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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:10 | |
Elementary, my dear dealers. | 0:00:10 | 0:00:11 | |
..and gives YOU the insider's view of the trade! | 0:00:11 | 0:00:15 | |
PHIL LAUGHS | 0:00:15 | 0:00:16 | |
PHIL GROWLS | 0:00:16 | 0:00:17 | |
Each week, one pair of duelling dealers | 0:00:17 | 0:00:19 | |
will face a different daily challenge... | 0:00:19 | 0:00:22 | |
Catch me if you can. | 0:00:22 | 0:00:23 | |
The Axeman cometh. | 0:00:23 | 0:00:25 | |
..putting their reputations on the line... | 0:00:26 | 0:00:28 | |
Grr! | 0:00:28 | 0:00:29 | |
Ready for battle. | 0:00:29 | 0:00:30 | |
..and giving YOU their top tips and savvy secrets | 0:00:32 | 0:00:35 | |
on how to make the most money from buying and selling. | 0:00:35 | 0:00:38 | |
Get in there. | 0:00:38 | 0:00:40 | |
THUNDERCLAP AND DAVID LAUGHS | 0:00:40 | 0:00:42 | |
Today, Purchasing powerhouse Paul Hayes | 0:00:42 | 0:00:44 | |
takes on Axeman auctioneer extraordinaire, Will Axon. | 0:00:44 | 0:00:49 | |
Coming up, Will gets his animals mixed up... | 0:00:49 | 0:00:52 | |
I've gone and bought a leg of a cow. | 0:00:52 | 0:00:54 | |
Do they race cows? | 0:00:54 | 0:00:56 | |
..Paul plays hardball at the haggling... | 0:00:56 | 0:00:59 | |
It couldn't be £100, could it? | 0:00:59 | 0:01:01 | |
THEY LAUGH | 0:01:01 | 0:01:02 | |
..and Will struggles in the selling. | 0:01:02 | 0:01:05 | |
I'm not getting good vibes here. | 0:01:05 | 0:01:06 | |
I mean, would it help to tell you that it's not very expensive at all? | 0:01:06 | 0:01:10 | |
This is Put Your Money Where Your Mouth Is! | 0:01:10 | 0:01:13 | |
Welcome to a wet and windy West Sussex, | 0:01:26 | 0:01:29 | |
where two weather systems of antiques knowledge | 0:01:29 | 0:01:31 | |
are about to collide in a perfect storm | 0:01:31 | 0:01:34 | |
of high-pressured competitive buying and selling. | 0:01:34 | 0:01:37 | |
And today, the heavens will be opening | 0:01:37 | 0:01:39 | |
over Goodwood Antique and Collectors Fair. | 0:01:39 | 0:01:42 | |
First up, a thundering colossus of collectibles | 0:01:43 | 0:01:46 | |
capable of moving at lightning speed whenever there's gold to be struck. | 0:01:46 | 0:01:50 | |
His cheery smile and sunny disposition belie a steely resolve. | 0:01:50 | 0:01:54 | |
-It's Paul "Mr Morecambe" Hayes. -DISTANT CHEERING | 0:01:54 | 0:01:57 | |
Look out, Will, I'm coming for you, mate. | 0:01:57 | 0:01:59 | |
He's up against a man willing to brave any weather | 0:01:59 | 0:02:02 | |
in pursuit of a profit. | 0:02:02 | 0:02:03 | |
An auctioneer of torrential talent | 0:02:03 | 0:02:05 | |
who's always ready to storm off with a bargain, | 0:02:05 | 0:02:08 | |
hacking down a price and slicing off a healthy profit. | 0:02:08 | 0:02:11 | |
-It's Will "The Axeman" Axon. -DISTANT CHEERING | 0:02:11 | 0:02:13 | |
I think I might just have found it. | 0:02:15 | 0:02:17 | |
Both our experts have brought £750 of their own money. | 0:02:17 | 0:02:20 | |
Once they've purchased their pieces, they must sell the lot | 0:02:20 | 0:02:23 | |
in order to silver-line their pockets with profit, | 0:02:23 | 0:02:26 | |
all of which will go to their chosen charities. | 0:02:26 | 0:02:28 | |
So, Paul Hayes and Will Axon, | 0:02:28 | 0:02:30 | |
it's time to put your money where your mouth is. | 0:02:30 | 0:02:33 | |
-Hey-hey! -Here he is. | 0:02:35 | 0:02:36 | |
-How are you? -Yes, good, thank you. -We must be mad. | 0:02:36 | 0:02:38 | |
-You must be used to this from where you are. -I love the way they've recreated Morecambe here, | 0:02:38 | 0:02:42 | |
-complete with weather! Isn't it marvellous? -Brought it with you. | 0:02:42 | 0:02:45 | |
There were supposed to be outdoor stalls, that's going to be a problem. | 0:02:45 | 0:02:48 | |
I know, that's kind of my stomping ground, really, | 0:02:48 | 0:02:51 | |
the outside stalls, so I'm going to have to rethink my strategy | 0:02:51 | 0:02:54 | |
to breakables, which is not my forte. | 0:02:54 | 0:02:57 | |
-Oh, well, that is my forte. Small is beautiful. -Thank you very much. | 0:02:57 | 0:03:00 | |
-My dad said, if it doesn't go in your pocket, don't buy it. -He's a very wise man. | 0:03:00 | 0:03:03 | |
So, we're allowed to spend £750. | 0:03:03 | 0:03:05 | |
Excellent news, that's a lot of money, yes. | 0:03:05 | 0:03:07 | |
-Good luck to you. It's always good, isn't it? -And to you, sir. | 0:03:07 | 0:03:10 | |
You know, let's hope this weather clears up. | 0:03:10 | 0:03:12 | |
-Oh, hang on! -What... -Gust! | 0:03:12 | 0:03:14 | |
A gust carries our experts off to the fair, | 0:03:14 | 0:03:17 | |
but what treasures will blow them away | 0:03:17 | 0:03:19 | |
enough to make them part with their hard-earned cash? | 0:03:19 | 0:03:22 | |
As both lads head indoors, | 0:03:22 | 0:03:24 | |
where many of the stall holders have taken shelter, | 0:03:24 | 0:03:26 | |
Paul Hayes is brimming, nay overflowing, with confidence. | 0:03:26 | 0:03:31 | |
Well, look out, Will, I think I've got the upper hand here today, | 0:03:31 | 0:03:34 | |
I'm so used to being at antiques fairs, | 0:03:34 | 0:03:36 | |
I've practically grown up under the trestle table. | 0:03:36 | 0:03:38 | |
They're fantastic places, you can find bargains if you know where to look. | 0:03:38 | 0:03:41 | |
Yes, Mr Hayes is full of confidence | 0:03:41 | 0:03:43 | |
but Will's game plan has been thrown into disarray by the weather. | 0:03:43 | 0:03:47 | |
Well, I'm somewhere they call indoors | 0:03:47 | 0:03:50 | |
and I'm not terribly comfortable. I'm more used to being outside, | 0:03:50 | 0:03:53 | |
having a rummage in the back of a van and seeing what's what, | 0:03:53 | 0:03:57 | |
but in here it's all very laid out, very displayed and priced up. | 0:03:57 | 0:04:01 | |
I'm going to have to work my magic in here. | 0:04:01 | 0:04:03 | |
Onwards and upwards. | 0:04:03 | 0:04:05 | |
Onwards, upwards, forwards, backwards, | 0:04:05 | 0:04:07 | |
round and round the market, | 0:04:07 | 0:04:09 | |
both Paul and Will now begin to scour the stalls | 0:04:09 | 0:04:12 | |
for items of interest. | 0:04:12 | 0:04:13 | |
Paul is clearly feeling confident today | 0:04:13 | 0:04:16 | |
and it's not long before he's spotted | 0:04:16 | 0:04:18 | |
a Belgian slate clock that appeals. | 0:04:18 | 0:04:21 | |
So, is the clock working? | 0:04:21 | 0:04:23 | |
-Yeah, yeah. -Can I have a look at it? -Yes. | 0:04:23 | 0:04:24 | |
I've often thought, these are underrated, aren't they? | 0:04:24 | 0:04:27 | |
It don't chime. | 0:04:27 | 0:04:28 | |
-It doesn't chime, purely a timepiece? -Purely a timepiece. -OK, there we go. | 0:04:28 | 0:04:31 | |
-So, what's the best you can do on that then? -25? -25. | 0:04:31 | 0:04:35 | |
-You can't say £20? -Yeah, go on, it's you. | 0:04:35 | 0:04:38 | |
How's that? Thank you very much, I'll have that. God bless you. | 0:04:38 | 0:04:41 | |
These items have always been affordable. | 0:04:41 | 0:04:43 | |
I think they're the most underrated items you can find. | 0:04:43 | 0:04:45 | |
It's a beautiful 19th-century clock, | 0:04:45 | 0:04:47 | |
it's known as a Belgian slate, cos that's where it comes from. | 0:04:47 | 0:04:50 | |
It's in great working order, there's no chips, no cracks, | 0:04:50 | 0:04:53 | |
no cracks in the dial, got its pendulum, got its key, | 0:04:53 | 0:04:56 | |
it was 20 quid, what an absolute bargain. | 0:04:56 | 0:04:59 | |
Paul's pleased to be up and running, | 0:04:59 | 0:05:01 | |
but Will is closing in on a stall with a few potential items. | 0:05:01 | 0:05:05 | |
Having said he prefers to buy big, he has indeed changed tack | 0:05:05 | 0:05:08 | |
and is looking at something small. | 0:05:08 | 0:05:10 | |
Very small. | 0:05:10 | 0:05:12 | |
-I like your Sampson Mordan... -Yeah, nice piece, yeah. -..toothpick. | 0:05:12 | 0:05:15 | |
Where'd you buy that, auction? | 0:05:15 | 0:05:17 | |
-No, private buy. -Private? -Mm. | 0:05:17 | 0:05:19 | |
Sampson Mordan, nicely marked. And stamped nine carat? | 0:05:19 | 0:05:23 | |
-The stone's... -like a little bloodstone? | 0:05:23 | 0:05:25 | |
Yes, I think it is a bloodstone, isn't it? | 0:05:25 | 0:05:27 | |
I see you've got it marked up at 130. | 0:05:27 | 0:05:30 | |
I mean, if it could be anywhere near a "oner", I might be tempted. | 0:05:30 | 0:05:34 | |
110 would suit me better. | 0:05:34 | 0:05:36 | |
Shall we split the difference and say 105? | 0:05:36 | 0:05:39 | |
Let's do a deal, let's get, let's get a buy out of the way. | 0:05:39 | 0:05:43 | |
At £105, Will has spent a big chunk on his little gold item, | 0:05:43 | 0:05:47 | |
but why did he pick the toothpick? | 0:05:47 | 0:05:49 | |
It's sold as a nine carat gold propelling toothpick. | 0:05:49 | 0:05:53 | |
By Sampson Mordan. | 0:05:53 | 0:05:55 | |
Sampson Mordan, better known for their propelling pencils, retracting pencils, | 0:05:55 | 0:05:59 | |
it's a great name as far as small silver and gold pieces go. | 0:05:59 | 0:06:04 | |
And I'm thinking there are toothpick collectors out there | 0:06:04 | 0:06:07 | |
and from talking to the stallholder, | 0:06:07 | 0:06:09 | |
this has come from a private collection itself, | 0:06:09 | 0:06:12 | |
never been on the Yorkshire market, | 0:06:12 | 0:06:14 | |
bought privately and this is the first time out at the fair. | 0:06:14 | 0:06:19 | |
Mm, it isn't Paul Hayes' first time at the fair, though. | 0:06:19 | 0:06:21 | |
And like a moth to a flame, | 0:06:21 | 0:06:23 | |
Paul is drawn to a stall selling musical instruments | 0:06:23 | 0:06:25 | |
that have been converted into lamps. | 0:06:25 | 0:06:28 | |
However, it's a saxophone in its original state that he goes for. | 0:06:28 | 0:06:32 | |
OK, I'll have that. | 0:06:32 | 0:06:34 | |
Paul pays £80 for the sax. So, was that music to his ears? | 0:06:34 | 0:06:38 | |
That, I think, is quite a good price, these things are very expensive to buy new | 0:06:38 | 0:06:42 | |
and I think there's a bit of leeway left in it. | 0:06:42 | 0:06:45 | |
And having bought the saxophone, | 0:06:45 | 0:06:46 | |
Paul nips outside to show off his musical prowess. | 0:06:46 | 0:06:50 | |
MUSIC: Baker Street by Gerry Rafferty | 0:06:50 | 0:06:54 | |
PAUL TOOTS WEAKLY | 0:07:00 | 0:07:02 | |
Or maybe not. | 0:07:02 | 0:07:03 | |
Don't call us, Paul, and we probably won't call you. | 0:07:03 | 0:07:07 | |
While Paul's been blowing his sax, | 0:07:07 | 0:07:09 | |
Will has spotted a vase that he hopes won't blow his budget. | 0:07:09 | 0:07:12 | |
How much is your, sort of smoky vase? | 0:07:14 | 0:07:17 | |
Er, that one, I've got... | 0:07:17 | 0:07:20 | |
45 on that, but it can be, | 0:07:20 | 0:07:22 | |
it can be 35 today. | 0:07:22 | 0:07:24 | |
I like a nice round number, that's my trouble. | 0:07:24 | 0:07:26 | |
Yes, well, I like odd ones, that's a problem, isn't it? | 0:07:26 | 0:07:29 | |
Well, I'm a bit odd. | 0:07:29 | 0:07:30 | |
HE LAUGHS | 0:07:30 | 0:07:31 | |
A bit "cepuliar", perhaps? | 0:07:31 | 0:07:34 | |
-Can we say £30? -We can say 32, thank you. | 0:07:34 | 0:07:37 | |
-Go on, then. -Good! -Well done. | 0:07:37 | 0:07:40 | |
No, it's not a telescope but it is glass, | 0:07:40 | 0:07:42 | |
and what an iconic piece of glass it is. | 0:07:42 | 0:07:45 | |
By Otto Brauer for Holmegaard, it's a Gulvase. | 0:07:45 | 0:07:49 | |
All very much back in fashion, | 0:07:49 | 0:07:50 | |
so I'm going to go and find some young trendy, | 0:07:50 | 0:07:52 | |
who's going to fall in love with it like I did. | 0:07:52 | 0:07:54 | |
I'm pleased with what I paid, but as it's breakable, | 0:07:54 | 0:07:57 | |
I'm going to go and pop it somewhere safe. | 0:07:57 | 0:07:59 | |
Paul is also looking through the breakables. | 0:07:59 | 0:08:02 | |
He's spotted a Doulton figure he likes the look of. | 0:08:02 | 0:08:05 | |
Having now got the taste for a haggle, | 0:08:05 | 0:08:07 | |
he's trying to get the price down. | 0:08:07 | 0:08:09 | |
-What's your best on her, then? -What have we got on it? | 0:08:09 | 0:08:12 | |
-You've got £30 on. -30, I'll do 24. -Brilliant. | 0:08:12 | 0:08:15 | |
-I'm going to be cheeky. -Well, that is the best. -That is the best? | 0:08:15 | 0:08:18 | |
You can't make it £20? | 0:08:18 | 0:08:20 | |
-Give me 22, you've got it. -22. | 0:08:21 | 0:08:23 | |
I don't think I've got £2. You can't make it a round 20, just make it... | 0:08:23 | 0:08:26 | |
-All right... -Is that all right? | 0:08:26 | 0:08:27 | |
OK, well, I'll have that, thank you very much. | 0:08:27 | 0:08:29 | |
Thank you, there you are, you see. | 0:08:29 | 0:08:31 | |
Paul uses his cheeky charm and gets the figurine. | 0:08:31 | 0:08:34 | |
So why did he pick her up? | 0:08:34 | 0:08:36 | |
Bit of a blast from the past here. | 0:08:36 | 0:08:37 | |
I used to buy these religiously in the 1990s, early 2000s. | 0:08:37 | 0:08:41 | |
It's a Royal Doulton figurine. | 0:08:41 | 0:08:43 | |
If you turn them upside down, they all have a HN number, | 0:08:43 | 0:08:46 | |
and that's named after a guy called Harry Nixon, the original designer. | 0:08:46 | 0:08:50 | |
And you can actually look that up | 0:08:50 | 0:08:51 | |
and you can find out how long it was made for and when it was made | 0:08:51 | 0:08:54 | |
and more importantly, what the current catalogue value is. | 0:08:54 | 0:08:57 | |
But she's lovely, called Top Of The Hill, and do you know what? | 0:08:57 | 0:09:00 | |
It's a bit of a windy day today, it's quite fitting, isn't it? I know how she feels. | 0:09:00 | 0:09:04 | |
Ah, she's obviously feeling all blustered. | 0:09:04 | 0:09:06 | |
Meanwhile, Will is feeling flustered. | 0:09:06 | 0:09:08 | |
He just can't get used to being indoors. | 0:09:08 | 0:09:11 | |
Struggling a bit here, to be honest. | 0:09:11 | 0:09:12 | |
I've got, er, a couple of items under my belt, but even so, | 0:09:12 | 0:09:16 | |
more to buy and... | 0:09:16 | 0:09:18 | |
..I feel like I am going round and round in circles. I've got to get with it! | 0:09:19 | 0:09:23 | |
I've got to get my money out of my pocket and make some decisions. | 0:09:23 | 0:09:27 | |
Ah! Will fears that his hopes of victory are sinking fast, | 0:09:27 | 0:09:31 | |
which may explain why he's drawn | 0:09:31 | 0:09:32 | |
to a piece of 19th-century diving equipment. | 0:09:32 | 0:09:35 | |
-What sort of money have you got on them? -75. | 0:09:35 | 0:09:38 | |
-It doesn't seem dear. -It's not a lot, actually. | 0:09:38 | 0:09:40 | |
But you know I'm on a budget, a very tight budget. | 0:09:40 | 0:09:43 | |
-I thought you were going to say that. -What would be your very, | 0:09:43 | 0:09:46 | |
I mean, is there any chance we could be nearer the 50 quid mark? | 0:09:46 | 0:09:50 | |
No. Um... 60? | 0:09:50 | 0:09:53 | |
Are we not being very cheeky by saying 55? | 0:09:54 | 0:09:56 | |
That's a lucky number in China. | 0:09:56 | 0:09:58 | |
WOMAN LAUGHS | 0:09:58 | 0:09:59 | |
Well, as it's heavy and I was going to have to take it home, | 0:09:59 | 0:10:02 | |
-yes, I'll do it for 55. -Yes, I'll save you a fiver by... | 0:10:02 | 0:10:05 | |
-Well, shall we say £55? -55, that's fine. -Excellent. | 0:10:05 | 0:10:07 | |
So, Will takes the plunge and spends £55 on the diving bellows. | 0:10:07 | 0:10:12 | |
When I first saw these 19th-century bellows, | 0:10:12 | 0:10:15 | |
I thought, Inglenook fireplace, | 0:10:15 | 0:10:17 | |
but it turns out that they're actually diving bellows, | 0:10:17 | 0:10:20 | |
basically, to pump air into the helmet. | 0:10:20 | 0:10:22 | |
I think I'm going to have to do some research into these pioneers | 0:10:22 | 0:10:25 | |
of 19th-century underwater exploration. | 0:10:25 | 0:10:28 | |
Our heroic hagglers now need to refuel. | 0:10:28 | 0:10:31 | |
While they do, let's look at the numbers. | 0:10:31 | 0:10:34 | |
Each of our excellent experts | 0:10:34 | 0:10:36 | |
arrived at the fair with £750 of their own money. | 0:10:36 | 0:10:40 | |
Paul Hayes has bought three items | 0:10:40 | 0:10:42 | |
and spent £120. | 0:10:42 | 0:10:44 | |
That means he's got £630 to play with. | 0:10:44 | 0:10:47 | |
Will Axon has matched his opponent | 0:10:47 | 0:10:50 | |
with three items | 0:10:50 | 0:10:51 | |
but spent £192, | 0:10:51 | 0:10:53 | |
so he's got £558 left in his kitty. | 0:10:53 | 0:10:57 | |
-Ah, hello. -How are you doing? -Halfway points. | 0:10:57 | 0:11:00 | |
-Feels it, doesn't it? -Well, do you know what? | 0:11:00 | 0:11:02 | |
I've bought some great things, actually. I'm pleased with what I bought this morning. What about you? | 0:11:02 | 0:11:07 | |
Yes, I think I am, I think they're growing on me. | 0:11:07 | 0:11:09 | |
You know, because, like I say, | 0:11:09 | 0:11:11 | |
this isn't my comfort zone being under cover, | 0:11:11 | 0:11:13 | |
but you've got to make the best of what you've got. | 0:11:13 | 0:11:15 | |
What I like about this fair is they've brought all the outside pitches inside... | 0:11:15 | 0:11:19 | |
-No! -..and put them in a secret room. Have you found them? -You're winding me up. | 0:11:19 | 0:11:23 | |
I tell you, it's full of gear you'd buy, | 0:11:23 | 0:11:25 | |
-you'd love it. Have you not seen it? -Where is it? Come on! | 0:11:25 | 0:11:27 | |
-It's over that way. -Oh! -See you in a bit. -Yeah... | 0:11:27 | 0:11:30 | |
Mm! Paul there well and truly shaking off his nice-guy persona | 0:11:30 | 0:11:34 | |
as he uses every trick in the book to flummox his opponent. | 0:11:34 | 0:11:38 | |
Will is trying to put a brave face on things, | 0:11:38 | 0:11:41 | |
but it definitely feels like Mr Morcambe's got the upper hand today | 0:11:41 | 0:11:44 | |
and he's dealing from the top deck | 0:11:44 | 0:11:46 | |
when he spots an antique writing slope | 0:11:46 | 0:11:48 | |
and yet again chips away at the asking price. | 0:11:48 | 0:11:52 | |
-What are you asking for this? -Er... | 0:11:52 | 0:11:54 | |
Make it £50? | 0:11:54 | 0:11:56 | |
I've got to try. No? | 0:11:56 | 0:11:58 | |
-Tell you what, the best I can do is 65. -65. | 0:11:58 | 0:12:01 | |
I do like it, I noticed that split across the top, | 0:12:01 | 0:12:03 | |
but it's coromandel and it's unusual, isn't it? Got a nice... | 0:12:03 | 0:12:06 | |
Make it £60 and I will buy it now. | 0:12:06 | 0:12:09 | |
-Go on, then. -There you go. | 0:12:09 | 0:12:11 | |
All right? We'll shake on that. You see, I tried. Thank you very much. | 0:12:11 | 0:12:14 | |
I bought something of real quality here. I love this writing slope. | 0:12:14 | 0:12:18 | |
What's unusual about it is the material it's been made from. | 0:12:18 | 0:12:21 | |
This is called coromandel wood. | 0:12:21 | 0:12:23 | |
It's known in the trade as zebrawood and it's quite rare. | 0:12:23 | 0:12:26 | |
It was used since the 18th century into the 19th century, | 0:12:26 | 0:12:29 | |
very popular, very unusual, for the more discerning customer. | 0:12:29 | 0:12:33 | |
Open it out, it's got a beautiful fitted leather interior, | 0:12:33 | 0:12:36 | |
which performs as your slope, | 0:12:36 | 0:12:38 | |
which is used to write your letters upon | 0:12:38 | 0:12:40 | |
and then right in the bottom here | 0:12:40 | 0:12:42 | |
is a little secret compartment. | 0:12:42 | 0:12:44 | |
That's to keep your travelling sovereigns | 0:12:44 | 0:12:46 | |
and things like that, stamps, letters, you know, | 0:12:46 | 0:12:48 | |
all the things you don't want anyone to find. This is really ready to go. | 0:12:48 | 0:12:51 | |
With the writing slope, Paul has edged into the lead again. | 0:12:51 | 0:12:54 | |
And it seems we're seeing a new side to Mr Morecambe today | 0:12:54 | 0:12:57 | |
as he uses his cheeky charm to chip away at those prices, | 0:12:57 | 0:13:01 | |
although it doesn't always work. | 0:13:01 | 0:13:03 | |
-I'm going to be cheeky now, you couldn't do £60 for the pair? -No. | 0:13:03 | 0:13:06 | |
-No. That's me being cheeky. -Worth asking! -It works for other people. | 0:13:06 | 0:13:09 | |
It couldn't be £100, could it? | 0:13:09 | 0:13:11 | |
THEY LAUGH | 0:13:11 | 0:13:13 | |
See? This is what happens! | 0:13:13 | 0:13:15 | |
This is, that's exactly the reaction I get. | 0:13:15 | 0:13:17 | |
There we are, I've tried to be mean, to hammer the stallholder, | 0:13:17 | 0:13:20 | |
just like that Will does. | 0:13:20 | 0:13:21 | |
What happens? I get blown out, you know? | 0:13:21 | 0:13:24 | |
Ah, yes, it's a lot harder than it looks! | 0:13:24 | 0:13:26 | |
But he's not quite ready to give up | 0:13:26 | 0:13:27 | |
and when he spots a pair of silver bonbon dishes, | 0:13:27 | 0:13:30 | |
he's not taking any prisoners. | 0:13:30 | 0:13:32 | |
These are nice, aren't they? How much are these? | 0:13:32 | 0:13:34 | |
I was looking for, the pair, for 110. | 0:13:34 | 0:13:37 | |
-110. They are quite pretty, aren't they? -Bonbon and that. -Yes. -Aren't they? | 0:13:37 | 0:13:41 | |
Was that a starting price, or is that what you're looking to get? | 0:13:41 | 0:13:44 | |
-SHE LAUGHS -Ah, isn't he a charmer!? | 0:13:44 | 0:13:45 | |
-110 for the pair? -Yes. | 0:13:45 | 0:13:47 | |
But that's obviously what you charge the public, not me. THEY LAUGH | 0:13:47 | 0:13:51 | |
So what would be your very best price on those? | 0:13:51 | 0:13:53 | |
-105? -105. | 0:13:53 | 0:13:55 | |
Is that any good to you? | 0:13:55 | 0:13:57 | |
Could they be £80? | 0:13:58 | 0:14:00 | |
Could they be £95? | 0:14:00 | 0:14:02 | |
It's getting better, you're warming up a little bit there. | 0:14:02 | 0:14:04 | |
-So, 95. -95 is your best? | 0:14:04 | 0:14:07 | |
-90. -Why don't we make it 85 and we'll go halfway? | 0:14:07 | 0:14:11 | |
SHE LAUGHS | 0:14:11 | 0:14:12 | |
Pound notes. | 0:14:12 | 0:14:14 | |
-OK, 85. -Shall we do that? -Yes. -Yay! Thank you very much. | 0:14:14 | 0:14:17 | |
That's very, very nice of you, I'll have those. | 0:14:17 | 0:14:19 | |
Paul buys the pair of bonbon dishes for a "tres bon" £85, | 0:14:19 | 0:14:23 | |
so he should be feeling pretty pleased with himself, right? | 0:14:23 | 0:14:27 | |
I feel really bad, I was arguing over £5 with that lady for ages. | 0:14:28 | 0:14:31 | |
And I'm glad, I'm delighted to buy them, of course, | 0:14:31 | 0:14:34 | |
they're great things, | 0:14:34 | 0:14:35 | |
these are beautiful quality and they are a pair, nicely hallmarked, | 0:14:35 | 0:14:39 | |
we've got a Birmingham hallmark, 1905 | 0:14:39 | 0:14:41 | |
and in good condition. What you've got to watch with these items, | 0:14:41 | 0:14:44 | |
that none of the pierced work is damaged | 0:14:44 | 0:14:47 | |
and that the feet haven't been broken off. | 0:14:47 | 0:14:49 | |
But, do you know what? For 85 quid, that was a good price. | 0:14:49 | 0:14:52 | |
They're still a good price at £90, I don't know why I argued, really. | 0:14:52 | 0:14:55 | |
I feel bad now. | 0:14:55 | 0:14:56 | |
Mm! So much so, a guilt-wracked Paul | 0:14:56 | 0:14:58 | |
buys a cup of coffee for the stall owner. | 0:14:58 | 0:15:00 | |
Ah, how generous! | 0:15:00 | 0:15:02 | |
However, the £1.50 for his drink | 0:15:02 | 0:15:04 | |
takes his total price for the purchase to £86.50. | 0:15:04 | 0:15:08 | |
Will is lagging behind in the buying stakes | 0:15:08 | 0:15:11 | |
but begins to catch up when he picks up... | 0:15:11 | 0:15:13 | |
a cow's leg? | 0:15:13 | 0:15:14 | |
Well, coming from Newmarket, | 0:15:14 | 0:15:15 | |
you hear a lot about people buying legs of horses. | 0:15:15 | 0:15:18 | |
I've gone and bought the leg of a cow. Do they race cows? | 0:15:18 | 0:15:22 | |
-Come on, Will! it's Newmarket, not moo-market. -COW MOOS | 0:15:23 | 0:15:27 | |
Mm. Of course, coming from a town famous for horse racing, | 0:15:27 | 0:15:30 | |
Will is always on the lookout for anything with equestrian appeal, | 0:15:30 | 0:15:34 | |
and he thinks he's found something with a novelty corkscrew. | 0:15:34 | 0:15:37 | |
Now, my eye was drawn to your leg pull corkscrew. | 0:15:37 | 0:15:41 | |
It's rather an odd one. | 0:15:41 | 0:15:42 | |
It's got novelty value, exactly right. | 0:15:42 | 0:15:45 | |
-I know it's not antique. -Yes. | 0:15:45 | 0:15:47 | |
But I'm reliably informed on the packaging | 0:15:47 | 0:15:50 | |
-that it is an antique of the future. -Oh, right. | 0:15:50 | 0:15:52 | |
Which, yes, so we're thinking ahead. Um... | 0:15:52 | 0:15:55 | |
But your price, £22... | 0:15:55 | 0:15:58 | |
I mean, I was thinking more legs 11. | 0:15:58 | 0:16:01 | |
-WILL LAUGHS -No. | 0:16:01 | 0:16:03 | |
-What's your very best? -15, I think. | 0:16:03 | 0:16:06 | |
-It's got to be worth it. -Well, listen, I think 15 is a fair price, | 0:16:06 | 0:16:09 | |
-so if I may, I'll shake your hand on that. £15. -Thank you very much. OK. | 0:16:09 | 0:16:14 | |
Now, I know they're not strictly an antique, | 0:16:14 | 0:16:16 | |
but I was really drawn to the novelty value of this corkscrew. | 0:16:16 | 0:16:20 | |
It is based on an antique design, make no mistake, | 0:16:20 | 0:16:22 | |
Victorian corkscrews, often with ladies' legs, stocking-clad, | 0:16:22 | 0:16:26 | |
but in this instance we have a pair of jockey's legs. | 0:16:26 | 0:16:30 | |
Well, Newmarket boy, | 0:16:30 | 0:16:31 | |
I've got to have a go at anything jockey-related, haven't I? | 0:16:31 | 0:16:34 | |
And I'm pretty sure that there are plenty of establishments | 0:16:34 | 0:16:37 | |
that would be pleased to have these behind the bar. | 0:16:37 | 0:16:39 | |
Odds-on, I make a profit. | 0:16:39 | 0:16:42 | |
And from horse racing to horsepower. | 0:16:42 | 0:16:44 | |
Will has found some Grand Prix posters | 0:16:44 | 0:16:46 | |
being sold by a French stall holder. | 0:16:46 | 0:16:48 | |
Are these reprints of the original? | 0:16:49 | 0:16:52 | |
-It's vintage. -Yes, but that's OK. -Monaco. | 0:16:52 | 0:16:55 | |
Well, the originals would be very expensive. | 0:16:55 | 0:16:58 | |
And what sort of money are you selling these for today? | 0:16:58 | 0:17:01 | |
-75. -Each? -Yes. -What have we got? | 0:17:01 | 0:17:04 | |
Monaco '75, look at that, that is great, isn't it? | 0:17:04 | 0:17:07 | |
Monaco '77. | 0:17:09 | 0:17:11 | |
So, what would be your very best, best, best price on the two? | 0:17:12 | 0:17:16 | |
Could we say £100? | 0:17:16 | 0:17:19 | |
Donnez-mois le main. | 0:17:19 | 0:17:20 | |
-OK. -£100 for two? -OK. -It's a deal. Now I've got to choose. | 0:17:20 | 0:17:25 | |
So while Will's shelled out for some modern posters, | 0:17:25 | 0:17:28 | |
Paul has spotted some old shell he likes the look of | 0:17:28 | 0:17:31 | |
in the form of a mother-of-pearl pocket case. | 0:17:31 | 0:17:34 | |
-Lovely. That needs a bit of repair, I thought you might have repaired this. Have you had a go? -Yeah. | 0:17:34 | 0:17:38 | |
A bit of the old Gorilla glue in there would probably do it. | 0:17:38 | 0:17:40 | |
-You've got 28 on it, how much can you do that for? -20. -20 quid. | 0:17:40 | 0:17:44 | |
Right, I'm going to try something, please don't be offended, | 0:17:46 | 0:17:49 | |
-can it be a tenner? -No. | 0:17:49 | 0:17:50 | |
PAUL LAUGHS | 0:17:50 | 0:17:52 | |
15? | 0:17:52 | 0:17:53 | |
£20. OK. | 0:17:55 | 0:17:57 | |
You know what? I think that's a fair price, that's all right. | 0:17:57 | 0:17:59 | |
-Can I have it for £20? -Yeah. -All right, let's shake on that. | 0:17:59 | 0:18:02 | |
Thank you very much. Here we are. | 0:18:02 | 0:18:03 | |
One last bit of cheeky haggling | 0:18:03 | 0:18:05 | |
and Paul knocks off £8 from the asking price | 0:18:05 | 0:18:07 | |
and pays just £20 for the item. | 0:18:07 | 0:18:10 | |
Well, I must admit the Victorian era must have been the most elegant. | 0:18:10 | 0:18:13 | |
A gentleman would've had this wonderful calling card case, | 0:18:13 | 0:18:17 | |
it's all in mother-of-pearl, beautifully decorated | 0:18:17 | 0:18:19 | |
and the sole purpose of it was | 0:18:19 | 0:18:21 | |
to take it from your pocket and take out your calling card | 0:18:21 | 0:18:24 | |
to give to the butler when you arrived at somebody's house. | 0:18:24 | 0:18:27 | |
Fantastic thing to have. £20, I think, is a good price. | 0:18:27 | 0:18:31 | |
That's reflected, the fact that it has a bit of damage around the top. | 0:18:31 | 0:18:34 | |
I think with a bit of restoration, bit of TLC, that's £60, £70 easily. | 0:18:34 | 0:18:38 | |
All right? A nice calling card, and you know what? | 0:18:38 | 0:18:41 | |
If you're going to up-cycle, put your credit cards in it. | 0:18:41 | 0:18:43 | |
Hey-hey! Fantastic. | 0:18:43 | 0:18:45 | |
And Paul's calling card holder calls an end to this buying battle. | 0:18:45 | 0:18:49 | |
It's been a wild whirlwind so far | 0:18:49 | 0:18:51 | |
and they haven't even started selling yet, | 0:18:51 | 0:18:53 | |
so just how much have they spent? | 0:18:53 | 0:18:56 | |
Both our experts arrived at the antiques fair | 0:18:57 | 0:19:00 | |
with a budget of £750. | 0:19:00 | 0:19:02 | |
Paul Hayes haggled hard for his six purchases, spending £286.50. | 0:19:02 | 0:19:06 | |
Will Axon was out of his comfort zone, | 0:19:08 | 0:19:11 | |
so his six buys cost him £337. | 0:19:11 | 0:19:15 | |
They both like what they've bought, | 0:19:15 | 0:19:18 | |
but what about each other's? | 0:19:18 | 0:19:20 | |
-There you are. Did you enjoy yourself today? -I really did, actually. | 0:19:21 | 0:19:24 | |
I was a bit out of my comfort zone being indoors, | 0:19:24 | 0:19:26 | |
but everyone was very friendly | 0:19:26 | 0:19:28 | |
and I think I managed to squeeze a few unusual lots out of them. | 0:19:28 | 0:19:32 | |
You know what? I think I was in my prime here today. | 0:19:32 | 0:19:34 | |
-Really? -I loved it, it was great rummaging around, at an antiques fair, that's what I do best. | 0:19:34 | 0:19:38 | |
There's one thing, I know you're a bit of a leg man, Will, but what is that? | 0:19:38 | 0:19:41 | |
Well, I was hoping I was investing in a leg of a horse, | 0:19:41 | 0:19:44 | |
-but unfortunately it turns out it's a cow. -Right. | 0:19:44 | 0:19:47 | |
-So... -I don't think that's something I would've bought. | 0:19:47 | 0:19:49 | |
-Well, that's kind of you to say so. -Good luck. I did see these. | 0:19:49 | 0:19:52 | |
Right, you saw those, and why didn't you buy these? | 0:19:52 | 0:19:54 | |
I don't know, I haven't got anybody that has an Inglenook fireplace... | 0:19:54 | 0:19:58 | |
Well, that's the way I see them but apparently they're diver's bellows. | 0:19:58 | 0:20:01 | |
-OK. -Keep you alive. -See, I knew that all along. -Yeah, of course, exactly. | 0:20:01 | 0:20:04 | |
And you say traditional, I think I'd go with that, | 0:20:04 | 0:20:07 | |
-got your coromandel writing slope... -Yes. | 0:20:07 | 0:20:09 | |
..very traditional with your, what, bonbon dishes? Sweetmeats? That sort of thing? | 0:20:09 | 0:20:13 | |
Silver bonbon dishes, yes, and Doulton figure, | 0:20:13 | 0:20:15 | |
this is like going back to the business 20 years ago. | 0:20:15 | 0:20:18 | |
Well, listen, we need people like you to help revive these pieces. | 0:20:18 | 0:20:21 | |
-Bring them back to the fore of fashion. -That's it. One thing I loved, do you like the saxophone? | 0:20:21 | 0:20:25 | |
I love the saxophone, I used to play the saxophone. | 0:20:25 | 0:20:28 | |
I know, you can just do everything! WILL LAUGHS | 0:20:28 | 0:20:30 | |
-Can you honestly play that? -Well, I can play one tune badly. -Oh, come on! | 0:20:30 | 0:20:33 | |
At the moment, it's an inanimate object, I had a go, but I didn't make much... | 0:20:33 | 0:20:37 | |
Let's see if I can't make a few quid. Get your, | 0:20:37 | 0:20:39 | |
-I've forgotten how.... -There must be something. -Hang on. | 0:20:39 | 0:20:41 | |
WILL PLAYS JAZZ MUSIC | 0:20:41 | 0:20:44 | |
Do you know what? You're just good at everything, you. | 0:20:47 | 0:20:50 | |
Now, these two tussling towers of purchasing power | 0:20:52 | 0:20:56 | |
must switch their dials from buy to sell. | 0:20:56 | 0:20:59 | |
As the name of the game | 0:20:59 | 0:21:00 | |
is to shift their carefully considered collection | 0:21:00 | 0:21:03 | |
by whatever means necessary, | 0:21:03 | 0:21:05 | |
hoping to stack up a total profit that will make them the victor! | 0:21:05 | 0:21:08 | |
But before they return to the conflict zone, | 0:21:08 | 0:21:10 | |
our selling soldiers retreat to base camp | 0:21:10 | 0:21:13 | |
to assess their wares. And over in Morcambe, | 0:21:13 | 0:21:15 | |
how is Mr Hayes feeling about the battle ahead? | 0:21:15 | 0:21:18 | |
I'm quite pleased with what I bought, actually. | 0:21:18 | 0:21:20 | |
Most of the items seemed to start me at £20, | 0:21:20 | 0:21:23 | |
which is a complete bargain, really. | 0:21:23 | 0:21:25 | |
So I've got a nice old black slate clock, | 0:21:25 | 0:21:27 | |
I've got a Royal Doulton figurine and this beautiful card case, | 0:21:27 | 0:21:31 | |
which I've actually repaired, this was broken here. | 0:21:31 | 0:21:33 | |
Look at that. You see? Bit of glue I found lying around in a drawer. | 0:21:33 | 0:21:36 | |
The rest of the items were a bit more expensive. | 0:21:36 | 0:21:39 | |
I've had one snag - | 0:21:39 | 0:21:40 | |
the Doulton figure is actually quite a common one. | 0:21:40 | 0:21:43 | |
Most of these figures tend to be collected for the rarer examples. | 0:21:43 | 0:21:46 | |
So I might struggle with that one slightly, | 0:21:46 | 0:21:49 | |
but the saxophone has to be the best buy, I think that's fantastic, that's ready to go. | 0:21:49 | 0:21:53 | |
I'm dying to hear it played well. | 0:21:53 | 0:21:55 | |
I know Will can play it. What a swine, didn't realise he had that talent. | 0:21:55 | 0:21:58 | |
I must admit, the only genuine antique items really here has to be | 0:21:58 | 0:22:02 | |
this beautiful coromandel box which dates from the 19th century | 0:22:02 | 0:22:05 | |
and these early 20th-century solid silver dishes. | 0:22:05 | 0:22:08 | |
These are more traditional, you'd think that would be easier to sell. | 0:22:08 | 0:22:11 | |
But if anything, they've gone off the boil slightly, | 0:22:11 | 0:22:14 | |
so it's not all plain sailing, this one. | 0:22:14 | 0:22:17 | |
There are undoubtedly some stormy waters ahead, | 0:22:17 | 0:22:20 | |
so how does Will feel about his chances | 0:22:20 | 0:22:22 | |
of weathering a perfect storm? | 0:22:22 | 0:22:25 | |
Well, here I am, back at home with the items I bought, more or less dried out. | 0:22:25 | 0:22:29 | |
The one that posed me the most conundrum on the day was the bellows. | 0:22:29 | 0:22:33 | |
Were they for divers, were they for a smoke helmet? | 0:22:33 | 0:22:36 | |
I've done a little bit of research, | 0:22:36 | 0:22:38 | |
they are actually fire helmet bellows. | 0:22:38 | 0:22:40 | |
They were used to pump air into the helmets of firefighters | 0:22:40 | 0:22:43 | |
who were entering smoke-filled houses. | 0:22:43 | 0:22:46 | |
Apparently back in Victorian times, | 0:22:46 | 0:22:48 | |
even then they were mechanically-driven, | 0:22:48 | 0:22:50 | |
so these foot bellows are in fact for that. | 0:22:50 | 0:22:53 | |
The corkscrew, well, they were just a bit of fun, not expensive, | 0:22:53 | 0:22:56 | |
I tried to pay legs 11 for them but got pushed up a little bit. | 0:22:56 | 0:22:59 | |
The gold vase, a piece of classic Scandinavian glass, | 0:22:59 | 0:23:03 | |
designed for Holmegaard, of course. | 0:23:03 | 0:23:06 | |
I'm hoping that might appeal to, perhaps, a younger dealer. | 0:23:06 | 0:23:09 | |
And down in the front here, the nine carat gold Sampson Mordan toothpick. | 0:23:09 | 0:23:14 | |
I loved that piece when I saw it, my most expensive buy, | 0:23:14 | 0:23:17 | |
but I had to go for it, the quality just shone through on that. | 0:23:17 | 0:23:21 | |
And my cow's, er, mounted leg bones, | 0:23:21 | 0:23:24 | |
well, I'm not really sure why I bought this. | 0:23:24 | 0:23:27 | |
Perhaps it appealed to my macabre sense of humour. | 0:23:27 | 0:23:30 | |
I'm hoping there's a butcher out there | 0:23:30 | 0:23:32 | |
who would love it in his window | 0:23:32 | 0:23:33 | |
or perhaps someone who's at vet school | 0:23:33 | 0:23:35 | |
might like it as a desk piece. | 0:23:35 | 0:23:37 | |
And then I come to the posters. | 0:23:37 | 0:23:39 | |
Well, I loved these as well, good, strong images, | 0:23:39 | 0:23:42 | |
so I think these are good value for someone who is either | 0:23:42 | 0:23:46 | |
perhaps involved in car racing itself, or is a bit of a petrol head | 0:23:46 | 0:23:50 | |
and would love to have those hanging in his garage. | 0:23:50 | 0:23:53 | |
And talking of petrol heads, | 0:23:53 | 0:23:54 | |
it's time for both our experts to rev up their engines | 0:23:54 | 0:23:57 | |
and get this selling race underway. | 0:23:57 | 0:24:00 | |
They now begin the arduous task of searching the land | 0:24:00 | 0:24:03 | |
for the perfect buyer for each item they've acquired, | 0:24:03 | 0:24:06 | |
both understanding that no deal is sealed | 0:24:06 | 0:24:08 | |
until the shake of a hand and the exchange of cash. | 0:24:08 | 0:24:11 | |
And first to tune in on a potential profit is Paul, | 0:24:12 | 0:24:15 | |
as he travels to Wallasey near Liverpool | 0:24:15 | 0:24:18 | |
with a mind to selling his saxophone | 0:24:18 | 0:24:20 | |
to Brian "Saxophone" Jones, | 0:24:20 | 0:24:22 | |
who plays with a Merseybeat group, The Undertakers, on saxophone, | 0:24:22 | 0:24:26 | |
and teaches music - | 0:24:26 | 0:24:27 | |
specifically, the saxophone(!) | 0:24:27 | 0:24:29 | |
Is that something that you encourage, then, | 0:24:30 | 0:24:32 | |
-kids to get involved with music and playing the saxophone? -Yeah. | 0:24:32 | 0:24:35 | |
-And do you think you can bring it to life, then? -Well, I hope so. | 0:24:35 | 0:24:38 | |
That depends if there's any leaks on it, you know. It could be... | 0:24:38 | 0:24:41 | |
There could be leaks on it, or there could be, you know... | 0:24:41 | 0:24:44 | |
It looks like it's been unplayed. | 0:24:44 | 0:24:45 | |
-It's probably sat in its box since it's been bought. -That's right. | 0:24:45 | 0:24:48 | |
How old do you reckon it is? | 0:24:48 | 0:24:50 | |
It's not that old, really. | 0:24:50 | 0:24:52 | |
I'd say in the last five years, probably. | 0:24:52 | 0:24:55 | |
Really? So, it's that new? | 0:24:55 | 0:24:57 | |
It is that new, yeah. | 0:24:57 | 0:24:58 | |
Right, go on, then. | 0:24:58 | 0:25:00 | |
HE PLAYS JAZZ | 0:25:00 | 0:25:01 | |
Is it something that you can use for one of your students, | 0:25:11 | 0:25:13 | |
-or for something that you can pass on...? -Yeah. | 0:25:13 | 0:25:16 | |
-Yeah, I think I could use that, yeah. -Fantastic. | 0:25:16 | 0:25:18 | |
It's in mint condition, looks like it's never been used. | 0:25:18 | 0:25:20 | |
Yeah, no, it hasn't. It's very good. | 0:25:20 | 0:25:22 | |
If I was to ask you, say 150, | 0:25:22 | 0:25:24 | |
am I being cheeky or...? | 0:25:24 | 0:25:25 | |
I'd probably offer you £100 for it. | 0:25:25 | 0:25:28 | |
You couldn't see, sort of, 120 in it? | 0:25:28 | 0:25:30 | |
I'll throw the case in and... | 0:25:30 | 0:25:31 | |
-Well, they come with cases anyway. -And it is delivered! | 0:25:31 | 0:25:34 | |
It has been delivered, hasn't it? | 0:25:34 | 0:25:35 | |
Yeah, yeah. Erm, 120... | 0:25:35 | 0:25:38 | |
-OK, all right, then. -Shall we do that? -All right. | 0:25:38 | 0:25:40 | |
Well, I think it's been worth it to hear you play it | 0:25:40 | 0:25:42 | |
and to bring it alive, and I'm sure you'll have great use for it. | 0:25:42 | 0:25:45 | |
-Shall we shake on that? -Yes, certainly, yeah. -Fantastic. | 0:25:45 | 0:25:47 | |
-Thank you, Brian. -That's all right, it's OK. | 0:25:47 | 0:25:49 | |
Can you play Bubbles In The Bathtub by Ivor Windy-Bottom? | 0:25:49 | 0:25:53 | |
-No. -No? THEY LAUGH | 0:25:53 | 0:25:54 | |
So, Paul kicks off his selling | 0:25:54 | 0:25:56 | |
with a melodious profit | 0:25:56 | 0:25:57 | |
of £40 for the saxophone. | 0:25:57 | 0:25:59 | |
But this isn't a one-horse race | 0:25:59 | 0:26:01 | |
and our other jockey also has plans | 0:26:01 | 0:26:03 | |
to get his selling underway. | 0:26:03 | 0:26:05 | |
Well, here I am at The Jockey Club Rooms, | 0:26:05 | 0:26:08 | |
home not only to The Jockey Club, | 0:26:08 | 0:26:10 | |
but also an exclusive members-only club. | 0:26:10 | 0:26:13 | |
And I'm here to try and sell them this. | 0:26:13 | 0:26:16 | |
Wish me luck. | 0:26:16 | 0:26:18 | |
Yes, he'll certainly need it, | 0:26:18 | 0:26:19 | |
since he's planning on selling his novelty corkscrew | 0:26:19 | 0:26:22 | |
at the prestigious Jockey Club Rooms, | 0:26:22 | 0:26:25 | |
which houses one of the finest collections | 0:26:25 | 0:26:28 | |
of equestrian artwork in the world. | 0:26:28 | 0:26:30 | |
He's meeting Alan Medlock, the Head Steward. | 0:26:30 | 0:26:34 | |
Do you want me to reveal to you what treasure I've brought along today? | 0:26:34 | 0:26:37 | |
Oh, I'm sort of standing here in trepidation... | 0:26:37 | 0:26:41 | |
Listen, what drew me to this, before I show you, | 0:26:41 | 0:26:43 | |
is the novelty factor. | 0:26:43 | 0:26:45 | |
-Hm, novelty. -Novelty factor... | 0:26:45 | 0:26:46 | |
That's another worrying term. | 0:26:46 | 0:26:48 | |
It's no rare antique, | 0:26:48 | 0:26:50 | |
but I just thought it was a bit of fun. | 0:26:50 | 0:26:53 | |
What have we got? The Leg Pull... | 0:26:53 | 0:26:55 | |
BOTH: "The corkscrew with character." | 0:26:55 | 0:26:56 | |
For us to put this on display, | 0:26:56 | 0:26:58 | |
you may have to donate it and pay a site visit fee as well. | 0:26:58 | 0:27:02 | |
But, erm, it's very kind of you to show it to us. | 0:27:02 | 0:27:05 | |
I dread to think what the Senior Steward would say, | 0:27:05 | 0:27:07 | |
-if we showed it to him. -I'm not getting good vibes here. | 0:27:07 | 0:27:10 | |
I mean, would it help to tell you that it's not very expensive at all? | 0:27:10 | 0:27:14 | |
It would have to be less than very expensive. Erm... | 0:27:14 | 0:27:17 | |
What sort of figure are you looking at? | 0:27:17 | 0:27:19 | |
I'm prepared to take a small profit | 0:27:19 | 0:27:21 | |
and sell that to you for 20 quid. | 0:27:21 | 0:27:24 | |
If I bought it for £20... | 0:27:24 | 0:27:25 | |
-Yeah. -..I would buy it personally and donate it to the club, | 0:27:25 | 0:27:30 | |
rather than it save you the embarrassment | 0:27:30 | 0:27:32 | |
of having to put your name to it. | 0:27:32 | 0:27:34 | |
But then again, it's quite all right with me. | 0:27:34 | 0:27:36 | |
Will gallops off with a modest £5 profit on the corkscrew | 0:27:36 | 0:27:39 | |
and makes it one-all. | 0:27:39 | 0:27:41 | |
But he'll need to do better if he wants to win this race. | 0:27:41 | 0:27:44 | |
Paul's back in Morecambe and heading to specialist dealer John, | 0:27:44 | 0:27:47 | |
with his Belgian slate clock underarm. | 0:27:47 | 0:27:50 | |
It stands him at £20. | 0:27:50 | 0:27:52 | |
What was the idea behind these clocks, then? | 0:27:52 | 0:27:54 | |
When do they sort of date from? | 0:27:54 | 0:27:55 | |
-Right, well, really, they're Victorian. -Yeah. | 0:27:55 | 0:27:57 | |
And when Albert died, | 0:27:57 | 0:27:59 | |
-the fashion became black. -Oh. | 0:27:59 | 0:28:01 | |
She wore black, | 0:28:01 | 0:28:03 | |
-everybody wore black. -OK. | 0:28:03 | 0:28:04 | |
They started making black clocks. | 0:28:04 | 0:28:07 | |
-Right. -And this is where they're from. | 0:28:07 | 0:28:09 | |
So, a lot of people call them mourning clocks... | 0:28:09 | 0:28:11 | |
-Oh, right, OK. -..because of Albert. | 0:28:11 | 0:28:14 | |
Well, I was very pleased with this one... | 0:28:14 | 0:28:15 | |
It comes with a key and it is working. | 0:28:15 | 0:28:18 | |
A lot of the time when you see these things, they need some restoration. | 0:28:18 | 0:28:21 | |
-I think you're trying to sell me this clock. -Well, I am, yes. | 0:28:21 | 0:28:24 | |
I mean, is it a case of bringing snow to the Eskimos, | 0:28:24 | 0:28:26 | |
or is this something that you could genuinely think you could use? | 0:28:26 | 0:28:29 | |
Oh, no, we... I'm sure we could sell it IF the price is right. | 0:28:29 | 0:28:32 | |
-Well, there we are. -And, as I say, | 0:28:32 | 0:28:34 | |
I've never bought anything from you that we haven't succeeded with. | 0:28:34 | 0:28:37 | |
-Excellent. -But there's always a first time... | 0:28:37 | 0:28:39 | |
There's always a first time. Well, you know how I work. | 0:28:39 | 0:28:41 | |
I mean, if I was to ask you £45 for that, | 0:28:41 | 0:28:43 | |
does that sound about right or does that sound cheap? | 0:28:43 | 0:28:46 | |
-We can shake hands on that, Paul. -Really? -Yes. | 0:28:46 | 0:28:48 | |
Hm, sounds like he could have gone in a bit higher there, | 0:28:48 | 0:28:50 | |
but the sale earns him a respectable profit of £25. | 0:28:50 | 0:28:54 | |
Ah, so there we are, that lovely old Victorian slate clock, | 0:28:55 | 0:28:58 | |
that was fully working, was a great selling item, | 0:28:58 | 0:29:01 | |
and I made myself £25. | 0:29:01 | 0:29:03 | |
That's one in the eye for you there, Will. | 0:29:03 | 0:29:05 | |
Indeed. | 0:29:05 | 0:29:06 | |
Paul is on a selling spree | 0:29:06 | 0:29:08 | |
and he's wasting no time either, | 0:29:08 | 0:29:10 | |
going on to sell his writing slope to Jane from Carnforth, | 0:29:10 | 0:29:14 | |
adding a further £15 to the pot. | 0:29:14 | 0:29:17 | |
So, Will needs to get a move on. | 0:29:19 | 0:29:21 | |
His next sale has led him to Runfold, | 0:29:21 | 0:29:23 | |
where he's located antiques shop owner Hilary, | 0:29:23 | 0:29:26 | |
who he's hoping will help him pick out a profit | 0:29:26 | 0:29:28 | |
with the Sampson and Mordan toothpick that cost him £105. | 0:29:28 | 0:29:32 | |
-Well, this is actually for the gentleman who has everything. -Yes. | 0:29:32 | 0:29:35 | |
This is not the original box... | 0:29:35 | 0:29:37 | |
-Oh, that's lovely, isn't it? -But look at that. | 0:29:37 | 0:29:39 | |
-Very nice. -Little Sampson Mordan gold toothpick. | 0:29:39 | 0:29:43 | |
-Isn't that sweet? -Pick it up, have a feel. | 0:29:43 | 0:29:45 | |
-Love the little bloodstone inset finial there... -That's very nice. | 0:29:45 | 0:29:48 | |
-..which I think just lifts it. -Lovely. | 0:29:48 | 0:29:50 | |
The chaste decoration as well. | 0:29:50 | 0:29:53 | |
-Of its type, it's a very nice one. -Very nice. | 0:29:53 | 0:29:56 | |
-Comes out... -Does it push up? -It does, | 0:29:56 | 0:29:57 | |
it pushes up on the collar there. | 0:29:57 | 0:29:59 | |
-Oh, yeah, push up like... -Similar to the... -Like a pencil. | 0:29:59 | 0:30:02 | |
Exactly right. Exactly right, | 0:30:02 | 0:30:03 | |
which they are also known for making. | 0:30:03 | 0:30:05 | |
I would like to be able to ask you for £200 for this toothpick... | 0:30:05 | 0:30:10 | |
-Would you? -..and I think that leaves a little bit in it for you. | 0:30:10 | 0:30:13 | |
I'm thinking more like... 140? | 0:30:13 | 0:30:16 | |
HE PUFFS Or is that...? | 0:30:16 | 0:30:18 | |
140, it's a fair bid. | 0:30:18 | 0:30:19 | |
-Yes. -It's a fair bid. 140... | 0:30:19 | 0:30:22 | |
I was looking at 2... Well, look, I think maybe if we could settle on | 0:30:22 | 0:30:26 | |
180? | 0:30:26 | 0:30:27 | |
I mean, I'll come down 10% on my... | 0:30:27 | 0:30:29 | |
I think that's still too high. | 0:30:29 | 0:30:31 | |
I'll come down | 0:30:31 | 0:30:33 | |
to 170. | 0:30:33 | 0:30:35 | |
You wouldn't do 150? | 0:30:35 | 0:30:36 | |
I can see where this is going. | 0:30:38 | 0:30:40 | |
SHE CHUCKLES | 0:30:40 | 0:30:41 | |
Let's have a deal at 160 | 0:30:41 | 0:30:42 | |
-and I'll be glad that it's with you, amongst friends. -OK, deal. | 0:30:42 | 0:30:46 | |
Will makes £55 on the toothpick | 0:30:46 | 0:30:49 | |
and he's so bolstered up by the sale, | 0:30:49 | 0:30:51 | |
that he swings straight into another. | 0:30:51 | 0:30:53 | |
Will has targeted Wimbledon dealer Mark, | 0:30:53 | 0:30:55 | |
who specialises in late 20th-century designer objects. | 0:30:55 | 0:30:59 | |
The vase cost him £32 at Goodwood. | 0:31:00 | 0:31:03 | |
What a great space you've got here. | 0:31:03 | 0:31:05 | |
I love the way the sort of whole industrial warehouse space | 0:31:05 | 0:31:09 | |
-works so well with your stock. -It's fabulous, isn't it? Yes. | 0:31:09 | 0:31:12 | |
And look what you've got out for me, your very own Gulvase. | 0:31:12 | 0:31:14 | |
Yes, surprise, surprise. | 0:31:14 | 0:31:15 | |
This is the 30cm version. | 0:31:15 | 0:31:17 | |
OK, well, I've got the smaller brother, haven't I? | 0:31:17 | 0:31:20 | |
-The 25cm. -25. | 0:31:20 | 0:31:22 | |
They come in five different sizes, | 0:31:22 | 0:31:24 | |
the largest being 50cm... | 0:31:24 | 0:31:26 | |
-Oh, that'd be a nice piece. -It's beautiful. | 0:31:26 | 0:31:28 | |
I've only had one before, but they're quite rare, actually. | 0:31:28 | 0:31:30 | |
-Very rare but very desirable. -Hm. | 0:31:30 | 0:31:32 | |
-More of a sort of substantial statement? -Very much so. | 0:31:32 | 0:31:35 | |
But on the other hand, I quite like the sort of understated elegance | 0:31:35 | 0:31:38 | |
-of the smaller ones. -Yes, they're beautiful, aren't they? | 0:31:38 | 0:31:41 | |
-There's, erm... They come in five different colours. -Yes. | 0:31:41 | 0:31:43 | |
Basically, the brown, clear, blue, green and olive, | 0:31:43 | 0:31:47 | |
this being the olive, yours being the brown. | 0:31:47 | 0:31:49 | |
Well, listen, I think they look rather smart together like that, | 0:31:49 | 0:31:52 | |
don't they? I'm thinking around the sort of £60 mark. | 0:31:52 | 0:31:55 | |
£60... | 0:31:55 | 0:31:57 | |
OK, I was thinking probably around the £40 mark? | 0:31:57 | 0:32:01 | |
£40 mark... | 0:32:01 | 0:32:03 | |
40 and 60, | 0:32:03 | 0:32:04 | |
-can we meet maybe in the middle and shake on 50? -50? | 0:32:04 | 0:32:07 | |
-Sounds good, Will. -It's a nice round number. -That's great. | 0:32:07 | 0:32:10 | |
-Excellent. -Mark, it's been great fun, excellent. | 0:32:10 | 0:32:12 | |
So, Will makes a profit of £18 on the vase, | 0:32:12 | 0:32:15 | |
which brings us to the halfway point. | 0:32:15 | 0:32:17 | |
So, let's take a moment to consider the scores on the board. | 0:32:17 | 0:32:21 | |
Paul has sold a solid three items | 0:32:21 | 0:32:23 | |
and totalled a profit of £80 so far. | 0:32:23 | 0:32:26 | |
Will has matched Paul sale for sale | 0:32:28 | 0:32:30 | |
and also done three deals, | 0:32:30 | 0:32:31 | |
and has made £78. | 0:32:31 | 0:32:34 | |
With the selling shenanigans now in full swing, | 0:32:36 | 0:32:39 | |
the scores couldn't be any closer. | 0:32:39 | 0:32:41 | |
Paul is only £2 ahead, | 0:32:41 | 0:32:42 | |
but he's hoping to increase that lead | 0:32:42 | 0:32:44 | |
as he arrives in Southend-on-Sea | 0:32:44 | 0:32:46 | |
in search of his next profit. | 0:32:46 | 0:32:49 | |
Do you remember these bonbon dishes, | 0:32:49 | 0:32:50 | |
which date from the turn of the century? | 0:32:50 | 0:32:52 | |
Well, I've brought them to an antique sweet shop | 0:32:52 | 0:32:54 | |
and I'll hopefully get a bit of information | 0:32:54 | 0:32:57 | |
about what type of sweets would have been in here, | 0:32:57 | 0:32:59 | |
and see if they want them for their collection. | 0:32:59 | 0:33:01 | |
You never know. | 0:33:01 | 0:33:02 | |
# The Candy Man | 0:33:02 | 0:33:04 | |
# The Candy Man | 0:33:04 | 0:33:05 | |
# Oh, the Candy Man can | 0:33:05 | 0:33:07 | |
# The Candy Man can | 0:33:07 | 0:33:09 | |
# The Candy Man can. # | 0:33:09 | 0:33:11 | |
So, here we are, Kayleigh, these dishes date from about 1900, | 0:33:11 | 0:33:13 | |
-they're solid silver... -Right, OK. | 0:33:13 | 0:33:15 | |
..and they would have belonged to somebody quite wealthy at the time. | 0:33:15 | 0:33:18 | |
-Yeah. -But what type of sweets would have gone in these, at the time? | 0:33:18 | 0:33:21 | |
I would say, | 0:33:21 | 0:33:22 | |
the popular ones in that era were pear drops. | 0:33:22 | 0:33:25 | |
They're very popular. Yeah, they've always been popular, those. | 0:33:25 | 0:33:28 | |
-Always popular. -And then a lot of wrapped ones, | 0:33:28 | 0:33:30 | |
acid drops, cough candy, winter mixture, | 0:33:30 | 0:33:35 | |
they're all ones that are still made now to the same recipe. | 0:33:35 | 0:33:38 | |
OK. And would they have been traditional boiled sweets? | 0:33:38 | 0:33:40 | |
-Would that be the type that went in them? -Yeah, definitely. | 0:33:40 | 0:33:43 | |
So, yeah, like the rhubarb and custard, it wouldn't have been... | 0:33:43 | 0:33:46 | |
-Very rarely to have chocolate. -Are they the sort... | 0:33:46 | 0:33:48 | |
I can see these wouldn't be something that you'd sell here, | 0:33:48 | 0:33:51 | |
but would these be something you might be interested in purchasing? | 0:33:51 | 0:33:54 | |
-They are... They would be nice for home. -Right, OK. | 0:33:54 | 0:33:56 | |
And would that be full of sweets or as they would be? | 0:33:56 | 0:33:59 | |
-Full of sweets, obviously, yeah. -Full of sweets. OK, well, | 0:33:59 | 0:34:01 | |
if I said £120 full of sweets... | 0:34:01 | 0:34:04 | |
-..and I'll pay for the sweets, how does that sound? -Sounds good. | 0:34:05 | 0:34:08 | |
-Is that all right? -Yeah. -Shall we do that? -Yeah, lovely. | 0:34:08 | 0:34:10 | |
Yes, Paul fills his dishes with sweets and gets a delicious | 0:34:10 | 0:34:13 | |
profit of just over £31 | 0:34:13 | 0:34:15 | |
for the bonbon dishes. | 0:34:15 | 0:34:17 | |
Will isn't going to take that lying down. | 0:34:17 | 0:34:19 | |
No, he's taken his bellows | 0:34:19 | 0:34:20 | |
and he's hoping a FELLOW | 0:34:20 | 0:34:22 | |
will help him say HELLO to a profit, | 0:34:22 | 0:34:24 | |
if he can SELL-O them... | 0:34:24 | 0:34:26 | |
Well, here I am at The Cross Keys pub in Chatteris | 0:34:27 | 0:34:29 | |
and I'm here to see Rich. | 0:34:29 | 0:34:31 | |
He's a man with a pub and a man with a fireplace, | 0:34:31 | 0:34:33 | |
so I reckon he's an ideal customer... | 0:34:33 | 0:34:36 | |
-HE GROANS -..for my smoke bellows. | 0:34:36 | 0:34:38 | |
OK, what is it? | 0:34:40 | 0:34:41 | |
Well, when I saw them, | 0:34:41 | 0:34:43 | |
I originally thought they might have been diver's bellows, you know, | 0:34:43 | 0:34:46 | |
to pump the air down into the old diving bell or the helmet | 0:34:46 | 0:34:49 | |
-that a diver...? -Yes, yes. | 0:34:49 | 0:34:50 | |
I've contacted a man who's a specialist in vintage diving | 0:34:50 | 0:34:54 | |
equipment and he tells me that actually, | 0:34:54 | 0:34:56 | |
even Victorian diving bellows were mechanical. | 0:34:56 | 0:35:00 | |
-Right. -So, this, he's told me, | 0:35:00 | 0:35:02 | |
is probably more likely to be for the fire service, | 0:35:02 | 0:35:05 | |
pumping air into the helmets | 0:35:05 | 0:35:07 | |
as they enter smoke-filled buildings. | 0:35:07 | 0:35:10 | |
-Really? -They're good, though, aren't they? -Absolutely fantastic. | 0:35:10 | 0:35:13 | |
OK, so what are you actually... How much are you looking for? | 0:35:13 | 0:35:16 | |
Cos I have got no idea what they're worth. | 0:35:16 | 0:35:18 | |
Well, I reckon they should be worth about 100 quid. | 0:35:18 | 0:35:21 | |
Your silence speaks volumes, Rich. | 0:35:24 | 0:35:27 | |
-100 quid. -Well, I've done a little bit of buying and selling... | 0:35:27 | 0:35:30 | |
Yeah, I know you have, yeah. | 0:35:30 | 0:35:32 | |
-I start at 50. -Oh, 50... | 0:35:32 | 0:35:34 | |
Well, I know how this game works. | 0:35:34 | 0:35:36 | |
How about I come back... | 0:35:36 | 0:35:37 | |
How do you want to do it, 10s or 20s? | 0:35:37 | 0:35:39 | |
What about I say... | 0:35:39 | 0:35:40 | |
Well, if I say 80, | 0:35:40 | 0:35:43 | |
what are you going to say? | 0:35:43 | 0:35:44 | |
I'm going to say 60. | 0:35:44 | 0:35:46 | |
Oh, you're a tough man. | 0:35:46 | 0:35:47 | |
So, that puts me at £70? | 0:35:47 | 0:35:51 | |
-Deal. -£70. That's a result. | 0:35:51 | 0:35:53 | |
Oh, that was a tough haggle! | 0:35:53 | 0:35:55 | |
Will makes just £15 on the Victorian bellows. | 0:35:55 | 0:35:58 | |
Well, I was hoping for a little bit more on those bellows, | 0:35:58 | 0:36:01 | |
but Rich is a canny buyer. | 0:36:01 | 0:36:03 | |
I'm sure he had the heating turned up in there. | 0:36:03 | 0:36:05 | |
I got all hot, flustered and bothered. Oh, well. | 0:36:05 | 0:36:07 | |
A deal's a deal, onto the next one. | 0:36:07 | 0:36:10 | |
And next, Will hops back to Newmarket with his cow's leg, | 0:36:10 | 0:36:14 | |
which he's hoping will give him a leg up | 0:36:14 | 0:36:16 | |
after receiving a little bit of TLU, | 0:36:16 | 0:36:18 | |
that's Tender Loving Upcycling. | 0:36:18 | 0:36:20 | |
Well, my creative juices have been flowing | 0:36:20 | 0:36:23 | |
and I have created what can only be called | 0:36:23 | 0:36:25 | |
an item of beauty. | 0:36:25 | 0:36:27 | |
Yes, I've turned it into a lamp! | 0:36:27 | 0:36:29 | |
Clever thinking from Will. | 0:36:29 | 0:36:31 | |
The leg cost £30 | 0:36:31 | 0:36:33 | |
and conversion and safety testing adds another 30, | 0:36:33 | 0:36:36 | |
standing him at £60. | 0:36:36 | 0:36:38 | |
He's meeting Patrick, the owner of the shop. | 0:36:38 | 0:36:41 | |
Well, Will, I have to say, | 0:36:41 | 0:36:43 | |
it certainly is a unique creation(!) | 0:36:43 | 0:36:46 | |
It's very nice, I do like it. | 0:36:46 | 0:36:48 | |
Might be something that appeals to, erm... | 0:36:48 | 0:36:50 | |
-Various buyers. I mean, I've got maybe vets in mind... -OK. | 0:36:50 | 0:36:54 | |
I've got maybe some landlords in mind | 0:36:54 | 0:36:56 | |
-who like quirky taxidermy ideas. -Yes. | 0:36:56 | 0:36:58 | |
I reckon that this is the only one in the world. | 0:36:58 | 0:37:01 | |
-Is it really? -Well, if you think about it, | 0:37:01 | 0:37:02 | |
-there can only be three others. -Yes. | 0:37:02 | 0:37:05 | |
THEY LAUGH That's true. Very true, | 0:37:05 | 0:37:08 | |
Yeah, I can see... I mean, I've traded myself in, you know, | 0:37:08 | 0:37:11 | |
-riding boots that have been turned into lamps... -That's right. | 0:37:11 | 0:37:14 | |
-..so I know there's a buzz for this kind of unique lamp. -Yeah. | 0:37:14 | 0:37:17 | |
I guess it comes down to, as always, Will, | 0:37:17 | 0:37:19 | |
what are you after for it? | 0:37:19 | 0:37:21 | |
I'm looking, for this lamp, and I think a fair price would be, what... | 0:37:21 | 0:37:25 | |
100 quid? Something like that? £100 for a one-off piece. | 0:37:25 | 0:37:28 | |
You know, I'm a man who doesn't always go for the first price, | 0:37:28 | 0:37:31 | |
so I'm going to maybe beat you down a little bit, Will, | 0:37:31 | 0:37:33 | |
punch you down and say £70. | 0:37:33 | 0:37:35 | |
-Oh... -Come on. -Well, I know... | 0:37:35 | 0:37:37 | |
You know, I understand where you're coming from. | 0:37:37 | 0:37:40 | |
Well, listen, I'm going to be even meaner and say 90. | 0:37:40 | 0:37:43 | |
Oh! Well, look, | 0:37:43 | 0:37:45 | |
let's just do the classic and meet in the middle, | 0:37:45 | 0:37:47 | |
call it £80 and you've got yourself a deal. | 0:37:47 | 0:37:49 | |
Come on, Axeman! | 0:37:50 | 0:37:52 | |
I'll make it £80 | 0:37:52 | 0:37:53 | |
if we can bump and wave. | 0:37:53 | 0:37:56 | |
BOTH: Bump and wave! | 0:37:56 | 0:37:58 | |
Yes, I'm not sure that'll catch on. | 0:37:58 | 0:38:00 | |
Anyway, Will adds another £20 to his profit sheet | 0:38:00 | 0:38:03 | |
and has just one item left to sell. | 0:38:03 | 0:38:06 | |
Paul, however, has two, | 0:38:06 | 0:38:08 | |
but he's hit a bump in the road | 0:38:08 | 0:38:09 | |
after discovering that his Doulton figurine | 0:38:09 | 0:38:11 | |
isn't worth as much as he hoped. | 0:38:11 | 0:38:13 | |
If I didn't have that one, | 0:38:14 | 0:38:16 | |
I might buy it, I suppose. But... | 0:38:16 | 0:38:17 | |
-Yeah, you've already got one like this? -We've already got one. | 0:38:17 | 0:38:20 | |
But he manages to recover his costs | 0:38:20 | 0:38:22 | |
when he sells it to Margaret from Carnforth | 0:38:22 | 0:38:24 | |
for the same price that he paid for it. | 0:38:24 | 0:38:26 | |
So, at least it's not a loss. | 0:38:26 | 0:38:28 | |
Now, his last item is the calling card holder. | 0:38:28 | 0:38:31 | |
With the clock ticking, Paul teleports back to a time | 0:38:31 | 0:38:34 | |
when no gentleman would be seen without one. | 0:38:34 | 0:38:36 | |
He's in Bolton-by-Bowery to meet Richie, | 0:38:36 | 0:38:39 | |
who runs a Victorian carriage business. Yes. | 0:38:39 | 0:38:42 | |
So, Richie, how old is the carriage? | 0:38:42 | 0:38:44 | |
1895. | 0:38:44 | 0:38:45 | |
-It used to belong to German royalty at one time... -Never? | 0:38:45 | 0:38:48 | |
-Yes, it did, yes. -Wow, fantastic. | 0:38:48 | 0:38:50 | |
And what's the purpose, then? Is it like a classic vehicle | 0:38:50 | 0:38:53 | |
that you just enjoy, or have you turned it into a business? | 0:38:53 | 0:38:56 | |
-What do you do with it? -No, it's a Victoria carriage... | 0:38:56 | 0:38:58 | |
-Where ladies in the olden days had very big dresses... -OK. | 0:38:58 | 0:39:02 | |
And, you know, we do weddings | 0:39:02 | 0:39:04 | |
and they can get in with the big dresses, of course. | 0:39:04 | 0:39:07 | |
Well, there is a reason why I'm here. | 0:39:07 | 0:39:08 | |
In the Victorian times, if you were advertising your business, | 0:39:08 | 0:39:11 | |
you would need a calling card case. | 0:39:11 | 0:39:13 | |
-Have you seen one of these before? -No, I haven't. | 0:39:13 | 0:39:15 | |
Ah, this is a beautiful thing. It dates exactly about the same time, | 0:39:15 | 0:39:18 | |
so late 19th century. | 0:39:18 | 0:39:20 | |
And the idea is, in here would be your calling cards, | 0:39:20 | 0:39:23 | |
and you would make your announcement. | 0:39:23 | 0:39:24 | |
-Isn't that a beautiful thing? -Very nice thing. | 0:39:24 | 0:39:26 | |
I mean, if I was to say £30, would that be...? | 0:39:26 | 0:39:29 | |
-No, no, I wouldn't give that. -You wouldn't(!) 20... | 0:39:29 | 0:39:31 | |
No, no, 20 would be... | 0:39:31 | 0:39:33 | |
-OK, that would be the maximum...? -Yes. | 0:39:33 | 0:39:35 | |
Do you know what? If it's genuinely something you would like, | 0:39:35 | 0:39:38 | |
-I would accept your £20. Does that sound...? -That sounds OK. | 0:39:38 | 0:39:41 | |
Paul seems to be stuck in a temporal loop, | 0:39:41 | 0:39:44 | |
selling the card holder for the same price | 0:39:44 | 0:39:46 | |
that he bought it for, again! | 0:39:46 | 0:39:48 | |
And with that, his time travelling | 0:39:48 | 0:39:49 | |
and selling adventure is over. | 0:39:49 | 0:39:51 | |
ZAP! | 0:39:51 | 0:39:53 | |
Will still has his last item to sell, | 0:39:53 | 0:39:56 | |
the Grand Prix posters, which he's taken to Suffolk-based | 0:39:56 | 0:39:59 | |
father and son racing enthusiasts, | 0:39:59 | 0:40:01 | |
Martin and Tim. | 0:40:01 | 0:40:03 | |
The posters cost him £100, | 0:40:03 | 0:40:04 | |
so will they give him the last-minute fuel injection | 0:40:04 | 0:40:07 | |
that will let him pip his opponent at the winning post? | 0:40:07 | 0:40:10 | |
-Now, what do you think of that one? -I think they're gorgeous. | 0:40:10 | 0:40:14 | |
-They're good, aren't they? -And it's, by the look of it, | 0:40:14 | 0:40:16 | |
an authentic reproduction of the actual one. | 0:40:16 | 0:40:21 | |
Exactly, because the originals of these are thousands of pounds. | 0:40:21 | 0:40:25 | |
-Yes, I've seen them change hands. -Yeah. | 0:40:25 | 0:40:27 | |
But who knows from a distance, once they're on the wall, eh? | 0:40:27 | 0:40:30 | |
Well, exactly. But I'll show you the other one as well, | 0:40:30 | 0:40:32 | |
-which I liked... -Whoa! | 0:40:32 | 0:40:34 | |
..because I thought it was different enough... | 0:40:34 | 0:40:36 | |
A lovely bit of Art Deco. | 0:40:36 | 0:40:37 | |
Exactly, look at that, 1931... | 0:40:37 | 0:40:39 | |
-Bugatti type of things there, yeah. -What are they? Sort of Bugatti...? | 0:40:39 | 0:40:42 | |
Well, that must be very close to the first race there, | 0:40:42 | 0:40:44 | |
-I would have thought. -Really? -Yeah. | 0:40:44 | 0:40:46 | |
-Well, listen, you like all things vintage... -Yes. | 0:40:46 | 0:40:48 | |
..you like all things racing, | 0:40:48 | 0:40:49 | |
and I think my two posters tick both boxes. | 0:40:49 | 0:40:52 | |
I'm looking at £100 each for them. | 0:40:52 | 0:40:54 | |
-£200. -£200 for the two, sir. | 0:40:54 | 0:40:58 | |
I don't know whether I like them that much. | 0:40:58 | 0:40:59 | |
Will wants to double his money | 0:40:59 | 0:41:01 | |
and secure a win in this competition, | 0:41:01 | 0:41:04 | |
but will Tim and Martin go for it? | 0:41:04 | 0:41:06 | |
You'll have to wait and see, | 0:41:06 | 0:41:07 | |
as it's almost time for the chequered flag. | 0:41:07 | 0:41:09 | |
But before we find out which of our battling barterers | 0:41:09 | 0:41:12 | |
has won today, | 0:41:12 | 0:41:13 | |
let's remind ourselves of how much they spent. | 0:41:13 | 0:41:16 | |
Both our brave boys had a budget of £750 | 0:41:16 | 0:41:19 | |
to spend at the antiques fair. | 0:41:19 | 0:41:22 | |
Paul Hayes picked up his six purchases | 0:41:22 | 0:41:24 | |
and spent £286.50. | 0:41:24 | 0:41:26 | |
Will matched Paul's six buys, | 0:41:27 | 0:41:29 | |
but spent a total £337 on his items. | 0:41:29 | 0:41:33 | |
But the winner is the person | 0:41:33 | 0:41:35 | |
who makes the most profit. | 0:41:35 | 0:41:37 | |
All of the money that Paul and Will have made from today's challenge | 0:41:37 | 0:41:40 | |
will go to charities of their choice. | 0:41:40 | 0:41:42 | |
So, let's find out who is today's | 0:41:42 | 0:41:44 | |
Put Your Money Where Your Mouth Is Champion. | 0:41:44 | 0:41:46 | |
-Morning, sir! -How are you? I'm all right, thank you. | 0:41:47 | 0:41:50 | |
-The antiques fair, wasn't that great? -Oh, yes, | 0:41:50 | 0:41:52 | |
-at Goodwood and not a horse in sight. -Nope. | 0:41:52 | 0:41:54 | |
-But there was a cow, or at least part of a cow. -Yeah. | 0:41:54 | 0:41:56 | |
-Remember my cow's leg? -Yeah, what happened with that? | 0:41:56 | 0:41:58 | |
-I got creative and turned it into a lamp. -Right. Did you MOO-ve it on? | 0:41:58 | 0:42:01 | |
Oh, that's a shocker. | 0:42:01 | 0:42:03 | |
-Very a-MOO-zing! -Oh, there we go. | 0:42:03 | 0:42:04 | |
-You've done that already. -Touche. What about you? Your highlight? | 0:42:04 | 0:42:07 | |
-I met Brian "Saxophone" Jones. -Really? -A real gent. | 0:42:07 | 0:42:10 | |
He told me all about it as well. | 0:42:10 | 0:42:12 | |
Wonderful, yeah, I really enjoyed that. And I made a profit as well. | 0:42:12 | 0:42:14 | |
Excellent. Well, I don't think I made a loss, | 0:42:14 | 0:42:16 | |
so I'm hoping that this might well be in the black today. | 0:42:16 | 0:42:20 | |
Well, do you know what, I don't think I made a loss. | 0:42:20 | 0:42:22 | |
-But let's see how we got on. -Come on, then. | 0:42:22 | 0:42:24 | |
-It could be close, this one, mate. -One, two, three? | 0:42:24 | 0:42:26 | |
OK, one, two, three. | 0:42:26 | 0:42:28 | |
-Wahey! -Hey! Well done! | 0:42:28 | 0:42:30 | |
-Damn! -The Axeman! | 0:42:30 | 0:42:31 | |
I've got another three legs off a cow. | 0:42:31 | 0:42:33 | |
-Do you want to do something with that? -Yeah, I've got an idea... | 0:42:33 | 0:42:36 | |
Yes, Will leaves his opponent for dust | 0:42:36 | 0:42:38 | |
after selling the racing posters for the biggest profit of the day. | 0:42:38 | 0:42:41 | |
-Go on, then, Will. -Put it there. -We've got a deal. | 0:42:41 | 0:42:44 | |
He sells them for an impressive £180, | 0:42:44 | 0:42:47 | |
making £80 profit. | 0:42:47 | 0:42:48 | |
Which means he gets the grand prize | 0:42:48 | 0:42:50 | |
of calling himself today's winner! | 0:42:50 | 0:42:52 | |
Well, it was a wet day at Goodwood but after a win, | 0:42:52 | 0:42:56 | |
it's all sunshine and smiles with the Axeman. | 0:42:56 | 0:42:59 | |
Well, do you know what, | 0:42:59 | 0:43:00 | |
I thought I'd done really well at the antiques market. | 0:43:00 | 0:43:02 | |
I made some great profit but just pipped at the post there by Will. | 0:43:02 | 0:43:06 | |
Well done, Will. | 0:43:06 | 0:43:07 | |
But tomorrow, it's the grand finale, as our boys must muster | 0:43:07 | 0:43:10 | |
the energy to go at it one more time in the ultimate challenge, | 0:43:10 | 0:43:14 | |
the Showdown! | 0:43:14 | 0:43:15 |