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This is Put Your Money Where Your Mouth Is - | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:11 | |
Yee-ha! | 0:00:11 | 0:00:12 | |
..and gives you the insider's view of the trade! | 0:00:12 | 0:00:16 | |
Who's there? | 0:00:16 | 0:00:17 | |
Each week, one pair of duelling dealers will face a different | 0:00:19 | 0:00:22 | |
daily challenge... | 0:00:22 | 0:00:24 | |
The Axeman! R-R-R-argh! | 0:00:24 | 0:00:26 | |
..putting their reputations on the line... | 0:00:27 | 0:00:29 | |
Ready for the ball! | 0:00:29 | 0:00:31 | |
..and giving you their top tips and savvy secrets | 0:00:32 | 0:00:35 | |
on how to make the most money from buying and selling. | 0:00:35 | 0:00:39 | |
Get in! | 0:00:39 | 0:00:41 | |
Today, the fearless auctioneer Kate Bliss | 0:00:43 | 0:00:45 | |
takes on the saleroom superhero John Cameron | 0:00:45 | 0:00:48 | |
at a car-boot sale in south London. | 0:00:48 | 0:00:51 | |
Coming up - John will go to any lengths to grab a bargain... | 0:00:51 | 0:00:55 | |
Can't see anything I want, | 0:00:55 | 0:00:56 | |
so I've resorted to rummaging through women's clothes. | 0:00:56 | 0:00:59 | |
..Kate's strong-arm tactics fail... | 0:00:59 | 0:01:01 | |
Oh, no! Hang on! | 0:01:01 | 0:01:03 | |
-SHE GIGGLES -Rewind! | 0:01:03 | 0:01:06 | |
..and John meets a former England footballer. | 0:01:06 | 0:01:09 | |
-England v Austria. You scored? -That was my first England goal, yeah. | 0:01:09 | 0:01:13 | |
This is Put Your Money Where Your Mouth Is! | 0:01:13 | 0:01:17 | |
Today, we're in the shadow of Battersea Power Station in London | 0:01:29 | 0:01:34 | |
and we've got two electrifying experts, | 0:01:34 | 0:01:36 | |
fully charged and ready to light up the capital. | 0:01:36 | 0:01:39 | |
They'll be surging through the stalls of a car-boot sale, | 0:01:39 | 0:01:42 | |
digging out the best bargains. | 0:01:42 | 0:01:44 | |
Now, finding the fantastic among the tat-tastic | 0:01:44 | 0:01:46 | |
is not for the faint-hearted, | 0:01:46 | 0:01:48 | |
so prepare for a furious forage in highly pressurised conditions. | 0:01:48 | 0:01:52 | |
So, who will make the lightning strikes? | 0:01:52 | 0:01:55 | |
First up, an expert whose angelic looks hide a steely interior. | 0:01:55 | 0:02:00 | |
Her winning ways are the envy of everyone who takes her on. | 0:02:00 | 0:02:03 | |
It's the mean, keen, Herefordshire haggler, Kate "Absolute" Bliss. | 0:02:03 | 0:02:08 | |
You've got to be quick. You snooze, you lose. | 0:02:08 | 0:02:11 | |
No chance of snoozing from her competitor, | 0:02:11 | 0:02:14 | |
a collectibles colossus who just happens to be | 0:02:14 | 0:02:16 | |
a keen boxer in his spare time. | 0:02:16 | 0:02:19 | |
He's rough and tough in the ring, | 0:02:19 | 0:02:21 | |
and a hard hitter in the antiques arena. | 0:02:21 | 0:02:23 | |
From Portsmouth, pumped and ready for action, | 0:02:23 | 0:02:25 | |
it's John "The Hammer" Cameron. | 0:02:25 | 0:02:28 | |
I like to turn up, get someone on the spot and then get out. | 0:02:30 | 0:02:33 | |
Now, our daring dealers are both auctioneers. | 0:02:33 | 0:02:36 | |
But how will our superstars of the saleroom get on at a car-boot? | 0:02:36 | 0:02:39 | |
Well, we'll soon see. | 0:02:39 | 0:02:42 | |
They've each brought £250 of their own money, | 0:02:42 | 0:02:45 | |
and any profit they make will go to charities of their choice. | 0:02:45 | 0:02:48 | |
Now, today's sale takes place in a school playground. | 0:02:48 | 0:02:51 | |
So who will be teacher's pet and who will end up in detention? | 0:02:51 | 0:02:54 | |
Let's find out because, Kate Bliss and John Cameron, | 0:02:54 | 0:02:58 | |
it's time to Put Your Money Where Your Mouth Is. | 0:02:58 | 0:03:01 | |
-Well! -Hi, Kate. -Morning. How are you doing? -Very well, thank you. | 0:03:02 | 0:03:05 | |
-So it's car-boot day? -I know, I'm excited. -Have you been here before? | 0:03:05 | 0:03:08 | |
Well, I have. All I'm going to say is, it's a bit of a scrum. | 0:03:08 | 0:03:12 | |
You sound like a rugby girl. | 0:03:12 | 0:03:14 | |
No! No experience of rugby, although I've got sharp elbows. | 0:03:14 | 0:03:17 | |
-And have you got your £250? -I have, burning a hole in my pocket. | 0:03:17 | 0:03:20 | |
What's your plan today, then? | 0:03:20 | 0:03:22 | |
I find car-boots a bit of a free-for-all, | 0:03:22 | 0:03:24 | |
so I'm going to get in, get my bargains and get out. How about you? | 0:03:24 | 0:03:27 | |
You can easily get distracted at a car-boot | 0:03:27 | 0:03:29 | |
because there's so much on offer, isn't there? | 0:03:29 | 0:03:31 | |
But I'm going to try and keep my standards up and go for quality, | 0:03:31 | 0:03:34 | |
so try and pick out that gem. | 0:03:34 | 0:03:36 | |
Look, we are on the school playground race track, | 0:03:36 | 0:03:39 | |
-so on your marks... -Ready, steady. -..get set... | 0:03:39 | 0:03:41 | |
BOTH: Go! | 0:03:41 | 0:03:43 | |
Yes, our antiques athletes are off. | 0:03:43 | 0:03:45 | |
Kate sets the pace but for John, it's a marathon, not a sprint. | 0:03:45 | 0:03:50 | |
There is a danger of trying to rush round and cover all the ground | 0:03:50 | 0:03:53 | |
but I'm going to take my time, have a close look on the stalls, | 0:03:53 | 0:03:56 | |
just make sure I'm not missing any good bargains. | 0:03:56 | 0:03:59 | |
So, John starts to cruise and peruse. | 0:03:59 | 0:04:02 | |
I like your tartan trousers. Are they for sale? | 0:04:02 | 0:04:04 | |
HE CHUCKLES | 0:04:04 | 0:04:06 | |
But the relaxed approach is not for his rival. | 0:04:06 | 0:04:10 | |
At a car-boot, the name of the game is speed, | 0:04:10 | 0:04:13 | |
so I am going to go like the clappers! | 0:04:13 | 0:04:16 | |
Hmm, seems like it might be a tortoise-and-hare affair | 0:04:16 | 0:04:20 | |
with these two, and we all know how that turned out. | 0:04:20 | 0:04:23 | |
Come this way. | 0:04:23 | 0:04:24 | |
Kate is determined to get on the inside track... | 0:04:24 | 0:04:28 | |
We're behind the scenes. | 0:04:28 | 0:04:29 | |
-Excuse me... -Ooh, look at her go, | 0:04:29 | 0:04:32 | |
ducking and diving, squeezing through tiny spaces. | 0:04:32 | 0:04:35 | |
Soon, she focuses on a camera, | 0:04:35 | 0:04:37 | |
and although the seller would rather not be in the picture, | 0:04:37 | 0:04:39 | |
he's happy to haggle. | 0:04:39 | 0:04:41 | |
How much is the camera? | 0:04:41 | 0:04:43 | |
-30 quid. -30 quid? | 0:04:43 | 0:04:44 | |
-15 and you've got a deal. -No. -No? -Come on. -20 quid? | 0:04:44 | 0:04:48 | |
Great! | 0:04:48 | 0:04:50 | |
There you go. She's off and running. | 0:04:50 | 0:04:52 | |
She snaps up the camera for a third off the asking price. | 0:04:52 | 0:04:55 | |
So, first purchase of the day, and take a look at this. | 0:04:55 | 0:04:58 | |
I'm quite excited. This is known as a box camera - | 0:04:58 | 0:05:01 | |
it all folds up into a box - but when you open it up, | 0:05:01 | 0:05:05 | |
you've got the bellows and the name quite clearly, here. | 0:05:05 | 0:05:09 | |
Agfa were a Belgian firm making cameras from 1867. | 0:05:09 | 0:05:12 | |
I don't know the exact date of this, | 0:05:12 | 0:05:14 | |
but I think it's certainly going to be | 0:05:14 | 0:05:18 | |
sort of early 20th century. | 0:05:18 | 0:05:20 | |
The nice thing is, it's in pretty good condition, | 0:05:20 | 0:05:22 | |
because it's the bellows here which tend to get damaged. | 0:05:22 | 0:05:26 | |
This is certainly one I want to research | 0:05:26 | 0:05:28 | |
but for £20... The tripod's got to be worth that! | 0:05:28 | 0:05:31 | |
Yes, Kate's chuffed to bits and takes an early lead. | 0:05:31 | 0:05:35 | |
But John is hot on her heels. | 0:05:35 | 0:05:37 | |
After all his talk of taking it easy, | 0:05:37 | 0:05:40 | |
he's used his fancy footwork to stay off the ropes. | 0:05:40 | 0:05:43 | |
He's bought a boxing print for £15. | 0:05:43 | 0:05:46 | |
This is one of the most iconic British boxing scenes. | 0:05:46 | 0:05:50 | |
It's the young Cassius Clay fighting our Henry Cooper, | 0:05:50 | 0:05:54 | |
three times British Heavyweight champion. | 0:05:54 | 0:05:57 | |
This was an eliminator for the world title. At the end of the fifth round, | 0:05:57 | 0:06:00 | |
Cooper caught him with a peach of a left hook | 0:06:00 | 0:06:03 | |
and sent Cassius Clay sprawling to the canvas, | 0:06:03 | 0:06:05 | |
and his trainer Angelo Dundee famously tore his glove open, | 0:06:05 | 0:06:08 | |
which delayed the start of the next round, | 0:06:08 | 0:06:10 | |
giving Cassius Clay that all-important recovery time. | 0:06:10 | 0:06:13 | |
He was out there to stop Cooper in the next round. | 0:06:13 | 0:06:15 | |
It's got a facsimile signature of Cooper, | 0:06:15 | 0:06:17 | |
and at £15, there's got to be a profit there. | 0:06:17 | 0:06:20 | |
Might even deliver that knockout blow, Kate. | 0:06:20 | 0:06:22 | |
Ooh, fighting talk from The Hammer. | 0:06:22 | 0:06:25 | |
And he's certainly found his fighting feet - | 0:06:25 | 0:06:27 | |
he's straight in for another potential purchase. | 0:06:27 | 0:06:30 | |
Can I have a look at the little matchbox covers? | 0:06:30 | 0:06:34 | |
My eyes are so bad these days, I need these to look at everything. | 0:06:34 | 0:06:38 | |
-Do 15 for those two? -Yes. -Yeah? OK. | 0:06:39 | 0:06:42 | |
Well, his eyesight might not be what it was, | 0:06:43 | 0:06:46 | |
but his deal-making is as sharp as ever. So, what's he got? | 0:06:46 | 0:06:50 | |
Now, these could quite possibly be the oldest things | 0:06:50 | 0:06:53 | |
I'm going to buy today. | 0:06:53 | 0:06:54 | |
They're a pair of wooden matchbox covers, | 0:06:54 | 0:06:56 | |
probably early 20th century. You put your box of matches in there, | 0:06:56 | 0:07:00 | |
there's a hole at the back so you can push the drawer open, | 0:07:00 | 0:07:03 | |
and that's where you'd strike each match. | 0:07:03 | 0:07:06 | |
Both been hand painted, | 0:07:06 | 0:07:07 | |
this one with a profile picture of an Airedale terrier, | 0:07:07 | 0:07:11 | |
this one with a scene which is slightly controversial these days - | 0:07:11 | 0:07:14 | |
it's a hunting scene - | 0:07:14 | 0:07:16 | |
but nevertheless, still popular in subject matter. | 0:07:16 | 0:07:18 | |
But at £15, I think they're going to spark me into profit. | 0:07:18 | 0:07:22 | |
And that means Kate's ambition of finding quality items | 0:07:22 | 0:07:25 | |
has left her trailing. | 0:07:25 | 0:07:27 | |
After some searching, she finds some cigarette cards marked up at £20, | 0:07:27 | 0:07:31 | |
but the stallholder marks her card from the off. | 0:07:31 | 0:07:34 | |
I don't think they're worth 20 quid. 15? Oh, go on. | 0:07:34 | 0:07:38 | |
Go on, go on, go on. | 0:07:38 | 0:07:39 | |
-Seriously? -See those Everest ones there? | 0:07:39 | 0:07:43 | |
You would get £20 for those anywhere, and all the rest are profit. | 0:07:43 | 0:07:47 | |
You're wearing me down! | 0:07:47 | 0:07:49 | |
Mmm, the seller wasn't prepared to give an inch, | 0:07:49 | 0:07:52 | |
and Kate hands over £20, | 0:07:52 | 0:07:54 | |
but she's sure they'll still pack a profit. | 0:07:54 | 0:07:57 | |
We've got not only a variety of subjects, | 0:07:57 | 0:08:01 | |
from boxers right through to lighthouses | 0:08:01 | 0:08:04 | |
to scientific instruments, | 0:08:04 | 0:08:07 | |
but we've also got a variety of manufacturers here, | 0:08:07 | 0:08:11 | |
but my favourite ones are these ones here, | 0:08:11 | 0:08:15 | |
of the expedition to Mount Everest | 0:08:15 | 0:08:17 | |
at the very early part of the 20th century, | 0:08:17 | 0:08:20 | |
when Mallory and Irvine attempted to conquer the summit, | 0:08:20 | 0:08:24 | |
and for a collector, | 0:08:24 | 0:08:25 | |
these are going to be quite sought after. | 0:08:25 | 0:08:28 | |
Our two bargain-baggers are level pegging - two purchases apiece - | 0:08:28 | 0:08:31 | |
and John might soon pull out in front again. | 0:08:31 | 0:08:34 | |
He's spotted another sporting item. | 0:08:34 | 0:08:36 | |
This time, it's a money box with a difference. | 0:08:36 | 0:08:39 | |
-So, does it work? -Yes, sure. -Will it go it, do you think? | 0:08:39 | 0:08:42 | |
Shall I give it a go? | 0:08:42 | 0:08:44 | |
-Yes, he shoots... -Wow. | 0:08:44 | 0:08:47 | |
..he scores! | 0:08:47 | 0:08:49 | |
Sign him up for England. Someone can take a penalty. | 0:08:52 | 0:08:55 | |
-How much is that? -£40. -Ohh! | 0:08:55 | 0:08:58 | |
Can you do any better than that? | 0:08:58 | 0:09:00 | |
-30. -30? -30. -Good man, good man. | 0:09:00 | 0:09:03 | |
Do I get the 10p inside? No, you can have that back! | 0:09:03 | 0:09:06 | |
You can have the 10p back. | 0:09:06 | 0:09:07 | |
So, will this piece of footy fun | 0:09:07 | 0:09:09 | |
strike the back of the net, or will it prove to be an own goal? | 0:09:09 | 0:09:13 | |
I know I'm here to spend money, | 0:09:13 | 0:09:15 | |
but I bought something that's really aimed at saving money - | 0:09:15 | 0:09:17 | |
it's a novelty money box. Sadly, not Victorian. | 0:09:17 | 0:09:20 | |
If it was, it'd be worth £200 or £300. | 0:09:20 | 0:09:23 | |
It's referred to in the trade as "made yesterday" - | 0:09:23 | 0:09:25 | |
it's a reproduction - but this one I really liked. | 0:09:25 | 0:09:28 | |
I did pay £30 for it, even after some haggling, | 0:09:28 | 0:09:31 | |
so not sure just how much profit there is in that. | 0:09:31 | 0:09:34 | |
These two have gone sports mad. | 0:09:35 | 0:09:38 | |
Not to be outdone by her rival, | 0:09:42 | 0:09:43 | |
crafty Kate now steps up to the crease. | 0:09:43 | 0:09:45 | |
She's spotted a practice cricket wicket that's missing its bails. | 0:09:45 | 0:09:49 | |
-How much is this? -£5. | 0:09:49 | 0:09:52 | |
Just before you burst into song, | 0:09:53 | 0:09:55 | |
I'll give you a couple of quid for it. | 0:09:55 | 0:09:58 | |
-No... -A couple of quid. | 0:09:58 | 0:10:00 | |
No, cos the wicket's missing and there are no BALLS. | 0:10:00 | 0:10:02 | |
-You can buy balls. -I know, but that's more money. | 0:10:02 | 0:10:05 | |
-Give us £4. -Three quid? -Four. -Three quid? -No, no, no. | 0:10:05 | 0:10:08 | |
-Four is good enough. -Come on. It's a pound. | 0:10:08 | 0:10:11 | |
I've been here from six o'clock. | 0:10:11 | 0:10:12 | |
Mmm, she's on a sticky wicket! | 0:10:12 | 0:10:14 | |
Go on, mate, go on. | 0:10:14 | 0:10:16 | |
-£4 is good enough. It's a good price. -£4. | 0:10:16 | 0:10:19 | |
Oh, caught out there! | 0:10:19 | 0:10:20 | |
The seller bowls our maiden over and Kate coughs £4. | 0:10:20 | 0:10:24 | |
But then maybe he spotted her confusion over bails and wickets! | 0:10:25 | 0:10:30 | |
Now, this is my wildcard. | 0:10:30 | 0:10:32 | |
Firstly, it cost me just £4 and, secondly, | 0:10:32 | 0:10:35 | |
it actually shouts quality. | 0:10:35 | 0:10:37 | |
It's got the name Gray-Nicolls on it. | 0:10:37 | 0:10:41 | |
They started manufacturing pieces way back in 1876, | 0:10:41 | 0:10:45 | |
and they are still making things today, | 0:10:45 | 0:10:47 | |
so, three centuries of cricket equipment production, | 0:10:47 | 0:10:51 | |
and I think I'm going to aim this at a cricket club | 0:10:51 | 0:10:54 | |
who needs to get in a bit of practice. | 0:10:54 | 0:10:56 | |
Yes, confident Kate seems bowled over with her purchase. | 0:10:56 | 0:11:00 | |
Now, the old car-boot chariots are fast filling up, | 0:11:00 | 0:11:02 | |
so let's see how our duo are doing. | 0:11:02 | 0:11:06 | |
Our experts each started the day with £250 of their own money. | 0:11:06 | 0:11:10 | |
Kate "Absolute" Bliss is proving herself a force to be reckoned with. | 0:11:10 | 0:11:13 | |
She's bagged three buys for a total of £44. | 0:11:13 | 0:11:17 | |
That leaves her £206 to spend, spend, spend. | 0:11:17 | 0:11:21 | |
John "The Hammer" Cameron is making light work of the sale too. | 0:11:22 | 0:11:26 | |
He's also made three purchases but spent more - £60 - | 0:11:26 | 0:11:30 | |
leaving him £190 to play with. | 0:11:30 | 0:11:33 | |
-Hey! -Hi. How are you? -Were you speedy? -I've bought a few things. | 0:11:35 | 0:11:38 | |
-How about you? -Yes, bought a few things. | 0:11:38 | 0:11:40 | |
I've got a couple earmarked. I'm hoping they're still there! | 0:11:40 | 0:11:43 | |
Have you bought any items of quality, though? | 0:11:43 | 0:11:45 | |
Well, I've certainly bought variety. | 0:11:45 | 0:11:48 | |
"Variety" is one way of saying "rubbish". | 0:11:48 | 0:11:50 | |
I don't mind saying that that's what I've bought. | 0:11:50 | 0:11:53 | |
I'm finding it a struggle to find anything decent and meaty. | 0:11:53 | 0:11:55 | |
-Yeah, that's the thing. -It's all little purchases. | 0:11:55 | 0:11:58 | |
I haven't been over that side yet. How's it looking over there? | 0:11:58 | 0:12:01 | |
Well, I might have been over there. | 0:12:01 | 0:12:03 | |
-Come on! -OK, I've been over there. -Is it all right? | 0:12:03 | 0:12:05 | |
I bought a few things. Worth a look. | 0:12:05 | 0:12:07 | |
I'm headed that way now, so I'll catch you in a bit. | 0:12:07 | 0:12:09 | |
See you in a bit. | 0:12:09 | 0:12:10 | |
Yes, you can try and throw him off the scent, Kate, | 0:12:10 | 0:12:13 | |
but this super sleuth will try anything to bag a bargain. | 0:12:13 | 0:12:16 | |
What's that, Maxi? Kate Bliss said what? | 0:12:16 | 0:12:19 | |
There's no bargains over there? | 0:12:19 | 0:12:21 | |
What's the bird's-eye view like? | 0:12:21 | 0:12:23 | |
BIRD SQUAWKS | 0:12:23 | 0:12:25 | |
Yeah, while John plays Dr Dolittle, Kate's getting all nostalgic | 0:12:25 | 0:12:29 | |
and is having a Brideshead Revisited moment. | 0:12:29 | 0:12:32 | |
Now, this is quite fun... | 0:12:32 | 0:12:34 | |
because this is an engraving of New College, Oxford, | 0:12:34 | 0:12:39 | |
and I spent three happy years just the other side of that tower, | 0:12:39 | 0:12:43 | |
at Brasenose College, Oxford, | 0:12:43 | 0:12:46 | |
so this brings back quite happy memories for me. | 0:12:46 | 0:12:50 | |
-How much is your picture? -Five. -Please? -Five. -Five? | 0:12:50 | 0:12:53 | |
It's a little bit foxed. Can I give you a couple? | 0:12:53 | 0:12:56 | |
Five's... Four. | 0:12:56 | 0:12:58 | |
Three and you've got a deal. | 0:12:58 | 0:13:00 | |
Kate is back on track with her haggling... | 0:13:00 | 0:13:03 | |
Two... Hang on. | 0:13:03 | 0:13:04 | |
..and even gets a 5p discount. Yeah! | 0:13:04 | 0:13:07 | |
-Is that all right? -Yeah, fine. -Brilliant. | 0:13:07 | 0:13:09 | |
Well, every little helps! | 0:13:09 | 0:13:11 | |
This is a type of print known as an engraving. | 0:13:11 | 0:13:14 | |
Now, an engraving is made by taking a copper plate | 0:13:14 | 0:13:17 | |
and incising or engraving the actual scene onto the plate, | 0:13:17 | 0:13:22 | |
covering it in ink and then pressing that plate on to some special paper. | 0:13:22 | 0:13:27 | |
This one dates from about 1900, | 0:13:27 | 0:13:29 | |
but it's also signed by the artist in the margin here, | 0:13:29 | 0:13:33 | |
which makes it a little bit more sought-after. | 0:13:33 | 0:13:35 | |
We've also go the title in the margin - Oxford New College | 0:13:35 | 0:13:39 | |
and - this is the important bit - 31 / 100. | 0:13:39 | 0:13:43 | |
Limited edition to you and I, | 0:13:43 | 0:13:45 | |
but limited edition in the 1900s. | 0:13:45 | 0:13:47 | |
I don't know who I'm going to sell it to at the moment, | 0:13:47 | 0:13:50 | |
but I think it's going to be a fun trip down memory lane for me. | 0:13:50 | 0:13:54 | |
Kate's college capers will have to wait | 0:13:54 | 0:13:57 | |
because John has a new plan on how to catch up. | 0:13:57 | 0:14:00 | |
Well, the car-boot was in full swing | 0:14:00 | 0:14:03 | |
but there are still cars turning up and unloading, | 0:14:03 | 0:14:05 | |
so I'm going to hold some of my money back, | 0:14:05 | 0:14:08 | |
just in case there's something | 0:14:08 | 0:14:09 | |
interesting coming out of these fresh cars coming in. | 0:14:09 | 0:14:12 | |
More people are arriving, and the treasures are multiplying. | 0:14:12 | 0:14:15 | |
Before long, cunning Cameron pounces on a dinner service. | 0:14:15 | 0:14:18 | |
How much have you got of it? Is it all there? | 0:14:18 | 0:14:20 | |
-Sets of six? -Yes, it's all there. -What's your price on it? | 0:14:20 | 0:14:23 | |
-30. -Better hold on to it, hadn't we? | 0:14:23 | 0:14:26 | |
Oh, dear! | 0:14:26 | 0:14:27 | |
The wind's picking now, but John's not blown over by the price. | 0:14:27 | 0:14:31 | |
He makes the seller an offer. | 0:14:31 | 0:14:33 | |
-£20, go on. -All right. -Thank you. | 0:14:33 | 0:14:36 | |
£20. OK. I'll wrap it up, don't worry. | 0:14:36 | 0:14:39 | |
-I'm not bad at wrapping. -OK. | 0:14:39 | 0:14:42 | |
Yes, John, or is that J-C Hammer(?) | 0:14:44 | 0:14:47 | |
J to the O to the H to the N haggles the lady down | 0:14:47 | 0:14:50 | |
and does his fourth deal of the day. | 0:14:50 | 0:14:52 | |
Midwinter, Staffordshire pottery firm, | 0:14:52 | 0:14:55 | |
set up round about 1910. | 0:14:55 | 0:14:57 | |
Named after Roy Midwinter, the director. | 0:14:57 | 0:14:59 | |
Usually associated with these quite 20th-century designs. | 0:14:59 | 0:15:03 | |
I'm hoping to sell that to somebody that's into sort of retro design, | 0:15:03 | 0:15:06 | |
'60s, something like that. Paid £20 for it. | 0:15:06 | 0:15:09 | |
There are about 35 pieces there. | 0:15:09 | 0:15:11 | |
I think this should see me with a little bit of profit there. | 0:15:11 | 0:15:15 | |
Our prime pair have done a lap of the booty track, | 0:15:16 | 0:15:19 | |
but with time running out, they need another look. | 0:15:19 | 0:15:22 | |
And it's not long before Kate finds something to make her sparkle. | 0:15:25 | 0:15:30 | |
-How much do you want for these? -60 quid. | 0:15:30 | 0:15:32 | |
-Can you do 50, just for me? -No, 60 quid. | 0:15:32 | 0:15:35 | |
It's got to be 60? Meet me in the middle? | 0:15:35 | 0:15:38 | |
-55? -55. -55? | 0:15:38 | 0:15:40 | |
Thank you very much. | 0:15:40 | 0:15:41 | |
Well, I said to John that I was going to be looking for a gem. | 0:15:41 | 0:15:45 | |
He's not going to believe it when I tell him | 0:15:45 | 0:15:47 | |
I've actually found one, | 0:15:47 | 0:15:49 | |
because this is my favourite buy so far. | 0:15:49 | 0:15:51 | |
A pair of Victorian amethyst and gold earrings. | 0:15:51 | 0:15:54 | |
Now, the reason I know they're Victorian | 0:15:54 | 0:15:58 | |
is largely - not only because of the design - | 0:15:58 | 0:16:01 | |
but the way that the stones have been cut. | 0:16:01 | 0:16:04 | |
The facets are slightly bigger here, | 0:16:04 | 0:16:06 | |
which allows the stone to really show some beautiful colours. | 0:16:06 | 0:16:11 | |
Yes, our jewellery expert can't resist a bit of bling, | 0:16:11 | 0:16:14 | |
and before she leaves the stall, | 0:16:14 | 0:16:16 | |
her sticky little paws pick out another gem. | 0:16:16 | 0:16:19 | |
Now, look what I've just spotted. | 0:16:19 | 0:16:21 | |
It may be small but it's actually quite nicely formed. | 0:16:21 | 0:16:25 | |
What we've got here is a sterling silver bulldog, | 0:16:25 | 0:16:29 | |
and I think it was used as a little pendant or a fob, | 0:16:29 | 0:16:34 | |
so the ball on the end here would go through your buttonhole | 0:16:34 | 0:16:38 | |
and this would be your little pendant, your little fob. | 0:16:38 | 0:16:42 | |
Let's see what the price is. | 0:16:42 | 0:16:44 | |
-So, how much do you want for that, sir? -25. -25? | 0:16:44 | 0:16:47 | |
I'll do you 20. | 0:16:47 | 0:16:48 | |
Um... | 0:16:48 | 0:16:50 | |
-OK, go on. -£20? Lovely. That you very much indeed. | 0:16:50 | 0:16:54 | |
Her dogged determination has paid off | 0:16:54 | 0:16:57 | |
and she's now leading the pack - six purchases to John's four. | 0:16:57 | 0:17:00 | |
And our hound dog is struggling to sniff out his next purchase. | 0:17:00 | 0:17:03 | |
I've been round this car-boot several times | 0:17:03 | 0:17:06 | |
and I've still things to buy. Can't see anything else I want | 0:17:06 | 0:17:08 | |
so I've resorted to rummaging through women's clothes. | 0:17:08 | 0:17:11 | |
Don't worry, JC. We know you're all man. | 0:17:11 | 0:17:14 | |
And just to prove it, he spends £10 on a cheeky little number. | 0:17:14 | 0:17:17 | |
In fact, it's tiny. | 0:17:17 | 0:17:19 | |
I'll never live this down, you know. | 0:17:19 | 0:17:21 | |
I've just bought myself a lady's leather and suede miniskirt. | 0:17:21 | 0:17:25 | |
It's got a designer label in I don't know. | 0:17:25 | 0:17:27 | |
The young lady told me that only a few years ago she paid £300 for it | 0:17:27 | 0:17:31 | |
and wore it three times. £100 a night out. | 0:17:31 | 0:17:34 | |
Well, don't worry, I'm not about to start wearing this, | 0:17:34 | 0:17:37 | |
but I'm hoping Kate might model it for me. | 0:17:37 | 0:17:39 | |
Yeah, don't count on it. | 0:17:39 | 0:17:41 | |
She's definitely not going to give you a leg-up. | 0:17:41 | 0:17:43 | |
But she is getting in on the fashion stakes. | 0:17:43 | 0:17:45 | |
Our material girl is sizing up some '60s fashion. | 0:17:45 | 0:17:49 | |
How much is that one? | 0:17:49 | 0:17:51 | |
I can do that one for £5. | 0:17:51 | 0:17:54 | |
I like the jacket. I'm not sure about that one. | 0:17:54 | 0:17:57 | |
-That's a true '60s dress. -Hmm. | 0:17:57 | 0:17:59 | |
-Could you chuck that one in? -What, the two for 20? | 0:17:59 | 0:18:02 | |
-20? -Yes. | 0:18:02 | 0:18:04 | |
I'll do 15 for the two. | 0:18:04 | 0:18:06 | |
But I couldn't do less than that. | 0:18:06 | 0:18:08 | |
Hmm. | 0:18:08 | 0:18:09 | |
OK. £12 and you've got a deal. | 0:18:09 | 0:18:12 | |
-Go on. -Brilliant. Thank you very much indeed. | 0:18:12 | 0:18:15 | |
This jacket is typical 1960s. | 0:18:15 | 0:18:18 | |
Great colour - that very '60s bright blue - | 0:18:18 | 0:18:21 | |
but the great thing about it, it's all original. | 0:18:21 | 0:18:24 | |
Look at these lovely shiny buttons. | 0:18:24 | 0:18:26 | |
None of them missing. | 0:18:26 | 0:18:28 | |
All I need now is a vintage dealer who's mad about the '60s | 0:18:28 | 0:18:32 | |
and I reckon I can at least double my money. | 0:18:32 | 0:18:35 | |
Purchase number seven for our Kate. | 0:18:35 | 0:18:37 | |
The finishing line is fast approaching, | 0:18:37 | 0:18:39 | |
and John is starting to get a little desperate, | 0:18:39 | 0:18:42 | |
but then he spots that well-known antique - | 0:18:42 | 0:18:44 | |
yes, a chocolate fountain(!) | 0:18:44 | 0:18:46 | |
Give me a good price on it. I want to go home! | 0:18:46 | 0:18:50 | |
-Um... -15. -15. | 0:18:50 | 0:18:52 | |
Tenner. | 0:18:52 | 0:18:53 | |
-Go on. Tenner? -Yeah. | 0:18:53 | 0:18:55 | |
HE CHUCKLES | 0:18:55 | 0:18:57 | |
This could be my star lot of the day. | 0:18:57 | 0:19:00 | |
A design classic - you can see wonderful lines - | 0:19:00 | 0:19:03 | |
and it's got that all-important box. | 0:19:03 | 0:19:05 | |
You know how we're always saying that you must keep the box? | 0:19:05 | 0:19:08 | |
I think there's a sweet profit in this here chocolate fountain. | 0:19:08 | 0:19:11 | |
Well, let's hope so, | 0:19:11 | 0:19:13 | |
because never in the history of Put Your Money | 0:19:13 | 0:19:15 | |
has anyone bought anything quite like it. | 0:19:15 | 0:19:18 | |
And that's why this game is brilliant. | 0:19:18 | 0:19:20 | |
Now, before our bargaining buccaneers assess their stash, | 0:19:20 | 0:19:23 | |
let's have a look at the figures. | 0:19:23 | 0:19:26 | |
Kate and John each arrived with a budget of £250. | 0:19:26 | 0:19:29 | |
Kate raced round and bought seven times, | 0:19:29 | 0:19:32 | |
spending a total of £133.95. | 0:19:32 | 0:19:36 | |
John stumbled past the chequered flag. | 0:19:37 | 0:19:40 | |
His six purchases cost him bang on £100. | 0:19:40 | 0:19:43 | |
So, with all the buying done and dusted, | 0:19:43 | 0:19:46 | |
how are our captains of the car-boot feeling? | 0:19:46 | 0:19:50 | |
So what a mixture! | 0:19:50 | 0:19:51 | |
THEY LAUGH | 0:19:51 | 0:19:53 | |
That's one way of describing it. | 0:19:53 | 0:19:54 | |
I'm not quite sure what was going on with me today, Kate. | 0:19:54 | 0:19:58 | |
What about this? | 0:19:58 | 0:20:00 | |
-Well, it's an early-21st-century classic. -Very early 21st century! | 0:20:00 | 0:20:05 | |
I struggled to find anything really old today. How about you? | 0:20:05 | 0:20:08 | |
You know I said I was going to look for a gem? | 0:20:08 | 0:20:11 | |
-Yes. -Well, I have found a gem, | 0:20:11 | 0:20:13 | |
because there we have a pair of Victorian amethyst-set earrings. | 0:20:13 | 0:20:18 | |
I knew you would be looking at jewellery. | 0:20:18 | 0:20:20 | |
Tell me about your skirt, because it looks more like a belt to me. | 0:20:20 | 0:20:23 | |
-I was kind of hoping you'd model it for me. -At this temperature?! | 0:20:23 | 0:20:26 | |
-You've got to be kidding. -It is rather short, I grant you. | 0:20:26 | 0:20:29 | |
If all else fails, I can use it as a chamois leather. | 0:20:29 | 0:20:32 | |
Talking of vintage, have you seen my '60s pieces here? | 0:20:32 | 0:20:36 | |
I knew you would buy vintage, and I knew you would buy jewellery, | 0:20:36 | 0:20:39 | |
and if you are nothing else, you are consistent. | 0:20:39 | 0:20:42 | |
You know me too well, John. | 0:20:42 | 0:20:43 | |
You wouldn't have had me buying a chocolate fountain, would you? | 0:20:43 | 0:20:46 | |
No, and neither would we, John. | 0:20:46 | 0:20:48 | |
So, our two bargain-busters must now become super sellers | 0:20:51 | 0:20:55 | |
as they face their next massive challenge. | 0:20:55 | 0:20:57 | |
Their electrically charged dash around the car-boot | 0:20:57 | 0:21:01 | |
will seem like a walk in the park compared to their upcoming mission - | 0:21:01 | 0:21:05 | |
finding the best buyers for their boot-sale bounty. | 0:21:05 | 0:21:08 | |
They must get researching, use their extensive contacts or, | 0:21:08 | 0:21:11 | |
if all else fails, just find someone with a whole heap of cash. | 0:21:11 | 0:21:15 | |
The pressure is about to ramp up, | 0:21:15 | 0:21:17 | |
so let's hope they've recharged their batteries. | 0:21:17 | 0:21:19 | |
At Bliss Towers in Herefordshire, Kate is full of confidence. | 0:21:19 | 0:21:24 | |
The first thing I snapped up was this camera, | 0:21:25 | 0:21:29 | |
and I think it's really quirky. | 0:21:29 | 0:21:31 | |
Now, I'm not a camera specialist, | 0:21:31 | 0:21:33 | |
but I do know that Agfa, written here, | 0:21:33 | 0:21:36 | |
is a really good make. | 0:21:36 | 0:21:37 | |
The cigarette cards I think were a really good buy, | 0:21:37 | 0:21:40 | |
because we've got all sorts of interesting subjects in here. | 0:21:40 | 0:21:44 | |
My engraving, though, is my favourite piece, | 0:21:44 | 0:21:47 | |
because it makes me go all dewy-eyed and think of my nostalgic days | 0:21:47 | 0:21:51 | |
when I was studying. I want to take this back to Oxford | 0:21:51 | 0:21:56 | |
and look up some old haunts. | 0:21:56 | 0:21:58 | |
But I think the most profit is going to come from my cricket stumps, | 0:21:58 | 0:22:01 | |
and I've got a cricket club not far from here | 0:22:01 | 0:22:04 | |
who could just do with one of these to get in a bit of practice. | 0:22:04 | 0:22:08 | |
Kate must also sell her earrings, her vintage clothes | 0:22:08 | 0:22:12 | |
and her bulldog fob. | 0:22:12 | 0:22:14 | |
But what about John's haul from the stalls? | 0:22:14 | 0:22:17 | |
He's back on the south coast at his auction house. | 0:22:17 | 0:22:20 | |
I spent £100 and have a rather interesting array of items. | 0:22:20 | 0:22:24 | |
I've got this Midwinter dinner set here, £20. | 0:22:24 | 0:22:28 | |
Absolutely brand-new chocolate fountain, | 0:22:28 | 0:22:31 | |
still in the box with the packaging - £10. | 0:22:31 | 0:22:33 | |
So a sweet profit there. I've got two matchbox covers here - | 0:22:33 | 0:22:36 | |
only £15 for the two - and there was this, | 0:22:36 | 0:22:39 | |
the Cooper-Cassius Clay classic photograph print. | 0:22:39 | 0:22:44 | |
£15 - that is knockout. | 0:22:44 | 0:22:45 | |
Then I've got this suede and leather miniskirt. | 0:22:45 | 0:22:49 | |
I didn't get Kate to try it on for me | 0:22:49 | 0:22:51 | |
but, potentially, the buyer might give us a little show of that. | 0:22:51 | 0:22:55 | |
And then you've got my reproduction cast-iron football moneybox, | 0:22:55 | 0:23:00 | |
and I should be able to score with that one. | 0:23:00 | 0:23:02 | |
In the back of the net! | 0:23:04 | 0:23:05 | |
Our dynamic duo get down to business doing everything possible | 0:23:05 | 0:23:09 | |
to line up those sales. | 0:23:09 | 0:23:11 | |
And remember, it doesn't matter how many calls they make, | 0:23:11 | 0:23:14 | |
how many e-mails they send or the distances they travel, | 0:23:14 | 0:23:17 | |
until they've shaken on it and the money has changed hands, | 0:23:17 | 0:23:20 | |
no deal is ever sealed. | 0:23:20 | 0:23:22 | |
Kate goes into bat first. | 0:23:22 | 0:23:24 | |
She's hoping to field a deal at her local cricket club | 0:23:24 | 0:23:27 | |
with the practice stumps that cost her £4. | 0:23:27 | 0:23:30 | |
I am at one of the most picturesque cricket grounds | 0:23:30 | 0:23:32 | |
in my county, in the shadow of Eastnor Castle, | 0:23:32 | 0:23:35 | |
and I've come to meet Jim, who's a member of the cricket club here. | 0:23:35 | 0:23:39 | |
What stunning grounds you've got. | 0:23:39 | 0:23:40 | |
-Absolutely wonderful. -Especially on a day like today. | 0:23:40 | 0:23:43 | |
It's wonderful. A pleasure to play here. | 0:23:43 | 0:23:45 | |
Now, I've brought you this set of cricket stumps | 0:23:45 | 0:23:47 | |
that I thought might come in handy for a bit of practice | 0:23:47 | 0:23:50 | |
at the club. Now, my little set here has a cast-iron base, | 0:23:50 | 0:23:53 | |
all sprung, all in working order | 0:23:53 | 0:23:55 | |
-apart from I'm afraid I haven't got the bails. -I'll help you there. | 0:23:55 | 0:23:59 | |
-Could you? -I've got a set of bails here, which you can have. | 0:23:59 | 0:24:03 | |
Oh, fantastic. | 0:24:03 | 0:24:05 | |
So there you go - all ready for a match. | 0:24:05 | 0:24:07 | |
So, Jim, I was looking at maybe £60? | 0:24:07 | 0:24:11 | |
How do you feel about that? | 0:24:11 | 0:24:13 | |
-40. -Give me 40. Could you do a wee bit more for me? | 0:24:13 | 0:24:17 | |
If you give me three chances to knock the bails off the wicket, | 0:24:17 | 0:24:21 | |
and I can do it in three, | 0:24:21 | 0:24:22 | |
-you can have it for 50. -Right. | 0:24:22 | 0:24:24 | |
-How does that sound? -It's a deal. | 0:24:24 | 0:24:26 | |
-A deal? -Yes. -OK. | 0:24:26 | 0:24:29 | |
Hmm, Kate's so confident | 0:24:29 | 0:24:31 | |
she hasn't even considered what the price might be if she fails. | 0:24:31 | 0:24:35 | |
Once she's in full cricket whites, she clarifies the gamble with Jim. | 0:24:35 | 0:24:39 | |
If I can knock the bails off within three attempts, | 0:24:39 | 0:24:42 | |
-you can have the stumps for £50. -Right. | 0:24:42 | 0:24:45 | |
If I can't, you can have them for 45. | 0:24:45 | 0:24:47 | |
-That's a deal. -Come on, then, what are the tips? | 0:24:47 | 0:24:50 | |
-The main thing is to get your left arm... -Left arm? -..straight. | 0:24:50 | 0:24:53 | |
And then you follow through, and your right arm, the bowling arm, | 0:24:53 | 0:24:57 | |
-try and touch your ear as you come over. -Piece of cake. | 0:24:57 | 0:25:00 | |
-Whoo! -Yes! | 0:25:02 | 0:25:04 | |
-SHE GIGGLES -It's tricky. | 0:25:04 | 0:25:07 | |
-Oh, I forgot to do the other arm. -Yes. | 0:25:10 | 0:25:12 | |
-Oh, no. Hang on. -SHE GIGGLES | 0:25:14 | 0:25:17 | |
Rewind. | 0:25:17 | 0:25:18 | |
Oh, no! | 0:25:21 | 0:25:23 | |
Well, don't think I'll quite make the captain. | 0:25:25 | 0:25:28 | |
Jim, I think you won that one. | 0:25:28 | 0:25:30 | |
-45 it is. -Thank you very much. | 0:25:30 | 0:25:32 | |
She said she'd do well with the stumps. | 0:25:32 | 0:25:35 | |
Despite losing the challenge, | 0:25:35 | 0:25:36 | |
she still makes an impressive profit of £41. | 0:25:36 | 0:25:39 | |
And that's an excellent start. | 0:25:39 | 0:25:41 | |
Howzat?! | 0:25:41 | 0:25:43 | |
Will John hit a six with his first appointment? | 0:25:43 | 0:25:46 | |
He's in Southsea with his £10 leather miniskirt. | 0:25:46 | 0:25:49 | |
He's taking it to show the owner of a vintage clothes shop. | 0:25:49 | 0:25:53 | |
It's nice to see you, Lucy. | 0:25:53 | 0:25:55 | |
Tell me what's selling and what's not at the moment. | 0:25:55 | 0:25:57 | |
They're loving the '90s at the moment. | 0:25:57 | 0:25:59 | |
But, as always, we get our scenesters | 0:25:59 | 0:26:02 | |
and the local rockers and mods, which is cool. | 0:26:02 | 0:26:04 | |
Still the '50s, the '60s...right up to the '90s? | 0:26:04 | 0:26:07 | |
Still, yeah. The '90s are vintage now, apparently. | 0:26:07 | 0:26:10 | |
Well, you know, I wouldn't be here if I hadn't brought you something. | 0:26:10 | 0:26:13 | |
-Have a look at this. Now... -Oh. -Be honest. | 0:26:13 | 0:26:16 | |
-Have a look. -OK. -Feel the quality. | 0:26:16 | 0:26:18 | |
-OK. -Look at the label inside, as well. -It's definitely not vintage. | 0:26:18 | 0:26:22 | |
The style is a little bit dated but not dated enough. | 0:26:22 | 0:26:25 | |
-What do you want for it? -Make me an offer. | 0:26:25 | 0:26:28 | |
-Fiver? -Oh, Lucy! Behave yourself. | 0:26:28 | 0:26:30 | |
I was thinking about 40, or something like that. | 0:26:30 | 0:26:33 | |
-25. -Is that it? -I think 25 is good! | 0:26:33 | 0:26:35 | |
30, and I'll put it on for you. | 0:26:35 | 0:26:38 | |
Will it fit? | 0:26:38 | 0:26:40 | |
-Actually, I don't think it will. -No. | 0:26:40 | 0:26:42 | |
Mmm, even the prospect of John in a skirt fails to push up the price. | 0:26:42 | 0:26:45 | |
Reluctantly, he agrees to her offer of £25, | 0:26:45 | 0:26:49 | |
bringing in a profit of £15. | 0:26:49 | 0:26:51 | |
But Lucy does have some on-trend '90s gear for John to try on. | 0:26:54 | 0:26:58 | |
Give us a twirl, hot stuff! | 0:26:58 | 0:27:00 | |
-Ah! -Ta-da! -Wow! | 0:27:00 | 0:27:02 | |
-So, what do you think? -Love it. It's bang-on-trend | 0:27:02 | 0:27:05 | |
and it's what everybody's wearing, I promise. | 0:27:05 | 0:27:08 | |
OK. Well, let's see if I turn some heads. | 0:27:08 | 0:27:10 | |
Yes, John, you might turn some heads, | 0:27:10 | 0:27:12 | |
but possibly for all the wrong reasons! | 0:27:12 | 0:27:15 | |
Kate is hoping to extend her lead in Gloucestershire. | 0:27:15 | 0:27:18 | |
She's meeting Jim, who's a member of the Cartophilic Society, | 0:27:18 | 0:27:22 | |
so he collects cigarette cards. Kate's box cost her £20. | 0:27:22 | 0:27:26 | |
Have a little look in here and tell me what you make of them. | 0:27:26 | 0:27:30 | |
I'll put on my glasses and let's have a look. | 0:27:30 | 0:27:33 | |
The first one coming out. | 0:27:33 | 0:27:35 | |
I recognise that. That is Churchman's Life In A Liner. | 0:27:35 | 0:27:37 | |
Now, for me, Jim, these are really interesting, | 0:27:37 | 0:27:40 | |
because these are like little windows | 0:27:40 | 0:27:42 | |
on history, life on board. | 0:27:42 | 0:27:44 | |
They're nice. They're not too bad, condition-wise. | 0:27:44 | 0:27:47 | |
-I like these. Is this the Everests? -I thought these were really nice. | 0:27:47 | 0:27:51 | |
Yeah. When you pick them up, you can feel they're clean | 0:27:51 | 0:27:53 | |
and there's no damage. | 0:27:53 | 0:27:55 | |
-You like those? -I would definitely be interested in those. | 0:27:55 | 0:27:58 | |
I'll put those there. | 0:27:58 | 0:28:00 | |
I really don't need those. | 0:28:00 | 0:28:02 | |
And I really don't need those. | 0:28:02 | 0:28:03 | |
-Let's talk money, then. -Yes. | 0:28:03 | 0:28:05 | |
I wouldn't want to go more, seriously, than £150. | 0:28:05 | 0:28:09 | |
Well, £150 sounds great for those, | 0:28:09 | 0:28:13 | |
but these are also quite collectable, aren't they? | 0:28:13 | 0:28:16 | |
Change of plans, then. | 0:28:16 | 0:28:18 | |
Why don't I make it a round 200, and that's it? | 0:28:18 | 0:28:21 | |
-£200 the lot? -Sure? -Done. -Right. | 0:28:21 | 0:28:23 | |
Do I get a kiss or not? | 0:28:23 | 0:28:25 | |
-Absolutely. -That's right. Yeah. | 0:28:25 | 0:28:27 | |
Jim definitely deserves a kiss. | 0:28:27 | 0:28:30 | |
That's ten times what Kate paid. | 0:28:30 | 0:28:32 | |
She makes a whopping profit of £180. | 0:28:32 | 0:28:36 | |
And she barks up the right tree with her bulldog fob. | 0:28:36 | 0:28:40 | |
An antiques dealer in Surrey buys it for £45, | 0:28:40 | 0:28:43 | |
bringing in £25 profit. | 0:28:43 | 0:28:45 | |
She's clearly the queen of the castle for now, | 0:28:46 | 0:28:49 | |
but John is determined to fight back. | 0:28:49 | 0:28:52 | |
And this is exciting. | 0:28:52 | 0:28:53 | |
He's brought his novelty moneybox to Portsmouth | 0:28:53 | 0:28:56 | |
to meet a former England footballer. | 0:28:56 | 0:28:59 | |
I'm about to meet a Portsmouth and Ipswich Town footballing legend, | 0:28:59 | 0:29:03 | |
a striker who amassed over 300 goals in his professional career. | 0:29:03 | 0:29:07 | |
I've brought my cast-iron moneybox. | 0:29:07 | 0:29:09 | |
I'm just hoping that my admiration and respect for this man | 0:29:09 | 0:29:12 | |
doesn't cloud my view when I'm trying to strike a deal. | 0:29:12 | 0:29:16 | |
Ray Crawford's impressive career lasted from the 1950s to the 1970s. | 0:29:16 | 0:29:21 | |
Ray, it's good to see that you're in pretty tip-top shape. | 0:29:21 | 0:29:25 | |
Have you been training? | 0:29:25 | 0:29:26 | |
No! I've got a bit of a dodgy knee at the moment, John, | 0:29:26 | 0:29:29 | |
but I'm fairly fit. | 0:29:29 | 0:29:30 | |
My daughters keep me going. I've always got something to do for them. | 0:29:30 | 0:29:33 | |
You were capped for England. I can see you've got two caps here. | 0:29:33 | 0:29:36 | |
Have you just got these out to tease me? | 0:29:36 | 0:29:38 | |
-You've got England v Austria there. -Yes. | 0:29:38 | 0:29:41 | |
-You scored? -I got the first goal. | 0:29:41 | 0:29:43 | |
-That was my first England goal, yeah. -What did that feel like? | 0:29:43 | 0:29:46 | |
Amazing, John. | 0:29:46 | 0:29:47 | |
You just don't know what to do with yourself once you've scored. | 0:29:47 | 0:29:50 | |
Ray, I could stay here all day and chat football with you, | 0:29:50 | 0:29:54 | |
but I've got something I want to show you. It's up your street. | 0:29:54 | 0:29:57 | |
-Is it really? -It is. What do you think of this? | 0:29:57 | 0:29:59 | |
Oh, that is brilliant! | 0:29:59 | 0:30:01 | |
Have a look. | 0:30:01 | 0:30:03 | |
We need to put a 10p piece on the launch pad here, | 0:30:03 | 0:30:06 | |
foot comes back, like that, | 0:30:06 | 0:30:08 | |
pull that trigger... | 0:30:08 | 0:30:10 | |
Whoa! Scored again! | 0:30:11 | 0:30:13 | |
In the goal. 300 and how many is that now? | 0:30:13 | 0:30:16 | |
That's 328. | 0:30:16 | 0:30:18 | |
What do you think of it? | 0:30:18 | 0:30:20 | |
Yes, that is for me. | 0:30:20 | 0:30:22 | |
How's about 50 quid? | 0:30:22 | 0:30:24 | |
I see you're as deadly with your dealing as you | 0:30:24 | 0:30:26 | |
were in front of goal, Ray. | 0:30:26 | 0:30:27 | |
-Is that your best offer? -I'll go up to 70. | 0:30:27 | 0:30:30 | |
-£70? -I will pay you £70 for this. | 0:30:30 | 0:30:33 | |
Ray, it would be an honour to sell it to you for one, | 0:30:33 | 0:30:36 | |
and a double honour to take £70 for it, | 0:30:36 | 0:30:38 | |
-so can we shake on that? -Oh, definitely. | 0:30:38 | 0:30:41 | |
£70, got yourself a deal there, Ray. | 0:30:41 | 0:30:43 | |
Ray sets it up and John powers a £40 profit | 0:30:43 | 0:30:46 | |
into the back of the net. | 0:30:46 | 0:30:48 | |
The sale couldn't have gone any better than that. | 0:30:48 | 0:30:51 | |
I had a childhood trip down football memory lane | 0:30:51 | 0:30:53 | |
and I made a decent profit. | 0:30:53 | 0:30:55 | |
So, beware, Kate, it looks like Cameron's about to lift the title. | 0:30:55 | 0:30:59 | |
Mmm. We'll see. | 0:30:59 | 0:31:01 | |
John's moved up the table but he'll need something special | 0:31:01 | 0:31:03 | |
to get him to the top of the league. | 0:31:03 | 0:31:06 | |
Now, will the chocolate fountain manage that job alone? | 0:31:06 | 0:31:09 | |
Unlikely, but he's back in Southsea to meet Hannah. | 0:31:09 | 0:31:12 | |
Although the machine has never been used, | 0:31:12 | 0:31:14 | |
John has had it electrically tested to make sure it's safe. | 0:31:14 | 0:31:17 | |
That cost him £2. | 0:31:17 | 0:31:19 | |
-Do you think you'd want to buy this? -I think I would. | 0:31:19 | 0:31:23 | |
Yeah, I'm very interested. | 0:31:23 | 0:31:25 | |
Why don't you make me an offer? | 0:31:25 | 0:31:27 | |
£15. | 0:31:27 | 0:31:29 | |
Could you go to 25? | 0:31:29 | 0:31:31 | |
-Will you take 20? -I will take 20, as long as I can test it, Hannah. | 0:31:31 | 0:31:35 | |
-Yes. -Deal? -Deal. | 0:31:35 | 0:31:37 | |
Now's the moment of truth. | 0:31:41 | 0:31:43 | |
Do you want to unleash the chocolate? | 0:31:43 | 0:31:45 | |
-OK. -Flick the switch. | 0:31:45 | 0:31:46 | |
FOUNTAIN RATTLES | 0:31:46 | 0:31:48 | |
Hmm, that doesn't sound too healthy, John. | 0:31:48 | 0:31:50 | |
For a minute there, I thought it was going to grind to a halt, | 0:31:50 | 0:31:53 | |
but it's working. It's coming out. | 0:31:53 | 0:31:55 | |
Well, Hannah's a happy customer, | 0:31:55 | 0:31:57 | |
and John's probably delighted to have sold the thing. | 0:31:57 | 0:32:00 | |
Deducting the cost of the safety test, | 0:32:00 | 0:32:02 | |
John makes a modest profit of £8. | 0:32:02 | 0:32:04 | |
And he can't resist a taste. | 0:32:04 | 0:32:07 | |
Mmm. | 0:32:09 | 0:32:11 | |
You see, Kate, even small profits can be sweet. | 0:32:12 | 0:32:16 | |
Hmm, that's as may be | 0:32:16 | 0:32:18 | |
but the aim of the game is big profits, John. | 0:32:18 | 0:32:20 | |
As we reach the halfway point of this selling saga, | 0:32:20 | 0:32:23 | |
let's see how the profits are totting up. | 0:32:23 | 0:32:26 | |
Kate Bliss has so far made three sales | 0:32:26 | 0:32:29 | |
and earned a very healthy profit - £246 all in. | 0:32:29 | 0:32:33 | |
John Cameron has also sold three items | 0:32:33 | 0:32:36 | |
but is trailing quite spectacularly - | 0:32:36 | 0:32:39 | |
just £63 profit at this stage, | 0:32:39 | 0:32:41 | |
which is about a quarter of Kate's total. | 0:32:41 | 0:32:44 | |
So, as we hit the final furlong, | 0:32:45 | 0:32:47 | |
Miss Bliss is way out in front and determined to stay there. | 0:32:47 | 0:32:51 | |
She's on her next selling mission - | 0:32:51 | 0:32:53 | |
with the 1930s camera that cost £20. | 0:32:53 | 0:32:55 | |
I've done a bit of research | 0:32:55 | 0:32:57 | |
and found out that it's a fairly standard vintage model, | 0:32:57 | 0:33:01 | |
so instead of marketing it at a specialist camera collector, | 0:33:01 | 0:33:04 | |
I've brought it to Becky, who works for a prop hire company | 0:33:04 | 0:33:08 | |
in north London. | 0:33:08 | 0:33:10 | |
This place looks pretty big, so I've got to find her first. | 0:33:10 | 0:33:13 | |
Hello, I'm looking for Becky. | 0:33:16 | 0:33:18 | |
-Ah, hello! -Hi! -Are you Becky? -Yes. Lovely to meet you. | 0:33:24 | 0:33:27 | |
I found you at last! This place is amazing. | 0:33:27 | 0:33:30 | |
We basically go around the world planning themed parties for people. | 0:33:30 | 0:33:34 | |
So if someone wants a particular old-fashioned theme or | 0:33:34 | 0:33:37 | |
a futuristic theme, we can go and create it for them. | 0:33:37 | 0:33:39 | |
Well, what I've brought you, I sort of had in mind | 0:33:39 | 0:33:42 | |
it might be useful for something like a period drama. | 0:33:42 | 0:33:45 | |
-Because this is the camera, and this folds out. -Very cute. | 0:33:45 | 0:33:51 | |
This is a pretty standard camera from the early '30s. | 0:33:51 | 0:33:55 | |
Known as a box folding camera. | 0:33:55 | 0:33:58 | |
It's got these lovely bellows on the front. | 0:33:58 | 0:34:01 | |
It really looks the part, I think, and having the tripod as well, | 0:34:01 | 0:34:04 | |
-I think it's a great period furnishing piece. -Yes, I love it. | 0:34:04 | 0:34:09 | |
-Brilliant. -For the camera and the tripod, | 0:34:09 | 0:34:12 | |
I'm looking for around the £150 mark. | 0:34:12 | 0:34:14 | |
How do you feel about that? | 0:34:14 | 0:34:16 | |
It's probably more than we would usually pay for something like this. | 0:34:16 | 0:34:20 | |
-I would've been thinking more around the £100 mark. -Could you do 120? | 0:34:20 | 0:34:25 | |
I could probably go to 115, | 0:34:25 | 0:34:28 | |
if that would work for you. | 0:34:28 | 0:34:30 | |
-I think that would work for me. Yes, 115. -Lovely, let's do it. | 0:34:30 | 0:34:34 | |
Smile for the birdie, indeed! Kate manages another profit-busting move! | 0:34:34 | 0:34:40 | |
She leaves North London a flashy £95 better off. | 0:34:40 | 0:34:44 | |
That is the last thing John needed. | 0:34:46 | 0:34:48 | |
But things could get worse. | 0:34:48 | 0:34:51 | |
Kate's picked up momentum, and her next stop is her beloved Oxford. | 0:34:51 | 0:34:54 | |
Obviously, she's brought the etching that cost her just £2.95. | 0:34:54 | 0:34:59 | |
I've brought my engraving right to the centre of Oxford, | 0:34:59 | 0:35:02 | |
and New College, where this picture is taken from, is just over there. | 0:35:02 | 0:35:06 | |
And behind me is my old college, Brasenose, and I'm really | 0:35:06 | 0:35:10 | |
filled with nostalgia here, remembering my three happy years. | 0:35:10 | 0:35:14 | |
But just like in my college days, there's work to be done. | 0:35:14 | 0:35:18 | |
Indeed there is. | 0:35:18 | 0:35:20 | |
She's meeting Phil, who deals in antiquarian prints of the city. | 0:35:20 | 0:35:25 | |
What I've brought to you, Phil, is a print of New college, which is | 0:35:25 | 0:35:29 | |
just across the way here, isn't it? | 0:35:29 | 0:35:31 | |
-It's a nice etching by Ferdinand Giele. -Yes, that's right. | 0:35:31 | 0:35:35 | |
It is signed down in the bottom. Datewise, it's sort of 1915, 1920. | 0:35:35 | 0:35:41 | |
Ferdinand Giele moved over to England from Belgium at the outbreak | 0:35:41 | 0:35:45 | |
or just after the outbreak of the First World War. | 0:35:45 | 0:35:48 | |
-So that date would fit in about right. -OK. | 0:35:48 | 0:35:51 | |
Well, I was hoping for somewhere near £150. | 0:35:51 | 0:35:55 | |
-How do you feel about that? -Not sure that leaves too much in it for me. | 0:35:55 | 0:35:59 | |
-OK. -Yeah, I think closer to the hundred mark, | 0:35:59 | 0:36:03 | |
and I could make something out of that. | 0:36:03 | 0:36:06 | |
That's good for me. | 0:36:06 | 0:36:08 | |
My goodness! That's a mark-up of more than 3,000% | 0:36:08 | 0:36:11 | |
and a profit of £97.05. | 0:36:11 | 0:36:15 | |
So, does that mean it's frame, set and match? | 0:36:17 | 0:36:19 | |
Not if John has anything to do with it. | 0:36:19 | 0:36:22 | |
He's still in Southsea to show his mid-20th-century | 0:36:22 | 0:36:24 | |
dinner service to vintage collector Abigail. | 0:36:24 | 0:36:28 | |
-I have to say you're looking very vintage today. -Thank you. -As always. | 0:36:28 | 0:36:32 | |
And nobody rocks a turban quite like you, I have to say. | 0:36:32 | 0:36:35 | |
Well, I am the urban turbanista. | 0:36:35 | 0:36:38 | |
The urban turbanista! I like that, that's good. | 0:36:38 | 0:36:41 | |
-Anyway, here is the Midwinter dinner set. -Hmm. Pretty something, isn't it? | 0:36:41 | 0:36:46 | |
-So what do you think? -I think it's really beautiful. | 0:36:46 | 0:36:50 | |
It's not normally a colourway I would go for, | 0:36:50 | 0:36:52 | |
but the fact that everything is complete and it's just so unusual. | 0:36:52 | 0:36:55 | |
When you think of British ceramics, you think of Worcester | 0:36:55 | 0:36:58 | |
and Wedgwood and Derby, but Midwinter was a very important factory. | 0:36:58 | 0:37:03 | |
Really, their success was due to the fact that they employed | 0:37:03 | 0:37:07 | |
designers - people like Jessie Tait, Terence Conran - | 0:37:07 | 0:37:10 | |
so the designs were always innovative. | 0:37:10 | 0:37:14 | |
And their tableware is, certainly in the '50s and '60s, | 0:37:14 | 0:37:17 | |
they were number one. | 0:37:17 | 0:37:18 | |
Yeah, I'm bowled over. | 0:37:18 | 0:37:20 | |
And this would be yours for a one-time very reasonable price... | 0:37:20 | 0:37:24 | |
-Of 70 quid. -£70. | 0:37:24 | 0:37:27 | |
-I'll take that. -It's the first time no-one's tried to knock me. | 0:37:27 | 0:37:30 | |
Yeah, well, perhaps you should have gone in higher, then, John! | 0:37:30 | 0:37:34 | |
He gets a healthy plate of profit - a much-needed £50. | 0:37:34 | 0:37:39 | |
And he soon adds to that. | 0:37:39 | 0:37:41 | |
His wooden matchbox covers are bought by a gentleman in Havant | 0:37:41 | 0:37:44 | |
for £40, sliding in another £25 profit. | 0:37:44 | 0:37:48 | |
So, John is back in the game, and just at the right time too. | 0:37:48 | 0:37:52 | |
Kate's run of big profits could be coming to an end. | 0:37:52 | 0:37:55 | |
Something's happened with her earrings. Spill the beans, Kate. | 0:37:55 | 0:37:59 | |
They've been tested on a gemological instrument which has proven | 0:37:59 | 0:38:03 | |
that they are not in fact amethyst, but a simulant of amethyst, | 0:38:03 | 0:38:07 | |
a synthetic stone which is man-made and grown in a laboratory. | 0:38:07 | 0:38:11 | |
Now, had I known that when I bought them, I wouldn't have touched them. | 0:38:11 | 0:38:15 | |
These things happen quite a lot in the jewellery trade, | 0:38:15 | 0:38:18 | |
and in fact the amount of synthetic material | 0:38:18 | 0:38:21 | |
coming on to the market | 0:38:21 | 0:38:22 | |
unfortunately is increasing all the time, | 0:38:22 | 0:38:24 | |
and it's a hazard of the jewellery trade. | 0:38:24 | 0:38:27 | |
So unfortunately I've been caught out. | 0:38:27 | 0:38:30 | |
I've got to now declare them as synthetic, and it's made me | 0:38:30 | 0:38:34 | |
not nearly as confident about making a profit | 0:38:34 | 0:38:37 | |
as I was when I bought them. | 0:38:37 | 0:38:38 | |
Well, Kate went on to sell the earrings at a jeweller's | 0:38:38 | 0:38:41 | |
in Hereford, but for just £65 - much less than she hoped. | 0:38:41 | 0:38:46 | |
It means her profit is a mere £10. | 0:38:46 | 0:38:49 | |
And this is John's chance. | 0:38:52 | 0:38:54 | |
He's off the ropes and heading back into the ring - quite literally. | 0:38:54 | 0:38:57 | |
He's in the familiar surroundings of a boxing gym in Portsmouth | 0:38:57 | 0:39:01 | |
to meet his friend Brad, who collects boxing memorabilia. | 0:39:01 | 0:39:04 | |
And, before they even look at the Henry Cooper print, | 0:39:04 | 0:39:07 | |
they can't resist a little sparring. | 0:39:07 | 0:39:09 | |
-Time. -Right, come on, let's have a look at this boxing print. | 0:39:10 | 0:39:14 | |
This is a lot better than I was expecting. It's really nice. | 0:39:14 | 0:39:17 | |
-You like that? -With a signature. Yeah, really nice. | 0:39:17 | 0:39:20 | |
Probably the most iconic photograph in British boxing history. | 0:39:20 | 0:39:24 | |
It's interesting you say that cos the tag line with | 0:39:24 | 0:39:27 | |
this photo was "the punch that almost changed the world". | 0:39:27 | 0:39:32 | |
-Fantastic image, limited-edition print. Do you like it? -I do. | 0:39:32 | 0:39:36 | |
-Brad, make me an offer. -£30. -30 quid? Is that your best offer? -It is. | 0:39:36 | 0:39:41 | |
I was hoping to have done a bit better than that. But £30... | 0:39:41 | 0:39:46 | |
All right. Shake my hand. | 0:39:46 | 0:39:48 | |
A good, clean fight. | 0:39:49 | 0:39:50 | |
The profit is only £15, though, and quite frankly, | 0:39:50 | 0:39:54 | |
that's more featherweight than heavyweight. | 0:39:54 | 0:39:56 | |
That may have sealed the contest. | 0:39:56 | 0:39:58 | |
Kate does still have one last sale. Still in Oxford, | 0:39:58 | 0:40:01 | |
she's hoping to see off the dress and jacket that owe her £12. | 0:40:01 | 0:40:05 | |
She's meeting vintage stylist Hannah. | 0:40:05 | 0:40:08 | |
I thought at first actually it was '50s, | 0:40:08 | 0:40:09 | |
but perhaps it might be a little bit later. I don't know what you think. | 0:40:09 | 0:40:12 | |
I'm thinking more '60s, mid to late '60s. | 0:40:12 | 0:40:16 | |
OK. So there's that one, and perhaps this is of interest as well. | 0:40:16 | 0:40:20 | |
That's beautiful. This is gorgeous. | 0:40:20 | 0:40:21 | |
Yes, it's a little bit more unusual, I would say, | 0:40:21 | 0:40:25 | |
-to have a frill. -They were quite simple in the '60s. | 0:40:25 | 0:40:29 | |
If we start with the dress, I was hoping towards the £60 mark, | 0:40:29 | 0:40:33 | |
and the jacket, perhaps around £30-£40 mark. | 0:40:33 | 0:40:38 | |
Certainly, that sounds like a great price for the dress. | 0:40:38 | 0:40:40 | |
We could really use that. | 0:40:40 | 0:40:41 | |
We do a lot of plays, so straight to the costume department. | 0:40:41 | 0:40:45 | |
And this one, £30 sounds OK, if that's all right with you. | 0:40:45 | 0:40:49 | |
Mm-hm. That sounds fantastic for me. | 0:40:49 | 0:40:52 | |
Well, her '60s clobber makes a very groovy profit of £78. | 0:40:52 | 0:40:57 | |
So, there we are. They've done it. Everything has gone. | 0:40:57 | 0:41:00 | |
Before we find out the final results, though, | 0:41:00 | 0:41:03 | |
let's remind ourselves what they spent. | 0:41:03 | 0:41:05 | |
Kate and John arrived in Battersea with £250 of their own money. | 0:41:05 | 0:41:10 | |
Kate left the car-boot with seven purchases, and spent £133.95. | 0:41:10 | 0:41:15 | |
John struck six deals and, | 0:41:15 | 0:41:18 | |
including the cost of the safety test on his chocolate fountain, | 0:41:18 | 0:41:21 | |
spent £102. | 0:41:21 | 0:41:23 | |
What matters now, though, is profit. | 0:41:23 | 0:41:25 | |
All of the money that Kate and John have made | 0:41:25 | 0:41:28 | |
from today's challenge will go to charities of their choice. | 0:41:28 | 0:41:30 | |
And although you've probably guessed the winner, let's get confirmation. | 0:41:30 | 0:41:34 | |
Who is today's Put Your Money Where Your Mouth Is champion? | 0:41:34 | 0:41:37 | |
-Hey there! -How you doing? -Pretty good. How are you? | 0:41:39 | 0:41:41 | |
Not too bad, thank you. Not too bad at all. | 0:41:41 | 0:41:43 | |
-Did you do all right on the selling side? -Yes, good fun, actually. | 0:41:43 | 0:41:46 | |
I bought a job lot of cigarette cards, found a lovely | 0:41:46 | 0:41:50 | |
collector, who I'm sure is going to make a profit on it as well. | 0:41:50 | 0:41:53 | |
-So a good result on those. -Good. | 0:41:53 | 0:41:55 | |
I did enjoy selling my Henry Cooper boxing print. | 0:41:55 | 0:41:58 | |
Met an old sparring partner of mine at the gym | 0:41:58 | 0:42:01 | |
and we had some fun with it. | 0:42:01 | 0:42:03 | |
You know, I learned a few things about cricket. | 0:42:03 | 0:42:06 | |
Got the old bowling arm in action. Seriously! | 0:42:06 | 0:42:10 | |
-So, am I going to be out for a duck here? -I might hit you for six. | 0:42:10 | 0:42:14 | |
-Oh, dear. Come on, then. -Let's have a look. -Ready. -Steady. -Go. -Go. | 0:42:14 | 0:42:19 | |
-Ooh! -Oh, wow! | 0:42:19 | 0:42:20 | |
I don't know about being bowled for a duck or hit for six. | 0:42:20 | 0:42:23 | |
You've smashed it out the park there, Kate. | 0:42:23 | 0:42:25 | |
Early tea and back to the pavilion for me. | 0:42:25 | 0:42:27 | |
It's a shame I didn't do as well with my bowling, because there | 0:42:27 | 0:42:30 | |
were some frightened cricketers when I got on the pitch, I can tell you. | 0:42:30 | 0:42:34 | |
Yes, a brilliant innings for Kate. And John was caught behind. | 0:42:34 | 0:42:38 | |
You have got to be quick off the mark at a car-boot | 0:42:38 | 0:42:41 | |
and get in the fight. | 0:42:41 | 0:42:43 | |
And I put my result down to a no-nonsense approach | 0:42:43 | 0:42:46 | |
-and quite a lot of luck. -That girl certainly has good selling skills. | 0:42:46 | 0:42:51 | |
She is hot. In fact Kate Blisteringly Hot has taken me back to school. | 0:42:51 | 0:42:57 | |
Well, John can attempt to reach the winners' enclosure tomorrow, | 0:42:57 | 0:43:01 | |
when our duelling dealers go head-to-head | 0:43:01 | 0:43:03 | |
at an antiques fair in Berkshire. | 0:43:03 | 0:43:05 | |
Does this work - the donkey barometer? WOMAN LAUGHS | 0:43:05 | 0:43:08 | |
I'm serious! | 0:43:08 | 0:43:10 |