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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:06 | |
against each other in an all-out battle for profit... | 0:00:06 | 0:00:10 | |
Yee-ha. | 0:00:11 | 0:00:12 | |
..and gives you | 0:00:12 | 0:00:13 | |
the insider's view of the trade. | 0:00:13 | 0:00:15 | |
Who's there? | 0:00:17 | 0:00:18 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:21 | |
will face a different daily challenge... | 0:00:21 | 0:00:23 | |
The Axeman, rrrargh. | 0:00:24 | 0:00:25 | |
..putting their reputations on the line... | 0:00:27 | 0:00:29 | |
Ready for the ball. | 0:00:29 | 0:00:30 | |
..and giving you their top tips and savvy secrets | 0:00:32 | 0:00:35 | |
on how to make the most money from buying and selling. | 0:00:35 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:41 | |
Today, furniture fancier Jonty Hearnden | 0:00:43 | 0:00:46 | |
and all-action auctioneer James Braxton | 0:00:46 | 0:00:49 | |
lock horns at an antiques fair at a world-famous motor racing circuit. | 0:00:49 | 0:00:54 | |
Coming up, our fearless dealers are under starter's orders. | 0:00:54 | 0:00:57 | |
AIR HORN SOUNDS | 0:00:57 | 0:00:59 | |
Jonty makes an interesting comparison... | 0:01:00 | 0:01:03 | |
The great thing about a chair like this, | 0:01:03 | 0:01:05 | |
it's a bit like somebody like myself, | 0:01:05 | 0:01:07 | |
somebody with a bit of potential. | 0:01:07 | 0:01:09 | |
..and James gets his hands dirty. | 0:01:09 | 0:01:11 | |
It's not easy work this, is it? | 0:01:11 | 0:01:13 | |
And I'm sort of bending it round, am I? | 0:01:13 | 0:01:16 | |
This is Put Your Money Where Your Mouth Is. | 0:01:16 | 0:01:18 | |
In the tranquil landscape of the Leicestershire countryside, | 0:01:32 | 0:01:36 | |
an extraordinary antiques challenge is about to begin. | 0:01:36 | 0:01:40 | |
Two experts are lining up on the track | 0:01:40 | 0:01:42 | |
for an antiques Grand Prix at Donington Park. | 0:01:42 | 0:01:45 | |
This will surely be a fast and furious race, | 0:01:45 | 0:01:47 | |
with our speed demons negotiating chicanes and hairpin bends, | 0:01:47 | 0:01:51 | |
but only one driver can lift the trophy on the podium of profit. | 0:01:51 | 0:01:55 | |
First on the grid, | 0:01:58 | 0:01:59 | |
an armchair enthusiast who's performed very well in qualifying. | 0:01:59 | 0:02:02 | |
His finely-tuned brain is packed with precision detail | 0:02:02 | 0:02:06 | |
about every kind of antique. | 0:02:06 | 0:02:08 | |
Aiming for the fastest lap, | 0:02:08 | 0:02:09 | |
it's the ox of Oxfordshire, | 0:02:09 | 0:02:11 | |
it's Jonty The Hitman Hearnden. | 0:02:11 | 0:02:13 | |
I'm just going to make sure I've seen absolutely everything. | 0:02:15 | 0:02:18 | |
Pulling up alongside, revved up and raring to go, | 0:02:19 | 0:02:21 | |
a well-oiled dealing machine. | 0:02:21 | 0:02:23 | |
He's popular in the paddock, | 0:02:23 | 0:02:25 | |
he'll postpone all pit stops in pursuit of profit. | 0:02:25 | 0:02:28 | |
Gagging for the green light, it's the squire of Sussex, | 0:02:28 | 0:02:31 | |
it's James Bingo Braxton. | 0:02:31 | 0:02:34 | |
You've got to keep looking | 0:02:34 | 0:02:36 | |
and try and find that thing that gets you going. | 0:02:36 | 0:02:39 | |
Our rummaging road hogs have brought £750 of their own money. | 0:02:40 | 0:02:44 | |
Once they've purchased their pieces, they must sell the lot, | 0:02:44 | 0:02:47 | |
and any profit they make will go to the charities of their choice. | 0:02:47 | 0:02:50 | |
So, Jonty Hearnden and James Braxton, | 0:02:50 | 0:02:54 | |
you're under starter's orders. | 0:02:54 | 0:02:55 | |
It's time to put your money where your mouth is. | 0:02:55 | 0:02:59 | |
-James, good to see you, young man. -Good to see you, Jonty. How are you? | 0:02:59 | 0:03:02 | |
-Have you been here before? -Never been here before. | 0:03:02 | 0:03:04 | |
I think it's very famous for its racing. | 0:03:04 | 0:03:06 | |
I can just see you in a racing car or in a go-kart. | 0:03:06 | 0:03:08 | |
Yeah, I have trouble squeezing in those things. | 0:03:08 | 0:03:10 | |
-JONTY LAUGHS -It's the hips. | 0:03:10 | 0:03:12 | |
Well, it's all about antiques today. All about antiques today. | 0:03:12 | 0:03:15 | |
750 quid to spend. You going to be spending it wisely? | 0:03:15 | 0:03:18 | |
Spending always wisely. Bargains. | 0:03:18 | 0:03:21 | |
The elusive house clearer these days. | 0:03:21 | 0:03:22 | |
That's what you want - fresh stock. | 0:03:22 | 0:03:25 | |
Damn, cos that was exactly what I was going to be doing as well. | 0:03:25 | 0:03:28 | |
-Ha. -Best of luck, Jonty. -Enjoy. -Bye. | 0:03:28 | 0:03:31 | |
Ooh, similar strategies. | 0:03:31 | 0:03:33 | |
There may be some wheel-spinning to come, | 0:03:33 | 0:03:35 | |
and our boy racers are getting excited. | 0:03:35 | 0:03:38 | |
So, this market is totally different | 0:03:39 | 0:03:41 | |
to any market I've ever been to before | 0:03:41 | 0:03:44 | |
insofar that the people, the buyers, | 0:03:44 | 0:03:46 | |
are lined up prior to the market opening, | 0:03:46 | 0:03:49 | |
and a klaxon is sounded, | 0:03:49 | 0:03:51 | |
and then everyone enters the building. | 0:03:51 | 0:03:53 | |
It's going to be just like a scrum. | 0:03:53 | 0:03:56 | |
I'm going to get into position and prepared. | 0:03:56 | 0:03:59 | |
So, as Jonty psyches himself up, | 0:03:59 | 0:04:01 | |
other buyers are arriving in their droves. | 0:04:01 | 0:04:04 | |
Indoors, the sellers aren't allowed to lay out their wares | 0:04:04 | 0:04:06 | |
until the klaxon sounds. | 0:04:06 | 0:04:08 | |
How exciting! | 0:04:08 | 0:04:10 | |
James can't wait. | 0:04:10 | 0:04:12 | |
My tactic is, on the sound of the air horn, | 0:04:12 | 0:04:14 | |
to run straight for the vans. | 0:04:14 | 0:04:16 | |
I've got to make very quick judgements. | 0:04:16 | 0:04:18 | |
I want to try and find that house clearer. | 0:04:18 | 0:04:20 | |
I want to find fresh goods and buy them. | 0:04:20 | 0:04:23 | |
We're just moments away now. | 0:04:23 | 0:04:25 | |
The tension mounts among the gathering hoards. | 0:04:25 | 0:04:27 | |
And our brave buyers have muscled their way to pole position, | 0:04:27 | 0:04:30 | |
a crucial head start. | 0:04:30 | 0:04:32 | |
AIR HORN SOUNDS | 0:04:33 | 0:04:35 | |
And they're off! | 0:04:35 | 0:04:36 | |
Possibly deaf, but eagle-eyed as ever. | 0:04:36 | 0:04:39 | |
James instantly joins the frantic fray on his first lap. | 0:04:39 | 0:04:42 | |
Suddenly, on the sound of the air horn, | 0:04:43 | 0:04:45 | |
everybody's bringing out their stock, | 0:04:45 | 0:04:47 | |
the buyers are rushing in, so it's a sort of...bit of a clash. | 0:04:47 | 0:04:50 | |
Nobody's got any stock out at the moment | 0:04:50 | 0:04:52 | |
and the buyers are beginning to seep in. | 0:04:52 | 0:04:54 | |
There's everybody scrabbling around to get their things out, | 0:04:54 | 0:04:57 | |
and I'm trying to find my seller. | 0:04:57 | 0:05:00 | |
Jonty is flying through the building | 0:05:01 | 0:05:03 | |
looking for the best stalls. | 0:05:03 | 0:05:05 | |
But finding your seller and bagging a bargain here is all about speed, | 0:05:05 | 0:05:09 | |
as James could be about to find out. | 0:05:09 | 0:05:11 | |
He'd clocked an arts and crafts coat rack, but held back. | 0:05:11 | 0:05:14 | |
So, a bit I had a look at and just walked away from, | 0:05:16 | 0:05:21 | |
um, somebody else is having a good, old look at it. | 0:05:21 | 0:05:24 | |
It's in the lap of the gods now | 0:05:24 | 0:05:26 | |
whether they're going to go for it or not. | 0:05:26 | 0:05:28 | |
Talk about snoozing and losing. If you walk away... | 0:05:28 | 0:05:31 | |
That was silly. | 0:05:31 | 0:05:32 | |
The only...the only decent thing I've seen here so far | 0:05:32 | 0:05:35 | |
has been quickly snapped up. | 0:05:35 | 0:05:37 | |
-Well done. -HE LAUGHS | 0:05:37 | 0:05:39 | |
I was a bit foolish to have walked away from that, was I? | 0:05:42 | 0:05:44 | |
You ought to have learned by now... | 0:05:44 | 0:05:46 | |
-I know. -HE LAUGHS | 0:05:46 | 0:05:47 | |
There's no hanging about on the other side of the market. | 0:05:49 | 0:05:51 | |
The Hitman's moving at full pelt, and soon pounces | 0:05:51 | 0:05:54 | |
on a man with a van. | 0:05:54 | 0:05:56 | |
What sort of price is the dressing table? | 0:05:56 | 0:05:59 | |
That I can do for 85. | 0:05:59 | 0:06:02 | |
85. What about 50? | 0:06:02 | 0:06:04 | |
No, I can't do that. 65. | 0:06:05 | 0:06:07 | |
I tell you what, I'll do it for 60, then we have a deal. | 0:06:07 | 0:06:09 | |
-60? -Yes. -OK. | 0:06:10 | 0:06:12 | |
60 quid. Brilliant. So, there we go. | 0:06:12 | 0:06:14 | |
First off, I think that's sort of the first, what, three minutes. | 0:06:14 | 0:06:18 | |
And, once it's out of the van, Jonty can have a proper look. | 0:06:18 | 0:06:22 | |
This is a dressing table that was made probably in the 1920s, | 0:06:22 | 0:06:25 | |
possibly the 1930s, | 0:06:25 | 0:06:27 | |
but, originally, would have been stained a very dark colour indeed | 0:06:27 | 0:06:32 | |
because what the dealer has done, | 0:06:32 | 0:06:33 | |
and the reason why I bought it | 0:06:33 | 0:06:35 | |
is because it's now been painted. | 0:06:35 | 0:06:37 | |
And it's been given this painted, | 0:06:37 | 0:06:39 | |
distressed look, | 0:06:39 | 0:06:40 | |
which is very cool and commercial at the moment. | 0:06:40 | 0:06:43 | |
And this is what dealers do. | 0:06:43 | 0:06:44 | |
They buy furniture like this in salerooms and paint it up, | 0:06:44 | 0:06:48 | |
so that they can make a profit for themselves. | 0:06:48 | 0:06:50 | |
And that's the reason why I bought this table | 0:06:50 | 0:06:52 | |
because I thought, at £60 I can do exactly the same | 0:06:52 | 0:06:55 | |
without doing all the hard work. | 0:06:55 | 0:06:56 | |
So, Jonty's in the lead as they hit the first bend, | 0:06:56 | 0:06:59 | |
but Bingo is coming up on the inside. | 0:06:59 | 0:07:02 | |
I have always been attracted to anything slightly over-engineered, | 0:07:02 | 0:07:06 | |
and this certainly is over-engineered. | 0:07:06 | 0:07:08 | |
What have you got on this? | 0:07:08 | 0:07:09 | |
-55. -Could you do any better on that? | 0:07:09 | 0:07:13 | |
50 would be good for me. | 0:07:13 | 0:07:15 | |
It's got... Good thing. | 0:07:15 | 0:07:16 | |
-I'll give you 50 quid for that. -Thank you very much. | 0:07:16 | 0:07:18 | |
That'll be really good. | 0:07:18 | 0:07:20 | |
It's a hefty piece of kit and James loves it. | 0:07:20 | 0:07:23 | |
So, this would have come off a mighty sort of static lathe. | 0:07:24 | 0:07:28 | |
Probably, a toolmaker's lathe. | 0:07:28 | 0:07:30 | |
Date - probably 1920s, Bakelite, switch here. | 0:07:30 | 0:07:35 | |
This is a heavy beastie. | 0:07:35 | 0:07:37 | |
No longer, unfortunately, will it go back on a lathe. | 0:07:37 | 0:07:40 | |
It'll go on somebody's desk in Shoreditch or Old Street. | 0:07:40 | 0:07:45 | |
Mm, fashionable East London, right up Braxton's street. | 0:07:45 | 0:07:49 | |
Now, Jonty is back indoors | 0:07:49 | 0:07:51 | |
and he's been racing round at breakneck speed, | 0:07:51 | 0:07:53 | |
and he's a little concerned. | 0:07:53 | 0:07:54 | |
What's worrying me at the moment is | 0:07:56 | 0:07:58 | |
that I have done most of the hangar here. | 0:07:58 | 0:08:00 | |
I've only got a half a dozen vans, at best, left | 0:08:00 | 0:08:03 | |
because I know what's behind on the other side | 0:08:03 | 0:08:08 | |
is slightly smaller stallholders, | 0:08:08 | 0:08:11 | |
which means that they're selling twiddly bits. | 0:08:11 | 0:08:13 | |
Twiddly bits is not my game. | 0:08:13 | 0:08:16 | |
Well, unlike Jonty, James isn't worried about size | 0:08:16 | 0:08:19 | |
because he's already found his second purchase of the day, | 0:08:19 | 0:08:23 | |
an enamel bread bin. | 0:08:23 | 0:08:24 | |
-Yeah, I'll give you 20. -OK. Thank you. -Thank you, thank you. | 0:08:24 | 0:08:27 | |
This is something you see a lot at antique fairs, car boots, | 0:08:29 | 0:08:32 | |
these sort of rather nice... | 0:08:32 | 0:08:35 | |
I suppose it's probably post-war. It's either '30s or '50s. | 0:08:35 | 0:08:38 | |
Enamel bread bins. | 0:08:38 | 0:08:40 | |
£20. | 0:08:40 | 0:08:42 | |
It's quite a stylish storage item for your kitchen. | 0:08:42 | 0:08:44 | |
Well, let's hope it turns a profit and makes him some dough. | 0:08:44 | 0:08:48 | |
One thing's for sure, Bingo has fallen on his feet at that stall, | 0:08:48 | 0:08:51 | |
and he spots a collection of wooden shoemaker's lasts. | 0:08:51 | 0:08:54 | |
The interesting thing is, how would you add value to these? | 0:08:55 | 0:08:59 | |
You could clean them up, but then you've got... | 0:08:59 | 0:09:01 | |
I think it's got to have a different function. | 0:09:01 | 0:09:04 | |
Maybe, something like a simple doorstop. | 0:09:04 | 0:09:06 | |
Maybe, you'd just put a rod here. | 0:09:06 | 0:09:08 | |
So, you just move them. | 0:09:09 | 0:09:11 | |
I think I'm going to take the heaviest | 0:09:11 | 0:09:13 | |
cos that's what I want them for. | 0:09:13 | 0:09:15 | |
I think definitely I'm going to do doorstops. Yes. | 0:09:15 | 0:09:18 | |
I think that's my lot. | 0:09:18 | 0:09:19 | |
I'll have these. | 0:09:20 | 0:09:21 | |
They're a fiver each, | 0:09:23 | 0:09:24 | |
so James picks the five heaviest and pays £25. | 0:09:24 | 0:09:27 | |
Now, while James is dancing away with the deals, across the market, | 0:09:27 | 0:09:30 | |
the furniture fancier is on familiar ground. | 0:09:30 | 0:09:33 | |
He's eyeing up a nest of 1970s plastic tables. | 0:09:33 | 0:09:36 | |
-How much is your coffee table, sir? -I've got 75 on them. -75. | 0:09:37 | 0:09:42 | |
I'm interested in buying them, | 0:09:42 | 0:09:44 | |
-but I'm afraid that's not the right price for me. -I'll do 40. | 0:09:44 | 0:09:47 | |
-Would you do 40? -Yeah. -Go on, then. | 0:09:47 | 0:09:49 | |
-I'll buy them for 40. -Yeah? -Yeah. Thank you very much. | 0:09:49 | 0:09:51 | |
I think they're fun. | 0:09:51 | 0:09:52 | |
Nests of tables were originally conceived in the 18th century. | 0:09:54 | 0:09:57 | |
And, 200 years later, | 0:09:57 | 0:09:59 | |
this is a 20th-century interpretation of that very original idea. | 0:09:59 | 0:10:03 | |
It's going to be really interesting because what's happened in the market | 0:10:03 | 0:10:07 | |
very recently | 0:10:07 | 0:10:08 | |
is that the 1970s have come back into vogue, | 0:10:08 | 0:10:12 | |
so there's a small niche market for it. | 0:10:12 | 0:10:14 | |
But does that mean more profit? We'll have to wait and see. | 0:10:14 | 0:10:17 | |
Jonty scoots back inside and snaps up another purchase, | 0:10:17 | 0:10:21 | |
a set of Victorian pewter food covers. | 0:10:21 | 0:10:23 | |
-95 for the lot. -95, OK. -Thank you very much, indeed. | 0:10:24 | 0:10:27 | |
And there's no stopping him. | 0:10:28 | 0:10:29 | |
His dogged determination soon leads him | 0:10:29 | 0:10:31 | |
to another purchase, | 0:10:31 | 0:10:33 | |
a bronze statue of two German shepherds. | 0:10:33 | 0:10:36 | |
He pays £60. | 0:10:36 | 0:10:37 | |
-Shake hands? -I shall shake your hand, just there. | 0:10:38 | 0:10:40 | |
So, here are my lovely dogs. They're really good condition. | 0:10:43 | 0:10:47 | |
They're French, they're 1930s, possibly post-war. | 0:10:47 | 0:10:51 | |
It doesn't really matter about age. | 0:10:51 | 0:10:53 | |
The most important thing is they're in really good condition. | 0:10:53 | 0:10:55 | |
So, who are my buyers? | 0:10:55 | 0:10:57 | |
Well, possibly somebody who're into German shepherds, | 0:10:57 | 0:11:00 | |
or people who deal, or trade, or love figurative works | 0:11:00 | 0:11:06 | |
of this genre. | 0:11:06 | 0:11:07 | |
So, I've got lots of options for me, which is great. | 0:11:07 | 0:11:11 | |
You can say that again. | 0:11:11 | 0:11:12 | |
That deal puts The Hitman out in front, | 0:11:12 | 0:11:15 | |
four purchases to Bingo's three. | 0:11:15 | 0:11:17 | |
But, before long, James pulls up level. | 0:11:17 | 0:11:19 | |
He closes the lid on a deal for not one, not two, | 0:11:19 | 0:11:22 | |
but three Indian boxes. | 0:11:22 | 0:11:25 | |
Yeah, I'll give you 90 for those. Yeah, really kind. Thank you. | 0:11:25 | 0:11:28 | |
They're beautifully carved, maybe made of cedar, or Kaempfer wood, | 0:11:30 | 0:11:34 | |
and then we've got this tessera banding, which is micro mosaic, | 0:11:34 | 0:11:38 | |
and then we've got this ivory stringing. | 0:11:38 | 0:11:40 | |
Pre-1947, so meets all its legal requirements. | 0:11:40 | 0:11:44 | |
These are glove boxes. | 0:11:44 | 0:11:45 | |
And it was a very Victorian thing to give your intended, | 0:11:45 | 0:11:51 | |
your girlfriend, fiance, gloves as a show of intention. | 0:11:51 | 0:11:55 | |
So, they were precious objects, | 0:11:55 | 0:11:56 | |
rather like love letters that required special housing. | 0:11:56 | 0:12:00 | |
And so, hence, you've got these boxes. | 0:12:00 | 0:12:03 | |
I probably know somebody who will absolutely adore these. | 0:12:03 | 0:12:06 | |
Well, that sounds very promising. | 0:12:07 | 0:12:08 | |
Now, our heroic hagglers need to refuel, | 0:12:08 | 0:12:11 | |
so, while they do, let's look at the numbers. | 0:12:11 | 0:12:13 | |
Each of our excellent experts arrived at the fair | 0:12:14 | 0:12:16 | |
with £750 of their own money. | 0:12:16 | 0:12:20 | |
Jonty The Hitman Hearnden | 0:12:20 | 0:12:21 | |
has screeched round the track, | 0:12:21 | 0:12:22 | |
bought four times and spent £255. | 0:12:22 | 0:12:26 | |
That means he's got £495 | 0:12:26 | 0:12:29 | |
to play with. | 0:12:29 | 0:12:30 | |
James Bingo Braxton | 0:12:31 | 0:12:33 | |
is taking the racing line. | 0:12:33 | 0:12:34 | |
His four purchases have cost less - | 0:12:34 | 0:12:37 | |
£185, | 0:12:37 | 0:12:38 | |
so he's got £565 left in his kitty. | 0:12:38 | 0:12:41 | |
-There you are. -Hey, how's it going? | 0:12:43 | 0:12:45 | |
-It's definitely fast and furious, isn't it? -It is. -Unbelievable. -Yeah. | 0:12:45 | 0:12:49 | |
People unpacking things. | 0:12:49 | 0:12:50 | |
-Actually, I made my first purchase in the back of somebody's car. -No?! | 0:12:50 | 0:12:54 | |
-That is very good. -How about you? | 0:12:54 | 0:12:56 | |
Um, it is fast and furious, and I slipped up. | 0:12:56 | 0:12:59 | |
I saw a lovely arts and crafts sort of mottoed coat rack, | 0:12:59 | 0:13:04 | |
and I drifted away from the stall, then thought better of it, | 0:13:04 | 0:13:08 | |
came back, it'd been bought. | 0:13:08 | 0:13:09 | |
-You have to be so quick. -You've got to be on it. | 0:13:09 | 0:13:12 | |
There's one area I haven't done. I haven't done this row yet, | 0:13:12 | 0:13:14 | |
so I'm going to probably do that one. | 0:13:14 | 0:13:16 | |
But, likewise, I haven't done that either. | 0:13:16 | 0:13:18 | |
-I really need to get over there. -OK. | 0:13:18 | 0:13:20 | |
I'll take that end. | 0:13:20 | 0:13:21 | |
Why don't you take that end. Is that all right? | 0:13:21 | 0:13:23 | |
Are you trying to hide something from me, James? | 0:13:23 | 0:13:25 | |
-JAMES LAUGHS -Of course, I'm not. | 0:13:25 | 0:13:28 | |
James might deny trying to send Jonty off track, | 0:13:28 | 0:13:31 | |
but it doesn't work. | 0:13:31 | 0:13:32 | |
The Hitman soon finds something that could see him steam ahead. | 0:13:32 | 0:13:36 | |
This is a mid-19th-century copper and brass kettle. | 0:13:37 | 0:13:42 | |
Got a bit of old restoration there, which is really quite nice to see. | 0:13:42 | 0:13:45 | |
Gives it loads of character. | 0:13:45 | 0:13:47 | |
And it's even got a bit of emulsion paint on there as well. | 0:13:47 | 0:13:51 | |
And look at the price ticket. | 0:13:51 | 0:13:53 | |
Who says antiques are expensive? | 0:13:53 | 0:13:55 | |
Nine quid. What a bargain. | 0:13:55 | 0:13:57 | |
Can you do a fiver? | 0:13:57 | 0:13:59 | |
-£7. -7 quid. I will buy it from you then. | 0:13:59 | 0:14:02 | |
He's a hard man. | 0:14:04 | 0:14:05 | |
We can't do too much negotiating on nine quid. | 0:14:05 | 0:14:08 | |
Hard man! The words 'pot', 'kettle' and 'black' spring to mind, Jonty. | 0:14:09 | 0:14:12 | |
Anyway, James has ventured to the outside stalls, | 0:14:12 | 0:14:15 | |
and he's found something else that he would describe | 0:14:15 | 0:14:18 | |
as over-engineered. | 0:14:18 | 0:14:20 | |
Look at these things, | 0:14:20 | 0:14:21 | |
still exactly as good as the day that they were made. | 0:14:21 | 0:14:25 | |
It's an extremely heavy piece of brass. | 0:14:25 | 0:14:28 | |
It's probably something like... | 0:14:28 | 0:14:29 | |
Something to do with a fire hydrant or something. | 0:14:29 | 0:14:32 | |
And it's got a John Morris & Sons coupling. | 0:14:32 | 0:14:35 | |
"Fire engineers. Salford, Manchester." | 0:14:35 | 0:14:38 | |
Very good. We're always trying to add value to things. | 0:14:38 | 0:14:41 | |
What would you do with that? | 0:14:41 | 0:14:43 | |
Come on, James, | 0:14:43 | 0:14:44 | |
if anyone can come up with a master plan, it's you. | 0:14:44 | 0:14:47 | |
Something? | 0:14:47 | 0:14:48 | |
Anything? Anything at all? | 0:14:48 | 0:14:51 | |
-No? -Don't know. | 0:14:51 | 0:14:53 | |
Maybe, think about it then. | 0:14:53 | 0:14:54 | |
And, while you do, find out the price. | 0:14:54 | 0:14:56 | |
-Very best on it will be 35. -35, you've got a deal. | 0:14:57 | 0:15:01 | |
Haven't a clue what I'm going to do with it, | 0:15:01 | 0:15:03 | |
but it's just a lovely object. | 0:15:03 | 0:15:05 | |
And, while James wanders and ponders, Jonty's come outside | 0:15:05 | 0:15:09 | |
and he's spotted something across the crowded market. | 0:15:09 | 0:15:13 | |
Upholstery. Who'd have thought it? | 0:15:13 | 0:15:16 | |
For Jonty, it's love at first sight. | 0:15:16 | 0:15:18 | |
So, I'm looking at a nice, 19th-century armchair. | 0:15:20 | 0:15:23 | |
And, if you have a look at the material that it's covered in, | 0:15:24 | 0:15:28 | |
it's got a rip on the seat | 0:15:28 | 0:15:31 | |
and it's got awful marks on the back. | 0:15:31 | 0:15:33 | |
So, a chair like this absolutely needs recovering. | 0:15:33 | 0:15:35 | |
But the reason why I've been attracted to it | 0:15:35 | 0:15:37 | |
is because it's got these gilded legs. | 0:15:37 | 0:15:39 | |
They've got that sort of faded grandeur to it. | 0:15:39 | 0:15:42 | |
I think that this is a really quite nice shape. | 0:15:42 | 0:15:44 | |
Now, at 180 quid, that's too much money for me. | 0:15:44 | 0:15:47 | |
If it was slightly less than that, I would be interested. | 0:15:47 | 0:15:51 | |
The great thing about a chair like this | 0:15:51 | 0:15:54 | |
is it's a bit like somebody like myself, | 0:15:54 | 0:15:57 | |
somebody with a bit of potential. | 0:15:57 | 0:15:59 | |
And with that potential forefront in his mind, he seeks out the seller. | 0:15:59 | 0:16:04 | |
-All I can take off is a tenner... -Right. That's it. | 0:16:04 | 0:16:06 | |
-..which is very, very little. -OK. | 0:16:06 | 0:16:09 | |
Hmm, that's not what he wanted to hear. | 0:16:09 | 0:16:11 | |
Unfortunately, it's £170, which, for me, is just too much. | 0:16:11 | 0:16:15 | |
If it'd have been around the £100 mark, | 0:16:15 | 0:16:17 | |
I would have been in there like a shot. | 0:16:17 | 0:16:19 | |
Ah, never mind, Jonty, not every deal is meant to be. | 0:16:20 | 0:16:24 | |
Letting go is never easy, | 0:16:24 | 0:16:26 | |
but sometimes it's for the best. | 0:16:26 | 0:16:28 | |
They say it's better to have loved and lost | 0:16:28 | 0:16:30 | |
than never to have loved at all. | 0:16:30 | 0:16:31 | |
But wait, he's back! | 0:16:33 | 0:16:34 | |
He wants to try again with his powers of price persuasion. | 0:16:34 | 0:16:38 | |
Could I just squeeze you down to 160? Then, I'll be happy. | 0:16:38 | 0:16:41 | |
Then, I'm done. I'm going to buy it from you. | 0:16:41 | 0:16:43 | |
-Can we shake on 160? -It's so close. | 0:16:44 | 0:16:46 | |
-We could shake on 165. -OK. | 0:16:46 | 0:16:49 | |
-Well, shall we shake on that? -We can. Done. -Thank you very much. | 0:16:49 | 0:16:52 | |
-Are you happy with that? -No, but... -No, I thought not. | 0:16:52 | 0:16:54 | |
THEY LAUGH | 0:16:54 | 0:16:55 | |
So, The Hitman barely got any money off, | 0:16:56 | 0:16:58 | |
but, quite frankly, he doesn't care. | 0:16:58 | 0:17:00 | |
She's coming home with me. | 0:17:02 | 0:17:04 | |
Wow, let's hope he can turn that passion into profit. | 0:17:04 | 0:17:06 | |
And, with that, Jonty calls it a day, | 0:17:06 | 0:17:09 | |
but James is determined to make one last purchase, | 0:17:09 | 0:17:12 | |
and is revisiting old ground. | 0:17:12 | 0:17:14 | |
He catches the man who sold him his Indian boxes. | 0:17:14 | 0:17:18 | |
I need to buy something. You're packing up, aren't you? | 0:17:18 | 0:17:22 | |
I'll be happy to sell to you. | 0:17:22 | 0:17:23 | |
What about your very nice bit of needlework there? Silk thread. | 0:17:23 | 0:17:28 | |
-Um... -With the wonky frame. | 0:17:29 | 0:17:31 | |
-£60. -£60. | 0:17:31 | 0:17:33 | |
-50 quid if you like. -"50 quid if you like." | 0:17:33 | 0:17:36 | |
-Cos it's the end of the day. -Would you take 40 on that? | 0:17:36 | 0:17:39 | |
-No. -No. | 0:17:39 | 0:17:41 | |
45, I might. | 0:17:41 | 0:17:42 | |
"45, I might." And 45 I'll do. | 0:17:42 | 0:17:44 | |
-Thank you very much, indeed. -You're welcome. | 0:17:44 | 0:17:47 | |
A very civilised exchange. | 0:17:47 | 0:17:48 | |
And James sews up his final deal of the day. | 0:17:48 | 0:17:51 | |
I've got a Regency period panel. | 0:17:52 | 0:17:55 | |
This is all silk thread. | 0:17:55 | 0:17:57 | |
The two have been together since, really, conception. | 0:17:57 | 0:18:00 | |
Little stylised flowers going round here. | 0:18:00 | 0:18:03 | |
Matches suitably the elongated octagon of the panel. | 0:18:03 | 0:18:08 | |
The panel has obviously... | 0:18:08 | 0:18:10 | |
This has been in somebody's really hot house or flat at some point, | 0:18:10 | 0:18:15 | |
and this is why this is all cracked. | 0:18:15 | 0:18:17 | |
So, everything's contracted and suddenly split with the grain. | 0:18:17 | 0:18:21 | |
It's a nice mahogany frame, | 0:18:21 | 0:18:24 | |
and would have been part of a pole screen. | 0:18:24 | 0:18:26 | |
So, there would have been a pole here, | 0:18:26 | 0:18:28 | |
and this would have gone up and down to protect your face, | 0:18:28 | 0:18:32 | |
your make-up from the fire. | 0:18:32 | 0:18:35 | |
I would have imagined that the lady of the house | 0:18:35 | 0:18:38 | |
would have actually done the silk work panels. | 0:18:38 | 0:18:40 | |
They would have bought the pole screens blank | 0:18:40 | 0:18:42 | |
and then they would have done the needlework themselves. | 0:18:42 | 0:18:46 | |
So, with that, the chequered flag comes down on our market maestros. | 0:18:46 | 0:18:50 | |
It's been fast, it's been furious, | 0:18:50 | 0:18:52 | |
but just how much have they spent? | 0:18:52 | 0:18:54 | |
Both our experts arrived at Donington with a budget of £750. | 0:18:56 | 0:19:01 | |
Jonty Hearnden did the business. | 0:19:01 | 0:19:03 | |
He bought six times | 0:19:03 | 0:19:04 | |
and spent £427. | 0:19:04 | 0:19:06 | |
James Braxton never found | 0:19:07 | 0:19:09 | |
that elusive house clearer, | 0:19:09 | 0:19:10 | |
but his six buys | 0:19:10 | 0:19:11 | |
cost considerably less - £265. | 0:19:11 | 0:19:15 | |
Time, then, to pull into the pit lane for a well-earned rest. | 0:19:17 | 0:19:20 | |
And then they were gone. | 0:19:22 | 0:19:24 | |
-And they have, haven't they? -Just you and me. | 0:19:24 | 0:19:26 | |
Isn't that amazing? | 0:19:26 | 0:19:28 | |
I feel like I'm in a room full of domestic bliss. | 0:19:28 | 0:19:31 | |
Uh, bliss...is questionable. | 0:19:31 | 0:19:34 | |
Now, talk me through that dressing chest there. | 0:19:34 | 0:19:38 | |
Fine quality, 1930s dressing table. | 0:19:38 | 0:19:41 | |
Not so fine quality. 1940s? | 0:19:41 | 0:19:44 | |
Ah, well, you know... | 0:19:44 | 0:19:45 | |
I bought that in the first few seconds. | 0:19:45 | 0:19:47 | |
It's very chic. It's very in at the moment, James. | 0:19:47 | 0:19:50 | |
-Yeah. -And you wouldn't know about that, would you? | 0:19:50 | 0:19:53 | |
-Let's be honest. -I'm not getting the chic, | 0:19:53 | 0:19:55 | |
I'm getting the shabby, though. | 0:19:55 | 0:19:57 | |
I have to say, I'm a secret admirer of your three boxes. | 0:19:57 | 0:20:00 | |
That was my only good purchase today. | 0:20:00 | 0:20:02 | |
-That. -I agree with you, yes. | 0:20:02 | 0:20:05 | |
-90 quid. -90 quid. | 0:20:05 | 0:20:08 | |
But of course, what happened? I knew it would happen. | 0:20:08 | 0:20:11 | |
That is a game changer, isn't it? | 0:20:11 | 0:20:13 | |
Well, I'm just in love. | 0:20:13 | 0:20:14 | |
Me and my chairs... You know, me and my...me and my upholstery. | 0:20:14 | 0:20:17 | |
-And it's a lovely shape, isn't it? -It's a good shape. | 0:20:17 | 0:20:20 | |
-I'm, in fact, rather deeply envious... -Are you? -..of that chair. | 0:20:20 | 0:20:23 | |
-Tell me about this. What's going on here? -I don't know. | 0:20:23 | 0:20:27 | |
It's, erm, a mad item, isn't it? It's...it's brass. | 0:20:27 | 0:20:29 | |
And my word, what a weight! | 0:20:29 | 0:20:31 | |
I think the first thing I'm going to do is put it on the scales | 0:20:31 | 0:20:33 | |
and go and see the scrap metal dealer there | 0:20:33 | 0:20:35 | |
-and see what he'd give me for that. -And see what he'd give you. | 0:20:35 | 0:20:38 | |
It's amazing, isn't it? So, are we going to make a profit here? | 0:20:38 | 0:20:41 | |
Well, I know you, Jonty and soft furnishings. | 0:20:41 | 0:20:43 | |
-Of course, you are! -I don't know about that. | 0:20:43 | 0:20:46 | |
May the best man win. | 0:20:46 | 0:20:47 | |
Our two battle-hardened heroes now take their handsome hoards | 0:20:51 | 0:20:55 | |
and return to their respective parts of the country. | 0:20:55 | 0:20:58 | |
And they need to get down to business sharpish. | 0:20:58 | 0:21:00 | |
Racing around Donnington will feel like a leisurely stroll | 0:21:00 | 0:21:03 | |
compared to the momentous challenge they now face - | 0:21:03 | 0:21:06 | |
selling the lot for premium profit. | 0:21:06 | 0:21:09 | |
It requires detailed research | 0:21:09 | 0:21:11 | |
and careful trawling of their contact books. | 0:21:11 | 0:21:14 | |
Finding the right buyer is crucial | 0:21:14 | 0:21:16 | |
if they're to make a mountain of money | 0:21:16 | 0:21:18 | |
and take the Put Your Money crown. | 0:21:18 | 0:21:20 | |
And it doesn't matter how many people they talk to - | 0:21:20 | 0:21:23 | |
until they've shaken on it and the money has changed hands, | 0:21:23 | 0:21:26 | |
no deal is truly sealed. | 0:21:26 | 0:21:28 | |
Jonty is back at Hearnden Headquarters in Oxfordshire | 0:21:28 | 0:21:32 | |
and he has mixed feelings. | 0:21:32 | 0:21:34 | |
Now, the lengths I go to try and beat Mr Braxton. Look at it! | 0:21:34 | 0:21:38 | |
It's an odd mix, isn't it? | 0:21:38 | 0:21:40 | |
The table's right in front of me here. I bought them thinking, | 0:21:40 | 0:21:43 | |
"Wow, what a lovely form, what a lovely shape!" | 0:21:43 | 0:21:45 | |
But who on earth is going to buy them? | 0:21:45 | 0:21:47 | |
I'm struggling with that very thought. | 0:21:47 | 0:21:49 | |
Now, look at my food covers as well. Terrine covers. | 0:21:49 | 0:21:52 | |
They're so decorative. | 0:21:52 | 0:21:53 | |
They're lovely objects. | 0:21:53 | 0:21:55 | |
My dressing table. James was very rude about my dressing table, | 0:21:55 | 0:22:00 | |
but I kind of, like, think | 0:22:00 | 0:22:01 | |
I should be able to sell that relatively quickly. | 0:22:01 | 0:22:04 | |
My dogs, I love them | 0:22:04 | 0:22:06 | |
because I know that I should be able to get those away. | 0:22:06 | 0:22:08 | |
And, of course, the copper kettle. Anyone wants a copper kettle. | 0:22:08 | 0:22:11 | |
I'm still in love with my lovely Victorian chair. | 0:22:11 | 0:22:15 | |
Somebody's going to like that. | 0:22:15 | 0:22:16 | |
So, here's my challenge, who's going to buy them? | 0:22:16 | 0:22:20 | |
I think I need to get on the phone straightaway. | 0:22:20 | 0:22:23 | |
Yes, he's not wrong there. | 0:22:23 | 0:22:25 | |
The Hitman knows he has a big challenge ahead. | 0:22:25 | 0:22:27 | |
Over at James's joint in East Sussex, | 0:22:27 | 0:22:30 | |
Bingo is feeling much more upbeat. | 0:22:30 | 0:22:33 | |
Well, I'm surrounded by lovelies here. | 0:22:33 | 0:22:35 | |
I love these three Indian boxes. | 0:22:35 | 0:22:37 | |
I bought these quite cheaply and I've got a buyer in mind for those. | 0:22:37 | 0:22:42 | |
This lamp here is fabulous quality enamel. | 0:22:42 | 0:22:46 | |
I think that's bang on trend at the moment. | 0:22:46 | 0:22:49 | |
And this fellow, erm, initially, I thought about scrapping it, | 0:22:49 | 0:22:53 | |
but I've weighed it. It weighs five kilograms. | 0:22:53 | 0:22:56 | |
The disappointing news is brass makes £1.10 per kilogram. | 0:22:56 | 0:23:01 | |
So, that doesn't... That's no longer a scrap value. | 0:23:01 | 0:23:05 | |
My lovely, little bread bin here. | 0:23:05 | 0:23:07 | |
The enamel fellow, I need to find a baker for that. | 0:23:07 | 0:23:10 | |
These funny shoes, I'm going to add a piece of metal | 0:23:10 | 0:23:14 | |
and I think they'll make great novelty doorstops. | 0:23:14 | 0:23:17 | |
Love the silk work panel. Fabulous quality. | 0:23:17 | 0:23:20 | |
Reminds me of The Tailor Of Gloucester. | 0:23:20 | 0:23:22 | |
It's like a fabulous waistcoat. Bit of good silk twists. | 0:23:22 | 0:23:25 | |
Anyway, I've got a good clutch of items | 0:23:25 | 0:23:27 | |
and there might be a twist within the tail. | 0:23:27 | 0:23:30 | |
Mm, intriguing! He's such a tease. | 0:23:31 | 0:23:34 | |
We'll have to wait and find out what that might be. | 0:23:34 | 0:23:36 | |
Jonty puts his foot down first | 0:23:36 | 0:23:38 | |
and races off with his favourite purchase, the Victorian chair. | 0:23:38 | 0:23:42 | |
He's brought it to Henley | 0:23:42 | 0:23:44 | |
to see the landlord of Jonty's own business premises. | 0:23:44 | 0:23:47 | |
Darren's wife has recently taken up upholstery | 0:23:47 | 0:23:49 | |
and he's looking to buy her a present. | 0:23:49 | 0:23:51 | |
So, Darren, here she is. My little beauty. Been delivered. | 0:23:53 | 0:23:56 | |
First impressions? | 0:23:56 | 0:23:58 | |
Erm, it's a little bit smaller than I thought, I have to be honest. | 0:23:58 | 0:24:01 | |
-Is that a problem? -Definitely not, actually. | 0:24:01 | 0:24:03 | |
It's a pleasant surprise that it's just such a compact, | 0:24:03 | 0:24:06 | |
but very good seat size. | 0:24:06 | 0:24:08 | |
This chair is a classic Victorian armchair. | 0:24:08 | 0:24:10 | |
Now, particularly, I'm a big fan of the legs. | 0:24:10 | 0:24:12 | |
Have you had a good look at the gilded...gilded legs? | 0:24:12 | 0:24:15 | |
I haven't really had a look. | 0:24:15 | 0:24:16 | |
-Let me show you. Let me show you. -Oh, great. -Look at those. | 0:24:16 | 0:24:19 | |
Now, initially, this would have been heavily gilded, | 0:24:19 | 0:24:22 | |
-so you see the colour there? -Yeah. | 0:24:22 | 0:24:24 | |
It's a real bright gold, | 0:24:24 | 0:24:25 | |
but over the years, these legs have been polished, | 0:24:25 | 0:24:29 | |
they've been cleaned and actually as a consequence, | 0:24:29 | 0:24:32 | |
-the gilding has sort of been worn away. -Right. | 0:24:32 | 0:24:35 | |
Now, for me, it just has that lovely antique feel about it. | 0:24:35 | 0:24:37 | |
You wouldn't do anything with that? | 0:24:37 | 0:24:39 | |
I would not touch those legs at all. | 0:24:39 | 0:24:41 | |
I just think they're perfect the way they are. | 0:24:41 | 0:24:43 | |
-Now, of course, as you can see, the upholstery is just terrible. -Well... | 0:24:43 | 0:24:47 | |
Needs a little bit of TLC. | 0:24:47 | 0:24:48 | |
-Now, price-wise, I'm looking for £300 for the chair. -OK. | 0:24:48 | 0:24:51 | |
-Obviously, I want a deal as well. -Sure. -Erm... | 0:24:51 | 0:24:54 | |
210, 215, 220... | 0:24:54 | 0:24:57 | |
Oh, no... No, no, I can come down a bit, | 0:24:57 | 0:25:00 | |
but, erm, it's a chair that...it's worth every penny. | 0:25:00 | 0:25:03 | |
265. | 0:25:03 | 0:25:04 | |
Give me another tenner and it's yours. | 0:25:06 | 0:25:08 | |
-OK, you got a deal. -275. Brilliant. -275. | 0:25:11 | 0:25:14 | |
-It's a lovely chair, worth every penny, so... -OK. -Thank you very much. | 0:25:14 | 0:25:18 | |
Jonty says a fond farewell to his beloved chair | 0:25:18 | 0:25:21 | |
and makes a whopping £110 in profit. | 0:25:21 | 0:25:24 | |
An excellent start. | 0:25:24 | 0:25:26 | |
Now, I'm used to Bingo taking the proverbial | 0:25:26 | 0:25:29 | |
when it comes to my purchasing of upholstery, | 0:25:29 | 0:25:32 | |
but who's having the last laugh? | 0:25:32 | 0:25:34 | |
I call that a massive, great big profit. | 0:25:34 | 0:25:37 | |
All right, let's not get too full of ourselves this early on. | 0:25:39 | 0:25:42 | |
James is a dealing dynamo | 0:25:42 | 0:25:44 | |
and he intends to give The Hitman a race to the finish. | 0:25:44 | 0:25:47 | |
Bingo's motored over to Brighton with his £20 bread bin | 0:25:47 | 0:25:50 | |
to meet pastry chef, Julien. | 0:25:50 | 0:25:52 | |
-Am I in the right place? -HE LAUGHS | 0:25:52 | 0:25:54 | |
Ah, well, we don't make bread, but I quite like this sort of utensil. | 0:25:54 | 0:25:58 | |
Yeah. Oh, good, good. So, what do you make? You make all of these... | 0:25:58 | 0:26:02 | |
So, macaroons, croissants... | 0:26:02 | 0:26:04 | |
Croissants, loads of pastries for all around Brighton... In Brighton. | 0:26:04 | 0:26:08 | |
So, anything that may contain a little sugar? | 0:26:08 | 0:26:11 | |
Yeah, you know. | 0:26:11 | 0:26:13 | |
Here's the bread bin. | 0:26:13 | 0:26:16 | |
-Quite an early one. It's got the sort of raise... -Yeah, yeah. | 0:26:16 | 0:26:19 | |
Have a feel. It's got a raise thing, that. | 0:26:19 | 0:26:21 | |
It's suffered the rigours of use. A bit chipped. | 0:26:21 | 0:26:24 | |
It reminds me of the sort of thing my grandmother would have. | 0:26:24 | 0:26:28 | |
Do you like it? | 0:26:28 | 0:26:29 | |
-Yeah, it's got character. -Good, good. | 0:26:29 | 0:26:31 | |
-How about £50 for it? -Ooh! | 0:26:31 | 0:26:34 | |
-What about £35? -£35... | 0:26:34 | 0:26:36 | |
What about in the middle? What about 40? | 0:26:36 | 0:26:40 | |
-Yeah! -OK. -Yeah, I'd be happy with 40. -Let's shake on it. | 0:26:40 | 0:26:42 | |
-Great thank you, Julien. Really kind. -Brilliant. You're welcome. | 0:26:42 | 0:26:46 | |
James doubles his money and makes a profit of £20. | 0:26:46 | 0:26:49 | |
He may be masterful with his deals, but is he masterful in a hairnet? | 0:26:49 | 0:26:53 | |
Julien gives him a go at making macaroons. | 0:26:53 | 0:26:57 | |
Will this row be good enough to sell or is this...? | 0:26:57 | 0:27:00 | |
Maybe, as individual macaroons. Or, they want to share. | 0:27:00 | 0:27:04 | |
HE LAUGHS | 0:27:04 | 0:27:06 | |
Yeah, maybe stick to the antiques, eh? | 0:27:06 | 0:27:08 | |
He sensibly ditches the piping bag | 0:27:08 | 0:27:10 | |
and heads along the coast to Seaford. | 0:27:10 | 0:27:12 | |
The 1920s latheworker's lamp is bought | 0:27:12 | 0:27:14 | |
by the manager of an antiques shop. | 0:27:14 | 0:27:17 | |
-90 sounds good to me. -90. -How about 90? | 0:27:17 | 0:27:19 | |
-You have a deal, Tracy. -OK. | 0:27:19 | 0:27:21 | |
And James pops another £40 in his profit pot. | 0:27:21 | 0:27:24 | |
But he's still trailing behind The Hitman, | 0:27:24 | 0:27:27 | |
who in turn has wasted no time setting up his next potential sale. | 0:27:27 | 0:27:31 | |
He's at a restaurant in Sonning-on-Thames | 0:27:31 | 0:27:33 | |
to meet the owner, Michael. Jonty paid seven pounds. | 0:27:33 | 0:27:37 | |
Now, I know that you've got a fantastic collection | 0:27:37 | 0:27:40 | |
of copper in this beautiful restaurant here of yours. | 0:27:40 | 0:27:43 | |
But I also notice there's a bit of a gap there, Michael. | 0:27:43 | 0:27:47 | |
-Well, we don't have a copper kettle. -You don't? Do like it? | 0:27:47 | 0:27:49 | |
I do. | 0:27:49 | 0:27:51 | |
The design, the shape tells me that this | 0:27:51 | 0:27:54 | |
is probably 150 to almost 200 years old. | 0:27:54 | 0:27:58 | |
Actually, that sits really well. | 0:27:58 | 0:27:59 | |
Which is lovely. How old is this restaurant? | 0:27:59 | 0:28:01 | |
Going way back 1790. There's always been hostelry on the site, | 0:28:01 | 0:28:05 | |
but was re-built as in...as is back in 1880. | 0:28:05 | 0:28:09 | |
So, do you think this is something that might enhance your collection? | 0:28:09 | 0:28:13 | |
-For the right price, yes. -OK. | 0:28:13 | 0:28:15 | |
I thought a reasonable price for my kettle would be £40. | 0:28:15 | 0:28:18 | |
That is a lot of money, erm, but I like it. I do like it. | 0:28:18 | 0:28:23 | |
-30. -30. | 0:28:23 | 0:28:25 | |
Do you know what, I'm not going to haggle with that. Should we deal... | 0:28:25 | 0:28:28 | |
-Shake hands on 30? -I'm happy with 30. | 0:28:28 | 0:28:30 | |
-I'm very happy. -Thank you very much. -Thank you very much. | 0:28:30 | 0:28:33 | |
Yes, it's full steam ahead for The Hitman. | 0:28:33 | 0:28:35 | |
He lands an impressive £23 profit. | 0:28:35 | 0:28:37 | |
Jonty soon pops even more money into his pocket. | 0:28:39 | 0:28:42 | |
A man in Henley pays £120 | 0:28:42 | 0:28:45 | |
for the Victorian pewter food covers. | 0:28:45 | 0:28:46 | |
That serves up another £25. | 0:28:46 | 0:28:49 | |
All of that means James really is on the back foot. | 0:28:50 | 0:28:53 | |
But he's trying to add value with his shoe lasts. | 0:28:53 | 0:28:57 | |
On a trip to St Buryan, in Cornwall, | 0:28:57 | 0:28:58 | |
he's already asked Trevor, the blacksmith, | 0:28:58 | 0:29:01 | |
to help create his vision of decorative doorstops, | 0:29:01 | 0:29:03 | |
and he's come to see the finished product. | 0:29:03 | 0:29:06 | |
How did you get on? | 0:29:06 | 0:29:08 | |
-It's over there, ready. -Oh, fabulous! | 0:29:08 | 0:29:12 | |
That's the perfect height. It's exactly what I wanted. | 0:29:12 | 0:29:16 | |
I wanted something that you wouldn't have to stoop for | 0:29:16 | 0:29:19 | |
and yet wouldn't rollover. | 0:29:19 | 0:29:21 | |
All good artists, they always read people's minds. That's brilliant. | 0:29:21 | 0:29:24 | |
Thank you very much, indeed. | 0:29:24 | 0:29:25 | |
-So, have we got them all done? -Nope. | 0:29:25 | 0:29:28 | |
-There's one there for you to do. -One there for me to do? | 0:29:28 | 0:29:30 | |
HE LAUGHS | 0:29:30 | 0:29:32 | |
James Braxton never one to shy away from hard graft. | 0:29:32 | 0:29:36 | |
Come on, Bingo Blacksmith. Show us your mettle. | 0:29:36 | 0:29:39 | |
Right, well, I'm all booted and spurred. | 0:29:39 | 0:29:42 | |
It's not easy work this, is it? | 0:29:46 | 0:29:48 | |
And I'm sort of bending it round, am I? | 0:29:48 | 0:29:50 | |
I think this is going to be | 0:29:56 | 0:29:57 | |
the rather stranger-looking handle out of the five. | 0:29:57 | 0:30:01 | |
Yes, that always was the danger, wasn't it? | 0:30:01 | 0:30:03 | |
James pays Trevor eight pounds for materials | 0:30:03 | 0:30:06 | |
and gives him one of the quirky creations to say thank you. | 0:30:06 | 0:30:09 | |
He's hoping to sell the remaining four when he's back in Sussex. | 0:30:09 | 0:30:13 | |
While he's in Cornwall though, he wants to squeeze in another sale. | 0:30:13 | 0:30:16 | |
He's arranged to meet antiques dealer Chris | 0:30:16 | 0:30:19 | |
to show him his silk work panel. | 0:30:19 | 0:30:21 | |
I think it's almost like a sort of... | 0:30:21 | 0:30:23 | |
I don't know what date it is, | 0:30:23 | 0:30:25 | |
but I think it's almost like a, sort of, Tailor Of Gloucester, | 0:30:25 | 0:30:28 | |
an 18th-century gentleman's waistcoat. | 0:30:28 | 0:30:30 | |
Mm-hm. It's a really very nice thing. | 0:30:30 | 0:30:32 | |
I would think it dates from the 1820s, 1830s. | 0:30:32 | 0:30:35 | |
I can't see any tears in the silk. | 0:30:35 | 0:30:37 | |
The frame's suffered a bit, hasn't it? | 0:30:37 | 0:30:39 | |
You must find it as well. | 0:30:39 | 0:30:40 | |
Your elderly clients, they have the heating turned right up | 0:30:40 | 0:30:44 | |
-and everything starts drying out, doesn't it? -Yep, yep. | 0:30:44 | 0:30:46 | |
I knew you were going to bring me this, | 0:30:46 | 0:30:48 | |
so I've got another one just to put alongside it. | 0:30:48 | 0:30:51 | |
Go on. Get judging. | 0:30:51 | 0:30:53 | |
So, let's...let's pull something...something else... | 0:30:53 | 0:30:56 | |
-Oh, I see. That's very beautiful, isn't it? -..to pop alongside. | 0:30:56 | 0:31:00 | |
Same sort of thing. Tailor Of Gloucester waistcoat kind of edging. | 0:31:00 | 0:31:03 | |
Yeah, yeah. | 0:31:03 | 0:31:05 | |
But I think you can see the quality of the workmanship. | 0:31:05 | 0:31:08 | |
-Yes, that sort of flair... -Now, I'm looking is... | 0:31:08 | 0:31:11 | |
This is a completely different class. | 0:31:11 | 0:31:13 | |
How much would you price something like that, Chris? | 0:31:13 | 0:31:16 | |
I paid £200 for that. Let's have a look at yours now. | 0:31:16 | 0:31:19 | |
-Now, that it's been badly shaded by...by my example. -Badly shaded. | 0:31:19 | 0:31:23 | |
I was hoping to get around £100 for this. | 0:31:23 | 0:31:25 | |
Well, there's no profit in it for me at £100, | 0:31:25 | 0:31:28 | |
-but this is something I would hang on the wall. -Yeah. | 0:31:28 | 0:31:30 | |
-Because it...it suits the house. -OK, 95, then. | 0:31:30 | 0:31:33 | |
-Erm...70. -70. -Mm. | 0:31:33 | 0:31:36 | |
Oh, dear, oh, dear, Chris. 70. | 0:31:36 | 0:31:39 | |
£80 and it's yours. Come on. | 0:31:39 | 0:31:42 | |
-That's fair. -Thank you very much, indeed. Thank you. | 0:31:42 | 0:31:45 | |
There you go. Another deal all sewn up. | 0:31:45 | 0:31:48 | |
The panel makes £35 profit. | 0:31:48 | 0:31:50 | |
As James begins his long journey home, | 0:31:50 | 0:31:52 | |
let's see how the boys are doing. | 0:31:52 | 0:31:54 | |
Jonty Hearnden has so far struck three deals | 0:31:56 | 0:31:58 | |
and is sitting on a profit of £158. | 0:31:58 | 0:32:01 | |
James Braxton has also sold three items, | 0:32:02 | 0:32:04 | |
but is behind in profit terms. | 0:32:04 | 0:32:07 | |
At the moment, he's made just £95. | 0:32:07 | 0:32:09 | |
With James trailing, Jonty is straight back out there. | 0:32:11 | 0:32:15 | |
He's on his way to Radley in Oxfordshire to meet Ali and Colin, | 0:32:15 | 0:32:18 | |
who've always had German shepherds, including their current dog, Zulu. | 0:32:18 | 0:32:22 | |
The Hitman's 1930s statue owes him £60. | 0:32:22 | 0:32:27 | |
Now, when I bought it, | 0:32:27 | 0:32:28 | |
I'm afraid there was only two people I had in mind... | 0:32:28 | 0:32:31 | |
and I'm looking at them right now. THEY LAUGH | 0:32:31 | 0:32:33 | |
It's French. | 0:32:33 | 0:32:34 | |
-Yeah. -1930s. | 0:32:34 | 0:32:36 | |
We've got obviously, two... a pair of German shepherds. | 0:32:36 | 0:32:42 | |
They are not bronze. They are some form of base metal. | 0:32:42 | 0:32:45 | |
They've been gilded and highlighted in this rather attractive way | 0:32:45 | 0:32:49 | |
and it kind of, like, mirrors the pink marble | 0:32:49 | 0:32:52 | |
that's on the base here as well. | 0:32:52 | 0:32:53 | |
And you can tell it's French because this particular marble here, | 0:32:53 | 0:32:57 | |
this sort of browny, pinky colour is from the south of France. | 0:32:57 | 0:33:01 | |
-Oh, OK. -That's where that particular marble comes from. | 0:33:01 | 0:33:04 | |
-So, I'm wondering what you thought really. -It's really interesting. | 0:33:04 | 0:33:08 | |
Another question I wanted to ask you is, do you think they are... | 0:33:08 | 0:33:11 | |
they are good likenesses of German shepherds | 0:33:11 | 0:33:14 | |
or are they sort of like an artist's impersonation? | 0:33:14 | 0:33:16 | |
I think it's actually a pretty good likeness | 0:33:16 | 0:33:18 | |
because sometimes you see these things and you think, | 0:33:18 | 0:33:20 | |
"Mm, I wouldn't want one of those." | 0:33:20 | 0:33:23 | |
But that's... I think that's very good. | 0:33:23 | 0:33:25 | |
Now, how long have you had German shepherds? | 0:33:25 | 0:33:27 | |
I've been born into German shepherds as such. | 0:33:27 | 0:33:29 | |
My parents had them from before I was born. We've always had them... | 0:33:29 | 0:33:33 | |
Since we've been married, yeah. So, a long time. | 0:33:33 | 0:33:35 | |
So, this guy's our third. | 0:33:35 | 0:33:37 | |
-Well, should we talk price? -Yeah. | 0:33:37 | 0:33:38 | |
I want £140 for my dogs. | 0:33:38 | 0:33:41 | |
What about 100? What do you reckon? | 0:33:41 | 0:33:43 | |
Yeah, I'd go there. | 0:33:44 | 0:33:46 | |
-Well, I can do that. -Oh. -OK. -THEY LAUGH | 0:33:46 | 0:33:49 | |
I'll come down. | 0:33:49 | 0:33:51 | |
120 is kind of like my bottom line on that one. | 0:33:51 | 0:33:55 | |
-OK. -120. | 0:33:55 | 0:33:56 | |
-Happy? -Happy. -Bless you. We'll shake on that. -Excellent. -Thank you. | 0:33:56 | 0:34:00 | |
-Very good. -Excellent. | 0:34:00 | 0:34:03 | |
Yes, definitely barking up the right tree. | 0:34:03 | 0:34:05 | |
It's Jonty's turn to double his money. He makes £60 profit. | 0:34:05 | 0:34:08 | |
The Hitman shows no sign of slowing down. | 0:34:10 | 0:34:13 | |
The wartime dressing table that James was so rude about | 0:34:13 | 0:34:16 | |
is bought by Janet who owns a shabby chic shop in Benson. | 0:34:16 | 0:34:19 | |
-How about 120? -120... | 0:34:20 | 0:34:24 | |
Do you know, I'm very happy with the £120. | 0:34:24 | 0:34:26 | |
Let's shake on that. It's all yours. | 0:34:26 | 0:34:29 | |
And that provides another £60 of profit. | 0:34:29 | 0:34:32 | |
And all that really ramps up the pressure on Bingo, | 0:34:32 | 0:34:34 | |
who's looking for a full house. | 0:34:34 | 0:34:36 | |
Now back in Sussex, he's brought the shoe-lasts-cum-doorstops | 0:34:36 | 0:34:40 | |
to an antiques dealer in Bexhill. | 0:34:40 | 0:34:42 | |
Best foot forward, James. | 0:34:42 | 0:34:44 | |
-Here we are, Andy, in their full glory. -Goodness me, James. | 0:34:44 | 0:34:47 | |
Have a look at those. Take a couple. | 0:34:47 | 0:34:49 | |
What have we got here, then? Been raiding your shoe cupboard? | 0:34:49 | 0:34:52 | |
-Yeah. -Anything for a bit of stock. -THEY LAUGH | 0:34:52 | 0:34:56 | |
They're quite fun. Now these were obviously old lasts. | 0:34:56 | 0:34:59 | |
And here you can see where they tacked the nails | 0:34:59 | 0:35:02 | |
adjoining the sole to the uppers. | 0:35:02 | 0:35:04 | |
I was down in Cornwall, | 0:35:04 | 0:35:06 | |
we went to see this incredible blacksmith, | 0:35:06 | 0:35:08 | |
who put these really quite heavy handles on these things. | 0:35:08 | 0:35:13 | |
And in spite of the weight, they sit true. | 0:35:13 | 0:35:15 | |
-Isn't that incredible? -Yeah, very good, actually... | 0:35:15 | 0:35:17 | |
-They're quite quirky, aren't they? -They're fun, aren't they? | 0:35:17 | 0:35:20 | |
I think they would polish up quite nicely as well, wouldn't they? | 0:35:20 | 0:35:23 | |
-What do they owe you? -Erm, Well, they owe me some money... -Do they? | 0:35:23 | 0:35:26 | |
..with all this thing. I was hoping for the four | 0:35:26 | 0:35:29 | |
that I'd get about 120 for them. | 0:35:29 | 0:35:31 | |
-Yeah, I can't do that, James. -If I could get 25 each for them. | 0:35:31 | 0:35:35 | |
25 each, so that's 100 quid for the four. | 0:35:35 | 0:35:38 | |
I see them at about 20 quid each | 0:35:38 | 0:35:40 | |
-and just to stick a fiver on them is a bit of fun. -Yeah. | 0:35:40 | 0:35:43 | |
-If that helps. -Really? -Yeah, I don't think they're worth more than that. | 0:35:43 | 0:35:47 | |
Could you see me in the middle? 90 quid, chief? | 0:35:47 | 0:35:51 | |
Oh, James, you're always after the extra tenner, but, yeah. | 0:35:51 | 0:35:54 | |
-Go on, then. -Yeah, £90? -Let's do that. -Brilliant. Thanks a lot. | 0:35:54 | 0:35:57 | |
Taking into account the cost of the handles, | 0:35:57 | 0:35:59 | |
Bingo's funny feet make a sweet-smelling profit of £57. | 0:35:59 | 0:36:04 | |
And this could be James's moment. | 0:36:04 | 0:36:06 | |
He's had some excellent news about one of his purchases. | 0:36:06 | 0:36:10 | |
Remember those Indian boxes? | 0:36:10 | 0:36:12 | |
Well, I've had the most fabulous offer from somebody | 0:36:12 | 0:36:15 | |
who's travelled extensively in India, | 0:36:15 | 0:36:17 | |
but is a little camera shy. | 0:36:17 | 0:36:20 | |
So, I'm going to sell them to him and at £250, it's worth taking. | 0:36:20 | 0:36:26 | |
Well, he could sound a bit happier about it! | 0:36:26 | 0:36:28 | |
That's an incredible profit - £160, which is just what he needs. | 0:36:28 | 0:36:33 | |
It puts him out in front of Jonty for the first time. | 0:36:33 | 0:36:35 | |
And at this point, they each have just one item left to sell. | 0:36:35 | 0:36:39 | |
It's The Hitman who gets in first. | 0:36:39 | 0:36:41 | |
He travels into the capital with his plastic nest of tables. | 0:36:41 | 0:36:45 | |
I'm now in West London, | 0:36:47 | 0:36:48 | |
and this building is in fact an old converted cinema, | 0:36:48 | 0:36:51 | |
which is now an antiques centre. | 0:36:51 | 0:36:52 | |
And I'm going to show Alan my tables. | 0:36:52 | 0:36:55 | |
Hopefully, he could be the perfect buyer for them. | 0:36:55 | 0:36:58 | |
-There you are, Alan, hard at work, I see. -Hello, Jonty. | 0:37:00 | 0:37:02 | |
-How are you doing? -I'm very well, thank you. | 0:37:02 | 0:37:04 | |
-Good to see you again. -Good to see you. Yes. | 0:37:04 | 0:37:06 | |
So, I thought you might be the perfect person | 0:37:06 | 0:37:08 | |
to show these lovely nest of tables to. | 0:37:08 | 0:37:11 | |
Yes, indeed. I think so. They're very nice. | 0:37:11 | 0:37:12 | |
-They are really very interesting. They are... -Kartell? | 0:37:12 | 0:37:15 | |
Yes, they are made by Kartell. | 0:37:15 | 0:37:17 | |
The designer, as you are probably aware, Stoppino. | 0:37:17 | 0:37:20 | |
-I am aware, yes. -Giotto Stoppino, an Italian designer, of course. | 0:37:20 | 0:37:23 | |
But they also came in different colour waves as well. | 0:37:23 | 0:37:26 | |
That's right, they did, yes. | 0:37:26 | 0:37:27 | |
Have you ever sold a nest like this or seen them? | 0:37:27 | 0:37:29 | |
I haven't actually had any before. | 0:37:29 | 0:37:31 | |
I've seen them and I'm partial to the yellow one. | 0:37:31 | 0:37:34 | |
-I think that's really funky. -Yes, yeah, yeah. | 0:37:34 | 0:37:36 | |
But also, once upon a time, | 0:37:36 | 0:37:37 | |
brown would have been horribly old-fashioned and not very desirable, | 0:37:37 | 0:37:41 | |
but it sort of kind of cool to have...the brown. | 0:37:41 | 0:37:43 | |
Well, they're actually quite a really dark round. | 0:37:43 | 0:37:45 | |
They're almost sort of like a charcoal-y black. | 0:37:45 | 0:37:47 | |
-So... -You're right. Yeah, you're right. -They're not too... | 0:37:47 | 0:37:50 | |
-Should we have a look at them? -..unattractive, actually, yeah. | 0:37:50 | 0:37:52 | |
If we just unstack them | 0:37:52 | 0:37:54 | |
because, of course, these are nice, little, stacking nest of tables. | 0:37:54 | 0:37:57 | |
And you can see on the underside... Can you have a look? | 0:37:57 | 0:38:00 | |
There's the impressed mark there. | 0:38:00 | 0:38:01 | |
-Yeah, they're nice, Jonty. I like them. -They're nice, aren't they? | 0:38:01 | 0:38:04 | |
They've got a little bit of funkiness about them, | 0:38:04 | 0:38:07 | |
which is quite good. | 0:38:07 | 0:38:08 | |
Yeah, I understand that these tables were designed in 1968. | 0:38:08 | 0:38:11 | |
-OK, yeah. -That's when they first... | 0:38:11 | 0:38:12 | |
That was the very first time, I think. | 0:38:12 | 0:38:14 | |
Yeah, yeah, so these are probably therefore by definition early '70s. | 0:38:14 | 0:38:17 | |
-Yeah. -100 quid, I thought. -You thought £100. | 0:38:17 | 0:38:21 | |
£100 for that and these two are free. THEY LAUGH | 0:38:21 | 0:38:24 | |
That's very good. I'm sort of going to come in at, say, 75. | 0:38:24 | 0:38:28 | |
-You're going 75. -Yeah. -Can we do a bit more? Can we do 80? | 0:38:28 | 0:38:32 | |
Erm, can we just stack them up again? | 0:38:32 | 0:38:34 | |
So, I can just have a quick look at them all stacked up. | 0:38:34 | 0:38:37 | |
And see how they look like. | 0:38:37 | 0:38:38 | |
There you go, beautiful. There's got to be a profit in 80. | 0:38:38 | 0:38:41 | |
-They look so much nicer like that, don't they? -80 quid? -£80. | 0:38:41 | 0:38:44 | |
That's a good deal. I'm really pleased with those. | 0:38:44 | 0:38:46 | |
-Thank you, Jonty. -Thank you. | 0:38:46 | 0:38:48 | |
Once again, that's twice Jonty's outlay. | 0:38:48 | 0:38:50 | |
A handsome profit of £40. | 0:38:50 | 0:38:52 | |
It's a great outcome, but it makes the competition very close indeed. | 0:38:54 | 0:38:57 | |
And we're talking very close. | 0:38:57 | 0:39:00 | |
It's anybody's game and it all comes down to James's last item. | 0:39:00 | 0:39:04 | |
He gets on his bike to shift his large lump of brass. | 0:39:04 | 0:39:07 | |
After he discovered it had no real scrap value, | 0:39:07 | 0:39:09 | |
he decided once again to add value of his own. | 0:39:09 | 0:39:14 | |
A mighty stand I've had made for my brass coupling. | 0:39:14 | 0:39:17 | |
I've come to the cycle shop to see Matt, | 0:39:17 | 0:39:20 | |
who is also a part-time fireman. | 0:39:20 | 0:39:23 | |
Oh, talking about couplings, this one is proving resistant. | 0:39:23 | 0:39:27 | |
The stand cost James £40, taking his total investment to £75. | 0:39:28 | 0:39:33 | |
So, here it is. It's jolly heavy. | 0:39:33 | 0:39:36 | |
Here's the Morris coupling in all its glory. | 0:39:36 | 0:39:38 | |
Fantastic! Fantastic! | 0:39:38 | 0:39:40 | |
Matt, have you seen one of these before? | 0:39:40 | 0:39:42 | |
I have. It's a fire service divide breeching. | 0:39:42 | 0:39:46 | |
-Divide breeching... -Yes. -Sounds like the riddle. | 0:39:46 | 0:39:49 | |
MATT LAUGHS | 0:39:49 | 0:39:50 | |
Well, it's designed to divide one source of water into two, | 0:39:50 | 0:39:54 | |
so it can go off into alternate directions. | 0:39:54 | 0:39:56 | |
So, this is, you know, heavy kit they lugged around. | 0:39:56 | 0:39:59 | |
Yeah, this is made out of gunmetal brass, | 0:39:59 | 0:40:02 | |
so the quality is substantial. And it is very heavy. | 0:40:02 | 0:40:05 | |
This coupling is now elevated to a work of art by the stand, you see? | 0:40:05 | 0:40:09 | |
-Yes. -I was... I was hoping to make a profit. | 0:40:09 | 0:40:12 | |
Could you make... And this is a sort of price. Could you do it for £81? | 0:40:12 | 0:40:18 | |
-Are we bidding on this? -Well, no, no. What do you think it's worth? | 0:40:18 | 0:40:22 | |
-What would you like to pay for it? -Erm... | 0:40:22 | 0:40:24 | |
Well, what I was actually going to do when you sent me that picture, | 0:40:24 | 0:40:27 | |
I thought a nice idea... | 0:40:27 | 0:40:29 | |
Cos I've done 20 years in the fire service now and when I leave... | 0:40:29 | 0:40:32 | |
I was thinking of buying this off of you. | 0:40:32 | 0:40:35 | |
When I leave, I'm going to get it plaqued up | 0:40:35 | 0:40:37 | |
and present it to my fire station. | 0:40:37 | 0:40:39 | |
-Oh, perfect! Great cause. -I'll give you £81 for it. | 0:40:39 | 0:40:41 | |
Oh, that's really kind. Thanks a lot, Matt. | 0:40:41 | 0:40:43 | |
-Not at all. Not at all. -Thank you. -Not at all. | 0:40:43 | 0:40:45 | |
Well, £1 profit, you can't complain about that, can you? | 0:40:45 | 0:40:49 | |
Well, we can complain about James's memory. | 0:40:49 | 0:40:51 | |
The divide breeching only owed him £75, so the profit is six pounds. | 0:40:51 | 0:40:56 | |
Is it enough to take the title? | 0:40:56 | 0:40:58 | |
We'll find out in just a moment. | 0:40:58 | 0:41:00 | |
First, let's remind ourselves of what they spent. | 0:41:00 | 0:41:03 | |
Jonty and James each arrived at the market | 0:41:03 | 0:41:06 | |
with £750 of their own money. | 0:41:06 | 0:41:08 | |
Jonty bought six times and spent a total of £427. | 0:41:08 | 0:41:13 | |
James also made six purchases | 0:41:13 | 0:41:16 | |
and even including the cost of the blacksmith | 0:41:16 | 0:41:18 | |
and the coupling stand, he laid out considerably less - £313. | 0:41:18 | 0:41:23 | |
But the winner is the person who makes the most profit. | 0:41:23 | 0:41:28 | |
All of the money that Jonty and James have made | 0:41:28 | 0:41:30 | |
from today's challenge will go to charities of their choice. | 0:41:30 | 0:41:33 | |
So, let's find out who is today's | 0:41:33 | 0:41:35 | |
Put Your Money Where Your Mouth Is champion. | 0:41:35 | 0:41:38 | |
-James, how are you doing? -Very well, Jonty. How are you? -What a market. | 0:41:38 | 0:41:41 | |
The klaxon went, we all went shopping all together. | 0:41:41 | 0:41:45 | |
-Fast and furious. -I know, I found it very difficult at the beginning. | 0:41:45 | 0:41:48 | |
You need to get that early purchase under your belt, don't you? | 0:41:48 | 0:41:51 | |
-What's your favourite item? -Favourite item, probably the shoe lasts. | 0:41:51 | 0:41:55 | |
So, shoe lasts, I added value. | 0:41:55 | 0:41:56 | |
Went to see this lovely blacksmith, put some handles on them. | 0:41:56 | 0:42:00 | |
-Shoe lasts became doorstops. -You have been a busy boy. -I have been. | 0:42:00 | 0:42:03 | |
-Adding value. That's all I do. And you, Jonty? -I... | 0:42:03 | 0:42:07 | |
-Remember my lovely bit of upholstery? -Oh... Yeah. | 0:42:07 | 0:42:10 | |
-Loved that chair. Great chair. -Great chair...brought great profit. | 0:42:10 | 0:42:14 | |
-How have we done? -Let's see. | 0:42:14 | 0:42:16 | |
Let's see. Dear, oh, dear, oh, dear. | 0:42:16 | 0:42:18 | |
318. | 0:42:20 | 0:42:21 | |
THEY LAUGH | 0:42:21 | 0:42:23 | |
-There must be some mistake. -That's amazing. There's a mistake. | 0:42:23 | 0:42:27 | |
-There's a printing error. -There must be some mistake. -How funny. | 0:42:27 | 0:42:32 | |
Rest assured there's no mistake. | 0:42:32 | 0:42:33 | |
The figures have been checked | 0:42:33 | 0:42:35 | |
and verified by three independent adjudicators. | 0:42:35 | 0:42:38 | |
And this is quite a moment - | 0:42:38 | 0:42:39 | |
the Put Your Money Games masters | 0:42:39 | 0:42:41 | |
have looked back through the archives | 0:42:41 | 0:42:43 | |
and can confirm that never in the history of this programme | 0:42:43 | 0:42:45 | |
has there ever been a dead heat. | 0:42:45 | 0:42:47 | |
How on earth does that happen? | 0:42:49 | 0:42:51 | |
Six different purchases, six different sales. | 0:42:51 | 0:42:55 | |
If only I had asked for £1 more. | 0:42:55 | 0:42:58 | |
How amazing is that? A draw! | 0:42:58 | 0:43:01 | |
Unbelievable. I just think that's incredible. | 0:43:01 | 0:43:04 | |
All the buys, all the sales and we come up with the same figure. Wow! | 0:43:04 | 0:43:08 | |
So, don't miss tomorrow | 0:43:09 | 0:43:11 | |
when our boys go head-to-head at a car-boot sale in Sussex. | 0:43:11 | 0:43:14 | |
Will there be a winner there? | 0:43:14 | 0:43:15 | |
With two men so evenly matched, who on earth can say? | 0:43:15 | 0:43:19 | |
Ka-ching! | 0:43:19 | 0:43:20 |