29:24 | 0:29:26 | |
OK, well, it was actually something I worked on | 0:29:26 | 0:29:28 | |
and there's bad news, because... | 0:29:28 | 0:29:30 | |
There is a bit of metallic, is there? | 0:29:30 | 0:29:32 | |
-A tiny bit of gold. -OK. | 0:29:32 | 0:29:34 | |
I've got some pictures to show you. | 0:29:34 | 0:29:35 | |
I hope you're not offended. Your sideboard now looks like that. | 0:29:35 | 0:29:40 | |
-I like that. -So it has just a few tiny gold lines. | 0:29:40 | 0:29:44 | |
-That's all right. -I like that, actually. | 0:29:44 | 0:29:46 | |
Thank goodness for that. | 0:29:46 | 0:29:47 | |
Well, I've managed to sell it and I've got the money here for you. | 0:29:47 | 0:29:52 | |
-Oh. -I've got you 355 quid. | 0:29:52 | 0:29:55 | |
£355! | 0:29:55 | 0:29:57 | |
I tell you what I'm going to do with this. | 0:29:57 | 0:29:59 | |
This is actually going to charity. | 0:29:59 | 0:30:01 | |
All of that? You're amazing. | 0:30:01 | 0:30:03 | |
All of that. Because it was my mum's and therefore I think | 0:30:03 | 0:30:06 | |
somebody else should now benefit from it. | 0:30:06 | 0:30:08 | |
I'm so pleased I made that money for you | 0:30:08 | 0:30:10 | |
and to give that money to charity is a wonderful thing. | 0:30:10 | 0:30:12 | |
Thank you so much. Really good to catch up. | 0:30:12 | 0:30:14 | |
Thanks very much for doing it. | 0:30:14 | 0:30:15 | |
My pleasure. Any more sideboards you've got, | 0:30:15 | 0:30:17 | |
I'll be at the recycling centre soon. | 0:30:17 | 0:30:19 | |
-And don't spray them silver or gold. -I won't. Thanks, bye. | 0:30:19 | 0:30:22 | |
-Thank you. Bye. -Bye. | 0:30:22 | 0:30:23 | |
Sarah spent just £20 revamping the retro sideboard. | 0:30:23 | 0:30:28 | |
She sold it to a private buyer for an impressive £375, | 0:30:28 | 0:30:34 | |
giving Martin and Yvonne a cracking profit of £355, | 0:30:34 | 0:30:39 | |
which they'll donate to Macmillan Cancer Support. | 0:30:39 | 0:30:42 | |
Back in Margate, Sarah's on her way to Rupert. | 0:30:46 | 0:30:48 | |
She left him with two warped deckchair frames, | 0:30:49 | 0:30:52 | |
but did he have enough timber | 0:30:52 | 0:30:54 | |
to make the pair of bedside cabinets he promised her? | 0:30:54 | 0:30:58 | |
This one was pretty fun. | 0:30:58 | 0:30:59 | |
I had a few things go wrong during the making, but resolved them. | 0:30:59 | 0:31:04 | |
I'm happy with what I've made, | 0:31:04 | 0:31:06 | |
and I made her a little something extra as well. | 0:31:06 | 0:31:09 | |
Ooh, I do like a surprise. | 0:31:09 | 0:31:11 | |
It's a bit breezy for deckchairs today, | 0:31:11 | 0:31:13 | |
so I hope that Rupert has come up with another use for them | 0:31:13 | 0:31:16 | |
and transformed them into something I can sell. | 0:31:16 | 0:31:19 | |
When Sarah spotted these retro rickety frames, | 0:31:21 | 0:31:25 | |
their deckchair days were over. | 0:31:25 | 0:31:27 | |
But now... | 0:31:28 | 0:31:30 | |
..Rupert has repurposed the warped wood | 0:31:33 | 0:31:36 | |
into a stunning pair of bedside cabinets. | 0:31:36 | 0:31:40 | |
He's used every inch of timber from the yellow frames | 0:31:42 | 0:31:46 | |
and he's added extra wood salvaged | 0:31:46 | 0:31:49 | |
from the beach right here in Margate. | 0:31:49 | 0:31:51 | |
How's that for staying true to the seaside theme? | 0:31:51 | 0:31:54 | |
Rupert even chose sky blue paint to complement | 0:31:55 | 0:31:58 | |
the sunny yellow of the deckchairs. | 0:31:58 | 0:32:01 | |
I love them, but what will Sarah think? | 0:32:02 | 0:32:05 | |
-Hello. -Ah, glad you're here. Come in. | 0:32:05 | 0:32:08 | |
Oh, don't they look like fun? | 0:32:08 | 0:32:10 | |
-How are you doing? -I am good. | 0:32:10 | 0:32:12 | |
These were a little bit of a trial to start with. | 0:32:12 | 0:32:15 | |
I'm glad of your initial reaction, you seem to like them. | 0:32:15 | 0:32:18 | |
Fab, fun, exciting, really cool little things. | 0:32:18 | 0:32:23 | |
If they were inspired by those ropey old deckchairs, then... | 0:32:23 | 0:32:28 | |
-I think you've done really well. -Excellent. -Aren't they sweet? | 0:32:28 | 0:32:30 | |
The thing is, I had a little bit of material left over, | 0:32:30 | 0:32:34 | |
surprisingly, because it didn't look like much was left. | 0:32:34 | 0:32:36 | |
But I've made you something a little bit extra. | 0:32:36 | 0:32:39 | |
-A Rupert bonus? -Yeah. -Go on, then. Where is it? | 0:32:39 | 0:32:42 | |
I'll show you this. OK, so I have also made for you... | 0:32:42 | 0:32:46 | |
-Wow. -..a lamp. | 0:32:46 | 0:32:49 | |
OK? So this...are all the bits I had left from the deckchair. | 0:32:50 | 0:32:55 | |
I've bolted them together, I've used a lampshade that I found in a skip, | 0:32:55 | 0:32:59 | |
I've had a professional do the wiring for it. | 0:32:59 | 0:33:01 | |
I don't normally make lamps. | 0:33:01 | 0:33:03 | |
I really like this, and if you don't, I will happily keep it. | 0:33:03 | 0:33:07 | |
I hate to tell you this, but there's no way you're having that. | 0:33:08 | 0:33:12 | |
That is the icing on the cake for this lot. | 0:33:12 | 0:33:15 | |
What a joyful thing. | 0:33:15 | 0:33:17 | |
The lamp complies with all UK safety standards. | 0:33:19 | 0:33:23 | |
You've smashed it out the park again, Rupert. | 0:33:23 | 0:33:27 | |
But how has the bonus lamp affected the £200 budget? | 0:33:27 | 0:33:31 | |
It was actually quite a bit extra. | 0:33:31 | 0:33:33 | |
Brace yourself, Sarah. | 0:33:33 | 0:33:35 | |
I'm going to have to charge you 260 for all of this. | 0:33:35 | 0:33:38 | |
I'm walking away with a profit all day long on that. | 0:33:38 | 0:33:40 | |
-Congratulations. You've stormed it. -Thank you. | 0:33:40 | 0:33:43 | |
See that? | 0:33:45 | 0:33:46 | |
That's somebody who's just picked up the first-ever Rupert table lamp. | 0:33:46 | 0:33:51 | |
Oh, and two fantastic cabinets as well. | 0:33:51 | 0:33:53 | |
At Woking tip, | 0:33:56 | 0:33:58 | |
Sarah was chuffed to bits to get her hands on the deckchairs. | 0:33:58 | 0:34:02 | |
Happy clearing. Thank you so much for letting me have them. | 0:34:02 | 0:34:04 | |
OK. You're welcome. | 0:34:04 | 0:34:06 | |
Christine was happy for them to have a chance at a second life. | 0:34:06 | 0:34:09 | |
Hopefully she'll do something good with them. | 0:34:09 | 0:34:12 | |
Sarah advertised her cabinets and light for sale | 0:34:14 | 0:34:17 | |
and they didn't stick around for long. | 0:34:17 | 0:34:21 | |
The bedside tables were snaffled | 0:34:21 | 0:34:23 | |
at one of Sarah's barn sales. | 0:34:23 | 0:34:25 | |
And the desk lamp sold to a lighting store in Cornwall. | 0:34:26 | 0:34:29 | |
Now, Sarah is in Addlestone near Woking | 0:34:32 | 0:34:35 | |
to show Christine what became of her deckchairs. | 0:34:35 | 0:34:39 | |
And to hand over some cash. | 0:34:39 | 0:34:41 | |
-Hi, Christine. -Hello. | 0:34:43 | 0:34:44 | |
-Nice to see you again. -Nice to see you. | 0:34:44 | 0:34:46 | |
So, I found you chucking out your old deckchairs and clearing out | 0:34:46 | 0:34:49 | |
-the shed, is that right? -Yes. | 0:34:49 | 0:34:51 | |
And talk me through those deckchairs, | 0:34:51 | 0:34:52 | |
-you'd had them for ages, hadn't you? -I've had them for a very long time. | 0:34:52 | 0:34:56 | |
They're very old and I decided to paint them yellow | 0:34:56 | 0:34:59 | |
to brighten them up. | 0:34:59 | 0:35:00 | |
What do you think might have happened to them? | 0:35:00 | 0:35:02 | |
Well, because the wood wasn't very thick, | 0:35:02 | 0:35:04 | |
I thought perhaps you'd make a small coffee table or side table | 0:35:04 | 0:35:07 | |
-or something like that. -Clever minds think alike. | 0:35:07 | 0:35:09 | |
They went to Margate and to a guy called Rupert. | 0:35:09 | 0:35:11 | |
I've got some pictures here to show you. | 0:35:11 | 0:35:14 | |
-Oh, you kept them yellow. -We made them into a pair of side tables. | 0:35:14 | 0:35:16 | |
-What do you think? -Brilliant! | 0:35:16 | 0:35:19 | |
Wow! Well, it's good that they've something out of nothing, isn't it? | 0:35:19 | 0:35:23 | |
Yeah. Actually, there's a bonus as well, | 0:35:23 | 0:35:25 | |
because he made the tables but he had a little bit | 0:35:25 | 0:35:28 | |
of wood left over, so he thought he'd make a light as well. | 0:35:28 | 0:35:31 | |
-Oh, wow! -What do you think of that lot? | 0:35:31 | 0:35:33 | |
-That's brilliant. -I managed to sell them at a profit. | 0:35:33 | 0:35:36 | |
-Did you? -Yep, so for your deckchair... | 0:35:36 | 0:35:38 | |
CHRISTINE GASPS | 0:35:38 | 0:35:40 | |
..I've got £190. | 0:35:40 | 0:35:41 | |
Oh, wow! That's amazing. | 0:35:41 | 0:35:43 | |
Well, thank you. | 0:35:43 | 0:35:45 | |
-What might you do with that? -Well... | 0:35:45 | 0:35:48 | |
maybe a new deckchair! | 0:35:48 | 0:35:50 | |
Oh, fantastic. | 0:35:50 | 0:35:51 | |
-Lovely to see you. Thank you so much. -Thanks very much. | 0:35:51 | 0:35:54 | |
-Bye-bye. -Thank you, bye-bye. | 0:35:54 | 0:35:56 | |
CHRISTINE LAUGHS | 0:35:56 | 0:35:58 | |
Rupert charged £260 to transform the deckchair frames | 0:36:00 | 0:36:04 | |
into a pair of cabinets and a lamp. | 0:36:04 | 0:36:08 | |
Sarah sold the lot for an amazing £450, | 0:36:08 | 0:36:14 | |
leaving Christine with a profit of £190. | 0:36:14 | 0:36:18 | |
Result! | 0:36:18 | 0:36:19 | |
With the revamped sideboard and the repurposed deckchairs | 0:36:25 | 0:36:29 | |
off to new homes, Sarah is in West Sussex. | 0:36:29 | 0:36:33 | |
Can Josh and Oli make it a clean sweep with their transformation? | 0:36:33 | 0:36:37 | |
The boys are confident they can. | 0:36:37 | 0:36:39 | |
I think we're happy with the result, aren't we? | 0:36:39 | 0:36:41 | |
It's turned out really nicely, yeah. | 0:36:41 | 0:36:43 | |
Well, I left Josh and Oli with a real mixed bag | 0:36:43 | 0:36:45 | |
of stuff to make things out of. | 0:36:45 | 0:36:47 | |
I'm hoping they managed to make a desk and a chair, | 0:36:47 | 0:36:49 | |
maybe even a light. | 0:36:49 | 0:36:51 | |
When Sarah spotted this collection of wooden bits at the tip, | 0:36:51 | 0:36:56 | |
she was stumped as to how Josh and Oli could make them useful again. | 0:36:56 | 0:37:00 | |
But would you believe it? They've hit the nail on the head. | 0:37:08 | 0:37:11 | |
Using the old vice and drawer, | 0:37:14 | 0:37:17 | |
Josh and Oli have produced | 0:37:17 | 0:37:18 | |
a beautiful bespoke writing desk and stool set. | 0:37:18 | 0:37:21 | |
For the desk, they've highlighted the age | 0:37:24 | 0:37:27 | |
of the reused parts by combining them with | 0:37:27 | 0:37:30 | |
fresh, locally sourced English oak. | 0:37:30 | 0:37:33 | |
This contrast of light and dark wood creates a contemporary style. | 0:37:33 | 0:37:38 | |
Better still, the old workbench drawer and boxes | 0:37:38 | 0:37:41 | |
are now incorporated as practical storage compartments. | 0:37:41 | 0:37:45 | |
Then there's the stool, made from the 70-year-old vice. | 0:37:46 | 0:37:50 | |
It tested the boys' mathematical skills | 0:37:50 | 0:37:53 | |
to the limit to get the angles of the legs just right. | 0:37:53 | 0:37:56 | |
This writing desk and stool make me want to put pen to paper. | 0:37:58 | 0:38:02 | |
But wait, where's the lamp for Sarah? | 0:38:02 | 0:38:05 | |
-Hello? Hi. -Hey. | 0:38:06 | 0:38:08 | |
Oh, it worked! | 0:38:09 | 0:38:10 | |
JOSH AND OLI LAUGH | 0:38:10 | 0:38:12 | |
Oh, fantastic. Look at that. | 0:38:12 | 0:38:14 | |
-Wow, what's it made out of? -Well, it's all oak. | 0:38:16 | 0:38:19 | |
What happens over there? | 0:38:19 | 0:38:22 | |
-That's the other little... -Oh, how sweet. | 0:38:23 | 0:38:25 | |
..compartment thing that you gave us. | 0:38:25 | 0:38:29 | |
Look at that, boys, well done, it came together. | 0:38:29 | 0:38:31 | |
Yeah, we're really pleased with it, actually. | 0:38:31 | 0:38:33 | |
I bet you are. I didn't expect it to look like that. | 0:38:33 | 0:38:35 | |
That's a much more generous desk, isn't it? | 0:38:35 | 0:38:38 | |
Very clever, sharp piece of design, isn't it? | 0:38:38 | 0:38:41 | |
-We aim to please. -Yeah. No lamp? | 0:38:41 | 0:38:44 | |
-Unfortunately not. -Sorry about that. | 0:38:44 | 0:38:47 | |
What did you do with it? | 0:38:47 | 0:38:49 | |
-Oh, my goodness, is that it? -JOSH AND OLI LAUGH | 0:38:49 | 0:38:51 | |
I can't believe it. | 0:38:52 | 0:38:54 | |
You naughty boys! | 0:38:54 | 0:38:57 | |
Cheeky! They've turned it into a mallet for their workshop. | 0:38:57 | 0:39:01 | |
-Let's talk money. -625 quid was the ballpark budget we left for it. | 0:39:01 | 0:39:07 | |
It was a lot of work but we always want to try and keep to the budgets. | 0:39:07 | 0:39:10 | |
I think you've done that for 625, thank you so much. | 0:39:10 | 0:39:13 | |
-Thank you. -And I'll tell you where it goes. | 0:39:13 | 0:39:15 | |
-Thank you. Bye. -See you. | 0:39:15 | 0:39:17 | |
They're naughty boys, aren't they? | 0:39:19 | 0:39:21 | |
Look what they did with my light. | 0:39:21 | 0:39:23 | |
But I forgive them because the desk and the little stool, well, | 0:39:23 | 0:39:26 | |
that's a lovely, sharp, crisp piece of design, | 0:39:26 | 0:39:29 | |
just what I've come to expect from these lads. | 0:39:29 | 0:39:30 | |
It's nice to hear her say... | 0:39:30 | 0:39:33 | |
in her mind she thought she was going to see a tiny little desk. | 0:39:33 | 0:39:36 | |
It obviously wasn't... | 0:39:36 | 0:39:37 | |
-BUMP -Oh, that mallet! | 0:39:37 | 0:39:40 | |
Did you hear the power of it? Unstoppable! | 0:39:40 | 0:39:42 | |
Well, that would have made a pretty powerful lamp. | 0:39:45 | 0:39:48 | |
Back at the dump, Sarah was onto a winner with Delia's collection, | 0:39:52 | 0:39:56 | |
all cleared out from her dad's old workshop. | 0:39:56 | 0:39:59 | |
I really like this, I think it's beautiful. | 0:39:59 | 0:40:01 | |
Delia was delighted she didn't have to throw it all in the wood skip. | 0:40:01 | 0:40:06 | |
I like to find a good home for things. | 0:40:06 | 0:40:08 | |
Sarah wasted no time in sharing pictures | 0:40:10 | 0:40:13 | |
of the desk and stool online. | 0:40:13 | 0:40:15 | |
And it was bought by a boutique hotel, Monachyle Mhor, | 0:40:15 | 0:40:19 | |
in Perthshire in Scotland. | 0:40:19 | 0:40:21 | |
Owner Tom absolutely loves his purchase. | 0:40:21 | 0:40:24 | |
I absolutely love it, it's great. | 0:40:24 | 0:40:27 | |
It's just a really pretty thing. | 0:40:27 | 0:40:29 | |
Sarah has travelled to Addlestone | 0:40:31 | 0:40:33 | |
to hand the profit to Delia and show her what became of her items. | 0:40:33 | 0:40:39 | |
-Hello, Delia. -Hello, Sarah. | 0:40:41 | 0:40:42 | |
-Nice to see you. -Nice to see you again. | 0:40:44 | 0:40:45 | |
I'm here because I said I'd come and find you if there was | 0:40:45 | 0:40:48 | |
something to be done with your eclectic collection of stuff. | 0:40:48 | 0:40:50 | |
Did you wonder what might have happened to all those lovely bits? | 0:40:50 | 0:40:53 | |
I could only think, really, of two things. | 0:40:53 | 0:40:56 | |
Perhaps a lamp stand, you know, the base for a lamp, | 0:40:56 | 0:41:00 | |
or perhaps the base of a table or something like that. | 0:41:00 | 0:41:05 | |
Those ideas are both things we discussed | 0:41:05 | 0:41:07 | |
because they really did lend themselves to the lighting, | 0:41:07 | 0:41:10 | |
so I went to two guys I work with down near Goodwood | 0:41:10 | 0:41:12 | |
called Josh and Oli, and after a bit of discussion | 0:41:12 | 0:41:15 | |
they came up with an idea, | 0:41:15 | 0:41:16 | |
and I've got a picture here to show you how it ended up. | 0:41:16 | 0:41:19 | |
-Are you ready? -I'd love to see it. | 0:41:19 | 0:41:21 | |
Oh! Now, I didn't think of anything like that. | 0:41:22 | 0:41:26 | |
Isn't that lovely? | 0:41:26 | 0:41:28 | |
-Do you like it? -I love it. Absolutely love it. | 0:41:28 | 0:41:32 | |
Do you think your father, obviously, a fantastic makeover, | 0:41:32 | 0:41:34 | |
would that be OK with him? | 0:41:34 | 0:41:36 | |
Oh, yes. To think that after all these years, | 0:41:36 | 0:41:40 | |
that, you know, something could be done with it, | 0:41:40 | 0:41:42 | |
and I'm so glad I rescued it. | 0:41:42 | 0:41:45 | |
Well, so am I and actually, it's been bought, | 0:41:45 | 0:41:47 | |
-and some profit for you as well. -Ooh! | 0:41:47 | 0:41:49 | |
I've got £74 here for you. | 0:41:51 | 0:41:55 | |
-Gosh! -After we pay Josh and Oli | 0:41:55 | 0:41:57 | |
for all their hard work, but that's for you. | 0:41:57 | 0:41:59 | |
Isn't that marvellous? | 0:41:59 | 0:42:02 | |
Oh, I think that's absolutely lovely. | 0:42:02 | 0:42:05 | |
I'm always curious to know, | 0:42:05 | 0:42:06 | |
is there anything that comes to mind that you might spend that money on? | 0:42:06 | 0:42:09 | |
Well, I know there is a refuge for women around here somewhere. | 0:42:09 | 0:42:12 | |
I have the means to get money to them. | 0:42:12 | 0:42:16 | |
-I think I'll do that. -Well, that is lovely. | 0:42:16 | 0:42:19 | |
Such a generous thing. Great that I happened to be | 0:42:19 | 0:42:21 | |
at the tip the day you were there. | 0:42:21 | 0:42:22 | |
-They were lovely old things. -Yes, absolutely amazing. | 0:42:22 | 0:42:26 | |
Well, thank you so much. Thank you for all your time today | 0:42:26 | 0:42:28 | |
-and lovely to catch up. -Yes, and thank you very, very much. | 0:42:28 | 0:42:32 | |
I shall be hanging around in Woking Recycling Centre, | 0:42:32 | 0:42:34 | |
-hoping to see you again soon. -Well, you never know. | 0:42:34 | 0:42:37 | |
-Thank you so much. -Thank you. Goodbye, Sarah. | 0:42:37 | 0:42:39 | |
Josh and Oli charged £625 to turn the old vice and drawers into | 0:42:43 | 0:42:49 | |
a desk and stool set. Sarah sold the pair for £699, | 0:42:49 | 0:42:55 | |
leaving Delia with a profit of £74. | 0:42:55 | 0:42:58 | |
Sarah salvaged three items that were destined for the dump. | 0:43:05 | 0:43:10 | |
Rupert made the sun shine again for the deckchairs. | 0:43:10 | 0:43:13 | |
Josh and Oli worked wonders for Delia's vice and bits, | 0:43:13 | 0:43:18 | |
and Sarah's transformation of the '60s sideboard | 0:43:18 | 0:43:21 | |
brought it into the 21st century. | 0:43:21 | 0:43:24 | |
Wow, three amazing items to find at the recycling centre | 0:43:24 | 0:43:27 | |
and three fantastic transformations. | 0:43:27 | 0:43:29 | |
Finding new homes? Well, that's just the icing on the cake. | 0:43:29 | 0:43:32 |