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That's not going in the tip, is it? | 0:00:03 | 0:00:04 | |
Yes. | 0:00:04 | 0:00:05 | |
How do you make money for nothing? | 0:00:07 | 0:00:09 | |
What are you dropping off? Anything exciting? | 0:00:09 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:16 | |
thrown out by us every year. | 0:00:16 | 0:00:18 | |
That is a fishing rod habit. | 0:00:18 | 0:00:20 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:22 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:27 | |
I'm a passionate buyer, maker and user of old stuff | 0:00:30 | 0:00:33 | |
and I've turned that passion into a moneymaking business. | 0:00:33 | 0:00:37 | |
I make new stuff out of old stuff | 0:00:37 | 0:00:39 | |
and I sell it for a profit. | 0:00:39 | 0:00:41 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:46 | |
-What do you think? -I think it's beautiful. | 0:00:46 | 0:00:47 | |
I've brought you my washing machine. | 0:00:47 | 0:00:49 | |
Oh, wow. | 0:00:49 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
What have you done? | 0:00:53 | 0:00:54 | |
..valuable... | 0:00:56 | 0:00:57 | |
Oh, amazing. | 0:00:57 | 0:00:59 | |
..and hopefully saleable items. | 0:00:59 | 0:01:01 | |
That is one clever sandwich. | 0:01:01 | 0:01:04 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
then she can hand the profits back to the very people who had no idea | 0:01:06 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:13 | |
You're joking! | 0:01:13 | 0:01:16 | |
At the Earlswood recycling centre in Surrey, | 0:01:27 | 0:01:30 | |
people are geared up for a day of dumping. | 0:01:30 | 0:01:34 | |
But junk genius Sarah Moore wants to catch things | 0:01:34 | 0:01:37 | |
before they're crushed. | 0:01:37 | 0:01:38 | |
Well, between the garden sheds and the bush trimmings, | 0:01:42 | 0:01:44 | |
I know great stuff is going to turn up here today. | 0:01:44 | 0:01:46 | |
I've just got to stop it going in the skips and get my hands on it. | 0:01:46 | 0:01:49 | |
Sarah acquired special permission to rifle through the rubbish... | 0:01:51 | 0:01:55 | |
That's a big clear out. | 0:01:55 | 0:01:57 | |
..in order to find three items that have the potential | 0:01:57 | 0:02:00 | |
to bring in the bucks. | 0:02:00 | 0:02:01 | |
Are you moving or are you just...? | 0:02:02 | 0:02:04 | |
I'm moving in and this is what's going out. | 0:02:04 | 0:02:06 | |
-Is it his? -Yes! | 0:02:06 | 0:02:07 | |
I hope he knows they're going! | 0:02:07 | 0:02:09 | |
He'll find out soon enough! | 0:02:11 | 0:02:12 | |
Here we go, why don't you have a look and see if there's anything | 0:02:15 | 0:02:18 | |
you fancy in Ed's boot? | 0:02:18 | 0:02:19 | |
-Hello, there. -Oh, hello. -Hi. | 0:02:22 | 0:02:24 | |
I've just spotted something in your boot. | 0:02:24 | 0:02:26 | |
-Right. -What is it, a voltmeter or...? | 0:02:26 | 0:02:28 | |
-An avometer. -What's that for? | 0:02:28 | 0:02:30 | |
Or what was it for? | 0:02:30 | 0:02:32 | |
It was what is now, you know by the modern equivalent, | 0:02:32 | 0:02:36 | |
called a multimeter. | 0:02:36 | 0:02:37 | |
Ed Shaw knows his meters. | 0:02:39 | 0:02:41 | |
This old avometer combines several functions in one unit, | 0:02:41 | 0:02:45 | |
measuring current, voltage and resistance. | 0:02:45 | 0:02:48 | |
So how old do you reckon that is? | 0:02:48 | 0:02:50 | |
Probably about 1950. | 0:02:50 | 0:02:52 | |
Modern multimeters now fit snugly in the palm of your hand, | 0:02:52 | 0:02:57 | |
unlike that big thing, which would struggle to fit snugly anywhere. | 0:02:57 | 0:03:01 | |
I did use it when I first inherited it from my father. | 0:03:01 | 0:03:04 | |
-Right. -Then it sat in the garage for a while | 0:03:04 | 0:03:06 | |
but I'm having a clear out of the garage, a few things going out, | 0:03:06 | 0:03:09 | |
so I'm going to cut my losses and get rid of it in the clear out. | 0:03:09 | 0:03:12 | |
I think it has got something very interesting about it. | 0:03:12 | 0:03:14 | |
-Probably, yes. -It has retro appeal. | 0:03:14 | 0:03:16 | |
-Doesn't it? -OK, if it appeals to you. | 0:03:16 | 0:03:17 | |
It definitely appeals to me. | 0:03:17 | 0:03:19 | |
Well, I think that this is a lovely thing. | 0:03:20 | 0:03:22 | |
I think it's decorative, if not useful any more. | 0:03:22 | 0:03:25 | |
-Not decorative! -Not decorative? I love the look of it. | 0:03:25 | 0:03:27 | |
I'm going to take it away, so thank you so much | 0:03:27 | 0:03:29 | |
-and I'll come and find you if it has a new life. -OK, good luck. | 0:03:29 | 0:03:32 | |
-Goodbye. -Right. | 0:03:32 | 0:03:33 | |
Oh, Ed, are you sure you don't think they are decorative? | 0:03:33 | 0:03:36 | |
Sarah can work wonders, you know. | 0:03:36 | 0:03:38 | |
Go on, what do you think she will do? | 0:03:38 | 0:03:41 | |
No, I... I wouldn't see it as a flower vase, really, | 0:03:41 | 0:03:44 | |
but she might be able to do something with it. | 0:03:44 | 0:03:46 | |
Well, I don't think it's going to have a current going through it | 0:03:48 | 0:03:51 | |
any more but look at it. You know who's going to love it, don't you? | 0:03:51 | 0:03:54 | |
I certainly do. | 0:03:54 | 0:03:55 | |
Mark Haig. | 0:03:57 | 0:03:58 | |
Mark uses his decades of engineering experience | 0:04:00 | 0:04:03 | |
to create one-of-a-kind sculptures from second-hand materials, | 0:04:03 | 0:04:08 | |
although his true passion... | 0:04:08 | 0:04:09 | |
robots. | 0:04:09 | 0:04:11 | |
The thing that makes me smile when I come into work is, | 0:04:12 | 0:04:15 | |
is thinking that I'm going to be building something somebody likes. | 0:04:15 | 0:04:18 | |
There's always a challenge. Every sculpture that I build has got | 0:04:20 | 0:04:22 | |
a different challenge to it. | 0:04:22 | 0:04:24 | |
And I love thinking through those challenges. | 0:04:24 | 0:04:26 | |
I suppose it used to be a hobby. | 0:04:26 | 0:04:28 | |
Now it's an obsession. | 0:04:29 | 0:04:31 | |
Well, Mark, we'll see how passionate you are | 0:04:31 | 0:04:33 | |
when Sarah drops this thing off at your door. | 0:04:33 | 0:04:37 | |
That's one item ready for a makeover. | 0:04:42 | 0:04:45 | |
Sarah's back skulking around people's boots to find another two. | 0:04:45 | 0:04:49 | |
Well, if it's any good, definitely. | 0:04:49 | 0:04:52 | |
What must people think when she starts poking around their rubbish? | 0:04:52 | 0:04:55 | |
They just think I'm weird. | 0:04:55 | 0:04:56 | |
I wonder why? | 0:04:58 | 0:04:59 | |
Perhaps Deborah and David will keep you occupied | 0:05:02 | 0:05:04 | |
with what they're chucking out. | 0:05:04 | 0:05:06 | |
Wow, you've got that packed in there, haven't you? | 0:05:09 | 0:05:11 | |
-Hi, there, hello. -Hello. | 0:05:11 | 0:05:13 | |
What are you...? Oh, what's that you're throwing away? | 0:05:13 | 0:05:15 | |
I can see the bed. | 0:05:15 | 0:05:17 | |
That's the table. Three-legged table. | 0:05:17 | 0:05:19 | |
-My mother's three-legged table. -Oh! | 0:05:19 | 0:05:22 | |
Oh, steady on, Sarah! | 0:05:22 | 0:05:23 | |
How long have you had that? | 0:05:23 | 0:05:25 | |
My mother-in-law's had it about 40 years. | 0:05:25 | 0:05:27 | |
Excellent. It's definitely got that vintage look to it, hasn't it? | 0:05:27 | 0:05:30 | |
-It has. -Yes. -And so what was it? Just her coffee table, or...? | 0:05:30 | 0:05:32 | |
Yeah, just, yeah. | 0:05:32 | 0:05:33 | |
It looks almost like an artist's palette, doesn't it? | 0:05:33 | 0:05:36 | |
Yes, it does. | 0:05:36 | 0:05:37 | |
Yes, it does, | 0:05:37 | 0:05:39 | |
although it's more commonly referred to as kidney-shaped. | 0:05:39 | 0:05:42 | |
It's definitely got a little bit of appeal. | 0:05:42 | 0:05:44 | |
Kidney-shaped furniture was popular in France | 0:05:44 | 0:05:47 | |
before arriving on these shores in the late 18th century. | 0:05:47 | 0:05:51 | |
It's not so popular now, though. | 0:05:51 | 0:05:53 | |
So she's just not using it any more? | 0:05:53 | 0:05:55 | |
No, she's downsizing. | 0:05:55 | 0:05:56 | |
There won't be space in the new place. | 0:05:56 | 0:05:58 | |
Right, gosh, we hear that story such a lot. | 0:05:58 | 0:06:00 | |
Well, instead of putting it in the recycling, | 0:06:00 | 0:06:03 | |
please may I take it away instead? | 0:06:03 | 0:06:04 | |
-Absolutely. -Do. | 0:06:04 | 0:06:05 | |
If I do something with it, can I come and show you? | 0:06:05 | 0:06:08 | |
-Yes. -No problem at all. | 0:06:08 | 0:06:10 | |
Fantastic. Thanks so much. | 0:06:10 | 0:06:11 | |
Thank you. | 0:06:11 | 0:06:12 | |
So Sarah's got herself a kidney-shaped table | 0:06:14 | 0:06:17 | |
to update, but what will she do with it? Deborah? | 0:06:17 | 0:06:21 | |
I think Sarah will paint it multi-colours of varying, | 0:06:21 | 0:06:24 | |
clashing colours, I'm sure. | 0:06:24 | 0:06:26 | |
And is that kind of thing up your street? | 0:06:26 | 0:06:29 | |
Possibly, possibly not. | 0:06:29 | 0:06:31 | |
Well, look at it. It's kidney-shaped, | 0:06:34 | 0:06:35 | |
it's small and it's got retro written all over it. | 0:06:35 | 0:06:39 | |
A classic 1950s three-legged table. | 0:06:39 | 0:06:41 | |
I think it's a little beauty. | 0:06:41 | 0:06:43 | |
Tricky to make a massive profit out of it, | 0:06:43 | 0:06:45 | |
so I've got to make sure it goes to just the right person. | 0:06:45 | 0:06:48 | |
Person or persons? | 0:06:48 | 0:06:50 | |
Meet Josh and his best pal Ollie. | 0:06:54 | 0:06:57 | |
These dedicated designers have a passion | 0:06:57 | 0:06:59 | |
for turning unwanted waste into must-have items. | 0:06:59 | 0:07:03 | |
This definitely isn't just a job, erm, | 0:07:05 | 0:07:07 | |
because I think we invest way more of ourselves in it. | 0:07:07 | 0:07:10 | |
So I think it's, it's a passion, it's a job. | 0:07:10 | 0:07:13 | |
Yeah, a bit of everything, really. | 0:07:13 | 0:07:15 | |
I didn't get into this for the money side of it. | 0:07:17 | 0:07:19 | |
I think what makes us different is the fact that we, | 0:07:19 | 0:07:22 | |
we really just love doing what we do so much. | 0:07:22 | 0:07:24 | |
You've never let Sarah down in the past, boys. | 0:07:24 | 0:07:27 | |
Let's just hope you have some good ideas to bring to this table. | 0:07:27 | 0:07:30 | |
That's two items set aside. | 0:07:36 | 0:07:38 | |
Sarah's back on the hunt for a certain something | 0:07:40 | 0:07:43 | |
she can work on herself, | 0:07:43 | 0:07:45 | |
but so far, the pickings are slim. | 0:07:45 | 0:07:47 | |
Well, it hasn't been the quickest of starts but you know what they say, | 0:07:47 | 0:07:50 | |
the slow one always wins the race. | 0:07:50 | 0:07:52 | |
Come on. | 0:07:52 | 0:07:53 | |
That isn't what they say! | 0:07:53 | 0:07:54 | |
Oh, hold your horses, | 0:07:55 | 0:07:56 | |
Peter might have something a little faster in the back of his car. | 0:07:56 | 0:08:00 | |
Hello, there. | 0:08:00 | 0:08:02 | |
-Oh, hello. -Hi, I'm going to introduce myself. | 0:08:02 | 0:08:03 | |
-Hi, I'm Sarah. -Hello, Sarah. | 0:08:03 | 0:08:05 | |
Hi, there. Because I like the look of your horse. | 0:08:05 | 0:08:07 | |
-Yes, yeah. -Is he going tip bound or is he...? | 0:08:07 | 0:08:10 | |
Yes, I'm afraid so, yes. | 0:08:10 | 0:08:12 | |
Used to be my son's. | 0:08:12 | 0:08:13 | |
Oh, really? Would it be all right to bring him out to have a closer look? | 0:08:13 | 0:08:16 | |
-Yeah, sure, yeah. -Thank you. | 0:08:16 | 0:08:17 | |
So, erm, did you have him from new? | 0:08:17 | 0:08:19 | |
Erm, no, he was bought by my parents for my son. | 0:08:19 | 0:08:22 | |
OK, so he would have been second-hand at that point, would he? | 0:08:22 | 0:08:25 | |
Oh, he was, yeah. Yes, I think he's from the '60s. | 0:08:25 | 0:08:27 | |
Yeah, I think it's a company called Mobo who makes these. | 0:08:27 | 0:08:30 | |
-Oh, is it, really? -Yeah, and I think they, | 0:08:30 | 0:08:32 | |
they produced them up until the kind of mid-'70s, | 0:08:32 | 0:08:34 | |
so he's got a really good look and the fact he's made of metal | 0:08:34 | 0:08:37 | |
-is so lovely, because... -Yeah, it is. | 0:08:37 | 0:08:39 | |
He'd be plastic if he was made today, wouldn't he? | 0:08:39 | 0:08:41 | |
Did he have a name? | 0:08:41 | 0:08:43 | |
Erm, only Rocky. | 0:08:43 | 0:08:44 | |
Rocky! | 0:08:44 | 0:08:46 | |
However did you come up with that? | 0:08:46 | 0:08:48 | |
Well, I think he's just beautiful and I can't stand the thought of him | 0:08:48 | 0:08:52 | |
ending up in the metal skip so could I try and rescue him? | 0:08:52 | 0:08:55 | |
Of course you can, yeah. | 0:08:55 | 0:08:56 | |
I'm so pleased that turned out. | 0:08:56 | 0:08:58 | |
Lovely to chat. Thank you so much. | 0:08:58 | 0:08:59 | |
I shall take him away and be back in touch. | 0:08:59 | 0:09:02 | |
-OK. -Thank you. -Thank you. | 0:09:02 | 0:09:03 | |
Oh, Sarah's saved little Rocky from being put out to pasture | 0:09:05 | 0:09:09 | |
but does Peter think there's still life left in the old boy yet? | 0:09:09 | 0:09:13 | |
I've got no idea what Sarah's going to do | 0:09:13 | 0:09:15 | |
with old Rocky the rocking horse, but, erm, let's hope she can | 0:09:15 | 0:09:19 | |
do something rather than him just going in the skip. | 0:09:19 | 0:09:22 | |
Well, Rocky is a rare thing. | 0:09:24 | 0:09:26 | |
He's so retro and beautiful. | 0:09:26 | 0:09:28 | |
He's made of metal and that makes him really useful as well. | 0:09:28 | 0:09:32 | |
I've got some great ideas for him. | 0:09:32 | 0:09:33 | |
He's going to be absolutely amazing. | 0:09:33 | 0:09:35 | |
Come on, Rocky. We've got work to do. | 0:09:35 | 0:09:38 | |
As a Rocky rides off into the sunset, | 0:09:38 | 0:09:40 | |
Sarah's day at the dump is done. | 0:09:40 | 0:09:43 | |
Mark will add some robo razzmatazz to the multimeter, | 0:09:43 | 0:09:48 | |
Josh and Ollie will work their magic on the table, | 0:09:48 | 0:09:51 | |
and Sarah has Rocky to play with. | 0:09:51 | 0:09:53 | |
I mean, work on, obviously. | 0:09:53 | 0:09:55 | |
Well, there've been times today when it's felt like quite hard work | 0:09:55 | 0:09:59 | |
finding things amongst the trash, | 0:09:59 | 0:10:00 | |
but I think we've gathered some great things. | 0:10:00 | 0:10:03 | |
Huge potential, lots of hard work to come, | 0:10:03 | 0:10:05 | |
I'm well up for the challenge. | 0:10:05 | 0:10:07 | |
Before Sarah gets started on her own project, | 0:10:14 | 0:10:17 | |
she's stopped off in Manchester. | 0:10:17 | 0:10:19 | |
The old multimeter had robot written all over it. | 0:10:21 | 0:10:25 | |
But will bionic builder Mark agree? | 0:10:25 | 0:10:27 | |
Sarah often turns up with her own ideas about things | 0:10:29 | 0:10:34 | |
and also her own idea of budgets as well. | 0:10:34 | 0:10:36 | |
So I need to rein her in a little bit sometimes to see | 0:10:36 | 0:10:40 | |
if we can come to some sort of an agreement. | 0:10:40 | 0:10:42 | |
And hopefully it'll be all right, but we'll see. | 0:10:42 | 0:10:44 | |
Hello. Hiya. | 0:10:46 | 0:10:47 | |
-How are you doing? -Hello, Sarah. | 0:10:47 | 0:10:49 | |
-I'm fine, thank you. -Have I got a little present for you. | 0:10:49 | 0:10:51 | |
-Look at that. -Ah, happy little smiley face. | 0:10:51 | 0:10:54 | |
-Isn't he gorgeous? -It is, yes. | 0:10:54 | 0:10:55 | |
Lovely. Lovely. Use these all the time. | 0:10:55 | 0:10:58 | |
The moment I saw it, I... | 0:10:58 | 0:10:59 | |
Yeah, don't look too closely at it. | 0:10:59 | 0:11:01 | |
Smiley face with wear. | 0:11:01 | 0:11:03 | |
It just shouted, "Make me into a robot." | 0:11:03 | 0:11:05 | |
-Yeah. -So, what do you reckon? | 0:11:05 | 0:11:07 | |
So, have you seen those guitar amps that you get? | 0:11:07 | 0:11:10 | |
Oh, yeah, my kids have got them. | 0:11:10 | 0:11:11 | |
-Yeah? -So, little... | 0:11:11 | 0:11:13 | |
Not that little. | 0:11:13 | 0:11:15 | |
-About that little. -And they are kind of retro-styled, lots of them, | 0:11:15 | 0:11:18 | |
aren't they? Well, you've probably got the originals, haven't you? | 0:11:18 | 0:11:21 | |
Mm-hm. So, use that as the body. | 0:11:21 | 0:11:22 | |
-OK. -And arms off the side, so he stands... | 0:11:22 | 0:11:26 | |
that kind of size. | 0:11:26 | 0:11:28 | |
-Two and a half foot, three foot tall, sort of thing. -Brilliant. | 0:11:28 | 0:11:30 | |
And do you just use that as a guitar amp, then? | 0:11:30 | 0:11:32 | |
No, because if you get a different kind of cable, | 0:11:34 | 0:11:37 | |
you can use it as an MP3. | 0:11:37 | 0:11:38 | |
So, you can plug in your smartphone and you can play | 0:11:38 | 0:11:41 | |
-your guitar through it. -Mm-hm. -And it sits there and it looks... | 0:11:41 | 0:11:45 | |
-Awesome. -Awesome! Fantastic. | 0:11:45 | 0:11:47 | |
So, it'll be a functional guitar amp robot. | 0:11:48 | 0:11:52 | |
Music to Sarah's ears. | 0:11:52 | 0:11:54 | |
But will she still be smiling when she hears about the money? | 0:11:54 | 0:11:58 | |
How much is that going to cost? | 0:11:58 | 0:12:00 | |
I think I could do that for sort of the £200 mark. | 0:12:00 | 0:12:02 | |
£200 mark sounds fab, Mark. | 0:12:02 | 0:12:04 | |
Yeah, I think that's really good. | 0:12:04 | 0:12:06 | |
-Good luck. -Job done. -Yeah, excellent. | 0:12:06 | 0:12:08 | |
-Give me a shout. -I will do. | 0:12:08 | 0:12:09 | |
-Bye. -Bye-bye. | 0:12:09 | 0:12:10 | |
A guitar amp is all well and good, | 0:12:10 | 0:12:13 | |
but making a saleable cyborg from all that clutter, well, | 0:12:13 | 0:12:17 | |
that's going to be a challenge. | 0:12:17 | 0:12:19 | |
I like the robots that I build to look symmetrical, | 0:12:19 | 0:12:22 | |
so finding two of a brass vase for instance is often quite difficult. | 0:12:22 | 0:12:28 | |
So, if I can't find something, then I'll have to hunt it down. | 0:12:28 | 0:12:32 | |
Sarah and Mark agreed a budget of £200 for the musical robot. | 0:12:34 | 0:12:39 | |
Will Mark really be able to transform it from junk to funk? | 0:12:39 | 0:12:43 | |
Because at the moment, the only thing coming out of it is grunge. | 0:12:43 | 0:12:47 | |
From Manchester to Sussex. | 0:12:53 | 0:12:56 | |
Sarah's brought along the kidney-shaped coffee table, | 0:12:56 | 0:12:59 | |
hoping that woodworking wonder chaps Josh and Ollie | 0:12:59 | 0:13:02 | |
can make it look like the bee's knees. | 0:13:02 | 0:13:05 | |
Excited to see what she's got for us this time. | 0:13:06 | 0:13:09 | |
Yeah, we are always up for a challenge | 0:13:10 | 0:13:12 | |
and she always seems to bring us one, so... | 0:13:12 | 0:13:14 | |
Hello. Hi. | 0:13:16 | 0:13:18 | |
-How are you? -Yeah, good. | 0:13:18 | 0:13:19 | |
A little kidney-shaped table for you. | 0:13:19 | 0:13:21 | |
-Yeah, cool. -OK, so, at the moment, | 0:13:21 | 0:13:24 | |
it is just a little kidney-shaped table, | 0:13:24 | 0:13:27 | |
but I was hoping you might be able to give it some punch, | 0:13:27 | 0:13:30 | |
add something to it or do something impressive with it. | 0:13:30 | 0:13:33 | |
-I'm sure we can. -It looks like a little jellybean, doesn't it? | 0:13:33 | 0:13:36 | |
Yeah. | 0:13:37 | 0:13:39 | |
Yeah, Josh, whatever you say. | 0:13:39 | 0:13:41 | |
Jellybean, kidney shape... | 0:13:41 | 0:13:44 | |
kidney bean jelly shape... | 0:13:44 | 0:13:46 | |
Wait, what? | 0:13:46 | 0:13:48 | |
For me, the shape of this needs a little bit of updating. | 0:13:48 | 0:13:52 | |
-Great. -And then either make it into a stack of three nesting tables... | 0:13:52 | 0:13:57 | |
-Right. -..or maybe make two other tables that kind of interlock | 0:13:57 | 0:14:00 | |
-in some way to form a bigger table. -OK, great, | 0:14:00 | 0:14:03 | |
so would you look at re-finishing this one at all? | 0:14:03 | 0:14:06 | |
I think we would probably sand this back | 0:14:06 | 0:14:08 | |
and then give it a bit of our own finish. | 0:14:08 | 0:14:11 | |
So, this has a bit of an update as well. | 0:14:11 | 0:14:13 | |
OK. I like that. | 0:14:13 | 0:14:14 | |
So, we are going for something bigger, better, | 0:14:14 | 0:14:17 | |
more tables, more money... | 0:14:17 | 0:14:19 | |
Tell me, how much would it be to recreate this times three? | 0:14:19 | 0:14:23 | |
Probably looking at, like, around the 300, 350 mark? | 0:14:23 | 0:14:29 | |
OK. I'm thinking I'm not going to get a huge amount more than 350 | 0:14:29 | 0:14:33 | |
for a nest of tables. So, as close we can get to the 300 is good. | 0:14:33 | 0:14:37 | |
But if you hit the right look, these kind of things sell well, | 0:14:37 | 0:14:40 | |
so just go for it. | 0:14:40 | 0:14:41 | |
Yeah. OK, cool. | 0:14:41 | 0:14:42 | |
-Thanks very much. -No worries. -Nice to see you. -See you soon. | 0:14:42 | 0:14:45 | |
Making a profit from this might be a challenge, | 0:14:45 | 0:14:48 | |
but with the boys on board, at least there's a chance. | 0:14:48 | 0:14:52 | |
So I think just one challenge is going to be | 0:14:52 | 0:14:54 | |
trying to keep it on budget. | 0:14:54 | 0:14:55 | |
We are just going to have to find a way that we can keep it simple | 0:14:55 | 0:14:58 | |
but still do something that looks really nice. | 0:14:58 | 0:15:00 | |
With a hefty budget involved in this one, | 0:15:02 | 0:15:05 | |
Josh and Ollie's design is going to have to be on the money. | 0:15:05 | 0:15:09 | |
With Mark, Josh and Ollie all ready to rock, | 0:15:18 | 0:15:22 | |
in Sussex, Sarah has been rocking all afternoon. | 0:15:22 | 0:15:26 | |
Seriously though, she's far too big for that thing. | 0:15:26 | 0:15:29 | |
Sadly, Rocky the rocking horse has been gathering dust | 0:15:30 | 0:15:34 | |
for many years, but Sarah's going to put an end to that. | 0:15:34 | 0:15:37 | |
I loved this little pony from the moment I saw him. | 0:15:41 | 0:15:44 | |
And I've got some really big plans for him. | 0:15:44 | 0:15:46 | |
I thought a fantastic big shade, a whole new look, | 0:15:46 | 0:15:49 | |
he's going to be a beautiful standard lamp. | 0:15:49 | 0:15:53 | |
Come on, let's get started. | 0:15:53 | 0:15:55 | |
A lovely light. | 0:15:55 | 0:15:56 | |
Giddy-up. | 0:15:56 | 0:15:58 | |
First job, take him off this stand. | 0:15:58 | 0:16:01 | |
This little pony needs to run free. | 0:16:01 | 0:16:02 | |
Before Sarah makes a start on the lighting, | 0:16:04 | 0:16:06 | |
she's removing the rusty metal horse from the rusty metal frame. | 0:16:06 | 0:16:12 | |
These types of metal toy horses were first manufactured in the 1940s. | 0:16:12 | 0:16:17 | |
Sweating already! | 0:16:17 | 0:16:19 | |
Their popularity was short lived, | 0:16:19 | 0:16:22 | |
as moulded plastic toys became cheaper to produce and safer. | 0:16:22 | 0:16:27 | |
This could hurt. | 0:16:27 | 0:16:28 | |
Ouch. Poor Rocky. | 0:16:29 | 0:16:32 | |
Sometimes you've got to be cruel to be kind. | 0:16:32 | 0:16:34 | |
This is definitely for his own good. | 0:16:34 | 0:16:36 | |
I'm not sure he would agree with that. | 0:16:36 | 0:16:38 | |
Doesn't he look magnificent? | 0:16:41 | 0:16:42 | |
I think I'd better start on the lighting side of things | 0:16:42 | 0:16:45 | |
before I have the real fun decorating him. | 0:16:45 | 0:16:47 | |
So, how is this going to work? | 0:16:47 | 0:16:48 | |
Hmm... | 0:16:50 | 0:16:51 | |
Sarah puts Rocky to one side, as she has a big idea. | 0:16:51 | 0:16:55 | |
There you are. That's nice and stable. | 0:16:55 | 0:16:57 | |
Oh, Sarah. | 0:16:57 | 0:16:58 | |
This is the remains of a really beautiful old standard lamp, | 0:16:59 | 0:17:02 | |
the base is all rotted, but what I'm left with is a really quite usable | 0:17:02 | 0:17:06 | |
pole, which I'm thinking looks just like a carousel pony support. | 0:17:06 | 0:17:10 | |
So this plus Rocky... | 0:17:10 | 0:17:11 | |
..could make a really beautiful light. | 0:17:13 | 0:17:16 | |
Ah, Rocky is going to the circus. | 0:17:16 | 0:17:19 | |
Carousels with rideable decorative horses were also known as | 0:17:20 | 0:17:24 | |
flying horses, or horse abouts. | 0:17:24 | 0:17:27 | |
Honestly, horse abouts, who came up with that?! | 0:17:27 | 0:17:29 | |
So, that goes on there like that. | 0:17:31 | 0:17:33 | |
And you've turned into a carousel pony. | 0:17:34 | 0:17:36 | |
I told you I'd make you beautiful. | 0:17:36 | 0:17:38 | |
Sorry about the sawing. | 0:17:38 | 0:17:39 | |
I don't think he's forgiven you for that. | 0:17:40 | 0:17:42 | |
With a rough plan of how it will all go together, | 0:17:44 | 0:17:48 | |
Sarah now wants to give Rocky a shiny new coat. | 0:17:48 | 0:17:51 | |
Of paint, that is. | 0:17:52 | 0:17:54 | |
My favourite bit. | 0:17:54 | 0:17:55 | |
Time to get some colour on that pony. | 0:17:56 | 0:17:59 | |
In the unlikely event you're planning to spray paint | 0:18:01 | 0:18:04 | |
a horse at home, please, like Sarah, wear a protective mask | 0:18:04 | 0:18:08 | |
and apply in a well ventilated area. | 0:18:08 | 0:18:10 | |
I'm just putting some big blocks of colour on him and then I'm going | 0:18:10 | 0:18:13 | |
to add detail with a paintbrush. | 0:18:13 | 0:18:14 | |
Sarah doesn't want the light to go back into the nursery. | 0:18:16 | 0:18:20 | |
She's trying to achieve a high-end finish | 0:18:20 | 0:18:22 | |
she can charge a high-end price for. | 0:18:22 | 0:18:26 | |
How's it looking? | 0:18:26 | 0:18:27 | |
It's not quite working. I'm going to respray that top bit. | 0:18:29 | 0:18:32 | |
He's heading back towards the nursery. | 0:18:32 | 0:18:35 | |
Just hate red, can't do it. | 0:18:35 | 0:18:37 | |
Oh, dear. | 0:18:37 | 0:18:38 | |
The really good thing about this is every time I get it wrong, | 0:18:39 | 0:18:42 | |
I can just spray over it. | 0:18:42 | 0:18:44 | |
Yeah, but you'll end up spending a fortune on paint. | 0:18:44 | 0:18:47 | |
So far, Sarah has spent £15 on Rocky's renovation. | 0:18:49 | 0:18:54 | |
But with the lighting still to fit, and lampshade still to buy, | 0:18:54 | 0:18:58 | |
and Rocky's potentially endless makeovers, | 0:18:58 | 0:19:02 | |
the budget on this is in danger of skyrocketing. | 0:19:02 | 0:19:05 | |
From Sussex to Manchester, | 0:19:08 | 0:19:11 | |
a city that has given birth to some of the most influential music on the planet, | 0:19:11 | 0:19:16 | |
and soon to be the next musical superstar... | 0:19:16 | 0:19:19 | |
No, that's just Mark. | 0:19:20 | 0:19:22 | |
It's this happy chappie. | 0:19:22 | 0:19:23 | |
The discussion with Sarah was that we were going to make | 0:19:25 | 0:19:28 | |
a music playing robot out of this. | 0:19:28 | 0:19:30 | |
So I need to find a speaker that's the right kind of size | 0:19:30 | 0:19:34 | |
for the sculpture | 0:19:34 | 0:19:36 | |
so it becomes like an MP3 playing robot. | 0:19:36 | 0:19:38 | |
So, yeah, that's definitely going to be the head. | 0:19:38 | 0:19:41 | |
A big smile. | 0:19:41 | 0:19:43 | |
A bit like that. | 0:19:43 | 0:19:45 | |
Beautiful. | 0:19:45 | 0:19:46 | |
Mark starts the impossible task of sorting through | 0:19:47 | 0:19:51 | |
his junk jungle to find just the right speaker | 0:19:51 | 0:19:54 | |
that has correct size, shape and... | 0:19:54 | 0:19:57 | |
Oh, there's one there. | 0:19:57 | 0:19:58 | |
So, this is a guitar practice amp. | 0:20:00 | 0:20:02 | |
This is what I'm going to use for the body. | 0:20:02 | 0:20:05 | |
Next, Mark picks out some metal to use for the robot's legs. | 0:20:05 | 0:20:09 | |
Nice sort of vintage curtain pole. | 0:20:09 | 0:20:11 | |
Then cuts to size. | 0:20:13 | 0:20:15 | |
Mark has spent years adding to his clutter cave. | 0:20:18 | 0:20:21 | |
To him, every piece of junk in here is beautiful in its own way. | 0:20:22 | 0:20:27 | |
Well, maybe not them. | 0:20:27 | 0:20:29 | |
Really nice sound out of these. | 0:20:30 | 0:20:32 | |
I also like building with them | 0:20:32 | 0:20:34 | |
because it's a nice wooden construction, | 0:20:34 | 0:20:36 | |
so they are quite easy to work with. | 0:20:36 | 0:20:38 | |
Mark has drilled holes in the wooden casing. | 0:20:38 | 0:20:41 | |
He's driving a steel rod through to make a kind of metal skeleton for the legs. | 0:20:41 | 0:20:47 | |
I have cut myself some threaded steel bar. | 0:20:47 | 0:20:51 | |
Most guitar amplifiers are made from wood | 0:20:51 | 0:20:54 | |
as the sound resonates better. | 0:20:54 | 0:20:57 | |
Always a bit of origami of my hands required. | 0:20:57 | 0:21:01 | |
These open-backed amps are particularly good | 0:21:02 | 0:21:05 | |
for Mark to work with | 0:21:05 | 0:21:06 | |
because he can get his hand in to do the fiddly bits. | 0:21:06 | 0:21:09 | |
Although that is looking very fiddly. | 0:21:11 | 0:21:15 | |
Need to get these nice and tight because I don't want the legs to fall off. | 0:21:15 | 0:21:19 | |
There we go. | 0:21:19 | 0:21:20 | |
With his skeleton secure, Mark adds the bits of metal he cut earlier. | 0:21:20 | 0:21:26 | |
Then it's on with the feet. | 0:21:26 | 0:21:27 | |
Or loaf tins. | 0:21:29 | 0:21:31 | |
Now, there could be a problem here because this is tin, | 0:21:31 | 0:21:36 | |
there's a chance that it'll wobble, basically. | 0:21:36 | 0:21:40 | |
So I'm going to use some sort of strapping underneath there | 0:21:40 | 0:21:44 | |
to increase the stability. | 0:21:44 | 0:21:47 | |
Mark adds a couple of bits from an old projector bracket | 0:21:47 | 0:21:51 | |
and secures. | 0:21:51 | 0:21:53 | |
OK. Let's put him on his feet and see if he stands up. | 0:21:56 | 0:21:59 | |
Oh, he's a bit wobbly. | 0:22:02 | 0:22:03 | |
See it with the face on. | 0:22:03 | 0:22:05 | |
See if I am in the right ballpark. | 0:22:05 | 0:22:07 | |
Yeah, he's looking good. | 0:22:07 | 0:22:09 | |
Just need to find some arms now. | 0:22:10 | 0:22:12 | |
Mark's musical robot is coming together, | 0:22:12 | 0:22:16 | |
although that amp has taken some battering. | 0:22:16 | 0:22:19 | |
I only hope it can still make a sound when it's finished. | 0:22:19 | 0:22:22 | |
As Mark soldiers on, | 0:22:26 | 0:22:28 | |
back in Sussex, | 0:22:28 | 0:22:30 | |
Josh and Ollie have the dated kidney-shaped table | 0:22:30 | 0:22:33 | |
they plan on transforming into an interlocking nest of tables. | 0:22:33 | 0:22:38 | |
How are you going to do that? | 0:22:40 | 0:22:41 | |
What we are going to do is make like a hexagon shape | 0:22:43 | 0:22:46 | |
out of this wider bit of the table and just forget the rest it. | 0:22:46 | 0:22:50 | |
Once we've kind of figured out this table, | 0:22:50 | 0:22:52 | |
then we are going to make two more matching tables | 0:22:52 | 0:22:55 | |
out of different woods. | 0:22:55 | 0:22:56 | |
But exactly the same shape and height, | 0:22:56 | 0:22:59 | |
so when they are all together, | 0:22:59 | 0:23:01 | |
they will interlock because the hexagons fit really nicely together. | 0:23:01 | 0:23:04 | |
So...that's our plan. | 0:23:04 | 0:23:07 | |
It's out with the dated kidney shape and in with edgy hexagon shapes. | 0:23:07 | 0:23:12 | |
What could...? Josh, have you got chewing gum in your mouth? | 0:23:12 | 0:23:15 | |
I do. | 0:23:15 | 0:23:16 | |
Come on, mate. You're on telly here. | 0:23:16 | 0:23:18 | |
What's wrong with all these TV types? | 0:23:21 | 0:23:22 | |
There you are. You can save it for later. | 0:23:22 | 0:23:24 | |
Josh starts by looking out wood for the two new table tops. | 0:23:27 | 0:23:31 | |
The idea is to have different woods that will create contrasting colours | 0:23:31 | 0:23:36 | |
when they all fit together. | 0:23:36 | 0:23:38 | |
Managed to find a nice bit of English oak and then found | 0:23:38 | 0:23:42 | |
a good bit of American walnut as well. | 0:23:42 | 0:23:44 | |
With the wood chosen, Ollie is testing his powers of mathematics. | 0:23:47 | 0:23:52 | |
The finished tables have to nest snugly together | 0:23:52 | 0:23:56 | |
to form a solid shape, | 0:23:56 | 0:23:57 | |
so the calculations have to be right. | 0:23:57 | 0:24:00 | |
All right. So, yeah, that's the plan. | 0:24:02 | 0:24:04 | |
We'll get the angles perfect on the table saw. | 0:24:04 | 0:24:07 | |
Before Josh starts cutting out the hexagon, | 0:24:09 | 0:24:13 | |
he has to make the other two woods the same thickness. | 0:24:13 | 0:24:16 | |
And he's got a really cool machine for that. | 0:24:16 | 0:24:19 | |
Yeah, so, I'm just putting my bit of oak through the thicknesser. | 0:24:19 | 0:24:25 | |
It will just bring it down to a parallel piece of wood | 0:24:25 | 0:24:28 | |
and we can sort of gauge our thickness. | 0:24:28 | 0:24:31 | |
So the top that Sarah gave us, that's 17 mill... | 0:24:31 | 0:24:34 | |
A thicknesser, or thickness planer, works by setting the desired height. | 0:24:36 | 0:24:41 | |
Then rollers inside grip the wood and draw it into rotating knives | 0:24:42 | 0:24:47 | |
to give the desired thickness with pinpoint accuracy. | 0:24:47 | 0:24:51 | |
OK, so while Josh is working on the table tops, | 0:24:54 | 0:24:57 | |
I'm going to turn some of these into some of these. | 0:24:57 | 0:25:01 | |
So we've got some legs for our other tables. | 0:25:01 | 0:25:03 | |
While Josh prefers his fancy gadgets, Ollie is old school. | 0:25:04 | 0:25:09 | |
He's recreating the same tapered shape of the existing legs | 0:25:11 | 0:25:15 | |
on a wood turning lathe. | 0:25:15 | 0:25:16 | |
Mass production factories use copying lathes | 0:25:18 | 0:25:21 | |
to create exact replicas. | 0:25:21 | 0:25:23 | |
But master craftsman Ollie can do it all by himself. | 0:25:23 | 0:25:26 | |
But absolute concentration is needed, | 0:25:28 | 0:25:30 | |
as every minute cut has to be exactly right | 0:25:30 | 0:25:34 | |
or... | 0:25:34 | 0:25:35 | |
HE COUGHS | 0:25:35 | 0:25:37 | |
Look at that, he didn't even flinch. | 0:25:37 | 0:25:38 | |
As Ollie cracks on, | 0:25:42 | 0:25:45 | |
Josh is about to start cutting out the hexagon. | 0:25:45 | 0:25:48 | |
This will be the template he will use to cut | 0:25:50 | 0:25:53 | |
the other two table tops the same shape. | 0:25:53 | 0:25:56 | |
If this one is out by even a millimetre, it could spell disaster. | 0:25:56 | 0:26:01 | |
OK. | 0:26:03 | 0:26:05 | |
That's roughly my hexagon done. | 0:26:05 | 0:26:08 | |
Yeah, it's looking hexagon-ish. | 0:26:08 | 0:26:09 | |
Hexagon-ish? | 0:26:11 | 0:26:13 | |
That doesn't have a good ring to it. | 0:26:13 | 0:26:15 | |
Back in Sussex... | 0:26:19 | 0:26:20 | |
..Sarah has been working hard to make Rocky the rocking horse | 0:26:22 | 0:26:26 | |
a carousel-inspired standing lamp. | 0:26:26 | 0:26:29 | |
She was struggling with his new look, | 0:26:30 | 0:26:32 | |
so has she managed to capture all the fun of the fair? | 0:26:32 | 0:26:36 | |
I told you I'd get you to the circus. | 0:26:38 | 0:26:40 | |
I've got my popcorn ready. | 0:26:41 | 0:26:42 | |
Roll up, roll up! | 0:26:46 | 0:26:48 | |
Come one, come all, to see the amazing Rocky. | 0:26:48 | 0:26:52 | |
Once a rusty rocking horse... | 0:26:52 | 0:26:55 | |
..now he's a pony-powered standing lamp. | 0:26:58 | 0:27:02 | |
Sarah has really brought the circus to town | 0:27:04 | 0:27:07 | |
with Rocky's kitsch and colourful fairground paint job. | 0:27:07 | 0:27:10 | |
Sarah made the eye-catching lampshade from scratch, | 0:27:12 | 0:27:15 | |
using an old scarf from a charity shop. | 0:27:15 | 0:27:17 | |
A steel pole runs down the length of the stand, | 0:27:20 | 0:27:23 | |
securing Rocky in place and housing the electrics | 0:27:23 | 0:27:27 | |
which have all been Pat tested and comply with UK safety standards. | 0:27:27 | 0:27:32 | |
It's fun for all ages and built to amaze. | 0:27:33 | 0:27:37 | |
Well, it's certainly got a look, hasn't it? | 0:27:38 | 0:27:41 | |
I set out to get this rocking horse from the nursery to the circus | 0:27:41 | 0:27:44 | |
and I think that's been achieved. | 0:27:44 | 0:27:46 | |
So, altogether, I'm really pleased with it. | 0:27:46 | 0:27:48 | |
As you should be, but it's time to find a buyer. | 0:27:49 | 0:27:52 | |
-Hello there. -Oh, hello. | 0:27:57 | 0:27:59 | |
When Sarah met Peter at the tip, | 0:27:59 | 0:28:01 | |
she couldn't wait to get her hands on his horse. | 0:28:01 | 0:28:04 | |
Did he have a name? | 0:28:04 | 0:28:06 | |
-Only Rocky. -Rocky. | 0:28:06 | 0:28:08 | |
Rocky had been in the family a while. | 0:28:08 | 0:28:11 | |
He was bought by my parents for my son. | 0:28:11 | 0:28:15 | |
But Peter was keen to see him go to a good home. | 0:28:15 | 0:28:18 | |
Let's hope she can do something rather than him just go in the skip. | 0:28:18 | 0:28:21 | |
Peter, she did more than something. | 0:28:23 | 0:28:25 | |
Sarah shared pictures online to try and find a buyer | 0:28:27 | 0:28:31 | |
and it wasn't long before Rocky was riding off into the sunset. | 0:28:31 | 0:28:35 | |
The Rosebery Hotel in Newcastle upon Tyne couldn't wait to saddle him up | 0:28:38 | 0:28:43 | |
and owner Janet wanted first ride. | 0:28:43 | 0:28:46 | |
Wow! I didn't anticipate it being this big | 0:28:46 | 0:28:49 | |
but it's absolutely fabulous. | 0:28:49 | 0:28:51 | |
Sarah is in Reigate in Surrey to meet up with Peter | 0:28:53 | 0:28:56 | |
and hand over the profit. | 0:28:56 | 0:28:59 | |
BELL CHIMES | 0:28:59 | 0:29:00 | |
That's a big one. | 0:29:00 | 0:29:02 | |
Hello, there. I just couldn't help myself. | 0:29:03 | 0:29:06 | |
How do you do? Nice to see you again. | 0:29:06 | 0:29:08 | |
So, that little rocking horse had been in your family | 0:29:08 | 0:29:10 | |
and obviously been well loved and well used. | 0:29:10 | 0:29:12 | |
-Yes. -But when somebody takes it off you at the recycling centre, | 0:29:12 | 0:29:15 | |
do you wonder what might happen to it? | 0:29:15 | 0:29:17 | |
I thought you might make some sort of lamp out of it. | 0:29:17 | 0:29:20 | |
Yes, clever minds think alike | 0:29:20 | 0:29:21 | |
because I thought it would really lend itself to lighting. | 0:29:21 | 0:29:24 | |
So here's some pictures of how it turned out. | 0:29:24 | 0:29:26 | |
-Are you ready? -Yes, I'm ready. | 0:29:26 | 0:29:28 | |
I painted it all up, | 0:29:28 | 0:29:30 | |
popped a shade on it that I made out of a vintage silk scarf. | 0:29:30 | 0:29:34 | |
Oh, you made it yourself, did you? | 0:29:34 | 0:29:35 | |
Yeah, all the wiring and hard work. | 0:29:35 | 0:29:37 | |
Yes, it's beautiful. It's lovely. | 0:29:37 | 0:29:40 | |
-Do you like it? -I do. | 0:29:40 | 0:29:41 | |
I shared some pictures of it and it was snapped up, | 0:29:41 | 0:29:45 | |
so I'm pleased to say there's some profit. | 0:29:45 | 0:29:47 | |
-Oh, good. -To give to you. | 0:29:47 | 0:29:49 | |
I have got | 0:29:49 | 0:29:50 | |
£208.50 here for you. | 0:29:50 | 0:29:53 | |
Gracious me. That's amazing. | 0:29:53 | 0:29:55 | |
So, what might happen to that money? | 0:29:55 | 0:29:57 | |
Oh, I shall give it to my son. | 0:29:57 | 0:29:59 | |
-Because it was his rocking horse. -His rocking horse, yes. | 0:29:59 | 0:30:01 | |
Oh, OK. I'm sure he'll find something to do with that. | 0:30:01 | 0:30:03 | |
-Thank you for letting me have it. -Thank you. Thank you very much. | 0:30:03 | 0:30:06 | |
Very nice to see you again and I hope he puts that to good use. | 0:30:06 | 0:30:09 | |
-Thank you very much. -OK. Bye. | 0:30:09 | 0:30:11 | |
Sarah's total costs came to £56.50. | 0:30:13 | 0:30:18 | |
She sold the light for an incredible £265, | 0:30:18 | 0:30:22 | |
giving Peter £208.50 to give to his son. | 0:30:22 | 0:30:27 | |
That was one profitable pony. | 0:30:33 | 0:30:36 | |
Sarah is back in Manchester to find out | 0:30:36 | 0:30:39 | |
if fortune is smiling on the multimeter. | 0:30:39 | 0:30:42 | |
Well, he's certainly still smiling, | 0:30:44 | 0:30:47 | |
but has Mark managed to make him a Mancunian music-making machine? | 0:30:47 | 0:30:52 | |
There's some slight difficulties when I'm working with the amps | 0:30:52 | 0:30:55 | |
that I work with, but nothing too serious. | 0:30:55 | 0:30:57 | |
I think it all came together pretty well. | 0:30:57 | 0:31:00 | |
I've come back to Manchester to see Mark. | 0:31:00 | 0:31:02 | |
Now, when I dropped off that meter, | 0:31:02 | 0:31:04 | |
even I could tell it had robot potential. | 0:31:04 | 0:31:06 | |
But now I've come to find out if there's a smile on everybody's face. | 0:31:06 | 0:31:09 | |
When Sarah picked up the multimeter, it was out of date, | 0:31:12 | 0:31:16 | |
out of order and a thing of the past. | 0:31:16 | 0:31:19 | |
But not any more. | 0:31:19 | 0:31:21 | |
Mark has created a cool and quirky musical mechanical man. | 0:31:23 | 0:31:28 | |
Mark's clever design means our robot pal can connect to devices | 0:31:30 | 0:31:35 | |
to play music, | 0:31:35 | 0:31:36 | |
or you can just plug your guitar straight in and rock out. | 0:31:36 | 0:31:40 | |
The addition of old manual drills for arms | 0:31:42 | 0:31:45 | |
and amp cable clamps for hands | 0:31:45 | 0:31:48 | |
has really brought this little guy to life. | 0:31:48 | 0:31:50 | |
All the electrics have been PAT tested | 0:31:53 | 0:31:55 | |
and comply with all UK safety standards, but how does it sound? | 0:31:55 | 0:32:00 | |
It's time to face the music. | 0:32:00 | 0:32:03 | |
And face Sarah. | 0:32:03 | 0:32:05 | |
-Hello, hello. -Hello, Sarah. | 0:32:08 | 0:32:10 | |
He looks amazing. | 0:32:13 | 0:32:14 | |
-How are you? -Really good. | 0:32:14 | 0:32:16 | |
-Good. -He is joyful, isn't he? | 0:32:16 | 0:32:18 | |
He's got a big smiley face, hasn't he? | 0:32:18 | 0:32:21 | |
So I can see amp, drills, loaf tins... | 0:32:21 | 0:32:25 | |
He is cracking. | 0:32:25 | 0:32:27 | |
So, if he's got the amp, does that mean he's tuneful as well? | 0:32:27 | 0:32:30 | |
Yeah, so this cable here goes down here to your phone, | 0:32:30 | 0:32:33 | |
so obviously you can play music through there. | 0:32:33 | 0:32:35 | |
You could change this cable and put in a guitar practice cable. | 0:32:35 | 0:32:39 | |
So you could use him as a standard guitar practice amp. | 0:32:39 | 0:32:42 | |
-Do you want to have a listen? -Oh, yeah! | 0:32:42 | 0:32:44 | |
So...play on there. | 0:32:44 | 0:32:46 | |
CLASSICAL MUSIC PLAYS | 0:32:46 | 0:32:50 | |
Amazing. | 0:32:50 | 0:32:53 | |
Mark, I wouldn't have put you down as a fan of classical music. | 0:32:53 | 0:32:57 | |
Really good sound, isn't it? | 0:32:57 | 0:32:58 | |
So, it sounds the business. | 0:33:00 | 0:33:02 | |
Now, down to business. | 0:33:02 | 0:33:04 | |
So, good sound quality, massive appeal. | 0:33:04 | 0:33:07 | |
How about the budget? | 0:33:07 | 0:33:10 | |
Yeah, came in... | 0:33:10 | 0:33:11 | |
We said 200, didn't we? | 0:33:11 | 0:33:12 | |
-Yeah. -And I... | 0:33:12 | 0:33:14 | |
Yeah, came in at 200. | 0:33:14 | 0:33:16 | |
I think he's an absolute winner. | 0:33:16 | 0:33:17 | |
-Has he got a name? -Yeah, I think he's called Avo. | 0:33:17 | 0:33:20 | |
Oh, yeah, it's written all over him, isn't it? | 0:33:20 | 0:33:22 | |
Avo is very happy. He's made my day. | 0:33:22 | 0:33:24 | |
If you get him packed up, I'll be in touch. | 0:33:24 | 0:33:26 | |
-Lovely. -Great job, thank you. | 0:33:26 | 0:33:27 | |
-See you again. -Bye! | 0:33:27 | 0:33:29 | |
Great job is right, Sarah. | 0:33:29 | 0:33:31 | |
It was a nice project to work on. | 0:33:33 | 0:33:34 | |
And that big smiley face made it all worthwhile. | 0:33:34 | 0:33:37 | |
Do you mean the robot or Sarah? | 0:33:39 | 0:33:41 | |
I mean Sarah's smiley face. | 0:33:41 | 0:33:44 | |
Not the robot's. | 0:33:44 | 0:33:46 | |
Well, Avo is one of my favourite robots ever. | 0:33:46 | 0:33:51 | |
He looks good, he sounds great and Mark has done all the hard work. | 0:33:51 | 0:33:54 | |
All I've got to do is find him a new home. | 0:33:54 | 0:33:57 | |
Hello, there. | 0:34:04 | 0:34:05 | |
When Sarah met Ed at the tip, | 0:34:05 | 0:34:07 | |
he taught her a thing or two about meters. | 0:34:07 | 0:34:10 | |
You can now buy the modern equivalent called a multimeter. | 0:34:10 | 0:34:14 | |
The meter had been in his family for decades. | 0:34:14 | 0:34:17 | |
I did use it when I first inherited it from my father. | 0:34:17 | 0:34:20 | |
So, Sarah saved it but Ed was sceptical. | 0:34:20 | 0:34:23 | |
I wouldn't see it as a flower vase, really, | 0:34:23 | 0:34:25 | |
but she might be able to do something with it. | 0:34:25 | 0:34:27 | |
Ed, you're not going to believe how it looks now. | 0:34:29 | 0:34:32 | |
Sarah sent out images online | 0:34:34 | 0:34:36 | |
and, unsurprisingly, | 0:34:36 | 0:34:38 | |
it was snapped up straightaway by a private buyer. | 0:34:38 | 0:34:41 | |
Sarah's in Redhill in Surrey to introduce Ed to Avo | 0:34:46 | 0:34:49 | |
and hand over the profit. | 0:34:49 | 0:34:52 | |
I can't wait to see his face. | 0:34:52 | 0:34:54 | |
Hello, there. | 0:34:58 | 0:35:00 | |
-Hello, Sarah. -How are you doing? | 0:35:00 | 0:35:01 | |
-Well, thank you. -So nice to see you again. | 0:35:01 | 0:35:03 | |
So, I love old things | 0:35:03 | 0:35:05 | |
and when I saw that old avometer in your boot at the tip | 0:35:05 | 0:35:08 | |
I was instantly attracted to it. | 0:35:08 | 0:35:11 | |
But did you wonder where it might end up? | 0:35:11 | 0:35:12 | |
Yes, knowing your propensity for interior design, | 0:35:14 | 0:35:18 | |
I couldn't really see it as a mantelpiece item | 0:35:18 | 0:35:20 | |
or something like that. | 0:35:20 | 0:35:22 | |
OK, well, I've got some pictures here. | 0:35:22 | 0:35:24 | |
I'd like to introduce you to Avo the robot. | 0:35:24 | 0:35:28 | |
Oh, lovely. Nice to meet him, yes. | 0:35:28 | 0:35:31 | |
He is an all-singing, all-dancing amp. | 0:35:31 | 0:35:34 | |
For you to play music through, | 0:35:34 | 0:35:35 | |
or for somebody to play their guitar through. | 0:35:35 | 0:35:38 | |
Can you think of anything polite to say about that? | 0:35:38 | 0:35:41 | |
-That is different! -It's different! | 0:35:41 | 0:35:44 | |
I don't think I would actually put it in my living room. | 0:35:44 | 0:35:47 | |
But the good news is, because he is different and he has | 0:35:47 | 0:35:51 | |
excellent sound quality when he's played, he is saleable. | 0:35:51 | 0:35:54 | |
So I have managed to sell him. | 0:35:54 | 0:35:56 | |
I've got £75 here, so maybe that's another surprise, as well. | 0:35:56 | 0:36:01 | |
Ah, thank you very much. | 0:36:01 | 0:36:02 | |
What might you do with those funds? | 0:36:02 | 0:36:04 | |
Well, there are a couple of active charities within the village. | 0:36:04 | 0:36:07 | |
One is the restoration of the old community building | 0:36:07 | 0:36:10 | |
which is known as Church House. | 0:36:10 | 0:36:11 | |
And the other is the village bell ringers. | 0:36:11 | 0:36:13 | |
So it will be useful. | 0:36:13 | 0:36:15 | |
-So, thank you very much. -Excellent. | 0:36:15 | 0:36:17 | |
Thank you so much. It's lovely to see you again. | 0:36:17 | 0:36:19 | |
See you at the recycling centre. | 0:36:19 | 0:36:21 | |
You can look in my garage, if you like, to see what else there is! | 0:36:21 | 0:36:24 | |
Cheers, bye! | 0:36:24 | 0:36:25 | |
I'm sure he loved him, really. | 0:36:28 | 0:36:30 | |
Mark came in on budget at £200. | 0:36:32 | 0:36:35 | |
With a cracking sale of £275, | 0:36:35 | 0:36:39 | |
Ed has £75 to give to charities in his local area. | 0:36:39 | 0:36:43 | |
That's two of our items now making a mint. | 0:36:49 | 0:36:52 | |
And in Sussex, | 0:36:53 | 0:36:54 | |
Sarah's back to see if one kidney-shaped table | 0:36:54 | 0:36:58 | |
has become three new nesting tables. | 0:36:58 | 0:37:01 | |
Josh and Ollie had their protractors working overtime | 0:37:02 | 0:37:05 | |
to make sure all the angles were correct. | 0:37:05 | 0:37:07 | |
Hang on, where's Ollie? | 0:37:09 | 0:37:11 | |
Ollie's away on holiday this week, | 0:37:11 | 0:37:13 | |
so he's left me to reveal these to Sarah. | 0:37:13 | 0:37:17 | |
Which I hope she's going to like. | 0:37:17 | 0:37:19 | |
I'm sure she will, because we're really pleased with them. | 0:37:19 | 0:37:22 | |
Ah, Ollie must've been too scared to face Sarah. | 0:37:22 | 0:37:26 | |
Good luck, Josh. | 0:37:26 | 0:37:27 | |
Well, I've left Josh and Ollie with one retro table. | 0:37:28 | 0:37:31 | |
I'm hoping that there are now three | 0:37:31 | 0:37:32 | |
and they have a fine finish and a contemporary look. | 0:37:32 | 0:37:35 | |
When Sarah saved the table, it was kidney-shaped | 0:37:38 | 0:37:41 | |
and had lost its heart and soul. | 0:37:41 | 0:37:44 | |
But now... | 0:37:44 | 0:37:46 | |
..it's the centrepiece for a trio of stylish side tables. | 0:37:48 | 0:37:52 | |
By simply giving the dated shape a modern makeover, | 0:37:54 | 0:37:58 | |
it has given it a fresh appeal. | 0:37:58 | 0:38:00 | |
Its two new friends have turned out equally as nice | 0:38:02 | 0:38:05 | |
with Ollie's tapered legs matching in both colour and style. | 0:38:05 | 0:38:09 | |
The table tops have been sanded and waxed | 0:38:13 | 0:38:16 | |
and look so smooth you just want to reach out and touch them. | 0:38:16 | 0:38:20 | |
They don't exactly nest. | 0:38:22 | 0:38:25 | |
But do they fit together? | 0:38:25 | 0:38:26 | |
-Hello? -Hey. | 0:38:29 | 0:38:31 | |
Ooh! Wow. They're good. | 0:38:31 | 0:38:33 | |
-How are you doing? -I'm very well, thanks. | 0:38:33 | 0:38:35 | |
Where's the one I dropped off? | 0:38:35 | 0:38:37 | |
-This is the one. -That one, isn't it? | 0:38:37 | 0:38:39 | |
Mr Middle. | 0:38:39 | 0:38:41 | |
Fantastic. So a total remake? | 0:38:41 | 0:38:43 | |
From the start, we always wanted to reshape it, so... | 0:38:43 | 0:38:46 | |
And then we made a matching couple of friends for him. | 0:38:46 | 0:38:49 | |
So, what, a walnut one? | 0:38:49 | 0:38:50 | |
Walnut and... | 0:38:50 | 0:38:52 | |
Oh, what is it? I would say oak. | 0:38:52 | 0:38:54 | |
-Yeah. -Lovely. -Good knowledge. | 0:38:54 | 0:38:56 | |
They look great together. | 0:38:56 | 0:38:57 | |
-Are you pleased with them? -Yeah, I think so, yeah. | 0:38:57 | 0:38:59 | |
They make a really nice set. | 0:38:59 | 0:39:01 | |
OK, enough beating around the bush. | 0:39:01 | 0:39:03 | |
It's the moment of truth. | 0:39:03 | 0:39:04 | |
How snugly do they fit together? | 0:39:06 | 0:39:08 | |
Uh-oh! | 0:39:08 | 0:39:10 | |
Like a glove. | 0:39:12 | 0:39:13 | |
Oh, they're so good, aren't they? | 0:39:15 | 0:39:18 | |
Yes, they are. | 0:39:18 | 0:39:19 | |
And now for the money. | 0:39:19 | 0:39:21 | |
There was a rough budget of between £300-£350 originally discussed. | 0:39:21 | 0:39:26 | |
So, Josh, top end, low end? | 0:39:28 | 0:39:31 | |
Somewhere in between? | 0:39:31 | 0:39:32 | |
These are great. What's the money? | 0:39:32 | 0:39:34 | |
Yeah, I think we'd be happy with 300. | 0:39:34 | 0:39:36 | |
300 quid. | 0:39:36 | 0:39:38 | |
Fantastic, too. Well done. | 0:39:38 | 0:39:40 | |
Thank you. | 0:39:40 | 0:39:41 | |
On trend and on the money. | 0:39:41 | 0:39:44 | |
Magic. | 0:39:44 | 0:39:45 | |
Really chuffed. Yeah, Sarah was obviously really pleased, | 0:39:45 | 0:39:49 | |
so, yeah, it went very well. | 0:39:49 | 0:39:51 | |
Well, aren't they fantastic? | 0:39:52 | 0:39:54 | |
One tired table has made three fantastic items, | 0:39:54 | 0:39:57 | |
beautifully designed, beautifully created | 0:39:57 | 0:40:00 | |
and I'm really hoping they go off to new homes. | 0:40:00 | 0:40:03 | |
Well, let's find out. | 0:40:03 | 0:40:04 | |
Wow, you've got that packed in there, haven't you? | 0:40:11 | 0:40:13 | |
At the recycling centre, Deborah and David had something Sarah liked. | 0:40:13 | 0:40:18 | |
My mother's three-legged table. | 0:40:18 | 0:40:20 | |
The table, sadly, had to go. | 0:40:21 | 0:40:23 | |
She's downsizing. There won't be space in the new place. | 0:40:23 | 0:40:26 | |
So Sarah saved it and Deborah had an idea of what she might do. | 0:40:26 | 0:40:30 | |
I think Sarah will paint it multi-colours | 0:40:30 | 0:40:33 | |
of varying clashing colours, I'm sure. | 0:40:33 | 0:40:36 | |
On any other day you might have been right, | 0:40:36 | 0:40:39 | |
but Josh and Ollie had other ideas. | 0:40:39 | 0:40:41 | |
In fact, they did such a good job that all three sold | 0:40:43 | 0:40:47 | |
to an interiors shop in Wokingham in Berkshire. | 0:40:47 | 0:40:50 | |
And owner Georgina couldn't be happier. | 0:40:51 | 0:40:54 | |
Absolutely love them. | 0:40:54 | 0:40:56 | |
They are perfectly modern rustic. | 0:40:56 | 0:40:57 | |
They are old meets new, | 0:40:57 | 0:40:59 | |
they fit in with the style of our brand | 0:40:59 | 0:41:00 | |
and I think they're going to sell really, really quickly. | 0:41:00 | 0:41:03 | |
Sarah's in Tadworth in Surrey to show Deborah and David | 0:41:06 | 0:41:09 | |
their new look tables and hand over some cash. | 0:41:09 | 0:41:13 | |
-Hello, hi, Deborah. How are you doing? -Nice to see you. | 0:41:16 | 0:41:19 | |
-And you. David, are you well? -We are both well, yes. | 0:41:19 | 0:41:22 | |
OK, I'm here because your table, that sweet little table, | 0:41:22 | 0:41:26 | |
-I think it was your mother's, yes? -My mother's, yes, that's right. | 0:41:26 | 0:41:29 | |
Had to have something done to it. | 0:41:29 | 0:41:30 | |
I couldn't see that go into the recycling centre. | 0:41:30 | 0:41:33 | |
So did you have any thoughts about what could be done to update it? | 0:41:33 | 0:41:36 | |
-No idea. -I rather thought you might put lots of coloured paint on it | 0:41:36 | 0:41:39 | |
-or something like that. -I actually went to guys | 0:41:39 | 0:41:41 | |
who are local to me called Josh and Ollie, | 0:41:41 | 0:41:43 | |
who specialise in making really fine furniture, | 0:41:43 | 0:41:46 | |
so here's some pictures. | 0:41:46 | 0:41:48 | |
Your table has inspired... | 0:41:48 | 0:41:49 | |
..the creation of these tables. | 0:41:51 | 0:41:54 | |
-Wow. -How nice is that? | 0:41:54 | 0:41:55 | |
-I like that. -That's beautiful. | 0:41:55 | 0:41:56 | |
-Very nice. -Do you like them? | 0:41:56 | 0:41:58 | |
-Yes, I do! -it's amazing. -It's really good. | 0:41:58 | 0:42:00 | |
So, do you think your mum would approve of what's happened to it? | 0:42:00 | 0:42:02 | |
She certainly would, yes. | 0:42:02 | 0:42:04 | |
She didn't want to put anything in the dump. | 0:42:04 | 0:42:05 | |
So, they have actually sold to a shop in Wokingham | 0:42:05 | 0:42:08 | |
so I've got some profit here. There's £45, there, for your table. | 0:42:08 | 0:42:12 | |
I'm amazed that you got that much for it! | 0:42:12 | 0:42:14 | |
Thank you very much. Thank you very much indeed. | 0:42:14 | 0:42:16 | |
I was anticipating about a fiver! | 0:42:16 | 0:42:17 | |
Well, I'm really pleased we've managed to make | 0:42:17 | 0:42:20 | |
a bit more than that, and is there something that you might do with that £45? | 0:42:20 | 0:42:25 | |
I suspect it might go towards a new bookcase | 0:42:25 | 0:42:27 | |
-that she needs for her new flat. -Oh, fantastic. | 0:42:27 | 0:42:30 | |
Well, that's a great use for it, isn't it? | 0:42:30 | 0:42:31 | |
Thank you for letting us have the table. | 0:42:31 | 0:42:33 | |
-OK. Brilliant. -Nice to see you. -Nice to see you again. | 0:42:33 | 0:42:36 | |
-And you. -Bye-bye. -Bye. | 0:42:36 | 0:42:38 | |
Josh and Ollie's total costs for the three tables were £300. | 0:42:40 | 0:42:45 | |
Sarah sold the lot for £345, | 0:42:45 | 0:42:48 | |
leaving 45 quid to share with David's mum. | 0:42:48 | 0:42:53 | |
Lovely. | 0:42:53 | 0:42:54 | |
Sarah saved three items and did them proud. | 0:42:58 | 0:43:01 | |
Once-cherished possessions have been given the chance to be loved again | 0:43:03 | 0:43:08 | |
and there's a little less waste in the world. | 0:43:08 | 0:43:12 | |
Three tip-bound items have been transformed | 0:43:13 | 0:43:15 | |
and given a whole new lease of life. | 0:43:15 | 0:43:17 | |
Who would've thought that was possible from a load of old rubbish? | 0:43:17 | 0:43:20 |