Browse content similar to Episode 30. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
That's not going in there, is it? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:07 | 0:00:09 | |
Ooh, that's got lovely legs! | 0:00:09 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of | 0:00:11 | 0:00:14 | |
household waste thrown out by us every year. | 0:00:14 | 0:00:18 | |
I'm now going to swan off! | 0:00:18 | 0:00:19 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:22 | 0:00:25 | |
before they hit the skip. | 0:00:25 | 0:00:27 | |
I'm a passionate maker, buyer and user of old stuff, | 0:00:31 | 0:00:34 | |
and I've turned that passion into a money-making business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff, and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
Let's brainstorm a little bit and see what we can do with it. | 0:00:45 | 0:00:48 | |
It is absolutely gorgeous. | 0:00:48 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:54 | |
I'm kind of speechless. | 0:00:54 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:56 | |
That looks amazing! | 0:00:57 | 0:00:59 | |
..and hopefully saleable items! | 0:00:59 | 0:01:02 | |
THEY LAUGH | 0:01:02 | 0:01:04 | |
If Sarah is successful then she can hand the profits back to the very | 0:01:04 | 0:01:09 | |
people who had no idea there was cash to be made from their trash. | 0:01:09 | 0:01:14 | |
That's lovely! Lovely ending! | 0:01:14 | 0:01:15 | |
Today, Sarah's at the Woking Community Recycling Centre | 0:01:28 | 0:01:32 | |
in Surrey, which receives around 300,000 visitors a year. | 0:01:32 | 0:01:37 | |
How exciting! The gates have just opened, | 0:01:37 | 0:01:39 | |
and the cars are pouring in here, packed with potential. | 0:01:39 | 0:01:42 | |
Sarah hopes to uncover three items with the potential to be | 0:01:47 | 0:01:50 | |
spruced up and sold on for a profit. | 0:01:50 | 0:01:54 | |
So, was that the shower? | 0:01:54 | 0:01:55 | |
But just in case you're thinking about doing | 0:01:55 | 0:01:58 | |
a pick and mix at your local tip, don't try it. | 0:01:58 | 0:02:01 | |
Sarah had to get special permission to work her magic. | 0:02:01 | 0:02:04 | |
Give me your rubbish, I'll make you some money... | 0:02:04 | 0:02:07 | |
-AS TOMMY COOPER: -Just like that! | 0:02:07 | 0:02:09 | |
-Just like what? -That's how he said it! "Just like that!" | 0:02:09 | 0:02:11 | |
Don't give up the day job, Sarah. | 0:02:11 | 0:02:13 | |
And just like that, Jason's arrived with a boot full. | 0:02:14 | 0:02:18 | |
But can Sarah conjure up something for that big thing? | 0:02:18 | 0:02:21 | |
-Hiya. -Hello. | 0:02:21 | 0:02:23 | |
Hello. How long have you had that? | 0:02:23 | 0:02:25 | |
Well, it used to be in my grandparents', it's been in | 0:02:25 | 0:02:28 | |
the garage for some years now and we don't really use it. | 0:02:28 | 0:02:31 | |
And have you lost the drawer from it? | 0:02:31 | 0:02:33 | |
Yeah, I put this outside the house with a "free" sign on it for about | 0:02:33 | 0:02:37 | |
a week, and all that was taken was pretty much the top drawer. | 0:02:37 | 0:02:41 | |
-That's really annoying, isn't it? -I know. | 0:02:41 | 0:02:44 | |
-Shall we get it out and have a closer look? -Yeah, let's do that. | 0:02:44 | 0:02:48 | |
-It's huge! -It is a big one, isn't it? | 0:02:48 | 0:02:50 | |
Jason's cumbersome cabinet may be missing a drawer, | 0:02:50 | 0:02:54 | |
but it's hiding a secret. | 0:02:54 | 0:02:56 | |
A secret drawer. | 0:02:56 | 0:02:58 | |
You wouldn't even know it was there. | 0:02:58 | 0:03:00 | |
Secret compartments in furniture | 0:03:00 | 0:03:02 | |
became popular around the turn of the 19th century. | 0:03:02 | 0:03:05 | |
They created a space to store money, jewellery or the good silver. | 0:03:05 | 0:03:09 | |
-They're not hugely attractive things at the moment. -No. | 0:03:09 | 0:03:13 | |
But I would rather have a go at doing something with it. | 0:03:13 | 0:03:16 | |
Would you mind if I took it away | 0:03:16 | 0:03:17 | |
rather than you putting it in the skip? | 0:03:17 | 0:03:19 | |
You can have this all you like. | 0:03:19 | 0:03:20 | |
Now I'm going to ask you, any chance you could just help me move it? | 0:03:20 | 0:03:24 | |
If I grab this end, thank you so much, just up here would be amazing. | 0:03:24 | 0:03:27 | |
Sarah's saved a substantial sideboard. | 0:03:27 | 0:03:31 | |
It's hardly top drawer. | 0:03:31 | 0:03:32 | |
Jason, what do you think will be done with it? | 0:03:32 | 0:03:34 | |
I think it could definitely do with a new coat of paint, erm, | 0:03:34 | 0:03:38 | |
and a bit of a good old clean. | 0:03:38 | 0:03:40 | |
In terms of what she's going to do with it, I don't know. | 0:03:40 | 0:03:43 | |
A bit like the secret drawer, | 0:03:45 | 0:03:47 | |
this piece of furniture I'm hoping has hidden depths. | 0:03:47 | 0:03:50 | |
1940s, very old-fashioned styling, | 0:03:50 | 0:03:52 | |
just the kind of thing that nobody wants in their house at the moment, | 0:03:52 | 0:03:55 | |
so I reckon this is free rein, we can do anything to this - | 0:03:55 | 0:03:58 | |
hopefully make some money. | 0:03:58 | 0:04:00 | |
Well, let's meet the man Sarah's got lined up to take it on... | 0:04:00 | 0:04:04 | |
..Norman Wilkinson, our woodworking wonder. | 0:04:07 | 0:04:11 | |
Norman creates high-end furniture from unloved and undervalued | 0:04:11 | 0:04:15 | |
materials, and every piece has that Norman flair. | 0:04:15 | 0:04:19 | |
I think my personality is reflected in what I do, you know? | 0:04:19 | 0:04:21 | |
I think I try and do everything to the best of my ability. | 0:04:21 | 0:04:25 | |
Everything we do I think looks A1. | 0:04:25 | 0:04:27 | |
Everything I make is fantastic, just like me. | 0:04:27 | 0:04:30 | |
Norman's been in the woodworking game a long time. | 0:04:31 | 0:04:34 | |
In fact, how long have you been doing it, Norman? | 0:04:34 | 0:04:38 | |
If I actually told you how long I've been doing this, | 0:04:38 | 0:04:41 | |
it'd give away me age. | 0:04:41 | 0:04:42 | |
Now, I think I'm still 21... | 0:04:42 | 0:04:44 | |
in my dreams! | 0:04:44 | 0:04:46 | |
I'll tell you, you're looking good for whatever age you might be! | 0:04:46 | 0:04:50 | |
The same can't be said, though, for this thing. | 0:04:50 | 0:04:53 | |
That's one item saved. Sarah needs to find two more. | 0:04:58 | 0:05:02 | |
Luckily, she might find something of interest | 0:05:06 | 0:05:08 | |
in what Emma's chucking out. | 0:05:08 | 0:05:10 | |
-Morning! Hi there, hello. -Hello. | 0:05:10 | 0:05:13 | |
They look really interesting. Where have they come from? | 0:05:13 | 0:05:15 | |
These are from my grandad's house, | 0:05:15 | 0:05:18 | |
we're clearing it at the moment, he's going into a care home. | 0:05:18 | 0:05:21 | |
He was a plumber but he liked painting and decorating, | 0:05:21 | 0:05:23 | |
so we've got a lot of ladders and stepladders and things like that. | 0:05:23 | 0:05:27 | |
-They look like he's made them. -Yes, yes, he was very handy, actually. | 0:05:27 | 0:05:31 | |
He was really into recycling and making his own things, | 0:05:31 | 0:05:34 | |
so he would always re-use stuff wherever he could, so, yeah. | 0:05:34 | 0:05:38 | |
A man after my own heart. | 0:05:38 | 0:05:39 | |
There's something about them, I think it's just cos they're old | 0:05:39 | 0:05:42 | |
and they've got all those marks where he's been painting on them. | 0:05:42 | 0:05:45 | |
You can't fake age, so when it comes in like this, | 0:05:45 | 0:05:48 | |
I'm always really excited to see it. | 0:05:48 | 0:05:49 | |
Is there any chance I could take them away and try and do | 0:05:49 | 0:05:52 | |
-something with them? -Yes, by all means. | 0:05:52 | 0:05:55 | |
I'm not sure what, but I just can't bear the thought of that lot | 0:05:55 | 0:05:58 | |
ending up in the skip, so, erm, I'll keep in touch and I'm going to | 0:05:58 | 0:06:01 | |
-take these away and say thank you so much. -Thank you. | 0:06:01 | 0:06:04 | |
Sarah's saved Emma's grandad's steps and ladders. | 0:06:04 | 0:06:07 | |
What do you think of that, Emma? | 0:06:07 | 0:06:09 | |
Yeah, I'm really glad that someone could make use of it, | 0:06:09 | 0:06:11 | |
that's really what my grandad would like, cos he's so into recycling. | 0:06:11 | 0:06:15 | |
Erm, I have no clue what she'd be able to do with it, | 0:06:15 | 0:06:18 | |
possibly sand it down and paint it, but if she can make it into | 0:06:18 | 0:06:21 | |
something really funky and creative, that'd be great. | 0:06:21 | 0:06:24 | |
Well, there are some fantastic pieces here. | 0:06:27 | 0:06:29 | |
They might look in bad condition to you, | 0:06:29 | 0:06:31 | |
but to me, all that paint, all that detail, | 0:06:31 | 0:06:33 | |
you just can't recreate it, so when they're turned into something | 0:06:33 | 0:06:36 | |
it's going to look amazing. | 0:06:36 | 0:06:38 | |
Well, let's find out who's taking them on. | 0:06:38 | 0:06:41 | |
Rupert Blanchard is a furniture designer with the skill and | 0:06:44 | 0:06:48 | |
imagination to transform things we want to throw away into | 0:06:48 | 0:06:52 | |
things we want to stay. | 0:06:52 | 0:06:54 | |
I work mostly with reclaimed materials. | 0:06:54 | 0:06:56 | |
These are found materials that other people have given up on, | 0:06:56 | 0:07:01 | |
and I benefit from what other people throw away, but it's more than that. | 0:07:01 | 0:07:06 | |
I spend a lot of time and a lot of energy | 0:07:06 | 0:07:09 | |
and a lot of love in restoring things, and somehow working people's | 0:07:09 | 0:07:15 | |
rubbish back into their home as something brand-new. | 0:07:15 | 0:07:20 | |
You do work wonders, Rupert, but I can't imagine these steps and | 0:07:20 | 0:07:24 | |
ladders being anything other than steps and ladders, really. | 0:07:24 | 0:07:28 | |
With two items tucked away, | 0:07:34 | 0:07:36 | |
Sarah needs to find something to work on herself and she'll be done. | 0:07:36 | 0:07:41 | |
Just reflecting on what a wonderful time it's been | 0:07:42 | 0:07:44 | |
at the recycling centre! | 0:07:44 | 0:07:45 | |
You're not finished yet, Sarah. | 0:07:47 | 0:07:49 | |
Perhaps Neil and his daughter Alice will have what you're looking for | 0:07:49 | 0:07:53 | |
in the back of their car. | 0:07:53 | 0:07:54 | |
What are you using as a dust sheet? | 0:07:55 | 0:07:57 | |
Well, I've been cleaning the shed out, and I just use this so that | 0:07:57 | 0:08:00 | |
I don't get too much muck in the car, but I don't need it any more. | 0:08:00 | 0:08:03 | |
We moved into a house some time ago, | 0:08:03 | 0:08:04 | |
and it was the old lady that lived there before, it's her curtains. | 0:08:04 | 0:08:07 | |
-Oh, really? Have you got any more? -Erm, we've got one more at home. | 0:08:07 | 0:08:10 | |
I use that when I'm painting, | 0:08:10 | 0:08:12 | |
just so I don't get any paint on the carpet, but I don't need two. | 0:08:12 | 0:08:15 | |
-So, are you not a vintage retro rose fan, then? -Not particularly, no, no. | 0:08:15 | 0:08:19 | |
It's not really my style, to be honest. | 0:08:19 | 0:08:21 | |
Well, do you know, it might not be your style, | 0:08:21 | 0:08:23 | |
but there are loads of people who love this stuff. | 0:08:23 | 0:08:27 | |
1950s floral prints like this, probably by, I'd say, Sanderson... | 0:08:27 | 0:08:31 | |
People can't find them, so they can't get enough of them, | 0:08:31 | 0:08:33 | |
and they pay good money for them. | 0:08:33 | 0:08:35 | |
Classic fabric and wallpaper manufacturer Sanderson was | 0:08:35 | 0:08:38 | |
founded in the 1860s. | 0:08:38 | 0:08:40 | |
Well-preserved pieces are much sought after by fabric fanciers. | 0:08:40 | 0:08:45 | |
This one, though, has been lining the bottom of a boot. | 0:08:45 | 0:08:48 | |
Can I take it away and try and make something out of it? | 0:08:48 | 0:08:50 | |
-You may indeed, no problem. -Well, that... | 0:08:50 | 0:08:52 | |
Things are coming up roses round here. Thank you so much. | 0:08:52 | 0:08:55 | |
That's quite all right. | 0:08:55 | 0:08:56 | |
Would you believe it, Neil? Your old dust sheet is vintage! | 0:08:57 | 0:09:01 | |
But what do you think can be done with your fancy fabric? | 0:09:01 | 0:09:05 | |
Good luck to her if she can find some use for it. | 0:09:05 | 0:09:07 | |
She'll probably, I don't know, | 0:09:07 | 0:09:08 | |
redecorate a chair or redecorate something, I really don't know, | 0:09:08 | 0:09:11 | |
it's not my thing, but I'm sure she can find a good use for it. | 0:09:11 | 0:09:15 | |
What's not to love about that? | 0:09:15 | 0:09:17 | |
I mean, look, the most beautiful 1950s curtain. | 0:09:17 | 0:09:19 | |
You could make cushions out of it, you could make more curtains, | 0:09:19 | 0:09:23 | |
you could wear it as a ball gown! | 0:09:23 | 0:09:25 | |
I'm sure there's money to be made out of this. | 0:09:25 | 0:09:28 | |
Sarah has her three items. | 0:09:30 | 0:09:32 | |
Norman will unlock the secrets of the sideboard. | 0:09:32 | 0:09:36 | |
Rupert will try and give the ladders a step up. | 0:09:36 | 0:09:39 | |
And Sarah will try to fashion something from the floral curtain. | 0:09:39 | 0:09:43 | |
Another fantastic time at the recycling centre. | 0:09:45 | 0:09:47 | |
Who'd have thought so many amazing things would turn up here? | 0:09:47 | 0:09:51 | |
But now the hard work really does begin. | 0:09:51 | 0:09:53 | |
For our first stop, we're off to the village of Hellingly | 0:10:03 | 0:10:06 | |
in East Sussex. | 0:10:06 | 0:10:08 | |
Beautiful, serene and charming... | 0:10:08 | 0:10:11 | |
And that's just Norman! | 0:10:11 | 0:10:12 | |
Sarah's brought Norman the old sideboard | 0:10:14 | 0:10:16 | |
to see what he makes of it. | 0:10:16 | 0:10:18 | |
Sarah's on her way. | 0:10:18 | 0:10:19 | |
I wonder what delight she's going to bring today. | 0:10:19 | 0:10:22 | |
I just hope it's not an absolute wreck. | 0:10:22 | 0:10:25 | |
Let's just hope. | 0:10:25 | 0:10:26 | |
Not for the faint hearted, this one. | 0:10:28 | 0:10:30 | |
It is a brutal, ugly piece of furniture. | 0:10:30 | 0:10:33 | |
I've got a great plan for Norman, though. | 0:10:33 | 0:10:35 | |
That's what we like. | 0:10:35 | 0:10:37 | |
Come armed with a plan and things should go smoothly. | 0:10:37 | 0:10:40 | |
So, let's hear it. | 0:10:40 | 0:10:42 | |
-I'm lost for words. -OK, you ready? | 0:10:44 | 0:10:46 | |
-Yep. -I have this really good idea. | 0:10:46 | 0:10:48 | |
I thought I'd bring it to you | 0:10:48 | 0:10:50 | |
and you'd come up with a cunning plan. | 0:10:50 | 0:10:53 | |
Genius! | 0:10:53 | 0:10:55 | |
All right, what's going on here? | 0:10:55 | 0:10:58 | |
It's got a secret. | 0:10:58 | 0:10:59 | |
-You have to go in underneath and... -Oh, it's a secret door. | 0:10:59 | 0:11:02 | |
Right, we don't need to worry about that. | 0:11:02 | 0:11:04 | |
The first thought I had about it was a strip-down and repurpose. | 0:11:04 | 0:11:08 | |
It's the only way to do it. | 0:11:08 | 0:11:09 | |
-It can't look like this cos it just won't make any money. -Right. | 0:11:09 | 0:11:12 | |
I reckon we take that section away, strip it out, put in new drawers. | 0:11:12 | 0:11:16 | |
We could then put in a base, so make it into, like, a dresser base. | 0:11:16 | 0:11:21 | |
-OK. -We'll put a new top on it. | 0:11:21 | 0:11:23 | |
And then we could make a nice dresser rack for it | 0:11:23 | 0:11:26 | |
and make it into a dresser for the kitchen. | 0:11:26 | 0:11:28 | |
So what do you think, then, boss? | 0:11:28 | 0:11:30 | |
I'm in. | 0:11:30 | 0:11:31 | |
A kitchen dresser. | 0:11:31 | 0:11:32 | |
Well, it's better than anything Sarah came up with. | 0:11:32 | 0:11:35 | |
We could tidy it up, make it look the business. | 0:11:35 | 0:11:38 | |
New drawers and a new top | 0:11:38 | 0:11:39 | |
will certainly brighten up the base. | 0:11:39 | 0:11:42 | |
You put plate grooves in, you get the plates on. | 0:11:42 | 0:11:44 | |
But Norman's hoping the addition of a brand-new dresser rack | 0:11:44 | 0:11:47 | |
to display plates and the like will be the thing | 0:11:47 | 0:11:50 | |
that gives it a kitchen-y feel. | 0:11:50 | 0:11:52 | |
It's going to be a lot of work. | 0:11:53 | 0:11:55 | |
That sounds really cool, but how much will all that cost? | 0:11:55 | 0:11:59 | |
I reckon we'd do that for about 575, all in. | 0:11:59 | 0:12:03 | |
We're game on for that. That's lovely. | 0:12:03 | 0:12:04 | |
I always like coming back here. | 0:12:04 | 0:12:06 | |
-Fantastic. -Good luck with it. -See you soon, yeah? | 0:12:06 | 0:12:09 | |
And it's a plan. | 0:12:09 | 0:12:12 | |
So, are you happy with your sideboard, Norman? | 0:12:12 | 0:12:14 | |
Sideboard. Well, it's a sideboard. | 0:12:14 | 0:12:18 | |
-Um... -Yes, it is a sideboard. -Yeah. | 0:12:18 | 0:12:21 | |
I mean, yeah, it'll be fine. | 0:12:21 | 0:12:24 | |
Well, it sounds like that is just about the best possible thing | 0:12:24 | 0:12:27 | |
that could happen to that ugly old piece of furniture. | 0:12:27 | 0:12:30 | |
Norman's definitely the man for the job. | 0:12:30 | 0:12:31 | |
Yeah. It'll be fine. | 0:12:31 | 0:12:33 | |
We have a budget of £575 to transform the sideboard. | 0:12:33 | 0:12:39 | |
Norman has big ideas, but making it look like it is at home in a kitchen | 0:12:39 | 0:12:43 | |
as a dresser... Maybe it won't be all fine. | 0:12:43 | 0:12:47 | |
For our next stop, we're off to the seaside town of Margate. | 0:12:53 | 0:12:58 | |
Attracting over a million visitors a year, | 0:12:58 | 0:13:00 | |
this place is all about sun, sea and salvage. | 0:13:00 | 0:13:04 | |
So what better place for Sarah to bring her bundle of wooden | 0:13:06 | 0:13:10 | |
bits and bobs? | 0:13:10 | 0:13:12 | |
I wonder what Rupert will make of them. | 0:13:12 | 0:13:14 | |
Sarah's coming over. | 0:13:14 | 0:13:15 | |
I'm hoping she's going to bring something that'll be a bit of a challenge today. | 0:13:15 | 0:13:18 | |
I don't want to work on something that, you know, is good as it is. | 0:13:18 | 0:13:21 | |
I only like working with real junk, | 0:13:21 | 0:13:24 | |
something that everyone's given up on. | 0:13:24 | 0:13:26 | |
Rupert, your wish is our command. | 0:13:26 | 0:13:28 | |
Well, I've brought this super little stack of salvage | 0:13:28 | 0:13:32 | |
to Margate, and I hope Rupert's got his thinking cap on, | 0:13:32 | 0:13:34 | |
because he is going to need some good ideas if that lot | 0:13:34 | 0:13:37 | |
is going to be turned into a profit. | 0:13:37 | 0:13:39 | |
If you want imagination, you're in the right place. | 0:13:39 | 0:13:41 | |
All right, let's get them on the bench, then. | 0:13:41 | 0:13:43 | |
Would you believe that when I found these, | 0:13:45 | 0:13:48 | |
I was absolutely delighted? | 0:13:48 | 0:13:51 | |
Right. | 0:13:52 | 0:13:53 | |
I'm not sure about that. What have you brought me? | 0:13:53 | 0:13:56 | |
Lovely ex-decorator, really good DIY guy, | 0:13:56 | 0:13:58 | |
had these and his cut-up ladder, | 0:13:58 | 0:14:01 | |
and his family were dropping them off at the tip. | 0:14:01 | 0:14:03 | |
I do like these hop-ups. They're nice little things. | 0:14:03 | 0:14:05 | |
And I think, with a few repairs, | 0:14:05 | 0:14:07 | |
they can still go on to, you know, a new life as they are. | 0:14:07 | 0:14:11 | |
But maybe just sort of push them a bit further. | 0:14:11 | 0:14:14 | |
If I turn them into some sort of kitchen steps, library steps, | 0:14:14 | 0:14:18 | |
something functional still, | 0:14:18 | 0:14:20 | |
something kind of true to the original use. | 0:14:20 | 0:14:23 | |
So Rupert's big idea is to turn the steps...into steps. | 0:14:24 | 0:14:28 | |
Why didn't I think of that(?) | 0:14:28 | 0:14:30 | |
So how many have we got? | 0:14:30 | 0:14:31 | |
We've definitely got three little step systems going on here. | 0:14:31 | 0:14:34 | |
Yeah, there's three hop-ups here. | 0:14:34 | 0:14:36 | |
I don't see why I can't make at least three pieces. | 0:14:36 | 0:14:39 | |
I think that sounds like a great solution for all of that lot. | 0:14:39 | 0:14:43 | |
-Can you put a price on it? -If I say 150 for three pieces, | 0:14:43 | 0:14:47 | |
and then if there's enough material left over, | 0:14:47 | 0:14:50 | |
if I can make you something else, would you want that as well? | 0:14:50 | 0:14:53 | |
Definitely. You're always going to come up with original plans for the | 0:14:53 | 0:14:56 | |
rest of it, so I'm happy to invest. Lovely to see you. Thanks so much. | 0:14:56 | 0:14:59 | |
-Excellent. See ya. -Bye. | 0:14:59 | 0:15:01 | |
It'll be three sets of steps and a mystery item. | 0:15:01 | 0:15:04 | |
I can hardly wait. | 0:15:04 | 0:15:05 | |
I don't know what I've got, really, | 0:15:06 | 0:15:08 | |
but I've promised Sarah three items, so...it's going to be a late night. | 0:15:08 | 0:15:13 | |
I think they'll be a very useful set of items. | 0:15:15 | 0:15:17 | |
Definitely three things there. | 0:15:17 | 0:15:19 | |
Am I going to make money, though? | 0:15:19 | 0:15:21 | |
That's £150 for three sets of new stepladders. | 0:15:23 | 0:15:27 | |
It's quite a simple plan, so Rupert will really need to make them shine. | 0:15:27 | 0:15:32 | |
With our makers busy making, Sarah has headed home to the | 0:15:43 | 0:15:47 | |
Sussex countryside to get busy with her own project. | 0:15:47 | 0:15:50 | |
Sarah was over the moon to get her hands on this vintage fabric. | 0:15:52 | 0:15:56 | |
I can't imagine why(!) | 0:15:57 | 0:15:58 | |
But what exactly can be made from the old curtain? | 0:16:00 | 0:16:03 | |
Look at that beautiful piece of '50s floral fabric. | 0:16:04 | 0:16:09 | |
I am a massive fan. | 0:16:09 | 0:16:10 | |
Look, I literally cannot get enough of it. | 0:16:10 | 0:16:12 | |
So finding this at the tip is brilliant news. | 0:16:12 | 0:16:15 | |
I think I'm going to make something I've never made before out of it. | 0:16:15 | 0:16:18 | |
I'm going to go for a beautiful big vintage floral eiderdown. | 0:16:18 | 0:16:24 | |
Look how happy she is. | 0:16:24 | 0:16:26 | |
First job is to turn it from a curtain into | 0:16:28 | 0:16:30 | |
one lovely usable piece of fabric. | 0:16:30 | 0:16:32 | |
An eiderdown, by the way, is a kind of puffy quilt. | 0:16:32 | 0:16:36 | |
Get rid of all of that. | 0:16:36 | 0:16:38 | |
It takes its name from the type of duck down | 0:16:38 | 0:16:40 | |
it's traditionally stuffed with. | 0:16:40 | 0:16:42 | |
I should really unpick this. | 0:16:42 | 0:16:43 | |
These are the small, | 0:16:43 | 0:16:45 | |
soft feathers from the breast of the female eider duck. | 0:16:45 | 0:16:48 | |
You can get a little... | 0:16:48 | 0:16:50 | |
a very fine little blade that you slip | 0:16:50 | 0:16:52 | |
between the stitches to unpick it, or you can rip it like that. | 0:16:52 | 0:16:56 | |
Sarah first rips off the curtain's heading tape... | 0:16:58 | 0:17:01 | |
I just saved about an hour on picking. | 0:17:01 | 0:17:03 | |
..before separating the vintage fabric | 0:17:03 | 0:17:06 | |
from the curtain's backing material. | 0:17:06 | 0:17:08 | |
Well, you know me, ever thrifty. | 0:17:08 | 0:17:10 | |
I think that could be the backing for the eiderdown. | 0:17:10 | 0:17:12 | |
It is in great condition, and that is soft and lovely. | 0:17:12 | 0:17:16 | |
With the backing material also usable, Sarah gives them both | 0:17:16 | 0:17:20 | |
a quick wash before she sews them back together. | 0:17:20 | 0:17:23 | |
When washing vintage material, temperature matters. | 0:17:25 | 0:17:28 | |
Always use a low heat. | 0:17:28 | 0:17:30 | |
And when drying, never ring it out, | 0:17:30 | 0:17:33 | |
or you could damage the fabric. | 0:17:33 | 0:17:35 | |
If you can't dry outdoors, pat dry instead. | 0:17:35 | 0:17:39 | |
So, eiderdowns, traditionally, would have only been little things | 0:17:41 | 0:17:44 | |
that sat on the top of beds, not even the size of a single duvet. | 0:17:44 | 0:17:47 | |
So this bit is actually huge, | 0:17:47 | 0:17:48 | |
and I think I can try and make two eiderdowns out of this. | 0:17:48 | 0:17:52 | |
-And a bit more money. -Two quality quilts - now you're talking! | 0:17:54 | 0:17:58 | |
To divide the material in half, Sarah carefully... | 0:17:58 | 0:18:01 | |
Oh, she's just ripped it again. | 0:18:02 | 0:18:04 | |
That should do it. | 0:18:05 | 0:18:07 | |
She really loves ripping things. | 0:18:07 | 0:18:10 | |
So, this is my eiderdown stuffing. | 0:18:11 | 0:18:12 | |
Now, traditionally, it would've been stuffed with eiderdown, | 0:18:12 | 0:18:15 | |
which is a lovely, soft duck down. | 0:18:15 | 0:18:17 | |
But I'm not sure if that fabric is feather-proof, and also I want this | 0:18:17 | 0:18:21 | |
to be able to be used by anybody who's allergic to feathers, | 0:18:21 | 0:18:24 | |
doesn't want to have duck... I just want this to be accessible, so... | 0:18:24 | 0:18:28 | |
-That's definitely big enough. -Instead of duck down, | 0:18:29 | 0:18:33 | |
Sarah is using a simple polyester padded duvet | 0:18:33 | 0:18:37 | |
which complies with all UK fire safety guidelines. | 0:18:37 | 0:18:40 | |
With the duvet cut into two pieces for the two eiderdowns, | 0:18:44 | 0:18:48 | |
Sarah moves on to sewing the fabric for the covers. | 0:18:48 | 0:18:52 | |
And then she'll be done. | 0:18:52 | 0:18:53 | |
That's gathering. I don't know why it's doing that. | 0:18:56 | 0:18:58 | |
SHE SIGHS | 0:18:58 | 0:19:00 | |
-But, uh-oh, there's a problem. -Machine fault. | 0:19:00 | 0:19:03 | |
Her sewing machine is playing up. | 0:19:03 | 0:19:05 | |
Sewing machines are funny things. | 0:19:05 | 0:19:06 | |
If you don't get the tension right when you're sewing, | 0:19:06 | 0:19:10 | |
you can make the fabric pucker up. | 0:19:10 | 0:19:12 | |
Well, if it is more tension you are after, you should've said. | 0:19:12 | 0:19:15 | |
INTENSE MUSIC PLAYS | 0:19:15 | 0:19:18 | |
GRANDIOSE, ECHOEY VOICE: Will Sarah get her sewing machine working? | 0:19:21 | 0:19:25 | |
And will the eiderdowns ever get eider-done? | 0:19:25 | 0:19:28 | |
Stay tuned for more exciting action. | 0:19:28 | 0:19:31 | |
NORMAL VOICE: Ugh! Now, that was tense! | 0:19:33 | 0:19:36 | |
So far, Sarah has spent just £30 on the stuffing for the | 0:19:36 | 0:19:40 | |
two eiderdowns, but with her sewing machine on the blink, | 0:19:40 | 0:19:43 | |
who knows what we'll end up with? | 0:19:43 | 0:19:45 | |
Back we go to Hellingly in East Sussex, | 0:19:49 | 0:19:52 | |
where the clunky brown sideboard is about to get the Norman treatment. | 0:19:52 | 0:19:58 | |
Sarah's expecting a new kitchen dresser at the end of all this. | 0:19:58 | 0:20:02 | |
Norman, what's the plan? | 0:20:02 | 0:20:03 | |
The plan is, we're going to knock all this apart and then | 0:20:05 | 0:20:09 | |
we're going to put two big drawers inside, good storage. | 0:20:09 | 0:20:12 | |
And then we're going to put a baseboard in here, | 0:20:12 | 0:20:14 | |
so you can put baskets and storage under there as well. | 0:20:14 | 0:20:17 | |
Then we're going to make a rack for it, to put your plates and other | 0:20:17 | 0:20:20 | |
all your other junk on. So, yeah. | 0:20:20 | 0:20:22 | |
To store your plates and junk. Charming(!) | 0:20:22 | 0:20:26 | |
First, I'm going to take the doors off. | 0:20:26 | 0:20:29 | |
Norman starts by removing the doors. | 0:20:29 | 0:20:32 | |
Because he plans to strip out the middle section to fit new | 0:20:32 | 0:20:36 | |
drawers, it means the secret drawer will have to go, | 0:20:36 | 0:20:39 | |
which is a shame because it is really cool. | 0:20:39 | 0:20:42 | |
It had a little clip there to pull it shut and open. | 0:20:42 | 0:20:46 | |
And then you've got like a bed spring here, look, | 0:20:46 | 0:20:49 | |
you know, to push it in and out. | 0:20:49 | 0:20:51 | |
I've never seen one before with a spring like that. | 0:20:51 | 0:20:54 | |
It's quite fantastic, really. | 0:20:54 | 0:20:57 | |
All right, I'm going to take these out. | 0:20:57 | 0:20:59 | |
I don't want these. | 0:20:59 | 0:21:00 | |
Next, Norman removes all the wooden bits and bobs, | 0:21:02 | 0:21:05 | |
which will make room for two brand-new drawers. | 0:21:05 | 0:21:09 | |
We'll put a rail in there | 0:21:11 | 0:21:13 | |
and then we'll have two nice drawers. | 0:21:13 | 0:21:16 | |
For all your rubbish. | 0:21:16 | 0:21:18 | |
"For all your rubbish"! Charming(!) | 0:21:18 | 0:21:20 | |
Now Norman is going to reinforce all the joints on the base, | 0:21:24 | 0:21:28 | |
because 70-year-old furniture tends to get a bit rickety. | 0:21:28 | 0:21:32 | |
I've just opened it up because, obviously, | 0:21:32 | 0:21:34 | |
the glue has given up the ghost, so we'll squirt some glue in, | 0:21:34 | 0:21:38 | |
clamp it up and then we can go from there. | 0:21:38 | 0:21:41 | |
Re-gluing joints is an essential part of restoring old | 0:21:41 | 0:21:44 | |
furniture. Pieces like this from the '40s would have used | 0:21:44 | 0:21:49 | |
an animal-based glue, which turns brittle over time. | 0:21:49 | 0:21:52 | |
Fabulous. | 0:21:52 | 0:21:53 | |
If the joint itself is still in good condition, | 0:21:53 | 0:21:56 | |
applying a strong PVA glue will make the joint as good as new. | 0:21:56 | 0:22:00 | |
I've got the first one glued, | 0:22:00 | 0:22:02 | |
so obviously we've got to wait for it to go off, and we've got | 0:22:02 | 0:22:05 | |
other joints to do, so we can now put this to one side, and then we | 0:22:05 | 0:22:08 | |
might as well start doing the rack. | 0:22:08 | 0:22:09 | |
The addition of a dresser rack to display plates and ornaments | 0:22:11 | 0:22:14 | |
will turn our cabinet into what is known as a Welsh dresser. | 0:22:14 | 0:22:19 | |
Originally used in kitchens to store crockery and silverware, | 0:22:19 | 0:22:23 | |
it gradually became more common as a means to display your fancy | 0:22:23 | 0:22:27 | |
dinnerware. | 0:22:27 | 0:22:28 | |
So, the Welsh dresser moved out of kitchens and into dining rooms. | 0:22:28 | 0:22:33 | |
Norman has cut to length the sides of the dresser rack and created | 0:22:34 | 0:22:38 | |
grooves for the shelves to fit in. | 0:22:38 | 0:22:40 | |
He's also created grooves on the shelves themselves to hold | 0:22:40 | 0:22:44 | |
your plates in place. | 0:22:44 | 0:22:45 | |
Groovy! | 0:22:45 | 0:22:47 | |
Your plate goes in there, and then... | 0:22:47 | 0:22:49 | |
So you can display them really nicely | 0:22:49 | 0:22:50 | |
and it stops them sliding and smashing. | 0:22:50 | 0:22:52 | |
So, yeah, I'm rocking and rolling, as they say. | 0:22:52 | 0:22:55 | |
Norman is really going for the wow factor with this one. | 0:22:58 | 0:23:02 | |
The new rack on top of the base will stand at over 7ft tall. | 0:23:02 | 0:23:07 | |
Beautiful. | 0:23:07 | 0:23:09 | |
So to stop it falling over, Norman is making decorative feet. | 0:23:09 | 0:23:13 | |
These will sit at the bottom. | 0:23:13 | 0:23:14 | |
It is the safest way to save Granny's plates. | 0:23:14 | 0:23:18 | |
This thing will be a whopper, | 0:23:18 | 0:23:20 | |
and I'm not sure those little feet will be enough to keep the | 0:23:20 | 0:23:24 | |
whole thing from falling apart. | 0:23:24 | 0:23:26 | |
Norman will have to tread carefully from here on in. | 0:23:26 | 0:23:29 | |
Back in Margate, Rupert's about to begin the transformation | 0:23:39 | 0:23:43 | |
of the old stepladders... | 0:23:43 | 0:23:45 | |
into NEWER stepladders. | 0:23:45 | 0:23:48 | |
Oh, and a mystery item, perhaps. | 0:23:48 | 0:23:50 | |
I promised Sarah that I'd make three library-type stepladders | 0:23:53 | 0:23:58 | |
out of this pile of rickety old wood, | 0:23:58 | 0:24:00 | |
and it's going to be quite a challenge. | 0:24:00 | 0:24:02 | |
If I can, I'm going to try to make something extra as well, | 0:24:02 | 0:24:05 | |
because there's a fair bit of material here. | 0:24:05 | 0:24:08 | |
I'd rather not have a bag of firewood left over, | 0:24:08 | 0:24:11 | |
I'd rather have something Sarah can find a good new home for. | 0:24:11 | 0:24:15 | |
Well, let's just see how we get on with the steps, shall we? | 0:24:15 | 0:24:18 | |
I'm going to start with the ladders. | 0:24:20 | 0:24:22 | |
I'm going to use these sides as part of the new steps. | 0:24:22 | 0:24:25 | |
These steps are actually held together with little metal | 0:24:25 | 0:24:29 | |
supporting bars. I'm going to have to grind these out. | 0:24:29 | 0:24:32 | |
Rupert's plan is to attach a bit of the ladder to each set of steps, | 0:24:33 | 0:24:38 | |
sticking straight up. It will act as a handle to balance yourself | 0:24:38 | 0:24:42 | |
when climbing. | 0:24:42 | 0:24:44 | |
Grinding done. I'm going to use my favourite Japanese saw. | 0:24:44 | 0:24:48 | |
It cuts through this ladder no time. | 0:24:48 | 0:24:50 | |
TING! | 0:24:50 | 0:24:51 | |
Other than the materials to restore the steps, | 0:24:51 | 0:24:54 | |
the handle is the only new element Rupert plans to add. | 0:24:54 | 0:24:57 | |
Then I'm going to bring together the side of the ladder | 0:25:01 | 0:25:04 | |
that I've cut the steps away from, | 0:25:04 | 0:25:06 | |
I'm going to recess it just into the top, | 0:25:06 | 0:25:09 | |
I'm going to cut a nice little handle shape at the top. | 0:25:09 | 0:25:13 | |
This will be your secure handle to hold while climbing the ladder. | 0:25:13 | 0:25:18 | |
Rupert makes a start on the new handles. | 0:25:18 | 0:25:21 | |
He's roughly drawn a shape to cut around, and it certainly is rough. | 0:25:21 | 0:25:26 | |
I do want this to look great. | 0:25:26 | 0:25:28 | |
I don't want it to look like a botched little home-made thing. | 0:25:28 | 0:25:31 | |
This has to be a proper set of library steps. Authentic. | 0:25:31 | 0:25:34 | |
Library steps are traditionally a dual-use piece of furniture | 0:25:37 | 0:25:40 | |
consisting of a small set of steps that can be folded away | 0:25:40 | 0:25:44 | |
into a chair or desk. | 0:25:44 | 0:25:46 | |
So, once I cut one side off, I can flip it over | 0:25:47 | 0:25:51 | |
and sketch round, | 0:25:51 | 0:25:52 | |
and then I've got a perfect mirror image. | 0:25:52 | 0:25:55 | |
As there will be no folding feature in Rupert's design, | 0:25:55 | 0:25:59 | |
his steps will more accurately just be steps, | 0:25:59 | 0:26:02 | |
but decorative statement pieces nonetheless. | 0:26:02 | 0:26:05 | |
Yeah, I'm pretty happy with that. | 0:26:08 | 0:26:10 | |
That's going to be quite a pleasing shape to hold. Sand the edges off. | 0:26:10 | 0:26:14 | |
Yeah. It's going to do the job. | 0:26:14 | 0:26:16 | |
Putting the handles to one side, | 0:26:19 | 0:26:21 | |
Rupert makes a start on the steps. | 0:26:21 | 0:26:24 | |
His first job is to remove the bits of wood the previous owner | 0:26:24 | 0:26:28 | |
attached to give them another couple of inches of height. | 0:26:28 | 0:26:31 | |
But he's struggling. | 0:26:33 | 0:26:35 | |
These are really stuck. | 0:26:35 | 0:26:39 | |
Cor, blimey! | 0:26:39 | 0:26:40 | |
And they've just rusted into place and the wood has swollen up, | 0:26:40 | 0:26:44 | |
and they've got nice and tight, so if I was to use a power | 0:26:44 | 0:26:47 | |
screwdriver on these, it would just break the heads right off. | 0:26:47 | 0:26:51 | |
So this has definitely got to be done by hand. | 0:26:51 | 0:26:55 | |
Come on, Rupert! Give it some welly, man! | 0:26:57 | 0:26:59 | |
Oh, yeah. All right, one down... | 0:27:02 | 0:27:05 | |
Seven to go. Cor, blimey. | 0:27:07 | 0:27:10 | |
This nice and simple job might take longer than Rupert first thought, | 0:27:12 | 0:27:16 | |
so the chances of Sarah getting her mystery item are looking slim. | 0:27:16 | 0:27:21 | |
Back at Sarah's, it's time to find out how she's been getting on | 0:27:28 | 0:27:32 | |
with her eiderdowns. | 0:27:32 | 0:27:34 | |
But with her sewing machine problems, | 0:27:34 | 0:27:36 | |
was she able to get them finished? | 0:27:36 | 0:27:38 | |
Finished! | 0:27:38 | 0:27:39 | |
Well, there is your answer. | 0:27:39 | 0:27:42 | |
Let's take a look at how things turned out. | 0:27:42 | 0:27:45 | |
This classic curtain didn't deserve to be lining the | 0:27:45 | 0:27:48 | |
bottom of a boot, so thank goodness Sarah came along. | 0:27:48 | 0:27:52 | |
The vintage fabric can now take centre stage | 0:27:54 | 0:27:59 | |
as two new elegant eiderdowns. | 0:27:59 | 0:28:01 | |
The timeless design of the material is showcased in | 0:28:01 | 0:28:05 | |
all its glory. Across these two spreads, | 0:28:05 | 0:28:08 | |
it is presented beautifully for all to see. | 0:28:08 | 0:28:11 | |
Each one will snugly cover a single bed | 0:28:11 | 0:28:14 | |
but can be used as a throw | 0:28:14 | 0:28:16 | |
or a footer for the bottom of a double bed. | 0:28:16 | 0:28:19 | |
Sarah's added bursts of colour with little woollen pom-poms, | 0:28:20 | 0:28:24 | |
which make the whole thing sing. | 0:28:24 | 0:28:27 | |
Give me my slippers, | 0:28:27 | 0:28:29 | |
an open fire and one of those things... | 0:28:29 | 0:28:31 | |
..and I'm in heaven. | 0:28:33 | 0:28:35 | |
So pleased how these have turned out. | 0:28:36 | 0:28:39 | |
If you've got a vintage curtain and you can get hold of | 0:28:39 | 0:28:41 | |
a sewing machine, then they are not a bad project to get started on. | 0:28:41 | 0:28:44 | |
They are beautiful, soft and snugly, and I'm hoping, | 0:28:44 | 0:28:47 | |
because there are two of them, | 0:28:47 | 0:28:49 | |
I'm going to turn a bit of profit on them as well. | 0:28:49 | 0:28:52 | |
That means I have to sell them. | 0:28:52 | 0:28:54 | |
What are you using as a dust sheet? | 0:29:00 | 0:29:02 | |
When Sarah met Neil and his daughter Alice at the tip, | 0:29:02 | 0:29:05 | |
she just had to save their curtain. | 0:29:05 | 0:29:08 | |
I've been cleaning the shed out, | 0:29:08 | 0:29:09 | |
and I just used this so that I don't get too much muck in the car. | 0:29:09 | 0:29:12 | |
Neil didn't think much of the old thing. | 0:29:12 | 0:29:14 | |
We moved into a house some time ago and it's the old lady who lived | 0:29:14 | 0:29:17 | |
there before, it's her curtains. | 0:29:17 | 0:29:18 | |
He was happy for Sarah to take it away. | 0:29:18 | 0:29:21 | |
It's not really my thing, but I'm sure she can find a good use for it. | 0:29:21 | 0:29:24 | |
Well, Neil, you were absolutely right. | 0:29:24 | 0:29:26 | |
Sarah took pictures of her new creations and uploaded | 0:29:31 | 0:29:34 | |
them onto her various social media thingamabobs. | 0:29:34 | 0:29:38 | |
And it didn't take long to find a private buyer who snapped | 0:29:38 | 0:29:41 | |
them both up. | 0:29:41 | 0:29:43 | |
But how much money has Sarah made? | 0:29:43 | 0:29:45 | |
Sarah has travelled to Woking to visit Neil, to show him what | 0:29:47 | 0:29:51 | |
she has made and hand over the profit. | 0:29:51 | 0:29:54 | |
Hi there. | 0:29:54 | 0:29:56 | |
-Ah, hello, Sarah. Nice to see you again. -And you. How are you? | 0:29:56 | 0:29:58 | |
Very well, thank you. Very well. | 0:29:58 | 0:30:00 | |
-So, Neil, this is the house that the curtains came from, is that right? -It is, it is. | 0:30:00 | 0:30:03 | |
We bought the house from an elderly lady, | 0:30:03 | 0:30:06 | |
so they were very much to her style. | 0:30:06 | 0:30:08 | |
I loved the curtain that I took from you, | 0:30:08 | 0:30:10 | |
and it was something that I worked on myself. | 0:30:10 | 0:30:12 | |
And so, what do you think I made with it? | 0:30:12 | 0:30:14 | |
Um... Some sort of covering for, | 0:30:14 | 0:30:18 | |
I don't know, for a chair or something? A covering? | 0:30:18 | 0:30:21 | |
I've got some pictures here to show you what I did. | 0:30:21 | 0:30:23 | |
-All right, OK. -I turned your curtain into a pair of eiderdowns. | 0:30:23 | 0:30:27 | |
-Very good. -What do you think? -I think it looks very nice. | 0:30:27 | 0:30:30 | |
Very good, well done. | 0:30:30 | 0:30:31 | |
I took some pictures of it and I put it onto social media, | 0:30:31 | 0:30:34 | |
and there was a good response. | 0:30:34 | 0:30:36 | |
And I managed to make you £120 here | 0:30:36 | 0:30:40 | |
for your old curtain. | 0:30:40 | 0:30:42 | |
Thank you very much. | 0:30:42 | 0:30:43 | |
Cor, that's a surprise. Thank you very much. | 0:30:43 | 0:30:45 | |
Do you have any idea what you might do with that? | 0:30:45 | 0:30:47 | |
I've got an eight-year-old daughter, she's nine next week. | 0:30:47 | 0:30:50 | |
-I will probably put the money in her junior ISA. -Excellent. | 0:30:50 | 0:30:54 | |
-Thanks so much, Neil. -No problem at all. | 0:30:54 | 0:30:55 | |
-Lovely to catch up. OK. -Thank you. -Bye-bye. -Bye. | 0:30:55 | 0:30:58 | |
Sarah has spent £30 on the stuffing for the eiderdowns. | 0:30:59 | 0:31:03 | |
She sold the pair for a cracking £150, | 0:31:03 | 0:31:06 | |
meaning Neil has £120 to invest for daughter Alice. | 0:31:06 | 0:31:11 | |
So the eiderdowns were a smash. | 0:31:18 | 0:31:20 | |
Sarah is back in East Sussex to see if Norman's new kitchen | 0:31:21 | 0:31:25 | |
dresser will also be a big hit. Well, it is certainly big. | 0:31:25 | 0:31:29 | |
It has pulled together really well. | 0:31:30 | 0:31:32 | |
I think we've done the right choice with the drawer arrangement | 0:31:32 | 0:31:34 | |
and the doors and everything. | 0:31:34 | 0:31:36 | |
And with making the top for it. | 0:31:36 | 0:31:38 | |
I think it looks, you know, really quite cool. | 0:31:38 | 0:31:40 | |
Well, I'm here to pick up what was a deeply undesirable sideboard. | 0:31:42 | 0:31:46 | |
It was plain ugly. I'm hoping it's now pretty beautiful. | 0:31:46 | 0:31:49 | |
Can old crumbling sideboards really be turned into beautiful | 0:31:50 | 0:31:54 | |
kitchen dressers? | 0:31:54 | 0:31:56 | |
Well, try this on for size. | 0:31:56 | 0:31:58 | |
Yes, they can! | 0:32:01 | 0:32:03 | |
Norman has created a one-of-a-kind piece of classy kitchen furniture. | 0:32:04 | 0:32:09 | |
The sideboard still remains in all its glory, | 0:32:09 | 0:32:12 | |
but with the addition of a new baseboard for extra storage, | 0:32:12 | 0:32:16 | |
new drawers and a stunning country-kitchen-style dresser rack, | 0:32:16 | 0:32:21 | |
it's unrecognisable from its previous incarnation. | 0:32:21 | 0:32:25 | |
A new, beautifully blond floorboard work surface complements | 0:32:28 | 0:32:32 | |
the pale distressed paintwork Norman applied. | 0:32:32 | 0:32:35 | |
It's a huge piece of furniture. What will Sarah think? | 0:32:38 | 0:32:41 | |
-Hello. -Hi, how are you doing? -Yeah, you? -I'm all right. | 0:32:43 | 0:32:47 | |
-That's not it. -That's your dresser. | 0:32:47 | 0:32:48 | |
Well, sideboard. | 0:32:48 | 0:32:51 | |
-It's amazing! Isn't it? -Yeah, I think it's cool. | 0:32:52 | 0:32:56 | |
-It's virtually unrecognisable. -I think it's got the right look. | 0:32:56 | 0:32:59 | |
I mean, it would look great in a country kitchen or in a nice dining | 0:32:59 | 0:33:02 | |
-room or something, so, yeah, really pleased with it. -I bet you are. | 0:33:02 | 0:33:05 | |
I mean, you have really added to it. | 0:33:05 | 0:33:08 | |
We put the plate bar in, so the plates don't slip off. As well. | 0:33:08 | 0:33:12 | |
That is... You know, amazing. Am I going to be laughing at the price? | 0:33:12 | 0:33:15 | |
575. On budget. | 0:33:15 | 0:33:18 | |
I'm a very lucky girl. Fantastic job. You're a legend. | 0:33:19 | 0:33:23 | |
-Thank you very much. -Might have to hug it out. I'm so pleased. | 0:33:23 | 0:33:26 | |
-That is amazing. -Brilliant. | 0:33:26 | 0:33:28 | |
See you later. | 0:33:28 | 0:33:30 | |
Good job, Norman. You even got a cuddle. | 0:33:30 | 0:33:33 | |
I think it's come out really well. | 0:33:33 | 0:33:35 | |
A nice big piece, | 0:33:35 | 0:33:36 | |
so hopefully she can sell it well and everyone is happy. | 0:33:36 | 0:33:39 | |
So, yeah, smashed it. | 0:33:39 | 0:33:41 | |
Well, just between you and me, | 0:33:42 | 0:33:44 | |
I think Norman might be a bit of a genius. | 0:33:44 | 0:33:46 | |
I think you might be right. | 0:33:48 | 0:33:49 | |
-Hiya. -Hello. -Hello. | 0:33:56 | 0:33:58 | |
Sarah first set eyes on the sideboard sticking out of | 0:33:58 | 0:34:01 | |
Jason's boot. | 0:34:01 | 0:34:02 | |
It used to be in my grandparents'. | 0:34:02 | 0:34:04 | |
It's been in the garage for some years now | 0:34:04 | 0:34:06 | |
and we don't really use it. | 0:34:06 | 0:34:08 | |
Jason couldn't give the old thing away. | 0:34:08 | 0:34:10 | |
I put this outside the house with a "free" sign on it, | 0:34:10 | 0:34:13 | |
and all that was taken was the top drawer. | 0:34:13 | 0:34:15 | |
That didn't stop Sarah. | 0:34:15 | 0:34:17 | |
But what was to be done with it? | 0:34:17 | 0:34:19 | |
In terms of what she's going to do with it, I don't know. | 0:34:19 | 0:34:23 | |
Well, Jason, it's Norman you have to thank for this one | 0:34:23 | 0:34:26 | |
because he created something truly unique. | 0:34:26 | 0:34:29 | |
Sarah rushed straight home and posted pictures of the | 0:34:32 | 0:34:35 | |
dresser on auction sites, trying to find a buyer. | 0:34:35 | 0:34:38 | |
It's a big-ticket item, so did she manage to get it sold? | 0:34:42 | 0:34:45 | |
Sarah has travelled to Addlestone in Surrey to meet up with Jason | 0:34:47 | 0:34:51 | |
and show him what happened to his sideboard. | 0:34:51 | 0:34:54 | |
-Hiya. -Hello, Sarah. -How are you doing? | 0:34:57 | 0:34:59 | |
-I'm doing very well, thank you. Nice to see you. -Yeah, and you, and you. | 0:34:59 | 0:35:02 | |
Just wondering what you thought when somebody came up to you in | 0:35:02 | 0:35:05 | |
the tip and said, "Can I have your rubbish?" | 0:35:05 | 0:35:07 | |
Well, now... Considering that I was looking to get rid of it | 0:35:07 | 0:35:10 | |
and kind of scrap it anyway, I wasn't too concerned, to be honest. | 0:35:10 | 0:35:14 | |
I took it to a guy called Norman. So I've got some pictures here to | 0:35:14 | 0:35:17 | |
show you of what he did to it. | 0:35:17 | 0:35:18 | |
So I think, probably, that's how you remember it. | 0:35:18 | 0:35:20 | |
He turned it into that. | 0:35:20 | 0:35:22 | |
Oh, wow. Amazing. | 0:35:22 | 0:35:23 | |
-It's like a proper kitchen unit now, isn't it? -It's a real dresser. -Yeah. | 0:35:23 | 0:35:27 | |
It is now a lovely big piece of furniture. | 0:35:27 | 0:35:30 | |
-Would you give it house room now? -Yeah. It's actually | 0:35:30 | 0:35:32 | |
-amazing what he's done with there. -I'm pleased that you like it. | 0:35:32 | 0:35:35 | |
It's a big piece of furniture. It's got a high price tag on it, | 0:35:35 | 0:35:38 | |
and I haven't managed to sell it yet. | 0:35:38 | 0:35:40 | |
-OK. -So I'm going to carry on putting it out there and selling it. | 0:35:40 | 0:35:43 | |
So as soon as I've made it, I shall be sending that to you, | 0:35:43 | 0:35:46 | |
and hopefully that'll go to some good cause. | 0:35:46 | 0:35:48 | |
Yeah, without a doubt. I'm pretty sure we'll put that to good use. | 0:35:48 | 0:35:50 | |
-Fantastic. -Thanks, Jason. -Look forward to it. -Bye-bye. -Bye-bye. | 0:35:50 | 0:35:54 | |
Norman's costs for the project were £575, but without a sale, | 0:35:56 | 0:36:02 | |
Sarah is facing a potential loss, | 0:36:02 | 0:36:05 | |
though, I'm confident, with a bit more time, she will be able | 0:36:05 | 0:36:08 | |
to sell it and will be back in touch with Jason with a profit. | 0:36:08 | 0:36:12 | |
That's two of our items now successfully transformed. | 0:36:19 | 0:36:23 | |
Sarah is back in Margate to see if Rupert's managed to give | 0:36:25 | 0:36:28 | |
the old ladders a step up. | 0:36:28 | 0:36:30 | |
I've really enjoyed doing this project. | 0:36:32 | 0:36:34 | |
Very satisfying to make something from nothing. | 0:36:34 | 0:36:37 | |
I hope Sarah's happy. So, I look forward to her coming back. | 0:36:37 | 0:36:40 | |
Well, I'm so excited to be back in Margate. | 0:36:42 | 0:36:44 | |
I left Rupert with a careworn selection of old DIY equipment | 0:36:44 | 0:36:48 | |
and a broken ladder. | 0:36:48 | 0:36:49 | |
-I can't wait to see what he's done with it. -Nor can I. | 0:36:49 | 0:36:53 | |
This pile of old wood started off on the wrong foot. | 0:36:55 | 0:36:59 | |
But now they certainly have a spring in their step. | 0:37:02 | 0:37:07 | |
Rupert has created three sets of stylish steps, | 0:37:07 | 0:37:10 | |
each with their own unique character. | 0:37:10 | 0:37:13 | |
One has been sanded and stained dark brown, | 0:37:13 | 0:37:16 | |
creating a classic antique finish. | 0:37:16 | 0:37:20 | |
Another has been stripped and waxed, | 0:37:20 | 0:37:22 | |
leaving the natural colour of the wood to shine through, | 0:37:22 | 0:37:26 | |
finished with a new dark top. | 0:37:26 | 0:37:28 | |
And lastly, the wild card. | 0:37:28 | 0:37:31 | |
Bold, bright yellow has become a Rupert trademark. | 0:37:31 | 0:37:35 | |
And isn't it eye-catching? | 0:37:35 | 0:37:37 | |
They're all now strong and sturdy, so can be used to step up, | 0:37:37 | 0:37:42 | |
to reach high shelves, or as stylish and cool occasional tables. | 0:37:42 | 0:37:47 | |
I don't know which is my favourite. | 0:37:47 | 0:37:49 | |
Probably the yellow one. | 0:37:49 | 0:37:51 | |
But what about the mystery item Rupert promised? | 0:37:51 | 0:37:54 | |
-Hello, hello. -Hey, Sarah, come in, come in. -Wow, look at those! | 0:37:54 | 0:37:59 | |
So, I've gone three different styles for you. | 0:37:59 | 0:38:01 | |
So, hopefully, you've got three now usable products. | 0:38:01 | 0:38:05 | |
They are great. | 0:38:05 | 0:38:07 | |
I can see them going into completely different houses, | 0:38:07 | 0:38:10 | |
different apartments. You know, they are really cleverly done. | 0:38:10 | 0:38:13 | |
It's been quite nice making three things that hopefully you can | 0:38:13 | 0:38:16 | |
-find a new home for. -Budget-wise, | 0:38:16 | 0:38:19 | |
it looks like a lot of work has gone into these. How did you get on? | 0:38:19 | 0:38:21 | |
Well, it was a fair bit of work. | 0:38:21 | 0:38:24 | |
Before we talk about the budget, though, I know I said if I had time | 0:38:24 | 0:38:28 | |
and if there were a few bits left, I'd do something else. | 0:38:28 | 0:38:31 | |
-I have done a few extra bits for you. -Have you? | 0:38:31 | 0:38:34 | |
-So, do you want to see them? -Yeah, I'd love to. -OK. | 0:38:34 | 0:38:37 | |
Well, move that one off the table. | 0:38:37 | 0:38:39 | |
From the scraps, | 0:38:39 | 0:38:42 | |
I've made... | 0:38:42 | 0:38:43 | |
..three sets of Shaker peg hooks. | 0:38:45 | 0:38:48 | |
I recognise them, and they're fantastic. | 0:38:48 | 0:38:51 | |
I've actually made, as well, two mirrors. | 0:38:51 | 0:38:55 | |
So you've actually got a lot of stock now, Sarah. | 0:38:55 | 0:38:58 | |
I've got a new range. | 0:38:58 | 0:38:59 | |
This is a whole collection of product here. Isn't there? | 0:38:59 | 0:39:02 | |
Rupert, you're a genius. | 0:39:02 | 0:39:04 | |
From the leftover wood from the ladders, | 0:39:04 | 0:39:06 | |
Rupert has created a three separate coat hooks and two mirrors. | 0:39:06 | 0:39:11 | |
But surely that means the budget has gone up a bit. | 0:39:11 | 0:39:14 | |
-Luckily, all this, still within your budget. -No way. Seriously? | 0:39:14 | 0:39:19 | |
-All of this for 150 quid? -Yeah. | 0:39:19 | 0:39:22 | |
-It was just enjoyable to do. -That is amazing. Lovely work, thank you. | 0:39:22 | 0:39:28 | |
I've said it before and I'll say it again. | 0:39:28 | 0:39:30 | |
I've said it before and I'll say it again - that guy is good. | 0:39:30 | 0:39:33 | |
How fab is that lot? Three great library steps and | 0:39:35 | 0:39:38 | |
a whole collection of other stuff to sell. | 0:39:38 | 0:39:40 | |
Such a clever idea to re-use those ladders like that, too. | 0:39:40 | 0:39:44 | |
You are going to want to do that, aren't you? | 0:39:44 | 0:39:46 | |
Hi there, hello. | 0:39:54 | 0:39:56 | |
When Sarah stopped Emma in her tracks at the tip, | 0:39:56 | 0:39:58 | |
she wanted to learn more about her steps and ladders. | 0:39:58 | 0:40:01 | |
-Oh, these are from my grandad's house. -OK. | 0:40:01 | 0:40:04 | |
We are clearing it at the moment. | 0:40:04 | 0:40:06 | |
Sarah loved the handmade look... | 0:40:06 | 0:40:08 | |
He was really into recycling and making his own things. | 0:40:08 | 0:40:11 | |
-A man after my own heart. -..so took them off, | 0:40:11 | 0:40:13 | |
leaving Emma guessing what would become of them. | 0:40:13 | 0:40:16 | |
If she could make it into something really funky and creative, | 0:40:16 | 0:40:19 | |
that would be great. | 0:40:19 | 0:40:21 | |
Funky and creative. | 0:40:21 | 0:40:24 | |
They just happen to be Rupert's middle names. | 0:40:24 | 0:40:26 | |
Sarah was then on a mission to get every single piece sold. | 0:40:29 | 0:40:33 | |
She showcased them at her barn sales, | 0:40:33 | 0:40:36 | |
drummed up interest online and finally got her first sale. | 0:40:36 | 0:40:41 | |
Three of Rupert's pieces were bought by a vintage and antique shop | 0:40:43 | 0:40:46 | |
in Falkirk in Scotland. | 0:40:46 | 0:40:48 | |
Owners David and Yasmine couldn't be happier. | 0:40:48 | 0:40:52 | |
Oh, these are really nice, Dave. | 0:40:52 | 0:40:54 | |
I don't know if these are going in the shop or coming home with us. | 0:40:54 | 0:40:57 | |
-What do you think? -We might keep them. | 0:40:57 | 0:40:59 | |
So, that's three down. | 0:40:59 | 0:41:01 | |
But did Sarah managed to shift the whole lot? | 0:41:01 | 0:41:04 | |
Sarah has travelled to Englefield Green in Surrey | 0:41:07 | 0:41:10 | |
to meet up with Emma and hand over the profit. | 0:41:10 | 0:41:13 | |
-Hi, Emma. -Hello. -Hi, nice to see you again. How are you? -Good, thank you. | 0:41:16 | 0:41:20 | |
Excellent. Now, I met you at the recycling centre, | 0:41:20 | 0:41:22 | |
and I think you were doing a really big job when I met you, weren't you? | 0:41:22 | 0:41:25 | |
Yes, we were emptying my grandad's house. He was... We were selling it | 0:41:25 | 0:41:29 | |
cos he's going into a home, so we were having to clear everything. | 0:41:29 | 0:41:32 | |
Well, you probably haven't even had a second to think about what might | 0:41:32 | 0:41:35 | |
-have happened to the stuff that I took away. -Not really, no. No. | 0:41:35 | 0:41:37 | |
But I can't wait to see what you've done. | 0:41:37 | 0:41:40 | |
It wasn't something I worked on myself. It was something I | 0:41:40 | 0:41:42 | |
took down to Margate to a great guy called Rupert. | 0:41:42 | 0:41:45 | |
-And I've got some pictures here to show you... -Oh, wow. -..of what he created. | 0:41:45 | 0:41:48 | |
I hope you'd approve of this lot. | 0:41:48 | 0:41:50 | |
His things have been turned into a collection of furniture. | 0:41:50 | 0:41:53 | |
Oh, my gosh! | 0:41:53 | 0:41:54 | |
He made a collection of mirrors and coat hooks out of the ladder. | 0:41:54 | 0:41:58 | |
Oh, my gosh, wow! | 0:41:58 | 0:41:59 | |
-What do you think? -Oh, that's brilliant. | 0:41:59 | 0:42:01 | |
I really didn't think you could do anything with them. Yeah. | 0:42:01 | 0:42:04 | |
-Oh, wow, that's amazing. -They disappeared instantly. | 0:42:04 | 0:42:07 | |
I took them to my barn sale. People loved them, bought them there. | 0:42:07 | 0:42:10 | |
They've disappeared up to Scotland, to shops all over the country. | 0:42:10 | 0:42:13 | |
-So I've got some money here for you as well. -Oh, my gosh! | 0:42:13 | 0:42:16 | |
-I've go £270 here for your collection of pieces. -Oh, my gosh. | 0:42:16 | 0:42:21 | |
-That's for you. -Wow, thank you. -It's a complete pleasure. | 0:42:21 | 0:42:25 | |
-What might you do with that? -I think... | 0:42:25 | 0:42:27 | |
Well, we'll take Grandad out for a meal, I think. Yeah. | 0:42:27 | 0:42:29 | |
Excellent. Well, do you think he'll approve of what we did? | 0:42:29 | 0:42:31 | |
Absolutely. I can't wait to show him. | 0:42:31 | 0:42:33 | |
That's amazing. That's amazing! | 0:42:33 | 0:42:35 | |
-Lovely to catch up with you. -Thank you. -Thank you so much. -Cheers. | 0:42:35 | 0:42:37 | |
-Bye-bye. -Thank you, bye. | 0:42:37 | 0:42:39 | |
Good job, Sarah. And good job, Rupert. | 0:42:39 | 0:42:42 | |
Rupert's total cost for making all those items was £150. | 0:42:45 | 0:42:49 | |
Sarah worked her socks off and sold every piece, | 0:42:51 | 0:42:55 | |
with sales totalling an amazing £420, | 0:42:55 | 0:42:59 | |
which means Emma has an amazing £270 to share with her grandad. | 0:42:59 | 0:43:05 | |
Fabulous. | 0:43:05 | 0:43:06 | |
Sarah salvaged three items that were destined for the dump. | 0:43:08 | 0:43:11 | |
Instead of lying in landfill, | 0:43:13 | 0:43:15 | |
they have all been given a new lease of life. | 0:43:15 | 0:43:18 | |
A new look. | 0:43:20 | 0:43:21 | |
And a chance to be loved again. | 0:43:23 | 0:43:25 | |
Well, I really enjoyed that. | 0:43:28 | 0:43:29 | |
We take stuff, we make stuff and we send it off to new homes, | 0:43:29 | 0:43:33 | |
what could be better than that? | 0:43:33 | 0:43:34 |