Browse content similar to Episode 27. Check below for episodes and series from the same categories and more!
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You haven't got anything I can recycle, have you? | 0:00:03 | 0:00:05 | |
-How do you make money for nothing? -Wow, look at that! | 0:00:07 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes | 0:00:11 | 0:00:14 | |
of household waste thrown out by us every year. | 0:00:14 | 0:00:18 | |
Don't get rid of it too quickly. This stuff looks amazing. | 0:00:18 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:21 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:28 | |
I'm a passionate maker, buyer and user of old stuff | 0:00:31 | 0:00:34 | |
and I've turned that passion into a money-making business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:41 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
-I don't know what to say. -Did you drag it here behind the truck? | 0:00:45 | 0:00:49 | |
-..she can transform her finds into desirable... -It's enormous! | 0:00:49 | 0:00:55 | |
-..valuable... -Isn't that fantastic? | 0:00:55 | 0:00:58 | |
..and, hopefully, saleable items. | 0:00:58 | 0:01:02 | |
It's just given me goose bumps. | 0:01:02 | 0:01:04 | |
If Sarah is successful, then she can hand the profits back | 0:01:04 | 0:01:08 | |
to the very people who had no idea | 0:01:08 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:14 | |
Thank you very much! Marvellous! | 0:01:14 | 0:01:16 | |
Welcome to Walsall Recycling Centre near Birmingham. | 0:01:26 | 0:01:30 | |
When it comes to filling skips, this place is fast and furious. | 0:01:32 | 0:01:36 | |
Sarah's on a mission to turn your trash into hard cash. | 0:01:38 | 0:01:44 | |
It's like the floodgates have opened cos people are pouring in here, | 0:01:44 | 0:01:47 | |
but I just need to find those little bits | 0:01:47 | 0:01:49 | |
that I know are going to float a profit. | 0:01:49 | 0:01:51 | |
But before you zip down to your local tip, be warned - | 0:01:53 | 0:01:57 | |
Sarah has special permission to seek out three items | 0:01:57 | 0:02:00 | |
that she can rejuvenate, repurpose and sell on for a profit. | 0:02:00 | 0:02:05 | |
First to pique Sarah's interest is Jenny. | 0:02:07 | 0:02:10 | |
But has she a car full of possibilities? | 0:02:10 | 0:02:13 | |
-Are you having a clearout? -Just a little. -Are you on the move? | 0:02:14 | 0:02:18 | |
-No, we're just having a big sort-out. -OK. -All the rubbish. | 0:02:18 | 0:02:22 | |
Looks like you've got some interesting bits and pieces. | 0:02:22 | 0:02:25 | |
We've got some bits and pieces there, yes. | 0:02:25 | 0:02:27 | |
Where's it all come from then? Is it the garage? | 0:02:27 | 0:02:30 | |
-Attic, one bedroom, one junk room and that's it. -OK. | 0:02:30 | 0:02:34 | |
Do you think there's anything here we might be able to recycle? | 0:02:34 | 0:02:37 | |
I don't know. I don't know what we got - all sorts of bits and pieces. | 0:02:37 | 0:02:41 | |
These are quite cute, aren't they? | 0:02:41 | 0:02:43 | |
-Yeah, they're great. -A pair of them. | 0:02:43 | 0:02:46 | |
Do you know when they were last used? | 0:02:46 | 0:02:49 | |
-Probably 12, 18 months ago. -OK. | 0:02:51 | 0:02:53 | |
Cos we stick them on the top of the cupboard | 0:02:53 | 0:02:56 | |
-when we're watching telly in bed. -Oh, OK. -It's the easy way to do it. | 0:02:56 | 0:03:00 | |
Have you still got the bits for them? | 0:03:00 | 0:03:02 | |
-I don't know. It's amongst this lot, if we have. -OK. | 0:03:02 | 0:03:05 | |
Um, they've got a kind of retro appeal, haven't they? | 0:03:05 | 0:03:09 | |
-They have, haven't they? -I quite like those. | 0:03:09 | 0:03:11 | |
I'm just wondering if there's anything else in here | 0:03:11 | 0:03:14 | |
that might go with them. | 0:03:14 | 0:03:16 | |
-Can I have a quick rummage? -Don't know - have a rummage. -Fab. | 0:03:16 | 0:03:19 | |
-Might keep that. -You carry on. You know what you're after. I don't. | 0:03:21 | 0:03:25 | |
-You never know what you can do with stuff like this. -No. | 0:03:25 | 0:03:28 | |
-It looks quite interesting. -You never know. | 0:03:28 | 0:03:31 | |
I think that might be my lot. | 0:03:32 | 0:03:34 | |
If I can make anything out of that, shall I give you a shout? | 0:03:34 | 0:03:38 | |
-You do that. -Fantastic! Thank you ever so much. -It's rubbish to me. | 0:03:38 | 0:03:43 | |
And to the rest of us, Jenny, and to the rest of us. | 0:03:43 | 0:03:47 | |
I'm absolutely gobsmacked she wanted it, | 0:03:47 | 0:03:49 | |
but if she can use it, then fine. | 0:03:49 | 0:03:51 | |
I couldn't think what she might do with it, but there you go. | 0:03:51 | 0:03:55 | |
This is certainly a random selection of stuff, | 0:03:56 | 0:03:59 | |
but these TVs are just so cute. | 0:03:59 | 0:04:01 | |
Everybody else has got, like, 52-inch ones | 0:04:01 | 0:04:04 | |
and these ones are about 5 inches. | 0:04:04 | 0:04:06 | |
I think they've got a personality all of their own | 0:04:06 | 0:04:08 | |
and I know somebody who just loves this type of thing. | 0:04:08 | 0:04:12 | |
I must say, it's a relief to hear you say that, Sarah. | 0:04:12 | 0:04:16 | |
Introducing Mark Haig, robo-chap. | 0:04:17 | 0:04:21 | |
Mark uses his years of engineering know-how | 0:04:21 | 0:04:24 | |
to create one-of-a-kind bespoke robots from just about anything. | 0:04:24 | 0:04:29 | |
My dad was a clock repairer | 0:04:29 | 0:04:31 | |
and I would sit in front of a three-bar electric fire, | 0:04:31 | 0:04:34 | |
as a seven-year-old kid, and I'd get some bits of clocks from my dad, | 0:04:34 | 0:04:38 | |
get bits of Meccano and I'd make some kind of mad robot. | 0:04:38 | 0:04:41 | |
And 40 years later, I'm still doing the same stuff. | 0:04:41 | 0:04:45 | |
To make these mechanical marvels come to life, | 0:04:45 | 0:04:48 | |
each one even comes with its own back story. | 0:04:48 | 0:04:51 | |
I can create these fun stories that go with the robots | 0:04:51 | 0:04:54 | |
and the combination of having this interesting story | 0:04:54 | 0:04:57 | |
that goes with it makes for a really unique object. | 0:04:57 | 0:05:02 | |
And if anyone can make something unique with all this, it's Mark. | 0:05:04 | 0:05:09 | |
Righty-ho, that's one off the list and two to go. | 0:05:17 | 0:05:21 | |
And, while some items are well protected... | 0:05:21 | 0:05:24 | |
-Anything in there for me? No? -DOG BARKS | 0:05:24 | 0:05:27 | |
..others are not protected enough. | 0:05:27 | 0:05:30 | |
SARAH PLAYS THE VIOLIN | 0:05:30 | 0:05:32 | |
I've never played a violin before, can you tell? | 0:05:32 | 0:05:35 | |
Yes, we can tell. | 0:05:35 | 0:05:37 | |
Could Martin and Annette have something more palatable | 0:05:37 | 0:05:40 | |
in their trailer? Something to bag Sarah some cash, perhaps. | 0:05:40 | 0:05:44 | |
I can see clouds of woodworm dust coming out of that. | 0:05:44 | 0:05:47 | |
What are you throwing away? | 0:05:47 | 0:05:49 | |
Er, it's basically wood chippings from an old shed | 0:05:49 | 0:05:53 | |
-that's been stored for probably 30 years. -OK. | 0:05:53 | 0:05:57 | |
-So... -Not yours then? -It's not mine. | 0:05:57 | 0:05:59 | |
-No, we bought the house and now, we're clearing the shed out. -OK. | 0:05:59 | 0:06:03 | |
There is definitely something active in your shed, isn't there? | 0:06:03 | 0:06:06 | |
There is, yeah. It's good firewood, if anybody wanted it for firewood | 0:06:06 | 0:06:09 | |
but, other than that, for us, it's got no use and, er, it's in the tip. | 0:06:09 | 0:06:14 | |
What about the bags though? | 0:06:14 | 0:06:16 | |
I don't know where he's got those from, to be quite honest. | 0:06:16 | 0:06:18 | |
"Michigan beans" - that doesn't sound like Birmingham, does it? | 0:06:18 | 0:06:22 | |
Well, odd though it might seem, | 0:06:22 | 0:06:24 | |
those dusty old sacks - because they've got | 0:06:24 | 0:06:28 | |
that original writing on them, people love that kind of thing. | 0:06:28 | 0:06:32 | |
-Yeah. -So, amongst all the stuff that's coming out, | 0:06:32 | 0:06:35 | |
those would be quite interesting to see if I could salvage them | 0:06:35 | 0:06:37 | |
-and make something out of them. -Yeah, you're more than welcome, | 0:06:37 | 0:06:41 | |
because all I was going to do was put them in the skip anyway. | 0:06:41 | 0:06:44 | |
OK, well, I'm going to fold those up and say thank you very much. | 0:06:44 | 0:06:47 | |
-You're welcome. -Put those in my little pile of treasures. | 0:06:47 | 0:06:51 | |
Little pile of treasures? Let's not get ahead of ourselves, Sarah. | 0:06:51 | 0:06:55 | |
If I can do something with them - I'm not sure what it will be - | 0:06:55 | 0:06:59 | |
can I come and see you at your house and show you what I've done? | 0:06:59 | 0:07:02 | |
-Yeah. -Yeah. -No problem at all. | 0:07:02 | 0:07:03 | |
We're surprised that Sarah wanted the sacks. | 0:07:03 | 0:07:07 | |
I mean, they're interesting enough with the terminology on them | 0:07:07 | 0:07:10 | |
and that, but what she's going to do with them, who knows? | 0:07:10 | 0:07:13 | |
A sack's a sack, isn't it? | 0:07:13 | 0:07:15 | |
You're not wrong there, Martin. A sack is, indeed, a sack. | 0:07:15 | 0:07:19 | |
I keep asking myself, "Why did I save these?" | 0:07:19 | 0:07:22 | |
They are moth-eaten, they are dirty, they are well past their best. | 0:07:22 | 0:07:26 | |
But there is one redeeming feature. It's the typography. | 0:07:26 | 0:07:30 | |
It's American, | 0:07:30 | 0:07:32 | |
this fantastic really strong circle with all the writing on it. | 0:07:32 | 0:07:36 | |
It's all about beans. | 0:07:36 | 0:07:38 | |
There's something about it that is just fantastic. | 0:07:38 | 0:07:40 | |
And, luckily for us, | 0:07:40 | 0:07:42 | |
Sarah knows a guy who would almost certainly agree with her. | 0:07:42 | 0:07:46 | |
If you want a bag, then go and see Neil Wragg. | 0:07:48 | 0:07:52 | |
Neil is a whizz with a sewing machine. | 0:07:54 | 0:07:57 | |
His mission is to rescue tough and rugged materials | 0:07:57 | 0:08:01 | |
otherwise headed for the skip. | 0:08:01 | 0:08:03 | |
Neil turns them into high-end holdalls that will last a lifetime. | 0:08:05 | 0:08:10 | |
These days, there's too much going into landfill. | 0:08:12 | 0:08:14 | |
We've got a finite amount of space where we can bury stuff | 0:08:14 | 0:08:17 | |
so, if I can prevent it from going into landfill | 0:08:17 | 0:08:20 | |
and make something beautiful from it, that's the plan. | 0:08:20 | 0:08:23 | |
Most of the bags I make are from old sofas. | 0:08:24 | 0:08:27 | |
It could be old army tents or scout tents. | 0:08:27 | 0:08:30 | |
If I can get a needle through it, then I can turn it into a bag, | 0:08:30 | 0:08:34 | |
and a bag that looks like it would cost | 0:08:34 | 0:08:37 | |
hundreds or thousands of pounds from the high street. | 0:08:37 | 0:08:39 | |
With all the holes in these bags, | 0:08:39 | 0:08:42 | |
getting a needle through them will not be difficult. | 0:08:42 | 0:08:45 | |
Making them worth something is a different story altogether. | 0:08:45 | 0:08:49 | |
Two items loaded into the Money For Nothing van. | 0:08:56 | 0:09:00 | |
Now it's time for Sarah to search for her own pound-making project. | 0:09:00 | 0:09:05 | |
Maybe. It depends how old it is though. So, 1950s stuff. | 0:09:05 | 0:09:09 | |
Isn't he friendly? Right, buddy, you'd better get in there. | 0:09:11 | 0:09:14 | |
I've got some work to do. | 0:09:14 | 0:09:16 | |
Yes, you do, Sarah, and, hopefully, | 0:09:16 | 0:09:18 | |
it will be Barry's furniture that piques your interest. | 0:09:18 | 0:09:22 | |
-Hiya. -Hiya. -They're nice. Are they going that way? | 0:09:22 | 0:09:27 | |
-Well, that's the intention, yes. -Where have they come from? | 0:09:27 | 0:09:30 | |
We're basically clearing out a relative's house. | 0:09:30 | 0:09:33 | |
-She passed away recently. -Oh, no, I'm sorry to hear that. -That's OK. | 0:09:33 | 0:09:36 | |
They are lovely. They don't appeal to you? | 0:09:36 | 0:09:38 | |
-They wouldn't fit into your house? -We've got too much rubbish as it is. | 0:09:38 | 0:09:41 | |
I really like things like this. | 0:09:41 | 0:09:43 | |
-I think they're far too nice to end up in there. -It is a shame. | 0:09:43 | 0:09:47 | |
But if it's not your house... Oh, look at that, look. | 0:09:47 | 0:09:51 | |
-So, these, probably bought in the 1950s? -I would say that, yeah. | 0:09:53 | 0:09:57 | |
These are a cracking pair of chairs. If you didn't mind me taking them, | 0:09:57 | 0:10:01 | |
-rather than ending up in there, I'd be really pleased. -Please do. | 0:10:01 | 0:10:04 | |
-It seems a such a shame to throw them. -And what about that? | 0:10:04 | 0:10:07 | |
Did that have those lovely spider plants or something in it? | 0:10:07 | 0:10:10 | |
-Yes, full of spider plants. -Yes, it's just such a classic look. | 0:10:10 | 0:10:13 | |
As a little group - a pair of retro chairs | 0:10:13 | 0:10:15 | |
and a lovely little plant stand - | 0:10:15 | 0:10:17 | |
they're the kind of thing that people love, this retro look. | 0:10:17 | 0:10:20 | |
-That's right. -Particularly those sort of 1950 legs. | 0:10:20 | 0:10:23 | |
-Can I take them away? -Please do. -Fantastic! | 0:10:23 | 0:10:26 | |
Can I keep in touch as well, | 0:10:26 | 0:10:27 | |
because I'd love to be able to show you | 0:10:27 | 0:10:29 | |
-what happened to them and where they go to? -Yes. | 0:10:29 | 0:10:31 | |
-Would that be all right? -That would be fine, yes. -Fantastic! | 0:10:31 | 0:10:34 | |
Well done, Sarah - two chairs and a plant stand. Good luck with that. | 0:10:34 | 0:10:40 | |
What are Barry's thoughts? | 0:10:40 | 0:10:42 | |
I suspect that Sarah will probably renovate them now, | 0:10:42 | 0:10:46 | |
cos they're worth a little bit of attention, especially the planter. | 0:10:46 | 0:10:49 | |
That's quite a classic little item, that is, | 0:10:49 | 0:10:52 | |
and the chairs are very nice as well. | 0:10:52 | 0:10:54 | |
Have you noticed these chairs are Ercol? | 0:10:54 | 0:10:58 | |
These are British-made, stylish, collectible. | 0:10:58 | 0:11:00 | |
There are heaps of people out there who absolutely love this furniture | 0:11:00 | 0:11:04 | |
and, grouped together with this '50s plant stand, they look fantastic. | 0:11:04 | 0:11:08 | |
There you have it. Three items found. | 0:11:08 | 0:11:11 | |
Mark will get switched on with Jenny's mini TVs and bits. | 0:11:13 | 0:11:18 | |
Neil will grapple with Martin's printed sacks. | 0:11:18 | 0:11:22 | |
And Sarah will tackle Barry's chairs and plant stand. | 0:11:22 | 0:11:27 | |
They might have wanted to bin it, but I want to bling it. | 0:11:27 | 0:11:29 | |
Now's the time to turn those diamonds in the rough | 0:11:29 | 0:11:32 | |
into money-making gems. | 0:11:32 | 0:11:34 | |
Manchester, hailed for its industrial past. | 0:11:44 | 0:11:48 | |
It is now becoming a thriving hub | 0:11:48 | 0:11:51 | |
for furniture designers and digital artists, | 0:11:51 | 0:11:54 | |
as well as many others from the creative industries. | 0:11:54 | 0:11:58 | |
One such gentleman is Mark, | 0:11:58 | 0:12:01 | |
who's waiting patiently for Sarah's challenge. | 0:12:01 | 0:12:04 | |
I'm looking forward to Sarah coming down to my studio. | 0:12:04 | 0:12:07 | |
Hopefully, it's something metallic that I can work with, | 0:12:07 | 0:12:09 | |
but I'm prepared to work with whatever she gives me. | 0:12:09 | 0:12:12 | |
Glad to hear you say that, Mark. | 0:12:12 | 0:12:14 | |
Well, I've picked up some random stuff at the recycling centre | 0:12:16 | 0:12:18 | |
in the past, but this lot has to take the biscuit. | 0:12:18 | 0:12:22 | |
I've brought it to Mark and I'm hoping he's going to recycle this | 0:12:22 | 0:12:25 | |
into a robot with attitude. | 0:12:25 | 0:12:27 | |
-Mark? -Hello. -Hi. -Hello, Sarah, how are you? -I'm really well. | 0:12:28 | 0:12:32 | |
-How you doing? -I'm very well, thank you. | 0:12:32 | 0:12:34 | |
-What have you brought me this time? -I saw these and, obviously, | 0:12:34 | 0:12:37 | |
-I immediately thought of you. -Hmm, that's nice. | 0:12:37 | 0:12:40 | |
-It is nice, isn't it? -I like that. That's like a laser gun. -It is. | 0:12:40 | 0:12:43 | |
Actually, it was these little bad boys that made me think... | 0:12:43 | 0:12:47 | |
I just thought they look like little space men, like helmets. | 0:12:47 | 0:12:50 | |
-Definitely. -So, I thought if anybody can do anything with them, | 0:12:50 | 0:12:53 | |
it's going to be you. What do you reckon? | 0:12:53 | 0:12:56 | |
Yeah, I reckon I can build with those. I'm looking on the back. | 0:12:56 | 0:12:59 | |
-It's got a video input on the back. -Right, that's a good thing then? | 0:12:59 | 0:13:02 | |
It's a good thing. Um... | 0:13:02 | 0:13:04 | |
-That one hasn't. -OK. -So, I don't know what I'd do with that one. | 0:13:06 | 0:13:10 | |
I could make something with it, but this is my preference. | 0:13:10 | 0:13:13 | |
OK, well, let's pop that one down there. | 0:13:13 | 0:13:15 | |
When I saw them, I thought they had a bit of attitude. | 0:13:15 | 0:13:18 | |
I was thinking maybe some punk styling or something like that. | 0:13:18 | 0:13:21 | |
But I bought you these other bits in case they're useful. | 0:13:21 | 0:13:24 | |
Put them in the bin, add them to the stash, if not, | 0:13:24 | 0:13:26 | |
but there's definitely something about these little bits... | 0:13:26 | 0:13:29 | |
-They looked quite cool in the... -Like that? -Yeah. | 0:13:29 | 0:13:33 | |
-I think something like that might work. -OK, I like that. | 0:13:33 | 0:13:36 | |
But it's totally up to you because I know you are the robot master. | 0:13:36 | 0:13:40 | |
Robot master he may be, Sarah, | 0:13:42 | 0:13:44 | |
but what happens when the robots take over | 0:13:44 | 0:13:47 | |
and Mark becomes their slave? | 0:13:47 | 0:13:49 | |
Right, no more coffee for me today. | 0:13:49 | 0:13:51 | |
Any little surprises or shall I wait till I come back? | 0:13:51 | 0:13:54 | |
I think you should wait. | 0:13:54 | 0:13:55 | |
I think there's something else I might be able to do with it | 0:13:55 | 0:13:58 | |
to make it a bit more interesting, but leave it with me. | 0:13:58 | 0:14:01 | |
Hit me with a ballpark budget then. | 0:14:01 | 0:14:03 | |
What kind of price are we looking at | 0:14:03 | 0:14:04 | |
to make that an all-singing, all-dancing new robot? | 0:14:04 | 0:14:08 | |
-Well, he's going to end up being sort of that kind of size. -OK. | 0:14:08 | 0:14:13 | |
-So, he's going to be quite a big fellow. About 150 quid? -OK. | 0:14:13 | 0:14:16 | |
Something like that. 160 quid? | 0:14:16 | 0:14:18 | |
Yeah, I'd say that budget's absolutely fine. I love the '80s, | 0:14:18 | 0:14:21 | |
so as much '80s singing and dancing, and that would be fantastic. | 0:14:21 | 0:14:25 | |
-OK. -Thank you so much. -No problem. -Bye-bye. -OK, bye now. | 0:14:25 | 0:14:28 | |
Well, Mark's channelling the 1980s. | 0:14:29 | 0:14:31 | |
I've always loved a bit of Dire Straits, | 0:14:31 | 0:14:33 | |
maybe a bit of Money For Nothing. | 0:14:33 | 0:14:35 | |
I can see that robot is going to be right on track. | 0:14:35 | 0:14:37 | |
It's going to be an interesting one. It's working with plastic, | 0:14:37 | 0:14:40 | |
which isn't the perfect thing that I like to work with, | 0:14:40 | 0:14:42 | |
but I've got some nice ideas for it in my head | 0:14:42 | 0:14:44 | |
so, fingers crossed, it should go well. | 0:14:44 | 0:14:47 | |
I have complete faith in you, sir. | 0:14:47 | 0:14:49 | |
Mark has a budget of £150 | 0:14:52 | 0:14:55 | |
to create an '80s-themed robot from this tray of bits and bobs. | 0:14:55 | 0:15:00 | |
Am I excited about this one? AS ROBOT: Affirmative! | 0:15:00 | 0:15:04 | |
Marlow, Buckinghamshire - a town with a rich history, | 0:15:10 | 0:15:14 | |
going back 1,000 years. | 0:15:14 | 0:15:16 | |
Around 30 miles west of central London, | 0:15:16 | 0:15:20 | |
its ideal location on the River Thames makes it home | 0:15:20 | 0:15:24 | |
to one of Britain's premier rowing clubs, producing Olympic oarsmen, | 0:15:24 | 0:15:29 | |
like Sir Steve Redgrave. | 0:15:29 | 0:15:31 | |
But are Sarah's printed sacks going to seem | 0:15:32 | 0:15:35 | |
like an Olympian task for Neil? | 0:15:35 | 0:15:38 | |
Always looking forward to new challenges. | 0:15:40 | 0:15:42 | |
Wouldn't be here if it wasn't fun | 0:15:42 | 0:15:44 | |
doing something that was out of your comfort zone. | 0:15:44 | 0:15:46 | |
So, slightly nervous to see what bizarre thing she's going to bring. | 0:15:46 | 0:15:51 | |
Here I am in super-smart quintessentially English Marlow | 0:15:53 | 0:15:57 | |
with an absolute load of old rubbish. | 0:15:57 | 0:16:00 | |
I know Neil's got a sense of humour. | 0:16:00 | 0:16:02 | |
I just hope he finds something to laugh about with this lot. | 0:16:02 | 0:16:05 | |
-Hiya. -Hi, Sarah, how are you? -I'm really well, how are you? -Excellent. | 0:16:10 | 0:16:13 | |
-I'm very nervous. -Are you? -Yes. -Why? | 0:16:13 | 0:16:15 | |
I don't know what you've got in your hands. | 0:16:15 | 0:16:17 | |
-I'm hiding it, it's that bad. -Oh, no! | 0:16:17 | 0:16:19 | |
So, what are you hiding behind your back, Sarah? | 0:16:19 | 0:16:22 | |
-What do we have? -Hi... -Hi, well, they're sacks. We've got sacks. | 0:16:22 | 0:16:28 | |
They've got a lovely print on them and they are covered in... | 0:16:28 | 0:16:31 | |
-I haven't touched them at all. They are tip-fresh. -Yeah. | 0:16:31 | 0:16:34 | |
And they are covered in cobwebs. | 0:16:34 | 0:16:38 | |
But they have got beautiful print on them. | 0:16:38 | 0:16:40 | |
Where do we think they've come from? | 0:16:40 | 0:16:42 | |
These have been used as wood store for 30 years. | 0:16:42 | 0:16:45 | |
And before that, they came from Michigan. | 0:16:45 | 0:16:48 | |
Yeah, they are virtually unusable. | 0:16:48 | 0:16:51 | |
-There's probably enough here to make... -Oh, no, look at that. | 0:16:51 | 0:16:55 | |
-Do you like it? -Yeah. | 0:16:56 | 0:16:59 | |
We've got "Michigan Casserole and Michigan Navy Beans". | 0:16:59 | 0:17:03 | |
-They look great. It's an ordinary sack otherwise, isn't it? -Yeah. | 0:17:03 | 0:17:08 | |
It's a very standard sack, but with the logos, they're lovely. | 0:17:08 | 0:17:12 | |
I must say Neil's enthusiasm for the old sacks | 0:17:14 | 0:17:16 | |
is putting my mind at ease | 0:17:16 | 0:17:19 | |
and getting me excited about what he'll do with them. | 0:17:19 | 0:17:23 | |
You could just keep things really low cost on this. | 0:17:23 | 0:17:26 | |
Keep it simple and just make them into simple shopping bags, | 0:17:26 | 0:17:30 | |
adding a lining to it, leather strap, you know. | 0:17:30 | 0:17:34 | |
It doesn't add any extra time to do this, | 0:17:34 | 0:17:36 | |
but you've got something that... | 0:17:36 | 0:17:38 | |
There's not going to be any more of these on the planet. | 0:17:38 | 0:17:40 | |
That sounds great. There's three there | 0:17:40 | 0:17:42 | |
that look like they might work. That one is shoddy. | 0:17:42 | 0:17:45 | |
-Yeah, maybe not. -And that one - maybe some of it. -That one's fine. | 0:17:45 | 0:17:49 | |
So, if we're looking at potentially four bags here, | 0:17:49 | 0:17:52 | |
what kind of money do you want me to leave you with as a whole | 0:17:52 | 0:17:56 | |
for transforming that into four, or whichever way you want to price it? | 0:17:56 | 0:17:59 | |
Well, if I'm going to make something very simple, | 0:17:59 | 0:18:02 | |
-a simple shopping bag, you're looking at a tenner each. -Perfect. | 0:18:02 | 0:18:06 | |
I tell you what, I'll give you 50 quid | 0:18:06 | 0:18:08 | |
-and see what you can do with the offcuts. -OK. | 0:18:08 | 0:18:10 | |
-You'll think of something. -Yes, OK. Thank you. | 0:18:10 | 0:18:13 | |
A sack's a sack and they're standard sacks, | 0:18:16 | 0:18:19 | |
but the fact that she's found something that is utterly unique | 0:18:19 | 0:18:22 | |
is very exciting, because the logo's really cool. | 0:18:22 | 0:18:25 | |
So, it is something that not many people are going to own. | 0:18:25 | 0:18:28 | |
Four people, possibly, on the planet. | 0:18:28 | 0:18:31 | |
There are not many people as enthusiastic | 0:18:31 | 0:18:33 | |
and creative as Neil Wragg. | 0:18:33 | 0:18:35 | |
He seems like he's going to take up the challenge with relish | 0:18:35 | 0:18:38 | |
and I cannot wait to see what he does with those old sacks. | 0:18:38 | 0:18:41 | |
But with a budget of just £50, | 0:18:43 | 0:18:45 | |
will they be strong enough to deliver the goods? | 0:18:45 | 0:18:48 | |
In beautiful Sussex, Sarah is about to begin her own challenge | 0:18:57 | 0:19:02 | |
and she's happy to be working on a furniture favourite. | 0:19:02 | 0:19:06 | |
Always lovely when Ercol shows up at the recycling centre. | 0:19:06 | 0:19:09 | |
It's a sweet pair of chairs here, | 0:19:09 | 0:19:11 | |
and this plant stand is oozing 1960s. | 0:19:11 | 0:19:15 | |
But I want to make these really sing. | 0:19:15 | 0:19:17 | |
I thought loads of colour on them | 0:19:17 | 0:19:19 | |
and, perhaps, turning this plant stand | 0:19:19 | 0:19:21 | |
into something slightly more useful, as well as being beautiful. | 0:19:21 | 0:19:24 | |
First things - they need a really good cleanup. | 0:19:24 | 0:19:26 | |
Ercol dates back to the 1920s, | 0:19:30 | 0:19:33 | |
and it was established in High Wycombe, Buckinghamshire. | 0:19:33 | 0:19:37 | |
The company's ability to perfect steam-bending their woods | 0:19:37 | 0:19:41 | |
took them into mass production. | 0:19:41 | 0:19:44 | |
Their furniture became a hit in post-war Britain. | 0:19:45 | 0:19:47 | |
You can't beat a lovely bit of British-made Ercol. | 0:19:47 | 0:19:51 | |
Fantastic legs, beech frame on the seat and really stylish, | 0:19:51 | 0:19:56 | |
so, if I can paint them and get rid of this tired old | 0:19:56 | 0:19:58 | |
orange-looking varnish, I think they'll look really smart. | 0:19:58 | 0:20:02 | |
I'll be the judge of that, Sarah. | 0:20:02 | 0:20:04 | |
Scrubbing done, time for some painting. | 0:20:04 | 0:20:08 | |
I've got some lovely colours here and I think I'm just going to paint | 0:20:08 | 0:20:11 | |
each individual element a different colour and see how it turns out. | 0:20:11 | 0:20:14 | |
My plan is to paint it, rub it down a bit so it smoothes it | 0:20:14 | 0:20:18 | |
and makes it look really soft, and then lacquer the whole lot, | 0:20:18 | 0:20:21 | |
so it's got a sort of semi-gloss to it. | 0:20:21 | 0:20:23 | |
I like that bit best. | 0:20:24 | 0:20:26 | |
To get the best result when painting Ercol, | 0:20:33 | 0:20:36 | |
treat it very gently for around 30 days after completion. | 0:20:36 | 0:20:40 | |
This is because paint doesn't reach its hardest point till then. | 0:20:43 | 0:20:46 | |
I love colours together. | 0:20:48 | 0:20:50 | |
I love pinks, I love greens. I love them to be bright and fresh. | 0:20:50 | 0:20:54 | |
I like natural, beautiful, mossy colours. | 0:20:54 | 0:20:56 | |
But, most of all, | 0:20:56 | 0:20:57 | |
I love stuff that makes you really happy when you look at it. | 0:20:57 | 0:21:01 | |
Yeah, like a very colourful picture of me, for example. I get it. | 0:21:01 | 0:21:06 | |
You can update Ercol with colour and it looks really good. | 0:21:06 | 0:21:09 | |
It's not everybody's cup of tea, cos some people like it really pure, | 0:21:09 | 0:21:12 | |
just as it came off the factory line. | 0:21:12 | 0:21:15 | |
But, for me, if it sells it and it makes it look lovely, | 0:21:15 | 0:21:17 | |
then I'm happy to paint it. | 0:21:17 | 0:21:19 | |
I've got a bit of experimenting to do, | 0:21:20 | 0:21:23 | |
but I think this will probably work. | 0:21:23 | 0:21:25 | |
What do you reckon? A bit of that next? | 0:21:27 | 0:21:29 | |
Probably best I leave the colour choices to you, Sarah. | 0:21:29 | 0:21:33 | |
It's as good as any. | 0:21:35 | 0:21:37 | |
Sarah has spent £10 so far on materials | 0:21:37 | 0:21:41 | |
and, hopefully, this colourful approach is the bright idea | 0:21:41 | 0:21:45 | |
that will help us turn a profit. | 0:21:45 | 0:21:47 | |
While Sarah cracks on, it's time to head to Manchester, | 0:21:52 | 0:21:56 | |
where Mark has begun the process which will, hopefully, introduce | 0:21:56 | 0:22:02 | |
a new character to the world. | 0:22:02 | 0:22:04 | |
So, I normally work by putting my parts down on the table, | 0:22:04 | 0:22:09 | |
seeing how it looks as a sort of two-dimensional sculpture. | 0:22:09 | 0:22:13 | |
1980s kind of feel of a body. | 0:22:14 | 0:22:17 | |
Some arms. Something like that, just to get a feel. | 0:22:19 | 0:22:24 | |
And some legs, something like that. | 0:22:24 | 0:22:27 | |
But, to be honest with you, as I'm looking at it, | 0:22:28 | 0:22:31 | |
I'm not really feeling it as a sculpture. | 0:22:31 | 0:22:33 | |
It doesn't really appeal to me. So, I'm going to go against Sarah, | 0:22:33 | 0:22:37 | |
which I might get into trouble for, and I'm going to change the design. | 0:22:37 | 0:22:41 | |
I've got to do what I feel, so that's what I'm going to do. | 0:22:41 | 0:22:44 | |
Mark, we trust you. Go for it. | 0:22:44 | 0:22:46 | |
Even though the TV is '80s plastic, | 0:22:51 | 0:22:54 | |
Mark believes that a steampunk theme is the way forward. | 0:22:54 | 0:22:59 | |
Steampunk is a term that originated from science fiction novels. | 0:22:59 | 0:23:03 | |
It takes its inspiration from the Industrial Revolution, | 0:23:03 | 0:23:08 | |
Victorian Britain and the American Wild West. | 0:23:08 | 0:23:11 | |
I've got various wooden boxes around and things. | 0:23:11 | 0:23:15 | |
Somewhere around here, I've got... | 0:23:16 | 0:23:18 | |
..something that is... the right size. | 0:23:20 | 0:23:25 | |
It's already got that kind of steampunk feel to it, | 0:23:25 | 0:23:28 | |
with the dark wood, but actually, I'm going to dress it as well, | 0:23:28 | 0:23:32 | |
so there'll be dials on there and knobs | 0:23:32 | 0:23:34 | |
and sort of steampunk dressings on there. | 0:23:34 | 0:23:36 | |
At the moment, I'm just getting it to scale. | 0:23:36 | 0:23:38 | |
Which is where the fun part of the process really kicks in. | 0:23:38 | 0:23:42 | |
I'm just going to go to my leg collection. | 0:23:44 | 0:23:47 | |
A leg collection - every robot maker's dream. | 0:23:47 | 0:23:52 | |
I'm feeling that a lot more. It's looking a lot nicer. | 0:23:52 | 0:23:55 | |
As a scale, I'm quite happy with that. | 0:23:55 | 0:23:58 | |
Once Mark is happy with the scale, | 0:23:58 | 0:24:01 | |
it's a case of layering on parts | 0:24:01 | 0:24:03 | |
from his treasure trove of bits and pieces | 0:24:03 | 0:24:06 | |
to help give the robot character. | 0:24:06 | 0:24:09 | |
I'm going to put the legs on. | 0:24:09 | 0:24:10 | |
That entails drilling through the tin on here. | 0:24:10 | 0:24:13 | |
I'm ambidextrous, which always comes in useful | 0:24:15 | 0:24:18 | |
-when you're building robots. -Very handy. | 0:24:18 | 0:24:21 | |
HE GRUNTS WITH EFFORT | 0:24:23 | 0:24:25 | |
Looks like we've got ourselves half a robot, | 0:24:25 | 0:24:28 | |
so I'm going to have a look in my arm collection | 0:24:28 | 0:24:31 | |
and see if I can find something else. | 0:24:31 | 0:24:33 | |
Arm collection - also very handy. | 0:24:33 | 0:24:37 | |
Maybe they have a kind of steampunk feel to them. | 0:24:38 | 0:24:42 | |
And just temporarily, I'm going to put the head on the robot, | 0:24:52 | 0:24:56 | |
just to see where we're up to as a sculpture. | 0:24:56 | 0:25:00 | |
Yeah, it needs a neck, but it's getting there. | 0:25:02 | 0:25:06 | |
It's looking something like what I was expecting it to look like. | 0:25:06 | 0:25:09 | |
I like this steampunk look. Might even give it a try myself. | 0:25:09 | 0:25:14 | |
Over in Marlow, Buckinghamshire, | 0:25:23 | 0:25:26 | |
Neil Wragg is about to begin the task of producing bags for life | 0:25:26 | 0:25:31 | |
from old sacks that had no future at all. | 0:25:31 | 0:25:34 | |
It's a lovely looking logo, although they are obviously old, | 0:25:34 | 0:25:37 | |
which adds to their charm. | 0:25:37 | 0:25:39 | |
So, I'm going to have to do something to maybe reinforce, | 0:25:39 | 0:25:43 | |
to avoid these holes, the fraying bits, and make a bag | 0:25:43 | 0:25:49 | |
that is going to stand the test of time, as well as look nice. | 0:25:49 | 0:25:52 | |
Good plan, Neil. Let's do this. | 0:25:54 | 0:25:57 | |
We're going to use these old curtains | 0:25:57 | 0:26:00 | |
to line the inside of the bag. | 0:26:00 | 0:26:02 | |
Neil has decided to use curtains as the lining material, | 0:26:04 | 0:26:08 | |
as it is soft but strong fabric that will not tear, | 0:26:08 | 0:26:11 | |
and has the Brucey bonus of feeling nice to the touch. Excellent! | 0:26:11 | 0:26:17 | |
Relatively simple, just sewing the two right sides together, | 0:26:18 | 0:26:21 | |
and then I'll turn them inside out | 0:26:21 | 0:26:23 | |
and that way, we've got no raw edges, it's nice and neat. | 0:26:23 | 0:26:26 | |
A very simple bag that will look quite different | 0:26:26 | 0:26:29 | |
to any other bag for life you get. | 0:26:29 | 0:26:32 | |
Right, I think this is ready for another iron. | 0:26:36 | 0:26:39 | |
Well, the combination of the old grotty sacks and the pretty curtains | 0:26:42 | 0:26:46 | |
is going to look pretty good, I think. | 0:26:46 | 0:26:48 | |
I'm going to have to take your word for that, Neil. | 0:26:48 | 0:26:51 | |
Right, we've got the sack, we've got the lining now. | 0:26:51 | 0:26:54 | |
We're going to stitch it inside out to make the bag | 0:26:54 | 0:26:59 | |
and then just attach some handles. | 0:26:59 | 0:27:01 | |
Neil is wonderfully reassuring, | 0:27:02 | 0:27:05 | |
but will these frayed old bags play their part | 0:27:05 | 0:27:08 | |
in becoming easy on the eye | 0:27:08 | 0:27:10 | |
and strong enough to make Sarah a profit? | 0:27:10 | 0:27:13 | |
In Sussex, Sarah is hard at work, | 0:27:25 | 0:27:27 | |
putting the finishing touches to the chairs and the plant stand. | 0:27:27 | 0:27:32 | |
I've got some really fine copper sheet here | 0:27:32 | 0:27:34 | |
and I want put some little caps on the end of the front two legs, | 0:27:34 | 0:27:37 | |
just to make them look really beautiful. | 0:27:37 | 0:27:40 | |
Any enhancement in the beauty department is always welcome. | 0:27:41 | 0:27:45 | |
When Sarah found this trio, | 0:27:47 | 0:27:49 | |
they each possessed a one-way ticket to Dumpsville. | 0:27:49 | 0:27:53 | |
But not any more! | 0:27:53 | 0:27:55 | |
The two chairs are now colour-tastic, | 0:28:06 | 0:28:09 | |
with variations of blue leading the way. | 0:28:09 | 0:28:12 | |
Copper sheets round off the spectacle, | 0:28:13 | 0:28:16 | |
as well as linking it with the contrasting copper spray | 0:28:16 | 0:28:20 | |
covering the plant stand. | 0:28:20 | 0:28:22 | |
Good job, Sarah. | 0:28:23 | 0:28:25 | |
I reckon these blues are working really well together. | 0:28:25 | 0:28:27 | |
I'm a big blue fan and I think getting rid | 0:28:27 | 0:28:30 | |
of those softer, babyish colours has really sharpened these up. | 0:28:30 | 0:28:34 | |
Now we've got a plant stand and a pair of chairs. | 0:28:34 | 0:28:36 | |
I think they can either be sold all together | 0:28:36 | 0:28:38 | |
or, perhaps, just the pair of chairs separately. | 0:28:38 | 0:28:40 | |
But time now to get these out there, see who wants them. | 0:28:40 | 0:28:44 | |
Sarah first caught sight of this lot | 0:28:49 | 0:28:52 | |
as Barry was about to consign them for eternity to the skip. | 0:28:52 | 0:28:56 | |
I really like things like this and I think they're far too nice | 0:28:56 | 0:28:59 | |
-to end up in there. -It is a shame, yes. | 0:28:59 | 0:29:01 | |
A shame indeed. | 0:29:01 | 0:29:03 | |
Until of course, our Sarah saw their potential | 0:29:03 | 0:29:06 | |
and, with a colourful flick of the wrist, it didn't take long for Sarah | 0:29:06 | 0:29:12 | |
to tempt some buyers from her varied client base. | 0:29:12 | 0:29:15 | |
The two chairs sold to The Packhouse, | 0:29:15 | 0:29:17 | |
a vintage and antiques store in Surrey. | 0:29:17 | 0:29:20 | |
And the plant stand was bought by River from Sixth Link, | 0:29:20 | 0:29:25 | |
a vintage and retro retailer in Shropshire. | 0:29:25 | 0:29:28 | |
I think I've got a client in mind for this one. | 0:29:28 | 0:29:30 | |
A friend who I used to go to school with, she's just opened up | 0:29:30 | 0:29:33 | |
a florist in Ireland and I think this piece is going straight to her. | 0:29:33 | 0:29:36 | |
Now Sarah is on route to Barry's to hand over some cash. | 0:29:37 | 0:29:41 | |
-Hiya, Barry. -Hello, how are you doing? -I'm really well. | 0:29:49 | 0:29:52 | |
-Lovely to see you again. -Nice to meet you again. -And you. | 0:29:52 | 0:29:55 | |
Now, you were being a really helpful relative when I last saw you. | 0:29:55 | 0:29:58 | |
-That's right, yes. -Did you wonder what might happen | 0:29:58 | 0:30:00 | |
when I took away your old Ercol chairs and your plant stand? | 0:30:00 | 0:30:03 | |
I'm still actually wondering what's going to happen to them. | 0:30:03 | 0:30:06 | |
Well, I thought they were lovely. | 0:30:06 | 0:30:08 | |
They were really stylish and were something I worked on. | 0:30:08 | 0:30:10 | |
I've got some pictures here to show you what I've done with them. | 0:30:10 | 0:30:13 | |
-Are you ready for this? -Yes. | 0:30:13 | 0:30:14 | |
-Your chairs and your plant stand now look like that. -Oh, wow! | 0:30:14 | 0:30:17 | |
Wow, that's really, er...stunning! | 0:30:17 | 0:30:20 | |
Basically, I've given them a fresh, new look, | 0:30:20 | 0:30:23 | |
some copper tips to their legs, | 0:30:23 | 0:30:25 | |
and I've planted up the plant stand so it looks decorative. | 0:30:25 | 0:30:29 | |
-What do you think to that? -Brilliant. | 0:30:29 | 0:30:30 | |
That's actually more than I anticipated. | 0:30:30 | 0:30:33 | |
-I have managed to sell them and I've got here £115 for you. -Wow. | 0:30:33 | 0:30:37 | |
Oh, thank you very much. That's actually... I'm stunned. Thank you. | 0:30:37 | 0:30:41 | |
What might you do with £115 that you weren't expecting? | 0:30:41 | 0:30:44 | |
We've got a holiday coming up, so it will probably go towards that. | 0:30:44 | 0:30:47 | |
That's fantastic. I loved working on your chairs. | 0:30:47 | 0:30:50 | |
I hope you have a great time on holiday. Really good to catch up. | 0:30:50 | 0:30:52 | |
-Thank you very much. -My pleasure. Bye-bye. -Thank you. Bye. | 0:30:52 | 0:30:55 | |
Sarah spent £10 working her magic on the chairs and plant stand. | 0:30:57 | 0:31:02 | |
They were all sold for £125, | 0:31:02 | 0:31:06 | |
with the £115 profit going towards a holiday for Barry. | 0:31:06 | 0:31:11 | |
In Manchester, Mark is giving his robot | 0:31:16 | 0:31:19 | |
a once-over before Sarah arrives. | 0:31:19 | 0:31:21 | |
Although it's not exactly what we discussed, | 0:31:21 | 0:31:23 | |
I hope she still likes it. It's quite a beast | 0:31:23 | 0:31:25 | |
but he's quite handsome, so, yeah, I hope she likes it. | 0:31:25 | 0:31:28 | |
I'm back in Manchester to find what kind of magic | 0:31:29 | 0:31:32 | |
Mark has been able to work on my skip bits. | 0:31:32 | 0:31:34 | |
I'm hoping to meet a lovely new robot. | 0:31:34 | 0:31:36 | |
When Sarah picked up this little basket of rubbish, | 0:31:38 | 0:31:42 | |
she hoped that Mark could turn it into something unique. | 0:31:42 | 0:31:45 | |
And Mark certainly has delivered. | 0:31:52 | 0:31:55 | |
Feet made from lampshades, | 0:31:55 | 0:31:57 | |
arms made from cooking utensils from the 1940s, | 0:31:57 | 0:32:01 | |
rubber from a car suspension - | 0:32:01 | 0:32:04 | |
all put together with imagination and skill, | 0:32:04 | 0:32:07 | |
resulting not just in a robot, but in a personality. | 0:32:07 | 0:32:11 | |
I wonder what the little guy's called. | 0:32:12 | 0:32:15 | |
Hi, Mark. Oh, wow! | 0:32:15 | 0:32:17 | |
-How are you? -I'm fine, thank you. This is Smurf Tickler. | 0:32:17 | 0:32:22 | |
Smurf Tickler, my friends, | 0:32:22 | 0:32:24 | |
is a robot who tickles little blue Smurfs, and I kind of like him. | 0:32:24 | 0:32:29 | |
I love Smurf Tickler. He's amazing. Look at that! | 0:32:29 | 0:32:33 | |
-Originally, I built him with...on this wooden box. -Right. | 0:32:33 | 0:32:38 | |
But it was too thin. | 0:32:38 | 0:32:40 | |
The head's quite wide, so depth-wise, it didn't work. | 0:32:40 | 0:32:44 | |
So, I found this baking tray and it was exactly the right size. | 0:32:44 | 0:32:48 | |
I love the way you combine things, so it looks completely appropriate. | 0:32:48 | 0:32:52 | |
They feel like they're all of an era. | 0:32:52 | 0:32:54 | |
There's something really cool about him. Was he tricky? | 0:32:54 | 0:32:57 | |
He was tricky to build, yeah. | 0:32:57 | 0:32:59 | |
He may have been tricky to build, | 0:33:01 | 0:33:04 | |
but that hasn't stopped Mark from including a little surprise. | 0:33:04 | 0:33:08 | |
-There's a media player inside there, so he does something. -OK. -He talks. | 0:33:08 | 0:33:12 | |
-Does he? -Yes. If I press "Play". -OK. | 0:33:12 | 0:33:15 | |
-ROBOT: -Hello, what's your name? | 0:33:15 | 0:33:17 | |
-My name's Sarah. Hi. -That's a nice name. Mine's Smurf Tickler. | 0:33:17 | 0:33:22 | |
-Where do you come from? -Just near Chichester. | 0:33:22 | 0:33:24 | |
-What do you like about where you come from? -The green fields, mainly. | 0:33:24 | 0:33:29 | |
-That's wonderful. -That is just so funny. | 0:33:29 | 0:33:31 | |
What a lovely idea to add that element to it. | 0:33:31 | 0:33:34 | |
Will the person who buys it be able | 0:33:34 | 0:33:36 | |
to programme their own stuff onto it? Is that possible? | 0:33:36 | 0:33:39 | |
-There's a media player inside there and it's driven by a USB stick. -OK. | 0:33:39 | 0:33:43 | |
So, you can put anything on that USB stick | 0:33:43 | 0:33:46 | |
and it will show it on there | 0:33:46 | 0:33:48 | |
and it will play the audio out the speaker as well. | 0:33:48 | 0:33:50 | |
I have to hand it to Mark. | 0:33:50 | 0:33:52 | |
Not only has he delivered a unique robot | 0:33:52 | 0:33:56 | |
but, by adding the opportunity for an owner to project photos, | 0:33:56 | 0:34:00 | |
videos and messages on his little face, | 0:34:00 | 0:34:02 | |
he has made it contemporary and, in turn, | 0:34:02 | 0:34:06 | |
much more attractive to potential buyers. | 0:34:06 | 0:34:09 | |
-That's wonderful. -AS ROBOT: I completely agree. It is wonderful. | 0:34:09 | 0:34:14 | |
He looks fantastic and to have all that functionality is amazing. | 0:34:14 | 0:34:17 | |
I left 150 quid, I think we chatted about. How's that worked out? | 0:34:17 | 0:34:22 | |
Yeah, I'm happy with that. | 0:34:22 | 0:34:24 | |
Thank you so much for taking on the small screen | 0:34:24 | 0:34:26 | |
because what you've created is truly one-off. | 0:34:26 | 0:34:28 | |
AS ROBOT: I'm with you, Sarah. Wonderfully original. | 0:34:28 | 0:34:31 | |
IN USUAL VOICE: All right, I'll stop now. | 0:34:31 | 0:34:33 | |
Well, Mark has done a fantastic job. I love Smurf Tickler. | 0:34:33 | 0:34:36 | |
I wonder who's going to buy him. | 0:34:36 | 0:34:38 | |
At Walsall Recycling Centre, the little tray of TVs and junk | 0:34:41 | 0:34:45 | |
belonged to Jenny, who found Sarah's approach quite unexpected. | 0:34:45 | 0:34:50 | |
I'm absolutely gobsmacked she wanted it | 0:34:50 | 0:34:52 | |
but, if she can use it, then fine. | 0:34:52 | 0:34:54 | |
I couldn't think what she might do with it, but there you go. | 0:34:54 | 0:34:57 | |
Neither could I, Jenny. | 0:34:57 | 0:34:59 | |
But then Mark added his imagination and this fabulous bot was born. | 0:35:00 | 0:35:06 | |
Sarah made the robot available online | 0:35:09 | 0:35:12 | |
and it wasn't long before it was bought by a private collector. | 0:35:12 | 0:35:16 | |
They grow up so fast. | 0:35:17 | 0:35:20 | |
And now it's left to Sarah to visit Jenny in Burntwood, Staffordshire, | 0:35:20 | 0:35:24 | |
to let her know what happened to her little tray of TVs and junk. | 0:35:24 | 0:35:29 | |
-Hello. -Hello, there. Nice to see you again. -You all right? | 0:35:30 | 0:35:33 | |
-I'm very well, how are you? -Not so bad, thanks. -Chilly. -Just a little. | 0:35:33 | 0:35:37 | |
-Did you wonder what I might do with your old TVs? -Well, yeah. | 0:35:37 | 0:35:41 | |
I thought, "What on earth is she going to do with those?" | 0:35:41 | 0:35:44 | |
I took it to a guy in Manchester and I've got some pictures | 0:35:44 | 0:35:47 | |
-to show you what he did. -What's he done with them? | 0:35:47 | 0:35:49 | |
-I hope you've got a sense of humour. -Oh, yeah! | 0:35:49 | 0:35:52 | |
OK, your TV now looks like this. | 0:35:52 | 0:35:56 | |
-JENNY LAUGHS -I love it! | 0:35:56 | 0:35:58 | |
-Oh, yeah! -Do you recognise it? -Yeah, I love it. | 0:35:58 | 0:36:02 | |
So, your TV has been completely remade into a talking robot. | 0:36:02 | 0:36:10 | |
What do you think to that? | 0:36:10 | 0:36:12 | |
I think when the grandchildren see that, | 0:36:12 | 0:36:15 | |
they're going to laugh their heads off. | 0:36:15 | 0:36:17 | |
Well, I took some pictures of him and shared him over social media | 0:36:17 | 0:36:20 | |
-to see if anybody else fancied the look of him. -Wonderful. | 0:36:20 | 0:36:23 | |
-And he's made you a little bit of profit. -Oh, wonderful! | 0:36:23 | 0:36:26 | |
-He has turned the old TV into a £50 profit. -Oh, thank you very much! | 0:36:26 | 0:36:32 | |
That is welcome. Well, what am I going to do with that, I wonder? | 0:36:32 | 0:36:37 | |
Yeah, go on then, tell me. What might you do with 50 quid? | 0:36:37 | 0:36:40 | |
Well, I've got to take it to my brother | 0:36:40 | 0:36:42 | |
and see what he wants to do with it, cos the telly was his. | 0:36:42 | 0:36:44 | |
Oh, well, I hope he finds a good use for it. | 0:36:44 | 0:36:48 | |
-It was a funny project to work on. -I bet it was! I bet it was! | 0:36:48 | 0:36:52 | |
Mark charged £150 to build the robot. | 0:36:53 | 0:36:57 | |
Sarah sold him for £200, | 0:36:58 | 0:37:01 | |
with the £50 profit going to Jenny. | 0:37:01 | 0:37:04 | |
In Marlow, Neil has finished transforming the old sacks. | 0:37:14 | 0:37:19 | |
I'm looking forward to Sarah's arrival. | 0:37:19 | 0:37:21 | |
I think I've done what she's after. I think she's going to be pleased. | 0:37:21 | 0:37:27 | |
I think, from turning something that was quite grotty | 0:37:27 | 0:37:30 | |
into something that is far more high-street. | 0:37:30 | 0:37:33 | |
I always get so excited when I come to see Neil | 0:37:34 | 0:37:37 | |
because he is a brilliant bag maker | 0:37:37 | 0:37:39 | |
and I'm hoping those sad sacks that I left are now full of beans. | 0:37:39 | 0:37:42 | |
Sarah was asking a lot of Neil when she dropped off these old sacks. | 0:37:42 | 0:37:48 | |
I have to admit, this is impressive. | 0:37:54 | 0:37:58 | |
Neil has taken these old factory sacks - frayed, full of holes, | 0:37:58 | 0:38:03 | |
ready to be dumped - and transformed them, | 0:38:03 | 0:38:07 | |
not only into bags, but bags for life. | 0:38:07 | 0:38:10 | |
Curtains give it a soft yet durable lining, | 0:38:10 | 0:38:14 | |
pieces of sofa leather add more strength to the handles, | 0:38:14 | 0:38:18 | |
and a layer of protective glaze adds more strength and shine, | 0:38:18 | 0:38:22 | |
which brings it all together. Very impressive indeed. | 0:38:22 | 0:38:27 | |
-Hiya. -Hi, Sarah, come on in. -Thanks. How you doing? -I'm very well. | 0:38:27 | 0:38:31 | |
-So, how...? -Here we go. -No! -You've got four old bean sacks. | 0:38:31 | 0:38:36 | |
And they're still old bean sacks. | 0:38:36 | 0:38:38 | |
-They are old bean sacks but they're beautiful! -Good. | 0:38:38 | 0:38:41 | |
I thought they'd be scrappy, I have to say, after what I left you. | 0:38:41 | 0:38:44 | |
I so nearly passed these by, so... | 0:38:44 | 0:38:47 | |
-They are lovely, aren't they? -They're still bean sacks. | 0:38:47 | 0:38:49 | |
They've still got holes, they're still a bit fraying, | 0:38:49 | 0:38:52 | |
but they've now got a lining from an old curtain, | 0:38:52 | 0:38:55 | |
they've got leather handles, they've got brass fittings. | 0:38:55 | 0:38:58 | |
-I think they look quite nice now. -You are amazing! | 0:38:58 | 0:39:01 | |
I'm with you, Sarah. Great job, Neil. | 0:39:02 | 0:39:06 | |
And they scream "reused", don't they? | 0:39:06 | 0:39:10 | |
So, I think you should be really proud of yourself. They're lovely. | 0:39:10 | 0:39:13 | |
It does show what you can reuse. | 0:39:13 | 0:39:15 | |
You said it, Neil. | 0:39:16 | 0:39:18 | |
Not only that, he managed to stick to the £50 budget. | 0:39:18 | 0:39:22 | |
It was straightforward. | 0:39:24 | 0:39:26 | |
Sewing-wise, it was just a couple of lines of sewing here and there | 0:39:26 | 0:39:30 | |
-and you've got four shopping bags. -I think they're brilliant! | 0:39:30 | 0:39:34 | |
Love the colour choices. I think you've done really well there. | 0:39:34 | 0:39:37 | |
-For a 40-year-old tech, not bad. -Brilliant! Thanks. | 0:39:37 | 0:39:42 | |
-I shall take those away. -Go shopping. | 0:39:42 | 0:39:46 | |
-Absolutely love shopping. -Go and get your turnips. | 0:39:46 | 0:39:49 | |
Look what he's done! | 0:39:50 | 0:39:52 | |
He's literally snatched style from the jaws of a skip. What great work! | 0:39:52 | 0:39:57 | |
I think that went rather well. | 0:39:59 | 0:40:00 | |
From a bunch of old bean sacks that stayed looking, essentially, | 0:40:00 | 0:40:03 | |
like a bunch of old bean sacks, she seemed very pleased. | 0:40:03 | 0:40:06 | |
As Punch, like the rest of us. | 0:40:06 | 0:40:08 | |
The old sacks belonged to Martin and Annette, | 0:40:12 | 0:40:15 | |
who weren't quite sure what to make of Sarah's approach. | 0:40:15 | 0:40:19 | |
We're surprised that Sarah wanted the sacks. | 0:40:19 | 0:40:21 | |
I mean, they're interesting enough with the terminology on them | 0:40:21 | 0:40:24 | |
and that, but what she's going to do with them, who knows? | 0:40:24 | 0:40:27 | |
What she did was bring them along to Neil, | 0:40:27 | 0:40:30 | |
who got out his trusty sewing machine and, voila, job done. | 0:40:30 | 0:40:36 | |
The bags were snapped up by Nick | 0:40:37 | 0:40:39 | |
from online retailer Smithers of Stamford. | 0:40:39 | 0:40:43 | |
According to Neil, these are bags for life, | 0:40:43 | 0:40:45 | |
and I don't think we're going to have any problem shifting these. | 0:40:45 | 0:40:48 | |
I think ladies are going to love them. | 0:40:48 | 0:40:50 | |
And now it's left to Sarah to hand over the profit. | 0:40:50 | 0:40:54 | |
-Hi, there. -Hello. -Hi, Annette, how are you doing? -I'm great, thank you. | 0:41:00 | 0:41:04 | |
I was hoping to catch up with you and Martin, | 0:41:04 | 0:41:06 | |
but Martin's away at the moment, isn't he? | 0:41:06 | 0:41:09 | |
He's away at sea, off Aberdeen. | 0:41:09 | 0:41:10 | |
What did you think when some strange woman came up and said, | 0:41:10 | 0:41:13 | |
"I want to take away those woodworm-filled dirty sacks?" | 0:41:13 | 0:41:17 | |
Well, I thought you were absolutely crazy. | 0:41:17 | 0:41:20 | |
I've got some pictures to show you here. Do they look familiar there? | 0:41:20 | 0:41:23 | |
-Oh, they do, yes. -So, I think, in the end, | 0:41:23 | 0:41:25 | |
-we managed to salvage four of the ones that were full of wood. -Yeah. | 0:41:25 | 0:41:29 | |
And here are your sacks now. | 0:41:29 | 0:41:32 | |
Oh, wow! | 0:41:32 | 0:41:34 | |
-They are remodelled as shopping bags. -Ah, that's a very good idea! | 0:41:34 | 0:41:40 | |
So, that's what he did with them. What do you reckon to that? | 0:41:40 | 0:41:43 | |
I think that's fantastic. | 0:41:43 | 0:41:44 | |
We had no idea what on earth he would do with them, | 0:41:44 | 0:41:47 | |
but that looks... At least that was something | 0:41:47 | 0:41:50 | |
that was going straight in the tip and is now useful. | 0:41:50 | 0:41:54 | |
It is really useful and I'm surprised to say, actually, | 0:41:54 | 0:41:57 | |
I got some money to hand over to you as well. | 0:41:57 | 0:41:59 | |
I'm surprised as well, I'm very surprised! | 0:41:59 | 0:42:01 | |
-Look what I've got for you. I have got... -Wow! | 0:42:01 | 0:42:04 | |
-I've got £70 here for you for your old bags. -Oh, that's fabulous! | 0:42:04 | 0:42:07 | |
-That's brilliant. Thank you very much. -What might you do with £70? | 0:42:07 | 0:42:12 | |
Well, I'll put it towards... | 0:42:12 | 0:42:14 | |
I'm going to have my kitchen refurbished, | 0:42:14 | 0:42:16 | |
-so it will go towards that. -Fantastic. | 0:42:16 | 0:42:19 | |
Well, who'd have thought it? It was really good to catch up. | 0:42:19 | 0:42:22 | |
I hope Martin approves of what we did with them. | 0:42:22 | 0:42:24 | |
-I'm sure he will, I'm sure he will. -Brilliant. Lovely to see you again. | 0:42:24 | 0:42:27 | |
-Thank you very much. -Thank you so much, bye-bye. -OK, bye. | 0:42:27 | 0:42:30 | |
I absolutely love that, because that was a genuine surprise for Annette. | 0:42:33 | 0:42:37 | |
She had no idea that those old sacks were actually moneybags. | 0:42:37 | 0:42:40 | |
Neil charged £50 for the makeover. | 0:42:42 | 0:42:45 | |
The bags were bought for £120, | 0:42:45 | 0:42:48 | |
leaving a handsome £70 profit | 0:42:48 | 0:42:51 | |
to go towards Martin and Annette's new kitchen. | 0:42:51 | 0:42:55 | |
Sarah salvaged three items that were destined for the dump. | 0:42:58 | 0:43:02 | |
Mark worked wonders making our robot. | 0:43:02 | 0:43:06 | |
Neil bagged our respect with the printed sacks. | 0:43:06 | 0:43:10 | |
And Sarah splashed colour on the chairs and the plant stand. | 0:43:10 | 0:43:15 | |
Sometimes, it's a challenge trying to make money for nothing | 0:43:15 | 0:43:17 | |
out of random tip items, but Mark and Neil did a fantastic job. | 0:43:17 | 0:43:21 | |
They had an eclectic collection to start with | 0:43:21 | 0:43:23 | |
and they really nailed it. | 0:43:23 | 0:43:25 |