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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:06 | |
against each other in an all-out battle for profit... | 0:00:06 | 0:00:10 | |
Yee-ha! | 0:00:10 | 0:00:12 | |
..and gives you the insider's view of the trade! | 0:00:12 | 0:00:15 | |
Who's there? | 0:00:16 | 0:00:17 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:21 | |
will face a different daily challenge... | 0:00:21 | 0:00:24 | |
The axeman. Grr! | 0:00:24 | 0:00:25 | |
..putting their reputations on the line... | 0:00:27 | 0:00:29 | |
Ready for the ball. | 0:00:29 | 0:00:30 | |
..and giving you their top tips and savvy secrets | 0:00:32 | 0:00:35 | |
on how to make the most money from buying and selling. | 0:00:35 | 0:00:39 | |
Get in there! DEMONIC LAUGH | 0:00:39 | 0:00:43 | |
Today, the lean, mean dealing machine Jonty Hearnden | 0:00:43 | 0:00:46 | |
faces up to the lord of the lots, | 0:00:46 | 0:00:48 | |
auctioneer James Braxton at a car boot sale. | 0:00:48 | 0:00:51 | |
Coming up, Jonty gets a bit full of himself... | 0:00:53 | 0:00:56 | |
-30 quid the two. -30 quid for the two? As it's me... | 0:00:56 | 0:01:00 | |
As it's you, 40 quid. | 0:01:00 | 0:01:02 | |
..James overvalues some vinyl... | 0:01:02 | 0:01:05 | |
-Not at any price. -Really? -I'd only end up, | 0:01:05 | 0:01:08 | |
I'm sorry, throwing them in the bin. | 0:01:08 | 0:01:11 | |
..and Jonty racks up a profit. | 0:01:11 | 0:01:13 | |
There you go. | 0:01:13 | 0:01:15 | |
I think that looks the business. | 0:01:15 | 0:01:18 | |
The things I do for a sale. | 0:01:18 | 0:01:19 | |
This is Put Your Money Where Your Mouth Is. | 0:01:19 | 0:01:22 | |
Sunrise over the Serengeti. | 0:01:36 | 0:01:39 | |
Well, actually it's an old airfield in Sussex | 0:01:39 | 0:01:41 | |
but, just like the hunters of the African plains, | 0:01:41 | 0:01:44 | |
today's experts will be stalking their prey | 0:01:44 | 0:01:47 | |
and going in for the kill. | 0:01:47 | 0:01:49 | |
Their skills will be tested | 0:01:49 | 0:01:50 | |
and this is the survival of the fittest. | 0:01:50 | 0:01:53 | |
We've got two bargain beasts locking horns. | 0:01:53 | 0:01:56 | |
Who will emerge as king of the car boot jungle | 0:01:56 | 0:01:59 | |
and who will be eaten alive? | 0:01:59 | 0:02:02 | |
Preparing to pounce, | 0:02:02 | 0:02:03 | |
a man whose natural habitat is far from a car boot. | 0:02:03 | 0:02:06 | |
He's a chipper chap and ready to dive into the pool of profit. | 0:02:06 | 0:02:10 | |
Charging in from East Sussex, it's the demon of the deals, | 0:02:10 | 0:02:13 | |
the old master of the saleroom, | 0:02:13 | 0:02:15 | |
it's James "Bingo" Braxton. | 0:02:15 | 0:02:17 | |
ELEPHANT TRUMPETS | 0:02:17 | 0:02:19 | |
I've been looking forward to this. | 0:02:19 | 0:02:21 | |
His mighty challenger is an antiques animal. | 0:02:21 | 0:02:24 | |
He may seem a friendly bloke, | 0:02:24 | 0:02:26 | |
but under that country jacket is a dealer with killer instincts. | 0:02:26 | 0:02:29 | |
Swinging in from Oxfordshire, he's got his claws out | 0:02:29 | 0:02:32 | |
and he's ready to sink his teeth in, | 0:02:32 | 0:02:34 | |
it's Jonty "The Hitman" Hearnden. | 0:02:34 | 0:02:37 | |
TIGER ROARS | 0:02:37 | 0:02:39 | |
Just got to pounce on something as quickly as you possibly can. | 0:02:39 | 0:02:42 | |
Our two hunters' stall-safari takes place | 0:02:42 | 0:02:45 | |
on the vast plains of the Ford Airfield car boot sale, | 0:02:45 | 0:02:48 | |
all in the heat of the glaring Sussex sun. | 0:02:48 | 0:02:51 | |
Our experts each have £250 of their own money to spend. | 0:02:51 | 0:02:55 | |
Once they've bought, they must sell it on and any profit | 0:02:55 | 0:02:58 | |
they make will go to charities that they've chosen. | 0:02:58 | 0:03:01 | |
It's all about fast foraging | 0:03:01 | 0:03:02 | |
and hard haggling, yet one false move could be fatal. | 0:03:02 | 0:03:06 | |
James Braxton and Jonty Hearnden, the sun may still be rising, | 0:03:06 | 0:03:10 | |
but now is the time to put your money where your mouth is. | 0:03:10 | 0:03:13 | |
-Morning, James. How you doing? -Morning. Are we in the right place? | 0:03:15 | 0:03:18 | |
I tell you what, we are. | 0:03:18 | 0:03:19 | |
Now, this place might look empty at the moment | 0:03:19 | 0:03:22 | |
but very, very quickly, | 0:03:22 | 0:03:23 | |
this place will be absolutely heaving with dealers. | 0:03:23 | 0:03:26 | |
-Believe you me. -And it's a fast and furious market, is it? -Absolutely. | 0:03:26 | 0:03:29 | |
I've been here before and it fills up as quickly as they disappear. | 0:03:29 | 0:03:35 | |
By midday, they're all gone. | 0:03:35 | 0:03:36 | |
-£250. -Yep. -Your advice? -My advice is to be as quick as possible. | 0:03:36 | 0:03:41 | |
But what am I telling you advice for? THEY LAUGH | 0:03:41 | 0:03:44 | |
-Go and have a good day. -Thanks a lot. | 0:03:44 | 0:03:47 | |
Yes, as soon as the sellers start coming in, | 0:03:47 | 0:03:49 | |
it's like wildebeest round a watering hole - mighty crowded. | 0:03:49 | 0:03:53 | |
Our predators need to push to the front | 0:03:53 | 0:03:55 | |
if they stand any chance of bagging those bargains. | 0:03:55 | 0:03:58 | |
Arriving in from this side and they are landing at the far end | 0:03:59 | 0:04:04 | |
so I'm going to start at the far end and work my way backwards. | 0:04:04 | 0:04:08 | |
Follow me. | 0:04:08 | 0:04:10 | |
Super-savvy strategy from the old tiger. He seems confident. | 0:04:10 | 0:04:14 | |
But what about Bingo? | 0:04:14 | 0:04:16 | |
Really, my plan of attack is to get on with it pretty smartly. | 0:04:16 | 0:04:19 | |
I need to get at the back of a fresh lorry | 0:04:19 | 0:04:23 | |
and buy two or three items there. Two or three items next time. | 0:04:23 | 0:04:27 | |
And it's just a sort of rolling programme | 0:04:27 | 0:04:29 | |
but you've got to really seize the initiative. | 0:04:29 | 0:04:31 | |
You know, that cap makes James look like some sort of secret superhero. | 0:04:33 | 0:04:36 | |
The Masked Money Maker is on a mission! | 0:04:36 | 0:04:39 | |
If you've got a lorry, he's coming to rummage around in it! | 0:04:39 | 0:04:42 | |
Anyway, the flat-capped collector is quickly in attack mode. | 0:04:42 | 0:04:47 | |
Hey, that looks quite good, doesn't it? Here, hold on. | 0:04:47 | 0:04:50 | |
Yes, cat-like, | 0:04:51 | 0:04:52 | |
the agile auctioneer has spotted a hefty piece of ironwork. | 0:04:52 | 0:04:55 | |
-How much for your fire surround? -40 quid. -40 quid. I'll buy that for 40. | 0:04:56 | 0:05:02 | |
Brilliant. Don't go and scrap it now, will you? | 0:05:02 | 0:05:04 | |
-No, I won't go and scrap it. -Thank you very much. | 0:05:04 | 0:05:06 | |
Fabulous quality. Really well-made. It's a fire curb so it'll go round. | 0:05:06 | 0:05:11 | |
It's a smart-looking curb. Stop people bashing into things. | 0:05:11 | 0:05:15 | |
Keep logs from coming out. | 0:05:15 | 0:05:17 | |
It's a good quality of materials. Nice weight to it. | 0:05:17 | 0:05:20 | |
It should be sort of 1890 to 1910 but it may be later. Mine for £40. | 0:05:20 | 0:05:28 | |
Ka-ching. | 0:05:28 | 0:05:29 | |
Ka-ching indeed, old boy. James has wasted absolutely no time. | 0:05:29 | 0:05:34 | |
Jonty, however, is, um, imitating his rival. | 0:05:34 | 0:05:38 | |
I say! | 0:05:39 | 0:05:40 | |
Yes. Trying to get a bit of superhero status. | 0:05:42 | 0:05:45 | |
Might be better to concentrate on scouring the stalls, Jonty, | 0:05:45 | 0:05:48 | |
because James has quickly picked up his second purchase | 0:05:48 | 0:05:51 | |
for £30. | 0:05:51 | 0:05:53 | |
What do we have here? | 0:05:53 | 0:05:55 | |
All intents and purposes, it looks like a table, | 0:05:55 | 0:05:57 | |
but generically these are known as gypsy tables. Gypsy tables, why? | 0:05:57 | 0:06:03 | |
They're sort of turned, I suppose. | 0:06:03 | 0:06:05 | |
Turned by a bodger in the woods. | 0:06:05 | 0:06:07 | |
They've got three legs, gypsies are always travelling, on the move. | 0:06:07 | 0:06:10 | |
It's always sound everywhere. | 0:06:10 | 0:06:13 | |
The edge of this table - really late 19th century. | 0:06:13 | 0:06:16 | |
And then it's got this cloth top which is rather unusual. | 0:06:16 | 0:06:20 | |
What I'll do is probably take off the tassels, the fringing, | 0:06:20 | 0:06:26 | |
and then I'll get a new piece of material. | 0:06:26 | 0:06:30 | |
Put a circular piece of cut glass on it, hey presto! | 0:06:30 | 0:06:33 | |
You know, retail that in the West End. | 0:06:34 | 0:06:38 | |
Ooh, the West End! Fancy! | 0:06:38 | 0:06:40 | |
Jonty is still wandering round, but nothing's caught his attention. | 0:06:40 | 0:06:43 | |
I really have to look as quickly as I possibly can. | 0:06:45 | 0:06:48 | |
And the danger of doing that is, when you buy, you can buy in haste | 0:06:48 | 0:06:53 | |
and possibly repent at leisure. | 0:06:53 | 0:06:55 | |
Well, no-one said this was easy. James, though, is on fire. | 0:06:55 | 0:06:59 | |
He's only gone and bought his third item, an octagonal tray | 0:06:59 | 0:07:02 | |
costing him £5. | 0:07:02 | 0:07:04 | |
This is quite an interesting item. | 0:07:04 | 0:07:05 | |
It comes from Syria, from the streets of Damascus, | 0:07:05 | 0:07:09 | |
and this sort of Syrian mosaic is rather nice. Very nice shape. | 0:07:09 | 0:07:14 | |
Octagonal, it's galleried. | 0:07:14 | 0:07:16 | |
You can imagine coffees coming out in glass, being put on a table. | 0:07:16 | 0:07:22 | |
It's a lovely, lovely thing there. | 0:07:22 | 0:07:24 | |
I'm not sure, I think it's too small ever to have been a table top. | 0:07:24 | 0:07:29 | |
Very often you've got octagonal occasional tables. | 0:07:29 | 0:07:32 | |
I think this is just a tray. | 0:07:32 | 0:07:34 | |
We've got quite a lot of movement here. Somebody will buy it. | 0:07:34 | 0:07:37 | |
I'll get a small profit out of that. And it's an interesting item. | 0:07:37 | 0:07:40 | |
All the way from the other side of the world. | 0:07:40 | 0:07:43 | |
This is definitely James's game. The Hitman is nowhere to be seen. | 0:07:44 | 0:07:48 | |
He really does need to buy something. | 0:07:48 | 0:07:51 | |
It's not really for me. Unfortunately. | 0:07:51 | 0:07:54 | |
30 quid? I'm not in there yet. Not quite. I'm close. | 0:07:54 | 0:07:59 | |
But just as things start to look a little desperate, | 0:08:00 | 0:08:02 | |
he finally spies a trunk. | 0:08:02 | 0:08:04 | |
-How much is your trunk? -Beautiful little trunk, isn't it? -Yeah. | 0:08:05 | 0:08:08 | |
I've got 40 quid on it. | 0:08:08 | 0:08:09 | |
40 quid. Could you do me a little less? I'll buy it for 30. | 0:08:09 | 0:08:12 | |
-35. -No, 30. I've got to make a profit. 30 quid? -35. -30. | 0:08:14 | 0:08:18 | |
It's got to be 30. | 0:08:18 | 0:08:20 | |
-I'll buy it now, 30 quid. -All right, done. -30 quid. | 0:08:20 | 0:08:22 | |
Thank you very much indeed. | 0:08:22 | 0:08:24 | |
Yes, he's a hard man, our Hitman, isn't he? | 0:08:24 | 0:08:26 | |
He's finally off and running. | 0:08:26 | 0:08:28 | |
But before he packs his trunk and says goodbye to the dealer, | 0:08:28 | 0:08:31 | |
he enquires about some occasional tables. | 0:08:31 | 0:08:34 | |
-What is the death on those? What can I do on those? -That's 25. -22.50? | 0:08:34 | 0:08:39 | |
22.50. | 0:08:39 | 0:08:41 | |
I don't think I've got any spare ones for change. | 0:08:41 | 0:08:43 | |
-Well, how about 20? -How about 20? -Cos I'm a nice bloke. | 0:08:43 | 0:08:46 | |
-You got away with that one, didn't you? -How about that? | 0:08:46 | 0:08:49 | |
-I like him. -He's given me it for 20 quid. | 0:08:49 | 0:08:51 | |
And The Hitman scores again. | 0:08:51 | 0:08:53 | |
So this was my first purchase of the day, this lovely travelling trunk. | 0:08:53 | 0:08:58 | |
Just had to buy it because it reminds me so much of those pre-war days | 0:08:58 | 0:09:02 | |
of being on those steamer ships going across the Atlantic. | 0:09:02 | 0:09:05 | |
Just absolutely fabulous. | 0:09:05 | 0:09:07 | |
You needed objects like this to store your clothes in. | 0:09:07 | 0:09:10 | |
It's really solid. It's very, very sturdy, | 0:09:10 | 0:09:13 | |
and you've got these wonderful brass corners | 0:09:13 | 0:09:16 | |
to a travelling trunk like this. | 0:09:16 | 0:09:18 | |
At 30 quid, that has to be a bargain. | 0:09:18 | 0:09:21 | |
Whilst on the same stall, I spotted these retro side tables. | 0:09:21 | 0:09:26 | |
1950s, really cool in a certain niche market at the moment. | 0:09:26 | 0:09:29 | |
Got walnut-veneered tops, which I have to say, | 0:09:29 | 0:09:31 | |
are in pretty ropey condition and I have to work out | 0:09:31 | 0:09:35 | |
whether I'm going to restore them or not. | 0:09:35 | 0:09:37 | |
I don't know, but at 20 quid, I just had to buy them. | 0:09:37 | 0:09:40 | |
Well, he seems very happy, | 0:09:41 | 0:09:42 | |
but he's still lagging behind old Bingo, | 0:09:42 | 0:09:45 | |
who continues to prowl around. | 0:09:45 | 0:09:48 | |
However, The Hitman is now into his stride and pulls up at another stall | 0:09:48 | 0:09:52 | |
where he spots a glass ashtray and a Royal Doulton vase. | 0:09:52 | 0:09:56 | |
-What's your very best if I bought the two? -30 quid the two. | 0:09:56 | 0:09:59 | |
30 quid for the two? As it's me... | 0:09:59 | 0:10:02 | |
-As it's you, 40 quid. -THEY LAUGH | 0:10:02 | 0:10:04 | |
If you want the two, 30 quid. | 0:10:04 | 0:10:06 | |
How about 25 for the two and I'll buy the two? | 0:10:06 | 0:10:09 | |
-I can't do it. -Yes, you can. -I can't do it. 30 quid. | 0:10:10 | 0:10:13 | |
-25. Good man. -You're a hard man. -I've got to beat James. | 0:10:13 | 0:10:18 | |
Yes, once again, with his competitor weighing on his mind, | 0:10:18 | 0:10:21 | |
The Hitman sinks his teeth in and refuses to let go. | 0:10:21 | 0:10:25 | |
Maybe the stallholder just wanted to see the back of him. | 0:10:25 | 0:10:28 | |
Now, you should know me by now, I'm an absolutely sucker for 1960s glass. | 0:10:28 | 0:10:33 | |
I just get so excited about the shapes and the form | 0:10:33 | 0:10:36 | |
and this is the reason why I was really attracted to this. | 0:10:36 | 0:10:40 | |
Another reason why I'm so attracted is | 0:10:40 | 0:10:42 | |
because it's in such fantastic condition. There's no chips. | 0:10:42 | 0:10:46 | |
There's no wear on it at all. Lovely shape, lovely form. | 0:10:46 | 0:10:49 | |
The downside is that it's an ashtray. | 0:10:49 | 0:10:51 | |
If it had been a vase - a lot more commercial. Ashtray - not so much. | 0:10:51 | 0:10:56 | |
But, wow. I had to buy it. | 0:10:56 | 0:10:58 | |
And I also had to buy this vase as well because it was so cheap. | 0:10:58 | 0:11:02 | |
An Edwardian Royal Doulton vase. | 0:11:02 | 0:11:06 | |
It's impressed on the underside here | 0:11:06 | 0:11:08 | |
and it's unmistakably Royal Doulton insofar that you can see | 0:11:08 | 0:11:12 | |
the shape, the form, this...form of decoration, | 0:11:12 | 0:11:15 | |
how it's decorated on the outside is so typical. | 0:11:15 | 0:11:19 | |
Probably sold as a pair once upon a time, but at 15 quid... | 0:11:19 | 0:11:23 | |
can I not fail to make a profit? | 0:11:23 | 0:11:26 | |
Only time will tell. So, Jonty has done two double deals back-to-back. | 0:11:26 | 0:11:30 | |
Is this a winning streak or just panic stations? | 0:11:30 | 0:11:33 | |
Let's pause to take stock. | 0:11:33 | 0:11:34 | |
Our experts each arrived | 0:11:36 | 0:11:37 | |
with £250 of their own money. | 0:11:37 | 0:11:40 | |
James "Bingo" Braxton was quick off the mark. | 0:11:40 | 0:11:42 | |
He's snapped up three items for £75, leaving £175 to spend. | 0:11:42 | 0:11:48 | |
Jonty "The Hitman" Hearnden | 0:11:48 | 0:11:50 | |
started slow but suddenly has four items. | 0:11:50 | 0:11:53 | |
And would you look at that. He's spent exactly the same as James, | 0:11:53 | 0:11:56 | |
£75 so also has 1-7-5 in his kitty. | 0:11:56 | 0:12:01 | |
It couldn't be closer. How exciting! | 0:12:03 | 0:12:06 | |
Our two gents, though, are typically unflustered. | 0:12:06 | 0:12:09 | |
-You're not disturbing the natives, are you? -There you are! | 0:12:09 | 0:12:12 | |
-How are you getting on? -Yeah, fine. It's fast and furious, isn't it? | 0:12:12 | 0:12:15 | |
Absolutely. Absolutely. | 0:12:15 | 0:12:17 | |
I must say, I think the Ford market is almost on the similar | 0:12:17 | 0:12:21 | |
sort of model to the Metal Exchange. | 0:12:21 | 0:12:23 | |
Everything happens extremely quickly. | 0:12:23 | 0:12:26 | |
-Now, good purchases, bad purchases? -All right purchases. | 0:12:26 | 0:12:30 | |
I've gone along with my eye. I've seen something. | 0:12:30 | 0:12:32 | |
-I haven't done any really healthy negotiation. -Right. -I've been... | 0:12:32 | 0:12:36 | |
I think people will like me. | 0:12:36 | 0:12:39 | |
They've said £40 and I've just sort of peeled the money off. | 0:12:39 | 0:12:42 | |
-Oh, my word. -What about you? -I'm doing OK. | 0:12:42 | 0:12:45 | |
Doing a bit of purchases but absolutely, | 0:12:45 | 0:12:47 | |
you've got a sense that all the business is being done right now. | 0:12:47 | 0:12:50 | |
It is. You can't procrastinate at all, can you? | 0:12:50 | 0:12:54 | |
No, you've got to really get on with it, absolutely. | 0:12:54 | 0:12:56 | |
-Jonty, best of luck. -And to you, mate. | 0:12:56 | 0:12:58 | |
No time to waste. Back into the fray they go. | 0:13:00 | 0:13:03 | |
Our rummaging rumble in the car boot jungle presses on | 0:13:03 | 0:13:06 | |
and it's not long before Jonty comes across something else. | 0:13:06 | 0:13:10 | |
Now, I can spot a mirror even from the back. | 0:13:10 | 0:13:14 | |
This looks quite an interesting mirror. | 0:13:14 | 0:13:17 | |
This is...proper, French, late 19th-century, | 0:13:17 | 0:13:19 | |
probably even turn of the century mirror. | 0:13:19 | 0:13:22 | |
Trouble is, down at the bottom here, | 0:13:23 | 0:13:25 | |
we've got a massive, great, big crack. | 0:13:25 | 0:13:27 | |
That is irreparable so the glass will have to be replaced. | 0:13:27 | 0:13:32 | |
But it's the sort of shaped mirror that can be repainted. | 0:13:32 | 0:13:35 | |
It's the sort of thing that doesn't necessarily have to be restored. | 0:13:35 | 0:13:38 | |
It's an object that you can get the paintbrush out. | 0:13:38 | 0:13:41 | |
It's the sort of object that could easily be called shabby-chic. | 0:13:41 | 0:13:44 | |
It's actually even got a top here, which changes its symmetry, | 0:13:44 | 0:13:49 | |
so it's really a versatile little frame, this. | 0:13:49 | 0:13:51 | |
Excuse me. What's the damage? I know there's a lot of damage on there. | 0:13:53 | 0:13:56 | |
-What's the price? -45, basically. | 0:13:56 | 0:13:58 | |
-45 quid. That's far too much money. -I'll go down to 40. -40. | 0:13:58 | 0:14:04 | |
I was thinking about half that. I'll buy for 20. | 0:14:04 | 0:14:07 | |
Can't. My best, I'll let you have it for 35 and that's my bottom dollar. | 0:14:07 | 0:14:12 | |
-I'll do 25. -Can't. -Well, I've got the damage there. | 0:14:13 | 0:14:16 | |
I've got to probably repaint the frame. I've got to replace the glass. | 0:14:16 | 0:14:19 | |
-Come on. -You've got to make a nice profit. -25 quid. -I can't. | 0:14:19 | 0:14:22 | |
-Shall we meet halfway and do 30? -Go on, then. -30 quid? -Yes, all right. | 0:14:24 | 0:14:27 | |
Brilliant. Thank you very much indeed. Excellent. | 0:14:27 | 0:14:30 | |
-Let me pay you some money. -You're a hard man to do business with. | 0:14:30 | 0:14:32 | |
I'm always a hard man. | 0:14:32 | 0:14:34 | |
Yes, he's absolutely terrifying. | 0:14:34 | 0:14:36 | |
So Jonty's two items up. Five purchases to James's three. | 0:14:36 | 0:14:40 | |
And while Bingo continues to hunt for his full house, | 0:14:40 | 0:14:43 | |
Jonty stays where he is and looks at some wine racks. | 0:14:43 | 0:14:46 | |
You don't want to be taking these home with you, do you? Really. | 0:14:47 | 0:14:50 | |
So if I was to buy these two, what would be a really good price? | 0:14:50 | 0:14:54 | |
-My death would be 45 on the pair. -45 quid? -45 quid on the pair. | 0:14:54 | 0:14:59 | |
What sort of age do you think they are? | 0:14:59 | 0:15:01 | |
-They are, I would say, around 1950s. -1950s. -1960s. -Yeah. | 0:15:01 | 0:15:06 | |
You have to go a really, really good price for me. | 0:15:06 | 0:15:09 | |
You're a nice man, aren't you? Are you a nice man? | 0:15:09 | 0:15:12 | |
I'd like to think I am. | 0:15:12 | 0:15:14 | |
-I like to think you are. -Thank you ever so much. | 0:15:14 | 0:15:16 | |
-Now what would you do for me, because I'm a nice bloke. -OK. -And also... | 0:15:16 | 0:15:20 | |
£35 and I can't go no lower. | 0:15:20 | 0:15:23 | |
£35. Sorry, did you say 30? | 0:15:23 | 0:15:25 | |
-No, I said 35. -I thought you said 30. | 0:15:25 | 0:15:29 | |
-You've heard right. -30 quid. -Yeah. -Good man. | 0:15:29 | 0:15:32 | |
Yes, the old arm round the shoulder trick works a treat. | 0:15:33 | 0:15:36 | |
His third double deal of the day | 0:15:36 | 0:15:38 | |
and our trading tiger is one contented cat. | 0:15:38 | 0:15:41 | |
Look, I am such a happy man. Wonder how that Brakkers is getting on. | 0:15:42 | 0:15:46 | |
Well, not great, actually. | 0:15:48 | 0:15:50 | |
Across the airfield, James is drastically trailing. | 0:15:50 | 0:15:53 | |
The heat really is on. | 0:15:53 | 0:15:55 | |
But our attack dog won't just roll over. Nope! | 0:15:55 | 0:15:57 | |
Eventually, he spots a Japanese framed print. | 0:15:57 | 0:16:00 | |
So this is sort of printed material. | 0:16:02 | 0:16:04 | |
And they've cut it out to make a tableau | 0:16:04 | 0:16:07 | |
but they've put a really nice frame around it. | 0:16:07 | 0:16:10 | |
Gilt frame on a red backing. It's quite a nice all-round package. | 0:16:10 | 0:16:13 | |
A very decorative item. | 0:16:13 | 0:16:15 | |
Somebody in the materials business would love this. | 0:16:16 | 0:16:21 | |
So, he goes in for the kill. | 0:16:21 | 0:16:23 | |
Or in James's case, asks nicely... | 0:16:23 | 0:16:26 | |
How much have you got on this? No? 25. Would 20 buy it? | 0:16:26 | 0:16:31 | |
Oh, you lovely man. | 0:16:32 | 0:16:34 | |
...and it pays off. | 0:16:34 | 0:16:36 | |
I know a man in soft furnishings who would love that. | 0:16:36 | 0:16:39 | |
Soft furnishings? Is he talking about The Hitman? | 0:16:40 | 0:16:43 | |
Anyway, James's merry dealing dance pushes onward. | 0:16:43 | 0:16:46 | |
Next, he snaps up some vintage vinyl. Two albums for £4. | 0:16:46 | 0:16:50 | |
So we've bought Marvin Gaye. | 0:16:52 | 0:16:54 | |
The great singer who led life to certainly the full. | 0:16:54 | 0:16:58 | |
Very handsome man. | 0:16:58 | 0:17:00 | |
Look at that cool cat. | 0:17:00 | 0:17:03 | |
It's a double album, so Live At The Palladium, London Palladium, | 0:17:03 | 0:17:06 | |
and it's probably... | 0:17:06 | 0:17:08 | |
When is it? 1977. | 0:17:08 | 0:17:10 | |
And then here, this is a chap, this is a gap in my Motown collection. | 0:17:10 | 0:17:16 | |
So Jimmy Ruffin Greatest Hits. | 0:17:16 | 0:17:19 | |
And famously, What Becomes Of The Broken Hearted? | 0:17:19 | 0:17:22 | |
That's the great thing about vinyl. | 0:17:23 | 0:17:24 | |
Look, you get all this lovely artwork. | 0:17:24 | 0:17:27 | |
I've got to find some cool cat out there, haven't I? | 0:17:27 | 0:17:29 | |
Yeah, well, our cool cat is just oozing confidence now. So relaxed. | 0:17:34 | 0:17:38 | |
So self-assured. No worries. | 0:17:38 | 0:17:41 | |
He leisurely strolls out for another foray and in time, | 0:17:43 | 0:17:47 | |
he finds something. | 0:17:47 | 0:17:48 | |
It's a building set, is it? | 0:17:49 | 0:17:50 | |
-So budding architect. How much have you got on this then? -20. | 0:17:52 | 0:17:55 | |
Could you do this for 15? | 0:17:56 | 0:17:58 | |
-Yeah, I could, yeah. -OK, I'll take it. That's really kind. -OK. | 0:17:59 | 0:18:02 | |
Thanks a lot. | 0:18:02 | 0:18:04 | |
What have we got here? We've got a very sophisticated toy, really. | 0:18:04 | 0:18:07 | |
It's Austrian. It's in this box. | 0:18:07 | 0:18:09 | |
The box cover gives a clue to what it is. | 0:18:09 | 0:18:11 | |
It's making architectural models. | 0:18:11 | 0:18:14 | |
So you lift up the lid there. What have we got here? Ah, here's the... | 0:18:14 | 0:18:17 | |
The clue is in the instructions. You can make model towns. | 0:18:17 | 0:18:21 | |
You can do slightly simpler versions. | 0:18:21 | 0:18:23 | |
You can make individual buildings. | 0:18:23 | 0:18:25 | |
Has the very sort of...Brave New World feel about it. | 0:18:25 | 0:18:29 | |
Gotham City, doesn't it? | 0:18:29 | 0:18:32 | |
And then here are the objects. | 0:18:32 | 0:18:34 | |
They're all made of beech and they're sectional objects. | 0:18:34 | 0:18:37 | |
You've got elements like corners, you've got elements like arches. | 0:18:37 | 0:18:40 | |
And these are rather fun, these are the windows. | 0:18:40 | 0:18:43 | |
So you just introduce the windows like that. | 0:18:43 | 0:18:45 | |
At £15, it doesn't seem that expensive. | 0:18:46 | 0:18:49 | |
Ah, yes, James can't resist a bit of architecture. | 0:18:52 | 0:18:55 | |
It's one of his private passions. | 0:18:55 | 0:18:56 | |
That model deal brings our buying bonanza to an end. | 0:18:56 | 0:19:00 | |
As they get ready to show off their wares, let's tot up the tallies. | 0:19:00 | 0:19:04 | |
James and Jonty each arrived at Ford with a budget of £250. | 0:19:05 | 0:19:09 | |
After a worrying period in the middle, | 0:19:09 | 0:19:11 | |
James leaves with six purchases costing £114. | 0:19:11 | 0:19:15 | |
Jonty struck gold with three double deals. | 0:19:17 | 0:19:19 | |
He's spent a little more. £135. | 0:19:19 | 0:19:23 | |
-Wow. What a collection. -It's a great collection, isn't it? | 0:19:24 | 0:19:27 | |
I'm feeling sort of... um, purchasing envy towards you. | 0:19:27 | 0:19:32 | |
-You've got some big bits. What are those beasties? -My wine racks. -No! | 0:19:32 | 0:19:36 | |
-Yeah. -They're the sort of Rolls-Royce version. -I don't know about that. | 0:19:36 | 0:19:40 | |
-What, 50, 100 did you pay? -No. £30, I bought them. Not bad, huh? | 0:19:40 | 0:19:45 | |
What, each? | 0:19:45 | 0:19:46 | |
-Just for the pair. -No! | 0:19:46 | 0:19:48 | |
-Yes. -What's your best buy, do you think? -My best buy, I reckon... | 0:19:48 | 0:19:53 | |
I think I did pretty well on my mirror, you know. | 0:19:53 | 0:19:55 | |
-30 quid for the mirror. -£30! -Yeah. -Are you sure? -Yeah. | 0:19:55 | 0:19:59 | |
-I know, an absolute bargain. -£30? | 0:19:59 | 0:20:01 | |
The problem is that the mirror itself is damaged. | 0:20:01 | 0:20:04 | |
-Tell me about this fender. I think that's very good quality. -Yeah. | 0:20:04 | 0:20:08 | |
You need to be a muscle man to lift it. | 0:20:08 | 0:20:10 | |
It's really good quality. It's got great integrity of construction. | 0:20:10 | 0:20:14 | |
It's a nice piece. That's where my profit is. | 0:20:14 | 0:20:17 | |
-What did you pay for that? -What do you think? | 0:20:17 | 0:20:19 | |
-That's a good £100 worth of fender there. -Really? You're too kind. 40. | 0:20:19 | 0:20:23 | |
-40, bargain. -Now, you've got some smaller items here, haven't you? | 0:20:23 | 0:20:26 | |
Yeah, got this funny architectural game. A sort of modelling game. | 0:20:26 | 0:20:30 | |
Austrian, made of beech, | 0:20:30 | 0:20:32 | |
and you can construct these Gotham-like, Manhattan skyscrapers. | 0:20:32 | 0:20:36 | |
-So sort of 1960s and '70s game, is it? -I think it's '50s really. | 0:20:36 | 0:20:40 | |
Ah, no, I can see where that's come from. | 0:20:40 | 0:20:43 | |
-Good luck. -I think you've got this one, Jonty. -No, no. | 0:20:43 | 0:20:45 | |
We haven't finished yet. We haven't finished yet. | 0:20:45 | 0:20:47 | |
Oh, James is nervous and he's only done the easy bit. | 0:20:52 | 0:20:55 | |
This is where the pressure ramps up considerably, | 0:20:55 | 0:20:58 | |
because they now face the even greater challenge | 0:20:58 | 0:21:01 | |
of selling everything. | 0:21:01 | 0:21:02 | |
Big profits are the name of this part of the game. | 0:21:02 | 0:21:05 | |
To secure those, they must chase every contact, follow every lead | 0:21:05 | 0:21:09 | |
and exhaust every last drop of energy to bring home the bacon. | 0:21:09 | 0:21:13 | |
Back at Hearnden HQ, Jonty, at least, is in an upbeat mood. | 0:21:13 | 0:21:17 | |
Really interesting mix. My wine racks, they were an absolute steal. | 0:21:19 | 0:21:24 | |
Got a pair of tables. Now, they're damaged. | 0:21:24 | 0:21:26 | |
I'm not sure where I'm going to go with those. | 0:21:26 | 0:21:28 | |
I've also got a damaged mirror as well. | 0:21:28 | 0:21:30 | |
Really, what I'm going to be doing, is to take that to a glaziers | 0:21:30 | 0:21:33 | |
to try and replace the glass to maximise my return. | 0:21:33 | 0:21:37 | |
My trunk, I'm sure there's an awful lot of people that want trunks | 0:21:37 | 0:21:39 | |
and I've got my two decorative objects on the top there too. | 0:21:39 | 0:21:43 | |
So all in all, I really do think that I've come away | 0:21:43 | 0:21:46 | |
from this car boot sale genuinely pleased with what I've purchased. | 0:21:46 | 0:21:51 | |
In East Sussex, James has also gathered together his items. | 0:21:51 | 0:21:55 | |
But is he feeling any more confident? | 0:21:55 | 0:21:58 | |
Probably the principle item is this lovely fire surround. | 0:21:58 | 0:22:01 | |
It was the first thing I bought on the day and I paid £40 for it. | 0:22:01 | 0:22:06 | |
It's got everything with greater integrity. | 0:22:06 | 0:22:09 | |
You can see all the construction there. | 0:22:09 | 0:22:12 | |
I like this as well, this is my chintz picture | 0:22:12 | 0:22:15 | |
and it looks like a 17th-century Dutch master's still life. | 0:22:15 | 0:22:20 | |
This is quite a sweet item, only a fiver. A Damascus tray from Syria. | 0:22:20 | 0:22:25 | |
Gypsy table, generically known as a gypsy table. | 0:22:25 | 0:22:28 | |
Three-legged table with spindle things. And Gotham City. | 0:22:28 | 0:22:32 | |
This is a rather nice architect's block work game. | 0:22:32 | 0:22:35 | |
And the marvellous Marvin Gaye and Jimmy Ruffin, | 0:22:35 | 0:22:38 | |
those two vinyl records. They only cost me £4. | 0:22:38 | 0:22:41 | |
Um, it's a good clutch of items. There should be good profits in it. | 0:22:41 | 0:22:46 | |
Well, he seems in a fairly chipper mood, which is just as well. | 0:22:46 | 0:22:50 | |
Both our boys need all their strength | 0:22:50 | 0:22:52 | |
if they're to find the very best buyers. | 0:22:52 | 0:22:54 | |
And remember, until they've shaken on it | 0:22:54 | 0:22:56 | |
and the money has changed hands, no deal is ever sealed. | 0:22:56 | 0:22:59 | |
Jonty already has a plan. | 0:22:59 | 0:23:02 | |
Before he kicks off his campaign proper, | 0:23:02 | 0:23:04 | |
he's got a bit of restoration to do. | 0:23:04 | 0:23:06 | |
He's brought his mirror to David who's a glazier in Wallingford. | 0:23:06 | 0:23:09 | |
-Now, here's my mirror. -Yeah. | 0:23:11 | 0:23:14 | |
As you can see, the glass has been completely smashed here. | 0:23:14 | 0:23:17 | |
And the only way I think I can maximise my return on this one | 0:23:17 | 0:23:21 | |
is to get the mirror replaced. | 0:23:21 | 0:23:24 | |
OK. Yeah, | 0:23:24 | 0:23:26 | |
I think we could probably do that with a bevel for around £55. | 0:23:26 | 0:23:29 | |
Would you be able to put it into the frame as well? | 0:23:29 | 0:23:31 | |
Yeah, we can do that for you. Not a problem. We'll give you a call. | 0:23:31 | 0:23:34 | |
Thanks very much. | 0:23:34 | 0:23:35 | |
The price of that new glass | 0:23:35 | 0:23:36 | |
will almost treble the cost of the mirror. | 0:23:36 | 0:23:38 | |
But Jonty still thinks it'll make a clear profit. | 0:23:38 | 0:23:41 | |
There's five other items to sell | 0:23:41 | 0:23:43 | |
and he wastes no time getting down to business. | 0:23:43 | 0:23:46 | |
First stop, Henley-on-Thames. | 0:23:46 | 0:23:48 | |
So this could be my first sale. | 0:23:48 | 0:23:51 | |
I've had my wine racks delivered to James, who's a local wine merchant. | 0:23:51 | 0:23:55 | |
They're inside and hopefully, he might quite like them. | 0:23:55 | 0:23:59 | |
There he is. | 0:23:59 | 0:24:01 | |
-Afternoon. -James, how you doing? -All right. -I see they arrived safely. | 0:24:01 | 0:24:04 | |
They seem to have done. | 0:24:04 | 0:24:06 | |
What's your first impression of my lovely wine racks? | 0:24:06 | 0:24:08 | |
-Well-used. -THEY LAUGH | 0:24:08 | 0:24:10 | |
You're very polite. | 0:24:10 | 0:24:12 | |
They look like they've been in quite a damp environment. | 0:24:12 | 0:24:15 | |
-Uh, well, they come from a cellar presumably. -I hope so. | 0:24:15 | 0:24:17 | |
Now, are cellars normally damp? Is there a dampness to cellars? | 0:24:17 | 0:24:20 | |
-You're a man that should know. -They should be, yeah. | 0:24:20 | 0:24:22 | |
Because they should be a fixed, low temperature. | 0:24:22 | 0:24:24 | |
So naturally, by being in the ground, | 0:24:24 | 0:24:26 | |
they will remain damp to a degree. | 0:24:26 | 0:24:29 | |
But they look fine apart from that. Well-aged. | 0:24:29 | 0:24:32 | |
Yeah. Now, presumably, one could get an awful lot of bottles on these. | 0:24:32 | 0:24:35 | |
-Yeah, I don't know how many. We haven't... -One, two, three, | 0:24:35 | 0:24:38 | |
-four, five... -Yeah. -..per section. | 0:24:38 | 0:24:40 | |
So yeah, we're looking at maybe a couple of hundred bottles on these. | 0:24:40 | 0:24:44 | |
I'd have thought so, yeah. Quite efficient storage. | 0:24:44 | 0:24:46 | |
Are these good enough quality | 0:24:46 | 0:24:48 | |
for you to think about a possible purchase here? | 0:24:48 | 0:24:51 | |
Yeah, I would have thought so. | 0:24:51 | 0:24:52 | |
They'll be fine for our own storage of stuff in the office, | 0:24:52 | 0:24:55 | |
-so samples that are coming in and out. -Oh, right. | 0:24:55 | 0:24:58 | |
I have noticed there's just a few bottles lying around here. | 0:24:58 | 0:25:01 | |
There's a bit of a problem in this office, yeah. | 0:25:01 | 0:25:03 | |
We never seem to get on top of the sampling | 0:25:03 | 0:25:05 | |
so we often have a lot of extra bottles kicking around. | 0:25:05 | 0:25:07 | |
OK. | 0:25:07 | 0:25:08 | |
-Price wise, I'm looking for £60 each. -OK. -How does that sound to you? | 0:25:08 | 0:25:13 | |
-Bit steep, really. How about 80 for the pair. -80 for the pair? | 0:25:13 | 0:25:17 | |
-What about 90? -90's good. | 0:25:17 | 0:25:19 | |
90 quid, but you've got to put the rack into place | 0:25:19 | 0:25:21 | |
and put some bottles in it. | 0:25:21 | 0:25:23 | |
-I think I'll do that for you, sir. -All right. Thanks, Jonty. -Thank you. | 0:25:23 | 0:25:26 | |
Jonty's in the money. He racks up a profit of £60. | 0:25:27 | 0:25:30 | |
There we go. I think that looks the business. | 0:25:32 | 0:25:36 | |
The things I do for a sale. | 0:25:36 | 0:25:37 | |
Can James also make a big impression with his first sale? | 0:25:39 | 0:25:42 | |
He's in Brighton to meet George who sells LPs. | 0:25:42 | 0:25:45 | |
His shop has been here for more than 65 years. | 0:25:45 | 0:25:48 | |
Looks like I've come to the right place. | 0:25:49 | 0:25:52 | |
-Hello. -Oh, hello. Good afternoon. -James. | 0:25:52 | 0:25:55 | |
-George. -George, very nice to meet you. -And you as well. | 0:25:55 | 0:25:58 | |
-I've heard a lot about you from my son. -THEY LAUGH | 0:25:58 | 0:26:03 | |
Who says you have a remarkable collection | 0:26:03 | 0:26:05 | |
-and it is a remarkable shop. -Thank you very much. A labour of love. | 0:26:05 | 0:26:08 | |
-Here are the two records that I bought. -Ye gods. | 0:26:08 | 0:26:12 | |
And I bought them at a car boot. Marvin Gaye, Jimmy Ruffin. | 0:26:12 | 0:26:16 | |
Oh, dear, oh, dear, oh, dear... | 0:26:16 | 0:26:18 | |
What are you oh, dear-ing, oh, dear-ing and dear-ing? | 0:26:18 | 0:26:20 | |
When people bring in records for me to buy, | 0:26:20 | 0:26:25 | |
if the cover is like that, worn etc, I don't bother to look at the disc. | 0:26:25 | 0:26:31 | |
-Really? -Because I can be assured that the disc is in a similar state. | 0:26:31 | 0:26:36 | |
-Really? -Yep. -So you don't get...? | 0:26:36 | 0:26:38 | |
That isn't so worn, the Jimmy Ruffin. | 0:26:38 | 0:26:40 | |
I know, but it's too worn for me. So sadly, I must decline them. | 0:26:40 | 0:26:45 | |
-No? Not even at any price, George? -Not at any price. -Really? | 0:26:45 | 0:26:49 | |
-I'd only end up, I'm sorry, throwing them in the bin. -Really? -Yes. -OK. | 0:26:49 | 0:26:55 | |
No, I totally accept that. Don't worry. | 0:26:55 | 0:26:57 | |
Hopefully, I might be able to keep them, George, and play them myself. | 0:26:57 | 0:27:01 | |
Well, the best of luck to you. | 0:27:01 | 0:27:02 | |
No, no, no, no. That's against the rules. | 0:27:02 | 0:27:04 | |
If he can't sell the albums, | 0:27:04 | 0:27:06 | |
the Put Your Money games masters will seize them. | 0:27:06 | 0:27:09 | |
And maybe listen to them. So, the records are a bad start for Bingo. | 0:27:09 | 0:27:13 | |
Let's hope there's a more positive spin on his next item, | 0:27:13 | 0:27:16 | |
his £5 Syrian tray. | 0:27:16 | 0:27:18 | |
He's in Bloomsbury in Central London to meet Christopher | 0:27:18 | 0:27:21 | |
who's an antiques interior designer. | 0:27:21 | 0:27:24 | |
-Oh, James. Good morning. -Morning, Christopher. How are you? -Very well. | 0:27:24 | 0:27:27 | |
-Good to see you again. -Lovely to see you. | 0:27:27 | 0:27:28 | |
-Now, who's your little friend down here? -Oh, this is Dolly. -Dolly. | 0:27:28 | 0:27:31 | |
My daughter's dog. Comes to work with me a couple of days a week. | 0:27:31 | 0:27:35 | |
-Now you've seen the image of this, Christopher. -Yes. -Have a look at it. | 0:27:35 | 0:27:39 | |
Yeah. It's a bit more beaten up, James, than I'd realised. | 0:27:39 | 0:27:43 | |
-Incredible craftsmanship. -It is. -All this inlay. | 0:27:43 | 0:27:47 | |
Christopher, what sort of age do you think this is? | 0:27:47 | 0:27:50 | |
Well, I think they certainly were making them | 0:27:50 | 0:27:53 | |
throughout the 19th century. | 0:27:53 | 0:27:55 | |
And, you know, the English equivalent would be Tunbridge ware. | 0:27:55 | 0:27:59 | |
-Wouldn't it? -Yeah. It's a nice thing, James. | 0:27:59 | 0:28:02 | |
How much are you looking for? | 0:28:02 | 0:28:04 | |
-What would you be happy to pay for it? -Would £30 be acceptable? | 0:28:04 | 0:28:08 | |
-£30? -Yes. -It's yours, Christopher. Thank you very much indeed. | 0:28:08 | 0:28:10 | |
Thank you, James. Pleasure. Thank you. | 0:28:10 | 0:28:13 | |
Well, he's finally got a sale. And it's a good one. | 0:28:13 | 0:28:16 | |
The tray makes six times what James paid. That's a profit of £25. | 0:28:16 | 0:28:20 | |
In this business, you've got to be flexible. | 0:28:22 | 0:28:24 | |
It was slightly more damaged than Christopher thought, | 0:28:24 | 0:28:26 | |
so he paid me less. | 0:28:26 | 0:28:28 | |
But I'm still very happy with the price. | 0:28:28 | 0:28:29 | |
Now, this is turning into a fairly unlucky game. | 0:28:31 | 0:28:34 | |
First James's records, now there's a bit of a saga | 0:28:34 | 0:28:37 | |
with Jonty's pair of kidney-shaped 1950s tables. | 0:28:37 | 0:28:40 | |
And it's all because of a leaky roof... | 0:28:40 | 0:28:43 | |
Now, I've got a bit of bad news to report. Remember these tables? | 0:28:43 | 0:28:47 | |
Well, they were damaged. But they've become even more damaged. | 0:28:47 | 0:28:50 | |
They've been stored in my garage and we've had a heavy downpour | 0:28:50 | 0:28:53 | |
but I've had a bit of a leak. | 0:28:53 | 0:28:55 | |
And the whole top and the underside of one table | 0:28:55 | 0:28:58 | |
has become very damaged indeed. | 0:28:58 | 0:29:00 | |
Which really makes these tables completely un-restorable. | 0:29:00 | 0:29:04 | |
Or, more to the point, not worth restoring. | 0:29:04 | 0:29:05 | |
It's going to cost me more to restore than I can get a return. | 0:29:05 | 0:29:10 | |
So I'm going to have to withdraw them. | 0:29:10 | 0:29:13 | |
Oh, dear, Hitman. | 0:29:13 | 0:29:14 | |
Well, that means Jonty loses the money | 0:29:14 | 0:29:16 | |
he paid for the tables. £20 down the drain. | 0:29:16 | 0:29:19 | |
Or through the roof, whichever way you want to look at it. | 0:29:19 | 0:29:22 | |
Jonty does have some luck though. | 0:29:22 | 0:29:24 | |
He sells the Morano Glass ashtray to a tour operator in Henley | 0:29:24 | 0:29:28 | |
who's looking for a centrepiece for his meeting room... | 0:29:28 | 0:29:30 | |
-Could we say 30? -Yeah, very happy with that. -Yeah? | 0:29:30 | 0:29:34 | |
And that provides Jonty with a much-needed profit of £20. | 0:29:36 | 0:29:39 | |
James is still in London at Canary Wharf. | 0:29:41 | 0:29:44 | |
He's meeting Andrew who's the Chief Executive of a new railway line | 0:29:44 | 0:29:47 | |
being dug beneath the capital. | 0:29:47 | 0:29:49 | |
Andrew is always on the lookout for things to inspire young engineers | 0:29:49 | 0:29:52 | |
and James is hoping his wooden architectural kit | 0:29:52 | 0:29:55 | |
could be just the thing. | 0:29:55 | 0:29:56 | |
It cost him £15. | 0:29:56 | 0:29:58 | |
There's some weight there, Andrew. Why have you brought me here? | 0:30:01 | 0:30:04 | |
James, we're standing right by the Canary Wharf Station. | 0:30:04 | 0:30:07 | |
One of ten stations of Crossrail which is 120km long. | 0:30:07 | 0:30:12 | |
And we're building it right now. We're halfway through. | 0:30:12 | 0:30:15 | |
-2018, we're going to open it to the public. -2018? | 0:30:15 | 0:30:18 | |
And really, this is the stuff on the surface. The real action is... | 0:30:18 | 0:30:22 | |
How far below? | 0:30:22 | 0:30:24 | |
Well, if you can imagine, this is about half the height, | 0:30:24 | 0:30:27 | |
so 20m below there is where our tunnel-boring machines, | 0:30:27 | 0:30:30 | |
our factory is, and they come with ladies' names. | 0:30:30 | 0:30:33 | |
Elizabeth and Victoria passed through this area late last year. | 0:30:33 | 0:30:36 | |
So they've gone through. They're off now into the West End. | 0:30:36 | 0:30:40 | |
An amazing scale of engineering. A Victorian size. | 0:30:40 | 0:30:44 | |
Well, funnily enough, doesn't this look like Canary Wharf? Doesn't it? | 0:30:44 | 0:30:49 | |
It's quite fun. This is the game I showed you in the photograph. | 0:30:49 | 0:30:53 | |
The New City. And that could be Canary Wharf, that. | 0:30:53 | 0:30:56 | |
Instead of plastic bits and bobs, you can make all these models | 0:30:56 | 0:31:01 | |
and it's all beech, made of beech. And things like that. | 0:31:01 | 0:31:04 | |
I think what I might do is to buy this and to give it | 0:31:04 | 0:31:07 | |
to a fantastic initiative we've got called Young Crossrails. | 0:31:07 | 0:31:10 | |
-Come on, James, what's the price? -I was looking for around 100. | 0:31:10 | 0:31:14 | |
-Right. I'll offer you £70. -£70. -Yeah. -£70. | 0:31:14 | 0:31:18 | |
Could I squeeze you a bit? 80? | 0:31:18 | 0:31:20 | |
-Um... Let's call the final figure 75. -You've got yourself a deal. | 0:31:22 | 0:31:25 | |
Thank you. | 0:31:25 | 0:31:27 | |
And that builds nicely on James's profit. | 0:31:27 | 0:31:29 | |
He makes £60. | 0:31:29 | 0:31:31 | |
I'm very pleased with that. | 0:31:33 | 0:31:35 | |
A very appropriate price for the centre, the financial hub, | 0:31:35 | 0:31:39 | |
of London, if not the world. | 0:31:39 | 0:31:42 | |
And while James gets food for thought on how to make big money, | 0:31:42 | 0:31:45 | |
let's see how our selling stalwarts are getting on. | 0:31:45 | 0:31:48 | |
Jonty has so far struck two deals, | 0:31:51 | 0:31:53 | |
but taking his loss into account, has only made a profit of £60. | 0:31:53 | 0:31:57 | |
James, however, is doing better. | 0:31:59 | 0:32:01 | |
He's made just two sales but taken a profit of £85. | 0:32:01 | 0:32:05 | |
But he does still have those problem records to deal with. | 0:32:05 | 0:32:08 | |
So, we're a long way from big money just yet. | 0:32:10 | 0:32:12 | |
Jonty knows he needs some success and fast. | 0:32:12 | 0:32:15 | |
Time to pull something out of the...trunk, actually. | 0:32:15 | 0:32:18 | |
It cost him 30 quid and he's brought it to Twyford in Berkshire. | 0:32:18 | 0:32:22 | |
So I've got my trunk and I'm going to show it to Ethan | 0:32:24 | 0:32:27 | |
and we've arranged to meet in this particular inn. | 0:32:27 | 0:32:30 | |
Now, Ethan's a film director | 0:32:30 | 0:32:32 | |
and he's expressed an interest in possibly buying this | 0:32:32 | 0:32:35 | |
as a prop for one of his movies. | 0:32:35 | 0:32:38 | |
Sounds a bit strange to me. | 0:32:38 | 0:32:40 | |
Now, Ethan's not just any old film director. No! | 0:32:40 | 0:32:44 | |
He makes horror movies and he's filmed in the pub before. | 0:32:44 | 0:32:47 | |
Can Jonty hold his nerve in the dark? | 0:32:47 | 0:32:51 | |
Ethan, I am intrigued to know | 0:32:51 | 0:32:52 | |
why you might be interested in buying my trunk. | 0:32:52 | 0:32:55 | |
Er, I plan on using it for a film called Director. | 0:32:55 | 0:32:59 | |
Basically, he - the main protagonist - is... | 0:32:59 | 0:33:02 | |
He murders people using film. And he has this trunk. | 0:33:02 | 0:33:06 | |
No-one knows what's in it. | 0:33:06 | 0:33:08 | |
So the idea is that this will be his trunk | 0:33:08 | 0:33:10 | |
and we'll find out as the film goes on, the mystery of it. | 0:33:10 | 0:33:14 | |
-So you're looking for a prop? -Basically, yep. | 0:33:14 | 0:33:16 | |
Looking for a prop for the film. | 0:33:16 | 0:33:17 | |
-OK. -So something that looked a bit worn and old. It adds a bit more... | 0:33:17 | 0:33:21 | |
-Sounds very spooky to me. -A bit more horror-esque. -Proper horror. | 0:33:21 | 0:33:25 | |
-Yeah, we're going with a bit of a Hitchcock vibe to it, so. -Wow. | 0:33:25 | 0:33:28 | |
So a trunk like this is the perfect size. | 0:33:28 | 0:33:31 | |
-You want something with a bit of character. -Exactly. The idea... | 0:33:31 | 0:33:34 | |
One of the mysteries of it is he might have a few dead bodies in it. | 0:33:34 | 0:33:38 | |
-So... -Few dead bodies! | 0:33:38 | 0:33:39 | |
Cut up a few bodies, should be able to fit a few in the trunk, | 0:33:39 | 0:33:42 | |
so that's the idea of it anyway. | 0:33:42 | 0:33:44 | |
You're looking for something like this, bit of character. | 0:33:44 | 0:33:46 | |
The trunk is probably about 50 years old, | 0:33:46 | 0:33:48 | |
if you look at these brass corners, | 0:33:48 | 0:33:50 | |
that's exactly the same style of trunk | 0:33:50 | 0:33:52 | |
that was designed in the early part of the 20th century. | 0:33:52 | 0:33:56 | |
-So, price. I'm looking for £60 for my trunk. -I was thinking... | 0:33:56 | 0:33:59 | |
You say 50 years old? About that? | 0:33:59 | 0:34:02 | |
-It's about 50 years of age, yes. -Well, £10 a decade. -£10 a decade? | 0:34:02 | 0:34:08 | |
-Yeah, takes up to 50. -50 quid. -Any good to you, or...? | 0:34:08 | 0:34:11 | |
-I'm happy with that. -50 quid. -Yeah. -OK, then. | 0:34:11 | 0:34:13 | |
Well, that works. The trunk will have a starring role in a movie | 0:34:14 | 0:34:17 | |
and Jonty has a £20 profit. | 0:34:17 | 0:34:19 | |
A great little sale. Great profit. | 0:34:22 | 0:34:24 | |
And good luck to Ethan for making the movie. | 0:34:24 | 0:34:26 | |
But dead bodies in trunks. It just makes me wonder... | 0:34:26 | 0:34:31 | |
Did I leave anything in that trunk? | 0:34:31 | 0:34:33 | |
SCREAMING | 0:34:40 | 0:34:43 | |
Crikey! Not sure which face is scarier. | 0:34:43 | 0:34:45 | |
One thing's for sure, Jonty is back on track | 0:34:45 | 0:34:48 | |
and now not all that far behind old Bingo. | 0:34:48 | 0:34:51 | |
James continues to criss-cross London | 0:34:51 | 0:34:53 | |
but things aren't as simple as he'd hoped. | 0:34:53 | 0:34:55 | |
His wrought-iron fender is causing him problems. | 0:34:55 | 0:34:58 | |
This is my star. | 0:34:58 | 0:35:00 | |
I thought I was going to sell this easy peasy to a private buyer. | 0:35:00 | 0:35:04 | |
But I haven't found one, so I'd come to Golborne Road | 0:35:04 | 0:35:08 | |
in Notting Hill to a fireplace | 0:35:08 | 0:35:11 | |
and fire surround, extras, accessories shop. | 0:35:11 | 0:35:14 | |
If you're going to wholesale something, wholesale it in London. | 0:35:14 | 0:35:18 | |
Well, let's hope this works then. The fender owes him £40. | 0:35:18 | 0:35:23 | |
-Hello, Tony. -James. | 0:35:23 | 0:35:25 | |
Well, speaking and carrying this is not an easy operation. | 0:35:25 | 0:35:28 | |
-Very nice to meet you. -You too. You too. | 0:35:28 | 0:35:30 | |
I see you're accustomed to fire surrounds and fire baskets | 0:35:30 | 0:35:35 | |
and various other things. | 0:35:35 | 0:35:37 | |
This is the fellow. | 0:35:37 | 0:35:38 | |
What do you think? Is this something that you might be interested in? | 0:35:38 | 0:35:41 | |
It could be. It could be, James. It could be. | 0:35:41 | 0:35:44 | |
Tony, it's very much Arts and Crafts in spirit. | 0:35:44 | 0:35:46 | |
Do you think it is late 19th-century? | 0:35:46 | 0:35:48 | |
Er, possibly not. | 0:35:49 | 0:35:51 | |
I wouldn't say so, but it certainly has aspects of Arts and Crafts. | 0:35:51 | 0:35:57 | |
Especially all this ironwork round here. | 0:35:57 | 0:36:00 | |
I thought on this, I thought 120-180. | 0:36:00 | 0:36:04 | |
-I'd guess 135. -135. -I'd like to do the 135. -135, it's yours, chief. | 0:36:04 | 0:36:10 | |
-All right, James. -Thank you. | 0:36:10 | 0:36:12 | |
That's exactly what Bingo needed, a fiery profit of £95 | 0:36:12 | 0:36:16 | |
and that takes him way out in front of Jonty. | 0:36:16 | 0:36:19 | |
He then finds a record dealer in Cornwall who DOES like his LPs. | 0:36:21 | 0:36:25 | |
They sell for £11 but deducting the cost of some postage, | 0:36:25 | 0:36:28 | |
the vinyl spins a profit of just £3.80. | 0:36:28 | 0:36:31 | |
At least it's not a loss. | 0:36:31 | 0:36:32 | |
Back in Oxfordshire, Jonty does a deal | 0:36:34 | 0:36:37 | |
on that Edwardian Royal Doulton vase. | 0:36:37 | 0:36:39 | |
A friend in Henley pays £30 | 0:36:39 | 0:36:41 | |
and Jonty makes a useful £15 profit. | 0:36:41 | 0:36:44 | |
The Hitman only has one item left to sell | 0:36:46 | 0:36:49 | |
and he's hoping the mirror is going to bring in the big bucks. | 0:36:49 | 0:36:52 | |
With the new glass installed, it stands him at £85. | 0:36:52 | 0:36:55 | |
He takes it to Cheltenham to see an interior designer | 0:36:55 | 0:36:58 | |
who specialises in shabby-chic furniture. | 0:36:58 | 0:37:01 | |
She's called Charlie and she's already seen a picture. | 0:37:01 | 0:37:04 | |
-Charlie, how you doing? -Hello, how are you? -I'm good. | 0:37:04 | 0:37:06 | |
Come and have a look what I've brought you. What I've done to it... | 0:37:06 | 0:37:10 | |
-The mirror, I bought the frame and the mirror. -Yes. | 0:37:10 | 0:37:12 | |
The mirror was cracked. | 0:37:12 | 0:37:15 | |
-So I had to replace the glass. -Yeah. | 0:37:15 | 0:37:17 | |
OK, so this is a brand-new bevel mirror. | 0:37:17 | 0:37:19 | |
It's an object that I was delighted to buy and I'm hoping | 0:37:19 | 0:37:23 | |
that you might be just the person to utilise something like this. | 0:37:23 | 0:37:26 | |
Yeah, just thinking of a different use for it, actually, | 0:37:26 | 0:37:29 | |
from where you've laid it there. | 0:37:29 | 0:37:30 | |
I do get sometimes these massive oak tables. | 0:37:30 | 0:37:32 | |
-It'd look fantastic painted with all candles on it actually. -Oh, my word. | 0:37:32 | 0:37:37 | |
-Getting creative now. But if you... -Filled that with candles? | 0:37:37 | 0:37:41 | |
Yeah, if it was all painted beautifully, | 0:37:41 | 0:37:43 | |
you could have petals and all sorts on it. | 0:37:43 | 0:37:45 | |
But it is a mirror, so let's get back to that. | 0:37:45 | 0:37:48 | |
-Um, price? You interested in a price? -It would be nice, wouldn't it? | 0:37:48 | 0:37:52 | |
A price. 300 quid is what I'm looking for. | 0:37:52 | 0:37:54 | |
SHE GROANS | 0:37:54 | 0:37:57 | |
That is a little bit too dear for me cos I've got to work on it. | 0:37:57 | 0:37:59 | |
Yep, understandable. | 0:37:59 | 0:38:00 | |
And even though I love doing my work, I've got to earn some pennies. | 0:38:00 | 0:38:03 | |
-How about 170? -170. | 0:38:03 | 0:38:06 | |
-Yeah. -Ooh. | 0:38:06 | 0:38:07 | |
Yeah, I know you've replaced the glass, but I've got to still | 0:38:07 | 0:38:10 | |
do quite a lot of work on it and make it look unique, haven't I? | 0:38:10 | 0:38:13 | |
I'll come down. 275? | 0:38:13 | 0:38:15 | |
-220. -220? | 0:38:16 | 0:38:18 | |
-Another fiver and it's yours. -OK, 225. | 0:38:19 | 0:38:23 | |
-OK. Thank you. -Thank you. -Bless you. | 0:38:23 | 0:38:26 | |
The Hitman finally has a hit! | 0:38:26 | 0:38:29 | |
The mirror creates a dazzling profit of £140. | 0:38:29 | 0:38:33 | |
Well, I definitely saved the best till last. | 0:38:33 | 0:38:36 | |
And all of that hard work was definitely worth it. | 0:38:36 | 0:38:40 | |
How are you getting on, Bingo? | 0:38:40 | 0:38:42 | |
Well, he's still got two items left to sell. | 0:38:42 | 0:38:45 | |
He's still in Notting Hill | 0:38:45 | 0:38:46 | |
and has arranged to see Simon who's an upholsterer. | 0:38:46 | 0:38:50 | |
-Simon, what are you up to here? -Hello, young James. | 0:38:50 | 0:38:53 | |
-Is this the magic happening? -This is something like that. | 0:38:53 | 0:38:55 | |
This is called, "Get some fabric on a chair quick and get it sold." | 0:38:55 | 0:39:00 | |
Set that aside. Feast your eyes on this little beauty. | 0:39:00 | 0:39:06 | |
Somebody told me it was a gypsy table. I haven't a clue why. | 0:39:06 | 0:39:09 | |
Um, it's something that they might have sat on with their little | 0:39:09 | 0:39:12 | |
ball and sat there to read palms and all that. | 0:39:12 | 0:39:15 | |
Reading palms. | 0:39:15 | 0:39:17 | |
And looking into the future. | 0:39:17 | 0:39:19 | |
And how much would you be happy to pay for this? | 0:39:19 | 0:39:22 | |
Start at a tenner and work down. | 0:39:22 | 0:39:25 | |
50 quid, mate. | 0:39:25 | 0:39:26 | |
-Are you sure? -50 quid. -Can't we do it a bit better? -Yeah, we can. | 0:39:27 | 0:39:31 | |
-I'll teach you upholstery on it. -Yeah, no, no, but what's your price? | 0:39:31 | 0:39:35 | |
-40 quid? -40 quid, you've got yourself a deal. -OK. -Go on. | 0:39:35 | 0:39:38 | |
-Done and dusted. -There we are. | 0:39:38 | 0:39:39 | |
You're itching to show me what you're going to do with this. | 0:39:39 | 0:39:42 | |
I'm absolutely fascinated. | 0:39:42 | 0:39:44 | |
-Now, you say you can do it under five minutes? -Under five minutes. | 0:39:44 | 0:39:46 | |
-I'm going to time you, Simon. -OK. -Ready, steady, go. | 0:39:46 | 0:39:49 | |
What did you say to me? Never arm wrestle a...? | 0:39:49 | 0:39:52 | |
-Never arm wrestle an upholsterer. You'll lose. -JAMES LAUGHS | 0:39:52 | 0:39:56 | |
-Two minutes 15 have elapsed. -Far too long. | 0:39:56 | 0:39:59 | |
I see you're gathering speed now. | 0:39:59 | 0:40:02 | |
-Very good. You're doing very well. Come on. -There you go. | 0:40:04 | 0:40:06 | |
You have done it with ten seconds to spare. And it is transformed. | 0:40:06 | 0:40:11 | |
Well done. | 0:40:11 | 0:40:13 | |
Wonder how much value Simon's just added. | 0:40:13 | 0:40:15 | |
Anyway, for James, that deal brought in a £10 profit. | 0:40:15 | 0:40:18 | |
You can't stop this profit maker. £10, a whole £10. | 0:40:19 | 0:40:24 | |
Watch out, Warren Buffett, this man is taking over. | 0:40:24 | 0:40:28 | |
Really, James? A profit maker, you say? | 0:40:28 | 0:40:31 | |
Come on then, show us your final Buffett-busting move. | 0:40:31 | 0:40:35 | |
I've still been left with this picture. | 0:40:35 | 0:40:37 | |
I've been unable to sell it. | 0:40:37 | 0:40:39 | |
I liked it, everybody I've shown it to doesn't like it. | 0:40:39 | 0:40:44 | |
And it appears not to be circa 1900, more like circa 1980s. | 0:40:44 | 0:40:49 | |
So it remains unsold and, in fact, | 0:40:49 | 0:40:52 | |
I and Mrs Bingo are the only two who like it. | 0:40:52 | 0:40:55 | |
Ah, well. Sadly for Mrs B, she can't stick it on her walls. | 0:40:57 | 0:41:00 | |
That's against the rules. | 0:41:00 | 0:41:02 | |
Yes, that picture is seized by the Put Your Money games masters | 0:41:02 | 0:41:05 | |
and they donate it to a charity shop. | 0:41:05 | 0:41:07 | |
For James, that means a loss of £20. | 0:41:07 | 0:41:10 | |
Now, let's think about the bigger picture | 0:41:10 | 0:41:12 | |
and remind ourselves what they spent in Sussex. | 0:41:12 | 0:41:15 | |
Both our experts took £250 of their own money to the car boot sale. | 0:41:16 | 0:41:21 | |
Jonty made six purchases | 0:41:21 | 0:41:23 | |
and, including the replacement mirror, he spent £190. | 0:41:23 | 0:41:27 | |
James also bought six times. | 0:41:27 | 0:41:30 | |
Including his postage to Cornwall, he forked out £117.20. | 0:41:30 | 0:41:35 | |
But what about the profit? | 0:41:35 | 0:41:37 | |
All of the money that Jonty and James | 0:41:37 | 0:41:38 | |
have made from today's challenge | 0:41:38 | 0:41:40 | |
will go to charities of their choice. | 0:41:40 | 0:41:42 | |
So, let's find out who is today's | 0:41:42 | 0:41:43 | |
Put Your Money Where Your Mouth Is Champion! | 0:41:43 | 0:41:46 | |
-Hello, James. -Hello, Jonty. How are you? | 0:41:48 | 0:41:50 | |
Slightly different setting somewhat from the car boot sale. | 0:41:50 | 0:41:53 | |
I know, it is. All this lusciousness. | 0:41:53 | 0:41:56 | |
-Favourite item? -Favourite item, I think my Austrian modelling set. | 0:41:56 | 0:42:00 | |
-Ah, yes. -Which I went to Canary Wharf | 0:42:00 | 0:42:03 | |
-and I saw the mighty new station by Norman Foster. -Yeah. | 0:42:03 | 0:42:07 | |
-Very impressive. -Make a nice, impressive profit? -I did! | 0:42:07 | 0:42:10 | |
-Yeah, I did. And you? What was yours? -Wine racks did pretty well. | 0:42:10 | 0:42:14 | |
I sold my mirror very well. | 0:42:14 | 0:42:16 | |
-Bizarrely, I did quite well out of my car boot sale. -Oh, dear! Watch out. | 0:42:16 | 0:42:20 | |
-Am I taking a bath, then? -Don't know. Shall we find out? | 0:42:20 | 0:42:23 | |
Yeah, come on. | 0:42:23 | 0:42:25 | |
-Ready? -On three. -BOTH: One, two, three... | 0:42:25 | 0:42:27 | |
-173.80. -Oh, it's close. -That was close. -Close. -You're nipping it now. | 0:42:29 | 0:42:34 | |
Well done again. | 0:42:34 | 0:42:36 | |
Well, the champagne could be on you. | 0:42:36 | 0:42:38 | |
Yes, only £60 in it. | 0:42:40 | 0:42:42 | |
Jonty drives to victory at the car boot, | 0:42:42 | 0:42:44 | |
while James was left needing roadside assistance. | 0:42:44 | 0:42:47 | |
It was so close. | 0:42:48 | 0:42:49 | |
If only I'd sold that picture, I may have won this leg. | 0:42:49 | 0:42:54 | |
So pleased I restored the mirror. | 0:42:54 | 0:42:56 | |
Who's going to win next time, though, James? | 0:42:56 | 0:42:58 | |
Well, that is the big question. | 0:42:58 | 0:43:00 | |
Tomorrow is not just any other day either. | 0:43:00 | 0:43:02 | |
It's the culmination of the week, | 0:43:02 | 0:43:04 | |
the ultimate challenge in antiques television. | 0:43:04 | 0:43:07 | |
Fasten your seat belts for the mighty Put Your Money Showdown! | 0:43:07 | 0:43:11 | |
That is an absolute bargain. | 0:43:11 | 0:43:13 |