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That looks interesting, what is that? | 0:00:03 | 0:00:06 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
Stop, stop, stop! | 0:00:09 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:15 | |
thrown out by us every year. | 0:00:15 | 0:00:18 | |
-Can I have it? -Yeah, by all means, you're welcome, yeah. | 0:00:18 | 0:00:20 | |
-Fantastic! -That's why entrepreneur Sarah Moore wants to get her hands | 0:00:20 | 0:00:25 | |
on things before they hit the skip. | 0:00:25 | 0:00:27 | |
I'm a passionate buyer, maker and user of old stuff, | 0:00:30 | 0:00:33 | |
and I turn that passion into a moneymaking business. | 0:00:33 | 0:00:36 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:36 | 0:00:41 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
-Enough to work on? -Just a bit, yeah! | 0:00:45 | 0:00:48 | |
It is a beast, isn't it? | 0:00:48 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
I can't believe it. | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
Aren't you clever? | 0:00:57 | 0:00:59 | |
..and hopefully saleable items. | 0:00:59 | 0:01:02 | |
Oh, wow! | 0:01:02 | 0:01:04 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
then she can hand the profits back to the very people who had no idea | 0:01:06 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:13 | |
That's amazing! | 0:01:13 | 0:01:16 | |
Today, Sarah's at the Woodhouse Lane recycling centre in Altrincham, | 0:01:28 | 0:01:32 | |
Greater Manchester. | 0:01:32 | 0:01:34 | |
I am feeling tiptop today, and I'm here to pick up some top tip trash. | 0:01:34 | 0:01:39 | |
-But not from in there. -Certainly not. | 0:01:39 | 0:01:42 | |
It's Sarah's mission to save three items before they hit the skip, | 0:01:42 | 0:01:47 | |
so she can restore, revitalise and sell on for a profit. | 0:01:47 | 0:01:51 | |
I'm stalking your rubbish today and trying to find something in your boot. | 0:01:51 | 0:01:55 | |
But before you go pestering people at your local tip, don't bother. | 0:01:55 | 0:01:58 | |
Sarah had to get special permission to raid the rubbish today, | 0:01:58 | 0:02:02 | |
and she knows exactly what she wants. | 0:02:02 | 0:02:05 | |
I want cutlery, costume jewellery. | 0:02:05 | 0:02:08 | |
I'd quite like a bed. | 0:02:08 | 0:02:10 | |
I've never had a bed before. | 0:02:10 | 0:02:12 | |
Really? Where do you sleep? | 0:02:12 | 0:02:14 | |
Well, maybe you'll find one in the back of Chris's car. | 0:02:15 | 0:02:19 | |
-Ooh... -Ooh, don't hurt yourself. | 0:02:19 | 0:02:22 | |
Chris and his brother Andrew | 0:02:22 | 0:02:24 | |
have been clearing out their childhood home, | 0:02:24 | 0:02:26 | |
and Sarah wants to get her hands on Chris's drawers. | 0:02:26 | 0:02:29 | |
-Hello. -Hiya. -Oh, what is that? | 0:02:29 | 0:02:31 | |
Oh, Lassie! | 0:02:31 | 0:02:34 | |
-Whose is that? -It was in the garage at my mum's for donkey's years, | 0:02:35 | 0:02:40 | |
but it used to be in my bedroom when I grew up. | 0:02:40 | 0:02:43 | |
My father restored it, painted it white and yellow, put transfers on. | 0:02:43 | 0:02:48 | |
As a young boy I grew up with it, my clothes were in it. | 0:02:48 | 0:02:51 | |
-Fantastic. -So much history here. | 0:02:51 | 0:02:53 | |
Those are all the fish are used to have, | 0:02:53 | 0:02:55 | |
and that's the memorial to them. | 0:02:55 | 0:02:58 | |
A fishy shrine? That's sweet... | 0:02:58 | 0:03:01 | |
Kind of. | 0:03:01 | 0:03:02 | |
-Which was your favourite? -I can't remember, unfortunately, | 0:03:05 | 0:03:08 | |
it's that long ago. | 0:03:08 | 0:03:10 | |
I think Martin and Harvey were hamsters. | 0:03:10 | 0:03:13 | |
Well, I would love to try and take it away, | 0:03:13 | 0:03:16 | |
and see if one of my more talented friends can | 0:03:16 | 0:03:18 | |
do something less Lassie with it. | 0:03:18 | 0:03:21 | |
If somebody can do something with it, great. | 0:03:21 | 0:03:23 | |
I'm slightly worried about... | 0:03:23 | 0:03:25 | |
-The gravestones! -..removing the memorial. | 0:03:25 | 0:03:28 | |
Sarah's got Chris's childhood chest of drawers, and for Chris, | 0:03:28 | 0:03:32 | |
it's time to say goodbye. | 0:03:32 | 0:03:36 | |
If she can do something with it, that would be lovely. | 0:03:36 | 0:03:38 | |
If it would make somebody happy, that would be great. | 0:03:38 | 0:03:42 | |
It's got a lot of restoration to do if it's going to be worth anything, | 0:03:45 | 0:03:49 | |
but it's got some original features and I think there's some potential | 0:03:49 | 0:03:52 | |
here, but I'm going to need some really talented help to turn that into a money-maker. | 0:03:52 | 0:03:57 | |
Well, let's find out who Sarah has got lined up. | 0:03:57 | 0:04:01 | |
Rupert Blanchard is a furniture-maker, | 0:04:06 | 0:04:08 | |
and self-confessed hoarder of anything old he can turn into gold. | 0:04:08 | 0:04:13 | |
I work mostly with salvaged and found reclaimed materials, | 0:04:13 | 0:04:17 | |
so I basically work with other people's waste. | 0:04:17 | 0:04:19 | |
I reassemble it as modern furniture. | 0:04:19 | 0:04:22 | |
Rupert has carved out a name for himself | 0:04:24 | 0:04:26 | |
as one of the most imaginative designers | 0:04:26 | 0:04:28 | |
working with undervalued materials. | 0:04:28 | 0:04:31 | |
His furniture is modern, fun and always tells a story. | 0:04:31 | 0:04:35 | |
I love making something from nothing, | 0:04:35 | 0:04:37 | |
something that everyone's given up on, something with a good history, | 0:04:37 | 0:04:41 | |
something with a story, | 0:04:41 | 0:04:42 | |
and something that I want to preserve and share that story with others. | 0:04:42 | 0:04:46 | |
It's an incredibly satisfying job. | 0:04:46 | 0:04:48 | |
Well, what Sarah's bringing you definitely comes with a story, | 0:04:49 | 0:04:53 | |
but let's hope it has a happy ending. | 0:04:53 | 0:04:56 | |
That's one item down, two to go, and with the tip getting busier, | 0:05:02 | 0:05:07 | |
things are getting hectic. | 0:05:07 | 0:05:08 | |
Luckily, Sarah's found a way to relax. | 0:05:10 | 0:05:13 | |
Just doing a bit of tip yoga. | 0:05:14 | 0:05:16 | |
Hoping for some good karma today. | 0:05:17 | 0:05:19 | |
No, it's not working, come on. Oh, she's so Zen(!) | 0:05:21 | 0:05:23 | |
Sarah's saving her downward dog for later. | 0:05:25 | 0:05:29 | |
She's spotted potential in the back of Di and Don's car. | 0:05:29 | 0:05:33 | |
-Hello there. -Hi. | 0:05:34 | 0:05:36 | |
-Hello. -Just looking at your fantastic load of rubbish. | 0:05:36 | 0:05:40 | |
Well, it IS a load of rubbish! | 0:05:40 | 0:05:42 | |
I love your gates! | 0:05:42 | 0:05:43 | |
They look like you might have had them for a while. | 0:05:43 | 0:05:45 | |
-Probably... How long ago was the house? -Hundreds of years! | 0:05:45 | 0:05:48 | |
-Hundreds of years. -In fact, since the '70s, I think. | 0:05:48 | 0:05:50 | |
-Since the '70s. -Shall we get them out and see what they're like? -Yes. | 0:05:50 | 0:05:53 | |
Di and Don's disused garden gates are made from wrought iron, | 0:05:53 | 0:05:57 | |
which is no longer produced on a commercial scale. | 0:05:57 | 0:06:00 | |
They really do weigh a tonne. | 0:06:00 | 0:06:02 | |
Everything from horseshoes to handrails used to be made | 0:06:02 | 0:06:06 | |
from wrought iron, until the turn of the century, | 0:06:06 | 0:06:08 | |
when mild steel became more widely available and less costly. | 0:06:08 | 0:06:13 | |
The fact they are old and substantial and solid means they have so much | 0:06:13 | 0:06:17 | |
potential to be reused. | 0:06:17 | 0:06:19 | |
Luckily for Sarah, wrought iron is tough, malleable and easily welded. | 0:06:19 | 0:06:24 | |
So would it be OK if I took them away and tried to make something out of them? | 0:06:24 | 0:06:27 | |
I never thought of doing anything else with them, except get rid of them. | 0:06:27 | 0:06:31 | |
I think, with some careful thought, there's just so much metal there. | 0:06:31 | 0:06:33 | |
-You can do something useful? -Yeah. | 0:06:33 | 0:06:35 | |
I might have a couple of ideas but I'll keep in touch and show you | 0:06:35 | 0:06:39 | |
what happens. Thank you so much. | 0:06:39 | 0:06:40 | |
-It was lovely to meet you. -And you. | 0:06:40 | 0:06:42 | |
Sarah's got a couple of ideas for the gates. | 0:06:42 | 0:06:45 | |
What about Don and Di? | 0:06:45 | 0:06:47 | |
It would lend itself to some sort of garden ornament, perhaps. | 0:06:47 | 0:06:50 | |
Just garden table, bench, I don't know. | 0:06:50 | 0:06:54 | |
Something for the garden, then? | 0:06:54 | 0:06:55 | |
These are going to be pearly gates because they are going to go to metal heaven, | 0:07:03 | 0:07:07 | |
and I've got just the person in mind to transform them into something fabulous. | 0:07:07 | 0:07:12 | |
Think metal, think Bex Simon. | 0:07:16 | 0:07:18 | |
Bex is one of the country's leading artist-blacksmiths, | 0:07:20 | 0:07:24 | |
and together with husband Dave, | 0:07:24 | 0:07:26 | |
this pair have certainly proved their mettle, | 0:07:26 | 0:07:28 | |
producing high-end interior furniture and bespoke metalwork commissions. | 0:07:28 | 0:07:33 | |
I love designing, | 0:07:33 | 0:07:35 | |
so I like the most bizarre commissions that we get because | 0:07:35 | 0:07:39 | |
it's a real sort of challenge of your design skills. | 0:07:39 | 0:07:43 | |
I think making things, you can get lost in here. | 0:07:45 | 0:07:48 | |
The blacksmith's workshop is a bit like a cave. | 0:07:48 | 0:07:51 | |
You know, it's your safe place, it's homely. | 0:07:51 | 0:07:55 | |
It's weird cos it's dark and it's dingy. | 0:07:55 | 0:07:58 | |
It's a bit like hell! | 0:07:58 | 0:08:01 | |
Sorry! | 0:08:01 | 0:08:03 | |
So, will it be metal heaven or metal hell for the pearly gates? | 0:08:03 | 0:08:07 | |
Let's see. | 0:08:08 | 0:08:09 | |
That's our first two items squirreled away for Rupert and Bex. | 0:08:17 | 0:08:21 | |
Now Sarah just needs to find something to work on herself. | 0:08:22 | 0:08:26 | |
That's looking like good-quality rubbish you're dropping off today. | 0:08:26 | 0:08:29 | |
And she's found that flattery gets you everywhere. | 0:08:29 | 0:08:31 | |
I'm building up relationships with my potential customers. | 0:08:31 | 0:08:34 | |
Relationships? | 0:08:34 | 0:08:35 | |
Just try and keep it professional, Sarah. | 0:08:35 | 0:08:37 | |
You're bound to get on like a house on fire with Helen once you see what | 0:08:37 | 0:08:41 | |
she's throwing out. | 0:08:41 | 0:08:43 | |
Oh, you haven't got anything I can recycle, have you? | 0:08:43 | 0:08:45 | |
Well, we've got... | 0:08:45 | 0:08:47 | |
The packaging from food delivery. | 0:08:47 | 0:08:51 | |
What is it? I've seen this stuff. | 0:08:51 | 0:08:52 | |
It's wool and it says it's all biodegradable. | 0:08:52 | 0:08:58 | |
-Let's have a look. Come back into your car, let's see what you've... -Yes, believe it or not, | 0:08:58 | 0:09:02 | |
sheep's wool is becoming popular as a natural alternative | 0:09:02 | 0:09:06 | |
for food packaging. | 0:09:06 | 0:09:07 | |
It's sustainable, hygienic and eco-friendly. | 0:09:07 | 0:09:11 | |
This is the bit that keeps the meat or fish that comes in the delivery | 0:09:11 | 0:09:15 | |
really cold, so it comes in with some ice pack. | 0:09:15 | 0:09:18 | |
So you get a weekly food delivery, do you? | 0:09:18 | 0:09:21 | |
Just started. I think this is probably the fourth or fifth box we've got. | 0:09:21 | 0:09:25 | |
And this is what wraps up the items that need to stay cold. | 0:09:25 | 0:09:29 | |
So, "Recycle bag contains pure sheep's wool, which is compostable, | 0:09:29 | 0:09:34 | |
"biodegradable and fully sustainable." | 0:09:34 | 0:09:36 | |
I love that kind of thing. | 0:09:36 | 0:09:38 | |
Wow. So let's have a... | 0:09:38 | 0:09:39 | |
Oh, look at it. | 0:09:40 | 0:09:42 | |
They must have had a black sheep in their family, mustn't they? Because look at it, it's all... | 0:09:42 | 0:09:46 | |
-It's all matted, isn't it? -I love things like that. | 0:09:46 | 0:09:49 | |
I know it sounds really odd, but please may I take your wool away? | 0:09:49 | 0:09:52 | |
You can. Definitely. | 0:09:52 | 0:09:54 | |
-Yes. -Fantastic. Thank you very much. | 0:09:54 | 0:09:55 | |
OK. Bye! | 0:09:55 | 0:09:57 | |
Ooh, just looking at that wool is making me feel itchy. | 0:09:57 | 0:10:00 | |
What do you think, Helen? | 0:10:00 | 0:10:02 | |
Will Sarah be knitting jumpers with it? | 0:10:02 | 0:10:05 | |
Maybe she could stuff something or make a cushion, I don't know. | 0:10:05 | 0:10:09 | |
Yeah. Not sure at all. | 0:10:09 | 0:10:11 | |
Do you know something, it's made of pure sheep's wool. | 0:10:15 | 0:10:18 | |
Smells of sheep. Feels of sheep. | 0:10:18 | 0:10:21 | |
Must be able to make something out of it. | 0:10:22 | 0:10:24 | |
And with that, Sarah has her three items. | 0:10:26 | 0:10:29 | |
Rupert will transfer his talents to the chest of drawers. | 0:10:30 | 0:10:34 | |
Bex will take the old gates to metal heaven. | 0:10:34 | 0:10:39 | |
And Sarah will whip up something wonderful with the wool. | 0:10:39 | 0:10:43 | |
The rubbish has been flooding in here today. | 0:10:43 | 0:10:46 | |
Now it's time for a storm of creativity with the help of my talented friends. | 0:10:46 | 0:10:50 | |
For Sarah's first stop, she's travelled to the seaside town of Margate, | 0:11:00 | 0:11:04 | |
a place where I used to go on holiday as a boy. | 0:11:04 | 0:11:06 | |
And not much has changed except a 99 will now cost you £1.75. | 0:11:06 | 0:11:12 | |
Sarah has dragged that old chest of drawers all the way down from | 0:11:14 | 0:11:17 | |
Manchester. She must be exhausted. | 0:11:17 | 0:11:20 | |
Let's hope Rupert will take it off her hands. | 0:11:20 | 0:11:24 | |
I'm hoping Sarah's going to bring me something really old and rotten | 0:11:24 | 0:11:27 | |
today. Something that really shows a lot of history, | 0:11:27 | 0:11:31 | |
something that someone's given up on now | 0:11:31 | 0:11:34 | |
but I can still see a colourful past. | 0:11:34 | 0:11:38 | |
You are going to love this, Rupert. | 0:11:38 | 0:11:40 | |
I've ended up in Margate with my battered chest of drawers, | 0:11:40 | 0:11:44 | |
with Lassie on the front. | 0:11:44 | 0:11:46 | |
And I'm going to make Rupert take this on and turn it into something amazing. | 0:11:46 | 0:11:50 | |
-How are you? -I'm good. | 0:11:50 | 0:11:52 | |
What have you brought me? | 0:11:52 | 0:11:54 | |
Chest of drawers, old one. | 0:11:54 | 0:11:56 | |
That is superb. I had a chest of drawers like this as a child. | 0:11:56 | 0:12:00 | |
But mine had the A-Team stickers all over it. | 0:12:00 | 0:12:02 | |
This one's got Lassie. | 0:12:02 | 0:12:04 | |
Shall we get Lassie on the table | 0:12:04 | 0:12:06 | |
and try and work out what on earth to do with it? | 0:12:06 | 0:12:09 | |
It has got some very sweet details, like the goldfish and the hamsters | 0:12:09 | 0:12:14 | |
that were owned by the person who had it when he was younger. | 0:12:14 | 0:12:18 | |
That's pretty amazing. | 0:12:18 | 0:12:19 | |
It's a Victorian chest of drawers that's been chopped about, | 0:12:19 | 0:12:23 | |
it's then got...perhaps 1950s transfers all over it? | 0:12:23 | 0:12:27 | |
And then in recent years it's been used in the garage, | 0:12:27 | 0:12:30 | |
so it's sort of been demoted and demoted and now here it is, with me. | 0:12:30 | 0:12:35 | |
It's yours to do what you like with if you'll take it on. | 0:12:35 | 0:12:38 | |
I wouldn't feel bad about maybe giving this a new lease of life in a new room. | 0:12:38 | 0:12:43 | |
So it's been in a bedroom, it's been in a garage, | 0:12:43 | 0:12:46 | |
I want to get this in a living room. | 0:12:46 | 0:12:48 | |
I want to turn this into a nice sideboard. | 0:12:48 | 0:12:50 | |
Are you going to tell me your plan or is that going to be a surprise? | 0:12:50 | 0:12:54 | |
I'm not entirely sure what finish it will have but I think this piece is | 0:12:54 | 0:12:59 | |
going to be bigger. | 0:12:59 | 0:13:00 | |
OK, bigger is good. | 0:13:00 | 0:13:02 | |
But is it going to be a big budget? | 0:13:02 | 0:13:04 | |
Have you got a quick-and-dirty cost on it? | 0:13:04 | 0:13:07 | |
Are you thinking that there's a price that we can put on it now? | 0:13:07 | 0:13:11 | |
I think I've probably got to spend somewhere around 250 to 300 on it. | 0:13:11 | 0:13:15 | |
I don't quite know until it take it apart. | 0:13:15 | 0:13:18 | |
It may well just crumble on the floor into a big pile of firewood. | 0:13:18 | 0:13:21 | |
But hopefully not. | 0:13:21 | 0:13:23 | |
I mean, if I leave you with 300 quid on it... | 0:13:23 | 0:13:26 | |
-Hopefully that gives you enough to play with... -Excellent. I'll do it. | 0:13:26 | 0:13:29 | |
Brilliant! | 0:13:29 | 0:13:31 | |
A big, classy, saleable sideboard. | 0:13:31 | 0:13:34 | |
Very commercial. | 0:13:34 | 0:13:35 | |
Except, knowing Rupert, he'll want to keep those stickers on it. | 0:13:35 | 0:13:39 | |
I'm pretty excited about this project. It's a nice piece. | 0:13:39 | 0:13:42 | |
My only conflict is, I do like the transfers on it. | 0:13:42 | 0:13:45 | |
So if I can keep them, I will. | 0:13:45 | 0:13:48 | |
Told you! | 0:13:48 | 0:13:49 | |
Well, that chest of drawers has been through a lot. | 0:13:49 | 0:13:51 | |
It's been through the bedroom, | 0:13:51 | 0:13:53 | |
through the garage and now its final reincarnation, | 0:13:53 | 0:13:56 | |
I think it might be its best moment yet. | 0:13:56 | 0:13:59 | |
So it'll cost £300 for Rupert to transform the drawers. | 0:13:59 | 0:14:04 | |
And if he can make it saleable, Sarah could be seeing a big profit. | 0:14:04 | 0:14:09 | |
From the seaside to the Surrey countryside, | 0:14:12 | 0:14:15 | |
and hidden away among the trees... | 0:14:15 | 0:14:17 | |
..is a jagged metal jungle. | 0:14:18 | 0:14:20 | |
And in amongst the fire, | 0:14:22 | 0:14:24 | |
hot metal...and sparks... | 0:14:24 | 0:14:28 | |
Bex is just sitting, colouring in. | 0:14:29 | 0:14:32 | |
Sarah's brought the metal gates. | 0:14:33 | 0:14:35 | |
Well, a bit of them. | 0:14:35 | 0:14:37 | |
I'm sure the rest of it's about here somewhere. | 0:14:37 | 0:14:40 | |
Oh, there they are. But can Bex bring her trademark quirkiness | 0:14:40 | 0:14:44 | |
to this project? | 0:14:44 | 0:14:47 | |
One thing that we're trying to do is add a sort of a bit of a | 0:14:47 | 0:14:50 | |
Bex Simon twist, you know? | 0:14:50 | 0:14:52 | |
So it's good fun. | 0:14:52 | 0:14:54 | |
I've come to lovely leafy Surrey with my distressed metal gates, | 0:14:54 | 0:14:58 | |
and Bex is going to have to take a good look at these and try and think | 0:14:58 | 0:15:01 | |
of some very clever ideas to bring them back to life | 0:15:01 | 0:15:04 | |
and back in the money. | 0:15:04 | 0:15:06 | |
Well, let's find out. | 0:15:06 | 0:15:08 | |
I've brought you a pair of massive gates. | 0:15:08 | 0:15:11 | |
The pearly gates! | 0:15:11 | 0:15:12 | |
That's what I called them. They are really heavy. | 0:15:12 | 0:15:15 | |
-They've been outside. They're beginning to sort of deteriorate in some places. -Yeah. | 0:15:15 | 0:15:20 | |
But mainly I think they're pretty solid. | 0:15:20 | 0:15:22 | |
They're good. We'd have to get that shot-blasted to get the finish off. | 0:15:22 | 0:15:25 | |
But what are you thinking? | 0:15:25 | 0:15:27 | |
I suppose they could be beds, but... | 0:15:27 | 0:15:29 | |
Yeah, beds. Single beds. | 0:15:29 | 0:15:32 | |
-I think it would have to be single. -Yeah, oh, my goodness. | 0:15:32 | 0:15:34 | |
What we could do, basically keep this as the headboard, | 0:15:34 | 0:15:39 | |
and then we could do some sort of detail around it. | 0:15:39 | 0:15:43 | |
Sort of make it a bit, like, fairy tale, perhaps? | 0:15:43 | 0:15:46 | |
You know, imagine it is like a gate, but we could have, like, | 0:15:46 | 0:15:49 | |
a hedge or some sort of tree that makes it look like it's, you know, | 0:15:49 | 0:15:54 | |
leading into, like, the secret garden or something. | 0:15:54 | 0:15:58 | |
I think Bex is already there. | 0:15:58 | 0:16:01 | |
So it's obviously a child's bed. | 0:16:01 | 0:16:02 | |
Yeah, yeah, and we could put fairy lights in the tree! | 0:16:02 | 0:16:05 | |
SARAH LAUGHS | 0:16:05 | 0:16:07 | |
Yeah, and you could have unicorns on the legs, | 0:16:07 | 0:16:10 | |
and goblins in the pillows, | 0:16:10 | 0:16:11 | |
and the feet could be mushrooms, and... | 0:16:11 | 0:16:14 | |
I'll stop there! | 0:16:14 | 0:16:16 | |
So hit me with some fairy-tale figures. | 0:16:16 | 0:16:19 | |
-How much is it going to be? -So I reckon for the shot-blasting, | 0:16:19 | 0:16:23 | |
that will probably be about 150 quid. | 0:16:23 | 0:16:26 | |
And then...say 500 quid, | 0:16:26 | 0:16:29 | |
and I think... Because I really want to do this, | 0:16:29 | 0:16:31 | |
I am already there. | 0:16:31 | 0:16:33 | |
-It's a deal. -Fantastic! | 0:16:33 | 0:16:35 | |
£150 to clean up the metal, plus £500 labour. | 0:16:35 | 0:16:40 | |
That's quite a budget for one fairy-tale bed. | 0:16:40 | 0:16:43 | |
But at least Bex seems excited. | 0:16:43 | 0:16:45 | |
Really excited! | 0:16:45 | 0:16:46 | |
It's probably going to go way over budget, but I really want to do it. | 0:16:46 | 0:16:50 | |
You know, it's got that whole storytelling thing. | 0:16:50 | 0:16:54 | |
It will be a real bed to make you smile. | 0:16:54 | 0:16:56 | |
I can't wait to get going. | 0:16:56 | 0:16:58 | |
Well, I've left Bex to her fairy tales. | 0:17:00 | 0:17:02 | |
But back in the real world, £650 is a lot of money to spend on a bed. | 0:17:02 | 0:17:07 | |
But I have high hopes. | 0:17:07 | 0:17:08 | |
I think she's got a fantastic idea and the bed's going to be stunning. | 0:17:08 | 0:17:12 | |
What do you think, Bex? | 0:17:12 | 0:17:14 | |
I can't wait! | 0:17:15 | 0:17:17 | |
It'll be £650 to make the bed. | 0:17:17 | 0:17:20 | |
Let's hope Bex doesn't go too OTT on the fairy stuff, | 0:17:20 | 0:17:25 | |
or it could end up weighing a tonne. | 0:17:25 | 0:17:27 | |
With Bex away talking to the fairies, | 0:17:35 | 0:17:38 | |
it's time for Sarah to head back home to the Sussex countryside | 0:17:38 | 0:17:42 | |
and get started on her own project. | 0:17:42 | 0:17:44 | |
Sarah's had a bit of time to think about what to do | 0:17:46 | 0:17:49 | |
with the woollen packaging. So what's the plan? | 0:17:49 | 0:17:52 | |
I picked this up, thinking, "Oh, there's this fantastic thing called needle felting." | 0:17:54 | 0:17:58 | |
It's a sweet little craft, doesn't take very long to do. | 0:17:58 | 0:18:01 | |
And I looked into it, and you need beautiful, smart wool. | 0:18:01 | 0:18:05 | |
And what I've got is really a very raw material. | 0:18:05 | 0:18:08 | |
This is in its absolute roughest state. | 0:18:08 | 0:18:11 | |
But I'm going to give it a go. | 0:18:11 | 0:18:13 | |
To felt materials means to matt, condense or press fibres together. | 0:18:16 | 0:18:21 | |
-Here's what you need. -Needle felting does this using - yeah, | 0:18:21 | 0:18:26 | |
you guessed it. | 0:18:26 | 0:18:28 | |
Needles like this have tiny barbs on them that mean when you poke all the | 0:18:28 | 0:18:33 | |
fibres together, they kind of mesh together. | 0:18:33 | 0:18:35 | |
Then you get tools like this that have lots of needles on them to make it just a little bit quicker. | 0:18:35 | 0:18:40 | |
Using this process, Sarah's going to mould shapes from the wool, | 0:18:40 | 0:18:43 | |
which will eventually become little ornamental woollen animals. | 0:18:43 | 0:18:47 | |
Isn't that cute? | 0:18:47 | 0:18:49 | |
The best thing that I can try and make are some birds. | 0:18:49 | 0:18:51 | |
Something like a wren and a thrush, | 0:18:51 | 0:18:53 | |
because this has got lots of lovely different colours of wool in it. | 0:18:53 | 0:18:57 | |
And I just want to make the simplest possible thing. | 0:18:57 | 0:19:01 | |
To make her ornamental birds, Sarah first begins to felt her wool. | 0:19:01 | 0:19:06 | |
The notches along the shaft of the needle grab the top layer of fibres | 0:19:06 | 0:19:11 | |
and tangle them with the inner layers. | 0:19:11 | 0:19:14 | |
Whose idea was this? I'm in agony already! | 0:19:14 | 0:19:17 | |
The hope is that it all binds together to make a solid shape. | 0:19:17 | 0:19:21 | |
You can see the wool is starting to just felt together, | 0:19:21 | 0:19:25 | |
so the ball isn't coming unravelled any more. | 0:19:25 | 0:19:27 | |
And it's getting some real tension going on in here. | 0:19:27 | 0:19:30 | |
The wool Sarah's using has itself already been felted industrially | 0:19:30 | 0:19:34 | |
for the use in food packaging. | 0:19:34 | 0:19:37 | |
Maybe if I try and make a tail... that might help. | 0:19:37 | 0:19:40 | |
Sheep's wool is becoming quite popular | 0:19:40 | 0:19:42 | |
as natural insulation material for food delivery. | 0:19:42 | 0:19:45 | |
Wool fibres are effective at absorbing moisture from the air, | 0:19:45 | 0:19:49 | |
which minimises humidity and maintains stable temperatures. | 0:19:49 | 0:19:54 | |
I've been at it for about an hour, | 0:19:58 | 0:20:00 | |
and it still looks like a donkey or something, doesn't it? | 0:20:00 | 0:20:02 | |
But do you know something, I'm going to persevere, | 0:20:02 | 0:20:05 | |
because I've taken this and I'm going to make money out of it. | 0:20:05 | 0:20:09 | |
It's at times like these I begin to wonder whether it's all worth the effort. | 0:20:09 | 0:20:14 | |
If it's taken her this long to get it looking like that, then... | 0:20:14 | 0:20:18 | |
Oh, that's actually looking quite birdie! | 0:20:18 | 0:20:22 | |
I've put all the little wings on. | 0:20:22 | 0:20:25 | |
But I don't think anybody's going to buy it yet, are they? | 0:20:25 | 0:20:28 | |
It looks less like a horse. | 0:20:28 | 0:20:31 | |
Well, it's a start. | 0:20:31 | 0:20:32 | |
Sarah's also got a few other bright ideas to make it look less horsey. | 0:20:34 | 0:20:39 | |
Just trying to make some little legs for my wren. | 0:20:39 | 0:20:42 | |
I've got some old wire that I found. | 0:20:42 | 0:20:46 | |
But it's quite tricky to make them. | 0:20:46 | 0:20:48 | |
So far, Sarah has spent just £6 on the felting needles. | 0:20:50 | 0:20:55 | |
It's taken some time just to get one done, | 0:20:55 | 0:20:58 | |
so she had better get a move on if she wants a flock. | 0:20:58 | 0:21:01 | |
Back we go to Margate. | 0:21:10 | 0:21:12 | |
And would you believe it? It's another sunny day at the beach. | 0:21:12 | 0:21:16 | |
Anyone would think that we just picked the nicest day of the year | 0:21:16 | 0:21:19 | |
to do some filming, and then just kept reusing the shots. | 0:21:19 | 0:21:22 | |
Well... Let's see what Rupert's up to. | 0:21:22 | 0:21:26 | |
Rupert's hard at work sketching out ideas for Sarah's new sideboard, | 0:21:27 | 0:21:31 | |
made from the old chest of drawers. | 0:21:31 | 0:21:33 | |
Sarah left me with a very simple chest of drawers. | 0:21:33 | 0:21:37 | |
Ideally, I'd like to pull it apart a bit further. | 0:21:37 | 0:21:40 | |
So if there's two drawers at the top, two drawers below, | 0:21:40 | 0:21:44 | |
I want to try and use the top surface of the chest of drawers | 0:21:44 | 0:21:49 | |
to create some cupboards at the side. | 0:21:49 | 0:21:51 | |
Rupert starts by putting the drawers to one side. | 0:21:51 | 0:21:54 | |
The next step is to dismantle the base. | 0:21:54 | 0:21:57 | |
And he's not messing about. | 0:21:57 | 0:21:59 | |
Rupert's smashing the thing to bits to see how much usable wood can be | 0:22:03 | 0:22:08 | |
incorporated back into the new sideboard. | 0:22:08 | 0:22:11 | |
This is definitely the most fun part of the job - taking the piece apart. | 0:22:11 | 0:22:15 | |
You learn how it's made, what you've got to work with. | 0:22:15 | 0:22:18 | |
And you get to break something up. | 0:22:18 | 0:22:21 | |
So this stack of materials is what I have to play with now. | 0:22:25 | 0:22:28 | |
I've removed all the really rubbish bits. | 0:22:28 | 0:22:31 | |
The only new material I'm going to introduce is some recycled OSB. | 0:22:31 | 0:22:36 | |
OSB, or oriented strand board, | 0:22:36 | 0:22:39 | |
is made from scrap wood shavings which are glued together | 0:22:39 | 0:22:42 | |
and compressed to make boards. | 0:22:42 | 0:22:45 | |
I'm going to start constructing this thing. | 0:22:45 | 0:22:47 | |
The wood used in OSB is grown in sustainable forests and contains | 0:22:47 | 0:22:52 | |
fewer harmful chemicals than MDF or plywood. | 0:22:52 | 0:22:55 | |
It's strong and durable, | 0:22:55 | 0:22:57 | |
perfect for Rupert to use as the main body of the new sideboard. | 0:22:57 | 0:23:02 | |
I'm going to screw together the framework outside of this sideboard now, | 0:23:03 | 0:23:06 | |
to try and get an overall idea of the size. | 0:23:06 | 0:23:09 | |
Rupert's putting in just a few screws to hold the frame in place | 0:23:13 | 0:23:17 | |
so he can judge the scale of it. | 0:23:17 | 0:23:19 | |
And by the looks of it, it's going to be a whopper. | 0:23:19 | 0:23:22 | |
Sarah's cabinet is definitely growing. | 0:23:22 | 0:23:24 | |
Well, what do you reckon, Rupert? | 0:23:29 | 0:23:31 | |
-It's a bit long. -"A bit"! | 0:23:31 | 0:23:33 | |
Hoping Sarah's going to be able to sell this one. | 0:23:33 | 0:23:36 | |
Yeah, you and me both, mate. | 0:23:36 | 0:23:38 | |
What am I going to do with these animals? | 0:23:38 | 0:23:41 | |
Putting the huge sideboard to one side, Rupert turns his attention to... | 0:23:41 | 0:23:46 | |
Urgh, those stickers! | 0:23:46 | 0:23:48 | |
-Do I keep them, or... -No, you don't keep them! | 0:23:48 | 0:23:51 | |
Nobody wants a sideboard with dirty transfers on it. | 0:23:51 | 0:23:54 | |
Might start trying to take off this elephant. | 0:23:54 | 0:23:57 | |
Sorry, little friend. | 0:23:57 | 0:23:59 | |
He's come to his senses, thank goodness. | 0:23:59 | 0:24:02 | |
Maybe now we'll have some chance of selling it. | 0:24:02 | 0:24:05 | |
Come on, Rupert. Give it some welly. | 0:24:07 | 0:24:09 | |
Little friend doesn't want to go. He's taking the paint off. | 0:24:11 | 0:24:14 | |
-Perfect(!) -It's removing the yellow paint. | 0:24:14 | 0:24:17 | |
It's going down to the undercoat. | 0:24:17 | 0:24:19 | |
I can see the original wood here. | 0:24:19 | 0:24:21 | |
And still the elephant isn't shifting. | 0:24:21 | 0:24:23 | |
With the wire wool not up to the job, Rupert breaks out the white spirits. | 0:24:23 | 0:24:28 | |
-Time to go. -That stuff can strip the enamel off your teeth. | 0:24:29 | 0:24:33 | |
So it's bye-bye to the stickers, hello, classy sideboard. | 0:24:33 | 0:24:37 | |
They don't want to shift. | 0:24:37 | 0:24:39 | |
-Oh, no! -They don't want to go. | 0:24:39 | 0:24:42 | |
These animals might be here to stay. | 0:24:42 | 0:24:44 | |
What is it with the stickers? | 0:24:44 | 0:24:46 | |
Right, I'm going to have a think about that. | 0:24:46 | 0:24:49 | |
I give up! Keep the stickers. They've earned it. | 0:24:50 | 0:24:52 | |
Back we go to Surrey. | 0:24:56 | 0:24:58 | |
And back we go into the fairy-tale forest... | 0:25:00 | 0:25:04 | |
..where Princess Bex is all alone | 0:25:06 | 0:25:09 | |
with no-one to help her build that bed. | 0:25:09 | 0:25:12 | |
Until along came a magical frog, | 0:25:13 | 0:25:16 | |
and with one kiss... | 0:25:16 | 0:25:18 | |
It's Prince Charming! | 0:25:19 | 0:25:21 | |
Oh, no, it's just her husband, Dave. | 0:25:21 | 0:25:23 | |
Is the mattress going to go from there? | 0:25:23 | 0:25:26 | |
Bex and Dave are measuring out what will become of the headboard of the new bed. | 0:25:26 | 0:25:31 | |
And Dave gets to work cutting it to size, | 0:25:34 | 0:25:36 | |
while Bex fires up the forge. | 0:25:36 | 0:25:40 | |
Her plan is to make decorative tree trunks that will attach to each side | 0:25:40 | 0:25:44 | |
of the headboard. This, she hopes, | 0:25:44 | 0:25:46 | |
will create a fairy-tale garden feel. | 0:25:46 | 0:25:48 | |
And nothing says fairy tale like a big rusty pipe. | 0:25:48 | 0:25:54 | |
This is going to be the tree trunk. | 0:25:54 | 0:25:56 | |
What I'm going to do is cut some slices out so I can hammer it in | 0:25:56 | 0:26:01 | |
to give it that shape. | 0:26:01 | 0:26:04 | |
So this should go to plan, shouldn't it? | 0:26:04 | 0:26:07 | |
Apart from Bex's idea of using massive tubes to make the tree trunks. | 0:26:07 | 0:26:12 | |
But I'm sure she'll make it look beautiful. | 0:26:12 | 0:26:16 | |
SHE LAUGHS | 0:26:16 | 0:26:18 | |
-Thanks, love. -With a lot of cursing in between. | 0:26:18 | 0:26:21 | |
Bex starts to cut out the section of tube with her trusty angle grinder | 0:26:24 | 0:26:29 | |
so it can then be transformed into a thinner, more elegant shape - | 0:26:29 | 0:26:33 | |
well, that's the plan, anyway - | 0:26:33 | 0:26:36 | |
while Dave continues to cut out the headboard. | 0:26:36 | 0:26:39 | |
Once he's happy with the size, | 0:26:39 | 0:26:41 | |
the gates will then be sent away to be shot-blasted. | 0:26:41 | 0:26:45 | |
Shot-blasting completely strips metal of any paint or rust | 0:26:45 | 0:26:49 | |
by firing thousands of tiny steel pellets at it at high speed. | 0:26:49 | 0:26:54 | |
So this'll be the headboard. | 0:26:57 | 0:26:59 | |
Then I'm going to get the other gate and cut the bottom bit off that bit | 0:27:01 | 0:27:05 | |
to do the footboard. | 0:27:05 | 0:27:07 | |
As a Dave cracks on, Bex begins to heat her big ugly tube trees | 0:27:09 | 0:27:14 | |
in the forge. | 0:27:14 | 0:27:16 | |
Once they've reached a temperature of roughly 800 degrees Celsius, | 0:27:16 | 0:27:20 | |
she can begin to batter them into shape. | 0:27:20 | 0:27:23 | |
Once the metal starts to cool even slightly, it becomes less malleable, | 0:27:30 | 0:27:35 | |
so Bex has to heat and hit. | 0:27:35 | 0:27:38 | |
Heat and hit. | 0:27:38 | 0:27:40 | |
And it's exhausting. | 0:27:40 | 0:27:42 | |
Bex, is that really what they're supposed to look like? | 0:27:49 | 0:27:53 | |
I have no idea what this is going to look like. | 0:27:53 | 0:27:57 | |
But it's fun trying to get it to somewhere decent. | 0:27:57 | 0:28:00 | |
It's just, you know, trial and error. | 0:28:01 | 0:28:04 | |
SHE LAUGHS | 0:28:04 | 0:28:05 | |
Well, we can't mess it up because we haven't got any more of this tube. | 0:28:05 | 0:28:09 | |
So it best work. | 0:28:09 | 0:28:11 | |
All this hammering is taking up an awful lot of their time. | 0:28:11 | 0:28:15 | |
And they've still got the bed-frame to make. | 0:28:15 | 0:28:19 | |
-These are going to be the branches. -This may take a while, | 0:28:19 | 0:28:22 | |
because everything they've made so far looks less fairy tale | 0:28:22 | 0:28:26 | |
and more like the stuff of nightmares. | 0:28:26 | 0:28:29 | |
Back we go to Sussex to see how Sarah has got on stabbing that wool. | 0:28:31 | 0:28:37 | |
Oops, sorry! | 0:28:38 | 0:28:39 | |
-You can have that one. -Sarah has finished her felting and is now out | 0:28:41 | 0:28:45 | |
with Bramble, collecting twigs, | 0:28:45 | 0:28:47 | |
which she will use as decoration for her little birdies. | 0:28:47 | 0:28:51 | |
They look quite interesting. Hopefully that'll be enough. | 0:28:51 | 0:28:55 | |
Where's that stick? | 0:28:55 | 0:28:57 | |
Sarah's going all out to ensure those birds fly off the shelf. | 0:28:59 | 0:29:03 | |
So let's find out what they turned out like. | 0:29:03 | 0:29:07 | |
Before, the old wool wasn't even fit for a jumper. | 0:29:08 | 0:29:11 | |
Now... | 0:29:11 | 0:29:13 | |
It's been transformed into a flock of English garden birds. | 0:29:14 | 0:29:18 | |
Sarah's hard work and elbow grease has really paid off, | 0:29:18 | 0:29:23 | |
producing five elegant avian figurines. | 0:29:23 | 0:29:26 | |
Sarah has used the different shades of wool to beautifully detail the feathers | 0:29:28 | 0:29:33 | |
and beaks. The wire legs and feet mean they can be attached to surface | 0:29:33 | 0:29:38 | |
edges. And all the plant pots and twigs and everything - well, | 0:29:38 | 0:29:42 | |
isn't it just gorgeous? | 0:29:42 | 0:29:44 | |
Well, I have absolutely loved making these birds. | 0:29:47 | 0:29:50 | |
Who'd have thought, with a bit of time, | 0:29:50 | 0:29:53 | |
some old wool and one barbed needle you could turn out that lot? | 0:29:53 | 0:29:57 | |
I'm really pleased with my little flock. | 0:29:57 | 0:29:59 | |
Well, let's see if you can flog your flock. | 0:29:59 | 0:30:02 | |
You haven't got anything I could recycle, have you? | 0:30:04 | 0:30:07 | |
When Sarah met Helen at the tip, | 0:30:07 | 0:30:09 | |
she loved the look of her fancy packaging. | 0:30:09 | 0:30:11 | |
This is the bit that keeps the meat or fish really cold. | 0:30:11 | 0:30:16 | |
Sarah whisked the wool away, leaving Helen guessing. | 0:30:16 | 0:30:20 | |
Maybe she could stuff something, or make a cushion... | 0:30:20 | 0:30:23 | |
I don't know. | 0:30:23 | 0:30:25 | |
Not this time, Helen. | 0:30:25 | 0:30:26 | |
Sarah felted her heart out to produce five feathery figures. | 0:30:26 | 0:30:31 | |
And more than that, she even found a buyer. | 0:30:31 | 0:30:35 | |
Cafe Smoked and Charred in Chichester snapped up two | 0:30:35 | 0:30:39 | |
of Sarah's woolly wonders. | 0:30:39 | 0:30:41 | |
Owner Celia is twittering in delight at them. | 0:30:41 | 0:30:45 | |
It's just what the cafe needed. We've got other birds, | 0:30:45 | 0:30:48 | |
and it's more things for the children to spy | 0:30:48 | 0:30:50 | |
when they come and have a cake. | 0:30:50 | 0:30:53 | |
So that's two out of the five sold. | 0:30:53 | 0:30:55 | |
But did Sarah sell the whole flock? | 0:30:55 | 0:30:58 | |
Sarah is in Bowden, Greater Manchester, | 0:31:00 | 0:31:02 | |
to meet up with Helen and hand over the profits from two birds, | 0:31:02 | 0:31:06 | |
three birds... Maybe more. | 0:31:06 | 0:31:09 | |
-Hi, Helen. -Hi. -Hi, there, nice to see you again. | 0:31:11 | 0:31:14 | |
-And you. -Now, I said when I saw you at the recycling centre that I'd come back to you | 0:31:14 | 0:31:18 | |
if there was anything I could do with your packaging. | 0:31:18 | 0:31:21 | |
Did you wonder what might happen to it? | 0:31:21 | 0:31:23 | |
I've got no idea what you could do with it, really, | 0:31:23 | 0:31:25 | |
because it just looks very flat and not very interesting, really. | 0:31:25 | 0:31:28 | |
I've got some pictures to show you. It was something that I worked on and I had so much fun with it. | 0:31:28 | 0:31:32 | |
I absolutely just loved working with it. | 0:31:32 | 0:31:35 | |
So this is what I made from your wool. | 0:31:35 | 0:31:37 | |
Oh, wow! | 0:31:38 | 0:31:40 | |
-I made... -That's brilliant! | 0:31:40 | 0:31:42 | |
..a collection of English garden birds out of it. | 0:31:42 | 0:31:45 | |
-It's a technique called needle felting. So that's what happened to it. -Oh, wow, that's brilliant. | 0:31:45 | 0:31:49 | |
-What do you think? -Really good! Yes, I'm amazed. | 0:31:49 | 0:31:52 | |
When I make things like this, | 0:31:52 | 0:31:54 | |
I then like to share them and see if I can sell them. | 0:31:54 | 0:31:57 | |
And a shop in Chichester bought a couple of the birds. | 0:31:57 | 0:32:00 | |
And then some private people bought the other three. | 0:32:00 | 0:32:03 | |
So I've actually got some money as well to return to you. | 0:32:03 | 0:32:07 | |
I have got £194 here. | 0:32:07 | 0:32:09 | |
Have you? Thank you very much! | 0:32:09 | 0:32:11 | |
-Oh, thank you! -Is that a surprise? | 0:32:11 | 0:32:14 | |
It was, yes. That's brilliant! They did look lovely. | 0:32:14 | 0:32:17 | |
What are you going to do with £194 you didn't expect? | 0:32:17 | 0:32:21 | |
My eldest son has just broken | 0:32:21 | 0:32:23 | |
two bikes, and we are due tomorrow to go and buy him a new bike. | 0:32:23 | 0:32:28 | |
So that will be very handy for that. | 0:32:28 | 0:32:31 | |
-Great to catch up. Thank you so much. -Thanks. | 0:32:31 | 0:32:34 | |
Sarah spent just £6 on the felting needles, | 0:32:34 | 0:32:38 | |
meaning with an incredible combined sale of £200 for all five birds, | 0:32:38 | 0:32:43 | |
Helen is walking away £194 richer. | 0:32:43 | 0:32:47 | |
Well done, Sarah. | 0:32:47 | 0:32:49 | |
That's one item producing a good bit of profit. | 0:32:53 | 0:32:57 | |
Sarah's gone all the way back to Margate | 0:32:57 | 0:33:00 | |
to find out how Rupert got on with the chest of drawers. | 0:33:00 | 0:33:04 | |
Rupert's been hard at work finishing off the new sideboard. | 0:33:04 | 0:33:07 | |
And I'm hoping he's focused some of that hard work into getting rid of | 0:33:07 | 0:33:12 | |
those stickers. Oh, no. There they are. | 0:33:12 | 0:33:15 | |
Really concerned about this one. | 0:33:15 | 0:33:16 | |
I've spent quite a lot of time on it, but I've picked really quite a bright colour. | 0:33:16 | 0:33:20 | |
So I'm not quite sure that Sarah's going to like this. | 0:33:20 | 0:33:23 | |
-I hope she does. -Well, I'm here in bright, | 0:33:23 | 0:33:26 | |
beautiful Margate to see if Lassie's come home and Rupert has managed to | 0:33:26 | 0:33:29 | |
transform that tired and tatty chest of drawers into something lovely. | 0:33:29 | 0:33:34 | |
Before, the chest of drawers were battered but bursting with character. | 0:33:37 | 0:33:41 | |
Now... | 0:33:41 | 0:33:43 | |
Well, it's certainly yellow. | 0:33:43 | 0:33:45 | |
But do you know what? I think it looks pretty cool. | 0:33:47 | 0:33:50 | |
Rupert has re-purposed loads of the old piece. | 0:33:50 | 0:33:54 | |
The original top surface is now being used as a shelf | 0:33:54 | 0:33:58 | |
and a cupboard door. | 0:33:58 | 0:33:59 | |
The legs are back to being legs again. | 0:33:59 | 0:34:02 | |
And as for those drawers, nestled into the bright new base, | 0:34:02 | 0:34:06 | |
it all kind of works. | 0:34:06 | 0:34:07 | |
It's an ingenious use of old materials. | 0:34:07 | 0:34:10 | |
But will Sarah like it? | 0:34:10 | 0:34:13 | |
-Hello? -Hey, Sarah, come in. | 0:34:13 | 0:34:15 | |
Ta-da! | 0:34:17 | 0:34:19 | |
It is so better! | 0:34:19 | 0:34:21 | |
I hope you like yellow. | 0:34:21 | 0:34:22 | |
I love yellow! | 0:34:22 | 0:34:24 | |
Ah, Rupert, it's so cool. | 0:34:24 | 0:34:26 | |
I've tried to keep as much of the original chest of drawers as possible. | 0:34:26 | 0:34:30 | |
So that does actually mean all the animals have survived. | 0:34:30 | 0:34:34 | |
All the goldfish memories have survived. | 0:34:34 | 0:34:37 | |
And that's the part of the top of the chest of drawers again. | 0:34:37 | 0:34:39 | |
So, again, just a little storage cupboard in the end. | 0:34:39 | 0:34:42 | |
It rocks, doesn't it? | 0:34:42 | 0:34:45 | |
It is absolutely cool as you like. | 0:34:45 | 0:34:48 | |
I think, time-wise, I was happy with it. I obviously put in some new wood. | 0:34:48 | 0:34:53 | |
But the budget stayed the same. | 0:34:53 | 0:34:55 | |
Can you wrap it up really nicely? I shall be back very soon to take it away. | 0:34:55 | 0:35:00 | |
-Excellent, I'll get it ready for you. -Thank you so much. | 0:35:00 | 0:35:02 | |
Great, see you again. | 0:35:02 | 0:35:04 | |
Rupert, you've done it again. | 0:35:04 | 0:35:07 | |
Well, that sideboard, it is beyond original. | 0:35:07 | 0:35:10 | |
It looks so like the thing we dropped off, and nothing like it at all. | 0:35:10 | 0:35:14 | |
And that makes it a very clever piece of design. | 0:35:14 | 0:35:17 | |
But will anyone else think so? | 0:35:17 | 0:35:19 | |
Sarah needs to find a buyer. | 0:35:19 | 0:35:21 | |
-Oh, what is that? -When Sarah met Chris and his brother Andrew | 0:35:26 | 0:35:30 | |
at the tip, she loved the look of Chris's childhood chest of drawers. | 0:35:30 | 0:35:34 | |
As a young boy, I grew up with them. My clothes were in it. | 0:35:34 | 0:35:37 | |
It did come with a lot of history. | 0:35:37 | 0:35:39 | |
Those are all the fish I used to have, and that's the memorial to them. | 0:35:39 | 0:35:43 | |
But Chris wished it well on its new journey. | 0:35:43 | 0:35:46 | |
If she can do something with it, that...that would be lovely. | 0:35:46 | 0:35:50 | |
It's Rupert he has to thank for this one, | 0:35:50 | 0:35:53 | |
as the chest of drawers became a fun and colourful sideboard. | 0:35:53 | 0:35:57 | |
And Chris will be glad to hear that Lassie did eventually find a home. | 0:35:57 | 0:36:03 | |
Vintage and retro homewares store | 0:36:03 | 0:36:05 | |
Fig Interiors snapped up the sideboard. | 0:36:05 | 0:36:08 | |
No, that's not it. There you go. | 0:36:08 | 0:36:11 | |
Owner Jocelyn must be a big fan of yellow. | 0:36:11 | 0:36:14 | |
It's quirky, it's original. I absolutely love it. | 0:36:14 | 0:36:18 | |
It's got the industrial look that's really on trend at the moment. | 0:36:18 | 0:36:22 | |
Sarah has travelled to Altrincham to tell Chris the good news | 0:36:24 | 0:36:28 | |
and hand over the profit. | 0:36:28 | 0:36:30 | |
Hi. | 0:36:33 | 0:36:35 | |
-Hello! -Hi, Chris, nice to see you. | 0:36:35 | 0:36:36 | |
Now, last time I saw you, you were up to your eyes in helping clear out | 0:36:36 | 0:36:40 | |
-your parents' old house, is that right? -That's correct, yes. | 0:36:40 | 0:36:43 | |
Yeah, the chest of drawers. | 0:36:43 | 0:36:45 | |
Yeah, and you'd grown up with that chest of drawers, hadn't you? | 0:36:45 | 0:36:48 | |
It was mine from a little lad, yes. | 0:36:48 | 0:36:50 | |
I thought it had run the end of its life. | 0:36:50 | 0:36:52 | |
Did you wonder what happened to it after we took it away? | 0:36:52 | 0:36:55 | |
I've been fascinated that you could do something out of it, yeah. | 0:36:55 | 0:36:58 | |
I thought you might say, "No, we couldn't, it was too far gone." | 0:36:58 | 0:37:01 | |
-I've got some pictures here to show you. -Oh, brilliant! Yes. | 0:37:01 | 0:37:05 | |
Here is your chest of drawers. | 0:37:05 | 0:37:07 | |
That's it! I recognise the handles. | 0:37:07 | 0:37:10 | |
Oh, yeah, the Lassie transfer. | 0:37:10 | 0:37:12 | |
He kept all of those details, | 0:37:12 | 0:37:15 | |
and Sir Basil and all of those notes that you made about your pets when | 0:37:15 | 0:37:18 | |
-you were younger. -Oh! | 0:37:18 | 0:37:21 | |
-What do you think? -Yeah. Yeah, that's very clever, isn't it? | 0:37:21 | 0:37:25 | |
I'm delighted to say we did manage to sell it and make a little bit of | 0:37:25 | 0:37:28 | |
-profit for you as well. -Really? -Yeah, so I have got £165 here. | 0:37:28 | 0:37:33 | |
-No! -For you. | 0:37:33 | 0:37:36 | |
-What might you do with that money? -My mother did an awful lot for the | 0:37:36 | 0:37:39 | |
British Heart Foundation, so we'd love to give it to the charity. | 0:37:39 | 0:37:43 | |
That's such a beautiful thing to do with that money. | 0:37:43 | 0:37:46 | |
-It was great to catch up with you. Bye-bye. -Thank you, thank you. | 0:37:46 | 0:37:49 | |
Aw, I love a happy ending! | 0:37:51 | 0:37:54 | |
Rupert came in on budget at £300. | 0:37:54 | 0:37:57 | |
And with an impressive sale of £465, | 0:37:57 | 0:38:01 | |
Chris has £165 to donate to charity. | 0:38:01 | 0:38:06 | |
That's two of our items selling for a profit. | 0:38:11 | 0:38:14 | |
Sarah is in Surrey, where Bex and Dave are a little bit tired. | 0:38:14 | 0:38:19 | |
They've been working through the night to get the fairy-tale bed ready. | 0:38:19 | 0:38:24 | |
And I think they'll be glad to see the back of it. | 0:38:24 | 0:38:27 | |
Once again, it's been a slog-and-a-half. | 0:38:27 | 0:38:31 | |
Driving here this morning, I saw one of those gates in a skip! | 0:38:31 | 0:38:36 | |
SHE LAUGHS | 0:38:36 | 0:38:38 | |
-Exactly. -And I left it there. | 0:38:38 | 0:38:40 | |
Well, I was so pleased to find a pair of metal gates, | 0:38:42 | 0:38:45 | |
because they really did open up all sorts of opportunities. | 0:38:45 | 0:38:48 | |
Now, Bex has come up with the idea of a fairy-tale bed. | 0:38:48 | 0:38:52 | |
Let's hope there's a happy ending in store. | 0:38:52 | 0:38:55 | |
Well, let's find out. | 0:38:55 | 0:38:57 | |
Once upon a time, there was a pair of gates destined for the dump. | 0:38:57 | 0:39:01 | |
Now... | 0:39:01 | 0:39:03 | |
They'll live happily ever after as a child's fairy-tale bed. | 0:39:03 | 0:39:08 | |
Bex has magically transformed the heavy metal tubes | 0:39:08 | 0:39:11 | |
into elegant tree trunks with beautifully sculpted metal branches. | 0:39:11 | 0:39:16 | |
The base has been shot-blasted, | 0:39:16 | 0:39:19 | |
and the backboard painted a dainty pink. | 0:39:19 | 0:39:21 | |
Bex and Dave have kept the original hinges and locks to tell the story | 0:39:21 | 0:39:25 | |
of the gates that dreamed of being a bed. | 0:39:25 | 0:39:28 | |
But will it be a dream come true for Sarah? | 0:39:28 | 0:39:31 | |
-Hello! -Hi! How are you guys? | 0:39:35 | 0:39:39 | |
-Knackered! -Knackered? | 0:39:39 | 0:39:40 | |
Well, you've got a bed to lie down in, haven't you? | 0:39:40 | 0:39:43 | |
Oh, my word. | 0:39:43 | 0:39:45 | |
It's bonkers, isn't it? | 0:39:45 | 0:39:47 | |
Isn't it fantastic? | 0:39:47 | 0:39:49 | |
Yeah, it's been fun. | 0:39:49 | 0:39:51 | |
It is beautiful. | 0:39:51 | 0:39:52 | |
It's so... It's, like, enchanting, isn't it? | 0:39:52 | 0:39:55 | |
-Yeah. -Oh, guys, it's really lovely. | 0:39:55 | 0:39:57 | |
I mean, you can still see the gate, can't you? | 0:39:57 | 0:40:00 | |
-Yeah. -But, no, really clever. | 0:40:00 | 0:40:02 | |
I didn't want to do them both pink, so I thought, you know, | 0:40:02 | 0:40:05 | |
do this so it's leading you up to the gate, you know? | 0:40:05 | 0:40:08 | |
It is like the garden path into your fantasy bedroom. | 0:40:08 | 0:40:11 | |
I think that it's very clever. | 0:40:11 | 0:40:13 | |
So how did you get on with our fantasy budget that we set? | 0:40:13 | 0:40:17 | |
We worked hard on it, and we'll stick to our price. | 0:40:17 | 0:40:20 | |
-That's fine. -OK, well, it looks lovely. | 0:40:20 | 0:40:22 | |
It's going to be a dream come true for somebody, isn't it? | 0:40:22 | 0:40:25 | |
It's really cool. | 0:40:25 | 0:40:26 | |
What a cracker! But we don't have our happy ending quite yet. | 0:40:26 | 0:40:30 | |
Sarah still has to find a buyer. | 0:40:30 | 0:40:33 | |
Wow, what a statement piece, that bed. | 0:40:34 | 0:40:36 | |
It's unique, it's boutique and it's beautiful. | 0:40:36 | 0:40:39 | |
I'm going to dress it right up and hopefully sell that | 0:40:39 | 0:40:42 | |
and make one little girl very happy. | 0:40:42 | 0:40:46 | |
-Hello, there. -Hi. | 0:40:51 | 0:40:53 | |
-Hello. -When Sarah spied Di and Don ditching their ancient garden gates, | 0:40:53 | 0:40:58 | |
she just had to have them. | 0:40:58 | 0:41:00 | |
They look like you might have had them for a while. | 0:41:00 | 0:41:02 | |
In fact, since the '70s, I think. Since the '70s. | 0:41:02 | 0:41:04 | |
Di had had enough. | 0:41:04 | 0:41:06 | |
I never thought of doing anything else with them, except get rid of them. | 0:41:06 | 0:41:09 | |
But hazarded a guess as to what could be done. | 0:41:09 | 0:41:12 | |
A garden table, bench... | 0:41:12 | 0:41:14 | |
-I don't know. -No, it was a bed. | 0:41:14 | 0:41:17 | |
Sarah went straight to the internet, | 0:41:19 | 0:41:21 | |
because that's what you do these days, | 0:41:21 | 0:41:24 | |
isn't it? She posted it on social media and online auction sites. | 0:41:24 | 0:41:29 | |
But did her bed find a new home? | 0:41:29 | 0:41:31 | |
Sarah's back in Altrincham to meet up with Di and Don to let them know | 0:41:33 | 0:41:37 | |
what became of their rusty goods. | 0:41:37 | 0:41:40 | |
Hello there. Hi, Di. | 0:41:41 | 0:41:43 | |
-How are you doing? -Very well, thank you. | 0:41:43 | 0:41:45 | |
Hello, Don. How are you? | 0:41:45 | 0:41:46 | |
-Nice to see you. -So this is the house where the gates came from? | 0:41:46 | 0:41:49 | |
Yes, they were here since the house was built, so 70 years... | 0:41:49 | 0:41:52 | |
Not 70 years, since the '70s. | 0:41:52 | 0:41:54 | |
Did you wonder what we might do with them? | 0:41:54 | 0:41:56 | |
-Of course. -Any ideas? | 0:41:56 | 0:41:58 | |
No. | 0:41:58 | 0:41:59 | |
Well, we did think of pergolas, or something like that. | 0:41:59 | 0:42:02 | |
But we'd no idea, really. | 0:42:02 | 0:42:04 | |
I took them to some great metalworkers, Bex and Dave, | 0:42:04 | 0:42:08 | |
who are based down in Surrey. | 0:42:08 | 0:42:09 | |
And she made your gates into a bed. | 0:42:09 | 0:42:12 | |
And here is a picture of... | 0:42:12 | 0:42:14 | |
-Never! -..your gates. | 0:42:14 | 0:42:15 | |
Good heavens. | 0:42:15 | 0:42:17 | |
That's amazing! | 0:42:17 | 0:42:19 | |
-Good heavens! -So are you impressed? | 0:42:19 | 0:42:21 | |
-Very! -Indeed, yes. | 0:42:21 | 0:42:22 | |
-Very! -Fantastic. -It is still for sale. | 0:42:22 | 0:42:25 | |
A bed like that, designed by somebody like Bex, | 0:42:25 | 0:42:27 | |
-is a big-ticket item. -Right. -So as soon as it's sold, | 0:42:27 | 0:42:30 | |
I'll be back in touch and sharing the profit with you. | 0:42:30 | 0:42:33 | |
Very good, very good. | 0:42:33 | 0:42:34 | |
Thank you so much for letting me have them, and for your time today. | 0:42:34 | 0:42:37 | |
-OK. -Lovely to see you. | 0:42:37 | 0:42:39 | |
-Thank you so much. -Bye-bye. | 0:42:39 | 0:42:41 | |
Oh, well, it doesn't work out every time. | 0:42:41 | 0:42:44 | |
With Bex and Dave coming in on budget at £650, but no sale, | 0:42:44 | 0:42:49 | |
Sarah could be facing a £650 loss. | 0:42:49 | 0:42:53 | |
But I'm sure Sarah just needs to find the right buyer, | 0:42:53 | 0:42:57 | |
and she can be back in touch with Di and Don to hand over the profit. | 0:42:57 | 0:43:01 | |
Sarah salvaged three items that were destined for the dump. | 0:43:04 | 0:43:09 | |
Once-cherished possessions had the chance to be cherished again. | 0:43:09 | 0:43:12 | |
Loved once more | 0:43:14 | 0:43:17 | |
and adored. | 0:43:17 | 0:43:19 | |
Three tip-bound items have been transformed and given a whole new lease of life. | 0:43:19 | 0:43:24 | |
Who'd have thought that was possible from a load of old rubbish? | 0:43:24 | 0:43:28 |