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This is Put Your Money Where Your Mouth Is, the show | 0:00:02 | 0:00:04 | |
that pitches TV's best-loved antiques experts against each other | 0:00:04 | 0:00:08 | |
in an all-out battle for profit... | 0:00:08 | 0:00:11 | |
Yee-haw! | 0:00:11 | 0:00:12 | |
..and gives you the insider's | 0:00:12 | 0:00:14 | |
view of the trade. | 0:00:14 | 0:00:16 | |
Who's there? | 0:00:16 | 0:00:17 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:21 | |
will face a different daily challenge... | 0:00:21 | 0:00:23 | |
The Axeman! Grr! | 0:00:23 | 0:00:25 | |
..putting their reputations on the line... | 0:00:27 | 0:00:29 | |
Ready for the ball. | 0:00:29 | 0:00:30 | |
..and giving you their top tips | 0:00:32 | 0:00:34 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:34 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:40 | |
Today, the antiques master Eric Knowles takes on new boy | 0:00:44 | 0:00:47 | |
and ace auctioneer Will Axon at a flea market in France. | 0:00:47 | 0:00:52 | |
Coming up... Will tries his luck. | 0:00:52 | 0:00:54 | |
Would you do those two for 50? | 0:00:54 | 0:00:56 | |
HE LAUGHS | 0:00:56 | 0:00:58 | |
This guy is kidding, isn't he? Come on! | 0:00:58 | 0:01:00 | |
Eric's pottery pottiness hits new heights. | 0:01:00 | 0:01:03 | |
I'm going to take it home with me and just love it for a while. | 0:01:03 | 0:01:07 | |
And then I'm going to have to sell it. | 0:01:07 | 0:01:10 | |
And the excitement gets a bit too much for Will. | 0:01:10 | 0:01:13 | |
HE SNORES | 0:01:13 | 0:01:14 | |
Hm. This is Put Your Money Where Your Mouth Is. | 0:01:14 | 0:01:17 | |
Welcome, antiques lovers. | 0:01:31 | 0:01:33 | |
The Put Your Money express has steamed across the Channel | 0:01:33 | 0:01:36 | |
for a buying bonanza in Paris. | 0:01:36 | 0:01:38 | |
But no time to stroll down the Champs-Elysees. | 0:01:38 | 0:01:41 | |
No trips up the Eiffel Tower. | 0:01:41 | 0:01:43 | |
And certainly no "ooh, la, la" at the Moulin Rouge. | 0:01:43 | 0:01:47 | |
Oh, no, we've got two intrepid expert explorers | 0:01:47 | 0:01:50 | |
with one sole focus - | 0:01:50 | 0:01:52 | |
finding French finery that'll make a profit back home. | 0:01:52 | 0:01:55 | |
So, let's meet our continental contenders. | 0:01:55 | 0:01:59 | |
On the Right Bank... | 0:01:59 | 0:02:01 | |
He may be the new boy in town, but he's no amateur, not a bit of it. | 0:02:01 | 0:02:05 | |
He's an ace auctioneer who's raring to rummage for rarities. | 0:02:05 | 0:02:09 | |
And he's determined to prove himself by landing a knockout blow. | 0:02:09 | 0:02:13 | |
All the way from Suffolk, it's... | 0:02:13 | 0:02:14 | |
It's going to have to be crunch time. | 0:02:17 | 0:02:19 | |
But there is stiff competition on the Left Bank - | 0:02:20 | 0:02:23 | |
a man who's a living legend. | 0:02:23 | 0:02:25 | |
He's the Veteran of Value, | 0:02:25 | 0:02:27 | |
the Prince of Porcelain, | 0:02:27 | 0:02:28 | |
the creme de la creme of the curio. | 0:02:28 | 0:02:30 | |
It's Lancashire's likeliest lad... | 0:02:30 | 0:02:32 | |
He doesn't stand a chance. | 0:02:37 | 0:02:39 | |
Hm, fighting talk from Eric. | 0:02:39 | 0:02:41 | |
Our prize pair are going head-to-head at the Porte de Vanves | 0:02:41 | 0:02:44 | |
flea market in the south of the city. | 0:02:44 | 0:02:47 | |
They've each converted £750 of their own money into euros | 0:02:47 | 0:02:51 | |
for this Parisian pas de deux. | 0:02:51 | 0:02:53 | |
And once they've sold all their wares, | 0:02:53 | 0:02:55 | |
any profits will go to their chosen charities. | 0:02:55 | 0:02:58 | |
But don't be fooled into thinking this is all about the money. | 0:02:58 | 0:03:01 | |
Here in France, they need eagle eyes, excellent expertise | 0:03:01 | 0:03:04 | |
and bags of British charm. | 0:03:04 | 0:03:06 | |
And with these two, that should be no problem. | 0:03:06 | 0:03:09 | |
So, euros at the ready, | 0:03:09 | 0:03:11 | |
Eric 'Knocker' Knowles and Will 'The Axeman' Axon, | 0:03:11 | 0:03:14 | |
it's time to Put Your Money Where Your Mouth Is. | 0:03:14 | 0:03:18 | |
-THEY SIGH -Le Marteau, how are you? | 0:03:18 | 0:03:21 | |
Le Marteau, what's this? | 0:03:21 | 0:03:23 | |
-French for Knocker. -Is it?! -It is. -Le Marteau, I quite like that. | 0:03:23 | 0:03:27 | |
-I don't know what The Axeman is, though. -No, but I know he cometh. | 0:03:27 | 0:03:31 | |
He's now cometh to Porte de Vanves. It's a nice market, this - | 0:03:31 | 0:03:35 | |
I've been here a few times - | 0:03:35 | 0:03:36 | |
because it's doable, it's a nice size. Good. | 0:03:36 | 0:03:39 | |
-And we've got, what, £750 in euros to spend? -That's a fair wad of cash. | 0:03:39 | 0:03:45 | |
-What are you looking to spend it on? -Well, I tend to play it safe here. | 0:03:45 | 0:03:48 | |
I'll go for Deco, Nouveau or whatever. | 0:03:48 | 0:03:51 | |
But to be honest with you, anything where I get the sniff of a profit. | 0:03:51 | 0:03:55 | |
So... | 0:03:55 | 0:03:56 | |
Well, I think my tactic today is going to be - if I see it, buy it. | 0:03:56 | 0:04:00 | |
Because, you know, we've got a time limit, haven't we? | 0:04:00 | 0:04:03 | |
So let's get the business done before the French | 0:04:03 | 0:04:06 | |
totter off for their long lunch. | 0:04:06 | 0:04:07 | |
-Listen, remember, you are batting for Britain, OK? -Wave that flag! | 0:04:07 | 0:04:11 | |
-Good luck. -Au revoir! -Au revoir! Au revoir, monsieur! | 0:04:11 | 0:04:15 | |
Ah, could you want two more delectable dealers banging | 0:04:15 | 0:04:18 | |
the drum for Blighty? | 0:04:18 | 0:04:19 | |
Not a chance! | 0:04:19 | 0:04:22 | |
It's early in the morning | 0:04:22 | 0:04:23 | |
and the stall holders are still laying out their wares. | 0:04:23 | 0:04:27 | |
Our two conquering heroes are straight into battle to see | 0:04:27 | 0:04:30 | |
what's on offer. | 0:04:30 | 0:04:31 | |
But have they refined their cross-Channel strategies | 0:04:31 | 0:04:34 | |
in the hunt for their objets d'art? | 0:04:34 | 0:04:36 | |
If you see it, forget about coming back for it, | 0:04:36 | 0:04:39 | |
you've got to buy it there and then because you can bet your life, | 0:04:39 | 0:04:42 | |
when you do come back looking for it, it's long gone. | 0:04:42 | 0:04:45 | |
So I'm trying to be business-like today. | 0:04:45 | 0:04:47 | |
Well, good luck with that | 0:04:47 | 0:04:49 | |
because Will has a secret weapon up his sleeve. | 0:04:49 | 0:04:52 | |
Yes, The Axeman is half Spanish, | 0:04:52 | 0:04:55 | |
so he's au fait with European languages. | 0:04:55 | 0:04:57 | |
And that includes French. | 0:04:57 | 0:04:58 | |
Eric's got the upper hand, he's been here before. | 0:04:58 | 0:05:01 | |
But I think I might have him on the old lingo. | 0:05:01 | 0:05:03 | |
So hopefully, he'll get his numbers mixed up and pay 90 instead of 20. | 0:05:03 | 0:05:07 | |
Oh, let's hope so, mainly because it will be funny for the rest of us. | 0:05:07 | 0:05:12 | |
Both our boys have begun their browse, | 0:05:12 | 0:05:13 | |
but it is Will who leaps in first, checking out some bookends. | 0:05:13 | 0:05:18 | |
They are quite smart, aren't they? I mean, classic Art Deco, isn't it? | 0:05:18 | 0:05:21 | |
That whole pelican, very stylised... | 0:05:21 | 0:05:24 | |
Hm, lost eyes and so on. | 0:05:24 | 0:05:26 | |
They would have to be very cheap. I'm going to leave them. | 0:05:27 | 0:05:30 | |
I might come back to them. | 0:05:30 | 0:05:32 | |
So, he has already abandoned his see-it-buy-it plan. | 0:05:32 | 0:05:36 | |
And so early as well. | 0:05:36 | 0:05:37 | |
Mind you, Eric is not going great guns either. | 0:05:37 | 0:05:40 | |
In fact, he is stalled. | 0:05:40 | 0:05:42 | |
I've seen a few good objects, | 0:05:42 | 0:05:44 | |
but, you know, they're at really good prices. | 0:05:44 | 0:05:47 | |
Not good for me, but good for the dealers. | 0:05:47 | 0:05:49 | |
Yes, everywhere Eric looks, he is finding budget-busting prices. | 0:05:49 | 0:05:54 | |
Merci beaucoup. Yep. | 0:05:54 | 0:05:57 | |
So... They want £1,000 for it. | 0:05:57 | 0:05:59 | |
I'd love to buy it, | 0:05:59 | 0:06:01 | |
but it is 3,000 euro. | 0:06:01 | 0:06:03 | |
And a little out of my budget. | 0:06:03 | 0:06:06 | |
-The price is...deux mille euro. -2,000. | 0:06:06 | 0:06:10 | |
But after a lot of searching, | 0:06:10 | 0:06:12 | |
Eric spots something with a certain je ne sais quoi. | 0:06:12 | 0:06:16 | |
It's ceramic, obviously, but will it be affordable? | 0:06:16 | 0:06:19 | |
-What sort of price can we do? -Oh. | 0:06:20 | 0:06:23 | |
What would be your best price? | 0:06:23 | 0:06:25 | |
Quarante. | 0:06:27 | 0:06:30 | |
-40, because he loves London... -I love London! | 0:06:30 | 0:06:32 | |
..and he loves English people. | 0:06:32 | 0:06:33 | |
He is a very nice man. | 0:06:33 | 0:06:35 | |
All right, 40, 40 euro. OK, OK, I take it. | 0:06:35 | 0:06:39 | |
-OK, fine. -Thank you. | 0:06:39 | 0:06:41 | |
The Frenchman's flattery works. | 0:06:41 | 0:06:43 | |
Convert that into sterling, | 0:06:43 | 0:06:44 | |
and Eric pays £33.33. | 0:06:44 | 0:06:47 | |
It's Japanese. It is around about maybe 1910. | 0:06:48 | 0:06:52 | |
Normally, it is the sort of thing you expect in cloisonne. | 0:06:52 | 0:06:55 | |
In other words, with little wires enclosing it. | 0:06:55 | 0:06:58 | |
But this is cloisonne-free enamel. | 0:06:58 | 0:07:00 | |
And it is quite rare. | 0:07:00 | 0:07:02 | |
Mm! Sounds promising. | 0:07:02 | 0:07:04 | |
So, Eric has got that all-important first buy under his belt, | 0:07:04 | 0:07:07 | |
a hurdle Will is still waiting to jump. | 0:07:07 | 0:07:10 | |
And he's also finding the Parisian prices a bit rich | 0:07:10 | 0:07:13 | |
for his blood, despite his ability to negotiate en francais. | 0:07:13 | 0:07:18 | |
I think the fair is still warming up a little bit, | 0:07:18 | 0:07:20 | |
so no-one is really prepared to slash prices yet | 0:07:20 | 0:07:23 | |
because there are people still arriving and stock still coming out. | 0:07:23 | 0:07:26 | |
But before he gets too disillusioned, Will clocks | 0:07:26 | 0:07:29 | |
something the French are particularly famous for. | 0:07:29 | 0:07:33 | |
A quel prix, le vin? | 0:07:33 | 0:07:35 | |
Will then chats away in French, | 0:07:35 | 0:07:37 | |
which isn't much good for most of us. | 0:07:37 | 0:07:38 | |
Pour les deux? | 0:07:38 | 0:07:40 | |
The gentleman wants 80 euros for the two bottles, | 0:07:40 | 0:07:42 | |
but Will gets him down to 60 and shakes on it, his first deal. | 0:07:42 | 0:07:46 | |
-Six, yeah? 60. -Thank you. | 0:07:46 | 0:07:48 | |
Sir, it has been a pleasure. Good luck today. Cheers. | 0:07:48 | 0:07:51 | |
After converting the currency, | 0:07:51 | 0:07:53 | |
Will pays £50 for the vintage wine. | 0:07:53 | 0:07:55 | |
Chills. | 0:07:55 | 0:07:56 | |
I spotted these bottles of wine. And Pauillac jumped out at me. | 0:07:57 | 0:08:01 | |
That is my favourite grape. Delicious. | 0:08:01 | 0:08:03 | |
The other interesting thing as well, of course, | 0:08:03 | 0:08:05 | |
is you're selling alcohol on the street. How do you get round that? | 0:08:05 | 0:08:09 | |
Well, you sell me the bottle, you give me the contents for free. | 0:08:09 | 0:08:12 | |
Ah-ha! But maybe it is poor old Eric who could do with a warm tipple. | 0:08:12 | 0:08:17 | |
He is not having much fun. | 0:08:17 | 0:08:19 | |
I've still got an awful lot of leg work to do. | 0:08:19 | 0:08:22 | |
I'd just like to buy a couple more | 0:08:22 | 0:08:24 | |
and then I'll be getting more into my comfort zone. | 0:08:24 | 0:08:26 | |
Hm... Mr Knowles really is struggling to find his feet. | 0:08:26 | 0:08:30 | |
Young Axon, however, is into his stride. | 0:08:30 | 0:08:32 | |
He is off and running! | 0:08:32 | 0:08:33 | |
But the next thing to catch his attention is rather macabre. | 0:08:33 | 0:08:36 | |
C'est quoi, ca? | 0:08:36 | 0:08:38 | |
DEALER SPEAKS FRENCH | 0:08:38 | 0:08:42 | |
Ah, so it is the throat. | 0:08:42 | 0:08:44 | |
-Et le prix? -Cinquante euro. | 0:08:44 | 0:08:46 | |
50 euros. | 0:08:46 | 0:08:48 | |
-Donne-le-moi pour trente. -Trente-cinq. | 0:08:48 | 0:08:51 | |
-Trente-cinq? -Trente-cinq. -Bon, bien, trente-cinq. | 0:08:51 | 0:08:54 | |
Merci, monsieur. | 0:08:54 | 0:08:55 | |
There he goes again, being all French. | 0:08:55 | 0:08:58 | |
He agrees 35 euros for the anatomical model, which, | 0:08:58 | 0:09:01 | |
let's be honest, is fairly gruesome. | 0:09:01 | 0:09:03 | |
That translates to £29.17. | 0:09:03 | 0:09:06 | |
Well, what I've bought here, apparently, | 0:09:06 | 0:09:08 | |
is a medical model of a throat or oesophagus. | 0:09:08 | 0:09:12 | |
Not everyone's cup of tea, I know. This one dates... | 0:09:12 | 0:09:14 | |
Early 20th century? I like it. Hopefully, someone else will. | 0:09:14 | 0:09:18 | |
And it'll be saleable. Fingers crossed. Or... | 0:09:18 | 0:09:21 | |
I don't know, oesophagus crossed? | 0:09:21 | 0:09:23 | |
Hm, that sounds painful! | 0:09:23 | 0:09:24 | |
Eric might find that deal hard to swallow. | 0:09:24 | 0:09:27 | |
But his own luck could be about to change. | 0:09:27 | 0:09:30 | |
Well, I've just come across a moulded dish on a sort of a chrome stand. | 0:09:30 | 0:09:34 | |
He wants 120 euro for this and... | 0:09:34 | 0:09:38 | |
I don't know, I'm tempted. | 0:09:38 | 0:09:40 | |
Monsieur, can I ask you the...? Donne le prix. | 0:09:40 | 0:09:44 | |
-Cent. -Oui, oui. 100. Yeah. | 0:09:44 | 0:09:47 | |
Zut alors, Eric's done it! | 0:09:48 | 0:09:50 | |
The seller comes down to 100 euros. | 0:09:50 | 0:09:52 | |
That's £83.33, | 0:09:52 | 0:09:54 | |
and Eric is looking pleased. | 0:09:54 | 0:09:57 | |
It's period. It's 1920s. | 0:09:57 | 0:10:00 | |
It's perfectly OK. | 0:10:00 | 0:10:02 | |
You'd never buy anything like this with a hint of damage about it. | 0:10:02 | 0:10:05 | |
This opalescent effect, this milky blue, is | 0:10:05 | 0:10:08 | |
achieved by putting into the glass mix certain fluorites. | 0:10:08 | 0:10:13 | |
A chemical reaction takes place | 0:10:13 | 0:10:15 | |
within the glass as it begins to cool. | 0:10:15 | 0:10:18 | |
I think, you know, at 100 euro, it represents value for money. | 0:10:18 | 0:10:22 | |
Whether it represents a profit remains to be seen. | 0:10:22 | 0:10:26 | |
Indeed it does. | 0:10:26 | 0:10:28 | |
Our two antiques entrepreneurs have each bought twice | 0:10:28 | 0:10:31 | |
and seem to be in the swing of things. | 0:10:31 | 0:10:33 | |
But with top-end prices on lots of stalls, | 0:10:33 | 0:10:36 | |
they don't want to be caught napping. | 0:10:36 | 0:10:38 | |
And wide awake Will is quick off the mark, | 0:10:38 | 0:10:40 | |
buying an African head rest for 110 euros. | 0:10:40 | 0:10:43 | |
That's £91.67. | 0:10:43 | 0:10:46 | |
I've bought this carved African head rest, probably Ethiopian. | 0:10:46 | 0:10:52 | |
Date wise... | 0:10:52 | 0:10:53 | |
I think probably into the 20th century, maybe '20s, | 0:10:53 | 0:10:56 | |
'30s, that sort of period. | 0:10:56 | 0:10:58 | |
It's comfortable and it keeps the bugs out of your ears. | 0:10:58 | 0:11:01 | |
Sounds like an important feature. | 0:11:01 | 0:11:02 | |
It's midway through the morning | 0:11:02 | 0:11:04 | |
and our competitors are anxious to compare notes. | 0:11:04 | 0:11:07 | |
Let's do the same and see how the figures stack up. | 0:11:07 | 0:11:11 | |
Eric and Will each arrived in Paris | 0:11:11 | 0:11:13 | |
with £750-worth of euros to spend. | 0:11:13 | 0:11:16 | |
Jittery about prices, | 0:11:16 | 0:11:17 | |
Eric 'Knocker' Knowles has so far only | 0:11:17 | 0:11:20 | |
bought twice, spending £116.66, | 0:11:20 | 0:11:23 | |
leaving £633.34 in his kitty. | 0:11:23 | 0:11:27 | |
Will 'The Axeman' Axon has gone | 0:11:28 | 0:11:30 | |
further - three purchases | 0:11:30 | 0:11:32 | |
for £170.84, meaning he's still got | 0:11:32 | 0:11:35 | |
£579 burning a hole in his pocket. | 0:11:35 | 0:11:40 | |
So, they've both still got masses of cash to splash | 0:11:40 | 0:11:43 | |
and a lot of work to boot. | 0:11:43 | 0:11:45 | |
-How's it going? -Well, it's... | 0:11:45 | 0:11:47 | |
It was a slow start, I don't mind admitting. | 0:11:47 | 0:11:50 | |
You know, I've bought a couple of bits of glass... | 0:11:50 | 0:11:53 | |
-Breakables? -Oh, yes. | 0:11:53 | 0:11:55 | |
-A bit of porcelain? A pot? I bet you bought a pot. -I bought a pot, yeah. | 0:11:55 | 0:11:58 | |
What have you gone for? Come on. | 0:11:58 | 0:12:00 | |
I've got medical, ethnographic and alcoholic. | 0:12:00 | 0:12:05 | |
OK. Well, anyway, listen, time is of the essence. | 0:12:05 | 0:12:08 | |
You should know that they are going to start closing down within | 0:12:08 | 0:12:11 | |
the next hour or so. | 0:12:11 | 0:12:13 | |
-Don't say that. -They will do, trust me. | 0:12:13 | 0:12:16 | |
-Good luck, Eric. -And you too. -All right then. | 0:12:16 | 0:12:18 | |
-See you at the end. -See you later. | 0:12:18 | 0:12:20 | |
Well, both our boys need to pick up the pace. | 0:12:20 | 0:12:23 | |
And our apprentice is relieved the guv'nor is feeling the heat, too. | 0:12:23 | 0:12:27 | |
Well, Eric seems to be a bit in the same boat as I am. | 0:12:27 | 0:12:30 | |
He is sort of struggling a little bit with the prices. | 0:12:30 | 0:12:33 | |
But he's bought a few objects, breakables. | 0:12:33 | 0:12:36 | |
So I think we are pretty much neck and neck at the moment, | 0:12:36 | 0:12:38 | |
halfway stage. | 0:12:38 | 0:12:40 | |
Eric, however, is suddenly much more relaxed about the whole business. | 0:12:40 | 0:12:44 | |
Somehow. And he's taking photos for tourists. | 0:12:44 | 0:12:48 | |
Are you ready? Are you all in? | 0:12:48 | 0:12:51 | |
I want you to be the centre of attraction. Oh, you are. | 0:12:51 | 0:12:54 | |
Here we go. One, two, three... | 0:12:54 | 0:12:55 | |
But before you can say fromage, Eric's got his eye on another - | 0:12:57 | 0:13:01 | |
you guessed it - breakable. | 0:13:01 | 0:13:03 | |
I quite like this. | 0:13:03 | 0:13:05 | |
It's nicely enamelled. | 0:13:05 | 0:13:06 | |
Can I ask for the best price, as they say in English? | 0:13:06 | 0:13:10 | |
-I can do 30. -30? | 0:13:10 | 0:13:12 | |
That's fine. For 30, I'm having it. | 0:13:12 | 0:13:14 | |
Knocker's back on a roll, back in business and going for a job lot. | 0:13:14 | 0:13:19 | |
-How much are the chairs? -80. | 0:13:19 | 0:13:21 | |
80, 80 each. Who made it, do you know? | 0:13:21 | 0:13:24 | |
Matteo Grassi. | 0:13:24 | 0:13:25 | |
If I took the two, how much would they be? | 0:13:25 | 0:13:28 | |
-140. -I'll take them. | 0:13:28 | 0:13:30 | |
Sacre bleu! Eric more than doubles | 0:13:30 | 0:13:33 | |
his spend in one fell swoop. | 0:13:33 | 0:13:34 | |
£25 for the enamelled glass dish | 0:13:34 | 0:13:37 | |
and £116.67 | 0:13:37 | 0:13:39 | |
for the two designer chairs, and | 0:13:39 | 0:13:41 | |
he's pretty pleased with himself. | 0:13:41 | 0:13:44 | |
Well, I'm very happy with this enamelled glass dish. | 0:13:44 | 0:13:46 | |
Date wise, it's probably around about 1925. | 0:13:46 | 0:13:50 | |
It's got a few nicks, but at 30 euros, | 0:13:50 | 0:13:53 | |
I was never going to say no to that. It's a great thing. | 0:13:53 | 0:13:55 | |
And as for my chairs, | 0:13:55 | 0:13:56 | |
well, they are after a design by Marcel Breuer. | 0:13:56 | 0:14:00 | |
I think the originals date to around about 1930. | 0:14:00 | 0:14:03 | |
Were they the real thing, I would not have bought the pair for 140 euros. | 0:14:03 | 0:14:08 | |
I think I'd be paying more in the region of £2,000 to £3,000 each. | 0:14:08 | 0:14:13 | |
I mean, 140 euro for two classic chairs... | 0:14:13 | 0:14:16 | |
Thank you, thank you, thank you. | 0:14:16 | 0:14:19 | |
Well done, Knocker. And that double purchase puts him out in front. | 0:14:19 | 0:14:23 | |
You know, this is great. | 0:14:23 | 0:14:25 | |
And while Mr Axon considers a rather funky lamp, | 0:14:25 | 0:14:28 | |
Knocker knocks another one out of the park. | 0:14:28 | 0:14:31 | |
He pays 80 euros for a piece of French pottery. | 0:14:31 | 0:14:33 | |
That works out at £66.67. | 0:14:33 | 0:14:36 | |
So tell us what you've got, Knowlesy. | 0:14:36 | 0:14:39 | |
Well, I've bought myself a piece of French faience. | 0:14:39 | 0:14:43 | |
In England, we would call it a monteith. | 0:14:43 | 0:14:46 | |
But the idea is that you put crushed ice in here | 0:14:46 | 0:14:49 | |
and you take your wine glass bowls and you stick them | 0:14:49 | 0:14:52 | |
in the crushed ice, so when you then want to pour your chilled | 0:14:52 | 0:14:56 | |
white wine, you had a chilled wine glass ready to go. | 0:14:56 | 0:15:01 | |
The thing is, I really like it. | 0:15:01 | 0:15:03 | |
I'm going to take it home with me | 0:15:03 | 0:15:06 | |
and just love it for a while, then I'm going to have to sell it. | 0:15:06 | 0:15:10 | |
Hm, I wonder if Mrs Knowles likes ceramics. | 0:15:11 | 0:15:14 | |
Their house must be full of the stuff! | 0:15:14 | 0:15:15 | |
Anyway, after a cautious start, Eric is now well on his way. | 0:15:15 | 0:15:19 | |
Five items to Will's three. | 0:15:19 | 0:15:21 | |
And our Axeman has lost his laissez faire attitude | 0:15:21 | 0:15:24 | |
and he's worrying about prices again. | 0:15:24 | 0:15:27 | |
Another one of these industrial lights, which I really like, | 0:15:27 | 0:15:31 | |
but they're pricing them out of my market. | 0:15:31 | 0:15:33 | |
Look at that, the way the cogs are working. | 0:15:33 | 0:15:35 | |
What were they originally, | 0:15:35 | 0:15:36 | |
lathe working for when they're working on the metal turning tools? | 0:15:36 | 0:15:40 | |
-Yeah. -Yeah. How much are you asking for that, then? | 0:15:40 | 0:15:43 | |
Yeah, it's too much for me. | 0:15:43 | 0:15:44 | |
At 200 euros, the lamp looks like a no go. | 0:15:44 | 0:15:48 | |
But then he catches site of a pair of wooden duck decoys. | 0:15:48 | 0:15:52 | |
Would you do those two for 50? | 0:15:52 | 0:15:53 | |
HE LAUGHS | 0:15:53 | 0:15:56 | |
This guy is kidding, isn't he? | 0:15:56 | 0:15:57 | |
Come on! It's 80 each. | 0:15:57 | 0:16:00 | |
Give me 100 for both. | 0:16:00 | 0:16:01 | |
-So, if we can say 80 the two... -No, no. -..we've got a deal. | 0:16:01 | 0:16:04 | |
-Meet me in the middle, 90. -100. | 0:16:04 | 0:16:06 | |
Give me 100. | 0:16:06 | 0:16:08 | |
-You are a nice guy... -Thank you, sir. -100, thank you very much. | 0:16:08 | 0:16:10 | |
-Oh, you got me! -We make a deal. -I was too slow. | 0:16:10 | 0:16:13 | |
Love a duck! The friendly Frenchman cheekily gets what he wants. | 0:16:13 | 0:16:17 | |
But Will was holding out his hand. Silly boy! | 0:16:17 | 0:16:20 | |
But things suddenly get better. Out of nowhere, | 0:16:20 | 0:16:23 | |
the man offers Will a price that he can't refuse for the lamp. | 0:16:23 | 0:16:26 | |
-Let's shake at that 120. -120. Will, you got it. | 0:16:27 | 0:16:31 | |
It is a double deal - | 0:16:31 | 0:16:33 | |
an engineered industrial light | 0:16:33 | 0:16:35 | |
for bang on £100 and a pair | 0:16:35 | 0:16:37 | |
of quackers for £83.33. | 0:16:37 | 0:16:40 | |
They are not going to be used as duck decoys nowadays, | 0:16:40 | 0:16:43 | |
they are going to be used for their sculptural quality. | 0:16:43 | 0:16:45 | |
You know, they are hand-carved, solid wood, original paint. | 0:16:45 | 0:16:49 | |
A bit of folk art. | 0:16:49 | 0:16:51 | |
Date wise... | 0:16:51 | 0:16:52 | |
Could be turn-of-the-century, maybe 1920s, '30s. | 0:16:52 | 0:16:55 | |
They are certainly not reproduction, they are the real McCoy. | 0:16:55 | 0:16:59 | |
Yes, Will is lit up with his latest purchases. But what about Eric? | 0:16:59 | 0:17:03 | |
Well, he still needs to get all his ducks in a row. | 0:17:03 | 0:17:06 | |
I feel a sense of urgency, which is bordering on, | 0:17:08 | 0:17:12 | |
but I am not allowing it to be, pure panic. | 0:17:12 | 0:17:15 | |
Yes, our Knocker is never one to give up easily. | 0:17:18 | 0:17:20 | |
A last-minute scurry around the stalls, | 0:17:20 | 0:17:22 | |
and he finds a particularly illuminating piece. | 0:17:22 | 0:17:25 | |
THEY NEGOTIATE IN FRENCH | 0:17:27 | 0:17:31 | |
Right. Yeah, we'll give it a go. | 0:17:31 | 0:17:33 | |
The brass candelabrum costs | 0:17:33 | 0:17:35 | |
100 euros, that is £83.33. | 0:17:35 | 0:17:39 | |
Well, I was hoping, you know, when I looked at the base, | 0:17:39 | 0:17:41 | |
it might have had a bit of age. | 0:17:41 | 0:17:43 | |
I think we are probably looking at maybe 1950s. | 0:17:43 | 0:17:47 | |
I bought what, to all intents and purposes, is a decorative | 0:17:47 | 0:17:51 | |
but useful object | 0:17:51 | 0:17:53 | |
that takes no less than 17 candles. | 0:17:53 | 0:17:58 | |
And at that point, Eric decides to call it a day. | 0:17:58 | 0:18:01 | |
Will, however, is under mounting pressure. | 0:18:01 | 0:18:04 | |
Well, I'd really like to get another item under my belt, | 0:18:04 | 0:18:06 | |
but we really are in the last throes of this fair now. | 0:18:06 | 0:18:09 | |
People are packing up, going home, tables are getting cleared. | 0:18:09 | 0:18:13 | |
So I'm really going to have to keep my eyes peeled just to make sure | 0:18:13 | 0:18:16 | |
I don't miss that one thing that I may have walked past. | 0:18:16 | 0:18:18 | |
But he then remembers the first stall he visited this morning, | 0:18:18 | 0:18:22 | |
the place with the pelican bookends. You know, the ones with dodgy eyes. | 0:18:22 | 0:18:26 | |
80. | 0:18:34 | 0:18:35 | |
Thankfully, the pelicans are still there. | 0:18:35 | 0:18:37 | |
But the store holder is about to leave, | 0:18:37 | 0:18:39 | |
so Will is just in the nick of time. | 0:18:39 | 0:18:41 | |
Is there a deal to be done? | 0:18:41 | 0:18:43 | |
I want one more item, so let's throw caution to the wind. | 0:18:54 | 0:18:57 | |
Yes! | 0:19:00 | 0:19:01 | |
Bon. Merci. | 0:19:04 | 0:19:06 | |
Bravo, Will. He feathers his nest with one final flutter. | 0:19:06 | 0:19:10 | |
The book ends up costs £58.33. | 0:19:10 | 0:19:13 | |
They are basically Art Deco bookends | 0:19:13 | 0:19:16 | |
formed as pelicans, which is a very iconic sort of Deco theme. | 0:19:16 | 0:19:20 | |
They are made of spelter rather than bronze. | 0:19:20 | 0:19:23 | |
We know that the eyes are lacking | 0:19:23 | 0:19:25 | |
and we know that they are signed - Franjou. | 0:19:25 | 0:19:28 | |
I think Franjou is pretty mass-made Art Deco, French maker. | 0:19:28 | 0:19:32 | |
But even so, they are genuine French Art Deco, what more do you want? | 0:19:32 | 0:19:37 | |
Well, a profit would be good. And that fun is about to start. | 0:19:37 | 0:19:41 | |
For now, the frantic fight at the French flea market is finished. | 0:19:41 | 0:19:46 | |
Both our experts arrived in Paris | 0:19:46 | 0:19:48 | |
with £750-worth of euros. | 0:19:48 | 0:19:50 | |
Eric had a sluggish start, | 0:19:50 | 0:19:52 | |
but eventually found his feet. | 0:19:52 | 0:19:54 | |
He leaves with six items, | 0:19:54 | 0:19:55 | |
having paid £480.33. | 0:19:55 | 0:19:58 | |
Will, on the other hand, bought more early on, | 0:19:58 | 0:20:01 | |
but struggled in the later stages. | 0:20:01 | 0:20:03 | |
He also heads home with six purchases | 0:20:03 | 0:20:05 | |
and has a spent almost exactly | 0:20:05 | 0:20:06 | |
the same - £412.50. | 0:20:06 | 0:20:09 | |
So, with just four pounds in it, | 0:20:11 | 0:20:12 | |
what do our boys make of their French fare? | 0:20:12 | 0:20:15 | |
What a difference a few hours make! | 0:20:15 | 0:20:17 | |
And I tell you what, | 0:20:17 | 0:20:19 | |
what a difference in what you've bought and what I've bought. | 0:20:19 | 0:20:22 | |
It just goes to show that there is literally | 0:20:22 | 0:20:24 | |
something for everyone at the same fair. | 0:20:24 | 0:20:26 | |
Talk me through your lots, Eric. | 0:20:26 | 0:20:28 | |
Well, first of all, the little Japanese vase. It is enamelled. | 0:20:28 | 0:20:32 | |
Very nice. | 0:20:32 | 0:20:33 | |
And I'm looking for somebody who is about to become 17, | 0:20:33 | 0:20:38 | |
because that is how many candles you can stick on that. | 0:20:38 | 0:20:40 | |
-That's a big 'un. -It is a big 'un, isn't it? | 0:20:40 | 0:20:42 | |
-Tell me about yours, because out for a duck, not quite. -My duck decoys! | 0:20:42 | 0:20:47 | |
Bought as sculptural pieces rather than decoys. | 0:20:47 | 0:20:50 | |
And what do you think to this? | 0:20:50 | 0:20:51 | |
Well, first question, what is it? | 0:20:51 | 0:20:54 | |
It is an African head rest. | 0:20:54 | 0:20:56 | |
-Is it now? -It is. So a bit of ethnographic. | 0:20:56 | 0:20:59 | |
-I'm pretty sure that has got a bit of age to it. -OK. | 0:20:59 | 0:21:01 | |
So, it is a case of all's well that ends well. | 0:21:01 | 0:21:04 | |
But there again, all's well when we sell well. | 0:21:04 | 0:21:07 | |
Ah! That is the key. | 0:21:07 | 0:21:08 | |
Good luck to you. | 0:21:08 | 0:21:10 | |
So, our bargain hunters head back to Blighty. | 0:21:13 | 0:21:16 | |
Now they must forget about what has gone before and summon up | 0:21:16 | 0:21:19 | |
all their courage, because this is where things get really tough - | 0:21:19 | 0:21:23 | |
finding buyers for all those items. | 0:21:23 | 0:21:26 | |
Once they've got people interested, | 0:21:26 | 0:21:27 | |
they must eke out every possible penny, | 0:21:27 | 0:21:30 | |
pounce on every pound and focus on the fight for finance. | 0:21:30 | 0:21:34 | |
All their profits will go to charities they have chosen, | 0:21:34 | 0:21:37 | |
so this is where they really earn their money. | 0:21:37 | 0:21:39 | |
Eric is back at Knocker HQ, and he is feeling confident. | 0:21:40 | 0:21:45 | |
Well, I do love that little Japanese vase. | 0:21:45 | 0:21:50 | |
I know somebody who deals in Japanese works of art, | 0:21:50 | 0:21:54 | |
and I think that might be right up his street. | 0:21:54 | 0:21:56 | |
Then, a little bit of Nancy. | 0:21:56 | 0:21:58 | |
Beautifully decorated French faience, entirely hand-painted. | 0:21:58 | 0:22:02 | |
I've never come across a 17-light table candelabrum in brass. | 0:22:02 | 0:22:07 | |
My little glass dish decorated with roses | 0:22:07 | 0:22:11 | |
that most people would say are Mackintosh roses. | 0:22:11 | 0:22:15 | |
But if you are in France, they are Paul Follot roses. | 0:22:15 | 0:22:18 | |
And then a classic piece of French opalescent glass there | 0:22:18 | 0:22:22 | |
by a firm called Julien. | 0:22:22 | 0:22:24 | |
And finally, one of a pair of chairs that you find me | 0:22:24 | 0:22:28 | |
sitting in, designed in around about 1928. | 0:22:28 | 0:22:31 | |
I think I've got something to smile about | 0:22:31 | 0:22:34 | |
and something for Will Axon to worry about. | 0:22:34 | 0:22:38 | |
But Will is not concerned at all. | 0:22:38 | 0:22:41 | |
He is now back home in Newmarket. | 0:22:41 | 0:22:43 | |
Here is my hoard of treasure. | 0:22:43 | 0:22:46 | |
The pelicans, pleased with those. | 0:22:46 | 0:22:48 | |
Typical French Art Deco. Really stylish art metal. | 0:22:48 | 0:22:52 | |
Behind them, the two bottles of Chateau Collapso. | 0:22:52 | 0:22:54 | |
I'm going to have to find someone who appreciates a nice | 0:22:54 | 0:22:57 | |
drop of red, aren't I? The throat figure. | 0:22:57 | 0:22:59 | |
As an auctioneer, we use our throats a lot. Made sense. | 0:22:59 | 0:23:03 | |
Next to that, the African head rest. | 0:23:03 | 0:23:05 | |
I'm going to have to find | 0:23:05 | 0:23:06 | |
a specialist dealer, I think, for that. | 0:23:06 | 0:23:08 | |
And then the decoy ducks, which I really love. | 0:23:08 | 0:23:11 | |
Good decorator's pieces, really. Sculptural quality about those. | 0:23:11 | 0:23:14 | |
I love my up-cycled industrial lamp, which I think I'm going to | 0:23:14 | 0:23:18 | |
sell really well, because it is really on trend. | 0:23:18 | 0:23:21 | |
But fashions change so quickly, who knows? | 0:23:21 | 0:23:23 | |
It might just be out rather than in. | 0:23:23 | 0:23:26 | |
Well, only time will tell, Will. | 0:23:26 | 0:23:28 | |
Our dealing duo must now dig deep into their contacts books | 0:23:28 | 0:23:32 | |
and phone everyone they know to line up the ideal list of buyers. | 0:23:32 | 0:23:36 | |
This requires rapid research and non-stop networking. | 0:23:36 | 0:23:39 | |
And remember, until they shake on it | 0:23:39 | 0:23:42 | |
and the money has changed hands, no deal is ever sealed. | 0:23:42 | 0:23:45 | |
Eric's mission begins with one of his favourite pieces - | 0:23:47 | 0:23:49 | |
the Japanese enamelled vase. | 0:23:49 | 0:23:51 | |
He has come to Kensington, in London, to see Howard, | 0:23:51 | 0:23:54 | |
the son of a dealer he has known for years. | 0:23:54 | 0:23:57 | |
They specialise in Oriental antiques, | 0:23:57 | 0:23:59 | |
so will Knocker kick off his campaign with a solid profit? | 0:23:59 | 0:24:03 | |
The vase cost him around £33. | 0:24:03 | 0:24:05 | |
-Howard. -Hi, Eric, how are you doing? -Good to see you. -Likewise. | 0:24:07 | 0:24:10 | |
I feel that I have brought quite a humble little piece to show | 0:24:10 | 0:24:13 | |
-you today. -Let's take a look at it. -Have a look, tell me... | 0:24:13 | 0:24:16 | |
I would welcome your opinion. | 0:24:16 | 0:24:18 | |
Under a powerful torch, you can see that there is no bruising, no faint | 0:24:18 | 0:24:23 | |
hairlines that one can easily miss, but, yeah, that is all positive. | 0:24:23 | 0:24:27 | |
It is a very nice what one would normally call a great | 0:24:27 | 0:24:31 | |
commercial piece of Japanese cloisonne. | 0:24:31 | 0:24:33 | |
I'm opening it at a couple of hundred pounds, so... | 0:24:33 | 0:24:36 | |
I'd like to pretty much make it at £100 to keep, you know... | 0:24:36 | 0:24:41 | |
to keep me to be able to make a profit. | 0:24:41 | 0:24:43 | |
Throw in a tenner and we've got ourselves a deal. | 0:24:43 | 0:24:47 | |
-All right. -Is that a deal? -Done. -Put it there. -£110. | 0:24:47 | 0:24:50 | |
Thank you very much. Firm handshake, just like his dad. | 0:24:50 | 0:24:53 | |
Firm handshake. | 0:24:53 | 0:24:55 | |
Well, I hope he has got a safe pair of hands, too. | 0:24:55 | 0:24:57 | |
And it is a good start for the professor of porcelain. | 0:24:57 | 0:25:00 | |
The vase makes a profit of £76.67. | 0:25:00 | 0:25:04 | |
I actually managed to more than treble my money there. | 0:25:04 | 0:25:08 | |
And if you are watching, Will Axon, that is what it is all about. | 0:25:08 | 0:25:12 | |
So, if you are not trebling your money, what are you doing wrong? | 0:25:12 | 0:25:17 | |
Oh, that is what you call throwing down the gauntlet! | 0:25:17 | 0:25:20 | |
But The Axeman is not one to duck out of a challenge. | 0:25:20 | 0:25:23 | |
He kicks off his selling spree by staying local. | 0:25:23 | 0:25:26 | |
He has brought his two ducks to | 0:25:26 | 0:25:28 | |
a gallery at Thurston, near Bury St Edmunds. | 0:25:28 | 0:25:30 | |
He paid just over £83 in Paris. | 0:25:30 | 0:25:33 | |
So, will he profit here? | 0:25:33 | 0:25:34 | |
Denzil, the gallery is looking wonderful, I might say. | 0:25:36 | 0:25:40 | |
And I am hoping that my two little duck decoys | 0:25:40 | 0:25:44 | |
will fit in beautifully, too. | 0:25:44 | 0:25:46 | |
They are very nicely carved and I think they are the same hand. | 0:25:46 | 0:25:49 | |
On the green one here, you have got a repair on the neck there. | 0:25:49 | 0:25:52 | |
-So he has been decapitated at some point... -Oh, dear! | 0:25:52 | 0:25:54 | |
-..and his head has been put back on. -Yeah. | 0:25:54 | 0:25:57 | |
-The paint on this one is good. -Yeah. -This one doesn't drive me quackers. | 0:25:57 | 0:26:01 | |
Ho-ho-ho! | 0:26:01 | 0:26:02 | |
I accept what you say about the green paint on that. | 0:26:02 | 0:26:04 | |
How would 200 for the two sound? | 0:26:04 | 0:26:07 | |
I'll spit at 180. | 0:26:07 | 0:26:09 | |
High-five. Spit. Go. | 0:26:09 | 0:26:12 | |
Done. | 0:26:12 | 0:26:14 | |
Sealed with saliva! That's one way to do it. | 0:26:14 | 0:26:17 | |
Our new boy takes to the selling business like a duck to water. | 0:26:17 | 0:26:21 | |
He makes £96.67 | 0:26:21 | 0:26:23 | |
and gets off to a quacking good start. | 0:26:23 | 0:26:25 | |
And that is the last duck gag, I promise. | 0:26:25 | 0:26:29 | |
Well, I think that went really well. | 0:26:29 | 0:26:31 | |
Those ducks are going to fit in perfectly with Denzil's stock, | 0:26:31 | 0:26:33 | |
so I think he is pleased and I am pleased. | 0:26:33 | 0:26:36 | |
Knowlesy, you are going down! | 0:26:36 | 0:26:39 | |
Oh, he is getting feisty! | 0:26:39 | 0:26:40 | |
But our Knocker is prepared to go to any length to win. | 0:26:40 | 0:26:43 | |
Or depths, actually. | 0:26:43 | 0:26:46 | |
And although he regards an antiques challenge as heaven, | 0:26:46 | 0:26:48 | |
he is now heading to | 0:26:48 | 0:26:49 | |
-SPOOKY VOICE: -'the other place.' | 0:26:49 | 0:26:51 | |
I am at the entrance to the Hellfire Caves in West Wickham. | 0:26:52 | 0:26:57 | |
I am here to hopefully do a sale on my 17-light table candelabrum. | 0:26:57 | 0:27:03 | |
As you can see, it is looking even more splendid now | 0:27:03 | 0:27:07 | |
I've kitted it out with all the right type of candles. | 0:27:07 | 0:27:10 | |
The man-made caves date from the 1700s, and they are a bit spooky! | 0:27:10 | 0:27:15 | |
Eric is here to meet the assistant manager, Jen. | 0:27:15 | 0:27:18 | |
Boo! | 0:27:21 | 0:27:22 | |
Sorry. | 0:27:24 | 0:27:25 | |
HE LAUGHS | 0:27:25 | 0:27:28 | |
-I hope you are Jen. -I am indeed. Lovely seeing you. | 0:27:28 | 0:27:31 | |
Why Hellfire Caves? | 0:27:31 | 0:27:34 | |
It was Lord Dashwood, the leader of the debaucherous, notorious | 0:27:34 | 0:27:39 | |
Hellfire Club, who was determined to have his own sort of nightclub. | 0:27:39 | 0:27:42 | |
So this was the rock'n'roll central of the 18th century. | 0:27:42 | 0:27:46 | |
Are we in haunted caves? | 0:27:46 | 0:27:48 | |
This is, apparently, one of the most haunted sites in all of England. | 0:27:49 | 0:27:53 | |
HE LAUGHS SPOOKILY | 0:27:53 | 0:27:57 | |
Well, Jen, you very kindly agreed to meet me because you're doing | 0:27:58 | 0:28:02 | |
the negotiation on my 17-light brass table candelabrum. | 0:28:02 | 0:28:08 | |
First impressions? | 0:28:08 | 0:28:10 | |
Gorgeous. And very fitting for this place. | 0:28:10 | 0:28:13 | |
I'm looking for somewhere in the region of £180. | 0:28:13 | 0:28:18 | |
I would say...150? | 0:28:18 | 0:28:21 | |
Yes. | 0:28:21 | 0:28:22 | |
-Wonderful. -Put your 18th-century hand there, my dear. -Thank you. | 0:28:22 | 0:28:27 | |
Well, nothing ghoulish about that deal. | 0:28:27 | 0:28:30 | |
Take off the £12 he spent on the candles, | 0:28:30 | 0:28:32 | |
and Knocker makes a profit | 0:28:32 | 0:28:34 | |
of £54.67. | 0:28:34 | 0:28:36 | |
-It does look the part, doesn't it? -Glorious. | 0:28:36 | 0:28:38 | |
Let's put it to good use, shall we? | 0:28:38 | 0:28:40 | |
Because there's a fair bit of cave between us and that entrance. | 0:28:40 | 0:28:45 | |
-So, shall I lead the way? -Yes, please do. | 0:28:45 | 0:28:48 | |
Try not to get us lost. | 0:28:48 | 0:28:50 | |
Ooh! | 0:28:50 | 0:28:52 | |
Mm, Will might be hoping they don't find their way back. | 0:28:52 | 0:28:55 | |
But he's found his way to Bury St Edmunds BMI Hospital. | 0:28:55 | 0:28:59 | |
Don't worry, no emergencies. | 0:28:59 | 0:29:00 | |
He's meeting ear, nose and throat specialist, Mr Fahmy. | 0:29:00 | 0:29:04 | |
And you've guessed it, he's brought his medical model | 0:29:04 | 0:29:07 | |
of the oesophagus that cost just over £29. | 0:29:07 | 0:29:09 | |
Mr Fahmy is in theatre, so Will's got to get into scrubs. | 0:29:09 | 0:29:13 | |
Blimey, let's hope no-one mistakes him for an actual doctor! | 0:29:15 | 0:29:18 | |
-Mr Fahmy. -Hello. -It's a pleasure to meet you at last. -My pleasure. | 0:29:18 | 0:29:22 | |
I see you've laid out some up-to-date, | 0:29:22 | 0:29:25 | |
technologically correct models here. | 0:29:25 | 0:29:28 | |
Let me show you what I've got. | 0:29:28 | 0:29:30 | |
You'll have to excuse the chips and so on, | 0:29:30 | 0:29:32 | |
but it is... It is about circa 1920. | 0:29:32 | 0:29:34 | |
It's actually quite a good model because it shows the anatomy. | 0:29:34 | 0:29:37 | |
What would you do with it? | 0:29:37 | 0:29:39 | |
I will probably put it in my office, and it will be a nice | 0:29:39 | 0:29:44 | |
demonstration that complements what we show our patients as well. | 0:29:44 | 0:29:48 | |
Yeah. So I was thinking of a figure, say, around the £50, £60 mark? | 0:29:48 | 0:29:54 | |
That seems reasonable. | 0:29:54 | 0:29:55 | |
Which one of the two? Shall I try and push you for the 60? | 0:29:55 | 0:29:59 | |
It's your call. | 0:29:59 | 0:30:00 | |
I'm going to take advantage of your kindness and say £60. | 0:30:00 | 0:30:04 | |
-Do we have a deal? -Deal. | 0:30:04 | 0:30:06 | |
He's doubled his money, and the prognosis is good. | 0:30:06 | 0:30:09 | |
A healthy profit of £30.83. | 0:30:09 | 0:30:12 | |
Come on, Eric, you're playing catch-up. | 0:30:12 | 0:30:14 | |
Actually, he's not, so don't get cocky, mister. | 0:30:16 | 0:30:19 | |
Knocker is actually leading by a few pounds at this point. | 0:30:19 | 0:30:22 | |
And he is pretty hopeful he'll make a few bob | 0:30:22 | 0:30:25 | |
on his opalescent glass dish. | 0:30:25 | 0:30:26 | |
He paid just over £83. | 0:30:26 | 0:30:28 | |
And is going to meet John, who owns a gallery in Westerham, in Kent. | 0:30:28 | 0:30:32 | |
-Hello, hello, hello. How are you? -Great to see you. -And you too. | 0:30:33 | 0:30:37 | |
Well, I can see that you've got Deco glass, iridescent, opalescent. | 0:30:37 | 0:30:42 | |
-That's right. -And I've brought along my bit of opalescent. | 0:30:42 | 0:30:46 | |
There is not a lot of scratches going on inside, | 0:30:46 | 0:30:48 | |
-which quite often you get that. -Yeah. | 0:30:48 | 0:30:51 | |
No chips on the rims. | 0:30:51 | 0:30:52 | |
HE PINGS THE GLASS John, you always ping glass. | 0:30:52 | 0:30:55 | |
Yeah, I think anything that is ping-able is worth it, | 0:30:55 | 0:30:58 | |
cos you know straightaway if there's a fault. | 0:30:58 | 0:31:00 | |
-So, big question is, what are you looking for? -Yeah, well... | 0:31:00 | 0:31:03 | |
I was starting around about the £140 mark. | 0:31:03 | 0:31:06 | |
I'm happy to go to 120 on that. | 0:31:06 | 0:31:09 | |
I'm not going to argue at 120. It does see me with a profit. | 0:31:09 | 0:31:13 | |
Well, that was quick and easy. | 0:31:13 | 0:31:15 | |
The glass dish makes £36.67. | 0:31:15 | 0:31:18 | |
Well, I came, I saw, | 0:31:18 | 0:31:20 | |
I sold and I made a respectable profit | 0:31:20 | 0:31:23 | |
to a respectable buyer from a respectable seller. | 0:31:23 | 0:31:27 | |
I don't know about that, Eric. | 0:31:29 | 0:31:30 | |
And as he walks away with a few more pounds in his pocket, | 0:31:30 | 0:31:33 | |
Will has rocked up on the beautiful Suffolk coast. | 0:31:33 | 0:31:36 | |
He's on the pier in Southwold to meet his old pal, Peter, | 0:31:36 | 0:31:39 | |
who's dotty about Deco. | 0:31:39 | 0:31:41 | |
He's hoping he'll take a shine to his last ditch buy, | 0:31:41 | 0:31:45 | |
the pelican bookends. | 0:31:45 | 0:31:47 | |
-Peter! -Will, how are you? | 0:31:47 | 0:31:49 | |
What did you think, I was going to arrive by boat? | 0:31:49 | 0:31:51 | |
Anyway, look what I bought in Paris. Feel the quality. | 0:31:51 | 0:31:55 | |
-Look, you've spotted that they're signed. -Signed as well. | 0:31:55 | 0:31:58 | |
Bearing in mind the little nicks and so on here, I mean, | 0:31:58 | 0:32:01 | |
-what's your feeling? Do you like them? -Love them. Absolutely. | 0:32:01 | 0:32:04 | |
They are right up my street. | 0:32:04 | 0:32:06 | |
If you went to a saleroom and you saw these at 200 to 300, | 0:32:06 | 0:32:09 | |
would you leave a cheeky bid at, say, the bottom figure or...? | 0:32:09 | 0:32:12 | |
Yeah, I think I'd go in at the bottom end. | 0:32:12 | 0:32:14 | |
-Shall we shake on 200 quid? -Great. -That was nice and easy! | 0:32:14 | 0:32:17 | |
Go on, let's go and work the slot machines. | 0:32:17 | 0:32:20 | |
Wait, no gambling with the profits, Will. | 0:32:20 | 0:32:22 | |
But he's every reason to celebrate - his pelican bookends have | 0:32:22 | 0:32:25 | |
flown out of his hands for a very handsome profit | 0:32:25 | 0:32:28 | |
of £141.67. | 0:32:28 | 0:32:31 | |
Wish you were here, Eric, wish you were here. | 0:32:31 | 0:32:34 | |
Well, Eric is near the seaside, just a little farther south. | 0:32:34 | 0:32:37 | |
Well, I'm in Bournemouth and I'm here to meet Amber. | 0:32:37 | 0:32:41 | |
And I've got my two very modernist chairs for her perusal. | 0:32:41 | 0:32:45 | |
She has expressed an interest. | 0:32:45 | 0:32:47 | |
I'm hoping to turn that interest into a firm sale. | 0:32:47 | 0:32:51 | |
Amber specialises in mid-20th century furniture, | 0:32:51 | 0:32:55 | |
but will she like the design classics that cost Eric nearly £117? | 0:32:55 | 0:32:59 | |
-They've got embossed on the back there... "Matteo Grassi." -Yep. | 0:33:01 | 0:33:05 | |
Who were a recognised Italian maker. It would be nice if they were period. | 0:33:05 | 0:33:10 | |
-And if they were period, they'd be, what, 1928? -Yeah. | 0:33:10 | 0:33:13 | |
Something like that. | 0:33:13 | 0:33:14 | |
I was thinking around about | 0:33:14 | 0:33:18 | |
-£320 for the pair. -Right. | 0:33:18 | 0:33:21 | |
I would probably want to pay £60 each for them. | 0:33:21 | 0:33:24 | |
Maybe if I went to 150 for the two. | 0:33:24 | 0:33:27 | |
I'd be happy with 140. | 0:33:27 | 0:33:29 | |
-Shall we do 145? -OK, yeah. -145. -Yeah. -Put it there. | 0:33:29 | 0:33:34 | |
-Thank you. -OK. Pleasure. | 0:33:34 | 0:33:36 | |
Oh, dear, Eric! | 0:33:36 | 0:33:38 | |
He settles on less than half of what | 0:33:38 | 0:33:40 | |
he wanted and makes just £28.33. | 0:33:40 | 0:33:43 | |
But Knocker puts on a brave face. | 0:33:43 | 0:33:46 | |
Well, that was more of a wrangle than a haggle, wasn't it? | 0:33:46 | 0:33:49 | |
I'm going in high, Amber comes in low. | 0:33:49 | 0:33:52 | |
And at the price we've agreed, I've worked it out, | 0:33:52 | 0:33:55 | |
it gives me about a 25% margin. | 0:33:55 | 0:33:58 | |
So, when you look at it from that angle, | 0:33:58 | 0:34:00 | |
it's not as bad as you really think. | 0:34:00 | 0:34:03 | |
Yes, it's still a lot less than you wanted, though, isn't it? | 0:34:03 | 0:34:06 | |
So, has that ruined everything? Let's tot up their tallies. | 0:34:06 | 0:34:09 | |
At the midway point in their selling session, | 0:34:09 | 0:34:12 | |
Eric's done four deals | 0:34:12 | 0:34:13 | |
and pocketed a profit of £196.34. | 0:34:13 | 0:34:17 | |
But Will is ahead. | 0:34:17 | 0:34:19 | |
He's sold fewer items, just three so far, | 0:34:19 | 0:34:21 | |
but he's out in front | 0:34:21 | 0:34:23 | |
with a profit of £269.17. | 0:34:23 | 0:34:26 | |
So, it's all to play for and anything could happen. | 0:34:26 | 0:34:29 | |
The Axeman's next port of call is in London's leafy Notting Hill. | 0:34:29 | 0:34:33 | |
He's here to meet Brian, who's an expert in African carvings. | 0:34:33 | 0:34:38 | |
-Brian, nice to finally meet you. -Nice to meet you, too. | 0:34:38 | 0:34:41 | |
-Yeah, what a great shop you have here. -Thank you. | 0:34:41 | 0:34:43 | |
Really stylish and sort of, if I say sculptural, | 0:34:43 | 0:34:45 | |
you'll know what I mean, with these African works of art, | 0:34:45 | 0:34:48 | |
because that's what drew me to my head rest which I bought. | 0:34:48 | 0:34:52 | |
It's Ethiopian. It's probably mid to late 1800s. | 0:34:52 | 0:34:56 | |
-Wow. -So it's got a good age. | 0:34:56 | 0:34:58 | |
Have you seen these in action? | 0:34:58 | 0:35:00 | |
Probably up until about the middle part of last century, | 0:35:00 | 0:35:03 | |
they were still using them. | 0:35:03 | 0:35:05 | |
Is there any chance I could try and tuck you up for £150? | 0:35:05 | 0:35:08 | |
I would say, at a push, maybe 100. | 0:35:08 | 0:35:10 | |
OK, I like it. It's a little bit unusual, this rim at the bottom. | 0:35:10 | 0:35:13 | |
Could you stretch to £120? | 0:35:13 | 0:35:17 | |
I always like how they split the difference, right? 110. | 0:35:17 | 0:35:20 | |
Listen, Brian, let's shake on that. | 0:35:20 | 0:35:22 | |
Only a small profit - £18.33 | 0:35:22 | 0:35:25 | |
That will be a relief to Eric. | 0:35:25 | 0:35:27 | |
All this selling has worn Will out. | 0:35:27 | 0:35:30 | |
HE SNORES | 0:35:30 | 0:35:32 | |
Yeah, don't fall asleep on the job, Will. Will? | 0:35:32 | 0:35:35 | |
Well, you snooze, you lose. | 0:35:35 | 0:35:37 | |
And Eric takes advantage. | 0:35:37 | 0:35:39 | |
He starts his final push by doubling his money on the enamel glass | 0:35:39 | 0:35:43 | |
dish with pink roses. | 0:35:43 | 0:35:45 | |
He sells it to a lady in Tunbridge Wells for £50, | 0:35:45 | 0:35:48 | |
and walks away £25 better off. | 0:35:48 | 0:35:50 | |
Will has woken up and is back in business. | 0:35:52 | 0:35:55 | |
He's taken his industrial lamp to Peter, who's an electrician | 0:35:55 | 0:35:58 | |
he knows, to get it re-wired and tested to make sure it's safe. | 0:35:58 | 0:36:01 | |
The work costs him £20, | 0:36:01 | 0:36:03 | |
so he's looking for a high-voltage sale here. | 0:36:03 | 0:36:06 | |
He's back in London at the antiques market at Old Spitalfields, | 0:36:06 | 0:36:09 | |
and he's meeting dealer Aiden. | 0:36:09 | 0:36:12 | |
Here it is. And looking at your stock behind us, I think it's going | 0:36:12 | 0:36:15 | |
to fit in beautifully, isn't it? | 0:36:15 | 0:36:17 | |
Cos you've already got a few industrial pieces. | 0:36:17 | 0:36:19 | |
I can see it in there, yeah. | 0:36:19 | 0:36:20 | |
The lamp itself is vintage. And I think you pronounce it Gilda. | 0:36:20 | 0:36:24 | |
-Gilda, that's it. -Which is a sort of lathe and machine lamps. -Factory. | 0:36:24 | 0:36:30 | |
That's right, factory lamps. | 0:36:30 | 0:36:31 | |
And what someone's done is they've mounted it onto this cog base. | 0:36:31 | 0:36:35 | |
-I love the way that moves. -It's a differential, yeah. | 0:36:35 | 0:36:37 | |
It is a differential. You know your mechanics. | 0:36:37 | 0:36:40 | |
I think I'm going to be looking at around £200 mark. | 0:36:40 | 0:36:44 | |
I was thinking more around the 130, 140 mark. | 0:36:44 | 0:36:48 | |
I've got the certificate which says it has been fully tested | 0:36:48 | 0:36:50 | |
and meets all the required standards. | 0:36:50 | 0:36:53 | |
Can we say 160, Aiden? | 0:36:53 | 0:36:55 | |
-I think we have a deal. -You're a gentleman. -Thank you. | 0:36:55 | 0:36:58 | |
Take out the cost of the electrical work, | 0:36:58 | 0:37:00 | |
and that's a £40 profit on the lamp. | 0:37:00 | 0:37:03 | |
Will is wired! | 0:37:03 | 0:37:05 | |
The Axeman! Grr! | 0:37:06 | 0:37:08 | |
Goodness! We can confirm he's had nothing to drink, | 0:37:09 | 0:37:12 | |
but the vintage wine is still to come. | 0:37:12 | 0:37:15 | |
But Eric gets in first with his last item - the French monteith. | 0:37:15 | 0:37:18 | |
He's in Weymouth, in Dorset, | 0:37:18 | 0:37:20 | |
to meet Colin, who loves pottery. | 0:37:20 | 0:37:22 | |
So, they're kindred spirits. | 0:37:22 | 0:37:24 | |
I could tell you now that this man has got a very good eye. | 0:37:24 | 0:37:28 | |
So I'm hoping that he's going to be all eyes | 0:37:28 | 0:37:30 | |
when he sees my Saint-Clement faience-monteith. | 0:37:30 | 0:37:36 | |
Eric paid nearly £67 for the item, but hasn't told Colin much about it. | 0:37:36 | 0:37:42 | |
Risky strategy, Eric. | 0:37:42 | 0:37:44 | |
So, Colin, you've always been a ceramics man. | 0:37:44 | 0:37:46 | |
-We've always had that common bond, haven't we? -Yes, very much so. | 0:37:46 | 0:37:49 | |
There's always a right time to buy and a right time to sell. | 0:37:49 | 0:37:53 | |
-Very much so. -And the good news is | 0:37:53 | 0:37:55 | |
-that it's the right time to buy. -Yes, it is. | 0:37:55 | 0:37:58 | |
-..a Saint-Clement... -Yeah. | 0:37:58 | 0:38:00 | |
-..French faience-monteith. -Oh, my goodness, that's nice. | 0:38:00 | 0:38:03 | |
You've not handled this before, I've been hiding it from you. | 0:38:03 | 0:38:08 | |
I think that's going to be about 1888, 1890. | 0:38:08 | 0:38:10 | |
Yeah, I would have thought so, too. | 0:38:10 | 0:38:12 | |
And you'll find...you'll see little insects, look. | 0:38:12 | 0:38:15 | |
-Yeah, they cover up a blemish, I suppose. -That's right. | 0:38:15 | 0:38:18 | |
I'm interested in that. | 0:38:18 | 0:38:19 | |
I was hoping for around about £120. | 0:38:19 | 0:38:23 | |
I would've thought around more like 80. | 0:38:23 | 0:38:25 | |
If we could go at £95... | 0:38:25 | 0:38:29 | |
90. | 0:38:29 | 0:38:31 | |
-£90, come on. -OK. -Put it there, mate. | 0:38:31 | 0:38:33 | |
It's a nice thing. Thank you very much. | 0:38:33 | 0:38:35 | |
That's a nice profit - £23.33. | 0:38:35 | 0:38:38 | |
So, Knocker's knocked out all his items, | 0:38:38 | 0:38:40 | |
which means it's The Axeman's game to lose. | 0:38:40 | 0:38:43 | |
And it all comes down to the vintage wine. | 0:38:43 | 0:38:46 | |
It cost £50 and it's a grape that young William likes, | 0:38:46 | 0:38:49 | |
so that might bode well. | 0:38:49 | 0:38:51 | |
He's meeting David, who's a Master of Wine, in South London. | 0:38:51 | 0:38:55 | |
I spoke to you briefly about the two bottles of wine I bought. | 0:38:55 | 0:38:59 | |
Now, what can you tell me about them? | 0:38:59 | 0:39:01 | |
I can see what attracted you - | 0:39:01 | 0:39:03 | |
Bordeaux wines have the ability to age for 30, 40 years and beyond. | 0:39:03 | 0:39:08 | |
It's got Baron Philippe, who owns Mouton Rothschild. | 0:39:08 | 0:39:11 | |
So, again, you know, you're building up. | 0:39:11 | 0:39:12 | |
I've got a feeling there's a but. | 0:39:12 | 0:39:14 | |
There is a little bit of a but, I'm afraid. The thing is... | 0:39:14 | 0:39:18 | |
The most important thing is you want to have a chateau. | 0:39:18 | 0:39:21 | |
And here, there's sadly no chateau name. | 0:39:21 | 0:39:24 | |
And because Baron Philippe owned, at that time, two great vineyards, | 0:39:24 | 0:39:30 | |
they would have used fruit from both those estates... | 0:39:30 | 0:39:33 | |
-Right. -..that possibly wasn't quite good enough to go into the first | 0:39:33 | 0:39:36 | |
-wine, the Gran Vin. -The Premier Cru. -Exactly. | 0:39:36 | 0:39:39 | |
And on top of that, 1971, | 0:39:39 | 0:39:43 | |
-sadly, was not the strongest of vintages. -Oh, dear! | 0:39:43 | 0:39:48 | |
But I tell you what, Will, I'm dying to taste it, so why don't I just | 0:39:48 | 0:39:52 | |
say, I'll give you £5 for it and we pull the cork and try it? | 0:39:52 | 0:39:55 | |
I'll tell you what, that sounds like a deal. £5 corkage. | 0:39:55 | 0:39:59 | |
-But if it's any good, let's make it a tenner. -OK. | 0:39:59 | 0:40:02 | |
Bottom's up. | 0:40:07 | 0:40:08 | |
HE GAGS | 0:40:11 | 0:40:14 | |
Sadly, it's £5. | 0:40:16 | 0:40:18 | |
-It's gone, hasn't it? -Yeah! | 0:40:18 | 0:40:19 | |
A fiver it is, I agree. | 0:40:19 | 0:40:21 | |
Oh, no, Will's plonk makes him look a plonker. | 0:40:22 | 0:40:25 | |
And he chalks up a full-bodied loss - | 0:40:25 | 0:40:28 | |
£45 just disappears. | 0:40:28 | 0:40:31 | |
Well, I'd like to say that didn't leave a nasty taste in my mouth, | 0:40:32 | 0:40:36 | |
but... Ugh! It did! | 0:40:36 | 0:40:38 | |
So that vintage error has left the match much closer than | 0:40:39 | 0:40:42 | |
we might have thought. | 0:40:42 | 0:40:44 | |
So, who'll be sipping fine champagne | 0:40:44 | 0:40:46 | |
and who'll be forced to open Will's second bottle of wine? | 0:40:46 | 0:40:49 | |
All will be revealed in just a moment. | 0:40:49 | 0:40:51 | |
Both our experts started off in Paris with the euro | 0:40:53 | 0:40:55 | |
equivalent of £750 of their own money. | 0:40:55 | 0:40:59 | |
Eric Knocker Knowles made six purchases, | 0:40:59 | 0:41:01 | |
and including the cost of those candles, | 0:41:01 | 0:41:03 | |
he spent £420.33. | 0:41:03 | 0:41:06 | |
Will The Axeman Axon also bought six times. | 0:41:07 | 0:41:11 | |
And taking the re-wiring of the lamp into account, | 0:41:11 | 0:41:13 | |
he spent a tiny bit more - £432.50. | 0:41:13 | 0:41:17 | |
But now it all comes down to profit and who sold well. | 0:41:18 | 0:41:22 | |
All of the money that Eric and Will have made from today's | 0:41:22 | 0:41:25 | |
challenge will go straight to the charities of their choice. | 0:41:25 | 0:41:27 | |
So without further ado, let's find out who is today's | 0:41:27 | 0:41:30 | |
Put Your Money Where Your Mouth Is champion. | 0:41:30 | 0:41:33 | |
-Monsieur Knowles, how are you? -Very well, very well indeed. -Bonjour. | 0:41:34 | 0:41:38 | |
Do you know what? I really enjoyed myself in Paris. | 0:41:38 | 0:41:40 | |
-How about you, were you pleased? -Yes, I was. | 0:41:40 | 0:41:42 | |
I mean, I've always enjoyed buying in la belle France. So best sale? | 0:41:42 | 0:41:47 | |
Oh, yes, my pelican bookends. | 0:41:47 | 0:41:50 | |
I found a private collector, who just happens to be a friend. | 0:41:50 | 0:41:53 | |
He was really pleased with them and gave me a decent profit for them. | 0:41:53 | 0:41:56 | |
-And I suppose my worst was the two bottles of wine I bought. -Oh, yes. | 0:41:56 | 0:42:00 | |
No good, Eric. Should have been drunk 20 years ago, | 0:42:00 | 0:42:03 | |
when you were scouring the fairs in Paris. | 0:42:03 | 0:42:06 | |
What about yourself? Your favourite buy? | 0:42:06 | 0:42:08 | |
Well, I did like that very nice Japanese enamelled vase. | 0:42:08 | 0:42:12 | |
-It was in perfect condition. -Super quality. | 0:42:12 | 0:42:14 | |
And on top of that, | 0:42:14 | 0:42:15 | |
I did buy that rather weird sort of | 0:42:15 | 0:42:18 | |
17-sconce brass table candelabrum. | 0:42:18 | 0:42:22 | |
-Oh, yes! -I settled for somebody who had a really big cave. | 0:42:22 | 0:42:26 | |
-Can I do the honours, as in...? -Are you going to count this down? | 0:42:26 | 0:42:30 | |
-To three, in French. -Oh! -Un, deux, trois. | 0:42:30 | 0:42:34 | |
Ta-dah! | 0:42:34 | 0:42:36 | |
-Oh! -Oh! Very close! -Hey, the boy did well. | 0:42:36 | 0:42:41 | |
Listen, let's call it beginner's luck on my part because, you know... | 0:42:41 | 0:42:45 | |
Yeah, let's. Let's call it beginner's luck. | 0:42:45 | 0:42:47 | |
I'm all for you on that one. | 0:42:47 | 0:42:48 | |
Yes, Will walks away the winner with less than £40 between them. | 0:42:48 | 0:42:53 | |
The big profit on the pelican bookends helped him pull it off. | 0:42:53 | 0:42:56 | |
Well, who'd have thought it? | 0:42:56 | 0:42:58 | |
The new boy topples the giant, the legend, Eric 'The Knocker' Knowles. | 0:42:58 | 0:43:03 | |
And on his own stomping ground in Paris. I'm pleased with that. | 0:43:03 | 0:43:08 | |
So I've just got to settle for that well-worn French | 0:43:08 | 0:43:11 | |
phrase of c'est la vie. | 0:43:11 | 0:43:13 | |
But Knocker mustn't fret - | 0:43:15 | 0:43:16 | |
he gets another chance to take down The Axeman tomorrow. | 0:43:16 | 0:43:19 | |
And it's all to play for in an auction at Market Harborough. | 0:43:19 | 0:43:23 |