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That looks interesting. What is that? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:07 | 0:00:10 | |
Stop, stop, stop. | 0:00:10 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:15 | |
thrown out by us every year. | 0:00:15 | 0:00:18 | |
-Can I have it? -Yeah, by all means. You're welcome, yeah. -Fantastic. | 0:00:18 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to get her hands | 0:00:21 | 0:00:25 | |
on things before they hit the skip. | 0:00:25 | 0:00:27 | |
I'm a passionate buyer, maker and user of old stuff, | 0:00:30 | 0:00:34 | |
and I've turned that passion into a money-making business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff, and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:46 | |
-Enough to work on? -Just a bit, yeah. | 0:00:46 | 0:00:48 | |
It is a beast, isn't it? | 0:00:48 | 0:00:49 | |
..she can transform her finds into desirable... | 0:00:49 | 0:00:54 | |
I can't believe it! | 0:00:54 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
Aren't you clever? | 0:00:57 | 0:00:58 | |
..and hopefully saleable items. | 0:00:58 | 0:01:01 | |
Oh, wow. | 0:01:01 | 0:01:03 | |
If Sarah is successful, then she can hand the profits back | 0:01:03 | 0:01:08 | |
to the very people who had no idea | 0:01:08 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:14 | |
That's amazing! | 0:01:14 | 0:01:16 | |
Welcome to Witley Recycling Centre, a non-stop hive of activity. | 0:01:26 | 0:01:32 | |
Sarah's on a mission to turn your trash into hard cash. | 0:01:35 | 0:01:40 | |
I'm scouring for scrap, I'm totting for treasure | 0:01:40 | 0:01:42 | |
and I'm taking away anything I think I can make money out of. | 0:01:42 | 0:01:46 | |
But before you make a beeline for YOUR local tip, take note. | 0:01:49 | 0:01:53 | |
Sarah's been given special permission | 0:01:53 | 0:01:55 | |
to seek out three items... | 0:01:55 | 0:01:57 | |
-Oh, look at that! -..that she can rejuvenate, | 0:01:57 | 0:02:00 | |
repurpose and sell on for a profit. | 0:02:00 | 0:02:02 | |
First to pique Sarah's interest is Gudrun, shuffling in | 0:02:04 | 0:02:08 | |
with this little gem. | 0:02:08 | 0:02:09 | |
Oh, I love a card table. | 0:02:13 | 0:02:15 | |
-Are you throwing it? -Well, sadly yes. | 0:02:15 | 0:02:18 | |
Have you had it for ages? | 0:02:18 | 0:02:20 | |
I'm refurbishing a house and it was in the loft. | 0:02:20 | 0:02:22 | |
I'd love to have a closer look at it. Have you stood it up at all, | 0:02:22 | 0:02:25 | |
-have you tried it...? -No, I haven't. I haven't. | 0:02:25 | 0:02:27 | |
I know I have no use for it. | 0:02:27 | 0:02:29 | |
I didn't even know it's a card table. | 0:02:29 | 0:02:31 | |
I wonder if it's all there. Let's have a look. | 0:02:31 | 0:02:34 | |
They come in sort of lots of different designs | 0:02:34 | 0:02:37 | |
and mechanisms and that kind of stuff, | 0:02:37 | 0:02:39 | |
but I've never seen one like this before. | 0:02:39 | 0:02:41 | |
Brilliant, let's see if it'll stand up now. | 0:02:41 | 0:02:43 | |
Wouldn't say on its last legs, but it's close, isn't it? | 0:02:43 | 0:02:47 | |
It's close to, yeah. | 0:02:47 | 0:02:49 | |
I think they're quite practical things, because they fold up, | 0:02:49 | 0:02:52 | |
you can put it on the end of your table and get another | 0:02:52 | 0:02:54 | |
couple of people on, and that kind of stuff. | 0:02:54 | 0:02:56 | |
And it looks like it's made of some nice old, solid wood. | 0:02:56 | 0:02:59 | |
So would love to fold it up and take it away. | 0:02:59 | 0:03:01 | |
-Yeah, please take it away. -Thank you. | 0:03:01 | 0:03:03 | |
Splendid. Because, as Sarah has told me, | 0:03:03 | 0:03:05 | |
you play your cards right at the tip, it might just lead to a profit. | 0:03:05 | 0:03:10 | |
If I can do something with it, | 0:03:10 | 0:03:11 | |
I'd love to come and show you how it turns out. | 0:03:11 | 0:03:13 | |
I would love to see that. | 0:03:13 | 0:03:15 | |
Brilliant. Well, thank you so much, really nice to meet you. | 0:03:15 | 0:03:17 | |
Thank you very much, pleasure to meet you, Sarah. | 0:03:17 | 0:03:19 | |
-I shall come and see you soon. -Have fun with it. -I will! -Thanks, bye. | 0:03:19 | 0:03:22 | |
An excellent start. But what does Gudrun think | 0:03:22 | 0:03:24 | |
this little card table's new deal is going to be? | 0:03:24 | 0:03:28 | |
I have no idea what she will do with it, | 0:03:28 | 0:03:31 | |
but I'd love to see what she will come up with it. | 0:03:31 | 0:03:33 | |
I'm happy that it will not go into the tip, and that's wonderful. | 0:03:33 | 0:03:37 | |
I'm with you, Gudrun. It is wonderful. | 0:03:37 | 0:03:40 | |
Everybody would have had one of these 50 years ago. | 0:03:41 | 0:03:43 | |
If you want to the village hall, you wanted to play whist | 0:03:43 | 0:03:46 | |
at a whist drive, you'd take your table with you. | 0:03:46 | 0:03:49 | |
Does have potential to make some money | 0:03:49 | 0:03:50 | |
because it's a practical piece of furniture. | 0:03:50 | 0:03:52 | |
But it's going to need some real creativity | 0:03:52 | 0:03:54 | |
to turn that into hard cash. | 0:03:54 | 0:03:56 | |
Well, let's find out which creative type Sarah's lined up. | 0:03:57 | 0:04:01 | |
Master carpenter Norman Wilkinson. | 0:04:05 | 0:04:07 | |
Norman's skill and attention to detail shines through | 0:04:07 | 0:04:11 | |
in everything he makes, and Sarah is never disappointed. | 0:04:11 | 0:04:14 | |
Oh, what Sarah brings here, well, you know, | 0:04:14 | 0:04:17 | |
it gets a bit more diverse every time. | 0:04:17 | 0:04:19 | |
It tests you. It can be fun. | 0:04:19 | 0:04:22 | |
As long as the job comes out looking good, | 0:04:22 | 0:04:24 | |
saleable and someone loves it at the end of it, that's all that matters. | 0:04:24 | 0:04:28 | |
Norman brings with him over 25 years of experience, | 0:04:28 | 0:04:31 | |
and is the very definition of "old school". | 0:04:31 | 0:04:34 | |
I'm not into this modern world and the modern sayings. | 0:04:34 | 0:04:36 | |
"Upcycling" is a new word. | 0:04:36 | 0:04:38 | |
I mean, "recreate" I suppose, that's what we'd call it. | 0:04:38 | 0:04:42 | |
I'm one of the lucky people in life - | 0:04:42 | 0:04:44 | |
I get up in the morning, and I look forward to coming to work, so | 0:04:44 | 0:04:47 | |
can't ask for anything more than that, can I? | 0:04:47 | 0:04:49 | |
Well, if you like things old-fashioned, Norman, | 0:04:49 | 0:04:53 | |
then you're going to love this. | 0:04:53 | 0:04:55 | |
So, that's one item safely tucked away. | 0:05:00 | 0:05:03 | |
Sarah's back on the lookout for number two, | 0:05:03 | 0:05:06 | |
and she's found a way to cover more ground. | 0:05:06 | 0:05:09 | |
It's a big tip. | 0:05:09 | 0:05:11 | |
I've got a big tip for you, Sarah. | 0:05:11 | 0:05:13 | |
Why don't you ask Ian what he's throwing away? | 0:05:13 | 0:05:16 | |
-Hello. -Hi, there. Hi, I'm Sarah. | 0:05:18 | 0:05:20 | |
I'm Ian, how do you do? | 0:05:20 | 0:05:21 | |
Ian. What a lovely old... | 0:05:21 | 0:05:23 | |
Is it a wardrobe, or kitchen cupboard? | 0:05:23 | 0:05:25 | |
Well, it's probably a wardrobe, but it has shelves in it | 0:05:25 | 0:05:27 | |
-so it could be used for both. -OK. | 0:05:27 | 0:05:29 | |
Looks... It's got that classic I think 1940s look to it. | 0:05:29 | 0:05:33 | |
-Have you had it...? -Thoroughly retro, | 0:05:33 | 0:05:34 | |
it's been in the garage for ten years, | 0:05:34 | 0:05:37 | |
and came from a friend who's probably had it | 0:05:37 | 0:05:39 | |
for goodness knows how long. | 0:05:39 | 0:05:41 | |
Well, it's just the kind of thing that I'm looking out for | 0:05:41 | 0:05:43 | |
because it's solid, it's made it to the tip in one piece, | 0:05:43 | 0:05:45 | |
and most of the stuff I'm seeing here is flat-packed and fallen apart | 0:05:45 | 0:05:48 | |
before it gets here. So any chance I could have a closer look at it? | 0:05:48 | 0:05:51 | |
-Of course you can. You want me to drag it out? -Well, let me help you, yes. | 0:05:51 | 0:05:54 | |
What have you been using it for, just storage, or...? | 0:05:54 | 0:05:56 | |
-Junk. -Junk? | 0:05:56 | 0:05:58 | |
In the garage, old clothes... | 0:05:58 | 0:06:00 | |
-Yeah. -..old tins... | 0:06:00 | 0:06:02 | |
Things that my wife | 0:06:02 | 0:06:04 | |
doesn't like throwing away. | 0:06:04 | 0:06:06 | |
-She sounds like a woman after my own heart. -Possibly. | 0:06:06 | 0:06:10 | |
-Yeah. -Wow. | 0:06:10 | 0:06:12 | |
-Wow, that's lovely. -Yes... | 0:06:12 | 0:06:14 | |
Practical space in there, isn't it? | 0:06:14 | 0:06:15 | |
This probably would have been a cupboard in someone's bedroom. | 0:06:15 | 0:06:18 | |
All-purpose cupboard, splendid probably for a student, perhaps. | 0:06:18 | 0:06:22 | |
Well, I'm so pleased that I was here to stop it going in there, | 0:06:22 | 0:06:24 | |
because it has got that vintage look. | 0:06:24 | 0:06:28 | |
I know somebody's going to love this, and I think I can take it | 0:06:28 | 0:06:30 | |
to the right people who can make sure it's turned into something | 0:06:30 | 0:06:33 | |
-really desirable again. -Good. Well, I hope it'll come in useful. | 0:06:33 | 0:06:35 | |
Thank you. | 0:06:35 | 0:06:36 | |
I rather hope it comes in useful, too. | 0:06:38 | 0:06:40 | |
But I'm not that optimistic. | 0:06:40 | 0:06:42 | |
What will be great is, if I do manage to do something with it, | 0:06:44 | 0:06:46 | |
may I come back and show you how it's been transformed? | 0:06:46 | 0:06:48 | |
-You may. -Lovely. That's brilliant. I might just have to ask you | 0:06:48 | 0:06:51 | |
one more favour, which is to help me pop it over there. | 0:06:51 | 0:06:54 | |
-All right, let's do that. -That would be really helpful, thank you. | 0:06:54 | 0:06:56 | |
Ian seems pleased that his wardrobe will get a new lease of life. | 0:06:56 | 0:07:00 | |
But what kind of life might that be? | 0:07:00 | 0:07:03 | |
Could go into a kitchen, a small bedroom for a child, perhaps. | 0:07:03 | 0:07:05 | |
Or even into a garage or a shed. | 0:07:05 | 0:07:08 | |
Who knows? With a lick of paint and a few pretty stencils, | 0:07:08 | 0:07:11 | |
it will come up like new. | 0:07:11 | 0:07:13 | |
-Well said, that man. -Well, I know why it's light - | 0:07:13 | 0:07:15 | |
it's made from really flimsy old wood. | 0:07:15 | 0:07:17 | |
But it IS still solid, and it's in one piece, | 0:07:17 | 0:07:20 | |
and it's got retro styling, and that means it's definitely worth saving. | 0:07:20 | 0:07:23 | |
It's going to need a really good makeover if it's going to | 0:07:23 | 0:07:26 | |
stand a chance of making any money at all. | 0:07:26 | 0:07:28 | |
A makeover, you say? | 0:07:29 | 0:07:31 | |
Sarah's got the very person. | 0:07:31 | 0:07:33 | |
Emma Walker is a furniture restyler. | 0:07:40 | 0:07:43 | |
She takes tired pieces destined for landfill, | 0:07:45 | 0:07:49 | |
expertly restores them and creatively covers them | 0:07:49 | 0:07:53 | |
in papery pattern prints. | 0:07:53 | 0:07:55 | |
Emma likes to get to know a piece of furniture. | 0:07:55 | 0:07:59 | |
Does that mean she talks to furniture? | 0:07:59 | 0:08:01 | |
That's exactly what it means. | 0:08:01 | 0:08:04 | |
The piece of furniture will just tell you what to do. | 0:08:04 | 0:08:07 | |
Whether it needs a geometric pattern | 0:08:07 | 0:08:09 | |
or it needs to be told | 0:08:09 | 0:08:11 | |
a story with flowers and birds. | 0:08:11 | 0:08:13 | |
That does actually happen. | 0:08:13 | 0:08:15 | |
The furniture starts talking back to me, | 0:08:15 | 0:08:17 | |
literally sort of comes alive. | 0:08:17 | 0:08:19 | |
Well, Emma, get ready for a good old chinwag, | 0:08:21 | 0:08:23 | |
because this old thing certainly has a tale to tell. | 0:08:23 | 0:08:27 | |
Two items loaded into the Money For Nothing van. | 0:08:36 | 0:08:40 | |
Now it's time for Sarah to search for her own pound-making project. | 0:08:40 | 0:08:44 | |
Have you ever done a tip selfie? You've got to pout, you know, | 0:08:44 | 0:08:47 | |
-it's all about the pout. -Yes, yes, mega LOLs. | 0:08:47 | 0:08:50 | |
Back to work. | 0:08:50 | 0:08:52 | |
And maybe Ian and Clare will have what you're looking for. | 0:08:52 | 0:08:55 | |
Ian's been clearing his late mother's home, | 0:08:56 | 0:08:58 | |
and it's been a big job. | 0:08:58 | 0:09:00 | |
-Hi there, hello. -Hello. | 0:09:00 | 0:09:02 | |
-Oh, look at that. -I know! | 0:09:02 | 0:09:03 | |
-Oh, no. Whose house was this? -Ian's mum. -My mother's house. | 0:09:03 | 0:09:06 | |
OK. You're clearing everything, are you? | 0:09:06 | 0:09:08 | |
Yes, we have to, yes. | 0:09:08 | 0:09:10 | |
You've reached the clothing stage now, have you? | 0:09:10 | 0:09:12 | |
Well, it's everything at once, because everything's been stuffed | 0:09:12 | 0:09:16 | |
into every conceivable corner, drawer, wardrobe, nook and cranny. | 0:09:16 | 0:09:20 | |
And every tiny space is occupied with things. | 0:09:20 | 0:09:23 | |
I know it's very personal stuff... | 0:09:23 | 0:09:25 | |
-Yeah. -Yes. -..but I am looking for old fabrics and things | 0:09:25 | 0:09:27 | |
that perhaps I could make into a quilt, or things like that. | 0:09:27 | 0:09:30 | |
-Right. -Would it be awful to ask to go through the bags, | 0:09:30 | 0:09:32 | |
-or to have a look at some of the things to see if I can...? -Not at all, no, you're welcome. | 0:09:32 | 0:09:35 | |
Ian's happy to save and re-use as many of his mother's possessions | 0:09:35 | 0:09:39 | |
as possible. And there are definitely some talking points. | 0:09:39 | 0:09:43 | |
That's not a curtain! | 0:09:43 | 0:09:45 | |
-It's a nightdress! -It's a nightdress. | 0:09:45 | 0:09:47 | |
I feel really embarrassed asking, but obviously a really classy... | 0:09:47 | 0:09:51 | |
-Oh, yes. -Look at that! | 0:09:51 | 0:09:52 | |
Most of it's all designer stuff. | 0:09:52 | 0:09:54 | |
-Clearly. -Well, she's got hundreds of them. | 0:09:54 | 0:09:57 | |
Really? If it would be OK to have a rummage, | 0:09:57 | 0:10:00 | |
I could recycle stuff here into the textile stuff | 0:10:00 | 0:10:02 | |
but maybe reclaim some of the other bits of fabric | 0:10:02 | 0:10:05 | |
-to make into something else. -Mm-hm. -Yeah. -Absolutely. | 0:10:05 | 0:10:07 | |
Brilliant. Well, on that frilly note, | 0:10:07 | 0:10:09 | |
I'm going to go and get the trolley and pile it up. | 0:10:09 | 0:10:11 | |
A frilly note indeed. | 0:10:13 | 0:10:14 | |
I'm looking forward to seeing where Sarah's imagination takes us | 0:10:14 | 0:10:17 | |
on this one. | 0:10:17 | 0:10:18 | |
Well, I will definitely look after it. And then, if I can show you | 0:10:19 | 0:10:23 | |
all the bits I've reclaimed or recycled, | 0:10:23 | 0:10:25 | |
it would be great to keep in touch and come back and... | 0:10:25 | 0:10:27 | |
-Sure. -I'm sure there will be lovely bits in here that I can... | 0:10:27 | 0:10:31 | |
Ian and Clare have kindly passed on some stylish items. | 0:10:32 | 0:10:36 | |
What are their thoughts on what Sarah might do with them? | 0:10:36 | 0:10:40 | |
I think she could perhaps use some of the vintage materials, | 0:10:40 | 0:10:43 | |
to use soft...to make soft furnishings and interior decoration. | 0:10:43 | 0:10:48 | |
Bedspreads, curtains, cushions maybe. | 0:10:48 | 0:10:51 | |
Tablecloths. Maybe even clothes, I don't know. | 0:10:51 | 0:10:53 | |
-But there's a lot of stuff there. -There is. -And it's a shame to throw it away, isn't it... | 0:10:53 | 0:10:57 | |
-It is, actually. -..like this? -I think, you know... -I'm glad it's going to a good home. | 0:10:57 | 0:11:00 | |
-Yeah. She could recycle it to good use. -Yeah. | 0:11:00 | 0:11:03 | |
You know something? I think there's a lot of potential here. | 0:11:03 | 0:11:06 | |
I mean, that is bound to be cashmere. | 0:11:06 | 0:11:09 | |
Beautiful, 100% cashmere! | 0:11:09 | 0:11:11 | |
Oh, wow, look at that! | 0:11:11 | 0:11:12 | |
OK, so there's obviously a completely random selection | 0:11:12 | 0:11:18 | |
of fabrics and materials and clothing in here. | 0:11:18 | 0:11:21 | |
But I think simply because it's old, simply because of the colours, | 0:11:21 | 0:11:24 | |
there's going to be some money to be made here. | 0:11:24 | 0:11:27 | |
I'm hoping it's going to be rags to riches. | 0:11:27 | 0:11:30 | |
Another cashmere, brilliant. | 0:11:31 | 0:11:32 | |
There it is, then. Three items found. | 0:11:37 | 0:11:40 | |
Norman will be first to deal, taking on Gudrun's card table. | 0:11:40 | 0:11:44 | |
Emma will attempt to transform an old wardrobe. | 0:11:46 | 0:11:50 | |
And Sarah has a bag of vintage clothes | 0:11:50 | 0:11:52 | |
on which to let loose her imagination. | 0:11:52 | 0:11:55 | |
Well, I have been pouncing on potential projects all day, | 0:11:56 | 0:11:59 | |
and I'm happy with my hoard. But now the real work begins. | 0:11:59 | 0:12:03 | |
There's money to be made here. | 0:12:03 | 0:12:05 | |
In the leafy East Sussex village of Hellingly, | 0:12:13 | 0:12:17 | |
furniture aficionado Norman can be found. | 0:12:17 | 0:12:20 | |
Sarah's brought along the old card table to see | 0:12:22 | 0:12:24 | |
what Norman makes of it. | 0:12:24 | 0:12:26 | |
I looked twice at this card table when I saw it in the tip, | 0:12:27 | 0:12:30 | |
and now I've brought it to Norman's, I've still got my doubts. | 0:12:30 | 0:12:33 | |
But it's got great legs, and that can get you a long way. | 0:12:33 | 0:12:35 | |
That's true. I'm living proof of that myself. | 0:12:35 | 0:12:39 | |
Hey, Norman! | 0:12:41 | 0:12:43 | |
-Hiya. -How are you? -Yeah, I'm good. | 0:12:43 | 0:12:46 | |
-Nice to see you. -Yeah, see you nice. | 0:12:46 | 0:12:50 | |
So, not as big and chunky as I usually bring to you, | 0:12:50 | 0:12:52 | |
but what do you think of this? | 0:12:52 | 0:12:54 | |
Well, it's got something that moves up and down, so that's a start! | 0:12:56 | 0:12:59 | |
It looks like a card table. | 0:12:59 | 0:13:01 | |
It is, but it's a good one. | 0:13:01 | 0:13:03 | |
-I think. -Is it? | 0:13:03 | 0:13:05 | |
Well, it's got redeeming features. | 0:13:05 | 0:13:07 | |
I will be honest, it's a better quality one | 0:13:07 | 0:13:09 | |
than we normally would see. | 0:13:09 | 0:13:11 | |
-Shall we turn it upside down, see what it's really like? -Yeah. | 0:13:11 | 0:13:14 | |
Well done. Do you think this has potential to be something else? | 0:13:14 | 0:13:19 | |
The best part of it is the legs. | 0:13:19 | 0:13:21 | |
That's what I said. The legs are great. | 0:13:21 | 0:13:22 | |
-Legs are great. -And practical cos they fold away. | 0:13:22 | 0:13:25 | |
I thought, take the legs off, similar sort of width table... | 0:13:25 | 0:13:27 | |
Maybe about twice as long. | 0:13:27 | 0:13:30 | |
And put the legs on it to make it like a four-person table | 0:13:30 | 0:13:33 | |
for taking out in the garden. | 0:13:33 | 0:13:35 | |
What material are we going to use on the top? | 0:13:35 | 0:13:38 | |
Well, I was wondering about zinc or tin, | 0:13:38 | 0:13:40 | |
or something to make it outdoor, indoor. | 0:13:40 | 0:13:43 | |
-A little bit funky. -Yeah. -OK. | 0:13:43 | 0:13:45 | |
-Have I brought it to the right place? -I hope so. | 0:13:45 | 0:13:48 | |
What - are you joking? | 0:13:48 | 0:13:49 | |
Big, funky Norman? | 0:13:49 | 0:13:51 | |
You'll make it look magic. | 0:13:51 | 0:13:53 | |
But we'll have to put it on, say, maybe an MDF top. | 0:13:53 | 0:13:55 | |
So, we're extending it and giving it a new metal top. | 0:13:55 | 0:13:59 | |
Sounds heavy. | 0:13:59 | 0:14:02 | |
Will these legs be fit for purpose for holding up a heavier table top? | 0:14:02 | 0:14:05 | |
-Do you think they'll do the job? -To be honest, it's quite | 0:14:05 | 0:14:08 | |
a sturdy table. We might have to just play around with it, | 0:14:08 | 0:14:10 | |
but we'll make it as steady as we can by using the legs. | 0:14:10 | 0:14:13 | |
And will you still be able to keep them as folding legs? | 0:14:13 | 0:14:15 | |
Oh, yeah. I think we will, cos I think that's part of the quirkiness. | 0:14:15 | 0:14:18 | |
But you know what I'm like. Beautiful, useful. | 0:14:18 | 0:14:20 | |
Practical but lovely. | 0:14:20 | 0:14:22 | |
And hopefully, if we put that lovely zinc top on, | 0:14:22 | 0:14:25 | |
it's got these attractive fine legs on the bottom, | 0:14:25 | 0:14:27 | |
somebody's going to want to snap it up, aren't they? | 0:14:27 | 0:14:29 | |
Yeah. Let's rock and roll with it. | 0:14:29 | 0:14:31 | |
That's the spirit, Norman. | 0:14:31 | 0:14:33 | |
Now, let's talk money. | 0:14:33 | 0:14:34 | |
Obviously, zinc is not a cheap product. | 0:14:34 | 0:14:39 | |
What's it going to cost? | 0:14:39 | 0:14:41 | |
I reckon you're not going to get much change out of £250. | 0:14:41 | 0:14:44 | |
-Go for it! -We're going to run for it. OK? | 0:14:44 | 0:14:46 | |
-Yeah, I think that's all right. -Brilliant. | 0:14:46 | 0:14:48 | |
I'm lost for words, really. But I suppose if we can turn a card table | 0:14:50 | 0:14:53 | |
into something spectacular, you know, it might give other people | 0:14:53 | 0:14:56 | |
inspiration to do something else with one. | 0:14:56 | 0:14:58 | |
Well, Norman has embraced what was essentially quite a simple idea. | 0:14:59 | 0:15:02 | |
But hopefully we're going to take that redundant card table | 0:15:02 | 0:15:05 | |
and make it into something useful again. | 0:15:05 | 0:15:08 | |
Norman has a budget of £250 for this task. | 0:15:08 | 0:15:12 | |
But can he really manage to turn an old card table | 0:15:12 | 0:15:16 | |
into something worth spending money on? | 0:15:16 | 0:15:19 | |
Brighton by the sea, one of the great English seaside resorts. | 0:15:24 | 0:15:28 | |
While it may be famed for its bucket and spade traditions, | 0:15:28 | 0:15:32 | |
it's currently celebrated for its counterculture, | 0:15:32 | 0:15:35 | |
music and arts scene. | 0:15:35 | 0:15:38 | |
This dynamic link between past and present can be seen | 0:15:39 | 0:15:42 | |
in the work of furniture restyler Emma. | 0:15:42 | 0:15:45 | |
But what will she make of this? | 0:15:45 | 0:15:47 | |
I don't know if I'll instantly know what to do with it. | 0:15:49 | 0:15:53 | |
Please don't bring me total junk! | 0:15:53 | 0:15:55 | |
I'll do my best with whatever she brings me. | 0:15:55 | 0:15:58 | |
I'm sure it's going to be fine. I know it's going to be fine. | 0:15:58 | 0:16:00 | |
Well, this wardrobe has already seen loads of loyal service, | 0:16:02 | 0:16:05 | |
and it needs a complete makeover. | 0:16:05 | 0:16:08 | |
So I've brought it to Emma. I think she's going to love it! | 0:16:08 | 0:16:10 | |
-Whoops... -I've always been clumsy. | 0:16:11 | 0:16:13 | |
Me too. | 0:16:13 | 0:16:15 | |
Me three! | 0:16:15 | 0:16:16 | |
It's the lightest of possible woods that it's made out of. | 0:16:16 | 0:16:21 | |
It's kind of square, and it's not very appealing at the moment, is it? | 0:16:21 | 0:16:24 | |
No, it's not. But it is functional. | 0:16:24 | 0:16:27 | |
-Good storage. -Yeah. -Have to think of these things. | 0:16:27 | 0:16:29 | |
-I'd want to put some legs on that. -That sounds lovely, | 0:16:29 | 0:16:32 | |
because as soon as you get a bit of light under the furniture, | 0:16:32 | 0:16:34 | |
it makes the room, if you've got a smaller room, that's really useful. | 0:16:34 | 0:16:37 | |
It just makes, it gives everything more... | 0:16:37 | 0:16:40 | |
It makes everything look fresher. | 0:16:40 | 0:16:41 | |
-I think "fresh" is a word it hasn't heard in a long time. -Yeah. | 0:16:41 | 0:16:45 | |
One of Emma's signature looks is using vintage wallpaper | 0:16:45 | 0:16:48 | |
on furniture. But before she starts restyling, | 0:16:48 | 0:16:52 | |
she has to get to know the item first. | 0:16:52 | 0:16:55 | |
I haven't got a vision quite yet, | 0:16:55 | 0:16:57 | |
but I could use different wallpapers in strips. | 0:16:57 | 0:17:01 | |
Or I could use... I could tell a story with one wallpaper | 0:17:01 | 0:17:06 | |
and going all around the sides. | 0:17:06 | 0:17:08 | |
The only thing I'm wondering about is whether you've got | 0:17:08 | 0:17:11 | |
anything that's a bit nuts. A bit atomic, a bit funky. | 0:17:11 | 0:17:14 | |
Oh, I've got some funky. Yeah, I have got some funky stuff. | 0:17:14 | 0:17:17 | |
Geometric funky stuff, because of all the straight lines. | 0:17:17 | 0:17:19 | |
-Something geometric on this. Yeah, I think I've... -Have you got any here? | 0:17:19 | 0:17:23 | |
I have. I think I've just thought of something that would... | 0:17:23 | 0:17:26 | |
-That might suit. -Go on, then. Go and get it, let's have a look. | 0:17:26 | 0:17:29 | |
I actually know where it is. | 0:17:29 | 0:17:30 | |
Excellent. Who would have thought that an old wardrobe such as this | 0:17:32 | 0:17:36 | |
could get the creative juices flowing? | 0:17:36 | 0:17:40 | |
I think, in a white room - people like white rooms, don't they? - | 0:17:40 | 0:17:43 | |
that that would be a lovely pop of colour. | 0:17:43 | 0:17:45 | |
And then inside, I could do something to surprise you again. | 0:17:45 | 0:17:50 | |
Surprise on the inside, | 0:17:50 | 0:17:51 | |
something funky on the outside. | 0:17:51 | 0:17:53 | |
Can you put a price on that? | 0:17:53 | 0:17:56 | |
I can do that for £220. | 0:17:56 | 0:17:58 | |
-Really? -Yeah. | 0:17:58 | 0:18:00 | |
I think that sounds like a lovely idea for me. | 0:18:00 | 0:18:03 | |
Brilliant. I cannot wait to see what you do with it. | 0:18:03 | 0:18:05 | |
Looking forward to that surprise on the inside. | 0:18:05 | 0:18:08 | |
-Have fun! -Thank you! | 0:18:08 | 0:18:10 | |
Well, the die is cast. I hope that orange wallpaper is going to look | 0:18:13 | 0:18:15 | |
as amazing as I think it's going to. | 0:18:15 | 0:18:17 | |
And it is quite a tricky process, but I think Emma's our woman. | 0:18:17 | 0:18:21 | |
I think it's going to look fantastic. | 0:18:21 | 0:18:23 | |
And, for a very reasonable £220, the hope is that Emma hasn't put herself | 0:18:23 | 0:18:30 | |
in a tight spot with such a big task. | 0:18:30 | 0:18:33 | |
Under the wide skies of the idyllic Sussex countryside, Sarah's at home, | 0:18:42 | 0:18:48 | |
and she's about to get to grips with some colourful items of her own. | 0:18:48 | 0:18:53 | |
Those bags of vintage clothes she grabbed at the tip. | 0:18:53 | 0:18:57 | |
So, it's a bit overwhelming having all these different types | 0:19:01 | 0:19:04 | |
of clothes and fabric here. | 0:19:04 | 0:19:05 | |
So I think the best thing to do is sort it out. | 0:19:05 | 0:19:07 | |
I'm going to go for fantastic pieces that sell in their own right, | 0:19:07 | 0:19:10 | |
bits that I probably don't want at all, like these handkerchiefs. | 0:19:10 | 0:19:14 | |
And then there are some quite cool shoes, | 0:19:14 | 0:19:16 | |
so things like that may sell just the way they are. | 0:19:16 | 0:19:18 | |
So I think it's time to get sorting. | 0:19:18 | 0:19:20 | |
That's fantastic. Keeping that. | 0:19:23 | 0:19:26 | |
That's cashmere as well, that can go in there. | 0:19:26 | 0:19:28 | |
100% cashmere. | 0:19:28 | 0:19:29 | |
Oh! | 0:19:29 | 0:19:31 | |
I think that's a keeper. | 0:19:31 | 0:19:34 | |
And then there's a bit of frilly stuff. | 0:19:34 | 0:19:35 | |
So, that is an original, proper babydoll. | 0:19:35 | 0:19:38 | |
I mean, it's so cool! | 0:19:38 | 0:19:41 | |
That is going to be worth a few quid, isn't it? | 0:19:41 | 0:19:43 | |
Fashionable nightwear became very popular in post-war Britain, | 0:19:43 | 0:19:47 | |
with the introduction of sheer materials such as lace, | 0:19:47 | 0:19:50 | |
silk and chiffon. | 0:19:50 | 0:19:52 | |
But this pile is much more exciting. | 0:19:53 | 0:19:55 | |
I think I'm going to get some of this stuff washed. | 0:19:55 | 0:19:58 | |
I'm going to get it so it looks absolutely at its best, | 0:19:58 | 0:20:00 | |
take some pictures of it, and then just sell it. | 0:20:00 | 0:20:03 | |
Sounds like a plan. | 0:20:04 | 0:20:06 | |
But Sarah really has her work cut out | 0:20:06 | 0:20:09 | |
if she's hoping to make any money. | 0:20:09 | 0:20:11 | |
Having spent £0 so far, maybe Sarah's onto a winner after all. | 0:20:12 | 0:20:18 | |
We shall see. | 0:20:18 | 0:20:20 | |
Back in Hellingly, | 0:20:24 | 0:20:26 | |
Norman's beginning work on the soon to be metal-topped card table. | 0:20:26 | 0:20:30 | |
Basically it's just...take it apart and go from there. | 0:20:30 | 0:20:34 | |
Norman's going to remove the legs and discard the top section. | 0:20:36 | 0:20:40 | |
The discarded table top will be replaced by a larger piece of MDF, | 0:20:42 | 0:20:46 | |
which will then be covered by zinc. | 0:20:46 | 0:20:49 | |
Beautiful. | 0:20:49 | 0:20:51 | |
The challenges are making sure we get the zinc round, | 0:20:51 | 0:20:53 | |
and get the corners nice, and looking crisp and lovely. | 0:20:53 | 0:20:57 | |
And just making sure I get the legs put back on right. | 0:20:57 | 0:21:00 | |
As long as I don't get them on back to front or going out the wrong way! | 0:21:00 | 0:21:04 | |
You never know. Might make it better! | 0:21:04 | 0:21:07 | |
Norman's not too confident with this task. It's a first for him. | 0:21:08 | 0:21:14 | |
However, he did hit on an idea which might deliver | 0:21:14 | 0:21:17 | |
what Sarah's looking for. | 0:21:17 | 0:21:19 | |
I've just put a little groove round it, with the router. | 0:21:19 | 0:21:21 | |
And so we're going to slot it into there so you don't catch yourself, | 0:21:21 | 0:21:24 | |
and then the legs will... And when we put the legs on it, | 0:21:24 | 0:21:26 | |
they will fit really nicely and it will give it a bit of, you know, | 0:21:26 | 0:21:29 | |
it'll look nice, I reckon. | 0:21:29 | 0:21:31 | |
With the groove in place, it's time for Norman to break out the zinc... | 0:21:32 | 0:21:36 | |
..measure up, and get into HIS groove, with the angle grinder. | 0:21:38 | 0:21:42 | |
Let's go for it. | 0:21:42 | 0:21:43 | |
Feel like I need a holiday. | 0:21:50 | 0:21:52 | |
Just as soon as you've finished the table, Norman. | 0:21:53 | 0:21:55 | |
The next step is attaching the zinc to the MDF. | 0:21:57 | 0:22:00 | |
Well, if the rest of it goes as well as that, | 0:22:10 | 0:22:12 | |
I'm going to be rather pleased. | 0:22:12 | 0:22:14 | |
It seems that Norman's groove idea is a winner. | 0:22:14 | 0:22:17 | |
But there are a few hurdles ahead before a successful task is assured, | 0:22:17 | 0:22:23 | |
and we have a table worth dining on as well as selling on. | 0:22:23 | 0:22:26 | |
Back in busy Brighton, | 0:22:33 | 0:22:34 | |
our Emma is about to start work on the old wardrobe. | 0:22:34 | 0:22:38 | |
When Sarah dropped it off, the plan was geometric and funky. | 0:22:39 | 0:22:44 | |
But Emma's already off on a tangent. | 0:22:44 | 0:22:47 | |
I had a plan to use a geometric wallpaper, | 0:22:48 | 0:22:53 | |
but geometric didn't quite fit on it as I would have wanted anyway. | 0:22:53 | 0:22:57 | |
So I moved to plan B. | 0:22:57 | 0:23:00 | |
Nothing like a plan B, Emma. | 0:23:00 | 0:23:02 | |
But will Sarah like it? | 0:23:02 | 0:23:04 | |
I'm sure a bit of adrenaline goes a long way, | 0:23:04 | 0:23:06 | |
and I'm sure things will work out OK. | 0:23:06 | 0:23:10 | |
That's a relief. | 0:23:10 | 0:23:12 | |
I wouldn't want anything to disturb Badger. | 0:23:12 | 0:23:14 | |
Emma is now going for old-school Arts and Crafts wallpaper | 0:23:16 | 0:23:20 | |
by 19th-century designer William Morris. | 0:23:20 | 0:23:24 | |
And on this mid-century wardrobe, I think it will be dapper. | 0:23:24 | 0:23:28 | |
There, it's coming. | 0:23:28 | 0:23:29 | |
It's usually good news when you get... | 0:23:29 | 0:23:32 | |
one off, it means all of them will come off. | 0:23:32 | 0:23:34 | |
One door. | 0:23:36 | 0:23:37 | |
And we know... | 0:23:39 | 0:23:40 | |
..that's the left door. | 0:23:41 | 0:23:42 | |
Usually quite often I'd mark them at the bottom, | 0:23:42 | 0:23:45 | |
but we know that is | 0:23:45 | 0:23:46 | |
cos it's the one without the keyhole. | 0:23:46 | 0:23:48 | |
Excellent deduction. This is going well. | 0:23:49 | 0:23:53 | |
The head's gone on the screw. | 0:23:53 | 0:23:55 | |
Whoops. I spoke too soon. | 0:23:55 | 0:23:57 | |
Give it one more go for luck. | 0:23:57 | 0:24:00 | |
No, the thread's gone. | 0:24:01 | 0:24:03 | |
So, right... | 0:24:03 | 0:24:05 | |
What I don't want to do is bend it. | 0:24:05 | 0:24:07 | |
Give it some leverage. | 0:24:08 | 0:24:10 | |
Got it! | 0:24:14 | 0:24:15 | |
There's no time for celebration yet. There's still that wallpapering. | 0:24:17 | 0:24:21 | |
Sometimes I give myself a little bit too much to do. | 0:24:21 | 0:24:24 | |
And it all goes a bit crazy, and it's like "Agh!, | 0:24:24 | 0:24:28 | |
a bit overwhelming. | 0:24:28 | 0:24:29 | |
And then just keep at it and all of a sudden, | 0:24:29 | 0:24:32 | |
it comes together, like a nice roast dinner. | 0:24:32 | 0:24:38 | |
Yeah? Although roast dinners are really easy, | 0:24:38 | 0:24:40 | |
I don't know why people complain about them. | 0:24:40 | 0:24:42 | |
I can put a nice roast dinner together in two hours, | 0:24:42 | 0:24:44 | |
and it is nice. Two and a half, even nicer. | 0:24:44 | 0:24:48 | |
Two and a half hours? | 0:24:48 | 0:24:50 | |
I think someone wants roast dinner NOW. | 0:24:50 | 0:24:53 | |
And then I'm just going to mark the holes like that. | 0:24:53 | 0:24:55 | |
Emma's marking onto masking tape where the hinges will be. | 0:24:55 | 0:25:00 | |
The tape can then be repositioned on the finished wallpaper | 0:25:00 | 0:25:03 | |
to show where to poke holes. | 0:25:03 | 0:25:05 | |
Top tip for anyone not confident with measuring. | 0:25:05 | 0:25:09 | |
And I'll be able to put that back on, and then I've got my... | 0:25:09 | 0:25:11 | |
Need to do the other side as well. | 0:25:11 | 0:25:13 | |
Now for a spot of filling and sanding, | 0:25:13 | 0:25:15 | |
to make all the surfaces perfectly smooth. | 0:25:15 | 0:25:18 | |
Time for a new set of legs as well. | 0:25:19 | 0:25:21 | |
For the wardrobe, not Emma. | 0:25:21 | 0:25:24 | |
They're quite chunky... | 0:25:24 | 0:25:26 | |
Nice. | 0:25:27 | 0:25:29 | |
Raise it up off the ground. | 0:25:30 | 0:25:32 | |
Yeah, they WILL suit. | 0:25:32 | 0:25:34 | |
Smashing! Now, what about that paper? | 0:25:36 | 0:25:40 | |
My favourite bit of this process is working out | 0:25:40 | 0:25:44 | |
where the paper's... | 0:25:44 | 0:25:45 | |
How the paper's going to fit, | 0:25:45 | 0:25:47 | |
so that it flows all in a continual pattern. | 0:25:47 | 0:25:50 | |
So that I don't chop any birds' heads off. | 0:25:50 | 0:25:53 | |
Can't do that. Just wouldn't be acceptable to me. | 0:25:53 | 0:25:57 | |
Me neither. Headless birds? | 0:25:57 | 0:26:00 | |
Bit of a deal-breaker, really. | 0:26:00 | 0:26:02 | |
This has to be symmetrical. | 0:26:02 | 0:26:04 | |
Asymmetry rules, really. | 0:26:04 | 0:26:06 | |
But this has to be symmetrical or it would just look off-balance | 0:26:06 | 0:26:11 | |
if it wasn't. | 0:26:11 | 0:26:12 | |
Nothing worse than an off-balance wardrobe. | 0:26:12 | 0:26:16 | |
Probably best to crack on, Emma. | 0:26:16 | 0:26:19 | |
I can't wait to see if Sarah thinks there's a profit to be made here. | 0:26:19 | 0:26:21 | |
So we leave Brighton, | 0:26:30 | 0:26:31 | |
and had to West Sussex and the market town of Midhurst. | 0:26:31 | 0:26:36 | |
Sarah's brought her collection of vintage clothes, | 0:26:36 | 0:26:39 | |
washed, dried and ready to be sold. | 0:26:39 | 0:26:42 | |
Sarah's got a buyer lined up. | 0:26:42 | 0:26:44 | |
But how much of that mishmash bundle is worth anything? | 0:26:44 | 0:26:48 | |
-Hi, Beverly. -Hi, Sarah! How are you? | 0:26:49 | 0:26:51 | |
-I'm really well. How are you doing? -Very well, thank you. | 0:26:51 | 0:26:54 | |
-I've got a little bundle for you. -Gosh. | 0:26:54 | 0:26:56 | |
-Do you want to have a look? -Yes! | 0:26:56 | 0:26:58 | |
So this belonged to one lovely lady, | 0:26:58 | 0:27:01 | |
and this is almost like a timeline of her clothing. | 0:27:01 | 0:27:03 | |
So there's all sorts of bits in here, and I'm not sure | 0:27:03 | 0:27:06 | |
if they're going to suit or not, but I thought you get first dibs. | 0:27:06 | 0:27:09 | |
OK, great. Let's have a look. | 0:27:09 | 0:27:11 | |
So what are you finding is selling at the moment? | 0:27:11 | 0:27:13 | |
Erm, hats are a big thing, but also cashmere. | 0:27:13 | 0:27:17 | |
-OK. -And shirts. Sort of very '50s style. | 0:27:17 | 0:27:20 | |
-So... -Well, I've definitely got a few of those in here. | 0:27:20 | 0:27:23 | |
-What should I do? Just pull it out and show you what I've got? -Yeah. | 0:27:23 | 0:27:26 | |
This all sounds promising. | 0:27:26 | 0:27:28 | |
So come on, Sarah! Show her what you got! | 0:27:28 | 0:27:31 | |
So this is my kind of nighties selection. | 0:27:31 | 0:27:34 | |
You could almost wear it out - | 0:27:34 | 0:27:35 | |
I want to go and try it on, but I haven't dared yet. | 0:27:35 | 0:27:38 | |
And the knickers. | 0:27:38 | 0:27:39 | |
So far, it all seems to be ticking the boxes for Beverly. | 0:27:40 | 0:27:44 | |
This little bundle is beautiful. | 0:27:44 | 0:27:47 | |
Original cashmere, lambswool and Liberty-style print. | 0:27:47 | 0:27:52 | |
-So, I think this is charming. -Oh, wow. | 0:27:52 | 0:27:55 | |
Right, down to business. | 0:27:55 | 0:27:57 | |
Are you interested, Beverly? | 0:27:57 | 0:27:59 | |
I would be very interested in the putties, and the cashmere, | 0:27:59 | 0:28:03 | |
-and the shirts. -Brilliant. | 0:28:03 | 0:28:05 | |
Well, let's pile it all up and talk money. | 0:28:05 | 0:28:07 | |
Ah, the best bit. We'll leave Sarah to haggle it out, | 0:28:07 | 0:28:11 | |
but the good news is at least we'll be seeing some kind of profit. | 0:28:11 | 0:28:14 | |
Oh, look at that! | 0:28:21 | 0:28:23 | |
When Sarah met Ian and Clare at the tip, | 0:28:23 | 0:28:25 | |
they were clearing out Ian's late mother's house. | 0:28:25 | 0:28:28 | |
You're clearing everything, are you? | 0:28:28 | 0:28:30 | |
Yes, we have to, yes. | 0:28:30 | 0:28:31 | |
Sarah saw potential in the bag of old clothes. | 0:28:31 | 0:28:35 | |
On that frilly note, I'm going to go and get a trolley and pile it up. | 0:28:35 | 0:28:38 | |
And even Clare had a few ideas with what could be done with them. | 0:28:38 | 0:28:41 | |
I think she could perhaps make soft furnishings and interior decoration. | 0:28:41 | 0:28:46 | |
Bedspreads, curtains, cushions maybe. | 0:28:46 | 0:28:49 | |
Well, with the clothes in such good condition, | 0:28:49 | 0:28:51 | |
Sarah thought cutting them up would have been a travesty. | 0:28:51 | 0:28:55 | |
Sarah's in Godalming in Surrey, | 0:28:57 | 0:28:59 | |
to tell Ian and Clare that she managed to sell most of the clothes. | 0:28:59 | 0:29:03 | |
But how much did she get for them? | 0:29:03 | 0:29:05 | |
-Hello. -Hello! | 0:29:08 | 0:29:10 | |
Hello, how are you both? | 0:29:10 | 0:29:11 | |
-Very good, thank you. -Hello. | 0:29:11 | 0:29:13 | |
-Hi, Ian. How are you doing? -Nice to see you again. -And you, and you. | 0:29:13 | 0:29:16 | |
Now, I caught up with you when you were sorting out | 0:29:16 | 0:29:18 | |
some of your mother's clothes. | 0:29:18 | 0:29:20 | |
I kept one bag of the clothing and recycled the rest of it. | 0:29:20 | 0:29:24 | |
But we had a really good look through it. | 0:29:24 | 0:29:26 | |
And she cut a dash, didn't she? | 0:29:26 | 0:29:29 | |
She did indeed, yes. | 0:29:29 | 0:29:31 | |
I think even from the early days | 0:29:31 | 0:29:33 | |
when she very much enjoyed things like ballroom dancing, you know, | 0:29:33 | 0:29:37 | |
and obviously, the outfits associated with that | 0:29:37 | 0:29:40 | |
-back in the '50s. -Yeah. | 0:29:40 | 0:29:42 | |
Got some pictures of the clothing that I found in the bag that I took. | 0:29:42 | 0:29:45 | |
Be warned, some of them are nighties. | 0:29:45 | 0:29:48 | |
-OK? -I think I remember. | 0:29:48 | 0:29:51 | |
So, she had... Amongst the clothing were these fantastic nighties. | 0:29:51 | 0:29:55 | |
-I remember all of these. -Yes, yes. -And turns out | 0:29:55 | 0:29:57 | |
-that girls now where those to go out. -Really? -People are wearing these weddings. | 0:29:57 | 0:30:01 | |
And they were beautifully made, | 0:30:01 | 0:30:03 | |
and everything was so well kept, wasn't it? | 0:30:03 | 0:30:05 | |
She must have been pristine. | 0:30:05 | 0:30:07 | |
We managed to find some | 0:30:07 | 0:30:09 | |
black-and-white photos going back, of her wearing, | 0:30:09 | 0:30:12 | |
you know, such outfits. | 0:30:12 | 0:30:14 | |
Really? Do you have them now? | 0:30:14 | 0:30:16 | |
-I do. -May I have a look at them? -I do. -Fantastic. | 0:30:16 | 0:30:18 | |
So... | 0:30:18 | 0:30:20 | |
-That's er... -With your father. -Oh, wow. | 0:30:21 | 0:30:24 | |
With my father. | 0:30:24 | 0:30:25 | |
-Oh, look at that. -And that's out dancing. | 0:30:25 | 0:30:27 | |
-Yes. -Wow. | 0:30:27 | 0:30:29 | |
She was beautiful, wasn't she? | 0:30:29 | 0:30:30 | |
Yeah. She won medals for ballroom dancing. | 0:30:30 | 0:30:33 | |
-Yeah. -It was a great love of hers. -Well, there's a little final bit | 0:30:33 | 0:30:36 | |
to the story, actually. Because there is actually some profit. | 0:30:36 | 0:30:39 | |
I did actually sell them, and I have £95 here. | 0:30:39 | 0:30:44 | |
Wow, unbelievable! | 0:30:44 | 0:30:45 | |
-That's amazing! -Thank you so much. | 0:30:45 | 0:30:48 | |
Oh, it's a pleasure. There is a little bit of proceeds | 0:30:48 | 0:30:50 | |
-from those lovely clothes... -Yes. -But is there something you might do | 0:30:50 | 0:30:53 | |
with that? Have you got a £95 spend in mind? | 0:30:53 | 0:30:56 | |
I don't know, we'll have to buy something in her memory. | 0:30:56 | 0:30:58 | |
-Yes. I think that's an excellent idea. -Buy something in her memory. | 0:30:58 | 0:31:01 | |
-Excellent. Well, have a lovely day, and thank you so much for your time. -Yes, thank you! -Bye. | 0:31:01 | 0:31:06 | |
Sarah didn't spend anything getting these clothes ready to sell. | 0:31:09 | 0:31:13 | |
So, with the sale totalling £95, | 0:31:13 | 0:31:16 | |
Ian and Clare have the full £95 | 0:31:16 | 0:31:19 | |
to spend on something in memory of Ian's mum. | 0:31:19 | 0:31:22 | |
In Hellingly, Norman's feeling good | 0:31:28 | 0:31:30 | |
about the end result of his card table task. | 0:31:30 | 0:31:34 | |
I think we've done a big transformation on this one. | 0:31:35 | 0:31:37 | |
I mean, she'll recognise it by the legs, but that'll be it, I imagine. | 0:31:37 | 0:31:41 | |
Yeah, we're pleased with it. | 0:31:41 | 0:31:42 | |
Well, if you're pleased, Norman, then I'm pleased. | 0:31:44 | 0:31:47 | |
But will Sarah be pleased? | 0:31:47 | 0:31:49 | |
Well, everybody used to have a card table, | 0:31:49 | 0:31:51 | |
but now they're unfashionable and they're unloved. | 0:31:51 | 0:31:54 | |
So I'm hoping that Norman has done something really lovely | 0:31:54 | 0:31:56 | |
with our one to put it back on its feet. | 0:31:56 | 0:31:58 | |
Sarah challenged Norman to take on this long forgotten card table | 0:32:04 | 0:32:08 | |
and give it a new identity. | 0:32:08 | 0:32:10 | |
And Norman hasn't disappointed. | 0:32:15 | 0:32:17 | |
With a bit of elbow grease and some clever woodwork, | 0:32:18 | 0:32:21 | |
he's given it a whole new future. | 0:32:21 | 0:32:24 | |
The quality legs have been saved, | 0:32:29 | 0:32:32 | |
and now they support a wonderfully smooth zinc top. | 0:32:32 | 0:32:36 | |
Norman's proud of his handiwork. | 0:32:39 | 0:32:41 | |
Let's hope Sarah takes to it as well. | 0:32:41 | 0:32:44 | |
-Hello, Norm! -Hello, you. | 0:32:45 | 0:32:47 | |
Aren't you clever? Aren't you clever? | 0:32:48 | 0:32:50 | |
It's the first time someone's ever called me that. | 0:32:50 | 0:32:53 | |
Norman, it's lovely! | 0:32:53 | 0:32:54 | |
There we go. | 0:32:54 | 0:32:56 | |
Oh, it's a proper table now, isn't it? | 0:32:56 | 0:32:57 | |
Yeah, it is. You wanted zinc, we gave you zinc. | 0:32:57 | 0:33:00 | |
Norman, it's great! Are you pleased with it? | 0:33:00 | 0:33:02 | |
Yeah, really pleased with it. I mean, it's come up really well. | 0:33:02 | 0:33:05 | |
Bit of an understatement, Norman. It's a complete transformation. | 0:33:06 | 0:33:11 | |
-Haven't the legs come up well? -We just cleaned them slightly. | 0:33:11 | 0:33:13 | |
That's all we did. We didn't do much to them. | 0:33:13 | 0:33:15 | |
So we repaired the broken ones and, | 0:33:15 | 0:33:17 | |
yeah, just wired and cleaned them and then, yeah. | 0:33:17 | 0:33:21 | |
-Let's pop it back up. -Let's pop it up. | 0:33:21 | 0:33:24 | |
-How heavy is it as well? -No, it's great. | 0:33:24 | 0:33:26 | |
-No, it's fine, isn't it? -Yeah. -I think that's really pleasing, | 0:33:26 | 0:33:30 | |
because at the state that it arrived at, | 0:33:30 | 0:33:32 | |
it was a fiver in a car boot, wasn't it? It was a walk past... | 0:33:32 | 0:33:36 | |
-If you were lucky. -Yeah. Budget wise...? | 0:33:36 | 0:33:39 | |
Budget, we've done on budget, 250 like we said we would. | 0:33:39 | 0:33:41 | |
But I think it's a great-looking table. | 0:33:41 | 0:33:43 | |
And because of the condition that this one was in, | 0:33:43 | 0:33:46 | |
you have really made the most of those legs. | 0:33:46 | 0:33:49 | |
And that top's lovely. | 0:33:49 | 0:33:50 | |
So wasn't it... Wasn't it to drink rose on? | 0:33:50 | 0:33:53 | |
-Oh, have you got some? -You said rose, didn't you? I thought YOU were going to bring it. -Ah! | 0:33:53 | 0:33:57 | |
We have our own, so there you go. We can go to Glyndebourne. | 0:33:57 | 0:34:00 | |
-Would you like a glass? -Oh, go on, then. | 0:34:00 | 0:34:02 | |
-Just a small one. -All right, a little small one! | 0:34:02 | 0:34:04 | |
I think the team deserve a little celebration. | 0:34:06 | 0:34:08 | |
Cheers, guys! Salute! | 0:34:08 | 0:34:11 | |
Happy days! That's a lovely job, thank you. | 0:34:11 | 0:34:14 | |
Thank you. | 0:34:14 | 0:34:15 | |
Oh, lovely jubbly. | 0:34:16 | 0:34:17 | |
Well, that is a really lovely bit of redesign from Norman. | 0:34:19 | 0:34:22 | |
He's transformed that table from unlovely into really beautiful. | 0:34:22 | 0:34:25 | |
It's classic, it's well-styled and people are going to want to own it. | 0:34:25 | 0:34:30 | |
Very happy. Yeah, I think we've made | 0:34:31 | 0:34:33 | |
a great-looking table out of nothing. Yeah, really pleased. | 0:34:33 | 0:34:36 | |
The card table belonged to Gudrun, | 0:34:39 | 0:34:41 | |
who was happy Sarah wanted to whisk it away for a makeover. | 0:34:41 | 0:34:44 | |
I have no idea what she will do with it, | 0:34:45 | 0:34:48 | |
but I'd love to see what she will come up with. | 0:34:48 | 0:34:50 | |
Norman describes Sarah's tip finds as weird and wonderful. | 0:34:50 | 0:34:55 | |
This WAS weird... | 0:34:55 | 0:34:56 | |
..now it's wonderful. | 0:34:58 | 0:34:59 | |
The table was snapped up by an interior design shop in Kent. | 0:35:03 | 0:35:07 | |
For owner Maria, it is a fantastic addition to her shop. | 0:35:07 | 0:35:11 | |
I personally love it. | 0:35:12 | 0:35:14 | |
And what I would have is, it would be used for lots of things. | 0:35:14 | 0:35:17 | |
I'd like it as a desk in the spare bedroom. | 0:35:17 | 0:35:19 | |
You can put it away again when you don't need it, | 0:35:19 | 0:35:22 | |
you can carry it out into the garden, | 0:35:22 | 0:35:25 | |
it would be perfect for picnics. It's got so many uses. | 0:35:25 | 0:35:28 | |
All Sarah has to do now is hand over the profit. | 0:35:28 | 0:35:32 | |
Well, I gave Norman that rickety old card table, | 0:35:32 | 0:35:34 | |
and he absolutely transformed it with that zinc top. | 0:35:34 | 0:35:37 | |
Now, I haven't been able to catch up with Gudrun, | 0:35:37 | 0:35:39 | |
but I have made a fantastic £75 profit. | 0:35:39 | 0:35:42 | |
So I'm going to make sure that gets to her. What a result! | 0:35:42 | 0:35:45 | |
Norman charged Sarah £250 for the makeover. | 0:35:47 | 0:35:51 | |
Sarah sold the table for £325, | 0:35:51 | 0:35:54 | |
with the £75 profit passed on to Gudrun. | 0:35:54 | 0:35:58 | |
Back in Brighton, there's not so much sun, sea and sand | 0:36:04 | 0:36:08 | |
as dismay, despair, and doubt for Emma. | 0:36:08 | 0:36:11 | |
I was worried when this wardrobe came. | 0:36:11 | 0:36:14 | |
Number one, don't like wardrobes. | 0:36:14 | 0:36:16 | |
Number two, had no legs. | 0:36:16 | 0:36:18 | |
Number three, I just didn't have a vision for it. | 0:36:18 | 0:36:20 | |
And...I was scared. | 0:36:20 | 0:36:23 | |
Scared of a wardrobe! | 0:36:23 | 0:36:24 | |
But let's hope Sarah does get a fright in a good way when she sees it. | 0:36:27 | 0:36:31 | |
Well, there is nothing like the excitement of when you come | 0:36:31 | 0:36:33 | |
to pick up a piece and you just don't know what it's going to look like. | 0:36:33 | 0:36:36 | |
I left Emma with a really tatty, old wardrobe. | 0:36:36 | 0:36:39 | |
I'm hoping she's completely transformed it. | 0:36:39 | 0:36:42 | |
When Sarah dropped it off, | 0:36:42 | 0:36:45 | |
it was a wardrobe that had given many years of loyal service. | 0:36:45 | 0:36:48 | |
And it showed. | 0:36:48 | 0:36:50 | |
Emma has done an amazing job. | 0:36:54 | 0:36:58 | |
With muscle power required in the prep, | 0:36:58 | 0:37:01 | |
she went on to show a lightness of touch in her ability | 0:37:01 | 0:37:05 | |
to renew and create a piece of furniture with style and class. | 0:37:05 | 0:37:09 | |
The beautiful paper has been applied perfectly, | 0:37:13 | 0:37:16 | |
and, with new additions throughout, Emma has certainly delivered. | 0:37:16 | 0:37:21 | |
The overall design is very different to the original idea, | 0:37:21 | 0:37:25 | |
so hopefully, Sarah will be convinced by Emma's new approach. | 0:37:25 | 0:37:30 | |
I'm keeping my fingers crossed on this one. | 0:37:30 | 0:37:33 | |
-Hi, Emma. -Hello! | 0:37:34 | 0:37:35 | |
That's not it. | 0:37:37 | 0:37:39 | |
Seriously? | 0:37:39 | 0:37:41 | |
That is it! | 0:37:41 | 0:37:43 | |
I went traditional. | 0:37:43 | 0:37:44 | |
Look, it's just given me goose bumps. Emma, it's amazing! | 0:37:44 | 0:37:48 | |
-I'm pleased with it, yeah. -Is it really the same thing? | 0:37:48 | 0:37:51 | |
You'll recognise the inside. | 0:37:51 | 0:37:53 | |
-Emma, it's fantastic! -Some more hooks here. | 0:37:55 | 0:37:57 | |
And a total remake over here. | 0:37:57 | 0:37:59 | |
What a clever girl you are. Look at that! | 0:37:59 | 0:38:02 | |
-I am blown away. -Given it legs. She's got legs. | 0:38:03 | 0:38:05 | |
I was going to put bigger cabrioles on, but... | 0:38:05 | 0:38:08 | |
The lock works. There's a bit of a knack to it, and it only... | 0:38:08 | 0:38:12 | |
Hold on. | 0:38:12 | 0:38:14 | |
It's stunning! Are you pleased with it? | 0:38:14 | 0:38:16 | |
I am pleased with it. | 0:38:16 | 0:38:18 | |
I'm pleased with the fact that it does look | 0:38:18 | 0:38:20 | |
quite elegant and traditional, even in its simplicity. | 0:38:20 | 0:38:24 | |
And I'm pleased with the plinth that I made myself. | 0:38:24 | 0:38:28 | |
And then I've glazed it. | 0:38:28 | 0:38:29 | |
So, I think there was a £220 budget on it. | 0:38:29 | 0:38:33 | |
But you can't be telling me you've done all this for that. | 0:38:33 | 0:38:37 | |
Well, the work and the materials, minus the wallpaper, | 0:38:37 | 0:38:41 | |
which did take... | 0:38:41 | 0:38:42 | |
basically a whole roll. | 0:38:42 | 0:38:44 | |
-Right. -So there is £50 for... An extra £50. | 0:38:44 | 0:38:49 | |
So it's 270 rather than 220. | 0:38:49 | 0:38:52 | |
-I think that's amazing. -Good. -All the work that you've done, | 0:38:52 | 0:38:54 | |
I imagined you'd just tack a little pair of legs on it, | 0:38:54 | 0:38:58 | |
cover it up with some of that orange paper and we would have a smart, | 0:38:58 | 0:39:03 | |
functional piece of furniture. | 0:39:03 | 0:39:05 | |
But you've created something that's just beautiful. | 0:39:05 | 0:39:08 | |
It couldn't be nicer. | 0:39:08 | 0:39:09 | |
I absolutely love it. | 0:39:09 | 0:39:11 | |
I'm with you, Sarah. | 0:39:13 | 0:39:14 | |
To turn a piece of furniture that was destined for the tip | 0:39:14 | 0:39:18 | |
into something so elegant is pretty amazing. | 0:39:18 | 0:39:21 | |
It's lovely. Well, thank you so much. | 0:39:23 | 0:39:25 | |
You are a very clever girl. | 0:39:25 | 0:39:27 | |
-Oh! -Beautiful. -Thank you. -I'll see you very soon. | 0:39:27 | 0:39:29 | |
-Yes, I look forward to it. -Bye! -Bye! | 0:39:29 | 0:39:31 | |
Couldn't have put it better myself, Emma. | 0:39:34 | 0:39:38 | |
Two thumbs up. | 0:39:38 | 0:39:39 | |
Result. | 0:39:39 | 0:39:42 | |
Well, every so often I come and pick something up | 0:39:42 | 0:39:44 | |
that just blows my mind. Emma is a wallpaper Wonder Woman. | 0:39:44 | 0:39:47 | |
Fantastic! | 0:39:48 | 0:39:50 | |
Fantastic! That's a better reaction than... | 0:39:50 | 0:39:53 | |
I'm just so pleased with that reaction. Excellent! | 0:39:53 | 0:39:57 | |
Sarah first spied the wardrobe just as Ian was about to sling it | 0:40:00 | 0:40:04 | |
in the skip. What did he think would happen to it? | 0:40:04 | 0:40:07 | |
Who knows? With a lick of paint and a few pretty stencils, | 0:40:08 | 0:40:11 | |
it will come up like new. | 0:40:11 | 0:40:13 | |
Even when new, I bet this wardrobe didn't look as good as it does now. | 0:40:13 | 0:40:18 | |
It was snapped up by online retailer The Country Home, for sale | 0:40:21 | 0:40:26 | |
on their website. And company buyer Megan is feeling confident | 0:40:26 | 0:40:30 | |
about its future sales potential. | 0:40:30 | 0:40:33 | |
I really love this piece. It's got a great William Morris bold pattern, | 0:40:33 | 0:40:36 | |
and it's been finished to a high standard, | 0:40:36 | 0:40:38 | |
especially with the attention to detail here. | 0:40:38 | 0:40:40 | |
I think it'll fit in with quite a variety of different styles. | 0:40:40 | 0:40:44 | |
Now Sarah is at Ian's home, | 0:40:44 | 0:40:46 | |
to show him what has become of his beaten-up and broken-down old wardrobe. | 0:40:46 | 0:40:51 | |
-Hello, there. -Hello, Sarah. How are you? -Very well. | 0:40:54 | 0:40:56 | |
-Lovely to see you again. -You picked a nice day. | 0:40:56 | 0:40:58 | |
-It's a beautiful day. -It is, isn't it? -Now, I said | 0:40:58 | 0:41:00 | |
I'd come and find you if there was something to be done | 0:41:00 | 0:41:02 | |
with your wardrobe. It's been amusing me since I picked it up, | 0:41:02 | 0:41:05 | |
because I think you said that it would be a challenge | 0:41:05 | 0:41:08 | |
-to make anything from it. -I did say that, and I suspect | 0:41:08 | 0:41:11 | |
-it WAS a challenge. -Well, it was a bit of a challenge, | 0:41:11 | 0:41:14 | |
but luckily I know some lovely people who are very creative. | 0:41:14 | 0:41:18 | |
And your wardrobe actually went to Brighton and was worked on | 0:41:18 | 0:41:22 | |
by a lady called Emma. And I brought you some pictures to show you | 0:41:22 | 0:41:25 | |
-what she did with it. -Good. -Let's see what you think of this. | 0:41:25 | 0:41:27 | |
Good heavens! Well done, Emma. | 0:41:27 | 0:41:31 | |
-She has... -What lovely designs. | 0:41:31 | 0:41:33 | |
Yes. And this is actually a wallpaper that she's used. | 0:41:33 | 0:41:36 | |
It's lacquered, she's made a new pelmet to go over... | 0:41:36 | 0:41:39 | |
Transformed it. | 0:41:39 | 0:41:41 | |
She really did. She put her heart and soul into it. | 0:41:41 | 0:41:43 | |
It does cost quite a lot of money to get something | 0:41:43 | 0:41:45 | |
to look like that after it's come from the tip. | 0:41:45 | 0:41:48 | |
-So we actually invested £270... -Right. | 0:41:48 | 0:41:50 | |
..in making it look like that. And I've got some profit. | 0:41:50 | 0:41:53 | |
-Really? -For you. Yeah, I do. -Good heavens. | 0:41:53 | 0:41:55 | |
We did make some money. A grand total of £40 from it. | 0:41:55 | 0:41:59 | |
Fantastic! Well, I'm very grateful to you and Emma. | 0:41:59 | 0:42:02 | |
Is there something you might do with the £40? | 0:42:02 | 0:42:04 | |
Yes, I know exactly what we'll do with it. | 0:42:04 | 0:42:05 | |
Cos my daughter, who lives with us at the moment, | 0:42:05 | 0:42:08 | |
has suggested we go off to a local pub for a drink. | 0:42:08 | 0:42:11 | |
This will pay for the drinks. | 0:42:11 | 0:42:12 | |
Fantastic! Well, I think that's a great use of your money. | 0:42:12 | 0:42:15 | |
Have a drink on us, and your wardrobe has gone on to have | 0:42:15 | 0:42:17 | |
a whole new lease of life. So thanks so much for catching up. | 0:42:17 | 0:42:20 | |
-Thank you, very much. -Pleasure. Bye-bye! -Bye-bye. | 0:42:20 | 0:42:23 | |
Well, that was lovely because I think Ian really appreciated | 0:42:25 | 0:42:28 | |
all of Emma's hard work. She totally transformed that wardrobe, | 0:42:28 | 0:42:31 | |
and now Ian is going off to have a round of drinks on us. | 0:42:31 | 0:42:34 | |
That's a happy ending. | 0:42:34 | 0:42:36 | |
Emma charged Sarah £270 for her impressive handiwork. | 0:42:37 | 0:42:42 | |
Sarah sold the wardrobe for £310, | 0:42:43 | 0:42:47 | |
with the £40 of profit safely tucked in Ian's pocket. | 0:42:47 | 0:42:51 | |
Sarah salvaged three items that were destined for the dump. | 0:42:56 | 0:43:00 | |
Norman transformed the card table. | 0:43:02 | 0:43:04 | |
Emma jazzed up the wardrobe. | 0:43:06 | 0:43:08 | |
And Sarah gave new homes to the old clothes. | 0:43:11 | 0:43:15 | |
Well, I just loved Emma's wardrobe, | 0:43:16 | 0:43:19 | |
and I can't believe what Norman managed to do | 0:43:19 | 0:43:21 | |
with that old card table. | 0:43:21 | 0:43:22 | |
I think he turned it into a zinc masterpiece. | 0:43:22 | 0:43:24 | |
And that's three more items that have been saved from the trash | 0:43:24 | 0:43:27 | |
and turned into cash. | 0:43:27 | 0:43:29 |