Browse content similar to Jonty Hearnden v James Braxton - Auction. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:06 | |
against each other in an all-out battle for profit... | 0:00:06 | 0:00:10 | |
Yee-ha. | 0:00:11 | 0:00:12 | |
..and gives you | 0:00:12 | 0:00:13 | |
the insider's view of the trade. | 0:00:13 | 0:00:15 | |
Who's there? | 0:00:17 | 0:00:18 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:21 | |
will face a different daily challenge... | 0:00:21 | 0:00:24 | |
The Axeman, roar! | 0:00:24 | 0:00:25 | |
..putting their reputations on the line... | 0:00:27 | 0:00:29 | |
Ready for the ball. | 0:00:29 | 0:00:30 | |
..and giving you their top tips | 0:00:32 | 0:00:34 | |
and savvy secrets on how to make the most money | 0:00:34 | 0:00:37 | |
from buying and selling. | 0:00:37 | 0:00:39 | |
Get in there. | 0:00:39 | 0:00:40 | |
Today's all-action extravaganza sets the duke of dealing, Jonty Hearnden, | 0:00:42 | 0:00:47 | |
against the squire of the saleroom, James Braxton, | 0:00:47 | 0:00:50 | |
at an auction in Dorset. | 0:00:50 | 0:00:53 | |
Coming up, | 0:00:53 | 0:00:54 | |
James blows a wad of cash. | 0:00:54 | 0:00:56 | |
460. | 0:00:57 | 0:00:59 | |
480. Lady's back in. 480. | 0:00:59 | 0:01:02 | |
Jonty uses his nous to date a road map. | 0:01:02 | 0:01:06 | |
There's no M25. | 0:01:06 | 0:01:07 | |
-No, no. -And if you look further west, there's no M4. | 0:01:07 | 0:01:11 | |
And James commits a crime of fashion. | 0:01:11 | 0:01:14 | |
I'm going to take it off before I get arrested. | 0:01:15 | 0:01:17 | |
This is Put Your Money Where Your Mouth Is. | 0:01:17 | 0:01:20 | |
Listen up and gather round, | 0:01:34 | 0:01:36 | |
prepare yourselves for a sizzling saleroom challenge. | 0:01:36 | 0:01:39 | |
We have two awesome antiques experts limbering up | 0:01:39 | 0:01:43 | |
ahead of a day of high drama. | 0:01:43 | 0:01:45 | |
They'll be bidding for the best to ensure they make prime purchases | 0:01:45 | 0:01:49 | |
that will go on to make whopping profits. | 0:01:49 | 0:01:51 | |
Let's meet them. | 0:01:51 | 0:01:53 | |
First up, a man who spots potential in the most unlikely places. | 0:01:53 | 0:01:57 | |
His laser-like vision and expert knowledge | 0:01:57 | 0:01:59 | |
make him the selling superhero. | 0:01:59 | 0:02:01 | |
From Oxfordshire, it's the commanding officer | 0:02:01 | 0:02:04 | |
of all things antique... | 0:02:04 | 0:02:05 | |
It's going to be tough buying, that's for sure. | 0:02:08 | 0:02:10 | |
Facing up to him, the Dark Knight of the deal. | 0:02:10 | 0:02:13 | |
He might seem like a rather charming fellow, but he's an antiques ninja, | 0:02:13 | 0:02:17 | |
always poised to show off his vicious skills. | 0:02:17 | 0:02:19 | |
From East Sussex, pumped up and ready to pounce, it's... | 0:02:19 | 0:02:22 | |
I'm looking forward to the challenge | 0:02:26 | 0:02:28 | |
and I'm sort of... Really want to try and beat him. | 0:02:28 | 0:02:31 | |
Well, that is the aim of the game. | 0:02:33 | 0:02:35 | |
Our battling boys are squaring up at Cottees Auctions | 0:02:35 | 0:02:38 | |
in Wareham in Dorset. | 0:02:38 | 0:02:39 | |
They each come armed with expertise, skill and wit, | 0:02:39 | 0:02:43 | |
along with £1,000 of their own money to spend | 0:02:43 | 0:02:45 | |
and that must include the cost of the saleroom's fees. | 0:02:45 | 0:02:48 | |
Once they've sold their lots on, | 0:02:48 | 0:02:50 | |
any profit they make will go directly to their chosen charities. | 0:02:50 | 0:02:53 | |
So, let's get down to business. | 0:02:53 | 0:02:56 | |
Jonty Hearnden and James Braxton, | 0:02:56 | 0:02:59 | |
the time has come to put your money where your mouth is. | 0:02:59 | 0:03:03 | |
-James, how are you? -Very well. Good to see you, Jonty. | 0:03:03 | 0:03:05 | |
You're looking suitably dapper. | 0:03:05 | 0:03:07 | |
You're looking very a la mode, if I might say. | 0:03:07 | 0:03:09 | |
I'm kind of like dressed for the occasion | 0:03:09 | 0:03:11 | |
cos there's a bit of outdoors, a bit of indoors going on today | 0:03:11 | 0:03:13 | |
because not only have we got one auction, | 0:03:13 | 0:03:15 | |
we've got two other auctions going on at the same time here. | 0:03:15 | 0:03:18 | |
-Oh, what, all concurrently? -Yes. | 0:03:18 | 0:03:19 | |
-It's going to be a lot of mayhem going on today. -Fabulous. | 0:03:19 | 0:03:22 | |
-I like running between sheds. -So, we've got £1,000 to spend. | 0:03:22 | 0:03:25 | |
-£1,000. -Have you got any idea what you want to buy today? | 0:03:25 | 0:03:28 | |
Obviously, bargains. And you? | 0:03:28 | 0:03:30 | |
Silly question really cos... JAMES LAUGHS | 0:03:30 | 0:03:32 | |
That's what I'm going to be looking for. Bit of a challenge. | 0:03:32 | 0:03:35 | |
-It will be. -Enjoy your day. -Same to you. | 0:03:35 | 0:03:37 | |
So, they're off, and they're going to need plenty of stamina | 0:03:39 | 0:03:42 | |
because it will be a long day. | 0:03:42 | 0:03:44 | |
Three auctions running simultaneously in three locations, | 0:03:44 | 0:03:47 | |
so there could be some legwork required running between them. | 0:03:47 | 0:03:51 | |
And, before the sales get under way, | 0:03:51 | 0:03:52 | |
they've already got their work cut out trying to view everything. | 0:03:52 | 0:03:56 | |
It all just adds to the tension. | 0:03:56 | 0:03:58 | |
There's an awful lot of stuff here that I think, I sense, | 0:03:59 | 0:04:02 | |
there's going to be an awful lot of competition, including James himself. | 0:04:02 | 0:04:05 | |
So, what do I buy? It's decisions, decisions. | 0:04:05 | 0:04:09 | |
Let's see where we go. | 0:04:09 | 0:04:10 | |
We're quite similar beasts really. | 0:04:10 | 0:04:12 | |
If I can steer him away from the furnishings, I might have him. | 0:04:12 | 0:04:17 | |
Yes, good plan, Bingo. | 0:04:17 | 0:04:19 | |
Don't draw any attention to the furniture. | 0:04:19 | 0:04:21 | |
Don't go near it. | 0:04:21 | 0:04:22 | |
Now, this has Mr Hearnden written all over it, doesn't it? | 0:04:22 | 0:04:26 | |
Hm, you're asking for trouble. He'll see you. | 0:04:26 | 0:04:29 | |
Oh, look, here he is...salivating. | 0:04:29 | 0:04:33 | |
We've got a three-seater sofa and two matching armchairs. | 0:04:33 | 0:04:36 | |
So, this suite would've been made in the 1930s. | 0:04:36 | 0:04:38 | |
It's never been recovered. | 0:04:38 | 0:04:40 | |
Art Deco suite. Very desirable, | 0:04:40 | 0:04:43 | |
but it needs a fortune spending on it. | 0:04:43 | 0:04:45 | |
There's stuffing coming out the arms, | 0:04:45 | 0:04:47 | |
there's legs missing on the back, | 0:04:47 | 0:04:48 | |
but the frame is quite extraordinary. | 0:04:48 | 0:04:51 | |
Well, he's definitely interested, which means James' plan, | 0:04:51 | 0:04:55 | |
much like the sofa, is already in tatters. | 0:04:55 | 0:04:58 | |
Oh, well, if you can't beat them, join them. | 0:04:58 | 0:05:00 | |
Here you are, lot 35. | 0:05:00 | 0:05:02 | |
Got a very nice velvet-covered armchair. | 0:05:02 | 0:05:05 | |
Tub-shaped armchair. Late 19th century. | 0:05:05 | 0:05:08 | |
We've got this sort of swirlingness here before the Art Deco period | 0:05:08 | 0:05:12 | |
of the early 20th century. | 0:05:12 | 0:05:14 | |
Hm, might be a good idea to get out of Jonty's comfort zone, James, | 0:05:14 | 0:05:18 | |
and find something that has Bingo written all over it. | 0:05:18 | 0:05:21 | |
What about a buffalo? | 0:05:21 | 0:05:23 | |
Now, in the whole saleroom, this is the best item. | 0:05:23 | 0:05:27 | |
Here we are. | 0:05:27 | 0:05:29 | |
We've got this fabulous Chinese figure made of hardwood. | 0:05:29 | 0:05:35 | |
The detail is just phenomenal. | 0:05:35 | 0:05:38 | |
You can see the swirls of its hair. | 0:05:38 | 0:05:41 | |
I think this is definitely not a reproduction. | 0:05:41 | 0:05:45 | |
This has a good late-19th-century feel about it. | 0:05:45 | 0:05:48 | |
And the animal kingdom becomes a bit of a theme with old Bingo. | 0:05:48 | 0:05:52 | |
Next, he's eyeing up a couple of figures. | 0:05:52 | 0:05:55 | |
Nice little model of a donkey. | 0:05:55 | 0:05:58 | |
Donkeys are rather sweet characters. | 0:05:58 | 0:06:00 | |
They have really sort of rather sorrowful eyes. | 0:06:00 | 0:06:02 | |
And then, we've got a lovely Scottie dog, | 0:06:02 | 0:06:04 | |
this time Royal Copenhagen. | 0:06:04 | 0:06:07 | |
So, Danish. And you just always check the extremities. | 0:06:07 | 0:06:11 | |
You check them for chips. | 0:06:11 | 0:06:13 | |
Sometimes the eyes can lie, so always use your hands | 0:06:13 | 0:06:16 | |
and you can feel them. | 0:06:16 | 0:06:17 | |
Two quite nice items. 286. | 0:06:17 | 0:06:20 | |
Gives no estimate, but a Beswick figure like that must be... | 0:06:20 | 0:06:24 | |
..£30, and the fellow 20-25. | 0:06:24 | 0:06:28 | |
So, anything under about £40 will be good news, really. | 0:06:28 | 0:06:32 | |
Yes. Quietly confident James marks out the catalogue, | 0:06:32 | 0:06:36 | |
hoping for something to bray about later. | 0:06:36 | 0:06:38 | |
Jonty has been scouring the main room | 0:06:38 | 0:06:40 | |
and he's found something large and shiny. | 0:06:40 | 0:06:44 | |
Now, you don't necessarily need to be an antiques expert | 0:06:44 | 0:06:46 | |
to know what this is. | 0:06:46 | 0:06:48 | |
It's a wedding cake stand. | 0:06:48 | 0:06:50 | |
So, you've got this mirrored top and you've got this shaped exterior. | 0:06:50 | 0:06:54 | |
And I suppose it has a feeling of being Edwardian. | 0:06:54 | 0:06:56 | |
Just going to see where it goes because if it's cheap enough, | 0:06:56 | 0:06:59 | |
it could be mine | 0:06:59 | 0:07:00 | |
and selling it could be a piece of cake. | 0:07:00 | 0:07:03 | |
There are hundreds of lots to choose from, | 0:07:03 | 0:07:05 | |
and our experts mustn't forget the auction will be split | 0:07:05 | 0:07:08 | |
over three areas. | 0:07:08 | 0:07:09 | |
James heads outside for a look and soon spots a wine rack. | 0:07:09 | 0:07:13 | |
What have we got? We've got ten across | 0:07:14 | 0:07:16 | |
and more than ten down, | 0:07:16 | 0:07:18 | |
so it's probably about almost ten cases' worth of wine | 0:07:18 | 0:07:21 | |
just disappears here. | 0:07:21 | 0:07:23 | |
It's quite a nice item. | 0:07:23 | 0:07:24 | |
I might have to rush out for that. | 0:07:24 | 0:07:26 | |
Yes, don't forget about it, mind. | 0:07:26 | 0:07:28 | |
Back inside, Jonty has navigated his way around the room | 0:07:28 | 0:07:32 | |
to an intriguing item. | 0:07:32 | 0:07:34 | |
Now, this is a really very early sat nav. | 0:07:34 | 0:07:37 | |
Have a look at this. | 0:07:37 | 0:07:38 | |
This is just absolutely wonderful. This is the Auto-Mapic. | 0:07:38 | 0:07:43 | |
Probably made in the 1950s, | 0:07:43 | 0:07:44 | |
so it's actually got a very early sort of plastic exterior to it. | 0:07:44 | 0:07:48 | |
But it's got 15 maps in one. Just extraordinary. | 0:07:48 | 0:07:53 | |
So, here we've got the numbers. If you were to press one, | 0:07:53 | 0:07:57 | |
you then end up, I hope... | 0:07:57 | 0:08:00 | |
There we go. | 0:08:00 | 0:08:01 | |
We've got Cornwall. | 0:08:01 | 0:08:02 | |
I just think this is really collectable. | 0:08:02 | 0:08:04 | |
Very desirable. Just something really quirky, something different. | 0:08:04 | 0:08:07 | |
Well, that's it, chaps. No more viewing time. | 0:08:07 | 0:08:10 | |
The bidding is about to begin, | 0:08:10 | 0:08:12 | |
and it's Jonty who's standing to attention first. | 0:08:12 | 0:08:15 | |
So, coming up is the Art Deco suite. | 0:08:16 | 0:08:18 | |
In the catalogue, it's estimated between £20 and £40. | 0:08:18 | 0:08:20 | |
If I can get it for that, I will retire straightaway. | 0:08:20 | 0:08:23 | |
Yes, you should be so lucky. | 0:08:23 | 0:08:25 | |
He bids, but the price goes straight up to £360. | 0:08:25 | 0:08:30 | |
He's still interested, though. | 0:08:30 | 0:08:31 | |
360 now. | 0:08:31 | 0:08:33 | |
380. 380 bid. 380. 400. | 0:08:33 | 0:08:37 | |
-400. -He soon reaches his limit. Poor old Hitman. | 0:08:37 | 0:08:40 | |
But James isn't gloating. | 0:08:40 | 0:08:43 | |
I can take small pleasure in Jonty not getting that item, | 0:08:43 | 0:08:46 | |
but it bodes rather badly for me. | 0:08:46 | 0:08:48 | |
Yes. If there's some heavy bidders in the room, | 0:08:48 | 0:08:50 | |
it could be expensive to get the good stuff. | 0:08:50 | 0:08:53 | |
And so, it proves for the 19th-century tub chair | 0:08:53 | 0:08:55 | |
that James wanted. | 0:08:55 | 0:08:56 | |
He starts off at £55, but it's soon out of his league. | 0:08:56 | 0:09:00 | |
It is bid at 130. | 0:09:02 | 0:09:04 | |
And selling... | 0:09:04 | 0:09:05 | |
GAVEL BANGS | 0:09:05 | 0:09:06 | |
It's not going well, is it? | 0:09:06 | 0:09:08 | |
Dear, oh, dear. | 0:09:08 | 0:09:10 | |
No, James, it's not. | 0:09:10 | 0:09:12 | |
This is rather worrying, isn't it? | 0:09:12 | 0:09:14 | |
While Jonty holds his ground, James decides to nip outdoors | 0:09:14 | 0:09:17 | |
to make sure he doesn't miss the giant wine rack, | 0:09:17 | 0:09:20 | |
but he's worried about these prices. | 0:09:20 | 0:09:22 | |
(You know, I don't want to buy it too expensively.) | 0:09:23 | 0:09:25 | |
What is it worth? 30 or 40 quid. | 0:09:25 | 0:09:27 | |
And here we go. Lot 702, then, | 0:09:27 | 0:09:29 | |
next on the list, which is the large wine rack. | 0:09:29 | 0:09:31 | |
£10 there. We've got 10. | 0:09:31 | 0:09:33 | |
12. £12 there now. 15. 15. 18. | 0:09:33 | 0:09:36 | |
18 behind you. | 0:09:36 | 0:09:37 | |
£18. 20. | 0:09:37 | 0:09:40 | |
James is soon competing against just one other person, | 0:09:40 | 0:09:42 | |
and our boy bids £40. | 0:09:42 | 0:09:44 | |
£40 is the bid. | 0:09:45 | 0:09:47 | |
45. 45 there. 50. | 0:09:47 | 0:09:50 | |
He's not going to risk losing it. | 0:09:50 | 0:09:52 | |
£50. 55. £55. | 0:09:52 | 0:09:55 | |
55. 60. | 0:09:55 | 0:09:56 | |
£60 now from the bid. All done at 60? | 0:09:56 | 0:09:59 | |
-HE BANGS PEN DOWN -Yes, he got it, | 0:10:00 | 0:10:02 | |
but paid twice what he wanted. | 0:10:02 | 0:10:04 | |
I had to buy something, | 0:10:04 | 0:10:05 | |
and I certainly bought something expensive, but there we are. | 0:10:05 | 0:10:08 | |
We're in...we're in the market now. | 0:10:08 | 0:10:10 | |
Yes, and that usually starts momentum. | 0:10:13 | 0:10:15 | |
Let's not forget the auction room fees for the wine rack. | 0:10:15 | 0:10:18 | |
James pays a total of £70.80. | 0:10:18 | 0:10:20 | |
So, his campaign has taken off | 0:10:22 | 0:10:24 | |
and next he bids on a recent Poole Pottery plate commemorating | 0:10:24 | 0:10:27 | |
a display by the Red Arrows. | 0:10:27 | 0:10:29 | |
£60 bid. 65 I've got. | 0:10:31 | 0:10:33 | |
70 quickly, if you want it. | 0:10:33 | 0:10:35 | |
No, he doesn't. Put it down. | 0:10:35 | 0:10:37 | |
-GAVEL BANGS -Red Arrows, | 0:10:37 | 0:10:38 | |
everyone loves the Red Arrows, don't they? | 0:10:38 | 0:10:41 | |
He lands the lot for £76.70 including fees. | 0:10:42 | 0:10:46 | |
It's a lovely design. | 0:10:47 | 0:10:49 | |
It's great fun, and it's nice and sound. | 0:10:49 | 0:10:52 | |
Lovely lettering of this lovely eggshell glaze. | 0:10:52 | 0:10:55 | |
Now, Jonty is not having much luck. | 0:10:56 | 0:10:58 | |
He's been bidding on lots of things, | 0:10:58 | 0:11:00 | |
but the prices keep going way too high. | 0:11:00 | 0:11:03 | |
Dear old Jonty's gone rather pale today, in spite of the sunshine. | 0:11:03 | 0:11:07 | |
(I think he's in trouble.) | 0:11:07 | 0:11:09 | |
He's yet to buy an item. | 0:11:09 | 0:11:11 | |
I feel a bit like a swan, | 0:11:11 | 0:11:13 | |
sort of gracious on the top, | 0:11:13 | 0:11:16 | |
but, all of a sudden, I feel my feet are paddling somewhat. | 0:11:16 | 0:11:19 | |
Yes, actually, Jonty, you haven't even got a toe in the water. | 0:11:21 | 0:11:23 | |
But it's a different story at the back of the room. | 0:11:23 | 0:11:26 | |
James is firing on all cylinders and soon buys a pair of door pushes. | 0:11:26 | 0:11:30 | |
At £30 over there. | 0:11:31 | 0:11:33 | |
GAVEL BANGS | 0:11:33 | 0:11:34 | |
Adding the fees, he pays £35.40. | 0:11:34 | 0:11:37 | |
Got this nice pair of bell pushes. | 0:11:40 | 0:11:42 | |
They've got a ceramic boss here, which is a sort of pottery boss. | 0:11:42 | 0:11:47 | |
Sort of gives me the idea that they might be 1890, 1900. | 0:11:48 | 0:11:53 | |
They're in that sort of region. | 0:11:53 | 0:11:55 | |
It's got a very close grain here. | 0:11:55 | 0:11:57 | |
I would say they're mahogany surrounds. | 0:11:57 | 0:11:59 | |
So, when they're tidied up a bit, | 0:11:59 | 0:12:01 | |
these two might look a lot better than they do now. | 0:12:01 | 0:12:06 | |
While Jonty continues to flounder in the shallows, | 0:12:06 | 0:12:08 | |
it's not long before Bingo dives in again. | 0:12:08 | 0:12:11 | |
The 19th-century buffalo group and stand is up and this he loves. | 0:12:11 | 0:12:15 | |
-I'm bid £70. -Bidding kicks off at 70 and Bingo's straight in. | 0:12:17 | 0:12:21 | |
85. 90. 95. 100. | 0:12:21 | 0:12:25 | |
But it goes up. | 0:12:25 | 0:12:27 | |
170. 180. | 0:12:27 | 0:12:28 | |
190. 200. 220. | 0:12:29 | 0:12:32 | |
And up. | 0:12:32 | 0:12:33 | |
280 over there it is. 300. | 0:12:33 | 0:12:36 | |
320. 340. | 0:12:36 | 0:12:39 | |
And up, | 0:12:39 | 0:12:40 | |
but James sticks with it throughout. | 0:12:40 | 0:12:42 | |
At 460. | 0:12:42 | 0:12:45 | |
480. Lady's back in. 480. | 0:12:45 | 0:12:48 | |
500. 500. | 0:12:48 | 0:12:50 | |
It's 500 right at the back. | 0:12:50 | 0:12:52 | |
GAVEL BANGS | 0:12:53 | 0:12:54 | |
HE SIGHS | 0:12:54 | 0:12:55 | |
Wow, he spent almost all of his cash on one item. | 0:12:55 | 0:12:59 | |
Unbelievable. | 0:12:59 | 0:13:01 | |
I haven't bought a thing yet. Help! | 0:13:01 | 0:13:03 | |
Yes, James wasn't letting that beastie get away. | 0:13:04 | 0:13:07 | |
Including fees, he pays a whopping £590, | 0:13:07 | 0:13:11 | |
far and away his biggest purchase yet, | 0:13:11 | 0:13:13 | |
and the tension is getting to him. | 0:13:13 | 0:13:15 | |
-The old ticker's racing now. -HE LAUGHS | 0:13:16 | 0:13:19 | |
His heart rate is up. | 0:13:20 | 0:13:21 | |
Maybe time to take a breather and catch up on the figures. | 0:13:21 | 0:13:24 | |
Both our experts arrived in Wareham | 0:13:25 | 0:13:27 | |
with £1,000 of their own money to spend. | 0:13:27 | 0:13:30 | |
James has made four purchases and spent masses, | 0:13:30 | 0:13:33 | |
nearly £773, | 0:13:33 | 0:13:35 | |
so has £227 left in his kitty. | 0:13:35 | 0:13:38 | |
Jonty's game couldn't be more different. | 0:13:42 | 0:13:44 | |
He's bought absolutely nothing yet, | 0:13:44 | 0:13:46 | |
so still has his entire budget | 0:13:46 | 0:13:48 | |
left to spend. | 0:13:48 | 0:13:49 | |
So, how are they feeling at the halfway stage? | 0:13:52 | 0:13:55 | |
So, dear boy, | 0:13:55 | 0:13:58 | |
-you've spent almost all your money on one lot. -Yeah. I know. | 0:13:58 | 0:14:00 | |
It's amazing, isn't it? | 0:14:00 | 0:14:01 | |
You know what it's like, when you get on the auction | 0:14:01 | 0:14:04 | |
you get on hook, don't you? | 0:14:04 | 0:14:05 | |
-Yeah, yeah. -They keep reeling you in. | 0:14:05 | 0:14:08 | |
You've bought everything, but I've bought nothing yet. | 0:14:08 | 0:14:10 | |
-Not a sausage. -You'd better get going. | 0:14:10 | 0:14:12 | |
-I know. -You know, all the furniture's just gone, hasn't it? | 0:14:12 | 0:14:14 | |
Yeah, it's all gone. | 0:14:14 | 0:14:16 | |
OK. Go on, get in and get bidding, Jonty. | 0:14:16 | 0:14:18 | |
Well, there's plenty of lovely lots left, | 0:14:19 | 0:14:21 | |
and Jonty knows he has to buy something. | 0:14:21 | 0:14:24 | |
He jumps straight in | 0:14:24 | 0:14:25 | |
on a geographical directory of Scotland. | 0:14:25 | 0:14:28 | |
The first lot I'm interested in buying | 0:14:29 | 0:14:30 | |
is something called the Gazetteer Of Scotland. | 0:14:30 | 0:14:34 | |
It's two volumes and it's dated 1848. | 0:14:34 | 0:14:39 | |
It's really lovely. | 0:14:39 | 0:14:40 | |
They've got maps inside, so it's all about the history of Scotland. | 0:14:40 | 0:14:43 | |
You know, a good 150 years ago. | 0:14:43 | 0:14:45 | |
there's no estimate in the catalogue. | 0:14:45 | 0:14:47 | |
Goes to the highest bidder. | 0:14:47 | 0:14:49 | |
-10. -Here, sir. -10. And 15. | 0:14:49 | 0:14:52 | |
20. 25 in front. | 0:14:52 | 0:14:55 | |
30. 35. | 0:14:55 | 0:14:58 | |
40. 45 now on the net. | 0:14:58 | 0:15:00 | |
50. 55. 60. | 0:15:00 | 0:15:04 | |
And selling at 60... | 0:15:04 | 0:15:06 | |
GAVEL BANGS That's a relief. Phew. | 0:15:07 | 0:15:09 | |
I should coco! Jonty finally breaks his duck. | 0:15:10 | 0:15:13 | |
The Scotland books cost £70.80 with fees. | 0:15:13 | 0:15:16 | |
It's amazing what you find in auction rooms up and down the country | 0:15:17 | 0:15:21 | |
because this is a collection of books based on Scotland | 0:15:21 | 0:15:24 | |
and Scottish history. | 0:15:24 | 0:15:25 | |
This smaller book here is restored, | 0:15:25 | 0:15:27 | |
and you can tell it's restored just by looking on the outside here. | 0:15:27 | 0:15:30 | |
It's been rebound. | 0:15:30 | 0:15:32 | |
Almost 200 years old this book. | 0:15:32 | 0:15:34 | |
And we have another almanac. | 0:15:34 | 0:15:37 | |
Two books, two volumes printed slightly later, 1848. | 0:15:37 | 0:15:42 | |
So, who am I going to sell them to? | 0:15:42 | 0:15:43 | |
Well, I need to find somebody who loves Scottish history. | 0:15:43 | 0:15:47 | |
So, let's hope he's on a roll. | 0:15:47 | 0:15:49 | |
Next up, the wedding cake stand. | 0:15:49 | 0:15:51 | |
Can it be his to have and to hold? | 0:15:51 | 0:15:53 | |
It's in the room at 65. | 0:15:53 | 0:15:56 | |
-GAVEL BANGS -Yes, he gets it. | 0:15:56 | 0:15:57 | |
And, including fees, he pay £76.70, | 0:15:57 | 0:16:00 | |
but he doesn't stop there. | 0:16:00 | 0:16:02 | |
He outbids the rest of the room for a silver pincushion | 0:16:02 | 0:16:05 | |
in the shape of a jockey's cap. | 0:16:05 | 0:16:06 | |
Jonty pays £41.30 including commission. | 0:16:06 | 0:16:10 | |
Small is sometimes beautiful. That's... Have a look at that. | 0:16:11 | 0:16:14 | |
It's about 110-120 years of age. It's silver. | 0:16:14 | 0:16:17 | |
It's a little bit dirty, but that doesn't necessarily matter. | 0:16:17 | 0:16:21 | |
I may try and clean it a bit if I possibly can, | 0:16:21 | 0:16:23 | |
but, on the inside, the red parts here, is spongy, | 0:16:23 | 0:16:27 | |
so you actually apply the pins to this little, sponged area there. | 0:16:27 | 0:16:31 | |
Somebody's going to fall in love with that. | 0:16:31 | 0:16:33 | |
Hopefully, I can sell it to somebody who loves horses, | 0:16:33 | 0:16:35 | |
possibly even a jockey. | 0:16:35 | 0:16:37 | |
But I think that's just great fun. | 0:16:37 | 0:16:39 | |
Humour is really important. | 0:16:39 | 0:16:41 | |
Makes me smile. | 0:16:41 | 0:16:43 | |
Oh, good. It feels like he needs something happy to happen | 0:16:43 | 0:16:46 | |
and it means he's suddenly catching up with James, | 0:16:46 | 0:16:49 | |
three purchases to Bingo's four. | 0:16:49 | 0:16:51 | |
Mr Braxton could extend his lead again, though. | 0:16:51 | 0:16:54 | |
His Beswick donkey and Copenhagen Scottie dog are about to come up. | 0:16:54 | 0:16:57 | |
25. 30. 35. 40. 45 at the back. | 0:16:59 | 0:17:04 | |
50, anybody else? | 0:17:04 | 0:17:06 | |
Selling at 45. | 0:17:06 | 0:17:09 | |
What, an old donkey? | 0:17:09 | 0:17:10 | |
Hm, has he paid over the odds? | 0:17:12 | 0:17:14 | |
The lot cost £53.10 including fees, | 0:17:14 | 0:17:16 | |
and James thinks he's backed a winner. | 0:17:16 | 0:17:19 | |
Pleased with that. | 0:17:20 | 0:17:21 | |
So, Jonty's still behind in the buying stakes. | 0:17:23 | 0:17:26 | |
He's determined to up his game | 0:17:26 | 0:17:27 | |
and decides to have a go on an Art Deco vase. | 0:17:27 | 0:17:30 | |
He makes a single bid. | 0:17:30 | 0:17:32 | |
85. 85 first bidder. | 0:17:32 | 0:17:35 | |
GAVEL BANGS | 0:17:35 | 0:17:37 | |
So, that's his fourth purchase. | 0:17:38 | 0:17:39 | |
He pays £100.30 including fees. | 0:17:39 | 0:17:43 | |
Bit of Art Deco here. This is my 1930s flower vase. | 0:17:44 | 0:17:49 | |
I've got a stem support, which is loose inside there, | 0:17:49 | 0:17:51 | |
so I need to take care of that. | 0:17:51 | 0:17:53 | |
If you look round the outside, you can see how very simply | 0:17:53 | 0:17:56 | |
this has been decorated. | 0:17:56 | 0:17:57 | |
It has all the hallmarks of looking like Clarice Cliff, | 0:17:57 | 0:18:01 | |
very simple style of decoration, | 0:18:01 | 0:18:04 | |
lots of very simple brushstrokes there, but it's not. | 0:18:04 | 0:18:07 | |
The quality's not quite there. It's made by a factory called Myott, | 0:18:07 | 0:18:11 | |
which is collectable. | 0:18:11 | 0:18:12 | |
I'm hopefully going to sell that to either a dealer who sells similar | 0:18:12 | 0:18:16 | |
kind of ceramic wares | 0:18:16 | 0:18:18 | |
or, of course, anybody who collects Art Deco. | 0:18:18 | 0:18:21 | |
Jonty's soon back on his feet and it's for one of the items | 0:18:21 | 0:18:24 | |
he viewed at the start of the day. | 0:18:24 | 0:18:26 | |
-Oh, here's my map. Here's my map. Here's my map! -20 bid now. | 0:18:27 | 0:18:31 | |
20. 25 I've got. 30. | 0:18:31 | 0:18:34 | |
35 right at the back. | 0:18:34 | 0:18:36 | |
There's a lot of interest in the room | 0:18:36 | 0:18:37 | |
and the map shoots past its estimate of £100. | 0:18:37 | 0:18:41 | |
150. 160. | 0:18:42 | 0:18:45 | |
170 anywhere? | 0:18:45 | 0:18:47 | |
In the room at 160. | 0:18:47 | 0:18:48 | |
-GAVEL BANGS -160. | 0:18:48 | 0:18:50 | |
So, Jonty holds his nerve and, including commission, | 0:18:50 | 0:18:53 | |
pays £188.80 for his sliding map, | 0:18:53 | 0:18:56 | |
far and away his biggest purchase of the day so far. | 0:18:56 | 0:19:00 | |
Absolute fortune I've paid for it. Absolute fortune, | 0:19:01 | 0:19:04 | |
but I love it to bits. | 0:19:04 | 0:19:05 | |
Well, that should make it easier to sell, then. | 0:19:05 | 0:19:07 | |
He's now back in the game, level with James at five items each. | 0:19:07 | 0:19:11 | |
Bingo has been quite quiet recently, clearly biding his time, | 0:19:11 | 0:19:15 | |
but Jonty is now on a roll. | 0:19:15 | 0:19:17 | |
He suddenly buys two brass Meiji period Japanese boxes, | 0:19:17 | 0:19:21 | |
and they're not cheap, no. | 0:19:21 | 0:19:22 | |
£260, selling... | 0:19:22 | 0:19:26 | |
-GAVEL BANGS -260. | 0:19:26 | 0:19:28 | |
Add in the fees and the boxes cost even more, £306.80. | 0:19:28 | 0:19:32 | |
A lot of money. So, why did he decide to suddenly go for them? | 0:19:32 | 0:19:36 | |
Mid 19th century. Really very good quality indeed. | 0:19:38 | 0:19:42 | |
I just love the detailing on it. | 0:19:42 | 0:19:43 | |
Look at this first one here, for instance. | 0:19:43 | 0:19:46 | |
There is applied decoration to the top and to all sides as well. | 0:19:46 | 0:19:50 | |
Nothing on the interior at all. | 0:19:50 | 0:19:51 | |
It's really quite plain on the interior, | 0:19:51 | 0:19:53 | |
which is quite interesting really. | 0:19:53 | 0:19:55 | |
Just as the same as this box here. Look at the detailing on the outside. | 0:19:55 | 0:20:00 | |
This one is really exquisite. | 0:20:00 | 0:20:02 | |
So, have I paid too much money for them? | 0:20:02 | 0:20:04 | |
This is an area that I don't necessarily | 0:20:04 | 0:20:07 | |
spend too much time dealing in, | 0:20:07 | 0:20:09 | |
so it's going to be really fascinating. | 0:20:09 | 0:20:11 | |
Now, there's a challenge. | 0:20:11 | 0:20:12 | |
Ooh, we like a challenge. | 0:20:13 | 0:20:15 | |
Jonty Hearnden always pushing the limits. | 0:20:15 | 0:20:17 | |
Now, there's a more immediate difficulty. | 0:20:17 | 0:20:20 | |
We're getting into the last load of lots and the room has thinned out. | 0:20:20 | 0:20:23 | |
Does that mean all the good stuff's gone, | 0:20:23 | 0:20:25 | |
or is it the perfect opportunity to pick up the best bargains? | 0:20:25 | 0:20:29 | |
James tries his luck on a Victorian tapestry panel | 0:20:29 | 0:20:32 | |
that comes, oddly, with a silk kimono. | 0:20:32 | 0:20:34 | |
10 then. Thank you. £10 bid. | 0:20:36 | 0:20:38 | |
15 anywhere? | 0:20:38 | 0:20:40 | |
-GAVEL BANGS -Thank you. | 0:20:40 | 0:20:42 | |
Hmm, no-one else bids. Could be ominous. | 0:20:42 | 0:20:44 | |
Anyway, including fees, he pays £11.80. | 0:20:44 | 0:20:48 | |
Time for a proper look. | 0:20:48 | 0:20:50 | |
I've come outside and it's such a lovely day. | 0:20:50 | 0:20:52 | |
It was getting stuffy in there. | 0:20:52 | 0:20:53 | |
But I wish I hadn't now because I suddenly see in the daylight, | 0:20:53 | 0:20:57 | |
you know, these big cracks here. | 0:20:57 | 0:20:59 | |
It's where the material has deteriorated due to sunlight. | 0:20:59 | 0:21:03 | |
This is an old pole screen. | 0:21:03 | 0:21:05 | |
It's got sort of rather nice Regency motifs here, | 0:21:05 | 0:21:08 | |
but a very Victorian tapestry scene. | 0:21:08 | 0:21:10 | |
A cornucopia here, a bird. It's all a bit sentimental in a way. | 0:21:10 | 0:21:16 | |
£10 and I got a nice, heavy piece of silk thrown in as well. | 0:21:16 | 0:21:20 | |
A silk kimono big enough even to fit me. | 0:21:20 | 0:21:23 | |
Bingo Braxton in a kimono, now there's an image. | 0:21:23 | 0:21:26 | |
But no time to give us a twirl, no, no, | 0:21:26 | 0:21:29 | |
he's straight back to the bidding. | 0:21:29 | 0:21:30 | |
He's been waiting for two | 0:21:30 | 0:21:32 | |
19th-century wooden boxes to come up. | 0:21:32 | 0:21:34 | |
£85. In the room it is. | 0:21:36 | 0:21:37 | |
Very cheap, isn't it? Two work boxes, 85 quid. | 0:21:37 | 0:21:42 | |
-BANGS GAVEL -85. | 0:21:42 | 0:21:44 | |
With fees, he pays £100.30 and it's his last purchase of the day. | 0:21:44 | 0:21:48 | |
He's all sewn up. | 0:21:48 | 0:21:50 | |
I've got two work boxes here. | 0:21:51 | 0:21:53 | |
This is the earlier. | 0:21:53 | 0:21:55 | |
Probably about 1820, 1830 by the sarcophagus shape here. | 0:21:55 | 0:22:01 | |
Nice hardwood fellow. | 0:22:01 | 0:22:03 | |
The weaker of the two. | 0:22:03 | 0:22:04 | |
This is the better, the inlaid fellow. | 0:22:04 | 0:22:06 | |
Nice marquetry, contra-marquetry, | 0:22:06 | 0:22:09 | |
hardwood and a lighter wood, | 0:22:09 | 0:22:10 | |
maybe a maple, mid 19th century, about 1850. | 0:22:10 | 0:22:15 | |
So, there we have it. Their trip to Dorset has borne fruit. | 0:22:15 | 0:22:18 | |
But what's the damage? | 0:22:18 | 0:22:20 | |
Both our experts started the day with £1,000 of their own money. | 0:22:20 | 0:22:24 | |
Jonty had one of the slowest starts in Put Your Money history, | 0:22:24 | 0:22:28 | |
but he pulled it back | 0:22:28 | 0:22:29 | |
and spent £784.70 on six items. | 0:22:29 | 0:22:33 | |
James, however, found things much easier. | 0:22:35 | 0:22:37 | |
He leaves with seven lots | 0:22:37 | 0:22:38 | |
having spent a massive £938.10. | 0:22:38 | 0:22:42 | |
So, what do they make of each other's hauls? | 0:22:44 | 0:22:46 | |
That's a big fellow, isn't it? I didn't see you buy that. | 0:22:48 | 0:22:51 | |
It's seen few wild parties, hasn't it? | 0:22:51 | 0:22:53 | |
It has seen some wild parties, hasn't it? | 0:22:53 | 0:22:55 | |
It's very good. | 0:22:55 | 0:22:56 | |
-I saw you buy this... -Yeah. -..and the whole room went silent. | 0:22:56 | 0:22:59 | |
HE LAUGHS | 0:22:59 | 0:23:01 | |
And you were perspiring. | 0:23:01 | 0:23:02 | |
That was a lot of money, but the quality is outstanding, isn't it? | 0:23:02 | 0:23:06 | |
It is. So, it took me all the way to 500. | 0:23:06 | 0:23:08 | |
I must say, no need to go to the gym, my heart was racing. | 0:23:08 | 0:23:13 | |
I think my fun item today has to be this road map. | 0:23:13 | 0:23:17 | |
I think it's just great. | 0:23:17 | 0:23:18 | |
You've got not only one road map, but you've got 15 in there as well. | 0:23:18 | 0:23:22 | |
-Oh, I see! So, it's back and front? -Yes, yes. -Isn't that clever? | 0:23:22 | 0:23:25 | |
Yeah. Well, I think we've done pretty well actually, | 0:23:25 | 0:23:28 | |
-but who'd have thought we would end up with this? -I know. | 0:23:28 | 0:23:30 | |
I didn't intend to buy any of this. Did you? | 0:23:30 | 0:23:33 | |
Absolutely not. I bought it because... | 0:23:33 | 0:23:35 | |
You bought it because you were a desperate man at one point. | 0:23:35 | 0:23:38 | |
THEY LAUGH | 0:23:38 | 0:23:39 | |
So, all we've got to do now is sell it. | 0:23:39 | 0:23:41 | |
Yeah. Easy peasy. | 0:23:41 | 0:23:44 | |
-Good luck to you, mate. -Good luck to you. | 0:23:44 | 0:23:46 | |
So, it's time our buoyant buyers became super sellers. | 0:23:49 | 0:23:53 | |
They need to seek out prime purchasers with deep purses | 0:23:53 | 0:23:56 | |
and bottomless wallets as they bid to outdo each other | 0:23:56 | 0:23:59 | |
in the search for stellar profits. | 0:23:59 | 0:24:01 | |
They must conduct research, hit the phones, use their contacts | 0:24:01 | 0:24:05 | |
and scour the country | 0:24:05 | 0:24:06 | |
to match all their items with potential customers. | 0:24:06 | 0:24:09 | |
Any profits they make will go to charities of their choice, | 0:24:09 | 0:24:12 | |
so they must really work for their money. | 0:24:12 | 0:24:15 | |
Time, then, to look over their wondrous wares. | 0:24:15 | 0:24:17 | |
And back at Hitman headquarters in Oxfordshire, | 0:24:17 | 0:24:20 | |
Jonty is under pressure. | 0:24:20 | 0:24:23 | |
Now, I've got a confession to make. | 0:24:23 | 0:24:25 | |
That auction sale was just so tough. | 0:24:25 | 0:24:28 | |
I think everything I bought was just a bit too expensive. | 0:24:28 | 0:24:32 | |
The vase I was hoping to pay for less. | 0:24:32 | 0:24:34 | |
Great object, very saleable, but will I make a profit? | 0:24:34 | 0:24:38 | |
And the road map here, just in front of me, | 0:24:38 | 0:24:40 | |
I wanted to pay half the amount of money that I did pay for it. | 0:24:40 | 0:24:44 | |
I love my little pincushion. | 0:24:44 | 0:24:45 | |
That's a great object. Somebody will buy that. | 0:24:45 | 0:24:48 | |
Now, my Japanese boxes, fantastic quality. | 0:24:48 | 0:24:51 | |
Really top draw. | 0:24:51 | 0:24:53 | |
The question is, | 0:24:53 | 0:24:54 | |
who on earth is going to return a profit for me | 0:24:54 | 0:24:56 | |
on those lovely things? | 0:24:56 | 0:24:58 | |
And my books...likewise. | 0:24:58 | 0:25:00 | |
Really interesting objects. | 0:25:00 | 0:25:02 | |
But I'm not really into antiquarian book-selling, | 0:25:02 | 0:25:06 | |
so that's going to be a real tough challenge for me. | 0:25:06 | 0:25:09 | |
My cake stand, what fun. | 0:25:09 | 0:25:10 | |
And also, I realised after the auction | 0:25:10 | 0:25:13 | |
that this lovely box was part of it too, | 0:25:13 | 0:25:16 | |
so not only have I got my cake stand and my knife, | 0:25:16 | 0:25:19 | |
but it comes in this lovely sort of travelling box. | 0:25:19 | 0:25:22 | |
So, I've got some great objects. | 0:25:22 | 0:25:24 | |
The question is, who on earth am I going to sell them to? | 0:25:24 | 0:25:27 | |
Oh, dear, he's worried. Better get his skates on. | 0:25:27 | 0:25:31 | |
Over at James's joint in East Sussex, | 0:25:31 | 0:25:33 | |
Bingo's piled it all up in his garden, | 0:25:33 | 0:25:35 | |
and he's feeling all positive. | 0:25:35 | 0:25:37 | |
This little lot cost me a lot of money. | 0:25:38 | 0:25:41 | |
That's my big fellow over there. | 0:25:41 | 0:25:43 | |
Over £500 for the buffalo and the figures. | 0:25:43 | 0:25:47 | |
But I think that's going to give me my big profit. | 0:25:47 | 0:25:51 | |
The wine rack, the most expensive at auction this year at about £70. | 0:25:51 | 0:25:57 | |
I think I'm going to have to go to London to sell that. | 0:25:57 | 0:26:00 | |
And then we've got the bell pushes. They were a nice, cheap lot. | 0:26:00 | 0:26:03 | |
We've got two lovely boxes there. | 0:26:03 | 0:26:05 | |
We've got this sewing box and the other box there. | 0:26:05 | 0:26:08 | |
Nice bit of parquetry. About £50 each. | 0:26:08 | 0:26:11 | |
Two little fellows here. We've got a lovely Beswick donkey | 0:26:11 | 0:26:15 | |
and Royal Copenhagen. This is porcelain, | 0:26:15 | 0:26:17 | |
the nice Scottie dog. | 0:26:17 | 0:26:19 | |
Slightly cheaper, the pole screen, the tapestry fellow, | 0:26:19 | 0:26:22 | |
and the Red Arrows plate, | 0:26:22 | 0:26:24 | |
that was over £70, made by Poole Pottery. | 0:26:24 | 0:26:27 | |
I'm going to have to work hard on that | 0:26:27 | 0:26:29 | |
and all the rest of these items. | 0:26:29 | 0:26:31 | |
Oh, come on, chaps, positive mental attitude. | 0:26:32 | 0:26:35 | |
If anyone can find buyers, it's these two titans of the trade, | 0:26:35 | 0:26:39 | |
but, remember, until they've shaken on it | 0:26:39 | 0:26:41 | |
and the money has changed hands, no deal is truly sealed. | 0:26:41 | 0:26:44 | |
The Hitman is first to arrange an appointment. | 0:26:45 | 0:26:48 | |
His contact, James, runs an antique centre in Tetsworth | 0:26:48 | 0:26:51 | |
and he knows a lady who's visiting from China, | 0:26:51 | 0:26:54 | |
looking for items to put in her private museum over there. | 0:26:54 | 0:26:57 | |
James thinks she'll like the Japanese boxes | 0:26:57 | 0:26:59 | |
and, helpfully, has offered to translate. | 0:26:59 | 0:27:02 | |
So, do you think she'll fall in love with my boxes? | 0:27:02 | 0:27:05 | |
Well, we will see because she's an expert. | 0:27:05 | 0:27:07 | |
-Ah. -OK? She was a very tough lady to a bargain. | 0:27:07 | 0:27:10 | |
-Shall we go and meet her? Come on. -No problem. | 0:27:10 | 0:27:13 | |
A tough lady to bargain with? Uh-oh. | 0:27:14 | 0:27:16 | |
The boxes are Jonty's most expensive purchase as well, | 0:27:16 | 0:27:19 | |
-owing him just over £300. -Nice to meet you. | 0:27:19 | 0:27:22 | |
So, here are my beautiful boxes. | 0:27:22 | 0:27:24 | |
Date-wise, they are about 120 years old, | 0:27:25 | 0:27:29 | |
and all of this has been applied to the box. | 0:27:29 | 0:27:33 | |
But this is the really good quality one. | 0:27:33 | 0:27:35 | |
What she said is it's a very fine quality. | 0:27:35 | 0:27:37 | |
It is. Yes, I'm glad that you approve. | 0:27:37 | 0:27:40 | |
Her idea is try keep it this one in the private museum. | 0:27:40 | 0:27:44 | |
Ah. Into a museum, OK. | 0:27:44 | 0:27:45 | |
It's such a beautiful piece from Oriental style, you know. | 0:27:45 | 0:27:48 | |
This one is £450. | 0:27:48 | 0:27:52 | |
This box is free. | 0:27:52 | 0:27:54 | |
SHE SPEAKS CHINESE | 0:27:56 | 0:27:58 | |
-OK. What she said... -Yes. | 0:27:59 | 0:28:01 | |
..she offers you the first price of 280. | 0:28:01 | 0:28:04 | |
Oh! | 0:28:04 | 0:28:05 | |
425. I will come down. | 0:28:05 | 0:28:07 | |
SHE CONFERS IN CHINESE | 0:28:08 | 0:28:10 | |
She's going up to 300. | 0:28:13 | 0:28:16 | |
300... Ooh, no. You have to go up much more. | 0:28:16 | 0:28:19 | |
360. | 0:28:19 | 0:28:20 | |
-360? -That's a very good figure. | 0:28:20 | 0:28:22 | |
I say 380 and we shake hands. | 0:28:22 | 0:28:25 | |
OK. | 0:28:27 | 0:28:28 | |
OK? HE SPEAKS CHINESE | 0:28:28 | 0:28:29 | |
-I understand that. -Great. | 0:28:29 | 0:28:30 | |
-Thank you very much. -You don't need me anymore. | 0:28:30 | 0:28:32 | |
-We do the deal, now you don't need me. -Thank you very much. | 0:28:32 | 0:28:35 | |
Well, that's not a bad start at all. | 0:28:35 | 0:28:37 | |
The boxes close a profit of £73.20. | 0:28:37 | 0:28:41 | |
And who'd have predicted they'd end up in a museum in China? | 0:28:41 | 0:28:44 | |
Hm! From the Far East to the far southwest of England, | 0:28:44 | 0:28:48 | |
James is near Lands' End | 0:28:48 | 0:28:50 | |
and he's starting off with the wine rack | 0:28:50 | 0:28:52 | |
that he thinks he paid too much for, | 0:28:52 | 0:28:53 | |
so this could take some bottle. | 0:28:53 | 0:28:55 | |
Where do I sell a wine rack? | 0:28:56 | 0:28:58 | |
A private bar with a lovely cellar. | 0:28:58 | 0:29:00 | |
A wine merchant keeps everything in cases, | 0:29:00 | 0:29:02 | |
but who keeps everything in racks? | 0:29:02 | 0:29:04 | |
Well, publicans, of course. | 0:29:04 | 0:29:06 | |
And I've come to see Anita at Logan Rock Inn. | 0:29:06 | 0:29:10 | |
Blimey, O'Reilly, they don't get any lighter, do they? Hello, Anita. | 0:29:10 | 0:29:13 | |
-Good. Hello, James. Goodness me! -Good to see you. | 0:29:13 | 0:29:16 | |
-It's got 12 going up and 10 going across. -Right. | 0:29:16 | 0:29:19 | |
120 bottles in all. | 0:29:19 | 0:29:21 | |
It should do a week. | 0:29:21 | 0:29:23 | |
It should do... Oh, you're busy here, aren't you? | 0:29:23 | 0:29:25 | |
SHE LAUGHS | 0:29:25 | 0:29:26 | |
Price-wise, we've got 120. It will take 120 bottles. | 0:29:26 | 0:29:32 | |
How about £1 a bottle? | 0:29:32 | 0:29:34 | |
That sounds pretty good to me actually, James. | 0:29:34 | 0:29:36 | |
-Does it? -It does indeed, yes. | 0:29:36 | 0:29:37 | |
-Oh. Do you want it? -Shall we shake on it? | 0:29:37 | 0:29:39 | |
Thank you, Anita. That's really kind. | 0:29:39 | 0:29:41 | |
Well, that proved to be very straightforward. | 0:29:41 | 0:29:44 | |
He found the perfect buyer. | 0:29:44 | 0:29:45 | |
James racks up a profit of £49.20. | 0:29:45 | 0:29:49 | |
Now, Jonty has moved onto his Art Deco vase that cost him £100. | 0:29:49 | 0:29:54 | |
He wants to try and sell it to Lorraine, | 0:29:54 | 0:29:56 | |
who owns an Art Deco-themed tea room in Henley. | 0:29:56 | 0:29:58 | |
And the Hitman has come dressed accordingly. | 0:29:58 | 0:30:00 | |
It's enough to put you off your muffins. Oof. | 0:30:00 | 0:30:03 | |
-What do you think? -I think that looks amazing. -Yeah? | 0:30:04 | 0:30:08 | |
Now, Lorraine, this is the vase I wanted to show you. | 0:30:08 | 0:30:11 | |
I thought this would be perfect for your restaurant | 0:30:11 | 0:30:14 | |
because it's absolutely of the period. | 0:30:14 | 0:30:18 | |
Oh, it is. It's definitely Art Deco. | 0:30:18 | 0:30:21 | |
So, you can see how simply it's decorated, | 0:30:21 | 0:30:23 | |
which is the fashion of the time. | 0:30:23 | 0:30:26 | |
So, this is a vase made by Myott, which is a company based... | 0:30:26 | 0:30:29 | |
-They were based in Stoke on Trent. -It's a good name. -Absolutely! | 0:30:29 | 0:30:32 | |
What I find so interesting is if you think about the Edwardian period, | 0:30:32 | 0:30:37 | |
which was what, turn-of-the-century? This was made in the 1930s. | 0:30:37 | 0:30:42 | |
And if you think of the leap from that sort of heavy Victorian, | 0:30:42 | 0:30:45 | |
-highly decorated forms... -Gild and everything. | 0:30:45 | 0:30:49 | |
Yes, to something very, very simple, very angular... | 0:30:49 | 0:30:53 | |
Yeah, I think that's lovely. | 0:30:53 | 0:30:55 | |
-Do you like it? -Really lovely. -I'm only asking £175 for this vase. | 0:30:55 | 0:30:59 | |
-I'd think around the 100 mark. -Oh, dear. | 0:31:00 | 0:31:03 | |
I can do 160. | 0:31:03 | 0:31:06 | |
What about 150? | 0:31:08 | 0:31:10 | |
-150? -Mm-hm. -Go on, then. | 0:31:10 | 0:31:13 | |
-OK. -It's yours. -We'll do a deal. -I'm happy with that. -OK. | 0:31:13 | 0:31:15 | |
Thanks, Lorraine, that's great! Excellent! | 0:31:15 | 0:31:18 | |
Now, what to think about my attire? Do you think it's really good? | 0:31:18 | 0:31:20 | |
I think it really suits you. And I've got a job for you. | 0:31:20 | 0:31:23 | |
If I, you know, can't sell any antiques anymore, | 0:31:23 | 0:31:26 | |
I can work here for you? | 0:31:26 | 0:31:27 | |
I think you'd make more money here, actually. | 0:31:27 | 0:31:29 | |
Hm, that sounds all right. | 0:31:29 | 0:31:30 | |
Because he didn't do badly on the vase - £49.70 profit, | 0:31:30 | 0:31:34 | |
but he does have some scrubbing to do. | 0:31:34 | 0:31:36 | |
HE SIGHS | 0:31:38 | 0:31:39 | |
Second thoughts, I think I'll stick to antiques. | 0:31:39 | 0:31:42 | |
Aw, not such a nice uniform, though. | 0:31:42 | 0:31:44 | |
In Cornwall, James has moved on to Penzance. | 0:31:44 | 0:31:47 | |
He sells his two wooden boxes to an antiques dealer. | 0:31:47 | 0:31:50 | |
-110 the two, then. -110, you got yourself a deal. -Yeah? | 0:31:50 | 0:31:54 | |
-Come on, Tricia. -OK, then. | 0:31:54 | 0:31:56 | |
But that only brings in a profit of £9.70. | 0:31:56 | 0:32:00 | |
So, let's hope he does better with his 19th-century buffalo | 0:32:02 | 0:32:05 | |
and let's be honest if this does badly, he's done for. | 0:32:05 | 0:32:09 | |
Still in Cornwall, James has one man in mind. | 0:32:09 | 0:32:13 | |
I've come to see Chris, a respected dealer, | 0:32:13 | 0:32:15 | |
who I know likes a bit of oriental art. | 0:32:15 | 0:32:19 | |
Well, let's hope he doesn't mind paying for it. | 0:32:19 | 0:32:22 | |
The carving owes James £590. | 0:32:22 | 0:32:26 | |
Now, this... I took a bit of a punt on it. I like the fact... | 0:32:26 | 0:32:30 | |
..the sort of anatomical detail. | 0:32:30 | 0:32:32 | |
There's nothing sort of stylized or podgy about this water buffalo. | 0:32:32 | 0:32:36 | |
-He's very haunchy. -I mean, the detail is fantastic, really. | 0:32:36 | 0:32:42 | |
However, the figures on top are not so good. | 0:32:42 | 0:32:46 | |
-The hands and feet are very naive. -They are naive, aren't they? | 0:32:46 | 0:32:51 | |
More than one carver, do you think? I mean, it has to be, I think. | 0:32:51 | 0:32:54 | |
-I can't see... -Do you think so? | 0:32:54 | 0:32:55 | |
I can't see the person who carved all that hair | 0:32:55 | 0:32:58 | |
carving those big, fat fingers. | 0:32:58 | 0:33:00 | |
My guess is 1820 onwards. | 0:33:00 | 0:33:02 | |
What I'm really looking for... | 0:33:02 | 0:33:03 | |
I'm looking for to try and get around about sort of... | 0:33:03 | 0:33:09 | |
800, 900 for this fellow. | 0:33:09 | 0:33:11 | |
I was just looking at it as sort of a £500, £600 level. | 0:33:11 | 0:33:15 | |
Would you touch left hands because I see you're rather damaged | 0:33:15 | 0:33:19 | |
on your right at £800? | 0:33:19 | 0:33:21 | |
No. I'm going to make a final offer. | 0:33:21 | 0:33:24 | |
-Don't back yourself into a corner, Chris. -700. | 0:33:24 | 0:33:27 | |
-700. -But that would be... That's an absolute final, | 0:33:27 | 0:33:30 | |
-please-don't-come-back-with-an -alternative. -Really? | 0:33:30 | 0:33:32 | |
This is why I didn't want you to back yourself into a corner. | 0:33:32 | 0:33:35 | |
I will give you a final offer of 750. | 0:33:35 | 0:33:38 | |
Oh, I don't like to go back on my word when I've said... | 0:33:38 | 0:33:40 | |
You didn't go back on your word | 0:33:40 | 0:33:41 | |
because I gave you the let-out clause. | 0:33:41 | 0:33:43 | |
-Come on, Chris, put it there. -750. -Thank you very much indeed. | 0:33:43 | 0:33:45 | |
-OK. -It's yours. | 0:33:45 | 0:33:47 | |
Bravo, Bingo! There were little hints of desperation there, | 0:33:47 | 0:33:50 | |
but he held his nerve and his big investment paid off. | 0:33:50 | 0:33:54 | |
James makes a very healthy profit of £160. | 0:33:54 | 0:33:59 | |
So, let's see what that's done to the figures so far. | 0:33:59 | 0:34:02 | |
Jonty started his selling well. | 0:34:04 | 0:34:06 | |
He's only sold twice, but has brought in a profit of £122.90. | 0:34:06 | 0:34:11 | |
James, on the other hand, is flying high. | 0:34:11 | 0:34:15 | |
Three lots down | 0:34:15 | 0:34:16 | |
and he's sitting on a very comfortable profit of £218.90. | 0:34:16 | 0:34:21 | |
So, Jonty needs to pull his finger out. | 0:34:21 | 0:34:24 | |
He makes his way to Wallingford with his cheapest item, | 0:34:24 | 0:34:27 | |
the silver pincushion in the shape of a jockey's cap. | 0:34:27 | 0:34:30 | |
He drops in to see Yvonne in her sewing shop. | 0:34:30 | 0:34:34 | |
-Hello there! -Yvonne, how are you doing? | 0:34:35 | 0:34:37 | |
-I'm very well. -Great to see you. | 0:34:37 | 0:34:39 | |
Now, I brought my little pincushion to show you. | 0:34:39 | 0:34:41 | |
Yes, you said you were coming along with something. | 0:34:41 | 0:34:43 | |
Would you like to have a look at that? That's silver | 0:34:43 | 0:34:45 | |
and it's in the shape of a jockey's hat. Do you like it? | 0:34:45 | 0:34:48 | |
-It is gorgeous. -Yes, it is great. | 0:34:48 | 0:34:51 | |
During the late 19th century, | 0:34:51 | 0:34:54 | |
there was a fashion to produce silver pincushions. | 0:34:54 | 0:34:57 | |
Often, they were in the shape of animals, for instance, | 0:34:57 | 0:35:00 | |
and they're very collectible. | 0:35:00 | 0:35:01 | |
Some can easily reach sort of top hundreds. | 0:35:01 | 0:35:05 | |
And what you don't know is what the real draw about this is for me... | 0:35:05 | 0:35:09 | |
Is that my grandfather used to ride horses in Ireland point to point. | 0:35:09 | 0:35:14 | |
No! Well, I want £80 for it. | 0:35:14 | 0:35:17 | |
-How about if we sort of... 70. -70? | 0:35:17 | 0:35:21 | |
-Yeah. -Go on, then. -Done. -Let's go for it. | 0:35:21 | 0:35:24 | |
The pincushion makes a profit of £28.70. | 0:35:24 | 0:35:28 | |
Not massive, but every little helps | 0:35:28 | 0:35:30 | |
particularly as Bingo starts to have some issues. | 0:35:30 | 0:35:33 | |
He hits turbulence with his Red Arrows plate. | 0:35:33 | 0:35:35 | |
A man in Berkshire pays about half what James paid himself, | 0:35:35 | 0:35:39 | |
so it lands with a bump, | 0:35:39 | 0:35:41 | |
a loss of £38.70. | 0:35:41 | 0:35:44 | |
And things don't get any better with the Beswick donkey | 0:35:45 | 0:35:48 | |
and Copenhagen dog. | 0:35:48 | 0:35:50 | |
A lady in Oxfordshire gives him £50, | 0:35:50 | 0:35:52 | |
which chalks up another loss, | 0:35:52 | 0:35:54 | |
although this time it's only £3.10. | 0:35:54 | 0:35:58 | |
So, this is Jonty's chance to pull it back. | 0:35:58 | 0:36:01 | |
He's brought his map to a classic car showroom in Kensington | 0:36:01 | 0:36:03 | |
in London to meet the owner Graeme. | 0:36:03 | 0:36:06 | |
It's in its original box, so I'm going to unravel it to him | 0:36:07 | 0:36:10 | |
to see whether this is the kind of object | 0:36:10 | 0:36:12 | |
that he would want to sell along with these beautiful cars. | 0:36:12 | 0:36:15 | |
The map owes him nearly £190. | 0:36:15 | 0:36:18 | |
Will it put him streets ahead of Bingo? | 0:36:18 | 0:36:22 | |
Well, here's my map. The Auto-Mapic. | 0:36:22 | 0:36:25 | |
-Nice name. -It's a road map of southern England and the Midlands. | 0:36:25 | 0:36:30 | |
So, you've actually got... It's 14 different maps in total. | 0:36:30 | 0:36:34 | |
Also, what I find quite interesting | 0:36:34 | 0:36:35 | |
is that I think this is glove box size. | 0:36:35 | 0:36:38 | |
Yeah, for cars of that period whether it had a reasonable size... | 0:36:38 | 0:36:41 | |
-Yes, everyone had a glove box. -I do think it's a brilliant piece. | 0:36:41 | 0:36:43 | |
I like the way it looks. | 0:36:43 | 0:36:45 | |
I like the tactile sense of the fact it's all within this plastic case. | 0:36:45 | 0:36:49 | |
Probably, the most... | 0:36:49 | 0:36:51 | |
interesting part is probably sort of London and the surrounding area | 0:36:51 | 0:36:55 | |
because you can probably date it much more readily | 0:36:55 | 0:36:57 | |
if we just sort of skip up to London. | 0:36:57 | 0:37:00 | |
Here. And you can see very clearly that there's the North Circular. | 0:37:00 | 0:37:04 | |
-The beginnings of. -But of course, there's no M25. -No, no. | 0:37:04 | 0:37:08 | |
And if you look further west, there's no M4. | 0:37:08 | 0:37:11 | |
You've just got the Bath Road, the A4. | 0:37:11 | 0:37:13 | |
Yeah, and there's no beginning of the M1 either, | 0:37:13 | 0:37:15 | |
so we can date it as pre-1960... | 0:37:15 | 0:37:18 | |
Well, price-wise, I'm looking for £280 for it. | 0:37:18 | 0:37:22 | |
-What? -£280. | 0:37:22 | 0:37:24 | |
-I thought that's what you said. -THEY LAUGH | 0:37:24 | 0:37:26 | |
I was going to give you £200 | 0:37:27 | 0:37:30 | |
when I had seen the photographs, | 0:37:30 | 0:37:32 | |
but having actually seen it now | 0:37:32 | 0:37:34 | |
and the fact it's got a box, which I didn't notice in the photographs, | 0:37:34 | 0:37:38 | |
but was probably there and it's mint, | 0:37:38 | 0:37:40 | |
I would give you 225. | 0:37:40 | 0:37:42 | |
Could you do another 25? 250? | 0:37:44 | 0:37:47 | |
230. | 0:37:47 | 0:37:48 | |
-240. -Done. | 0:37:48 | 0:37:50 | |
A gentlemanly haggle and the map navigates a profit of £51.20. | 0:37:50 | 0:37:55 | |
Well, that's another great sale, but time to move on. | 0:37:57 | 0:38:02 | |
Left here, Graeme. | 0:38:02 | 0:38:03 | |
Jonty soon finds his way to another sale. | 0:38:03 | 0:38:06 | |
His Scottish books are bought by a Scottish friend | 0:38:06 | 0:38:08 | |
who pays £120, bringing in another decent profit £49.20. | 0:38:08 | 0:38:14 | |
Now, remember the silk kimono that came with James's tapestry panel? | 0:38:14 | 0:38:18 | |
Well, Bingo has finally got round to trying it on. | 0:38:18 | 0:38:21 | |
Ooh, and he looks lovely. | 0:38:21 | 0:38:23 | |
So, will this help sell it to fashion student Millie? | 0:38:23 | 0:38:27 | |
-Hello, Millie. -Hello. | 0:38:27 | 0:38:29 | |
Don't be alarmed by my attire. It is slightly worrying, isn't it? | 0:38:29 | 0:38:32 | |
I think it suits you. Yeah. | 0:38:32 | 0:38:34 | |
A middle-aged gentleman in a sort of kimono. | 0:38:34 | 0:38:36 | |
This is what I wanted to show you. Come on, you fashion student. | 0:38:36 | 0:38:39 | |
Beautiful, isn't it? It's really beautiful. | 0:38:39 | 0:38:42 | |
Is it something that you might wear to possibly a fancy dress? | 0:38:42 | 0:38:45 | |
Not fancy dress. I think it's kind of... | 0:38:45 | 0:38:48 | |
It's more like a dressing down. | 0:38:48 | 0:38:49 | |
-Something you can just chuck on in the summer... -Yeah. | 0:38:49 | 0:38:52 | |
..and sit in the garden with a coffee or something. | 0:38:52 | 0:38:54 | |
-Would you buy this for a fiver? -Yes. | 0:38:54 | 0:38:56 | |
Would you have it for a fiver? It's now yours. | 0:38:56 | 0:38:58 | |
I will definitely have that for a fiver. | 0:38:58 | 0:39:01 | |
And I'm going to take it off before I get arrested. | 0:39:01 | 0:39:03 | |
Well, Millie clearly doesn't think it's a crime of fashion. | 0:39:03 | 0:39:06 | |
So, what about the tapestry panel? | 0:39:06 | 0:39:08 | |
He takes that to an antiques shop in Bexhill to meet the owner Andy. | 0:39:08 | 0:39:12 | |
But will the rips in the panel be a problem? | 0:39:12 | 0:39:16 | |
Have a look at that. | 0:39:16 | 0:39:17 | |
-What, half a pole screen, James? -Half a pole screen. | 0:39:17 | 0:39:20 | |
Somebody's obviously whipped the stand for a... | 0:39:20 | 0:39:22 | |
What happened there? A little bit damaged as well, unfortunately. | 0:39:22 | 0:39:25 | |
What I love about these is I'd love something... | 0:39:25 | 0:39:27 | |
I like the complete contemporary package. | 0:39:27 | 0:39:29 | |
I like it when you've got a panel in its original frame. | 0:39:29 | 0:39:33 | |
And it's a really sweet frame, isn't it? | 0:39:33 | 0:39:35 | |
Yeah, it's nicely carved, isn't it? | 0:39:35 | 0:39:37 | |
-This is the cornucopia, so symbol of plenty. -Yeah. | 0:39:37 | 0:39:40 | |
And I want to try to get 20 quid for it. | 0:39:41 | 0:39:43 | |
It's a tenner for the frame really, James, isn't it? | 0:39:43 | 0:39:45 | |
-How about 15, Andy? -No, I need 10 on this, James, I think. -Really? | 0:39:45 | 0:39:48 | |
Yeah, it's... Otherwise I'll pass it on by, let someone else have a go. | 0:39:48 | 0:39:51 | |
-Really? -Yeah, it's a tenner's worth. | 0:39:51 | 0:39:53 | |
Tenner's worth. God, you are a hard man, Andy, aren't you? | 0:39:53 | 0:39:57 | |
-Tenner's worth? -Yeah, go on, then. | 0:39:57 | 0:40:00 | |
-OK. You can have it. -OK. Thank you, James. | 0:40:00 | 0:40:02 | |
So, add that to the fiver he got for the kimono | 0:40:02 | 0:40:05 | |
and James's profit is just £3.20. | 0:40:05 | 0:40:07 | |
Whilst he's there, Andy also buys the pair of door pushes. | 0:40:07 | 0:40:12 | |
-OK, 45? -Go on, then. -Well done. Thank you. | 0:40:12 | 0:40:14 | |
And that rings in a profit of £9.60. | 0:40:14 | 0:40:19 | |
So, the second half of this selling spree | 0:40:19 | 0:40:21 | |
hasn't really gone James's way. | 0:40:21 | 0:40:23 | |
Could Jonty cook up a win with his last item? | 0:40:23 | 0:40:26 | |
The wedding cake stand cost The Hitman nearly £77 | 0:40:26 | 0:40:29 | |
and he's staying local, taking it to show Rob | 0:40:29 | 0:40:33 | |
who manages a hotel in Shillingford that caters for weddings. | 0:40:33 | 0:40:37 | |
This is a cake stand. | 0:40:37 | 0:40:38 | |
Because of its wear, I suppose, | 0:40:38 | 0:40:41 | |
it has to be probably just before the war this was made. | 0:40:41 | 0:40:44 | |
And it's also sort of plated silver we've got here. | 0:40:44 | 0:40:48 | |
It comes with a knife as well attached. | 0:40:48 | 0:40:52 | |
You can see it's definitely got some age to it. | 0:40:52 | 0:40:54 | |
Yes, genuinely nice piece. Nice to see it in its original box. | 0:40:54 | 0:40:57 | |
Now, price-wise, I'm looking for £140. | 0:40:57 | 0:41:00 | |
-I'm looking more in the region of paying around £100. -100 quid? | 0:41:00 | 0:41:04 | |
Well, if we do a bit more than that, I'll be happy. What about 110? | 0:41:04 | 0:41:07 | |
-Yeah, OK. -Do that? -110. -I'm happy with that. 110. -110. | 0:41:09 | 0:41:12 | |
-It's all yours, sir. -Thank you very much. | 0:41:12 | 0:41:14 | |
Excellent work. Jonty cuts a deal and gets a profit of £33.30. | 0:41:14 | 0:41:19 | |
Well, James, that's how to do it. Another sale, another profit. | 0:41:19 | 0:41:23 | |
It's a piece of cake. | 0:41:23 | 0:41:25 | |
So, there we have it. Everything has been sold. | 0:41:25 | 0:41:28 | |
We'll find out our winner in just a moment. | 0:41:28 | 0:41:30 | |
First let's remind ourselves of what they spent in Wareham. | 0:41:30 | 0:41:33 | |
Both our boys arrived at auction with £1,000 of their own money. | 0:41:35 | 0:41:39 | |
Jonty had a hard time but eventually left with six lots, | 0:41:39 | 0:41:43 | |
spending nearly £785. | 0:41:43 | 0:41:46 | |
James however spent much more. | 0:41:46 | 0:41:49 | |
He bought seven times and forked out over £938. | 0:41:49 | 0:41:53 | |
But, now it's all about the profits. | 0:41:53 | 0:41:56 | |
All of the money that Jonty and James have made | 0:41:56 | 0:41:58 | |
from today's challenge will go to charities of their choice. | 0:41:58 | 0:42:01 | |
And it's now time to reveal who is today's | 0:42:01 | 0:42:04 | |
Put Your Money Where Your Mouth Is Champion. | 0:42:04 | 0:42:08 | |
-Jonty. -James. Now, that auction sale, it was tough! | 0:42:08 | 0:42:11 | |
It was tough. It's very hard to buy well with that premium. | 0:42:11 | 0:42:15 | |
You name it, it's all there, isn't it? | 0:42:15 | 0:42:16 | |
I got really excited at the beginning of the day. Walked into the room. | 0:42:16 | 0:42:19 | |
-I thought there was so much to buy... -Yeah. | 0:42:19 | 0:42:21 | |
..but when the auction sale started, | 0:42:21 | 0:42:23 | |
-it was just more and more difficult to buy. -It was. | 0:42:23 | 0:42:26 | |
-Should we see how we've done? -Should we see? I'm interested! -Let's go. | 0:42:26 | 0:42:30 | |
285... | 0:42:30 | 0:42:31 | |
-189! -Oh! | 0:42:31 | 0:42:33 | |
There should be a nought after that one. | 0:42:33 | 0:42:35 | |
HE LAUGHS Oh, dear! Yeah. | 0:42:35 | 0:42:38 | |
-Well done, well done. -Well, one for me. -Yep. Champagne. | 0:42:38 | 0:42:42 | |
Bit of a surprise there for James, it seems. | 0:42:43 | 0:42:45 | |
He clearly thought the Chinese group had carved out a win, | 0:42:45 | 0:42:48 | |
but Jonty's solid consistency wins through. | 0:42:48 | 0:42:51 | |
How did slip away? My Chinese water buffalo make me a good profit. | 0:42:52 | 0:42:57 | |
And I did all right on the rest, but Jonty has it. | 0:42:57 | 0:43:01 | |
Wow! Got some great sales there. I had needed an interpreter for one. | 0:43:01 | 0:43:06 | |
Road map, what fun that was. | 0:43:06 | 0:43:08 | |
Well, I won this one James. Maybe, you're going to get me next time. | 0:43:08 | 0:43:12 | |
Hm. Maybe he will. Our boys do battle again tomorrow | 0:43:12 | 0:43:16 | |
when they go rummaging around at an antiques fair in Leicestershire. | 0:43:16 | 0:43:19 | |
HE BLOWS HORN | 0:43:20 | 0:43:23 |