Browse content similar to Eric Knowles v Will Axon - Car Boot. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is Put Your Money Where Your Mouth Is - | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:06 | |
against each other in an all-out battle for profit... | 0:00:06 | 0:00:10 | |
Yee-ha! | 0:00:10 | 0:00:12 | |
..and gives you the insider's view of the trade. | 0:00:12 | 0:00:16 | |
BANG! BANG! Who's there? | 0:00:16 | 0:00:18 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:21 | |
will face a different daily challenge... | 0:00:21 | 0:00:23 | |
-The Axeman! -HE GROWLS | 0:00:24 | 0:00:27 | |
..putting their reputations on the line... | 0:00:27 | 0:00:29 | |
Ready for the ball. | 0:00:29 | 0:00:30 | |
..and giving you their top tips and savvy secrets | 0:00:32 | 0:00:35 | |
on how to make the most money from buying and selling. | 0:00:35 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:40 | |
Today, everyone's favourite prince of pots, Eric Knowles, | 0:00:43 | 0:00:47 | |
takes on Put Your Money rookie, artwork authority Will Axon, | 0:00:47 | 0:00:51 | |
at a car boot sale. | 0:00:51 | 0:00:53 | |
Coming up... Eric's back to his old tricks... | 0:00:53 | 0:00:56 | |
I'm still being lured by pots. | 0:00:56 | 0:00:58 | |
It's seduction, really. I can't help it. | 0:01:00 | 0:01:04 | |
Will tries it on... | 0:01:04 | 0:01:06 | |
-We can do 'em four. -Four quid each, if you buy more than one. | 0:01:06 | 0:01:08 | |
So that'll be six quid for the two? | 0:01:08 | 0:01:10 | |
..and then tries putting for profit. | 0:01:10 | 0:01:13 | |
This is Put Your Money Where Your Mouth Is! | 0:01:17 | 0:01:20 | |
-WESTERN MUSIC PLAYS -Once upon a time in the West - | 0:01:32 | 0:01:36 | |
well, West Sussex that is, | 0:01:36 | 0:01:38 | |
two battling bounty hunters met, to fight over the spoils | 0:01:38 | 0:01:42 | |
of the mighty Ford car boot sale, near Arundel. | 0:01:42 | 0:01:45 | |
In the shadow of the medieval castle, | 0:01:45 | 0:01:47 | |
home to aristocrats and the odd king, | 0:01:47 | 0:01:49 | |
a right royal rumpus is set to commence | 0:01:49 | 0:01:52 | |
as two erudite experts face up to each other for the very first time. | 0:01:52 | 0:01:57 | |
Strolling into town, the challenger, the new kid on the block, | 0:01:57 | 0:02:01 | |
the Billy the Kid of the bargain. | 0:02:01 | 0:02:03 | |
Shooting from the hip, and hailing from Newmarket, | 0:02:03 | 0:02:06 | |
it's auctioneer... | 0:02:06 | 0:02:07 | |
Got to go with your gut. | 0:02:11 | 0:02:13 | |
This half-Spanish hombre is determined to fight to the last. | 0:02:13 | 0:02:17 | |
But when he sees the opposition, it could be adios, amigo! | 0:02:17 | 0:02:21 | |
Because waiting to chop The Axeman down to size | 0:02:21 | 0:02:24 | |
is the sheriff of this here show, the bad boy from Burnley... | 0:02:24 | 0:02:28 | |
Just buy it and move on. | 0:02:31 | 0:02:33 | |
Yes, he'll be all guns blazing | 0:02:34 | 0:02:36 | |
as the duel begins to unearth hidden treasure. | 0:02:36 | 0:02:39 | |
Today, the setting for the OK Corral is Ford Airfield - | 0:02:39 | 0:02:42 | |
home to a well-established market and boot sale. | 0:02:42 | 0:02:45 | |
Our incredible experts have each brought £250 | 0:02:45 | 0:02:49 | |
of their own money to spend | 0:02:49 | 0:02:50 | |
and, when all the selling's done, every penny of profit | 0:02:50 | 0:02:54 | |
shoots straight to the charities of their choice. | 0:02:54 | 0:02:57 | |
So, new boy Will Axon and old hand Eric Knowles - | 0:02:57 | 0:03:02 | |
pistols at the ready. | 0:03:02 | 0:03:03 | |
It's time to Put Your Money Where Your Mouth Is. | 0:03:03 | 0:03:07 | |
-Axon the Axeman, how are you doing? -I'm all right, Knocker, how are you? | 0:03:07 | 0:03:10 | |
I'm all right - I'm fine. Have you been to many a car boot? | 0:03:10 | 0:03:13 | |
Yeah, I like to think so. Get out and about on a Sunday morning. | 0:03:13 | 0:03:15 | |
Have you ever found anything of any significant value? | 0:03:15 | 0:03:18 | |
-Don't mind telling me. -Yeah, I have. | 0:03:18 | 0:03:20 | |
-Have you? -The country house car boots are the ones you want to go to. | 0:03:20 | 0:03:23 | |
Tell me later about that. | 0:03:23 | 0:03:25 | |
-But the main thing is, we've got £250 to spend... -I've got 250. | 0:03:25 | 0:03:28 | |
-I was hoping you only had a tenner, but... -No, no. | 0:03:28 | 0:03:31 | |
I can match you for money - | 0:03:31 | 0:03:32 | |
but can I match you when it comes to cunning and finding those bargains? | 0:03:32 | 0:03:36 | |
Well, if your reputation is anything to go by, | 0:03:36 | 0:03:38 | |
I think you can, Eric. I'm a little bit nervous about taking you on. | 0:03:38 | 0:03:42 | |
-He's an unknown quantity, is this lad, so... -Tricks up my sleeve. | 0:03:42 | 0:03:46 | |
Yeah, I've heard it said. Yes, your reputation goes before you. | 0:03:46 | 0:03:49 | |
-Listen... -Listen, good luck. -And you, too. OK. | 0:03:49 | 0:03:51 | |
See you halfway, at the cafe. | 0:03:51 | 0:03:53 | |
Yes, it all seems friendly enough - but don't be fooled. | 0:03:54 | 0:03:57 | |
These two are devilishly competitive. | 0:03:57 | 0:03:59 | |
And it seems our new boy has got old Knocker rather hot under the collar. | 0:03:59 | 0:04:03 | |
Well, it may be Will Axon's debut series, | 0:04:04 | 0:04:09 | |
but he's no stranger to car boots and he's a seasoned professional. | 0:04:09 | 0:04:14 | |
So, he may be the new kid on the block, | 0:04:14 | 0:04:16 | |
but that counts for nothing in this business. | 0:04:16 | 0:04:19 | |
Yes... Eric comes out fighting. | 0:04:20 | 0:04:22 | |
And it seems Wonder Boy Will has misjudged the veteran of value. | 0:04:22 | 0:04:26 | |
I didn't expect Eric to be a car booter, to be honest. | 0:04:26 | 0:04:29 | |
I thought he was more of a man of leisure - | 0:04:29 | 0:04:31 | |
Sunday papers, breakfast in bed, that sort of thing. | 0:04:31 | 0:04:33 | |
Turns out, he likes a rummage like the rest of us. | 0:04:33 | 0:04:36 | |
Little bit nervous. He's a legend, but I reckon I stand a chance. | 0:04:36 | 0:04:40 | |
I'll give him a run for his money. | 0:04:40 | 0:04:41 | |
And he's not kidding. | 0:04:43 | 0:04:44 | |
Less than three minutes after hitting the ground - | 0:04:44 | 0:04:46 | |
and with the car booters still unloading their vehicles - | 0:04:46 | 0:04:49 | |
eagle-eyed Will pounces. | 0:04:49 | 0:04:51 | |
What's that you've got? | 0:04:52 | 0:04:54 | |
-It's a saddle rack. -It is, isn't it? | 0:04:54 | 0:04:56 | |
-How much is it? -120. -Ooh! | 0:04:56 | 0:04:58 | |
The boy from Newmarket - the capital of world horse-racing - | 0:05:00 | 0:05:02 | |
has spotted something in the back of a lorry | 0:05:02 | 0:05:05 | |
that might suit the punters back home on the range. | 0:05:05 | 0:05:08 | |
What I'm thinking here is, obviously, Newmarket - | 0:05:08 | 0:05:11 | |
horses - saddles. | 0:05:11 | 0:05:13 | |
Argh! | 0:05:14 | 0:05:16 | |
You've glued it shut. | 0:05:16 | 0:05:18 | |
50 quid, cos of the dodgy drawer. | 0:05:18 | 0:05:20 | |
No, I do need what I've asked. | 0:05:20 | 0:05:22 | |
80 quid and it's gone. | 0:05:22 | 0:05:23 | |
-Lovely job. -Job done. | 0:05:25 | 0:05:27 | |
First purchase out the way. | 0:05:27 | 0:05:29 | |
That is... | 0:05:29 | 0:05:30 | |
the main thing. | 0:05:30 | 0:05:32 | |
Will shows his colours early on. | 0:05:32 | 0:05:34 | |
He gallops into the game - | 0:05:34 | 0:05:35 | |
spending almost a third of his entire budget in one fell swoop! | 0:05:35 | 0:05:39 | |
Well, what I've bought here is an oak saddle rack. | 0:05:39 | 0:05:43 | |
Two saddle racks here, place for your boots, | 0:05:43 | 0:05:46 | |
a place for your whips and your tack, a drawer. | 0:05:46 | 0:05:49 | |
If I can't sell that in Newmarket, I can't sell anything, can I? | 0:05:49 | 0:05:52 | |
Well, he's got to prove himself, because his opponent | 0:05:52 | 0:05:55 | |
is already eyeing up some of his favourite wares... | 0:05:55 | 0:05:58 | |
Yes, Eric Knowles, for ever potty about porcelain. | 0:05:58 | 0:06:02 | |
And he's in a cheeky mood. | 0:06:02 | 0:06:04 | |
I'm just thinking, who on earth... | 0:06:04 | 0:06:07 | |
-wants a left-handed milk jug? -Why's it left-handed?! | 0:06:07 | 0:06:10 | |
-Just try it! Try it. -I'm right-handed... | 0:06:10 | 0:06:13 | |
Yeah, but try it in your left hand. | 0:06:13 | 0:06:15 | |
Just try it in your left hand. Cos I've got this in my left hand. | 0:06:15 | 0:06:18 | |
-I don't follow your logic there, sir! -No... | 0:06:21 | 0:06:24 | |
Naughty Knocker - he's messing with you, sir. | 0:06:24 | 0:06:26 | |
Come on, Eric! The gentleman's here to make money. | 0:06:26 | 0:06:29 | |
I might be tempted with that one, | 0:06:29 | 0:06:31 | |
but it'd just have to be at the right price. | 0:06:31 | 0:06:33 | |
How much? | 0:06:33 | 0:06:34 | |
-I don't know, I don't want to... -15. 15. | 0:06:34 | 0:06:36 | |
-I'd give you a tenner for it, but... -Go on, then. Go on. | 0:06:36 | 0:06:39 | |
-A tenner? -Go on - I know it's crazy, but I'd like to sell you something. | 0:06:39 | 0:06:42 | |
-Go on. -OK. -£10. | 0:06:42 | 0:06:43 | |
Should have said five! | 0:06:43 | 0:06:46 | |
Too late now! | 0:06:46 | 0:06:47 | |
Eric's off and running - so what exactly has he got? | 0:06:47 | 0:06:51 | |
Um, I've bought meself a Derby porcelain little milk jug. | 0:06:51 | 0:06:56 | |
It's decorated in a Japan pattern. | 0:06:56 | 0:06:58 | |
That's a silver shape which belongs to the reign of, perhaps, George IV. | 0:06:58 | 0:07:04 | |
The decoration on here is so beautiful, | 0:07:04 | 0:07:06 | |
and it's in such nice condition, and the damage is... | 0:07:06 | 0:07:10 | |
Well, it's just a faint hairline, but the more I look at it, | 0:07:10 | 0:07:13 | |
the more I think it could be for somebody who's ambidextrous. | 0:07:13 | 0:07:17 | |
Because it seems to work just as well in me right hand... | 0:07:17 | 0:07:21 | |
as it does in me left hand. | 0:07:21 | 0:07:23 | |
So...yeah, I think makes it that little bit more saleable. | 0:07:23 | 0:07:28 | |
Yes, you can wink all you like, Eric, | 0:07:28 | 0:07:30 | |
but it's not exactly a unique selling point, is it? | 0:07:30 | 0:07:33 | |
So, Mr Knowles starts his bid for boot sale supremacy with porcelain. | 0:07:33 | 0:07:37 | |
Who'd have guessed it? | 0:07:37 | 0:07:39 | |
Not just looking for the ceramics - I'm looking for anything | 0:07:39 | 0:07:43 | |
that I think's going to make me a bob or two. | 0:07:43 | 0:07:46 | |
Yes, we'll see. | 0:07:46 | 0:07:47 | |
Not sure Knocker can resist the lure of a lovely piece. | 0:07:47 | 0:07:51 | |
Across the airfield, The Axeman's soaring through the stalls - | 0:07:51 | 0:07:54 | |
and in his sights, some decorative tiles. | 0:07:54 | 0:07:56 | |
How much are on your tiles? | 0:07:58 | 0:07:59 | |
Fiver each - but if you buy the whole box, they're cheaper. | 0:07:59 | 0:08:02 | |
I might come back later, see if they've been reduced further. | 0:08:05 | 0:08:08 | |
Mmm. Are Will's rookie nerves getting the better of him? | 0:08:08 | 0:08:11 | |
There's a long line of Put Your Money experts | 0:08:11 | 0:08:14 | |
who've learnt that indecision can cost you dear. | 0:08:14 | 0:08:17 | |
It takes a couple of minutes, but Will soon catches on. | 0:08:17 | 0:08:20 | |
You know what? I'm thinking about those tiles. | 0:08:20 | 0:08:23 | |
I can't afford all of them, cos I've blown £80 on me saddle rack, | 0:08:23 | 0:08:26 | |
but I've got a buyer for tiles, | 0:08:26 | 0:08:28 | |
so I'm thinking it seems daft to ignore them, really. | 0:08:28 | 0:08:32 | |
Why don't we go back and have another look | 0:08:32 | 0:08:33 | |
and see if I can't twist his arm to come down a bit on those? | 0:08:33 | 0:08:37 | |
I've come back for another look. | 0:08:37 | 0:08:39 | |
How much did you say they were? Three quid each? | 0:08:39 | 0:08:41 | |
-We can do 'em four. -Four quid each if you buy more than one. | 0:08:41 | 0:08:44 | |
Ooh! More than one. Two's more than one, isn't it? Last time I looked. | 0:08:44 | 0:08:47 | |
So that'll be six quid for the two? | 0:08:47 | 0:08:49 | |
£7, there you go. | 0:08:49 | 0:08:51 | |
All right, done. | 0:08:51 | 0:08:52 | |
Two tiles, then, please. | 0:08:52 | 0:08:54 | |
The seller is 10p short of change, and Will lets him off. | 0:08:54 | 0:08:58 | |
I tell you what... If I make a profit, we'll call it quits. | 0:08:59 | 0:09:02 | |
If I lose money, I'm coming to look for you! | 0:09:02 | 0:09:04 | |
THEY LAUGH | 0:09:04 | 0:09:06 | |
-Thanks very much! -Thank you. Bye! | 0:09:06 | 0:09:08 | |
Well, let's hope those extra pennies don't come back to bite him | 0:09:08 | 0:09:11 | |
at the end of the show. | 0:09:11 | 0:09:12 | |
Well, what I've bought here are two tiles. One, Mintons, marked nice. | 0:09:12 | 0:09:16 | |
Sort of majolica type, isn't it, with those colours | 0:09:16 | 0:09:18 | |
and that type of glaze? | 0:09:18 | 0:09:19 | |
And another, which is unmarked, but I quite like the design. | 0:09:19 | 0:09:22 | |
Very much of its period, | 0:09:22 | 0:09:24 | |
that sort of Victorian - almost a Gothic, sort of, feel about it. | 0:09:24 | 0:09:28 | |
£3.55 I think they cost me - | 0:09:28 | 0:09:30 | |
there's got to be a profit in there, hasn't there? | 0:09:30 | 0:09:32 | |
Surely. | 0:09:32 | 0:09:34 | |
Well, you're the expert, Axeman. | 0:09:34 | 0:09:36 | |
Now, steaming down the far side of the sale, | 0:09:36 | 0:09:38 | |
Eric's trawling the stalls for his second bargain. | 0:09:38 | 0:09:41 | |
And, despite all his protestations, | 0:09:41 | 0:09:43 | |
he's still being drawn to ceramics. | 0:09:43 | 0:09:45 | |
Well, have a look at this. | 0:09:45 | 0:09:47 | |
I see this little pot and I think, "Ah, now that | 0:09:47 | 0:09:50 | |
"reminds me very much of Lovatt ware, Langley," | 0:09:50 | 0:09:54 | |
and that's all in Derbyshire - but then, when you turn it over, | 0:09:54 | 0:09:57 | |
there's a little mark that tells you something different. | 0:09:57 | 0:10:00 | |
It was made in a place called Thailand. | 0:10:00 | 0:10:03 | |
It's a case of "buyer - beware". | 0:10:03 | 0:10:06 | |
But if it's cheap enough and you love it - buy it. | 0:10:06 | 0:10:08 | |
Yes - it's not for Eric, though. | 0:10:08 | 0:10:10 | |
He's a man on a mission, and before you know it, | 0:10:10 | 0:10:13 | |
our Knocker's at another stall looking at more breakables. | 0:10:13 | 0:10:16 | |
He's trying to get ahead - well, three heads, actually. | 0:10:16 | 0:10:20 | |
How much are they? Then I know. | 0:10:20 | 0:10:22 | |
Er...fiver each, I guess, just to get rid of them, I think. | 0:10:22 | 0:10:25 | |
OK - 15 quid. OK, I'm going to have those. | 0:10:25 | 0:10:28 | |
So, I've bought three ceramic busts. | 0:10:28 | 0:10:32 | |
And they were made in Congleton in Cheshire by a firm called Bossons. | 0:10:32 | 0:10:38 | |
They're actually made out of plaster, but what always intrigued me | 0:10:38 | 0:10:44 | |
was the attention to detail | 0:10:44 | 0:10:46 | |
and the realism in those facial expressions. | 0:10:46 | 0:10:50 | |
I don't mind saying, actually, | 0:10:50 | 0:10:52 | |
that there is more than a hint of the facial similarity | 0:10:52 | 0:10:56 | |
with Will Axon. | 0:10:56 | 0:10:57 | |
Either way, I've bought three of them. | 0:10:57 | 0:11:00 | |
Date-wise - around about 1960, | 0:11:00 | 0:11:02 | |
but at £5 each, I think, as dear old Arthur Daley might say, | 0:11:02 | 0:11:06 | |
"I'm in for a bit of an earner, my son." | 0:11:06 | 0:11:09 | |
Well, don't forget Arthur often caught a cold on his deals, Eric... | 0:11:09 | 0:11:12 | |
And it looks like Will's getting the shivers, too. | 0:11:12 | 0:11:16 | |
It's not easy, this, you know? | 0:11:16 | 0:11:17 | |
Finding the treasure amongst the, er... | 0:11:20 | 0:11:22 | |
Well, I don't want to be rude. | 0:11:22 | 0:11:24 | |
The prospect of a nice little earner has set Eric off on a roll. | 0:11:24 | 0:11:28 | |
He soon spots a pair of wooden tables and a tin box | 0:11:28 | 0:11:31 | |
on the same stall. | 0:11:31 | 0:11:33 | |
The combined asking price for all three is £60. | 0:11:33 | 0:11:36 | |
So, 25, 35... | 0:11:38 | 0:11:40 | |
If all took all three, don't mind me asking... | 0:11:40 | 0:11:43 | |
I could do 55. | 0:11:43 | 0:11:45 | |
55 for the three? | 0:11:45 | 0:11:46 | |
-Put your hand there, sir. -Thank you very much. | 0:11:46 | 0:11:49 | |
Thank YOU very much. | 0:11:49 | 0:11:50 | |
A fiver off is enough for Eric. | 0:11:50 | 0:11:52 | |
But even after he's had a little while to think, | 0:11:52 | 0:11:54 | |
he's not actually sure what he's bought. | 0:11:54 | 0:11:57 | |
Do you know, when I bought these tables, | 0:11:57 | 0:11:59 | |
I thought, "Yeah, they're Indian," | 0:11:59 | 0:12:00 | |
and then I had another look, and I thought, "ARE they?" | 0:12:00 | 0:12:03 | |
And then I had ANOTHER look, and I found an elephant, | 0:12:03 | 0:12:06 | |
which is a bit of a giveaway! | 0:12:06 | 0:12:08 | |
I think we'll go with the Indian subcontinent. | 0:12:08 | 0:12:11 | |
And they're very beautifully carved! | 0:12:11 | 0:12:14 | |
I mean, look at the legs on this one. | 0:12:14 | 0:12:16 | |
Obviously made for the European market. | 0:12:16 | 0:12:20 | |
And, as for this tin case - well, it's all in a name. | 0:12:20 | 0:12:24 | |
And the name on the top of there is Holland & Holland. | 0:12:24 | 0:12:27 | |
Best known to the huntin', shootin', fishin' fraternity. | 0:12:27 | 0:12:31 | |
And it's a box - I'm not sure what it contained. | 0:12:31 | 0:12:34 | |
I'm assuming maybe cartridges. | 0:12:34 | 0:12:36 | |
I'm just hopeful | 0:12:36 | 0:12:38 | |
that I'm going to double or even treble my money all round. | 0:12:38 | 0:12:42 | |
Eric Knowles - always ambitious. | 0:12:42 | 0:12:45 | |
Time is marching on. | 0:12:45 | 0:12:46 | |
So, how are our two bounty hunters faring? | 0:12:46 | 0:12:49 | |
Is it a beautiful morning or a bad day at Black Rock? | 0:12:49 | 0:12:53 | |
Both our boys started the day with £250 of their own money to spend. | 0:12:53 | 0:12:57 | |
Eric "Knocker" Knowles | 0:12:57 | 0:12:59 | |
has kicked up some dust. | 0:12:59 | 0:13:00 | |
Four purchases for £80, | 0:13:00 | 0:13:02 | |
leaving a hefty £170 in his holster. | 0:13:02 | 0:13:06 | |
Will "The Axeman" Axon has two purchases | 0:13:06 | 0:13:08 | |
tucked under his cowboy hat so far. | 0:13:08 | 0:13:11 | |
He's spent a little more - £87.10, | 0:13:11 | 0:13:14 | |
meaning £162.90 | 0:13:14 | 0:13:16 | |
is left in Miss Kitty. | 0:13:16 | 0:13:19 | |
So, they're both holding on to a fistful of dollars - | 0:13:19 | 0:13:22 | |
but are they ready to spend more? | 0:13:22 | 0:13:24 | |
How you going? | 0:13:24 | 0:13:26 | |
Um, I'm going all right, but it's a bit of a trawl, isn't it? | 0:13:26 | 0:13:28 | |
-A bit of a trawl. -Well, it's a car boot, isn't it? | 0:13:28 | 0:13:31 | |
-It IS a car boot. -The rough with the smooth, all mixed in. | 0:13:31 | 0:13:33 | |
-Have you bought? Are you doing all right? -I have bought, I have bought. | 0:13:33 | 0:13:36 | |
-My first purchase I got that out the way... -OK. -Hoping to buy a few more. | 0:13:36 | 0:13:40 | |
-Yeah. -But... -So, there's no point me going round the other half, | 0:13:40 | 0:13:43 | |
-cos you've trawled it. -There's plenty here for both of us. -OK. | 0:13:43 | 0:13:45 | |
We've just got to use our imagination a bit, I think. | 0:13:45 | 0:13:48 | |
-Pearls of wisdom. -I don't know about that. -OK, mate. | 0:13:48 | 0:13:51 | |
-Good luck. -OK, yeah. | 0:13:51 | 0:13:52 | |
And off they bounce, back into battle. | 0:13:52 | 0:13:54 | |
There's no stopping them. | 0:13:54 | 0:13:56 | |
Straightaway, though, Eric is fighting that familiar temptation... | 0:13:56 | 0:14:00 | |
I'm still being lured by pots. | 0:14:00 | 0:14:02 | |
It's seduction, really. I can't help it. | 0:14:04 | 0:14:07 | |
Go on, Eric! You can do it. | 0:14:08 | 0:14:09 | |
Break away from the breakables. | 0:14:09 | 0:14:11 | |
Across the sale, young Axon knows he's on the back foot. | 0:14:11 | 0:14:15 | |
I'm starting to panic a little bit, now. | 0:14:16 | 0:14:19 | |
Still a few items to buy, | 0:14:19 | 0:14:21 | |
and I'm, kind of, running out of stalls. | 0:14:21 | 0:14:24 | |
The pressure is really on for the newbie. | 0:14:24 | 0:14:26 | |
But, surely, where there's a Will, there's a way. | 0:14:26 | 0:14:29 | |
-Your pub sign caught my eye. -Yeah? | 0:14:29 | 0:14:33 | |
Shame that's not painted, isn't it, really? | 0:14:33 | 0:14:35 | |
-What sort of money have you got on that? -30. | 0:14:35 | 0:14:37 | |
-Listen, £20. -OK. -Yeah? Done. | 0:14:37 | 0:14:40 | |
£20. Good man. | 0:14:40 | 0:14:42 | |
Well, another item down. | 0:14:44 | 0:14:46 | |
Not sure if I've gone a bit mad, but The Queen's Head - | 0:14:47 | 0:14:51 | |
I know a Queen's Head, other side of Newmarket. | 0:14:51 | 0:14:54 | |
A hard thing to age, really, and - should be a profit, | 0:14:54 | 0:14:57 | |
and if there isn't, well, £20 isn't a lot to lose, either. | 0:14:57 | 0:15:00 | |
Well, you say that, but Her Majesty is clearly not amused. | 0:15:00 | 0:15:03 | |
The pub sign purchase brings a renewed confidence | 0:15:03 | 0:15:06 | |
to The Axeman's game and, with a spring in his step, | 0:15:06 | 0:15:09 | |
he's straight on to another stall - | 0:15:09 | 0:15:11 | |
and chopping down the price of another wooden item. | 0:15:11 | 0:15:14 | |
What's this one, this burrwood one? | 0:15:14 | 0:15:16 | |
That one's about £40. | 0:15:16 | 0:15:18 | |
-Give me a bit of slack on that. -35. | 0:15:19 | 0:15:21 | |
Listen, make it £30 and I'll have a go at it. | 0:15:22 | 0:15:24 | |
-Yes, OK. -Oh! | 0:15:24 | 0:15:26 | |
-Thank you very much, sir. -You're welcome. | 0:15:26 | 0:15:28 | |
£30. | 0:15:28 | 0:15:29 | |
What would you suggest I do to it, being a man who knows? | 0:15:29 | 0:15:32 | |
-Just wax and very fine wire wool. -Like, 000 grade, isn't it? | 0:15:32 | 0:15:36 | |
-000 grade. -Cos then you get that wax into the tight grain, don't you? | 0:15:36 | 0:15:39 | |
-Yep. -And it really brings it out. -Yeah. | 0:15:39 | 0:15:41 | |
Yes, the seller clearly knows what he's talking about | 0:15:41 | 0:15:43 | |
and Will gets a useful tip to make the most of his burrwood box. | 0:15:43 | 0:15:47 | |
What I've bought here is some type of caddy. | 0:15:47 | 0:15:50 | |
No great age to it. 1900, that sort of period. | 0:15:50 | 0:15:53 | |
But a good, substantial size, nice figurative wood. | 0:15:53 | 0:15:57 | |
Listen, I think, at £30, there's got to be a small profit in there, | 0:15:57 | 0:16:00 | |
hasn't there? Surely. | 0:16:00 | 0:16:01 | |
Well, profit's the name of the game. | 0:16:01 | 0:16:04 | |
And it seems wood is fashionable today - | 0:16:04 | 0:16:06 | |
Knocker is also barking up that tree. | 0:16:06 | 0:16:08 | |
A plaque from the Japanese Noh theatre. | 0:16:10 | 0:16:13 | |
-Excellent. How much is that? -£30. | 0:16:13 | 0:16:15 | |
-Is that the best? -That would be the very, very best. | 0:16:15 | 0:16:17 | |
OK. Can we do a swift, sharp deal at £30? | 0:16:17 | 0:16:20 | |
-Yes, indeed. -OK. -Bless you. -You're a gentleman. -Good luck. | 0:16:20 | 0:16:23 | |
And with that, Eric pulls out in front again - | 0:16:23 | 0:16:25 | |
five items to Will's four. | 0:16:25 | 0:16:28 | |
This is a mask that would have been worn in a Noh play. | 0:16:28 | 0:16:31 | |
I think it's N-O-H, by the way. | 0:16:31 | 0:16:34 | |
Noh plays are quite famous for going on and on and on. | 0:16:34 | 0:16:38 | |
But I like this, because it's carved wood, | 0:16:38 | 0:16:41 | |
and it's got this cinnabar lacquer mask. | 0:16:41 | 0:16:44 | |
I would hope that it's early 20th century. | 0:16:44 | 0:16:47 | |
Whatever he dates from, he's going home with me. | 0:16:47 | 0:16:52 | |
Noh is a slow form of Japanese musical theatre | 0:16:52 | 0:16:55 | |
performed since the 13th century, | 0:16:55 | 0:16:57 | |
but both our experts need to start saying a rapid "yes" | 0:16:57 | 0:17:00 | |
to some more items, because time is ticking on. | 0:17:00 | 0:17:03 | |
Well, listen, it's only late morning | 0:17:04 | 0:17:06 | |
and people are already packing up. | 0:17:06 | 0:17:08 | |
I've got to get a move on. I've still got things to buy! | 0:17:08 | 0:17:11 | |
Yes, chop chop, Axeman. | 0:17:11 | 0:17:13 | |
You need to get cracking, | 0:17:13 | 0:17:14 | |
if you're going to deal a knockout blow to old Knocker Knowles. | 0:17:14 | 0:17:18 | |
I think we might have something here. | 0:17:18 | 0:17:20 | |
Oh, he's spotted something! | 0:17:20 | 0:17:22 | |
What I've found here is a print - Melford Hall, Suffolk. | 0:17:22 | 0:17:25 | |
It's just down the road from me, isn't it? | 0:17:25 | 0:17:27 | |
The trouble is, it's not an original print, | 0:17:27 | 0:17:30 | |
so it's a photographic, lithographic print | 0:17:30 | 0:17:33 | |
of an original strike from an engraving. | 0:17:33 | 0:17:36 | |
But - broken glass... | 0:17:36 | 0:17:38 | |
It's going to have to be giveaway. | 0:17:38 | 0:17:40 | |
He goes for a little chat with the seller - | 0:17:40 | 0:17:42 | |
and, quick as a flash, The Axeman is back. | 0:17:42 | 0:17:44 | |
And he has news. | 0:17:44 | 0:17:45 | |
A tenner was what he wanted - | 0:17:47 | 0:17:48 | |
I pointed out the broken glass, later print - | 0:17:48 | 0:17:50 | |
got it for a fiver. | 0:17:50 | 0:17:52 | |
There's got to be a profit in that! | 0:17:52 | 0:17:54 | |
Melford Hall, here I come. | 0:17:54 | 0:17:56 | |
As this antiques duel continues to hot up, | 0:17:56 | 0:17:59 | |
it's becoming clear the boot sale is nearing its end - | 0:17:59 | 0:18:01 | |
the cars, the vans and their treasures are clearing orf! | 0:18:01 | 0:18:05 | |
I still have things to buy, | 0:18:06 | 0:18:08 | |
so I'm going to see what I can find up there, but, you know, | 0:18:08 | 0:18:13 | |
it's hard going up that aisle | 0:18:13 | 0:18:15 | |
knowing that The Axeman hath gone before me. | 0:18:15 | 0:18:19 | |
Running out of options here. | 0:18:20 | 0:18:22 | |
I want to buy something else - I want something else under my belt. | 0:18:22 | 0:18:25 | |
I haven't done over there. Let's go and have a look over there. | 0:18:25 | 0:18:28 | |
And Will gets a lucky break. | 0:18:28 | 0:18:31 | |
This dealer is packed and ready to roll, | 0:18:31 | 0:18:33 | |
but just in time, spots Will and offers him a last minute punt. | 0:18:33 | 0:18:37 | |
Silver. | 0:18:38 | 0:18:39 | |
-How much? -25. | 0:18:40 | 0:18:42 | |
-You know, golf - good subject, isn't it? -There you go. | 0:18:42 | 0:18:44 | |
20 quid and you've got a deal. | 0:18:44 | 0:18:46 | |
Come on, you've got to help me out, here. | 0:18:46 | 0:18:48 | |
-Good luck. -Woo-hoo! How's that? | 0:18:48 | 0:18:50 | |
Howzat? Wrong sport, William. | 0:18:50 | 0:18:52 | |
He was just in time, though - | 0:18:52 | 0:18:54 | |
moments later, the seller drives off. | 0:18:54 | 0:18:57 | |
That was a stroke of luck. | 0:18:57 | 0:18:58 | |
There I was, panicking about buying something - | 0:18:58 | 0:19:00 | |
calls me over, waves this under my nose. | 0:19:00 | 0:19:03 | |
It's a fully-hallmarked, filled silver, | 0:19:03 | 0:19:05 | |
I suppose, decanter stopper. | 0:19:05 | 0:19:07 | |
Little Edwardian golfer on top. | 0:19:07 | 0:19:08 | |
I'm bound to find someone who plays golf and likes a tipple, aren't I? | 0:19:08 | 0:19:11 | |
-MUSIC: "Grandstand" theme -Well, maybe try the 19th hole, Will. | 0:19:11 | 0:19:15 | |
That final buy should go a "fairway" to keeping you in the game. | 0:19:15 | 0:19:19 | |
The car booters are getting thin on the ground now, | 0:19:19 | 0:19:22 | |
but Eric is still hoping to squirrel away a last-minute deal. | 0:19:22 | 0:19:26 | |
It's Royal Doulton and he's nuts about porcelain. | 0:19:26 | 0:19:29 | |
Cos this squirrel's got a little bit of white there, | 0:19:29 | 0:19:32 | |
but it's perfectly all right, it's not damaged, you know? | 0:19:32 | 0:19:34 | |
So, 20... £28, come on, you've got a deal. | 0:19:34 | 0:19:38 | |
You've got a deal. | 0:19:38 | 0:19:40 | |
Ah! Eric's love affair with ceramics. It warms your cockles. | 0:19:40 | 0:19:45 | |
I've got to tell you that the Doulton figurine market took a bit of a hit. | 0:19:45 | 0:19:49 | |
I'm hoping it's on the comeback. | 0:19:49 | 0:19:51 | |
It dates from the early 1970s. | 0:19:51 | 0:19:53 | |
So, I'm looking for people who've got an affection for red squirrels, | 0:19:53 | 0:19:56 | |
because they are, after all, British. | 0:19:56 | 0:20:01 | |
Makes you proud, doesn't it? | 0:20:01 | 0:20:03 | |
And that patriotic purchase brings Eric's buying bonanza to a close. | 0:20:03 | 0:20:07 | |
So, as the last vehicles disperse, | 0:20:07 | 0:20:09 | |
let's have a look at the final figures. | 0:20:09 | 0:20:12 | |
Our bargain-busters each arrived at Ford with a budget of £250. | 0:20:12 | 0:20:16 | |
Eric made six purchases - | 0:20:16 | 0:20:18 | |
only three of them breakable - | 0:20:18 | 0:20:20 | |
and spent £138. | 0:20:20 | 0:20:22 | |
Will was quick off the mark. | 0:20:22 | 0:20:24 | |
He also struck six deals | 0:20:24 | 0:20:25 | |
but has spent a bit more - £162.10. | 0:20:25 | 0:20:29 | |
So, as high noon approaches, | 0:20:29 | 0:20:32 | |
how do our gunslingers think it's gone? | 0:20:32 | 0:20:35 | |
Well, I can see The Axeman has been buying on a grand scale! | 0:20:35 | 0:20:38 | |
Well, I thought, you know - Axeman, wood. | 0:20:38 | 0:20:41 | |
Why not have a go? | 0:20:41 | 0:20:42 | |
That was my first purchase. | 0:20:42 | 0:20:44 | |
-Now, tell me what that's for. -It's for your saddles. | 0:20:44 | 0:20:47 | |
Hailing from Newmarket, how could I have turned that down? | 0:20:47 | 0:20:50 | |
Oh, right! I like your box, by the way. What's inside it? | 0:20:50 | 0:20:53 | |
Nothing! | 0:20:53 | 0:20:54 | |
-Except a little liner. -Oh, right! | 0:20:54 | 0:20:56 | |
So, it's a caddy of sorts. | 0:20:56 | 0:20:58 | |
-An eclectic mix. -And you've got a good eclectic mix, as well. | 0:20:58 | 0:21:01 | |
Well, I tried so hard not to go too heavy on the old ceramic front, | 0:21:01 | 0:21:05 | |
but the first thing I bought was this Derby Japan design milk jug. | 0:21:05 | 0:21:10 | |
I couldn't help it, with these three little figures. | 0:21:10 | 0:21:13 | |
When I was a small boy, everybody seemed to have these on their walls. | 0:21:13 | 0:21:17 | |
-Showing your age! -And this one I quite... Just keep still, will you? | 0:21:17 | 0:21:21 | |
This is an outrage! | 0:21:21 | 0:21:22 | |
Is that...? Well, there is... | 0:21:22 | 0:21:23 | |
I was going to say what a handsome fellow he was, actually. | 0:21:23 | 0:21:26 | |
And what about this - Holland & Holland? | 0:21:26 | 0:21:28 | |
-What's that full of, cartridges? -Well, I think so. | 0:21:28 | 0:21:30 | |
It's seen better days, but, you know, when I saw that, I thought... | 0:21:30 | 0:21:33 | |
-Oh, hang on - you've just written that on in Tipp-Ex! -No, no, no - | 0:21:33 | 0:21:36 | |
-it was probably owned by Queen Victoria. -Oh, no. -You know, cos... | 0:21:36 | 0:21:38 | |
-All in all, I have to say, not a bad morning's work. -Not a bad morning. | 0:21:38 | 0:21:43 | |
Mind you, I found it a little bit stressful towards the end, there. | 0:21:43 | 0:21:46 | |
-It's harder than it looks on telly. -Hey - say that to 'em again. | 0:21:46 | 0:21:50 | |
-BOTH: -It's harder than it looks on telly. | 0:21:50 | 0:21:52 | |
Well, Will, it's about to get a whole lot harder. | 0:21:56 | 0:21:59 | |
Our experts head home | 0:21:59 | 0:22:00 | |
and, from here on, it's all sell, sell, sell. | 0:22:00 | 0:22:03 | |
They must each move into top gear | 0:22:03 | 0:22:05 | |
and convert their prime purchases to premium profit. | 0:22:05 | 0:22:09 | |
But that is no simple task. | 0:22:09 | 0:22:11 | |
The best buyers aren't easy to come by, | 0:22:11 | 0:22:13 | |
so this requires real research, to rake in the revenue. | 0:22:13 | 0:22:16 | |
First, our boys need to analyse their luscious lots, | 0:22:16 | 0:22:20 | |
looking for any bright ideas. | 0:22:20 | 0:22:22 | |
Eric's at Knocker HQ in Buckinghamshire. | 0:22:22 | 0:22:24 | |
I think I came away with a few good buys. | 0:22:25 | 0:22:28 | |
I mean, I got three interesting characters... | 0:22:28 | 0:22:31 | |
I'm hoping to get in touch with a Bossons collector. | 0:22:31 | 0:22:35 | |
As tables go, the carving on these pieces | 0:22:35 | 0:22:39 | |
are just absolutely fantastic. | 0:22:39 | 0:22:42 | |
Then I've got a man who likes to feed squirrels. | 0:22:42 | 0:22:44 | |
I think it's called Lunchtime. It's by Royal Doulton | 0:22:44 | 0:22:47 | |
and, at one time, you could easily expect to pay £80-£100, | 0:22:47 | 0:22:52 | |
but the market is not what it was. | 0:22:52 | 0:22:54 | |
Next to that, a box, and it's tin plate, painted, | 0:22:54 | 0:22:57 | |
and it's all in a name. | 0:22:57 | 0:22:58 | |
And as for my Derby Japan pattern milk jug - | 0:22:58 | 0:23:03 | |
it's just a pity that it's got a couple of hairlines. | 0:23:03 | 0:23:06 | |
My Japanese plaque. I know somebody who deals | 0:23:06 | 0:23:09 | |
and specialises in great, great Oriental works of art. | 0:23:09 | 0:23:13 | |
Well, if you're watching, | 0:23:13 | 0:23:15 | |
Will Axon, I'm assuming that you've been through a baptism of fire. | 0:23:15 | 0:23:21 | |
The only thing I can hope, my dear boy, | 0:23:21 | 0:23:24 | |
is you don't get your fingers burnt. | 0:23:24 | 0:23:27 | |
So, is The Axeman feeling the heat? | 0:23:27 | 0:23:29 | |
He's back home near Newmarket and he's currently playing it cool. | 0:23:29 | 0:23:34 | |
I'm pretty pleased with what I've bought. | 0:23:34 | 0:23:36 | |
Starting with my favourite item. It's this oak saddle rack. | 0:23:36 | 0:23:39 | |
I'm pretty confident that I'm going to find a trainer in Newmarket | 0:23:39 | 0:23:42 | |
that's going to take that off my hands. | 0:23:42 | 0:23:44 | |
Working down, we've got this nice burrwood caddy - got some tips | 0:23:44 | 0:23:47 | |
from the vendor on how to just buff it up and get that colour up nice. | 0:23:47 | 0:23:51 | |
The two tiles. Both period Victorian tiles, | 0:23:51 | 0:23:54 | |
which are collectable. | 0:23:54 | 0:23:55 | |
They didn't cost me lot, bound to be a profit. | 0:23:55 | 0:23:58 | |
And then the silver golfer bottle top. | 0:23:58 | 0:24:01 | |
Kind of thing that would retail at over £100. | 0:24:01 | 0:24:04 | |
He cost me 20. | 0:24:04 | 0:24:05 | |
And then, to my left, here - surely Melford Hall | 0:24:05 | 0:24:07 | |
are going to want that to hang in their grand hall? | 0:24:07 | 0:24:10 | |
And, then, The Queen's Head. How do you do, Ma'am? | 0:24:10 | 0:24:13 | |
There she is - reminded me of a pub I used to drink in. | 0:24:13 | 0:24:16 | |
Of course, now the trouble is, it's turned into a private house. | 0:24:16 | 0:24:19 | |
Well, Eric, you've seen my runners and riders. | 0:24:19 | 0:24:22 | |
There can be only one winner - and, as they say round here, | 0:24:22 | 0:24:25 | |
I'm odds-on favourite. | 0:24:25 | 0:24:27 | |
Well, the new boy's sounding confident. | 0:24:27 | 0:24:29 | |
Let's hope the going's good for both of them, though. | 0:24:29 | 0:24:31 | |
Eric and Will get straight to work. | 0:24:31 | 0:24:34 | |
They delve deep into their contacts books, | 0:24:34 | 0:24:35 | |
digging for dazzling deals. | 0:24:35 | 0:24:37 | |
They must also think outside the box - | 0:24:37 | 0:24:40 | |
and hunt down people they've never met before. | 0:24:40 | 0:24:42 | |
But all this hard work could come to nothing - | 0:24:42 | 0:24:44 | |
until they've shaken on it and the money has changed hands, | 0:24:44 | 0:24:47 | |
no deal is ever sealed. | 0:24:47 | 0:24:49 | |
Eric is first out of the gate. | 0:24:49 | 0:24:51 | |
He travels into the capital to see an antiques dealer | 0:24:51 | 0:24:54 | |
he's known for 30 years. | 0:24:54 | 0:24:55 | |
Well, this is London's Camden Passage. | 0:24:57 | 0:24:59 | |
And for the past few decades, | 0:24:59 | 0:25:01 | |
it's been the home to many an antique dealer, | 0:25:01 | 0:25:04 | |
including a friend of mine, and he specialises in Japanese works of art. | 0:25:04 | 0:25:09 | |
So, I'm hoping that he's going to purchase my Japanese gong. | 0:25:09 | 0:25:15 | |
The plaque owes Eric £30, but will expert Kevin see more value? | 0:25:15 | 0:25:19 | |
Kevin, how are you doing? | 0:25:19 | 0:25:20 | |
-Fine, how are you? -Good to see you. | 0:25:20 | 0:25:22 | |
Well, it's lovely to find you in your emporium. | 0:25:22 | 0:25:26 | |
I've bought myself a Japanese work of art. | 0:25:26 | 0:25:28 | |
-I've seen sort of similar things, but they're usually on metal. -Mm-hm. | 0:25:28 | 0:25:32 | |
This is on wood. | 0:25:32 | 0:25:33 | |
What sort of date would you put on it? | 0:25:33 | 0:25:35 | |
I would say it's between Taisho and Showa, | 0:25:35 | 0:25:38 | |
or early Showa - 1930s. | 0:25:38 | 0:25:40 | |
Well, my opening gambit would be somewhere in the region | 0:25:40 | 0:25:43 | |
-of about £150. -Mm. | 0:25:43 | 0:25:46 | |
Well, I'd be happy to pay that. | 0:25:46 | 0:25:48 | |
-£150. -As usual. -You are a star. | 0:25:48 | 0:25:50 | |
-Thank you. -OK. -Thank you very much. | 0:25:50 | 0:25:52 | |
Well, that seemed a bit too easy. | 0:25:52 | 0:25:53 | |
Perhaps your opening play should have been a little bit higher, Eric. | 0:25:53 | 0:25:56 | |
Still, it's £120 profit without even breaking a sweat. | 0:25:56 | 0:26:00 | |
It's very unusual when a dealer will take something off you | 0:26:00 | 0:26:03 | |
at the asking price, but should I be bothered? | 0:26:03 | 0:26:07 | |
Well, no, because I made a good percentage return on what I spent | 0:26:07 | 0:26:10 | |
and, if Kevin can do the same, then I am delighted for him - | 0:26:10 | 0:26:14 | |
because that's what this business is all about. | 0:26:14 | 0:26:17 | |
You buy it, you sell it, you move it on. | 0:26:17 | 0:26:19 | |
And that's exactly what Will is hoping to do | 0:26:20 | 0:26:22 | |
with the framed print of Melford Hall that he bought for a fiver. | 0:26:22 | 0:26:25 | |
He's replaced the broken glass - that cost him another £4.78 - | 0:26:25 | 0:26:29 | |
and he's hoping to sell it | 0:26:29 | 0:26:31 | |
in the shadow of the real building in Suffolk. | 0:26:31 | 0:26:34 | |
I'm here to meet Veronica. | 0:26:34 | 0:26:36 | |
She works as a volunteer at Melford Hall | 0:26:36 | 0:26:38 | |
and she's expressed an interest in my print. | 0:26:38 | 0:26:41 | |
He's meeting her round the back, by the banqueting hall. | 0:26:41 | 0:26:43 | |
Well, at least it's not the tradesman's entrance, eh? | 0:26:43 | 0:26:46 | |
Well, Veronica, good morning. | 0:26:46 | 0:26:48 | |
And here is the print. | 0:26:48 | 0:26:50 | |
What do you think of it, now you've seen it in the flesh? | 0:26:50 | 0:26:52 | |
It's super, it's really a lovely picture. | 0:26:52 | 0:26:54 | |
-Tell me it's going to be hung in the hall, perhaps. -No. | 0:26:54 | 0:26:57 | |
All the volunteers are going to buy it | 0:26:57 | 0:26:59 | |
for a member of staff that's leaving. | 0:26:59 | 0:27:01 | |
-Oh! -So, we want him to be able to hang it in his office | 0:27:01 | 0:27:03 | |
and think of his lovely days with us all. | 0:27:03 | 0:27:05 | |
Oh, what a lovely gesture! | 0:27:05 | 0:27:07 | |
I'm thrilled that it's actually going to go to someone who's | 0:27:07 | 0:27:10 | |
-got a connection to the hall. -That's right. | 0:27:10 | 0:27:12 | |
So, I'm thinking - well, what would it cost you | 0:27:12 | 0:27:14 | |
to get a similar sort of print framed and glazed? | 0:27:14 | 0:27:17 | |
Maybe around the sort of £60 mark. How does that sound to you? | 0:27:17 | 0:27:21 | |
Um, could we, sort of, say a little bit less? | 0:27:21 | 0:27:24 | |
What about 55? | 0:27:24 | 0:27:25 | |
-Well, that sounds a deal to me. -Does that sound a deal? | 0:27:25 | 0:27:27 | |
-Sounds great. -Well, let's do it. Let's shake on it! | 0:27:27 | 0:27:30 | |
Well, that was nice and simple, too. | 0:27:30 | 0:27:32 | |
Will reaps the rewards - £45.22 profit. | 0:27:32 | 0:27:36 | |
So, both our superb salesmen are off the mark - | 0:27:36 | 0:27:39 | |
although Eric's way out in front, | 0:27:39 | 0:27:41 | |
so The Axeman must motor on to catch up. | 0:27:41 | 0:27:44 | |
His rival is determined to retain the advantage. | 0:27:44 | 0:27:47 | |
He's brought his three Bossons to Borehamwood. | 0:27:47 | 0:27:50 | |
I'm here to meet a gentleman who is a collector of Bossons pottery heads. | 0:27:50 | 0:27:56 | |
Now, I've not seen his collection, obviously, | 0:27:56 | 0:27:58 | |
and I'm looking forward to seeing it, | 0:27:58 | 0:28:00 | |
because I'm told it is what they call... | 0:28:00 | 0:28:02 | |
extensive. | 0:28:02 | 0:28:03 | |
You don't know the half of it, Eric. | 0:28:03 | 0:28:05 | |
Have a look at this! | 0:28:05 | 0:28:06 | |
Oh, my giddy aunt! | 0:28:08 | 0:28:10 | |
Steve and his wife Marion have over 800 Bossons. | 0:28:11 | 0:28:14 | |
As well as collecting, they also deal in them. | 0:28:14 | 0:28:18 | |
What a huge variety! | 0:28:18 | 0:28:20 | |
Is this a shared passion, Marion? | 0:28:20 | 0:28:22 | |
-Yes, it is. -It is. | 0:28:22 | 0:28:24 | |
I think it would have to be! | 0:28:24 | 0:28:25 | |
They really do look as though, when we close the door, | 0:28:25 | 0:28:28 | |
they'll start jabbering away to one another, don't they? | 0:28:28 | 0:28:31 | |
-Shall I show you? -Yes, please. | 0:28:31 | 0:28:33 | |
OK. | 0:28:33 | 0:28:34 | |
-Now, do you know him? -Yes. Life-boatman. | 0:28:34 | 0:28:36 | |
How do you know it's Life-boatman? | 0:28:36 | 0:28:38 | |
It's got its name on the bottom. | 0:28:38 | 0:28:39 | |
-Have you got him? -There he is. | 0:28:39 | 0:28:41 | |
Oh, you've got him. OK. | 0:28:41 | 0:28:43 | |
Well, we know who that is. That's Will Axon. | 0:28:43 | 0:28:45 | |
STEVE LAUGHS I bet you didn't know that, did you? | 0:28:45 | 0:28:47 | |
Something I've noticed with Bossons | 0:28:47 | 0:28:49 | |
-is that you've got to be very, careful with them... -Mm. | 0:28:49 | 0:28:51 | |
-..because this paint is so micro thin. -It can be repaired. -Can it? | 0:28:51 | 0:28:56 | |
To a certain extent, I do that myself. | 0:28:56 | 0:28:59 | |
-You do? -Yeah. -OK. | 0:28:59 | 0:29:01 | |
This was probably made in the tens of thousands. | 0:29:01 | 0:29:04 | |
I was hoping they were going to be worth about £10 each, | 0:29:04 | 0:29:07 | |
but if you think that's pie in the sky, tell me. | 0:29:07 | 0:29:09 | |
It's certainly more than we would be able to sell them on for. | 0:29:09 | 0:29:14 | |
OK, what would you like to go for? | 0:29:14 | 0:29:16 | |
I'm happy to offer you 20 for the three. | 0:29:16 | 0:29:19 | |
-20 for the three. -Yeah. | 0:29:19 | 0:29:20 | |
OK. That sees me with a profit, of sorts. | 0:29:20 | 0:29:24 | |
-Not a big one, but a profit that's worth having. OK. -OK? | 0:29:24 | 0:29:28 | |
Well, it all helps, Eric. | 0:29:28 | 0:29:29 | |
He takes his £5 profit and makes make his escape. | 0:29:29 | 0:29:33 | |
Much longer in there, and he'll start seeing little heads. | 0:29:33 | 0:29:36 | |
Bosson of Knocker, anyone? | 0:29:36 | 0:29:38 | |
Eric is still out in front, | 0:29:38 | 0:29:40 | |
but at this early stage it's anybody's game. | 0:29:40 | 0:29:43 | |
Talking of games, Will's pitched up at Bury St Edmunds Golf Club. | 0:29:43 | 0:29:46 | |
He's brought the silver golf bottle stopper - | 0:29:46 | 0:29:49 | |
his last-minute purchase that cost £20. | 0:29:49 | 0:29:52 | |
He's meeting the club's general manager. | 0:29:52 | 0:29:55 | |
Mike, thanks very much for seeing me. | 0:29:55 | 0:29:57 | |
Yeah, good afternoon, Will. | 0:29:57 | 0:29:58 | |
-You're waiting to see my silver golf stopper. -Yeah! | 0:29:58 | 0:30:01 | |
What do you think of it in the flesh? | 0:30:01 | 0:30:03 | |
Wow, very nice. Very nice indeed. | 0:30:03 | 0:30:05 | |
It's about circa 1980s. | 0:30:05 | 0:30:07 | |
If you went to try and buy one of these nowadays, retail, | 0:30:07 | 0:30:09 | |
that would cost you about £120, that sort of figure. | 0:30:09 | 0:30:13 | |
Now, bearing that in mind, is there an offer you can come at me with? | 0:30:13 | 0:30:18 | |
My opening offer probably would be around £90. | 0:30:18 | 0:30:21 | |
What if I came back to you with a little 9-iron chip onto the green, | 0:30:21 | 0:30:26 | |
and, hopefully, run near the hundred pound mark - | 0:30:26 | 0:30:29 | |
how does that sound? | 0:30:29 | 0:30:31 | |
I know what we can do. If you go on the putting green | 0:30:31 | 0:30:33 | |
and you can score yourself a hole in one, we'll give you £100 for it. | 0:30:33 | 0:30:37 | |
-Come on, then. Have you got a putter I can borrow? -Yes, we will do. | 0:30:37 | 0:30:40 | |
Oh, good game! Come on, let's go and have a look. | 0:30:40 | 0:30:42 | |
Yes, The Axeman's a good sport, but is he a good golfer? | 0:30:42 | 0:30:45 | |
Can he putt for profit? | 0:30:45 | 0:30:47 | |
Well, three balls on the putting green. | 0:30:47 | 0:30:50 | |
You get one of those balls in, I will pay you the full hundred pounds. | 0:30:50 | 0:30:53 | |
Good luck! | 0:30:53 | 0:30:54 | |
Right, here we go. | 0:30:54 | 0:30:55 | |
Ooh! | 0:30:58 | 0:30:59 | |
Pressure's on here. | 0:31:00 | 0:31:02 | |
Ugh! | 0:31:05 | 0:31:06 | |
Left, right... | 0:31:06 | 0:31:07 | |
Yes. | 0:31:11 | 0:31:12 | |
Ohh! | 0:31:12 | 0:31:14 | |
Oh! So close! | 0:31:14 | 0:31:17 | |
How unlucky is that? | 0:31:17 | 0:31:18 | |
-Very unlucky, Will. -Well, a deal is a deal. £90. | 0:31:18 | 0:31:22 | |
Oh, that was so unlucky! | 0:31:22 | 0:31:24 | |
His afternoon on the green has left him feeling blue, | 0:31:24 | 0:31:27 | |
but it's still a profit of £70, | 0:31:27 | 0:31:29 | |
and he's almost on a par with his rival. | 0:31:29 | 0:31:32 | |
Eric is hoping to drive through with his 1970s Doulton figure. | 0:31:32 | 0:31:36 | |
He's on his way to Piddlehinton in Dorset, | 0:31:36 | 0:31:39 | |
to meet Richard, who not only makes shepherds' huts for a living - | 0:31:39 | 0:31:42 | |
he's also involved in protecting wildlife - | 0:31:42 | 0:31:45 | |
such as the red squirrels on nearby Brownsea Island. | 0:31:45 | 0:31:48 | |
You can see what Eric's thinking here. | 0:31:48 | 0:31:50 | |
You do your bit for the Dorset Wildlife Trust. | 0:31:50 | 0:31:54 | |
We do, very much. | 0:31:54 | 0:31:56 | |
About a month ago we became a trade member of the Wildlife Trust. | 0:31:56 | 0:32:00 | |
We are building a hut for Chelsea. We're doing a trade stand this year. | 0:32:00 | 0:32:03 | |
In there are shelves and furniture items in there | 0:32:03 | 0:32:06 | |
and, maybe, the figurine could stand on one of the shelves. | 0:32:06 | 0:32:09 | |
-Well, it gives a message, doesn't it? -It does. Yeah, it does. | 0:32:09 | 0:32:12 | |
-It tells us about red squirrels - and I'm with you on that one. -Good. | 0:32:12 | 0:32:15 | |
-I only ever get to see them in the Lake District. -OK, yeah. | 0:32:15 | 0:32:18 | |
But it's such a joy. | 0:32:18 | 0:32:19 | |
Have a feel of the thing - because that's what ceramic's all about. | 0:32:19 | 0:32:23 | |
I was hoping for around about... | 0:32:23 | 0:32:26 | |
-sort of £60. -How about £50? | 0:32:26 | 0:32:30 | |
£50? | 0:32:30 | 0:32:32 | |
£50 sounds good enough for me. | 0:32:32 | 0:32:34 | |
How exciting! Eric's figure at the Chelsea Flower Show! | 0:32:34 | 0:32:37 | |
And all the better, | 0:32:37 | 0:32:39 | |
because he squirrels away a profit of £22. | 0:32:39 | 0:32:42 | |
But while he makes his way home from Dorset, | 0:32:42 | 0:32:44 | |
his competitor is in Cambridge | 0:32:44 | 0:32:46 | |
feeling bright-eyed and bushy-tailed. | 0:32:46 | 0:32:50 | |
Well, I'm back on my old stomping ground, Cambridge, | 0:32:50 | 0:32:52 | |
and the reason I'm here is to see Anita. | 0:32:52 | 0:32:54 | |
Now, her speciality is tiles, | 0:32:54 | 0:32:57 | |
so I'm here today to see if I can't add to her extensive collection. | 0:32:57 | 0:33:02 | |
Will he make a mint on his Minton? | 0:33:02 | 0:33:04 | |
He paid just over £7 for the two tiles. | 0:33:04 | 0:33:07 | |
Have a closer look and tell me what you think of these. | 0:33:07 | 0:33:12 | |
Well, this one, it's an encaustic made for floors. | 0:33:12 | 0:33:15 | |
It is Puginesque, and, actually, it's a lovely design. | 0:33:15 | 0:33:18 | |
We do have a set of these. | 0:33:18 | 0:33:20 | |
-I know it's got a little bit of damage and so on... -Yes, it has. | 0:33:20 | 0:33:22 | |
The condition's not wonderful. | 0:33:22 | 0:33:24 | |
And what about this one? I loved this one. | 0:33:24 | 0:33:26 | |
-Yeah, I do, too. -The majolica... -The colours are great. -Yeah. | 0:33:26 | 0:33:29 | |
That condition's perfectly acceptable for a moulded tile. | 0:33:29 | 0:33:32 | |
-Of course, we turn it over and it's nicely marked. -Yeah. Mintons. | 0:33:32 | 0:33:37 | |
It's about 1870, 1880. | 0:33:37 | 0:33:39 | |
-Mmm. -That period. -OK, yeah. -In fact, they both are. | 0:33:39 | 0:33:42 | |
Yes. | 0:33:42 | 0:33:43 | |
So, now I come to the crunch... of money. | 0:33:43 | 0:33:46 | |
What are they worth? | 0:33:46 | 0:33:48 | |
-£10 each is a nice round number. -Yes. I can do that. -Yes? | 0:33:48 | 0:33:51 | |
-I can do that, yes. -Well, I tell you what, let's shake on that. | 0:33:51 | 0:33:53 | |
-Right. -And it's been a pleasure doing business with you. | 0:33:53 | 0:33:56 | |
A small profit of £12.90. | 0:33:56 | 0:33:58 | |
Maybe he could have done with that extra 10p back at the car boot. | 0:33:58 | 0:34:02 | |
So, what does that do to the figures so far? | 0:34:02 | 0:34:05 | |
Eric Knowles has got off to a flying start - | 0:34:05 | 0:34:07 | |
three sales for a profit of £147. | 0:34:07 | 0:34:11 | |
Will Axon has also sold three times, | 0:34:11 | 0:34:14 | |
and is only marginally behind - | 0:34:14 | 0:34:16 | |
£128.12. | 0:34:16 | 0:34:18 | |
He still has his priciest item to sell | 0:34:18 | 0:34:21 | |
and, in the precarious world of antiques, | 0:34:21 | 0:34:23 | |
it could go either way. | 0:34:23 | 0:34:25 | |
So there's less than £20 in it, as our competitive pair | 0:34:25 | 0:34:29 | |
pull out all the stops in a final frantic round of selling. | 0:34:29 | 0:34:32 | |
Eric is next to draw something out of his arsenal - | 0:34:32 | 0:34:35 | |
his tin shooting box. | 0:34:35 | 0:34:37 | |
He's in Northampton to see Jordan, | 0:34:37 | 0:34:39 | |
who runs his family's country sports shop. | 0:34:39 | 0:34:41 | |
Eric found the place online. | 0:34:41 | 0:34:43 | |
So, I can see in your emporium here | 0:34:43 | 0:34:46 | |
that you cover all manner of country sports. | 0:34:46 | 0:34:50 | |
Yeah, yeah. We do everything, really. | 0:34:50 | 0:34:52 | |
It's a family business, started by my grandfather. | 0:34:52 | 0:34:55 | |
Just let me point out the box itself - | 0:34:55 | 0:34:58 | |
-I mean, it's all in a name. -Mm-hm. | 0:34:58 | 0:35:00 | |
-And that is the gunmakers that you can see on there. -Yeah. | 0:35:00 | 0:35:03 | |
-When it comes to the money side of it... -Mm-hm. | 0:35:03 | 0:35:06 | |
I was looking for around about the £50 mark, but...? | 0:35:06 | 0:35:09 | |
Right. What else do I get with it at that? | 0:35:09 | 0:35:11 | |
-You get the two handles... -Yeah. -..that are attached to it. | 0:35:11 | 0:35:15 | |
I mean, I had more of around the £30 mark in my mind. | 0:35:15 | 0:35:18 | |
-Do you think £40 might... -That sounds like a deal to me. | 0:35:18 | 0:35:21 | |
Put your hand there, lad. So, where are you going to put it? | 0:35:21 | 0:35:24 | |
Well I think we've got an idea with one of our tables over there, | 0:35:24 | 0:35:26 | |
-we might be able to do something with it. -OK, yeah. | 0:35:26 | 0:35:29 | |
Let's go and have a look. | 0:35:29 | 0:35:30 | |
So, Jordan straightaway adds it to his shop display | 0:35:30 | 0:35:33 | |
and Eric shoots in a profit of £15. | 0:35:33 | 0:35:37 | |
And he sets his sights on another little earner. | 0:35:37 | 0:35:39 | |
The Derby porcelain milk jug doubles its money. | 0:35:39 | 0:35:42 | |
Eric sells it to an antiques dealer in Berkshire for £20, | 0:35:42 | 0:35:45 | |
pouring in a £10 profit. | 0:35:45 | 0:35:48 | |
But as Eric edges further ahead, | 0:35:48 | 0:35:50 | |
Will's keeping him in the crosshairs. | 0:35:50 | 0:35:52 | |
He's preparing for a potential deal of his own | 0:35:52 | 0:35:54 | |
by polishing his burrwood caddy to within an inch of its life. | 0:35:54 | 0:35:58 | |
Well, I know it's only the first layer, | 0:35:59 | 0:36:01 | |
but that is definitely an improvement. | 0:36:01 | 0:36:04 | |
Just the other sides to do, now. | 0:36:05 | 0:36:07 | |
Will knows the importance of presentation, | 0:36:07 | 0:36:10 | |
but will his elbow grease be rewarded with a handsome return? | 0:36:10 | 0:36:13 | |
He paid £30 for the caddy | 0:36:13 | 0:36:15 | |
and he thinks that, during the last 100 years, | 0:36:15 | 0:36:17 | |
it may have been used as a humidor. | 0:36:17 | 0:36:19 | |
He's in North London to find out and, hopefully, flog it on. | 0:36:19 | 0:36:23 | |
I'm hoping that Mitchell the cigar merchant | 0:36:25 | 0:36:27 | |
is going to give me a decent profit on my burrwood caddy. | 0:36:27 | 0:36:31 | |
Well, if he doesn't, all thoughts of beating Eric | 0:36:31 | 0:36:33 | |
could go up in smoke. | 0:36:33 | 0:36:35 | |
Let's see how he gets on. | 0:36:35 | 0:36:37 | |
-Mitchell, nice to finally meet you. -Welcome. | 0:36:37 | 0:36:40 | |
Now, I've come here to show you something of my own, | 0:36:40 | 0:36:42 | |
which I hope will fit in nicely with the boxes you already have. | 0:36:42 | 0:36:46 | |
-OK. -Now, have a look at what I would call a burrwood caddy. | 0:36:46 | 0:36:50 | |
And inside it's got this lining. | 0:36:50 | 0:36:52 | |
Have you ever seen anything like it for cigars? | 0:36:52 | 0:36:56 | |
-Er, sorry to say, no. -Ohh! | 0:36:56 | 0:36:58 | |
I was worried you were going to say that. | 0:36:58 | 0:37:01 | |
-It's definitely not for tobacco. -Yeah. | 0:37:01 | 0:37:02 | |
It's definitely not for cigars. | 0:37:02 | 0:37:04 | |
Although it would make a very pretty antique humidor. | 0:37:04 | 0:37:07 | |
We'd have to change the lining on it, though. | 0:37:07 | 0:37:09 | |
For the cigar smoker - are they an essential piece of kit? | 0:37:09 | 0:37:12 | |
Completely essential. | 0:37:12 | 0:37:13 | |
If you want to keep your cigars in the correct condition, | 0:37:13 | 0:37:16 | |
so they continue to improve and mature - | 0:37:16 | 0:37:18 | |
or for immediate smoking, cigars have to be stored in a humidor. | 0:37:18 | 0:37:21 | |
-OK? -You do see a bit of potential in it? | 0:37:21 | 0:37:24 | |
It would be interesting, converted. | 0:37:24 | 0:37:25 | |
It would do the job for 25 Petit Corona-sized cigars. | 0:37:25 | 0:37:29 | |
Now, how does a nice, round number of, say, £100 sound? | 0:37:29 | 0:37:31 | |
£100 sounds too high to me. | 0:37:31 | 0:37:34 | |
We'd do it at £50. | 0:37:34 | 0:37:35 | |
-Can we meet somewhere in the middle? -Yeah, go on. -To be reasonable... | 0:37:35 | 0:37:38 | |
-Yes? -I'll go for £60. | 0:37:38 | 0:37:40 | |
-Deal. -Done. | 0:37:40 | 0:37:41 | |
-£60. -Pleasure doing business. -And you, sir. | 0:37:41 | 0:37:44 | |
It wasn't what he thought it was, | 0:37:44 | 0:37:46 | |
but the caddy still nets The Axeman a profit of £30. | 0:37:46 | 0:37:50 | |
Will's picked up his momentum again. | 0:37:50 | 0:37:52 | |
He sells the Queen's Head pub sign to a man in Cambridgeshire | 0:37:52 | 0:37:55 | |
who pays 50 quid, locking in another profit of £30. | 0:37:55 | 0:37:59 | |
Knocker Knowles has returned to London. | 0:37:59 | 0:38:02 | |
This time, he's brought his carved tables | 0:38:02 | 0:38:04 | |
from the Indian subcontinent. | 0:38:04 | 0:38:06 | |
He's hoping they'll curry favour with Foz, | 0:38:06 | 0:38:08 | |
who owns an Indian restaurant in the city. | 0:38:08 | 0:38:11 | |
Well, Foz, lovely to meet you. I'm going to have to put that down, | 0:38:11 | 0:38:13 | |
-just to even shake your hand. -You all right? | 0:38:13 | 0:38:15 | |
The thing that obviously catches my eye | 0:38:15 | 0:38:17 | |
is this amazing artwork that you've got. | 0:38:17 | 0:38:19 | |
So, this was made for us bespoke. | 0:38:19 | 0:38:22 | |
-Fantastic. -Of course it gives it a warmth, to the restaurant. | 0:38:22 | 0:38:26 | |
It does. So it's as well that you like wood, | 0:38:26 | 0:38:29 | |
because I've brought two carved wooden tables. | 0:38:29 | 0:38:31 | |
They are both beautifully carved. They're both individual. | 0:38:31 | 0:38:35 | |
How old do you think they could be? | 0:38:35 | 0:38:36 | |
I, personally, think that they're probably round about 1900, | 0:38:36 | 0:38:40 | |
-maybe 1920. -Wow. | 0:38:40 | 0:38:42 | |
So, I don't think that they were made in the 40 or 50 years. | 0:38:42 | 0:38:45 | |
My starting figure on something like this would probably | 0:38:45 | 0:38:48 | |
be around £90 or thereabouts. | 0:38:48 | 0:38:51 | |
-Yes, I do like them. -Yeah? | 0:38:51 | 0:38:53 | |
They have great detail. | 0:38:53 | 0:38:54 | |
However, my concern is this crack on the surface here. | 0:38:54 | 0:38:59 | |
Um...if I was to come in at £70? Are we getting near the mark? | 0:38:59 | 0:39:03 | |
-£70 will do it, yes. -OK, £70. Done deal. | 0:39:03 | 0:39:06 | |
OK, excellent. | 0:39:06 | 0:39:08 | |
Eric more than doubles his money on the tables - | 0:39:08 | 0:39:10 | |
£40 profit. | 0:39:10 | 0:39:12 | |
-MIMICS RACING COMMENTATOR: -And the smart money says | 0:39:13 | 0:39:16 | |
Knocker's way out in front as they come into the home stretch. | 0:39:16 | 0:39:19 | |
Final furlong now, with the saddle rack. He's chomping at the bit, | 0:39:19 | 0:39:22 | |
but will the £80 bet prove a final handicap, | 0:39:22 | 0:39:25 | |
or will he nose out in front? | 0:39:25 | 0:39:26 | |
Obviously, Will's popped into Newmarket. | 0:39:26 | 0:39:28 | |
He's heading to the famous Pegasus Stables, | 0:39:28 | 0:39:31 | |
built in the 1880s by legendary champion jockey Fred Archer. | 0:39:31 | 0:39:35 | |
Will is meeting Jacko, | 0:39:35 | 0:39:36 | |
the wife of top racehorse trainer James Fanshawe, | 0:39:36 | 0:39:39 | |
who now runs the yard. | 0:39:39 | 0:39:41 | |
This is the first time you've seen it in the flesh. | 0:39:41 | 0:39:43 | |
What do you think? | 0:39:43 | 0:39:45 | |
Well, I think it's very nice. I like it. | 0:39:45 | 0:39:47 | |
I think it was probably made at the same time as this yard. | 0:39:47 | 0:39:52 | |
Now, I was thinking... | 0:39:52 | 0:39:55 | |
-about the, sort of, £300 or £400 mark. -Ooh! | 0:39:55 | 0:39:58 | |
I was thinking less than half of that, Will! | 0:39:58 | 0:40:01 | |
-Really? So you were thinking, what, sort of around the 150 mark? -150. | 0:40:01 | 0:40:06 | |
Something like that. | 0:40:06 | 0:40:08 | |
So, I said 300-400. | 0:40:08 | 0:40:09 | |
I mean, I'd be willing to settle for the bottom figure. | 0:40:09 | 0:40:12 | |
£300. | 0:40:12 | 0:40:13 | |
SHE GASPS | 0:40:13 | 0:40:14 | |
The absolute maximum I think I could offer you is 200. | 0:40:14 | 0:40:19 | |
220, and I muck out a box. | 0:40:19 | 0:40:21 | |
-210. -Oh, you're a hard woman! That's £10 for my time?! | 0:40:21 | 0:40:26 | |
Go on, then. Put it there. | 0:40:26 | 0:40:27 | |
-Thank you. -MUSIC: "Black Beauty" Theme | 0:40:27 | 0:40:29 | |
Yes, the vintage saddle rack proves to be a dark horse | 0:40:29 | 0:40:32 | |
and Will's winnings total £130. | 0:40:32 | 0:40:35 | |
Although he's got a little job to do before he gets his payout. | 0:40:35 | 0:40:39 | |
Right, here you go, Will. | 0:40:39 | 0:40:40 | |
Make sure you tidy this box, and... | 0:40:40 | 0:40:43 | |
Bye-bye. | 0:40:43 | 0:40:45 | |
Well! Thanks very much, Jacko(!) | 0:40:45 | 0:40:47 | |
Oh, she's left me in it, hasn't she? Well! | 0:40:47 | 0:40:50 | |
Find somewhere to hang me coat... | 0:40:50 | 0:40:53 | |
Put my back into it. | 0:40:53 | 0:40:54 | |
Gosh, she's making me work, isn't she? | 0:40:54 | 0:40:56 | |
Job's a good 'un. | 0:40:56 | 0:40:58 | |
Have we ended on a photo finish | 0:40:58 | 0:41:00 | |
or did someone fall at the final fence? | 0:41:00 | 0:41:02 | |
Let's remind ourselves how much our runners and riders | 0:41:02 | 0:41:05 | |
spent at the car boot. | 0:41:05 | 0:41:06 | |
Both our boys went to Ford with £250 of their own money. | 0:41:06 | 0:41:10 | |
Eric "Knocker" Knowles had a good run | 0:41:10 | 0:41:12 | |
and spent £138. | 0:41:12 | 0:41:15 | |
Will "The Axeman" Axon galloped off, | 0:41:15 | 0:41:17 | |
sustained the pace | 0:41:17 | 0:41:19 | |
and spent a little more - £166.88, | 0:41:19 | 0:41:22 | |
including the cost of the new glass | 0:41:22 | 0:41:24 | |
for his print. | 0:41:24 | 0:41:25 | |
All of the profit that Eric and Will have made from today's challenge | 0:41:25 | 0:41:28 | |
will go to charities of their choice. | 0:41:28 | 0:41:30 | |
So, it's now time to reveal | 0:41:30 | 0:41:32 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:41:32 | 0:41:35 | |
-Well! -Oh, eh. -Here we go. | 0:41:35 | 0:41:38 | |
Car boot, car boot. | 0:41:38 | 0:41:39 | |
That was quite a car boot, though, wasn't it? | 0:41:39 | 0:41:41 | |
-Yeah! You enjoyed yourself there, did you? -I did. | 0:41:41 | 0:41:43 | |
I felt I was at a sort of - almost like an antique fair, quite frankly. | 0:41:43 | 0:41:46 | |
It had that sort of buzz about it. Tell me how you did. | 0:41:46 | 0:41:48 | |
Believe it or not, I found a good home for my last-minute | 0:41:48 | 0:41:52 | |
Royal Doulton figurine, man feeding two squirrels. | 0:41:52 | 0:41:55 | |
-I don't believe it! -No, no... -You found a buyer? | 0:41:55 | 0:41:57 | |
-It homed in on just the right person. -Good. | 0:41:57 | 0:41:59 | |
-What about yourself? -Well, I... Of course, my saddle rack, well... | 0:41:59 | 0:42:04 | |
-Oh, yes. -It had to be bought, didn't it? | 0:42:04 | 0:42:06 | |
-Newmarket boy, and all that. -Yeah. -So... -Good buy, that. -Yeah. | 0:42:06 | 0:42:09 | |
-She made me work for my profit. -Oh, did she? | 0:42:09 | 0:42:11 | |
-I was mucking out stables, Eric. Can you believe it? -Oh, really? | 0:42:11 | 0:42:14 | |
-Shall we do this? -Go on. On three. | 0:42:14 | 0:42:17 | |
One, two, three... | 0:42:17 | 0:42:19 | |
Pah-pah! | 0:42:19 | 0:42:20 | |
-BOTH: -Ooh! | 0:42:20 | 0:42:22 | |
-Well... -I love the symmetry of your number... -Yes! | 0:42:23 | 0:42:25 | |
-ERIC CHUCKLES -But I'm liking the size of mine. | 0:42:25 | 0:42:28 | |
The car boot is my chosen battlefield. | 0:42:28 | 0:42:32 | |
Tell me more about Newmarket - | 0:42:32 | 0:42:33 | |
I'm told it's quite the place to be these days. | 0:42:33 | 0:42:37 | |
So, the bookie's favourite is unseated | 0:42:37 | 0:42:40 | |
and Put Your Money's new recruit romps to victory. | 0:42:40 | 0:42:43 | |
Well, I was always feeling confident at the car boot, | 0:42:43 | 0:42:45 | |
but you never can tell, until your cards are on the table. | 0:42:45 | 0:42:48 | |
At the end of the day, I bought well and sold even better. | 0:42:48 | 0:42:51 | |
Ker-ching! | 0:42:51 | 0:42:53 | |
Well, that did not go according to plan. | 0:42:53 | 0:42:55 | |
And it's obvious to me that the lad from Newmarket | 0:42:55 | 0:42:58 | |
knows how to back a winner. | 0:42:58 | 0:42:59 | |
But Eric's a fighter. | 0:43:00 | 0:43:01 | |
He'll be back out in the ring tomorrow | 0:43:01 | 0:43:03 | |
looking for a knockout blow, | 0:43:03 | 0:43:05 | |
when our two traders slug it out at an antiques fair in Peterborough. | 0:43:05 | 0:43:09 |