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It's like waiting for the ships to come in, isn't it? | 0:00:03 | 0:00:06 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
Are you throwing this away as well? | 0:00:09 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:15 | |
thrown out by us every year. | 0:00:15 | 0:00:18 | |
This is nice, though, isn't it? | 0:00:18 | 0:00:19 | |
That's why reclamation expert Jay Blades wants to get his hands | 0:00:20 | 0:00:25 | |
on things before they hit the skip. | 0:00:25 | 0:00:27 | |
I've been a builder, I've been a philosophy student, | 0:00:29 | 0:00:32 | |
and now I'm a furniture restorer, | 0:00:32 | 0:00:34 | |
so I know more than most about transformation. | 0:00:34 | 0:00:36 | |
I revamp the old into the new and then sell it on for a profit. | 0:00:36 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
-They do need a little bit of fixing. -Yeah. -A little bit of love. | 0:00:45 | 0:00:48 | |
..he can transform his finds into desirable... | 0:00:48 | 0:00:52 | |
Wow. This is amazing. | 0:00:52 | 0:00:54 | |
-..valuable... -That's unbelievable. | 0:00:54 | 0:00:57 | |
That's your door. | 0:00:57 | 0:00:58 | |
..and hopefully saleable items. | 0:00:58 | 0:01:01 | |
You've done a brilliant job, mate. Brilliant job. | 0:01:01 | 0:01:04 | |
If Jay is successful, then he can hand the profits back to the very | 0:01:04 | 0:01:08 | |
people who had no idea there was cash to be made from their trash. | 0:01:08 | 0:01:12 | |
I wasn't expecting that. | 0:01:12 | 0:01:14 | |
-No. -Dear me! | 0:01:14 | 0:01:15 | |
Welcome to Walsall Recycling Centre, | 0:01:26 | 0:01:30 | |
a lively scene of hustling and bustling, | 0:01:30 | 0:01:34 | |
where Jay is on a mission... | 0:01:34 | 0:01:35 | |
HE LAUGHS | 0:01:35 | 0:01:37 | |
..to turn your trash... | 0:01:37 | 0:01:39 | |
..into hard cash. | 0:01:40 | 0:01:42 | |
Now, look at this. It's super busy. | 0:01:42 | 0:01:44 | |
I don't know why I'm talking to you guys. | 0:01:44 | 0:01:45 | |
I need to get out there and find some gems. | 0:01:45 | 0:01:48 | |
But before you make a beeline for your local tip, take note - | 0:01:48 | 0:01:53 | |
Jay's been given special permission... | 0:01:53 | 0:01:55 | |
Oh, anything, any junk. | 0:01:55 | 0:01:57 | |
-..to seek out three items... -Oh! | 0:01:57 | 0:01:59 | |
..that he can reclaim, revitalise and sell on for a profit. | 0:02:00 | 0:02:04 | |
What are you throwing away? | 0:02:05 | 0:02:07 | |
First to catch Jay's attention is David, | 0:02:07 | 0:02:09 | |
with a piece of furniture on its last bobbin legs. | 0:02:09 | 0:02:14 | |
That looks nice. | 0:02:14 | 0:02:15 | |
-Hello. Oh, let me give you a hand. -Oh, cheers. Thanks. -All right. | 0:02:17 | 0:02:20 | |
-Thanks very much. -How are you doing? | 0:02:21 | 0:02:23 | |
-I'm Jay. -Hi, Jay. How are you doing? -All right? -Yeah, good. | 0:02:23 | 0:02:26 | |
So, obviously, you're throwing this away. | 0:02:26 | 0:02:28 | |
-Correct, yeah. -And why? | 0:02:28 | 0:02:29 | |
Mum's moving with us to Somerset, | 0:02:29 | 0:02:31 | |
so we decided to get rid of all the stuff in the house. | 0:02:31 | 0:02:34 | |
That's about 50 years old, so... | 0:02:34 | 0:02:36 | |
So you remember this as a child, then? | 0:02:36 | 0:02:38 | |
50 years ago, I guess, yeah. | 0:02:38 | 0:02:40 | |
All right. | 0:02:40 | 0:02:41 | |
There's just only a certain amount of stuff we can keep, you see. | 0:02:41 | 0:02:43 | |
-So mum doesn't mind you throwing it away? -No, not at all, no. | 0:02:43 | 0:02:46 | |
It's been stuck in the garage at the back for years, | 0:02:46 | 0:02:48 | |
but good craftsmanship, in those days, by the looks of it. | 0:02:48 | 0:02:51 | |
No, it was. And look, it's still solid. | 0:02:51 | 0:02:52 | |
Obviously you've got that split in there, and that split. | 0:02:52 | 0:02:55 | |
-Yeah. -But that's not a problem at all, actually. | 0:02:55 | 0:02:58 | |
I do like it a lot. Would you mind if I was to take this? | 0:02:58 | 0:03:00 | |
No, please help yourself. | 0:03:00 | 0:03:02 | |
-And I'll keep you posted on what I've done with it. -Yeah. | 0:03:02 | 0:03:04 | |
-It is that all right? -Yeah, that would be great. -Thank you. | 0:03:04 | 0:03:06 | |
-You're welcome. -Diamond! | 0:03:06 | 0:03:08 | |
A jewel of a find indeed, Jay. | 0:03:08 | 0:03:10 | |
So, David, any thoughts on what the future may hold for your mum's table? | 0:03:10 | 0:03:15 | |
A bit of modern chic. What do they call it these days? | 0:03:15 | 0:03:17 | |
Distressed chic or something? I don't know. I'm sure he'll do a good job. | 0:03:17 | 0:03:20 | |
Well, thank you for your vote of confidence, | 0:03:20 | 0:03:22 | |
but here's hoping it won't be too distressed. | 0:03:22 | 0:03:25 | |
Now, it's not every day you come across an oak table. | 0:03:25 | 0:03:28 | |
Now, this table is lovely. | 0:03:28 | 0:03:30 | |
The features on it are to die for, but it's got a naughty crack right | 0:03:30 | 0:03:34 | |
down the middle there and also on one of the drop-leafs, | 0:03:34 | 0:03:37 | |
but I'm a great believer in bringing things back to life, | 0:03:37 | 0:03:40 | |
and I think I know someone who can help me out on this one. | 0:03:40 | 0:03:43 | |
And that someone that Jay's invited to the table... | 0:03:43 | 0:03:47 | |
..Daniel Heath, the Renaissance man of rubbish. | 0:03:49 | 0:03:52 | |
Daniel's passion is to take unused materials and make them sing. | 0:03:54 | 0:04:00 | |
There's a point in the creative process where you kind of have this | 0:04:00 | 0:04:03 | |
eureka moment. | 0:04:03 | 0:04:04 | |
It's a painful process of trying to extract an idea and put | 0:04:04 | 0:04:09 | |
it into some visual that works. | 0:04:09 | 0:04:11 | |
I like to think that the limits are only temporary for what we can do, | 0:04:14 | 0:04:18 | |
and I get really excited by new opportunities that I haven't really | 0:04:18 | 0:04:22 | |
even thought of until they come along. | 0:04:22 | 0:04:24 | |
Well, Daniel, if ever there was a table crying out for a new lease of | 0:04:25 | 0:04:30 | |
life, it's this one. | 0:04:30 | 0:04:31 | |
With one item safely tucked away, | 0:04:37 | 0:04:40 | |
Jay's back on the lookout for enterprise number two... | 0:04:40 | 0:04:43 | |
..and he's feeling pretty lucky today. | 0:04:46 | 0:04:49 | |
I've just found a tub of money. | 0:04:49 | 0:04:50 | |
That's a bit too easy, isn't it? | 0:04:50 | 0:04:52 | |
All right, let's go and find some real items. | 0:04:52 | 0:04:54 | |
Good idea. Perhaps David can deliver with his trunk full of junk. | 0:04:54 | 0:04:59 | |
-How are we doing, mate? -Yeah. Not bad, not bad. -All right? -Yeah. | 0:05:00 | 0:05:03 | |
Do you have the seats to go with them? | 0:05:03 | 0:05:05 | |
I do. But these weigh an absolute tonne, these. | 0:05:05 | 0:05:07 | |
They're soaked to the skin. Yeah, yeah, yeah. | 0:05:07 | 0:05:09 | |
-Oh, wow. -Where have they been? -Outside? | 0:05:09 | 0:05:11 | |
They've been in the garden for all summer, really. | 0:05:11 | 0:05:14 | |
Well, let me have a look at those chairs. | 0:05:14 | 0:05:16 | |
Yeah, yeah. Have a look at them. | 0:05:16 | 0:05:18 | |
-Yeah, there's a... -Oh, yeah. | 0:05:18 | 0:05:20 | |
There used to be four but the other two broke. | 0:05:20 | 0:05:22 | |
-These... -The other two are broken? | 0:05:22 | 0:05:24 | |
Yeah, I chucked them away a long time ago, yeah. | 0:05:24 | 0:05:26 | |
What? You like the look of them, then, do you? | 0:05:26 | 0:05:28 | |
I do like the look of them. | 0:05:28 | 0:05:29 | |
You can tell that they've been outside because that's starting to lift. | 0:05:29 | 0:05:32 | |
-Oh, yeah. -That's just basically where the glue is. | 0:05:32 | 0:05:34 | |
-Expanding, aren't they? -Yeah, expanding. But they're still solid. | 0:05:34 | 0:05:37 | |
-Yeah. -So that's... It's brilliant. The varnish has come off. | 0:05:37 | 0:05:39 | |
Yeah, well, I did try and break them up before I came out and I couldn't | 0:05:39 | 0:05:42 | |
-break them, so... -Well, that's a good sign, you couldn't break them. | 0:05:42 | 0:05:45 | |
That's a really good sign. How long have you had these chairs, then? | 0:05:45 | 0:05:48 | |
They haven't always been outside, have they? | 0:05:48 | 0:05:50 | |
Oh, God, no, they were in the house for many years. | 0:05:50 | 0:05:52 | |
Oh, I've had them 20, 30 years, something like that. | 0:05:52 | 0:05:54 | |
In fact, these came with my second wife. | 0:05:54 | 0:05:56 | |
She doesn't mind getting rid of these? | 0:05:56 | 0:05:58 | |
-She helped me load them, actually. -She helped you load them? | 0:05:58 | 0:06:00 | |
-Yeah. -It's all right to take these? -Absolutely, yeah. | 0:06:00 | 0:06:02 | |
I'll stay in contact with you and let you know what I've done. | 0:06:02 | 0:06:05 | |
-That'd be great. -Is that all right? -Yeah, it'll be interesting, yeah. | 0:06:05 | 0:06:08 | |
-Sorry about the wet hand. -That's all right. Not a problem. -All right. | 0:06:08 | 0:06:11 | |
-You're welcome. -I'll be back for those seats as well. -OK. | 0:06:11 | 0:06:13 | |
-I'll get those out for you. -Cheers. | 0:06:13 | 0:06:15 | |
Thank you, kind sir. | 0:06:15 | 0:06:16 | |
But what do you think he'll do with them? | 0:06:16 | 0:06:18 | |
I'd like to see them back and functioning, to be honest. | 0:06:19 | 0:06:22 | |
We only got rid of them because they didn't fit any more, you know, | 0:06:22 | 0:06:25 | |
we had a new table, so, erm, yeah, | 0:06:25 | 0:06:26 | |
I'd like to think somebody can sit on them in the future, yeah. | 0:06:26 | 0:06:30 | |
So four would've been a lot better, but two is better than none at all. | 0:06:30 | 0:06:34 | |
I think, in the right hands, these are going to look amazing. | 0:06:34 | 0:06:37 | |
And Jay has four hands in mind that could be perfect. | 0:06:37 | 0:06:42 | |
It can only be Katy and Richard. | 0:06:42 | 0:06:44 | |
Husband-and-wife team Katy and Richard not only have love for one | 0:06:45 | 0:06:50 | |
another, but also for creative reclamation, | 0:06:50 | 0:06:53 | |
and they're sharing it with the world. | 0:06:53 | 0:06:56 | |
Their passion is to take unused and unloved items and make them sing. | 0:06:58 | 0:07:03 | |
I do have a tendency to go quite crazy and maybe a little bit crazier | 0:07:07 | 0:07:12 | |
than you. Would that be fair to say? | 0:07:12 | 0:07:14 | |
And you can... You're good at reining me in. | 0:07:14 | 0:07:16 | |
Our skills are sort of complementary, I think, as well. | 0:07:16 | 0:07:19 | |
-Yeah. -Rather than overlap, so... | 0:07:19 | 0:07:20 | |
-Yeah. -We don't tread on each other's toes. | 0:07:20 | 0:07:22 | |
It's very egalitarian, as long as he does what I tell him to do, I think. | 0:07:22 | 0:07:26 | |
-Yeah. -It's all right, isn't it? | 0:07:26 | 0:07:27 | |
-Works well, yeah. -She's in charge. | 0:07:27 | 0:07:29 | |
Well, someone will need to be for this challenge. | 0:07:31 | 0:07:34 | |
That's two items gathered, | 0:07:42 | 0:07:44 | |
tagged and loaded onto the Money For Nothing wagon. | 0:07:44 | 0:07:47 | |
Now it's time for Jay to chase down his own pound-making project... | 0:07:50 | 0:07:54 | |
-I did it all by myself. -..and he's making himself useful along the way. | 0:07:55 | 0:08:00 | |
Good man, Jay. | 0:08:00 | 0:08:01 | |
-There we go. -Shall we lift it high and dry? -All right. | 0:08:01 | 0:08:04 | |
One good deed deserves another. | 0:08:04 | 0:08:07 | |
Could Lee's boot full of junk be music to Jay's ears? | 0:08:07 | 0:08:10 | |
-No way. How are we doing, mate? -Yeah, OK. | 0:08:12 | 0:08:14 | |
Yeah, don't tell me you're throwing these away. | 0:08:14 | 0:08:16 | |
-Yeah, I'm throwing these away. -Why? | 0:08:16 | 0:08:18 | |
It's been in the shed for too long now, so I'm just going to get rid. | 0:08:18 | 0:08:21 | |
These are nice, solid items, these are. | 0:08:21 | 0:08:23 | |
Did you used to be a DJ or something? | 0:08:23 | 0:08:24 | |
-Yeah. -About nine years ago, and I just stopped. | 0:08:24 | 0:08:27 | |
What's in this one? Are you throwing that away as well? | 0:08:27 | 0:08:29 | |
Yeah, I'm throwing that away. It's empty. | 0:08:29 | 0:08:31 | |
-It's just a flight case. -Flight case? | 0:08:31 | 0:08:33 | |
-Yeah. -So what used to be in there, then? | 0:08:33 | 0:08:35 | |
Turntables, mixer, all sorts. | 0:08:36 | 0:08:39 | |
Ah. So this is redundant? | 0:08:39 | 0:08:40 | |
Cor blimey, they're heavy, aren't they? | 0:08:40 | 0:08:43 | |
So what music did you used to play, then? | 0:08:43 | 0:08:45 | |
A bit of funky house, a bit of garage, a bit of everything, really. | 0:08:45 | 0:08:48 | |
-You must miss it, though, eh? -I miss it. It's having the time... | 0:08:48 | 0:08:50 | |
-Yeah. -You grow up. | 0:08:50 | 0:08:52 | |
-You grow up? -Work, yeah. Job. -Why are they so heavy? | 0:08:52 | 0:08:55 | |
Is it cos of the speaker that's inside it? | 0:08:55 | 0:08:57 | |
The massive magnet in there, anyway, so... | 0:08:57 | 0:08:59 | |
Oh, there's a magnet in there? Oh, right. OK. | 0:08:59 | 0:09:02 | |
So if it's all right with you, can I take them, yeah? | 0:09:02 | 0:09:06 | |
-Yeah. Yeah, that's fine. -Are you sure? | 0:09:06 | 0:09:08 | |
It's going in there anyway, so yeah. | 0:09:08 | 0:09:10 | |
All right. Well, I'll probably be able to turn these into something, | 0:09:10 | 0:09:12 | |
and then I'll stay in contact with you and let you know what | 0:09:12 | 0:09:15 | |
-I've done, yeah? -Yeah. That's fine. | 0:09:15 | 0:09:16 | |
Good on you, man. Now you've got to give me a hand with these, | 0:09:16 | 0:09:19 | |
cos these are too heavy, man. Blimey. | 0:09:19 | 0:09:22 | |
A little less complaining, please, Jay. | 0:09:22 | 0:09:25 | |
A great find, though. | 0:09:25 | 0:09:26 | |
What do you think's in store for them, Lee? | 0:09:26 | 0:09:28 | |
It'll be interesting to see what you can do with it. | 0:09:28 | 0:09:30 | |
I can't see what you can do with it, but it'll be interesting. | 0:09:30 | 0:09:33 | |
So these are so cool. | 0:09:36 | 0:09:38 | |
What we've got is a massive long flight case and two industrial speakers. | 0:09:38 | 0:09:43 | |
Now, they are heavy, just take my word for that, | 0:09:43 | 0:09:45 | |
but I'm really excited about these ones. | 0:09:45 | 0:09:47 | |
I think I can turn this into something amazing. | 0:09:47 | 0:09:49 | |
That makes it three items banked. | 0:09:51 | 0:09:54 | |
Daniel will take on the table... | 0:09:54 | 0:09:56 | |
..Katy and Richard have the chairs to transform... | 0:09:57 | 0:10:00 | |
..and Jay will work his magic on the old DJ kit. | 0:10:01 | 0:10:06 | |
Now, that's it - done and dusted. | 0:10:06 | 0:10:07 | |
Got three good items in the bag. | 0:10:07 | 0:10:09 | |
Let the games begin. | 0:10:09 | 0:10:11 | |
Stratford, east London. | 0:10:18 | 0:10:19 | |
This area has seen extensive transformation in recent years, | 0:10:21 | 0:10:26 | |
which makes it the perfect spot for Daniel's workshop. | 0:10:26 | 0:10:30 | |
Hopefully he's going to like it, even though it's falling apart. | 0:10:31 | 0:10:34 | |
But it's a heavy lump, so I need him to give me a hand. | 0:10:34 | 0:10:36 | |
There we are. | 0:10:39 | 0:10:41 | |
So, erm... | 0:10:42 | 0:10:44 | |
-It's all right, isn't it? -It's all right. | 0:10:44 | 0:10:46 | |
-It will be. -It will be, yeah. | 0:10:46 | 0:10:48 | |
-Erm... -Let's get it in, on the bench. | 0:10:48 | 0:10:49 | |
-Yeah. Let's have a proper look at it inside. -All right. | 0:10:49 | 0:10:53 | |
All righty. | 0:10:58 | 0:11:00 | |
-OK. -You could do something with this? | 0:11:00 | 0:11:02 | |
Yeah. Just... | 0:11:02 | 0:11:04 | |
Well, we managed to get it in here without it falling to pieces. | 0:11:04 | 0:11:07 | |
-Yeah, anything more... -So, that's encouraging. | 0:11:07 | 0:11:09 | |
Well, this side looks like it's going to fall apart at any time. | 0:11:09 | 0:11:12 | |
Yeah. Yeah, yeah, yeah. | 0:11:12 | 0:11:14 | |
So it's the individual bits of timber that are just separating from | 0:11:14 | 0:11:18 | |
-each other, aren't they? -Yeah, that's all it is, really. | 0:11:18 | 0:11:21 | |
And they're not split. They're good bits of wood. | 0:11:21 | 0:11:24 | |
The idea that I was thinking of is just having one of your lovely | 0:11:24 | 0:11:27 | |
-prints on top... -Right. -So you cover that... | 0:11:27 | 0:11:29 | |
Cos when it is all glued together, | 0:11:29 | 0:11:31 | |
you've got kind of like this beautiful oval shape... | 0:11:31 | 0:11:34 | |
-Yeah. -..which will be quite nice, I think. | 0:11:34 | 0:11:36 | |
-It's a nice... -Look at that. | 0:11:36 | 0:11:37 | |
That's a big shape, isn't it? | 0:11:37 | 0:11:39 | |
Yeah, it's a nice surface area, for sure. | 0:11:39 | 0:11:42 | |
Lovely. Yeah, OK. | 0:11:42 | 0:11:44 | |
But you've got to do the work. | 0:11:45 | 0:11:46 | |
And then you've got to kind of fix it as well. | 0:11:46 | 0:11:49 | |
Yeah. I... What... | 0:11:49 | 0:11:51 | |
I think I should probably think of them as two separate activities. | 0:11:51 | 0:11:55 | |
-Right. -Sort it out first... | 0:11:55 | 0:11:56 | |
-Yeah. -..and then add something to it. | 0:11:56 | 0:11:59 | |
-Yeah. -Yeah, there's loads of... | 0:11:59 | 0:12:01 | |
-You've done well, cos there's... -Oh, you like it? -Yeah. | 0:12:01 | 0:12:03 | |
-Oh, cool. -There's flat surface area. | 0:12:03 | 0:12:06 | |
-Yeah, yeah, there is... -And that's... | 0:12:06 | 0:12:08 | |
And there's lots of it, as well. | 0:12:08 | 0:12:09 | |
Yeah. Yeah, yeah, yeah. | 0:12:09 | 0:12:11 | |
Excellent. Daniel likes the table, but will Jay like the budget? | 0:12:11 | 0:12:16 | |
If I can have 400, then I know that I can do the work on it properly... | 0:12:16 | 0:12:21 | |
-Yeah. -..and get it really, really beautifully put back together... | 0:12:21 | 0:12:26 | |
-Yeah. -Then with a real signature print on the top. | 0:12:26 | 0:12:30 | |
And do something special with the underneath as well. | 0:12:30 | 0:12:32 | |
So, basically, what you're saying to me is you're going to fix it, | 0:12:32 | 0:12:35 | |
you're going to make it look cool... | 0:12:35 | 0:12:37 | |
-Yeah. -..and you're going to make my job selling it easier. | 0:12:37 | 0:12:41 | |
For £400? | 0:12:41 | 0:12:43 | |
Yeah. I think so. | 0:12:43 | 0:12:44 | |
Stick it there, mate. I'm going to get in there quick. | 0:12:44 | 0:12:46 | |
Absolutely, Jay. | 0:12:46 | 0:12:47 | |
You know a good deal when you hear one. | 0:12:47 | 0:12:50 | |
Jay has left me quite a good project, I think, | 0:12:50 | 0:12:53 | |
because it's made of really good material, | 0:12:53 | 0:12:55 | |
but I'm yet to discover to what extent, you know, | 0:12:55 | 0:12:58 | |
it's wonky and it's falling to pieces, basically. | 0:12:58 | 0:13:02 | |
Now, Daniel seemed really pleased to take on that old, rickety table. | 0:13:02 | 0:13:06 | |
Now, for £400, he's going to turn it into something amazing. | 0:13:06 | 0:13:09 | |
I just can't wait to see the results. | 0:13:09 | 0:13:11 | |
Daniel has agreed a budget of £400 to transform the table. | 0:13:12 | 0:13:17 | |
Jay is leaving him to decide on the vital print design which could make | 0:13:17 | 0:13:22 | |
or break this project. | 0:13:22 | 0:13:23 | |
The charming county of Monmouthshire in south Wales... | 0:13:32 | 0:13:36 | |
..the ideal setting for husband-and-wife team | 0:13:39 | 0:13:43 | |
Richard and Katy to lose themselves in the art of reclamation. | 0:13:43 | 0:13:48 | |
I'd really like for him to just bring something that's just totally | 0:13:48 | 0:13:52 | |
overlooked, really dilapidated and a bit sad, | 0:13:52 | 0:13:55 | |
and just needs a bit of love. | 0:13:55 | 0:13:56 | |
Yeah, something that's a bit sad and lonely, lived a long life, | 0:13:56 | 0:13:59 | |
but is now on its way down, and we can give it a lift, rejuvenate it. | 0:13:59 | 0:14:03 | |
Forget about the chairs, I'll be right over. | 0:14:04 | 0:14:07 | |
I'm in sunny old south Wales, and I've come to see Katy and Richard, | 0:14:08 | 0:14:12 | |
and I've brought them along these lovely teak chairs. | 0:14:12 | 0:14:15 | |
Now, they need a bit of fixing. | 0:14:15 | 0:14:16 | |
I'm sure they can handle that. | 0:14:16 | 0:14:18 | |
Let's go and see them. | 0:14:18 | 0:14:19 | |
-How are we doing? -Hello. All right? | 0:14:21 | 0:14:23 | |
-You all right? -How are you doing? -Hi. | 0:14:23 | 0:14:25 | |
-Oh. -Wow, look at these. -I've got something for you. | 0:14:25 | 0:14:27 | |
-OK. -Excellent. -Do you want to grab one? -Exciting. -Cool? | 0:14:27 | 0:14:29 | |
-Cool. -Let's have a look. | 0:14:29 | 0:14:31 | |
-Nice. -How are you doing? | 0:14:32 | 0:14:33 | |
-All right. Hey, Jay. How are you doing? -I'm very good, actually. | 0:14:33 | 0:14:36 | |
-Good. -That one goes up there. | 0:14:36 | 0:14:38 | |
-How are you doing, mate? -Yeah, very well. Good to see you. | 0:14:38 | 0:14:41 | |
-Interesting. -They are interesting. | 0:14:41 | 0:14:43 | |
-Yeah. -And I thought they'd be right up your street, to tell the truth. | 0:14:43 | 0:14:46 | |
-Yeah, yeah. -They do need a little bit of fixing. | 0:14:46 | 0:14:48 | |
-Yeah. -A little bit of love. -Yeah, just a little bit, then. | 0:14:48 | 0:14:50 | |
Well, cosmetically they look a bit tired. | 0:14:50 | 0:14:53 | |
-Yeah. -They are a bit tired. -But there's still the form of a chair, | 0:14:53 | 0:14:55 | |
-which is a good start, isn't it? -Yeah, lots of potential there, I think. | 0:14:55 | 0:14:59 | |
-Lots of potential. -It's a lovely shape, as well. | 0:14:59 | 0:15:01 | |
I like this. This really interesting detail. | 0:15:01 | 0:15:03 | |
So what I was thinking, that you guys could just cover these over | 0:15:03 | 0:15:07 | |
and, yeah, spruce them up a bit. | 0:15:07 | 0:15:09 | |
Obviously, I'm here, so it's your ideas, really. | 0:15:09 | 0:15:11 | |
Strip them back first, I think. | 0:15:11 | 0:15:13 | |
-Yeah. -Sand them down. -Right. | 0:15:13 | 0:15:14 | |
See what's going on underneath. | 0:15:14 | 0:15:16 | |
-OK, yeah. -And then... -And reseated, I think. | 0:15:16 | 0:15:19 | |
Obviously new fabric, but it might be nice to really get them a little | 0:15:19 | 0:15:22 | |
bit more padded as well, make them super comfy. | 0:15:22 | 0:15:25 | |
And this... This might be beech, I think. | 0:15:25 | 0:15:27 | |
-It's like a... -No, this... I think this is teak. | 0:15:27 | 0:15:29 | |
-Oh, is it teak? -I think we've got teak here, yeah. | 0:15:29 | 0:15:31 | |
-Oh, nice! -Which is nice. | 0:15:31 | 0:15:33 | |
-Really nice. -So, that brings me down to budget. | 0:15:33 | 0:15:36 | |
-Ah-ha. -How much are we talking? -What do you think? | 0:15:36 | 0:15:39 | |
Well, I think we can probably do the pair for 150. | 0:15:39 | 0:15:45 | |
-Cool. -Yeah? -150. So that's fixing them, making them structurally | 0:15:45 | 0:15:48 | |
-sound, as you said, Richard... -Yeah. -..and then new padding on the top... | 0:15:48 | 0:15:52 | |
-Yeah. -..fabric and, obviously, all these scratches and all that is | 0:15:52 | 0:15:55 | |
-going to look a bit better than it is now. -Absolutely. | 0:15:55 | 0:15:57 | |
Yeah, we'll sand them down and put a little bit of treatment on the wood. | 0:15:57 | 0:16:00 | |
And maybe a little... A little bit of paint here and there to pick out | 0:16:00 | 0:16:02 | |
-the colours of whatever material we use. -That's what I like to hear. | 0:16:02 | 0:16:05 | |
-Yeah? -Are we talking your language? -You're talking... | 0:16:05 | 0:16:07 | |
I LOVE a bit of colour. Not a lot. I love colour. | 0:16:07 | 0:16:10 | |
-So 150, we've got a deal. -OK. Lovely. -All right? -Nice one. | 0:16:10 | 0:16:13 | |
-Thank you. -Thank you. -Cheers. -All right, enjoy. Have fun. | 0:16:13 | 0:16:15 | |
-Thank you. -See you later. -Bye. | 0:16:15 | 0:16:18 | |
Deal done. | 0:16:18 | 0:16:19 | |
Happy, guys? | 0:16:19 | 0:16:20 | |
We asked for something that was a bit sad and in need of repair... | 0:16:22 | 0:16:25 | |
-Yeah. -..and that's what we've got. But I'm really chuffed. | 0:16:25 | 0:16:28 | |
-Are you chuffed? -Me, too. | 0:16:28 | 0:16:30 | |
There's a lot we can do with them. It'll be nice to get stuck in. | 0:16:30 | 0:16:34 | |
Well, then, we won't hold you back any longer. | 0:16:34 | 0:16:36 | |
I'm well chuffed that I brought those two chairs down to | 0:16:36 | 0:16:39 | |
Katy and Richard. | 0:16:39 | 0:16:40 | |
Now, they mentioned a bit of colour, | 0:16:40 | 0:16:41 | |
and you know that's right up my street. | 0:16:41 | 0:16:43 | |
I just can't wait to see what they do with them. | 0:16:43 | 0:16:46 | |
Katy and Richard's transformation budget is £150. | 0:16:46 | 0:16:51 | |
It sounds like they've got what they wanted, | 0:16:51 | 0:16:53 | |
but perhaps they should be careful what they wish for. | 0:16:53 | 0:16:56 | |
Wonderful Wolverhampton. | 0:17:03 | 0:17:05 | |
The creative hub that Jay calls home. | 0:17:06 | 0:17:09 | |
The man himself is at his workshop and is raring to get started on the | 0:17:10 | 0:17:15 | |
old discarded DJ gear. | 0:17:15 | 0:17:18 | |
It's a nice little DJ set, this is, | 0:17:18 | 0:17:19 | |
but its partying days are well and truly over. | 0:17:19 | 0:17:22 | |
What I intend on doing to this is turning it into a luxurious | 0:17:22 | 0:17:26 | |
dressing table. | 0:17:26 | 0:17:27 | |
Now, when I open this up, | 0:17:27 | 0:17:29 | |
basically this tells me it's a dressing table, | 0:17:29 | 0:17:31 | |
because you've got compartments here, storage, storage, storage. | 0:17:31 | 0:17:35 | |
On the back, there, we're just going to have one long mirror and some lights. Simple. | 0:17:35 | 0:17:39 | |
Add the legs on, give it the height. | 0:17:39 | 0:17:41 | |
Then, for the speakers down below, | 0:17:41 | 0:17:43 | |
I'm going to turn those into bedside cabinets. | 0:17:43 | 0:17:45 | |
So you'll have a whole bedroom suite set. | 0:17:45 | 0:17:48 | |
That's cool, isn't it? | 0:17:48 | 0:17:49 | |
Too cool for school, Jay, or even the bedroom. | 0:17:49 | 0:17:53 | |
First things first, what I have to do is clean this and just get rid of | 0:17:53 | 0:17:56 | |
all the stuff I don't want in here, and tackling the outside as well, | 0:17:56 | 0:17:59 | |
because what I'm going to do here is I'm just going to give it a | 0:17:59 | 0:18:02 | |
uniformed colour, but really make a feature of these corners. | 0:18:02 | 0:18:06 | |
That's the exterior prepared. | 0:18:11 | 0:18:14 | |
What's next? | 0:18:14 | 0:18:15 | |
So, what I'm going to do now is start to rip out some of this foam | 0:18:15 | 0:18:19 | |
and basically give me a chance to actually get in there | 0:18:19 | 0:18:22 | |
and get all this dust and sand it a bit better. | 0:18:22 | 0:18:24 | |
So that's both of them rubbed down, ready for the primer. | 0:18:28 | 0:18:31 | |
So, the mirror part and also the dressing table. | 0:18:31 | 0:18:34 | |
But before I do all of that, I'm going to measure out for a lid base, | 0:18:34 | 0:18:38 | |
and what I mean is this, kind of, will be the lid. | 0:18:38 | 0:18:41 | |
And it's going to cover up all of the stuff that you've got inside it, | 0:18:43 | 0:18:45 | |
so you don't really want it to be on display. | 0:18:45 | 0:18:47 | |
You know, all your messy stuff. | 0:18:47 | 0:18:49 | |
Have a hole in there, put your finger in, | 0:18:49 | 0:18:51 | |
lift up the lid and there you go. | 0:18:51 | 0:18:53 | |
Measure twice and cut once. | 0:18:54 | 0:18:57 | |
Just measuring up again to make sure I've got it... | 0:18:57 | 0:18:59 | |
..perfect. | 0:19:01 | 0:19:03 | |
Good man. We like a bit of perfection around here. | 0:19:03 | 0:19:06 | |
So I've got a number of these that I want to cut, and what I've brought | 0:19:06 | 0:19:10 | |
out is the big-boy saw to just save on the arms. | 0:19:10 | 0:19:12 | |
And speaking of which, a gentle reminder to save other parts of the | 0:19:12 | 0:19:17 | |
body by wearing a dust mask and eye protection. | 0:19:17 | 0:19:20 | |
MUSIC PLAYS | 0:19:20 | 0:19:23 | |
So I've got all the sides cut and... | 0:19:27 | 0:19:30 | |
..now just slotting them in place, | 0:19:31 | 0:19:34 | |
cos this will be a perfect base for the actual lid on top. | 0:19:34 | 0:19:37 | |
And it just makes it look a lot more neater. | 0:19:39 | 0:19:41 | |
And then, obviously, once I've got a bit of paint on there that's the | 0:19:41 | 0:19:44 | |
same colour as the inside. | 0:19:44 | 0:19:46 | |
Then it should all go according to plan. | 0:19:48 | 0:19:51 | |
Should've, would've, could've, Jay. | 0:19:52 | 0:19:54 | |
Let's not get ahead of ourselves. | 0:19:54 | 0:19:56 | |
But I have to admire your optimism. | 0:19:56 | 0:19:59 | |
So, now I've taken the sides out, | 0:20:00 | 0:20:02 | |
you can see the compartments working really well. | 0:20:02 | 0:20:04 | |
We just need a splash of colour, lids, legs, back mirror, lights... | 0:20:04 | 0:20:10 | |
Cor blimey, there's a lot to do, isn't there? | 0:20:10 | 0:20:12 | |
There certainly is. | 0:20:12 | 0:20:14 | |
You'd better get those sleeves rolled up. | 0:20:14 | 0:20:16 | |
And with £26.50 spent so far and a lot of work still to be done, | 0:20:17 | 0:20:23 | |
you may be running the risk of having to give yourself a bit of a | 0:20:23 | 0:20:27 | |
dressing-down. | 0:20:27 | 0:20:28 | |
Over in east London, Daniel is about to get cracking on the oak table. | 0:20:38 | 0:20:42 | |
What's the plan? | 0:20:42 | 0:20:44 | |
I just basically need to fix it, shore it up, and then I can start to | 0:20:44 | 0:20:48 | |
do some really interesting things with it as well. | 0:20:48 | 0:20:50 | |
First things first, the tabletop needs to come off so it can be repaired. | 0:20:52 | 0:20:57 | |
So what I'm going to do now is get the middle pieces together and mark | 0:20:57 | 0:21:03 | |
out where I'm going to drill and put the dowels in. | 0:21:03 | 0:21:06 | |
I'm going to use a wooden dowel. | 0:21:06 | 0:21:08 | |
Wooden dowel pins are used to reinforce joints and support shelves. | 0:21:08 | 0:21:13 | |
But first of all, I've got to mark where I'm actually going to put the dowels in. | 0:21:13 | 0:21:17 | |
So I've got this tool which is | 0:21:25 | 0:21:27 | |
basically a guide for doing my dowels. | 0:21:27 | 0:21:30 | |
So it will just make sure that the dowels are in the same height on | 0:21:30 | 0:21:35 | |
both pieces of timber so that they'll marry together. | 0:21:35 | 0:21:38 | |
Ooh, very clever! | 0:21:39 | 0:21:41 | |
So, seem OK. | 0:21:46 | 0:21:47 | |
Calibration confirmed, lashings of glue now required. | 0:21:48 | 0:21:53 | |
Yes! That feels good. | 0:21:55 | 0:21:56 | |
I'm pleased with how it's come together. | 0:21:56 | 0:21:58 | |
What I need to do now, you can still see there's a gap, | 0:21:58 | 0:22:02 | |
and that's where I'm going to use these ratchets, | 0:22:02 | 0:22:04 | |
to basically ratchet these so that they're joined together, | 0:22:04 | 0:22:08 | |
and they should, hopefully, end up with a really, really nice join. | 0:22:08 | 0:22:13 | |
With the tabletop set aside to dry, | 0:22:16 | 0:22:19 | |
Daniel turns his attention to the legs. | 0:22:19 | 0:22:22 | |
That's really satisfying. | 0:22:22 | 0:22:23 | |
-SCREW MAKES SQUEAKING NOISE -Oh! | 0:22:23 | 0:22:25 | |
It's so nice to see a man happy in his work. | 0:22:25 | 0:22:28 | |
Great. | 0:22:28 | 0:22:29 | |
So far, this table doesn't appear to be giving Daniel any problems. | 0:22:32 | 0:22:36 | |
I'm just going to show you one small part of this, kind of, | 0:22:40 | 0:22:42 | |
process that I'm going to do to it that's going to transform it. | 0:22:42 | 0:22:46 | |
And I'm going to apply gold leaf to these sections here. | 0:22:46 | 0:22:50 | |
And the first thing that I need to do is I need to... | 0:22:50 | 0:22:53 | |
..apply the glue to the surface that will stick the gold leaf on. | 0:22:55 | 0:22:59 | |
Daniel is brushing the glue into all of the creases and folds of the | 0:23:02 | 0:23:06 | |
bobbin legs to ensure an even coverage | 0:23:06 | 0:23:09 | |
when the gold leaf is applied. | 0:23:09 | 0:23:12 | |
Stick it all the way round. | 0:23:12 | 0:23:15 | |
As you can see, it's a really time-consuming process. | 0:23:15 | 0:23:18 | |
Time-consuming and fiddly, you say? | 0:23:18 | 0:23:21 | |
Nothing like a little pressure to help get the job done. | 0:23:21 | 0:23:24 | |
In south Wales, Richard and Katy have pulled up a couple of chairs. | 0:23:32 | 0:23:38 | |
-Right, then... -What's on the agenda for today, guys? | 0:23:41 | 0:23:44 | |
The first job, as ever, is to sand them down. | 0:23:44 | 0:23:47 | |
As you can see, they're looking a bit weary, | 0:23:47 | 0:23:49 | |
so we want to strip the wood right back and then we can oil it and make | 0:23:49 | 0:23:52 | |
them look really beautiful again. | 0:23:52 | 0:23:54 | |
I'm going to take a look at the seats. | 0:23:54 | 0:23:55 | |
They're not too bad pad-wise, | 0:23:55 | 0:23:57 | |
but I think we need to replace all the upholstery, | 0:23:57 | 0:23:59 | |
because it may be that they're damp and a little bit old, bit smelly. | 0:23:59 | 0:24:03 | |
So I will take all this apart, probably use the original board and | 0:24:03 | 0:24:07 | |
then reupholster them and choose some nice fabric. | 0:24:07 | 0:24:10 | |
And also we need to pick some paint colour, if we use colour, | 0:24:10 | 0:24:14 | |
that works with the fabric, | 0:24:14 | 0:24:15 | |
so we need a bit of time to choose carefully, | 0:24:15 | 0:24:18 | |
-I think. -Yeah, bring them back to life. | 0:24:18 | 0:24:20 | |
Sounds good. | 0:24:21 | 0:24:22 | |
But it's quite a to-do list. | 0:24:23 | 0:24:26 | |
Best get started. | 0:24:26 | 0:24:27 | |
Yeah, it's going. | 0:24:29 | 0:24:31 | |
That'll do for now. | 0:24:32 | 0:24:33 | |
I think it's going to shake a little bit once you sand it. | 0:24:33 | 0:24:39 | |
And, please, folks, like Richard, | 0:24:39 | 0:24:41 | |
make sure you always wear a protective mask when sanding. | 0:24:41 | 0:24:45 | |
It'll put a smile on Katy's face. | 0:24:45 | 0:24:47 | |
Yeah, I think Jay might be right. He thought it was teak under here. | 0:24:49 | 0:24:53 | |
Yeah, it's looking like teak, isn't it? | 0:24:53 | 0:24:55 | |
-It's not... -It's dark. -It's not pale enough to be beech. | 0:24:55 | 0:24:58 | |
It's lovely. The grain's really nice. | 0:24:58 | 0:24:59 | |
So let's have a go at a leg. | 0:24:59 | 0:25:02 | |
Confirmation of teak is good news. | 0:25:02 | 0:25:06 | |
Teak furniture is amongst the most expensive, and why? | 0:25:06 | 0:25:10 | |
It's sought-after for its elegance and its durability. | 0:25:11 | 0:25:15 | |
Rather like myself. | 0:25:16 | 0:25:17 | |
We're probably going to put a bit of paint on these chairs, | 0:25:21 | 0:25:25 | |
just to pick out a few details. | 0:25:25 | 0:25:27 | |
So I'm going to have a play with some colours, | 0:25:27 | 0:25:29 | |
just to get an idea of what we're going to use. | 0:25:29 | 0:25:32 | |
With progress made on the chair frames, | 0:25:35 | 0:25:38 | |
now is a good time to step inside a world of fabric. | 0:25:38 | 0:25:42 | |
So this is my magic fabric basket. | 0:25:42 | 0:25:46 | |
So I'm just going to have a little look and see if we can find anything | 0:25:46 | 0:25:48 | |
that might work for the chairs. | 0:25:48 | 0:25:50 | |
So we're going to need something that's fairly hard-wearing, aren't we? | 0:25:50 | 0:25:55 | |
That's a good weight. | 0:25:55 | 0:25:56 | |
-That's good. -Oh, yeah, that's nice with the pink. | 0:25:56 | 0:25:59 | |
You know what's quite nice about this? | 0:25:59 | 0:26:00 | |
It's got a bit of humour to it. | 0:26:00 | 0:26:02 | |
-And if you're going to... -The idea of sitting on a cactus. | 0:26:02 | 0:26:04 | |
Yeah. Look at the colours in that! That's amazing. I love that fabric. | 0:26:04 | 0:26:07 | |
It seems the guys are having far too much fun. | 0:26:08 | 0:26:12 | |
Time for Minnie to jump in and help move things along. | 0:26:12 | 0:26:15 | |
This one? What do you think? | 0:26:16 | 0:26:18 | |
Say "Meow" if you like it. No. | 0:26:18 | 0:26:21 | |
Well, Minnie wasn't much help, | 0:26:21 | 0:26:23 | |
but the perfect fabric is in there somewhere. | 0:26:23 | 0:26:25 | |
Time for Katy to focus on the seat pads. | 0:26:28 | 0:26:31 | |
I want to keep the wooden base and I'm just going to take off all the | 0:26:31 | 0:26:34 | |
covering, all of this slightly manky material that we've got on | 0:26:34 | 0:26:37 | |
that we're not going to use, and see what's underneath. | 0:26:37 | 0:26:41 | |
This is chipboard. | 0:26:44 | 0:26:45 | |
You can see straight away that it's suffered a bit of damp. | 0:26:47 | 0:26:50 | |
It might be salvageable. Might sand it up a bit and just see. | 0:26:50 | 0:26:52 | |
If the damp's penetrated it, | 0:26:52 | 0:26:54 | |
we might have to replace the wooden base as well. | 0:26:54 | 0:26:57 | |
After a good start, it seems the chair is giving up some unwanted secrets. | 0:26:58 | 0:27:03 | |
Perhaps converting these chairs on a small budget won't be so easy after all. | 0:27:05 | 0:27:11 | |
While the artisans continue to work hard on their items, | 0:27:17 | 0:27:21 | |
Jay is putting the finishing touches to the flight case. | 0:27:21 | 0:27:25 | |
This is looking beautiful. | 0:27:25 | 0:27:27 | |
When Jay rescued the DJ case from the skip, | 0:27:27 | 0:27:31 | |
its party days were well and truly over. | 0:27:31 | 0:27:35 | |
MUSIC PLAYS | 0:27:35 | 0:27:37 | |
Fun, functional, and well and truly funky, Jay's joinery skills have | 0:27:40 | 0:27:45 | |
turned this from a cast-off case into a dapper dressing table. | 0:27:45 | 0:27:50 | |
Standing on a set of sleek legs, it comes complete with new compartments. | 0:27:51 | 0:27:57 | |
Alas, the speakers didn't make the grade, | 0:27:57 | 0:27:59 | |
but Jay put all his focus into the case, | 0:27:59 | 0:28:03 | |
and the dressing table can now play its part in many more nights to come. | 0:28:03 | 0:28:08 | |
Happy, Jay? | 0:28:08 | 0:28:09 | |
Now, this has come out exactly the way I wanted it to. | 0:28:09 | 0:28:13 | |
We had a few troubles along the way, but that's to be expected. | 0:28:13 | 0:28:16 | |
I've never done a dressing table like this before, | 0:28:16 | 0:28:18 | |
but I've got all the elements here. | 0:28:18 | 0:28:20 | |
I've got a mirror. I've got compartments where you can store all your bits and bobs, | 0:28:20 | 0:28:26 | |
and even got holes in the back for the hairdryers and all | 0:28:26 | 0:28:29 | |
other bits. So, there's only one other bit - | 0:28:29 | 0:28:33 | |
and let's put this down like that - the piece de la resistance. | 0:28:33 | 0:28:35 | |
Check this out. It goes like that. | 0:28:35 | 0:28:38 | |
Bosh! | 0:28:38 | 0:28:39 | |
Now, THAT is cool. | 0:28:40 | 0:28:42 | |
Very cool, Jay. | 0:28:42 | 0:28:44 | |
Good work. | 0:28:44 | 0:28:45 | |
When Jay met him at the tip, | 0:28:48 | 0:28:50 | |
Lee was clearing out the remnants of his old DJ career. | 0:28:50 | 0:28:54 | |
Did you used to be a DJ or something? | 0:28:54 | 0:28:56 | |
Yeah, about nine years ago, and I just stopped. | 0:28:56 | 0:28:59 | |
You must miss it, though, eh? | 0:28:59 | 0:29:00 | |
-I miss it, but it's having the time... -Yeah. -You grow up. | 0:29:00 | 0:29:03 | |
-You grow up, yeah? -Work, yeah, job... | 0:29:03 | 0:29:06 | |
Lee may have played his last record, but Jay tapped into the beat of his | 0:29:06 | 0:29:12 | |
imagination and the rhythm of his vision. | 0:29:12 | 0:29:16 | |
And the result... | 0:29:16 | 0:29:17 | |
..a bold and unique dressing table. | 0:29:18 | 0:29:21 | |
The lights have been PAT-tested, | 0:29:22 | 0:29:24 | |
ensuring that it complies with all UK safety standards. | 0:29:24 | 0:29:28 | |
Now Jay is back in Walsall to see Lee and show him the transformation. | 0:29:30 | 0:29:35 | |
-How are we doing? -Are you all right, yeah? | 0:29:39 | 0:29:41 | |
-Are you all right, mate? -Are you OK? -Yeah! -Very good. | 0:29:41 | 0:29:44 | |
So, do you remember your, what was it called, | 0:29:44 | 0:29:45 | |
your DJ set that you brought down? | 0:29:45 | 0:29:47 | |
-Yeah, yeah. -So, how long had you had that for? | 0:29:47 | 0:29:49 | |
Er, about... Can't remember how long, | 0:29:49 | 0:29:52 | |
-it's been in the shed for about four years. -Oh, has it? Four years! | 0:29:52 | 0:29:55 | |
I think I've had it about eight, ten years. | 0:29:55 | 0:29:57 | |
So, your DJ-ing days are over, then? | 0:29:57 | 0:29:59 | |
-Yeah, definitely. -Well, I took it on myself, that flight case you had... | 0:29:59 | 0:30:03 | |
-Yep. -..and the speakers. I didn't do much with the speakers, | 0:30:03 | 0:30:06 | |
As a matter of fact, I didn't do anything with them. | 0:30:06 | 0:30:08 | |
But what I did with the deck was that. | 0:30:08 | 0:30:11 | |
Turned it into a dressing table. | 0:30:11 | 0:30:12 | |
So, what you've got, these are three compartments, you lift them up... | 0:30:12 | 0:30:15 | |
-Yeah. -..and then you put all your storage in. | 0:30:15 | 0:30:17 | |
-That looks good, that does. -And then you've got your mirror there, | 0:30:17 | 0:30:20 | |
with the lights, you can change them, and it's LED. | 0:30:20 | 0:30:22 | |
-That looks pretty good. -You like that, yeah? -Yeah, yeah. | 0:30:22 | 0:30:25 | |
Well, the sad thing is, I think it's cool, | 0:30:25 | 0:30:26 | |
you think it's cool, but no-one's bought it. | 0:30:26 | 0:30:28 | |
-No-one's bought it yet. -No! No, no-one's bought it yet. | 0:30:28 | 0:30:31 | |
And that's the word I like to hear, because basically, | 0:30:31 | 0:30:33 | |
I WILL get this sold, and as soon as I do, | 0:30:33 | 0:30:35 | |
I'm going to send some money your way. | 0:30:35 | 0:30:37 | |
-Oh, awesome. -Is that all right? -Yeah, yeah. | 0:30:37 | 0:30:39 | |
-Nice one. -All right? -Cheers, Jay. -You take care, my man. -You take care. | 0:30:39 | 0:30:42 | |
All right, mate. See you later. | 0:30:42 | 0:30:44 | |
Now, Lee was impressed with the transformation. | 0:30:44 | 0:30:47 | |
But we didn't sell it. | 0:30:47 | 0:30:48 | |
Now, I'm a little bit gutted about that. | 0:30:48 | 0:30:50 | |
Onwards and upwards - I'll get that sold. | 0:30:50 | 0:30:53 | |
Jay spent £86.49 on materials. | 0:30:54 | 0:30:59 | |
And although he hasn't had a buyer yet, as soon as he does, | 0:30:59 | 0:31:02 | |
the profit will be making its way to Lee. | 0:31:02 | 0:31:04 | |
In east London, Daniel is giving the table a final | 0:31:15 | 0:31:19 | |
polish in preparation for Jay's arrival. | 0:31:19 | 0:31:22 | |
Jay dropped me off a table that was in a bid of state, | 0:31:22 | 0:31:26 | |
so I think he's going to be really pleased to see it kind of put back | 0:31:26 | 0:31:30 | |
together in one piece, and yeah, | 0:31:30 | 0:31:32 | |
I hope he likes what I've done with it. | 0:31:32 | 0:31:34 | |
Well, Daniel, we're about to find out. | 0:31:34 | 0:31:36 | |
I'm here to pick up my broken drop-leaf table. | 0:31:36 | 0:31:39 | |
Now, Daniel said to me he's going to give me something special. | 0:31:39 | 0:31:42 | |
I'm just hoping he's done that, and he's put the table together again! | 0:31:42 | 0:31:45 | |
After years of loyal service, | 0:31:46 | 0:31:48 | |
it seemed this table's dining days were over. | 0:31:48 | 0:31:51 | |
MUSIC PLAYS | 0:31:51 | 0:31:53 | |
But now, it looks good enough to eat your dinner off! | 0:31:59 | 0:32:03 | |
To turn the fractured furniture back into something functional, | 0:32:03 | 0:32:07 | |
Daniel toiled day and night to repair, restore, | 0:32:07 | 0:32:10 | |
refresh and renew the old table. | 0:32:10 | 0:32:14 | |
His show-stopping design was printed directly onto the reconstructed top, | 0:32:14 | 0:32:19 | |
creating a real centrepiece. | 0:32:19 | 0:32:21 | |
The imitation gold leaf on the beautiful bobbin legs | 0:32:22 | 0:32:26 | |
enhances the classy feel of this luxurious table. | 0:32:26 | 0:32:30 | |
It's all back in one piece, but what will Jay make of it? | 0:32:30 | 0:32:34 | |
-Hey, Jay! -Come on, man! | 0:32:34 | 0:32:36 | |
You keep doing this to me! | 0:32:36 | 0:32:38 | |
-How are you? -Yeah, I'm good, I'm good. | 0:32:38 | 0:32:41 | |
I'm pleased with it. | 0:32:41 | 0:32:43 | |
-What do you think? -You've got to stop! | 0:32:43 | 0:32:44 | |
You keep on lifting these levels up of your work, | 0:32:44 | 0:32:47 | |
and you've got to give some of us a chance to catch up, mate! | 0:32:47 | 0:32:49 | |
This is beautiful! | 0:32:49 | 0:32:50 | |
The legs are making a statement, but the top is something else. | 0:32:50 | 0:32:53 | |
-Yeah. -There's lots of different things going on in this piece. | 0:32:53 | 0:32:56 | |
There's a lot, but what you've done is, | 0:32:56 | 0:32:57 | |
you've created a table which just looks light, | 0:32:57 | 0:32:59 | |
and it's got so much movement to it. | 0:32:59 | 0:33:01 | |
I think it is beautiful. | 0:33:01 | 0:33:03 | |
It's like a table in flight. | 0:33:03 | 0:33:05 | |
Yeah, you've made a heavy table look superlight. | 0:33:05 | 0:33:07 | |
And the legs, come on! | 0:33:07 | 0:33:09 | |
You know I love a bit of bling, and that is just... | 0:33:09 | 0:33:14 | |
Well, I just thought, you know, | 0:33:14 | 0:33:16 | |
these sorts of tables are quite commonplace. | 0:33:16 | 0:33:18 | |
-Yeah. -And I thought, well, why not do something with it that's really fun, | 0:33:18 | 0:33:22 | |
lifts it up, makes it into something | 0:33:22 | 0:33:25 | |
completely different from the rest of them? | 0:33:25 | 0:33:27 | |
-Yeah. -So, yeah, gold-leafed it! | 0:33:27 | 0:33:29 | |
Gold leaf! It's quality! | 0:33:29 | 0:33:31 | |
Jay's happy, but did all this quality add to the budget? | 0:33:32 | 0:33:36 | |
Actually it was fine, because I haven't really done anything other | 0:33:36 | 0:33:41 | |
than put it back together and paint it and give it a new look. | 0:33:41 | 0:33:44 | |
I think you've... No, what you're... | 0:33:44 | 0:33:46 | |
No, don't say you haven't done anything. | 0:33:46 | 0:33:48 | |
Look what you've done to that! That's a work of art, mate! | 0:33:48 | 0:33:50 | |
You've done a bit more than just putting it together. | 0:33:50 | 0:33:54 | |
-Yeah? -Yeah. -That's gorgeous. | 0:33:54 | 0:33:55 | |
But I didn't have to buy any new timber or anything like that, you know, | 0:33:55 | 0:33:59 | |
the raw ingredients were there. | 0:33:59 | 0:34:01 | |
-Yeah. -It just needed putting all back together and smartening up. | 0:34:01 | 0:34:06 | |
Modest as always, Daniel! | 0:34:06 | 0:34:07 | |
But Jay is absolutely thrilled with the result. | 0:34:07 | 0:34:10 | |
Daniel has opened up the true potential of that table. | 0:34:11 | 0:34:14 | |
I couldn't be happier. | 0:34:14 | 0:34:15 | |
The oak table belonged to David, who was optimistic for its future. | 0:34:18 | 0:34:23 | |
Bit of modern chic, what do they call it these days, | 0:34:24 | 0:34:26 | |
distressed chic or something?! | 0:34:26 | 0:34:27 | |
I don't know, I'm sure he'll do a good job. | 0:34:27 | 0:34:29 | |
Distressing? No. | 0:34:29 | 0:34:31 | |
-Stunning...? -Oh, yes! | 0:34:31 | 0:34:33 | |
You said it, Daniel! | 0:34:33 | 0:34:34 | |
And it didn't take long for a private buyer on Daniel's social | 0:34:39 | 0:34:43 | |
media to agree. | 0:34:43 | 0:34:44 | |
Now, Jay is on his way to see David to hand over the profit. | 0:34:47 | 0:34:51 | |
-Hello, there. -Hello, again. -How are you doing? -I'm well, and you? | 0:34:53 | 0:34:55 | |
-I'm very well. -Good, good. | 0:34:55 | 0:34:57 | |
-So, how have you been, then? -Yeah, not too bad, not too bad. | 0:34:57 | 0:34:59 | |
So, do you remember the table you brought to a recycling centre? | 0:34:59 | 0:35:02 | |
We were actually emptying Mum's house... | 0:35:02 | 0:35:04 | |
-OK, right. -..because she's moving down here with us to Somerset. | 0:35:04 | 0:35:07 | |
-Yeah. -And my dad was a real hoarder, we lost him a couple of years ago, | 0:35:07 | 0:35:11 | |
and we couldn't keep everything. | 0:35:11 | 0:35:13 | |
-Right. -So, you guys were there and took it away for us! -Right! | 0:35:13 | 0:35:17 | |
Well, it was a good, solid bit of timber and a beautiful table, | 0:35:17 | 0:35:20 | |
even though it was broken. Took it down to London, east London, | 0:35:20 | 0:35:23 | |
to a guy called Daniel Heath. | 0:35:23 | 0:35:24 | |
And he worked his magic on it, | 0:35:24 | 0:35:26 | |
and do you want to have a butcher's what he done? | 0:35:26 | 0:35:28 | |
-Absolutely! -All right! Look at that! | 0:35:28 | 0:35:30 | |
Wow! | 0:35:30 | 0:35:31 | |
Oh, my word, that is amazing! | 0:35:32 | 0:35:34 | |
So, all of that what's on there is his own design and he's printed it on. | 0:35:34 | 0:35:38 | |
That is amazing. And I thought my dad had really bad taste in furniture! | 0:35:38 | 0:35:42 | |
No, he's got good taste, because that table | 0:35:42 | 0:35:44 | |
was beautiful English oak. | 0:35:44 | 0:35:45 | |
-Was it really? -Solid. | 0:35:45 | 0:35:47 | |
That's incredible! That is absolutely amazing. Wow! | 0:35:47 | 0:35:50 | |
Well, I'll tell you what, | 0:35:50 | 0:35:52 | |
someone else thought it was incredible and amazing... | 0:35:52 | 0:35:54 | |
-OK. -So much so that it's been sold. | 0:35:54 | 0:35:56 | |
And I have for you... | 0:35:56 | 0:35:59 | |
£325. | 0:35:59 | 0:36:01 | |
Oh, my God. Wow! | 0:36:01 | 0:36:03 | |
That is incredible. My mum's going to love that, | 0:36:03 | 0:36:05 | |
because I want her to go away on holiday this Christmas. | 0:36:05 | 0:36:07 | |
-Right, yeah. -So, there we go. | 0:36:07 | 0:36:09 | |
-It's my mum's table... -Right. -..and her and dad bought it... | 0:36:09 | 0:36:12 | |
-OK? -Sorry, yeah. -It's cool. | 0:36:16 | 0:36:18 | |
Yeah, it's incredible, amazing. | 0:36:18 | 0:36:20 | |
Absolutely amazing. | 0:36:20 | 0:36:21 | |
-She's going to love it. -No, that's good. | 0:36:21 | 0:36:24 | |
And as I said, your old man, he had brilliant taste, | 0:36:24 | 0:36:27 | |
because the table was good. | 0:36:27 | 0:36:28 | |
And it looks good and so much, someone's bought it. | 0:36:28 | 0:36:30 | |
-So... -Incredible. -So, it's going to keep full-circle. | 0:36:30 | 0:36:33 | |
Thank you so much, that's just amazing. | 0:36:33 | 0:36:34 | |
-No, thank you. -Wow, brilliant. And tell Mum I said hello. | 0:36:34 | 0:36:37 | |
-I will. -Thank you so much. | 0:36:37 | 0:36:38 | |
-Take care. -Thanks, bye. -Bye. | 0:36:38 | 0:36:40 | |
I think David was impressed with that transformation, | 0:36:43 | 0:36:46 | |
and the emotion that he showed because it was his father's table, | 0:36:46 | 0:36:49 | |
now, that was touching. | 0:36:49 | 0:36:51 | |
And the money's going to his mum, so she can have a nice break. | 0:36:51 | 0:36:54 | |
Brilliant. | 0:36:54 | 0:36:55 | |
Daniel charged £400 to transform the table. | 0:36:57 | 0:37:01 | |
The table was bought for £725... | 0:37:01 | 0:37:05 | |
..leaving a £325 profit to go towards David's mum's holiday. | 0:37:06 | 0:37:11 | |
In south Wales, | 0:37:20 | 0:37:22 | |
Katy and Richard are giving the two dining chairs a final polish in | 0:37:22 | 0:37:27 | |
preparation for Jay's arrival. | 0:37:27 | 0:37:29 | |
There's something a little bit unusual about them. | 0:37:29 | 0:37:32 | |
They're quite fairytale-like, | 0:37:32 | 0:37:34 | |
and I don't know whether Jay goes in for fairy tales, but we do! | 0:37:34 | 0:37:37 | |
Well, guys, we're about to find out. | 0:37:38 | 0:37:40 | |
I'm in south Wales to see Katy and Richard, | 0:37:41 | 0:37:43 | |
and I want to know how they got on with those wet dining chairs. | 0:37:43 | 0:37:46 | |
Hopefully they've dried them out and done them up a treat. | 0:37:46 | 0:37:49 | |
Damp, damaged and about to be dumped. | 0:37:49 | 0:37:53 | |
That was until Jay delivered them to Katy and Richard. | 0:37:53 | 0:37:57 | |
MUSIC PLAYS | 0:37:57 | 0:37:59 | |
It seems fairy tales do come true! | 0:38:05 | 0:38:08 | |
Unrecognisable from their previous life, | 0:38:08 | 0:38:11 | |
Katy and Richard started right at the beginning to refit, | 0:38:11 | 0:38:15 | |
refurbish and rejuvenate this pair of tired chairs. | 0:38:15 | 0:38:20 | |
They've brought the best out of the teak, | 0:38:20 | 0:38:22 | |
have completely replaced those damp seats, | 0:38:22 | 0:38:25 | |
which meet all UK fire safety standards. | 0:38:25 | 0:38:29 | |
Katy and Richard hope the new look will give the chairs the happy ever | 0:38:29 | 0:38:33 | |
after they deserve. | 0:38:33 | 0:38:34 | |
But what will the boss think? | 0:38:34 | 0:38:36 | |
How are we doing, gu...? | 0:38:36 | 0:38:38 | |
Are you still working on them? | 0:38:38 | 0:38:39 | |
No, not these! | 0:38:39 | 0:38:41 | |
-It's these. -Ho-ho! | 0:38:41 | 0:38:43 | |
Now, that's nice, isn't it? | 0:38:43 | 0:38:45 | |
-Thank you. -Yeah, you like them? -Yeah, I do, I do like them. | 0:38:45 | 0:38:48 | |
-Excellent. -Pink and brown. -Pink and brown. | 0:38:48 | 0:38:51 | |
Yeah, it's unusual, isn't it? | 0:38:51 | 0:38:52 | |
I've never used pink and brown together. | 0:38:52 | 0:38:54 | |
-Mmm. -And I thought I'd done ALL of the colours! | 0:38:54 | 0:38:57 | |
And you've got one up on me, actually. | 0:38:57 | 0:38:59 | |
-Yeah. -So, why did you choose this fabric? | 0:38:59 | 0:39:01 | |
Well, because originally we thought that the wood was going to sand up... | 0:39:01 | 0:39:05 | |
-Light. -..more golden. | 0:39:05 | 0:39:06 | |
-Yeah. -You know, not light, light, but golden. | 0:39:06 | 0:39:08 | |
And we thought, a nice green or a blue will tone... | 0:39:08 | 0:39:11 | |
And then as soon as we got this, we thought, no, it's not going to work. | 0:39:11 | 0:39:14 | |
-Right, right. -I found this fabric, | 0:39:14 | 0:39:16 | |
and it had this teak colour in it almost. | 0:39:16 | 0:39:19 | |
-Oh, OK. -And I thought, we'll do something really moody and unusual, | 0:39:19 | 0:39:23 | |
and try and colour match this. | 0:39:23 | 0:39:24 | |
And it also had the pink, so it suggested this little flash of pink | 0:39:24 | 0:39:27 | |
-across the top. -Yeah, and it's... -And together, tonally, | 0:39:27 | 0:39:29 | |
it all seems to work really well. | 0:39:29 | 0:39:31 | |
It's got a rich kind of luxurious feel to it. | 0:39:31 | 0:39:33 | |
Like a sort of '70s looks, feel. | 0:39:33 | 0:39:35 | |
You've done it, well done. | 0:39:35 | 0:39:36 | |
A cracking result! | 0:39:38 | 0:39:40 | |
But has all that work added to the budget? | 0:39:41 | 0:39:44 | |
And budget-wise, I left you with £150 for the pair... | 0:39:44 | 0:39:48 | |
Yeah, spot-on. | 0:39:48 | 0:39:49 | |
-Spot on? -Spot-on. | 0:39:49 | 0:39:51 | |
-Yeah, yeah. -Well done. | 0:39:51 | 0:39:53 | |
I love it! I love it! | 0:39:53 | 0:39:54 | |
Jay's been won over by the luxurious '70s look. | 0:39:54 | 0:39:59 | |
Happy, guys? | 0:39:59 | 0:40:00 | |
I like that he was surprised as well. | 0:40:00 | 0:40:04 | |
-Yeah. -You know, it's nice to keep people on their toes, | 0:40:04 | 0:40:06 | |
keep them guessing. And an unusual colour combination is a risk. | 0:40:06 | 0:40:10 | |
-Yeah. -But I think it paid off. | 0:40:10 | 0:40:12 | |
-Yeah. -It took me a little while to get my head around that colour | 0:40:12 | 0:40:15 | |
combination, but now I love it. | 0:40:15 | 0:40:17 | |
Those chairs are pretty in pink. | 0:40:17 | 0:40:18 | |
Time to get selling. | 0:40:18 | 0:40:19 | |
The dining chairs belonged to David, | 0:40:22 | 0:40:25 | |
who would've been more than happy with a little spruce-up. | 0:40:25 | 0:40:28 | |
I'd like to see them back and functioning, to be honest. | 0:40:28 | 0:40:30 | |
I'd like to think somebody can sit on them in the future, yeah. | 0:40:30 | 0:40:33 | |
And thanks to Katy and Richard, one can not only sit on them, | 0:40:33 | 0:40:38 | |
but gaze at their beauty. | 0:40:38 | 0:40:39 | |
No wonder that Lovely & British, a gift shop in Southwark, London, | 0:40:45 | 0:40:50 | |
said, "We'll have those, thank you very much!" | 0:40:50 | 0:40:51 | |
Owner, Lorna, was delighted with her purchase. | 0:40:54 | 0:40:58 | |
Oh, they're lovely. | 0:40:58 | 0:40:59 | |
Really pleased. They're going to fit in well with the shop. | 0:40:59 | 0:41:02 | |
Now, Jay is back in Walsall to hand over the profit. | 0:41:02 | 0:41:05 | |
-Hiya. -How are we doing, are you all right? | 0:41:10 | 0:41:12 | |
I'm good, I'm good, yeah, good to see you. | 0:41:12 | 0:41:14 | |
-Likewise. -Yeah, yeah. | 0:41:14 | 0:41:15 | |
So, do you remember those two chairs, rather wet chairs, | 0:41:15 | 0:41:17 | |
-that you brought to us? -Oh, yeah, they were very damp, weren't they? | 0:41:17 | 0:41:20 | |
I took them to a couple down in south Wales, | 0:41:20 | 0:41:22 | |
and what they turned your chairs into is... | 0:41:22 | 0:41:26 | |
Have a look at this. | 0:41:26 | 0:41:27 | |
Good grief. It's those chairs! | 0:41:31 | 0:41:34 | |
That's incredible! Matching... | 0:41:34 | 0:41:35 | |
-Matching pairs? -They're a matching pair. | 0:41:35 | 0:41:37 | |
-Fantastic. -So, we've got the pink on the back, | 0:41:37 | 0:41:39 | |
and they've cleaned them up, and the seats, they've just got rid of them. | 0:41:39 | 0:41:42 | |
-They're reupholstered, are they? -Yeah, reupholstered. | 0:41:42 | 0:41:45 | |
New base, because the base was all wet. | 0:41:45 | 0:41:47 | |
Rubbed them all, re-oiled them, paint, new upholstery | 0:41:47 | 0:41:51 | |
and there you go. | 0:41:51 | 0:41:52 | |
-Fantastic. -I'm pleased to tell you... | 0:41:52 | 0:41:54 | |
-Yeah. -..I was able to sell those. | 0:41:54 | 0:41:55 | |
-Oh, right, OK. -And I've got for you... | 0:41:55 | 0:41:57 | |
-Yeah. -£115... | 0:41:57 | 0:42:00 | |
-Good grief. -..profit. | 0:42:00 | 0:42:01 | |
That's fantastic. That's brilliant. | 0:42:01 | 0:42:03 | |
-Is that all right? -That is excellent, and in fact that's better... | 0:42:03 | 0:42:06 | |
What are you going to do with that? | 0:42:06 | 0:42:07 | |
Well, you might have seen my prostate cancer badge. | 0:42:07 | 0:42:10 | |
I'm doing a cycle run for that, so that will go in my sponsorship towards... | 0:42:10 | 0:42:13 | |
-Oh, is it? -Yeah. So, that'll go towards cancer. | 0:42:13 | 0:42:15 | |
So, how far are you riding? Where are you going? | 0:42:15 | 0:42:17 | |
I'm doing the Grand Depart, which is a mirror of the first stage | 0:42:17 | 0:42:20 | |
of the Tour de France next year, so it's 195km. | 0:42:20 | 0:42:23 | |
In one day, you're going to do that? | 0:42:23 | 0:42:24 | |
-In one day, yeah. -Cor blimey, well, you'd best get some practice in, then. | 0:42:24 | 0:42:27 | |
I shall, yeah. Yeah, yeah, that's fantastic. | 0:42:27 | 0:42:29 | |
-Cheers. -Thanks a lot, you take care. -Thank you. Bye. -Bye-bye. | 0:42:29 | 0:42:32 | |
Now, that was a great result. | 0:42:36 | 0:42:37 | |
Dave was thoroughly impressed with regards to what we did to his chairs, | 0:42:37 | 0:42:41 | |
and also the money is going to a great cause. | 0:42:41 | 0:42:43 | |
All-round winner. | 0:42:43 | 0:42:44 | |
Katy and Richard kept to their £150 budget. | 0:42:47 | 0:42:51 | |
The chairs were sold for £265. | 0:42:51 | 0:42:54 | |
Leaving David with £115 to put towards his charity event. | 0:42:54 | 0:42:59 | |
Jay salvaged three items from the tip. | 0:43:05 | 0:43:08 | |
Daniel wowed us with the oak table. | 0:43:10 | 0:43:12 | |
Katy and Richard worked wonders on the dining chairs. | 0:43:13 | 0:43:17 | |
And Jay produced some magic with the DJ kit. | 0:43:18 | 0:43:21 | |
What a mix of tip finds. | 0:43:22 | 0:43:24 | |
It just goes to show that with a bit of imagination and a lot of hard | 0:43:24 | 0:43:28 | |
work, even the most tired items can be transformed. | 0:43:28 | 0:43:31 |