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This is Put Your Money Where Your Mouth Is - | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:10 | |
Yee-ha! | 0:00:10 | 0:00:12 | |
And gives YOU the insider's view of the trade! | 0:00:12 | 0:00:15 | |
Who's there? | 0:00:16 | 0:00:19 | |
Each week, one pair of duelling dealers will face a different | 0:00:19 | 0:00:22 | |
daily challenge... | 0:00:22 | 0:00:24 | |
The Axeman! Grr! | 0:00:24 | 0:00:25 | |
Putting their reputations on the line... | 0:00:27 | 0:00:29 | |
Ready for the ball. | 0:00:29 | 0:00:31 | |
..and giving YOU their top tips and savvy secrets on how to make | 0:00:32 | 0:00:36 | |
the most money from buying and selling. | 0:00:36 | 0:00:39 | |
Get in there. | 0:00:39 | 0:00:40 | |
Today, fearless auctioneer Kate Bliss takes on the superhero | 0:00:43 | 0:00:47 | |
of the saleroom, John Cameron, at an antiques fair in Berkshire. | 0:00:47 | 0:00:51 | |
Coming up... | 0:00:51 | 0:00:53 | |
John's deals on wheels get expensive... | 0:00:53 | 0:00:55 | |
What are these levers here for? Oh, look at that! | 0:00:55 | 0:00:58 | |
It's a good thing you've bought it now. | 0:00:58 | 0:01:00 | |
£8,000. | 0:01:00 | 0:01:01 | |
Kate gives sparkling advice... | 0:01:01 | 0:01:04 | |
The reason I can tell it's cubic zirconia is | 0:01:04 | 0:01:07 | |
that if you tilt the stone in the light, | 0:01:07 | 0:01:09 | |
you get rainbow flashes of colour. | 0:01:09 | 0:01:12 | |
You don't get that on a diamond. | 0:01:12 | 0:01:14 | |
And John does a little donkey work... | 0:01:14 | 0:01:17 | |
You know what they say, Kate, you've got to rake hay | 0:01:17 | 0:01:20 | |
while the sun shines. | 0:01:20 | 0:01:21 | |
This is Put Your Money Where Your Mouth Is! | 0:01:21 | 0:01:24 | |
We're under starters orders | 0:01:37 | 0:01:39 | |
and the bookie's favourites are gearing up for an awesome challenge. | 0:01:39 | 0:01:42 | |
Today our excellent experts are jockeying for position | 0:01:42 | 0:01:45 | |
at a racecourse and the books are open as our super steeds gallop | 0:01:45 | 0:01:49 | |
round the circuit, chasing down the biggest bargains | 0:01:49 | 0:01:52 | |
for the lowest prices. | 0:01:52 | 0:01:54 | |
But only one can cross the line in first place, | 0:01:54 | 0:01:57 | |
so who will fall at the first hurdle | 0:01:57 | 0:01:59 | |
and leave their dreams of victory in tatters? | 0:01:59 | 0:02:01 | |
And who will clear the profit fences and romp home? | 0:02:01 | 0:02:05 | |
Rearing up in the stalls, | 0:02:05 | 0:02:07 | |
a woman whose angelic looks hide a devilish heart. | 0:02:07 | 0:02:10 | |
Prepare to bow down to her feminine charm, | 0:02:10 | 0:02:13 | |
wily ways and awesome knowledge. | 0:02:13 | 0:02:15 | |
It's the speedy senorita, the Herefordshire Haggler, | 0:02:15 | 0:02:19 | |
it's Kate 'Absolute' Bliss. | 0:02:19 | 0:02:22 | |
More haste, less speed. | 0:02:22 | 0:02:24 | |
Next up and chomping at the bit, it's the Doyen of the Deal, | 0:02:24 | 0:02:28 | |
the Master of the Saleroom. | 0:02:28 | 0:02:29 | |
What he doesn't know about antiques isn't worth knowing. | 0:02:29 | 0:02:33 | |
He's Portsmouth's Prince of Profit, it's John 'The Hammer' Cameron. | 0:02:33 | 0:02:38 | |
The sun is out, there are loads of things to see, | 0:02:38 | 0:02:40 | |
I think it's going to be a good day. | 0:02:40 | 0:02:42 | |
Today our expert runners and riders are hunting down bargains | 0:02:42 | 0:02:46 | |
at The Racecourse, Newbury - a vast indoor | 0:02:46 | 0:02:49 | |
and outdoor market that will test their buying skills to the limit. | 0:02:49 | 0:02:53 | |
Whatever happens, our tiptop traders are determined to go the distance. | 0:02:53 | 0:02:57 | |
They've each brought £750 of their own money | 0:02:57 | 0:03:00 | |
and all they want are sure-fire winners. | 0:03:00 | 0:03:03 | |
Once they've sold it all on, | 0:03:03 | 0:03:04 | |
any profit they've made will go to charities of their choice. | 0:03:04 | 0:03:07 | |
Kate Bliss and John Cameron, get ready for the ride of your lives. | 0:03:07 | 0:03:12 | |
It's time to Put Your Money Where Your Mouth Is. | 0:03:12 | 0:03:16 | |
-Morning. -Good morning, Kate. Fancy seeing a nice filly like you here. | 0:03:16 | 0:03:19 | |
Thank you very much. A thoroughbred, of course. | 0:03:19 | 0:03:22 | |
-Have you ever been here before? -No. | 0:03:22 | 0:03:24 | |
-So, this is a novice race because neither have I? -There we go then. | 0:03:24 | 0:03:28 | |
£750 to spend, | 0:03:28 | 0:03:29 | |
I don't think I'm going to have much difficulty in doing that. | 0:03:29 | 0:03:32 | |
It looks like there are plenty of stalls here. | 0:03:32 | 0:03:34 | |
-People are still stalling up. It doesn't look too busy either. -No. | 0:03:34 | 0:03:38 | |
Hopefully for us, it will stay that way. | 0:03:38 | 0:03:40 | |
Then we may be able to pick up the few bargains on the way. | 0:03:40 | 0:03:42 | |
What is your race plan? | 0:03:42 | 0:03:44 | |
I'm going to get out of the trap nice and quickly. | 0:03:44 | 0:03:46 | |
-Are you? -Hopefully not fall at the first fence. | 0:03:46 | 0:03:49 | |
Then I will be waiting for you in the winners' enclosure. | 0:03:49 | 0:03:51 | |
You know what, this may not be the day for speed. | 0:03:51 | 0:03:54 | |
I think I'm going to pace myself. | 0:03:54 | 0:03:55 | |
It's first past the post that matters. | 0:03:55 | 0:03:57 | |
All right, well, maybe it will be a photo finish | 0:03:57 | 0:03:59 | |
and hopefully not a steward's enquiry. | 0:03:59 | 0:04:02 | |
-Let's go to it! -May the best man... -Or woman. -..win. | 0:04:02 | 0:04:06 | |
Well, you might think they've used up all the horse racing puns, | 0:04:06 | 0:04:09 | |
but you ain't seen nothing yet. | 0:04:09 | 0:04:12 | |
While John plans on being the front runner, | 0:04:12 | 0:04:14 | |
could Kate be the dark horse of the deals? | 0:04:14 | 0:04:17 | |
I'm going to take my time today. | 0:04:17 | 0:04:19 | |
And really focus on picking out some interesting items. | 0:04:19 | 0:04:22 | |
She's cool and confident, but John thinks the smart money is on him. | 0:04:22 | 0:04:27 | |
My strategy today is to look for some really quirky things. | 0:04:27 | 0:04:30 | |
I don't mind buying things about which I know very little. | 0:04:30 | 0:04:32 | |
I find that is the best way to learn more and to discover new markets. | 0:04:32 | 0:04:37 | |
So, they're off and while Kate's trotting, | 0:04:37 | 0:04:40 | |
John is already at full canter. | 0:04:40 | 0:04:42 | |
He said he's looking for the unusual | 0:04:42 | 0:04:44 | |
and within moments, he spots it - driftwood. | 0:04:44 | 0:04:48 | |
-I do like driftwood sculpture. -Yes, it's gorgeous. | 0:04:48 | 0:04:51 | |
The thing is though, it's usually a bit dear for me. | 0:04:51 | 0:04:54 | |
I've got to try and make a profit on it. | 0:04:54 | 0:04:56 | |
It would have to be keenly priced. What can you do for me? | 0:04:56 | 0:04:59 | |
-I've got 160 on it. -Yeah? -Yeah. Which you won't be happy with. -Go on. | 0:04:59 | 0:05:05 | |
So, bottom price is 125. | 0:05:05 | 0:05:09 | |
-What if I was to say 100 quid? -I'd say no. -Oh, would you? -Yes. | 0:05:09 | 0:05:13 | |
You seem like you mean business. Would 120 not work either? | 0:05:13 | 0:05:16 | |
-Go on. -120 it is. | 0:05:18 | 0:05:20 | |
John gets the lady right down - 25% off her original asking price. | 0:05:20 | 0:05:25 | |
The lovely thing about this is that the sculptor has almost teased | 0:05:25 | 0:05:28 | |
the face of that Buddha out of the piece. | 0:05:28 | 0:05:30 | |
It's almost like it was always in there, just waiting to be released. | 0:05:30 | 0:05:33 | |
This is really popular with interior decorators. | 0:05:33 | 0:05:36 | |
It's a real eye-catching piece. | 0:05:36 | 0:05:38 | |
In terms of profit, I think the gods are going to be shining down on me. | 0:05:38 | 0:05:42 | |
Kate's taking it slow and steady - | 0:05:43 | 0:05:45 | |
still looking for her first purchase. | 0:05:45 | 0:05:47 | |
But John is staying where he is. | 0:05:47 | 0:05:49 | |
The same stallholder tempts him with another of her quirky items, | 0:05:49 | 0:05:52 | |
a fairground game. | 0:05:52 | 0:05:54 | |
-OK, 135. -OK. -Sold. -Thank you. | 0:05:54 | 0:05:57 | |
Fairground and carnival memorabilia is very, very popular at the moment. | 0:05:58 | 0:06:03 | |
The great thing about it is that it is in original condition. | 0:06:03 | 0:06:06 | |
Probably 30, 40 years old, something like that. | 0:06:06 | 0:06:09 | |
I think it's a great decorator's piece. | 0:06:09 | 0:06:11 | |
They want it to look shabby and original, like it's been out, | 0:06:11 | 0:06:14 | |
exposed to the elements, over years. | 0:06:14 | 0:06:17 | |
At £135, everyone is a winner. | 0:06:17 | 0:06:20 | |
Does he know it's upside down? | 0:06:20 | 0:06:22 | |
Anyway, all this time, Miss Bliss has been trawling the stalls | 0:06:22 | 0:06:25 | |
and she's finally found a maritime bell. | 0:06:25 | 0:06:28 | |
It's marked up at £90. | 0:06:28 | 0:06:30 | |
HIGH PITCHED RING | 0:06:30 | 0:06:31 | |
Oh, listen to that! | 0:06:31 | 0:06:33 | |
-It is a mess bell. -Would you do 75 on that? | 0:06:33 | 0:06:36 | |
-Just to give me a little bit of leeway. -80 is the very best on it. | 0:06:36 | 0:06:40 | |
Yes. | 0:06:41 | 0:06:43 | |
She's done it! | 0:06:43 | 0:06:44 | |
Thank you. £80. | 0:06:44 | 0:06:45 | |
Finally off and running. | 0:06:45 | 0:06:47 | |
You watch, I'm on a roll now. | 0:06:47 | 0:06:49 | |
I've got a table gong in the form of a ship's wheel. | 0:06:49 | 0:06:53 | |
And a little gavel. You can see it dates from the late '50s. | 0:06:53 | 0:06:57 | |
We have got a presentation inscription here. | 0:06:57 | 0:07:00 | |
What we've got is definitely a collectors' piece that would appeal | 0:07:00 | 0:07:03 | |
to the maritime market, | 0:07:03 | 0:07:05 | |
and I think would look great on a captain's table. | 0:07:05 | 0:07:08 | |
Yes, she's aiming high. | 0:07:09 | 0:07:11 | |
John is determined to stay ahead though - he's found a tankard | 0:07:11 | 0:07:14 | |
commemorating Princess Anne's first wedding. | 0:07:14 | 0:07:17 | |
You've got 89 on that. What's the very best price you can do on it? | 0:07:17 | 0:07:20 | |
I know someone who collects royal memorabilia, | 0:07:20 | 0:07:22 | |
but he always pleads poverty and he doesn't want to pay anything for it. | 0:07:22 | 0:07:25 | |
-They all do. -They all do, don't they? -I've got 89 on it. | 0:07:25 | 0:07:28 | |
-You've got 89 on it. -Um... | 0:07:28 | 0:07:30 | |
-Well, 70. Yeah. -I'll have a think on that for a moment. -OK. | 0:07:30 | 0:07:34 | |
All right, thank you. | 0:07:34 | 0:07:36 | |
But before he's had time to think, he spots a donkey on the racecourse. | 0:07:36 | 0:07:40 | |
Oh, look at that. | 0:07:44 | 0:07:46 | |
Does this work, the donkey barometer? I'm serious. | 0:07:46 | 0:07:50 | |
Yes, it's as good as the weather forecast. | 0:07:50 | 0:07:53 | |
Is it? So, what does it say? "If tail is dry..." | 0:07:53 | 0:07:56 | |
Of course, it's "fine." | 0:07:56 | 0:07:58 | |
"If tail cannot be seen, it's foggy." I like that. | 0:07:58 | 0:08:02 | |
£10. What could you do for me? | 0:08:02 | 0:08:04 | |
Could you do 60 on that if I bought that as well? | 0:08:04 | 0:08:08 | |
-Yes, OK. -Would you? -Yes. -Thank you. | 0:08:08 | 0:08:11 | |
The Hammer continues to charm his way round the course. | 0:08:11 | 0:08:14 | |
An all-important double deal - £60 for the royal tankard | 0:08:14 | 0:08:17 | |
and a tenner for the donkey barometer. | 0:08:17 | 0:08:20 | |
Royal commemorative china and pottery is not a new thing. | 0:08:20 | 0:08:23 | |
In fact, if you go to some of the museums in London, | 0:08:23 | 0:08:25 | |
you'll find royal commemoratives | 0:08:25 | 0:08:27 | |
dating back to the time of Charles II in the 17th century. | 0:08:27 | 0:08:30 | |
This is a modern piece. But nevertheless, our royal family | 0:08:30 | 0:08:33 | |
and heritage has always been very popular. | 0:08:33 | 0:08:35 | |
This one is "By appointment to Her Majesty." | 0:08:35 | 0:08:38 | |
Good make there, Paragon. And it is a limited edition. | 0:08:38 | 0:08:41 | |
I have paid £60 for it, | 0:08:41 | 0:08:42 | |
but I'm still sure there's a lion's share of the profit in there. | 0:08:42 | 0:08:46 | |
I couldn't resist buying this piece for £10. | 0:08:46 | 0:08:48 | |
It would have been picked up as a bit of souvenir china | 0:08:48 | 0:08:51 | |
in the 19th century. | 0:08:51 | 0:08:52 | |
It's in nice condition, no chips to the ears or anything. | 0:08:52 | 0:08:55 | |
I bought it purely because of the subject matter. | 0:08:55 | 0:08:57 | |
It's got a donkey there and I know somebody that's mad about donkeys. | 0:08:57 | 0:09:01 | |
So, all of that puts John way out in front of Kate - | 0:09:02 | 0:09:05 | |
four purchases to her one. | 0:09:05 | 0:09:07 | |
She needs to move up the field and fast. | 0:09:07 | 0:09:10 | |
Will this cake stand put her back on track? | 0:09:10 | 0:09:13 | |
Oh, how much is this? | 0:09:13 | 0:09:14 | |
I can do 25 on it. | 0:09:15 | 0:09:18 | |
25... | 0:09:18 | 0:09:19 | |
I'm going to be cheeky. Can you do 15? | 0:09:21 | 0:09:24 | |
-20. -Done. | 0:09:24 | 0:09:25 | |
Our vintage virtuosa falls for the trendy cake stand. | 0:09:25 | 0:09:29 | |
But will she gorge herself on tasty profits? | 0:09:29 | 0:09:33 | |
My grandma used to have a chintzy floral plate just like this one. | 0:09:33 | 0:09:37 | |
She used to give me jam sandwiches on it on a Saturday afternoon. | 0:09:37 | 0:09:41 | |
It's got a factory mark on the bottom. | 0:09:41 | 0:09:43 | |
Midwinter came into their own in the early part of the 20th century, | 0:09:43 | 0:09:47 | |
making fashionable teaware and china. | 0:09:47 | 0:09:50 | |
This probably dates from little bit later than the 1950s. | 0:09:50 | 0:09:55 | |
Although, it's very '50s in style. A retro tearoom would love this. | 0:09:55 | 0:09:59 | |
Or even a private collector. | 0:09:59 | 0:10:01 | |
I can feel a little bit of afternoon tea coming on. | 0:10:01 | 0:10:04 | |
No time for tea! She's got her work cut out chasing John. | 0:10:04 | 0:10:08 | |
She soon buys her third item from a stallholder, | 0:10:08 | 0:10:10 | |
who's a little camera-shy. | 0:10:10 | 0:10:12 | |
Kate pays £110 for a clock she thinks will strike lucky. | 0:10:12 | 0:10:17 | |
Clocks like this one are getting harder to find. | 0:10:17 | 0:10:20 | |
I'm actually really pleased to have snapped this one up. | 0:10:20 | 0:10:23 | |
It probably came from an old schoolroom | 0:10:23 | 0:10:25 | |
in the early part of the 20th century. | 0:10:25 | 0:10:28 | |
But these days, people like them for their kitchens | 0:10:28 | 0:10:30 | |
and they have really come into fashion. | 0:10:30 | 0:10:32 | |
The outer wood of the clock is made of oak. | 0:10:32 | 0:10:35 | |
If you turn it round, you can see | 0:10:35 | 0:10:38 | |
they used a much more affordable wood on the back. This is pine. | 0:10:38 | 0:10:42 | |
Although, it isn't working at the moment, | 0:10:42 | 0:10:44 | |
I'm going to try and sell this to a clock specialist, | 0:10:44 | 0:10:47 | |
who I'm hoping will restore it to its former glory. | 0:10:47 | 0:10:51 | |
So, the race is going well and we're heading for the back straight. | 0:10:51 | 0:10:54 | |
Let's see who's odds-on and who's off the pace. | 0:10:54 | 0:10:58 | |
Our experts each arrived in Newbury with £750 of their own money. | 0:10:58 | 0:11:03 | |
Kate Bliss started slowly, but has picked up speed. | 0:11:03 | 0:11:05 | |
She's now bought three items for £210, | 0:11:05 | 0:11:09 | |
so has £540 to play with. | 0:11:09 | 0:11:11 | |
But John Cameron burst out of the trap | 0:11:12 | 0:11:15 | |
and has made four purchases so far. | 0:11:15 | 0:11:17 | |
He's spent £325, leaving £425 in the kitty. | 0:11:17 | 0:11:22 | |
So, now they've studied the form, is the race going to plan? | 0:11:22 | 0:11:27 | |
-Hi, Kate. -Hello, hello. -How you doing? -I'm all right now. | 0:11:27 | 0:11:30 | |
-What do you mean "now"? -I had a bit of a slow start. | 0:11:30 | 0:11:33 | |
I don't think I had a big enough breakfast. How about you? | 0:11:33 | 0:11:37 | |
-I got off to a roaring start, actually. -I knew you would! | 0:11:37 | 0:11:39 | |
I made two purchases within five minutes. | 0:11:39 | 0:11:42 | |
-I'm starting to slow up, to be honest. -Are you? | 0:11:42 | 0:11:45 | |
I'm just getting my second wind. I'm just getting into my stride. | 0:11:45 | 0:11:48 | |
It's a bit like the hare and the tortoise now. | 0:11:48 | 0:11:49 | |
I wasn't going to say it. You know who won the race. | 0:11:49 | 0:11:52 | |
I haven't been over this part yet, | 0:11:52 | 0:11:53 | |
so I'm going to have a look over there in a bit. | 0:11:53 | 0:11:55 | |
-I haven't been down there either. I will race you. -OK. | 0:11:55 | 0:11:58 | |
And the race is on again - each of them going at full pelt. | 0:11:58 | 0:12:01 | |
Will it be Ladies' Day or will John hammer home? | 0:12:01 | 0:12:04 | |
He'll certainly try anything to stay a nose ahead. | 0:12:04 | 0:12:08 | |
Don't sell anything to this lady here. | 0:12:08 | 0:12:10 | |
Or if you do, the price stays up, right? | 0:12:10 | 0:12:13 | |
I know you are a sucker for a nice looking girl. I'm just warning you. | 0:12:13 | 0:12:17 | |
Femme fatale, OK? | 0:12:17 | 0:12:19 | |
But Kate won't be kept down. A short time later, | 0:12:19 | 0:12:22 | |
she spots a large pair of ornamental sandstone balls. | 0:12:22 | 0:12:26 | |
These are what I would call 'call balls'. | 0:12:26 | 0:12:28 | |
They are ball finials, which would go on great big, grand stone gateposts. | 0:12:28 | 0:12:34 | |
The entrance to a country house or a large manor house. | 0:12:34 | 0:12:38 | |
What's your best on these? | 0:12:38 | 0:12:41 | |
-The very best... I usually sell them sort of 220. -Oh! | 0:12:41 | 0:12:45 | |
-It's a bit much for me. I'm thinking 150. -165. | 0:12:45 | 0:12:49 | |
We'll do that. | 0:12:49 | 0:12:51 | |
So, we've got 140. Hang on. | 0:12:51 | 0:12:56 | |
Another 20 and a fiver for luck. | 0:12:56 | 0:12:59 | |
60. Bless you. | 0:12:59 | 0:13:00 | |
Even better. Bought for 160 in the end. You can't say better than that. | 0:13:00 | 0:13:05 | |
Yes, Kate's blissed out about her stone balls. | 0:13:06 | 0:13:09 | |
She just needs to find a lord of the manor to buy them. | 0:13:09 | 0:13:12 | |
So, she's now caught up with John - four items each. | 0:13:12 | 0:13:16 | |
The Hammer's been round the fair once | 0:13:16 | 0:13:18 | |
and finds himself re-treading old ground. | 0:13:18 | 0:13:21 | |
I've got a few more items to buy. | 0:13:21 | 0:13:22 | |
I'm hoping to do that now as I'm coming back round the course. | 0:13:22 | 0:13:26 | |
But if I get to the bottom and I've still got money to spend, | 0:13:26 | 0:13:29 | |
I may have to do another lap. | 0:13:29 | 0:13:30 | |
Yes, John, eyes peeled. | 0:13:32 | 0:13:34 | |
Kate's coming up fast on his tail, so he needs those bargain blinkers | 0:13:34 | 0:13:38 | |
to make sure he doesn't get distracted. | 0:13:38 | 0:13:40 | |
Young Cameron soon sees something he missed first time round - | 0:13:40 | 0:13:43 | |
three panes of stained glass. | 0:13:43 | 0:13:45 | |
-Did you paint those? -Yeah, I painted them. | 0:13:45 | 0:13:47 | |
THEY LAUGH | 0:13:47 | 0:13:48 | |
What sort of money are they? | 0:13:48 | 0:13:50 | |
120 for the three. | 0:13:50 | 0:13:51 | |
I think they are early 19th century. | 0:13:51 | 0:13:53 | |
I think they are probably turn of the last century. | 0:13:53 | 0:13:55 | |
I don't think they are quite that old. | 0:13:55 | 0:13:57 | |
I'd put them at around late Victorian. | 0:13:57 | 0:14:00 | |
-What's a good price? Go on, Jane. -80 quid. | 0:14:00 | 0:14:04 | |
-Really? -Yeah. -You know what... | 0:14:04 | 0:14:07 | |
80 quid, I'll have those. | 0:14:07 | 0:14:09 | |
Phil, you didn't mind me kissing the missus, did you? | 0:14:09 | 0:14:11 | |
Yes, a cheeky peck and Kisser Cameron moves in for the deal. | 0:14:11 | 0:14:16 | |
We've got little panels that have been cut from stained-glass windows. | 0:14:16 | 0:14:19 | |
They are portraits. | 0:14:19 | 0:14:21 | |
This one, I think he's probably Sir Walter Raleigh. | 0:14:21 | 0:14:24 | |
We've got William Shakespeare | 0:14:24 | 0:14:25 | |
and the one at the bottom is William Hogarth, the artist. | 0:14:25 | 0:14:28 | |
I happen to know a chap that refurbishes doors | 0:14:28 | 0:14:31 | |
and likes to cut interesting panels into them. | 0:14:31 | 0:14:35 | |
I'm hoping that he is going to like them. | 0:14:35 | 0:14:37 | |
The problem is though, if he doesn't like them, | 0:14:37 | 0:14:39 | |
well, in terms of profit, I think the door's going to slam in my face. | 0:14:39 | 0:14:43 | |
But at £80, it was worth a chance. | 0:14:43 | 0:14:45 | |
Absolutely! | 0:14:45 | 0:14:47 | |
If you don't take the risks, you won't earn the big bucks. | 0:14:47 | 0:14:50 | |
And when he's up against the lean mean Bliss machine, | 0:14:50 | 0:14:53 | |
he needs to take a punt - because she's certainly not afraid to. | 0:14:53 | 0:14:57 | |
How much is that? | 0:14:57 | 0:14:58 | |
-I can't do 120. What is your best? -125! | 0:14:58 | 0:15:01 | |
Whoa! That's the wrong way! You're meant to go down, not up. | 0:15:01 | 0:15:05 | |
I'm thinking 70-ish. | 0:15:05 | 0:15:07 | |
Absolute death, we won't talk anymore, 90 quid. | 0:15:08 | 0:15:12 | |
Pff! You are killing me! | 0:15:12 | 0:15:14 | |
You are killing me. I've just knocked 30 quid off 120. | 0:15:14 | 0:15:19 | |
Go on, then. | 0:15:19 | 0:15:20 | |
Yes, he does make a convincing argument. | 0:15:20 | 0:15:23 | |
That's a 25% discount. | 0:15:23 | 0:15:25 | |
This is what's known as shabby chic. | 0:15:25 | 0:15:28 | |
If we look at the top, you've certainly got some age there. | 0:15:28 | 0:15:31 | |
I would say, looking at that, it's late 19th century. | 0:15:31 | 0:15:35 | |
But if we open it up and look inside, these shelves look very clean to me. | 0:15:35 | 0:15:42 | |
There aren't any great signs of wear. Those may well have been replaced. | 0:15:42 | 0:15:46 | |
It's a bit of a country piece, but one thing in its favour is its size. | 0:15:46 | 0:15:50 | |
Because people do like little pieces, which will go in even a small house. | 0:15:50 | 0:15:56 | |
And that is certainly commercial. | 0:15:56 | 0:15:58 | |
So, with big balls for a big house | 0:15:58 | 0:16:00 | |
and a small cabinet for a small house, | 0:16:00 | 0:16:03 | |
Kate's certainly got all the bases covered today. | 0:16:03 | 0:16:06 | |
But the chilly Berkshire wind has got the better of her | 0:16:06 | 0:16:09 | |
and she finally moves indoors to place her final bets. | 0:16:09 | 0:16:13 | |
It was just too cold. It's a battle with the elements this job, you know? | 0:16:13 | 0:16:16 | |
I've come in for a warm up. | 0:16:16 | 0:16:18 | |
Yes, well, don't get too comfortable. | 0:16:18 | 0:16:20 | |
John's hot to trot even though he's still outside | 0:16:20 | 0:16:23 | |
and this is no time to slow down. | 0:16:23 | 0:16:25 | |
After a quick scout about, | 0:16:25 | 0:16:26 | |
our jewellery expert's eye is caught by something sparkly. | 0:16:26 | 0:16:30 | |
-Look at those earrings! -Silver Art Deco. £25. -Are they?! | 0:16:30 | 0:16:35 | |
-Ooh. What's your very best? -The very best to you? -Yes, just to me. | 0:16:35 | 0:16:40 | |
-Just to you. Who are you against? -Who am I against? | 0:16:40 | 0:16:43 | |
-John Cameron, who is an absolute demon. -I know John Cameron, he is. | 0:16:43 | 0:16:46 | |
-I need all the help I can get. -He's very good. | 0:16:46 | 0:16:48 | |
15 quid. | 0:16:48 | 0:16:50 | |
-15 quid. -That's the death. -That is the death? | 0:16:50 | 0:16:54 | |
Well, if you say the death, the death's the death. OK, we'll do it. | 0:16:54 | 0:16:58 | |
# Diamonds are forever... # | 0:16:59 | 0:17:02 | |
Yes, she can't resist a bit of bling. | 0:17:02 | 0:17:04 | |
And it sounds like a good deal. Tell us more, Kate. | 0:17:04 | 0:17:07 | |
Essentially, what I've bought here is a pastiche, | 0:17:07 | 0:17:10 | |
which, to you and I, means a copy. | 0:17:10 | 0:17:13 | |
They are very much in the Art Deco style. | 0:17:13 | 0:17:16 | |
Dating from the early part of the 20th century. | 0:17:16 | 0:17:19 | |
If they were made in that period, | 0:17:19 | 0:17:21 | |
they'd be made of platinum probably and diamonds. | 0:17:21 | 0:17:25 | |
But they are actually made of silver and cubic zirconia. | 0:17:25 | 0:17:30 | |
A stone, which is used very often as a diamond simulant. | 0:17:30 | 0:17:34 | |
A telltale sign, a little tip for you | 0:17:34 | 0:17:36 | |
is that if you tilt the stone in the light, | 0:17:36 | 0:17:39 | |
you get rainbow flashes of colour. | 0:17:39 | 0:17:42 | |
You don't get that on a diamond. | 0:17:42 | 0:17:44 | |
If these were period and made with diamonds, | 0:17:44 | 0:17:48 | |
they would be well over £1,000. | 0:17:48 | 0:17:50 | |
They are not, but they are certainly not to be sniffed at. | 0:17:50 | 0:17:54 | |
And for £15, I've got a bargain. | 0:17:54 | 0:17:57 | |
Kate's positively purring about her pretty pastiche earrings. | 0:17:58 | 0:18:02 | |
Outside, The Hammer is still braving the elements, | 0:18:02 | 0:18:05 | |
but let's hope the cold doesn't dull his senses. | 0:18:05 | 0:18:08 | |
His love of the weird and wacky is legendary, | 0:18:08 | 0:18:11 | |
so could an old moped be a 'wheelie' good idea? | 0:18:11 | 0:18:14 | |
It's a Peugeot. From France. | 0:18:15 | 0:18:17 | |
There is not much that can actually go wrong with these. | 0:18:17 | 0:18:20 | |
Hmm. Now Kate knows John often rides round on a trendy scooter, | 0:18:20 | 0:18:24 | |
so maybe she's sent this dog in to put John off the scent. | 0:18:24 | 0:18:28 | |
What are these levers here for? Oh, look at that. | 0:18:28 | 0:18:31 | |
It's a good thing you've bought it now. | 0:18:31 | 0:18:33 | |
You've broke it, so you've bought it. | 0:18:33 | 0:18:35 | |
What are we talking about for this? | 0:18:35 | 0:18:37 | |
£8,000. As close as you can get to that. | 0:18:37 | 0:18:40 | |
-You do stand up as well? -I'd like about £170 for it. | 0:18:40 | 0:18:43 | |
What's the very best you can do on this? | 0:18:43 | 0:18:46 | |
That's it... | 0:18:46 | 0:18:47 | |
-He said 150, didn't you? -Yes, it's got to be higher than 50. | 0:18:47 | 0:18:50 | |
You think I'm mad buying this for £150? | 0:18:50 | 0:18:52 | |
I thought you were just showing off. Just to impress your girlfriend. | 0:18:52 | 0:18:55 | |
No, no! I'm a serious punter here. Charles, come here. Shake your hand. | 0:18:55 | 0:18:59 | |
I want to shake your hand. | 0:18:59 | 0:19:01 | |
Despite the dealer's surprise, | 0:19:01 | 0:19:03 | |
John makes his most expensive purchase of the day. | 0:19:03 | 0:19:06 | |
But he's confident the bike has profit potential. | 0:19:06 | 0:19:09 | |
As long as he can get it going. | 0:19:09 | 0:19:11 | |
Looking at the paint job on this, I reckon it's late 1960s. | 0:19:11 | 0:19:14 | |
But it doesn't have any paperwork with it. | 0:19:14 | 0:19:17 | |
If you were to restore this and want to ride it in the UK, | 0:19:17 | 0:19:19 | |
and you'd have to register it with the DVLA, | 0:19:19 | 0:19:21 | |
get yourself licence plates and tax on it. What a fun thing! | 0:19:21 | 0:19:25 | |
It conjures up visions of France, | 0:19:25 | 0:19:27 | |
riding down those country lanes with your French stick on the back. | 0:19:27 | 0:19:31 | |
Yes, and if you're really going to stereotype, | 0:19:31 | 0:19:33 | |
why not have a string of onions hanging over the handlebars. | 0:19:33 | 0:19:36 | |
So, a French find at a British racecourse | 0:19:36 | 0:19:39 | |
becomes the final deal of the day. | 0:19:39 | 0:19:41 | |
Let's see how our frisky filly and saleroom stallion have done. | 0:19:41 | 0:19:44 | |
Our experts arrived in Newbury with a budget of £750 each. | 0:19:45 | 0:19:50 | |
Kate began slowly, but had a strong spending spree. | 0:19:50 | 0:19:53 | |
She leaves with six items having spent £475. | 0:19:53 | 0:19:57 | |
John was quick out of the stalls and kept going. | 0:19:57 | 0:20:00 | |
He also bought six times, but forked out more - £555. | 0:20:00 | 0:20:06 | |
Now it's time for them to take a breather and digest their deals. | 0:20:06 | 0:20:10 | |
Kate, I will say this for you, you have big balls. | 0:20:10 | 0:20:14 | |
Big stone finials, shall I say. Tell me about these. | 0:20:14 | 0:20:18 | |
-They are good lookers. -They certainly are. | 0:20:18 | 0:20:20 | |
I think as a pair, in the right place, with the right punter, | 0:20:20 | 0:20:23 | |
I think there's a good profit there. I'm a little bit concerned now. | 0:20:23 | 0:20:26 | |
Tell me about your bike. I've got a friend who's got one. | 0:20:26 | 0:20:28 | |
-Have you? -They go like stink when they are going. | 0:20:28 | 0:20:31 | |
-Do you think he'd want another one? -SHE LAUGHS | 0:20:31 | 0:20:33 | |
And you are not going to tell me his name, are you? | 0:20:33 | 0:20:35 | |
Tell me about those, they look really interesting. | 0:20:35 | 0:20:37 | |
They are very buyer specific. | 0:20:37 | 0:20:38 | |
Not something I would come here to look for today, | 0:20:38 | 0:20:41 | |
but when I saw them I thought of somebody. | 0:20:41 | 0:20:42 | |
They are in pretty poor condition around outside. | 0:20:42 | 0:20:45 | |
I'm hoping he can work with them | 0:20:45 | 0:20:46 | |
and that he wants to pay the price I need to get a profit. | 0:20:46 | 0:20:49 | |
If he doesn't, then I am kind of lumbered with them. | 0:20:49 | 0:20:51 | |
Funnily enough, I've got something like that. | 0:20:51 | 0:20:54 | |
I bought this with the buyer in mind, | 0:20:54 | 0:20:56 | |
but it does need a little bit of work as well. | 0:20:56 | 0:20:58 | |
He's got a workshop out the back, so I'm hoping he's going to go for it. | 0:20:58 | 0:21:02 | |
Kate, I knew you wouldn't being able to resist buying some bling. | 0:21:02 | 0:21:05 | |
Do tell me about those. | 0:21:05 | 0:21:07 | |
Nice, eh? Art Deco, platinum and diamond... | 0:21:07 | 0:21:10 | |
Platinum and diamond?! Are you serious? | 0:21:10 | 0:21:12 | |
-You know I've got high standards, John. -Now I'm getting a bit nervous. | 0:21:12 | 0:21:15 | |
THEY LAUGH | 0:21:15 | 0:21:16 | |
Please, hope they're paste. Hope they're paste. | 0:21:16 | 0:21:19 | |
-Well, what a selection. -That's one way of putting it. | 0:21:19 | 0:21:21 | |
These are quite heavy. You don't fancy giving me a hand, do you? | 0:21:21 | 0:21:24 | |
I tell you what, I'll do a deal. | 0:21:24 | 0:21:25 | |
I'll give you a hand with those if you give me a push with that. | 0:21:25 | 0:21:29 | |
-OK, deal. -Uphill? -No! | 0:21:29 | 0:21:31 | |
So, our two prolific profiteers take their hard-won haul and head home. | 0:21:34 | 0:21:38 | |
But the race to the finish line is far from over. | 0:21:38 | 0:21:42 | |
They must now sell everything for as much money as humanly possible. | 0:21:42 | 0:21:45 | |
However, finding buyers is much harder than it looks. | 0:21:45 | 0:21:48 | |
John and Kate really do have to do their homework. | 0:21:48 | 0:21:51 | |
That means relentless research, constant cold-calling, | 0:21:51 | 0:21:54 | |
endless ideas - racking their brains in the name of profit. | 0:21:54 | 0:21:58 | |
And it's all for the chance to parade in the winners' enclosure. | 0:21:58 | 0:22:01 | |
So, they need to formulate a detailed plan of attack. | 0:22:01 | 0:22:05 | |
Kate is at Bliss Towers in Herefordshire. | 0:22:05 | 0:22:08 | |
It took me over an hour to buy my first piece. Which was this. | 0:22:08 | 0:22:14 | |
The reason this jumped out at me was because it's so beautifully made. | 0:22:14 | 0:22:18 | |
My second item was my 1950s-style cake stand. | 0:22:18 | 0:22:22 | |
And I've lined up a perfect vintage tearoom for this. | 0:22:22 | 0:22:26 | |
My pine cupboard, I've got a buyer in mind for that. | 0:22:26 | 0:22:29 | |
And my clock, this is an interesting one. | 0:22:29 | 0:22:32 | |
I bought this as a clock that isn't working | 0:22:32 | 0:22:36 | |
and I found a clock specialist with a workshop who could get this going. | 0:22:36 | 0:22:40 | |
So, he is going to be my ideal buyer. | 0:22:40 | 0:22:43 | |
My earrings, I love. | 0:22:43 | 0:22:45 | |
I just need somebody who is into bling | 0:22:45 | 0:22:48 | |
and I think there is an easy profit there. | 0:22:48 | 0:22:50 | |
Which leaves me with my stone call balls, or gate post finials. | 0:22:50 | 0:22:54 | |
And I have got the perfect destination for these. | 0:22:54 | 0:22:59 | |
Yes, lots of ideas there. She's brimming with confidence. | 0:22:59 | 0:23:02 | |
John's outside his saleroom in Southsea | 0:23:02 | 0:23:05 | |
and the fair's come to town. | 0:23:05 | 0:23:07 | |
Hurry, hurry, step right up. Welcome to the greatest show on earth. | 0:23:07 | 0:23:11 | |
It's John 'The Hammer' Cameron versus Kate 'Absolute' Bliss. | 0:23:11 | 0:23:15 | |
In a game where fortunes are won and lost. Antiques bought and sold. | 0:23:15 | 0:23:19 | |
And my favourite item has to be my fairground piece here. | 0:23:19 | 0:23:23 | |
1970s or '80s. Those are really popular at the moment. | 0:23:23 | 0:23:27 | |
Then I've got this wonderful driftwood sculpture here. | 0:23:27 | 0:23:30 | |
Great piece with this Buddha carved through. | 0:23:30 | 0:23:32 | |
I've already got one or two interested parties in that. | 0:23:32 | 0:23:35 | |
I've got these three stained-glass panels here. | 0:23:35 | 0:23:38 | |
Probably late Victorian. | 0:23:38 | 0:23:39 | |
And I know somebody that renovates doors, cuts those panes into them. | 0:23:39 | 0:23:43 | |
He will be interested if the price is right. | 0:23:43 | 0:23:45 | |
Then I've got my royal commemorative mug. Again, I know a collector. | 0:23:45 | 0:23:49 | |
And my wonderful little donkey barometer here. | 0:23:49 | 0:23:51 | |
A great little fun piece and I know somebody that loves donkeys. | 0:23:51 | 0:23:54 | |
If I could have bought anything for myself, | 0:23:54 | 0:23:56 | |
it would have been the scooter here. | 0:23:56 | 0:23:58 | |
It's Peugeot BB, dating from the late 1950s, early 1960s. | 0:23:58 | 0:24:02 | |
Wonderful original condition. | 0:24:02 | 0:24:04 | |
I've got a couple of people sniffing around that. | 0:24:04 | 0:24:07 | |
It's going to be a roller coaster ride, Kate, | 0:24:07 | 0:24:09 | |
but there is profit here. I hope you've got the stomach for it. | 0:24:09 | 0:24:12 | |
Yes, fighting talk from The Hammer. | 0:24:12 | 0:24:14 | |
We're surely in for some swings and roundabouts. | 0:24:14 | 0:24:17 | |
Both our bargain-busters need to get down to business | 0:24:17 | 0:24:20 | |
lining up the sales. | 0:24:20 | 0:24:21 | |
But remember, until they've shaken on it | 0:24:21 | 0:24:24 | |
and the money has changed hands, no deal is truly sealed. | 0:24:24 | 0:24:27 | |
So, let's see what they're made of. | 0:24:27 | 0:24:29 | |
John's getting revved up first with what | 0:24:29 | 0:24:31 | |
he thinks is his sure-fire winner. | 0:24:31 | 0:24:33 | |
I'm on a busy industrial site in Portsmouth to see a contact, | 0:24:34 | 0:24:38 | |
Rich, with my vintage French scooter. | 0:24:38 | 0:24:40 | |
I'm sure he is going to love it. | 0:24:40 | 0:24:42 | |
But something is not feeling quite right. | 0:24:42 | 0:24:45 | |
That's better. | 0:24:45 | 0:24:46 | |
# It's a kind of magic... # | 0:24:46 | 0:24:50 | |
Oops. Hope that doesn't happen while I'm trying to sell it. | 0:24:50 | 0:24:54 | |
You might have clocked that John is a scooter enthusiast. | 0:24:54 | 0:24:57 | |
And that's how he knows paintworker Rich. | 0:24:57 | 0:25:00 | |
-Richard! -Hello, John. -How are you? -How are you doing? All right? | 0:25:00 | 0:25:03 | |
-I'm all right. Very well. How are you? -What the hell is that? | 0:25:03 | 0:25:07 | |
-Nice to see you, John. -Nice to see you hard at work. | 0:25:07 | 0:25:09 | |
-What do you think of it? -Great. It's not a Lambretta though, is it? | 0:25:09 | 0:25:13 | |
Look, everyone's got Lambrettas and Vespas. | 0:25:13 | 0:25:15 | |
This is something a bit different, Rich. | 0:25:15 | 0:25:17 | |
There is a few hours work here. It all depends on price, John. | 0:25:17 | 0:25:21 | |
How do you see a bike like this? | 0:25:21 | 0:25:23 | |
-£100. -Behave yourself! I paid a lot more than that for it. | 0:25:23 | 0:25:27 | |
-300 quid to you, Rich. -No way. £200. -It's worth more than that. | 0:25:27 | 0:25:31 | |
I could sell it to a restaurant, put some French onions on that. | 0:25:31 | 0:25:34 | |
250 and I've got a panel over there you can rub down for me. | 0:25:34 | 0:25:38 | |
-I'll let you have a go on it when it's done. -Go on. | 0:25:38 | 0:25:41 | |
Nice one. | 0:25:41 | 0:25:42 | |
Ah! John can't resist the promise of a ride once it's restored | 0:25:42 | 0:25:46 | |
and agrees a deal that wheels in a profit of £100. | 0:25:46 | 0:25:50 | |
Now about that panel that needed rubbing down... | 0:25:50 | 0:25:53 | |
Might be easier if he took his big coat off. | 0:25:55 | 0:25:58 | |
You've done a great job, mate. You've earned it, there's your money. | 0:25:58 | 0:26:02 | |
-The things I do for a profit. See you later. -Cheers, mate. Thank you. | 0:26:02 | 0:26:06 | |
As John scoots off to sort out his other sales, | 0:26:06 | 0:26:09 | |
it's time for Kate to try and clock up her first deal. | 0:26:09 | 0:26:12 | |
She's in Leominster to visit a clock restorer and hopeful purchaser. | 0:26:12 | 0:26:16 | |
She paid £110. | 0:26:16 | 0:26:18 | |
So, Colin, here's my clock. | 0:26:19 | 0:26:21 | |
I would say it's the early part of the 20th century. What do you think? | 0:26:21 | 0:26:26 | |
It's typical of the period. | 0:26:26 | 0:26:27 | |
Slightly smaller dial than you would normally get. | 0:26:27 | 0:26:29 | |
10 inch as opposed to 12. | 0:26:29 | 0:26:31 | |
-1915, something like that? 1910? -Something of that order. | 0:26:31 | 0:26:34 | |
We will know more than we have a look at the movement. | 0:26:34 | 0:26:36 | |
I think the best thing we can do is just whip the dial off, | 0:26:36 | 0:26:39 | |
let a bit of light in there, | 0:26:39 | 0:26:41 | |
and we can tell you whether it will or won't go if we wound it up. | 0:26:41 | 0:26:44 | |
OK, I would have thought this is the sort of clock | 0:26:44 | 0:26:47 | |
that came from a schoolroom. Would you say? | 0:26:47 | 0:26:49 | |
Yes, they are often referred to as school clocks, office clocks. | 0:26:49 | 0:26:53 | |
Everywhere had them. | 0:26:53 | 0:26:55 | |
That comes off and here we go! Look at that. That's the movement. | 0:26:55 | 0:26:58 | |
Fantastic. | 0:26:58 | 0:27:00 | |
It's almost certainly German in origin. | 0:27:00 | 0:27:04 | |
My guess is it's 1920-ish, somewhere like that. | 0:27:04 | 0:27:07 | |
Between the wars certainly. It's actually an eight-day movement. | 0:27:07 | 0:27:10 | |
The spring is in there. | 0:27:10 | 0:27:11 | |
A 30-hour spring would be much smaller than that. | 0:27:11 | 0:27:14 | |
It will run for eight days. | 0:27:14 | 0:27:16 | |
Is it the sort of thing you think you can sell fairly readily? | 0:27:16 | 0:27:18 | |
The size is actually nice. The fact that it is the 10-inch dial | 0:27:18 | 0:27:21 | |
and not 12 makes it quite sought after. | 0:27:21 | 0:27:23 | |
It'll fit into more places. | 0:27:23 | 0:27:25 | |
Price-wise I'm looking for roughly 122 to 160. Something like that. | 0:27:25 | 0:27:31 | |
How does that sound? | 0:27:31 | 0:27:33 | |
It's on the high side. | 0:27:33 | 0:27:35 | |
Isn't it always, eh? | 0:27:35 | 0:27:37 | |
THEY LAUGH | 0:27:37 | 0:27:38 | |
I would think we could get something in that region for you. | 0:27:38 | 0:27:42 | |
What if I said 140? | 0:27:42 | 0:27:44 | |
-140, that's good for me. Thank you very much. -Thank you. | 0:27:44 | 0:27:48 | |
So, right in the middle of her price bracket. | 0:27:48 | 0:27:51 | |
The profit's not massive - £30 - | 0:27:51 | 0:27:53 | |
but it means she's ticking along nicely. | 0:27:53 | 0:27:55 | |
So, that's one sale each. | 0:27:57 | 0:27:59 | |
But John's hoping to drift ahead... | 0:27:59 | 0:28:02 | |
I'm in old Portsmouth to see a friend, Jason, | 0:28:02 | 0:28:04 | |
with my carved Buddha sculpture. Jason has a liking for modern art. | 0:28:04 | 0:28:09 | |
I'm thinking something like this would go | 0:28:09 | 0:28:11 | |
very well in his living room. | 0:28:11 | 0:28:13 | |
Will my piece of driftwood sink or swim? | 0:28:13 | 0:28:16 | |
# You're driftwood floating on the water... # | 0:28:16 | 0:28:20 | |
The sculpture owes John £120. | 0:28:20 | 0:28:23 | |
Right, Jase, here it is. | 0:28:23 | 0:28:25 | |
In the flesh. Or in the wood. What do you reckon on it? | 0:28:25 | 0:28:27 | |
It's nice. I like it. It's a bit different. | 0:28:27 | 0:28:29 | |
I like the fact that it's a one-off piece. | 0:28:29 | 0:28:31 | |
That's a very attractive angle to this. | 0:28:31 | 0:28:33 | |
I quite like the idea of an older item within a contemporary setting. | 0:28:33 | 0:28:37 | |
I think that works very well. I've got a space in mind for it. | 0:28:37 | 0:28:41 | |
Assuming it fits, it could be for us. | 0:28:41 | 0:28:43 | |
I think it's worth about 350 quid. | 0:28:45 | 0:28:47 | |
Hmm. | 0:28:47 | 0:28:49 | |
Yes, that's probably a little more than I was anticipating, | 0:28:49 | 0:28:52 | |
if I'm honest. I accept you probably hand paddled it all the way | 0:28:52 | 0:28:56 | |
from the eastern Indian Ocean. | 0:28:56 | 0:28:59 | |
I think it's a lovely piece. But let's be a bit more realistic. | 0:28:59 | 0:29:03 | |
I think I'd go to £200. At a push. | 0:29:03 | 0:29:08 | |
How much did you just say? | 0:29:08 | 0:29:09 | |
-150. -You said... -THEY LAUGH | 0:29:09 | 0:29:12 | |
-You said 200! -I may have said 200. | 0:29:12 | 0:29:14 | |
-But it goes down, John. I'm an estate agent. -Good Lord! Would you do three? | 0:29:14 | 0:29:19 | |
I'm going to meet you in the middle at 225. | 0:29:19 | 0:29:23 | |
-If you meet me in the middle at 250... -I will go to 250. | 0:29:23 | 0:29:26 | |
-All right, 250, I'll shake your hand. -You've got a deal. | 0:29:26 | 0:29:29 | |
Yes, Jason makes John sweat a bit, | 0:29:29 | 0:29:32 | |
but The Hammer eventually makes a stunning profit - £130. | 0:29:32 | 0:29:36 | |
So, he's now carved out an impressive lead over Kate. | 0:29:36 | 0:29:40 | |
While she's still hitting the phones, | 0:29:40 | 0:29:42 | |
John's back on the profit trail. This time with his fairground game. | 0:29:42 | 0:29:47 | |
I've come to Buckland in the centre of Portsmouth, | 0:29:47 | 0:29:49 | |
very near where I grew up, to see antique dealer | 0:29:49 | 0:29:51 | |
and friend Brian with the fairground piece. | 0:29:51 | 0:29:54 | |
The question remains, | 0:29:54 | 0:29:55 | |
will it prove to be the jackpot for the booby prize? | 0:29:55 | 0:29:58 | |
Brian, thank you for agreeing to see me with this piece. | 0:30:03 | 0:30:06 | |
-I'm intrigued to know why you bought it, John. It's so unusual. -It is. | 0:30:06 | 0:30:10 | |
I kind of went a little bit off-piste, | 0:30:10 | 0:30:12 | |
I've got to be honest with you. | 0:30:12 | 0:30:14 | |
First and foremost, fairground art is doing quite well. | 0:30:14 | 0:30:17 | |
Commercially, it's a good item. | 0:30:17 | 0:30:19 | |
Second to that, my great, great grandparents were showmen | 0:30:19 | 0:30:25 | |
in the travelling fair. | 0:30:25 | 0:30:27 | |
I feel a connection there. | 0:30:27 | 0:30:29 | |
The piece is part of a fairground attraction, if you like. | 0:30:29 | 0:30:33 | |
It's one segment laid flat, | 0:30:33 | 0:30:35 | |
and the different sections make up a full circle. | 0:30:35 | 0:30:38 | |
It's quirky and at the right price, I'd be interested. | 0:30:38 | 0:30:41 | |
I was looking at a couple of hundred pounds for it. | 0:30:41 | 0:30:44 | |
That's a little bit heavy for me. But I like it. 160? | 0:30:44 | 0:30:49 | |
Can you do a bit better than that? Can you do 180? | 0:30:49 | 0:30:52 | |
-175. -175? -Yes, that's top dollar. -Your best deal, yeah? 175? | 0:30:52 | 0:30:58 | |
I've also got to make a profit. CUCKOO CLOCK CHIMES | 0:30:58 | 0:31:00 | |
-Of course. -What do you think? | 0:31:00 | 0:31:03 | |
Any dearer that that, you'd be cuckoo, wouldn't you? | 0:31:03 | 0:31:06 | |
It's top dollar for Brian | 0:31:06 | 0:31:07 | |
and brings in top dollar for John - £40 profit. | 0:31:07 | 0:31:11 | |
And that means Kate needs an impressive sale to catch up. | 0:31:11 | 0:31:14 | |
Yes, she's found that big house she was looking for. | 0:31:16 | 0:31:19 | |
Now, she needs to put her back into getting a big profit. | 0:31:19 | 0:31:23 | |
Go on! | 0:31:23 | 0:31:24 | |
I'm heaving my ball finials to Hampton Court. | 0:31:24 | 0:31:27 | |
Not the one near London, but Hampton Court in Herefordshire. | 0:31:27 | 0:31:30 | |
And I've come to meet Andy, the estate manager. | 0:31:30 | 0:31:33 | |
These were my most expensive buy, so I'm really hoping for a good return. | 0:31:33 | 0:31:38 | |
So, Andy, you are interested in buying them on behalf of the estate? | 0:31:46 | 0:31:50 | |
That's right, yes. I've got a budget in mind. | 0:31:50 | 0:31:52 | |
This Hampton Court here in Herefordshire is actually | 0:31:52 | 0:31:56 | |
older than the Hampton near London. | 0:31:56 | 0:31:58 | |
Yes, apparently it predates the other Hampton Court. | 0:31:58 | 0:32:01 | |
This was here first. | 0:32:01 | 0:32:02 | |
-What date is the oldest part? -600 years. Late medieval. | 0:32:02 | 0:32:07 | |
OK. These may not be right | 0:32:07 | 0:32:10 | |
and in keeping with it castellated tops you've got here. | 0:32:10 | 0:32:13 | |
Probably wouldn't use them at the front of the castle. | 0:32:13 | 0:32:15 | |
But there are numerous locations we could use them. | 0:32:15 | 0:32:18 | |
Perhaps, we better talk money, Andy. | 0:32:18 | 0:32:21 | |
-OK. -Ooh! Arms crossed. Body language! -Arms crossed, OK. | 0:32:21 | 0:32:24 | |
-Go on, then. -They are a good size. | 0:32:24 | 0:32:27 | |
They've got a nice weathered look to them. | 0:32:27 | 0:32:30 | |
I was hoping for around £500 mark. | 0:32:30 | 0:32:33 | |
Were you? Well, I like them, but maybe not that much. | 0:32:33 | 0:32:37 | |
-OK. -I'll go 350. | 0:32:37 | 0:32:39 | |
How about I come down a wee bit more and say 380? | 0:32:40 | 0:32:44 | |
We'll go 360. | 0:32:44 | 0:32:45 | |
370? Just for me? | 0:32:45 | 0:32:48 | |
We'll go 370, yes. Yeah. | 0:32:48 | 0:32:50 | |
That's a very good deal. | 0:32:50 | 0:32:53 | |
Kate makes a staggering £210 profit on her finials. | 0:32:53 | 0:32:58 | |
So, that's definitely closed the gap. But by how much? | 0:32:58 | 0:33:01 | |
Kate has had a slow start, but has now sold two items | 0:33:03 | 0:33:07 | |
and she's banked a profit of £240. | 0:33:07 | 0:33:10 | |
John has gone one further - three items sold and that puts him | 0:33:10 | 0:33:14 | |
out in front. His profit is £270. | 0:33:14 | 0:33:17 | |
So, they're very close, which means it's all to play for. | 0:33:19 | 0:33:22 | |
John is hoping to strengthen his lead with his stained glass. | 0:33:22 | 0:33:26 | |
He's in Southampton to meet the man he had in mind | 0:33:26 | 0:33:28 | |
when he bought the three panes. | 0:33:28 | 0:33:30 | |
Richard specialises in reclaiming old glass for doors. | 0:33:30 | 0:33:34 | |
Richard, the last time I was here you did say to me that | 0:33:34 | 0:33:37 | |
if I ever saw original painted glass, you'd be interested in it. | 0:33:37 | 0:33:42 | |
Yes, we would, John. | 0:33:42 | 0:33:43 | |
-Is that still the case? -It's still the case. | 0:33:43 | 0:33:45 | |
All right, I've got three here. 19th century. | 0:33:45 | 0:33:48 | |
I want you to have a look at them and see what you think. | 0:33:48 | 0:33:50 | |
Look at that. | 0:33:50 | 0:33:51 | |
Sadly, the lead is quite poorly. But the actual central panel is good. | 0:33:51 | 0:33:54 | |
The lead doesn't make any difference | 0:33:54 | 0:33:56 | |
because they will replace all the lead. | 0:33:56 | 0:33:58 | |
But the hand-painted faces are lovely. Very nice. | 0:33:58 | 0:34:01 | |
This one here is my favourite, just because it's an artist. | 0:34:01 | 0:34:05 | |
It is William Hogarth. Have a look at that one. | 0:34:05 | 0:34:07 | |
Yeah, that's nice. | 0:34:07 | 0:34:09 | |
-I'm not sure whether this is Sir Walter Raleigh. -Yep. | 0:34:09 | 0:34:12 | |
I think it probably is. Some of the paint has started to wear off here. | 0:34:12 | 0:34:16 | |
Is this something you could restore? | 0:34:16 | 0:34:18 | |
No, we wouldn't spend any time or money on doing that. | 0:34:18 | 0:34:21 | |
It's not worth doing it. | 0:34:21 | 0:34:22 | |
We would just put it in a door, as it is, and it's part of its look. | 0:34:22 | 0:34:26 | |
So, would you like to buy them? | 0:34:26 | 0:34:28 | |
For the right price. | 0:34:28 | 0:34:29 | |
What do you see it at, Rich? | 0:34:29 | 0:34:31 | |
I see them at about £35 each. | 0:34:31 | 0:34:36 | |
That doesn't give me much at all there. | 0:34:36 | 0:34:38 | |
-I thought they were sort of about 70 quid each. -Not for me. | 0:34:38 | 0:34:41 | |
-They are nice, but I would give you 150 for all three. -£150. | 0:34:41 | 0:34:46 | |
-Is that your best? -That is my best. -Absolute best... | 0:34:46 | 0:34:49 | |
Well, I suppose I'd better shake your hand. | 0:34:49 | 0:34:52 | |
John closes the door on the deal and makes a £70 profit. | 0:34:52 | 0:34:56 | |
He also manages to see off his royal commemorative tankard from 1973. | 0:34:56 | 0:35:01 | |
He sells it to a man in Southsea for £100, | 0:35:01 | 0:35:05 | |
which brings in a regal £40 profit. | 0:35:05 | 0:35:08 | |
John has seriously extended that lead over Kate, | 0:35:08 | 0:35:11 | |
so she needs to really up her game. | 0:35:11 | 0:35:13 | |
But she has a big plan for her maritime bell. | 0:35:13 | 0:35:16 | |
She nips over the Welsh border into Monmouthshire | 0:35:16 | 0:35:19 | |
to a country inn called The Bell. | 0:35:19 | 0:35:21 | |
Yes, you can see where she's going with this. | 0:35:21 | 0:35:23 | |
She's meeting the owner Oliver. | 0:35:23 | 0:35:25 | |
You're going to ask me why on earth I bring you a maritime piece, | 0:35:25 | 0:35:28 | |
all the way inland, across the border of England into Wales. | 0:35:28 | 0:35:31 | |
Well, you are a man of taste | 0:35:31 | 0:35:33 | |
and I thought you might be attracted by the craftsmanship. | 0:35:33 | 0:35:36 | |
-Kate, you are a massive flatterer. -THEY LAUGH | 0:35:36 | 0:35:40 | |
I think, in the reception, somebody being able to go like that... | 0:35:40 | 0:35:43 | |
RINGS BELL | 0:35:43 | 0:35:45 | |
Fantastic idea. | 0:35:45 | 0:35:46 | |
THEY LAUGH | 0:35:46 | 0:35:48 | |
It's got quite an interesting history, | 0:35:48 | 0:35:51 | |
the ship that it's associated with, actually. | 0:35:51 | 0:35:53 | |
It's noted that it took 50 million worth of artwork from London | 0:35:53 | 0:35:59 | |
to Shanghai in the 1930s. | 0:35:59 | 0:36:02 | |
It only just made it | 0:36:02 | 0:36:03 | |
because it ran aground in a storm, just off Gibraltar. | 0:36:03 | 0:36:08 | |
It was only just rescued, refloated, | 0:36:08 | 0:36:11 | |
and carried on her way with all the artwork still intact. | 0:36:11 | 0:36:15 | |
It is a very nice piece. I would be prepared to buy it. | 0:36:15 | 0:36:21 | |
Name your price. | 0:36:22 | 0:36:24 | |
No, I would like you to suggest a price. | 0:36:24 | 0:36:28 | |
Well, I do think that 275 would be a fair price. | 0:36:30 | 0:36:37 | |
We don't have a bell on the reception. | 0:36:37 | 0:36:40 | |
I just think having something on the reception that we can do that to... | 0:36:40 | 0:36:46 | |
I think that you auctioneers do something like that | 0:36:46 | 0:36:49 | |
-when it comes under the hammer, is that not right? -That's right. | 0:36:49 | 0:36:53 | |
So, you can have your 275. | 0:36:53 | 0:36:57 | |
Ding dong! | 0:36:57 | 0:36:58 | |
Kate floats away with another dazzling profit - £195. | 0:36:58 | 0:37:04 | |
Now The Bell has a bell. And I'm more than happy. | 0:37:05 | 0:37:09 | |
And she doesn't stop there. Back in England, | 0:37:09 | 0:37:12 | |
her green corner cabinet is bought by a pine furniture dealer. | 0:37:12 | 0:37:15 | |
He pays 160 quid which adds another £70 to her profit pot. | 0:37:15 | 0:37:21 | |
Just when it looked like John was hammering ahead, | 0:37:21 | 0:37:24 | |
Absolute Bliss suddenly explodes and blows him out of the water. | 0:37:24 | 0:37:27 | |
So, time for JC to pull out all the stops with his... | 0:37:27 | 0:37:31 | |
£10 donkey barometer. | 0:37:31 | 0:37:33 | |
I've come to Cassington, just outside Portsmouth, | 0:37:34 | 0:37:37 | |
to see my friend Charlotte whose mum is passionate about donkeys. | 0:37:37 | 0:37:41 | |
She has about 20 of them. | 0:37:41 | 0:37:42 | |
When I saw this porcelain donkey barometer | 0:37:42 | 0:37:45 | |
I thought of her mum straightaway. | 0:37:45 | 0:37:47 | |
I think this is fantastic, great fun, but will Charlotte agree? | 0:37:47 | 0:37:51 | |
I brought you something today. You've seen a picture of it. | 0:37:55 | 0:37:57 | |
Have a look. What do you think of that? | 0:37:57 | 0:38:01 | |
Yeah, it's properly something she'd put in the kitchen, on the dresser. | 0:38:01 | 0:38:04 | |
Do you like it? | 0:38:04 | 0:38:05 | |
I personally don't, but I'm sure my mum will. | 0:38:05 | 0:38:08 | |
You know your mum will like it. It's a bit of fun. | 0:38:08 | 0:38:10 | |
Yes, no, it is quite fun. Where do think it came from? | 0:38:10 | 0:38:14 | |
My gut feeling is that it's probably Continental. | 0:38:14 | 0:38:17 | |
It would have been an early souvenir. | 0:38:17 | 0:38:19 | |
The time of the railways, people travelling. | 0:38:19 | 0:38:21 | |
Do you think it would be something | 0:38:21 | 0:38:22 | |
you'd be interested in buying for your mum? | 0:38:22 | 0:38:24 | |
-Yeah. It depends on the price. -As always. I think it's worth 40 quid. | 0:38:24 | 0:38:29 | |
Can you not go any lower? | 0:38:29 | 0:38:31 | |
How low are we talking here, Charlotte? | 0:38:31 | 0:38:33 | |
She already had her birthday present, which was a week ago, | 0:38:33 | 0:38:36 | |
so I don't want to spend too much more. Maybe 30? | 0:38:36 | 0:38:39 | |
Could we do 35? | 0:38:39 | 0:38:41 | |
No. 30. Best price. | 0:38:41 | 0:38:44 | |
-30 it is, Charlotte. All right. -Thank you. | 0:38:44 | 0:38:46 | |
Well, that went OK. | 0:38:46 | 0:38:48 | |
He trebles his money and makes a profit of £20. | 0:38:48 | 0:38:51 | |
-Is this cash or cheque? -Cash. -We like cash. Let me hold that. | 0:38:53 | 0:38:56 | |
And I don't even have to do anything else for this. | 0:38:56 | 0:38:59 | |
I'm not sure about that. | 0:38:59 | 0:39:00 | |
-What did you want? -Come and mock the stable out for Mum. | 0:39:00 | 0:39:04 | |
As it's your mum, come on then. Show me where the shovel is. | 0:39:04 | 0:39:07 | |
You know what they say, Kate, | 0:39:15 | 0:39:16 | |
you've got to rake hay while the sun shines. | 0:39:16 | 0:39:18 | |
Do you see what I did there? | 0:39:18 | 0:39:20 | |
Yes, sadly, we did. But let's not puncture his chipper mood | 0:39:20 | 0:39:24 | |
because The Bliss is the one hoping to wipe that smile of his face. | 0:39:24 | 0:39:27 | |
She sells her cake stand to a tea room in Cheltenham. | 0:39:27 | 0:39:30 | |
And perhaps a cup of tea and a scone. £50? | 0:39:30 | 0:39:33 | |
£50 with a cup of tea and a scone... | 0:39:33 | 0:39:35 | |
It sounds like a very good deal, I'd say. | 0:39:35 | 0:39:37 | |
-It's a deal. -Fantastic. | 0:39:37 | 0:39:39 | |
And she makes a jammy £30 profit, | 0:39:39 | 0:39:41 | |
which leaves her just one more item to sell, her bit of bling. | 0:39:41 | 0:39:46 | |
I've brought my earrings to the middle of Oxford, | 0:39:47 | 0:39:50 | |
to see Caroline, who sells costume jewellery. | 0:39:50 | 0:39:53 | |
And I'm hoping to walk away with a dazzling profit. | 0:39:53 | 0:39:56 | |
# A kiss on the hand may be quite Continental | 0:39:56 | 0:40:01 | |
# But diamonds are a girl's best friend... # | 0:40:01 | 0:40:05 | |
Here they are. I'm hoping they might fit the bill. | 0:40:05 | 0:40:08 | |
They are nice. They look Art Deco, don't they? | 0:40:08 | 0:40:11 | |
This is it. | 0:40:11 | 0:40:12 | |
You might be forgiven for thinking they were Art Deco period, | 0:40:12 | 0:40:16 | |
so 1930s or even late '20s, and diamond and platinum. | 0:40:16 | 0:40:21 | |
But, which is why I have come to you, they are in silver | 0:40:21 | 0:40:25 | |
-and almost certainly cubic zirconia instead of diamonds. -OK. | 0:40:25 | 0:40:30 | |
The thing I liked about them is the size, | 0:40:30 | 0:40:33 | |
-because they really make a statement. -Pierced fittings are good. | 0:40:33 | 0:40:36 | |
A lot of earrings that are good-sized | 0:40:36 | 0:40:39 | |
tend to be on an earring clip. | 0:40:39 | 0:40:40 | |
This has got both. It's got the clip to hold it safely and securely. | 0:40:40 | 0:40:44 | |
And the post. The big question is, | 0:40:44 | 0:40:47 | |
if they were really Deco, of course, | 0:40:47 | 0:40:49 | |
they would be lots and lots of money. | 0:40:49 | 0:40:52 | |
So, what are you looking for for them? | 0:40:52 | 0:40:55 | |
Well, I would hope for somewhere in the region of £40-£60. | 0:40:55 | 0:41:01 | |
I think that would be reasonable. | 0:41:01 | 0:41:03 | |
I think I'd be very comfortable in the middle there. | 0:41:03 | 0:41:05 | |
If you would take 50. | 0:41:05 | 0:41:07 | |
-50 sounds very fair to me. OK. I'm happy with that. -That's marvellous. | 0:41:07 | 0:41:10 | |
-Shall we shake? -Yes. | 0:41:10 | 0:41:12 | |
Yes, her last sale of the day sees a super shiny £35 profit. | 0:41:12 | 0:41:18 | |
So, they've got there. | 0:41:18 | 0:41:20 | |
It's been a close-run race with some big figures, | 0:41:20 | 0:41:22 | |
but who's going to be parading in the winners' enclosure | 0:41:22 | 0:41:25 | |
and who will be put out to grass? | 0:41:25 | 0:41:27 | |
All will be revealed in a moment. | 0:41:27 | 0:41:30 | |
First, let's remind ourselves of what they spent at the market. | 0:41:30 | 0:41:33 | |
Kate and John each arrived with £750 of their own money. | 0:41:33 | 0:41:37 | |
Kate really struggled at first, | 0:41:37 | 0:41:39 | |
but ended up buying six items for a total of £475. | 0:41:39 | 0:41:43 | |
John found it easier. | 0:41:44 | 0:41:46 | |
He also made six purchases, but spent a little more - £555. | 0:41:46 | 0:41:51 | |
So, with all that in mind, who has made the biggest profit? | 0:41:51 | 0:41:55 | |
All of the money that Kate and John have made | 0:41:55 | 0:41:58 | |
from today's challenge will be going to charities of their choice. | 0:41:58 | 0:42:01 | |
So, let's find out who is today's | 0:42:01 | 0:42:03 | |
Put Your Money Where Your Mouth Is Champion. | 0:42:03 | 0:42:06 | |
-Hello! -Hi, Kate. How are you? | 0:42:06 | 0:42:08 | |
Fine, how did you fare at the fair? | 0:42:08 | 0:42:10 | |
Well, I enjoyed the buying. | 0:42:10 | 0:42:12 | |
Certainly had fun buying the scooter. | 0:42:12 | 0:42:14 | |
Something I wanted to keep, actually. But it had to go. | 0:42:14 | 0:42:17 | |
How about you? | 0:42:17 | 0:42:18 | |
Couple of good results. My table bell went very well, actually. | 0:42:18 | 0:42:21 | |
Found a good little home for that. | 0:42:21 | 0:42:23 | |
-And my ball finials... -Yes. | 0:42:23 | 0:42:26 | |
Found the most beautiful spot in Herefordshire for them. | 0:42:26 | 0:42:29 | |
-A decent profit? -Very good profit. | 0:42:29 | 0:42:31 | |
-Shall we see how we both fared at the fair? -Shall we? | 0:42:31 | 0:42:34 | |
-Come on then. -All right. | 0:42:34 | 0:42:36 | |
-Ready... -Steady... -Go! | 0:42:36 | 0:42:38 | |
-Oh, wow! Not too far apart. -Yeah! -Not too far apart. | 0:42:38 | 0:42:42 | |
-Close-run thing. -Well done, you. -Well done, you. | 0:42:42 | 0:42:46 | |
-I guess the beer is on me then. -Again? -Come on! | 0:42:46 | 0:42:48 | |
So, Kate wins by a couple of lengths | 0:42:48 | 0:42:51 | |
and romps home to Herefordshire victorious. | 0:42:51 | 0:42:55 | |
Now, I may not have been the fastest | 0:42:55 | 0:42:56 | |
and it was certainly tricky in places, | 0:42:56 | 0:42:59 | |
but slow and steady seems to have won the day. | 0:42:59 | 0:43:02 | |
I was first out of the gate and broke into a gallop, | 0:43:02 | 0:43:05 | |
taking on an early lead. | 0:43:05 | 0:43:07 | |
But Kate proved that over the course she is well worth a bet. | 0:43:07 | 0:43:11 | |
Yes, John will be doing everything he can to redeem himself tomorrow. | 0:43:11 | 0:43:15 | |
It's the climax of our week, | 0:43:15 | 0:43:17 | |
the ultimate antiques challenge - the Put Your Money Showdown! | 0:43:17 | 0:43:21 | |
-It's quite nerve-racking this, isn't it? -You'll be all right. | 0:43:21 | 0:43:24 | |
You'll be all right. | 0:43:24 | 0:43:25 |