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What are you throwing away? | 0:00:03 | 0:00:04 | |
How do you make money for nothing? | 0:00:07 | 0:00:10 | |
I like the look of that. | 0:00:10 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:17 | |
thrown out by us every year. | 0:00:17 | 0:00:19 | |
What else are you throwing away? Anything exciting? | 0:00:19 | 0:00:22 | |
That's why entrepreneur Sarah Moore wants to get her hands | 0:00:22 | 0:00:25 | |
on things before they hit the skip. | 0:00:25 | 0:00:27 | |
Finding, transforming and selling stuff we throw away is an obsession, | 0:00:30 | 0:00:33 | |
and it's that obsession that I've turned into a moneymaking business. | 0:00:33 | 0:00:37 | |
I make new stuff out of the old stuff and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:42 | 0:00:46 | |
You've got a bucket of fun for me. | 0:00:46 | 0:00:48 | |
-It's a big one. -Is it? | 0:00:48 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
They are amazing. | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
I've never seen anything like them. | 0:00:57 | 0:00:59 | |
..and, hopefully, saleable items. | 0:00:59 | 0:01:02 | |
-That's a lovely job. Thank you. -Thank you. | 0:01:02 | 0:01:04 | |
If Sarah is successful, then she can hand the profits back to the very | 0:01:04 | 0:01:09 | |
people who had no idea there was cash to be made from their trash. | 0:01:09 | 0:01:14 | |
-..£165 here. -No! | 0:01:14 | 0:01:15 | |
Sarah is snooping around a busy recycling centre in Altrincham, | 0:01:26 | 0:01:30 | |
Greater Manchester. | 0:01:30 | 0:01:32 | |
It's a bit overcast, but that won't dampen her spirits. | 0:01:32 | 0:01:36 | |
It's a bit wet here, but I am all sunshine and smiles. | 0:01:38 | 0:01:41 | |
I'm off to make some money for nothing. | 0:01:41 | 0:01:43 | |
Sarah's mission is to root out three items from the car-loads being turfed. | 0:01:43 | 0:01:49 | |
You can find anything here, from pillows to projectors. | 0:01:49 | 0:01:53 | |
Well, it's difficult to project what might come in here today, | 0:01:53 | 0:01:56 | |
but I've got my eyes open | 0:01:56 | 0:01:57 | |
and I'm after anything that's got an ounce of style left in it. | 0:01:57 | 0:02:00 | |
But, dear viewers, before you raid your local tip, | 0:02:02 | 0:02:06 | |
our Sarah has special permission to be here. | 0:02:06 | 0:02:09 | |
That's you warned. | 0:02:09 | 0:02:10 | |
There's some good-looking rubbish in here. | 0:02:12 | 0:02:14 | |
I wonder what's caught her eye in the back of Sean's motor. | 0:02:14 | 0:02:18 | |
-Hiya. -Hello. -Hello. I like the look of your rubbish. | 0:02:18 | 0:02:21 | |
-Is it all going in there? -Pretty much so, yeah. | 0:02:21 | 0:02:24 | |
What's that, the heating system, or...? | 0:02:24 | 0:02:26 | |
Old water and gas piping from my fitting underfloor heating in the house. | 0:02:26 | 0:02:31 | |
There's loads of it. Must weigh a ton. | 0:02:31 | 0:02:33 | |
It's quite heavy if you have to lift it all up in one go. | 0:02:33 | 0:02:35 | |
It might be unusable metal to Sean, but not Sarah. | 0:02:35 | 0:02:40 | |
Her creative cogs are whirring. | 0:02:40 | 0:02:43 | |
In fact, I think I can hear them from here. | 0:02:43 | 0:02:45 | |
I work with some fantastic people who are using reclaimed materials | 0:02:45 | 0:02:49 | |
like that to try and make lovely pieces for interiors and gardens | 0:02:49 | 0:02:52 | |
or whatever, but it would be great to offer them something like this. | 0:02:52 | 0:02:56 | |
Yeah, sure. Feel free. | 0:02:56 | 0:02:57 | |
I'm going to ask you to help me now, | 0:02:57 | 0:02:59 | |
because it weighs a ton, doesn't it? | 0:02:59 | 0:03:01 | |
Yeah, go on, put your back into it. | 0:03:01 | 0:03:04 | |
Sarah has nabbed the pipes for her fanciful idea. | 0:03:04 | 0:03:08 | |
You could call it her pipe dream. | 0:03:08 | 0:03:11 | |
-Thank you so much. -All yours. -I'll keep in touch, if that's all right, | 0:03:11 | 0:03:14 | |
and I'll come and show you what I've done with it. | 0:03:14 | 0:03:15 | |
-Yeah, I'd be interested to see. -Fantastic, thank you. | 0:03:15 | 0:03:18 | |
All right. Thank you. | 0:03:18 | 0:03:19 | |
I'm interested to see, too, Sean. | 0:03:19 | 0:03:21 | |
Will the idea be piping hot or full of leaks? | 0:03:22 | 0:03:26 | |
But first, Sean, tell us what you'd do with them. | 0:03:27 | 0:03:31 | |
I'd melt it down. | 0:03:31 | 0:03:33 | |
It would be nice to sort of mould something with it, a statue | 0:03:33 | 0:03:36 | |
or something like that. | 0:03:36 | 0:03:38 | |
A statue - interesting. | 0:03:38 | 0:03:40 | |
I love a bit of heavy metal, and there's heaps here. | 0:03:42 | 0:03:45 | |
This lead pipe is really old, completely useless in your house now, | 0:03:45 | 0:03:50 | |
and often considered quite dangerous, but I think it's fantastic. | 0:03:50 | 0:03:54 | |
I can't do anything with it myself, | 0:03:54 | 0:03:56 | |
but I do know of a couple of people who love working with this kind of | 0:03:56 | 0:03:59 | |
thing, and I think they're going to transform this little bundle into | 0:03:59 | 0:04:02 | |
something really classy. | 0:04:02 | 0:04:04 | |
Meet Josh and Oli, furniture designers and best buddies. | 0:04:05 | 0:04:10 | |
These boys think outside the box, and the results are always interesting. | 0:04:10 | 0:04:15 | |
Both of us being designers means that we are quite particular about | 0:04:15 | 0:04:20 | |
certain things. It's silly, because we end up arguing on very small | 0:04:20 | 0:04:23 | |
details of a piece of furniture just because we have it in our head a certain way. | 0:04:23 | 0:04:27 | |
Not that we ever have a fight, but it's just working around those | 0:04:27 | 0:04:30 | |
little details and trying to get to a point where you're both happy | 0:04:30 | 0:04:32 | |
with the end product. | 0:04:32 | 0:04:34 | |
On a kind of imagination level, | 0:04:35 | 0:04:38 | |
I think we complement each other quite well. | 0:04:38 | 0:04:40 | |
Will they be able to solve Sarah's pipe puzzle? | 0:04:42 | 0:04:46 | |
Or will it prove problematic for their partnership? | 0:04:46 | 0:04:50 | |
Phew, that was a lot of Ps! | 0:04:50 | 0:04:51 | |
One item down, two to go. | 0:04:56 | 0:04:59 | |
DOG BARKS Down, boy. | 0:04:59 | 0:05:01 | |
Here's hoping David has something to spark Sarah's interest. | 0:05:01 | 0:05:05 | |
-Hi there. -Hi. -What are you up to? | 0:05:05 | 0:05:07 | |
Just doing a bit of recycling. | 0:05:07 | 0:05:09 | |
Oh, yeah? Are you clearing out...? | 0:05:09 | 0:05:11 | |
What is it? Hold on. The garden shed, or the...? | 0:05:11 | 0:05:14 | |
Just general rubbish that's accumulated round the side of the house. | 0:05:14 | 0:05:17 | |
OK. | 0:05:17 | 0:05:19 | |
In amongst that rubbish, Sarah spots a heap of military kitbags. | 0:05:19 | 0:05:24 | |
Good reconnaissance. | 0:05:24 | 0:05:26 | |
-So, is this yours? -No, it's my son's. | 0:05:26 | 0:05:29 | |
He was in the ATC and he wore this when he was doing field expeditions. | 0:05:29 | 0:05:34 | |
On manoeuvres. | 0:05:34 | 0:05:36 | |
The ATC stands for the Air Training Corps of the RAF. | 0:05:36 | 0:05:39 | |
These bags would've held all sorts of gear | 0:05:39 | 0:05:42 | |
and they come in all shapes and sizes. | 0:05:42 | 0:05:45 | |
I'm sure, in the right hands, | 0:05:45 | 0:05:48 | |
we could do something with these and make them useful again, | 0:05:48 | 0:05:50 | |
so would it be possible to pile it all up and take it away? | 0:05:50 | 0:05:54 | |
Oh, yeah, absolutely. I'd much prefer it being reused in some way | 0:05:54 | 0:05:58 | |
rather than simply recycled or whatever. | 0:05:58 | 0:06:02 | |
That's the spirit, David. | 0:06:02 | 0:06:03 | |
I shall say thank you so much, | 0:06:03 | 0:06:05 | |
and I shall run off with that and be very pleased to have found it. | 0:06:05 | 0:06:08 | |
Step to it, Wing Commander Moore. | 0:06:08 | 0:06:11 | |
Your mission is to land a bundle of profit. | 0:06:11 | 0:06:14 | |
What do you think she has in mind, David? | 0:06:14 | 0:06:17 | |
I've no idea. Does seem to be... | 0:06:17 | 0:06:19 | |
She seemed quite enthusiastic about it. | 0:06:19 | 0:06:21 | |
Clearly, I should've asked her. She clearly had an idea. | 0:06:21 | 0:06:24 | |
Yes, Sarah is good at giving that impression. | 0:06:24 | 0:06:26 | |
Well, there's heaps of stuff here in this set of webbing, | 0:06:27 | 0:06:30 | |
but none of it's really very useful. | 0:06:30 | 0:06:32 | |
I mean, I'm not going to be stepping down the high street wearing that, am I? | 0:06:32 | 0:06:36 | |
But I reckon if it was reconfigured, that must be something that could be | 0:06:36 | 0:06:39 | |
done with it, because it's just such great quality stuff. | 0:06:39 | 0:06:43 | |
I know just the man who'll take this on. | 0:06:43 | 0:06:44 | |
If you want a bag, then go and see Neil Wragg. | 0:06:46 | 0:06:50 | |
Neil is a master sewer. | 0:06:50 | 0:06:53 | |
Sewer? Sewist? | 0:06:53 | 0:06:55 | |
Neil is fantastic with a sewing machine. | 0:06:55 | 0:06:58 | |
His mission is to rescue rugged materials headed for the skip | 0:06:58 | 0:07:04 | |
and turn them into high-end holdalls that last a lifetime. | 0:07:04 | 0:07:07 | |
These days, there's too much going into landfill. | 0:07:09 | 0:07:11 | |
We've got a finite amount of space where we can bury stuff, | 0:07:11 | 0:07:15 | |
so if I can prevent it from going into landfill and make something | 0:07:15 | 0:07:18 | |
beautiful from it, that's the plan. | 0:07:18 | 0:07:20 | |
Most of the bags I make are from old sofas. | 0:07:21 | 0:07:25 | |
It could be old army tents or Scout tents. | 0:07:25 | 0:07:28 | |
If I can get a needle through it, then I can turn it into a bag, | 0:07:28 | 0:07:32 | |
and a bag that looks like it would cost hundreds or thousands of pounds | 0:07:32 | 0:07:36 | |
from the high street. | 0:07:36 | 0:07:37 | |
But just what will Neil make of these military bags? | 0:07:39 | 0:07:42 | |
One more item to find, and this time, it will be the one Sarah transforms. | 0:07:48 | 0:07:54 | |
And it turns out this tipping lark is a real international affair. | 0:07:54 | 0:07:58 | |
-Where are you from? -Germany. -Germany, OK. Hi there. | 0:07:59 | 0:08:02 | |
-But the rubbish is from England. -English rubbish, OK. Yes, yes. | 0:08:02 | 0:08:05 | |
What's retired carpenter Keith got in the back of his boot? | 0:08:05 | 0:08:09 | |
I'm just getting rid of a few old saws and bits and pieces. | 0:08:09 | 0:08:14 | |
-You've got hundreds of those. -I bought that one when I was an apprentice. | 0:08:14 | 0:08:17 | |
So, ten years ago, then? | 0:08:17 | 0:08:19 | |
Yeah! | 0:08:19 | 0:08:21 | |
Fantastic. They look lovely. | 0:08:21 | 0:08:23 | |
I'm looking for stuff that I can recycle or give a new purpose to. | 0:08:23 | 0:08:27 | |
-Can I take them? -You can have them, yeah. | 0:08:27 | 0:08:29 | |
You could always grind the teeth off. | 0:08:29 | 0:08:31 | |
-Yeah. -Use them for decorative pieces. | 0:08:31 | 0:08:34 | |
Don't give her any help, Keith. | 0:08:34 | 0:08:36 | |
Grab those saws, Sarah. | 0:08:36 | 0:08:38 | |
You've got a transformation to get your teeth into. | 0:08:38 | 0:08:42 | |
Well, I shall come back to you and show you what happens with them. | 0:08:42 | 0:08:45 | |
-OK. -Thanks so much. -No probs. -Bye-bye. -Bye. | 0:08:45 | 0:08:47 | |
Careful with those blades. | 0:08:48 | 0:08:50 | |
What will she do with those six saws? | 0:08:50 | 0:08:53 | |
Keith, any ideas? | 0:08:53 | 0:08:55 | |
Weld them together, make a sculpture or something like that. | 0:08:55 | 0:08:58 | |
Not a bad idea, Keith. | 0:08:58 | 0:09:00 | |
Well, the moment I saw these... | 0:09:01 | 0:09:03 | |
Saw! The moment I saw these, I knew I had to have them, | 0:09:03 | 0:09:06 | |
because how cool are they? | 0:09:06 | 0:09:07 | |
One, I'd have probably put in the metal skip, but six? | 0:09:07 | 0:09:10 | |
I've got to save this lot. | 0:09:10 | 0:09:11 | |
In my experience, if anybody bothers to write their name or engrave | 0:09:11 | 0:09:15 | |
on something, it means that they're an item of quality. | 0:09:15 | 0:09:17 | |
And these might not be very good for carpentry any more, | 0:09:17 | 0:09:20 | |
but I'm sure there's something to be made out of them. | 0:09:20 | 0:09:22 | |
The handles are beautiful, and there's a good steel blade there. | 0:09:22 | 0:09:26 | |
What do you think? | 0:09:27 | 0:09:28 | |
I think they are...lovely. | 0:09:28 | 0:09:31 | |
Sarah's got her three items. | 0:09:31 | 0:09:33 | |
Josh and Oli have that pile of lead and copper pipes to unravel. | 0:09:33 | 0:09:38 | |
Neil has those old military bags. | 0:09:38 | 0:09:41 | |
And Sarah's got to create something wonderful from those rusty old saws. | 0:09:41 | 0:09:46 | |
Well, I never tire of a day at the recycling centre, | 0:09:47 | 0:09:49 | |
and today we found some fantastic things. | 0:09:49 | 0:09:52 | |
But this is where the hard work begins. Let's roll. | 0:09:52 | 0:09:55 | |
The South Downs in Sussex - a home to design duo Josh and Oli, | 0:10:01 | 0:10:06 | |
who get creative with wood, glass, concrete and metal. | 0:10:06 | 0:10:10 | |
HE SLURPS | 0:10:10 | 0:10:11 | |
Pardon you, Josh! | 0:10:11 | 0:10:13 | |
And the boys are ready and raring to go. | 0:10:14 | 0:10:17 | |
Yeah, ready for whatever Sarah's going to bring. | 0:10:17 | 0:10:20 | |
Hopefully something quite interesting, | 0:10:20 | 0:10:22 | |
something that inspires us. | 0:10:22 | 0:10:24 | |
Always pretty exciting/nerve-racking. | 0:10:24 | 0:10:29 | |
Josh is all nervous! | 0:10:29 | 0:10:31 | |
Well, Josh and Oli are always enthusiastic, | 0:10:31 | 0:10:33 | |
creative and passionate about the things I bring them. | 0:10:33 | 0:10:36 | |
They're going to love this, aren't they? | 0:10:36 | 0:10:38 | |
There's only one way to find out. | 0:10:39 | 0:10:41 | |
-Hello. -Hiya. | 0:10:42 | 0:10:44 | |
-Did I miss a brew? -Yeah. | 0:10:44 | 0:10:46 | |
-Afraid so. -I've got something for you. You're going to love this. | 0:10:46 | 0:10:49 | |
What is that? | 0:10:52 | 0:10:53 | |
I don't know. Get it up on here and let's have a chat. | 0:10:53 | 0:10:56 | |
Certainly heavy. | 0:10:57 | 0:10:58 | |
It's really cool, though. Hours of fun. | 0:11:00 | 0:11:02 | |
You're not fooling anyone, Sarah. | 0:11:06 | 0:11:09 | |
I picked this up at the recycling centre. | 0:11:09 | 0:11:11 | |
Oh, Josh, you've broken it. | 0:11:11 | 0:11:12 | |
Take it back. | 0:11:14 | 0:11:15 | |
Whoops-a-daisy. Not a great start. | 0:11:15 | 0:11:18 | |
We have been experimenting recently with pouring gold resin into cracked concrete. | 0:11:19 | 0:11:26 | |
-OK, how did that go? -Yeah, really well. -OK. | 0:11:26 | 0:11:29 | |
It looks cool. So, how about forming some sort of weird alloy with this? | 0:11:29 | 0:11:34 | |
Who knows what that would look like? | 0:11:34 | 0:11:36 | |
And then putting it on a table top and doing some cracked stone | 0:11:36 | 0:11:41 | |
or whatever, and then pouring metal into the cracks. | 0:11:41 | 0:11:44 | |
This technique is based on the Japanese art form kintsugi, | 0:11:44 | 0:11:48 | |
where broken pottery is repaired with lacquer mixed with powdered metals, | 0:11:48 | 0:11:53 | |
like gold, silver or platinum. | 0:11:53 | 0:11:56 | |
What kind of table are you thinking of? | 0:11:56 | 0:11:58 | |
Is that more sort of coffee table size, or...? | 0:11:58 | 0:12:00 | |
Yeah, it would be coffee table. | 0:12:00 | 0:12:03 | |
Yeah, I think we'd be here forever if it was a dining table. | 0:12:03 | 0:12:06 | |
A coffee table it is, then. | 0:12:06 | 0:12:09 | |
And to show Sarah the look, here's one they made earlier. | 0:12:09 | 0:12:13 | |
Holy Moley! | 0:12:13 | 0:12:15 | |
Guys, that's fantastic, isn't it? | 0:12:15 | 0:12:17 | |
That's concrete coloured black. | 0:12:17 | 0:12:19 | |
It's cracked, and then any gaps created are filled up with gold resin. | 0:12:19 | 0:12:24 | |
After that, a good polishing is required to complete the fancy look. | 0:12:24 | 0:12:28 | |
If you could use the influence or any of the techniques to turn | 0:12:28 | 0:12:32 | |
that lovely little lot into something... | 0:12:32 | 0:12:33 | |
-Yeah, OK. -Let's use this as our kind of inspiration. | 0:12:33 | 0:12:38 | |
Is it possible to leave, I don't know, a meagre 500 quid | 0:12:38 | 0:12:42 | |
on the table to let you have a play around? | 0:12:42 | 0:12:45 | |
Yeah, if we have that as a budget, | 0:12:45 | 0:12:47 | |
then we'll just try and keep to that. | 0:12:47 | 0:12:49 | |
-500 quid. -Thanks very much. -Fantastic. | 0:12:49 | 0:12:52 | |
Loving your work, Sarah. | 0:12:54 | 0:12:56 | |
Those boys are certainly talented, | 0:12:56 | 0:12:58 | |
but that jumble of distended pipework and 500 quid, it's going to | 0:12:58 | 0:13:02 | |
be about if they can manage to make something fabulous with a limited labour cost. | 0:13:02 | 0:13:07 | |
Yep, a capped budget will be restrictive. | 0:13:07 | 0:13:10 | |
We'll just give it a go, get a bit creative with it and see what happens. | 0:13:10 | 0:13:14 | |
Yeah, I think we just need to go away | 0:13:14 | 0:13:16 | |
and have a good old think about it and then just get cracking. | 0:13:16 | 0:13:20 | |
Yeah. | 0:13:20 | 0:13:22 | |
Get cracking - ha-ha-ha(!) | 0:13:22 | 0:13:24 | |
Leave the jokes to me, Josh. | 0:13:24 | 0:13:27 | |
Sarah marches off into the sunset, leaving them with £500 | 0:13:27 | 0:13:31 | |
to experiment their way to a cool coffee table. | 0:13:31 | 0:13:34 | |
Marlow in Buckinghamshire is a charming historic English town | 0:13:40 | 0:13:43 | |
on the banks of the Thames. | 0:13:43 | 0:13:45 | |
It's the home of Neil Wragg, | 0:13:47 | 0:13:49 | |
who's been rustling up stylish bags here for the last two years. | 0:13:49 | 0:13:55 | |
I'm used to working with materials that people don't want any more, | 0:13:55 | 0:13:58 | |
but Sarah usually adds another dimension to it. | 0:13:58 | 0:14:01 | |
She brings me something that's usually got an extra quirkiness, | 0:14:01 | 0:14:05 | |
uniqueness, or just something that brings its own challenge. | 0:14:05 | 0:14:09 | |
How's a pile of old military bags for you? | 0:14:10 | 0:14:13 | |
I'm on manoeuvres in Marlow with my lovely bag full of army surplus, | 0:14:13 | 0:14:18 | |
and I'm hoping Neil Wragg is going to change it from excess | 0:14:18 | 0:14:20 | |
into must-have accessory. | 0:14:20 | 0:14:22 | |
It's RAF surplus, actually, Sarah. | 0:14:22 | 0:14:25 | |
Hup two, there's work to be done. | 0:14:25 | 0:14:28 | |
-Hi, Sarah. -Hello. | 0:14:28 | 0:14:30 | |
You're moving in again. | 0:14:30 | 0:14:32 | |
I wonder what the drill is going to be here, then. | 0:14:32 | 0:14:35 | |
This is a heavy load, this one. | 0:14:35 | 0:14:37 | |
Wow! You've... You've brought me a bag. | 0:14:37 | 0:14:41 | |
I know, but it has got loads of things inside it. | 0:14:42 | 0:14:45 | |
This stuff is amazing. | 0:14:45 | 0:14:47 | |
It is full of these cool little accessories. | 0:14:47 | 0:14:51 | |
It's the real McCoy, isn't it? | 0:14:51 | 0:14:52 | |
It weighs a ton, it's thick as anything. | 0:14:52 | 0:14:55 | |
At the moment, this kind of kit has got limited appeal, | 0:14:55 | 0:14:59 | |
but I thought maybe you could do something to it that would put it | 0:14:59 | 0:15:01 | |
back on the high street. | 0:15:01 | 0:15:03 | |
Just give it to the Scouts. | 0:15:03 | 0:15:05 | |
You're not getting out of it that easily, Neil. | 0:15:05 | 0:15:07 | |
It's useful, but it's not beautiful at the moment. | 0:15:07 | 0:15:10 | |
It isn't beautiful. It was never meant to be beautiful. | 0:15:10 | 0:15:12 | |
We could maybe use that utilitarian, that non-beauty, | 0:15:12 | 0:15:15 | |
and turn it into something beautiful. | 0:15:15 | 0:15:19 | |
But it will involve a lot of cutting, a lot of sewing, | 0:15:19 | 0:15:23 | |
and a lot of planning, but there is potential. | 0:15:23 | 0:15:26 | |
I think the best way to | 0:15:26 | 0:15:29 | |
go for this one, to turn this around, | 0:15:29 | 0:15:31 | |
is to go to the bigger items and transform them into top-end bags. | 0:15:31 | 0:15:36 | |
So, what do you reckon? | 0:15:36 | 0:15:38 | |
We've got two really good potential bags | 0:15:38 | 0:15:40 | |
out of that whole lot, probably, haven't we? | 0:15:40 | 0:15:42 | |
Yes, we've got two bags we can get out of this. | 0:15:42 | 0:15:45 | |
We'll maybe discard the bits with the plastic on | 0:15:45 | 0:15:48 | |
and we'll concentrate on the heavy-duty, the metal fixings. | 0:15:48 | 0:15:54 | |
We don't renovate these bags, but we actually transform them. | 0:15:54 | 0:15:58 | |
It's two bags in total, but what's he thinking about the cost? | 0:15:58 | 0:16:02 | |
What would we be talking about, cost-wise, | 0:16:02 | 0:16:04 | |
for two bags from this little jumble? | 0:16:04 | 0:16:07 | |
To you, £150, | 0:16:07 | 0:16:08 | |
and then you can sell two bags and you'll make some money from those. | 0:16:08 | 0:16:12 | |
£75 each? | 0:16:12 | 0:16:13 | |
-Brilliant. -Sounds like a deal. | 0:16:13 | 0:16:15 | |
Not a bad price, | 0:16:15 | 0:16:16 | |
but the redesign will have to be high-end to make money. | 0:16:16 | 0:16:20 | |
Got to love that enthusiasm. | 0:16:23 | 0:16:24 | |
Heaps of components there, | 0:16:24 | 0:16:26 | |
but tricky to design something that will actually make money. | 0:16:26 | 0:16:28 | |
But I think Neil's got the right idea. | 0:16:28 | 0:16:30 | |
But will Neil really be able to march on with these? | 0:16:30 | 0:16:34 | |
It is going to be tricky. | 0:16:34 | 0:16:35 | |
This is turning a bag into a bag from a bag. | 0:16:35 | 0:16:39 | |
So, it's not straightforward. | 0:16:39 | 0:16:41 | |
A bag into a bag from a bag by Neil Wragg. | 0:16:41 | 0:16:45 | |
Yep, you've lost me. | 0:16:45 | 0:16:47 | |
I don't know how it's going to work, | 0:16:47 | 0:16:49 | |
but I just know that the raw materials have got potential | 0:16:49 | 0:16:52 | |
and they've got a personality. | 0:16:52 | 0:16:54 | |
That's a total of £150 for Neil's work on two bags. | 0:16:54 | 0:16:59 | |
Lots of stitching to do. Good luck, Neil. | 0:16:59 | 0:17:02 | |
In Sussex, Sarah is taking on her challenge | 0:17:07 | 0:17:11 | |
to turn those six rusty saws | 0:17:11 | 0:17:13 | |
into something, well, less rusty and less saw-y, I suppose. | 0:17:13 | 0:17:18 | |
I love these old tools, | 0:17:25 | 0:17:26 | |
because they just don't make them like this any more. | 0:17:26 | 0:17:29 | |
And it's such a shame that they have to end up going into the tip. | 0:17:29 | 0:17:32 | |
But they're basically obsolete. | 0:17:32 | 0:17:34 | |
So, I thought, how about turning these into something | 0:17:34 | 0:17:36 | |
that is again going to be useful, practical and really good-looking? | 0:17:36 | 0:17:42 | |
I'm going for signs to go above the shed, to go in the man cave, | 0:17:42 | 0:17:46 | |
maybe in the workshop, or even just a shop. | 0:17:46 | 0:17:50 | |
That's got to be better than having them ending up in a skip, hasn't it? | 0:17:50 | 0:17:53 | |
Anything's better than ending up in a skip. | 0:17:53 | 0:17:56 | |
First, she needs to banish some of that dirt and rust. | 0:17:56 | 0:18:00 | |
So, on with the gloves, on with the dust mask. | 0:18:00 | 0:18:04 | |
Time to get scrubbing. | 0:18:04 | 0:18:06 | |
Sarah's using good old wire wool dipped in wax. | 0:18:07 | 0:18:11 | |
"Why wax?" you may ask. | 0:18:11 | 0:18:14 | |
Well, without wax, that final finish would be dusty and hazy. | 0:18:14 | 0:18:18 | |
Is it just me, or does that look like an owl? | 0:18:18 | 0:18:21 | |
Well, if owls were made of wood and had a sharp row of teeth, then, | 0:18:21 | 0:18:26 | |
yes, why not. | 0:18:26 | 0:18:27 | |
Look at that. | 0:18:29 | 0:18:30 | |
Well done, Sarah. | 0:18:30 | 0:18:32 | |
Those owls - I mean, saws - have come up a treat. | 0:18:32 | 0:18:35 | |
After a bit of pricing research online, though, there's a hitch, | 0:18:37 | 0:18:41 | |
meaning the plan to turn the saws into signs isn't going to cut it. | 0:18:41 | 0:18:47 | |
Well, I've double-checked, and pretty much the only thing | 0:18:47 | 0:18:49 | |
I can get done is some black letters etched across the blade, | 0:18:49 | 0:18:53 | |
and these are really dark, so I don't think that's going to be very effective. | 0:18:53 | 0:18:56 | |
But I can get somebody to hand-cut them with some sort of wobbly, | 0:18:56 | 0:19:00 | |
organic-looking lettering, and that would be about 50 quid a saw. | 0:19:00 | 0:19:04 | |
So I know what I'm going to do. | 0:19:04 | 0:19:05 | |
I'm going to make these into the most fantastic | 0:19:05 | 0:19:09 | |
saw-shaped cheeseboards you've ever seen. | 0:19:09 | 0:19:12 | |
Eh? Was that me or did she say cheeseboards? | 0:19:12 | 0:19:15 | |
I can't do this on my own, though, | 0:19:15 | 0:19:16 | |
because there's no way I'm using an angle grinder to cut these, | 0:19:16 | 0:19:19 | |
and I think that's what's got to happen. | 0:19:19 | 0:19:21 | |
I'm really lucky, because I know a man who does have one | 0:19:21 | 0:19:25 | |
and who can help. | 0:19:25 | 0:19:26 | |
I wonder who that could be. | 0:19:26 | 0:19:28 | |
Let's go find a man. | 0:19:28 | 0:19:30 | |
It's not you. | 0:19:32 | 0:19:34 | |
If it's not the rubber chicken in your drive, | 0:19:34 | 0:19:37 | |
it must be your local carpenter chum Paul. | 0:19:37 | 0:19:40 | |
-Saws. -Yeah. | 0:19:43 | 0:19:45 | |
Now, it might be sacrilege to a traditionalist like you, | 0:19:45 | 0:19:49 | |
but I've got to make something out of these, | 0:19:49 | 0:19:50 | |
and I've been all round the houses, and I've got an idea. | 0:19:50 | 0:19:53 | |
-I was hoping you might be able to help. -Right, yep, go on. | 0:19:53 | 0:19:56 | |
I'm thinking... | 0:19:57 | 0:19:58 | |
..cheeseboard. | 0:20:00 | 0:20:02 | |
-Cheeseboard. -Cheeseboard. | 0:20:02 | 0:20:04 | |
I have got a plan, | 0:20:04 | 0:20:06 | |
and it is to replace the blade with some oak from these planks. | 0:20:06 | 0:20:11 | |
-OK. -So, make some sort of saw-shaped board. | 0:20:11 | 0:20:15 | |
-Are you with me? -Yes. | 0:20:15 | 0:20:16 | |
Are you sure, Paul? | 0:20:16 | 0:20:17 | |
But maybe if I could draw around them, | 0:20:17 | 0:20:20 | |
then you could help with some of your power tools | 0:20:20 | 0:20:22 | |
-to get it all shaped up. -Yes, that's all right, yeah. | 0:20:22 | 0:20:25 | |
Sarah starts by outlining the shape of the blade onto the wood. | 0:20:27 | 0:20:32 | |
It's going to get cut out and will replace the metal | 0:20:32 | 0:20:35 | |
to form the serving platter for the cheese. | 0:20:35 | 0:20:38 | |
Then it's over to Paul's high-powered cutting tools | 0:20:38 | 0:20:41 | |
to cut out the shape. | 0:20:41 | 0:20:42 | |
Yep, that's looking good. | 0:20:44 | 0:20:45 | |
That's amazing. I think that's going to be perfect. | 0:20:47 | 0:20:50 | |
Never one to see things go to waste, | 0:20:50 | 0:20:53 | |
Sarah's got an idea for those metal blades. | 0:20:53 | 0:20:56 | |
After all, she did spend ages polishing them. | 0:20:56 | 0:20:59 | |
So, can you cut this stuff? | 0:20:59 | 0:21:01 | |
I've got an angle grinder that will cut it. | 0:21:01 | 0:21:04 | |
How about we make a little cheese blade, kind of chopping blade? | 0:21:04 | 0:21:09 | |
I think it doesn't have to be too sharp | 0:21:09 | 0:21:11 | |
if it's going to be for cheese. | 0:21:11 | 0:21:13 | |
No, you could put a small edge on it, but not a razor edge. | 0:21:13 | 0:21:17 | |
Excellent. I reckon that could work. | 0:21:17 | 0:21:18 | |
-Let's get to it. -Right. | 0:21:20 | 0:21:22 | |
Yeah, you CHEDDAR get on with it. | 0:21:22 | 0:21:25 | |
No standing STILTON now. | 0:21:25 | 0:21:28 | |
These jokes are cheesy. | 0:21:28 | 0:21:30 | |
The cost for the work is £43. | 0:21:32 | 0:21:34 | |
That's three quid for the wire wool and wax, and 40 for Paul's help. | 0:21:34 | 0:21:39 | |
Let's hope those cheeseboards don't cause any nightmares. | 0:21:39 | 0:21:43 | |
Ten miles away, | 0:21:44 | 0:21:45 | |
Josh and Oli are planning their copper and lead coffee table top. | 0:21:45 | 0:21:50 | |
We're thinking at the moment of doing splashes of copper on the top, | 0:21:50 | 0:21:54 | |
so we'll splash some copper first, | 0:21:54 | 0:21:56 | |
and then we're going to melt the lead afterwards | 0:21:56 | 0:21:59 | |
and form like a circular table top so that... | 0:21:59 | 0:22:03 | |
If you know what I mean, once you flip it over, | 0:22:03 | 0:22:05 | |
you'll have, like, splashes of copper with, like, a lead surround. | 0:22:05 | 0:22:09 | |
-So, that's the plan. -That's the rough plan. | 0:22:09 | 0:22:12 | |
Hm... | 0:22:12 | 0:22:13 | |
That doesn't sound like the plan you discussed with Sarah, but hey-ho, | 0:22:13 | 0:22:17 | |
it's off to work you go. | 0:22:17 | 0:22:19 | |
The lads need to melt that metal first, | 0:22:19 | 0:22:22 | |
so it's out with the home-made furnace lined with cement. | 0:22:22 | 0:22:26 | |
And if things do get out of hand, | 0:22:26 | 0:22:28 | |
they've certainly got plenty of fire extinguishers. | 0:22:28 | 0:22:32 | |
Yeah, in case we need to... | 0:22:32 | 0:22:34 | |
put it out, there's a collection over here. | 0:22:34 | 0:22:37 | |
Josh starts the fire with some wood to build the heat slowly. | 0:22:38 | 0:22:42 | |
If you heat the furnace too quickly, the concrete will crack. | 0:22:42 | 0:22:46 | |
To make a mould for the molten metal, | 0:22:46 | 0:22:50 | |
we've got to use this special sand. | 0:22:50 | 0:22:52 | |
So, I'm going to fill up the square here with sand, | 0:22:53 | 0:22:57 | |
and then we can press our mould into that. | 0:22:57 | 0:23:00 | |
It's like they're on a little camping trip. | 0:23:00 | 0:23:04 | |
You having fun in your little sandpit, Oli? | 0:23:04 | 0:23:07 | |
Once the furnace is ready, | 0:23:08 | 0:23:10 | |
the boys use a long-reach gas blowtorch | 0:23:10 | 0:23:12 | |
to get the metal melting under way. | 0:23:12 | 0:23:15 | |
When working with types of materials like this, | 0:23:17 | 0:23:20 | |
Oli and Josh should be wearing protective gear like face shields, | 0:23:20 | 0:23:24 | |
gloves, leather aprons and respirators. | 0:23:24 | 0:23:27 | |
So, under no circumstances copy their bad behaviour. | 0:23:29 | 0:23:33 | |
How's that copper looking, then? | 0:23:34 | 0:23:36 | |
It doesn't look very melted to me. | 0:23:37 | 0:23:39 | |
If we can't melt the copper, | 0:23:40 | 0:23:42 | |
we should just cut our losses and just focus on the lead. | 0:23:42 | 0:23:45 | |
It's time to turf the copper | 0:23:47 | 0:23:48 | |
and make a new plan back at the workshop. | 0:23:48 | 0:23:51 | |
What the plan is, is to cut up lots of bits of copper and get some nice | 0:23:53 | 0:23:59 | |
little fittings like this, | 0:23:59 | 0:24:01 | |
and we're going to just sprinkle them into the lead. | 0:24:01 | 0:24:04 | |
The lead we should be able to melt, | 0:24:04 | 0:24:06 | |
because it's at a much lower melting temperature. | 0:24:06 | 0:24:09 | |
So, hopefully, the end result will be a table, | 0:24:09 | 0:24:12 | |
a lead table top with lots of interesting little bits in the top. | 0:24:12 | 0:24:17 | |
Like some sort of metal pizza, then. | 0:24:17 | 0:24:19 | |
It's a brave idea, | 0:24:21 | 0:24:22 | |
and absolutely nothing like the one you chatted to Sarah about. | 0:24:22 | 0:24:26 | |
All fired up again, it's time to turn the lead into liquid. | 0:24:27 | 0:24:31 | |
Lead is notoriously dangerous and extremely poisonous when heated. | 0:24:32 | 0:24:37 | |
Again, please remember to wear a face shield, gloves, | 0:24:37 | 0:24:41 | |
leather apron and respirator. | 0:24:41 | 0:24:43 | |
That's the lead melted. | 0:24:44 | 0:24:45 | |
Time for the creative bit - | 0:24:45 | 0:24:47 | |
pouring it into the table-top mould. | 0:24:47 | 0:24:50 | |
Beautifully done, boys. | 0:24:52 | 0:24:53 | |
It's...exquisite...is it? | 0:24:53 | 0:24:56 | |
It's a work of art. | 0:24:58 | 0:24:59 | |
Yep, a veritable masterpiece. | 0:25:00 | 0:25:02 | |
It looks like we just made a disgusting omelette! | 0:25:02 | 0:25:06 | |
No, I was right, Josh, it's a metal pizza. | 0:25:06 | 0:25:09 | |
And, yes, it does look disgusting. | 0:25:09 | 0:25:11 | |
But one way or the other, | 0:25:11 | 0:25:13 | |
you are going to need to serve something up to Sarah. | 0:25:13 | 0:25:17 | |
Well, I think we're both a bit disappointed, | 0:25:17 | 0:25:19 | |
but I think we kind of knew that | 0:25:19 | 0:25:21 | |
there was a good chance it wasn't going to work. | 0:25:21 | 0:25:24 | |
So... | 0:25:24 | 0:25:25 | |
Yeah. | 0:25:28 | 0:25:29 | |
-Back to the drawing board, I think. -Back to the drawing board. | 0:25:31 | 0:25:35 | |
I can't wait to see if they turn this metal pizza | 0:25:35 | 0:25:38 | |
into something a lot more palatable. | 0:25:38 | 0:25:40 | |
In Marlow, Neil Wragg is getting to grips with those old kitbags. | 0:25:46 | 0:25:53 | |
He agreed to turn them from military to high-end fashion utility. | 0:25:53 | 0:25:58 | |
Come on, Neil, how are you going to do that? | 0:25:58 | 0:26:02 | |
So, we've got lots and lots of straps on them. | 0:26:02 | 0:26:05 | |
Which, to be honest, would just get in the way, | 0:26:05 | 0:26:08 | |
get caught in things. | 0:26:08 | 0:26:10 | |
So we're going to start to refine them a bit, | 0:26:10 | 0:26:15 | |
but use some of this old, rustic, | 0:26:15 | 0:26:18 | |
this really tough and good-looking fabrics | 0:26:18 | 0:26:22 | |
and add some leather and add some things with it. | 0:26:22 | 0:26:26 | |
Tough and good-looking. | 0:26:26 | 0:26:28 | |
Rather like myself, Neil. | 0:26:28 | 0:26:30 | |
To help bring down the military vibe, | 0:26:30 | 0:26:33 | |
Neil is thinking of using a whole heap of leather. | 0:26:33 | 0:26:36 | |
Just as well, he's got a whole bag of it. | 0:26:36 | 0:26:39 | |
What I've got here is lots of quite small offcuts of upholstery leather | 0:26:39 | 0:26:46 | |
that were all going to be thrown away | 0:26:46 | 0:26:49 | |
but what I can do is patchwork them together, | 0:26:49 | 0:26:52 | |
add them to the military canvas and come out with something, hopefully, | 0:26:52 | 0:26:56 | |
quite stunning. | 0:26:56 | 0:26:58 | |
Sounds like a big old, leathery, canvasey jigsaw puzzle. | 0:26:59 | 0:27:04 | |
To create a large piece of leather for the bag, | 0:27:04 | 0:27:08 | |
Neil's sticking the smaller pieces together with a permanent PVA glue. | 0:27:08 | 0:27:12 | |
Neil chose a supple leather because it's durable and hard-wearing. | 0:27:13 | 0:27:18 | |
Time to get out the trusty sewing machine | 0:27:18 | 0:27:21 | |
to tidy up the joints between the pieces. | 0:27:21 | 0:27:24 | |
Thread on, needle engaged, pedal down. | 0:27:24 | 0:27:27 | |
It's a bit of extra work to get them into | 0:27:32 | 0:27:35 | |
a big piece of leather | 0:27:35 | 0:27:37 | |
but it does mean we get some really luxurious, high-quality leather | 0:27:37 | 0:27:44 | |
from what was going to be thrown away. | 0:27:44 | 0:27:46 | |
Neil's finishing off with a bit of hand stitching. | 0:27:48 | 0:27:52 | |
And there we are, | 0:27:52 | 0:27:54 | |
one patchwork leather panel to go with the original bag. | 0:27:54 | 0:27:58 | |
I'm hoping I can make a complete bag just from this one square of canvas. | 0:27:58 | 0:28:05 | |
A smaller-style bag, big enough for a tablet, or bits and pieces, | 0:28:07 | 0:28:15 | |
phones, chargers, that kind of thing. | 0:28:15 | 0:28:19 | |
Still a shoulder bag, but having, now, the leather | 0:28:19 | 0:28:24 | |
as the flap that goes over the top. | 0:28:24 | 0:28:29 | |
Still early stages, but combining the military canvas | 0:28:30 | 0:28:34 | |
and the patchwork leather, I think Sarah's going to be pleased. | 0:28:34 | 0:28:38 | |
She'll only be pleased if it works, Neil. | 0:28:38 | 0:28:41 | |
At home in Sussex, | 0:28:44 | 0:28:45 | |
Sarah is unveiling her saw-inspired cheeseboards. | 0:28:45 | 0:28:49 | |
At the tip, they were just six rusty, dusty, musty, crusty old saws | 0:28:52 | 0:28:57 | |
but now you'd better pass me the crackers and pickle, because | 0:28:57 | 0:29:02 | |
these cheeseboards are very tasty. | 0:29:02 | 0:29:05 | |
All that elbow grease hasn't gone to waste. | 0:29:06 | 0:29:09 | |
Just look at those handles. | 0:29:09 | 0:29:11 | |
They've scrubbed up a treat. | 0:29:11 | 0:29:14 | |
The handles have been screwed into the oakwood pieces | 0:29:14 | 0:29:17 | |
to make the serving surface. | 0:29:17 | 0:29:19 | |
The old metal blades have been repurposed | 0:29:19 | 0:29:22 | |
and given wooden handles, too, | 0:29:22 | 0:29:24 | |
ready for their new life as cheese cutters. | 0:29:24 | 0:29:27 | |
Though there are only five saws now | 0:29:28 | 0:29:31 | |
as Sarah used one as a test make. | 0:29:31 | 0:29:33 | |
What a journey. | 0:29:33 | 0:29:35 | |
From saws to signs to... | 0:29:35 | 0:29:38 | |
Cheeseboards. | 0:29:38 | 0:29:40 | |
These are so much better than the signs, I think. | 0:29:40 | 0:29:43 | |
They'd make lovely presents, too. | 0:29:43 | 0:29:44 | |
So, hopefully, some good sales here. | 0:29:44 | 0:29:46 | |
Sarah used all her charms to take these saws | 0:29:48 | 0:29:51 | |
from the back of carpenter Keith's car. | 0:29:51 | 0:29:54 | |
I'm just getting rid of a few old saws and bits and pieces. | 0:29:54 | 0:29:58 | |
You've got hundreds of those. | 0:29:58 | 0:30:00 | |
I bought that when I was an apprentice. | 0:30:00 | 0:30:02 | |
-Ten years ago, then. -Yeah! -Fantastic. | 0:30:02 | 0:30:05 | |
Keith was happy to hand them over. | 0:30:05 | 0:30:07 | |
And even had his own ideas about what she could do with them. | 0:30:07 | 0:30:11 | |
Weld them together, make a sculpture, something like that. | 0:30:11 | 0:30:13 | |
Sarah's grafted hard and it's paid off. | 0:30:15 | 0:30:18 | |
The White Horse hotel in Chichester bought all five saws, | 0:30:19 | 0:30:24 | |
and deputy manager Anita | 0:30:24 | 0:30:26 | |
is delighted with her quirky new cheeseboards. | 0:30:26 | 0:30:31 | |
I think they're absolutely fabulous. They're unique. | 0:30:31 | 0:30:34 | |
They suit the pub and I think our customers would absolutely love them. | 0:30:34 | 0:30:38 | |
But how much did the hotel pay for them? | 0:30:38 | 0:30:41 | |
Sarah is in Timperley to reveal all to Keith. | 0:30:42 | 0:30:46 | |
-Hi there, Keith. -Hi. Morning. -How are you doing? | 0:30:49 | 0:30:52 | |
-All right, yes. -Nice to see you again. -Yes. | 0:30:52 | 0:30:55 | |
I first met you at the recycling centre | 0:30:55 | 0:30:58 | |
and you were dropping off all those saws that you used to work with. | 0:30:58 | 0:31:00 | |
Those old saws had great wear and tear on them | 0:31:00 | 0:31:03 | |
from all your hard work. | 0:31:03 | 0:31:05 | |
-Did you wonder what we might do with them? -I did. Yes. | 0:31:05 | 0:31:07 | |
-It was a bit of a puzzle that, yes. -This is what happened to your saws. | 0:31:07 | 0:31:11 | |
I've turned them into cheeseboards. | 0:31:11 | 0:31:12 | |
-Oh, right. -I've used the blades to make choppers | 0:31:12 | 0:31:15 | |
and used all of the lovely detailing on the handles to make the handles of the boards. | 0:31:15 | 0:31:19 | |
-So, what do you think of those? -Very unusual, yes. | 0:31:19 | 0:31:22 | |
-What do you think? -Very good, that, yes. | 0:31:22 | 0:31:25 | |
Well, they do look lovely. | 0:31:25 | 0:31:26 | |
Those marks that you had made on the handles of those beautiful old saws, | 0:31:26 | 0:31:30 | |
even the carvings on them, just looked so decorative. | 0:31:30 | 0:31:33 | |
And now they're useful as well. | 0:31:33 | 0:31:35 | |
A pub that's close to me has bought them. | 0:31:35 | 0:31:37 | |
-Oh, right. -And I've got some profit here to give to you. | 0:31:37 | 0:31:40 | |
In fact, I have £187 for you. | 0:31:40 | 0:31:44 | |
-Flippin' heck! Didn't expect that! -I love a surprise. | 0:31:44 | 0:31:48 | |
Yeah. It's brilliant. | 0:31:48 | 0:31:50 | |
So, to put you on the spot, what are you going to do with that? | 0:31:50 | 0:31:53 | |
-I don't know. Go out for a meal, for a start. Yeah. -Great. | 0:31:53 | 0:31:56 | |
-Really good. -Well, it was lovely to be able to reuse them. | 0:31:56 | 0:31:59 | |
I hope you don't mind that I cut them up. | 0:31:59 | 0:32:01 | |
But they've definitely got a new lease of life and loads of people are going to use them. | 0:32:01 | 0:32:05 | |
-Certainly. -You'll have to go to the pub. I'll tell you where it is. -Right. OK. -Fantastic. | 0:32:05 | 0:32:08 | |
Really good to catch up. | 0:32:08 | 0:32:10 | |
-Thank you very much. -Thank you. Bye-bye. -Bye now. | 0:32:10 | 0:32:13 | |
Sarah spent £43 on the saws. | 0:32:13 | 0:32:16 | |
She sold them for a total of £230. | 0:32:16 | 0:32:20 | |
That's a cracking profit of £187 | 0:32:20 | 0:32:23 | |
which Keith can spend on a right good old slap-up meal. | 0:32:23 | 0:32:28 | |
In Halnaker, Sarah is heading to see | 0:32:30 | 0:32:33 | |
how Josh and Oli's lead and copper pipe coffee table has turned out. | 0:32:33 | 0:32:38 | |
Give as a smile, Oli. | 0:32:39 | 0:32:41 | |
I think what we've ended up here with is pretty cool. | 0:32:41 | 0:32:44 | |
We're pleased with it. | 0:32:44 | 0:32:45 | |
It's good, because if we hadn't have experimented with it, | 0:32:45 | 0:32:49 | |
then we wouldn't have come up with this. | 0:32:49 | 0:32:52 | |
Ooh, I'm excited now. | 0:32:52 | 0:32:54 | |
I reckon Sarah's going to be well chuffed with that. | 0:32:54 | 0:32:57 | |
Do you, now, Josh? | 0:32:57 | 0:32:59 | |
I like a confident man. | 0:32:59 | 0:33:01 | |
I'm here to see if Josh and Oli can turn a pile of old pipe | 0:33:03 | 0:33:06 | |
into a fantastic table. | 0:33:06 | 0:33:08 | |
It's a massive challenge, this one. | 0:33:08 | 0:33:10 | |
I can't wait to see what they've done. | 0:33:10 | 0:33:13 | |
Josh and Oli were presented with a twisted mangle | 0:33:13 | 0:33:16 | |
of copper and lead pipes | 0:33:16 | 0:33:18 | |
but now... | 0:33:18 | 0:33:19 | |
..it's a unique, nature-inspired coffee table. | 0:33:21 | 0:33:25 | |
They have inlaid the table top with bark | 0:33:25 | 0:33:28 | |
and poured in molten lead to seal it in place, | 0:33:28 | 0:33:31 | |
creating a one-of-a-kind and totally original surface design. | 0:33:31 | 0:33:36 | |
The table's smooth base is crafted | 0:33:36 | 0:33:39 | |
to complement the rough feel of the table top. | 0:33:39 | 0:33:42 | |
They definitely needed to go back to the drawing board. | 0:33:42 | 0:33:46 | |
And, wow! | 0:33:46 | 0:33:48 | |
Have they pushed the creative boat out with this amazing table? | 0:33:48 | 0:33:52 | |
-Hello! -Hello, how are you doing? | 0:33:55 | 0:33:57 | |
-Yeah, good. -Oh, my word! Is that the pipes? | 0:33:57 | 0:34:03 | |
-That's the pipes! -Oh, wow! | 0:34:03 | 0:34:05 | |
That wasn't what we discussed, was it? | 0:34:05 | 0:34:08 | |
-No. -We had a complete meltdown, if you like. | 0:34:08 | 0:34:11 | |
A meltdown. I like what you've done there. | 0:34:11 | 0:34:14 | |
Kind of cool, though, isn't it? | 0:34:14 | 0:34:15 | |
I mean, very interesting surface, isn't it? | 0:34:15 | 0:34:17 | |
Yes. I kind of see this as | 0:34:17 | 0:34:19 | |
it's almost as if the tree is bleeding molten metal | 0:34:19 | 0:34:23 | |
through the bark. | 0:34:23 | 0:34:25 | |
I think it's got a real appeal and I'm sorry it took so much heartache | 0:34:25 | 0:34:27 | |
-to get here. -That's all right. | 0:34:27 | 0:34:29 | |
It looks handmade and I think that helps in selling it. | 0:34:29 | 0:34:33 | |
-So I think despite all the trauma, it's a real success. -Good. | 0:34:33 | 0:34:37 | |
Good work, Josh and Oli. I knew you could do it. | 0:34:38 | 0:34:42 | |
It's just worked really well. | 0:34:42 | 0:34:44 | |
And I'm glad that this worked | 0:34:44 | 0:34:46 | |
rather than the other ideas, because they were naff. | 0:34:46 | 0:34:49 | |
So...it's cool. | 0:34:49 | 0:34:50 | |
Well, I think the old pipes did give the boys a few headaches. | 0:34:52 | 0:34:55 | |
What they've created is a beautiful-looking table, though. | 0:34:55 | 0:34:58 | |
But it is a niche one | 0:34:58 | 0:35:00 | |
and I might have my work cut out making much money on that one. | 0:35:00 | 0:35:04 | |
The tangled web of copper and lead pipes were rescued | 0:35:04 | 0:35:07 | |
from the back of Sean's car. | 0:35:07 | 0:35:09 | |
There's loads of it. It must weigh a ton. | 0:35:10 | 0:35:12 | |
It's quite heavy if you have to lift it all up in one go. | 0:35:12 | 0:35:14 | |
Happy to hand them over, | 0:35:14 | 0:35:16 | |
Sean even had a few ideas about what she could do with them. | 0:35:16 | 0:35:20 | |
I'd melt it down. | 0:35:20 | 0:35:21 | |
It would be nice to sort of mould something with it. | 0:35:21 | 0:35:24 | |
A statue, or something like that. | 0:35:24 | 0:35:27 | |
Not only did those old pipes get melted down... | 0:35:27 | 0:35:30 | |
..Josh and Oli made this creative molten lead | 0:35:31 | 0:35:34 | |
and tree bark coffee table. | 0:35:34 | 0:35:36 | |
To try and sell this incredible one-off, Sarah took to social media, | 0:35:38 | 0:35:43 | |
posting it on Instagram, eBay and Etsy. | 0:35:43 | 0:35:47 | |
But were there any takers? | 0:35:47 | 0:35:48 | |
To reveal all, Sarah's heading to Sean's house in Altrincham. | 0:35:49 | 0:35:55 | |
-Hi there. -Oh, hello. -How are you doing, Sean? -Good, thanks. Nice to see you. | 0:35:55 | 0:35:59 | |
I said I'd be back in contact. | 0:35:59 | 0:36:00 | |
-You did, yes. -Because I was talking a big game at the tip about | 0:36:00 | 0:36:03 | |
taking your pipes away and making something from them. | 0:36:03 | 0:36:05 | |
-Did you wonder what I might make? -My partner, Joe, and I, my partner, | 0:36:05 | 0:36:08 | |
we were speculating on what exactly it would be. | 0:36:08 | 0:36:11 | |
Whether it would be sort of a sculpture | 0:36:11 | 0:36:13 | |
or some of these new lamps or something. | 0:36:13 | 0:36:16 | |
Just, you know, interested to see. | 0:36:16 | 0:36:17 | |
I took it to a couple of great guys called Josh and Oli. | 0:36:17 | 0:36:20 | |
And I've got some pictures here to show you what they made. | 0:36:20 | 0:36:22 | |
-Oh, fabulous. -So here is what your lead became. | 0:36:22 | 0:36:26 | |
Oh, wow. I wouldn't have expected that. | 0:36:26 | 0:36:28 | |
They made a beautiful, really crisp coffee table. | 0:36:28 | 0:36:31 | |
And they put lovely bark on the top of it. | 0:36:31 | 0:36:35 | |
-And then used your lead to... -Wow. -..pull it all together. | 0:36:35 | 0:36:38 | |
I never would have... That's beautiful. | 0:36:38 | 0:36:40 | |
I never would have envisaged that, not at all. | 0:36:40 | 0:36:42 | |
-So that's a surprise, then? -That's a big surprise. I just... | 0:36:42 | 0:36:45 | |
There's a market close by that we go to. | 0:36:45 | 0:36:47 | |
You see pipes remade into things, | 0:36:47 | 0:36:49 | |
and I've not seen anything like that. | 0:36:49 | 0:36:51 | |
-That's fabulous. -So it's still for sale. | 0:36:51 | 0:36:54 | |
It's a beautiful-looking thing, | 0:36:54 | 0:36:55 | |
it's a good coffee table, and I've never seen anything like what they've done with it. | 0:36:55 | 0:36:58 | |
So I'm hoping that it will be sold soon, | 0:36:58 | 0:37:01 | |
and when it does I shall come back and give you the profit. | 0:37:01 | 0:37:04 | |
-Marvellous, thank you very much. -Lovely, really good to catch up. | 0:37:04 | 0:37:06 | |
-OK, cheers. You, too. -Thank you so much. | 0:37:06 | 0:37:09 | |
-Thanks a lot. -Bye-bye. | 0:37:09 | 0:37:11 | |
The table cost £500 to make. | 0:37:11 | 0:37:14 | |
But it hasn't sold yet. | 0:37:14 | 0:37:16 | |
So it's a potential loss of £500. | 0:37:16 | 0:37:20 | |
But it's just a matter of time | 0:37:20 | 0:37:21 | |
before Sarah finds someone to snap it up. | 0:37:21 | 0:37:24 | |
At Neil Wragg's workshop in Marlow, | 0:37:28 | 0:37:31 | |
he's buckling up his bags ready to show Sarah. | 0:37:31 | 0:37:34 | |
The old bags have taken quite a transformation. | 0:37:36 | 0:37:38 | |
They've gone from canvas to Italian designer leather. | 0:37:38 | 0:37:41 | |
So I think Sarah's going to be very pleased. | 0:37:41 | 0:37:43 | |
I've been called to action in Marlow to find out if Neil has transformed | 0:37:45 | 0:37:49 | |
those bags, used his special forces | 0:37:49 | 0:37:51 | |
to create something saleable and stylish. | 0:37:51 | 0:37:54 | |
Stand by, ready for inspection. | 0:37:54 | 0:37:57 | |
Sarah left Neil with these skip-bound military bags. | 0:37:58 | 0:38:02 | |
And now... | 0:38:02 | 0:38:03 | |
..they are totally transformed. | 0:38:05 | 0:38:08 | |
The Italian tan leather patchwork | 0:38:08 | 0:38:10 | |
complements the military green canvas. | 0:38:10 | 0:38:13 | |
They've been stitched together lovingly | 0:38:13 | 0:38:15 | |
to create a bespoke one-off design. | 0:38:15 | 0:38:18 | |
Fasteners have been salvaged from the original bags, | 0:38:18 | 0:38:22 | |
and he's added two new brass buckles - | 0:38:22 | 0:38:25 | |
the essence of military chic. | 0:38:25 | 0:38:28 | |
Sterling job, Neil. | 0:38:28 | 0:38:30 | |
I salute you. But what will Sarah make of them? | 0:38:30 | 0:38:33 | |
There's one. | 0:38:36 | 0:38:37 | |
Mr Wragg! | 0:38:38 | 0:38:40 | |
Oh, my word. It's got another one. | 0:38:40 | 0:38:42 | |
And there's number two. | 0:38:42 | 0:38:43 | |
Beautifully done. | 0:38:44 | 0:38:46 | |
So we've got Italian designer leather... | 0:38:46 | 0:38:48 | |
..added to what was a cape carrier. | 0:38:50 | 0:38:52 | |
With an antique map lining. | 0:38:53 | 0:38:55 | |
Beautiful. They look just like what is on trend at the moment. | 0:38:56 | 0:39:00 | |
-Great. -It's that rustic look. | 0:39:00 | 0:39:02 | |
All of the beautiful wear. | 0:39:02 | 0:39:04 | |
Just repackaged very cleverly. | 0:39:04 | 0:39:07 | |
Really clever. And I really want them. | 0:39:07 | 0:39:09 | |
I'd want them. | 0:39:09 | 0:39:11 | |
So pleased with those. Always a pleasure to see you. | 0:39:11 | 0:39:13 | |
-Wonderful. -I shall let you know where these end up, | 0:39:13 | 0:39:16 | |
-because I think they're going to be leaving me very soon. -Great. | 0:39:16 | 0:39:20 | |
A successful mission completed, then. | 0:39:20 | 0:39:23 | |
Well, I'm very pleased with Sarah's reaction. | 0:39:23 | 0:39:26 | |
It did take a lot of work, | 0:39:26 | 0:39:27 | |
but I had decided to use this | 0:39:27 | 0:39:29 | |
high-quality Italian designer leather offcut | 0:39:29 | 0:39:32 | |
to patchwork them together. | 0:39:32 | 0:39:34 | |
It took extra work, but I think the end result really proved that it was worth it. | 0:39:34 | 0:39:38 | |
I think these are a beautiful recommission, | 0:39:38 | 0:39:41 | |
and I reckon they'll be on a tour of duty very soon. | 0:39:41 | 0:39:44 | |
Sarah found the old kitbags resting in David's car. | 0:39:45 | 0:39:50 | |
-So was this yours? -My son's. | 0:39:50 | 0:39:52 | |
He was in the ATC and he wore this when he was doing field expeditions. | 0:39:52 | 0:39:58 | |
On manoeuvres? | 0:39:58 | 0:40:00 | |
And David was more than happy for Sarah to save the bags from the tip. | 0:40:00 | 0:40:04 | |
Oh, yeah, absolutely. | 0:40:04 | 0:40:05 | |
I much prefer it being reused in some way, | 0:40:05 | 0:40:08 | |
-rather than simply recycled or whatever. -Yeah. | 0:40:08 | 0:40:12 | |
David hadn't a clue what Sarah could do with them. | 0:40:12 | 0:40:15 | |
And now they're completely transformed. | 0:40:15 | 0:40:19 | |
Even better - Sarah has sold them both to Smithers of Stamford, | 0:40:19 | 0:40:23 | |
a retro and vintage retailer. | 0:40:23 | 0:40:27 | |
And owner Nick is a big fan of Neil's work. | 0:40:27 | 0:40:31 | |
Yeah, I really like Neil's bags. | 0:40:33 | 0:40:35 | |
I don't think we're going to have any problem shifting these. | 0:40:35 | 0:40:38 | |
But saying that, I think I'm going to keep this one for myself, | 0:40:38 | 0:40:40 | |
because it's really nice. | 0:40:40 | 0:40:42 | |
But we've got this one, though. | 0:40:43 | 0:40:44 | |
This would be really good for the ladies, I think. | 0:40:44 | 0:40:47 | |
Nick is happy, but how much did he pay for them? | 0:40:47 | 0:40:50 | |
Sarah's in Altrincham to tell David how much she made | 0:40:51 | 0:40:55 | |
from his son's old kitbags. | 0:40:55 | 0:40:57 | |
-Hi there, David. -Hi, Sarah. -Nice to see you again. | 0:40:59 | 0:41:01 | |
Good to see you, too. | 0:41:01 | 0:41:03 | |
Now, I said I'd come and catch up with you | 0:41:03 | 0:41:04 | |
if there was something to be done with the bags | 0:41:04 | 0:41:06 | |
that you were dropping off at the tip. | 0:41:06 | 0:41:08 | |
So I took your bags to a guy named Neil, | 0:41:08 | 0:41:10 | |
and Neil is actually a fantastic bag-maker. | 0:41:10 | 0:41:13 | |
So all those other bits of bags that were inside, | 0:41:13 | 0:41:15 | |
he's transformed them into more bags. | 0:41:15 | 0:41:17 | |
So here's some pictures of how they've ended up. | 0:41:17 | 0:41:20 | |
That's unbelievable. | 0:41:20 | 0:41:22 | |
He's combined it with some lovely pieces of leather | 0:41:22 | 0:41:26 | |
and turned them into a couple of really usable bags. | 0:41:26 | 0:41:29 | |
-Yeah, they're designer label. Superb. -What do you think of that? | 0:41:29 | 0:41:32 | |
The fact you've introduced other material is a key thing. | 0:41:32 | 0:41:34 | |
I couldn't imagine how you could just use those canvas things. | 0:41:34 | 0:41:37 | |
But that's really good. | 0:41:37 | 0:41:39 | |
They're now a really good, usable pair of bags. | 0:41:39 | 0:41:42 | |
And they've been bought by a website | 0:41:42 | 0:41:43 | |
who sell all sorts of things like this that are retro. | 0:41:43 | 0:41:46 | |
And I've got some profit for you. | 0:41:46 | 0:41:48 | |
-In fact, I have £70 here... -That's amazing. | 0:41:48 | 0:41:50 | |
..from the sale of those bags made out of your old bags. | 0:41:50 | 0:41:53 | |
-So that's for you. -That's really great. Thank you very much. | 0:41:53 | 0:41:56 | |
And I always ask, what might you do with £70? | 0:41:56 | 0:42:00 | |
It's obvious, isn't it? | 0:42:00 | 0:42:01 | |
It goes to Richard. He can decide what to do with it. | 0:42:01 | 0:42:04 | |
Richard is David's son, who owned the bags in the first place. | 0:42:04 | 0:42:07 | |
Has he got anything that he is saving up for or doing | 0:42:07 | 0:42:10 | |
that you might think of at the moment? | 0:42:10 | 0:42:12 | |
-It's his wedding on 1st July next year, so... -That is... | 0:42:12 | 0:42:15 | |
Yeah, down in Colchester. | 0:42:15 | 0:42:16 | |
So I'm sure that he will find something to spend it on | 0:42:16 | 0:42:19 | |
-between now and then, in fact. -It was lovely to catch up with you. | 0:42:19 | 0:42:22 | |
Thank you so much for letting us have the bags. | 0:42:22 | 0:42:24 | |
-And I hope he puts that to good use. -He will do. -Brilliant. | 0:42:24 | 0:42:27 | |
-Thank you, Sarah. -Bye-bye. | 0:42:27 | 0:42:29 | |
Sarah spent £150 on the two bags | 0:42:31 | 0:42:35 | |
which she then sold for £220. | 0:42:35 | 0:42:39 | |
That's a great profit of £70. | 0:42:39 | 0:42:43 | |
Well done, Sarah. Job done. | 0:42:43 | 0:42:46 | |
Sarah saved three unwanted items from the tip. | 0:42:48 | 0:42:52 | |
And with a bit of love, attention and creativity, | 0:42:52 | 0:42:56 | |
they've been transformed into wonderful, fresh, desirable objects. | 0:42:56 | 0:43:02 | |
We've taken three unwanted items and transformed them into stylish pieces | 0:43:04 | 0:43:08 | |
that are going to be used and enjoyed for many more years to come. | 0:43:08 | 0:43:11 | |
For me, that's definitely a happy ending. | 0:43:11 | 0:43:14 |