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What are you throwing away? | 0:00:03 | 0:00:04 | |
How do you make money for nothing? | 0:00:07 | 0:00:09 | |
I like the look of that. | 0:00:09 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes | 0:00:11 | 0:00:14 | |
of household waste, thrown out by us every year. | 0:00:14 | 0:00:18 | |
Mm, what else are you throwing away? Anything exciting? | 0:00:18 | 0:00:22 | |
That's why entrepreneur Sarah Moore wants to get her hands | 0:00:22 | 0:00:25 | |
on things before they hit the skip. | 0:00:25 | 0:00:27 | |
Finding, transforming and selling stuff we throw away | 0:00:30 | 0:00:32 | |
is an obsession, and it's that obsession that I turned | 0:00:32 | 0:00:35 | |
into a money-making business. | 0:00:35 | 0:00:36 | |
I make new stuff out of the old stuff and I sell it for a profit. | 0:00:36 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:46 | |
You've got a bucket of fun for me. | 0:00:46 | 0:00:48 | |
-It's a big one. -Is it? | 0:00:48 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
They are amazing. | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
I've never seen anything like them. | 0:00:57 | 0:00:59 | |
..and hopefully, saleable items. | 0:00:59 | 0:01:01 | |
That's a lovely job, thank you. | 0:01:01 | 0:01:03 | |
Thank you. | 0:01:03 | 0:01:04 | |
If Sarah is successful then she can hand the profits back | 0:01:04 | 0:01:08 | |
to the very people who had no idea | 0:01:08 | 0:01:11 | |
there was cash to be made from their trash. | 0:01:11 | 0:01:13 | |
-£165 here. -No! | 0:01:13 | 0:01:16 | |
Today, Sarah's travelled to the busy Witley recycling centre in Surrey, | 0:01:31 | 0:01:36 | |
where she's seeking to salvage, um... | 0:01:36 | 0:01:38 | |
Oh, I'll let her tell you. | 0:01:38 | 0:01:40 | |
I'm seeking to salvage something special and turn today's tip finds | 0:01:40 | 0:01:44 | |
into top designer treasure. | 0:01:44 | 0:01:46 | |
Yeah, that. | 0:01:46 | 0:01:47 | |
Sarah's on the lookout for three items that can be transformed, | 0:01:49 | 0:01:52 | |
turned around and sold on for a profit. | 0:01:52 | 0:01:54 | |
Barbecue recycling. | 0:01:56 | 0:01:58 | |
And just in case you at home were thinking of doing the same | 0:01:58 | 0:02:01 | |
at your local recycling centre, don't try it. | 0:02:01 | 0:02:04 | |
Sarah had to get special permission, | 0:02:04 | 0:02:06 | |
and, anyway, the tip is like a second home to her. | 0:02:06 | 0:02:09 | |
I'm here all day - thought I might make it a little bit more homely. | 0:02:09 | 0:02:12 | |
That's nice, isn't it? I just need a sofa now. | 0:02:14 | 0:02:17 | |
Or, you could get back to work. | 0:02:17 | 0:02:19 | |
And if you're quick, your first item | 0:02:21 | 0:02:23 | |
could be falling out the back of that car. | 0:02:23 | 0:02:27 | |
Perhaps David and his partner Vanessa | 0:02:27 | 0:02:29 | |
will let you have a look at their battered old table. | 0:02:29 | 0:02:32 | |
-Hello. -Hi. | 0:02:32 | 0:02:34 | |
Make my day. | 0:02:34 | 0:02:35 | |
Tell me that I can have what you are about to throw in the tip. | 0:02:35 | 0:02:39 | |
Well, it's extremely heavy, | 0:02:39 | 0:02:40 | |
so if somebody was going to let us not throw it in the tip, | 0:02:40 | 0:02:43 | |
that would be good. | 0:02:43 | 0:02:44 | |
In my experience weight often shouts quality, | 0:02:44 | 0:02:46 | |
so I'm thinking this must have been a beautiful table. | 0:02:46 | 0:02:49 | |
Yeah, it is. The legs are absolutely stunning. | 0:02:49 | 0:02:51 | |
Shall we try and get it on its feet? | 0:02:51 | 0:02:53 | |
In its heyday, this Victorian dining table | 0:02:53 | 0:02:55 | |
would've been able to extend in the middle | 0:02:55 | 0:02:58 | |
to fit a dozen people round it at dinner parties, | 0:02:58 | 0:03:01 | |
but as it's missing the connecting table leaves, | 0:03:01 | 0:03:03 | |
it's only good now for very small dinner parties. | 0:03:03 | 0:03:06 | |
Isn't that right, David? | 0:03:06 | 0:03:08 | |
Oh, he doesn't say much. | 0:03:09 | 0:03:10 | |
You hung on to it because you thought you might restore it one day | 0:03:10 | 0:03:13 | |
or is it just...? | 0:03:13 | 0:03:14 | |
It's just in the way, we don't want it, we don't need it. | 0:03:14 | 0:03:17 | |
It would make a sort of oversized card table, as it is. | 0:03:17 | 0:03:21 | |
I think this has got such great bone structure, | 0:03:21 | 0:03:24 | |
it's going to be beautiful when it's... | 0:03:24 | 0:03:26 | |
Well, as you say, heavy is good. | 0:03:26 | 0:03:28 | |
-Excellent, on that note... -Except when you are carrying it. | 0:03:28 | 0:03:30 | |
What a find! | 0:03:30 | 0:03:31 | |
Sarah's got herself an extending table that doesn't extend. | 0:03:31 | 0:03:35 | |
What do you think Sarah will do with it, David? | 0:03:35 | 0:03:38 | |
Oh, yeah. Vanessa? | 0:03:38 | 0:03:40 | |
I'm sure she'll make the best of it. | 0:03:40 | 0:03:42 | |
If you start off with a ritzy product, | 0:03:42 | 0:03:44 | |
sometimes you land up with an even ritzier one. | 0:03:44 | 0:03:47 | |
You don't often find one of these rocking up at the tip. | 0:03:51 | 0:03:54 | |
I'm so pleased it turned up today. | 0:03:54 | 0:03:56 | |
It's a big, substantial, heavy mahogany dining table. | 0:03:56 | 0:04:00 | |
It would stretch right out and have probably three or four leaves | 0:04:00 | 0:04:03 | |
in the middle so you could seat 12 of your friends round it. | 0:04:03 | 0:04:05 | |
I'm really going to need somebody very creative | 0:04:05 | 0:04:08 | |
to make some money out of this. | 0:04:08 | 0:04:09 | |
It's got huge potential, | 0:04:09 | 0:04:10 | |
but it's got some massive problems at the moment. | 0:04:10 | 0:04:13 | |
If it's creativity you're after, there's only one man to call. | 0:04:13 | 0:04:17 | |
Rupert Blanchard is a furniture maker and self-confessed hoarder | 0:04:23 | 0:04:27 | |
of anything old he can turn into gold. | 0:04:27 | 0:04:29 | |
I work mostly with salvaged and found reclaimed materials. | 0:04:31 | 0:04:35 | |
So I basically work with other people's waste. | 0:04:35 | 0:04:37 | |
I reassemble it as modern furniture. | 0:04:37 | 0:04:40 | |
Rupert has carved out a name for himself | 0:04:41 | 0:04:43 | |
as one of the most imaginative designers | 0:04:43 | 0:04:46 | |
working with undervalued materials. | 0:04:46 | 0:04:48 | |
His furniture is modern, fun and always tells a story. | 0:04:48 | 0:04:52 | |
I love making something from nothing, | 0:04:52 | 0:04:55 | |
something that everyone's given up on. | 0:04:55 | 0:04:57 | |
Something with a good history. | 0:04:57 | 0:04:58 | |
Something with a story and something that I want to preserve | 0:04:58 | 0:05:01 | |
and share that story with others. | 0:05:01 | 0:05:03 | |
It's an incredibly satisfying job. | 0:05:03 | 0:05:05 | |
Well, Rupert, you might be in luck. | 0:05:06 | 0:05:08 | |
If it's a story you are after, | 0:05:08 | 0:05:10 | |
then this table... | 0:05:10 | 0:05:11 | |
well, could be a long story. | 0:05:11 | 0:05:14 | |
That's one item down, two to go. | 0:05:19 | 0:05:23 | |
And Sarah's back on the prowl. | 0:05:23 | 0:05:25 | |
But people round here have got wise to Sarah | 0:05:25 | 0:05:28 | |
poking her head in their boot, | 0:05:28 | 0:05:30 | |
so they've started bringing guard dogs. | 0:05:30 | 0:05:33 | |
Oh, no, you jumped out. | 0:05:33 | 0:05:34 | |
Quick, Sarah, run. | 0:05:34 | 0:05:36 | |
Oh, tickles! Are you being a good puppy? Oh, yes. | 0:05:36 | 0:05:39 | |
What a brute. | 0:05:39 | 0:05:41 | |
In you go, back in. | 0:05:41 | 0:05:43 | |
In you go, in. | 0:05:43 | 0:05:44 | |
Master of dogs. | 0:05:45 | 0:05:46 | |
He just ripped my sleeve. See that? | 0:05:47 | 0:05:49 | |
Good dog. | 0:05:50 | 0:05:51 | |
If you're quite all right to continue, Sarah, | 0:05:52 | 0:05:55 | |
you might be familiar with what Janice has in her boot. | 0:05:55 | 0:05:58 | |
Hello, hello. | 0:05:59 | 0:06:01 | |
I'm thinking that's an Ercol, is it? | 0:06:01 | 0:06:03 | |
It is Ercol. Yes. | 0:06:03 | 0:06:04 | |
I do know a bit about it, and that is that the blonde stuff like this | 0:06:04 | 0:06:08 | |
is the more commercial stuff that people like. | 0:06:08 | 0:06:10 | |
So I'd love to see it out. | 0:06:10 | 0:06:12 | |
-Can I help you get it out? -Yes. | 0:06:12 | 0:06:14 | |
This old sofa frame was made by famous British manufacturers Ercol, | 0:06:14 | 0:06:18 | |
and pieces like this from the '60s and '70s | 0:06:18 | 0:06:21 | |
are considered classics of modern British design. | 0:06:21 | 0:06:24 | |
Nothing classic about those cushions, though. | 0:06:24 | 0:06:28 | |
How long have you had it? | 0:06:28 | 0:06:29 | |
I've had it since my kids were small. The youngest is now 16. | 0:06:29 | 0:06:33 | |
As you see, it's fallen through. | 0:06:33 | 0:06:35 | |
I meant to repair it. It hasn't happened. It went in the shed. | 0:06:35 | 0:06:39 | |
So now I'm thinking I'll just get rid of it. | 0:06:39 | 0:06:41 | |
I'm really pleased that you brought it in, | 0:06:41 | 0:06:43 | |
because any furniture that you can instantly recognise, | 0:06:43 | 0:06:45 | |
even upside down in the tip, | 0:06:45 | 0:06:47 | |
is a really good thing, | 0:06:47 | 0:06:48 | |
because it means other people are following it, | 0:06:48 | 0:06:50 | |
they like it and it's got that real, | 0:06:50 | 0:06:51 | |
what, 1970s slouchy look to it, hasn't it? | 0:06:51 | 0:06:54 | |
It certainly has. | 0:06:54 | 0:06:55 | |
If it's all right I'm going to pile the cushions on it | 0:06:55 | 0:06:57 | |
and take it away and see if one of my fantastic restorers | 0:06:57 | 0:07:00 | |
can get it back into its former glory. | 0:07:00 | 0:07:03 | |
It would be lovely, actually, | 0:07:03 | 0:07:05 | |
if somebody could do something with it, which was what I intended. | 0:07:05 | 0:07:07 | |
You don't have to feel guilty at all about dropping it off, | 0:07:07 | 0:07:10 | |
it's come into safe hands. I'm so pleased I was here. | 0:07:10 | 0:07:12 | |
Sarah's got herself a retro stunner to renovate. | 0:07:12 | 0:07:17 | |
But how would Janice do it up? | 0:07:17 | 0:07:19 | |
I would like to see it in a classic restoration, | 0:07:19 | 0:07:22 | |
but Sarah's the boss. | 0:07:22 | 0:07:24 | |
She's doing it, so I guess it might be something quite wacky. | 0:07:24 | 0:07:27 | |
Oh, I love this sofa, it's got three things - | 0:07:29 | 0:07:31 | |
it's vintage, it's Ercol and it's blonde, | 0:07:31 | 0:07:34 | |
and that makes it commercial. | 0:07:34 | 0:07:36 | |
I'm definitely going to re-use it, | 0:07:36 | 0:07:38 | |
and I think I'm going to be sitting on a profit. | 0:07:38 | 0:07:40 | |
Janice would like a sympathetic restoration, | 0:07:40 | 0:07:43 | |
but that might not be the plan with the person Sarah's lined up | 0:07:43 | 0:07:47 | |
to take it to. | 0:07:47 | 0:07:48 | |
Anthony Devine, the upholsterer with the mosterer. | 0:07:51 | 0:07:56 | |
Anthony takes his two decades of design experience | 0:07:56 | 0:08:00 | |
and passes it on to the younger generation | 0:08:00 | 0:08:02 | |
at his school of upholstery. | 0:08:02 | 0:08:05 | |
Anthony's work is loud, exciting and experimental. | 0:08:05 | 0:08:09 | |
I've been an upholsterer now for 21 years. | 0:08:11 | 0:08:14 | |
I started straight from school. | 0:08:14 | 0:08:16 | |
That's me ever since, really. | 0:08:16 | 0:08:18 | |
Now I teach people who want to become upholsterers, | 0:08:20 | 0:08:23 | |
and through that I get my self-satisfaction. | 0:08:23 | 0:08:28 | |
I still enjoy the passion of it, | 0:08:28 | 0:08:31 | |
but now I pass that knowledge and passion on to all our students. | 0:08:31 | 0:08:36 | |
When it comes to sofas, Anthony has seen them all. | 0:08:37 | 0:08:41 | |
So what new ideas is he going to bring to this one? | 0:08:41 | 0:08:44 | |
We're nearly there. | 0:08:51 | 0:08:53 | |
Sarah now needs to find something to work on herself | 0:08:53 | 0:08:56 | |
and she'll be done. | 0:08:56 | 0:08:57 | |
But, with the day drawing to a close, she's getting a bit bored. | 0:08:59 | 0:09:02 | |
Just don't fall off and break your leg. | 0:09:02 | 0:09:04 | |
I know, that's what I'm thinking, it's a bit of a liability, isn't it? | 0:09:04 | 0:09:07 | |
This is a good look, isn't it? | 0:09:07 | 0:09:09 | |
How would you make these at home? A couple of baked bean tins? | 0:09:09 | 0:09:13 | |
Great, find some tins of beans and you're finished. | 0:09:13 | 0:09:16 | |
Oh, my word, I'm loving everything that's in here. | 0:09:16 | 0:09:18 | |
You can't throw this lot out. | 0:09:18 | 0:09:20 | |
Or will she see potential in what Diane has in her boot? | 0:09:20 | 0:09:24 | |
You know we've got to get rid of it, this is the problem. | 0:09:24 | 0:09:27 | |
You're very welcome to take what you want. | 0:09:27 | 0:09:30 | |
Diane's been clearing out her childhood home | 0:09:30 | 0:09:32 | |
with the help of her cousin, David. | 0:09:32 | 0:09:34 | |
Oh, no, and whose is that? | 0:09:34 | 0:09:35 | |
Oh, that was mine, yeah. | 0:09:35 | 0:09:37 | |
And there's something in there I think Sarah has her eye on. | 0:09:37 | 0:09:40 | |
Hands off. | 0:09:41 | 0:09:43 | |
-When was the last time you played with that? -Oh, crumbs. | 0:09:43 | 0:09:46 | |
I'm not giving my age away. That was Noddy's car. | 0:09:46 | 0:09:49 | |
It is Noddy's car, isn't it? | 0:09:49 | 0:09:50 | |
I don't know whether Noddy is in there, still. | 0:09:50 | 0:09:52 | |
That's fantastic. Would it be OK...? | 0:09:52 | 0:09:54 | |
I know you are in a desperate hurry, | 0:09:54 | 0:09:56 | |
but if it's all right to take it away, | 0:09:56 | 0:09:57 | |
I think it would be a crying shame if that ended up in the wood skip. | 0:09:57 | 0:10:01 | |
It does seem a shame. | 0:10:01 | 0:10:02 | |
You know, you're not allowed to keep that for yourself, Sarah. | 0:10:02 | 0:10:06 | |
All your dollies are too big for it anyway. | 0:10:06 | 0:10:09 | |
Lovely, well, thank you very much. | 0:10:09 | 0:10:10 | |
I'm going to take that away first, keep it out of the rain. | 0:10:10 | 0:10:12 | |
Have a good day, thank you. | 0:10:12 | 0:10:14 | |
Do you think the doll's house will scrub up well, Sarah? | 0:10:14 | 0:10:17 | |
Sarah? | 0:10:17 | 0:10:19 | |
Sarah?! | 0:10:19 | 0:10:20 | |
I may be some time. | 0:10:20 | 0:10:22 | |
Diane? | 0:10:22 | 0:10:24 | |
Well, I don't know. | 0:10:24 | 0:10:25 | |
I hope she can make it look a lot better than it looks at the moment | 0:10:25 | 0:10:27 | |
and that somebody will be able to make use of it, | 0:10:27 | 0:10:32 | |
because it is a shame to put all that in the tip, I must admit. | 0:10:32 | 0:10:37 | |
I think this might be a Triang doll's house, | 0:10:37 | 0:10:40 | |
and that company manufactured loads of different styles of doll's house. | 0:10:40 | 0:10:43 | |
It's got that classic red roof and some great detail. | 0:10:43 | 0:10:46 | |
Everybody would've had one of these | 0:10:46 | 0:10:48 | |
and it is like a snapshot of 1950s history. | 0:10:48 | 0:10:51 | |
I mean, these things, they're just lovely - | 0:10:51 | 0:10:53 | |
the detail and the quality is fantastic. | 0:10:53 | 0:10:55 | |
I'm so pleased to have found it. | 0:10:55 | 0:10:57 | |
And with that, Sarah's three items have all been found. | 0:11:00 | 0:11:03 | |
Rupert will extend his talents to the mahogany table. | 0:11:06 | 0:11:10 | |
Anthony will have a bash at the classic Ercol sofa, | 0:11:10 | 0:11:14 | |
and, if she can stop playing with it for two minutes, | 0:11:14 | 0:11:16 | |
Sarah will spruce up the doll's house. | 0:11:16 | 0:11:19 | |
Well, what a cracking day! | 0:11:20 | 0:11:22 | |
I've had my pick of the rubbish here. | 0:11:22 | 0:11:24 | |
Now all I've got to do is get my thinking cap on | 0:11:24 | 0:11:26 | |
and make some money out of it. | 0:11:26 | 0:11:28 | |
Sarah has ditched the dump | 0:11:39 | 0:11:40 | |
and headed to the seaside down of Margate, | 0:11:40 | 0:11:43 | |
a place where thousands of Britons flock to every year | 0:11:43 | 0:11:46 | |
to top up their sunburn. | 0:11:46 | 0:11:49 | |
Unfortunately, there's no time for fun in the sun | 0:11:49 | 0:11:52 | |
for our wood-working whizz-kid Rupert. | 0:11:52 | 0:11:54 | |
Sarah's about to surprise him with the extending mahogany masterpiece | 0:11:55 | 0:12:00 | |
and see what ideas he brings to the table. | 0:12:00 | 0:12:03 | |
I've brought my lovely tip-find table all the way to Margate | 0:12:03 | 0:12:06 | |
and I'm hoping Rupert is going to transform it | 0:12:06 | 0:12:09 | |
into something really amazing. | 0:12:09 | 0:12:11 | |
Rupert. | 0:12:11 | 0:12:13 | |
Wow. That's heavy. | 0:12:17 | 0:12:18 | |
It is a beast, isn't it? | 0:12:18 | 0:12:20 | |
It is. It was obviously a real thing of quality in its day. | 0:12:20 | 0:12:23 | |
I always say that, heavy equals good, equals expensive. | 0:12:23 | 0:12:27 | |
It's got a whole heap of stuff underneath it, though, | 0:12:27 | 0:12:30 | |
from where it must originally have stretched out. | 0:12:30 | 0:12:33 | |
-Yeah. -So have you got the extra flaps? | 0:12:33 | 0:12:35 | |
We were lucky to get this. | 0:12:35 | 0:12:36 | |
This turned up literally falling out the back of a car. | 0:12:36 | 0:12:39 | |
Yeah. The legs are sort of coming off of the framework. | 0:12:39 | 0:12:42 | |
They're really heavy-duty, almost like a massive old snooker table. | 0:12:42 | 0:12:46 | |
Yeah, that's what I thought. | 0:12:46 | 0:12:47 | |
What do you want done with this? | 0:12:47 | 0:12:48 | |
Do you know something? Whenever I see something like this, | 0:12:48 | 0:12:51 | |
I want to know what it looked like when it was that enormous thing. | 0:12:51 | 0:12:54 | |
So I was wondering if you could make some new leaves | 0:12:54 | 0:12:58 | |
or something to go in the middle of it? | 0:12:58 | 0:13:00 | |
I want to cut this one up and almost like... | 0:13:00 | 0:13:03 | |
..how people used to have crazy paving. | 0:13:05 | 0:13:07 | |
Some people love it, some people hate it, | 0:13:07 | 0:13:10 | |
but kind of crazy paving or the pattern on a giraffe's neck. | 0:13:10 | 0:13:14 | |
So I'm going to reassemble the table as really a patchwork | 0:13:14 | 0:13:17 | |
of lots of broken bits of table. | 0:13:17 | 0:13:19 | |
It sounds a bit like the giraffe, | 0:13:19 | 0:13:21 | |
you're going to stick your neck out on this one, aren't you? | 0:13:21 | 0:13:23 | |
Very much like a giraffe, people are going to love this or hate this. | 0:13:23 | 0:13:28 | |
What, who hates giraffes? | 0:13:28 | 0:13:30 | |
So how big do you think it would've been? | 0:13:30 | 0:13:32 | |
Shall we not just try and pull it apart and see how big it is? | 0:13:32 | 0:13:35 | |
Yeah, go for it. | 0:13:35 | 0:13:36 | |
From what I got there, | 0:13:36 | 0:13:37 | |
it sounds like Rupert's going to make a giant patchwork table top. | 0:13:37 | 0:13:42 | |
-If you can just try and pull that side. -Yeah. | 0:13:42 | 0:13:45 | |
Crazy paving was how people did their gardens in the '70s and '80s. | 0:13:45 | 0:13:50 | |
It was horrible. | 0:13:50 | 0:13:51 | |
Doesn't matter, keep going. Keep going. | 0:13:51 | 0:13:54 | |
-I think it's stuck. -That's about it. | 0:13:54 | 0:13:58 | |
So, crazy paving. | 0:13:58 | 0:14:00 | |
Does that come at a crazy price? | 0:14:00 | 0:14:01 | |
I think if you give me about £300 to play with on this, | 0:14:01 | 0:14:05 | |
I can do something really fun with this | 0:14:05 | 0:14:08 | |
and make you a very expensive table. | 0:14:08 | 0:14:11 | |
I think that just sounds wonderful. Thank you so much. | 0:14:11 | 0:14:15 | |
Sarah's bagged herself a bargain, | 0:14:15 | 0:14:17 | |
with a crazy paving giraffe-neck table. | 0:14:17 | 0:14:21 | |
I can't really picture it. | 0:14:21 | 0:14:23 | |
Well, I think that table has really captured Rupert's imagination, | 0:14:24 | 0:14:27 | |
and with a £300 budget, | 0:14:27 | 0:14:29 | |
I think I've going to make a really good profit on it too. | 0:14:29 | 0:14:32 | |
It's going to cost £300 to transform the table, | 0:14:34 | 0:14:37 | |
and if it's half as good as Rupert thinks it's going to be, | 0:14:37 | 0:14:41 | |
we could have a real money-maker on our hands. | 0:14:41 | 0:14:44 | |
For Sarah's next stop, she's travelled north to Manchester, | 0:14:49 | 0:14:53 | |
and awaiting her arrival is Anthony Devine. | 0:14:53 | 0:14:56 | |
Devine by name, divine by nature... | 0:14:56 | 0:14:59 | |
most of the time. | 0:14:59 | 0:15:00 | |
Sarah's brought along the beautiful blonde bombshell of a sofa. | 0:15:02 | 0:15:06 | |
Let's see what Anthony can make of it. | 0:15:06 | 0:15:08 | |
So it's Ercol and you're either a lover or a hater. | 0:15:08 | 0:15:11 | |
I'm hoping Anthony's a lover. | 0:15:11 | 0:15:13 | |
Oh, steady on, Sarah, we've got work to do. | 0:15:13 | 0:15:16 | |
I can't really tell if you like this kind of thing or not. | 0:15:17 | 0:15:21 | |
I've never seen any here. | 0:15:21 | 0:15:22 | |
Ah, students bring them in now and again. | 0:15:22 | 0:15:24 | |
The thing with Ercol is it's been around for ages | 0:15:24 | 0:15:27 | |
because it lasts for ages. | 0:15:27 | 0:15:29 | |
I mean, there's a whole almost like an appreciation society, | 0:15:29 | 0:15:33 | |
and the purists will probably say, | 0:15:33 | 0:15:35 | |
"Don't do any more with it, keep it like this, | 0:15:35 | 0:15:38 | |
"put new fabric on it, replace the webs, | 0:15:38 | 0:15:40 | |
"touch up all the wood", | 0:15:40 | 0:15:42 | |
but that's not entirely what I think we should do with it. | 0:15:42 | 0:15:48 | |
What's your take on it? | 0:15:48 | 0:15:49 | |
My instant thing would be get rid of these, right? | 0:15:49 | 0:15:51 | |
I just knew you were going to do that. | 0:15:51 | 0:15:53 | |
All of a sudden it looks completely different. | 0:15:53 | 0:15:57 | |
Obviously we need comfort, | 0:15:57 | 0:15:58 | |
so I would say replace with a few scatter cushions, | 0:15:58 | 0:16:02 | |
potentially, as well, have one cushion, rather than two. | 0:16:02 | 0:16:07 | |
Plus point for that is if anybody is sitting in the middle, | 0:16:07 | 0:16:09 | |
it's more comfortable and you don't lose your remote control down there. | 0:16:09 | 0:16:13 | |
Comfortable and functional, | 0:16:13 | 0:16:15 | |
but what's your plan for tidying up the rather battered-looking wood. | 0:16:15 | 0:16:19 | |
The one thing that is worrying is the damage to the frame, | 0:16:19 | 0:16:22 | |
it's quite a lot. And one thing - | 0:16:22 | 0:16:24 | |
we could carefully sand it all down, | 0:16:24 | 0:16:27 | |
but that's going to cost in terms of labour. | 0:16:27 | 0:16:29 | |
Because we're going to try to do this for a price | 0:16:29 | 0:16:31 | |
and I know you are always keen on price, | 0:16:31 | 0:16:32 | |
then we have to look at alternatives, | 0:16:32 | 0:16:34 | |
and one of those great ways of doing it would be just kind of spray it. | 0:16:34 | 0:16:40 | |
Oh, spray painting? That lovely blonde wood? | 0:16:40 | 0:16:44 | |
That lovely, natural, blonde wood that's so commercial? | 0:16:44 | 0:16:47 | |
OK, a nice natural light colour, perhaps. | 0:16:49 | 0:16:52 | |
Yeah, we're not going to go too crazy. | 0:16:52 | 0:16:54 | |
Instantly, I'm thinking like a really dark, heavy blue. | 0:16:54 | 0:16:58 | |
Right, what do I know? | 0:16:58 | 0:17:00 | |
But, if it keeps costs down, I know Sarah will be happy. | 0:17:00 | 0:17:04 | |
Sounds really simple. | 0:17:04 | 0:17:05 | |
Simple paint job, simple cushion across the base, how much is it? | 0:17:05 | 0:17:09 | |
I mean, you are looking about the £450 mark. | 0:17:09 | 0:17:12 | |
£450. | 0:17:12 | 0:17:14 | |
Go for your life. | 0:17:14 | 0:17:15 | |
And it's a deal. | 0:17:15 | 0:17:16 | |
Although painting that lovely natural wood, | 0:17:16 | 0:17:19 | |
is it really worth it just to save a bit of money? | 0:17:19 | 0:17:22 | |
It'll probably divide opinions, | 0:17:22 | 0:17:24 | |
because we all know there's purists | 0:17:24 | 0:17:25 | |
and then people will want to see something exciting. | 0:17:25 | 0:17:28 | |
I'm certainly on the side of exciting. | 0:17:28 | 0:17:31 | |
Well, Anthony is going to have to nail the look of that sofa | 0:17:31 | 0:17:34 | |
if we're going to make a profit. £450 is a big investment. | 0:17:34 | 0:17:38 | |
But he's talking a good game. | 0:17:38 | 0:17:39 | |
It'll be £450 to transform the sofa. | 0:17:40 | 0:17:44 | |
There's a good chance of making a bit of profit. | 0:17:44 | 0:17:47 | |
Well, if someone wants to buy it, obviously. | 0:17:47 | 0:17:49 | |
With our two makers put to work, | 0:18:01 | 0:18:03 | |
it's time for Sarah to get back home to the Sussex countryside | 0:18:03 | 0:18:07 | |
and get started on her own project. | 0:18:07 | 0:18:09 | |
Sarah's been playing with the doll's house all morning. | 0:18:12 | 0:18:15 | |
Now she's ready to get to work. | 0:18:15 | 0:18:17 | |
Well, this is a very sweet little doll's house | 0:18:21 | 0:18:23 | |
and the contents of it are fantastic. | 0:18:23 | 0:18:25 | |
And I know that it's a Triang doll's house, | 0:18:25 | 0:18:27 | |
and I can say that with complete certainty | 0:18:27 | 0:18:29 | |
because it says it here on the back. | 0:18:29 | 0:18:30 | |
This house is in lovely condition | 0:18:30 | 0:18:32 | |
and I really don't want to change that. | 0:18:32 | 0:18:34 | |
I'm not going to paint it because if somebody takes this on as a project, | 0:18:34 | 0:18:37 | |
I want them to be able to choose | 0:18:37 | 0:18:38 | |
whether they want the original interior | 0:18:38 | 0:18:40 | |
or if they want to make it more of their own. | 0:18:40 | 0:18:42 | |
The Triang Company started making doll's houses in the 1920s. | 0:18:46 | 0:18:51 | |
By the 1930s, the company was so successful, | 0:18:51 | 0:18:54 | |
they bought the famous London toy store Hamleys. | 0:18:54 | 0:18:59 | |
TV. You've got to love a TV. | 0:18:59 | 0:19:00 | |
They were big in those days, weren't they? | 0:19:00 | 0:19:02 | |
However, they stopped production during World War II | 0:19:02 | 0:19:05 | |
when they joined the war effort. | 0:19:05 | 0:19:07 | |
They stopped making doll's houses, and made weapons instead. | 0:19:07 | 0:19:10 | |
This is just the most wonderful little world in here. | 0:19:12 | 0:19:15 | |
There's a whole history of somebody's childhood | 0:19:15 | 0:19:18 | |
and what they played with. | 0:19:18 | 0:19:20 | |
I think it's just a case of cleaning it all up and making the best of it. | 0:19:20 | 0:19:24 | |
It is in really dirty condition. | 0:19:24 | 0:19:27 | |
In fact, the last people who played with it, I think, were probably mice | 0:19:27 | 0:19:29 | |
cos there's lots of mouse poo inside it. | 0:19:29 | 0:19:31 | |
That really isn't going to make any difference. | 0:19:31 | 0:19:33 | |
I'm going to give it a really good clean up, | 0:19:33 | 0:19:35 | |
polish up all the pieces, things like this - | 0:19:35 | 0:19:37 | |
they're collectible and they're definitely saleable. | 0:19:37 | 0:19:41 | |
As mice have been using the house as a loo, | 0:19:41 | 0:19:43 | |
Sarah's using some simple antibacterial spray, | 0:19:43 | 0:19:47 | |
which will get rid of all the nasties | 0:19:47 | 0:19:49 | |
and remove the surface grime. | 0:19:49 | 0:19:51 | |
I need to be careful not to damage any of the lovely delicate wood | 0:19:51 | 0:19:54 | |
and paint that's on the surface, but it should clean up really nicely. | 0:19:54 | 0:19:59 | |
Triang doll's houses were of the highest quality and built to last. | 0:19:59 | 0:20:03 | |
Look at that tiny spoon. | 0:20:04 | 0:20:07 | |
They even had specially-printed wallpapers | 0:20:07 | 0:20:10 | |
that were miniatures of contemporary designs of the day. | 0:20:10 | 0:20:13 | |
That's just about it, I reckon. | 0:20:13 | 0:20:15 | |
These little bits have cleaned up really nicely. | 0:20:19 | 0:20:22 | |
What I want to do is pop them all into the house, | 0:20:22 | 0:20:24 | |
style them up so it looks stunning, and then get it sold. | 0:20:24 | 0:20:27 | |
I've got my interior design helper to help me. | 0:20:27 | 0:20:29 | |
Come on, this is your size. | 0:20:29 | 0:20:31 | |
Sarah's enlisted the help of daughter Libby to help decorate. | 0:20:33 | 0:20:37 | |
So, which one's the master bedroom, this one? | 0:20:37 | 0:20:39 | |
That one. | 0:20:39 | 0:20:40 | |
Sarah plans to sell the house online, | 0:20:40 | 0:20:42 | |
so a nice arrangement will help greatly | 0:20:42 | 0:20:45 | |
when it comes to bagging a buyer. | 0:20:45 | 0:20:47 | |
I see what you've done there, I like it. | 0:20:47 | 0:20:49 | |
Looks good. Cosy. | 0:20:49 | 0:20:51 | |
So far Sarah hasn't spent a penny renovating the doll's house, | 0:20:54 | 0:20:58 | |
so if she can get it sold, it'll be all profit. | 0:20:58 | 0:21:01 | |
We're leaving leafy Sussex and heading back to Margate... | 0:21:05 | 0:21:08 | |
..where Rupert's getting started on the crazy paving giraffe table. | 0:21:10 | 0:21:14 | |
How's that going to work again? | 0:21:15 | 0:21:17 | |
I'm going to splice into the middle of this table - | 0:21:19 | 0:21:21 | |
a lot of colourful sections of wood. | 0:21:21 | 0:21:23 | |
Almost like crazy paving of colourful bits of Formica. | 0:21:23 | 0:21:28 | |
It's going to have a real contemporary twist to it. | 0:21:28 | 0:21:30 | |
And it's going to be big and heavy. | 0:21:30 | 0:21:32 | |
So, I'm going to start pulling this apart and see how big it used to be. | 0:21:36 | 0:21:40 | |
Rupert begins to fully extend the table | 0:21:40 | 0:21:43 | |
to get a better idea of how large he could possibly make his own. | 0:21:43 | 0:21:48 | |
What is a popular size for a table? | 0:21:48 | 0:21:50 | |
Are you asking me? | 0:21:50 | 0:21:52 | |
I don't know. Six? | 0:21:52 | 0:21:54 | |
Six people. | 0:21:54 | 0:21:56 | |
Well, what's wrong with that? | 0:21:56 | 0:21:57 | |
Six people isn't going to be enough for this table. | 0:21:57 | 0:21:59 | |
Well, you did ask. | 0:21:59 | 0:22:01 | |
Once it's apart, | 0:22:04 | 0:22:05 | |
Rupert can also tell if the original framework | 0:22:05 | 0:22:08 | |
is strong enough to re-use in the new design. | 0:22:08 | 0:22:11 | |
And it's not looking good. | 0:22:13 | 0:22:15 | |
All of this centre section is now redundant. | 0:22:15 | 0:22:18 | |
It's all broken. | 0:22:18 | 0:22:21 | |
It's going to collapse in that corner. | 0:22:21 | 0:22:23 | |
Rupert begins to dismantle the table. | 0:22:25 | 0:22:28 | |
There are a lot of complex joints | 0:22:28 | 0:22:30 | |
and I'm not quite sure where all the hidden fixings are. | 0:22:30 | 0:22:33 | |
What, so you'll just smash it with a mallet and hope for the best? | 0:22:33 | 0:22:37 | |
Oh, well, that did the trick. | 0:22:37 | 0:22:38 | |
That's got it. | 0:22:44 | 0:22:45 | |
These are the bits that I've pulled out of the table | 0:22:47 | 0:22:49 | |
that I can actually turn into a new table. | 0:22:49 | 0:22:52 | |
The oak framework underneath turned out to be really badly damaged, | 0:22:52 | 0:22:57 | |
so I'm going to have to make a new sub-frame for the table | 0:22:57 | 0:23:00 | |
to carry the new heavy table top. | 0:23:00 | 0:23:02 | |
Building an entirely new frame from scratch | 0:23:04 | 0:23:07 | |
is going to eat into a lot of Rupert's time and be costly. | 0:23:07 | 0:23:12 | |
But for now, he's concentrating on this crazy patchwork table top, | 0:23:12 | 0:23:16 | |
which will be made from old, horrible, '60s Formica tabletops. | 0:23:16 | 0:23:22 | |
One of the things I've kept hold of are old, broken, Formica tables, | 0:23:22 | 0:23:26 | |
so I'm going to bring together a lot of these scraps and useless bits | 0:23:26 | 0:23:30 | |
that I've collected | 0:23:30 | 0:23:31 | |
and make something colourful and join them all together. | 0:23:31 | 0:23:34 | |
So it's kind of a big jigsaw puzzle piece now. | 0:23:34 | 0:23:37 | |
Formica laminate is a heat-resistant white, clean, plastic coating, | 0:23:37 | 0:23:41 | |
commonly used for tabletops and work surfaces. | 0:23:41 | 0:23:45 | |
In the '60s, many homes in Britain had some form of Formica | 0:23:45 | 0:23:49 | |
in their kitchen, | 0:23:49 | 0:23:50 | |
and the bright, jazzy colours... Well, it was the '60s. | 0:23:50 | 0:23:54 | |
I'm going to start cutting these pieces down now, | 0:23:56 | 0:23:58 | |
get them all down to size. | 0:23:58 | 0:24:01 | |
Rupert starts cutting the Formica into sections. | 0:24:02 | 0:24:05 | |
Care has to be taken when cutting any laminate. | 0:24:07 | 0:24:10 | |
The dust particles can be very dangerous, | 0:24:10 | 0:24:13 | |
as they contain formaldehyde, amongst other things. | 0:24:13 | 0:24:16 | |
So why, oh, why is Rupert not wearing a mask then? | 0:24:16 | 0:24:20 | |
Well, it's because his trusty handsaw has a built-in vacuum | 0:24:20 | 0:24:24 | |
that sucks up all the dust before it gets into the air. | 0:24:24 | 0:24:27 | |
Isn't that clever?! | 0:24:27 | 0:24:28 | |
Rupert only manages to cut a couple of bits | 0:24:32 | 0:24:34 | |
before he notices another problem. | 0:24:34 | 0:24:36 | |
Every single piece of material I've got is a different thickness. | 0:24:36 | 0:24:40 | |
Somehow I've got to get it level and smooth, | 0:24:40 | 0:24:44 | |
so, this is going to be a real labour of love. | 0:24:44 | 0:24:47 | |
Oh, what happened? | 0:24:50 | 0:24:51 | |
Can it just fade to black? | 0:24:51 | 0:24:53 | |
Oh, this isn't going well. | 0:24:53 | 0:24:55 | |
As Rupert has a little lie-down to rethink the budget, | 0:24:57 | 0:25:01 | |
we're back in Manchester where upholsterer Anthony | 0:25:01 | 0:25:04 | |
is about to bring on the wrath of the Ercol Appreciation Society. | 0:25:04 | 0:25:09 | |
So, with the Ercol, we are very carefully trying | 0:25:09 | 0:25:13 | |
to not to offend people, | 0:25:13 | 0:25:14 | |
but the purists out there might be slightly offended | 0:25:14 | 0:25:18 | |
with the plan we have for it. | 0:25:18 | 0:25:20 | |
So what we're going to do is modernise it. | 0:25:20 | 0:25:22 | |
We're going to remove these cushions instantly. | 0:25:22 | 0:25:24 | |
Because this is in quite a bad state, | 0:25:26 | 0:25:28 | |
what we're going to do is give it a little sanding, | 0:25:28 | 0:25:30 | |
and then we're going to prime it, | 0:25:30 | 0:25:31 | |
and then we're going to spray it, | 0:25:31 | 0:25:33 | |
and that's another way of kind of bringing it right up to, um... | 0:25:33 | 0:25:37 | |
To? | 0:25:37 | 0:25:38 | |
Bring it up to... | 0:25:38 | 0:25:40 | |
Scratch? | 0:25:40 | 0:25:41 | |
..date! | 0:25:41 | 0:25:42 | |
Ah, nearly. | 0:25:42 | 0:25:43 | |
That's the one. | 0:25:43 | 0:25:45 | |
Anthony starts by removing all the snapped and brittle webbing | 0:25:45 | 0:25:49 | |
from the face, | 0:25:49 | 0:25:50 | |
which will later be replaced by brand-new bouncy webbing. | 0:25:50 | 0:25:54 | |
They start off in a really nice rubber state, | 0:25:54 | 0:25:57 | |
and just over a period of time they just dry | 0:25:57 | 0:26:00 | |
and decompose and disintegrate. | 0:26:00 | 0:26:02 | |
So if you pop a little bit of moisturiser or oil over them, | 0:26:02 | 0:26:06 | |
that'll keep them all nice and dry and supple. | 0:26:06 | 0:26:08 | |
Top tip - moisturise your chairs. | 0:26:08 | 0:26:11 | |
I've found that a deep cleansing, exfoliating scrub | 0:26:11 | 0:26:15 | |
will really open the pores and make it look ten years younger. | 0:26:15 | 0:26:19 | |
Anthony's giving the frame a very light sanding | 0:26:22 | 0:26:25 | |
to remove the bumps before he applies the undercoat primer. | 0:26:25 | 0:26:28 | |
A primer is a layer of paint applied before your main coat of paint. | 0:26:30 | 0:26:35 | |
It ensures better adhesion of paint to the surface, | 0:26:35 | 0:26:38 | |
increases paint durability | 0:26:38 | 0:26:40 | |
and provides additional protection for the wood. | 0:26:40 | 0:26:43 | |
Anthony puts the base outside to dry | 0:26:45 | 0:26:48 | |
and turns his attention to the fabric for the cushions... | 0:26:48 | 0:26:51 | |
and it isn't going to be just any old fabric. | 0:26:51 | 0:26:54 | |
This is hopefully - which is in brackets very experimental - | 0:26:55 | 0:27:00 | |
going to be the fabric for the Ercol seat cushions. | 0:27:00 | 0:27:04 | |
So there's quite a few different processes to this. | 0:27:04 | 0:27:06 | |
Number one, we're going to paint our base colour on, | 0:27:06 | 0:27:10 | |
all the way around like so. | 0:27:10 | 0:27:11 | |
Then we're going to put some paint down one half, | 0:27:11 | 0:27:15 | |
fold it in half, open it up, | 0:27:15 | 0:27:18 | |
allow it to dry and keep on repeating it, | 0:27:18 | 0:27:21 | |
so this is just... | 0:27:21 | 0:27:22 | |
..act one, scene one of, potentially, our own fabric. | 0:27:23 | 0:27:27 | |
Once Anthony's happy with his design, | 0:27:27 | 0:27:29 | |
he'll send it off to be digitally printed, | 0:27:29 | 0:27:32 | |
and if you're wondering what he wants it to look like, | 0:27:32 | 0:27:35 | |
here's the blueprint. | 0:27:35 | 0:27:37 | |
Mm. | 0:27:37 | 0:27:38 | |
Designs that look like ink blots are very on trend, I'm told. | 0:27:38 | 0:27:44 | |
Uh, can you just very carefully hold it here and hold it here? | 0:27:44 | 0:27:49 | |
Anthony's got one of his frame makers | 0:27:49 | 0:27:51 | |
to help him neatly do the folding, | 0:27:51 | 0:27:53 | |
so, in theory, it should come out as a pristine mirror-image design. | 0:27:53 | 0:27:58 | |
Oh, it's a mess. | 0:28:01 | 0:28:04 | |
When in doubt, start from scratch. | 0:28:04 | 0:28:06 | |
We'll just have... We'll put this one down here. | 0:28:06 | 0:28:08 | |
Repeating this process is taking up an awful lot of Anthony's time. | 0:28:09 | 0:28:14 | |
Especially when he's using the world's smallest roller. | 0:28:14 | 0:28:17 | |
So here's hoping this one is a little better. | 0:28:17 | 0:28:20 | |
What do you think, Anthony? | 0:28:21 | 0:28:24 | |
Oh, that doesn't look good. | 0:28:24 | 0:28:26 | |
Any improvement? | 0:28:26 | 0:28:27 | |
Yeah, I think we'll start again. | 0:28:27 | 0:28:29 | |
Oh, dear. | 0:28:29 | 0:28:31 | |
With Anthony's handmade fabric not turning out the way he wanted, | 0:28:33 | 0:28:37 | |
he decides to put it to one side and get started painting the sofa base. | 0:28:37 | 0:28:43 | |
This was supposed to be the most cost-effective way | 0:28:43 | 0:28:46 | |
of renovating the sofa. | 0:28:46 | 0:28:47 | |
With all the time it's taken designing the fabric, | 0:28:47 | 0:28:50 | |
the budget's in danger of sky rocketing. | 0:28:50 | 0:28:53 | |
With our makers both struggling with our tip finds, | 0:28:56 | 0:29:00 | |
it's time to swing by Sarah's and see how Libby's got on, | 0:29:00 | 0:29:04 | |
doing up the doll's house. | 0:29:04 | 0:29:06 | |
Well done. | 0:29:10 | 0:29:11 | |
And it's ready to be put on the market. | 0:29:11 | 0:29:13 | |
When Sarah rescued the doll's house, | 0:29:15 | 0:29:17 | |
it was moments away from being crushed. | 0:29:17 | 0:29:20 | |
But now, it's shiny, bright and ready to be loved again. | 0:29:22 | 0:29:27 | |
Sarah cleaned the house from top to bottom | 0:29:27 | 0:29:30 | |
with all the lovely miniatures looking brand-new, | 0:29:30 | 0:29:33 | |
and with Libby's skilful arrangement, | 0:29:33 | 0:29:35 | |
it's ready to be put online and hopefully find a buyer. | 0:29:35 | 0:29:40 | |
Oh, my word, I'm loving everything that's in here. | 0:29:45 | 0:29:48 | |
When Sarah met Diane at the tip, | 0:29:48 | 0:29:50 | |
she had a rifle through her childhood possessions. | 0:29:50 | 0:29:53 | |
Oh, no, and whose is that? | 0:29:53 | 0:29:55 | |
That was mine, yeah. | 0:29:55 | 0:29:56 | |
But it was the doll's house that caught her eye. | 0:29:56 | 0:29:58 | |
When was the last time you played with that? | 0:29:58 | 0:30:00 | |
I'm not giving my age away. | 0:30:00 | 0:30:01 | |
Sarah whisked it away to be spruced up. | 0:30:01 | 0:30:04 | |
Well, I hope she can make it look a lot better | 0:30:04 | 0:30:05 | |
than it looks at the moment. | 0:30:05 | 0:30:07 | |
Sarah didn't have to wait long after posting the doll's house online. | 0:30:09 | 0:30:13 | |
She had a buyer lined up | 0:30:14 | 0:30:16 | |
and so set off to Wingrave in Buckinghamshire | 0:30:16 | 0:30:19 | |
to see if she could seal the deal. | 0:30:19 | 0:30:21 | |
Do you want to bring it through to the shed? | 0:30:21 | 0:30:23 | |
The shed? Oh, yes, please. | 0:30:23 | 0:30:24 | |
Collector, Kim, loves doll's houses so much, | 0:30:24 | 0:30:28 | |
even her shed looks like one. | 0:30:28 | 0:30:29 | |
Oh, that's lovely. | 0:30:32 | 0:30:33 | |
But does she love Sarah's enough to buy it. | 0:30:33 | 0:30:36 | |
What do you think? | 0:30:36 | 0:30:37 | |
I love it, I really love it, thank you. | 0:30:37 | 0:30:39 | |
Really? I'm so pleased. | 0:30:39 | 0:30:41 | |
Yes, of course she bought it. | 0:30:41 | 0:30:43 | |
But for how much? | 0:30:43 | 0:30:44 | |
Sarah's now travelled to Tismans Common in Sussex | 0:30:46 | 0:30:50 | |
to tell Diane what happened to her doll's house | 0:30:50 | 0:30:52 | |
and hand over the profits. | 0:30:52 | 0:30:54 | |
-Hi there. -Hello. | 0:30:58 | 0:30:59 | |
-How are you? -I'm fine, thank you, how are you? | 0:30:59 | 0:31:02 | |
Very well. Now I last saw you and you were clearing out | 0:31:02 | 0:31:04 | |
-your mother's house, is that right? -That's right, yes. | 0:31:04 | 0:31:06 | |
And so you got as far as the loft when I saw you | 0:31:06 | 0:31:09 | |
and found your old doll's house. | 0:31:09 | 0:31:10 | |
It had been there, sitting there for probably about 40 years. | 0:31:10 | 0:31:14 | |
It was a bit mucky. | 0:31:14 | 0:31:16 | |
To be honest, I just thought, "It has to go. What do you do with it?" | 0:31:16 | 0:31:21 | |
I literally gave it a quick clean-up | 0:31:21 | 0:31:23 | |
and I've taken some pictures of how it looked after I had had... | 0:31:23 | 0:31:26 | |
-Oh, fantastic. -..a little look at it. | 0:31:26 | 0:31:28 | |
So, I just literally... | 0:31:28 | 0:31:31 | |
-My goodness. -..got the marigolds out... | 0:31:31 | 0:31:33 | |
-Oh, my goodness... -And just gave it a tidy up. | 0:31:33 | 0:31:35 | |
Actually, you played with it beautifully. | 0:31:35 | 0:31:36 | |
-It was in great condition. Do you have siblings? -No. No. | 0:31:36 | 0:31:39 | |
That's probably why it's in great condition. | 0:31:39 | 0:31:41 | |
-Because mine would've all been crushed by my brother. -Aw! | 0:31:41 | 0:31:45 | |
I shared it on social media, and it's gone to a new home. | 0:31:45 | 0:31:48 | |
Oh, fantastic. I think that that's brilliant. | 0:31:48 | 0:31:51 | |
In fact, I have £160 for your doll's house | 0:31:51 | 0:31:54 | |
and all those lovely things that are in it. | 0:31:54 | 0:31:56 | |
My goodness, that's amazing, thank you very much. | 0:31:56 | 0:32:00 | |
Is there something you might do with that? | 0:32:00 | 0:32:02 | |
Well, I would like to give a little bit to Macmillan, | 0:32:02 | 0:32:05 | |
because they looked after my dad when he was very ill, | 0:32:05 | 0:32:08 | |
and I might save a little bit for myself as well. | 0:32:08 | 0:32:11 | |
-Thank you so much. -Thank you. | 0:32:11 | 0:32:13 | |
Sarah didn't spend anything on materials, | 0:32:15 | 0:32:18 | |
meaning with a sale of £160, | 0:32:18 | 0:32:20 | |
Diane gets the full £160 to split between a cancer charity, | 0:32:20 | 0:32:25 | |
in memory of her dad, and a treat for herself. | 0:32:25 | 0:32:28 | |
Lovely. | 0:32:28 | 0:32:29 | |
That's one item producing a profit. | 0:32:35 | 0:32:38 | |
Let's see if we can make it two. | 0:32:38 | 0:32:39 | |
Sarah's back in Margate to drop in on Rupert and the old table... | 0:32:41 | 0:32:45 | |
Oh, would someone please buy her some laces? | 0:32:45 | 0:32:48 | |
She's likely to trip and break her neck. | 0:32:48 | 0:32:51 | |
Rupert's finished the colourful mahogany table, | 0:32:51 | 0:32:54 | |
but I have a feeling it was probably a late night. | 0:32:54 | 0:32:57 | |
It actually took a lot longer than I thought | 0:32:58 | 0:33:01 | |
for something quite simple, it was quite a labour of love. | 0:33:01 | 0:33:04 | |
I hope she does like it, otherwise I'll be eating my own dinner off it. | 0:33:04 | 0:33:07 | |
Well, it's scorching down here in Margate | 0:33:09 | 0:33:11 | |
and I'm hoping Rupert is also on fire. | 0:33:11 | 0:33:14 | |
And if his past reputation is anything to go by, | 0:33:14 | 0:33:17 | |
that table is going to go from the tip to the top. | 0:33:17 | 0:33:20 | |
Well, let's find out. | 0:33:20 | 0:33:22 | |
When Sarah salvaged the old thing, it was on its last legs, but now... | 0:33:22 | 0:33:27 | |
..it's a big, bright beauty. | 0:33:31 | 0:33:34 | |
The new shiny laminate mid-section mixes swinging '60s Britain | 0:33:34 | 0:33:38 | |
with classy Victorian style. | 0:33:38 | 0:33:41 | |
Rupert has lovingly restored the original mahogany | 0:33:42 | 0:33:45 | |
whilst still keeping its character and charm. | 0:33:45 | 0:33:49 | |
It's been stretched out to fit eight to ten people round it. | 0:33:49 | 0:33:53 | |
Perfect for dinner parties, or just big dinners. | 0:33:53 | 0:33:58 | |
-Rupert. Hi. -Hi, Sarah. | 0:33:58 | 0:34:01 | |
-Hey. How are you? -I'm OK. | 0:34:01 | 0:34:03 | |
-Come on, then, let's see it. -Ready? -Yeah. | 0:34:03 | 0:34:06 | |
Wow! | 0:34:09 | 0:34:10 | |
Isn't that fantastic? | 0:34:11 | 0:34:13 | |
I went through all of the scrap salvage bits of 1960s tables | 0:34:13 | 0:34:17 | |
that I could find, | 0:34:17 | 0:34:18 | |
and they're such a contrast to the original Victorian mahogany. | 0:34:18 | 0:34:23 | |
I think it's absolutely amazing. | 0:34:23 | 0:34:27 | |
In the end, it was quite a labour of love to carefully restore | 0:34:27 | 0:34:29 | |
what you'd given me, but build a whole new subframe, | 0:34:29 | 0:34:33 | |
so I might have to charge you a little bit more, | 0:34:33 | 0:34:36 | |
as it did take a lot longer. | 0:34:36 | 0:34:38 | |
I think the region was around £300. | 0:34:38 | 0:34:42 | |
Have you doubled it, or is it less than that? | 0:34:42 | 0:34:44 | |
-I could work with about £400. Would that be OK? -£400. | 0:34:44 | 0:34:47 | |
I will happily pay that. | 0:34:47 | 0:34:49 | |
I think you've done a very good job on it. | 0:34:49 | 0:34:51 | |
Great. Good luck with it. | 0:34:51 | 0:34:54 | |
I won't need much, I don't think. | 0:34:54 | 0:34:56 | |
Even with the extra £100, | 0:34:56 | 0:34:58 | |
I think Sarah's got herself a bargain. | 0:34:58 | 0:35:01 | |
Well, Margate has just got a new masterpiece. | 0:35:01 | 0:35:03 | |
Rupert has created his own style of modern art, | 0:35:03 | 0:35:06 | |
and that table, well, it's an absolute winner. | 0:35:06 | 0:35:09 | |
I hope you're right. | 0:35:09 | 0:35:11 | |
Let's see if we can get it sold. | 0:35:11 | 0:35:12 | |
-Hello. -Hi. | 0:35:18 | 0:35:19 | |
When Sarah met David and Vanessa at the tip, | 0:35:19 | 0:35:21 | |
they were happy for Sarah to lug their mammoth table away. | 0:35:21 | 0:35:25 | |
Well, it's extremely heavy, | 0:35:25 | 0:35:26 | |
so if somebody was going to not let us throw it in the tip, | 0:35:26 | 0:35:28 | |
that would be good. | 0:35:28 | 0:35:30 | |
Vanessa didn't think much of the old table. | 0:35:30 | 0:35:32 | |
It's just in the way. | 0:35:32 | 0:35:33 | |
We don't want it, we don't need it. | 0:35:33 | 0:35:35 | |
But had confidence in its potential. | 0:35:35 | 0:35:38 | |
If you start off with a ritzy product, | 0:35:38 | 0:35:41 | |
sometimes you land up with an even ritzier one. | 0:35:41 | 0:35:43 | |
Ritzy is one word for it. | 0:35:43 | 0:35:45 | |
With Rupert's rampant imagination, it's ready to be dined at again. | 0:35:45 | 0:35:50 | |
Sarah took snaps of the table and shared them online, | 0:35:50 | 0:35:54 | |
and do you know what? | 0:35:54 | 0:35:55 | |
It was snapped up by retro furniture store Elemental in London. | 0:35:55 | 0:35:59 | |
Sarah's travelled to Hambledon in Surrey | 0:36:01 | 0:36:03 | |
to tell Vanessa the good news and hand over the profit. | 0:36:03 | 0:36:06 | |
-Hi, Vanessa. -Hi, Sarah, how are you? Nice to see you again. | 0:36:11 | 0:36:14 | |
Yes, lovely to see you too. | 0:36:14 | 0:36:15 | |
Now, I saw you at the recycling centre. | 0:36:15 | 0:36:18 | |
You had that lovely table roped into the back of your car. | 0:36:18 | 0:36:21 | |
Did you wonder what might happen after you took it away? | 0:36:21 | 0:36:24 | |
Well, I mean, as it had been left in the rain | 0:36:24 | 0:36:26 | |
I wasn't really quite sure, | 0:36:26 | 0:36:27 | |
and I just couldn't face the restoration process. | 0:36:27 | 0:36:31 | |
Lovely Rupert, who is down in Margate, | 0:36:31 | 0:36:33 | |
took one look at it and said | 0:36:33 | 0:36:35 | |
it's just something he would love to work on. | 0:36:35 | 0:36:37 | |
So I've got some pictures to show you what he did with it. | 0:36:37 | 0:36:39 | |
Oh, wow. Wonderful Rupert. How exciting. | 0:36:39 | 0:36:41 | |
It's not possibly the most traditional of makeovers. | 0:36:41 | 0:36:46 | |
You've painted it or... | 0:36:46 | 0:36:47 | |
Brace yourself. This is how your table ended up. | 0:36:47 | 0:36:51 | |
Oh, my word. How amazing. | 0:36:51 | 0:36:54 | |
He kept all of the original mahogany, | 0:36:54 | 0:36:56 | |
that lovely finish on the table, | 0:36:56 | 0:36:58 | |
and he added this very bright section... | 0:36:58 | 0:37:00 | |
Contemporary look. | 0:37:00 | 0:37:02 | |
-What do you think of it? -I think it's amazing. | 0:37:02 | 0:37:04 | |
I mean, it's better than it being in the rain down at the farm. | 0:37:04 | 0:37:06 | |
A shop in London absolutely loved it. | 0:37:06 | 0:37:08 | |
And so I have a little bit of profit to hand over to you. | 0:37:08 | 0:37:10 | |
In fact, I've got £100 here from your table. That's for you. | 0:37:10 | 0:37:15 | |
Well, wonderful. Well, Sarah, well done. | 0:37:15 | 0:37:17 | |
How lovely to see something as old as that used and appreciated. | 0:37:17 | 0:37:21 | |
What might you do with that £100? | 0:37:21 | 0:37:23 | |
Of course, well it'll probably just go to the roof fund, I'd imagine, | 0:37:23 | 0:37:26 | |
which is something that is very much needed in this house. | 0:37:26 | 0:37:29 | |
-Great. Lovely to see you again. -And you, Sarah, thank you. | 0:37:29 | 0:37:31 | |
Even with Rupert going a bit over budget with £400, | 0:37:31 | 0:37:35 | |
Sarah managed a cracking sale of £500, | 0:37:35 | 0:37:39 | |
meaning Vanessa has 100 to put towards getting her roof fixed. | 0:37:39 | 0:37:44 | |
That's two items now that have raked in the cash. | 0:37:50 | 0:37:53 | |
So, Sarah's headed back to Manchester | 0:37:53 | 0:37:55 | |
and she's got herself some laces, thank goodness. | 0:37:55 | 0:37:59 | |
Will Anthony's black and white ink blot sofa be another money maker? | 0:38:00 | 0:38:06 | |
So, Sarah's on her way. | 0:38:06 | 0:38:07 | |
Really excited to kind of show this one off. | 0:38:07 | 0:38:10 | |
It's a lot different to what we were originally going to show off, | 0:38:10 | 0:38:13 | |
but, yeah, I'm really pleased with it. | 0:38:13 | 0:38:15 | |
Oh, there's been a change. I can hardly wait. | 0:38:15 | 0:38:18 | |
I'm here to pick up that broken Ercol sofa. | 0:38:19 | 0:38:22 | |
It had a great frame and quite a bit of potential. | 0:38:22 | 0:38:25 | |
So I don't know if Anthony has gone traditional and played it safe, | 0:38:25 | 0:38:28 | |
or if he's gone for bonkers, brilliant and bang up-to-date? | 0:38:28 | 0:38:31 | |
Well, you might have got the bonkers bit right. | 0:38:31 | 0:38:34 | |
When Sarah dropped it off, | 0:38:34 | 0:38:36 | |
it was beautiful and blonde but banged and battered. | 0:38:36 | 0:38:39 | |
Now... | 0:38:39 | 0:38:40 | |
..it looks like this. | 0:38:41 | 0:38:43 | |
Not an ink blot in sight. | 0:38:43 | 0:38:45 | |
Anthony's foray into the world of fabric design ended... | 0:38:45 | 0:38:49 | |
um, badly. | 0:38:49 | 0:38:51 | |
So, instead he's chosen a fabric bursting with colour | 0:38:51 | 0:38:55 | |
by French fashion designer Christian Lacroix. | 0:38:55 | 0:38:58 | |
And it certainly catches the eye, | 0:39:01 | 0:39:03 | |
covering the one big base cushion at the bottom | 0:39:03 | 0:39:06 | |
and scatter cushions at the back. | 0:39:06 | 0:39:08 | |
I tell you, if I wanted to get on the wrong side of the Ercol purists, | 0:39:08 | 0:39:13 | |
that's the material I would choose. | 0:39:13 | 0:39:15 | |
But what will Sarah think? | 0:39:16 | 0:39:18 | |
-Hello, hello. -Hello. | 0:39:18 | 0:39:20 | |
-Give us a hug. -How are we? | 0:39:21 | 0:39:24 | |
Oh, I'm much better now. | 0:39:24 | 0:39:26 | |
-Do you like it? -Oh, I love it. | 0:39:26 | 0:39:29 | |
-Oh, good. Phew. -Isn't it cool?! | 0:39:29 | 0:39:31 | |
It looks brand-new and that's not often a look I'm championing, | 0:39:31 | 0:39:34 | |
but you've really brought it up-to-date. | 0:39:34 | 0:39:37 | |
Nice fabric. | 0:39:37 | 0:39:38 | |
And so there the story begins. | 0:39:38 | 0:39:41 | |
This wasn't the original choice. | 0:39:41 | 0:39:43 | |
Originally we went for kind of craft corner, | 0:39:43 | 0:39:45 | |
and I got some paint out and started throwing it around, | 0:39:45 | 0:39:48 | |
and then we just threw it in the bin...after three times. | 0:39:48 | 0:39:51 | |
So then we went with this. | 0:39:51 | 0:39:53 | |
It's definitely worth pursuing a look like this. | 0:39:53 | 0:39:55 | |
I'll stick to upholstery rather than painting. | 0:39:55 | 0:40:00 | |
Now you're not going to tell me it looks this good | 0:40:00 | 0:40:01 | |
and you did it for the £450 budget, are you? | 0:40:01 | 0:40:04 | |
Um... | 0:40:04 | 0:40:05 | |
I wish I could...n't, | 0:40:07 | 0:40:09 | |
-but we did. -Did you? -Yes. -I love it. | 0:40:09 | 0:40:12 | |
So, there's a lesson for us all. | 0:40:14 | 0:40:16 | |
If at first you don't succeed... | 0:40:16 | 0:40:19 | |
just give up and buy something nicer. | 0:40:19 | 0:40:22 | |
Well, I'm so pleased I was right. | 0:40:22 | 0:40:24 | |
Anthony has really gone for it with that old Ercol sofa, | 0:40:24 | 0:40:27 | |
and as tip find transformations go, | 0:40:27 | 0:40:29 | |
that's right up there with the best of them. | 0:40:29 | 0:40:31 | |
I recognise those cushions. | 0:40:37 | 0:40:39 | |
When Sarah met Janice at the tip, | 0:40:39 | 0:40:41 | |
Sarah knew exactly what she was throwing away. | 0:40:41 | 0:40:44 | |
I'm thinking that's an Ercol, isn't it? | 0:40:44 | 0:40:46 | |
It is Ercol, yeah. | 0:40:46 | 0:40:47 | |
It was too far gone for Janice to take on as a project. | 0:40:47 | 0:40:50 | |
I meant to repair it. It hasn't happened. | 0:40:50 | 0:40:52 | |
It went in the shed. So now I'm thinking I'll just get rid of it. | 0:40:52 | 0:40:56 | |
And she could only guess what Sarah had in store for it. | 0:40:56 | 0:40:59 | |
I guess it might be something quite wacky. | 0:40:59 | 0:41:03 | |
Well, Janice, you couldn't be more right. | 0:41:03 | 0:41:06 | |
To find a fancier of the floral, | 0:41:06 | 0:41:08 | |
Sarah took to social media and posted the sofa | 0:41:08 | 0:41:12 | |
on Instagram, Etsy, and eBay. | 0:41:12 | 0:41:15 | |
But were there any takers? | 0:41:15 | 0:41:17 | |
Sarah is in Godalming to meet up with Janice | 0:41:19 | 0:41:21 | |
and show her what was made of her Ercol. | 0:41:21 | 0:41:24 | |
Hi, Janice, how are you? | 0:41:28 | 0:41:30 | |
Hi. Nice to see you. | 0:41:30 | 0:41:31 | |
I said I would be back in touch with you | 0:41:31 | 0:41:33 | |
if there was something to be done with your Ercol sofa. | 0:41:33 | 0:41:36 | |
So tell me a bit more about it. | 0:41:36 | 0:41:38 | |
Because it had been in your garage for a while, hadn't it? | 0:41:38 | 0:41:40 | |
It had been in the shed. | 0:41:40 | 0:41:41 | |
The kids used to have it in their room. | 0:41:41 | 0:41:43 | |
I didn't really want to throw it away, | 0:41:43 | 0:41:44 | |
because I thought with Ercol it's a bit too nice, really. | 0:41:44 | 0:41:47 | |
When we first looked at it, we really went over it thoroughly, | 0:41:47 | 0:41:50 | |
looking at the condition of the frame and the webbing, | 0:41:50 | 0:41:53 | |
and we actually decided that it was better, probably, | 0:41:53 | 0:41:56 | |
to update it rather than try to restore it. | 0:41:56 | 0:41:58 | |
So I've got some pictures here to show you. | 0:41:58 | 0:42:00 | |
-Are you ready? -Yes, I'm ready. | 0:42:00 | 0:42:02 | |
-It now looks like that. -Wow. | 0:42:03 | 0:42:06 | |
Actually, that's really nice. | 0:42:06 | 0:42:08 | |
He has used this lovely bold fabric and gave it a fresh, new look. | 0:42:08 | 0:42:12 | |
Yeah, I think that's really lovely. Very nice indeed. | 0:42:12 | 0:42:16 | |
It is currently still for sale. | 0:42:16 | 0:42:17 | |
I'm hoping to be back here and be in touch | 0:42:17 | 0:42:20 | |
saying that I've made some profit on it, | 0:42:20 | 0:42:22 | |
but I wanted to come and catch up with you | 0:42:22 | 0:42:23 | |
and show you how it had turned out. | 0:42:23 | 0:42:25 | |
Thank you so much for letting us have it. | 0:42:25 | 0:42:27 | |
-Lovely to catch up with you. Bye-bye. -Thank you. Bye-bye. | 0:42:27 | 0:42:30 | |
Ah, well, you can't win them all. | 0:42:30 | 0:42:33 | |
With Anthony's costs coming in at £450 and no sale, | 0:42:33 | 0:42:39 | |
we're looking at a potential £450 loss. | 0:42:39 | 0:42:43 | |
But, with a bit more time, | 0:42:43 | 0:42:44 | |
Sarah will find it a new home | 0:42:44 | 0:42:46 | |
and be back to see Janice to hand over the profit. | 0:42:46 | 0:42:49 | |
Sarah salvaged three items that were destined for the dump. | 0:42:53 | 0:42:57 | |
Instead of lying in landfill, | 0:42:59 | 0:43:01 | |
they've all been given a new lease of life. | 0:43:01 | 0:43:03 | |
A new look... | 0:43:06 | 0:43:07 | |
..and a chance to be loved again. | 0:43:08 | 0:43:11 | |
Well, how about that Ercol sofa? | 0:43:14 | 0:43:16 | |
I reckon that fabric was just the thing | 0:43:16 | 0:43:18 | |
to bring it right up to date, | 0:43:18 | 0:43:19 | |
and Rupert's dining table, well, that was a triumph. | 0:43:19 | 0:43:22 | |
The doll's house, a lucky find. | 0:43:22 | 0:43:24 | |
Altogether, I'm so pleased we've managed to make | 0:43:24 | 0:43:26 | |
a little bit of money for nothing. | 0:43:26 | 0:43:28 |