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Throwing out the whole three-piece suite, are you? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
What have you been smashing up? | 0:00:09 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:15 | |
thrown out by us every year. | 0:00:15 | 0:00:18 | |
-Can I have them? -You're welcome to them, | 0:00:18 | 0:00:20 | |
they're only going in the skip. | 0:00:20 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:21 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:27 | |
I'm a passionate maker, buyer and user of old stuff | 0:00:29 | 0:00:34 | |
and I've turned that passion into a moneymaking business. | 0:00:34 | 0:00:36 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:36 | 0:00:41 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:44 | |
I think we can really be quite playful with this. | 0:00:44 | 0:00:47 | |
I could make several mankinis out of this, couldn't I? | 0:00:47 | 0:00:50 | |
She can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Oh, that's such a relief. | 0:00:53 | 0:00:55 | |
-..valuable... -Oh, it looks all shiny! | 0:00:55 | 0:00:59 | |
..and hopefully saleable items. | 0:00:59 | 0:01:01 | |
I love them, you are a gem. | 0:01:01 | 0:01:03 | |
If Sarah is successful, | 0:01:03 | 0:01:06 | |
then she can hand the profits back to the very people | 0:01:06 | 0:01:09 | |
who had no idea there was cash to be made from their trash. | 0:01:09 | 0:01:13 | |
I really can't believe that, that's amazing. | 0:01:13 | 0:01:16 | |
This is Walsall recycling centre near Birmingham | 0:01:26 | 0:01:31 | |
where Sarah is searching for tantalising tip treasures | 0:01:31 | 0:01:35 | |
and there is plenty to pick through. | 0:01:35 | 0:01:39 | |
There's truck loads of rubbish coming in here | 0:01:39 | 0:01:42 | |
and I know there will be some beautiful finds amongst it. | 0:01:42 | 0:01:44 | |
Beautiful to you, maybe. | 0:01:44 | 0:01:47 | |
Sarah is here to find three items to revitalise and renew, | 0:01:48 | 0:01:52 | |
then sell on for a profit | 0:01:52 | 0:01:54 | |
and fortune definitely favours the cool, calm and collected. | 0:01:54 | 0:01:59 | |
Round here, you've got to have the patience of a saint, | 0:01:59 | 0:02:02 | |
but I tell you, it's going to pay off in the end. | 0:02:02 | 0:02:04 | |
But remember, Sarah has special permission to be here, | 0:02:04 | 0:02:08 | |
so don't you just turn up at your local tip | 0:02:08 | 0:02:11 | |
and start sifting through the rubbish | 0:02:11 | 0:02:14 | |
or you'll be the one getting chucked out. | 0:02:14 | 0:02:17 | |
What has Graham got in the back of his motor? | 0:02:17 | 0:02:20 | |
Wow, I love your legs. | 0:02:20 | 0:02:22 | |
-Oh, hi, hello there. -Hi, I'm Sarah, how are you doing? | 0:02:22 | 0:02:25 | |
-Fine, thank you. -I was talking about your furniture legs. | 0:02:25 | 0:02:28 | |
-OK. -What is that part of? | 0:02:28 | 0:02:30 | |
It's part of a desk with drawers to both sides and front. | 0:02:30 | 0:02:36 | |
Wow, it looks fantastic. Is it all there? | 0:02:36 | 0:02:39 | |
-Is it broken? -No, it's all here. | 0:02:39 | 0:02:41 | |
It's just that we are moving house and we need to have a sort out. | 0:02:41 | 0:02:44 | |
-Things have to go. -Well, it looks amazing. I'd love to see it out. | 0:02:44 | 0:02:48 | |
-Would it be OK to get hold of this bit? -Yeah, sure. | 0:02:48 | 0:02:51 | |
-That's the bottom of it, is it? -That's the main part. | 0:02:51 | 0:02:53 | |
This desk was made by Beresford & Hicks, | 0:02:53 | 0:02:57 | |
using materials such as veneered walnut and European ash. | 0:02:57 | 0:03:01 | |
This British company sold to the masses at affordable prices | 0:03:01 | 0:03:06 | |
and gave the Scandinavian market a run for their money. | 0:03:06 | 0:03:09 | |
That is a fabulous piece of furniture. | 0:03:09 | 0:03:12 | |
I would love to save it before it hits the skip. | 0:03:12 | 0:03:15 | |
I wouldn't be against that at all | 0:03:15 | 0:03:17 | |
if you can do something worthwhile with it. | 0:03:17 | 0:03:18 | |
I shall take it away in several bits | 0:03:18 | 0:03:20 | |
and try and put it back together | 0:03:20 | 0:03:22 | |
and make it into something fabulous again. Really lovely, thank you. | 0:03:22 | 0:03:25 | |
First catch of the day, then, a desk, | 0:03:25 | 0:03:28 | |
and Graham for one sees the potential. | 0:03:28 | 0:03:33 | |
Essentially, it's a solid piece of furniture other than the broken leg | 0:03:33 | 0:03:36 | |
so I would imagine Sarah can do a good refurb on that. | 0:03:36 | 0:03:40 | |
That's the plan, Graham, that's the plan. | 0:03:40 | 0:03:44 | |
Every so often, a piece of furniture turns up at the tip | 0:03:44 | 0:03:47 | |
that I just fall in love with. | 0:03:47 | 0:03:49 | |
It's a stunner and I think that after we finish with it, | 0:03:49 | 0:03:54 | |
this is just going to be one of the most fantastic | 0:03:54 | 0:03:57 | |
designer pieces of furniture that I've ever found in a tip. | 0:03:57 | 0:04:00 | |
It's beautiful. I know exactly who to take it to | 0:04:00 | 0:04:03 | |
and I can't wait to see what they do with it. | 0:04:03 | 0:04:05 | |
This trio of talented friends are the 3Restorers. | 0:04:07 | 0:04:11 | |
Tom, Rosie and Johnny have been crafting | 0:04:11 | 0:04:14 | |
beautiful pieces of furniture in their Crystal Palace workshop | 0:04:14 | 0:04:18 | |
for the last year. | 0:04:18 | 0:04:20 | |
Our background goes back not too long ago. | 0:04:20 | 0:04:23 | |
Rosie and Tom met at uni doing furniture restoration. | 0:04:23 | 0:04:26 | |
Me and Rosie met way before that cos we're married now, | 0:04:26 | 0:04:28 | |
so we've known each other for quite a while. | 0:04:28 | 0:04:30 | |
With their combined knowledge in furniture and interior styles, | 0:04:30 | 0:04:35 | |
they offer high quality, creative restoration. | 0:04:35 | 0:04:38 | |
No two jobs are the same, really, | 0:04:38 | 0:04:40 | |
and there's a lot of problem-solving. | 0:04:40 | 0:04:43 | |
We won't just say yes to each other. | 0:04:43 | 0:04:44 | |
I think we question everything, | 0:04:44 | 0:04:46 | |
so we always look at something from everyone's point of view | 0:04:46 | 0:04:49 | |
before we do something I think. | 0:04:49 | 0:04:51 | |
I think we all bring different things to the table as well. | 0:04:51 | 0:04:54 | |
Three heads are better than one. | 0:04:54 | 0:04:56 | |
And what lovely noggins they all have. | 0:04:56 | 0:05:01 | |
But what will these three make of Sarah's broken desk | 0:05:01 | 0:05:04 | |
and can they meet her high expectations for it? | 0:05:04 | 0:05:08 | |
Back at the tip, it's not always a success in this rummaging business. | 0:05:15 | 0:05:19 | |
-You're not going to like it. -Is it rubbish? | 0:05:19 | 0:05:22 | |
No, you're right. Come back with something more exciting, please. | 0:05:24 | 0:05:26 | |
It's just not good enough. | 0:05:26 | 0:05:28 | |
Yeah, how dare you come to the tip with, um... | 0:05:28 | 0:05:31 | |
something rubbish. | 0:05:31 | 0:05:33 | |
Maybe there will be a morsel more to Sarah's taste in Maldwyn's motor. | 0:05:33 | 0:05:39 | |
-Hello. -Hello. -You having a clear out? | 0:05:39 | 0:05:42 | |
-Yes, I am. -I like the look of these. | 0:05:42 | 0:05:45 | |
-What are they? -Teak legs from a Norwegian sofa. | 0:05:45 | 0:05:49 | |
What do you know? More legs turning up at the tip. | 0:05:49 | 0:05:53 | |
These ones are quite nice, actually. | 0:05:53 | 0:05:55 | |
What have you done with the rest of it, then? | 0:05:55 | 0:05:57 | |
I've carved it into relief carvings and things like that. | 0:05:57 | 0:06:01 | |
-Really? -Yes. -I'm really rather taken by your legs. | 0:06:01 | 0:06:04 | |
-Well, there we go! -They are a fine pair, I have to say, | 0:06:04 | 0:06:08 | |
but I would love to try and save them from going in the skip | 0:06:08 | 0:06:11 | |
and see if I can make something out of them. | 0:06:11 | 0:06:12 | |
Would it be OK to take them away? | 0:06:12 | 0:06:14 | |
-By all means, yes. -I'm going to say thank you so much | 0:06:14 | 0:06:17 | |
-and I'll be in touch. -OK, thank you. | 0:06:17 | 0:06:19 | |
Sarah walks away with four teak legs. | 0:06:20 | 0:06:24 | |
I'm stumped as to what she'll do with them. | 0:06:24 | 0:06:27 | |
Maldwyn, what about you, mate? | 0:06:27 | 0:06:29 | |
She could make another stool or something, I suppose, | 0:06:29 | 0:06:32 | |
or a small chair? A baby's chair? | 0:06:32 | 0:06:34 | |
Good thinking, but whatever it becomes, | 0:06:34 | 0:06:37 | |
folks will have to go gaga over it. | 0:06:37 | 0:06:40 | |
Well, they might not be very big and they might be broken, | 0:06:41 | 0:06:43 | |
but actually these have got heaps of potential | 0:06:43 | 0:06:46 | |
because they've just got style. There's something about them, | 0:06:46 | 0:06:49 | |
I don't know if it's their mid-century charm, | 0:06:49 | 0:06:52 | |
but there's money to be made out of these little beauties | 0:06:52 | 0:06:54 | |
and there is a whole list of people | 0:06:54 | 0:06:56 | |
who I think would like to get their hands on them. | 0:06:56 | 0:06:58 | |
And at the top of that list are Lorna and Clinton, the Junk Gypsies. | 0:06:59 | 0:07:05 | |
This pair are truly on board the eco-locomotive, | 0:07:05 | 0:07:09 | |
steaming down the tracks to a greener future. | 0:07:09 | 0:07:13 | |
Combining Lorna's upholstery skills and Clinton's design talents, | 0:07:13 | 0:07:18 | |
they deliver quality, handmade furniture | 0:07:18 | 0:07:21 | |
with that steampunk feel that's very on trend. | 0:07:21 | 0:07:25 | |
Using salvaged material gives you an opportunity | 0:07:25 | 0:07:29 | |
to not just be cleaner and greener, | 0:07:29 | 0:07:32 | |
but it gives you a chance to preserve pieces of history. | 0:07:32 | 0:07:35 | |
We are like yin and yang. | 0:07:35 | 0:07:38 | |
I love all the soft, fluffy, warm, clean side of it, and Clinton... | 0:07:38 | 0:07:44 | |
I just love the rust and the dirt and the grime, | 0:07:44 | 0:07:46 | |
but, actually, the collaboration of the two, | 0:07:46 | 0:07:49 | |
that's what makes our small company work. | 0:07:49 | 0:07:51 | |
We work well together, don't we, love? | 0:07:51 | 0:07:53 | |
And what better to give them a run for their money | 0:07:54 | 0:07:58 | |
than a pair of old legs. | 0:07:58 | 0:08:00 | |
That's two items now saved from the skip, but where is Sarah? | 0:08:05 | 0:08:09 | |
Ah, having a rest, are you? | 0:08:10 | 0:08:12 | |
You've got one more item to find. | 0:08:12 | 0:08:14 | |
I know, I'm allowed a break occasionally, you know. | 0:08:14 | 0:08:17 | |
It's quite exhausting trying to find all this rubbish. | 0:08:17 | 0:08:21 | |
Yeah, yeah, poor you(!) | 0:08:21 | 0:08:23 | |
Come on, then, on your feet. | 0:08:24 | 0:08:26 | |
-OK. -The cheek! | 0:08:26 | 0:08:28 | |
And she's heading straight for Ian's chairs, | 0:08:30 | 0:08:33 | |
hopefully not for another sit down. | 0:08:33 | 0:08:36 | |
Ian and Sarah have met before at the tip, | 0:08:36 | 0:08:38 | |
but will she like what he's got this time? | 0:08:38 | 0:08:41 | |
How have you managed to get all that lot in one car? | 0:08:41 | 0:08:44 | |
A little Nissan, yes, I know, I'm surprised myself. | 0:08:44 | 0:08:47 | |
You must be clearing out a house if you've got this much. | 0:08:47 | 0:08:49 | |
Yes, I am, it's my father's house. | 0:08:49 | 0:08:50 | |
He's gone into a nursing home now so the house has got to be emptied. | 0:08:50 | 0:08:54 | |
-And that's your job, is it? -I got the short straw, yes. | 0:08:54 | 0:08:57 | |
He has got a really 1970s kind of purple and green thing going on. | 0:08:57 | 0:09:02 | |
Trapped in the '70s, most definitely. | 0:09:02 | 0:09:05 | |
Oh, wow, I like that. | 0:09:05 | 0:09:06 | |
It was used every day up until he went into the nursing home. | 0:09:06 | 0:09:09 | |
I love it. Does that one work as well? | 0:09:09 | 0:09:11 | |
-It should do, yes. -Oh, look at that. | 0:09:11 | 0:09:13 | |
I like the chairs. Can I just have a look at these green ones? | 0:09:13 | 0:09:17 | |
Yes, yes. | 0:09:17 | 0:09:19 | |
Wow! | 0:09:19 | 0:09:21 | |
Look at that. I'm loving it already. | 0:09:21 | 0:09:25 | |
-Can I take them away? -Yes, certainly. | 0:09:25 | 0:09:26 | |
I'd rather see them used than thrown away. | 0:09:26 | 0:09:29 | |
-Brilliant, you've made my day, thank you. -You're welcome. | 0:09:29 | 0:09:33 | |
It's easy to forget how emotional a trip to the tip can be, | 0:09:33 | 0:09:37 | |
often making it harder to have that much needed clear out. | 0:09:37 | 0:09:41 | |
I'm really sad to see them go, | 0:09:41 | 0:09:43 | |
because I've got a lot of memories of my dad around them, so... | 0:09:43 | 0:09:49 | |
Yeah, it would be nice to see something done special with these | 0:09:49 | 0:09:54 | |
rather than throw them in that skip over there. | 0:09:54 | 0:09:59 | |
Don't worry, Ian, you can trust Sarah to look after them. | 0:10:00 | 0:10:04 | |
What a fantastically retro set of table and chairs! | 0:10:04 | 0:10:08 | |
Three chairs, a very useful table, | 0:10:08 | 0:10:11 | |
these will fit into the smallest flat or the biggest house. | 0:10:11 | 0:10:14 | |
I think these are going to look enchanting. | 0:10:14 | 0:10:16 | |
That's all three items collected. | 0:10:16 | 0:10:19 | |
Johnny, Tom, and Rosie have the desk to make over, | 0:10:19 | 0:10:23 | |
the teak legs are off to Lorna and Clinton, | 0:10:23 | 0:10:26 | |
leaving Sarah to work on the table and three chairs. | 0:10:26 | 0:10:30 | |
Well, I've run the gauntlet at the recycling centre today | 0:10:32 | 0:10:35 | |
and now I'm going to make haste with my waste | 0:10:35 | 0:10:37 | |
because I think the moneymaking marathon is just about to begin. | 0:10:37 | 0:10:40 | |
Crystal Palace in south London, | 0:10:48 | 0:10:50 | |
an area that straddles five of the city's boroughs | 0:10:50 | 0:10:54 | |
and it is a hub of independent art galleries, | 0:10:54 | 0:10:57 | |
book shops and furniture boutiques. | 0:10:57 | 0:10:59 | |
It's a perfect home for furniture restorers Rosie, Johnny and Tom. | 0:11:01 | 0:11:07 | |
Sarah is heading their way with the desk from the tip. | 0:11:07 | 0:11:11 | |
Hopefully, it will be right up their street. | 0:11:11 | 0:11:13 | |
I'm kind of hoping to get something that has got a bit of age to it, | 0:11:13 | 0:11:17 | |
something we can kind of give a new lease of life to and hopefully... | 0:11:17 | 0:11:21 | |
-Make a good profit. -Yeah, yeah. | 0:11:21 | 0:11:23 | |
Come and see. | 0:11:23 | 0:11:24 | |
Time for them to see the goods. | 0:11:24 | 0:11:27 | |
-What do you reckon? -Yeah, nice! | 0:11:27 | 0:11:31 | |
Remember - bend from the knees. | 0:11:31 | 0:11:33 | |
So, what do you think? | 0:11:38 | 0:11:39 | |
-It's great, it looks really good. -Yeah, it's cool. | 0:11:39 | 0:11:42 | |
So, when I saw it in the tip, | 0:11:42 | 0:11:45 | |
I just thought it would be lovely | 0:11:45 | 0:11:47 | |
to try and bring it back to its former glory. | 0:11:47 | 0:11:49 | |
Nothing too complicated, | 0:11:49 | 0:11:50 | |
because I think the design of it and the details, | 0:11:50 | 0:11:53 | |
it's got these beautiful angles, it's got those lovely legs, | 0:11:53 | 0:11:55 | |
it's even got lovely positioning of the hand-pull there, so you can... | 0:11:55 | 0:11:59 | |
The whole thing I just thought was lovely. | 0:11:59 | 0:12:01 | |
Can you make it just sing again? | 0:12:01 | 0:12:03 | |
I'd say strip it completely, | 0:12:03 | 0:12:05 | |
strip all the old finish off it and then just refinish it, basically. | 0:12:05 | 0:12:08 | |
I think it shouldn't need too much else. | 0:12:08 | 0:12:11 | |
It just needs to be taken back to what it would have been, | 0:12:11 | 0:12:13 | |
which is just a really amazing piece of furniture, really nice design. | 0:12:13 | 0:12:16 | |
It has got one really obvious fault, though - it's got a terrible repair. | 0:12:16 | 0:12:20 | |
-Yeah, it's pretty crude. -And how would you repair it? | 0:12:20 | 0:12:23 | |
We'll take these metal pieces off and we'll repair it with some wood, | 0:12:23 | 0:12:26 | |
we'll have to let some wood in and then shape it | 0:12:26 | 0:12:28 | |
so that it bridges this damage. | 0:12:28 | 0:12:31 | |
That sounds like quite a lot of work, but it is doable? | 0:12:31 | 0:12:34 | |
-Yeah. -I think it sounds worse, and it looks worse, than it possibly is. | 0:12:34 | 0:12:38 | |
-At the moment, it looks worse. -Yeah. | 0:12:38 | 0:12:40 | |
The plan, then, is to completely strip the desk and legs, | 0:12:40 | 0:12:44 | |
sand them down and apply a fresh new finish. | 0:12:44 | 0:12:48 | |
The broken leg will get properly fixed | 0:12:48 | 0:12:51 | |
and that unsightly metal bracket will be banished for good. | 0:12:51 | 0:12:55 | |
What is that going to cost to bring it back to its former glory? | 0:12:55 | 0:12:59 | |
Well, we're thinking around 300-320. | 0:12:59 | 0:13:02 | |
-Yeah. -All in. | 0:13:02 | 0:13:04 | |
Fantastic, I'm so pleased you're going to take it on. | 0:13:04 | 0:13:06 | |
I hope it comes out amazingly. | 0:13:06 | 0:13:07 | |
-Give me a shout when it's done. -Thanks. | 0:13:07 | 0:13:09 | |
Sometimes in this game, it's all about bringing things back to life | 0:13:09 | 0:13:14 | |
rather than completely re-purposing them. | 0:13:14 | 0:13:17 | |
I'm really looking forward to seeing back | 0:13:18 | 0:13:20 | |
the contrast that would have been on it. | 0:13:20 | 0:13:22 | |
It's going to look quite different. | 0:13:22 | 0:13:24 | |
Well, that is just so exciting. | 0:13:24 | 0:13:26 | |
I think that desk is now in the best possible hands | 0:13:26 | 0:13:28 | |
and I'm hoping for a subtle, but really beautiful transformation. | 0:13:28 | 0:13:32 | |
For £320, Tom, Johnny and Rosie are hoping | 0:13:32 | 0:13:38 | |
to bring the desk back to former glory. | 0:13:38 | 0:13:41 | |
But I reckon that broken leg might be more tricky than they think. | 0:13:41 | 0:13:45 | |
Over to Dodford, a tiny hamlet in Worcestershire, | 0:13:51 | 0:13:56 | |
founded by members of the Chartist movement | 0:13:56 | 0:13:59 | |
to give working-class families land | 0:13:59 | 0:14:02 | |
in the hope that they could make an honest living, | 0:14:02 | 0:14:05 | |
which is exactly what the Junk Gypsies do in their barn here. | 0:14:05 | 0:14:10 | |
With Lorna's expertise in upholstery | 0:14:10 | 0:14:13 | |
and Clinton's mastery of woodwork and metal, | 0:14:13 | 0:14:16 | |
they are the perfect pair to take on Sarah's teak sofa legs. | 0:14:16 | 0:14:21 | |
Definitely, I like to work with old pieces, | 0:14:24 | 0:14:27 | |
lots of character in them - holes, dents, dings, rust... | 0:14:27 | 0:14:32 | |
-Dirt. -Dirt, yeah, that's where I'm at. I'm dirty. | 0:14:32 | 0:14:36 | |
Easy, now. | 0:14:38 | 0:14:39 | |
Well, I've come to see Lorna and Clinton | 0:14:39 | 0:14:41 | |
with my salvaged sofa pieces. | 0:14:41 | 0:14:43 | |
I'm hoping they come up with an idea with legs | 0:14:43 | 0:14:45 | |
and I can walk away with a profit. | 0:14:45 | 0:14:47 | |
-Hello? -Hey, Sarah. | 0:14:48 | 0:14:51 | |
Hi, guys, how you doing? | 0:14:51 | 0:14:52 | |
-Good, are you? -Very well. That's nice, isn't it? | 0:14:52 | 0:14:54 | |
Just a little lamp I'm working on. | 0:14:54 | 0:14:56 | |
Hey, I've got something for you. | 0:14:56 | 0:14:59 | |
-OK. -What do you reckon to those? | 0:14:59 | 0:15:00 | |
So, where's the rest of it? | 0:15:00 | 0:15:02 | |
No, that's your lot, I'm afraid, Clinton. | 0:15:02 | 0:15:05 | |
I have been thinking... | 0:15:05 | 0:15:06 | |
Go on, what were you thinking? | 0:15:06 | 0:15:08 | |
I was wondering about perhaps making a big long bench | 0:15:08 | 0:15:12 | |
and you doing some upholstery on the top, but I'm open to offers. | 0:15:12 | 0:15:15 | |
Like some sort of sofa? | 0:15:15 | 0:15:17 | |
Yeah, or an ottomany kind of thing. | 0:15:17 | 0:15:19 | |
I've got a little idea I could run by you. | 0:15:19 | 0:15:20 | |
-Go on, then. -I've got this trough. | 0:15:20 | 0:15:24 | |
You could potentially even have a little look at that. | 0:15:24 | 0:15:26 | |
-What do you reckon? -Sounds good. | 0:15:26 | 0:15:28 | |
An old water trough - what on earth are you thinking, Clinton? | 0:15:28 | 0:15:33 | |
Maybe we could do a shelving system, something like that. | 0:15:33 | 0:15:38 | |
I would slightly worry about it being a bit top-heavy. | 0:15:38 | 0:15:42 | |
Any chance we could try it the other way? | 0:15:42 | 0:15:44 | |
-Flip it up? -Maybe sideways. | 0:15:44 | 0:15:46 | |
-OK. -Do you want to put it up here? | 0:15:46 | 0:15:48 | |
-Yeah, let's do that. -OK. | 0:15:48 | 0:15:49 | |
Mind your backs. | 0:15:49 | 0:15:52 | |
OK. | 0:15:54 | 0:15:55 | |
Oh, OK, so you're thinking more of a sideboard, | 0:15:55 | 0:15:59 | |
a TV unit-type situation? | 0:15:59 | 0:16:01 | |
I've hidden it, I've hidden it. It's there. | 0:16:01 | 0:16:03 | |
What do you think of that? | 0:16:03 | 0:16:05 | |
Yeah, I think it's cool. | 0:16:05 | 0:16:06 | |
It's even got a hole ready-made for wires. | 0:16:06 | 0:16:09 | |
Would you put shelves or anything inside it? | 0:16:09 | 0:16:11 | |
I'm thinking a nice, just one wooden shelf. | 0:16:11 | 0:16:14 | |
Like a single floating shelf in the middle. | 0:16:14 | 0:16:16 | |
What about something like this? | 0:16:16 | 0:16:19 | |
That is looking good. | 0:16:19 | 0:16:20 | |
This rustic, hip sideboard is not to everyone's taste | 0:16:21 | 0:16:25 | |
but architectural salvage pieces like this are getting more popular. | 0:16:25 | 0:16:31 | |
Can you give me a price for this one and then a price for a bigger one? | 0:16:31 | 0:16:35 | |
Maybe 170 on that. | 0:16:35 | 0:16:37 | |
I think 170's cool. What about a big one? | 0:16:37 | 0:16:40 | |
Cos I know these come in all sorts of shapes and sizes. | 0:16:40 | 0:16:43 | |
We've got one that's probably twice the size of this. | 0:16:43 | 0:16:45 | |
Now, maybe we could do that for, all in, £300? | 0:16:45 | 0:16:51 | |
I always like things when they're big. | 0:16:51 | 0:16:52 | |
I think that if you're going to make an impact, | 0:16:52 | 0:16:55 | |
you might as well go for it. | 0:16:55 | 0:16:57 | |
If you're going to make the effort to put the legs on the end, | 0:16:57 | 0:16:59 | |
let's do it. Let's go large. | 0:16:59 | 0:17:01 | |
-What do you think, Lorna? -Erm, I think I'm with Sarah, | 0:17:01 | 0:17:04 | |
like something big. | 0:17:04 | 0:17:06 | |
Big is always better, isn't it? | 0:17:06 | 0:17:09 | |
Mmm, but just how big is "big"? | 0:17:09 | 0:17:12 | |
£300 for a unique and big sideboard. | 0:17:12 | 0:17:16 | |
-Deal. -Great! | 0:17:16 | 0:17:18 | |
I love it when a plan comes together. | 0:17:18 | 0:17:20 | |
-Give me a shout when it's ready. -OK. -Bye! | 0:17:20 | 0:17:22 | |
As Lorna is an upholsterer and there's no fabric in the plan, | 0:17:24 | 0:17:29 | |
it will be Clinton tackling this project by himself. | 0:17:29 | 0:17:33 | |
I'm super-excited about working with Sarah's legs. | 0:17:33 | 0:17:36 | |
But I think this is a project I'm going to have to work on on my own. | 0:17:36 | 0:17:40 | |
-No problem. -Obviously with some expert guidance from Lorna. -Yeah. | 0:17:40 | 0:17:45 | |
Well, things evolved really quickly in there. | 0:17:45 | 0:17:47 | |
I think I might just have commissioned | 0:17:47 | 0:17:49 | |
the world's first water trough sideboard, | 0:17:49 | 0:17:51 | |
but I think it sounds amazing. | 0:17:51 | 0:17:53 | |
Going big, and now I'm going home. | 0:17:53 | 0:17:56 | |
Going home? I don't think so, there's work to be done. | 0:17:56 | 0:18:00 | |
For £300, Lorna and Clinton will use the teak sofa legs | 0:18:00 | 0:18:05 | |
to create a water trough sideboard. | 0:18:05 | 0:18:08 | |
Fingers crossed going big doesn't create too many weight issues | 0:18:08 | 0:18:13 | |
for those fine legs. | 0:18:13 | 0:18:15 | |
Sarah's back home in Sussex, where she's about to start work | 0:18:27 | 0:18:31 | |
on the yellow Formica-covered table and three chairs | 0:18:31 | 0:18:34 | |
that she rescued from the tip. | 0:18:34 | 0:18:37 | |
The more I look at this, the more I like it | 0:18:37 | 0:18:40 | |
and it's because I like it | 0:18:40 | 0:18:41 | |
that I think I'm just going to do a subtle transformation on this. | 0:18:41 | 0:18:44 | |
I don't want to cut it in half, | 0:18:44 | 0:18:45 | |
I'm not looking to make a bench out of the chairs, | 0:18:45 | 0:18:47 | |
but what I'd like to do is clean it up, | 0:18:47 | 0:18:49 | |
paint it up and 'luxe it up a little bit. | 0:18:49 | 0:18:52 | |
Better get scrubbing then, Sarah. | 0:18:52 | 0:18:54 | |
She is using cream cleaner on the old Formica. | 0:18:54 | 0:18:57 | |
Formica laminate, to be precise, | 0:18:57 | 0:19:00 | |
is a heat resistant wipe clean plastic coating | 0:19:00 | 0:19:03 | |
commonly used for table tops and work surfaces. | 0:19:03 | 0:19:06 | |
Well, thankfully the top here is really not in bad condition | 0:19:07 | 0:19:11 | |
because this has been probably knocking around | 0:19:11 | 0:19:13 | |
since about the late '50s, early '60s. | 0:19:13 | 0:19:14 | |
It would be really difficult to recover this | 0:19:14 | 0:19:17 | |
or to paint over the top of it. | 0:19:17 | 0:19:18 | |
So, I'm pleased that it's coming up all right. | 0:19:18 | 0:19:21 | |
The Formica seems to have stood the test of time. | 0:19:21 | 0:19:24 | |
The same can't be said about the wood, though. | 0:19:24 | 0:19:27 | |
I really want a crisp, lovely edge to this table, | 0:19:27 | 0:19:31 | |
but I can't tell if it's going to get any better than that. | 0:19:31 | 0:19:35 | |
Sarah is going to paint the woodwork | 0:19:35 | 0:19:38 | |
and it's always best to make sure as much dust and dirt is removed | 0:19:38 | 0:19:43 | |
before you get your paintbrush out. | 0:19:43 | 0:19:45 | |
Looking good, Sarah. | 0:19:45 | 0:19:47 | |
There's one thing that's bothering me, though. | 0:19:47 | 0:19:50 | |
There are three chairs here and it looks to me like one is missing, | 0:19:50 | 0:19:52 | |
so I think I'm going to take one away | 0:19:52 | 0:19:54 | |
and just concentrate on having a lovely table and a pair of chairs. | 0:19:54 | 0:19:58 | |
Okey-dokey! Sarah starts to take the covers off the seats | 0:19:58 | 0:20:03 | |
to see if the padding underneath is still usable. | 0:20:03 | 0:20:06 | |
I'm just going to use my spare chair seat | 0:20:06 | 0:20:08 | |
to find out exactly what is going on under here, | 0:20:08 | 0:20:10 | |
to see if it's worth covering these or starting again. | 0:20:10 | 0:20:14 | |
They could have used anything as padding back then. | 0:20:14 | 0:20:17 | |
What's the verdict? | 0:20:17 | 0:20:20 | |
Old-fashioned, I think material-based stuffing, | 0:20:21 | 0:20:25 | |
like a cotton, so that's really good. | 0:20:25 | 0:20:27 | |
With a layer of fireproof calico over the top of that, | 0:20:27 | 0:20:29 | |
I've got myself a really smart seat base | 0:20:29 | 0:20:33 | |
without spending too much money. | 0:20:33 | 0:20:35 | |
To meet modern safety standards, you need to use a fire retardant layer | 0:20:35 | 0:20:40 | |
when reupholstering old material. | 0:20:40 | 0:20:43 | |
Sarah is using a type of calico which costs about £5 a roll. | 0:20:43 | 0:20:47 | |
So it's out with her trusty staple gun | 0:20:49 | 0:20:52 | |
to secure it to the old seat filling | 0:20:52 | 0:20:55 | |
and then a few quick trims and, hey, presto, | 0:20:55 | 0:20:58 | |
it's ready for a new velvet seat cover, | 0:20:58 | 0:21:01 | |
which Sarah still has to make. | 0:21:01 | 0:21:03 | |
Then she needs to line the other seat filling | 0:21:03 | 0:21:07 | |
and paint the chairs and table. | 0:21:07 | 0:21:09 | |
Best let her get on with it, then. | 0:21:09 | 0:21:12 | |
Sarah has spent just £20 on the fire retardant material | 0:21:15 | 0:21:19 | |
and the new seat covers that she is still to make. | 0:21:19 | 0:21:22 | |
She's got a long way to go, | 0:21:22 | 0:21:24 | |
but hopefully it's shaping up to be a winner. | 0:21:24 | 0:21:28 | |
Time to catch up with Tom, Johnny and Rosie | 0:21:30 | 0:21:33 | |
in their south London workshop, | 0:21:33 | 0:21:35 | |
where they are starting work on refurbishing that old desk. | 0:21:35 | 0:21:39 | |
-Shall we get started then? -Yeah, cool. | 0:21:40 | 0:21:43 | |
Tom will strip the unit ready for a new finish, | 0:21:44 | 0:21:47 | |
Rosie will do the same to the legs | 0:21:47 | 0:21:50 | |
and Johnny is taking the old metal bracket off the broken leg | 0:21:50 | 0:21:54 | |
and will be repairing that properly. | 0:21:54 | 0:21:58 | |
Just going to examine the extent of how sort of bad the break is. | 0:21:58 | 0:22:03 | |
It's definitely fixable. | 0:22:03 | 0:22:04 | |
It's just it's not the best break we were hoping for | 0:22:04 | 0:22:07 | |
cos it looks like it's been broken once or twice before | 0:22:07 | 0:22:09 | |
so there's quite a lot of wood missing. | 0:22:09 | 0:22:11 | |
It doesn't really hold, when you put it back in place. | 0:22:11 | 0:22:14 | |
But with some clamping and a jig made up, | 0:22:14 | 0:22:16 | |
we can get it back together. | 0:22:16 | 0:22:18 | |
First, Johnny needs to clean off any old glue and he's using hot water. | 0:22:19 | 0:22:25 | |
If it's an animal-based glue, it should dissolve easily. | 0:22:25 | 0:22:29 | |
While he does that, it's Tom's job | 0:22:30 | 0:22:32 | |
to strip the old finish from the unit. | 0:22:32 | 0:22:35 | |
So I'm just putting on my stripping outfit now. | 0:22:35 | 0:22:38 | |
STRIPTEASE MUSIC PLAYS | 0:22:38 | 0:22:43 | |
This desk isn't a Chippendale just yet, | 0:22:43 | 0:22:46 | |
but I reckon Tom's got what it takes to shake his stuff. | 0:22:46 | 0:22:50 | |
Take it all off, Tom. | 0:22:50 | 0:22:52 | |
So I'm just coating up the top here with this stripper, | 0:22:54 | 0:22:58 | |
which will dissolve the old finish | 0:22:58 | 0:23:00 | |
and make it kind of bubble up | 0:23:00 | 0:23:02 | |
and lift out of the grain of the wood. | 0:23:02 | 0:23:04 | |
Stripping the unit bare should get rid of surface scratches | 0:23:06 | 0:23:10 | |
and Rosie is also giving the legs the full Monty. | 0:23:10 | 0:23:13 | |
We've decided to do this just because all the marks and stuff, | 0:23:13 | 0:23:19 | |
we just thought touching them in won't look good, | 0:23:19 | 0:23:21 | |
so we'd better just redo them and it'll match the whole, | 0:23:21 | 0:23:25 | |
like, newly restored look of the whole piece. | 0:23:25 | 0:23:27 | |
The paint is coming off really nicely so it's not too hard a task. | 0:23:27 | 0:23:32 | |
You lucked out on that one, Rosie. | 0:23:32 | 0:23:35 | |
Look how much Tom has to scrape off. | 0:23:35 | 0:23:37 | |
Quite a bit of that finish has come off, | 0:23:39 | 0:23:42 | |
which is good so I'm just going to go over it with wire wool next. | 0:23:42 | 0:23:45 | |
The coarser the wire wool, the better | 0:23:45 | 0:23:48 | |
to really get into the grooves | 0:23:48 | 0:23:50 | |
and always go with the grain for a smoother finish. | 0:23:50 | 0:23:54 | |
And talking of a smooth finish... | 0:23:54 | 0:23:56 | |
It's pretty much finished. | 0:23:56 | 0:23:58 | |
Just neutralising the stripper with methylated spirits, | 0:23:58 | 0:24:02 | |
just to make sure that when we put the paint on, | 0:24:02 | 0:24:05 | |
it doesn't re-bubble up and strip off again. | 0:24:05 | 0:24:09 | |
Yeah, looking good. | 0:24:09 | 0:24:11 | |
Johnny is now working on the fix for the broken leg. | 0:24:11 | 0:24:15 | |
He's made oak splints to apply pressure to each end of the leg | 0:24:15 | 0:24:20 | |
to create a smooth joint. | 0:24:20 | 0:24:22 | |
So the idea, in theory, | 0:24:22 | 0:24:24 | |
is that when we get this leg cleaned up and we can stick a clamp | 0:24:24 | 0:24:29 | |
on the bottom here and get the right pressure in the right places, | 0:24:29 | 0:24:32 | |
to give us the best possible chance of going back sort of neatly. | 0:24:32 | 0:24:36 | |
Looks like there's still plenty to do | 0:24:36 | 0:24:38 | |
to get this old thing back to its former glory. | 0:24:38 | 0:24:42 | |
Rosie has still got the legs to paint, | 0:24:42 | 0:24:44 | |
Tom's got a fresh finish to apply | 0:24:44 | 0:24:46 | |
and Johnny's got to sort that wonky leg. | 0:24:46 | 0:24:50 | |
Back in Dodford, near Worcester, | 0:24:53 | 0:24:55 | |
Clinton is about to start work on the sideboard. | 0:24:55 | 0:24:58 | |
He's working on his own for this, as he is the metal and wood expert. | 0:24:58 | 0:25:03 | |
The plan is to attach the teak legs to an old farmyard trough | 0:25:03 | 0:25:08 | |
and Sarah asked for a large one. | 0:25:08 | 0:25:10 | |
Boy, oh, boy, that is definitely large. | 0:25:10 | 0:25:14 | |
This is the bigger trough that I was telling Sarah about. | 0:25:14 | 0:25:17 | |
Sarah hasn't seen this one, but we dug it out, | 0:25:17 | 0:25:20 | |
we've done a little bit of a clean-up for it | 0:25:20 | 0:25:22 | |
and this is the one that hopefully we'll impress her with. | 0:25:22 | 0:25:25 | |
It certainly is impressive. | 0:25:26 | 0:25:29 | |
First things first, though, | 0:25:29 | 0:25:31 | |
he needs to drill holes ready to attach the legs. | 0:25:31 | 0:25:34 | |
When drilling into metal, eye protection is highly recommended | 0:25:34 | 0:25:38 | |
and when dealing with heavy items like a trough, | 0:25:38 | 0:25:42 | |
probably best to have adequate footwear on, | 0:25:42 | 0:25:45 | |
like steel toe capped boots, | 0:25:45 | 0:25:47 | |
rather than flip-flops. | 0:25:47 | 0:25:49 | |
Best not to copy Clinton. | 0:25:49 | 0:25:51 | |
So, we can just basically see how it's going to look. | 0:25:51 | 0:25:55 | |
So we use a washer to spread the weight. | 0:25:55 | 0:25:58 | |
The legs are made of very strong teak | 0:25:58 | 0:26:01 | |
so can take the weight of the trough, | 0:26:01 | 0:26:04 | |
but Clinton needs to use those washers, | 0:26:04 | 0:26:07 | |
otherwise the pressure on the joints | 0:26:07 | 0:26:09 | |
could be enough to rip the bolts out of the wood. | 0:26:09 | 0:26:11 | |
With the washers, the sideboard won't fall apart, | 0:26:13 | 0:26:16 | |
and it won't be falling over, | 0:26:16 | 0:26:18 | |
as Clinton has a plan to keep it balanced. | 0:26:18 | 0:26:21 | |
These two holes are going to give it double strength on each side, | 0:26:21 | 0:26:24 | |
but it will also, hopefully, when it stands, | 0:26:24 | 0:26:26 | |
it'll have a little bit of give, so when you actually do knock it, | 0:26:26 | 0:26:29 | |
it will have a little bit of bounce to stop it actually cracking, | 0:26:29 | 0:26:33 | |
as opposed to something being so rigid that when you push it, | 0:26:33 | 0:26:37 | |
it just snaps. | 0:26:37 | 0:26:39 | |
Time to see if it all works, then. | 0:26:39 | 0:26:41 | |
All right. | 0:26:45 | 0:26:47 | |
Success. Those fittings work perfectly. | 0:26:47 | 0:26:51 | |
This architectural-salvage look | 0:26:51 | 0:26:53 | |
wouldn't look right in my front room, | 0:26:53 | 0:26:56 | |
but it's completely on-trend and Clinton is cracking on, | 0:26:56 | 0:27:00 | |
staying true to the plan. | 0:27:00 | 0:27:02 | |
Always try to work with what the material, and the features that the | 0:27:02 | 0:27:06 | |
material, has to offer, | 0:27:06 | 0:27:08 | |
I try literally to keep all the things as authentic as we can. | 0:27:08 | 0:27:11 | |
Clinton has still got the shelves to make and wants to put | 0:27:13 | 0:27:16 | |
panelling up on the back of the trough, for safety, | 0:27:16 | 0:27:19 | |
as it's full of rusty holes. | 0:27:19 | 0:27:21 | |
For this, he'll be using wood from a table that used to be a door. | 0:27:23 | 0:27:27 | |
Talk about repurposing. | 0:27:27 | 0:27:30 | |
He'll also be using some longer pieces from an old ladder. | 0:27:30 | 0:27:34 | |
If I can get it right with the wood and it all comes together nicely at | 0:27:34 | 0:27:38 | |
the end, I think Sarah is going to absolutely love it. | 0:27:38 | 0:27:41 | |
But if it's wrong and there's too much chunks missing | 0:27:41 | 0:27:44 | |
and dents and stuff, | 0:27:44 | 0:27:45 | |
I don't think it's going to work, so it's kind of in the balance. | 0:27:45 | 0:27:50 | |
You're not wrong there, Clinton. | 0:27:50 | 0:27:52 | |
I can't wait to see how your water trough sideboard turns out. | 0:27:52 | 0:27:56 | |
Time to head back to Sarah's in West Sussex, | 0:28:00 | 0:28:02 | |
where she's adding the final splashes of colour to the table | 0:28:02 | 0:28:06 | |
and two chairs. | 0:28:06 | 0:28:08 | |
-That's better. -Let's have a look then, shall we? | 0:28:09 | 0:28:13 | |
From junkyard trash to retro smash, | 0:28:13 | 0:28:17 | |
the vintage Formica surface has cleaned up beautifully. | 0:28:17 | 0:28:21 | |
The yellow now contrasts with the dark green and orange paintwork | 0:28:21 | 0:28:25 | |
on the table legs and chairs. | 0:28:25 | 0:28:28 | |
Sarah used acrylic eggshell paint, which gives that sharp, crisp look, | 0:28:28 | 0:28:33 | |
and for a touch of lush, | 0:28:33 | 0:28:34 | |
she's covered the seat pads in a black velvet. | 0:28:34 | 0:28:38 | |
All in all, a striking and distinct makeover. | 0:28:38 | 0:28:41 | |
The colours make the whole thing stand out like a cool and funky | 0:28:41 | 0:28:46 | |
tropical insect. I think that's a good thing. | 0:28:46 | 0:28:49 | |
Now all that's left is for Sarah to grab some snaps and sell it online. | 0:28:49 | 0:28:54 | |
Well, it's certainly had a face-lift, hasn't it? | 0:28:57 | 0:29:00 | |
It's bright. It's now got a really hard-wearing, durable finish, | 0:29:00 | 0:29:03 | |
luxury velvet seat pads and this is going to fit into all sorts of | 0:29:03 | 0:29:06 | |
different places. Just need to get it sold. | 0:29:06 | 0:29:09 | |
Sarah rescued the table and chairs from Ian's boot. | 0:29:11 | 0:29:16 | |
You must be clearing out a house. | 0:29:16 | 0:29:18 | |
Yes, I am, yes, my father's house. | 0:29:18 | 0:29:20 | |
He's gone into a nursing home now, so... | 0:29:20 | 0:29:22 | |
-Oh, dear. -The house has got to be emptied. | 0:29:22 | 0:29:24 | |
-And that's your job, is it? -I got the short straw, yes. | 0:29:24 | 0:29:27 | |
Ian was more than happy to let Sarah give them a brand-new lease of life. | 0:29:27 | 0:29:31 | |
They've got a lot of memories of me dad around them, so, yeah, | 0:29:33 | 0:29:38 | |
it would be nice to see something done special with these. | 0:29:38 | 0:29:42 | |
Don't worry, Ian. | 0:29:42 | 0:29:44 | |
They're definitely something special now. | 0:29:44 | 0:29:47 | |
The table and chair set sold very quickly to a private buyer, | 0:29:48 | 0:29:52 | |
who saw them on Sarah's Facebook page. | 0:29:52 | 0:29:55 | |
Sarah has travelled to Walsall, | 0:29:58 | 0:30:01 | |
to show Ian the transformation and hand over the profit. | 0:30:01 | 0:30:04 | |
-Hello. -Hello there. Nice to see you again. | 0:30:08 | 0:30:10 | |
-How are you doing? -All right, thank you very much. | 0:30:10 | 0:30:12 | |
I'm here today to catch up about the table and chairs. | 0:30:12 | 0:30:15 | |
-Do you remember those in your dad's house? -I certainly do, yeah. | 0:30:15 | 0:30:18 | |
I've seen them for quite a long time. | 0:30:18 | 0:30:20 | |
I suppose you could say they were dated, | 0:30:20 | 0:30:22 | |
but you could also say they were retro. | 0:30:22 | 0:30:24 | |
Did you wonder how we might update them or try and make some money | 0:30:24 | 0:30:27 | |
-out of them? -Well, I'd be amazed if you could do anything with them, | 0:30:27 | 0:30:30 | |
-to be honest. -It was actually me who worked on the table and chairs. | 0:30:30 | 0:30:33 | |
-Brilliant. -I've got some pictures here, to show you how it ended up. | 0:30:33 | 0:30:36 | |
-Are you ready? -Yes. | 0:30:36 | 0:30:38 | |
-Oh, no! -Is that "Oh, no, oh, yes", or, "Oh, no, oh, no!" | 0:30:40 | 0:30:43 | |
That's good, yeah, that's brilliant. | 0:30:43 | 0:30:45 | |
-Do you recognise it? -No, no, I wouldn't have, no. | 0:30:45 | 0:30:49 | |
I think that's brilliant. That's excellent. | 0:30:49 | 0:30:52 | |
So I've sold them. | 0:30:52 | 0:30:54 | |
-Have you? -Yeah. -Oh, right. | 0:30:54 | 0:30:56 | |
-I've got profit. -Oh, no! | 0:30:56 | 0:30:58 | |
-How much do you think? -50p. | 0:30:58 | 0:31:01 | |
50p! | 0:31:01 | 0:31:03 | |
I've got 200 quid for you. | 0:31:03 | 0:31:04 | |
-You're joking. -No. | 0:31:04 | 0:31:06 | |
No! Thank you. | 0:31:06 | 0:31:08 | |
-That's amazing. -What are you going to do with 200 quid? | 0:31:08 | 0:31:11 | |
I'll probably try and fight the children and the wife for it, | 0:31:11 | 0:31:14 | |
but lose the battle, as always. | 0:31:14 | 0:31:16 | |
It will come in very handy. | 0:31:16 | 0:31:17 | |
-Lovely to catch up with you. -Thank you ever so much. | 0:31:17 | 0:31:20 | |
I hope you have a nice time with that. | 0:31:20 | 0:31:21 | |
I'm sure I'll manage to get £10 out of it. | 0:31:21 | 0:31:23 | |
Well, you take a tenner from me and it was lovely to see you again. | 0:31:23 | 0:31:26 | |
-Bye-bye. -Brilliant. Thank you very much, thank you. | 0:31:26 | 0:31:29 | |
Bye, then. | 0:31:29 | 0:31:30 | |
Sarah spent just £20 on the velvet material and paint | 0:31:31 | 0:31:36 | |
for the table and chairs. | 0:31:36 | 0:31:38 | |
She sold them for a cracking £220, | 0:31:38 | 0:31:41 | |
giving Ian a whopping £200 to share with the family. | 0:31:41 | 0:31:45 | |
Sarah is back in Crystal Palace to see the refurbished desk | 0:31:48 | 0:31:52 | |
that Johnny, Tom and Rosie have been working on. | 0:31:52 | 0:31:56 | |
Tom is giving it a last-minute polish. | 0:31:56 | 0:32:00 | |
Hurry up, she'll be here in a minute. | 0:32:00 | 0:32:02 | |
Are they pleased with the way it's turned out? | 0:32:02 | 0:32:05 | |
Yes, it's come up exactly how we wanted it to. | 0:32:05 | 0:32:08 | |
-Yeah. -It's a really, really nice piece. | 0:32:08 | 0:32:10 | |
We're really happy with it. | 0:32:10 | 0:32:11 | |
I think she'll like it. Feeling pretty confident. | 0:32:11 | 0:32:15 | |
I'm here to pick up my designer desk. It needed TLC. | 0:32:15 | 0:32:18 | |
It had a nasty fracture to the leg | 0:32:18 | 0:32:20 | |
and I'm hoping it's had some serious cosmetic surgery. | 0:32:20 | 0:32:23 | |
Well, if it's rejuvenation you're looking for, how about this one? | 0:32:23 | 0:32:28 | |
The desk has now been brought back to life in all its original glory. | 0:32:30 | 0:32:35 | |
After being completely stripped and sanded, | 0:32:35 | 0:32:39 | |
complementing shades of wood now offer a stunning contrast between | 0:32:39 | 0:32:43 | |
the veneered walnut of the main unit and the European ash of the drawers. | 0:32:43 | 0:32:48 | |
Both have been lovingly treated with Danish oil, | 0:32:49 | 0:32:53 | |
which gives a gorgeous low sheen. | 0:32:53 | 0:32:55 | |
The teak legs have been given a classy, glossy black shellac finish | 0:32:57 | 0:33:01 | |
and the broken one has been expertly fixed and sanded, | 0:33:01 | 0:33:05 | |
so the join is invisible. | 0:33:05 | 0:33:07 | |
But what will Sarah think? | 0:33:07 | 0:33:10 | |
Hello. | 0:33:11 | 0:33:13 | |
Oh, my word. | 0:33:13 | 0:33:14 | |
Isn't it fantastic? | 0:33:16 | 0:33:18 | |
-Yeah. -Oh, guys, it is amazing. | 0:33:18 | 0:33:21 | |
Doesn't it look cool? The brass and all the bits. | 0:33:21 | 0:33:24 | |
It came up really nice. | 0:33:24 | 0:33:26 | |
-Do you love it? -Yeah, we really love it. | 0:33:26 | 0:33:28 | |
We're going to be sad to see it go. | 0:33:28 | 0:33:30 | |
-Kind of want to buy it ourselves. -Yeah. | 0:33:30 | 0:33:32 | |
It looks just in mint condition. | 0:33:32 | 0:33:35 | |
Wow, it's amazing, and the broken leg, you don't even notice. | 0:33:35 | 0:33:37 | |
-Which one was it? -It's this one here. | 0:33:37 | 0:33:39 | |
-You'd never know. -No. | 0:33:39 | 0:33:41 | |
That is a serious, serious restoration. | 0:33:41 | 0:33:44 | |
I'm so pleased. It feels like it's perfect now. | 0:33:44 | 0:33:47 | |
Yeah, it pretty much is. | 0:33:47 | 0:33:48 | |
-Absolutely is. -How much has it cost to make something look like that? | 0:33:48 | 0:33:52 | |
We stuck to budget, didn't we? So 320, we said. | 0:33:52 | 0:33:55 | |
Obviously including materials. | 0:33:55 | 0:33:57 | |
I can't thank you enough for making it look like that, | 0:33:57 | 0:34:00 | |
because I think it's fantastic. | 0:34:00 | 0:34:02 | |
Yeah. | 0:34:02 | 0:34:03 | |
Sarah is over the moon, and no wonder. | 0:34:03 | 0:34:06 | |
It's a job well done by Tom, Johnny and Rosie. | 0:34:06 | 0:34:10 | |
This piece sort of sums up exactly what all three of us love doing, | 0:34:11 | 0:34:14 | |
you know, uncovering something that's kind of been hidden | 0:34:14 | 0:34:17 | |
from years of just, you know, being used, | 0:34:17 | 0:34:19 | |
so to be able to sort of present this to Sarah and, you know, | 0:34:19 | 0:34:23 | |
and we're so proud of it as well. | 0:34:23 | 0:34:25 | |
It's just been a really nice piece to work on. | 0:34:25 | 0:34:27 | |
How good was that? | 0:34:29 | 0:34:31 | |
Those guys clearly loved working on that piece | 0:34:31 | 0:34:33 | |
and what they have created with that finish, well, it's amazing. | 0:34:33 | 0:34:36 | |
I'm going to go all-out to sell that for a proper profit. | 0:34:36 | 0:34:39 | |
Sarah rescued the desk from the back of Graham's hatchback. | 0:34:41 | 0:34:45 | |
What is that part of? | 0:34:45 | 0:34:48 | |
It's part of a desk | 0:34:48 | 0:34:49 | |
with drawers, so that it's both sides and front. | 0:34:49 | 0:34:53 | |
That is a fabulous piece of furniture. | 0:34:53 | 0:34:56 | |
I would love to save it before it hits the skip. | 0:34:56 | 0:34:59 | |
I wouldn't be against that at all, | 0:34:59 | 0:35:00 | |
if you can do something worthwhile with it. | 0:35:00 | 0:35:03 | |
Graham was happy for Sarah to take it away for a bit of TLC. | 0:35:04 | 0:35:08 | |
Essentially, it's a solid piece of furniture other than the broken leg, | 0:35:08 | 0:35:12 | |
so I'd imagine Sarah can, yeah, do a good refurb on that. | 0:35:12 | 0:35:16 | |
I think Graham is in for a wonderful surprise | 0:35:16 | 0:35:20 | |
when he sees how good that update has been. | 0:35:20 | 0:35:23 | |
Unsurprisingly, it's been bought by a retro shop in Hertford. | 0:35:25 | 0:35:30 | |
And owner Hannah is over the moon | 0:35:31 | 0:35:33 | |
with the new addition to her shop floor. | 0:35:33 | 0:35:36 | |
This is a really nice piece of furniture. | 0:35:39 | 0:35:41 | |
It's been well finished. | 0:35:41 | 0:35:42 | |
I love the style of it. | 0:35:42 | 0:35:44 | |
It's great. I don't think I'll have any problem at all selling this one. | 0:35:44 | 0:35:48 | |
Good to hear. And Sarah is now in Walsall | 0:35:48 | 0:35:51 | |
to tell Graham how much profit she's made from his old desk. | 0:35:51 | 0:35:55 | |
-Hi there, Graham. -Sarah, hello. Hello, good to see you. | 0:35:56 | 0:35:59 | |
-How are you doing? -Very well, thank you. | 0:35:59 | 0:36:01 | |
Well, I was so excited when I met you at the recycling centre | 0:36:01 | 0:36:04 | |
and saw what was coming out of your boot. | 0:36:04 | 0:36:06 | |
It was a great desk, wasn't it? | 0:36:06 | 0:36:08 | |
Yes, fascinating to see what's happened to this piece of furniture. | 0:36:08 | 0:36:12 | |
I've actually had it restored and I've got some pictures here | 0:36:12 | 0:36:15 | |
to show you how it now looks, in its new state. | 0:36:15 | 0:36:17 | |
Oh, wow. | 0:36:17 | 0:36:19 | |
-That's amazing. -What do you think? | 0:36:19 | 0:36:21 | |
-Yeah, wonderful. -There's good news that it's sold. | 0:36:21 | 0:36:23 | |
-Good, OK. -And it has gone on, | 0:36:23 | 0:36:26 | |
it's actually been bought by a shop who will go on to retail it. | 0:36:26 | 0:36:28 | |
It will end up in pride of place in somebody's house, | 0:36:28 | 0:36:32 | |
so I've got some money here for you. | 0:36:32 | 0:36:34 | |
-OK, thank you. -I have got a little £90 windfall for you. | 0:36:34 | 0:36:38 | |
Oh, splendid, thank you very much. | 0:36:38 | 0:36:40 | |
-That's wonderful. -£90 that you weren't expecting. | 0:36:40 | 0:36:43 | |
What are you going to do with that? | 0:36:43 | 0:36:45 | |
Well, we have a house refurbishment going on here, | 0:36:45 | 0:36:48 | |
so I think it'll help us on the way, won't it? | 0:36:48 | 0:36:50 | |
-That will be wonderful. -Refurbishing your house is like | 0:36:50 | 0:36:53 | |
having a bottomless pit, isn't it? | 0:36:53 | 0:36:54 | |
-It is. -So hopefully that will go some way into that pit. | 0:36:54 | 0:36:57 | |
-It'll help, thank you. -Lovely, thank you so much. | 0:36:57 | 0:36:59 | |
I know you were very busy when I met you at the recycling centre, | 0:36:59 | 0:37:01 | |
so I appreciate that too. | 0:37:01 | 0:37:03 | |
-Lovely to have caught up, Graham. -Thank you. Bye-bye. -Bye. | 0:37:03 | 0:37:06 | |
The desk cost £320 to renovate. | 0:37:06 | 0:37:11 | |
The retro shop bought it for £410. | 0:37:11 | 0:37:14 | |
That's a healthy profit of £90 | 0:37:14 | 0:37:16 | |
for Graham to spend on his house refurbishment. | 0:37:16 | 0:37:20 | |
Sarah is in Dodford in Worcester, | 0:37:23 | 0:37:26 | |
to see how the old farmyard water trough | 0:37:26 | 0:37:28 | |
has been transformed into a sideboard. | 0:37:28 | 0:37:31 | |
Clinton did all the work, but Lorna has joined him for the big reveal. | 0:37:33 | 0:37:37 | |
Really excited about Sarah seeing the finished article. | 0:37:39 | 0:37:42 | |
-Yeah. A little bit nervous. -Yeah, quite nervous. | 0:37:42 | 0:37:44 | |
Obviously it's not to everyone's taste, agricultural salvage, | 0:37:44 | 0:37:49 | |
but I really like the simplicity of it, | 0:37:49 | 0:37:51 | |
so I hope that she just buys into that type of feel, so... | 0:37:51 | 0:37:55 | |
You'll find out soon enough, Clinton. | 0:37:55 | 0:37:57 | |
Well, I dropped off a little pair of sofa legs to Lorna and Clinton | 0:37:58 | 0:38:01 | |
and I'm back to see if the plan has come off, because they promised big, | 0:38:01 | 0:38:05 | |
they promised brilliant and I'm just hoping they've pulled it off. | 0:38:05 | 0:38:09 | |
Let's take a look, shall we? | 0:38:09 | 0:38:11 | |
Once a pair of unwanted teak sofa legs, but now... | 0:38:12 | 0:38:17 | |
..a bespoke sideboard. | 0:38:20 | 0:38:22 | |
It's a striking, bold design. | 0:38:23 | 0:38:26 | |
The rough metal perfectly complements the smooth teak legs. | 0:38:26 | 0:38:30 | |
And the trough's rust has been celebrated rather than hidden away. | 0:38:33 | 0:38:37 | |
Finishing off the desirable rustic look | 0:38:37 | 0:38:40 | |
are the reclaimed wooden shelf and back panelling. | 0:38:40 | 0:38:44 | |
This kind of architectural salvage furniture is massively popular. | 0:38:44 | 0:38:49 | |
And Clinton hopes it will make a striking centrepiece | 0:38:50 | 0:38:54 | |
to any hip living room or cool watering hole, | 0:38:54 | 0:38:58 | |
but what will Sarah make of it? | 0:38:58 | 0:39:00 | |
-Hi. -Hello. -How are you? | 0:39:00 | 0:39:01 | |
Clinton, it's enormous. | 0:39:02 | 0:39:04 | |
Oh, isn't it beautiful? | 0:39:04 | 0:39:06 | |
-Do you like it? -I love it. | 0:39:06 | 0:39:08 | |
-Genuinely? -Yeah, I absolutely love it. | 0:39:08 | 0:39:10 | |
I've tried my hardest just to keep it simple, | 0:39:10 | 0:39:13 | |
because, I think, because of the bulkiness of it, if you try | 0:39:13 | 0:39:16 | |
and overcomplicate, putting whistles and bells on it everywhere, | 0:39:16 | 0:39:19 | |
I didn't think it would work. | 0:39:19 | 0:39:21 | |
I think you've honoured where it's come from. | 0:39:21 | 0:39:22 | |
We're not trying to get away from the fact | 0:39:22 | 0:39:24 | |
that this is a rustic farm trough with that interior in it, | 0:39:24 | 0:39:27 | |
and wherever that's going, | 0:39:27 | 0:39:28 | |
it's going to have to have some real hipster vibe anyway, | 0:39:28 | 0:39:31 | |
so they're going to love that. | 0:39:31 | 0:39:32 | |
It's a thumbs up from Sarah, | 0:39:32 | 0:39:34 | |
but how much did the project cost in the end? | 0:39:34 | 0:39:37 | |
The condition of the trough wasn't as bad as I thought it was, | 0:39:38 | 0:39:42 | |
so we managed to save a little bit of money, | 0:39:42 | 0:39:45 | |
so, as opposed to it being £300, it's £285. | 0:39:45 | 0:39:48 | |
Oh, that's fantastic all-round. Isn't that good? | 0:39:49 | 0:39:52 | |
Sarah is overjoyed with the price | 0:39:52 | 0:39:54 | |
and delighted with the finished sideboard. She heads off happy. | 0:39:54 | 0:39:59 | |
How were Lorna and Clinton feeling? | 0:40:00 | 0:40:02 | |
I'm really glad she loves it, really glad. | 0:40:02 | 0:40:05 | |
It's made it all worth it and I was a bit worried about how simple | 0:40:05 | 0:40:09 | |
it actually looked, so I'm glad she bought into that theory. | 0:40:09 | 0:40:13 | |
Well, I reckon they really pulled that off. | 0:40:13 | 0:40:15 | |
You're either going to love it or hate it, | 0:40:15 | 0:40:17 | |
but as a piece of recycling and salvage, it's a lovely design, | 0:40:17 | 0:40:20 | |
and when it comes to sales, | 0:40:20 | 0:40:22 | |
I think that might be more of a peak than a trough. | 0:40:22 | 0:40:24 | |
The teak legs were saved from the back of Maldwyn's car. | 0:40:25 | 0:40:30 | |
What have you done with the rest of it, then? | 0:40:30 | 0:40:32 | |
I carved it into relief carvings and things like that. | 0:40:32 | 0:40:36 | |
-Really? -Yeah. -That's fantastic. | 0:40:36 | 0:40:37 | |
I have to say, I'm really rather taken by your legs. | 0:40:37 | 0:40:40 | |
Well, there we go. | 0:40:40 | 0:40:41 | |
LAUGHTER | 0:40:41 | 0:40:43 | |
Maldwyn had a few ideas of his own for what Sarah could do with them. | 0:40:43 | 0:40:47 | |
She could make another stool or something, I suppose, | 0:40:47 | 0:40:50 | |
or a small chair, a baby's chair. | 0:40:50 | 0:40:52 | |
Furniture was in the right ballpark. | 0:40:53 | 0:40:56 | |
This rustic sideboard is a true one-off. | 0:40:56 | 0:40:59 | |
And it's been bought by a hotel in Chichester. | 0:41:01 | 0:41:03 | |
Front of house staff member Ben thinks it'll fit in nicely. | 0:41:05 | 0:41:09 | |
What a great item this is. | 0:41:09 | 0:41:11 | |
So well-built, fits in with the whole country feel. | 0:41:11 | 0:41:14 | |
It's just amazing. | 0:41:14 | 0:41:15 | |
Sarah is in Aldridge in Walsall to tell Maldwyn how much he made | 0:41:15 | 0:41:20 | |
from his old teak legs. | 0:41:20 | 0:41:22 | |
Hello again. | 0:41:24 | 0:41:25 | |
-Hello, good morning. -How are you? | 0:41:25 | 0:41:27 | |
-Fine, thank you. -Really nice to see you. | 0:41:27 | 0:41:29 | |
I said I'd come and find you, | 0:41:29 | 0:41:31 | |
because when I saw you at the tip, | 0:41:31 | 0:41:33 | |
I loved the look of your legs the moment I saw them! | 0:41:33 | 0:41:36 | |
They went to a fantastic couple called the Junk Gypsies, | 0:41:36 | 0:41:39 | |
who specialise in taking things like your legs and mixing them up with | 0:41:39 | 0:41:42 | |
old materials to make new stuff, | 0:41:42 | 0:41:44 | |
so here's a picture of how your legs have ended up. | 0:41:44 | 0:41:47 | |
-Good Lord. -They have been... | 0:41:47 | 0:41:49 | |
-Wonderful. -..put on the end of an enormous trough to make a sideboard. | 0:41:49 | 0:41:53 | |
A trough, yes, I can see that. | 0:41:53 | 0:41:54 | |
-Yes, that's excellent. -What do you think? | 0:41:54 | 0:41:57 | |
I think it's marvellous. I'm impressed. | 0:41:57 | 0:42:00 | |
It's a very rustic piece of furniture. | 0:42:00 | 0:42:03 | |
It's huge. | 0:42:03 | 0:42:04 | |
It's gone to a beautiful pub in West Sussex | 0:42:04 | 0:42:06 | |
and they have a lovely, big, rustic, country interior | 0:42:06 | 0:42:10 | |
and that old trough sideboard has fitted in perfectly. | 0:42:10 | 0:42:12 | |
Well done, well, there we go, then. | 0:42:12 | 0:42:14 | |
A great place for you to go and visit, | 0:42:14 | 0:42:16 | |
if you ever need to catch up with your legs again. | 0:42:16 | 0:42:19 | |
It sold at a profit. | 0:42:19 | 0:42:20 | |
Well, that's excellent, isn't it? | 0:42:20 | 0:42:22 | |
£80 here for you, for your legs. | 0:42:22 | 0:42:24 | |
Wow, well, that's something, yes. | 0:42:24 | 0:42:26 | |
What are you been to do with that £80? | 0:42:26 | 0:42:28 | |
-I'm going to give it to the National Children's Home. -Oh, fantastic. | 0:42:28 | 0:42:32 | |
Well, I was throwing it away, wasn't I? They might as well have it. | 0:42:32 | 0:42:36 | |
Lovely. Well, I'm so pleased it's going there. | 0:42:36 | 0:42:38 | |
-Yes. -Thank you very much for letting me have your legs | 0:42:38 | 0:42:41 | |
and there is a great pub in West Sussex where you can have... | 0:42:41 | 0:42:43 | |
West Sussex, I'll try and remember that. | 0:42:43 | 0:42:46 | |
-I'll... -Thank you very much. -So nice to catch up. | 0:42:46 | 0:42:48 | |
-Yes, really good. -Thank you very much. | 0:42:48 | 0:42:50 | |
-Bye-bye. -Bye-bye, now. | 0:42:50 | 0:42:52 | |
Sarah spent £285 on the sideboard | 0:42:52 | 0:42:56 | |
and she sold it for £365. | 0:42:56 | 0:43:00 | |
That's a great profit for Maldwyn to give | 0:43:00 | 0:43:02 | |
to the charity known as Action for Children. | 0:43:02 | 0:43:06 | |
Sarah saved three unwanted items from being thrown in the tip | 0:43:08 | 0:43:13 | |
and with a bit of elbow grease and lots of love and attention, | 0:43:13 | 0:43:17 | |
they have been transformed and given a whole new life. | 0:43:17 | 0:43:21 | |
Well, three fantastic finds that were about to be binned | 0:43:25 | 0:43:28 | |
have been transformed into unique and valuable items. | 0:43:28 | 0:43:30 | |
And what's more, we made some money for nothing along the way. | 0:43:30 | 0:43:34 |