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Some people have lovely rubbish, don't they? | 0:00:03 | 0:00:06 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
-Are you chucking that, really? -We are, yeah. | 0:00:09 | 0:00:12 | |
The answer could be hiding in the 20 million tonnes of | 0:00:12 | 0:00:15 | |
household waste we throw out every year. | 0:00:15 | 0:00:18 | |
Presumably it hasn't come straight out of the sitting room. | 0:00:18 | 0:00:20 | |
That's why entrepreneur, Sarah Moore... | 0:00:20 | 0:00:23 | |
-My colour? -..wants to get her hands on things before they hit the skip. | 0:00:23 | 0:00:27 | |
I'm a passionate buyer, maker and user of old stuff, | 0:00:29 | 0:00:32 | |
and I've turned that passion into a moneymaking business. | 0:00:32 | 0:00:36 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:36 | 0:00:39 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
-What do you think? -I think it's beautiful. | 0:00:45 | 0:00:48 | |
-Is that it? -Yep. | 0:00:48 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Absolutely amazing! | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
Goodness, I love it. | 0:00:57 | 0:00:59 | |
..and, let's hope, saleable items. | 0:00:59 | 0:01:02 | |
Oh, my word! | 0:01:02 | 0:01:04 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
then she can hand the profits back to the very people who had no idea | 0:01:06 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:13 | |
I didn't dream it would ever come to anything like that! | 0:01:13 | 0:01:16 | |
Welcome to the Whitley recycling centre in Surrey, | 0:01:27 | 0:01:31 | |
where the rubbish never stops, and neither does Sarah Moore. | 0:01:31 | 0:01:35 | |
Not until she gets what she wants. | 0:01:35 | 0:01:38 | |
It's a bright new day, and I am going to have anything in here that | 0:01:38 | 0:01:41 | |
I think can turn a profit. | 0:01:41 | 0:01:42 | |
I'll take your trousers, your toaster or your sofa. | 0:01:42 | 0:01:45 | |
Trousers? Steady on. | 0:01:45 | 0:01:47 | |
Sarah has her sight set on three items that she can save from certain doom... | 0:01:48 | 0:01:53 | |
..and put back in your living room. | 0:01:54 | 0:01:57 | |
I like the look of your fence. | 0:01:57 | 0:01:58 | |
Thank you. | 0:01:58 | 0:01:59 | |
Sarah has special permission to do what she does, | 0:01:59 | 0:02:02 | |
so don't go taking stuff away from your local recycling centre, | 0:02:02 | 0:02:06 | |
or you won't be allowed back, all right? | 0:02:06 | 0:02:09 | |
What would you do with that? | 0:02:09 | 0:02:10 | |
There's no point in asking me. | 0:02:10 | 0:02:12 | |
The upcycling ideas are your department, Sarah. | 0:02:12 | 0:02:15 | |
Perhaps inspiration will strike with the junk in Tony's trunk. | 0:02:15 | 0:02:19 | |
-Hello there. -Hello there. | 0:02:21 | 0:02:23 | |
That is a fishing rod habit. | 0:02:23 | 0:02:25 | |
What are you doing with that many fishing rods? | 0:02:25 | 0:02:28 | |
I bought them quite a few years ago, the job lot. | 0:02:28 | 0:02:31 | |
-Right. -I did. And I've done nothing with them at all. | 0:02:31 | 0:02:34 | |
How much did you pay for that lot, then? Do you remember? | 0:02:34 | 0:02:36 | |
Oh, I can't remember. I bought them from an auction, I did. | 0:02:36 | 0:02:39 | |
For the lot, I think it was about £45, I think. | 0:02:39 | 0:02:41 | |
Right. And do you fish a lot? | 0:02:41 | 0:02:44 | |
No, I don't! | 0:02:44 | 0:02:45 | |
I just... I just thought it was a bargain. | 0:02:46 | 0:02:48 | |
-You know? -I reckon that's a bargain. | 0:02:48 | 0:02:51 | |
There's something about them. They're really attractive. | 0:02:51 | 0:02:54 | |
I think it's all the different colours and the fittings. | 0:02:54 | 0:02:56 | |
Yeah, they're some nice bits on there, you know? | 0:02:56 | 0:02:58 | |
-They're lovely. Can I have them? -Yeah, you certainly can. | 0:02:58 | 0:03:01 | |
I don't know what on earth I could make out of them. | 0:03:01 | 0:03:03 | |
I'll tell you what someone did tell me they made with these. | 0:03:03 | 0:03:06 | |
-Yeah? -A trellis. | 0:03:06 | 0:03:08 | |
-Nice. -Together, an arch. | 0:03:08 | 0:03:10 | |
And for the fisherman's home, that's ideal. | 0:03:10 | 0:03:12 | |
Look, if it's OK to take them away... | 0:03:12 | 0:03:14 | |
-Yeah, that's fine. -Do you reckon I could bundle them up and get them | 0:03:14 | 0:03:16 | |
-out of here? -Yeah, yeah, yeah. -Brilliant. | 0:03:16 | 0:03:19 | |
A bargain's a bargain, Tony, | 0:03:19 | 0:03:20 | |
but what do you think Sarah will do with them? | 0:03:20 | 0:03:23 | |
Sarah will do what Sarah wants to do. | 0:03:24 | 0:03:26 | |
No doubt she will make something good out of them. | 0:03:27 | 0:03:30 | |
She will. And please someone. | 0:03:30 | 0:03:33 | |
Good on you, Tony. | 0:03:34 | 0:03:35 | |
Well, I have fallen for these hook, line and sinker. | 0:03:37 | 0:03:40 | |
What a cracking collection of fishing rods. | 0:03:40 | 0:03:42 | |
They've got beautiful detailing on them, | 0:03:42 | 0:03:44 | |
they've got fantastic fittings and there are hundreds of them. | 0:03:44 | 0:03:48 | |
So the moneymaking potential here is massive. | 0:03:48 | 0:03:50 | |
And Sarah's got some makers in mind who will be up for the challenge. | 0:03:51 | 0:03:56 | |
Meet Josh and his best pal, Ollie. | 0:03:58 | 0:04:01 | |
These dedicated designers have a passion for turning unwanted waste | 0:04:01 | 0:04:06 | |
into must have items. | 0:04:06 | 0:04:08 | |
I think getting the salvage materials from Sarah, it's like, | 0:04:09 | 0:04:13 | |
it gives us a really good opportunity to do something | 0:04:13 | 0:04:16 | |
completely different. | 0:04:16 | 0:04:17 | |
So it's actually a really good design process | 0:04:17 | 0:04:19 | |
and it gets us thinking. | 0:04:19 | 0:04:20 | |
Yeah, something that we would never do normally. | 0:04:20 | 0:04:22 | |
I think it's great to have that vision of how something can be | 0:04:22 | 0:04:26 | |
transformed and then actually be involved in making it happen. | 0:04:26 | 0:04:29 | |
Let's hope the boys are as excited as Sarah by the fishing rods' potential. | 0:04:30 | 0:04:35 | |
With one item safely put aside, | 0:04:41 | 0:04:44 | |
Sarah is back on the hunt for another two. | 0:04:44 | 0:04:46 | |
And... What is she doing? | 0:04:46 | 0:04:49 | |
I'm going to release a tip ten single. | 0:04:50 | 0:04:52 | |
Ah, yes. And there's your biggest fan. | 0:04:52 | 0:04:55 | |
But before you hit the big time, | 0:04:57 | 0:04:59 | |
perhaps you'll settle for a game of musical chairs with Paul. | 0:04:59 | 0:05:03 | |
-Hello there. -Hi there. | 0:05:05 | 0:05:07 | |
-Hi. Sorry, Sarah. -Hi, Sarah. It's Paul. -Paul. Hello. | 0:05:07 | 0:05:10 | |
-Nice chairs. -They're lovely chairs. | 0:05:10 | 0:05:12 | |
-Can I have a look at one? -Yeah, take a look. | 0:05:12 | 0:05:14 | |
-Where are they from? -They are actually from a neighbour. | 0:05:14 | 0:05:16 | |
She's in the process of moving and she would like to keep them, | 0:05:16 | 0:05:20 | |
but it's just, you know, not practical. | 0:05:20 | 0:05:22 | |
-Is she downsizing? -Yeah, she's downsizing, it's not practical, | 0:05:22 | 0:05:25 | |
so she said, unfortunately, they've got to go. | 0:05:25 | 0:05:28 | |
So do you think...? Are they garden chairs? | 0:05:28 | 0:05:30 | |
Where were they in her house, do you know? | 0:05:30 | 0:05:31 | |
Well, they were just in stowage in the shed. | 0:05:31 | 0:05:34 | |
I think they were stored in the shed. | 0:05:34 | 0:05:36 | |
And, you know, she hadn't used them for a while. | 0:05:36 | 0:05:39 | |
What do you reckon? A pair here, barley twist things on them. | 0:05:39 | 0:05:41 | |
Maybe they're sort of 1920s, 1930s, that kind of thing. | 0:05:41 | 0:05:44 | |
Yeah. She wasn't sure herself. | 0:05:44 | 0:05:46 | |
1920s might be right. | 0:05:46 | 0:05:48 | |
Lovely. | 0:05:48 | 0:05:49 | |
Barley twists are the corkscrew-like details which had a revival in | 0:05:49 | 0:05:53 | |
furniture during Queen Victoria's reign in the 19th century. | 0:05:53 | 0:05:58 | |
-So would it be OK if I took them away? -Yes, yes, please do, yeah. | 0:05:59 | 0:06:02 | |
I'll be more than happy. It would be wonderful to see somebody do | 0:06:02 | 0:06:05 | |
something with them, to bring them... | 0:06:05 | 0:06:07 | |
You know, that can be used again. | 0:06:07 | 0:06:08 | |
Well, I'm going to take this one away and I'll be back for the other. | 0:06:08 | 0:06:11 | |
-OK, lovely. -Thanks so much. -Thank you very much. | 0:06:11 | 0:06:14 | |
A pair of chairs with a bit of barley twist. | 0:06:14 | 0:06:17 | |
Great find. | 0:06:17 | 0:06:18 | |
But what does Paul think is in store for them. | 0:06:18 | 0:06:21 | |
They'll be fantastic garden chairs, maybe conservatory, who knows? | 0:06:22 | 0:06:25 | |
But whatever it is, I know they'll be good. | 0:06:25 | 0:06:28 | |
Well, what do you reckon? What a lovely pair of chairs. | 0:06:30 | 0:06:33 | |
They've got barley twists on the front, | 0:06:33 | 0:06:35 | |
they've got brown seats and cream arms, but that can go, | 0:06:35 | 0:06:37 | |
and what you get left with is a pair of super saleable chairs. | 0:06:37 | 0:06:41 | |
And I know just where to take them. | 0:06:41 | 0:06:43 | |
Norman Wilkinson, AKA the titan of timber. | 0:06:48 | 0:06:51 | |
He uses his years of experience to create handmade, | 0:06:53 | 0:06:57 | |
one-of-a-kind furniture that will last a lifetime. | 0:06:57 | 0:07:00 | |
Oh, the reclaim is great because, | 0:07:00 | 0:07:03 | |
you know, if you're making a table top out of reclaimed timbers, | 0:07:03 | 0:07:07 | |
no two tops will be the same. | 0:07:07 | 0:07:08 | |
So it's tactile, it's always got its own mind, it's beautiful. | 0:07:08 | 0:07:13 | |
I hope that people will see when they buy it that we've put our | 0:07:13 | 0:07:16 | |
heart and soul into it and we have put as much love | 0:07:16 | 0:07:19 | |
as we can, so hopefully that comes out into it. | 0:07:19 | 0:07:22 | |
That's good to know, Norman, | 0:07:23 | 0:07:25 | |
because you're going to have to dig deep for this project. | 0:07:25 | 0:07:28 | |
That's two items set aside, but the day's not done yet. | 0:07:37 | 0:07:41 | |
Sarah still has to find something she can work on herself. | 0:07:42 | 0:07:46 | |
I don't care about the colour. | 0:07:47 | 0:07:49 | |
As far as I'm concerned, it's waste not, want not. | 0:07:49 | 0:07:51 | |
Well, in that case, Steve's got some brown and black things. | 0:07:53 | 0:07:57 | |
But to you, they could be the colour of money. | 0:07:57 | 0:07:59 | |
Hiya. What are you throwing away, then? | 0:08:03 | 0:08:05 | |
Hiya. Well, just clearing my shed out. | 0:08:05 | 0:08:07 | |
Oh, yeah, what's in your shed, then? | 0:08:07 | 0:08:09 | |
-Have you got a good shed full? -Well, my shed's empty now, I hope. | 0:08:09 | 0:08:11 | |
Ooh! You've got classy stuff. | 0:08:11 | 0:08:13 | |
Is that all going in? | 0:08:13 | 0:08:14 | |
Yeah, that's all going in the skip. | 0:08:14 | 0:08:16 | |
-They're not real ones, are they? -They are not real ones, no. | 0:08:16 | 0:08:18 | |
Classic Barcelona design, isn't it? | 0:08:18 | 0:08:20 | |
Yes, it is, yeah. | 0:08:20 | 0:08:21 | |
Classy indeed. | 0:08:22 | 0:08:24 | |
The Barcelona chair, with its distinctive curved metal frame, | 0:08:24 | 0:08:28 | |
was first made in 1929, born from the German Bauhaus movement. | 0:08:28 | 0:08:34 | |
They are such a stylish thing, aren't they? | 0:08:34 | 0:08:36 | |
Oh, they're an iconic piece of furniture. | 0:08:36 | 0:08:38 | |
Originally commissioned for Spanish royalty, | 0:08:38 | 0:08:41 | |
their popularity exploded in the 1950s and '60s, | 0:08:41 | 0:08:45 | |
leading to less expensive reproductions being made, like these. | 0:08:45 | 0:08:50 | |
So, what have you got? You've got... Are they...? | 0:08:50 | 0:08:52 | |
I've got two Barcelona chairs and a Barcelona stool. | 0:08:52 | 0:08:55 | |
They look like they might have been... | 0:08:55 | 0:08:57 | |
They've seen better days, yeah. | 0:08:57 | 0:08:58 | |
This one has been scratched a bit by the cat. | 0:08:58 | 0:09:01 | |
-Right. -So that one is defunct. | 0:09:01 | 0:09:03 | |
And this one is just getting too tatty now. | 0:09:03 | 0:09:05 | |
I really like these. | 0:09:05 | 0:09:06 | |
-OK. -So would it be OK if I took them away? | 0:09:06 | 0:09:09 | |
-Absolutely, of course, yeah. -Fantastic. Thank you. | 0:09:09 | 0:09:11 | |
-Shall we get them out? -Yeah, let's do that. | 0:09:11 | 0:09:14 | |
Reproduction or not, these are some seriously stylish seats. | 0:09:14 | 0:09:18 | |
Wow, thank you so much for all of that lot. | 0:09:18 | 0:09:20 | |
-I'll be in touch. -No problem. Pleasure. | 0:09:20 | 0:09:22 | |
-Thanks. Bye-bye. -Take care. | 0:09:22 | 0:09:24 | |
Sarah has struck gold, but what does Steve think she will do with them? | 0:09:24 | 0:09:27 | |
Not a clue what she might do with them, but very surprised that they | 0:09:27 | 0:09:30 | |
can be reused in another purpose and look forward to hearing what she's | 0:09:30 | 0:09:34 | |
going to be doing with them. | 0:09:34 | 0:09:35 | |
These are good solid stylish things. | 0:09:36 | 0:09:38 | |
Loving all the chrome. | 0:09:38 | 0:09:40 | |
Plenty of leather here, so loads of potential. | 0:09:40 | 0:09:43 | |
Well, maybe to make them into something... | 0:09:43 | 0:09:45 | |
Who knows what, really? | 0:09:45 | 0:09:46 | |
And with that, Sarah has her items. | 0:09:46 | 0:09:49 | |
Josh and Ollie will find a new function for the fishing rods. | 0:09:51 | 0:09:54 | |
Norman will give a whole new look to the garden loungers. | 0:09:54 | 0:09:59 | |
And Sarah will create something fantastico with the Barcelona chairs. | 0:09:59 | 0:10:04 | |
Well, the rubbish is in the bag and we've had a great day. | 0:10:05 | 0:10:08 | |
But now the hard work really does begin. | 0:10:08 | 0:10:11 | |
Deep in the heart of the beautiful Sussex countryside... | 0:10:17 | 0:10:21 | |
..Sarah's trundling along with a bundle of fibreglass fishing rods. | 0:10:22 | 0:10:27 | |
Woodworkers Josh and Ollie are always up for a challenge, | 0:10:28 | 0:10:31 | |
but Sarah might have gone too far this time. | 0:10:31 | 0:10:35 | |
We're looking forward to getting started with another project | 0:10:36 | 0:10:40 | |
and seeing what weird things she's got for us. | 0:10:40 | 0:10:42 | |
Oh, Ollie, just you wait. | 0:10:42 | 0:10:45 | |
I was so excited when I found all of these fishing rods in one place | 0:10:45 | 0:10:48 | |
at the recycling centre. They're beautiful, they're colourful, | 0:10:48 | 0:10:51 | |
but I think they might be a little bit tricky to upcycle. | 0:10:51 | 0:10:54 | |
But I've got two great friends in mind. | 0:10:54 | 0:10:56 | |
Josh and Ollie, if they can't do it, nobody can. | 0:10:56 | 0:10:59 | |
Or they could just tell you to sling your hook! | 0:11:00 | 0:11:04 | |
So, first impressions, what do you think? | 0:11:04 | 0:11:07 | |
-Take them away! -They're not that bad and there's loads of them. | 0:11:07 | 0:11:11 | |
They have to be usable because there are so many. | 0:11:11 | 0:11:14 | |
It's just going to be quite a difficult project | 0:11:14 | 0:11:16 | |
-to "tackle", isn't it? -Oh. -Oh. | 0:11:16 | 0:11:20 | |
Sorry, Josh, but I'll make the fishing jokes around here! | 0:11:20 | 0:11:23 | |
I don't mean to be "shellfish"! | 0:11:23 | 0:11:25 | |
They have got some strength in the handles that could mean | 0:11:27 | 0:11:30 | |
they could be used for furniture | 0:11:30 | 0:11:31 | |
and they have got great flexibility in the ends. | 0:11:31 | 0:11:34 | |
-It would be really cool to use the flex in some way. -Yeah. | 0:11:34 | 0:11:39 | |
That's like an intrinsic part of a fishing rod. | 0:11:39 | 0:11:41 | |
I reckon they would lend themselves quite nicely to seating | 0:11:41 | 0:11:44 | |
because of the flex. | 0:11:44 | 0:11:47 | |
You can kind of form a nice shape with them. | 0:11:47 | 0:11:50 | |
That sounds great because I think they will make a really good | 0:11:50 | 0:11:52 | |
organic shape, so it's just | 0:11:52 | 0:11:53 | |
what kind of seat do you want to pitch at? | 0:11:53 | 0:11:56 | |
Anything with, like, a nice flow to it. | 0:11:56 | 0:11:59 | |
-Like a kind of lounger, something like that. -Yeah, I'm loving that. | 0:11:59 | 0:12:04 | |
They've decided on a fishing rod lounger chair. | 0:12:04 | 0:12:08 | |
It doesn't sound too comfy but if anyone can do it, it's these boys. | 0:12:08 | 0:12:12 | |
Now, down to business. | 0:12:12 | 0:12:15 | |
Lounge seat price. | 0:12:15 | 0:12:18 | |
What if we were to say 450, 400 maybe? | 0:12:18 | 0:12:23 | |
I think that's fine for a big designer chair out of this lot. | 0:12:23 | 0:12:26 | |
400. If it comes in at 450 I think that will be all right. | 0:12:26 | 0:12:29 | |
-OK, cool. -I want to make a fishing joke, but I'm just going to say | 0:12:29 | 0:12:33 | |
-good luck! -Thank you very much. -Thank you. | 0:12:33 | 0:12:36 | |
See? Sarah knows better than to steal my jokes. | 0:12:36 | 0:12:39 | |
When I said I liked a challenge, this is a little bit crazy. | 0:12:39 | 0:12:42 | |
-It's probably the weirdest one we've had yet. -Yeah, but... | 0:12:42 | 0:12:46 | |
Yeah, I'm sure we'll come up with something. | 0:12:46 | 0:12:48 | |
That is one project that is certainly going to keep | 0:12:50 | 0:12:53 | |
those boys busy. | 0:12:53 | 0:12:54 | |
But the world's first fishing rod chair, | 0:12:54 | 0:12:56 | |
that is something I cannot wait to see. | 0:12:56 | 0:12:58 | |
Sarah and the chaps agreed a budget of between £400 and £450. | 0:13:00 | 0:13:05 | |
Was a lounger the best choice for this project or have the boys | 0:13:05 | 0:13:10 | |
made a rod for their own backs? | 0:13:10 | 0:13:12 | |
From West Sussex to he East Sussex village of Hellingly | 0:13:15 | 0:13:20 | |
where the locals enjoy a gentler pace of life. | 0:13:20 | 0:13:24 | |
HORN TOOTS | 0:13:24 | 0:13:25 | |
Whoa, slow down there, fella! | 0:13:25 | 0:13:27 | |
Now, back to business. | 0:13:27 | 0:13:30 | |
Sarah's brought along the pair of dated garden chairs | 0:13:30 | 0:13:33 | |
to the man who lives, breathes and eats wood, Norman. | 0:13:33 | 0:13:37 | |
Well, he probably doesn't eat wood. | 0:13:37 | 0:13:40 | |
But what will he make of Sarah's latest find? | 0:13:41 | 0:13:44 | |
What she brings will be fantastic or I'll scratch my head | 0:13:44 | 0:13:48 | |
and wish she'd turned round and go the other way. So, yeah. | 0:13:48 | 0:13:52 | |
Norman, this is definitely a head-scratcher. | 0:13:52 | 0:13:56 | |
Well, look at them, you probably couldn't get less desirable | 0:13:56 | 0:13:59 | |
and more dated than these chairs. | 0:13:59 | 0:14:01 | |
They've got barley twists, they're beige, | 0:14:01 | 0:14:03 | |
but it's all right because I've brought them to Norman. | 0:14:03 | 0:14:06 | |
He is going to absolutely love them. In my dreams! | 0:14:06 | 0:14:08 | |
Ooh, that's heavy. Ooh, missus! | 0:14:10 | 0:14:13 | |
I don't think you're taking my chairs seriously. | 0:14:14 | 0:14:17 | |
-What is the plan then, boss? -I thought, reposition these | 0:14:17 | 0:14:20 | |
as steamer chairs so they look like they should be | 0:14:20 | 0:14:22 | |
on the deck of a luxury yacht. | 0:14:22 | 0:14:25 | |
You've obviously been on lots of luxury yachts, have you? | 0:14:25 | 0:14:27 | |
-Only in my dreams. -Excellent. | 0:14:27 | 0:14:30 | |
So, this is adjustable. It looks pretty uncomfortable like that | 0:14:30 | 0:14:33 | |
but I think better when it's at max tilt like that. | 0:14:33 | 0:14:35 | |
-Now it's comfortable. -How about having that piece at the back | 0:14:35 | 0:14:39 | |
mirrored with a piece at the bottom | 0:14:39 | 0:14:41 | |
so that they then become loungers for laying out on? | 0:14:41 | 0:14:45 | |
-Loungers! -Loungers. | 0:14:45 | 0:14:48 | |
Is that how you lounge? | 0:14:48 | 0:14:50 | |
Now, come on, you two, try and take this seriously! | 0:14:50 | 0:14:54 | |
OK, so, if we strip it all apart, | 0:14:54 | 0:14:56 | |
take them to the sand blasters and hope they can get all the paint off. | 0:14:56 | 0:14:59 | |
Take this lot out and then somehow | 0:14:59 | 0:15:01 | |
we're going to make this leggy thing work. | 0:15:01 | 0:15:03 | |
So you'd have a loose cushion on it, wouldn't you, | 0:15:03 | 0:15:06 | |
-so you could bring the cushions in. -We can have little ties on it. | 0:15:06 | 0:15:08 | |
Yeah, lovely. Your feminine side coming out. | 0:15:08 | 0:15:11 | |
My feminine side again, yeah. | 0:15:11 | 0:15:12 | |
Oh, they're as bad as each other! | 0:15:12 | 0:15:15 | |
Could you fold it away so they could be used as a normal chair as well? | 0:15:15 | 0:15:18 | |
So, the plan is to create two steamer-style luxury loungers | 0:15:20 | 0:15:24 | |
by adding new footrests. | 0:15:24 | 0:15:26 | |
Now, enough of the high jinks, it's time for the serious stuff, money. | 0:15:27 | 0:15:32 | |
So the cushions are slightly tricky to price up at the moment | 0:15:32 | 0:15:35 | |
but can you give me a price for refinishing | 0:15:35 | 0:15:37 | |
and creating this lovely luxury steamer effect? | 0:15:37 | 0:15:40 | |
Um, 175 quid each. | 0:15:40 | 0:15:43 | |
I think that's fine. | 0:15:43 | 0:15:44 | |
We're creating something that is a vintage, luxury-looking item. | 0:15:44 | 0:15:50 | |
-There you go. -Thank you so much. | 0:15:50 | 0:15:52 | |
-Keep in touch, right? -We will. | 0:15:52 | 0:15:54 | |
There you have it, Norman. | 0:15:54 | 0:15:56 | |
How are you feeling about that? | 0:15:56 | 0:15:58 | |
I feel as though I've been spoiled, so, I can't wait. | 0:15:58 | 0:16:03 | |
Do I detect some sarcasm? | 0:16:03 | 0:16:06 | |
Well, I don't think Norman immediately embraced | 0:16:06 | 0:16:09 | |
the luxury-liner look but I think, once he gets his head round it, | 0:16:09 | 0:16:12 | |
he's going to be cruising. | 0:16:12 | 0:16:14 | |
With a budget of £350 for the two chairs plus extra for the cushions, | 0:16:15 | 0:16:20 | |
Norman will really have to push the boat out | 0:16:20 | 0:16:23 | |
if he hopes to pull in the pounds. | 0:16:23 | 0:16:26 | |
With her crafty creatives up and running... | 0:16:33 | 0:16:37 | |
..Sarah is back home in Sussex | 0:16:39 | 0:16:41 | |
and is raring to get going with her own set of chairs. | 0:16:41 | 0:16:46 | |
Well, a classic pair of 1929 Barcelona chairs these are not. | 0:16:46 | 0:16:51 | |
These are reproduction and they are ripe for ripping apart | 0:16:51 | 0:16:54 | |
and transforming into something else. | 0:16:54 | 0:16:56 | |
Thank goodness for that! | 0:16:56 | 0:16:59 | |
To begin, Sarah removes the cushions | 0:16:59 | 0:17:01 | |
as she's more interested in what's underneath. | 0:17:01 | 0:17:06 | |
I'm just stripping off the cushions so I can see what kind of shapes | 0:17:06 | 0:17:09 | |
I'm going to have left to work with. | 0:17:09 | 0:17:10 | |
There's something quite decorative about these bits I'm sure. | 0:17:10 | 0:17:14 | |
The Barcelona chair frame was originally designed | 0:17:14 | 0:17:17 | |
to be bolted together. | 0:17:17 | 0:17:19 | |
It was redesigned in 1950 using stainless steel | 0:17:19 | 0:17:23 | |
which allowed the frame to be formed by a seamless piece of metal | 0:17:23 | 0:17:27 | |
giving it a smoother appearance. | 0:17:27 | 0:17:29 | |
So now I really know what my plan is. | 0:17:31 | 0:17:33 | |
These sofa frames are going to become the legs of | 0:17:33 | 0:17:35 | |
a beautiful dining table. They're sleek, they're chrome | 0:17:35 | 0:17:38 | |
with a good finish on them | 0:17:38 | 0:17:40 | |
and they've also got a load of strapping that needs to come off. | 0:17:40 | 0:17:43 | |
So, that's the plan. | 0:17:43 | 0:17:44 | |
A dining table! This just got interesting. | 0:17:44 | 0:17:47 | |
But first, Sarah has to remove the metres of strapping | 0:17:47 | 0:17:51 | |
which have been riveted to the frame. | 0:17:51 | 0:17:54 | |
This is going to take hours. There are hundreds of these things. | 0:17:55 | 0:17:58 | |
The reproduction furniture market is all above board and very lucrative. | 0:17:58 | 0:18:03 | |
Designs which are out of copyright are fair game to reproduce. | 0:18:03 | 0:18:08 | |
Nearly done. | 0:18:08 | 0:18:09 | |
But recent changes to the law mean that the copyright protection | 0:18:09 | 0:18:13 | |
on a number of classics, including the Barcelona chair, | 0:18:13 | 0:18:16 | |
have been extended, | 0:18:16 | 0:18:18 | |
meaning it is no longer legal to produce new replicas | 0:18:18 | 0:18:21 | |
of chairs like these in the UK. | 0:18:21 | 0:18:24 | |
Well, that's definitely the way to put those legs. | 0:18:26 | 0:18:28 | |
I just need to get the table top sorted now. | 0:18:28 | 0:18:30 | |
So, I've had a piece of birch ply cut. | 0:18:32 | 0:18:34 | |
It's inch thick, over six-foot long | 0:18:34 | 0:18:36 | |
and a great generous size for a table for six or eight. | 0:18:36 | 0:18:39 | |
But I've got to find a way of attaching it to the legs. | 0:18:39 | 0:18:42 | |
They were chairs, now they've got to be legs, | 0:18:42 | 0:18:44 | |
a bit of figuring out to do. | 0:18:44 | 0:18:46 | |
No-one wants a wonky, wobbly table | 0:18:47 | 0:18:50 | |
so the chairs that are now legs have to be positioned exactly right. | 0:18:50 | 0:18:54 | |
Oh, this is a complicated one. | 0:18:54 | 0:18:57 | |
So, it turns out these chair frames are not exactly a pair. | 0:18:58 | 0:19:02 | |
Nearly, about that much out, | 0:19:02 | 0:19:04 | |
so I've got to measure where I would like them | 0:19:04 | 0:19:06 | |
and then try and adjust the height of them when it's the other way up. | 0:19:06 | 0:19:10 | |
Are you following that? Good, because I've not got a clue! | 0:19:10 | 0:19:14 | |
Surely it would have been easier to keep them as loungers? | 0:19:14 | 0:19:17 | |
But Sarah's never been one for the easy option. | 0:19:17 | 0:19:21 | |
These are way out and it's going to be really difficult | 0:19:21 | 0:19:23 | |
to make them level. But it won't work as a table unless it is. | 0:19:23 | 0:19:27 | |
So I'd better find a solution. | 0:19:27 | 0:19:30 | |
I could bend them. | 0:19:30 | 0:19:31 | |
Well, if in doubt, bash it about. | 0:19:33 | 0:19:35 | |
This isn't going to be easy to get it right. | 0:19:38 | 0:19:40 | |
But get it right she must. | 0:19:40 | 0:19:42 | |
Sarah's already spent £40 on materials to create the table | 0:19:42 | 0:19:47 | |
but, if she doesn't get it level, this could be a bad investment. | 0:19:47 | 0:19:52 | |
In their West Sussex workshop, | 0:19:56 | 0:20:00 | |
Josh and Ollie are facing up to their most difficult challenge yet, | 0:20:00 | 0:20:04 | |
turning these fishing rods into a chair. | 0:20:04 | 0:20:06 | |
But surely they'll meet it head-on with their usual upbeat, positive, | 0:20:06 | 0:20:11 | |
can-do attitude. | 0:20:11 | 0:20:13 | |
It seems ambitious, doesn't it? The more, the more we look at it, | 0:20:13 | 0:20:17 | |
the more... It's just... | 0:20:17 | 0:20:20 | |
Yeah, not the greatest material to make chairs out of. | 0:20:20 | 0:20:23 | |
Hm, the upbeat positivity is a little lacking. | 0:20:23 | 0:20:27 | |
We've been looking at them for a while now and still | 0:20:28 | 0:20:31 | |
don't really know how we're going to turn them into a chair. | 0:20:31 | 0:20:33 | |
But I'm sure we can do something with them. | 0:20:33 | 0:20:35 | |
It's just figuring out the best way of doing it. | 0:20:35 | 0:20:38 | |
These bearded boy wonders of woodworkery | 0:20:38 | 0:20:41 | |
appear to have lost their mojo. | 0:20:41 | 0:20:43 | |
In order to get their creative juices flowing, | 0:20:44 | 0:20:47 | |
the lads are stripping back the fishing rods to simple poles. | 0:20:47 | 0:20:52 | |
We're hoping that by just, kind of, starting to work with them, | 0:20:52 | 0:20:57 | |
we might come up with a few more ideas | 0:20:57 | 0:20:59 | |
because we haven't really come up with much yet, so... | 0:20:59 | 0:21:03 | |
I think the more I think about it, and the more I look at them, | 0:21:05 | 0:21:08 | |
just the trickier this project seems. | 0:21:08 | 0:21:10 | |
Poor lads. They look so disheartened. | 0:21:12 | 0:21:15 | |
Don't you just want to pinch their little cheeks to gee them up? | 0:21:15 | 0:21:18 | |
Modern fishing rods are typically made of fibreglass or carbon fibre. | 0:21:18 | 0:21:23 | |
Sawing through them releases tiny particles of glass dust | 0:21:23 | 0:21:27 | |
into the air so it's important to wear the correct safety equipment. | 0:21:27 | 0:21:32 | |
Has stripping back the rods sparked Josh and Ollie's imaginations? | 0:21:32 | 0:21:36 | |
It looks a little more like a raw material now | 0:21:36 | 0:21:39 | |
rather than a fishing rod. | 0:21:39 | 0:21:41 | |
It feels like it's got a bit more potential, so, erm, yeah, | 0:21:41 | 0:21:46 | |
let's just do some sketches and see where we go. | 0:21:46 | 0:21:48 | |
They're not quite firing on all cylinders yet, | 0:21:48 | 0:21:51 | |
but they're getting their groove back just a smidgen. | 0:21:51 | 0:21:55 | |
The boys are sketching out ideas for their chair design. | 0:21:55 | 0:21:59 | |
So, if we were to have some kind of frame either side, | 0:22:01 | 0:22:07 | |
and then we can use that to support the fishing rods, | 0:22:07 | 0:22:11 | |
we're hoping that we can bend them down to make it a nice curve. | 0:22:11 | 0:22:15 | |
It's a real challenge. | 0:22:15 | 0:22:16 | |
If it's not really going to work | 0:22:16 | 0:22:18 | |
then we may as well scrap the whole chair idea. | 0:22:18 | 0:22:21 | |
To test out the strength and flexibility of the poles, | 0:22:23 | 0:22:26 | |
the lads are knocking together a tester seat frame. | 0:22:26 | 0:22:30 | |
In the past, the boys have transformed twigs into chandeliers, | 0:22:30 | 0:22:34 | |
floorboards into skateboards, copper pipes into candelabras, | 0:22:34 | 0:22:40 | |
but these fishing rods could be an upcycle too far. | 0:22:40 | 0:22:44 | |
Finished chair. We should call Sarah now! | 0:22:47 | 0:22:49 | |
-Yeah, come and get it. -Yeah. | 0:22:49 | 0:22:51 | |
-This is our sitting test. -Yeah, it's the moment of truth, isn't it? | 0:22:51 | 0:22:55 | |
-After you, sir. -Please. | 0:22:57 | 0:22:59 | |
The pleasure's all yours. | 0:22:59 | 0:23:01 | |
The success or failure of this project | 0:23:01 | 0:23:04 | |
all rests on Ollie's derriere. | 0:23:04 | 0:23:06 | |
Oh, it's comfy! | 0:23:06 | 0:23:08 | |
Oh, it's so nice to see them happy again. | 0:23:08 | 0:23:12 | |
Yeah. It's all right. | 0:23:14 | 0:23:16 | |
We're both really happy with how this has turned out, | 0:23:16 | 0:23:19 | |
-and it gives us a bit of hope for the next... -Yeah. | 0:23:19 | 0:23:21 | |
-..for the actual chair. -There's still a lot of work to do. | 0:23:21 | 0:23:24 | |
Yeah, yeah, yeah. But we can see where we're going with it now. | 0:23:24 | 0:23:27 | |
At last, the bearded boy wonders and their positive attitude are back. | 0:23:27 | 0:23:33 | |
In his East Sussex workshop, | 0:23:36 | 0:23:39 | |
Norman is getting to grips with his latest piece of trash treasure | 0:23:39 | 0:23:42 | |
from Sarah. | 0:23:42 | 0:23:44 | |
She wants him to turn two simple seats into luxury | 0:23:44 | 0:23:47 | |
steamer-style chairs which, translated into normal speak, | 0:23:47 | 0:23:52 | |
is a fancy sun lounger. | 0:23:52 | 0:23:54 | |
We've got to make them look beautiful | 0:23:54 | 0:23:57 | |
and ready for someone to slouch on it. | 0:23:57 | 0:24:00 | |
Classy people don't slouch, they recline. | 0:24:00 | 0:24:04 | |
So the plan is, we're going to... | 0:24:04 | 0:24:06 | |
We've got to take the seat out and take all the gubbins out. | 0:24:06 | 0:24:09 | |
That's a technical term for "bits and bobs". | 0:24:09 | 0:24:12 | |
Because we need to put in the footrest. | 0:24:12 | 0:24:16 | |
So, somehow, it's got to come down and flop | 0:24:16 | 0:24:19 | |
so your feet can, sort of, like, laze like, something like that. | 0:24:19 | 0:24:23 | |
Such a graceful man! | 0:24:23 | 0:24:25 | |
To create the footrest, Norman has to remove the seat. | 0:24:26 | 0:24:29 | |
Oh, I've just found a £50 note. | 0:24:31 | 0:24:33 | |
In my dreams! | 0:24:33 | 0:24:35 | |
I hate upholstery. | 0:24:36 | 0:24:38 | |
It seems to take hours just to get to where you need, doesn't it? | 0:24:38 | 0:24:41 | |
All the little tacks and the pins. | 0:24:41 | 0:24:43 | |
Steamer chairs get their name from steam-powered ocean liners. | 0:24:43 | 0:24:49 | |
In 2015, one that was recovered from the Titanic | 0:24:49 | 0:24:53 | |
sold for over £100,000 at auction. | 0:24:53 | 0:24:56 | |
No pressure, Norman! | 0:24:56 | 0:24:59 | |
That's a bit of horse hair, there, | 0:24:59 | 0:25:01 | |
so I could make myself a little wig, couldn't I? | 0:25:01 | 0:25:03 | |
You know, I'm a bit thin on top these days. | 0:25:03 | 0:25:04 | |
I think I've got less hair now since I met Sarah, | 0:25:04 | 0:25:07 | |
all the stress she's caused. | 0:25:07 | 0:25:09 | |
Oh, Norman, don't you worry, you've got a lovely-shaped cranium. | 0:25:09 | 0:25:12 | |
Ha. | 0:25:12 | 0:25:14 | |
This chair didn't have this to begin with. | 0:25:14 | 0:25:16 | |
Hm, what have we here? | 0:25:16 | 0:25:18 | |
Look. You see here? Look. | 0:25:18 | 0:25:22 | |
It's had... This has been added later on. | 0:25:22 | 0:25:25 | |
They've added the upholstery and the springs and everything, | 0:25:25 | 0:25:27 | |
and you can actually still see one of the slats, you know, | 0:25:27 | 0:25:30 | |
where they've only slashed some of it off. | 0:25:30 | 0:25:33 | |
So, it started off life in a completely different way. | 0:25:33 | 0:25:36 | |
It's had a Money For Nothing transformation a few years ago, | 0:25:36 | 0:25:39 | |
I expect, so, you know, it's round two on it. | 0:25:39 | 0:25:43 | |
Perhaps it used to be a steamer chair! | 0:25:43 | 0:25:45 | |
Just not one from the Titanic. | 0:25:45 | 0:25:48 | |
Oh, it stinks. | 0:25:48 | 0:25:50 | |
Removing this upholstery is taking almost as long as that movie. | 0:25:50 | 0:25:55 | |
If I had a penny for every one of these tacks, I'd be worth a fortune. | 0:25:55 | 0:25:58 | |
On average, a chair like this would contain 1,024 tacks, | 0:25:59 | 0:26:04 | |
earning Norman £10.24! | 0:26:04 | 0:26:09 | |
All right, I've just made that up, I'm being sarcastic, | 0:26:09 | 0:26:11 | |
it's not big or clever. I'll stop. | 0:26:11 | 0:26:14 | |
I expect the upholsterer's got one of these things that they | 0:26:14 | 0:26:17 | |
just tack them out with. Not like me, doing it the stupid way. | 0:26:17 | 0:26:20 | |
They do, Norman. It's called a tack remover! | 0:26:20 | 0:26:23 | |
Sorry, I did try. | 0:26:23 | 0:26:25 | |
But the good news is this is Norman's last tack... | 0:26:25 | 0:26:29 | |
-Happy days. -..for this chair. | 0:26:29 | 0:26:31 | |
He's still got the other one to do. | 0:26:31 | 0:26:33 | |
Norman will need to get up a head of steam | 0:26:33 | 0:26:35 | |
to get those steamer chairs finished. | 0:26:35 | 0:26:38 | |
While the crafty types continue with their transformations, | 0:26:42 | 0:26:45 | |
Sarah is shining up the old chair legs, ready to reveal her table. | 0:26:45 | 0:26:51 | |
Well, it really doesn't look like chairs any more. | 0:26:51 | 0:26:53 | |
I just don't know if this one's going to sell. I hope it will. | 0:26:53 | 0:26:57 | |
Sarah seems a bit nervous about this one. | 0:26:57 | 0:27:00 | |
Here's hoping she's succeeded in creating | 0:27:00 | 0:27:02 | |
a sleek and stylish dining table. | 0:27:02 | 0:27:05 | |
There was no need to worry. | 0:27:08 | 0:27:10 | |
This is incredible. | 0:27:10 | 0:27:13 | |
Sarah has combined the retro chrome legs with a birch plywood table top | 0:27:14 | 0:27:20 | |
on to which she has added a Jackson Pollock-styled | 0:27:20 | 0:27:23 | |
splatter paint design. | 0:27:23 | 0:27:25 | |
It's got a sort of starburst, '60s, Space Odyssey type of vibe. | 0:27:27 | 0:27:31 | |
The silver edging ties in with the chrome legs | 0:27:33 | 0:27:36 | |
and adds to the space-age feel. This is out of this world. | 0:27:36 | 0:27:41 | |
What do you think? Massive atomic splash across the top. | 0:27:44 | 0:27:48 | |
Silver highlights to the edges and, to make it a cohesive piece, | 0:27:48 | 0:27:51 | |
I think it's working. It's big, it's useful, it's practical. | 0:27:51 | 0:27:55 | |
Somebody might like this as a quirky individual piece | 0:27:55 | 0:27:58 | |
to have in their house because, one thing's for sure, | 0:27:58 | 0:28:00 | |
you're not going to find another one of these. | 0:28:00 | 0:28:03 | |
Sarah knew she had found some trash treasure | 0:28:04 | 0:28:07 | |
the moment she spotted it in Steve's van. | 0:28:07 | 0:28:10 | |
-Ooh, you've got classy stuff! -A few bits and pieces. | 0:28:10 | 0:28:12 | |
-Is that all going in? -Yeah, it's all going in the skip. | 0:28:12 | 0:28:16 | |
Ah, Steve, of course it's not! | 0:28:16 | 0:28:18 | |
Sarah grabbed them to work her makeover magic. | 0:28:18 | 0:28:21 | |
I'm very surprised that they can be reused for another purpose | 0:28:21 | 0:28:24 | |
and I look forward to hearing what she's going to be doing with them. | 0:28:24 | 0:28:27 | |
Steve, I think you're going to be impressed. | 0:28:29 | 0:28:31 | |
Sarah jumps straight online to drum up some interest | 0:28:37 | 0:28:40 | |
and, in no time at all, it was sold. | 0:28:40 | 0:28:44 | |
Now Sarah's in Elstead in Surrey to show Steve | 0:28:47 | 0:28:50 | |
what happened to his chairs and to hand over some profit. | 0:28:50 | 0:28:55 | |
-Hello, there. -Hello. -Nice to see you again, Steve. -Good to see you. | 0:28:57 | 0:29:00 | |
-How are you doing? -Very well, thank you, yeah. | 0:29:00 | 0:29:02 | |
I said I'd come to your doorstep if there was something | 0:29:02 | 0:29:04 | |
to be done with your old chairs. | 0:29:04 | 0:29:05 | |
Have you been wondering since I last saw you what might have happened | 0:29:05 | 0:29:08 | |
-to your old chairs? -Yeah, I've had a few thoughts. | 0:29:08 | 0:29:10 | |
But what are you going to do with them? They're chairs. | 0:29:10 | 0:29:13 | |
-So I'd be very interested to see. -Well, actually, | 0:29:13 | 0:29:15 | |
it was something that I worked on. | 0:29:15 | 0:29:17 | |
They were in our building at home, and I saw them | 0:29:17 | 0:29:20 | |
and I just saw something in them, and I thought, I know. | 0:29:20 | 0:29:22 | |
No more chairs. I'm going to make a table out of them. | 0:29:22 | 0:29:25 | |
So your chairs now look like that. | 0:29:25 | 0:29:27 | |
What I've done is I've taken all the chrome bits off, | 0:29:27 | 0:29:29 | |
-stripped all the fabric off them. -That is really groovy. | 0:29:29 | 0:29:32 | |
-It's got a splatter top and a silver edge. -Yeah, that is cracking. | 0:29:32 | 0:29:35 | |
Really, that is just... You should be so pleased with yourself. | 0:29:35 | 0:29:37 | |
-That's a cracking job. -Oh, that's really sweet of you to say. | 0:29:37 | 0:29:40 | |
Now, would you recognise that as something that | 0:29:40 | 0:29:42 | |
-once was a pair of chairs? -No, definitely not. No, that is amazing. | 0:29:42 | 0:29:45 | |
-That is so good. Well done. -Oh, thank you. -That's brilliant. | 0:29:45 | 0:29:48 | |
It has actually gone off to a wedding venue | 0:29:48 | 0:29:49 | |
and they are using it to put people's wedding cakes on. | 0:29:49 | 0:29:52 | |
-Fantastic. -So, a new lease of life and some profit. | 0:29:52 | 0:29:55 | |
-I've got £134 here for your old chairs. -That is really good. | 0:29:55 | 0:29:59 | |
Thank you so much. Who would have thought? | 0:29:59 | 0:30:01 | |
-Have you any thoughts about what you might do with it? -I haven't really. | 0:30:01 | 0:30:04 | |
I'm pretty intent to give some of it to charity, | 0:30:04 | 0:30:06 | |
but we're looking to get some new furniture ourselves. | 0:30:06 | 0:30:09 | |
It might be nice to spend some of it on a chair or | 0:30:09 | 0:30:11 | |
-something for ourselves so we can just remember that. -Lovely. | 0:30:11 | 0:30:14 | |
Well, thank you so much. I really enjoyed doing that. | 0:30:14 | 0:30:16 | |
-It was great to catch up. -Good to see you, Sarah. Well done. | 0:30:16 | 0:30:19 | |
-Thank you. Bye-bye. -Cheers. Bye-bye. | 0:30:19 | 0:30:21 | |
Sarah spent £61 creating the table. | 0:30:24 | 0:30:27 | |
She sold it for an impressive £195 | 0:30:27 | 0:30:31 | |
leaving Steve with £134 to split between the charity | 0:30:31 | 0:30:36 | |
and some new chairs for himself. | 0:30:36 | 0:30:39 | |
Sarah's in Chichester to see if Ollie and Josh have succeeded | 0:30:45 | 0:30:49 | |
in transforming the fishing rods into a seat. | 0:30:49 | 0:30:53 | |
It was a bit of a slog. There was a lot... | 0:30:53 | 0:30:55 | |
Yeah, just trying to work out what we were actually doing with it | 0:30:55 | 0:30:58 | |
was pretty difficult. | 0:30:58 | 0:30:59 | |
Probably won't be looking to work with fishing rods | 0:30:59 | 0:31:02 | |
in the near future, I don't think. They're really difficult. | 0:31:02 | 0:31:05 | |
Sarah gave the boys a big bundle of fishing rods | 0:31:05 | 0:31:08 | |
and they said, we'll make you a chair. | 0:31:08 | 0:31:11 | |
Sounds easy when you say it like that. | 0:31:11 | 0:31:14 | |
And it looks fantastic when you see it like this. | 0:31:16 | 0:31:19 | |
Josh and Ollie have crafted a sleek and stylish frame | 0:31:20 | 0:31:24 | |
made from English oak, | 0:31:24 | 0:31:25 | |
using the fishing rods as the seat and back support. | 0:31:25 | 0:31:29 | |
The oak has been finished with hard wax oil to bring out the grain. | 0:31:30 | 0:31:35 | |
The modern, minimalist design of the woodwork | 0:31:35 | 0:31:38 | |
allows the bright colours of the fishing rods to shine | 0:31:38 | 0:31:41 | |
making them the focal point. | 0:31:41 | 0:31:44 | |
The boys' design ingenuity was tested on this makeover | 0:31:44 | 0:31:48 | |
more than any other, but they've come up trumps once again. | 0:31:48 | 0:31:53 | |
Oh, guys! | 0:31:57 | 0:31:59 | |
You've done it. That's amazing. | 0:31:59 | 0:32:01 | |
-Thank you very much. -I imagined it might be some sort of | 0:32:01 | 0:32:04 | |
-old-fashioned cane furniture. -Yeah, yeah. | 0:32:04 | 0:32:07 | |
Was it a total nightmare? | 0:32:07 | 0:32:10 | |
Erm, yeah, to be honest. | 0:32:10 | 0:32:12 | |
Why did I imagine it was going to be a total nightmare? | 0:32:12 | 0:32:15 | |
Yeah, they're just... | 0:32:15 | 0:32:17 | |
It was really horrible to work with those fishing rods. | 0:32:17 | 0:32:19 | |
And actually, like, thinking of an idea that would work was... | 0:32:19 | 0:32:24 | |
It just took us forever. | 0:32:24 | 0:32:26 | |
So it's been a really tricky one. | 0:32:26 | 0:32:28 | |
But, yeah, we're pleased with the outcome. | 0:32:28 | 0:32:30 | |
Well, you've certainly created something sleek and designer. | 0:32:30 | 0:32:33 | |
-It's got all the right profiles, hasn't it? -Mm, yeah. | 0:32:33 | 0:32:35 | |
So what did you do? It's a nice... It's an oak frame, is it? | 0:32:35 | 0:32:39 | |
Yeah, yeah, oak frame. Well, I think this is nice | 0:32:39 | 0:32:42 | |
because it kind of frames the fishing rods | 0:32:42 | 0:32:44 | |
and we do like how they're all kind of different colours. | 0:32:44 | 0:32:47 | |
So, yeah, it kind of shows them off how they are, really. | 0:32:47 | 0:32:50 | |
You have to look twice to tell they're fishing rods | 0:32:50 | 0:32:52 | |
but you can definitely see that they were something different, can't you? | 0:32:52 | 0:32:56 | |
-Mm. -Yeah. -Are you pleased with t? | 0:32:56 | 0:32:58 | |
-Yeah. -Yeah. | 0:32:58 | 0:32:59 | |
So, was it a fortune, then? Budget-wise, are we...? | 0:32:59 | 0:33:03 | |
I think we will be slightly above what we kind of agreed on | 0:33:03 | 0:33:07 | |
just because it took us just forever to, | 0:33:07 | 0:33:10 | |
to actually get round to making a decision on it | 0:33:10 | 0:33:13 | |
and kind of just faffing about with it. | 0:33:13 | 0:33:15 | |
OK. So what does that mean the final budget is? | 0:33:15 | 0:33:18 | |
-So, if we say 500. -OK. -I think we'd be happy with that. | 0:33:18 | 0:33:21 | |
I think if it was just a well-made chair, that would be a problem, | 0:33:21 | 0:33:25 | |
but people love fishing, and there's all sorts of places | 0:33:25 | 0:33:29 | |
who I think will latch onto this, so I think that's... | 0:33:29 | 0:33:33 | |
500 quid is a big price for a chair but not for a unique one, so, | 0:33:33 | 0:33:38 | |
-yeah, on that basis... -Cool. | 0:33:38 | 0:33:41 | |
Well done. | 0:33:41 | 0:33:43 | |
As a reward for their hard work, I'm going to allow Josh and Ollie a pun. | 0:33:43 | 0:33:48 | |
So, Sarah took the bait on this one, didn't she? | 0:33:48 | 0:33:50 | |
-Yeah. -She landed herself a nice chair, there. | 0:33:50 | 0:33:52 | |
Oh, that was a good one! Have another. | 0:33:52 | 0:33:56 | |
We did make a bit of a rod for our own backs with this one. | 0:33:56 | 0:33:58 | |
-We did, yeah. -Yeah. -Oh, go on, have a third. | 0:33:58 | 0:34:01 | |
I think we're going to be reeling from it for weeks. | 0:34:01 | 0:34:04 | |
Yeah. | 0:34:04 | 0:34:06 | |
So that's how you make a chair out of fishing rods. | 0:34:06 | 0:34:09 | |
-Those boys went for it hook, line and... -Er, no, Sarah, | 0:34:09 | 0:34:11 | |
you're not allowed. I'm just going to talk over you, all right? | 0:34:11 | 0:34:15 | |
Tony was about to chuck his fishing rods in the skip | 0:34:16 | 0:34:20 | |
when Sarah stepped in to save them. | 0:34:20 | 0:34:22 | |
-They're lovely. Can I have them? -Yeah. You certainly can. | 0:34:22 | 0:34:25 | |
While Tony had an idea or two what to do with them, | 0:34:25 | 0:34:29 | |
he knew who the boss was. | 0:34:29 | 0:34:31 | |
Sarah will do what Sarah wants to do! Ha! | 0:34:31 | 0:34:34 | |
No doubt she'll make something good out of it. | 0:34:34 | 0:34:37 | |
And with more than a little help from her friends, she did. | 0:34:37 | 0:34:42 | |
The Arundell Arms Hotel in Devon snapped up the chair, | 0:34:46 | 0:34:51 | |
and general manager Matt was chuffed to bits with it. | 0:34:51 | 0:34:55 | |
The chair is absolutely amazing. | 0:34:55 | 0:34:57 | |
It fits so well in here with the hotel and what we do. | 0:34:57 | 0:35:00 | |
The guests here are just going to love the chair so much. | 0:35:00 | 0:35:02 | |
Now Sarah's in Godalming in Surrey | 0:35:04 | 0:35:07 | |
to show Tony his new-look fishing rods | 0:35:07 | 0:35:10 | |
and hand over the profit. | 0:35:10 | 0:35:13 | |
-Hello there. -Hello there. -Oh, hello. -This is Max. | 0:35:13 | 0:35:16 | |
Hello. How are you? Aren't you sweet? Such a nice boy. | 0:35:16 | 0:35:19 | |
Now, I have been looking forward to catching up with you because | 0:35:19 | 0:35:22 | |
I think you might be a man after my own heart. | 0:35:22 | 0:35:24 | |
-Yeah, I probably am. -What were you doing with 40 fishing rods? | 0:35:24 | 0:35:28 | |
I bought them because they were a bargain at the time. | 0:35:28 | 0:35:30 | |
Well, I was really pleased to see them turn up | 0:35:30 | 0:35:32 | |
because anything that appears in that quantity must be worth saving. | 0:35:32 | 0:35:35 | |
So, did you have any idea about what we might do with them? | 0:35:35 | 0:35:38 | |
Well, the only thing I thought you might have done with them, | 0:35:38 | 0:35:41 | |
someone said you might make a trellis. | 0:35:41 | 0:35:43 | |
Oh, yeah. They went down to Halnaker near Goodwood. | 0:35:43 | 0:35:46 | |
I've got a picture here to show you how it turned out. | 0:35:46 | 0:35:48 | |
-Are you ready? -Yeah, fine. | 0:35:48 | 0:35:49 | |
The fishing rods now look like that. | 0:35:49 | 0:35:52 | |
Right, but the chair... | 0:35:52 | 0:35:53 | |
All of the tips of the fishing rods that are just the right size | 0:35:53 | 0:35:56 | |
have been repurposed into caning to go on there. | 0:35:56 | 0:35:58 | |
Oh, right. And they're strong enough to take the weight? | 0:35:58 | 0:36:02 | |
I'll tell you what, I've sat in it and they bore my weight. | 0:36:02 | 0:36:04 | |
They are actually very strong. What do you think? | 0:36:04 | 0:36:07 | |
Well, I'd never have dreamed they were going to be made into a chair. | 0:36:07 | 0:36:11 | |
It has been sold. So I've got profit here for you. | 0:36:11 | 0:36:15 | |
-Oh, right! -I've got £95 here. -Have you really? -Here, that's for you. | 0:36:15 | 0:36:19 | |
Oh! Amazing. | 0:36:19 | 0:36:21 | |
That's lovely. Thank you very much indeed. | 0:36:21 | 0:36:23 | |
Have you got any thoughts about what you might spend it on? | 0:36:23 | 0:36:25 | |
We've both just retired from work | 0:36:25 | 0:36:27 | |
so it'll come in very handy, it will. | 0:36:27 | 0:36:30 | |
I'm so pleased that's going into the family kitty. | 0:36:30 | 0:36:32 | |
-Yeah. -Thank you so much for your fishing rods. | 0:36:32 | 0:36:34 | |
I'm really pleased with that. Thank you very much indeed. | 0:36:34 | 0:36:37 | |
Absolute pleasure. Nice to catch up. | 0:36:37 | 0:36:38 | |
-Thank you so much. Bye-bye. -Thank you very much. Bye-bye. | 0:36:38 | 0:36:41 | |
Josh and Ollie's final costs came to £500. | 0:36:43 | 0:36:47 | |
Sarah sold the chair for an incredible £595 | 0:36:47 | 0:36:52 | |
leaving Tony with a profit of £95. | 0:36:52 | 0:36:56 | |
Sarah's back in East Sussex | 0:37:00 | 0:37:03 | |
for Norman's grand unveiling of the steamer chairs. | 0:37:03 | 0:37:07 | |
I hope she likes them. We had a bit of a struggle with some of it, | 0:37:09 | 0:37:12 | |
getting what she wanted working but, yeah, I think we've achieved it. | 0:37:12 | 0:37:16 | |
Sarah challenged Norman to create two elegant steamer chairs | 0:37:16 | 0:37:21 | |
upon which to recline, repose and rest in luxury. | 0:37:21 | 0:37:26 | |
Well, Norman's proved again he's no slouch at woodwork. | 0:37:28 | 0:37:33 | |
Stripped back to reveal the luscious wood, | 0:37:33 | 0:37:36 | |
Norman has created two elegant recliners full of old-world charm, | 0:37:36 | 0:37:41 | |
recalling the golden age of the ocean liners. | 0:37:41 | 0:37:43 | |
With a little ingenious engineering from our master craftsman, | 0:37:45 | 0:37:49 | |
Norman has added a foot rest which tucks away inside the seat. | 0:37:49 | 0:37:53 | |
He is a clever one, isn't he? | 0:37:53 | 0:37:56 | |
This was a challenging transformation for Norman | 0:37:58 | 0:38:01 | |
but will Sarah find the result to be shipshape and Bristol fashion? | 0:38:01 | 0:38:05 | |
-Norm, hiya. -Hello, you. | 0:38:07 | 0:38:09 | |
-Wow, haven't they come out well? -They have, haven't they? | 0:38:09 | 0:38:11 | |
-That stripping's really worked. -Yeah. | 0:38:11 | 0:38:13 | |
-It's worked really well. -Show me how they work, then. | 0:38:13 | 0:38:15 | |
-Is that the mechanism? -I mean, it was a bit of a... | 0:38:15 | 0:38:18 | |
It was a bit of a job getting them to work | 0:38:18 | 0:38:20 | |
but we worked it out in the end. | 0:38:20 | 0:38:22 | |
So we pull it out and then it all flops down, | 0:38:22 | 0:38:25 | |
and then to stop it from falling down on itself | 0:38:25 | 0:38:27 | |
we've had to come up with the, with the arms. | 0:38:27 | 0:38:31 | |
-So, they lock in. -Fantastic. | 0:38:31 | 0:38:34 | |
And then, Bob's your uncle. There you go. | 0:38:34 | 0:38:38 | |
Uncle Robert would be well impressed with this. | 0:38:38 | 0:38:41 | |
But while it may look the part, does it feel the part? | 0:38:41 | 0:38:45 | |
-Gosh, they're really comfortable, aren't they? -Yeah, I know. | 0:38:46 | 0:38:49 | |
I think you've done really well to make them this luxurious, | 0:38:49 | 0:38:52 | |
and it's very clever having that bit. | 0:38:52 | 0:38:54 | |
Well, it did test us a little bit, getting them the right way. | 0:38:54 | 0:38:57 | |
But they actually sit really nicely, don't they? | 0:38:57 | 0:38:59 | |
They are really comfortable. It looks lovely | 0:38:59 | 0:39:01 | |
and I think that must've been an absolute nightmare | 0:39:01 | 0:39:03 | |
-trying to work out how to do that. -Yes, we did... | 0:39:03 | 0:39:06 | |
Yes, I could have had a meltdown but I didn't, so... | 0:39:06 | 0:39:08 | |
Ha! So now might be a good time to ask about the price, then. | 0:39:08 | 0:39:12 | |
The budget, yeah. We had a budget of 175 each. | 0:39:12 | 0:39:15 | |
-Yeah. -But with the upholstery, | 0:39:15 | 0:39:17 | |
I was going to have to charge another 25 quid. | 0:39:17 | 0:39:20 | |
So they come in at £200 each | 0:39:20 | 0:39:22 | |
but I think they're a cool-looking chair for that. | 0:39:22 | 0:39:24 | |
Yeah, I think you've done a good job. | 0:39:24 | 0:39:26 | |
They really weren't attractive before and you've repositioned them. | 0:39:26 | 0:39:29 | |
You've made them much more versatile than they were, and that, I think, | 0:39:29 | 0:39:32 | |
is going to help sell them because they're really good. | 0:39:32 | 0:39:34 | |
Well done, Norman. | 0:39:34 | 0:39:36 | |
Why don't you have a little celebratory sit-down? | 0:39:36 | 0:39:38 | |
I could stay here now for the rest of the day, couldn't I? | 0:39:40 | 0:39:42 | |
No, I've got to get these sold. | 0:39:42 | 0:39:43 | |
We're not going to sell them sitting here. Let's get to it. | 0:39:43 | 0:39:45 | |
I don't have to, you do, so, thank you very much! | 0:39:45 | 0:39:48 | |
-Off you go. -Nice to see you. -To see you, nice! Bye! | 0:39:48 | 0:39:52 | |
Well, it looks like the barley twist challenge might have given Norman | 0:39:52 | 0:39:56 | |
a couple of headaches but he's done really well. | 0:39:56 | 0:39:58 | |
I've now got comfortable, saleable chairs. | 0:39:58 | 0:40:00 | |
I've just got to see who wants them. | 0:40:00 | 0:40:02 | |
Paul was dumping these chairs for a friend who was downsizing. | 0:40:04 | 0:40:08 | |
-Nice chairs. -They're lovely chairs. | 0:40:08 | 0:40:10 | |
Luckily, Sarah's eye for potential stopped them | 0:40:10 | 0:40:13 | |
from ending up in the skip. | 0:40:13 | 0:40:15 | |
It would be wonderful to see somebody do something with them, | 0:40:15 | 0:40:18 | |
you know, so they can be used again. | 0:40:18 | 0:40:20 | |
That someone was Sarah, ably assisted by Norman. | 0:40:20 | 0:40:25 | |
And Sarah had no trouble selling them to Slimmeria, | 0:40:28 | 0:40:31 | |
a health retreat in Devon. | 0:40:31 | 0:40:33 | |
And owner Galia is over the moon. | 0:40:34 | 0:40:38 | |
I like the fact that people can really enjoy something | 0:40:38 | 0:40:41 | |
that has been recycled because I strongly believe in recycling | 0:40:41 | 0:40:45 | |
and particularly when people recycle such beautiful pieces. | 0:40:45 | 0:40:48 | |
Sarah's in Haslemere in Surrey to let Paul know | 0:40:50 | 0:40:54 | |
what became of the chairs and to hand over some cash. | 0:40:54 | 0:40:58 | |
-Hello, there. -Hi, Sarah. -How are you doing? -Yeah, not bad. You? | 0:41:00 | 0:41:03 | |
Yeah, very nice to see you. | 0:41:03 | 0:41:04 | |
So you were being really helpful when we last met, | 0:41:04 | 0:41:07 | |
-moving a neighbour. -That's right, she was downsizing | 0:41:07 | 0:41:10 | |
and she had a lot of stuff that she basically couldn't really retain | 0:41:10 | 0:41:14 | |
and unfortunately, you know, we took the rubbish to the dump | 0:41:14 | 0:41:17 | |
but there was some good stuff in there, too, so... | 0:41:17 | 0:41:20 | |
Well, it was my lucky day because those chairs that came out | 0:41:20 | 0:41:22 | |
of that van had a look to them. Not very commercial at the moment | 0:41:22 | 0:41:25 | |
but definitely worth saving. | 0:41:25 | 0:41:27 | |
-We thought we'd give them a little bit of a twist. -Yeah. | 0:41:27 | 0:41:31 | |
So I took them down to Sussex where a fantastic maker Norman | 0:41:31 | 0:41:35 | |
decided they needed refreshing. | 0:41:35 | 0:41:36 | |
-So he has actually turned them into steamer chairs. -Wow. | 0:41:36 | 0:41:39 | |
-So your chairs now look like that. -Wow. Gosh, that's fantastic. | 0:41:39 | 0:41:44 | |
He took all of the old paint off, gave them some new cushions, | 0:41:44 | 0:41:48 | |
made special sections for the legs. What do you think? | 0:41:48 | 0:41:51 | |
Oh, I think that, well, it's amazing, actually, what he's done. | 0:41:51 | 0:41:54 | |
Well, he did do a good job on them and they've been sold | 0:41:54 | 0:41:56 | |
and I'm pleased to say there's some profit from them as well. | 0:41:56 | 0:41:59 | |
-Oh, really? -There's 35 quid for those old chairs. -That's not bad. | 0:41:59 | 0:42:02 | |
Thank you very much, Sarah. That will do, that's lovely. | 0:42:02 | 0:42:05 | |
I mean, profit, who can argue? | 0:42:05 | 0:42:06 | |
And have you got anything you might do with 35 quid? | 0:42:06 | 0:42:09 | |
Maybe bits for the computer possibly or something. So, who knows? | 0:42:09 | 0:42:12 | |
-Excellent. -No, I'm pleased. I'm just pleased that they, you know, | 0:42:12 | 0:42:15 | |
they've been sold, and someone's made use of them. | 0:42:15 | 0:42:17 | |
-That's a good thing. -Excellent. | 0:42:17 | 0:42:19 | |
Lovely to catch up. | 0:42:19 | 0:42:20 | |
-Bye-bye. -Lovely to see you again. Yeah, take care. Bye. | 0:42:20 | 0:42:23 | |
Norman's total costs came to £400. | 0:42:26 | 0:42:30 | |
Sarah sold the chairs for £435, | 0:42:31 | 0:42:35 | |
giving Paul 35 quid to buy bits for his computer. | 0:42:35 | 0:42:40 | |
Lovely stuff. | 0:42:40 | 0:42:41 | |
Sarah's saved once-cherished possessions | 0:42:46 | 0:42:48 | |
from being chucked in the skip. | 0:42:48 | 0:42:50 | |
They could have been heading to landfill. | 0:42:52 | 0:42:54 | |
Instead, they've been given a new lease of life. | 0:42:54 | 0:42:57 | |
Well, I love nothing more than turning old into new | 0:42:57 | 0:43:00 | |
and making a profit along the way. | 0:43:00 | 0:43:02 | |
So that's three more items reimagined and off to new homes. | 0:43:02 | 0:43:06 |