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What are you throwing away? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:07 | 0:00:10 | |
I like the look of that. | 0:00:10 | 0:00:11 | |
The answer could be hiding in over 20 million tons of household waste | 0:00:11 | 0:00:16 | |
thrown out by us every year. | 0:00:16 | 0:00:18 | |
Hmm, what else are you throwing away? Anything exciting? | 0:00:18 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:21 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:28 | |
Finding, transforming and selling stuff we throw away is an obsession, | 0:00:30 | 0:00:33 | |
and it's that obsession that I've turned into a moneymaking business. | 0:00:33 | 0:00:36 | |
I make new stuff out of the old stuff, and I sell it for a profit. | 0:00:36 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:46 | |
You've got a bucket of fun for me? | 0:00:46 | 0:00:48 | |
-It's a big one. -Is it? | 0:00:48 | 0:00:49 | |
..she can transform her finds into desirable... | 0:00:49 | 0:00:53 | |
They are amazing. | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
I've never seen anything like them. | 0:00:57 | 0:00:59 | |
..and, hopefully, saleable items. | 0:00:59 | 0:01:02 | |
-That's a lovely job, thank you. -Thank you. | 0:01:02 | 0:01:04 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
then she can hand the profits back to the very people who had no idea | 0:01:06 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:13 | |
-£165 here. -No! | 0:01:13 | 0:01:16 | |
Walsall Recycling Centre, near Birmingham. | 0:01:26 | 0:01:29 | |
A nonstop hive of activity. | 0:01:31 | 0:01:33 | |
Sarah's on a mission to turn your trash... | 0:01:35 | 0:01:37 | |
..into hard cash. | 0:01:39 | 0:01:40 | |
I'm on the hunt for items | 0:01:40 | 0:01:42 | |
that I can turn into something really desirable. | 0:01:42 | 0:01:44 | |
I'm looking for tired old tables, chipped chairs and manky metalwork, | 0:01:44 | 0:01:47 | |
because once they're transformed, | 0:01:47 | 0:01:49 | |
they can all make some money for nothing. | 0:01:49 | 0:01:52 | |
But before you make a beeline for your local tip, take note - | 0:01:52 | 0:01:57 | |
Sarah's been given special permission to seek out three items | 0:01:57 | 0:02:01 | |
that she can rejuvenate, re-purpose and sell on for a profit. | 0:02:01 | 0:02:05 | |
Although he doesn't know it yet, | 0:02:07 | 0:02:09 | |
first up to offer some possibilities is Ian, | 0:02:09 | 0:02:12 | |
arriving with some furniture that may not be all that it seems. | 0:02:12 | 0:02:17 | |
-Hello, there. -Hello, there. All right? | 0:02:17 | 0:02:19 | |
I like the look of your legs! | 0:02:19 | 0:02:20 | |
Oh, thank you! | 0:02:20 | 0:02:22 | |
THEY LAUGH | 0:02:22 | 0:02:24 | |
Hold on. These are cool. | 0:02:24 | 0:02:26 | |
-Are these yours? -They're my dad's. | 0:02:26 | 0:02:29 | |
-I'm emptying his house out. -OK. | 0:02:29 | 0:02:31 | |
Were they always stools, or have these been chairs? | 0:02:31 | 0:02:33 | |
Probably chairs, back in 1970-something. | 0:02:33 | 0:02:36 | |
Wow! They're cool. | 0:02:36 | 0:02:38 | |
And that's... Look at that. | 0:02:38 | 0:02:41 | |
What is that? 1950s, do you think? | 0:02:41 | 0:02:43 | |
Late '50s, '60s, I would've thought. | 0:02:43 | 0:02:45 | |
They're a sweet little collection. | 0:02:45 | 0:02:47 | |
You don't see fabric like that no more. | 0:02:47 | 0:02:50 | |
-They're retro, aren't they? -Oh, yeah. -They really are. | 0:02:50 | 0:02:52 | |
So have you got a house full of this stuff? | 0:02:52 | 0:02:54 | |
Yes, I have. Yeah, it's my father's house. | 0:02:54 | 0:02:56 | |
He's all trapped in the '70s. | 0:02:56 | 0:02:58 | |
I've thrown loads of stuff like this away. | 0:02:58 | 0:03:01 | |
I know exactly why you're throwing it away. Because these... | 0:03:01 | 0:03:03 | |
You know, put that next to some modern stuff, | 0:03:03 | 0:03:06 | |
and unless you're going to give it an update, | 0:03:06 | 0:03:08 | |
it's tricky to get it in the house. | 0:03:08 | 0:03:10 | |
-Yeah. -But three little things like that for me? It's my lucky day. | 0:03:10 | 0:03:14 | |
I can take it somewhere and give that a proper old makeover, | 0:03:14 | 0:03:17 | |
and get it so even you might like it again. | 0:03:17 | 0:03:20 | |
-Probably. -Really? | 0:03:20 | 0:03:21 | |
Well, I tell you what, would you mind if I took your stools away? | 0:03:21 | 0:03:24 | |
-I do not mind at all. -Lovely. | 0:03:24 | 0:03:26 | |
It'd be nice that they've got a second life - | 0:03:26 | 0:03:29 | |
-or probably third or fourth! -Yeah. | 0:03:29 | 0:03:30 | |
Brilliant. I'll take those away and say thank you so much. | 0:03:30 | 0:03:33 | |
You're welcome. | 0:03:33 | 0:03:34 | |
If I manage to transform them into something fabulous, | 0:03:34 | 0:03:37 | |
-can I come and find you and show you what I've done with them? -You certainly can, yes. | 0:03:37 | 0:03:41 | |
Seems like Ian's delighted that | 0:03:41 | 0:03:43 | |
Sarah has taken those old things off his hands. | 0:03:43 | 0:03:46 | |
I'm very surprised that Sarah took the stools. | 0:03:46 | 0:03:49 | |
I didn't think they were worth anything, just in the skip, | 0:03:49 | 0:03:53 | |
ready to be crushed up for something else. | 0:03:53 | 0:03:55 | |
But it would be nice to see them used again. | 0:03:55 | 0:03:57 | |
For what, I don't know. It would be very interesting to see. | 0:03:57 | 0:04:01 | |
What a sweet little set of seats, | 0:04:01 | 0:04:03 | |
and these have been in the hands of an avid upcycler. | 0:04:03 | 0:04:06 | |
There's four layers of fabric on these stools, | 0:04:06 | 0:04:08 | |
and they used to be chairs, | 0:04:08 | 0:04:09 | |
but I reckon they've got one more transformation left in them. | 0:04:09 | 0:04:12 | |
I think you might be right, Sarah. | 0:04:12 | 0:04:14 | |
And, luckily, she knows just the man to take on this challenge. | 0:04:16 | 0:04:20 | |
Anthony Devine, the upholsterer with the most-erer. | 0:04:24 | 0:04:28 | |
Anthony takes his two decades of design experience | 0:04:31 | 0:04:34 | |
and passes it on to the younger generation | 0:04:34 | 0:04:37 | |
in his school of upholstery. | 0:04:37 | 0:04:39 | |
Anthony's work is loud, exciting, and experimental. | 0:04:39 | 0:04:45 | |
So I've been an upholsterer now for 21 years. | 0:04:45 | 0:04:48 | |
I started straight from school. | 0:04:48 | 0:04:50 | |
That's me ever since, really. | 0:04:50 | 0:04:52 | |
Now I teach people who want to become upholsterers, | 0:04:54 | 0:04:57 | |
and through that then I get my self-satisfaction. | 0:04:57 | 0:05:02 | |
I still enjoy the passion of it, | 0:05:02 | 0:05:05 | |
but now I pass that knowledge and passion on to all our students. | 0:05:05 | 0:05:10 | |
Don't pass on too much of your passion, Anthony. | 0:05:12 | 0:05:15 | |
You may need it for this project! | 0:05:15 | 0:05:17 | |
With one item found, Sarah's still on the hunt | 0:05:22 | 0:05:25 | |
for two further opportunities to find a diamond in the dump. | 0:05:25 | 0:05:29 | |
But please don't tell me she has plans for this little fellow! | 0:05:29 | 0:05:32 | |
That's nice, isn't it? | 0:05:32 | 0:05:34 | |
It's really quality. | 0:05:34 | 0:05:35 | |
No, it's not, Sarah. | 0:05:35 | 0:05:36 | |
I'll leave you two to it. | 0:05:36 | 0:05:38 | |
I'm going to find some rubbish. | 0:05:38 | 0:05:39 | |
Thank goodness for that. | 0:05:39 | 0:05:41 | |
Hopefully there will be something much more suitable | 0:05:42 | 0:05:44 | |
in the boot of William's car. | 0:05:44 | 0:05:46 | |
Oh, no, what have you done with it? | 0:05:47 | 0:05:50 | |
Unfortunately, I've broke it up. | 0:05:50 | 0:05:53 | |
I couldn't get it in me car. | 0:05:53 | 0:05:55 | |
-You should have called. I've got a van! -Oh! | 0:05:55 | 0:05:58 | |
So, your table, is it? | 0:05:58 | 0:06:00 | |
No, it belongs to me daughter, actually. | 0:06:00 | 0:06:02 | |
-OK. -It was. | 0:06:02 | 0:06:04 | |
-It was, the late table. -Yeah. | 0:06:04 | 0:06:07 | |
-So has it been stored in the garden? -It has. -Love it! | 0:06:07 | 0:06:10 | |
Just put it out there. It's done quite well, though, considering. | 0:06:10 | 0:06:13 | |
Well, it is oak. It'll stand the weather. | 0:06:13 | 0:06:15 | |
Do you think it's got any potential left in it or not? | 0:06:15 | 0:06:18 | |
Well, you'll probably find something. | 0:06:18 | 0:06:21 | |
-Are you going to let me have it? -Of course I will, yes. | 0:06:21 | 0:06:24 | |
Right, I'm going to try and take it away. | 0:06:24 | 0:06:26 | |
Thank you so much for letting me have it. | 0:06:26 | 0:06:27 | |
You're welcome. | 0:06:27 | 0:06:29 | |
It might be a jumbled up, sawn-in-half jigsaw at the moment, | 0:06:29 | 0:06:33 | |
but does William think it's got legs? | 0:06:33 | 0:06:35 | |
I haven't got a clue what's Sarah's going to do with it, | 0:06:35 | 0:06:37 | |
but she might turn it into something wonderful, | 0:06:37 | 0:06:40 | |
and it could be beautiful for somebody else to look at. | 0:06:40 | 0:06:44 | |
Something beautiful to look at. | 0:06:44 | 0:06:45 | |
Well, that might be a tall order. | 0:06:45 | 0:06:48 | |
What's the plan then, boss? | 0:06:48 | 0:06:49 | |
Well, it's such a shame that it's all been broken up, but actually, | 0:06:49 | 0:06:53 | |
even salvaging the top of this table is going to be worth it. | 0:06:53 | 0:06:55 | |
Cos though it's been left outside for days and days, | 0:06:55 | 0:06:58 | |
and it's been out in the wet, it's got so much potential, | 0:06:58 | 0:07:01 | |
because I know where to take it to, and I've got a fair idea about | 0:07:01 | 0:07:03 | |
what they might be able to make out of it. | 0:07:03 | 0:07:05 | |
So I'm going to take it just like it is, | 0:07:05 | 0:07:07 | |
and hopefully make some money out of it. | 0:07:07 | 0:07:10 | |
Say hello to Josh and Oli. | 0:07:12 | 0:07:14 | |
Designer makers, business partners and best friends. | 0:07:17 | 0:07:21 | |
These boys use natural and recycled materials to create | 0:07:22 | 0:07:27 | |
handcrafted furnishings and high-end interior pieces. | 0:07:27 | 0:07:31 | |
We kind of joined forces in 2013 and started working together. | 0:07:34 | 0:07:38 | |
The best thing about working here is probably when you have a new idea | 0:07:38 | 0:07:43 | |
for something and you just come in, you've got all the tools you need, | 0:07:43 | 0:07:46 | |
you can kind of sit down with your sketchbook. | 0:07:46 | 0:07:49 | |
The feeling that you get when you make something actually original | 0:07:49 | 0:07:52 | |
and it's come from your mind, | 0:07:52 | 0:07:53 | |
and you then take that idea and bring it into the physical world, | 0:07:53 | 0:07:57 | |
yeah - it's an amazing feeling. | 0:07:57 | 0:07:59 | |
Josh and Oli may like a challenge, | 0:07:59 | 0:08:00 | |
but they might not be so keen when they see Sarah's pile of old tr... | 0:08:00 | 0:08:06 | |
Well, table, I suppose. | 0:08:06 | 0:08:08 | |
Two items loaded into the Money For Nothing van. | 0:08:14 | 0:08:18 | |
Now it's time for Sarah to search for her own pound-making project. | 0:08:18 | 0:08:23 | |
Just going to drum up a few more customers. | 0:08:23 | 0:08:25 | |
You say "drum up", I say "scare away". | 0:08:28 | 0:08:31 | |
Which is exactly what I hope you haven't done to Jimmy, | 0:08:32 | 0:08:36 | |
who's about to add some colour to today's proceedings. | 0:08:36 | 0:08:40 | |
-Hiya. -Hello. -What are you doing up here today, then? | 0:08:40 | 0:08:42 | |
I'm just having a big clear-out of a few different things. | 0:08:42 | 0:08:47 | |
-Bits of old wood. -OK. | 0:08:47 | 0:08:48 | |
I've been doing a bit of work, | 0:08:48 | 0:08:50 | |
so I'm just getting rid of the leftovers. | 0:08:50 | 0:08:52 | |
I like the look of these. | 0:08:52 | 0:08:53 | |
Have the kids just had enough of those, then? | 0:08:53 | 0:08:56 | |
-Yeah, the youngest is six today. -Oh, really? -So just getting rid. | 0:08:56 | 0:08:59 | |
I've asked a few people and nobody seems to want them. | 0:08:59 | 0:09:02 | |
-Can I have a look at them? -Yeah, yeah. | 0:09:02 | 0:09:06 | |
There was more than that originally, but a few have been lost. | 0:09:06 | 0:09:09 | |
-I know, yeah. I can imagine why. -Yeah. | 0:09:09 | 0:09:11 | |
I think they're really appealing. | 0:09:11 | 0:09:13 | |
I reckon there's something that could be done with those. | 0:09:13 | 0:09:16 | |
Would you mind if I took them away | 0:09:16 | 0:09:17 | |
-and tried to make something out of them? -No, that's fine. | 0:09:17 | 0:09:20 | |
-I'm only throwing them out. -I don't know what I'm going to do with them, | 0:09:20 | 0:09:22 | |
but I'm going to have a good think, and hopefully, if I make something, | 0:09:22 | 0:09:25 | |
can I come and show you and the kids what I've done with them? | 0:09:25 | 0:09:28 | |
-Yeah, that would be great. -Lovely. Excellent. | 0:09:28 | 0:09:30 | |
-Well, thank you so much for those. -OK, no problem. | 0:09:30 | 0:09:32 | |
I'll have to start thinking now. | 0:09:32 | 0:09:33 | |
-Have a good day. -OK, thanks. | 0:09:33 | 0:09:36 | |
Hmm, you may have to break out the extra large thinking cap | 0:09:36 | 0:09:40 | |
for this one, Sarah. | 0:09:40 | 0:09:41 | |
Help her out, Jimmy. Any ideas yourself? | 0:09:41 | 0:09:45 | |
I'm not really sure what Sarah's going to do with the balls. | 0:09:45 | 0:09:48 | |
Maybe some sort of decorative item for the kids' bedroom, | 0:09:48 | 0:09:53 | |
or something like that. | 0:09:53 | 0:09:54 | |
There are plenty of colours there, bright colours. | 0:09:54 | 0:09:58 | |
I'm thinking maybe she'll string them together, | 0:09:58 | 0:10:01 | |
or somehow put them all together. | 0:10:01 | 0:10:04 | |
Not a bad shout, Jimmy. | 0:10:04 | 0:10:05 | |
Sarah? | 0:10:05 | 0:10:06 | |
Well, you probably think I'm a bit mad taking these. | 0:10:06 | 0:10:08 | |
Correct. | 0:10:08 | 0:10:09 | |
But I reckon they've got potential. | 0:10:09 | 0:10:11 | |
I mean, there must be probably, what? Nearly 100 of them? | 0:10:11 | 0:10:13 | |
And 100 of anything, I've got to be able to make something out of them. | 0:10:13 | 0:10:18 | |
In fact, I've got a little idea that might work. | 0:10:18 | 0:10:20 | |
I'll show you later. | 0:10:22 | 0:10:24 | |
Fantastic. | 0:10:24 | 0:10:25 | |
I can hardly wait(!) | 0:10:25 | 0:10:27 | |
There it is, then, three items found. | 0:10:30 | 0:10:33 | |
Anthony will take the lead with Ian's stools, | 0:10:34 | 0:10:37 | |
the weather-beaten old oak table will be handled by Josh and Oli, | 0:10:37 | 0:10:42 | |
and Sarah will get creative with Jimmy's multicoloured play balls. | 0:10:42 | 0:10:47 | |
We've had a great time gathering. | 0:10:48 | 0:10:50 | |
Now we're going to go and make some beautiful things. | 0:10:50 | 0:10:54 | |
Manchester - once famous for its cotton mills and textile factories. | 0:10:59 | 0:11:04 | |
Now a whole new generation of fabric fanciers are bringing that tradition | 0:11:04 | 0:11:09 | |
into the present. | 0:11:09 | 0:11:11 | |
And not least among them, our kid Anthony, the upholsterer. | 0:11:11 | 0:11:15 | |
Well, I've got three stools, 12 legs, | 0:11:18 | 0:11:20 | |
and no idea of how to turn a profit. | 0:11:20 | 0:11:23 | |
But I'm here to see a man who will. | 0:11:23 | 0:11:24 | |
-Hello? -Oh, hello! | 0:11:27 | 0:11:29 | |
-How are you? -I'm good, how are you? | 0:11:29 | 0:11:32 | |
-What have you got? -Help! | 0:11:32 | 0:11:33 | |
Help me. I need help. | 0:11:33 | 0:11:36 | |
What do you reckon? | 0:11:36 | 0:11:38 | |
Very nice. | 0:11:38 | 0:11:39 | |
And...that. | 0:11:39 | 0:11:42 | |
-Nice. -I like them. | 0:11:44 | 0:11:46 | |
-For what reason do you like them? -They've got great legs. -They have. | 0:11:46 | 0:11:49 | |
These have been at the hand of a serial upcycler, | 0:11:49 | 0:11:52 | |
because I think they're supposed to be chairs, aren't they? | 0:11:52 | 0:11:55 | |
Yes, they are chairs. | 0:11:55 | 0:11:57 | |
And they've got layers and layers of upholstery on them already. | 0:12:00 | 0:12:03 | |
These are the bases to the exact dining chairs I have at home. | 0:12:03 | 0:12:10 | |
So we just need to put the back on. | 0:12:10 | 0:12:12 | |
If you can put the backs on the chairs, | 0:12:12 | 0:12:14 | |
that's beyond my expectations. | 0:12:14 | 0:12:15 | |
Something fresh, something smart. | 0:12:15 | 0:12:17 | |
But I think this little stool could actually be the icing on the cake. | 0:12:17 | 0:12:20 | |
-Right. -I thought you could use the legs | 0:12:20 | 0:12:23 | |
to make a lovely, big foot stool | 0:12:23 | 0:12:26 | |
to go with them. | 0:12:26 | 0:12:27 | |
But I think it has to be in scale with the chairs, | 0:12:27 | 0:12:29 | |
and if we put the same sort of fabric on all of it, | 0:12:29 | 0:12:32 | |
then I'm thinking it can be sold together as a lovely trio. | 0:12:32 | 0:12:35 | |
So, Sarah has got a clear vision for our tip rejects, | 0:12:37 | 0:12:41 | |
but is Anthony feeling it? | 0:12:41 | 0:12:43 | |
Looking at it all, I mean, we've got quite a bit of work to do with this, | 0:12:43 | 0:12:46 | |
quite a bit of work to do with this. | 0:12:46 | 0:12:47 | |
We've basically got everything to do, bar the legs, on this. | 0:12:47 | 0:12:52 | |
The fabric is going to be mind-blowingly spectacular, | 0:12:52 | 0:12:57 | |
but obviously it costs a reasonable amount of money. | 0:12:57 | 0:13:01 | |
But we're only using small amounts of it, which is going to be good. | 0:13:01 | 0:13:04 | |
Stop beating around the bush, Anthony. | 0:13:04 | 0:13:06 | |
What's it going to cost Sarah? | 0:13:06 | 0:13:08 | |
Cutting to the chase...675. | 0:13:08 | 0:13:11 | |
675 quid sounds like a lot of money, | 0:13:11 | 0:13:15 | |
but I've got this vision that you're going to make it look fantastic, | 0:13:15 | 0:13:18 | |
-so go for it. -Brilliant. | 0:13:18 | 0:13:20 | |
Thank you for believing in me. | 0:13:20 | 0:13:22 | |
If you can come in under budget, though, that would be amazing. | 0:13:22 | 0:13:24 | |
Well, we'll see what we can do. One less biscuit. | 0:13:24 | 0:13:27 | |
Biscuits?! I don't get any biscuits. | 0:13:28 | 0:13:31 | |
Can someone get my agent on the line, please? | 0:13:31 | 0:13:33 | |
Well, we could have gone down the safe route. | 0:13:33 | 0:13:35 | |
We could have just covered the chair seats | 0:13:35 | 0:13:37 | |
and maybe shoved the foot stool aside - but we haven't. | 0:13:37 | 0:13:40 | |
I've commissioned over 600 quids' worth of furniture, | 0:13:40 | 0:13:44 | |
but I think it's going to look really impressive. | 0:13:44 | 0:13:47 | |
I think so, too, Sarah. | 0:13:47 | 0:13:50 | |
Anthony has a budget of £675 to give this confused trio a new identity. | 0:13:50 | 0:13:57 | |
No easy task, so you may need that extra biscuit, Anthony. | 0:13:57 | 0:14:03 | |
In deepest West Sussex, close to the sleepy hamlet of Halnaker, | 0:14:04 | 0:14:09 | |
lies the workshop of Josh and Oli. | 0:14:09 | 0:14:12 | |
Which is where Sarah has brought her bits of old oak table | 0:14:13 | 0:14:17 | |
to leave with the boys. | 0:14:17 | 0:14:18 | |
I'm sure they'll be delighted! | 0:14:18 | 0:14:20 | |
It's at times like this I wonder what exactly was it | 0:14:21 | 0:14:24 | |
that I saw in this table at the tip. | 0:14:24 | 0:14:26 | |
I'm hoping that Josh and Oli have got some good ideas, | 0:14:26 | 0:14:30 | |
cos at the moment this is not looking like a moneymaker. | 0:14:30 | 0:14:33 | |
Sarah brings us things that are quite kind of niche, | 0:14:36 | 0:14:40 | |
and she already has a bit of an idea where she wants to take them. | 0:14:40 | 0:14:44 | |
But then we kind of like say... | 0:14:44 | 0:14:46 | |
-We usually just do our own thing. -Yeah - "We don't want to do that, | 0:14:46 | 0:14:48 | |
"no, we're going to do something completely different." | 0:14:48 | 0:14:51 | |
But that's what we like, doing the thing that isn't really so obvious. | 0:14:51 | 0:14:54 | |
Yeah. | 0:14:54 | 0:14:56 | |
-Hiya. -Hello. | 0:14:56 | 0:14:58 | |
-How are you doing? -Good. -How are you? -Yeah, good. | 0:14:58 | 0:15:00 | |
-How are you doing? -Yeah. | 0:15:00 | 0:15:02 | |
Don't look at the trolley. Don't look at the trolley! | 0:15:02 | 0:15:04 | |
Step away from the trolley! | 0:15:04 | 0:15:05 | |
-Oh, OK. -Nice. | 0:15:05 | 0:15:08 | |
Is it? I wasn't quite sure. | 0:15:08 | 0:15:09 | |
That's some oak. | 0:15:09 | 0:15:11 | |
Um, what do you think? | 0:15:16 | 0:15:18 | |
-I think it's all right. -It's nice wood. | 0:15:18 | 0:15:20 | |
Yeah, it's certainly nice wood. | 0:15:20 | 0:15:22 | |
-Quite heavy, isn't it? -Yeah. | 0:15:24 | 0:15:25 | |
So it is oak, isn't it? | 0:15:25 | 0:15:27 | |
-I thought, that's why it weighs so much, isn't it? -Mmm. | 0:15:27 | 0:15:30 | |
Other than sort of a really funky restoration, | 0:15:30 | 0:15:33 | |
is there stuff that immediately springs to mind | 0:15:33 | 0:15:35 | |
that you could make it into? | 0:15:35 | 0:15:37 | |
I mean, I can't see us ever putting this back together | 0:15:37 | 0:15:40 | |
-into a table or anything. -It's not that stylish, is it? | 0:15:40 | 0:15:42 | |
It's just not really our cup of tea. | 0:15:42 | 0:15:44 | |
But we can certainly use the wood for something, | 0:15:46 | 0:15:48 | |
because they're nice boards. | 0:15:48 | 0:15:50 | |
We just started making a range of skateboards as well. | 0:15:50 | 0:15:53 | |
Skateboards sound mad! Is it big enough to make a few, then? | 0:15:53 | 0:15:56 | |
How many do you think you'd get out a something like this? | 0:15:56 | 0:15:58 | |
There's probably... | 0:15:58 | 0:16:00 | |
-four or five skateboards in there, I reckon. -Really? -Yeah. | 0:16:00 | 0:16:03 | |
I think that sounds like a total transformation. | 0:16:03 | 0:16:06 | |
That, for me, is really exciting. | 0:16:06 | 0:16:08 | |
I just can't imagine what they're going to look like. | 0:16:08 | 0:16:11 | |
We just use nice hardwoods to create a beautiful deck to it. | 0:16:11 | 0:16:16 | |
And then you just get these little trucks | 0:16:17 | 0:16:20 | |
and they're good for getting around and cruising places. | 0:16:20 | 0:16:22 | |
So this old oak table is about to become five upmarket skateboards. | 0:16:22 | 0:16:28 | |
So how much does a handmade, bespoke skateboard cost these days? | 0:16:28 | 0:16:33 | |
-What about, like, 110 per board? -OK. | 0:16:33 | 0:16:36 | |
I mean, there are some people who are going to think I'm bonkers | 0:16:36 | 0:16:39 | |
saying 550 quid on skateboards. | 0:16:39 | 0:16:43 | |
But if you love them, and they're your thing, | 0:16:43 | 0:16:45 | |
I know they're going to be amazing. | 0:16:45 | 0:16:48 | |
Get to it! Get to it! | 0:16:48 | 0:16:49 | |
-Thanks, Sarah. -Thank you. | 0:16:49 | 0:16:51 | |
550 quid to turn an old table into skateboards. | 0:16:52 | 0:16:56 | |
I must be bonkers. | 0:16:56 | 0:16:58 | |
-Skateboards. -Yeah. | 0:16:58 | 0:17:00 | |
Yeah. Good, actually. Yeah, it's good, because... | 0:17:00 | 0:17:04 | |
-Any opportunity to make a skateboard, really. -Yeah. | 0:17:04 | 0:17:06 | |
It's quite current for us as well, so... | 0:17:06 | 0:17:09 | |
Yeah. We're kind of in that zone anyway. | 0:17:09 | 0:17:12 | |
And it'll be fun to make some more skateboards. | 0:17:12 | 0:17:14 | |
So, it'll be cool. | 0:17:14 | 0:17:16 | |
Sarah's looking at five skateboards at £110 each. | 0:17:16 | 0:17:20 | |
That's a whopping £550 in total. | 0:17:20 | 0:17:24 | |
I can't wait to see if Josh and Oli can flip this one around. | 0:17:24 | 0:17:28 | |
Just ten miles from Josh and Oli, | 0:17:33 | 0:17:35 | |
Sarah is about to take on her own challenge. | 0:17:35 | 0:17:38 | |
And it will ho-ho-hopefully be a successful one. | 0:17:40 | 0:17:45 | |
There's one for you, look! | 0:17:45 | 0:17:47 | |
Ooh! | 0:17:47 | 0:17:48 | |
Marble loves a tip find. | 0:17:48 | 0:17:51 | |
These ones are for me, though. Don't touch these. | 0:17:51 | 0:17:54 | |
Well, the moment I saw this lovely bag full of play balls, I thought, | 0:17:56 | 0:18:00 | |
"I know, I'm going to make Christmas decorations out of that lot." | 0:18:00 | 0:18:03 | |
So I thought I'd channel a little bit of Victoriana, | 0:18:03 | 0:18:06 | |
cos they were the original Christmas fans, | 0:18:06 | 0:18:08 | |
and use some old eiderdown fabrics, a bit of vintage wedding dress, | 0:18:08 | 0:18:13 | |
and dress these lot up to be a set of heirloom Christmas baubles. | 0:18:13 | 0:18:17 | |
I want them to be saleable and the kind of thing that people want to | 0:18:17 | 0:18:20 | |
hang on to, and use year after year. | 0:18:20 | 0:18:23 | |
Not only were the Victorians crackers about Christmas, | 0:18:24 | 0:18:28 | |
they played a huge part in laying the foundations for the way | 0:18:28 | 0:18:32 | |
it's celebrated today. | 0:18:32 | 0:18:33 | |
Prince Albert introduced the Christmas tree to the Royal Family. | 0:18:34 | 0:18:38 | |
And the idea of baubles grew from the family custom of handing out | 0:18:38 | 0:18:42 | |
decorations filled with sweetmeats to nibble on. | 0:18:42 | 0:18:47 | |
First things first for Sarah - cutting the fabric. | 0:18:47 | 0:18:50 | |
So the basic idea is to cut little slightly eye-shaped | 0:18:50 | 0:18:53 | |
pieces of fabric, like that. | 0:18:53 | 0:18:56 | |
That will stretch from... | 0:18:56 | 0:18:58 | |
The top to the bottom of each ball, leaving a little gap at the bottom. | 0:18:58 | 0:19:02 | |
I'm going to paste them in place. | 0:19:02 | 0:19:04 | |
When they start building up, | 0:19:04 | 0:19:05 | |
hopefully I'm going to cover the bauble all the way round | 0:19:05 | 0:19:08 | |
in this pretty fabric. | 0:19:08 | 0:19:10 | |
And then I'll put a little ring at the bottom and the top, | 0:19:10 | 0:19:12 | |
and a...loop on the top to attach it, | 0:19:12 | 0:19:14 | |
so it can hang from the Christmas tree. | 0:19:14 | 0:19:16 | |
So once you've got a good number of those segments cut, | 0:19:22 | 0:19:25 | |
it's time to glue. | 0:19:25 | 0:19:26 | |
Now that is PVA glue. | 0:19:26 | 0:19:28 | |
It's children's glue, it's non-toxic. | 0:19:28 | 0:19:31 | |
It's easy to wash out of your clothes. | 0:19:31 | 0:19:34 | |
And it dries clear, which is essential for this. | 0:19:34 | 0:19:36 | |
So all I'm going to do is paste a little bit of the glue | 0:19:36 | 0:19:40 | |
on the section one of these balls. | 0:19:40 | 0:19:42 | |
And then attach a bit of the fabric. | 0:19:45 | 0:19:48 | |
Once they're all nicely in place, | 0:19:57 | 0:20:00 | |
put plenty of glue over the top, | 0:20:00 | 0:20:02 | |
and that'll just make sure they're tightly stuck on, | 0:20:02 | 0:20:04 | |
and the whole bauble is sealed. | 0:20:04 | 0:20:06 | |
It is a messy business. | 0:20:07 | 0:20:09 | |
Indeed. But messy equals fun. | 0:20:11 | 0:20:14 | |
Sarah's breaking down the job to six balls at a time. | 0:20:14 | 0:20:19 | |
Once the first bits of fabric are glued on, | 0:20:19 | 0:20:22 | |
it's time to break out the scalloped-edged scissors. | 0:20:22 | 0:20:26 | |
"The what?" I hear you say? | 0:20:26 | 0:20:27 | |
It's for making things look pretty. | 0:20:27 | 0:20:30 | |
So now's the time to finish them off with some pretty festive trimmings, | 0:20:30 | 0:20:34 | |
like this old wedding dress is really doing the trick. | 0:20:34 | 0:20:36 | |
It only cost four quid at the car boot. | 0:20:36 | 0:20:39 | |
Now... | 0:20:40 | 0:20:42 | |
It's going to be a really pretty little rough | 0:20:42 | 0:20:44 | |
to go on the top edge of these. | 0:20:44 | 0:20:46 | |
Like that. | 0:20:47 | 0:20:49 | |
SHE SIGHS | 0:20:50 | 0:20:52 | |
Only 50 more to go. | 0:20:52 | 0:20:53 | |
Well, we'd better leave you to it, Sarah, | 0:20:55 | 0:20:58 | |
or Christmas might be cancelled. | 0:20:58 | 0:21:00 | |
But having spent £30 on material so far, | 0:21:02 | 0:21:05 | |
will there be a reason to be jolly? | 0:21:05 | 0:21:08 | |
Let's hope so. | 0:21:08 | 0:21:09 | |
While Sarah cracks on, it's time to head to Manchester, | 0:21:14 | 0:21:19 | |
where upholsterer Anthony has begun work on the trio of old footstools, | 0:21:19 | 0:21:25 | |
which he plans to make into two chairs and a bench. | 0:21:25 | 0:21:29 | |
So we'll get all that sanded down and cleaned up. | 0:21:29 | 0:21:31 | |
And then we're just going to kind of touch over it with wax | 0:21:31 | 0:21:35 | |
to make them all nice. | 0:21:35 | 0:21:37 | |
While the bases of the chairs are being sanded, | 0:21:38 | 0:21:41 | |
Anthony will work on the third seat, which will help form his bench. | 0:21:41 | 0:21:46 | |
So this is the frame for the bench, | 0:21:50 | 0:21:55 | |
which matches the two stools/chairs that Sarah's dropped off. | 0:21:55 | 0:22:00 | |
So what Tom is doing is just measuring up for the plates | 0:22:00 | 0:22:06 | |
so we can angle the legs | 0:22:06 | 0:22:08 | |
to replicate the legs of the chairs/stools. | 0:22:08 | 0:22:11 | |
With the height and length of the new bench done, | 0:22:18 | 0:22:21 | |
it's time for Anthony to work his magic with the upholstery. | 0:22:21 | 0:22:24 | |
The span of the seat frame is stapled with webbing. | 0:22:26 | 0:22:30 | |
Burlap material is then attached to give it an even surface | 0:22:30 | 0:22:34 | |
to fix the foam to. | 0:22:34 | 0:22:36 | |
This seat padding foam is secured with spray glue and staples. | 0:22:36 | 0:22:41 | |
So this is dacron. | 0:22:43 | 0:22:45 | |
This, here, is to take out the friction from your foam, | 0:22:45 | 0:22:50 | |
to allow your fabric to glide. | 0:22:50 | 0:22:53 | |
Oh, made for it! | 0:22:54 | 0:22:57 | |
So now we have the fire retardancy on, | 0:22:57 | 0:22:59 | |
what you can notice as well is the shape that's starting to develop. | 0:22:59 | 0:23:03 | |
So that is all the hard work and the stress and strain done. | 0:23:03 | 0:23:06 | |
So I'm going to decide upon the actual choice of fabric. Bink! | 0:23:06 | 0:23:10 | |
"Bink" is the universal upholsterer's sound effect | 0:23:10 | 0:23:13 | |
for "job done". | 0:23:13 | 0:23:15 | |
So, with the bench now ready to be covered, | 0:23:16 | 0:23:19 | |
Anthony turns his attention to the chairs. | 0:23:19 | 0:23:22 | |
Anthony has decided to use a flexible plywood for the backs. | 0:23:25 | 0:23:29 | |
Measured and screwed into the existing frame, | 0:23:29 | 0:23:32 | |
the flexibility of the plywood allows the back to bend | 0:23:32 | 0:23:36 | |
with the curve of the frame, without it breaking or cracking. | 0:23:36 | 0:23:40 | |
Very cool. | 0:23:40 | 0:23:42 | |
What I've done is I've now shaped the back. | 0:23:42 | 0:23:46 | |
So we'll have a pair like this, and then we've got the bench, | 0:23:47 | 0:23:51 | |
which will also have a back on it, like so. | 0:23:51 | 0:23:54 | |
And like the bench, foam is attached to the back. | 0:23:56 | 0:24:00 | |
Followed swiftly by dacron and fire retardancy layers. | 0:24:01 | 0:24:06 | |
So I'm happy with the back now, we've got good shape. | 0:24:06 | 0:24:08 | |
It's going to be nice and comfy. | 0:24:08 | 0:24:10 | |
So now I'm going to turn my attention to the seat. | 0:24:10 | 0:24:12 | |
So far, so good, Anthony, but there's still a long way to go. | 0:24:15 | 0:24:19 | |
More importantly, fabric has yet to be chosen. | 0:24:19 | 0:24:23 | |
Will Sarah be pleased with the result? | 0:24:23 | 0:24:27 | |
I do hope so. | 0:24:27 | 0:24:29 | |
From Manchester we head south to West Sussex where, | 0:24:34 | 0:24:38 | |
in the workshop of Josh and Oli, | 0:24:38 | 0:24:40 | |
work is about to begin to turn an old oak table into skateboards. | 0:24:40 | 0:24:46 | |
-Right, work out how many boards we can get out of this. -Yeah. | 0:24:46 | 0:24:49 | |
Let's have a little measure up. | 0:24:51 | 0:24:54 | |
We can get two strips out of each. | 0:24:54 | 0:24:56 | |
Where we've got...the original hinges on there, | 0:24:56 | 0:25:00 | |
that's one more thing that we're going to have to work around. | 0:25:00 | 0:25:03 | |
I'm sure there will be quite a bit of wood in it, | 0:25:03 | 0:25:05 | |
but we've just got to bear in mind things like that. | 0:25:05 | 0:25:07 | |
Because you don't want a hole on the bottom of your skateboard. | 0:25:07 | 0:25:10 | |
We'll just have to cut our strips around those points | 0:25:10 | 0:25:12 | |
and hope that we've got enough. | 0:25:12 | 0:25:15 | |
If I remember rightly, it was five skateboards that Sarah's expecting, | 0:25:15 | 0:25:20 | |
so I just hope that when all the hinges are removed and the holes cut around, | 0:25:20 | 0:25:25 | |
there's enough good wood left to glue back together. | 0:25:25 | 0:25:29 | |
I think we're about to find out. | 0:25:29 | 0:25:31 | |
Although it looks really rough on the outside, | 0:25:33 | 0:25:35 | |
you can tell it's still really nice oak in the middle, | 0:25:35 | 0:25:38 | |
so some nice wood. | 0:25:38 | 0:25:40 | |
Well, that's some good news at least. | 0:25:40 | 0:25:43 | |
So we're going to use a machine | 0:25:43 | 0:25:44 | |
to cut the shapes of the skateboards out. | 0:25:44 | 0:25:46 | |
So we need to make our rectangular blanks. | 0:25:46 | 0:25:50 | |
So Josh has cut the strips out and I need to work out... | 0:25:50 | 0:25:53 | |
Because we're going to glue them up with a contrasting wood, | 0:25:55 | 0:25:57 | |
so I need to work out how much of... | 0:25:57 | 0:26:00 | |
What size strips we need to make up the right size rectangle. | 0:26:00 | 0:26:04 | |
Once the calculations have been made, | 0:26:04 | 0:26:06 | |
Oli can begin to join the strips together using | 0:26:06 | 0:26:09 | |
a mortise and tenon method, | 0:26:09 | 0:26:11 | |
which involves routing matching slots in each piece of the wood | 0:26:11 | 0:26:15 | |
to be joined using a pre-prepared wooden biscuit. | 0:26:15 | 0:26:20 | |
I prefer to dunk mine into my tea, personally. | 0:26:20 | 0:26:23 | |
The pieces of wood can then be sandwiched together | 0:26:23 | 0:26:26 | |
and clamped until the glue is dry. | 0:26:26 | 0:26:29 | |
These blanks can then be trimmed and sanded, | 0:26:29 | 0:26:32 | |
ready to be cut into a skateboard shape. | 0:26:32 | 0:26:36 | |
This is the CNC machine, then. | 0:26:36 | 0:26:39 | |
And from the computer we've taken our vector diagram | 0:26:39 | 0:26:43 | |
and then put it into the machine. | 0:26:43 | 0:26:46 | |
And then it's going to cut it out on board there. | 0:26:46 | 0:26:50 | |
Plenty can go wrong with this machine, | 0:26:50 | 0:26:51 | |
as we've found out in the past! | 0:26:51 | 0:26:52 | |
If you don't get some of the settings right, | 0:26:52 | 0:26:55 | |
then you can bend or break the tools. | 0:26:55 | 0:26:57 | |
And then it's just wobbling all over the place, and it's kind of doing | 0:26:57 | 0:27:01 | |
loads of damage to your work and the board underneath. | 0:27:01 | 0:27:05 | |
It's quite scary when that happens because there's this big, loud, | 0:27:05 | 0:27:08 | |
powerful machine just going really wrong. | 0:27:08 | 0:27:10 | |
But hopefully that won't happen now. | 0:27:10 | 0:27:12 | |
We might have to evacuate the building, I think, if it goes wrong. | 0:27:12 | 0:27:16 | |
I'll tell you, and we'll just run for our lives! | 0:27:17 | 0:27:20 | |
Skateboard! | 0:27:24 | 0:27:26 | |
Not far from the boys at Sarah's house, | 0:27:32 | 0:27:35 | |
it's finishing touches time for the plastic play balls | 0:27:35 | 0:27:39 | |
turned Christmas decorations. | 0:27:39 | 0:27:41 | |
I'm hoping the little roughs are going to add | 0:27:41 | 0:27:43 | |
that kind of Victorian charm to the top, | 0:27:43 | 0:27:45 | |
and a bit of value, because I think if it was just a plain bauble, | 0:27:45 | 0:27:49 | |
I don't think I'm going to get as much money for one like that. | 0:27:49 | 0:27:52 | |
When Sarah found these play balls, they were destined for the skip. | 0:27:52 | 0:27:56 | |
Now I think we should be very proud of her efforts on this occasion. | 0:27:59 | 0:28:05 | |
Showing wonderful creativity in turning unwanted plastic | 0:28:05 | 0:28:09 | |
into reusable pieces of Christmas decoration. | 0:28:09 | 0:28:13 | |
Beautiful on their own, and all boxed up, | 0:28:13 | 0:28:16 | |
they'll look great on the tree - and under it, too. | 0:28:16 | 0:28:19 | |
Even Santa would be impressed. | 0:28:23 | 0:28:25 | |
I'm really pleased how these have turned out in the end. | 0:28:29 | 0:28:32 | |
They don't look like a play ball now, do they? | 0:28:32 | 0:28:34 | |
But what I've tried to do is package them so they look really appealing. | 0:28:34 | 0:28:37 | |
I want to sell these as heirloom Christmas decorations, | 0:28:37 | 0:28:39 | |
the kind of thing you keep and use every year, | 0:28:39 | 0:28:42 | |
you put away and you treasure them. | 0:28:42 | 0:28:43 | |
So I've packed them up into these little tins, a couple of quid each, | 0:28:43 | 0:28:47 | |
with all the trimmings. | 0:28:47 | 0:28:48 | |
And I'm hoping that that way they've got the maximum amount of appeal. | 0:28:48 | 0:28:52 | |
Sarah first caught sight of these kids' soft play toys | 0:28:56 | 0:29:00 | |
as Jimmy was about to finally chuck them to make space for new toys. | 0:29:00 | 0:29:05 | |
So have the kids just had enough of those, then? | 0:29:05 | 0:29:07 | |
-Yeah, the youngest is six today. -Oh, really? | 0:29:07 | 0:29:11 | |
And I've asked a few people, and nobody seems to want them. | 0:29:11 | 0:29:14 | |
Until, of course, our Sarah saw the potential, | 0:29:14 | 0:29:18 | |
from balls of children's fun to balls of Christmas fun. | 0:29:18 | 0:29:21 | |
And it is the season to be jolly, | 0:29:24 | 0:29:26 | |
as Sarah sold all the decorations to The Pack House - | 0:29:26 | 0:29:31 | |
a vintage and antique store in Surrey. | 0:29:31 | 0:29:34 | |
Sales assistant Annie believes they're surprisingly versatile. | 0:29:34 | 0:29:38 | |
Because they are unique, they can be used in all sorts of different ways, | 0:29:38 | 0:29:43 | |
and still look fresh. | 0:29:43 | 0:29:45 | |
A good time for me to add a gentle reminder that great care should be | 0:29:46 | 0:29:50 | |
taken when placing any decorations close to lights. | 0:29:50 | 0:29:54 | |
Now Sarah is en route to Jimmy's to hand over some cash. | 0:29:56 | 0:30:01 | |
Hiya, how are you doing? Nice to see you again. | 0:30:01 | 0:30:04 | |
When we last met, you were dropping off some of your old children's toys | 0:30:04 | 0:30:08 | |
-at the tip, weren't you? -That's right, yeah. | 0:30:08 | 0:30:10 | |
Did you wonder what might have happened to them? | 0:30:10 | 0:30:12 | |
Yeah, I wondered what you might have made of them, really. | 0:30:12 | 0:30:14 | |
-Decorations was pretty much the route I went down. -Oh, yeah? | 0:30:14 | 0:30:17 | |
I thought they were round, I thought | 0:30:17 | 0:30:19 | |
I've seen these before, I'm sure I can do something with them. | 0:30:19 | 0:30:21 | |
So I've actually got some pictures here to show you how they ended up. | 0:30:21 | 0:30:24 | |
I went down the vintage route. | 0:30:24 | 0:30:26 | |
Inside these Christmas baubles are your children's play balls. | 0:30:26 | 0:30:30 | |
-What do you reckon? -Yeah, I wasn't expecting that. | 0:30:30 | 0:30:33 | |
Very nice, very smart. | 0:30:33 | 0:30:34 | |
And an interior design and fashion shop, | 0:30:34 | 0:30:36 | |
who specialise in vintage stuff in Farnham, | 0:30:36 | 0:30:39 | |
thought that their customers would love them, | 0:30:39 | 0:30:41 | |
so I've sold them and I've got some profit from them. | 0:30:41 | 0:30:44 | |
I don't know quite what you were expecting, but there's £115 here | 0:30:44 | 0:30:49 | |
that I made after I updated your play balls, so that's for you. | 0:30:49 | 0:30:53 | |
Oh, that's great, thank you. I wasn't expecting that, really. | 0:30:53 | 0:30:56 | |
What might you spend £115 on? | 0:30:56 | 0:30:58 | |
Maybe a day out somewhere. | 0:30:58 | 0:31:00 | |
-Oh, fantastic. With the children? -Yes. -And are they here? | 0:31:00 | 0:31:03 | |
Oh, yes, the children. | 0:31:03 | 0:31:05 | |
Of course it's vital that all parties | 0:31:05 | 0:31:07 | |
are satisfied with your workmanship. | 0:31:07 | 0:31:10 | |
I made them into Christmas decorations. | 0:31:10 | 0:31:12 | |
What do you think? | 0:31:12 | 0:31:14 | |
Seal of approval. | 0:31:14 | 0:31:16 | |
Result. | 0:31:16 | 0:31:17 | |
-Thank you ever so much. Bye, guys! -Bye. | 0:31:17 | 0:31:20 | |
Sarah spent £30 on materials. | 0:31:23 | 0:31:26 | |
The decorations were sold for £145, giving Jimmy a profit of £115. | 0:31:26 | 0:31:32 | |
Merry Christmas - when it comes! | 0:31:32 | 0:31:35 | |
In Manchester, Anthony's putting the finishing touches | 0:31:41 | 0:31:45 | |
to what were those sad-looking old stools. | 0:31:45 | 0:31:48 | |
And it's been a toughie. | 0:31:48 | 0:31:50 | |
So this one was a big challenge. | 0:31:50 | 0:31:52 | |
She left us with a couple of things that represented stools | 0:31:52 | 0:31:56 | |
and, basically, we had to pretty much start again. | 0:31:56 | 0:31:59 | |
A big challenge, this one. I really hope she likes it. | 0:31:59 | 0:32:02 | |
Well, I'm back in Manchester to pick up the two broken chairs | 0:32:04 | 0:32:07 | |
and a tired old footstool. | 0:32:07 | 0:32:08 | |
This could be three pieces sweet, or one project sour. | 0:32:08 | 0:32:12 | |
Sarah dropped off these DIY footstools, | 0:32:18 | 0:32:21 | |
knowing that Anthony was facing a very difficult task. | 0:32:21 | 0:32:25 | |
And boy, oh, boy, the man has delivered. | 0:32:28 | 0:32:31 | |
Keeping only the legs, | 0:32:34 | 0:32:35 | |
Anthony has used mind and muscle to create a natty little trio. | 0:32:35 | 0:32:40 | |
And he showed off his skills with the flexi ply-backs, | 0:32:43 | 0:32:47 | |
married with that funky fabric. | 0:32:47 | 0:32:49 | |
But what does Sarah think? | 0:32:51 | 0:32:53 | |
-Hey! -SHE GASPS | 0:32:55 | 0:32:58 | |
-I can't believe it. -Neither can I! | 0:32:58 | 0:33:00 | |
Is that really what I left you? | 0:33:00 | 0:33:02 | |
No! No, it isn't what you left us at all. | 0:33:02 | 0:33:05 | |
You left us...this. | 0:33:05 | 0:33:08 | |
I have been so excited about coming to see what you've done with these, | 0:33:08 | 0:33:11 | |
because I thought they were so bad when we left them | 0:33:11 | 0:33:14 | |
that you wouldn't be able to do anything with them. | 0:33:14 | 0:33:16 | |
-They were pretty bad. -They've come out beautifully. | 0:33:16 | 0:33:19 | |
So dark, so exciting. | 0:33:19 | 0:33:20 | |
-Do you like it? -Yeah, I think it's beautiful. | 0:33:20 | 0:33:23 | |
-Good. -I'm overwhelmed. | 0:33:23 | 0:33:25 | |
I have to admit, your response is justified. | 0:33:26 | 0:33:29 | |
I love them, too. | 0:33:29 | 0:33:31 | |
They look really classy, don't they? | 0:33:31 | 0:33:33 | |
Yes. I think it's the fabric | 0:33:33 | 0:33:34 | |
that's really kind of pulled it all together. | 0:33:34 | 0:33:37 | |
You should be really proud of that. | 0:33:37 | 0:33:38 | |
I think you've seen a vision and really pulled it off, | 0:33:38 | 0:33:41 | |
because they are looking amazing. | 0:33:41 | 0:33:43 | |
Here, here! Good job, Anthony. | 0:33:45 | 0:33:48 | |
So what do you think we sell this at? | 0:33:48 | 0:33:50 | |
Is it dining set height, is it coffee table? | 0:33:50 | 0:33:52 | |
Where are we putting it? | 0:33:52 | 0:33:54 | |
I think it's like a kind of small apartment... | 0:33:54 | 0:33:58 | |
Kind of a dining set that's not too imposing on the room. | 0:33:58 | 0:34:02 | |
Like a nice table height, everything will sit underneath it. | 0:34:02 | 0:34:05 | |
Nice little square table - blink! | 0:34:05 | 0:34:07 | |
All praise for Anthony at the moment. | 0:34:07 | 0:34:10 | |
But did he stay within the budget? | 0:34:10 | 0:34:13 | |
They look like a million dollars. | 0:34:13 | 0:34:15 | |
Tell me you did them for 675 quid? | 0:34:15 | 0:34:17 | |
Yes. Unless you want to pay me more, of course. | 0:34:17 | 0:34:20 | |
I'm going to quit while I'm ahead, say you've done a great job, | 0:34:20 | 0:34:23 | |
and come back and get those couriered away. | 0:34:23 | 0:34:26 | |
They're fantastic. | 0:34:26 | 0:34:28 | |
Well, that is more than a massive relief. | 0:34:31 | 0:34:33 | |
I cannot believe what Anthony has achieved. | 0:34:33 | 0:34:35 | |
I left him with literally some sticks of furniture, | 0:34:35 | 0:34:38 | |
and he has created something stylish, sleek. | 0:34:38 | 0:34:41 | |
And I think they might be saleable, too. | 0:34:41 | 0:34:44 | |
The upholstered stools belong to Ian, | 0:34:47 | 0:34:49 | |
who found Sarah's approach quite unexpected. | 0:34:49 | 0:34:53 | |
I'm very surprised that Sarah took the stools. | 0:34:53 | 0:34:55 | |
I didn't think they was worth anything. | 0:34:55 | 0:34:58 | |
And you would have been correct, Ian. | 0:34:58 | 0:35:00 | |
But that was before Anthony waved his magic tools. | 0:35:00 | 0:35:04 | |
And bing, job done! | 0:35:04 | 0:35:07 | |
The three-piece was snapped up by a home furnishing emporium in Chorley. | 0:35:08 | 0:35:13 | |
For owner Donna, purchasing the chairs was a no-brainer. | 0:35:15 | 0:35:20 | |
These are just beautiful. I love the colours. | 0:35:20 | 0:35:22 | |
I love the blues and the greens. It's just so current. | 0:35:22 | 0:35:25 | |
And then with the luxurious-looking black velvet as well, it's just... | 0:35:25 | 0:35:30 | |
I think these will appeal to quite a few people. | 0:35:30 | 0:35:33 | |
And now it's left to Sarah to hand over the profit. | 0:35:33 | 0:35:36 | |
-Hi there, Ian. -Hello, there. -Hi, nice to see you again. | 0:35:39 | 0:35:41 | |
-All right, thank you. -How are you doing? -Great. Great. | 0:35:41 | 0:35:45 | |
Now, you were dropping all sorts of stuff off at the recycling centre, | 0:35:45 | 0:35:50 | |
and in particular those little stools that you dropped off. | 0:35:50 | 0:35:53 | |
And did you wonder what might happen to them after I took them away? | 0:35:53 | 0:35:56 | |
No, no... | 0:35:56 | 0:35:57 | |
I was just puzzled as to what you could do with something like that. | 0:35:57 | 0:36:00 | |
I was going to throw them in the skip. | 0:36:00 | 0:36:02 | |
I've got some pictures here to show you what happened to them. | 0:36:02 | 0:36:05 | |
Here's pictures of them how you probably remember them. | 0:36:05 | 0:36:07 | |
Yes, oh, ooh... Yes. | 0:36:07 | 0:36:10 | |
And here's how they ended up. | 0:36:10 | 0:36:12 | |
Oh, you're joking? I'm just shocked. | 0:36:12 | 0:36:15 | |
-I don't know what to think. They're brilliant! -Yeah? | 0:36:15 | 0:36:17 | |
-Are you surprised? -Very. Very. -I did manage to sell them, actually. | 0:36:17 | 0:36:20 | |
-You're joking? -I've got £75 here for you. | 0:36:20 | 0:36:22 | |
From the sale of your old stools | 0:36:22 | 0:36:25 | |
transformed into a little dining set, so that's for you. | 0:36:25 | 0:36:27 | |
-Oh, thank you! -Complete pleasure. -I didn't think they was worth a penny. | 0:36:27 | 0:36:31 | |
Well, I'm so pleased we managed to make a little bit of profit for you. | 0:36:31 | 0:36:33 | |
-What might you do with £75? -I've got my three children. | 0:36:33 | 0:36:36 | |
-I know with three children, there's always something that one of them needs. -Never ends! | 0:36:36 | 0:36:40 | |
-Lovely to catch up. -Thanks ever so much. Thank you very much. | 0:36:40 | 0:36:42 | |
-OK, bye-bye. -Bye, then, bye. | 0:36:42 | 0:36:44 | |
Anthony charged £675 for the makeover. | 0:36:51 | 0:36:56 | |
Sarah sold the three-piece for £750. | 0:36:56 | 0:36:59 | |
The £75 of profit passed on to Ian. | 0:37:01 | 0:37:04 | |
With profit provided by today's first two items, | 0:37:13 | 0:37:17 | |
Sarah's back at the workshop of Josh and Oli | 0:37:17 | 0:37:19 | |
to find out what became of that old oak table. | 0:37:19 | 0:37:23 | |
Definitely an enjoyable one, making these skateboards. | 0:37:25 | 0:37:27 | |
We're really happy with how they've turned out. | 0:37:27 | 0:37:29 | |
It's really nice they've got this kind of old school feel to them. | 0:37:29 | 0:37:32 | |
They don't only look good, but they're good fun to ride, as well. | 0:37:32 | 0:37:36 | |
I've come to see the kings of cool, Josh and Oli, | 0:37:37 | 0:37:40 | |
to see if they've managed to kickflip that old table | 0:37:40 | 0:37:42 | |
into some fabulous skateboards. | 0:37:42 | 0:37:44 | |
Kickflip? | 0:37:44 | 0:37:45 | |
HE SIGHS She's gone all down with the kids. | 0:37:45 | 0:37:48 | |
Before, the old table was legless. | 0:37:48 | 0:37:51 | |
But now... | 0:37:51 | 0:37:52 | |
Josh and Oli have created five bespoke skateboards. | 0:37:52 | 0:37:57 | |
By using strips of the oak table and adding a few extra pieces of maple, | 0:37:57 | 0:38:02 | |
they've created a two-tone effect. | 0:38:02 | 0:38:05 | |
Penny trucks are the metal components that hold the wheels, | 0:38:05 | 0:38:09 | |
and a nonslip surface has been added to the top. | 0:38:09 | 0:38:13 | |
I must admit, they do look the part. | 0:38:13 | 0:38:16 | |
But will Sarah think so? | 0:38:16 | 0:38:18 | |
-Hiya! -Hiya, how are you? -Yeah, really well, how are you? | 0:38:18 | 0:38:21 | |
-Good, thanks. -Where's the big one? -Er... | 0:38:21 | 0:38:25 | |
Now, have you done a risk assessment doing that? | 0:38:25 | 0:38:27 | |
-Yup, of course! -You're really good at it, aren't you? | 0:38:27 | 0:38:30 | |
So, was that something that you made out of the table down there? | 0:38:30 | 0:38:33 | |
Not this one, but maybe some under here. | 0:38:33 | 0:38:35 | |
-So it worked, then? -Yeah. | 0:38:35 | 0:38:37 | |
-Come on, then! -Want to see? -Yeah! | 0:38:37 | 0:38:39 | |
They look... Well, I know they're brand-new. | 0:38:43 | 0:38:46 | |
They're amazing. Aren't they cool? | 0:38:46 | 0:38:48 | |
-Beautiful. -So we've mixed the old oak with some new maple. | 0:38:48 | 0:38:53 | |
-OK. -Just to give these nice kind of stripes. | 0:38:53 | 0:38:56 | |
And then... Yeah. | 0:38:56 | 0:38:58 | |
Aren't they cool? | 0:38:58 | 0:39:00 | |
I mean, just 100% edgy. | 0:39:00 | 0:39:03 | |
They're fantastic. | 0:39:03 | 0:39:04 | |
Yeah, they're penny-style skateboards, | 0:39:04 | 0:39:06 | |
like old-school surfer style. | 0:39:06 | 0:39:07 | |
Like, you can't do too many tricks on them, it's not like you can go | 0:39:07 | 0:39:10 | |
down the skate park and do a kickflip or whatever. | 0:39:10 | 0:39:12 | |
I wasn't expecting to be able to do that, but... | 0:39:12 | 0:39:14 | |
They're for getting from A to B. | 0:39:14 | 0:39:16 | |
They're for really smooth rolling around, | 0:39:16 | 0:39:18 | |
down the promenade or whatever. | 0:39:18 | 0:39:19 | |
Cruising along on these, they are cool, aren't they? | 0:39:19 | 0:39:22 | |
-Yeah. -Really clever stuff. | 0:39:22 | 0:39:23 | |
Did they come out on-budget? | 0:39:23 | 0:39:25 | |
Because I think we had, with everything, £110 a board. | 0:39:25 | 0:39:30 | |
Yes, I think comfortably on-budget for these ones, yeah. | 0:39:30 | 0:39:32 | |
Yeah? They are beautifully crafted things. | 0:39:32 | 0:39:36 | |
-Thank you. -They look great. | 0:39:36 | 0:39:38 | |
Crisp. Saleable. | 0:39:38 | 0:39:40 | |
I'm going to go and share them with my coolest friends, | 0:39:40 | 0:39:43 | |
and see what I can make out of them. | 0:39:43 | 0:39:45 | |
Lovely. Well, I'm going to take my favourite one, | 0:39:45 | 0:39:47 | |
-and say, thank you very much. -All right. | 0:39:47 | 0:39:49 | |
-Cheers, Sarah. -See you later, boys. Bye. | 0:39:49 | 0:39:52 | |
Sarah's going to get in touch with her coolest friends. | 0:39:52 | 0:39:55 | |
PHONE RINGS Oh, hang on, I've got a call coming through. | 0:39:55 | 0:39:58 | |
-Sarah seemed well chuffed with them. -Definitely. -Which was really cool. | 0:39:58 | 0:40:01 | |
Yeah, it was a really nice project to do, just both being skaters, | 0:40:01 | 0:40:06 | |
it was just nice to turn one of the items into these boards, | 0:40:06 | 0:40:09 | |
so that's cool. | 0:40:09 | 0:40:11 | |
Yeah, I think they've come out real nice, as well. | 0:40:11 | 0:40:13 | |
Well, look what they've done with that dodgy old table. | 0:40:15 | 0:40:18 | |
Such cool design. | 0:40:18 | 0:40:20 | |
These skateboards are beautiful. | 0:40:20 | 0:40:22 | |
Obviously I'd skate home on it, but I don't want to ruin the tracks(!) | 0:40:22 | 0:40:25 | |
When Sarah saw William, he was dumping his daughter's old table, | 0:40:25 | 0:40:30 | |
and the damage had already been done. | 0:40:30 | 0:40:32 | |
Unfortunately, I've broke it up. | 0:40:32 | 0:40:35 | |
I couldn't get it in my car. | 0:40:35 | 0:40:37 | |
Undeterred, Sarah took it anyway. | 0:40:37 | 0:40:40 | |
I haven't got a clue what Sarah's going to do with it, | 0:40:40 | 0:40:42 | |
but she might turn it into something wonderful. | 0:40:42 | 0:40:46 | |
It looks like a big loo seat at the moment, doesn't it? Look! | 0:40:46 | 0:40:50 | |
Fortunately for us all, Sarah didn't make the table into a loo seat. | 0:40:50 | 0:40:54 | |
But she was quick to advertise the skateboards on Instagram, | 0:40:54 | 0:40:58 | |
and two sold instantly. | 0:40:58 | 0:41:00 | |
The three remaining boards were snapped up as a job lot by Nick | 0:41:00 | 0:41:04 | |
from Smithers of Stanford. | 0:41:04 | 0:41:06 | |
Yeah, I really like these. | 0:41:06 | 0:41:07 | |
They remind me of the '70s when I had a skateboard myself. | 0:41:07 | 0:41:10 | |
I think they're going to make a great gift for somebody out there, | 0:41:10 | 0:41:13 | |
as well. Yeah, I really like them. | 0:41:13 | 0:41:15 | |
Sarah has returned to Aldridge in the West Midlands - | 0:41:15 | 0:41:19 | |
sadly not on a skateboard - | 0:41:19 | 0:41:21 | |
to catch up with William, | 0:41:21 | 0:41:23 | |
to show him what became of his daughter's old oak table. | 0:41:23 | 0:41:26 | |
-Hello, Sarah. -Hi there, William. How are you doing? | 0:41:28 | 0:41:30 | |
-I'm fine, thank you, you? -Yes, very well, thank you very well. | 0:41:30 | 0:41:34 | |
-Now, I saw you being very busy helping your daughter, is that right? -That's right, yes. | 0:41:34 | 0:41:38 | |
There were lots of interesting things coming out of your daughter's | 0:41:38 | 0:41:41 | |
shed, but it was that oak table was the thing that caught my eye. | 0:41:41 | 0:41:44 | |
Did you wonder what I might do with it after I took it away? | 0:41:44 | 0:41:47 | |
I haven't got a clue. Not a clue. | 0:41:47 | 0:41:50 | |
Well, I work with some really lovely guys who specialise in using wood, | 0:41:50 | 0:41:54 | |
and we find items of metal particularly for their things, | 0:41:54 | 0:41:58 | |
and they are also great skaters. | 0:41:58 | 0:42:01 | |
So I took them your oak table, and this is what they made out of it. | 0:42:01 | 0:42:05 | |
Oh, those are marvellous. They are beautiful. | 0:42:06 | 0:42:09 | |
They've chosen these special trucks on them, | 0:42:09 | 0:42:12 | |
-so real skaters can really use them. -Mm-hmm. | 0:42:12 | 0:42:15 | |
-What you think of those? -Oh, they're beautiful. | 0:42:15 | 0:42:18 | |
All of the boards have sold, | 0:42:18 | 0:42:20 | |
and I've got some profit to give to you today, | 0:42:20 | 0:42:23 | |
-so I have £60 here for you. -Oh! | 0:42:23 | 0:42:26 | |
For that old table. | 0:42:26 | 0:42:28 | |
Oh, that's brilliant, thank you. | 0:42:28 | 0:42:29 | |
Thank you very much. My daughter will be very pleased. | 0:42:29 | 0:42:33 | |
-Are you going to give it to her? -Oh, yes, she's got a birthday coming up, | 0:42:33 | 0:42:37 | |
and so I think that'll go towards it, most of it will, you know? | 0:42:37 | 0:42:42 | |
I'm sure she'll find something lovely to remember her birthday by with that. | 0:42:42 | 0:42:45 | |
It was great to catch up, and it was lovely to see you again. | 0:42:45 | 0:42:47 | |
-Thank you very much. -Bye-bye. -Thank you. Thank you very much, Sarah. | 0:42:47 | 0:42:50 | |
The costs involved in creating the skateboards was £110 each, | 0:42:52 | 0:42:57 | |
which was a total of £550. | 0:42:57 | 0:43:00 | |
Sarah sold all five for £610, | 0:43:00 | 0:43:04 | |
which left a profit of 60 quid to hand back to William. | 0:43:04 | 0:43:07 | |
Sarah salvaged three items that were destined for the dump. | 0:43:09 | 0:43:13 | |
Anthony did a fantastic job on the old stools. | 0:43:13 | 0:43:17 | |
Josh and Oli worked wonders with William's oak table. | 0:43:17 | 0:43:21 | |
And Sarah got festive with some play balls. | 0:43:21 | 0:43:26 | |
Three items destined to be dumped | 0:43:26 | 0:43:29 | |
have been transformed into three unique pieces. | 0:43:29 | 0:43:31 | |
All of them worthy of their new lease of life. | 0:43:31 | 0:43:34 |