Browse content similar to Will Axon v Paul Hayes - Showdown. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is Put Your Money Where Your Mouth Is - the show that pitches | 0:00:02 | 0:00:05 | |
TV's best-loved antiques experts against each other in an all-out | 0:00:05 | 0:00:08 | |
battle for profit... | 0:00:08 | 0:00:10 | |
Elementary, my dear dealers! | 0:00:10 | 0:00:12 | |
..and gives YOU the insider's view of the trade! | 0:00:12 | 0:00:15 | |
HE GROWLS | 0:00:15 | 0:00:17 | |
Each week, one pair of duelling dealers will face a different | 0:00:17 | 0:00:20 | |
daily challenge... | 0:00:20 | 0:00:22 | |
Catch me if you can... | 0:00:22 | 0:00:23 | |
The Axeman cometh. | 0:00:23 | 0:00:25 | |
Putting their reputations on the line... | 0:00:25 | 0:00:28 | |
Aargh! | 0:00:28 | 0:00:29 | |
Ready for battle. | 0:00:29 | 0:00:32 | |
..and giving YOU their top tips and savvy secrets - | 0:00:32 | 0:00:35 | |
on how to make the most money from buying and selling. | 0:00:35 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:40 | |
THUNDER ROARS AND HE CACKLES | 0:00:40 | 0:00:42 | |
Today, the going gets tough as the tough get going. | 0:00:42 | 0:00:45 | |
The grandmaster from Morecambe, Paul Hayes, takes on the | 0:00:45 | 0:00:48 | |
young pretender from Newmarket, Will Axon, in the climax of the week. | 0:00:48 | 0:00:53 | |
Hold on to your hats. It's the Showdown! | 0:00:53 | 0:00:55 | |
Coming up... Paul dares to dream big. | 0:00:57 | 0:00:59 | |
Wouldn't it be wonderful if I had a long-lost Leonardo da Vinci | 0:00:59 | 0:01:02 | |
or a Michelangelo. | 0:01:02 | 0:01:04 | |
Will moves in a mysterious way. | 0:01:04 | 0:01:06 | |
And there's shenanigans at the showdown auction... | 0:01:08 | 0:01:11 | |
Still cheap these vases... | 0:01:11 | 0:01:12 | |
LAUGHTER | 0:01:12 | 0:01:13 | |
This is Put Your Money Where Your Mouth Is! | 0:01:13 | 0:01:17 | |
Yours, madam. | 0:01:17 | 0:01:18 | |
Ladies and gentlemen, thrill-seekers and antiques lovers, | 0:01:30 | 0:01:33 | |
prepare yourselves for the big one. | 0:01:33 | 0:01:35 | |
Two of the country's finest dealers are preparing for a mega match | 0:01:35 | 0:01:39 | |
of memorabilia in which there can be only one winner. | 0:01:39 | 0:01:42 | |
Today, it's a North/South War of the Roses. | 0:01:42 | 0:01:45 | |
And this rose has more than one thorn. | 0:01:45 | 0:01:47 | |
First up, we have a man with more style than a fashion boutique, | 0:01:47 | 0:01:50 | |
and more cunning than a den of foxes. | 0:01:50 | 0:01:53 | |
He's neat, he's nice, | 0:01:53 | 0:01:54 | |
and he's Northern... It's Paul "Mr Morecambe" Hayes. | 0:01:54 | 0:01:58 | |
Music to my ears...hey, hey! | 0:01:59 | 0:02:02 | |
And representing the South - a tactical tank of talent, | 0:02:02 | 0:02:05 | |
who likes a bargain and will pull out all the stops to win. | 0:02:05 | 0:02:08 | |
It's Newmarket's own thoroughbred... Will "The Axeman" Axon. | 0:02:08 | 0:02:13 | |
Bring it on, Mr Morecambe. | 0:02:14 | 0:02:16 | |
Today's challenge takes place across four | 0:02:16 | 0:02:18 | |
very different arenas - an auction, a car boot sale, an antiques fair | 0:02:18 | 0:02:23 | |
and a foreign market... | 0:02:23 | 0:02:26 | |
Our experts have £1,000 of their own money | 0:02:26 | 0:02:28 | |
at hand and eight objects to obtain. | 0:02:28 | 0:02:31 | |
But this is the Showdown, which | 0:02:31 | 0:02:32 | |
means they'll have to put half their purchases into a public auction! | 0:02:32 | 0:02:36 | |
Yes, that's right...they'll lose control to the bidding public... | 0:02:36 | 0:02:40 | |
they could soar like golden eagles or drop like lead balloons. | 0:02:40 | 0:02:45 | |
So, Paul Hayes and Will Axon, | 0:02:45 | 0:02:48 | |
this is it... Put Your Money Where Your Mouth Is! | 0:02:48 | 0:02:52 | |
-Ah, here we are again. -Ah, the mighty Showdown. | 0:02:52 | 0:02:54 | |
Yeah, I know, this is quite nerve-racking this one, isn't it? | 0:02:54 | 0:02:57 | |
This is where careers are made or broken, you know, this is the big one! | 0:02:57 | 0:03:00 | |
"You must each buy two items at every one of your regular | 0:03:00 | 0:03:03 | |
-"Put Your Money challenges..." -So, eight items, yeah. | 0:03:03 | 0:03:06 | |
"You have £1,000 to spend." | 0:03:06 | 0:03:08 | |
-I don't even know what £1,000 looks like. -Lend us a tenner! | 0:03:08 | 0:03:10 | |
"You can sell up to four items wherever you want. | 0:03:10 | 0:03:13 | |
"The rest will be sold at the Showdown auction in direct | 0:03:13 | 0:03:16 | |
"competition with your opponent." | 0:03:16 | 0:03:18 | |
"So, the winner is the expert who stands on the right, wearing a blue coat." | 0:03:18 | 0:03:21 | |
LAUGHTER | 0:03:21 | 0:03:22 | |
-Good luck! -I think I'm the underdog on this one! | 0:03:22 | 0:03:25 | |
Our experts are putting on brave faces, | 0:03:25 | 0:03:27 | |
but peel away those smiles and you'll see a look of sheer terror. | 0:03:27 | 0:03:32 | |
The battleground for Round One is the auction. | 0:03:32 | 0:03:35 | |
Paul and Will are at Stacey's Auction house in Essex - | 0:03:35 | 0:03:37 | |
and Paul is already a bag of nerves... | 0:03:37 | 0:03:40 | |
The Showdown is the hardest part of this challenge... | 0:03:40 | 0:03:43 | |
because the personality has been taken away from me. | 0:03:43 | 0:03:46 | |
The item has to sell under its own right, | 0:03:46 | 0:03:48 | |
I can't influence the sale at all, when it goes through auction, | 0:03:48 | 0:03:51 | |
so I'm in the hands of the auctioneer, and do you know what? | 0:03:51 | 0:03:53 | |
It feels a bit naked. | 0:03:53 | 0:03:55 | |
Hm, Paul Hayes naked?! | 0:03:55 | 0:03:56 | |
A thought sure to send hearts racing all over Britain. | 0:03:56 | 0:03:59 | |
Hm. Will, thankfully, is fully clothed and has a plan of his own. | 0:03:59 | 0:04:03 | |
Now, what I'm looking for | 0:04:03 | 0:04:05 | |
is maybe to buy something that will sell better in another saleroom - | 0:04:05 | 0:04:08 | |
not always recommended because you can come unstuck. | 0:04:08 | 0:04:11 | |
Or I'm looking for something that I can sell privately, | 0:04:11 | 0:04:13 | |
for a huge profit! | 0:04:13 | 0:04:15 | |
And his profit sights are on a jazz festival poster | 0:04:15 | 0:04:18 | |
with an estimate of £80 to £120 - listed as original. | 0:04:18 | 0:04:22 | |
Now, the important thing to look for | 0:04:22 | 0:04:24 | |
with things like this is the billing | 0:04:24 | 0:04:26 | |
who's playing? You've got the Small Faces - big name. | 0:04:26 | 0:04:30 | |
Who else is down here? The Pink Floyd. | 0:04:30 | 0:04:32 | |
I mean, you can't get bigger than that, can you? | 0:04:32 | 0:04:34 | |
That's got to be worth something to someone, hasn't it? | 0:04:34 | 0:04:37 | |
Indeed it might... And as the auction gets underway... | 0:04:37 | 0:04:40 | |
there's a lot of interest in the poster - with telephone | 0:04:40 | 0:04:42 | |
and internet bidders logging in as the sale comes up. | 0:04:42 | 0:04:46 | |
It turns out that was the predecessor to the Reading Festival, | 0:04:46 | 0:04:49 | |
so perhaps that's why it's getting so much attention. | 0:04:49 | 0:04:53 | |
1967 National Jazz and Blues Festival poster. | 0:04:53 | 0:04:56 | |
Give me an 85, 95 is bid. | 0:04:56 | 0:04:59 | |
100 against you. | 0:04:59 | 0:05:00 | |
150, 160. | 0:05:00 | 0:05:02 | |
170 online. | 0:05:02 | 0:05:04 | |
I took it up to 150, let's see what happens... | 0:05:04 | 0:05:06 | |
Bidding 190 against you. | 0:05:06 | 0:05:08 | |
-One more, sir. -200. | 0:05:08 | 0:05:09 | |
200 is bid. At £200. | 0:05:09 | 0:05:11 | |
-Has he got it? -200. | 0:05:11 | 0:05:13 | |
Coming back in again at 210 against you. 220. | 0:05:13 | 0:05:16 | |
Look at me, sir, not him. | 0:05:16 | 0:05:18 | |
230. Fancy it for a tenner?! | 0:05:18 | 0:05:20 | |
LAUGHTER | 0:05:20 | 0:05:22 | |
-One more might do it. -One more. | 0:05:22 | 0:05:23 | |
-£240. -He's got it, I think, good for him. | 0:05:23 | 0:05:26 | |
All done, last chance at 2... | 0:05:26 | 0:05:28 | |
Sounds like a lot of money! | 0:05:28 | 0:05:29 | |
So, Will wins the poster for over a quarter of | 0:05:29 | 0:05:32 | |
his budget... | 0:05:32 | 0:05:34 | |
paying £288 with auction costs... A brave first move. | 0:05:34 | 0:05:38 | |
Well, I fell for that old... What is it...? You want it, | 0:05:38 | 0:05:42 | |
you got to have it, and, er, it's nice that there was | 0:05:42 | 0:05:45 | |
an under bidder at that sort of money... | 0:05:45 | 0:05:47 | |
from the States, perhaps a specialist dealer, | 0:05:47 | 0:05:49 | |
or someone who was there, you never know. But, er... | 0:05:49 | 0:05:52 | |
HE EXHALES | 0:05:52 | 0:05:53 | |
..now it's down to me to try and flog it!! Oh, dear! | 0:05:53 | 0:05:55 | |
Well, while Will's got his head in his hands over his poster purchase... | 0:05:55 | 0:05:59 | |
it seems Paul is following suit... bidding for an old carnival advert... | 0:05:59 | 0:06:03 | |
£30 now...32... 35, 38... | 0:06:03 | 0:06:06 | |
40 is bid. | 0:06:06 | 0:06:07 | |
42, 45. New bidder... | 0:06:07 | 0:06:09 | |
Go on, Mr Morecambe. | 0:06:09 | 0:06:10 | |
At 50. At £50 now, and 5... | 0:06:10 | 0:06:13 | |
60. At £60 now. Last opportunity at 60. | 0:06:13 | 0:06:16 | |
Fair warning, please, at £60... | 0:06:16 | 0:06:19 | |
Paul takes the carnival poster for £72. | 0:06:20 | 0:06:23 | |
So, is he still celebrating it when he sees it up close? | 0:06:23 | 0:06:26 | |
Do you know what? Now and again it's time to get that carnival smile! | 0:06:26 | 0:06:30 | |
Isn't this wonderful. | 0:06:30 | 0:06:31 | |
It's an old poster advertising the travelling carnival at Southend... | 0:06:31 | 0:06:34 | |
in 1932. It's in good condition, it's a bit of local history here. | 0:06:34 | 0:06:38 | |
And I think, a good museum or somebody that's | 0:06:38 | 0:06:41 | |
interested in carnivals, and old fairground machines - exactly down their alley. | 0:06:41 | 0:06:45 | |
You know, it could be a trip on the waltzers... and I'll take you on the big dipper, | 0:06:45 | 0:06:49 | |
if you're lucky! | 0:06:49 | 0:06:50 | |
And on this roller-coaster ride of buying, Will is sticking | 0:06:50 | 0:06:53 | |
with his musical bent as he goes for a pair of conga drums. | 0:06:53 | 0:06:56 | |
Lovely drums there... | 0:06:58 | 0:06:59 | |
Where are we going to be? 20 is bid... | 0:06:59 | 0:07:01 | |
But there's a lot of interest and it soon hits £120. | 0:07:01 | 0:07:04 | |
Coming in again, 120... | 0:07:04 | 0:07:06 | |
130, 140, 150... | 0:07:06 | 0:07:09 | |
Going to be expensive now. | 0:07:09 | 0:07:11 | |
-160. -There we go. Always go one more. | 0:07:11 | 0:07:15 | |
Are we all done online, are we all done on the phones? | 0:07:15 | 0:07:17 | |
£160, fair warning, please, | 0:07:17 | 0:07:20 | |
at 160... | 0:07:20 | 0:07:21 | |
Bosh! | 0:07:22 | 0:07:23 | |
Yes, Will holds his nerve | 0:07:23 | 0:07:25 | |
and takes the congas for £192, after commission. | 0:07:25 | 0:07:28 | |
He's all bought up and has time to gloat... | 0:07:28 | 0:07:31 | |
What was that in aid of, then? | 0:07:31 | 0:07:33 | |
I don't know, bit of an impulse buy, really. | 0:07:33 | 0:07:34 | |
No use in Morecambe you're going to get rain every day. | 0:07:34 | 0:07:37 | |
-LAUGHTER -I'm going to have to learn how to play. | 0:07:37 | 0:07:39 | |
I do apologise, but I have got another lot coming up, some of us are still buying here! | 0:07:39 | 0:07:43 | |
Yes, Paul does need to get on with it... And follows in Will's | 0:07:43 | 0:07:46 | |
musical footsteps, bidding on a job lot of harmonicas. | 0:07:46 | 0:07:50 | |
At 30, 32, 35, | 0:07:50 | 0:07:53 | |
38, 40. | 0:07:53 | 0:07:54 | |
42, 45, 48. Commission bids are out. | 0:07:54 | 0:07:56 | |
Are we all done, are we all finished? | 0:07:56 | 0:07:59 | |
-That'll be me. -At £48... | 0:07:59 | 0:08:01 | |
Paul pays... for the lot, and his auction buying is done. | 0:08:01 | 0:08:06 | |
Well, I've come backstage to have a look at these wonderful harmonicas. | 0:08:06 | 0:08:09 | |
They were extremely popular in the folk movement | 0:08:09 | 0:08:11 | |
and the blues movement in the late 1960s. | 0:08:11 | 0:08:14 | |
Chromatica, this one is called, I think that means it has two settings. | 0:08:14 | 0:08:17 | |
I know lots of people who play this instrument, | 0:08:17 | 0:08:19 | |
I play it badly, unfortunately, | 0:08:19 | 0:08:21 | |
but played well they are absolutely beautiful. | 0:08:21 | 0:08:23 | |
But do you know what? I've got the Put Your Money blues! | 0:08:23 | 0:08:26 | |
# I woke up this mornin' | 0:08:27 | 0:08:30 | |
# Went back to bed.. # | 0:08:30 | 0:08:32 | |
That's about all I can do, I think! | 0:08:32 | 0:08:33 | |
Paul's buying blues takes us to the bridge, and brings us to the | 0:08:33 | 0:08:36 | |
end of round one. | 0:08:36 | 0:08:38 | |
So, let's take a glance at the score sheet. | 0:08:38 | 0:08:40 | |
Both our experts started out with £1,000 of their own money. | 0:08:41 | 0:08:45 | |
Paul has played it safe and taken a small bite from his budget... | 0:08:45 | 0:08:49 | |
Will, however, has spent almost half his booty... | 0:08:55 | 0:08:58 | |
And so, it's straight on to Round Two: The Car Boot Sale. | 0:09:04 | 0:09:08 | |
Our supersonic spenders speed on over to Marks Tey in Essex, | 0:09:08 | 0:09:11 | |
and Will already has a plan... | 0:09:11 | 0:09:14 | |
Now, I've spent half my budget, so my tactic here today | 0:09:14 | 0:09:17 | |
is maybe to try and pick up some cheap items that I can put in to auction. | 0:09:17 | 0:09:21 | |
For two reasons - there's a potential there to make a lot of profit and, also, | 0:09:21 | 0:09:24 | |
I won't lose too much if they bomb. | 0:09:24 | 0:09:26 | |
A great fighting plan there from Will. Speaking of which... | 0:09:26 | 0:09:29 | |
BELL RINGS | 0:09:29 | 0:09:30 | |
..Paul lands the first blow, he's already bought a 1970s | 0:09:30 | 0:09:33 | |
toy boxer for £5. | 0:09:33 | 0:09:34 | |
Well, here we are, a real bit of '70s memorabilia here. | 0:09:34 | 0:09:37 | |
And a bit of sporting memorabilia - | 0:09:37 | 0:09:39 | |
Ken Buchanan, British boxer. | 0:09:39 | 0:09:41 | |
I'm looking forward to finding out all about him, but I just think it's fantastic, | 0:09:41 | 0:09:44 | |
what an honour it must be to have a doll made in your likeness... | 0:09:44 | 0:09:47 | |
PUNCHES LANDING | 0:09:47 | 0:09:49 | |
Yes, it's a nice thought, but no sculptor in the world could perfect your smile, Mr Hayes... | 0:09:49 | 0:09:53 | |
Mmm. Annnnyyywayyy... | 0:09:53 | 0:09:55 | |
Meanwhile, Will has spotted an interesting item... | 0:09:55 | 0:09:58 | |
-That's rather nice! -Yep, it is, isn't it? | 0:09:58 | 0:10:02 | |
Shame it's a bit... | 0:10:02 | 0:10:03 | |
shame it doesn't close true. | 0:10:03 | 0:10:05 | |
I see you've got a price on it, what would be your very best on that? | 0:10:05 | 0:10:08 | |
You can have that for...20. | 0:10:09 | 0:10:12 | |
I'll tell you what, sir, I'm going to shake your hand... | 0:10:12 | 0:10:14 | |
-I bet you are... -..and have a deal. -..it's a bargain. | 0:10:14 | 0:10:17 | |
Oh, you're my kind of man. Yes, I do like that! | 0:10:17 | 0:10:20 | |
Wow, have you ever seen Will's hand move so quickly? | 0:10:20 | 0:10:23 | |
Could it be that our lad knows something that we don't? | 0:10:23 | 0:10:26 | |
What we have here is a little early 20th century | 0:10:26 | 0:10:29 | |
horn snuff box. It's got a solid silver shield-shaped plaque, | 0:10:29 | 0:10:33 | |
and it's inscribed, Ballater, August 1923. | 0:10:33 | 0:10:37 | |
It's hallmarked with the 925 mark which would suggest, maybe, | 0:10:37 | 0:10:41 | |
Continental, but I think it's got a bit of a Scottish feel about it, | 0:10:41 | 0:10:44 | |
certainly with the horn and the name Ballater. | 0:10:44 | 0:10:47 | |
And before you know it, Will is at it again, | 0:10:47 | 0:10:50 | |
this time showing interest in a leather holster. | 0:10:50 | 0:10:53 | |
-I just quite like it cos it's... -It's very tactile. -Yeah, it is. | 0:10:53 | 0:10:57 | |
-What sort of money is that? -Well, I was asking 30 but... | 0:10:57 | 0:11:01 | |
WILL WHISTLES | 0:11:01 | 0:11:02 | |
..don't you start all that. | 0:11:02 | 0:11:04 | |
But because I like you, and you've got to earn money... | 0:11:04 | 0:11:07 | |
-Yeah. -..I'll do it for 20 for you. | 0:11:07 | 0:11:10 | |
That is dead cheap. | 0:11:11 | 0:11:13 | |
I tell you what, sir, I think I might say yes to that at 20 | 0:11:13 | 0:11:15 | |
because you've made me such a generous offer. | 0:11:15 | 0:11:17 | |
-I hope you win. -Oh, that's kind of you! | 0:11:17 | 0:11:20 | |
Well, I do like this leather holster, for want of a better word. | 0:11:21 | 0:11:25 | |
I was attracted to it by its colour, its tactile, sort of, | 0:11:25 | 0:11:29 | |
feel, and I'm not entirely sure what it was used for. | 0:11:29 | 0:11:33 | |
The chap I bought it from used the word Smith & Wesson, | 0:11:33 | 0:11:36 | |
Home Guard, World War I - date-wise that about fits in but I'm | 0:11:36 | 0:11:40 | |
going to have to do a little bit of research on this. | 0:11:40 | 0:11:43 | |
So, Will is buying blind... | 0:11:43 | 0:11:45 | |
while Paul is homing in on something he knows all about. | 0:11:45 | 0:11:48 | |
When I started out as a young boy... | 0:11:48 | 0:11:50 | |
these kettles used to bring a fortune. | 0:11:50 | 0:11:52 | |
And everyone used to have them hanging on the oak beams in the cottages and so on. | 0:11:52 | 0:11:56 | |
But the fashion's changed slightly, but it's also reflected in the price. | 0:11:56 | 0:11:59 | |
What did you say that was, mate, a tenner? A tenner. That will do me, I think. | 0:11:59 | 0:12:02 | |
I quite like that, I'm not going to argue over that. | 0:12:02 | 0:12:05 | |
-All right. -Thank you very much. -Thank you very much. All right. | 0:12:05 | 0:12:07 | |
There you are, you see...it's just my cup of tea. | 0:12:07 | 0:12:09 | |
Paul's copper kettle brings us to the halfway point in our | 0:12:09 | 0:12:12 | |
big-buying bonanza, so let's see the scores on the doors. | 0:12:12 | 0:12:16 | |
With two rounds down and a £1,000 budget, | 0:12:16 | 0:12:18 | |
Paul has so far been frugal, and only spent... | 0:12:18 | 0:12:21 | |
Will's four items have cost him... | 0:12:29 | 0:12:31 | |
Next up, Round Three takes us to the Antiques Fair. | 0:12:37 | 0:12:40 | |
Our clashing titans descend upon | 0:12:40 | 0:12:42 | |
Goodwood Antique and Collectors Fair in West Sussex... | 0:12:42 | 0:12:45 | |
Here we are, the halfway stage! | 0:12:45 | 0:12:47 | |
-I know. And you're spent up. -Yeah, you're right, | 0:12:47 | 0:12:49 | |
I did spend most of my budget at the auction, | 0:12:49 | 0:12:51 | |
but luckily, Paul, I found a couple of bargains at the boot fair, | 0:12:51 | 0:12:54 | |
which I think are going to do well at the auction. | 0:12:54 | 0:12:56 | |
I'm hoping today there will be things that will jump out at me and say, | 0:12:56 | 0:12:59 | |
-"Auction material." -I like to look for a stall, say it's all ceramics, | 0:12:59 | 0:13:02 | |
and then they've got a bit of metalware at the end. Might not be their comfort zone, | 0:13:02 | 0:13:06 | |
they might not know what they've got. | 0:13:06 | 0:13:07 | |
That's clever, you're not just a pretty face. | 0:13:07 | 0:13:10 | |
And I'm not as green as I am cabbage looking! | 0:13:10 | 0:13:12 | |
-Well, good luck. -Go on, son! Good luck, mate! | 0:13:12 | 0:13:14 | |
Ah, but Paul Hayes doesn't need luck... He's been foraging | 0:13:14 | 0:13:16 | |
through antiques fairs since he was very, very small. | 0:13:16 | 0:13:19 | |
Talking of which, he's found a very, very small mosaic ring... | 0:13:19 | 0:13:23 | |
You can't make it 40, by any chance, can you? | 0:13:23 | 0:13:26 | |
-I'll do 45. Go halfway! -Can you take £40 for it? | 0:13:26 | 0:13:28 | |
-42 and that's it. -42! | 0:13:28 | 0:13:30 | |
SHE LAUGHS | 0:13:30 | 0:13:31 | |
All right, OK, I'll tell you what. I'll have that for 42. | 0:13:31 | 0:13:34 | |
Seeing as the box is there too, that's lovely. All right, and thank you very much, thank you. | 0:13:34 | 0:13:37 | |
Well, I've found something fantastic here, it's a piece of neoclassical art. | 0:13:37 | 0:13:41 | |
What would happen - since the 18th century, members of the gentry | 0:13:41 | 0:13:44 | |
would go out to Rome and to Venice and they would see all | 0:13:44 | 0:13:46 | |
the ancient palaces, and almost as a tourism industry | 0:13:46 | 0:13:49 | |
they were making these micro mosaic pictures. | 0:13:49 | 0:13:52 | |
But it's made exactly the same way as the big mosaic tiles that you'll find | 0:13:52 | 0:13:55 | |
at these wonderful palaces. Very, very difficult to produce, | 0:13:55 | 0:13:58 | |
very delicate. This one has been set in 9 carat gold | 0:13:58 | 0:14:02 | |
and just a beautiful thing to have. £40, it's a bargain, | 0:14:02 | 0:14:05 | |
and I'm thinking, maybe, it's a good auction thing - | 0:14:05 | 0:14:08 | |
"Come and get me at the auction!" | 0:14:08 | 0:14:10 | |
Will is also making headway, as he spies a trinket box. | 0:14:10 | 0:14:13 | |
I mean, what's your very best price on that? | 0:14:13 | 0:14:16 | |
-20? -I was thinking more 15. | 0:14:16 | 0:14:19 | |
That is too low. 18. | 0:14:19 | 0:14:21 | |
18...you've played this game before, haven't you? | 0:14:22 | 0:14:24 | |
SHE LAUGHS | 0:14:24 | 0:14:26 | |
I tell you what, at £18 I'm going to say, "I'll have it." | 0:14:26 | 0:14:29 | |
How's that? | 0:14:29 | 0:14:31 | |
Now, when I initially saw this I thought it was made of papier mache, | 0:14:31 | 0:14:34 | |
and I bought it as such. But on closer inspection, in daylight... | 0:14:34 | 0:14:37 | |
HE WHISTLES | 0:14:37 | 0:14:39 | |
..I think it may be resin. But it's not the end of the world. | 0:14:39 | 0:14:42 | |
At the sort of money I paid for it, | 0:14:42 | 0:14:43 | |
I think it's worth it as a decorative item. | 0:14:43 | 0:14:46 | |
Yes, this is the danger of an indoor fair, | 0:14:46 | 0:14:49 | |
when you're really are reliant on good lighting to evaluate your wares. | 0:14:49 | 0:14:53 | |
Maybe that is why Will is drawn to a stall selling...well, lamps. | 0:14:53 | 0:14:57 | |
-Are you the electrician? -Yes, I make them up out of... -Do you? | 0:14:57 | 0:15:01 | |
..bits and pieces, yeah. These are old Art Deco hanging... | 0:15:01 | 0:15:04 | |
-Yeah, hanging shades. -Yeah. -How very creative of you. | 0:15:04 | 0:15:07 | |
I'm loving this one here, the cocktail shaker. | 0:15:07 | 0:15:10 | |
Yes, that's an Art Deco cocktail shaker. | 0:15:10 | 0:15:12 | |
Let's cut to the nitty-gritty. | 0:15:12 | 0:15:14 | |
What would be your very best price? | 0:15:14 | 0:15:16 | |
Have to be 75, I can't do better than that. | 0:15:16 | 0:15:19 | |
Could we shake on £70 and I'll take it off you now. | 0:15:19 | 0:15:22 | |
Come on, that gives me a fiver luck money... | 0:15:22 | 0:15:25 | |
-Go on, then! -Oh, you're a gentleman and a scholar. Thank you very much. | 0:15:25 | 0:15:29 | |
So, Will's done with the fair but Paul still has one more to go, | 0:15:29 | 0:15:32 | |
and this might be it, as he spots a silver nurse's buckle. | 0:15:32 | 0:15:36 | |
I thought these were two separate pieces... | 0:15:36 | 0:15:38 | |
but they're not, they're a nurse's buckle, aren't they? | 0:15:38 | 0:15:40 | |
-That's right. -So that goes on to that one there, | 0:15:40 | 0:15:42 | |
and that goes on to that one there, very decorative, isn't that lovely? | 0:15:42 | 0:15:45 | |
Yeah, they're bonnie, and what's your best price on those, then, John? | 0:15:45 | 0:15:49 | |
-The best would really have to be 40. -40. | 0:15:49 | 0:15:52 | |
-Can they be £30? -Let's see. If you said 35, that would be | 0:15:52 | 0:15:56 | |
-the kiss of death, as they say. -Well, do you know what? | 0:15:56 | 0:15:59 | |
I think that's fair enough. Is that all right with you? | 0:15:59 | 0:16:01 | |
Shall we shake on that? All right, I'll have that, thank you very much. | 0:16:01 | 0:16:04 | |
OK, well, I've bought a nurse's buckle. | 0:16:04 | 0:16:06 | |
These date back to a time of... | 0:16:06 | 0:16:08 | |
before the NHS, really, where people were self-funded. | 0:16:08 | 0:16:10 | |
And the nurse would actually buy a buckle to become individual. | 0:16:10 | 0:16:13 | |
But it was displayed as two pieces of silver. | 0:16:13 | 0:16:16 | |
It's only, really, when you put them together... | 0:16:16 | 0:16:18 | |
it forms this belt buckle. Well, these can be made from anything | 0:16:18 | 0:16:21 | |
from copper up to brass... Right the way at the top would be silver, | 0:16:21 | 0:16:25 | |
this is a solid silver example. It's hallmarked 1898. | 0:16:25 | 0:16:28 | |
It's in beautiful condition, and it | 0:16:28 | 0:16:30 | |
would have belonged to someone quite wealthy at the time. | 0:16:30 | 0:16:33 | |
And with that, we reach the end of Round Three. | 0:16:33 | 0:16:35 | |
Let's check on the money. | 0:16:35 | 0:16:36 | |
Both our experts started the Showdown | 0:16:38 | 0:16:40 | |
with £1,000 of their own cash. | 0:16:40 | 0:16:43 | |
Paul has still spent under a quarter of his budget... | 0:16:43 | 0:16:46 | |
Will is still spending well... | 0:16:54 | 0:16:56 | |
Going into Round Four with... | 0:16:58 | 0:16:59 | |
And in this case, Round Four is the Foreign Antiques Market. | 0:17:03 | 0:17:07 | |
Yes, Paul and Will are in the Porte de Vanves flea market, Paris, | 0:17:07 | 0:17:11 | |
both hoping to convert some foreign goods into Put Your Money profit. | 0:17:11 | 0:17:15 | |
This is the last opportunity to buy things for the Showdown. | 0:17:15 | 0:17:18 | |
And do you know what? I think I've got the upper hand. | 0:17:18 | 0:17:21 | |
Will's spent most of his money, I've got a big chunk left. | 0:17:21 | 0:17:24 | |
Well, I've still got two items to buy. | 0:17:24 | 0:17:27 | |
I've spent a fair whack of my budget but I've still got | 0:17:27 | 0:17:29 | |
about £400-worth of euros left. I want to try and buy one piece | 0:17:29 | 0:17:32 | |
that I can put into an auction, hopefully make a profit - | 0:17:32 | 0:17:35 | |
and one piece that I'm going to try and sell privately. | 0:17:35 | 0:17:37 | |
If I can't find two items for that sort of money in a fair like this, | 0:17:37 | 0:17:41 | |
well, the world's gone mad. | 0:17:41 | 0:17:43 | |
Indeed! This market has everything under the sun on offer... | 0:17:43 | 0:17:46 | |
and it would be crazy not to find something special... | 0:17:46 | 0:17:49 | |
and it's Paul who thinks he's found it - an old oil painting. | 0:17:49 | 0:17:53 | |
..yeah, 100. Is that OK? | 0:17:54 | 0:17:57 | |
You want that? OK | 0:17:57 | 0:17:58 | |
Paul pays 81.97 for the oil painting. | 0:17:58 | 0:18:01 | |
So, how confident is he that there's a profit in it? | 0:18:01 | 0:18:03 | |
This looks like a genuine antique. It's part of an Old Master painting. | 0:18:03 | 0:18:08 | |
This painting could have been, six, maybe eight-foot wide, | 0:18:08 | 0:18:10 | |
and what's happened over the years... | 0:18:10 | 0:18:12 | |
it's been cut down. | 0:18:12 | 0:18:14 | |
And that can be just to go into a smaller house | 0:18:14 | 0:18:16 | |
or perhaps part of the painting being damaged in some way. | 0:18:16 | 0:18:19 | |
I think with a bit of a clean, this could really show some great detail. | 0:18:19 | 0:18:22 | |
You might have a master at work here. | 0:18:22 | 0:18:25 | |
Wouldn't it be wonderful if we find | 0:18:25 | 0:18:26 | |
a long-lost Leonardo da Vinci or a Michelangelo? | 0:18:26 | 0:18:29 | |
But I might be getting carried away. | 0:18:29 | 0:18:31 | |
A profit of 100 euros will do me, I think. | 0:18:31 | 0:18:33 | |
So Paul thinks he's stumbled on a sleeper, and an Old Master, at that. | 0:18:33 | 0:18:38 | |
But Will has also found a hidden masterpiece - | 0:18:38 | 0:18:41 | |
for cider drinkers, at least. | 0:18:41 | 0:18:43 | |
I've used one of these before. | 0:18:43 | 0:18:45 | |
Great little thing. Put the apples in, obviously, | 0:18:45 | 0:18:48 | |
wind it down, crush the apples, | 0:18:48 | 0:18:50 | |
the juice comes out, the mush stays inside, | 0:18:50 | 0:18:52 | |
trickles out of there, | 0:18:52 | 0:18:54 | |
straight into the glass. | 0:18:54 | 0:18:56 | |
Cloudy apple juice. You can't beat it. | 0:18:56 | 0:18:58 | |
Combien? | 0:18:58 | 0:18:59 | |
-Cinquante euros. -50 euros. | 0:18:59 | 0:19:02 | |
I don't think that's too dear at all, actually. | 0:19:02 | 0:19:05 | |
Bon, Monsieur, cinquante euros. | 0:19:05 | 0:19:07 | |
-Cinquante euros? -Oui. Je le prends. | 0:19:07 | 0:19:10 | |
Merci. | 0:19:10 | 0:19:12 | |
Will buys the cider press for £14.98 and hopes to extract a profit. | 0:19:12 | 0:19:17 | |
I don't think I'm going to put this item into auction. | 0:19:17 | 0:19:19 | |
I think I'm going to have to find a cider drinker somewhere | 0:19:19 | 0:19:22 | |
or perhaps someone with an orchard. I'm just going to have | 0:19:22 | 0:19:24 | |
to find someone and give them a bit of a squeeze. | 0:19:24 | 0:19:27 | |
Yes, see what he did there? | 0:19:27 | 0:19:28 | |
Will rounds up his foreign foray with a bit of treen, | 0:19:28 | 0:19:31 | |
a naive wooden pot in the shape of a castle, paying £20.49, | 0:19:31 | 0:19:37 | |
and then calls it a day. | 0:19:37 | 0:19:38 | |
However, Paul still has big bucks to spend, | 0:19:38 | 0:19:41 | |
and spots a pair of Chinese vases converted into lamps. | 0:19:41 | 0:19:45 | |
Time to put his best French skills to the test. | 0:19:45 | 0:19:47 | |
Le best price? Le meilleur prix? | 0:19:47 | 0:19:51 | |
Le meilleur prix, c'est trois cents. | 0:19:51 | 0:19:53 | |
-300. -300, yeah. | 0:19:53 | 0:19:54 | |
-One is damaged. -Yeah. Do you have the piece? | 0:19:54 | 0:19:57 | |
-No. -No, no. | 0:19:57 | 0:19:59 | |
Vous acceptez, uh, deux cents... | 0:19:59 | 0:20:01 | |
..quarante? 250? | 0:20:03 | 0:20:04 | |
-250. All right. -Yeah? -Yes. | 0:20:04 | 0:20:06 | |
OK, I shall buy those. Merci, Monsieur, merci. | 0:20:06 | 0:20:09 | |
Paul takes the vases for £204.92, | 0:20:09 | 0:20:13 | |
so will the pair help him grow a good profit? | 0:20:13 | 0:20:16 | |
It's not often you get really excited about finding something | 0:20:16 | 0:20:19 | |
but I found these two beautiful Chinese vases. | 0:20:19 | 0:20:22 | |
They date from the late 18th century, early 19th century, | 0:20:22 | 0:20:25 | |
and they were sold en masse, really, through Europe, | 0:20:25 | 0:20:28 | |
and the name in the trade for these is famille verte, | 0:20:28 | 0:20:32 | |
coming from the French translation of green family of colours. | 0:20:32 | 0:20:35 | |
One of them is slightly damaged, but you know what? | 0:20:35 | 0:20:38 | |
With a bit of restoration, they're a cracking pair of lamps. | 0:20:38 | 0:20:41 | |
C'est formidable, n'est-ce pas? As they say in China! | 0:20:41 | 0:20:44 | |
Our formidable foragers have now explored and conquered | 0:20:44 | 0:20:47 | |
all four epic locations, with eight superb items each. | 0:20:47 | 0:20:51 | |
So, before we catch up with our haggling heroes, | 0:20:51 | 0:20:54 | |
let's see the final spending figures. | 0:20:54 | 0:20:56 | |
Both our experts started the challenge | 0:20:58 | 0:21:00 | |
with £1,000 of their own money. | 0:21:00 | 0:21:03 | |
Paul Hayes had a slow start but caught up | 0:21:03 | 0:21:05 | |
and ended up spending £508.49. | 0:21:05 | 0:21:08 | |
A couple of big purchases | 0:21:10 | 0:21:11 | |
gave Will a head start | 0:21:11 | 0:21:13 | |
and he ended up paying £669.47. | 0:21:13 | 0:21:16 | |
So, before they get back home and get back selling, | 0:21:18 | 0:21:21 | |
our pair meet up and catch their breaths. | 0:21:21 | 0:21:24 | |
-That's all the buying done. -Yeah! -Have you enjoyed yourself? | 0:21:24 | 0:21:26 | |
-I think so. It's always a bit stressful, isn't it? -Yeah, it is. | 0:21:26 | 0:21:30 | |
Having to buy, you're working against time and budget... | 0:21:30 | 0:21:33 | |
I must admit, my favourite items have come from today. | 0:21:33 | 0:21:36 | |
I've bought a fantastic pair of famille verte vases. | 0:21:36 | 0:21:38 | |
Absolutely beautiful quality and I might have bought an Old Master. | 0:21:38 | 0:21:43 | |
Oh, man! You're talking about period Chinese porcelain, | 0:21:43 | 0:21:46 | |
-Old Master pictures. -Yeah. -I might as well throw in the towel, Paul. | 0:21:46 | 0:21:49 | |
I think my best buying day, I think profit-wise potential, | 0:21:49 | 0:21:53 | |
probably the car boot, but then that is sort of my arena, the car boot. | 0:21:53 | 0:21:57 | |
-Well, it's a really great experience. -Yeah, it's been great fun. | 0:21:57 | 0:22:00 | |
-Emotional. -I think it's emotional. I've got a great French joke for you. | 0:22:00 | 0:22:03 | |
-Go on. -But we can't tell it around here. -Is it dirty? -Yeah. | 0:22:03 | 0:22:06 | |
Now, with their trunks packed with potential profit-making goodies, | 0:22:08 | 0:22:11 | |
our unstoppable forces have some almighty decisions to make. | 0:22:11 | 0:22:15 | |
Which of their items will they sell privately and which will they send | 0:22:15 | 0:22:19 | |
to auction? In Morecambe, Mr Hayes is facing up to the challenge. | 0:22:19 | 0:22:23 | |
Now, I know what you're thinking - what a cracking pair of vases | 0:22:23 | 0:22:26 | |
I've got here. They are fantastic. | 0:22:26 | 0:22:28 | |
They date from the early 19th century. | 0:22:28 | 0:22:30 | |
I've contacted one gentleman who really likes this type of porcelain | 0:22:30 | 0:22:33 | |
and he thinks these are worth between £600 and £800. | 0:22:33 | 0:22:36 | |
So what I've decided to do is pop them through the auction | 0:22:36 | 0:22:39 | |
and hopefully the auction will agree with that. | 0:22:39 | 0:22:41 | |
And I've decided to put the micro-mosaic through the auction | 0:22:41 | 0:22:44 | |
because I think that's got a good chance of getting some classical buyers. | 0:22:44 | 0:22:47 | |
It'll look great in the catalogue with a nice big photograph. | 0:22:47 | 0:22:50 | |
And the nurse's buckle, | 0:22:50 | 0:22:51 | |
I haven't been able to find a nurse who needs a buckle, | 0:22:51 | 0:22:54 | |
but you never know, so that one will go through the auction as well, | 0:22:54 | 0:22:57 | |
but there's one item missing, I can hear you say. | 0:22:57 | 0:22:59 | |
Can you remember that wonderful Old Master painting | 0:22:59 | 0:23:02 | |
that I bought out in France? | 0:23:02 | 0:23:03 | |
Well, unfortunately, it's had a bit of a disaster since, | 0:23:03 | 0:23:07 | |
and I'm absolutely gutted about this. | 0:23:07 | 0:23:09 | |
I left this lying around on the table, and believe it or not, | 0:23:09 | 0:23:13 | |
my little dog, I have a little shih tzu, and he's sat on this painting | 0:23:13 | 0:23:17 | |
and unfortunately he's damaged it. | 0:23:17 | 0:23:18 | |
Which means Paul will need to get the painting restored | 0:23:18 | 0:23:21 | |
before he puts it up for auction. | 0:23:21 | 0:23:23 | |
And he also has to find buyers for his copper kettle, | 0:23:23 | 0:23:25 | |
boxing doll, harmonicas | 0:23:25 | 0:23:27 | |
and carnival poster. | 0:23:27 | 0:23:29 | |
Over in Newmarket, Will is dividing up his bounty too. | 0:23:29 | 0:23:33 | |
Well, I've already decided which items I'm going to put into auction. | 0:23:33 | 0:23:37 | |
They are the leather holster that I bought at the car boot. | 0:23:37 | 0:23:40 | |
Now, I'm still not entirely sure what it's for, but | 0:23:40 | 0:23:43 | |
a little bit of research, hopefully, or let the bidders decide. | 0:23:43 | 0:23:47 | |
My little naive pen holder or spill vase, loving that, | 0:23:47 | 0:23:52 | |
nice piece of genuine treen, signed and dated. | 0:23:52 | 0:23:55 | |
My trinket box - oh, dear, my trinket box. That was a bad buy. | 0:23:55 | 0:23:59 | |
I'm hoping to cut my losses on that. | 0:23:59 | 0:24:02 | |
My favourite piece from my auction lots is definitely | 0:24:02 | 0:24:06 | |
the horn snuff box with this nice silver mounted shield, | 0:24:06 | 0:24:10 | |
while my most expensive lot is the poster, | 0:24:10 | 0:24:12 | |
and to be honest, you'll be surprised how much these can make. | 0:24:12 | 0:24:15 | |
I bought that with someone in mind. | 0:24:15 | 0:24:17 | |
Hopefully he's going to go for that and it'll add to his collection. | 0:24:17 | 0:24:21 | |
And he'll also need to find buyers for his cocktail shaker lamp, | 0:24:21 | 0:24:24 | |
conga drums and cider press. | 0:24:24 | 0:24:27 | |
But remember, no deal is sealed until the shake of a hand. | 0:24:27 | 0:24:29 | |
And talking of shaking, | 0:24:29 | 0:24:31 | |
Will is hoping to launch his selling campaign in Cambridge | 0:24:31 | 0:24:35 | |
by shaking out a profit from that cocktail shaker lamp. | 0:24:35 | 0:24:38 | |
Well, I'm in the basement of the historic Pitt Club in Cambridge, | 0:24:39 | 0:24:43 | |
and I'm here to meet Marcus, owner of Hidden Rooms cocktail lounge. | 0:24:43 | 0:24:46 | |
And it looks like he's expecting me. | 0:24:46 | 0:24:48 | |
What a first-class welcome. | 0:24:48 | 0:24:50 | |
-How cool is that? -It's different, isn't it? Yeah. | 0:24:52 | 0:24:55 | |
That is a genuine, I think probably French, | 0:24:55 | 0:24:58 | |
-silver-plated cocktail shaker. -Wow. | 0:24:58 | 0:25:01 | |
And the chap I bought it from, | 0:25:01 | 0:25:03 | |
what he does, he basically converts these into lamps. | 0:25:03 | 0:25:06 | |
-Yeah, it's a good-looking bit of kit. -Do you like it? | 0:25:06 | 0:25:09 | |
-I do like it. -That's the main thing. -It's different enough. | 0:25:09 | 0:25:12 | |
What's your best offer? | 0:25:12 | 0:25:14 | |
I'd say... | 0:25:14 | 0:25:15 | |
..100? | 0:25:16 | 0:25:17 | |
Why don't we say it's 100 quid on the one proviso - | 0:25:17 | 0:25:20 | |
as we're in the cocktail lounge, | 0:25:20 | 0:25:22 | |
why don't you show me your signature cocktail? | 0:25:22 | 0:25:24 | |
100 quid and you make the signature cocktail, Cocoa Crisis. | 0:25:24 | 0:25:27 | |
Cocoa Crisis! Let's hope I don't have a crisis of my own. | 0:25:27 | 0:25:30 | |
Will makes a profit of £30 on the lamp | 0:25:30 | 0:25:33 | |
and having poured out a profit, | 0:25:33 | 0:25:34 | |
pours in the cocktail ingredients. | 0:25:34 | 0:25:36 | |
You can do a Will measure if you like. | 0:25:36 | 0:25:38 | |
Marcus checks the quality of the cocoa... | 0:25:39 | 0:25:42 | |
-And it explodes! -Hey! Look at that! | 0:25:42 | 0:25:45 | |
And Will shakes his money-maker. | 0:25:45 | 0:25:47 | |
And that just sits on top of the caramel. | 0:25:49 | 0:25:51 | |
-To the lamp. -Pleasure. Yeah, to the lamp. -Thank you very much. | 0:25:54 | 0:25:57 | |
So, Will toasts his early lead | 0:25:57 | 0:25:59 | |
but his contender for today's title is about to step back into the ring. | 0:25:59 | 0:26:04 | |
Paul has taken his doll of boxing legend Ken Buchanan to Carnforth, | 0:26:04 | 0:26:07 | |
where he's hoping comedian and boxing enthusiast Lester | 0:26:07 | 0:26:11 | |
will show him a knockout profit | 0:26:11 | 0:26:13 | |
on the £5 he paid for it. | 0:26:13 | 0:26:15 | |
How often do you get things like this, where you get actual toys | 0:26:15 | 0:26:18 | |
and memorabilia to do with a boxer? | 0:26:18 | 0:26:20 | |
-Have you come across this sort of memorabilia before? -No, never. | 0:26:20 | 0:26:23 | |
It's really strange, I've never ever... It's a wicked thing. | 0:26:23 | 0:26:26 | |
PAUL LAUGHS | 0:26:26 | 0:26:27 | |
It's pretty cool, you know. Looks like it can punch and all. | 0:26:27 | 0:26:29 | |
If I was to ask you, say, £40 for that, does that sound about right? | 0:26:29 | 0:26:32 | |
Am I boxing clever? | 0:26:32 | 0:26:33 | |
LESTER GROANS | 0:26:33 | 0:26:35 | |
-Was that below the belt? -That was a bit below the belt, that. Come on. | 0:26:35 | 0:26:39 | |
You couldn't say £30? | 0:26:39 | 0:26:40 | |
Or we'll go 15 rounds. | 0:26:40 | 0:26:42 | |
THEY LAUGH | 0:26:42 | 0:26:43 | |
-Let's do the 15 rounds! -No, no, you're all right. | 0:26:43 | 0:26:46 | |
-All right. -25. | 0:26:46 | 0:26:48 | |
25 quid, do you want to sell him for £25? | 0:26:48 | 0:26:50 | |
Well, do you know what, I think that's reasonable | 0:26:50 | 0:26:52 | |
and I'd like to see him rehomed and on display, so yeah, we'll do that. | 0:26:52 | 0:26:55 | |
-Is that a deal? -Absolute deal, Lester. Thank you very much. | 0:26:55 | 0:26:58 | |
Yes! Paul punches above his weight | 0:26:58 | 0:27:01 | |
and wins a profit of £20 | 0:27:01 | 0:27:03 | |
for the boxing doll. | 0:27:03 | 0:27:04 | |
BELL RINGS | 0:27:04 | 0:27:05 | |
And for Will's next bout, he's taken his jazz poster to Alan, | 0:27:05 | 0:27:08 | |
a legendary music promoter and memorabilia collector. | 0:27:08 | 0:27:12 | |
Will spent £288 on it but it could have been in vain. | 0:27:12 | 0:27:16 | |
My first impression is that it's a Mickey Mouse one. | 0:27:16 | 0:27:20 | |
-Really? -It's too clean. | 0:27:20 | 0:27:22 | |
There's the odd stain. It's not faded. | 0:27:22 | 0:27:25 | |
-Where it would have been put up, it would have been faded. -Yeah. | 0:27:25 | 0:27:28 | |
But I can only really tell if I take it to bits by feeling the paper. | 0:27:28 | 0:27:33 | |
I'll tell you what, I've taken a couple of clips off the bottom. | 0:27:33 | 0:27:36 | |
-Right. -And I can slide that out, | 0:27:36 | 0:27:38 | |
and I'm already thinking to myself, after having felt that one... | 0:27:38 | 0:27:41 | |
Oops. | 0:27:41 | 0:27:42 | |
There's something on the back, look. | 0:27:42 | 0:27:45 | |
-Oh, that's definitely a wrong'un, Alan. -I'm afraid so. | 0:27:45 | 0:27:47 | |
That's a deffo wrong'un. Who have we got on the back? | 0:27:47 | 0:27:50 | |
Mel Bush from Ziggy Stardust. | 0:27:50 | 0:27:51 | |
Do you want to buy a David Bowie poster? | 0:27:51 | 0:27:54 | |
ALAN CHUCKLES | 0:27:54 | 0:27:55 | |
-That's a wrong'un, isn't it? -I'm afraid so. | 0:27:55 | 0:27:57 | |
What a catastrophe! | 0:27:57 | 0:27:59 | |
With the poster proving not to be an original, | 0:27:59 | 0:28:01 | |
the Axeman has to carefully consider his game plan. | 0:28:01 | 0:28:04 | |
So, after much deliberation, | 0:28:04 | 0:28:06 | |
experienced auctioneer Will decides that his best course of action | 0:28:06 | 0:28:10 | |
is to return to the auction house to find out how it came to be mis-sold. | 0:28:10 | 0:28:14 | |
The vendor basically came to us and said, "Yes, it's an original poster" | 0:28:15 | 0:28:19 | |
-so we went on his word and we catalogued it. -Yeah. | 0:28:19 | 0:28:21 | |
And obviously, you had a punt on it. | 0:28:21 | 0:28:23 | |
Because I'm an auctioneer as well, you know, it's happened to me. | 0:28:23 | 0:28:26 | |
We've catalogued it as something it turns out not to be. | 0:28:26 | 0:28:28 | |
-Well... -You've got to stand on your inscription. -Exactly. | 0:28:28 | 0:28:31 | |
No, if we described it as "a poster" and you had a punt on it, | 0:28:31 | 0:28:34 | |
then it might have been a different matter, but the fact that | 0:28:34 | 0:28:37 | |
it's been catalogued in our catalogue as an original poster, | 0:28:37 | 0:28:40 | |
it goes without saying, we'll give you a refund. | 0:28:40 | 0:28:42 | |
Well, I can't complain about that. | 0:28:42 | 0:28:43 | |
Mark, the auctioneer, has stood by his catalogue description | 0:28:43 | 0:28:47 | |
and very decently given me a full refund. | 0:28:47 | 0:28:50 | |
Trouble is, no poster - no potential profit, | 0:28:50 | 0:28:53 | |
but no poster means no big loss. Phew-ee! | 0:28:53 | 0:28:56 | |
Yes, with the money refunded, | 0:28:56 | 0:28:58 | |
Will gets off lightly, making no profit on the poster. | 0:28:58 | 0:29:02 | |
Paul is also having mixed successes | 0:29:02 | 0:29:04 | |
as he sells his copper kettle for the same amount that he paid for it, | 0:29:04 | 0:29:08 | |
meaning he too makes no profit on the sale. | 0:29:08 | 0:29:11 | |
So he's hoping to change his tune as he takes his collection | 0:29:11 | 0:29:14 | |
of harmonicas to Sam, a Morecambe-based blues musician. | 0:29:14 | 0:29:18 | |
What would be different to a blues harmonica than this one? | 0:29:18 | 0:29:21 | |
One of the main differences is that they are in certain keys. | 0:29:21 | 0:29:24 | |
-Right. -And they usually only have ten holes. -Right. | 0:29:24 | 0:29:27 | |
-And this one, you can see there's many more. -OK. | 0:29:27 | 0:29:30 | |
And you can switch what you do by pressing this. | 0:29:30 | 0:29:32 | |
So these are a bit different, then, to what you're used to playing with? | 0:29:32 | 0:29:36 | |
Are they going to be something that you would be interested in buying? | 0:29:36 | 0:29:39 | |
I really do play blues harp. | 0:29:39 | 0:29:40 | |
Sadly, Sam doesn't want the harmonicas | 0:29:40 | 0:29:43 | |
but Mr Morecambe isn't down for long. | 0:29:43 | 0:29:45 | |
SAM PLAYS, THEY SING: # In your smile | 0:29:45 | 0:29:48 | |
# Bring me laughter | 0:29:48 | 0:29:52 | |
# All the while... # | 0:29:52 | 0:29:54 | |
Paul brings more sunshine when he finally sells the harmonicas | 0:29:56 | 0:29:59 | |
to Matthew, a Clitheroe-based shop owner. | 0:29:59 | 0:30:02 | |
Although, unfortunately, | 0:30:02 | 0:30:03 | |
he makes a loss of £7.60 | 0:30:03 | 0:30:05 | |
in total on the lot. | 0:30:05 | 0:30:07 | |
Will is also on a musical journey of discovery. | 0:30:07 | 0:30:10 | |
Having squeezed out a profit of £9.02 | 0:30:10 | 0:30:12 | |
selling the cider press to Peter from Exning, | 0:30:12 | 0:30:15 | |
he's taken the conga drums that cost him £192 to Darren, | 0:30:15 | 0:30:19 | |
who runs drumming workshops to encourage team building. | 0:30:19 | 0:30:24 | |
What would you have to pay for a pair of these if you went out | 0:30:24 | 0:30:26 | |
and bought them brand-new? | 0:30:26 | 0:30:28 | |
-Well... -They're not cheap, are they? -Brand-new, they're not cheap, no. | 0:30:28 | 0:30:31 | |
-Second-hand, they do lose quite a bit of value. -Do they? -They do. | 0:30:31 | 0:30:34 | |
I would say, second-hand, I would probably... | 0:30:34 | 0:30:37 | |
I'm looking at 150 for those, I think. | 0:30:37 | 0:30:39 | |
So you've gone...150. | 0:30:39 | 0:30:42 | |
I'm going to come in...250. | 0:30:42 | 0:30:45 | |
-I'm willing to take these to my people... -So to speak. -..to York. | 0:30:45 | 0:30:50 | |
Er, for 200. | 0:30:50 | 0:30:52 | |
-200. 250. -Right. | 0:30:52 | 0:30:55 | |
-Somewhere in the middle? -I landed in that one, didn't I? | 0:30:55 | 0:30:57 | |
We have, haven't we? | 0:30:57 | 0:30:59 | |
-Let's say 225. It's a nice round number. -OK. -Or is it? | 0:30:59 | 0:31:04 | |
Well, not particularly, | 0:31:04 | 0:31:05 | |
but nevertheless he makes £33 for the conga drums, | 0:31:05 | 0:31:09 | |
meaning he's done with his private selling and dancing with joy. | 0:31:09 | 0:31:12 | |
THEY PLAY | 0:31:13 | 0:31:16 | |
-I might play and dance. -Let's see those shoulders! | 0:31:16 | 0:31:18 | |
Yes, well... Paul is down to his final sale before the auction | 0:31:18 | 0:31:22 | |
as he takes his 1930s Southend Carnival Poster to Garry, | 0:31:22 | 0:31:26 | |
the president of the Southend Carnival Trust. | 0:31:26 | 0:31:29 | |
What's really the connection with the hospitals? I didn't quite get that. | 0:31:29 | 0:31:32 | |
Well, Southend didn't have a hospital, so all the people | 0:31:32 | 0:31:34 | |
in Southend came together as a big charity organisation to raise funds, | 0:31:34 | 0:31:39 | |
having fun through carnival to raise funds to build | 0:31:39 | 0:31:42 | |
the first hospital in Southend. | 0:31:42 | 0:31:44 | |
So have you seen that particular one before? | 0:31:44 | 0:31:46 | |
-Never seen it at all. -There you are. Isn't that a great thing? | 0:31:46 | 0:31:49 | |
-Never seen it. -So it says, "Get that Carnival smile." | 0:31:49 | 0:31:51 | |
-I can see you've already got that. -Indeed. | 0:31:51 | 0:31:53 | |
Believe it or not, I've come across this... | 0:31:53 | 0:31:55 | |
I bought it from auction, locally. | 0:31:55 | 0:31:57 | |
I thought there must be a local interest. | 0:31:57 | 0:31:58 | |
Erm, and I was wondering if you wanted this for your collection. | 0:31:58 | 0:32:01 | |
-Would that be something you're interested in? -Yes. | 0:32:01 | 0:32:03 | |
-I would, actually. -If I was to ask for, say, | 0:32:03 | 0:32:05 | |
-£100 for it, would that be... -I'd give you 75 for it. | 0:32:05 | 0:32:07 | |
Well, it started at about £70 for it, about 75. | 0:32:07 | 0:32:10 | |
-Make it 85 and we'll have a deal on that. -All right. We'll go 85. | 0:32:10 | 0:32:14 | |
All right. Thank you very much. You're a hard man, Garry! | 0:32:14 | 0:32:16 | |
So Paul makes a profit of £13 for the poster | 0:32:16 | 0:32:20 | |
and brings the private selling to an end. | 0:32:20 | 0:32:23 | |
Now our boys must gear up | 0:32:23 | 0:32:25 | |
and knuckle down for the mighty Showdown Auction. | 0:32:25 | 0:32:28 | |
Before the excitement gets too much, though, | 0:32:28 | 0:32:30 | |
let's see how our boys are doing so far. | 0:32:30 | 0:32:32 | |
Paul Hayes has sold four of his items | 0:32:34 | 0:32:36 | |
and made £25.40. | 0:32:36 | 0:32:38 | |
Will has sold three and returned one | 0:32:40 | 0:32:43 | |
but is in the lead at this stage, with a profit of £72.02. | 0:32:43 | 0:32:48 | |
And so we reach the point of no return, the Showdown Auction. | 0:32:48 | 0:32:52 | |
Here, sales pitches are of no use. | 0:32:52 | 0:32:55 | |
There is no more haggling and no negotiating. | 0:32:55 | 0:32:58 | |
They're now at the mercy of the bidders | 0:32:58 | 0:32:59 | |
at Pump House Auctions in Winchester. | 0:32:59 | 0:33:02 | |
But before they begin, | 0:33:02 | 0:33:03 | |
Paul has some news for Will about one of his items. | 0:33:03 | 0:33:06 | |
Ooh. Exciting! | 0:33:06 | 0:33:08 | |
-Ah, the Axeman. -How are you, Mr Morecambe? | 0:33:08 | 0:33:10 | |
Yeah, all right. How's things? | 0:33:10 | 0:33:11 | |
-Yeah, good, good. -You know, it's great, Winchester. | 0:33:11 | 0:33:13 | |
-Yeah. -Nice round here. -Lovely part of the world. | 0:33:13 | 0:33:15 | |
-Have you got some nice things in? -I think so, yeah. | 0:33:15 | 0:33:17 | |
I think most of what I've bought and put into auction is probably | 0:33:17 | 0:33:20 | |
something that I would buy anyway for myself. | 0:33:20 | 0:33:22 | |
I've one big thing to reveal to you. | 0:33:22 | 0:33:25 | |
That lovely painting that I bought out in Paris? | 0:33:25 | 0:33:28 | |
The speculative Old Master, possibly? Tell me. | 0:33:28 | 0:33:32 | |
I haven't really had a chance to research it enough. | 0:33:32 | 0:33:34 | |
I've had a word with the auctioneer. I've withdrawn it. | 0:33:34 | 0:33:36 | |
-What?! -I want to do some more research on it. | 0:33:36 | 0:33:38 | |
So that won't be sold today, all right? | 0:33:38 | 0:33:40 | |
Now you're going to go and show it to a specialist. | 0:33:40 | 0:33:42 | |
-It could be worth millions! -Who knows? | 0:33:42 | 0:33:44 | |
Or nothing and I come out with egg on my face. | 0:33:44 | 0:33:46 | |
Yes, in a shock move, | 0:33:46 | 0:33:47 | |
Paul has been allowed by the Put Your Money games masters | 0:33:47 | 0:33:49 | |
to remove his recently restored painting from the auction, | 0:33:49 | 0:33:52 | |
but to what end? | 0:33:52 | 0:33:54 | |
This could be an old master by van Dyck. | 0:33:54 | 0:33:58 | |
Worth fortunes. | 0:33:58 | 0:33:59 | |
But what I'm going to do is to try to find out more information about it. | 0:33:59 | 0:34:02 | |
And hopefully, at the end of the day, there's more profit. | 0:34:02 | 0:34:05 | |
Now, the items that are still in the auction will all be sold | 0:34:05 | 0:34:08 | |
with the saleroom's standard commission. | 0:34:08 | 0:34:10 | |
But before the selling kicks off, | 0:34:10 | 0:34:12 | |
there's just time to check out each other's wares. | 0:34:12 | 0:34:15 | |
Well, I know Paul likes to dress up of a weekend, but a nurse's outfit? | 0:34:15 | 0:34:18 | |
Really? Well, to be honest, I think | 0:34:18 | 0:34:20 | |
he's paid just on the money for this buckle. | 0:34:20 | 0:34:22 | |
So if there a profit left in it for him? Hmm, touch and go. | 0:34:22 | 0:34:25 | |
Will's bought quite a good, attractive piece of leather here | 0:34:25 | 0:34:29 | |
and it's beautifully made and I think that's worth every penny of £40-50. | 0:34:29 | 0:34:33 | |
I think that's more than what Will's paid for it. | 0:34:33 | 0:34:35 | |
So, yes, I think you've got a profit there, Will. Well done. (Swine!) | 0:34:35 | 0:34:39 | |
Well, respect where respect is due because Paul has gone out on a limb | 0:34:39 | 0:34:42 | |
and put a lot of money into these vase lamps. | 0:34:42 | 0:34:45 | |
If these came through the door in my saleroom, | 0:34:45 | 0:34:47 | |
I could see them at £300-500, £400-600 all day long. | 0:34:47 | 0:34:51 | |
So, Paul, there should be a profit in it, | 0:34:51 | 0:34:53 | |
but all down to where you're selling and when. | 0:34:53 | 0:34:56 | |
Every Englishman's home is his castle. | 0:34:56 | 0:34:58 | |
But in this case, it's a French one. | 0:34:58 | 0:34:59 | |
I was wondering what it was, but it says on the bottom. It's "Le Jar." | 0:34:59 | 0:35:03 | |
It's a jar. | 0:35:03 | 0:35:05 | |
Hmm. And that is one of Paul's Le Jokes. | 0:35:05 | 0:35:08 | |
So the auctioneer takes to the stand like an almighty judge, | 0:35:08 | 0:35:12 | |
presiding over a trial that will either | 0:35:12 | 0:35:14 | |
absolve our dealing defendants | 0:35:14 | 0:35:16 | |
or imprison their hopes of victory. | 0:35:16 | 0:35:19 | |
And first up, are Paul's porcelain vase lamps. | 0:35:19 | 0:35:22 | |
Cost me around £200. But I had them rewired and PAT tested. | 0:35:22 | 0:35:26 | |
I thought I'd make them usable. | 0:35:26 | 0:35:28 | |
-For this market. -Ready to go. -Ready to go. | 0:35:28 | 0:35:30 | |
So they're standing about £250. | 0:35:30 | 0:35:32 | |
And don't forget when I sell these, there will be a bit of commission. | 0:35:32 | 0:35:35 | |
-Oh, yes. Of course. -So I'm going to need about the £300 mark. -How much? | 0:35:35 | 0:35:39 | |
170 is there. | 0:35:40 | 0:35:41 | |
180, 190. | 0:35:41 | 0:35:44 | |
-200 and ten, sir? -300 quid's worth, easily. | 0:35:44 | 0:35:46 | |
210. 220. 230. | 0:35:46 | 0:35:48 | |
240, 250. | 0:35:48 | 0:35:50 | |
-Still going. -260. 270. -Cheap. -280, anywhere? | 0:35:50 | 0:35:54 | |
They're still cheap, these vases! THEY LAUGH | 0:35:54 | 0:35:57 | |
Selling then at £270 then. | 0:35:57 | 0:35:59 | |
There you go. All right, well done. | 0:36:02 | 0:36:04 | |
Listen, mate, that could have been a lot worse. | 0:36:04 | 0:36:06 | |
It could have been a lot worse. | 0:36:06 | 0:36:07 | |
Yes, even though they sold for more than he paid, | 0:36:07 | 0:36:09 | |
after auction costs are added, Paul ends up with a loss | 0:36:09 | 0:36:12 | |
of £39.76 for the vases. | 0:36:12 | 0:36:15 | |
But there's no time to lick his wounds, | 0:36:15 | 0:36:18 | |
his £42 mosaic ring is up next. | 0:36:18 | 0:36:20 | |
-£80? -Come on. -Five anywhere? | 0:36:20 | 0:36:24 | |
85 there is. 90 with me, and two anywhere? | 0:36:24 | 0:36:27 | |
At £90 then. | 0:36:27 | 0:36:30 | |
A quick sale and a tidy profit of £27.72 for the mosaic ring, | 0:36:31 | 0:36:36 | |
meaning Paul's balance sheet is heading back in the right direction. | 0:36:36 | 0:36:40 | |
Will is looking anxious as none of his items have gone up yet, | 0:36:40 | 0:36:43 | |
but Paul's up again with his nurse's buckle which he paid £35 for. | 0:36:43 | 0:36:48 | |
-I've got 45. 48 anywhere? -That's what we want, isn't it? -Come on. | 0:36:48 | 0:36:52 | |
48 there is. I've got 50, sir. And five is there? 55. 58 anywhere? | 0:36:52 | 0:36:59 | |
Selling then at £55. | 0:36:59 | 0:37:01 | |
-There you go. -Hey! | 0:37:02 | 0:37:04 | |
The winner is...! | 0:37:04 | 0:37:07 | |
Calm down, calm down. We're at an auction. | 0:37:07 | 0:37:09 | |
Paul makes a profit of £6.44 on the buckle | 0:37:09 | 0:37:11 | |
and since he's withdrawn his painting, he's done, | 0:37:11 | 0:37:14 | |
for the time being at least. | 0:37:14 | 0:37:16 | |
Well, finally one of my first lots coming up. | 0:37:16 | 0:37:18 | |
-OK. -It's that really nice, naive treen spill vase. | 0:37:18 | 0:37:22 | |
I've got to make 27 quid to break even. | 0:37:22 | 0:37:24 | |
Bids on that again. | 0:37:24 | 0:37:26 | |
55, 65. I've got £75. | 0:37:26 | 0:37:30 | |
80 anywhere? | 0:37:30 | 0:37:32 | |
-80 there is. Five, madam? 85, 90? -Come on. -Go on. | 0:37:32 | 0:37:36 | |
Five? | 0:37:36 | 0:37:38 | |
100 there is. | 0:37:38 | 0:37:39 | |
Sell it, then, at £100 on the phone. | 0:37:39 | 0:37:41 | |
Ooh! Thank you, mate. | 0:37:43 | 0:37:46 | |
Will makes a tremendous profit of £57.31 on the treen. | 0:37:46 | 0:37:50 | |
Next is the horn snuff box, which Will paid £20 for. | 0:37:50 | 0:37:53 | |
-65. 70 anywhere? -That's brilliant. -Go on. | 0:37:55 | 0:37:58 | |
70 there is, and five I've got. | 0:37:58 | 0:38:00 | |
80. And five I've got. 90 anywhere? | 0:38:00 | 0:38:03 | |
-£85 then. -Ooh! | 0:38:03 | 0:38:04 | |
91. | 0:38:06 | 0:38:07 | |
Cheers, mate. It's your good karma brushing off on me. | 0:38:08 | 0:38:11 | |
I hope there's not any more to come. I'm getting trounced here. | 0:38:11 | 0:38:14 | |
Yes, a profit of £45.68 for the snuff box is nothing to sniff at. | 0:38:14 | 0:38:18 | |
But it's the trinket box next and Will is nervous about this one. | 0:38:18 | 0:38:22 | |
Not my proudest moment, I must say. | 0:38:23 | 0:38:25 | |
Bought it a little bit under pressure, | 0:38:25 | 0:38:27 | |
just to get that first thing out of the way. | 0:38:27 | 0:38:29 | |
What does it stand you at? | 0:38:29 | 0:38:30 | |
Well, I've got to make £24, so £25 to break even. | 0:38:30 | 0:38:33 | |
-14. 16 anywhere? -Go on, keep going. -Oh, no! | 0:38:33 | 0:38:37 | |
At £14 then. | 0:38:37 | 0:38:39 | |
-Yours, madam. -Oh, I felt it. | 0:38:40 | 0:38:42 | |
That was to be expected, to be fair. | 0:38:43 | 0:38:45 | |
Will makes a loss of £9.69 on the trinket box | 0:38:45 | 0:38:48 | |
and he's down to his final item, his leather holster. | 0:38:48 | 0:38:52 | |
-25. -Oh, come on! | 0:38:52 | 0:38:54 | |
-I just need one more bid. One more bid. -28. -Yeah! | 0:38:54 | 0:38:57 | |
-Profit. -30 anywhere? | 0:38:57 | 0:38:58 | |
-Keep going. -It's a good thing, you know. -And two? | 0:38:58 | 0:39:00 | |
-See here we go. Look at you. -It's a rare and unusual item. | 0:39:00 | 0:39:04 | |
-Selling then at £32. -Excellent. | 0:39:04 | 0:39:06 | |
-Hey, a profit's a profit. -Well done, mate. -It's been a pleasure. | 0:39:07 | 0:39:10 | |
-It really has! -And emotional. | 0:39:10 | 0:39:11 | |
Will makes a profit of £2.86 for the holster | 0:39:11 | 0:39:14 | |
and he's all sold up. But this is a showdown with a difference | 0:39:14 | 0:39:18 | |
and things aren't over just yet. | 0:39:18 | 0:39:20 | |
Paul's been given a reprieve with his painting | 0:39:20 | 0:39:22 | |
and has set up a meeting in Tetbury with specialist John Malcolm | 0:39:22 | 0:39:26 | |
to find out whether his portrait could be | 0:39:26 | 0:39:28 | |
by 17th-century artist Anthony van Dyck. | 0:39:28 | 0:39:32 | |
Well, the first impression is that the picture is in, erm, | 0:39:32 | 0:39:35 | |
a pretty poor state of repair. | 0:39:35 | 0:39:39 | |
From what I can see from the fibres down here, | 0:39:39 | 0:39:42 | |
it suggests an 18th-century canvas rather than a 17th-century canvas. | 0:39:42 | 0:39:47 | |
-Right. -The other sad part about it is that having been cut down, | 0:39:47 | 0:39:51 | |
it may have lost its signature at some point. | 0:39:51 | 0:39:53 | |
So I'm at the crossroads now. | 0:39:53 | 0:39:54 | |
Do I sell this work as it is and dismiss it as an unknown artist, | 0:39:54 | 0:39:58 | |
or do I pursue it further? | 0:39:58 | 0:40:01 | |
It's... It's a long shot. | 0:40:01 | 0:40:03 | |
You need to go a long way before you can call it van Dyck, I think. | 0:40:03 | 0:40:06 | |
So the answer isn't clear cut and Paul's got a big decision. | 0:40:06 | 0:40:10 | |
Further research, which could take years and cost thousands, | 0:40:10 | 0:40:12 | |
or try and sell the painting now. | 0:40:12 | 0:40:15 | |
Decided to let it go, because I haven't got the time | 0:40:15 | 0:40:18 | |
to create its provenance, to research the artist. | 0:40:18 | 0:40:21 | |
So hopefully, I can find a buyer who is prepared to do that | 0:40:21 | 0:40:23 | |
and there's a little bit of profit in it for me with a bit of luck. | 0:40:23 | 0:40:26 | |
Paul decides to put the painting | 0:40:26 | 0:40:28 | |
into Eighteen Eighteen's fine art auction in Cumbria | 0:40:28 | 0:40:30 | |
and spends the next few weeks promoting it, | 0:40:30 | 0:40:33 | |
hoping to get a prospective buyer. | 0:40:33 | 0:40:35 | |
So will his Old Master help him make a masterly profit | 0:40:35 | 0:40:38 | |
and win this showdown? | 0:40:38 | 0:40:40 | |
All will be revealed in just a moment. | 0:40:40 | 0:40:42 | |
First, let's remind ourselves of what they spent in total. | 0:40:42 | 0:40:46 | |
Both our experts started the challenge | 0:40:46 | 0:40:47 | |
with £1,000 of their own money. | 0:40:47 | 0:40:50 | |
Paul Hayes spent £658.49, along with his restoration costs. | 0:40:50 | 0:40:54 | |
With the refund of his jazz poster, | 0:40:55 | 0:40:57 | |
Will's total spend is reduced to £381.47. | 0:40:57 | 0:41:02 | |
But now it all comes down to profit. | 0:41:02 | 0:41:03 | |
All of the money that Paul and Will have made from today's challenge | 0:41:03 | 0:41:06 | |
will go to charities of their choice. | 0:41:06 | 0:41:08 | |
So, let's find out who is | 0:41:08 | 0:41:09 | |
today's Put Your Money Where Your Mouth Is Showdown Champion. | 0:41:09 | 0:41:12 | |
-Ah, here we are. -How are you? -Great. Thank you very much. How are you? | 0:41:13 | 0:41:16 | |
Yeah, good. What about you? You were brave with those lamps. | 0:41:16 | 0:41:19 | |
I was very brave. And you know what? I'd do it again. | 0:41:19 | 0:41:21 | |
They were a cracking pair of lamps. | 0:41:21 | 0:41:23 | |
Slightly disappointed they didn't go for more money, | 0:41:23 | 0:41:25 | |
but it could have been a lot worse. | 0:41:25 | 0:41:27 | |
Remember my jazz festival poster that | 0:41:27 | 0:41:28 | |
-I got really excited about, buyer lined up and everything? -Yes. | 0:41:28 | 0:41:31 | |
Turned out, I was showing it to him, it was a repro. | 0:41:31 | 0:41:34 | |
But luckily the saleroom stood by their word | 0:41:34 | 0:41:36 | |
and gave me a full refund. | 0:41:36 | 0:41:38 | |
-Fantastic. -Trouble is, one less item to sell. | 0:41:38 | 0:41:40 | |
-Talking of one less item, that painting? -Oh! | 0:41:40 | 0:41:43 | |
The suspense. | 0:41:43 | 0:41:45 | |
I've been reading the newspapers, | 0:41:45 | 0:41:47 | |
waiting for that front page headline. You're making me worried. | 0:41:47 | 0:41:49 | |
-How many millions did it make? -You ready? | 0:41:49 | 0:41:51 | |
Yeah, go on, then. One, two, three. | 0:41:51 | 0:41:54 | |
-BOTH: -Ooh! -There we are, yes. | 0:41:55 | 0:41:57 | |
So Will is today's winner after Paul's painting sold for just £85. | 0:41:57 | 0:42:02 | |
With restoration and auction fees, he lost £121.27. | 0:42:02 | 0:42:08 | |
Make no mistake, it is selling now at £85. | 0:42:08 | 0:42:12 | |
Yes, Paul's high hopes for his painting didn't pay off, | 0:42:14 | 0:42:17 | |
but as they say, nothing ventured, nothing gained. | 0:42:17 | 0:42:20 | |
Of course, there's one more thing to reveal | 0:42:20 | 0:42:22 | |
and that is the winner across the whole week. | 0:42:22 | 0:42:25 | |
One, two, three. | 0:42:25 | 0:42:27 | |
-Oh, well done, buddy. -Look at that. | 0:42:27 | 0:42:29 | |
Well, listen, mate, I must say, | 0:42:29 | 0:42:31 | |
-it's been a pleasure working with you. -Yeah, and you. | 0:42:31 | 0:42:33 | |
-You're the nicest bloke I know from Morecambe. -That's all a rumour. | 0:42:33 | 0:42:36 | |
-I'm not from Morecambe really. -Aren't you? -No, no. I just play on that. | 0:42:36 | 0:42:39 | |
Yes, Will is the overall winner, but together they've worked hard | 0:42:39 | 0:42:43 | |
and made money that will go straight to their chosen charities. | 0:42:43 | 0:42:46 | |
My charity is a new roof at St Peter's Church in Heysham. | 0:42:48 | 0:42:52 | |
It's in need of repair, it's a massive project, | 0:42:52 | 0:42:54 | |
and I'm glad to donate towards that. | 0:42:54 | 0:42:56 | |
My chosen charity is CLIC Sargent, set up to provide a wide range | 0:42:56 | 0:43:00 | |
of services for children with cancer and their families, | 0:43:00 | 0:43:03 | |
including practical, clinical, emotional and financial support. | 0:43:03 | 0:43:07 | |
It's been a week of thrills and spills. | 0:43:07 | 0:43:09 | |
Our excellent experts have really put their money | 0:43:09 | 0:43:12 | |
where their mouths are and showed they can make a convincing profit | 0:43:12 | 0:43:15 | |
from buying and selling antiques when their own money is on the line. | 0:43:15 | 0:43:20 |