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This is Put Your Money Where Your Mouth Is, | 0:00:04 | 0:00:06 | |
the show that pitches TV'S best-loved antiques experts | 0:00:06 | 0:00:08 | |
against each other in an all-out battle for profit... | 0:00:08 | 0:00:12 | |
Yee-haw! | 0:00:12 | 0:00:15 | |
..and gives you the insider's view of the trade! | 0:00:15 | 0:00:19 | |
Who's there? | 0:00:19 | 0:00:22 | |
Each week, one pair of duelling dealers will face | 0:00:22 | 0:00:24 | |
a different daily challenge... | 0:00:24 | 0:00:27 | |
The Axeman! | 0:00:27 | 0:00:28 | |
Grr! | 0:00:28 | 0:00:30 | |
..putting their reputations on the line... | 0:00:30 | 0:00:32 | |
Ready for the ball. | 0:00:32 | 0:00:35 | |
..and giving you their top tips and savvy secrets on how | 0:00:35 | 0:00:38 | |
to make the most money from buying and selling. | 0:00:38 | 0:00:42 | |
Get in there! | 0:00:42 | 0:00:45 | |
Today, Lord of Ceramics Eric Knowles takes on ace auctioneer | 0:00:47 | 0:00:49 | |
Will Axon at an antiques fair in Cambridgeshire. | 0:00:49 | 0:00:54 | |
Coming up... | 0:00:54 | 0:00:55 | |
The Prince of Porcelain becomes King of Bling. | 0:00:55 | 0:00:59 | |
But is it me? | 0:00:59 | 0:01:01 | |
That's what I want to know, is it really me? | 0:01:01 | 0:01:03 | |
Will's military buy backfires... | 0:01:03 | 0:01:05 | |
That is a really big hit for me to take. | 0:01:05 | 0:01:08 | |
I know, but, you know, I can't feel sorry for your bad | 0:01:08 | 0:01:11 | |
buys, unfortunately. | 0:01:11 | 0:01:12 | |
..and a top TV naturalist ruffles Eric's feathers. | 0:01:12 | 0:01:16 | |
I would come in at around about 95 quid. | 0:01:16 | 0:01:19 | |
95...! | 0:01:19 | 0:01:20 | |
Oh, don't do that to me! | 0:01:20 | 0:01:22 | |
This is Put Your Money Where Your Mouth Is. | 0:01:22 | 0:01:25 | |
Welcome, antiques adventurers everywhere, to another | 0:01:40 | 0:01:42 | |
competitive curio contest. | 0:01:42 | 0:01:46 | |
Two purchasing protagonists will battle for the number one spot | 0:01:46 | 0:01:48 | |
to become top of the deal makers. | 0:01:48 | 0:01:52 | |
Their aim is to achieve some record buys, spin them round and sell them | 0:01:52 | 0:01:55 | |
on for platinum profits. | 0:01:55 | 0:01:59 | |
First up is the guru of antiques, the man who can spot pucker | 0:01:59 | 0:02:02 | |
porcelain from 50 paces and who never fails to chart. | 0:02:02 | 0:02:07 | |
He's a golden oldie, Lancashire's own... | 0:02:07 | 0:02:11 | |
All I want now is something called a bargain. | 0:02:14 | 0:02:17 | |
His challenger is a man on a mission, a young | 0:02:18 | 0:02:21 | |
gun who's going for it, armed with his cheeky smile. | 0:02:21 | 0:02:24 | |
It's the artwork authority, Suffolk's greatest, it's... | 0:02:24 | 0:02:30 | |
Chop The Knocker down! | 0:02:30 | 0:02:32 | |
Only joking, Eric. | 0:02:32 | 0:02:35 | |
Now, Will has crossed the fence because today's deadly duel takes | 0:02:35 | 0:02:38 | |
place in an antiques fair at the East of England | 0:02:38 | 0:02:40 | |
Showground in Peterborough. | 0:02:40 | 0:02:42 | |
And this is a big one. | 0:02:42 | 0:02:44 | |
1,700 stands, both indoors and out. | 0:02:44 | 0:02:47 | |
So, our experts will need to cover the ground quick smart | 0:02:47 | 0:02:49 | |
if they are to take top billing. | 0:02:49 | 0:02:51 | |
They've each brought ?750 of their own money to spend. | 0:02:51 | 0:02:55 | |
And any profits they make, will go to charities of their choice. | 0:02:55 | 0:02:59 | |
So, Eric Knowles and Will Axon, the countdown is over, | 0:02:59 | 0:03:02 | |
it is now time to Put Your Money Where Your Mouth Is. | 0:03:02 | 0:03:06 | |
Good morning, Eric. | 0:03:09 | 0:03:10 | |
Good morning, yeah. | 0:03:10 | 0:03:16 | |
Bright and early. | 0:03:16 | 0:03:17 | |
Well, this is Peterborough, | 0:03:17 | 0:03:18 | |
the East of England Showground, and not a hill in sight. | 0:03:18 | 0:03:21 | |
Well, welcome to my world. | 0:03:21 | 0:03:22 | |
Yes! | 0:03:22 | 0:03:23 | |
It's very flat, but there is a lot of sky. | 0:03:23 | 0:03:25 | |
Well, that is true. | 0:03:25 | 0:03:26 | |
How much have you got to spend? | 0:03:26 | 0:03:28 | |
I've got a whole 750 in my pocket, burning a hole. | 0:03:28 | 0:03:31 | |
Me too, me too. | 0:03:31 | 0:03:31 | |
And I suppose the next question is, what do you intend to spend | 0:03:31 | 0:03:35 | |
it on, my dear friend? | 0:03:35 | 0:03:36 | |
Other than wine, women and song, I thought maybe a few | 0:03:36 | 0:03:39 | |
antiques might be in order. | 0:03:39 | 0:03:40 | |
But it is hard to predict, isn't it? | 0:03:40 | 0:03:42 | |
I think we should get rid of some of that cash, don't you? | 0:03:42 | 0:03:45 | |
Good idea. | 0:03:45 | 0:03:46 | |
Tell you what, let's meet up halfway, see how we are doing, OK? | 0:03:46 | 0:03:49 | |
All right. | 0:03:49 | 0:03:50 | |
In the meantime, I'm going looking for a hill. | 0:03:50 | 0:03:52 | |
Yes, you might want to give up on that right now. | 0:03:52 | 0:03:55 | |
The only hills you are likely to find round here are mole hills. | 0:03:55 | 0:03:58 | |
So, Eric strides off intent on winning. | 0:03:58 | 0:04:00 | |
He knows he is on Will's territory. | 0:04:00 | 0:04:01 | |
The Axeman, when he cometh, he seeth he recogniseth and he buyeth. | 0:04:01 | 0:04:04 | |
So I have just got to try and be one step ahead of him. | 0:04:04 | 0:04:07 | |
Oh, watch him go, full throttle! | 0:04:07 | 0:04:10 | |
But what about his rival? | 0:04:10 | 0:04:11 | |
Any tactics, Will? | 0:04:11 | 0:04:13 | |
There is such a varied number of stalls and items | 0:04:13 | 0:04:17 | |
on them that you never know what you are going to find, | 0:04:17 | 0:04:20 | |
so you just really have got to have a browse, | 0:04:20 | 0:04:22 | |
have a look, see what takes your fancy. | 0:04:22 | 0:04:24 | |
If it gets you in the gut, get it bought. | 0:04:24 | 0:04:26 | |
Aye-aye. | 0:04:26 | 0:04:28 | |
Yes, and try not to get run over! | 0:04:28 | 0:04:30 | |
So he sprints off as well. | 0:04:30 | 0:04:32 | |
Eric may have his foot firmly on the pedal, | 0:04:32 | 0:04:34 | |
but it is Will who sees something first, something that appeals | 0:04:34 | 0:04:37 | |
to his dark sense of humour. | 0:04:37 | 0:04:39 | |
Well, he is The Axeman after all. | 0:04:39 | 0:04:42 | |
I spotted on the ground here these painted saws. | 0:04:42 | 0:04:45 | |
These have been sign written. | 0:04:45 | 0:04:48 | |
I think it is a bit of fun, isn't it? | 0:04:48 | 0:04:50 | |
Because that is one way of removing a tattoo is to take a whole arm off. | 0:04:50 | 0:04:54 | |
It is the sort of humour that I think would appeal | 0:04:54 | 0:04:57 | |
to a tattoo artist. | 0:04:57 | 0:04:58 | |
I do like that one with the extra handle, just to give | 0:04:58 | 0:05:01 | |
that extra purchase. | 0:05:01 | 0:05:02 | |
How much are they? | 0:05:02 | 0:05:03 | |
They're usually 25. | 0:05:03 | 0:05:04 | |
20 for that. | 0:05:04 | 0:05:05 | |
Yeah, let's do that at ?20. | 0:05:05 | 0:05:06 | |
Is that all right? | 0:05:06 | 0:05:08 | |
Lovely. | 0:05:08 | 0:05:09 | |
Well, that didn't cost an arm and a leg... | 0:05:09 | 0:05:11 | |
Yet. | 0:05:11 | 0:05:12 | |
Will is off and running and pleased with his macabre purchase. | 0:05:12 | 0:05:16 | |
I haven't bought a rare antique here. | 0:05:16 | 0:05:17 | |
It is a period saw, probably early 20th century. | 0:05:17 | 0:05:20 | |
But it has been up cycled. | 0:05:20 | 0:05:24 | |
And really it just appealed to my dark sense of humour. | 0:05:24 | 0:05:26 | |
Hopefully, there will be a tattooist out there that shares my view. | 0:05:26 | 0:05:30 | |
Well, let's hope so. | 0:05:30 | 0:05:32 | |
Now, Eric has moved indoors and the Put Your Money games masters | 0:05:32 | 0:05:35 | |
have set a light-hearted challenge for our Knocker today - | 0:05:35 | 0:05:38 | |
don't buy breakables. | 0:05:38 | 0:05:41 | |
But he is finding the lure of his lovelies hard to resist. | 0:05:41 | 0:05:44 | |
Without knowing, I am being drawn towards Art Deco. | 0:05:44 | 0:05:47 | |
It is behind me. | 0:05:47 | 0:05:48 | |
And I see things on there and I think, "Oh, I like | 0:05:48 | 0:05:51 | |
that and I like that." | 0:05:51 | 0:05:53 | |
But, hey, a fella can look, can't he? | 0:05:53 | 0:05:57 | |
Yes, but keep your distance. | 0:05:57 | 0:05:59 | |
Outside, Will is up post with a couple of auction notices. | 0:05:59 | 0:06:03 | |
They are rather fun, aren't they? | 0:06:03 | 0:06:05 | |
Yarmouth, that's not a million miles away from me. | 0:06:05 | 0:06:08 | |
Are these your...your auction posters at the front there? | 0:06:08 | 0:06:10 | |
Yeah. | 0:06:10 | 0:06:11 | |
I see you've got ?30 on both of them. | 0:06:11 | 0:06:14 | |
What is your very best? | 0:06:14 | 0:06:15 | |
Could I be cheeky and say 40 for the two? | 0:06:15 | 0:06:18 | |
45 for the two? | 0:06:18 | 0:06:19 | |
I tell you what, I'm going to say yes to that. | 0:06:19 | 0:06:22 | |
?45. | 0:06:22 | 0:06:24 | |
One more item under my belt. | 0:06:24 | 0:06:26 | |
25% off, not bad, and maybe he'll get a jolly to the seaside. | 0:06:26 | 0:06:32 | |
The font, the way they are laid out on the page, it is really bold | 0:06:32 | 0:06:35 | |
and striking, isn't it? | 0:06:35 | 0:06:36 | |
But what I love as well is, they come with this little | 0:06:36 | 0:06:39 | |
solicitor's paper here, which is actually detailing the sale | 0:06:39 | 0:06:41 | |
of a four-bedroom house with gardens and a coach house. | 0:06:41 | 0:06:46 | |
How much do you think he paid for it? | 0:06:46 | 0:06:48 | |
Well, according to this, ?750. | 0:06:48 | 0:06:52 | |
Easy to date. | 0:06:52 | 0:06:53 | |
This was 1871. | 0:06:53 | 0:06:56 | |
I think I am onto a winner. | 0:06:56 | 0:06:57 | |
So, Will is steering ahead. | 0:06:57 | 0:07:00 | |
As for Eric, he is inside in the warm. | 0:07:00 | 0:07:02 | |
And his eye has been caught by a necklace. | 0:07:02 | 0:07:04 | |
It is quite a stylish piece of jewellery there, | 0:07:04 | 0:07:06 | |
which I actually recognise. | 0:07:06 | 0:07:07 | |
And it is a man called Jakob Bengel. | 0:07:07 | 0:07:09 | |
And he's working in Germany in the 1920s. | 0:07:09 | 0:07:14 | |
He uses this red, what looks like plastic. | 0:07:14 | 0:07:16 | |
The technical term is galalith. | 0:07:16 | 0:07:19 | |
It is priced at 165. | 0:07:19 | 0:07:22 | |
I'm tempted. | 0:07:22 | 0:07:24 | |
Is 130 cash going to buy that necklace? | 0:07:24 | 0:07:27 | |
130 cash, you got it. | 0:07:27 | 0:07:28 | |
130 cash. | 0:07:28 | 0:07:29 | |
I am going to live dangerously. | 0:07:29 | 0:07:32 | |
Mm, he is off the mark in a big way, launching himself into the game | 0:07:32 | 0:07:36 | |
with a massive spend. | 0:07:36 | 0:07:38 | |
But is it me? | 0:07:38 | 0:07:39 | |
That's what I want to know. | 0:07:39 | 0:07:40 | |
Is it really me? | 0:07:40 | 0:07:41 | |
Truthfully, Eric? | 0:07:41 | 0:07:43 | |
No. | 0:07:43 | 0:07:45 | |
But then you are going to sell it on for profit, so that's fine. | 0:07:45 | 0:07:48 | |
Good job he is in the warm because his blood would run cold | 0:07:48 | 0:07:51 | |
if he saw what Will has just bought - a breakable! | 0:07:51 | 0:07:54 | |
And he spent a hefty wad of cash, too - ?190. | 0:07:54 | 0:07:57 | |
I think Eric might be a bit jealous of this buy. | 0:07:57 | 0:08:00 | |
Period French Art Deco, pressed, signed. | 0:08:00 | 0:08:03 | |
I think I'm onto a winner here. | 0:08:03 | 0:08:06 | |
Well, we'll have to wait and see. | 0:08:06 | 0:08:08 | |
Now, Eric is still indoors. | 0:08:08 | 0:08:09 | |
And what is this? | 0:08:09 | 0:08:10 | |
Getting cosy with a pot, it seems. | 0:08:10 | 0:08:14 | |
All right, I know it is pottery. | 0:08:14 | 0:08:15 | |
I know it is ceramic. | 0:08:15 | 0:08:16 | |
But... | 0:08:16 | 0:08:17 | |
Oh! | 0:08:17 | 0:08:19 | |
There is a connection here. | 0:08:19 | 0:08:21 | |
Let me have a quick word with this lady. | 0:08:21 | 0:08:23 | |
What would be the best on that? | 0:08:23 | 0:08:25 | |
42. | 0:08:25 | 0:08:26 | |
?42? | 0:08:26 | 0:08:27 | |
Madame, put your hand there. | 0:08:27 | 0:08:29 | |
Look how happy it has made him! | 0:08:29 | 0:08:31 | |
You can't hold it against him. | 0:08:31 | 0:08:33 | |
I've bought a early Victorian relief moulded jug that features | 0:08:33 | 0:08:35 | |
an American called Mr Van Amburgh. | 0:08:35 | 0:08:42 | |
And he was the lion tamer. | 0:08:42 | 0:08:46 | |
The moulding is so nice and crisp. | 0:08:46 | 0:08:49 | |
And that is what you are looking for in a jug like that. | 0:08:49 | 0:08:52 | |
They say a picture tells a story, well, there's a jug | 0:08:52 | 0:08:55 | |
with a story to tell. | 0:08:55 | 0:08:58 | |
And let's hope it brings you a roaring profit, Eric. | 0:08:58 | 0:09:01 | |
So he is catching up with his rival - two purchases to Will's three. | 0:09:01 | 0:09:04 | |
But The Axeman is intent on keeping the advantage. | 0:09:04 | 0:09:08 | |
Let's have a look at some of the cattle sheds and see | 0:09:08 | 0:09:11 | |
if there's anything in there. | 0:09:11 | 0:09:12 | |
Yes, a little eye relief from the cruel Cambridgeshire cold. | 0:09:12 | 0:09:15 | |
He doesn't hang about, our Will. | 0:09:15 | 0:09:17 | |
Very quickly, he is tempted by an outdoor pursuit, | 0:09:17 | 0:09:20 | |
something for a genteel afternoon on the lawn. | 0:09:20 | 0:09:25 | |
The croquet set. | 0:09:25 | 0:09:26 | |
Yeah. | 0:09:26 | 0:09:27 | |
Is it all there? | 0:09:27 | 0:09:28 | |
It looks like it is. | 0:09:28 | 0:09:29 | |
I think so. | 0:09:29 | 0:09:30 | |
What sort of money can it be? | 0:09:30 | 0:09:32 | |
Um... | 0:09:32 | 0:09:33 | |
Well, it'll have to be 70. | 0:09:33 | 0:09:34 | |
At ?50, I'd have a go at that. | 0:09:34 | 0:09:36 | |
60. | 0:09:36 | 0:09:38 | |
Let's do it, ?60. | 0:09:38 | 0:09:39 | |
Yeah. | 0:09:39 | 0:09:40 | |
Yes, The Axeman knocks another one out of the park. | 0:09:40 | 0:09:43 | |
As far as the manufacturer is concerned, they are well known | 0:09:43 | 0:09:45 | |
for making this type of thing. | 0:09:45 | 0:09:47 | |
To buy one new, today, with a wooden box is about ?340. | 0:09:47 | 0:09:53 | |
So I think 60 sounds like a bargain. | 0:09:53 | 0:09:56 | |
Yes, he is pleased with that one. | 0:09:56 | 0:09:59 | |
But Eric is still wandering around inside. | 0:09:59 | 0:10:00 | |
Not getting very far, if we're honest. | 0:10:00 | 0:10:03 | |
It looks like I am at a crockery collectors' club convention. | 0:10:03 | 0:10:07 | |
Will, though, strides on. | 0:10:07 | 0:10:09 | |
And moments later, he finds a wool work picture. | 0:10:09 | 0:10:13 | |
It's unusual in the fact that it incorporates this photograph | 0:10:13 | 0:10:15 | |
in the centre of this chap here, who is obviously part | 0:10:15 | 0:10:18 | |
of the Lincoln Regiment, the First Battalion. | 0:10:18 | 0:10:21 | |
Dated 1901. | 0:10:21 | 0:10:24 | |
And how much have you got on your wool work picture? | 0:10:24 | 0:10:26 | |
I have 250, but you could have it for 200. | 0:10:26 | 0:10:29 | |
?200. | 0:10:29 | 0:10:30 | |
I'll leave it for the moment, but you may well see me again. | 0:10:30 | 0:10:33 | |
Mm, always risky to walk away. | 0:10:33 | 0:10:36 | |
It might not be there when you get back. | 0:10:36 | 0:10:38 | |
Eric is STILL inside. | 0:10:38 | 0:10:40 | |
And he has fallen in love again. | 0:10:40 | 0:10:42 | |
Now, I know what you are thinking, is it ceramic? | 0:10:42 | 0:10:45 | |
Is it glass? | 0:10:45 | 0:10:46 | |
Is it a pot? | 0:10:46 | 0:10:47 | |
No, it is more jewellery. | 0:10:47 | 0:10:49 | |
Go, Eric! | 0:10:49 | 0:10:50 | |
I'm attracted to your Jensen. | 0:10:50 | 0:10:53 | |
I like the one with the dolphins on it. | 0:10:53 | 0:10:56 | |
They're 275. | 0:10:56 | 0:10:56 | |
Yeah. | 0:10:56 | 0:10:57 | |
But I do know they can go for over 300. | 0:10:57 | 0:11:00 | |
There is movement on the price. | 0:11:00 | 0:11:01 | |
Is there? | 0:11:01 | 0:11:04 | |
Where would it move to? | 0:11:04 | 0:11:05 | |
Just so I know. | 0:11:05 | 0:11:06 | |
225. | 0:11:06 | 0:11:07 | |
225, OK. | 0:11:07 | 0:11:08 | |
Let me...let me give that some consideration. | 0:11:08 | 0:11:10 | |
Eric is intrigued by the silver dolphin brooch. | 0:11:10 | 0:11:12 | |
And not sure if he should take a 50-50 gamble, | 0:11:12 | 0:11:14 | |
he decides to phone a friend. | 0:11:14 | 0:11:18 | |
And if it is post-war? | 0:11:18 | 0:11:22 | |
Post-war, 300 to 400. | 0:11:22 | 0:11:23 | |
Eric's expert pal tells him the profit | 0:11:23 | 0:11:25 | |
would depend on the age. | 0:11:25 | 0:11:26 | |
Armed with the extra info, Knocker returns to the lady. | 0:11:26 | 0:11:29 | |
Well, I'm back. | 0:11:29 | 0:11:32 | |
Could I have another look? | 0:11:32 | 0:11:34 | |
I tell you what, I am going to live dangerously. | 0:11:34 | 0:11:36 | |
I am happy to pay 220. | 0:11:36 | 0:11:39 | |
Thank you very much indeed. | 0:11:39 | 0:11:41 | |
Thank you. | 0:11:41 | 0:11:43 | |
He gets another fiver off the price, but it is still | 0:11:43 | 0:11:45 | |
a good chunk of money. | 0:11:45 | 0:11:47 | |
The dolphin brooch takes him out of the shallows, | 0:11:47 | 0:11:49 | |
but will it sink or swim? | 0:11:49 | 0:11:51 | |
So, Georg Jensen, I mean, is a legend in Danish silver making. | 0:11:51 | 0:11:56 | |
What I've got to determine is whether that mark places | 0:11:56 | 0:11:59 | |
it in between the wars or whether it is post-war. | 0:11:59 | 0:12:03 | |
You could say that it is not an open and shut case. | 0:12:03 | 0:12:07 | |
Mm, more investigation needed then. | 0:12:07 | 0:12:09 | |
Now, our dynamic duo are flying around the fair, | 0:12:09 | 0:12:13 | |
so let's see how the figures are stacking up. | 0:12:13 | 0:12:16 | |
Both our boys started the day with ?750 of their own money. | 0:12:16 | 0:12:20 | |
Eric took his time at the beginning, but warmed up quickly. | 0:12:20 | 0:12:23 | |
His three items have cost him ?392, leaving ?358 in the kitty. | 0:12:23 | 0:12:30 | |
Will, however, went at it hammer and tongs and has bought | 0:12:30 | 0:12:32 | |
more for less money. | 0:12:32 | 0:12:34 | |
Four purchases for ?315, so there is ?435 left in his budget. | 0:12:34 | 0:12:37 | |
So, who's seen the light and who's still in the dark? | 0:12:37 | 0:12:47 | |
Oh, look out. | 0:12:49 | 0:12:51 | |
Gol! | 0:12:51 | 0:12:52 | |
What's this? | 0:12:52 | 0:12:53 | |
I've been in there for so long, my eyes need adjusting. | 0:12:53 | 0:12:56 | |
The sun has been shining all morning. | 0:12:56 | 0:12:58 | |
What have you got? | 0:12:58 | 0:12:59 | |
I've bought a few items, some nice pieces, something that | 0:12:59 | 0:13:01 | |
might be up your street as well as... | 0:13:01 | 0:13:03 | |
Oh! | 0:13:03 | 0:13:04 | |
..something up mine. | 0:13:04 | 0:13:05 | |
I know in there, it is all ceramics and glass, isn't it? | 0:13:05 | 0:13:08 | |
I tell you, it is very difficult to bypass it. | 0:13:08 | 0:13:10 | |
I am trying so hard. | 0:13:10 | 0:13:12 | |
I've actually bought a couple of bits of jewellery. | 0:13:12 | 0:13:14 | |
How much money you got left? | 0:13:14 | 0:13:15 | |
Spent out? | 0:13:15 | 0:13:16 | |
It's not spending power. | 0:13:16 | 0:13:17 | |
For me, it's muscle. | 0:13:17 | 0:13:18 | |
OK? | 0:13:18 | 0:13:19 | |
It's muscle. | 0:13:19 | 0:13:20 | |
And I intend to flex. | 0:13:20 | 0:13:22 | |
Listen, you have a good one. | 0:13:22 | 0:13:23 | |
Crack on. | 0:13:23 | 0:13:24 | |
Remember, we are in this together. | 0:13:24 | 0:13:27 | |
LAUGHING: "We are in this together." | 0:13:27 | 0:13:29 | |
But there is only one winner. | 0:13:29 | 0:13:30 | |
Ah, how very true. | 0:13:30 | 0:13:32 | |
And Knocker nips back in the warm to make sure that it is him. | 0:13:32 | 0:13:35 | |
Wily Will slips back into the cattle sheds, | 0:13:35 | 0:13:37 | |
and is determined to get round as many stalls as he can. | 0:13:37 | 0:13:42 | |
Hello there. | 0:13:42 | 0:13:43 | |
Hello. | 0:13:43 | 0:13:44 | |
How much is on your silk pictures? | 0:13:44 | 0:13:46 | |
?820. | 0:13:46 | 0:13:47 | |
820. | 0:13:47 | 0:13:48 | |
That would blow my budget out of the water, but thank you anyway. | 0:13:48 | 0:13:51 | |
Enjoyed seeing them. | 0:13:51 | 0:13:53 | |
Eric has been trying to avoid it, but he has succumb | 0:13:53 | 0:13:55 | |
to the pull of the porcelain. | 0:13:55 | 0:13:57 | |
And something strange has happened, the lights have come up, | 0:13:57 | 0:13:59 | |
he has got his groove on and suddenly come | 0:13:59 | 0:14:01 | |
over all Tony Blackburn. | 0:14:01 | 0:14:05 | |
So, welcome, pot pickers, to another Top Of The Pots. | 0:14:05 | 0:14:09 | |
And coming in at number ten this week, we've got | 0:14:09 | 0:14:12 | |
the Carlton Ware Chinoiserie jar and cover. | 0:14:12 | 0:14:17 | |
Staying in there at number nine, the Maling Ware jug, | 0:14:17 | 0:14:19 | |
yes, from Newcastle. | 0:14:19 | 0:14:22 | |
Number eight, yes, the Toby Jug. | 0:14:22 | 0:14:24 | |
And coming in at number seven, it's the Royal Doulton | 0:14:24 | 0:14:27 | |
character jug of Montgomery. | 0:14:27 | 0:14:30 | |
Followed by number six this week, pair of Staffordshire dogs. | 0:14:30 | 0:14:34 | |
And a newcomer at number five. | 0:14:34 | 0:14:36 | |
Yes, it's the Clarice Cliff Crocus Pattern tea tableware. | 0:14:36 | 0:14:40 | |
Followed closely by, believe it or not, | 0:14:40 | 0:14:42 | |
the Royal Doulton Norfolk plate. | 0:14:42 | 0:14:45 | |
At number three is the Shelley Vogue china tea set. | 0:14:45 | 0:14:49 | |
And at number two, the Susie Cooper reproduction plate. | 0:14:49 | 0:14:54 | |
And finally, yes, it's this week's number one Top Of The Pots, | 0:14:54 | 0:14:58 | |
it is the Enid Seeney Homemaker plate. | 0:14:58 | 0:15:02 | |
Yes! | 0:15:02 | 0:15:03 | |
By Ridgway! | 0:15:03 | 0:15:06 | |
Did that really just happen? | 0:15:06 | 0:15:09 | |
Time for Eric to get some fresh air. | 0:15:09 | 0:15:11 | |
And as soon as he is outdoors, he is rather taken with | 0:15:11 | 0:15:14 | |
a wooden decoy duck. | 0:15:14 | 0:15:16 | |
What species of duck is that? | 0:15:16 | 0:15:18 | |
Bluebill. | 0:15:18 | 0:15:19 | |
A bluebill. | 0:15:19 | 0:15:21 | |
So ?55 gets me a decoy duck. | 0:15:21 | 0:15:23 | |
Yep. | 0:15:23 | 0:15:24 | |
Put you hands there and I will give you ?55, is that OK? | 0:15:24 | 0:15:27 | |
That's all right, yep. | 0:15:27 | 0:15:29 | |
So, ?55. | 0:15:29 | 0:15:30 | |
If you give me one of those blue ones... | 0:15:30 | 0:15:32 | |
Did we say 55? | 0:15:32 | 0:15:33 | |
55. | 0:15:33 | 0:15:34 | |
Yes. | 0:15:34 | 0:15:35 | |
Is this on camera? | 0:15:35 | 0:15:36 | |
Yes. | 0:15:36 | 0:15:37 | |
What are they? | 0:15:37 | 0:15:39 | |
Oh, I'm so sorry! | 0:15:39 | 0:15:42 | |
I do apologise. | 0:15:42 | 0:15:43 | |
There we go. | 0:15:43 | 0:15:44 | |
Eh... | 0:15:44 | 0:15:45 | |
One, two, three, four. | 0:15:45 | 0:15:47 | |
There is six of those. | 0:15:47 | 0:15:48 | |
Six of those. | 0:15:48 | 0:15:49 | |
So it is six of one and I'll have not half a dozen, | 0:15:49 | 0:15:52 | |
but five of the other. | 0:15:52 | 0:15:54 | |
Clearly still wheeling from his pots excitement. | 0:15:54 | 0:15:56 | |
Calm down, dear. | 0:15:56 | 0:15:59 | |
A duck I can look in the eye and find he has got two glass eyes. | 0:15:59 | 0:16:03 | |
There he is. | 0:16:03 | 0:16:04 | |
Say hello. | 0:16:04 | 0:16:05 | |
"Hello." | 0:16:05 | 0:16:06 | |
I'm told it is American. | 0:16:06 | 0:16:09 | |
I'm told it is a roundabout 1940. | 0:16:09 | 0:16:13 | |
for overspending. | 0:16:13 | 0:16:14 | |
Yes, something of a lame | 0:16:14 | 0:16:15 | |
duck, that one, Eric. | 0:16:15 | 0:16:17 | |
Maybe Knocker needs a lay down. | 0:16:17 | 0:16:20 | |
Over in the cattle sheds, The Axeman could do with a rest as well. | 0:16:20 | 0:16:24 | |
Sort of feeling the pressure a little bit now. | 0:16:24 | 0:16:26 | |
Getting towards the end of the fair. | 0:16:26 | 0:16:28 | |
Maybe take more of a risk, put myself in danger. | 0:16:28 | 0:16:32 | |
I really wouldn't worry, Will. | 0:16:32 | 0:16:33 | |
The master is still having a mad half hour. | 0:16:33 | 0:16:36 | |
Just get on with your shopping. | 0:16:36 | 0:16:38 | |
Look at this. | 0:16:38 | 0:16:39 | |
I mean, it is that classic sort of Art Nouveau motif. | 0:16:39 | 0:16:44 | |
And with this hammered decoration in the back. | 0:16:44 | 0:16:48 | |
What offer did you have on him? | 0:16:48 | 0:16:50 | |
I'll have 175. | 0:16:50 | 0:16:50 | |
Have you got a little bit of movement? | 0:16:50 | 0:16:52 | |
165 is the best. | 0:16:52 | 0:16:54 | |
I can't go any lower. | 0:16:54 | 0:16:57 | |
My tactics have always been, if you see something | 0:16:57 | 0:16:59 | |
and you like it, and it gets you there in the gut, get it bought. | 0:16:59 | 0:17:02 | |
I tell you what, sir, let's have a deal at 165. | 0:17:02 | 0:17:05 | |
Job done. | 0:17:05 | 0:17:07 | |
Yes, the copper frames become purchase number five. | 0:17:07 | 0:17:10 | |
And he's back out ahead of Eric. | 0:17:10 | 0:17:12 | |
And while Knocker prowls around, Will returns to that wool work | 0:17:12 | 0:17:15 | |
picture he was unsure about earlier. | 0:17:15 | 0:17:18 | |
Hello again. | 0:17:18 | 0:17:19 | |
How do? | 0:17:19 | 0:17:21 | |
This has been playing on my mind. | 0:17:21 | 0:17:22 | |
What is your very, very best on this wool work picture? | 0:17:22 | 0:17:26 | |
180, not to be hard. | 0:17:26 | 0:17:28 | |
Go on then. | 0:17:28 | 0:17:29 | |
And the wool work is his. | 0:17:29 | 0:17:31 | |
Sure to be a good yarn behind it. | 0:17:31 | 0:17:34 | |
Importantly, with wool works, is the colour. | 0:17:34 | 0:17:37 | |
There has been no fading. | 0:17:37 | 0:17:38 | |
If these are exposed to the sun at all, you lose all these nice deep | 0:17:38 | 0:17:42 | |
reds and greens and so on. | 0:17:42 | 0:17:44 | |
Let's see if we can't find it a home where it should be. | 0:17:44 | 0:17:47 | |
And I tell you what, talking about home, I think I'm | 0:17:47 | 0:17:49 | |
going to call it a day. | 0:17:49 | 0:17:52 | |
Will may be able to take it easy, but Eric has fallen behind again. | 0:17:52 | 0:17:56 | |
He has calmed down and he's back to his old self. | 0:17:56 | 0:17:58 | |
After a bit of searching in the sheds, he pays ten quid | 0:17:58 | 0:18:01 | |
for a picture of a man Knocker knows well. | 0:18:01 | 0:18:04 | |
Let me introduce you to a chap called Scarlett. | 0:18:04 | 0:18:09 | |
And General Scarlett commanded the Heavy Brigade, | 0:18:09 | 0:18:12 | |
which was actually a successful cavalry charge during | 0:18:12 | 0:18:14 | |
the Crimean War. | 0:18:14 | 0:18:17 | |
This lad actually came from Burnley. | 0:18:17 | 0:18:20 | |
And he is a local hero. | 0:18:20 | 0:18:23 | |
The general is coming home to me. | 0:18:23 | 0:18:27 | |
Eric's pot perusal seems long gone. | 0:18:27 | 0:18:30 | |
Artwork, that is the new thing now. | 0:18:30 | 0:18:32 | |
Is there a best price on that? | 0:18:32 | 0:18:34 | |
Don't mind me asking. | 0:18:34 | 0:18:35 | |
I can do 25. | 0:18:35 | 0:18:36 | |
25. | 0:18:36 | 0:18:37 | |
Yeah, sounds good to me. | 0:18:37 | 0:18:39 | |
Short and sweet. | 0:18:39 | 0:18:40 | |
But the landscape is going home with Eric. | 0:18:40 | 0:18:43 | |
So I've just paid ?25 for a very competent oil and acrylic panting. | 0:18:43 | 0:18:46 | |
A lovely sort of golden landscape. | 0:18:46 | 0:18:51 | |
It's titled Summer. | 0:18:51 | 0:18:53 | |
And this painting cheers me up. | 0:18:53 | 0:19:00 | |
So at the end of the day, it could well be my pot of gold. | 0:19:00 | 0:19:04 | |
Well, funny you should say that because it has been raining outside, | 0:19:04 | 0:19:06 | |
and there is a rainbow that ends at the sheds. | 0:19:06 | 0:19:09 | |
Coincidence? | 0:19:09 | 0:19:10 | |
Yeah, probably. | 0:19:10 | 0:19:12 | |
So that's it. | 0:19:12 | 0:19:13 | |
Our buying battle has reached its end. | 0:19:13 | 0:19:15 | |
Our boys have dug deep, but have they bought well? | 0:19:15 | 0:19:19 | |
Both started the day with ?750 of their own cash. | 0:19:19 | 0:19:22 | |
Eric goes home with six items at a cost of ?482. | 0:19:22 | 0:19:29 | |
Will took number one spot early on and stayed there throughout. | 0:19:29 | 0:19:32 | |
His six purchases cost him ?660, a fair whack more than Eric. | 0:19:32 | 0:19:38 | |
So, how are they feeling? | 0:19:38 | 0:19:40 | |
Who is pick of the week and who is a one-hit wonder? | 0:19:40 | 0:19:44 | |
You see, I set out looking for Arts and Crafts today | 0:19:44 | 0:19:47 | |
and I didn't find anything, because you bought them. | 0:19:47 | 0:19:49 | |
They are good, aren't they? | 0:19:49 | 0:19:50 | |
They are good because it is very, very rare to come across a pair. | 0:19:50 | 0:19:53 | |
That is what I thought. | 0:19:53 | 0:19:55 | |
And they are in cracking condition. | 0:19:55 | 0:19:56 | |
And you stray into the world of Art Deco. | 0:19:56 | 0:19:58 | |
Well, it is sort of rubbing off on me now. | 0:19:58 | 0:20:01 | |
You know? | 0:20:01 | 0:20:02 | |
And who is that one by? | 0:20:02 | 0:20:05 | |
Verlys is it? | 0:20:05 | 0:20:06 | |
Yep, yep. | 0:20:06 | 0:20:07 | |
Good maker. | 0:20:07 | 0:20:08 | |
I was hoping you could tell me more about them than I know. | 0:20:08 | 0:20:11 | |
It has got four wings on that, you know, so let's hope it flies. | 0:20:11 | 0:20:15 | |
Ba-boom-chis! | 0:20:15 | 0:20:15 | |
Will, you notice there is only one pot on there. | 0:20:15 | 0:20:18 | |
But what a pot! | 0:20:18 | 0:20:19 | |
Mr Van Amburgh. | 0:20:19 | 0:20:20 | |
He was an American lion tamer. | 0:20:20 | 0:20:22 | |
Then I boldly went into the world of jewellery. | 0:20:22 | 0:20:24 | |
I recognise that. | 0:20:24 | 0:20:25 | |
The thing is, I have got to determin whether it is prewar or post-war, | 0:20:25 | 0:20:28 | |
because there is a difference in the price. | 0:20:28 | 0:20:31 | |
Let's get packed and let's go back to the bosom of our families. | 0:20:31 | 0:20:34 | |
OK? | 0:20:34 | 0:20:35 | |
Put the oven on, I'm coming home! | 0:20:35 | 0:20:37 | |
Put a kettle on, Mother! | 0:20:37 | 0:20:39 | |
Now it is time for our clever competitors to morph from battling | 0:20:42 | 0:20:45 | |
buyers into skilful sailors. | 0:20:45 | 0:20:48 | |
They must scour the country in a bid to make masses of money using | 0:20:48 | 0:20:51 | |
all their knowledge and know-how. | 0:20:51 | 0:20:53 | |
And all the profits Eric and Will bring in will go | 0:20:53 | 0:20:56 | |
to their chosen charities. | 0:20:56 | 0:20:57 | |
So there is a big incentive. | 0:20:57 | 0:20:59 | |
Time to look at their hauls. | 0:20:59 | 0:21:01 | |
And at Knocker HQ, Eric has resisted the lure of some top pots | 0:21:01 | 0:21:04 | |
and has an eclectic mix. | 0:21:04 | 0:21:08 | |
I did most of my buying inside. | 0:21:08 | 0:21:10 | |
The only thing I bought outdoors was my decoy duck. | 0:21:10 | 0:21:17 | |
I just thought that he was beautifully painted. | 0:21:17 | 0:21:19 | |
And this jug, which dates from around about 1845, | 0:21:19 | 0:21:21 | |
really captured my eye. | 0:21:21 | 0:21:24 | |
I bought something which I believe to be by a man called Jakob Bengel - | 0:21:24 | 0:21:28 | |
a very futuristic necklace. | 0:21:28 | 0:21:31 | |
Next to that is a brooch with two dolphins, where there is a nice | 0:21:31 | 0:21:34 | |
signature on the back. | 0:21:34 | 0:21:38 | |
What I couldn't leave behind - a local Burnley boy. | 0:21:38 | 0:21:41 | |
Yes, this is General Scarlett, hero of the Crimean War. | 0:21:41 | 0:21:46 | |
And then an irresistible oil and acrylic. | 0:21:46 | 0:21:51 | |
I do think I've bought quite well. | 0:21:51 | 0:21:53 | |
It is now a matter of selling well. | 0:21:53 | 0:21:57 | |
And selling better than a man who goes by the name of William Axon. | 0:21:57 | 0:22:04 | |
Eric looking mean. | 0:22:05 | 0:22:07 | |
That man, Axon, has gathered his items in his garden near Newmarket, | 0:22:07 | 0:22:10 | |
and it's also a varied collection. | 0:22:10 | 0:22:13 | |
The decorated saw... | 0:22:13 | 0:22:14 | |
Now, OK, no rare antique or treasure, but it's a bit of fun. | 0:22:14 | 0:22:19 | |
Then over the far side, the Art Nouveau beaten copper frames | 0:22:19 | 0:22:23 | |
and I think Eric was jealous of them, too. | 0:22:23 | 0:22:25 | |
Now, talking of Eric, I thought I would play him | 0:22:25 | 0:22:28 | |
at his own game and what have I bought but a bit of | 0:22:28 | 0:22:31 | |
Art Deco French glass. | 0:22:31 | 0:22:32 | |
I've got these nice auction posters. | 0:22:32 | 0:22:35 | |
They really just appealed because of the nice, | 0:22:35 | 0:22:36 | |
bold graphics there. | 0:22:36 | 0:22:39 | |
Then in the middle here, this rather impressive | 0:22:39 | 0:22:41 | |
Lincolnshire Regiment wool work picture which had come all the way | 0:22:41 | 0:22:43 | |
down from the north of England. | 0:22:43 | 0:22:46 | |
And then finally at the front there, the old Jaques croquet set. | 0:22:46 | 0:22:50 | |
I have a client who hosts our annual corporate croquet match and I'm | 0:22:50 | 0:22:54 | |
hoping he's going to take that off my hands to get | 0:22:54 | 0:22:58 | |
a bit of practice in, cos, to be frank, he needs it. | 0:22:58 | 0:23:03 | |
Well, that's as may be but what our two antiques | 0:23:03 | 0:23:06 | |
aficionados need is to get cracking on the selling. | 0:23:06 | 0:23:08 | |
They must fully research their items and find the best | 0:23:08 | 0:23:10 | |
homes for them to go to. | 0:23:10 | 0:23:11 | |
No stone must be left unturned as they channel all their energies | 0:23:11 | 0:23:14 | |
into moving on their buys for mucho moolah. | 0:23:14 | 0:23:17 | |
But it's one thing to arrange a meeting, quite another | 0:23:17 | 0:23:19 | |
to make an actual sale. | 0:23:19 | 0:23:21 | |
Until they've shaken on it and the money has changed hands, | 0:23:21 | 0:23:24 | |
no deal is truly sealed. | 0:23:24 | 0:23:27 | |
Will has decided to sell his croquet set first. | 0:23:27 | 0:23:33 | |
Now, to help him pull off the croquet coup, | 0:23:34 | 0:23:36 | |
he's channelling another antique dealer today - the irrepressible | 0:23:36 | 0:23:38 | |
1990s TV character, Lovejoy. | 0:23:38 | 0:23:44 | |
His potential buyer lives in Suffolk in the very same house | 0:23:44 | 0:23:46 | |
that was filmed as Felsham Hall - that's right, the place | 0:23:46 | 0:23:49 | |
where Lovejoy's love interest Lady Jane lived. | 0:23:49 | 0:23:52 | |
The owner Charlie hosts a croquet tournament | 0:23:52 | 0:23:54 | |
for Will's firm every year. | 0:23:54 | 0:23:57 | |
I'm hoping he's going to want to get a bit of practice in and see | 0:23:57 | 0:24:01 | |
if he wants to buy my Jaques croquet set. | 0:24:01 | 0:24:03 | |
Well, Lovejoy would have pulled it off, but can Will? | 0:24:03 | 0:24:06 | |
The set cost him ?60 at the fair. | 0:24:06 | 0:24:09 | |
Well, Charlie, I hope you don't mind. | 0:24:09 | 0:24:11 | |
I've taken the liberty of setting up the croquet set | 0:24:11 | 0:24:13 | |
so you could experience it in all its glory. | 0:24:13 | 0:24:17 | |
Well, I think it says exactly what it says on the, | 0:24:17 | 0:24:20 | |
sadly, the cardboard box, but apart from that, it's lovely. | 0:24:20 | 0:24:24 | |
To buy a similar set, brand-new, is over ?300. | 0:24:24 | 0:24:27 | |
So, for today only, we are having a half-price sale. | 0:24:27 | 0:24:31 | |
Would you care to buy this from me, let's say... | 0:24:31 | 0:24:36 | |
?170? | 0:24:36 | 0:24:37 | |
Look, the box is definitely a downer on the whole thing. | 0:24:37 | 0:24:41 | |
Why don't I pay you ?120? | 0:24:41 | 0:24:46 | |
Let's meet somewhere in the middle. | 0:24:46 | 0:24:48 | |
Shake my hand at ?150. | 0:24:48 | 0:24:51 | |
No. | 0:24:51 | 0:24:52 | |
150. | 0:24:52 | 0:24:53 | |
No, no, no. | 0:24:53 | 0:24:54 | |
130. | 0:24:54 | 0:24:56 | |
Well, you know where we're going to end up, don't you? | 0:24:56 | 0:24:58 | |
135. | 0:24:58 | 0:25:01 | |
140, give me a wave. | 0:25:01 | 0:25:02 | |
135. | 0:25:02 | 0:25:03 | |
135, you've got a deal. | 0:25:03 | 0:25:05 | |
OK. | 0:25:05 | 0:25:05 | |
Charlie, it's been great fun. | 0:25:05 | 0:25:07 | |
Now, would you say we get a bit of practice? | 0:25:07 | 0:25:09 | |
Definitely. | 0:25:09 | 0:25:10 | |
Come on. | 0:25:10 | 0:25:11 | |
Go on, then. | 0:25:11 | 0:25:12 | |
What colour are you, blue? | 0:25:12 | 0:25:13 | |
I'll be red. | 0:25:13 | 0:25:14 | |
All right, where do we start? | 0:25:14 | 0:25:16 | |
Can you remember now? | 0:25:16 | 0:25:17 | |
Well, I think it's pretty freestyle, isn't it? | 0:25:17 | 0:25:19 | |
I'm going for this hoop here. | 0:25:19 | 0:25:20 | |
Out of my way! | 0:25:20 | 0:25:21 | |
Yeah, stick to the antiques, Axeman! | 0:25:21 | 0:25:22 | |
After all, it's brought you a cracking profit of ?75. | 0:25:22 | 0:25:25 | |
Nice work. | 0:25:25 | 0:25:27 | |
What would Lovejoy have done, though? | 0:25:27 | 0:25:29 | |
Would he have got the extra ?10, 20, 30 out of him? | 0:25:29 | 0:25:32 | |
I don't know, but I hope he's proud of my efforts. | 0:25:32 | 0:25:37 | |
And as for the look, well, I think I could get used to this. | 0:25:37 | 0:25:42 | |
Well, actually Lovejoy would have made more profit, | 0:25:42 | 0:25:44 | |
caught a few conmen, and got the girl all in an hour. | 0:25:44 | 0:25:47 | |
But never mind, you almost look the part! | 0:25:47 | 0:25:50 | |
Now, while Will practises his best Lovejoy look, | 0:25:50 | 0:25:52 | |
Eric is in Central London and has dramatic matters on his mind, too. | 0:25:52 | 0:25:59 | |
I'm actually stood outside the Theatre Royal Drury Lane. | 0:25:59 | 0:26:02 | |
The theatre people today have been very kind to me because they've | 0:26:02 | 0:26:05 | |
put me in touch with a collector of theatrical memorabilia, | 0:26:05 | 0:26:07 | |
and I'm hoping to add this wonderful jug to his collection. | 0:26:07 | 0:26:14 | |
Eric's hoping for a majestic profit on his jug which he bought for ?42. | 0:26:14 | 0:26:18 | |
Hello. | 0:26:18 | 0:26:20 | |
Good morning, Eric. | 0:26:20 | 0:26:21 | |
Nice to meet you. | 0:26:21 | 0:26:22 | |
You're Fred, and you are? | 0:26:22 | 0:26:23 | |
This is Joshua, my son. | 0:26:23 | 0:26:25 | |
Josh, right. | 0:26:25 | 0:26:26 | |
Are you a collector as well as your dad? | 0:26:26 | 0:26:28 | |
Yeah, I do follow on from him. | 0:26:28 | 0:26:30 | |
Do you? | 0:26:30 | 0:26:30 | |
Oh, that's good. | 0:26:30 | 0:26:31 | |
I know he's very interested in the jug that you have | 0:26:31 | 0:26:34 | |
to offer us today. | 0:26:34 | 0:26:35 | |
Yes. | 0:26:35 | 0:26:36 | |
You got a view at your side which I'm pretty sure is supposedly | 0:26:36 | 0:26:39 | |
to depict his appearance here at the Theatre | 0:26:39 | 0:26:41 | |
Royal Drury Lane. | 0:26:41 | 0:26:42 | |
I mean, look, hang on. | 0:26:42 | 0:26:45 | |
Thank you, Eric. | 0:26:45 | 0:26:46 | |
Yes, it's a wonderful piece. | 0:26:46 | 0:26:47 | |
In fact, Joshua, you probably know what he's most famous for. | 0:26:47 | 0:26:49 | |
Putting his head into the lion. | 0:26:49 | 0:26:52 | |
He appeared here several times in the 1840s. | 0:26:52 | 0:26:55 | |
It's a wonderful piece. | 0:26:55 | 0:26:57 | |
I was looking to start somewhere around ?120. | 0:26:57 | 0:27:00 | |
Maybe about 70, 75. | 0:27:00 | 0:27:05 | |
If you could meet me at roundabout ?95. | 0:27:05 | 0:27:08 | |
?95... | 0:27:08 | 0:27:09 | |
I think we have a deal with ?95. | 0:27:09 | 0:27:11 | |
Good lad. | 0:27:11 | 0:27:13 | |
The lion tamer moulded jug goes to an enthusiastic pair | 0:27:13 | 0:27:15 | |
of collectors and makes Eric a profit of ?53. | 0:27:15 | 0:27:20 | |
Will is still in Suffolk. | 0:27:20 | 0:27:22 | |
He's pitched up in Southwold and he's looking for a buyer for his | 0:27:22 | 0:27:25 | |
arts and crafts picture frames. | 0:27:25 | 0:27:27 | |
He paid ?165 for them and he's brought them to an expert. | 0:27:27 | 0:27:32 | |
I've come to see the main man when it comes to arts | 0:27:32 | 0:27:35 | |
and crafts, Tony Gearing. | 0:27:35 | 0:27:36 | |
Now, he's seen a picture of my frames and like me, | 0:27:36 | 0:27:39 | |
he's fallen in love with them, so while he's expressed an interest, | 0:27:39 | 0:27:42 | |
let's strike while the iron's hot. | 0:27:42 | 0:27:45 | |
Right, you'll need to find him first. | 0:27:45 | 0:27:47 | |
Gosh, it's like a maze in here. | 0:27:47 | 0:27:51 | |
Tony, I found you at last. | 0:27:54 | 0:27:55 | |
Well, I'd be hiding up here, mate. | 0:27:55 | 0:27:57 | |
Well, listen, I hope you're going to be able to find a little | 0:27:57 | 0:28:00 | |
bit of room for my two arts and crafts frames. | 0:28:00 | 0:28:02 | |
Now what I really liked about them was this stylized tulip. | 0:28:02 | 0:28:05 | |
I know who exactly who made it. | 0:28:05 | 0:28:06 | |
Do you? | 0:28:06 | 0:28:07 | |
Yeah, just by the handle work. | 0:28:07 | 0:28:09 | |
It's by Hale. | 0:28:09 | 0:28:10 | |
Right. | 0:28:10 | 0:28:11 | |
Down on the West Country. | 0:28:11 | 0:28:12 | |
Now I haven't polished them up or... | 0:28:12 | 0:28:14 | |
Good! | 0:28:14 | 0:28:15 | |
Do not polish copper! | 0:28:15 | 0:28:19 | |
Exactly right, because it's got this lovely patina. | 0:28:19 | 0:28:21 | |
Yeah, starting to build up. | 0:28:21 | 0:28:22 | |
That's just from natural oils from your hand and oxidization. | 0:28:22 | 0:28:25 | |
So, where do you date these? | 0:28:25 | 0:28:33 | |
I thought probably around 1900? | 0:28:33 | 0:28:34 | |
That sort of period. | 0:28:34 | 0:28:35 | |
Yeah, maybe a little bit later. | 0:28:35 | 0:28:37 | |
OK. | 0:28:37 | 0:28:38 | |
What about price? | 0:28:38 | 0:28:39 | |
Maybe... | 0:28:39 | 0:28:40 | |
Retail around the sort of 400, I'd have thought. | 0:28:40 | 0:28:42 | |
If they went into auction at 300-500... | 0:28:42 | 0:28:43 | |
I would be happy with a mid-auction figure. | 0:28:43 | 0:28:45 | |
400? | 0:28:45 | 0:28:46 | |
I mean, they are Hale. | 0:28:46 | 0:28:47 | |
They are in wonderful condition. | 0:28:47 | 0:28:49 | |
You know what? | 0:28:49 | 0:28:50 | |
?400, let's have a deal. | 0:28:50 | 0:28:51 | |
You're a star. | 0:28:51 | 0:28:52 | |
Thanks. | 0:28:52 | 0:28:53 | |
Now that is outstanding! | 0:28:53 | 0:28:56 | |
And doesn't Will know it?! | 0:28:56 | 0:28:58 | |
The frames showcase an enormous profit of ?235. | 0:28:58 | 0:29:02 | |
It took someone like Tony to recognise them. | 0:29:02 | 0:29:03 | |
He even knew who had made them. | 0:29:03 | 0:29:06 | |
I'm really pleased with that buy. | 0:29:06 | 0:29:08 | |
Remember on the day Eric was jealous of them? | 0:29:08 | 0:29:10 | |
You're going to be even more jealous now, Eric. | 0:29:10 | 0:29:13 | |
Yeah, steady, Will. | 0:29:13 | 0:29:14 | |
You don't know what Eric's going to pull out of the bag. | 0:29:14 | 0:29:17 | |
Now, Mr Axon moves up the coast into Norfolk - | 0:29:17 | 0:29:20 | |
and, more specifically, Great Yarmouth. | 0:29:20 | 0:29:22 | |
He's been doing some research on his auction notices and his first | 0:29:22 | 0:29:25 | |
call is to a man with a historical link to one of the posters. | 0:29:25 | 0:29:29 | |
The reason I'm here is to meet Mark Oliver Duffield. | 0:29:29 | 0:29:32 | |
The clue is in the name - Duffield. | 0:29:32 | 0:29:34 | |
He's a direct descendent of the original Duffield part | 0:29:34 | 0:29:36 | |
of Gambling Duffield, so I'm hoping he's going to want | 0:29:36 | 0:29:39 | |
to buy back a bit of his heritage because if you doesn't want | 0:29:39 | 0:29:42 | |
it, who does? | 0:29:42 | 0:29:44 | |
Gambling Duffield no longer exists but Mark already has a number | 0:29:44 | 0:29:47 | |
of similar posters charting the family's business history. | 0:29:47 | 0:29:53 | |
Well, let me show you my poster because I was rather taken by it. | 0:29:53 | 0:29:56 | |
Now, WG Duffield, is that your grandfather? | 0:29:56 | 0:30:03 | |
Yeah, that's Wilfred George. | 0:30:03 | 0:30:04 | |
Yes. | 0:30:04 | 0:30:04 | |
And his name underneath that means that Gambling had retired, | 0:30:04 | 0:30:07 | |
so this was when he was practising as a sole principal. | 0:30:07 | 0:30:10 | |
He kept on the name for a short while until my father joined | 0:30:10 | 0:30:13 | |
and then it became Duffield Son. | 0:30:13 | 0:30:14 | |
Would you be able to pay me ?50 for this? | 0:30:14 | 0:30:17 | |
I'll give you 30. | 0:30:17 | 0:30:18 | |
Gasp! | 0:30:18 | 0:30:19 | |
?40, how does that sound? | 0:30:19 | 0:30:20 | |
?40? | 0:30:20 | 0:30:21 | |
Yes. | 0:30:21 | 0:30:22 | |
I'll deal. | 0:30:22 | 0:30:23 | |
Let's do it. | 0:30:23 | 0:30:24 | |
So, the first auction poster goes home and Will moves | 0:30:24 | 0:30:26 | |
on to the hotel which features in his other framed notice. | 0:30:26 | 0:30:29 | |
The owners have agreed to buy it on the phone for ?80 | 0:30:29 | 0:30:32 | |
and receptionist Bridget hands over the cash. | 0:30:32 | 0:30:34 | |
Add all that together and Will makes a total poster profit of ?75. | 0:30:34 | 0:30:40 | |
Come on, Eric. | 0:30:40 | 0:30:41 | |
You are playing catch-up. | 0:30:41 | 0:30:43 | |
He certainly is, and he's doing it in Westerham in Kent. | 0:30:43 | 0:30:45 | |
And he's brought one of his most expensive items - | 0:30:45 | 0:30:48 | |
the necklace that cost him ?130. | 0:30:48 | 0:30:50 | |
He's meeting Chrissie who's an expert in the designer Jakob Bengel. | 0:30:50 | 0:30:56 | |
You are the one person that made me worldly wise | 0:30:56 | 0:30:58 | |
to the jewellery of Jakob Bengel. | 0:30:58 | 0:31:03 | |
I bought that in good faith. | 0:31:03 | 0:31:05 | |
If you look at the galalith, the plastic, can you see | 0:31:05 | 0:31:08 | |
how it's sort of faded? | 0:31:08 | 0:31:10 | |
Yes. | 0:31:10 | 0:31:11 | |
It does appear to be galalith. | 0:31:11 | 0:31:14 | |
It was merely a replacement for two things - one was horn, | 0:31:14 | 0:31:17 | |
but also it was to replace celluloid, which was | 0:31:17 | 0:31:20 | |
highly flammable. | 0:31:20 | 0:31:24 | |
The reason it sort of looks right to be a Bengel piece | 0:31:24 | 0:31:26 | |
is the fact that it's very clean, geometric shapes. | 0:31:26 | 0:31:29 | |
And this chain as well they used. | 0:31:29 | 0:31:33 | |
I was hoping that it might be around the ?160 mark. | 0:31:33 | 0:31:38 | |
I would say I'm looking more like ?140. | 0:31:38 | 0:31:41 | |
That's about it, is it? | 0:31:41 | 0:31:42 | |
Quite. | 0:31:42 | 0:31:43 | |
OK. | 0:31:43 | 0:31:44 | |
Well that's what I would hope to pay. | 0:31:44 | 0:31:46 | |
OK. | 0:31:46 | 0:31:47 | |
Uh, well, you don't have to hope because I'll sell it to you for 140. | 0:31:47 | 0:31:51 | |
Thank you. | 0:31:51 | 0:31:52 | |
Well, the good news is the necklace is what he'd hoped, | 0:31:52 | 0:31:54 | |
a genuine designer piece. | 0:31:54 | 0:31:56 | |
The bad news is he only made a profit of ?10. | 0:31:56 | 0:32:00 | |
So he's going to need a gem of a deal to stand a chance | 0:32:00 | 0:32:03 | |
of catching the Axeman. | 0:32:03 | 0:32:06 | |
He's sticking with jewellery and has made his way along the south | 0:32:06 | 0:32:08 | |
coast to Poole in Dorset. | 0:32:08 | 0:32:10 | |
Where better to sell a dolphin brooch? | 0:32:10 | 0:32:12 | |
Eric's done some research and it's proved to be post-war. | 0:32:12 | 0:32:17 | |
He's hoping Carole, who runs an online jewellery | 0:32:17 | 0:32:19 | |
business, will like it. | 0:32:19 | 0:32:26 | |
First of all, it's in obviously a new box. | 0:32:26 | 0:32:28 | |
Right. | 0:32:28 | 0:32:29 | |
But I wanted to have a look at it. | 0:32:29 | 0:32:31 | |
OK, so it's Georg Jensen as we know. | 0:32:31 | 0:32:33 | |
Yep. | 0:32:33 | 0:32:34 | |
And the dolphins are the emblem of Poole. | 0:32:34 | 0:32:36 | |
Mm-hm. | 0:32:36 | 0:32:37 | |
I tracked the mark down to... | 0:32:37 | 0:32:39 | |
I think it was 1956. | 0:32:39 | 0:32:40 | |
Right. | 0:32:40 | 0:32:41 | |
How much is it, Eric? | 0:32:41 | 0:32:42 | |
Well, I'm looking for round about the ?300 mark for it, but... | 0:32:42 | 0:32:45 | |
Oh, my... | 0:32:45 | 0:32:46 | |
Sharp intake of breath! | 0:32:46 | 0:32:47 | |
But, go on. | 0:32:47 | 0:32:48 | |
Would you take... | 0:32:48 | 0:32:49 | |
?260 for it, Eric? | 0:32:49 | 0:32:51 | |
I'd be tempted to take 270. | 0:32:51 | 0:32:54 | |
Would that be within the... | 0:32:54 | 0:32:55 | |
Oh, it looks... | 0:32:55 | 0:32:56 | |
Do that again! | 0:32:56 | 0:32:57 | |
That looks so good. | 0:32:57 | 0:32:59 | |
It does look nice. | 0:32:59 | 0:33:00 | |
Yes, ?270 would be fine. | 0:33:00 | 0:33:01 | |
270? | 0:33:01 | 0:33:02 | |
Yes. | 0:33:02 | 0:33:03 | |
Carol, it's a pleasure doing business. | 0:33:03 | 0:33:05 | |
And you, thank you. | 0:33:05 | 0:33:06 | |
And Eric keeps his head above water. | 0:33:06 | 0:33:07 | |
The brooch sells beside the seaside and makes a ?50 profit. | 0:33:07 | 0:33:10 | |
So, as we reach the halfway point, who's making waves | 0:33:10 | 0:33:13 | |
and who's in deep water? | 0:33:13 | 0:33:15 | |
Eric Knowles has made three sales, but his campaign | 0:33:15 | 0:33:17 | |
is floundering in the shallows. | 0:33:17 | 0:33:22 | |
His current profit is ?113. | 0:33:22 | 0:33:23 | |
Will Axon is sailing ahead. | 0:33:23 | 0:33:24 | |
His three sales have brought in much more money. | 0:33:24 | 0:33:27 | |
His profit stands at a mighty ?385. | 0:33:27 | 0:33:29 | |
But there's still plenty of time to dial up more dosh. | 0:33:29 | 0:33:36 | |
Will is way ahead and he's keeping up the pressure. | 0:33:37 | 0:33:39 | |
He's decided to sell his novelty saw next. | 0:33:39 | 0:33:41 | |
And he's heading to a place near his office in Ely. | 0:33:41 | 0:33:45 | |
I'm here to meet Steve who is the manager of a tattoo | 0:33:45 | 0:33:48 | |
parlour just down the road. | 0:33:48 | 0:33:49 | |
Now when I saw my "Tattoos Removed" saw, I thought that would appeal | 0:33:49 | 0:33:52 | |
to his quirky, dark sense of humour. | 0:33:52 | 0:33:55 | |
You should see his shop display, it's right up his street. | 0:33:55 | 0:34:03 | |
And, I put on the old war paint to sweeten the deal. | 0:34:03 | 0:34:06 | |
But for the moment, that's under wraps. | 0:34:06 | 0:34:08 | |
You'll have to follow me in to see more. | 0:34:08 | 0:34:09 | |
The saw cost Will ?20, but will Steve like the in-joke? | 0:34:09 | 0:34:12 | |
I've always been impressed with your shop display. | 0:34:12 | 0:34:14 | |
Quirky, bit of a dark edge to it, and I spotted this | 0:34:14 | 0:34:17 | |
and I thought of you. | 0:34:17 | 0:34:19 | |
Tattoos removed. | 0:34:19 | 0:34:20 | |
Has it been used? | 0:34:20 | 0:34:22 | |
Well, there's no traces of blood or DNA on it. | 0:34:22 | 0:34:25 | |
What I liked about it was this genuine sign writing. | 0:34:25 | 0:34:27 | |
All hand-painted. | 0:34:27 | 0:34:29 | |
It's gorgeous. | 0:34:29 | 0:34:31 | |
I was looking for ?50. | 0:34:31 | 0:34:34 | |
Yeah, that sounds about right. | 0:34:34 | 0:34:35 | |
Yeah? | 0:34:35 | 0:34:36 | |
Yeah, that'd be fine. | 0:34:36 | 0:34:37 | |
You'd be happy at ?50? | 0:34:37 | 0:34:38 | |
Yeah, definitely. | 0:34:38 | 0:34:40 | |
Let's shake on the deal. | 0:34:40 | 0:34:41 | |
Thank you very much. | 0:34:41 | 0:34:42 | |
And I am loving your sleeves cos, uh... | 0:34:42 | 0:34:44 | |
I'll tell you what, take that. | 0:34:44 | 0:34:45 | |
Mind your fingers. | 0:34:45 | 0:34:46 | |
That's yours. | 0:34:46 | 0:34:49 | |
Let me show you my artwork and see what you think, yeah? | 0:34:49 | 0:34:52 | |
Look at that! | 0:34:52 | 0:34:53 | |
What do you reckon? | 0:34:53 | 0:34:54 | |
Right, I think this is going to be you sooner rather than later. | 0:34:54 | 0:34:57 | |
You're joking. | 0:34:57 | 0:34:58 | |
I know it's a bit of a copout, isn't it? | 0:34:58 | 0:35:00 | |
Look at that. | 0:35:00 | 0:35:01 | |
Yep, nobody's fooled by your fake tattoos, Will. | 0:35:01 | 0:35:03 | |
Never mind! | 0:35:03 | 0:35:04 | |
The ink's dry on the deal and the comedy saw brings him | 0:35:04 | 0:35:07 | |
in a profit of ?30. | 0:35:07 | 0:35:08 | |
So, he's even further out in front of Knocker. | 0:35:08 | 0:35:10 | |
And to add insult to injury, Will's hoping to stray into Eric's | 0:35:10 | 0:35:13 | |
empire next and sell his breakable. | 0:35:13 | 0:35:15 | |
He's brought the Art Deco dish to Bildeston in Suffolk | 0:35:15 | 0:35:18 | |
to show it to Cathy, whose shop specialises | 0:35:18 | 0:35:20 | |
in French collectibles. | 0:35:20 | 0:35:23 | |
The dish owes Will ?190. | 0:35:23 | 0:35:26 | |
I've bought this, I think, rather stunning French glass charger. | 0:35:26 | 0:35:32 | |
It is beautiful. | 0:35:32 | 0:35:33 | |
It's absolutely lovely. | 0:35:33 | 0:35:35 | |
It's signed as well. | 0:35:35 | 0:35:36 | |
Verlys, France. | 0:35:36 | 0:35:38 | |
The factory was set-up near Rouen actually to make head lamps, | 0:35:38 | 0:35:40 | |
and then they started making kind of high-quality plates | 0:35:40 | 0:35:43 | |
and vases and things. | 0:35:43 | 0:35:46 | |
Art glass. | 0:35:46 | 0:35:47 | |
Art glass. | 0:35:47 | 0:35:48 | |
It is a beautiful piece. | 0:35:48 | 0:35:49 | |
I'm glad you like it because now I'm going to try | 0:35:49 | 0:35:52 | |
and make you buy it off me. | 0:35:52 | 0:35:54 | |
Say ?250? | 0:35:54 | 0:35:56 | |
Right, my counter offer is ?195. | 0:35:56 | 0:35:59 | |
Ah! | 0:35:59 | 0:36:00 | |
Well, what about if I'm really cheeky and come down a tenner. | 0:36:00 | 0:36:03 | |
I am not going to sell it for ?240. | 0:36:03 | 0:36:05 | |
Say 230 and we've got a deal. | 0:36:05 | 0:36:07 | |
OK. | 0:36:07 | 0:36:08 | |
Oh, Cathy, you're a star. | 0:36:08 | 0:36:12 | |
Well done. | 0:36:12 | 0:36:14 | |
Will sells another high-ticket item, this time making a profit of ?40. | 0:36:14 | 0:36:17 | |
So, Eric really does have his work cut out now, | 0:36:17 | 0:36:20 | |
and that's putting it lightly. | 0:36:20 | 0:36:22 | |
But Knocker soldiers on and has rocked up in Bristol. | 0:36:22 | 0:36:25 | |
I'm here to meet Glenn. | 0:36:25 | 0:36:26 | |
Now he's the chairman of the Crimean War Research Society. | 0:36:26 | 0:36:29 | |
I've sent him an image of dear General Scarlett and he's taken | 0:36:29 | 0:36:32 | |
a real interest in it I'm hoping to translate that | 0:36:32 | 0:36:35 | |
interest into a deal. | 0:36:35 | 0:36:43 | |
It'll need to be an epic one if he's going to gain on Will. | 0:36:43 | 0:36:47 | |
But the general did only cost him a tenner. | 0:36:47 | 0:36:49 | |
I know you've seen an image of this fellow, but here he is. | 0:36:49 | 0:36:52 | |
When he led his troops after dressing the ranks into this | 0:36:52 | 0:36:55 | |
stationary mass of Russian cavalry, they were astonished. | 0:36:55 | 0:36:59 | |
It was an act of immense dash. | 0:36:59 | 0:37:01 | |
And it produced a victory. | 0:37:01 | 0:37:10 | |
As you can see, it's got some foxing. | 0:37:13 | 0:37:15 | |
I'd have the foxing removed cos | 0:37:15 | 0:37:16 | |
it is a very fine portrait. | 0:37:16 | 0:37:18 | |
When it comes to the subject of remuneration, I was hoping | 0:37:18 | 0:37:20 | |
to achieve somewhere in the region of roundabout ?70 for it. | 0:37:20 | 0:37:24 | |
I'd be happier with 60. | 0:37:24 | 0:37:25 | |
So ?60, we have a deal. | 0:37:25 | 0:37:27 | |
We have a deal. | 0:37:27 | 0:37:28 | |
That's the ticket - six times what the picture cost. | 0:37:28 | 0:37:31 | |
The boy from Burnley brings our boy from Burnley | 0:37:31 | 0:37:34 | |
a much-needed profit of ?50. | 0:37:34 | 0:37:38 | |
And he soon does away with his other picture. | 0:37:38 | 0:37:40 | |
The landscape oil painting is bought by a lady in Macclesfield for ?60, | 0:37:40 | 0:37:43 | |
brushing in another ?35 profit. | 0:37:43 | 0:37:47 | |
Will has just one item left to sell - his regimental wool work picture. | 0:37:47 | 0:37:50 | |
He's come to Stansted Mountfitchet in Essex to meet his friend Jeremy | 0:37:50 | 0:37:53 | |
who runs a toy museum. | 0:37:53 | 0:37:56 | |
Aside from toys, they also have a large military display. | 0:37:56 | 0:38:02 | |
It is a lovely piece and framed and very original. | 0:38:02 | 0:38:04 | |
I must admit, with me as a collector, I like the kind | 0:38:04 | 0:38:07 | |
of hardware things like the helmets and the uniforms | 0:38:07 | 0:38:09 | |
and things like that. | 0:38:09 | 0:38:10 | |
Yes. | 0:38:10 | 0:38:11 | |
These kind of sweetheart things, they're nice | 0:38:11 | 0:38:13 | |
to display in the museum. | 0:38:13 | 0:38:14 | |
A lot of these were produced to sort of send home, weren't they? | 0:38:14 | 0:38:17 | |
Exactly. | 0:38:17 | 0:38:18 | |
They were indeed. | 0:38:18 | 0:38:19 | |
Or otherwise, the sweethearts actually made them and it was | 0:38:19 | 0:38:22 | |
something when they came home that obviously they were | 0:38:22 | 0:38:24 | |
thinking of them. | 0:38:24 | 0:38:25 | |
It cost me... | 0:38:25 | 0:38:26 | |
Should I sit down? | 0:38:26 | 0:38:27 | |
It cost me ?180. | 0:38:27 | 0:38:28 | |
I would I have thought about ?100, personally. | 0:38:28 | 0:38:30 | |
?100? | 0:38:30 | 0:38:31 | |
Yeah, that's what I would have personally thought it's worth. | 0:38:31 | 0:38:33 | |
That is a really big hit for me to take. | 0:38:33 | 0:38:36 | |
I know, but I can't feel sorry for your bad buys, unfortunately. | 0:38:36 | 0:38:39 | |
Can you match at least what I paid for it? | 0:38:39 | 0:38:41 | |
I'll go ?150, but I couldn't... | 0:38:41 | 0:38:43 | |
You'll have to take a hit, unfortunately. | 0:38:43 | 0:38:44 | |
Listen, 150 and a tenner for luck. | 0:38:44 | 0:38:47 | |
160. | 0:38:47 | 0:38:48 | |
Come on, 160. | 0:38:48 | 0:38:49 | |
160, all right. | 0:38:49 | 0:38:50 | |
Done. | 0:38:50 | 0:38:51 | |
Oh, dear, and it was all going so well. | 0:38:51 | 0:38:53 | |
The Axeman surrenders and is chopped down to size with a ?20 loss. | 0:38:53 | 0:38:56 | |
Time to put a brave face on it. | 0:38:56 | 0:38:58 | |
At least it's gone to a good home where future generations are going | 0:38:58 | 0:39:02 | |
to admire and appreciate it. | 0:39:02 | 0:39:05 | |
But it's still a loss. | 0:39:05 | 0:39:09 | |
Yep! | 0:39:09 | 0:39:10 | |
There's no way to soften the blow. | 0:39:10 | 0:39:12 | |
All he can do now in hunker down in his bunker while Eric marches on. | 0:39:12 | 0:39:16 | |
Knocker's final bid for victory rests with his decoy duck and he's | 0:39:16 | 0:39:19 | |
meeting a man with an in-depth knowledge of birds. | 0:39:19 | 0:39:23 | |
He's come to the Put You Money Mothership - | 0:39:23 | 0:39:25 | |
the BBC's new Broadcasting House to meet TV wildlife | 0:39:25 | 0:39:27 | |
expert, Chris Packham. | 0:39:27 | 0:39:31 | |
Good evening. | 0:39:31 | 0:39:32 | |
Good evening! | 0:39:32 | 0:39:33 | |
How are you? | 0:39:33 | 0:39:34 | |
All right, I'm very well. | 0:39:34 | 0:39:35 | |
And you? | 0:39:35 | 0:39:36 | |
There is my duck. | 0:39:36 | 0:39:37 | |
What we're looking at is a bluebill. | 0:39:37 | 0:39:40 | |
Do you know the species? | 0:39:40 | 0:39:41 | |
Is it...? | 0:39:41 | 0:39:42 | |
I do. | 0:39:42 | 0:39:43 | |
Bluebill is an American name for a group of ducks which have blue | 0:39:43 | 0:39:46 | |
bills, very obviously. | 0:39:46 | 0:39:47 | |
This is what we call a greater scaup. | 0:39:47 | 0:39:50 | |
It's a sea duck, so it wouldn't be unusual for a scaup like this | 0:39:50 | 0:39:53 | |
to be diving down to 30, maybe 40 meters. | 0:39:53 | 0:39:56 | |
to be diving down to 30, maybe 40 metres. | 0:39:56 | 0:39:59 | |
Wow! | 0:39:59 | 0:40:00 | |
It's nicely formed. | 0:40:00 | 0:40:01 | |
Even though it's simple in its form, it's got the right shapes here. | 0:40:01 | 0:40:04 | |
So the dip here then rises over the top of the back. | 0:40:04 | 0:40:07 | |
It closes in over the tail there. | 0:40:07 | 0:40:08 | |
They've got anatomical accuracy. | 0:40:08 | 0:40:09 | |
And it was actually turned. | 0:40:09 | 0:40:11 | |
You had two of these back-to-back and that's... | 0:40:11 | 0:40:13 | |
And they were turned on a lathe. | 0:40:13 | 0:40:16 | |
So, um... | 0:40:16 | 0:40:17 | |
And then cut in half. | 0:40:17 | 0:40:19 | |
Yep. | 0:40:19 | 0:40:19 | |
I'm not really big on ornaments. | 0:40:19 | 0:40:21 | |
I've got a collection of what I woul call natural history knick-knacks. | 0:40:21 | 0:40:24 | |
Yes. | 0:40:24 | 0:40:25 | |
It could sit amongst those, I suppose. | 0:40:25 | 0:40:26 | |
Excellent! | 0:40:26 | 0:40:27 | |
Should I give you my opening gambit? | 0:40:27 | 0:40:29 | |
I would come in at around ?95. | 0:40:29 | 0:40:31 | |
95!? | 0:40:31 | 0:40:33 | |
No, don't do that to me. | 0:40:33 | 0:40:35 | |
?50. | 0:40:35 | 0:40:36 | |
I really need to get around ?70 for that. | 0:40:36 | 0:40:38 | |
65. | 0:40:38 | 0:40:39 | |
You'll have to make it 68. | 0:40:39 | 0:40:41 | |
All right, but you know it's coming. | 0:40:41 | 0:40:43 | |
I must be quackers, but I'll give you ?68 for this. | 0:40:43 | 0:40:46 | |
All right, OK. | 0:40:46 | 0:40:47 | |
What a nice man! | 0:40:47 | 0:40:48 | |
Eric's duck lands a profit of ?13, which doesn't | 0:40:48 | 0:40:50 | |
really help his desperate situation, does it? | 0:40:50 | 0:40:54 | |
So, we've got there. | 0:40:54 | 0:40:55 | |
Everything's been sold. | 0:40:55 | 0:40:58 | |
But before we reveal the final figures, let's remind ourselves how | 0:40:58 | 0:41:01 | |
much our bargain baggers spent in Peterborough. | 0:41:01 | 0:41:04 | |
Both our boys arrived at the antiques fair | 0:41:04 | 0:41:06 | |
with ?750 of their own money. | 0:41:06 | 0:41:08 | |
Eric found it hard to get going. | 0:41:08 | 0:41:10 | |
His six purchases cost him ?482. | 0:41:10 | 0:41:15 | |
Will made light work of the challenge. | 0:41:15 | 0:41:17 | |
He also did six deals and spent much more - ?660. | 0:41:17 | 0:41:21 | |
All of the money that Eric and Will have made from today's | 0:41:21 | 0:41:26 | |
challenge will go to charities of their choice. | 0:41:26 | 0:41:28 | |
And there are no prizes for guessing the winner of this one. | 0:41:28 | 0:41:31 | |
Nevertheless, let's play along and find out who is today's | 0:41:31 | 0:41:33 | |
Put Your Money Where Your Mouth Is Champion. | 0:41:33 | 0:41:37 | |
Ey up! | 0:41:37 | 0:41:39 | |
So we're talking Peterborough, are we? | 0:41:39 | 0:41:40 | |
Aye, come on the posh. | 0:41:40 | 0:41:41 | |
I did spend most of my time inside. | 0:41:41 | 0:41:44 | |
You were undercover as it were, amongst the breakables. | 0:41:44 | 0:41:46 | |
But, that is where I found one of my best buys. | 0:41:46 | 0:41:50 | |
Ah, tell me. | 0:41:50 | 0:41:54 | |
It's my Art Nouveau beaten copper frames. | 0:41:54 | 0:41:56 | |
You liked those, didn't you? | 0:41:56 | 0:41:57 | |
I liked those. | 0:41:57 | 0:41:58 | |
I did really well on those, actually. | 0:41:58 | 0:42:00 | |
Did you? | 0:42:00 | 0:42:01 | |
How about you? | 0:42:01 | 0:42:02 | |
Well, found my boy from Burnley and that is, | 0:42:02 | 0:42:04 | |
of course, General Scarlett. | 0:42:04 | 0:42:05 | |
Oh, yes. | 0:42:05 | 0:42:06 | |
And again I found a fascinating gentleman who is chairman | 0:42:06 | 0:42:08 | |
of the Crimean War Research Society, so we did OK there. | 0:42:08 | 0:42:13 | |
Did you make any losses? | 0:42:13 | 0:42:16 | |
Um... | 0:42:16 | 0:42:17 | |
No, I think I came clean on most of my buys. | 0:42:17 | 0:42:19 | |
What about you? | 0:42:19 | 0:42:20 | |
Well, my wool work picture that I bought, the Lincolnshire Regiment, | 0:42:20 | 0:42:23 | |
it turns out that no-one in Lincoln wants them so I had to take | 0:42:23 | 0:42:26 | |
a bit of a hit on that, but why don't we drop | 0:42:26 | 0:42:31 | |
the bomb and see... | 0:42:31 | 0:42:33 | |
OK. | 0:42:33 | 0:42:34 | |
One, two, three... | 0:42:34 | 0:42:35 | |
Oh! | 0:42:35 | 0:42:36 | |
Oh, my goodness me. | 0:42:36 | 0:42:37 | |
Hello! | 0:42:37 | 0:42:41 | |
Goodness me, what's going on there? | 0:42:41 | 0:42:43 | |
I'll tell you what, I told you those frames did me proud. | 0:42:43 | 0:42:46 | |
You spy, you liked those, though. | 0:42:46 | 0:42:48 | |
I did like them. | 0:42:48 | 0:42:49 | |
I did like them, but I wanted to give you a break. | 0:42:49 | 0:42:52 | |
Oh, thanks. | 0:42:52 | 0:42:53 | |
I wanted to give you a chance. | 0:42:53 | 0:42:54 | |
The Axeman more than doubles Eric's total. | 0:42:54 | 0:42:56 | |
But maybe that's what happens when you spend more in the first place. | 0:42:56 | 0:43:00 | |
I took a small hit on my wool work, but those frames got | 0:43:00 | 0:43:03 | |
me out of jail free. | 0:43:03 | 0:43:06 | |
But in this business, you've just got to be in the right | 0:43:06 | 0:43:09 | |
place at the right time. | 0:43:09 | 0:43:10 | |
I really got something of a hiding there from the boy. | 0:43:10 | 0:43:13 | |
It was all down to a pair of frames. | 0:43:13 | 0:43:17 | |
So, Eric needs to pull his socks up tomorrow when our two haggling | 0:43:17 | 0:43:20 | |
heroes cross the Channel for some continental collectibles. | 0:43:20 | 0:43:24 | |
Can't wait! | 0:43:24 | 0:43:26 |