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This is Put Your Money Where Your Mouth Is - | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:06 | |
against each other in an all-out battle for profit... | 0:00:06 | 0:00:11 | |
Yee-haw! | 0:00:11 | 0:00:12 | |
..and gives you the insider's view of the trade! | 0:00:12 | 0:00:15 | |
Who's there? | 0:00:17 | 0:00:19 | |
Each week, one pair of duelling dealers will face a different | 0:00:19 | 0:00:22 | |
daily challenge... | 0:00:22 | 0:00:24 | |
The Axeman! Grr! | 0:00:24 | 0:00:27 | |
..putting their reputations on the line... | 0:00:27 | 0:00:29 | |
Ready for the ball. | 0:00:29 | 0:00:30 | |
..and giving you their top tips and savvy secrets | 0:00:32 | 0:00:35 | |
on how to make the most money from buying and selling. | 0:00:35 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:40 | |
Today's epic struggle is an auction extravaganza | 0:00:44 | 0:00:47 | |
between ceramics specialist, Eric Knowles, | 0:00:47 | 0:00:49 | |
and fine art authority, Will Axon. | 0:00:49 | 0:00:52 | |
Coming up, Will's playing dirty. | 0:00:53 | 0:00:56 | |
I'm going to make him pay for this one. Watch. | 0:00:56 | 0:00:58 | |
He's a cheeky monkey, that lad. | 0:01:01 | 0:01:03 | |
Eric makes an extraordinary discovery. | 0:01:03 | 0:01:06 | |
-Ah, amazing! -So what's in here, then? -Yes, exactly. | 0:01:07 | 0:01:11 | |
And Will triumphantly invades Eric's territory. | 0:01:13 | 0:01:16 | |
Come on, Knocker. You're meant to be the ceramics king. | 0:01:16 | 0:01:19 | |
There's a new king on the block! | 0:01:19 | 0:01:21 | |
This is Put Your Money Where Your Mouth Is! | 0:01:22 | 0:01:26 | |
Welcome one, welcome all. | 0:01:39 | 0:01:41 | |
Prepare yourselves for a winner-takes-all | 0:01:41 | 0:01:44 | |
battle of the bidding at a no-holds-barred, | 0:01:44 | 0:01:46 | |
action-packed auction. | 0:01:46 | 0:01:48 | |
Fair warning. Selling. | 0:01:48 | 0:01:50 | |
We've got two antiques adventurers whose laser-like sights | 0:01:50 | 0:01:53 | |
can spot a bargain at 100 paces. | 0:01:53 | 0:01:56 | |
And in today's colossal collectable chaos, | 0:01:56 | 0:01:59 | |
who'll leave with the treasure and who'll be left with the tat? | 0:01:59 | 0:02:02 | |
Let's meet the boys. | 0:02:02 | 0:02:04 | |
First up, the pride of the north, the boss of the bidding, | 0:02:04 | 0:02:07 | |
the commander-in-chief of all things ceramic. | 0:02:07 | 0:02:10 | |
It's the Prince of Porcelain himself, Eric "Knocker" Knowles. | 0:02:10 | 0:02:13 | |
Trust me, I'm here to buy. | 0:02:15 | 0:02:16 | |
His rival is a man on a mission, an antiques aficionado. | 0:02:16 | 0:02:20 | |
He'll take on all comers to challenge the throne. | 0:02:20 | 0:02:23 | |
Swinging in from Suffolk, full of eastern promise, | 0:02:23 | 0:02:26 | |
it's Will "The Axeman" Axon. | 0:02:26 | 0:02:28 | |
Respect where respect is due, but I still want to beat him. | 0:02:30 | 0:02:34 | |
Today's prize purchasing fight takes place at Gildings Auctioneers | 0:02:35 | 0:02:39 | |
in Market Harborough in Leicestershire. | 0:02:39 | 0:02:42 | |
Our competitive combatants arrive with a spring in their step | 0:02:42 | 0:02:45 | |
and £1,000 of their own money to spend. | 0:02:45 | 0:02:48 | |
Their ultimate aim is simple - make as much money as possible | 0:02:48 | 0:02:51 | |
to donate for their chosen charities. | 0:02:51 | 0:02:53 | |
So, Eric Knowles and Will Axon, best foot forward, | 0:02:53 | 0:02:58 | |
throw caution to the wind and relish the risk. | 0:02:58 | 0:03:01 | |
It's time to Put Your Money Where Your Mouth Is. | 0:03:01 | 0:03:03 | |
-So, how are you? -Good. Anticipating sale day? -Yes. | 0:03:03 | 0:03:07 | |
I mean, let's face it, we are both on home turf. | 0:03:07 | 0:03:09 | |
We are both auctioneers, so... | 0:03:09 | 0:03:11 | |
But are we game keepers turned poachers now? | 0:03:11 | 0:03:14 | |
-I'm not quite sure. -Or are we poachers turned gamekeepers? | 0:03:14 | 0:03:17 | |
-Well, it doesn't matter. We're in Market Harborough. -Good-looking sale. | 0:03:17 | 0:03:20 | |
-Good mix of items. Something for everyone. -You checked it online? | 0:03:20 | 0:03:24 | |
I did have a look online. I marked one or two lots. What about you? | 0:03:24 | 0:03:27 | |
Well, I'm more of a I want to go and see it and touch it | 0:03:27 | 0:03:30 | |
-and feel it, handle it type. -And what about the antiques? -Well, they... | 0:03:30 | 0:03:34 | |
On top of that, we've got £1,000, but bearing in mind that we've got | 0:03:34 | 0:03:37 | |
the buys premium, it gives us about £800 and a bit. | 0:03:37 | 0:03:41 | |
-That's enough money, isn't it? -I think so, too. | 0:03:41 | 0:03:44 | |
-Let's see how much we've got left at the end of it. -OK. | 0:03:44 | 0:03:46 | |
-Good luck, sir. -And you too. | 0:03:46 | 0:03:49 | |
Mm, no talk of tactics. They're keeping their powder dry. | 0:03:49 | 0:03:52 | |
But remember, our saleroom superheroes | 0:03:52 | 0:03:54 | |
aren't just bidding against each other today. Oh, no! | 0:03:54 | 0:03:57 | |
If only it were that simple. | 0:03:57 | 0:03:58 | |
They'll be fending off the rest of the room | 0:03:58 | 0:04:00 | |
and there's plenty of bidders standing by online. | 0:04:00 | 0:04:04 | |
But before the money starts flying, our boys want to look at the lots. | 0:04:04 | 0:04:08 | |
You've got to really sort of concentrate | 0:04:08 | 0:04:10 | |
because if there's something good in this auction, | 0:04:10 | 0:04:13 | |
you don't want to be the one that misses it. | 0:04:13 | 0:04:16 | |
Yes, Eric's focused, but is it enough? | 0:04:16 | 0:04:18 | |
Will thinks it's all about preparation. | 0:04:18 | 0:04:21 | |
My plan of attack is - concentrate on the items that I marked, | 0:04:21 | 0:04:24 | |
that I got that gut instinct feeling for when I saw them online, | 0:04:24 | 0:04:28 | |
and, you know, if the price is right, I might stick my hand up. | 0:04:28 | 0:04:31 | |
Well, that's the general idea, William. | 0:04:31 | 0:04:33 | |
As Eric continues to have a good old feel of what's on offer, | 0:04:33 | 0:04:36 | |
Will makes a beeline for something he saw online. | 0:04:36 | 0:04:40 | |
They jumped out at me because cuff links are a commercial item. | 0:04:40 | 0:04:43 | |
They are easily saleable. | 0:04:43 | 0:04:45 | |
These are particularly nice quality, 18 carat gold and platinum. | 0:04:45 | 0:04:49 | |
If you had to buy this from a top retailer or a jeweller, | 0:04:49 | 0:04:52 | |
they are easily into three figures. | 0:04:52 | 0:04:54 | |
Some of them might even try and charge you four. | 0:04:54 | 0:04:56 | |
Mm, sounds like The Axeman did a lot of research | 0:04:56 | 0:04:59 | |
before he set foot in the saleroom. | 0:04:59 | 0:05:01 | |
He's determined to give good old Knocker a run for his money. | 0:05:01 | 0:05:03 | |
And look where Will is now - | 0:05:03 | 0:05:05 | |
brazenly treading on Eric's territory. Gasp! | 0:05:05 | 0:05:09 | |
Everything laid before me is breakable. | 0:05:09 | 0:05:12 | |
Eric would be in heaven. | 0:05:12 | 0:05:15 | |
I think I'm going to give it a wide berth. | 0:05:15 | 0:05:17 | |
Actually, Eric's already in paradise. | 0:05:17 | 0:05:20 | |
He thinks he's found something rather special. | 0:05:20 | 0:05:23 | |
This is described as a Chinese carved jade group of two cubs. | 0:05:23 | 0:05:28 | |
The estimate is £60-100, | 0:05:28 | 0:05:32 | |
but I don't think all the money I've got today is going to buy that. | 0:05:32 | 0:05:36 | |
To me, it looks as though it's definitely 18th-century. | 0:05:36 | 0:05:39 | |
This one is ticking all the boxes, so we'll just watch, wait, and see. | 0:05:39 | 0:05:44 | |
Oh, Knocker's in the know. | 0:05:44 | 0:05:45 | |
Has he found an all-important sleeper - | 0:05:45 | 0:05:48 | |
something that may have been undervalued in the catalogue? | 0:05:48 | 0:05:51 | |
But Eric's not the only one with an eagle eye. | 0:05:51 | 0:05:53 | |
Will's also got something to show us... | 0:05:53 | 0:05:55 | |
(and he's whispering for a reason.) | 0:05:55 | 0:05:57 | |
-HE WHISPERS: -Well, when I was browsing the online catalogue, | 0:05:58 | 0:06:01 | |
one item really jumped out at me. | 0:06:01 | 0:06:03 | |
It's a little mother-of-pearl casket. | 0:06:03 | 0:06:06 | |
Now, catalogued as 19th century, possibly Continental. | 0:06:06 | 0:06:10 | |
Between you and me, it's 17th century and it's Gujarati Indian. | 0:06:10 | 0:06:15 | |
My prediction - two, three, four, £5,000? | 0:06:15 | 0:06:20 | |
I haven't got the budget. | 0:06:20 | 0:06:21 | |
Estimate - £20-30. | 0:06:21 | 0:06:23 | |
So, this could get very exciting. | 0:06:24 | 0:06:27 | |
Will both our boys buy something that will make them a mint? | 0:06:27 | 0:06:30 | |
Let's hope that no-one else heard them talking. | 0:06:30 | 0:06:32 | |
His fine find has certainly put Eric in a playful mood. | 0:06:32 | 0:06:36 | |
It's remarkable, isn't it, how ladies in the 1930s | 0:06:36 | 0:06:40 | |
had such a great sense of balance. | 0:06:40 | 0:06:42 | |
You only ever see them standing on one leg. | 0:06:42 | 0:06:45 | |
Well, if you say so. | 0:06:45 | 0:06:46 | |
Our pair of purchasers have perused the pieces and now the room | 0:06:46 | 0:06:50 | |
has filled up, the auctioneer's on the rostrum, and the gavel is go. | 0:06:50 | 0:06:54 | |
The ceramic section is first | 0:06:54 | 0:06:56 | |
so prepare to see some arm action from Eric. | 0:06:56 | 0:06:58 | |
But, hold on, what's this? Will looks ready to dive in. | 0:06:58 | 0:07:02 | |
Now, I've got lot 37 coming up. | 0:07:02 | 0:07:04 | |
I know it's not very fashionable but I love blue and white. | 0:07:04 | 0:07:06 | |
One minute he says he's giving the breakables a wide berth, | 0:07:06 | 0:07:09 | |
the next he loves blue and white. | 0:07:09 | 0:07:11 | |
With me at £38. At 38, 42. | 0:07:11 | 0:07:15 | |
-42, 45, 48. -Hm, someone else. | 0:07:15 | 0:07:17 | |
55. 65. £65. | 0:07:17 | 0:07:21 | |
-75. One more? -78, sir. | 0:07:21 | 0:07:25 | |
£78, at 78. All done and selling... to 901. Thank you. | 0:07:25 | 0:07:30 | |
I was a little bit cheeky there to be honest. | 0:07:30 | 0:07:32 | |
He was looking for another fiver, I called out my £3 bid. | 0:07:32 | 0:07:36 | |
It's a public auction so any bid that you make has to be accepted. | 0:07:36 | 0:07:39 | |
So Will is off the mark. | 0:07:39 | 0:07:41 | |
He's stepped into the kingdom of crockery. Hm... | 0:07:42 | 0:07:46 | |
Yes, he has. | 0:07:46 | 0:07:47 | |
Add in the fees | 0:07:47 | 0:07:48 | |
and the Staffordshire printware bowl and plate costs him £92.04. | 0:07:48 | 0:07:52 | |
I don't think I've ever seen a bowl this shape before | 0:07:53 | 0:07:56 | |
with this nice shaped rim. | 0:07:56 | 0:07:58 | |
If I turn it over, we've got some nice wear around the foot there | 0:07:58 | 0:08:01 | |
which makes me know that it's mid-19th century, | 0:08:01 | 0:08:04 | |
that sort of period. | 0:08:04 | 0:08:06 | |
And also to boot... I get a little platter. | 0:08:06 | 0:08:10 | |
I'm hoping maybe to sell the bowl for... | 0:08:10 | 0:08:12 | |
Well, it'll have to be £100 plus, won't it? | 0:08:12 | 0:08:15 | |
And in the platter, if I can get £20, £30 for that, it's pure profit. | 0:08:15 | 0:08:19 | |
With Will treading very firmly on Eric's toes, | 0:08:19 | 0:08:22 | |
the master is getting anxious. | 0:08:22 | 0:08:23 | |
20, thank you. 20. | 0:08:23 | 0:08:25 | |
I just need to get off the mark because... | 0:08:25 | 0:08:28 | |
The Axeman hath cometh, and The Axeman hath biddeth, | 0:08:28 | 0:08:33 | |
and The Axeman hath winneth. | 0:08:33 | 0:08:35 | |
Brace yourself, Eric. He's getting ready to biddeth again. | 0:08:35 | 0:08:39 | |
There's more Staffordshire. | 0:08:39 | 0:08:41 | |
Three little moulded pickle dishes coming up. | 0:08:41 | 0:08:43 | |
Again, printed in blue and white, formed as leaves. | 0:08:43 | 0:08:48 | |
38, 40. 42, take my absentee bidder out at 42. | 0:08:48 | 0:08:52 | |
All done? Selling at 42. | 0:08:52 | 0:08:54 | |
901, thank you. | 0:08:54 | 0:08:56 | |
And he winneth again! | 0:08:56 | 0:08:57 | |
It's a blue and white double whammith. | 0:08:57 | 0:09:00 | |
Three pickle dishes, including a pair, | 0:09:00 | 0:09:02 | |
for £49.56 including commission. | 0:09:02 | 0:09:05 | |
I don't want to be unkind, but pickle dishes are so boring. | 0:09:05 | 0:09:09 | |
I just wonder where the market is. | 0:09:09 | 0:09:11 | |
But Will's very confident. He goes to admire them again. | 0:09:11 | 0:09:15 | |
Look at that. You've got the texture of the leaf, | 0:09:15 | 0:09:18 | |
the veins, the tendrils. | 0:09:18 | 0:09:19 | |
And then on this side, they've been transferred, | 0:09:19 | 0:09:22 | |
decorated with these chinoiserie scenes. | 0:09:22 | 0:09:24 | |
I also love on them these little handles here. | 0:09:24 | 0:09:27 | |
Little flat handles with a pierced hole there. | 0:09:27 | 0:09:30 | |
I've not really seen that on this sort of model. | 0:09:30 | 0:09:33 | |
And also, I got a third one here at the back which if I can make | 0:09:33 | 0:09:36 | |
a good price on these, that one again is going to be pure profit. | 0:09:36 | 0:09:40 | |
And that leaves Eric in a bit of a pickle. | 0:09:40 | 0:09:43 | |
Will's performed a landgrab on the ceramics | 0:09:43 | 0:09:45 | |
and Eric's left with nothing. | 0:09:45 | 0:09:47 | |
But the call of the china is strong. | 0:09:47 | 0:09:49 | |
Eric tries for a Staffordshire tea set. | 0:09:49 | 0:09:52 | |
Five, 70, five, 80. £80... | 0:09:52 | 0:09:56 | |
But it's not to be. | 0:09:56 | 0:09:57 | |
Then, a collection of pottery jelly moulds... | 0:09:57 | 0:10:00 | |
28, 30. 32, 35. | 0:10:00 | 0:10:03 | |
..but he has a wobble when the price goes too high. | 0:10:03 | 0:10:05 | |
Then it's yet more Staffordshire - a dessert basket. | 0:10:05 | 0:10:09 | |
65, 70. Against the online bidder now at 80. | 0:10:09 | 0:10:13 | |
It's just not worth it. | 0:10:13 | 0:10:15 | |
And although he loses out, | 0:10:15 | 0:10:16 | |
Knocker won't be knocked off his porcelain podium. | 0:10:16 | 0:10:19 | |
I'm going to have a go on some very smart Wedgwood bone china | 0:10:19 | 0:10:24 | |
coffee cups and saucers. | 0:10:24 | 0:10:26 | |
Start the bidding at just £10, please. At 10? | 0:10:26 | 0:10:28 | |
At £10, £10 bid straight in, thank you, at 12. | 0:10:28 | 0:10:32 | |
15. 18. 20. 22. Five. | 0:10:32 | 0:10:37 | |
28, 30. | 0:10:37 | 0:10:39 | |
All done? Quite sure, finished. And sold. | 0:10:39 | 0:10:42 | |
Ah! He's finally in the game. | 0:10:42 | 0:10:45 | |
Add in the premium, Eric pays £35.40. | 0:10:45 | 0:10:48 | |
It is so stylish! And what's more, it is in such lovely condition. | 0:10:49 | 0:10:54 | |
Date wise, I would've thought probably late 1930s. | 0:10:54 | 0:10:58 | |
The gilding is all there. It just shouts quality. | 0:10:58 | 0:11:03 | |
Yes, Eric's soon into the swing of things. Just ten lots later | 0:11:03 | 0:11:06 | |
and he's bidding on some royal commemorative plaques. | 0:11:06 | 0:11:10 | |
Coming in on the aisles? 20. £25, aisle bid at 30. 35. | 0:11:10 | 0:11:14 | |
Taking it away, £35 here... | 0:11:16 | 0:11:18 | |
Put your hammer down, lad. Put your hammer down. | 0:11:18 | 0:11:23 | |
GAVEL BANGS No, it don't expect any favours, | 0:11:23 | 0:11:25 | |
but I used to work with that chap. | 0:11:25 | 0:11:27 | |
Nope, there's no friends in this business, Eric. | 0:11:27 | 0:11:30 | |
Nonetheless, the plaques are his | 0:11:30 | 0:11:32 | |
for £41.30 including commission. | 0:11:32 | 0:11:34 | |
Well, if you're going to go out and buy yourself some royal memorabilia, | 0:11:35 | 0:11:39 | |
then you can't do much better than that made by Royal Doulton. | 0:11:39 | 0:11:44 | |
Here's a pair of panels featuring Edward VII and Alexandra, | 0:11:44 | 0:11:48 | |
so we know they date to 1902 because it tells us. | 0:11:48 | 0:11:52 | |
I paid the sort of money today that I would've paid, | 0:11:52 | 0:11:55 | |
believe it or not, over 20 years ago. | 0:11:55 | 0:11:58 | |
The market is not as bouncy, but I can't resist a bargain. | 0:11:58 | 0:12:02 | |
Well, he may not get another if The Axeman has anything to do with it. | 0:12:02 | 0:12:06 | |
I want to keep an eye on him. | 0:12:07 | 0:12:09 | |
I don't want him buying anything too cheap, | 0:12:09 | 0:12:11 | |
because if I think he is, I might bid against him. | 0:12:11 | 0:12:13 | |
That wasn't a bid! | 0:12:16 | 0:12:18 | |
Yep, lesson one of the saleroom - never wave at the auctioneer. Hm. | 0:12:18 | 0:12:21 | |
Well, the next item is described as an arts and crafts | 0:12:23 | 0:12:26 | |
wrought iron and brass three light candelabra. £30 to 50... | 0:12:26 | 0:12:31 | |
If it's towards the bottom end, I'm interested. | 0:12:31 | 0:12:34 | |
I'm going to make him pay for this one. Watch. | 0:12:34 | 0:12:36 | |
£20 to start. £20 to start bidding. | 0:12:36 | 0:12:39 | |
22. 25, 28, 30, 32, 35, 38. | 0:12:39 | 0:12:43 | |
40, 42, 45, 48, 50, 55. | 0:12:43 | 0:12:48 | |
-Ooh, I might get stuck with this! -£60 from you? -No, sir, I'm out. | 0:12:48 | 0:12:51 | |
£60, lady's bid now at £60. | 0:12:51 | 0:12:54 | |
He's a cheeky monkey, that lad. | 0:12:54 | 0:12:57 | |
I took him well to his limit. | 0:12:57 | 0:12:59 | |
Almost got stuck with it, but luckily someone behind me | 0:12:59 | 0:13:02 | |
got me out of the muddle there. | 0:13:02 | 0:13:05 | |
They do say that emulation is the sincerest form of flattery. | 0:13:05 | 0:13:09 | |
But we all know that that is a total fib. | 0:13:09 | 0:13:12 | |
Will may have his little games but Eric's an old hand | 0:13:13 | 0:13:16 | |
and remains undeterred. | 0:13:16 | 0:13:18 | |
Just a few lots on, | 0:13:18 | 0:13:19 | |
and he's interested in a mahogany tea caddy and coaster. | 0:13:19 | 0:13:22 | |
110. 120. All done? | 0:13:22 | 0:13:26 | |
GAVEL BANGS | 0:13:27 | 0:13:28 | |
That becomes his first big ticket item of the day. | 0:13:28 | 0:13:31 | |
£141.60 with fees. | 0:13:31 | 0:13:34 | |
Well, this little Georgian tea caddy caught my eye simply because | 0:13:36 | 0:13:40 | |
it was just so nicely made. | 0:13:40 | 0:13:42 | |
But to be frank with you, as much as I like that, | 0:13:42 | 0:13:45 | |
this was the object in the same lot that caught my attention. | 0:13:45 | 0:13:49 | |
You've got what to all intents and purposes is a clamp. | 0:13:49 | 0:13:52 | |
You can either clamp it onto a chair leg, | 0:13:52 | 0:13:55 | |
or if necessary, you can actually clamp it on to the edge of a table. | 0:13:55 | 0:14:01 | |
Date wise, around about 1820. | 0:14:01 | 0:14:05 | |
I've never seen one before. | 0:14:05 | 0:14:06 | |
It could well be worth more than the tea caddy. | 0:14:06 | 0:14:09 | |
Hm, not often Eric finds something he's never seen before. | 0:14:09 | 0:14:12 | |
Sounds promising. | 0:14:12 | 0:14:13 | |
Our boys are running away with themselves now | 0:14:13 | 0:14:15 | |
so let's pause to look at the figures. | 0:14:15 | 0:14:17 | |
Our two titans of the trade each arrived | 0:14:19 | 0:14:21 | |
with £1,000 of their own money. | 0:14:21 | 0:14:23 | |
Eric 'Knocker' Knowles had a slow start but he's now bought three | 0:14:23 | 0:14:27 | |
items and spent £218.30 - that leaves £781.70 to spend. | 0:14:27 | 0:14:31 | |
Will 'The Axeman' Axon raced ahead but is now on a go-slow. | 0:14:33 | 0:14:38 | |
His two lots have cost £141.60 - | 0:14:38 | 0:14:40 | |
meaning he has a whopping £858.40 in his kitty. | 0:14:40 | 0:14:45 | |
So, Will may have some catching up to do | 0:14:47 | 0:14:49 | |
but he's not in the least bit fazed. | 0:14:49 | 0:14:51 | |
He's biding his time. | 0:14:51 | 0:14:53 | |
However, he has spotted a collection of children's play packaging. | 0:14:53 | 0:14:57 | |
It's almost got that pop art appeal to me. Real graphic effect. | 0:14:57 | 0:15:00 | |
I don't think it's going to be worth a huge amount of money. | 0:15:00 | 0:15:03 | |
But I might just see what it makes. | 0:15:03 | 0:15:05 | |
20. Two. 25. 28. 30. Two. | 0:15:05 | 0:15:09 | |
£32 standing in front. At 32. | 0:15:09 | 0:15:12 | |
Watching you all carefully. 32. | 0:15:12 | 0:15:14 | |
-BANGS GAVEL -901. | 0:15:14 | 0:15:16 | |
Bought it. | 0:15:16 | 0:15:17 | |
Yes, add in the fees, it's £37.76. | 0:15:17 | 0:15:21 | |
Illustrated was this rather fine box of washing powder. | 0:15:21 | 0:15:25 | |
As well as the other more graphic bits of packaging. | 0:15:25 | 0:15:28 | |
As far as date goes, I would have thought, what... | 0:15:28 | 0:15:31 | |
'70s. Maybe '50s to '70s. Maybe even '40s. | 0:15:31 | 0:15:34 | |
I'm going to have to do a bit of research. | 0:15:34 | 0:15:36 | |
There was just something about them. | 0:15:36 | 0:15:37 | |
So I took a punt and stuck my hand in the air. | 0:15:37 | 0:15:40 | |
Other brands of washing powder are available, | 0:15:40 | 0:15:42 | |
only in slightly larger boxes. | 0:15:42 | 0:15:44 | |
So, they're neck and neck - three purchases each. | 0:15:44 | 0:15:47 | |
And Eric's primed for the next lot he's marked up. | 0:15:47 | 0:15:50 | |
(But he doesn't want anyone to hear.) | 0:15:50 | 0:15:53 | |
(This is nice. I've got a writing slope coming up next. | 0:15:53 | 0:15:56 | |
(That's quite nice. I think it's going to go for a lot.) | 0:15:56 | 0:16:00 | |
Bid at 120. 130. 140. | 0:16:00 | 0:16:03 | |
150. 160. 170. 180. | 0:16:03 | 0:16:06 | |
190. 200. | 0:16:06 | 0:16:07 | |
-And 10. -BANGS GAVEL | 0:16:07 | 0:16:09 | |
I think that's good money for this. | 0:16:09 | 0:16:11 | |
Include the fees and the price rises to £247.80 - | 0:16:13 | 0:16:17 | |
a quarter of Eric's budget. | 0:16:17 | 0:16:20 | |
What we've got is the early to mid-19th century | 0:16:20 | 0:16:23 | |
equivalent of a laptop. This just shone in the auction. | 0:16:23 | 0:16:27 | |
Primarily because this brass inlay, which is | 0:16:27 | 0:16:30 | |
often referred to as boulework. | 0:16:30 | 0:16:32 | |
Hopefully it's an object that's going to sell itself. | 0:16:32 | 0:16:36 | |
Well it might need some help, Eric. | 0:16:36 | 0:16:38 | |
Next up are those cuff links The Axeman fancied. | 0:16:38 | 0:16:42 | |
Bidding starts here at 140 with me. 150. 160. | 0:16:42 | 0:16:46 | |
170 there. 180. | 0:16:46 | 0:16:48 | |
190. | 0:16:48 | 0:16:50 | |
Online bidder. | 0:16:50 | 0:16:51 | |
200. There we go at 200. And 10. 220. | 0:16:51 | 0:16:55 | |
230. I will sell at 230. | 0:16:55 | 0:16:57 | |
BANGS GAVEL | 0:16:57 | 0:16:58 | |
He's got what he wanted. | 0:16:58 | 0:17:00 | |
The 18 carat gold and platinum cuff links cost him | 0:17:00 | 0:17:03 | |
£271.40 with fees. | 0:17:03 | 0:17:05 | |
And in one little lot, Will more than doubles his total spend. | 0:17:05 | 0:17:10 | |
Eric also spends big on his next item. | 0:17:10 | 0:17:12 | |
He buys a small collection of costume jewellery, | 0:17:12 | 0:17:15 | |
which includes a Trifari brooch that he likes. | 0:17:15 | 0:17:18 | |
He pays £153.40 with commission. | 0:17:18 | 0:17:21 | |
The bidding war is hotting up - but it could reach boiling point | 0:17:21 | 0:17:24 | |
as our experts' sleepers go under the hammer. | 0:17:24 | 0:17:27 | |
Eric's Chinese carved jade group is first. | 0:17:27 | 0:17:31 | |
Bidding opens here at 500. 800. | 0:17:31 | 0:17:34 | |
1,000. | 0:17:34 | 0:17:36 | |
1,500. | 0:17:37 | 0:17:38 | |
I think Eric is out. 2,000. | 0:17:38 | 0:17:40 | |
2,500 I'm bid. | 0:17:40 | 0:17:42 | |
3,000. 3,600. | 0:17:42 | 0:17:45 | |
Don't raise your hand. | 0:17:45 | 0:17:47 | |
Away at 3,600. | 0:17:47 | 0:17:48 | |
BANGS GAVEL | 0:17:48 | 0:17:50 | |
Well spotted. But let's see what the casket makes. | 0:17:50 | 0:17:53 | |
I predict it's going to make more than that. | 0:17:53 | 0:17:56 | |
And a few minutes later... | 0:17:56 | 0:17:58 | |
Look at that. The internet start us at £650. | 0:17:58 | 0:18:00 | |
650, 700. I'm out. 750... | 0:18:00 | 0:18:04 | |
1,000. 2,000. | 0:18:04 | 0:18:07 | |
2,500. 2,800. | 0:18:07 | 0:18:08 | |
This is the internet against the room. | 0:18:08 | 0:18:10 | |
Phones haven't even started bidding yet. | 0:18:10 | 0:18:12 | |
I predicted five, it's going to make more. | 0:18:12 | 0:18:15 | |
5,000. | 0:18:15 | 0:18:16 | |
500. I'm at £5,500. | 0:18:16 | 0:18:20 | |
BANGS GAVEL | 0:18:20 | 0:18:21 | |
Great work. Well done. Brilliant. | 0:18:21 | 0:18:24 | |
I'm really glad that made all the money, cos it was worth it. | 0:18:24 | 0:18:26 | |
Lovely thing. | 0:18:26 | 0:18:28 | |
And that just goes to show our boys really know their stuff. | 0:18:28 | 0:18:32 | |
As if you were in any doubt. | 0:18:32 | 0:18:33 | |
With the budget busters out of the way, | 0:18:33 | 0:18:36 | |
Will can concentrate on the more realistic prospects. | 0:18:36 | 0:18:38 | |
He makes a quick bid on a Victorian brass-mounted folio stand | 0:18:38 | 0:18:41 | |
and pays £177 with fees. | 0:18:41 | 0:18:44 | |
I saw that there was a stamp on the brass work here. | 0:18:47 | 0:18:50 | |
Had a closer look and it's Bunyard Patent, London. | 0:18:50 | 0:18:53 | |
Then if I pull this down, | 0:18:53 | 0:18:55 | |
you'll see that the actual stands become the legs. | 0:18:55 | 0:18:59 | |
And here, a gentleman, you would be through your folio, your prints. | 0:18:59 | 0:19:03 | |
Hopefully the person that I can find for it will appreciate | 0:19:03 | 0:19:07 | |
it like I do. | 0:19:07 | 0:19:08 | |
And with that, Will calls it a day. Eric wants more though. | 0:19:08 | 0:19:12 | |
Throughout the auction, | 0:19:12 | 0:19:13 | |
he's been standing next to a twin pedestal sideboard. | 0:19:13 | 0:19:16 | |
And when it comes up, he has a punt. | 0:19:16 | 0:19:19 | |
Bid at 75. 80. 90. | 0:19:19 | 0:19:23 | |
100. 110. | 0:19:23 | 0:19:25 | |
120. It's a lot of furniture for the money, isn't it? But there we go. | 0:19:25 | 0:19:28 | |
120. | 0:19:28 | 0:19:29 | |
130. Thank you. 130. 140. | 0:19:29 | 0:19:32 | |
At 140. Fair warning. I'm selling to the room at 140. | 0:19:32 | 0:19:36 | |
BANGS GAVEL | 0:19:36 | 0:19:37 | |
He's got it. Add in the fees and Eric pays £165.20. | 0:19:37 | 0:19:42 | |
Good luck getting it home! | 0:19:42 | 0:19:45 | |
Just bought myself a William IV sideboard. It's lovely mahogany. | 0:19:45 | 0:19:50 | |
It's just not in fashion. | 0:19:50 | 0:19:52 | |
But I bought it with a mind to finding the right person, | 0:19:52 | 0:19:56 | |
with the right house. | 0:19:56 | 0:19:57 | |
Well, you could sound a bit more enthusiastic, Knocker. | 0:19:57 | 0:20:00 | |
Someone will love it. So, that's it. | 0:20:00 | 0:20:03 | |
Our experts have gesticulated with gladiatorial grandeur, | 0:20:03 | 0:20:06 | |
waved their paddles with pride and bravely | 0:20:06 | 0:20:09 | |
bid for their bargains. So how do the figures stack up? | 0:20:09 | 0:20:13 | |
Both our experts arrived at the auction | 0:20:13 | 0:20:15 | |
with £1,000 of their own money. | 0:20:15 | 0:20:17 | |
Eric Knowles ended up with six lots at a total cost of £784.70. | 0:20:17 | 0:20:23 | |
Will Axon bought fewer items and spent less. | 0:20:23 | 0:20:27 | |
Five lots for £627.76. | 0:20:27 | 0:20:30 | |
So what do they make of each other's efforts? | 0:20:30 | 0:20:33 | |
This is the bit we could never predict. | 0:20:33 | 0:20:37 | |
It looks like we've actually swapped roles here. | 0:20:37 | 0:20:40 | |
I think I've got more breakables than you have. | 0:20:40 | 0:20:42 | |
You've gone down the wood route. Talk me through your lots. | 0:20:42 | 0:20:45 | |
I love this writing slope. Just give you a bit of a lift in there. Look. | 0:20:45 | 0:20:51 | |
Oh lovely! A little inkwell there. | 0:20:51 | 0:20:54 | |
-It's all original. -A bit of bling, Eric. A bit of bling. | 0:20:54 | 0:20:59 | |
-Just keep still. -Go on, then. It takes a man to wear a brooch. | 0:20:59 | 0:21:04 | |
It does. But that's me. Dolls house materials. Surely. | 0:21:04 | 0:21:09 | |
How can you not fall in love with a little mini Coleman's mustard? | 0:21:09 | 0:21:13 | |
Well, I can. But, you know, everybody to their own. | 0:21:13 | 0:21:17 | |
-What's this thing at the front? -This is my buy of the day. | 0:21:17 | 0:21:20 | |
The Bunyard Patent folio stand. | 0:21:20 | 0:21:23 | |
-I've seen similar make high three figures. -Oooh! | 0:21:23 | 0:21:26 | |
This is fighting talk, isn't it? | 0:21:26 | 0:21:28 | |
-Listen, try and get them home without breaking them. -OK. | 0:21:28 | 0:21:31 | |
Go and try and make a profit. Good to see you. | 0:21:31 | 0:21:34 | |
You've been working out, haven't you? | 0:21:34 | 0:21:36 | |
Well, that's the easy bit done and dusted. | 0:21:40 | 0:21:42 | |
Now, it's time to pop on the old thinking caps as our worthy | 0:21:42 | 0:21:46 | |
warriors change up a gear. | 0:21:46 | 0:21:48 | |
All those auction purchases must be turned into stellar sales. | 0:21:48 | 0:21:52 | |
Our experts must scour the country | 0:21:52 | 0:21:54 | |
and delve into their little black books to find the very best buyers. | 0:21:54 | 0:21:58 | |
Their aim - pounce on every pound and eke out every last penny to | 0:21:58 | 0:22:02 | |
make mighty profits for their chosen charities. | 0:22:02 | 0:22:06 | |
At Knocker HQ in Buckinghamshire, Eric's analysing his arsenal. | 0:22:06 | 0:22:10 | |
In all fairness, it's more of a lottery. I've done my bit for Queen | 0:22:11 | 0:22:16 | |
and King and country by buying the Doulton plaques down there, | 0:22:16 | 0:22:21 | |
of Edward and Alexandra. | 0:22:21 | 0:22:23 | |
If you ever wanted to take coffee from an elegant china coffee pot, | 0:22:23 | 0:22:31 | |
look no further than my Wedgwood example. | 0:22:31 | 0:22:34 | |
I've got some costume jewellery. | 0:22:34 | 0:22:36 | |
The real star is this wonderful brooch by Trifari. | 0:22:36 | 0:22:41 | |
They are resting on this lovely brass-inlaid very early Victorian | 0:22:41 | 0:22:47 | |
writing slope. | 0:22:47 | 0:22:49 | |
I also ended up with a Georgian tea caddy. | 0:22:49 | 0:22:52 | |
But my main interest was in this object. | 0:22:52 | 0:22:56 | |
It's either a waiter or it could be a candle stand. | 0:22:56 | 0:23:01 | |
Last but not least, my William IV pedestal sideboard. | 0:23:01 | 0:23:07 | |
Where is the rest of it, you say. It's in my garage at the moment. | 0:23:07 | 0:23:10 | |
It's so big! | 0:23:10 | 0:23:12 | |
From my point of view, I've got to make what, to all intents and | 0:23:12 | 0:23:15 | |
purposes, is a lottery into something that equates with a handsome profit. | 0:23:15 | 0:23:21 | |
Easier said than done. | 0:23:21 | 0:23:23 | |
Yes, he's not wrong there. | 0:23:23 | 0:23:25 | |
At The Axeman's lair near Newmarket, Will's out of his comfort zone. | 0:23:25 | 0:23:29 | |
Looking at my items, I'm slightly concerned that I may have done | 0:23:29 | 0:23:32 | |
an Eric Knowles here and bought too many breakables. | 0:23:32 | 0:23:35 | |
What really drew me to this first lot of blue and white... | 0:23:35 | 0:23:37 | |
A - two items in the lot. Always good. | 0:23:37 | 0:23:40 | |
And the condition of it is perfect. Then the pickle dishes. | 0:23:40 | 0:23:43 | |
What I thought was unusual was the fact that we had a pair. | 0:23:43 | 0:23:46 | |
And another one as well thrown in to the deal. | 0:23:46 | 0:23:49 | |
Then I've got some cuff links at the front here. | 0:23:49 | 0:23:51 | |
I just thought we were nice quality. 18 carat gold and platinum. | 0:23:51 | 0:23:55 | |
And then the packaging. It just really caught my eye. | 0:23:55 | 0:23:58 | |
At the end of the day, that's what it was designed to do. | 0:23:58 | 0:24:01 | |
And my favourite lot of them all is my folio stand. | 0:24:01 | 0:24:05 | |
It does need a bit of work. | 0:24:05 | 0:24:07 | |
I don't think Eric founded the auction particularly easy either. | 0:24:07 | 0:24:11 | |
So hopefully we are going to find ourselves both in the same | 0:24:11 | 0:24:14 | |
boat with this one. | 0:24:14 | 0:24:16 | |
Actually, I say boat, maybe we'll find ourselves in the same punt. | 0:24:16 | 0:24:21 | |
Well, whatever it is, let's hope it doesn't sink. | 0:24:21 | 0:24:23 | |
So, time to ensure those lots bring in lots of cold hard cash. | 0:24:23 | 0:24:27 | |
Remember, until they've shaken on it | 0:24:27 | 0:24:30 | |
and the money has changed hands, no deal is truly sealed. | 0:24:30 | 0:24:33 | |
Eric throws himself into the ring first - | 0:24:33 | 0:24:35 | |
and he's starting with his most expensive item. | 0:24:35 | 0:24:38 | |
A bold move! | 0:24:38 | 0:24:40 | |
His George IV writing box owes him the best part of £248. | 0:24:40 | 0:24:44 | |
He's in Northampton to meet Mark Goodger, | 0:24:44 | 0:24:47 | |
who's a dealer specialising in antique boxes. | 0:24:47 | 0:24:49 | |
So, can Knocker polish off an early profit? | 0:24:49 | 0:24:52 | |
I've brought along my treasure, which I'm hoping might be your treasure. | 0:24:53 | 0:24:58 | |
That's a very nice box actually. Period-wise - 1820s to 1830s. | 0:24:58 | 0:25:01 | |
Lovely bit of brass work, isn't it? | 0:25:01 | 0:25:03 | |
Missing its escutcheon. Obviously it needs a bit of work. | 0:25:03 | 0:25:07 | |
-It's not been touched for 150 to 200 years. -No-frills. | 0:25:07 | 0:25:12 | |
-So no secret compartments? -I faffed around with it. | 0:25:12 | 0:25:15 | |
Fiddling here, fiddling there. | 0:25:15 | 0:25:17 | |
Thinking that there must be something under there. | 0:25:17 | 0:25:20 | |
There is a secret compartment, yes. | 0:25:20 | 0:25:22 | |
Ah! | 0:25:22 | 0:25:24 | |
What did you press? What did you press?! | 0:25:24 | 0:25:27 | |
-That's a secret, Eric. -Oh! How amazing! | 0:25:27 | 0:25:30 | |
-What's in here then? -Yes, exactly! | 0:25:30 | 0:25:33 | |
-Unfortunately... -Fresh air. -Yes. | 0:25:34 | 0:25:37 | |
I'm feeling very dim. | 0:25:37 | 0:25:38 | |
THEY LAUGH | 0:25:38 | 0:25:40 | |
I was hoping for somewhere around about £350. | 0:25:40 | 0:25:44 | |
I'd look at around about £250. How does that sound? | 0:25:44 | 0:25:49 | |
If I could meet you halfway, I'm still in the game. | 0:25:49 | 0:25:53 | |
-I think we could that, Eric. -Could we? -300. Yes. -All right. | 0:25:53 | 0:25:56 | |
Great. Good stuff. | 0:25:56 | 0:25:57 | |
Yes, Eric's very much in the game. | 0:25:57 | 0:26:00 | |
The box reveals its hidden secrets - a profit of 52.20. | 0:26:00 | 0:26:04 | |
I think it all hinged on that secret compartment. | 0:26:04 | 0:26:08 | |
Trust me, you got it live. | 0:26:08 | 0:26:10 | |
I tried to find it but he knew where. | 0:26:10 | 0:26:12 | |
That being said, I'm hoping if you're watching, Will, | 0:26:12 | 0:26:15 | |
I've still got a few tricks up my own sleeve. | 0:26:15 | 0:26:18 | |
Well, let's hope so, Eric, because Will has been | 0:26:18 | 0:26:21 | |
researching his miniature packaging and is about to go all hi tech. | 0:26:21 | 0:26:26 | |
Get him! | 0:26:26 | 0:26:28 | |
I discovered that most of it was made by Kiddicraft. | 0:26:28 | 0:26:30 | |
And that got me in touch with Chas Sumter. | 0:26:30 | 0:26:33 | |
He runs a website which is dedicated to Hilary Page, his life | 0:26:33 | 0:26:37 | |
and works, the founder of Kiddicraft. | 0:26:37 | 0:26:40 | |
He's down in the south of France | 0:26:40 | 0:26:42 | |
so I'm at home waiting to have an internet chat with him, to see | 0:26:42 | 0:26:45 | |
if he doesn't want to add to his extensive archive. | 0:26:45 | 0:26:49 | |
How very modern! | 0:26:49 | 0:26:50 | |
The play packaging is made up of 23 individual pieces. | 0:26:50 | 0:26:54 | |
Altogether, they stand him at nearly £38. | 0:26:54 | 0:26:57 | |
I did send you images of my packaging. | 0:26:57 | 0:27:00 | |
What was the reasoning behind producing that? | 0:27:00 | 0:27:04 | |
The idea behind the miniature packaging was to give children | 0:27:04 | 0:27:08 | |
a world of their own, where they could replicate shopping. | 0:27:08 | 0:27:14 | |
Originally all the products would have been packed with little, | 0:27:14 | 0:27:17 | |
tiny sweets inside. | 0:27:17 | 0:27:20 | |
Or sugar syrup. | 0:27:20 | 0:27:22 | |
I doubt it's still edible. | 0:27:22 | 0:27:23 | |
WILL LAUGHS | 0:27:23 | 0:27:24 | |
Yes. | 0:27:24 | 0:27:25 | |
I've got around 20 or so. What sort of money are they worth each? | 0:27:25 | 0:27:30 | |
A fair price would probably be say £5 apiece. | 0:27:30 | 0:27:36 | |
-So if you have 23... -Yes? | 0:27:36 | 0:27:38 | |
-I would be prepared to give you £115. -Really? | 0:27:38 | 0:27:43 | |
You are the man who knows what these are worth. Thank you again. | 0:27:43 | 0:27:47 | |
-It's been fascinating talking to you. -Thank you, Will. | 0:27:47 | 0:27:51 | |
I shall look forward to seeing them in the flesh. | 0:27:51 | 0:27:53 | |
Will pays £3.20 to post the packaging | 0:27:53 | 0:27:56 | |
to Chas's British-based family - | 0:27:56 | 0:27:58 | |
and once that's taken into account, he's left with an excellent | 0:27:58 | 0:28:01 | |
starting profit of £74.04 - and he's delighted! | 0:28:01 | 0:28:06 | |
I thought they were going to be worth a little bit more than | 0:28:06 | 0:28:09 | |
I paid for them. But when someone makes you an offer like that, | 0:28:09 | 0:28:12 | |
you've literally got to bite their arm off. | 0:28:12 | 0:28:14 | |
In which case, it's a good job you didn't do the deal in person. | 0:28:14 | 0:28:18 | |
The Axeman continues his hi tech search | 0:28:18 | 0:28:21 | |
while Knocker's doing things the old-fashioned way. | 0:28:21 | 0:28:23 | |
He's brought his royal commemorative plaques to Stratford in | 0:28:23 | 0:28:26 | |
East London to meet Nilesh - the manager of the Edward VII pub. | 0:28:26 | 0:28:31 | |
Have I got a monarch for him. | 0:28:31 | 0:28:32 | |
Not only a monarch, I've got his wife as well. | 0:28:32 | 0:28:35 | |
Eric's Doulton King and Queen cost him just over £41, | 0:28:35 | 0:28:39 | |
but can he make a few sovereigns more? | 0:28:39 | 0:28:42 | |
I can provide Edward VII. | 0:28:42 | 0:28:46 | |
And I can provide his wife, Queen Alexandra. | 0:28:46 | 0:28:51 | |
Oh, right. | 0:28:51 | 0:28:52 | |
-The little mark on the back, that is from the Royal Doulton factory. -OK. | 0:28:52 | 0:28:56 | |
And I'm pretty sure that they would have been made for his coronation. | 0:28:56 | 0:29:00 | |
-It says it on there, doesn't it? -Yes. Absolutely. 1902. | 0:29:00 | 0:29:03 | |
How polite of you. Thank you. It's so hard being an expert. | 0:29:03 | 0:29:07 | |
When it comes to asking price, | 0:29:07 | 0:29:10 | |
I would start off asking £95 for the two. | 0:29:10 | 0:29:13 | |
-Let's say 95 then. It's fine by me. -95. Put your hand there. -Thank you. | 0:29:13 | 0:29:18 | |
All right. That's really good of you. | 0:29:18 | 0:29:20 | |
Eric pitches it just right | 0:29:20 | 0:29:22 | |
and leaves with a princely profit of £53.70. | 0:29:22 | 0:29:25 | |
I've returned a monarch and his wife to a hostelry that bears his name. | 0:29:26 | 0:29:32 | |
What more could he ask in later life? | 0:29:32 | 0:29:34 | |
Wonder if there'll ever be a pub named after Eric. | 0:29:34 | 0:29:38 | |
Pint at the Knocker Arms, anyone? | 0:29:38 | 0:29:41 | |
No time for Will to stop for refreshments - he's brought | 0:29:41 | 0:29:44 | |
all his various bits of blue and white back to Market Harborough. | 0:29:44 | 0:29:48 | |
He's meeting Richard who's a specialist in transfer-printed ware. | 0:29:48 | 0:29:51 | |
I'm going to start with my first little lot which is | 0:29:52 | 0:29:55 | |
a pair of pickle dishes. I was intrigued by this painted W. | 0:29:55 | 0:29:59 | |
-That is a workman's mark. -Is it really? -Yes. -Decorator's mark? | 0:29:59 | 0:30:03 | |
A mark so they got paid at the end of the day. | 0:30:03 | 0:30:06 | |
-They are about 1825. Typical Wedgewood shape. -Yes. | 0:30:06 | 0:30:09 | |
Standard willow pattern. | 0:30:09 | 0:30:11 | |
They would have been part of a dinner service | 0:30:11 | 0:30:13 | |
and put on the table with pickles. | 0:30:13 | 0:30:15 | |
If I asked you for 150 for the pair, is that...? | 0:30:15 | 0:30:19 | |
-That is a little strong. -Would £100 the around the right mark? | 0:30:19 | 0:30:23 | |
Yes, I think I can do that. | 0:30:23 | 0:30:25 | |
I tell you what, hold on to that for me for a moment, | 0:30:25 | 0:30:28 | |
because I've got a third one. | 0:30:28 | 0:30:30 | |
-Is that worth anything to you? -I'd hate to sell that for about £10. | 0:30:30 | 0:30:34 | |
£10. So I couldn't squeeze another tenner out of you for all three? | 0:30:34 | 0:30:37 | |
-OK. I'll do that. -Yes? -Yep. | 0:30:37 | 0:30:39 | |
I think we have a deal at 110, Richard. That is very fair of you. | 0:30:39 | 0:30:42 | |
The pickle dishes bring in a tasty profit of 60.44, | 0:30:42 | 0:30:47 | |
but Will's as keen as mustard for a double deal. | 0:30:47 | 0:30:50 | |
Next, it's the pedestal bowl and meat platter. | 0:30:50 | 0:30:53 | |
This, I suppose, fruit bowl, centre bowl, that sort of thing. | 0:30:53 | 0:30:56 | |
-Fruit bowl, salad bowl. -What have you spotted there? A little hairline. | 0:30:56 | 0:31:00 | |
When you think what it's gone through for 200 years, | 0:31:00 | 0:31:02 | |
-all the times it's been washed. -It's amazing, isn't it? -Yes. | 0:31:02 | 0:31:05 | |
-This was made by Henshall. -Right. -And it is a view of St Albans. | 0:31:05 | 0:31:09 | |
-Is it really? -Uh-huh. You can see the famous St Albans Abbey. | 0:31:09 | 0:31:13 | |
Of course. | 0:31:13 | 0:31:14 | |
As with my pickle dishes, where there was a little extra bonus... | 0:31:14 | 0:31:17 | |
-We like a bonus. -I've picked up... | 0:31:17 | 0:31:19 | |
I know it's not hugely exciting, but a similar sort of date? | 0:31:19 | 0:31:23 | |
Probably a little bit earlier. About 1815. | 0:31:23 | 0:31:26 | |
It's a nice size, nicely marked. | 0:31:26 | 0:31:28 | |
Is there any chance we could just sneak over the £100 mark, | 0:31:28 | 0:31:32 | |
-do you think? -Yes. 110? -Shall we say 110? | 0:31:32 | 0:31:34 | |
Listen, 110 for the pickle dishes, 110 for the bowl and the platter. | 0:31:34 | 0:31:38 | |
Great. Thank you. | 0:31:38 | 0:31:39 | |
Yes, he's done it. | 0:31:39 | 0:31:41 | |
The second lot of blue and white serves up a profit of £17.96 - | 0:31:41 | 0:31:45 | |
and Will's cock-a-hoop! | 0:31:45 | 0:31:47 | |
Come on, Knocker! You are meant to be the ceramics king. | 0:31:47 | 0:31:50 | |
There is a new kid on the block! | 0:31:50 | 0:31:54 | |
Yes, well, perhaps a slightly over-enthusiastic response | 0:31:54 | 0:31:57 | |
but he's certainly challenged Eric's crown as King of Crockery. | 0:31:57 | 0:32:02 | |
But Mr Knowles won't be outdone. | 0:32:02 | 0:32:04 | |
He quickly sees off his Wedgwood celadon coffee set - it's bought | 0:32:04 | 0:32:07 | |
by a dealer in Kent for £65, and that's a profit of £29.60. | 0:32:07 | 0:32:12 | |
So, as they hit the halfway point - who has time for a coffee, | 0:32:12 | 0:32:16 | |
and who needs to prepare a flask? Let's tot up their tallies. | 0:32:16 | 0:32:20 | |
Eric Knowles has made three sales so far - | 0:32:20 | 0:32:23 | |
bringing in a profit of £135.50. | 0:32:23 | 0:32:26 | |
Will Axon has also sold three lots - | 0:32:26 | 0:32:29 | |
and at this stage is a little ahead - a midway total of £152.44. | 0:32:29 | 0:32:35 | |
There's less than £17 in it, so this is anyone's game. | 0:32:35 | 0:32:39 | |
As Will hits the phones, Eric comes out fighting. | 0:32:41 | 0:32:44 | |
He's on his way to Hungerford in Berkshire, | 0:32:44 | 0:32:46 | |
a town well-known for its antiques shops. | 0:32:46 | 0:32:48 | |
He's brought the Georgian tea caddy and the unusual wooden | 0:32:48 | 0:32:51 | |
coaster that came with it - and he's heading for dealer, Stewart. | 0:32:51 | 0:32:55 | |
-Stewart, how are you doing? -Eric, well, thank you. Yourself? | 0:32:55 | 0:32:58 | |
Good, yes. I'm fine. | 0:32:58 | 0:32:59 | |
I've got what, to all intents and purposes, | 0:32:59 | 0:33:02 | |
is just an honest Georgian tea caddy. | 0:33:02 | 0:33:05 | |
I like the pattern on the top. | 0:33:05 | 0:33:07 | |
The other feature is these little panels of burr yew. | 0:33:07 | 0:33:11 | |
That's what it is. | 0:33:11 | 0:33:13 | |
-Have you ever seen one of these before? -I haven't. | 0:33:14 | 0:33:17 | |
-That's what appealed to me. -It can obviously be clamped on to a table. | 0:33:17 | 0:33:21 | |
-Working service. -It's working service. | 0:33:21 | 0:33:24 | |
When you first look at this, you think, sewing clamp | 0:33:24 | 0:33:27 | |
type of thing, to do with embroidery or that type of cottage industry. | 0:33:27 | 0:33:30 | |
But it's better than that. | 0:33:30 | 0:33:32 | |
I think it's either a candle stand or a drink. | 0:33:32 | 0:33:34 | |
I would err for candle stand because it's more my sort of thing. | 0:33:34 | 0:33:38 | |
I know the bulk of the value is there. | 0:33:38 | 0:33:40 | |
-But the bulk of the interest is there. -It is! | 0:33:40 | 0:33:43 | |
I'll come in with an opening gambit of £180. | 0:33:43 | 0:33:48 | |
-We are not far away, actually. -We're not far away. | 0:33:48 | 0:33:51 | |
I was thinking... 150 to 160. That sort of price. | 0:33:51 | 0:33:55 | |
When you said those two figures, it was the 160 that registered. | 0:33:55 | 0:33:59 | |
-Can we do business at 160? -We can. -You are a star. -Well done. | 0:33:59 | 0:34:04 | |
The coaster appears to be the star item. | 0:34:04 | 0:34:07 | |
But it's not a star profit sadly - just 18.40. | 0:34:07 | 0:34:11 | |
Will is moving on to his biggest spend - the cuff links. | 0:34:11 | 0:34:15 | |
He's not far from home in Cambridge and he's aimed his sights on Tony, | 0:34:15 | 0:34:19 | |
who runs a gentleman's outfitter. | 0:34:19 | 0:34:21 | |
And our Axeman has been trying to add value. | 0:34:21 | 0:34:24 | |
I'm hoping that my 18 carat gold and platinum cuff links are going | 0:34:24 | 0:34:27 | |
to be the sort of thing that he's looking for. | 0:34:27 | 0:34:30 | |
To really set them off, I've dug out one of my own cuff link boxes. | 0:34:30 | 0:34:33 | |
And I think they look the business! | 0:34:33 | 0:34:36 | |
So, will presentation boost the profits? | 0:34:36 | 0:34:39 | |
The cuff links owe him in excess of £270. | 0:34:39 | 0:34:43 | |
As well as dealing in gentlemen's fashion, | 0:34:44 | 0:34:47 | |
you are now branching into vintage accessories, is that right? | 0:34:47 | 0:34:50 | |
-Yes, principally cuff links. -I'm always wearing cuff links. | 0:34:50 | 0:34:53 | |
They are just a great way, aren't they, | 0:34:53 | 0:34:55 | |
to add a splash of colour to an outfit, even a bit of humour. | 0:34:55 | 0:34:58 | |
For example, today I've got my dollar and pound signs. | 0:34:58 | 0:35:02 | |
That's my thinking. You've seen a photograph of them. | 0:35:02 | 0:35:05 | |
How did you see them? | 0:35:05 | 0:35:07 | |
I thought they were a very sophisticated vintage bling | 0:35:07 | 0:35:11 | |
-look of cuff link. -I love that! Vintage bling. | 0:35:11 | 0:35:14 | |
-Yes, they are very stylish. -Yes. | 0:35:14 | 0:35:16 | |
But the platinum in them really did lift the cuff links. | 0:35:16 | 0:35:20 | |
The moment has come for me to show you them in the flesh, as it were. | 0:35:20 | 0:35:24 | |
To really set them off I dug out one of my own cuff link boxes. | 0:35:24 | 0:35:28 | |
-Which I am prepared to donate for you. -It's rather nice too. | 0:35:28 | 0:35:31 | |
I would have thought they could be, what, 1930s? | 0:35:31 | 0:35:33 | |
I was thinking '30s myself. | 0:35:33 | 0:35:35 | |
Have a look at those. What have I said to you 320? | 0:35:35 | 0:35:39 | |
If you could soften the tariff a little on what you said, | 0:35:39 | 0:35:42 | |
I think we might be getting somewhere near. | 0:35:42 | 0:35:46 | |
They say three is the magic number. Let's shake at £300, Tony. | 0:35:46 | 0:35:50 | |
I'm sure that they are going to look the business in your window. | 0:35:50 | 0:35:53 | |
I can imagine crowds of people stopping as they walk past. | 0:35:53 | 0:35:57 | |
-With that guarantee, Will, we've got a deal. -It's a deal. | 0:35:57 | 0:36:01 | |
It's a big price but a small profit. | 0:36:01 | 0:36:04 | |
The cuff links add 28.60 to Will's total. | 0:36:04 | 0:36:07 | |
And with the sale in the bag he's thinking about his own presentation. | 0:36:07 | 0:36:12 | |
Oh, yes. I could see myself in that. | 0:36:12 | 0:36:14 | |
Maybe just making my way down to the yacht at Monaco. | 0:36:14 | 0:36:18 | |
I thought you had one there. | 0:36:18 | 0:36:20 | |
Mm, suits you, Axeman! | 0:36:20 | 0:36:21 | |
But don't spend too much time playing dress up or you'll be | 0:36:21 | 0:36:24 | |
playing catch up, because Eric is pushing on. | 0:36:24 | 0:36:27 | |
He's got the William IV pedestal sideboard | 0:36:27 | 0:36:29 | |
out of the garage and lugged it to Dorset. | 0:36:29 | 0:36:32 | |
He's meeting Paul, who's married to one of Eric's former colleagues. | 0:36:32 | 0:36:35 | |
So far, they've only seen some pictures Eric's e-mailed them. | 0:36:35 | 0:36:38 | |
They think they've got the right place for it in their dining room. | 0:36:39 | 0:36:43 | |
But first of all, Paul has got to see it | 0:36:43 | 0:36:46 | |
and we've got to do something of a deal. | 0:36:46 | 0:36:49 | |
Eric paid £165-odd for the hefty piece. | 0:36:49 | 0:36:52 | |
Will Paul give him a hefty profit? | 0:36:52 | 0:36:54 | |
-Paul, good to see you. -Good morning. -Good morning. | 0:36:54 | 0:36:57 | |
-I've got to apologise for blocking your drive. -That's fine. | 0:36:57 | 0:37:00 | |
-We are looking around about 1830-1835. -It's quite an old piece. | 0:37:00 | 0:37:06 | |
Oh, yes! We're talking William IV. | 0:37:06 | 0:37:08 | |
If you look at that carving, that is really sumptuous and quality carving. | 0:37:08 | 0:37:13 | |
It's certainly a very fine piece. | 0:37:13 | 0:37:15 | |
There is a drawer in there. I want you to just pull that door open. | 0:37:15 | 0:37:19 | |
-Yep. -And can you pull that drawer out. | 0:37:19 | 0:37:21 | |
-Yep. Look at that! -Segmented. To take bottles of wine. | 0:37:22 | 0:37:26 | |
-That would be perfect. -Yes. -I am interested, Eric. -Good, good. | 0:37:26 | 0:37:30 | |
I was hoping for around the £300 mark. | 0:37:30 | 0:37:33 | |
-Which I think is pretty much a bargain price. -What about 200? | 0:37:33 | 0:37:36 | |
If we can go in at 250 we have got a deal. | 0:37:36 | 0:37:39 | |
-OK, deal. -You've got a deal. | 0:37:39 | 0:37:41 | |
Yes, it's a mighty piece of furniture | 0:37:41 | 0:37:44 | |
and it looks right at home in Paul's dining room. | 0:37:44 | 0:37:47 | |
And it did well for Eric - a profit of 84.80 - | 0:37:47 | 0:37:50 | |
which nudges him ahead of The Axeman. | 0:37:50 | 0:37:53 | |
Eric is on a roll. | 0:37:53 | 0:37:54 | |
His next stop is Westerham in Kent where he's meeting Julie, | 0:37:54 | 0:37:57 | |
a lady who knows her costume jewellery. | 0:37:57 | 0:37:59 | |
They're meeting in a pub garden | 0:37:59 | 0:38:01 | |
so she can take a look at the Trifari brooch. | 0:38:01 | 0:38:05 | |
I've sent Julie an image | 0:38:05 | 0:38:06 | |
and she has actually confessed to "going weak at the knees." | 0:38:06 | 0:38:11 | |
I'm hoping that when she sees it | 0:38:11 | 0:38:13 | |
that weakness is going to extend to the opening of her wallet. | 0:38:13 | 0:38:18 | |
So can Knocker's knee-trembler help him trouser a winning profit? | 0:38:19 | 0:38:23 | |
Tell me a little bit about Trifari, cos I know you are a mine | 0:38:23 | 0:38:27 | |
of information about costume jewellery. | 0:38:27 | 0:38:29 | |
It was founded in about 1919, in New York. | 0:38:29 | 0:38:32 | |
The very wealthy couldn't afford real jewels anymore | 0:38:32 | 0:38:34 | |
so a lot of the jewellers were out of work. | 0:38:34 | 0:38:37 | |
They started working for costume jewellery companies. | 0:38:37 | 0:38:40 | |
It's not until you really see a piece that you can decide, | 0:38:40 | 0:38:44 | |
is it as good as I really think? Here we go. | 0:38:44 | 0:38:46 | |
SHE GASPS | 0:38:46 | 0:38:47 | |
Oh, yes. The enamel is in very good condition. This enamel often chips. | 0:38:47 | 0:38:52 | |
-That is a fur clip. That would have been to wear on fur. -Interesting. | 0:38:52 | 0:38:57 | |
You could clip it through all the layers. | 0:38:57 | 0:39:00 | |
If I came in with an opening gambit of what, £230...? | 0:39:00 | 0:39:06 | |
I was thinking more about 130. | 0:39:06 | 0:39:08 | |
The very best I could do would be about 190. | 0:39:08 | 0:39:11 | |
180? | 0:39:12 | 0:39:14 | |
Meet you in the middle, 185. How about that? | 0:39:14 | 0:39:17 | |
-Is that pushing it? -Yes, no. I can go 185. -185. | 0:39:17 | 0:39:20 | |
-Thank you very much. -It's a pleasure. | 0:39:20 | 0:39:22 | |
Mmm, a lady who clearly knows her stuff. | 0:39:22 | 0:39:24 | |
You'll remember the brooch came with a box of other costume jewellery - | 0:39:24 | 0:39:28 | |
that collection is bought by a nearby gallery for £50. | 0:39:28 | 0:39:30 | |
Add that to Julie's offer | 0:39:30 | 0:39:32 | |
and Eric makes a total profit of 81.60. | 0:39:32 | 0:39:36 | |
That means Eric is all sold up so everything rests on The Axeman's | 0:39:36 | 0:39:40 | |
final item - the brass-mounted folio stand that cost him £177. | 0:39:40 | 0:39:46 | |
Will said he's known these to sell for a lot more money. | 0:39:46 | 0:39:49 | |
So will he do the business? | 0:39:49 | 0:39:51 | |
He's in South London to meet Luke, who's a dealer | 0:39:51 | 0:39:53 | |
specialising in gentleman's library antiques. | 0:39:53 | 0:39:57 | |
I fell in love with this. | 0:39:57 | 0:39:58 | |
I think it's a really smart piece of furniture. | 0:39:58 | 0:40:01 | |
OK, it's a little bit, shall we say, tired. What's do you think of it? | 0:40:01 | 0:40:05 | |
Is it as you expected? | 0:40:05 | 0:40:06 | |
Well, yeah, it's very much something I deal in. | 0:40:06 | 0:40:09 | |
I'd date it to about 1860, Crimean War period. | 0:40:09 | 0:40:12 | |
I think it must be. With these nice lacquered brass mounts. | 0:40:12 | 0:40:16 | |
We've got a Bunyard Patent, London. | 0:40:16 | 0:40:18 | |
Then again on the lock, which is nice. | 0:40:18 | 0:40:21 | |
I think if it had been in tiptop condition, | 0:40:21 | 0:40:24 | |
I reckon it's almost like a four figure piece of furniture. | 0:40:24 | 0:40:27 | |
But I know this probably needs relining. | 0:40:27 | 0:40:31 | |
I would like to see it with a £300-£500 estimate. | 0:40:31 | 0:40:34 | |
That's a lot of money, but is Luke prepared to pay it? | 0:40:36 | 0:40:39 | |
They do seal a deal but is it enough to top Eric's total? | 0:40:39 | 0:40:42 | |
All will be revealed in just a moment - | 0:40:42 | 0:40:45 | |
but The Axeman is feeling chipper. | 0:40:45 | 0:40:47 | |
Well, that is The Axeman all sold up. | 0:40:49 | 0:40:52 | |
And though I say so myself, staying sharp. | 0:40:52 | 0:40:56 | |
As our incredible experts prepare to find out their final figures, | 0:40:56 | 0:41:00 | |
let's remind ourselves of what they spent on their items. | 0:41:00 | 0:41:03 | |
Both our boys arrived in Market Harborough | 0:41:03 | 0:41:06 | |
with £1,000 of their own money to spend. | 0:41:06 | 0:41:09 | |
Eric struggled at the start | 0:41:09 | 0:41:11 | |
but ended up with six lots costing £784.70. | 0:41:11 | 0:41:15 | |
Will made early headway but left with just five purchases. | 0:41:15 | 0:41:19 | |
Including the cost of posting the play packaging, | 0:41:19 | 0:41:22 | |
he spent £630.96. | 0:41:22 | 0:41:24 | |
Now, though, it's the profit that matters. | 0:41:24 | 0:41:28 | |
All of the money that Eric and Will have made from today's | 0:41:28 | 0:41:30 | |
challenge will go to charities of their choice. | 0:41:30 | 0:41:33 | |
So, without further ado, let's find out who is today's | 0:41:33 | 0:41:36 | |
Put Your Money Where Your Mouth Is Champion. | 0:41:36 | 0:41:39 | |
-Hey up! -Fancy meeting you here. -You too. | 0:41:39 | 0:41:42 | |
How are you doing, all right? | 0:41:42 | 0:41:43 | |
I'm doing all right but how about that auction, eh? | 0:41:43 | 0:41:46 | |
Cor, I found that a tough old day. What was your best buy? | 0:41:46 | 0:41:49 | |
I don't normally go for furniture. | 0:41:49 | 0:41:52 | |
But I found a nice private buyer for my pedestal sideboard. | 0:41:52 | 0:41:57 | |
Terribly undervalued that sort of furniture at the moment. | 0:41:57 | 0:41:59 | |
Unbelievable. What about yourself? | 0:41:59 | 0:42:01 | |
My little sleeper, the brass-mounted folio stand, | 0:42:01 | 0:42:04 | |
it was in a little bit of, shall we say, fresh to market condition. | 0:42:04 | 0:42:08 | |
But I found someone who loves that type of thing. | 0:42:08 | 0:42:11 | |
-Shall we get on with the business? -Let's see what the damage is. | 0:42:11 | 0:42:14 | |
-I'll count us in, shall I? -You shall indeed. -Going, going... | 0:42:14 | 0:42:18 | |
..gone! | 0:42:18 | 0:42:19 | |
BOTH: Oh! | 0:42:20 | 0:42:22 | |
-Touche, Mr Knowles. -Well, there we go. | 0:42:22 | 0:42:26 | |
-It's just a case of look and learn, isn't it? -I'm still learning. | 0:42:26 | 0:42:29 | |
You never stop, do you? It's a bit of a cliche. | 0:42:29 | 0:42:32 | |
The unpredictability of it all. | 0:42:32 | 0:42:34 | |
So, you never can tell. | 0:42:34 | 0:42:36 | |
The folio stand didn't bring in the big bucks. | 0:42:36 | 0:42:39 | |
It's a great piece. | 0:42:39 | 0:42:41 | |
The issue is this leather, which we need to do a lot of work on. | 0:42:41 | 0:42:43 | |
And that's not going to be done cheaply. | 0:42:43 | 0:42:46 | |
-220? -Yeah. 220. That would be a fair price. | 0:42:46 | 0:42:49 | |
-Is that all right? -Yes. Thanks very much. -No, not at all. | 0:42:49 | 0:42:52 | |
The condition was the problem. | 0:42:52 | 0:42:54 | |
And Will's profit of £43 was a long way short. | 0:42:54 | 0:42:58 | |
The auction is the toughest of all the buying days. | 0:42:58 | 0:43:02 | |
It's always nice to win that one. | 0:43:02 | 0:43:04 | |
I did make a profit but it wasn't good enough. | 0:43:04 | 0:43:07 | |
Tough old day, I can tell you. | 0:43:07 | 0:43:09 | |
It's a lot easier the other side of the rostrum. | 0:43:09 | 0:43:12 | |
Well, tomorrow won't be any easier. | 0:43:13 | 0:43:15 | |
It's the culmination of the week - Eric and Will are fighting | 0:43:15 | 0:43:18 | |
for the ultimate accolade in antiques television. | 0:43:18 | 0:43:21 | |
Take cover - it's the Showdown! | 0:43:21 | 0:43:24 |