Browse content similar to Episode 11. Check below for episodes and series from the same categories and more!
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Oh, I like the look of your rubbish. | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
What are you dropping off? Anything exciting? | 0:00:09 | 0:00:11 | |
The answer could be hiding in the 20 million tonnes of household waste | 0:00:11 | 0:00:16 | |
we throw out every year. | 0:00:16 | 0:00:18 | |
I quite like the look of your chair. I've not seen one like that before. | 0:00:18 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:21 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:27 | |
I'm a passionate buyer, maker and user of old stuff | 0:00:30 | 0:00:34 | |
and I've turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
-What do you think? -I think it's beautiful. | 0:00:45 | 0:00:47 | |
-I brought you my washing machine. -Oh, wow. | 0:00:47 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
What have you done? | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:56 | |
-I love them. -Good. | 0:00:56 | 0:00:58 | |
..and, let's hope, saleable items. | 0:00:58 | 0:01:01 | |
That is one clever sandwich. | 0:01:01 | 0:01:04 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
then she can hand the profits back to the very people who had no idea | 0:01:06 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:13 | |
Gosh, as much as that! Oh, lovely! | 0:01:13 | 0:01:15 | |
Business is brisk at the Earlswood recycling centre in Surrey. | 0:01:25 | 0:01:30 | |
Well, I am loving being in this leafy Surrey suburb, | 0:01:32 | 0:01:34 | |
but with so much rubbish coming in | 0:01:34 | 0:01:36 | |
you might think it'd be tricky to see the wood for the trees. | 0:01:36 | 0:01:39 | |
But it's OK, because I've got my eye in, | 0:01:39 | 0:01:41 | |
and I'm going to cherry-pick the best bits. | 0:01:41 | 0:01:43 | |
Just as well, because, with the constant stream of drop-offs, | 0:01:45 | 0:01:48 | |
Sarah will need to be at the top of her gathering game. | 0:01:48 | 0:01:52 | |
Elvis, love a bit of Elvis down at the recycling centre. | 0:01:52 | 0:01:55 | |
# Uh-huh-huh! # | 0:01:55 | 0:01:57 | |
Time for a little less conversation and a little more finding, please. | 0:01:57 | 0:02:02 | |
Although some of her discoveries are a bit puzzling. | 0:02:02 | 0:02:06 | |
Any clever ideas what I could do with that? | 0:02:06 | 0:02:08 | |
-Be polite. -No. | 0:02:08 | 0:02:10 | |
Stop monkeying around, there's a day of rummaging ahead. | 0:02:11 | 0:02:15 | |
Sarah has been given special permission to rescue rubbish, | 0:02:16 | 0:02:20 | |
but she needs to be quick. | 0:02:20 | 0:02:21 | |
Once it hits the skip, it's out of bounds. | 0:02:21 | 0:02:24 | |
Sarah is waiting to pounce on that perfect potential project. | 0:02:29 | 0:02:33 | |
And Roger has an intriguing bundle stuffed in the back of his estate. | 0:02:33 | 0:02:38 | |
-Oh, hello. -Morning. | 0:02:38 | 0:02:39 | |
-How are you? -All right. | 0:02:39 | 0:02:41 | |
Given up the surfing, then? | 0:02:41 | 0:02:43 | |
I've tried to give them away. We went to a surfing centre yesterday, | 0:02:43 | 0:02:48 | |
and he says, "I just don't want it." | 0:02:48 | 0:02:50 | |
Roger was trying to off-load two mouldy-looking windsurf sails | 0:02:50 | 0:02:55 | |
and support poles, or booms. | 0:02:55 | 0:02:58 | |
What kind of condition are these in? | 0:02:58 | 0:03:00 | |
So-so. They've been stored for quite a few years, | 0:03:00 | 0:03:03 | |
since my children have given up. | 0:03:03 | 0:03:04 | |
-Right. -And my main thing was sailing, as opposed to windsurfing. | 0:03:04 | 0:03:08 | |
OK. When was the last time they were on water? | 0:03:08 | 0:03:11 | |
-About 15 years or so ago. -Excellent. You've held on to them long enough. | 0:03:11 | 0:03:14 | |
Rather than it being thrown away, can I take it away instead? | 0:03:14 | 0:03:17 | |
By all means. It would be lovely for it to have another home. | 0:03:17 | 0:03:19 | |
This falls into the category of loads of material here | 0:03:19 | 0:03:22 | |
that hopefully I can use to make something out of. | 0:03:22 | 0:03:24 | |
Absolutely. Not a dress, though. | 0:03:24 | 0:03:26 | |
No dresses? I might make a dress out of it now! | 0:03:26 | 0:03:28 | |
Whether Sarah is planning dresses or not, | 0:03:30 | 0:03:32 | |
she's definitely after all that material. | 0:03:32 | 0:03:35 | |
If it does make something lovely, | 0:03:35 | 0:03:37 | |
can I come and show you what I've done with it? | 0:03:37 | 0:03:39 | |
By all means - my wife would love to see it. | 0:03:39 | 0:03:41 | |
She's an art teacher, so I'm certain it will be very artistic. | 0:03:41 | 0:03:44 | |
The pressure! OK, well, I will do my best by it. | 0:03:44 | 0:03:47 | |
Roger gives his gear one final wave. | 0:03:49 | 0:03:52 | |
But what does he think will happen to his aged aquatic apparatus? | 0:03:53 | 0:03:58 | |
I am very interested to find out what she does eventually with it. | 0:03:59 | 0:04:02 | |
Hopefully we'll find a new home for it | 0:04:02 | 0:04:04 | |
and make some dresses out of it, maybe! | 0:04:04 | 0:04:07 | |
Boom! What a great find. | 0:04:10 | 0:04:11 | |
Well, actually two booms and whatever you call that bit in there. | 0:04:11 | 0:04:14 | |
I love this, because it's bright, it's beautiful, it's substantial, | 0:04:14 | 0:04:17 | |
and there's acres of this sail fabric. | 0:04:17 | 0:04:20 | |
And that means huge potential to be remodelled. | 0:04:20 | 0:04:23 | |
A dress? | 0:04:23 | 0:04:24 | |
Maybe, maybe not. | 0:04:24 | 0:04:26 | |
In fact, I know exactly who's going to like this. | 0:04:26 | 0:04:28 | |
I think this might be a little cracker. | 0:04:28 | 0:04:30 | |
Sarah knows exactly where to send these. | 0:04:30 | 0:04:33 | |
If you need a bag, call Neil Wragg. | 0:04:34 | 0:04:38 | |
From scrap into satchels, and rags into bags, Neil is your man. | 0:04:39 | 0:04:44 | |
Neil uses tough and rugged materials destined for the dump | 0:04:44 | 0:04:48 | |
and transforms them into one-of-a-kind carry-alls | 0:04:48 | 0:04:52 | |
that will last a lifetime. | 0:04:52 | 0:04:54 | |
The sewing has really just come from | 0:04:54 | 0:04:56 | |
a necessity to make something better, and then it became... | 0:04:56 | 0:05:00 | |
..all-consuming, really, and everything I do is sewn. | 0:05:00 | 0:05:04 | |
I think the reason I use the salvage materials is just because it's... | 0:05:05 | 0:05:09 | |
I don't know, it makes it harder for myself, | 0:05:09 | 0:05:12 | |
but in some way that's more rewarding. | 0:05:12 | 0:05:14 | |
Neil loves a challenge, but will he be all at sea with these? | 0:05:17 | 0:05:21 | |
With one item in the bag, Sarah is on the search for a second. | 0:05:29 | 0:05:33 | |
Something in there. | 0:05:35 | 0:05:36 | |
Kate's hatchback looks full of interesting stuff. | 0:05:38 | 0:05:42 | |
Oh. Look at this, come here. | 0:05:42 | 0:05:44 | |
-Hiya. -Hello. | 0:05:44 | 0:05:45 | |
Mm! What are you throwing away? | 0:05:45 | 0:05:48 | |
It's an old desk that I think | 0:05:48 | 0:05:50 | |
could be quite easily recycled in some way, but... | 0:05:50 | 0:05:53 | |
-You've had enough of it, have you? -Yeah, I've had enough of it, yeah. | 0:05:53 | 0:05:57 | |
-Have you had it for long? -10, 15 years, but I know it's older than that. | 0:05:57 | 0:06:01 | |
I reckon, looking at that... | 0:06:01 | 0:06:03 | |
..late '60s, very early '70s, something like that. | 0:06:04 | 0:06:07 | |
Yeah. I'd have thought so. | 0:06:07 | 0:06:08 | |
Have you got all the legs and all the bits? | 0:06:08 | 0:06:10 | |
All the legs are there and all the drawers are there. | 0:06:10 | 0:06:13 | |
This one is a double one, it's a false... | 0:06:13 | 0:06:16 | |
The other two are two singles and this one, | 0:06:16 | 0:06:19 | |
as you can see on this side, | 0:06:19 | 0:06:20 | |
that side is a double, this one is a double one. | 0:06:20 | 0:06:23 | |
Apart from two missing handles, | 0:06:25 | 0:06:27 | |
the desk seems to be all present and correct. | 0:06:27 | 0:06:30 | |
I think it's got potential to be given a new lease of life. | 0:06:30 | 0:06:33 | |
I think it has, too. It's just a shame. | 0:06:33 | 0:06:35 | |
I took it somewhere today, and they couldn't take it, | 0:06:35 | 0:06:37 | |
-so I'm afraid it's got to go. -Well, can it come my way? | 0:06:37 | 0:06:40 | |
It can come your way, quite easily. | 0:06:40 | 0:06:42 | |
Oh, brilliant, well, it's got a look to it. | 0:06:42 | 0:06:45 | |
I'm not sure it will be everybody's cup of tea, but I'm sure | 0:06:45 | 0:06:48 | |
it can be remodelled and made into something fresh and appealing again. | 0:06:48 | 0:06:51 | |
Yeah, definitely. | 0:06:51 | 0:06:52 | |
-Shall I give it a go? -Yes, why not? -Brilliant, OK. | 0:06:52 | 0:06:55 | |
Well, can I come and find you | 0:06:55 | 0:06:57 | |
if it's transformed into something less retro, | 0:06:57 | 0:07:00 | |
-can I come and show you what I've done? -Yeah. -Brilliant. | 0:07:00 | 0:07:03 | |
OK, well, I shall take all of that and say, thank you very much. | 0:07:03 | 0:07:06 | |
You're welcome. | 0:07:06 | 0:07:07 | |
Sarah has her second item, but what does Kate think she'll do with it? | 0:07:08 | 0:07:13 | |
I'm really pleased, actually. | 0:07:13 | 0:07:15 | |
I think a paint job and a little bit of a revamp | 0:07:15 | 0:07:18 | |
and it will be something really useful to somebody. | 0:07:18 | 0:07:21 | |
It would make a great computer desk, actually. | 0:07:21 | 0:07:24 | |
Well, it's a tricky one, this one. | 0:07:24 | 0:07:26 | |
I think it's a desk, could be a dressing table, | 0:07:26 | 0:07:28 | |
it's got some style about it. | 0:07:28 | 0:07:30 | |
Those legs, well, they are quite cool, but the rest of it, | 0:07:30 | 0:07:32 | |
it's a bit hit and miss. | 0:07:32 | 0:07:34 | |
But something is going to have to be done to turn a profit on this. | 0:07:35 | 0:07:39 | |
And Sarah knows just the maker who could make that happen. | 0:07:39 | 0:07:42 | |
Norman Wilkinson. | 0:07:44 | 0:07:45 | |
Norman uses his 25 years of working with wood | 0:07:47 | 0:07:51 | |
to create handmade, one-of-a-kind furniture that's built to last. | 0:07:51 | 0:07:56 | |
If you're making a table top out of reclaimed timbers and everything, | 0:07:56 | 0:07:59 | |
no two tops will be the same, so it's tactile, | 0:07:59 | 0:08:02 | |
it's always got its own mind, it's beautiful. | 0:08:02 | 0:08:05 | |
I hope that people will see when they buy | 0:08:05 | 0:08:08 | |
that we've put our heart and soul into it | 0:08:08 | 0:08:10 | |
and we've put as much love as we can, | 0:08:10 | 0:08:12 | |
so that hopefully comes out into it. | 0:08:12 | 0:08:14 | |
Well, Norman, Sarah is bringing you an old desk | 0:08:14 | 0:08:17 | |
that needs all the love and attention you can spare. | 0:08:17 | 0:08:21 | |
With two items tucked away, | 0:08:25 | 0:08:27 | |
Sarah is looking for something to work on herself. | 0:08:27 | 0:08:31 | |
I can't BEAR waste. | 0:08:31 | 0:08:33 | |
Oh, dear! | 0:08:33 | 0:08:34 | |
And what delightful discards does Ann have in the back of her car? | 0:08:36 | 0:08:41 | |
-Excuse me. Sorry, hi there. -Hello. | 0:08:41 | 0:08:43 | |
-Hi, I'm Sarah. -I'm Ann. | 0:08:43 | 0:08:45 | |
How do you do? I love the look of the stuff in your boot. | 0:08:45 | 0:08:48 | |
-Are you moving? -Yes, we're downsizing. | 0:08:48 | 0:08:50 | |
What exactly is that? | 0:08:51 | 0:08:53 | |
Well, it's a radiant heat lamp. | 0:08:53 | 0:08:55 | |
-May I take a closer look? -Yes. | 0:08:55 | 0:08:57 | |
So what was it used for? | 0:08:57 | 0:08:59 | |
Well, it was for my mother's bad back. | 0:08:59 | 0:09:01 | |
This iconic-looking object was once considered a state-of-the-art | 0:09:01 | 0:09:07 | |
home treatment for all sorts of aches and pains. | 0:09:07 | 0:09:11 | |
If you put your back out in the '60s | 0:09:11 | 0:09:13 | |
then this is the very throwback you'd turn to. | 0:09:13 | 0:09:16 | |
It looks amazing. I haven't seen anything like that before. | 0:09:16 | 0:09:19 | |
How long do you think you've had it? | 0:09:19 | 0:09:20 | |
Well, it's been in my house since Mother died, which was... | 0:09:20 | 0:09:24 | |
She died in '89. | 0:09:24 | 0:09:26 | |
Right. I'm not sure it's something we use any more, is it? | 0:09:26 | 0:09:28 | |
I doubt it, no, I don't think | 0:09:28 | 0:09:30 | |
any doctor would recommend that these days. | 0:09:30 | 0:09:33 | |
I think its heat lamp days might be over, | 0:09:33 | 0:09:36 | |
but it has real decorative appeal, | 0:09:36 | 0:09:38 | |
so can I take it away and try and do something with it? | 0:09:38 | 0:09:40 | |
Well, certainly, yes, it's no use to us. | 0:09:40 | 0:09:43 | |
If it turns out that it can be remodelled or reworked, | 0:09:43 | 0:09:45 | |
may I come and show you what I've done with it? | 0:09:45 | 0:09:47 | |
Yes, I would be delighted. | 0:09:47 | 0:09:49 | |
Thanks, well, I'll keep in touch and let you know. | 0:09:49 | 0:09:52 | |
I think it's... I think it's hot! | 0:09:52 | 0:09:54 | |
While Sarah's maker's mind leaps into action, | 0:09:56 | 0:10:00 | |
what does Ann think will happen to her mum's old heat lamp? | 0:10:00 | 0:10:04 | |
I've no idea what Sarah is going to do with it. | 0:10:04 | 0:10:08 | |
To me, the reflectors are probably the best part. | 0:10:08 | 0:10:12 | |
I'd love to see what she makes of it. | 0:10:12 | 0:10:15 | |
I'm armed and I'm dangerous. What a fantastic-looking thing. | 0:10:16 | 0:10:19 | |
I mean, you wouldn't want to use it now, would you? | 0:10:19 | 0:10:21 | |
It's got infrared and radiant heat, fantastic styling, beautiful colour, | 0:10:21 | 0:10:26 | |
excellent wear, and it's going to make a fabulous - | 0:10:26 | 0:10:29 | |
what do you think - sofa, table? | 0:10:29 | 0:10:30 | |
You know what it's going to be, and it's going to be beautiful. | 0:10:30 | 0:10:34 | |
Sarah has her three items. | 0:10:36 | 0:10:39 | |
Neil will work on the sails, | 0:10:39 | 0:10:41 | |
Norman will try and rejuvenate the desk, | 0:10:41 | 0:10:44 | |
and Sarah plans to turn up the heat on the lamp. | 0:10:44 | 0:10:47 | |
Well, the gates are closing now, but we came, we saw and we gathered, | 0:10:49 | 0:10:52 | |
and I'm so pleased with the things I found here today. | 0:10:52 | 0:10:55 | |
There's some cracking items. | 0:10:55 | 0:10:56 | |
A huge amount of potential, but lots of work ahead. | 0:10:56 | 0:11:00 | |
The River Thames meanders peacefully through the Buckinghamshire town | 0:11:06 | 0:11:11 | |
of Marlow, where we find bag-maker extraordinaire Neil. | 0:11:11 | 0:11:15 | |
The windsurfing gear has been shipped to Marlow, | 0:11:18 | 0:11:21 | |
and Neil's getting a first glimpse | 0:11:21 | 0:11:23 | |
of the material he'll be working with. | 0:11:23 | 0:11:25 | |
The colours are great, | 0:11:25 | 0:11:27 | |
nice colours, really vibrant and loud, aren't they? | 0:11:27 | 0:11:30 | |
That's one way to put it, Neil. | 0:11:31 | 0:11:33 | |
Another might be garish, gaudy, | 0:11:33 | 0:11:36 | |
nightmarish, maybe. | 0:11:36 | 0:11:38 | |
We can keep some of the writing... | 0:11:40 | 0:11:42 | |
..keep some of the stitching, keep the lairy colours. | 0:11:43 | 0:11:46 | |
This is nice. | 0:11:46 | 0:11:48 | |
Neil's really got the wind in his sails now, | 0:11:48 | 0:11:51 | |
and Sarah's on the blower to see what he has in mind. | 0:11:51 | 0:11:55 | |
Hello, Sarah. | 0:11:55 | 0:11:56 | |
-Hi, Neil, how are you doing? -I'm very good, I'm very good, | 0:11:56 | 0:11:59 | |
I'm surrounded by colour. | 0:11:59 | 0:12:00 | |
It's bright, it's fluorescent, it's definitely usable. | 0:12:00 | 0:12:04 | |
It's clean. I love them, actually. | 0:12:04 | 0:12:06 | |
Fantastic news. Have you got an idea for it? | 0:12:06 | 0:12:09 | |
Because I'm thinking utility or something really useful out of them. | 0:12:09 | 0:12:13 | |
OK, well, there's stacks of material. | 0:12:13 | 0:12:14 | |
There's nice writing on it, there's nice patterns. | 0:12:14 | 0:12:17 | |
The colours are huge. It's a big '80s revival thing. | 0:12:17 | 0:12:21 | |
Maybe we could do some big, chunky zip sports holdalls, | 0:12:21 | 0:12:24 | |
-what do you think? -They sound good. | 0:12:24 | 0:12:27 | |
You're going to need your shades for these bags, I think. | 0:12:27 | 0:12:30 | |
Sarah loves Neil's idea of sports holdalls, | 0:12:30 | 0:12:34 | |
but, with all that material, how many are we talking? | 0:12:34 | 0:12:37 | |
20? | 0:12:37 | 0:12:38 | |
Some of the fabric is not too good. | 0:12:38 | 0:12:41 | |
Oh. Ten? | 0:12:42 | 0:12:43 | |
Some of it is really, really nice. | 0:12:43 | 0:12:46 | |
Oh, 15? Come on, Neil, how many? | 0:12:46 | 0:12:49 | |
Two big holdalls. | 0:12:50 | 0:12:52 | |
Two? | 0:12:52 | 0:12:53 | |
Exactly how big are they going to be? | 0:12:53 | 0:12:56 | |
What kind of price would you put on that? | 0:12:56 | 0:12:59 | |
Um, I think, for you... | 0:12:59 | 0:13:01 | |
um...£100 per bag. | 0:13:01 | 0:13:04 | |
We can make them nice and big, | 0:13:04 | 0:13:05 | |
chunky zips, keep some of the lettering. | 0:13:05 | 0:13:08 | |
They should look pretty good and have, certainly, a wow factor. | 0:13:08 | 0:13:12 | |
Brilliant, go for that, I love a wow factor. | 0:13:12 | 0:13:14 | |
I hope it's all plain sailing and I'll speak to you soon. | 0:13:14 | 0:13:16 | |
-Thank you. -Bye. -Bye-bye. | 0:13:16 | 0:13:19 | |
He's itching to get stitching, so what's the plan, Neil? | 0:13:20 | 0:13:24 | |
Because these colours are so vibrant, | 0:13:26 | 0:13:28 | |
this is not a bag you're going to be inconspicuous with, | 0:13:28 | 0:13:31 | |
so it's got to be the right shape, I think, so if it was square, | 0:13:31 | 0:13:36 | |
the zip there, handles there. | 0:13:36 | 0:13:39 | |
I'm just trying to strike a balance | 0:13:40 | 0:13:43 | |
between a good-looking but very useful bag, | 0:13:43 | 0:13:45 | |
something that you can wear rather than just carry. | 0:13:45 | 0:13:49 | |
So does that mean the big, square look is out? | 0:13:50 | 0:13:54 | |
So instead of the ordinary square box shape, | 0:13:54 | 0:13:57 | |
I think if we have some curves to it, curves are always good, | 0:13:57 | 0:14:01 | |
so if we get some rounded corners, | 0:14:01 | 0:14:03 | |
and if I make the zip open-ended | 0:14:03 | 0:14:06 | |
then the whole thing opens up and you can see what you packed. | 0:14:06 | 0:14:11 | |
Neil aims to produce two large sports bags | 0:14:13 | 0:14:17 | |
at a total cost of £200. | 0:14:17 | 0:14:19 | |
He is aiming for '80s retro-chic, | 0:14:19 | 0:14:22 | |
but could these turn out to be a Technicolor catastrophe? | 0:14:22 | 0:14:26 | |
Is Sarah off her trolley, or can her desk be saved from destruction? | 0:14:32 | 0:14:37 | |
She's in East Sussex, delivering the desk to Norman. | 0:14:38 | 0:14:42 | |
How are you feeling, Norman? | 0:14:42 | 0:14:44 | |
Always anxious. | 0:14:44 | 0:14:45 | |
I think that's the only way to describe it. | 0:14:45 | 0:14:47 | |
Well, I know Norman loves furniture. | 0:14:47 | 0:14:50 | |
He likes solid oak, he likes things that are handmade, | 0:14:50 | 0:14:53 | |
that are substantial, and this is made of chipboard. | 0:14:53 | 0:14:57 | |
This could be fun. | 0:14:57 | 0:14:59 | |
Norman! | 0:14:59 | 0:15:00 | |
The moment of truth. | 0:15:02 | 0:15:04 | |
Well, this is a little beauty, isn't it? | 0:15:04 | 0:15:06 | |
Sometimes Norman is so hard to read. | 0:15:08 | 0:15:11 | |
-Are you underwhelmed? -Whelmed is not the word. | 0:15:14 | 0:15:17 | |
It's not love at first sight, | 0:15:19 | 0:15:21 | |
but Sarah is a determined matchmaker. | 0:15:21 | 0:15:24 | |
But Norman is wondering how many matches he could make | 0:15:26 | 0:15:29 | |
out of all this wood. | 0:15:29 | 0:15:30 | |
There are hidden benefits. | 0:15:32 | 0:15:33 | |
-It comes with legs. -Fantastic. | 0:15:33 | 0:15:36 | |
You've almost saved the day with these, haven't you? | 0:15:36 | 0:15:38 | |
Absolutely super, anyway. | 0:15:38 | 0:15:40 | |
I have got a plan, but I'm not sure if you're going to like it. | 0:15:40 | 0:15:43 | |
Better make it a good plan, Sarah. | 0:15:43 | 0:15:46 | |
He's armed...with a leg. | 0:15:46 | 0:15:49 | |
I was thinking about... | 0:15:49 | 0:15:51 | |
..removing the carcass and using the drawers | 0:15:51 | 0:15:54 | |
-and the styling to make a new piece of furniture. -OK. | 0:15:54 | 0:15:57 | |
Maybe...introducing brand-new material, like ply. | 0:15:57 | 0:16:04 | |
-Ply, as in... -Quality ply, | 0:16:04 | 0:16:05 | |
the kind of stuff you want to look at, just the way it is. | 0:16:05 | 0:16:08 | |
-OK. -I was thinking perhaps use the two small drawers | 0:16:08 | 0:16:10 | |
to make a sleek, slim-line desk. | 0:16:10 | 0:16:14 | |
-Fancy it? -Yeah, I think we can have a go at it. | 0:16:16 | 0:16:20 | |
-What are you going to do with these, then? -I don't know. | 0:16:20 | 0:16:23 | |
I think these will have to be a surprise. | 0:16:23 | 0:16:25 | |
I think we need to sleep on it and decide where we're going. | 0:16:25 | 0:16:29 | |
A revamp of the desk and a surprise thrown in. | 0:16:29 | 0:16:32 | |
Sounds expensive. | 0:16:32 | 0:16:34 | |
Is there a price that you can put on it? | 0:16:34 | 0:16:36 | |
I reckon something like that will cost, | 0:16:36 | 0:16:39 | |
to get it all singing and dancing, 395. | 0:16:39 | 0:16:42 | |
Perfect. I was hoping it wouldn't go above a four, | 0:16:42 | 0:16:44 | |
so 395 is brilliant. | 0:16:44 | 0:16:45 | |
-Well done. -On the money. -On the money, always on the money. | 0:16:45 | 0:16:48 | |
-Thank you very much. -Thank you. -You be good. -Bye. | 0:16:48 | 0:16:51 | |
This could be quite a tricky project. | 0:16:52 | 0:16:55 | |
Norman's not really a ply guy, | 0:16:55 | 0:16:58 | |
so for this job he'll be reaching for the sharpest tool in the box - | 0:16:58 | 0:17:02 | |
his own brain. | 0:17:02 | 0:17:03 | |
Using a new material is always fun cos you've got to learn about it, | 0:17:03 | 0:17:08 | |
so, yeah, it will be a good one, but hopefully get it right. | 0:17:08 | 0:17:13 | |
Well, he was never going to love it, but I think he's embraced it. | 0:17:13 | 0:17:17 | |
I think a ply exterior is going to make it look really cool | 0:17:17 | 0:17:20 | |
and after he's finished with it, we're all going to love it. | 0:17:20 | 0:17:23 | |
Sarah has agreed a budget of £395 for Norman to transform the desk. | 0:17:23 | 0:17:30 | |
But he is using a completely new material. | 0:17:30 | 0:17:34 | |
So this project could be all ply in the sky. | 0:17:34 | 0:17:37 | |
With her team of crafty creatives up and running, | 0:17:41 | 0:17:46 | |
Sarah's at home in West Sussex. | 0:17:46 | 0:17:49 | |
She's hoping to bring a little sunshine to the heat lamp. | 0:17:49 | 0:17:52 | |
Bramble's intrigued. | 0:17:54 | 0:17:56 | |
Well, as a piece of 1950s design, this is beautiful. | 0:17:58 | 0:18:01 | |
I love the shape of it. | 0:18:01 | 0:18:03 | |
But as a health and safety thing - what a nightmare! | 0:18:03 | 0:18:06 | |
I mean, can you imagine having that in your house today? | 0:18:06 | 0:18:08 | |
It was a radiant heat lamp, | 0:18:08 | 0:18:10 | |
so this would have been tinging when it was hot. | 0:18:10 | 0:18:12 | |
So the best thing we can do with this | 0:18:12 | 0:18:14 | |
is make it into lighting because its style is fantastic. | 0:18:14 | 0:18:17 | |
It just needs a bit of careful rethinking. | 0:18:17 | 0:18:20 | |
First things first - strip it down to basics. | 0:18:23 | 0:18:26 | |
Well, I've set aside the electrics to concentrate on the aesthetics. | 0:18:27 | 0:18:31 | |
I want it to be crisp and colourful, | 0:18:31 | 0:18:33 | |
so I'm going to polish it up and then give it a lick of paint. | 0:18:33 | 0:18:36 | |
First of all, though, I'm going to clean up this interior | 0:18:36 | 0:18:39 | |
with some car polish, the kind of abrasive stuff | 0:18:39 | 0:18:41 | |
which normally takes off a layer of paint | 0:18:41 | 0:18:43 | |
but should bring it up really well. | 0:18:43 | 0:18:45 | |
It's not looking a lot better yet | 0:18:51 | 0:18:52 | |
but it's certainly getting the dirt off. | 0:18:52 | 0:18:55 | |
With the inner surface polished up nicely, | 0:18:57 | 0:19:00 | |
Sarah's planning to give the exterior a bit of a paint job. | 0:19:00 | 0:19:04 | |
Well, I've given this a really good prepping, | 0:19:04 | 0:19:06 | |
it's polished on the inside and I've used some lightly abrasive sandpaper | 0:19:06 | 0:19:10 | |
just to take the edge off this, so it's keyed, and hopefully | 0:19:10 | 0:19:13 | |
that means my spray paint is going to stick to it. | 0:19:13 | 0:19:15 | |
There are pros and cons to spraying outside. | 0:19:17 | 0:19:20 | |
Good ventilation is a huge plus. | 0:19:20 | 0:19:23 | |
But you do have to watch out for insects getting stuck on your paint. | 0:19:23 | 0:19:26 | |
After leaving the paint to dry for a few hours, | 0:19:28 | 0:19:31 | |
Sarah has to put it all back together. | 0:19:31 | 0:19:34 | |
It won't be much of a lamp without fittings, | 0:19:37 | 0:19:39 | |
so Sarah has bought a lighting kit. | 0:19:39 | 0:19:42 | |
I've chosen a bright, royal blue coloured flex, | 0:19:42 | 0:19:45 | |
which is an opposing colour to the yellow, | 0:19:45 | 0:19:47 | |
so both together look beautiful. | 0:19:47 | 0:19:50 | |
Good chrome fitting, so I'm going to slide all of this | 0:19:50 | 0:19:53 | |
through the existing holes and wire up the plug. | 0:19:53 | 0:19:56 | |
Sarah spent £22.95 on spray paint | 0:19:58 | 0:20:02 | |
and her lighting kit. | 0:20:02 | 0:20:04 | |
She's hoping to turn her new gold lamp into a sold lamp. | 0:20:04 | 0:20:09 | |
In Marlow, Neil's blueprint of his sports bag design | 0:20:15 | 0:20:19 | |
is ready to make the leap from paper to fabric. | 0:20:19 | 0:20:23 | |
So the bag is going to be... I don't know, what, sort of... | 0:20:23 | 0:20:26 | |
..that-ish, like-ish, like that. | 0:20:27 | 0:20:30 | |
OK. | 0:20:30 | 0:20:32 | |
Bigger than that. Right. | 0:20:32 | 0:20:34 | |
Blimey, whatever happened to measuring twice? | 0:20:35 | 0:20:38 | |
I've got one shape drawn so far and that's it. | 0:20:38 | 0:20:42 | |
So the rest of it I'm just going to wing it and see how it works. | 0:20:42 | 0:20:45 | |
Hopefully there's enough fabric to make the odd mistake. | 0:20:45 | 0:20:47 | |
You're not filling us with confidence here, Neil. | 0:20:49 | 0:20:52 | |
I'm just going to start cutting. | 0:20:52 | 0:20:54 | |
The pieces that Neil is about to cut will form the ends of the bag. | 0:20:56 | 0:21:01 | |
These will determine the entire shape of the holdall, | 0:21:01 | 0:21:04 | |
so these first cuts are critical. | 0:21:04 | 0:21:07 | |
Ooh, you can cut the tension with... | 0:21:08 | 0:21:11 | |
..a sharp pair of scissors. | 0:21:11 | 0:21:12 | |
That's a good start, at least after the first cut, | 0:21:14 | 0:21:17 | |
it hasn't just disintegrated. So, so far so good. | 0:21:17 | 0:21:20 | |
Yeah, a disintegrating bag certainly wouldn't be top | 0:21:21 | 0:21:24 | |
of my Christmas list, Neil. | 0:21:24 | 0:21:27 | |
We've got some ends now, two ends. | 0:21:27 | 0:21:29 | |
Loads of colour. | 0:21:29 | 0:21:30 | |
The length will be determined by the zips that I've got lying about, | 0:21:30 | 0:21:35 | |
so I'm going to need to find what chunky zips I've got first. | 0:21:35 | 0:21:39 | |
So, these are the ones that I'm going to use. | 0:21:41 | 0:21:43 | |
So I think these are 30 centimetre zips... | 0:21:44 | 0:21:47 | |
No, much longer than that. | 0:21:47 | 0:21:48 | |
57 centimetre zips. | 0:21:51 | 0:21:53 | |
With the chunky zips sourced and the length of the bags decided, | 0:21:57 | 0:22:02 | |
Neil can cut out the remaining panels. | 0:22:02 | 0:22:05 | |
That's all the cutting done. I think it's now time to sew. | 0:22:06 | 0:22:09 | |
Indoors, Neil's sewing machine is threaded up and ready to roll. | 0:22:11 | 0:22:16 | |
Right, these are ready-made handles. | 0:22:17 | 0:22:19 | |
The first task is to make handles for the bag ends. | 0:22:20 | 0:22:24 | |
And the windsurfer harness seems to fit the bill. | 0:22:24 | 0:22:27 | |
You've got to hope that the fabric's going to hold it, actually. | 0:22:27 | 0:22:31 | |
Well, it's endured some hefty wind in its time, so here's hoping. | 0:22:31 | 0:22:36 | |
It doesn't flow particularly easily through the machine. | 0:22:37 | 0:22:40 | |
It's a bit sticky. It's not the neatest so far. | 0:22:40 | 0:22:43 | |
Phrases like "not the neatest" | 0:22:44 | 0:22:46 | |
aren't what we want to hear at this stage, Neil. | 0:22:46 | 0:22:49 | |
There's a great big thick piece of webbing stuck in the middle that | 0:22:49 | 0:22:52 | |
that machine won't go through. | 0:22:52 | 0:22:54 | |
And this doesn't sound good either. | 0:22:54 | 0:22:56 | |
Neil's having to switch to his most powerful machine. | 0:22:56 | 0:23:00 | |
Come on, mate, you can do it. | 0:23:05 | 0:23:07 | |
Yeah, no problem. | 0:23:11 | 0:23:12 | |
Phew! | 0:23:12 | 0:23:14 | |
Neil averts disaster and is still the stitching master. | 0:23:14 | 0:23:19 | |
In East Sussex, | 0:23:25 | 0:23:26 | |
Norman's formulating a master plan | 0:23:26 | 0:23:29 | |
to give this desk a top drawer refurbishment. | 0:23:29 | 0:23:33 | |
Going to use birch ply, so it's going to be very, very contemporary. | 0:23:33 | 0:23:36 | |
We're going to lose this drawer. | 0:23:36 | 0:23:38 | |
We're going to put the three together, | 0:23:38 | 0:23:41 | |
make a nice box for it, then put it on some legs. | 0:23:41 | 0:23:44 | |
So, yeah, fantastic. Can't wait. | 0:23:44 | 0:23:46 | |
Norman picks out the drawers that will make up the new desk | 0:23:49 | 0:23:52 | |
and puts the old carcass to one side, | 0:23:52 | 0:23:55 | |
as Sarah wants a shiny new birch ply frame. | 0:23:55 | 0:23:59 | |
Birch ply is made up of thin layers of - can you guess? | 0:24:05 | 0:24:10 | |
Birch, yeah. | 0:24:10 | 0:24:11 | |
It's a very strong material indeed, | 0:24:11 | 0:24:14 | |
so it's ideal for Norman's new desk. | 0:24:14 | 0:24:17 | |
It's got quite a nice grain going through it. | 0:24:17 | 0:24:19 | |
It's got a nice pattern here. | 0:24:19 | 0:24:21 | |
We just need to decide which part we're going to use for the top. | 0:24:21 | 0:24:25 | |
We decide which side, you can see here, | 0:24:25 | 0:24:27 | |
it's got these little biscuit things they cut in. | 0:24:27 | 0:24:29 | |
So we can't use that section | 0:24:29 | 0:24:31 | |
but I think the other side is the better one. | 0:24:31 | 0:24:34 | |
Before he starts cutting, time for a few careful measurements. | 0:24:34 | 0:24:39 | |
Beautiful. | 0:24:39 | 0:24:40 | |
Birch ply isn't cheap, so Norman doesn't want any mistakes. | 0:24:40 | 0:24:45 | |
You know the old saying, don't you? | 0:24:46 | 0:24:49 | |
Measure once, cut twice. | 0:24:49 | 0:24:51 | |
Oh, give over, Norman! Stop mucking about. | 0:24:51 | 0:24:54 | |
I've marked what I think should be right, | 0:24:57 | 0:24:59 | |
so we are now going to cut it. But I'm over-cutting, | 0:24:59 | 0:25:02 | |
because I've got to over-cut the first one, then cut the second one, | 0:25:02 | 0:25:05 | |
and hopefully get it as precise as I can. | 0:25:05 | 0:25:07 | |
To make a neater join, | 0:25:09 | 0:25:11 | |
Norman is cutting the edges at 45 degrees using a circular saw. | 0:25:11 | 0:25:16 | |
A spare piece of wood clamped to the ply | 0:25:16 | 0:25:19 | |
keeps the saw cutting in a straight line. | 0:25:19 | 0:25:22 | |
So that's our first 45 degrees cut, | 0:25:22 | 0:25:25 | |
so that will go there, | 0:25:25 | 0:25:27 | |
the next one will go down on there | 0:25:27 | 0:25:30 | |
and hopefully they will all line up and we'll get a nice, super joint. | 0:25:30 | 0:25:34 | |
Norman uses his table saw to add a groove to the drawer sides. | 0:25:35 | 0:25:40 | |
This is known as rebating, and the base of the drawer | 0:25:40 | 0:25:43 | |
will slide into these grooves for a tighter fit. | 0:25:43 | 0:25:47 | |
So we've done the rebating for the rails, the sides and everything. | 0:25:47 | 0:25:51 | |
That will pin in there | 0:25:51 | 0:25:52 | |
and then you can see everything then will go in line, | 0:25:52 | 0:25:55 | |
so you can see all the nice birch ply around it. | 0:25:55 | 0:25:58 | |
The drawers, we'll paint them and then decide on the legs. | 0:25:58 | 0:26:02 | |
Just do the last few little bits, then glue it up | 0:26:02 | 0:26:05 | |
and then hopefully we're rocking and rolling and it will look fantastic. | 0:26:05 | 0:26:09 | |
The new carcass is taking shape. | 0:26:09 | 0:26:11 | |
But with a decision still to be made on the legs, | 0:26:11 | 0:26:15 | |
there's plenty to get on with. | 0:26:15 | 0:26:17 | |
In West Sussex, Sarah's putting the finishing touches to the desk light. | 0:26:24 | 0:26:28 | |
Well, that's all come together. | 0:26:32 | 0:26:34 | |
Better find out if it works. | 0:26:34 | 0:26:36 | |
Sarah's tricky task was to retain the retro charm of the heat lamp | 0:26:40 | 0:26:44 | |
whilst making it a thoroughly modern piece of lighting. | 0:26:44 | 0:26:48 | |
Will the end result be dazzling? | 0:26:48 | 0:26:51 | |
Well, that is a bright light. | 0:26:54 | 0:26:57 | |
Sarah's polishing job has certainly paid off. | 0:26:57 | 0:27:00 | |
And the yellow paint contrasts smartly with the blue braided flex. | 0:27:02 | 0:27:06 | |
The light has been PAT tested and checked by a qualified electrician | 0:27:08 | 0:27:12 | |
to ensure it meets all UK safety standards. | 0:27:12 | 0:27:16 | |
It might not be giving off much heat now, | 0:27:16 | 0:27:19 | |
but the reflected light and buttercup gold | 0:27:19 | 0:27:23 | |
will radiate warmth into any home. | 0:27:23 | 0:27:26 | |
That is really bright, but definitely working. | 0:27:26 | 0:27:29 | |
And that yellow, that's a winner. | 0:27:29 | 0:27:31 | |
Ann's old heat lamp was about to get the elbow. | 0:27:37 | 0:27:40 | |
I'm not sure it's something we use any more, is it? | 0:27:40 | 0:27:42 | |
No, I don't think any doctor would recommend that these days. | 0:27:42 | 0:27:46 | |
From treating cold shoulders to getting the cold shoulder, | 0:27:46 | 0:27:50 | |
its final stop was going to be a red-hot furnace, | 0:27:50 | 0:27:54 | |
but Sarah only had one thought in mind. | 0:27:54 | 0:27:57 | |
Can I take it away and try and do something with it? | 0:27:57 | 0:27:59 | |
Certainly, yes. It's no use to us. | 0:27:59 | 0:28:01 | |
And with new electrics, a polish and a paint job, | 0:28:01 | 0:28:05 | |
Sarah has brought the shine back to this forgotten appliance. | 0:28:05 | 0:28:09 | |
The lamp was bought by a vintage and industrial lighting shop | 0:28:11 | 0:28:15 | |
in Fowey, Cornwall, and owner Sinead thinks her customers will love it. | 0:28:15 | 0:28:20 | |
Well, we just love the colours in this lamp. | 0:28:20 | 0:28:23 | |
And, for our customers, they're always looking for something new | 0:28:23 | 0:28:26 | |
and different, and we think this really hits the spot. | 0:28:26 | 0:28:29 | |
Sarah's done a wonderful job in creating something vibrant, | 0:28:29 | 0:28:33 | |
unique and special that will really set off any home. | 0:28:33 | 0:28:37 | |
With the heat lamp sold, | 0:28:38 | 0:28:40 | |
Sarah's in Surrey to visit Ann and give her the good news. | 0:28:40 | 0:28:44 | |
-Hello there. -Hello. | 0:28:47 | 0:28:49 | |
Hi, Ann. How are you doing? | 0:28:49 | 0:28:50 | |
-Very well, thank you. -Have you settled into your new home? | 0:28:50 | 0:28:53 | |
Yes, we're enjoying it very much. | 0:28:53 | 0:28:55 | |
Because I remember you'd been in your old house for over 50 years, | 0:28:55 | 0:28:58 | |
-is that right? -Correct, yes. | 0:28:58 | 0:29:00 | |
So a huge amount of things you were trying to sort out when you left. | 0:29:00 | 0:29:03 | |
Lots to throw out, yes. | 0:29:03 | 0:29:05 | |
And that's where that heat lamp came from, | 0:29:05 | 0:29:07 | |
-cos I think that was originally your mother's, wasn't it? -It was. | 0:29:07 | 0:29:10 | |
It's been in our loft for quite a while. | 0:29:10 | 0:29:12 | |
Well, it was a great, stylish thing | 0:29:12 | 0:29:14 | |
so I was really pleased to see it when you turned up. | 0:29:14 | 0:29:16 | |
But since I've taken it away, | 0:29:16 | 0:29:18 | |
-have you thought what might happen to it? -Absolutely, yes. | 0:29:18 | 0:29:21 | |
I loved the reflector but I don't know what you've done with it. | 0:29:21 | 0:29:24 | |
I took one look at it and thought it would make really lovely lighting. | 0:29:24 | 0:29:28 | |
So it's something I worked on myself. | 0:29:28 | 0:29:29 | |
-Here's some pictures to show you how it ended up. -Oh, good. | 0:29:29 | 0:29:32 | |
I hope you like things that are bright | 0:29:32 | 0:29:34 | |
-cos your heat lamp now looks like that. -Oh, goodness! | 0:29:34 | 0:29:37 | |
I took it back to its metal, just sanded it down, | 0:29:37 | 0:29:41 | |
and then repainted it in a very bright yellow. | 0:29:41 | 0:29:44 | |
I don't know what came over me, but I woke up that morning | 0:29:44 | 0:29:47 | |
-and just thought it had to be yellow. -Yes. | 0:29:47 | 0:29:49 | |
What do you think about that? | 0:29:49 | 0:29:51 | |
That's great. | 0:29:51 | 0:29:52 | |
I think that's marvellous. | 0:29:52 | 0:29:54 | |
It definitely has a new lease of life. | 0:29:54 | 0:29:56 | |
It cleaned up beautifully and it's bright and it sold | 0:29:56 | 0:29:58 | |
to a shop in Cornwall who specialises in lighting. | 0:29:58 | 0:30:01 | |
So, I've got some profit from the sale. | 0:30:01 | 0:30:04 | |
Oh, that's exciting. | 0:30:04 | 0:30:06 | |
There's £2.05 | 0:30:06 | 0:30:08 | |
and another 80 there. | 0:30:08 | 0:30:11 | |
Goodness! | 0:30:11 | 0:30:12 | |
That's much more than I ever dreamed of. | 0:30:12 | 0:30:16 | |
Really? Oh, good, I like a surprise. | 0:30:16 | 0:30:18 | |
So what might you do with that? | 0:30:18 | 0:30:19 | |
Well, I shall have to ask my husband. | 0:30:19 | 0:30:22 | |
I think we'll probably buy something for the flat, yeah. | 0:30:22 | 0:30:25 | |
Fantastic. Well, that would be great. | 0:30:25 | 0:30:27 | |
Something from the loft, if it furnishes your house here, | 0:30:27 | 0:30:29 | |
then I think that would be lovely. | 0:30:29 | 0:30:31 | |
And I'm so pleased you've settled in. | 0:30:31 | 0:30:33 | |
-Yes, well... -See you at the recycling centre. | 0:30:33 | 0:30:35 | |
-Yes. -Thank you so much. -That's super. -Bye-bye. -Bye-bye. | 0:30:35 | 0:30:39 | |
Well, isn't that great? | 0:30:41 | 0:30:43 | |
The heat lamp is buying house-warming presents. | 0:30:43 | 0:30:45 | |
Doesn't get better than that. | 0:30:45 | 0:30:47 | |
Sarah spent a total of £67.95 on the lamp. | 0:30:48 | 0:30:53 | |
It sold for £150, | 0:30:53 | 0:30:56 | |
which left a profit of £82.05. | 0:30:56 | 0:31:00 | |
Sarah's back in Marlow. | 0:31:06 | 0:31:08 | |
She's keen to discover if Neil's whipped up a storm | 0:31:09 | 0:31:12 | |
with the windsurf sails. | 0:31:12 | 0:31:14 | |
Well, this could be really exciting. | 0:31:16 | 0:31:18 | |
I'm back to see Neil and he's had a proper look at those windsurf sails. | 0:31:18 | 0:31:21 | |
He says the colours are fantastic, they're bang on trend, | 0:31:21 | 0:31:24 | |
and really fashionable to make bags out of. | 0:31:24 | 0:31:27 | |
But have you seen the shirts he wears? | 0:31:27 | 0:31:29 | |
This could be just a bit over the top. | 0:31:29 | 0:31:31 | |
There's normal over the top and then there's Neil's over the top. | 0:31:32 | 0:31:37 | |
I think they've turned out pretty amazing - utility sports bags, | 0:31:37 | 0:31:42 | |
something definitely very unique. | 0:31:42 | 0:31:44 | |
I love them. I hope she will. | 0:31:44 | 0:31:46 | |
The windsurf sail material was so tough | 0:31:48 | 0:31:51 | |
it almost got the better of Neil's sewing machines. | 0:31:51 | 0:31:55 | |
But not quite. | 0:31:55 | 0:31:56 | |
Not only has Neil whipped up two bright, bold and, dare I say, | 0:32:01 | 0:32:06 | |
eye-catching bags... | 0:32:06 | 0:32:08 | |
..he's invented a time machine to take us back to the '80s. | 0:32:09 | 0:32:13 | |
Embracing the intense colour scheme, | 0:32:14 | 0:32:17 | |
Neil has stitched contrasting panels together | 0:32:17 | 0:32:21 | |
to create a daring retro design. | 0:32:21 | 0:32:23 | |
An old harness that came with the sails has been repurposed | 0:32:26 | 0:32:30 | |
to make sturdy handles and Neil has also used up more of the material | 0:32:30 | 0:32:35 | |
to double-skin the bags, making them weatherproof. | 0:32:35 | 0:32:39 | |
They're certainly vibrant, but Neil was hoping for bang on trend. | 0:32:41 | 0:32:46 | |
I'll let you be the judge of that, Sarah. | 0:32:46 | 0:32:48 | |
-Hiya. -Hi. | 0:32:51 | 0:32:53 | |
Oh, my word. What have you been up to? | 0:32:53 | 0:32:55 | |
Put your sunglasses on. We've got an '80s cocktail of sports bags. | 0:32:55 | 0:33:00 | |
They are really, really cool. They don't look like | 0:33:00 | 0:33:02 | |
they were a windsurfer until you look at them properly. | 0:33:02 | 0:33:05 | |
I think they've got Neil written all over them. | 0:33:05 | 0:33:07 | |
They're really exciting. They are summery, enthusiastic. | 0:33:07 | 0:33:11 | |
-Oh! Fantastic. -You can see what's inside. | 0:33:11 | 0:33:14 | |
-Amazing. -You wouldn't normally put all those colours together | 0:33:14 | 0:33:17 | |
in one bag, would you? So they are quite different. | 0:33:17 | 0:33:20 | |
Different? I'll say! | 0:33:20 | 0:33:23 | |
Not only has Neil created bags that will stick out in any crowd, | 0:33:23 | 0:33:28 | |
but he's managed to stick to the £200 budget. | 0:33:28 | 0:33:33 | |
I am over the moon with those and I'll let you know where they go | 0:33:33 | 0:33:36 | |
because they're definitely going places. | 0:33:36 | 0:33:38 | |
-They're going places. -Thanks so much. Nice to see you. | 0:33:38 | 0:33:40 | |
-Bye-bye. -Bye. | 0:33:40 | 0:33:42 | |
It was slightly different. | 0:33:42 | 0:33:44 | |
I've never worked with sails before, actually. | 0:33:44 | 0:33:46 | |
So it was unusual, but actually quite enjoyable. | 0:33:46 | 0:33:49 | |
I take it all back. Did I say I was worried about his fashion sense? | 0:33:51 | 0:33:54 | |
Neil has created something fantastic here. | 0:33:54 | 0:33:56 | |
You're not going to lose these at a festival. | 0:33:56 | 0:33:58 | |
And selling them - well, that should just be plain sailing. | 0:33:58 | 0:34:02 | |
Oh, Sarah! | 0:34:02 | 0:34:03 | |
Languishing in Roger's garden shed for 15 years, | 0:34:08 | 0:34:12 | |
the windsurfing sails were destined for the skip until Sarah intervened. | 0:34:12 | 0:34:17 | |
Nobody uses them any more, so sadly this is where they're coming. | 0:34:17 | 0:34:20 | |
It took all of Neil's needlework nous | 0:34:25 | 0:34:28 | |
to turn this unlikely material into two sellable holdalls. | 0:34:28 | 0:34:33 | |
And through some internet magic, Sarah's found buyers for the bags. | 0:34:33 | 0:34:38 | |
Now, she's heading to Roger with the good news. | 0:34:39 | 0:34:43 | |
-Hello there. -Good morning. -How are you doing? -Very well. Lovely day. | 0:34:44 | 0:34:48 | |
So you've landed in your new spot? | 0:34:48 | 0:34:50 | |
Oh, yeah, we just can't believe where we are. It's magic. | 0:34:50 | 0:34:52 | |
It looks lovely, doesn't it? | 0:34:52 | 0:34:54 | |
I was so excited when I saw you at the tip with your windsurfer sails. | 0:34:54 | 0:34:58 | |
-What would you have done with them? -Well, you can make other things. | 0:34:58 | 0:35:01 | |
You can certainly get jackets made out of them, | 0:35:01 | 0:35:03 | |
and the other thing is people make carrier bags, | 0:35:03 | 0:35:06 | |
sort of put all your sailing kit in, and things like that. | 0:35:06 | 0:35:09 | |
Oh, well, kit bags, that's a great idea. That's the one we went with. | 0:35:09 | 0:35:12 | |
I work with a fantastic bag-maker called Neil and he says, | 0:35:12 | 0:35:14 | |
if he can get a needle through it, he will make something out of it | 0:35:14 | 0:35:18 | |
that becomes useful and practical again. | 0:35:18 | 0:35:20 | |
So I've got pictures here. Here is what your sails now look like. | 0:35:20 | 0:35:24 | |
Oh, I say, that's amazing. | 0:35:24 | 0:35:26 | |
-He made two... -Aren't they brilliant? | 0:35:26 | 0:35:29 | |
..huge sail bags out of your windsurf sails. | 0:35:29 | 0:35:34 | |
I'm so impressed. | 0:35:34 | 0:35:35 | |
He's put in practical, big, chunky zips, he's used recycled straps, | 0:35:35 | 0:35:40 | |
and he has used every part of them that he could. | 0:35:40 | 0:35:42 | |
He's got little windows made out of the windows of the windsurfer, | 0:35:42 | 0:35:45 | |
and they have got a whole new lease of life. | 0:35:45 | 0:35:48 | |
-Oh, superb. -Do you like them? -That's so brilliant. | 0:35:48 | 0:35:50 | |
-Yeah. -People just love them. | 0:35:50 | 0:35:52 | |
They sold instantly. And there's a profit of £125 here | 0:35:52 | 0:35:56 | |
-for your old sails. -Good grief! | 0:35:56 | 0:35:58 | |
Thank you so much. | 0:35:58 | 0:36:00 | |
So, do you have a thought about where that money might go? | 0:36:00 | 0:36:03 | |
I know exactly where it's going. I've got a duathlon that I'm doing | 0:36:03 | 0:36:06 | |
on Sunday and this is going for Cancer Research. | 0:36:06 | 0:36:09 | |
-Well... -That's where it's going. Thank you so much. | 0:36:09 | 0:36:12 | |
I'm so pleased to hear that. | 0:36:12 | 0:36:14 | |
Lots of luck in the duathlon and thank you, | 0:36:14 | 0:36:15 | |
these have brought joy to everyone who's looked at them, | 0:36:15 | 0:36:18 | |
-and a great cause for that. Good luck. -Thank you so much. | 0:36:18 | 0:36:21 | |
-Great to catch up. -Brilliant. -Bye-bye. -Bye. | 0:36:21 | 0:36:23 | |
Well, I'm really pleased that Roger liked those bags as much as I did. | 0:36:24 | 0:36:28 | |
I mean, how couldn't he? | 0:36:28 | 0:36:29 | |
They've set sail and they're going on a new journey. | 0:36:29 | 0:36:32 | |
Neil made the holdalls for £200 | 0:36:32 | 0:36:35 | |
and they sold for £325, | 0:36:35 | 0:36:39 | |
leaving Roger a profit of £125 | 0:36:39 | 0:36:42 | |
to donate to charity. | 0:36:42 | 0:36:44 | |
With a tidy profit for the windsurf sails in the bag, | 0:36:48 | 0:36:52 | |
Sarah's in East Sussex to see if Norman's conquered the desk. | 0:36:52 | 0:36:56 | |
Admittedly I dropped off a desk to Norman that lacked character. | 0:36:58 | 0:37:02 | |
In fact, it lacked everything. | 0:37:02 | 0:37:03 | |
I threw him in at the deep end and now I'm here to see if he can swim. | 0:37:03 | 0:37:07 | |
No sign of armbands. | 0:37:08 | 0:37:10 | |
Looks like Norman is still afloat. | 0:37:10 | 0:37:13 | |
We're working with a different material than we normally do, | 0:37:14 | 0:37:17 | |
so, yeah, we learn along the way. | 0:37:17 | 0:37:19 | |
But, yeah, it went together in the end quite well. | 0:37:19 | 0:37:22 | |
Sarah brought Norman a dated and uninspiring desk | 0:37:24 | 0:37:29 | |
with zero style and precious little potential. | 0:37:29 | 0:37:32 | |
But what will she be taking away? | 0:37:34 | 0:37:36 | |
Norman has been busy with not one, but two pieces of furniture. | 0:37:49 | 0:37:55 | |
He's built a sleek birch plywood desk | 0:37:55 | 0:37:58 | |
based around the three old drawers. | 0:37:58 | 0:38:01 | |
The original handles have been replaced with birch ply | 0:38:01 | 0:38:05 | |
and Norman's muted colour scheme | 0:38:05 | 0:38:07 | |
emphasises the contemporary feel of the piece. | 0:38:07 | 0:38:10 | |
And since he couldn't decide what to do with the legs, | 0:38:13 | 0:38:16 | |
Norman crafted a little companion piece. | 0:38:16 | 0:38:18 | |
The rectangular table top is an ideal home for the old desk legs | 0:38:20 | 0:38:25 | |
and makes a perfect coffee table. | 0:38:25 | 0:38:27 | |
But what will Sarah think? | 0:38:30 | 0:38:32 | |
-Norman. -Hello, you. | 0:38:32 | 0:38:34 | |
They're your two bits. | 0:38:37 | 0:38:39 | |
-No way. -Yeah. | 0:38:39 | 0:38:40 | |
-No way. -We've gone... | 0:38:40 | 0:38:42 | |
We've gone slightly different than we normally do. A bit modern. | 0:38:42 | 0:38:46 | |
Oh, Norman, who knew you had that in you? | 0:38:46 | 0:38:48 | |
Look how cool and crisp it is. | 0:38:48 | 0:38:50 | |
I can't believe it. In my head, that desk was deeply unattractive | 0:38:50 | 0:38:54 | |
and I can't see a shred of it left. | 0:38:54 | 0:38:56 | |
So, you've used the drawers and the legs. | 0:38:56 | 0:38:58 | |
We've used the drawers and legs and the rest we threw away. | 0:38:58 | 0:39:01 | |
-It's really cool. I love it. -Fantastic. | 0:39:01 | 0:39:03 | |
I'm glad you liked it. That makes it all worthwhile. | 0:39:03 | 0:39:06 | |
It doesn't look like any of the usual stuff that I expect to see | 0:39:06 | 0:39:10 | |
coming out of your workshop. It's really modern, on trend, edgy. | 0:39:10 | 0:39:14 | |
Edgy? Fantastic. | 0:39:14 | 0:39:15 | |
So, re-use of drawers, re-use of legs, | 0:39:15 | 0:39:19 | |
a couple of fine pieces of furniture, | 0:39:19 | 0:39:21 | |
and budget-wise, 395 for those two? | 0:39:21 | 0:39:25 | |
Er, no. We're going to be under budget on this one. | 0:39:25 | 0:39:28 | |
We're going to do you the two for 350. | 0:39:28 | 0:39:31 | |
OK? As they say, happy days. | 0:39:31 | 0:39:33 | |
Sarah's got herself a two-for-one bargain | 0:39:34 | 0:39:37 | |
of cutting-edge contemporary furniture, | 0:39:37 | 0:39:40 | |
and with less work than anticipated, | 0:39:40 | 0:39:43 | |
Norman's managed to squeeze this job in under budget. | 0:39:43 | 0:39:47 | |
-Blown me away, really. -Fantastic. That's what I like to see. | 0:39:47 | 0:39:49 | |
Well, you need to blow yourself out of the door now. | 0:39:49 | 0:39:51 | |
-Right, get it packed up. -I will. | 0:39:51 | 0:39:53 | |
-I'll tell you when I've sold it. -See you later. -Bye. -Bye-bye. | 0:39:53 | 0:39:56 | |
I think Sarah's happy, you know? | 0:39:58 | 0:40:00 | |
Different direction for us, bit of modern. | 0:40:00 | 0:40:02 | |
Really enjoyed doing it, working with a different material. | 0:40:02 | 0:40:05 | |
So, it's down to Sarah now to sell it. | 0:40:05 | 0:40:07 | |
So, I think, you know, happy days, we've done it. | 0:40:07 | 0:40:10 | |
Sink or swim? Course he can swim. | 0:40:11 | 0:40:13 | |
That's a masterstroke from Norman. beautiful pieces of furniture | 0:40:13 | 0:40:17 | |
using all of the good bits of that tired old desk. | 0:40:17 | 0:40:20 | |
Destined to be broken up and reprocessed, | 0:40:23 | 0:40:26 | |
Kate's old desk earned a reprieve when Sarah stepped in. | 0:40:26 | 0:40:30 | |
What are you throwing away? | 0:40:30 | 0:40:32 | |
It's an old desk that I think | 0:40:32 | 0:40:34 | |
could be quite easily recycled in some way. | 0:40:34 | 0:40:37 | |
Kate was hopeful it could be turned into something useful. | 0:40:38 | 0:40:42 | |
It would make a great computer desk, actually. | 0:40:42 | 0:40:44 | |
Good guess, Kate. | 0:40:44 | 0:40:46 | |
But in the hands of master craftsman Norman... | 0:40:46 | 0:40:49 | |
..the dark and old-fashioned desk was replaced | 0:40:51 | 0:40:55 | |
by two highly desirable pieces of furniture. | 0:40:55 | 0:40:58 | |
And Sarah managed to sell them to a furniture shop in Swindon | 0:40:59 | 0:41:03 | |
owned by brothers Will and Tom. | 0:41:03 | 0:41:06 | |
Our customers love this sort of, | 0:41:06 | 0:41:08 | |
you know, quirky, handmade, one-off pieces. | 0:41:08 | 0:41:11 | |
It's only been in the shop for about an hour, | 0:41:11 | 0:41:13 | |
we've already had a few people looking at it and wanting to get it, | 0:41:13 | 0:41:16 | |
so I'm sure it will sell quickly. | 0:41:16 | 0:41:18 | |
Sarah is in Surrey to show Kate what's happened to her old desk. | 0:41:19 | 0:41:24 | |
-Hello there. -Hello. How are you? -I'm fine, thank you. | 0:41:26 | 0:41:29 | |
Now, I'm seeing over your shoulder | 0:41:29 | 0:41:31 | |
-a beautifully upcycled chest of drawers. Was that you? -That was me. | 0:41:31 | 0:41:35 | |
But you hadn't had a go at the desk? | 0:41:35 | 0:41:36 | |
No, I honestly didn't know what to do with it. | 0:41:36 | 0:41:39 | |
-It was quite a tricky desk to re-purpose. -Yeah. | 0:41:39 | 0:41:42 | |
I'm really lucky because I work with some people | 0:41:42 | 0:41:44 | |
who are never short of ideas | 0:41:44 | 0:41:46 | |
and it actually went to East Sussex and a chap called Norman. | 0:41:46 | 0:41:50 | |
And he took one look at it and said, "There's things I can do with it, | 0:41:50 | 0:41:53 | |
"I'm not going to use all of it, but I'm going to make the most of it." | 0:41:53 | 0:41:56 | |
So I'm not sure you'll even recognise this, | 0:41:56 | 0:41:59 | |
-but your desk now looks like this. -Oh, wow! | 0:41:59 | 0:42:02 | |
So, what he did was use all the drawers out of it | 0:42:02 | 0:42:05 | |
and use the legs to make a new desk and a table. | 0:42:05 | 0:42:10 | |
So that's what it looks like. | 0:42:10 | 0:42:11 | |
Nothing like the original. | 0:42:11 | 0:42:13 | |
Nothing at all like the original. | 0:42:13 | 0:42:16 | |
So it has sold and I've got £40 profit here for you. | 0:42:16 | 0:42:19 | |
-Oh, brilliant. -So, there you go. -Thank you very much. | 0:42:19 | 0:42:22 | |
So, what might you do with that? | 0:42:22 | 0:42:23 | |
Upcycling materials, or something else? | 0:42:23 | 0:42:25 | |
No, I think I'll probably take my friend out for lunch. | 0:42:25 | 0:42:29 | |
Fantastic. Well, I'll let Norman know he's taking you out for lunch. | 0:42:29 | 0:42:32 | |
-You have a lovely time. -Say thank you. -I will, I will. | 0:42:32 | 0:42:34 | |
-Great, nice to see you. -Thank you very much. Lovely to see you again. | 0:42:34 | 0:42:38 | |
-Have a lovely lunch. Bye-bye. -Thanks a lot. Bye. | 0:42:38 | 0:42:41 | |
Well, I think Kate's keen on the transformation | 0:42:44 | 0:42:46 | |
and Norman has certainly delivered one there. | 0:42:46 | 0:42:49 | |
It cost £350 to transform the old desk, | 0:42:49 | 0:42:53 | |
and with a sale of £390, | 0:42:53 | 0:42:56 | |
Kate is left with a £40 profit. | 0:42:56 | 0:42:59 | |
The '60s heat lamp is now a bang up-to-date desk light. | 0:43:03 | 0:43:08 | |
The windsurf sails became two on-trend holdalls, | 0:43:08 | 0:43:12 | |
and the dark wood desk | 0:43:12 | 0:43:13 | |
was transformed into cutting-edge furniture. | 0:43:13 | 0:43:16 | |
Well, it takes a lot of hard work to make tip finds fantastic again | 0:43:18 | 0:43:21 | |
but Neil and Norman certainly managed it. | 0:43:21 | 0:43:23 | |
That's three items they've saved from landfill | 0:43:23 | 0:43:26 | |
that now have a beautiful bright future. | 0:43:26 | 0:43:28 |