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This is Put Your Money Where Your Mouth Is - the show that pitches | 0:00:02 | 0:00:04 | |
TV's best-loved antiques experts against each other in an all-out | 0:00:04 | 0:00:08 | |
battle for profit... | 0:00:08 | 0:00:10 | |
Elementary, my dear dealer. | 0:00:10 | 0:00:11 | |
..and gives YOU the insider's view of the trade! | 0:00:11 | 0:00:15 | |
HE GROWLS | 0:00:15 | 0:00:17 | |
Each week, one pair of duelling dealers will face a different | 0:00:17 | 0:00:20 | |
daily challenge... | 0:00:20 | 0:00:22 | |
Actually, if you can. | 0:00:22 | 0:00:23 | |
The Axeman cometh. | 0:00:23 | 0:00:25 | |
Putting their reputations on the line... | 0:00:25 | 0:00:27 | |
Urgh! | 0:00:27 | 0:00:29 | |
Ready for battle. | 0:00:29 | 0:00:31 | |
..and giving you their top tips and savvy secrets | 0:00:31 | 0:00:35 | |
on how to make the most money from buying and selling. | 0:00:35 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:41 | |
Today the Morecambe mastermind, | 0:00:42 | 0:00:45 | |
Mr Paul Hayes, takes on action-man auctioneer Will Axon | 0:00:45 | 0:00:48 | |
in a Parisian market. | 0:00:48 | 0:00:51 | |
Coming up - does Will repeat old mistakes? | 0:00:51 | 0:00:54 | |
Now, have I learnt my lesson? | 0:00:54 | 0:00:57 | |
Paul struggles with the lingo... | 0:00:57 | 0:00:59 | |
Not usually what I'd buy. | 0:00:59 | 0:01:01 | |
-Parlez-moi francais. -"Je ne parler francais." | 0:01:01 | 0:01:03 | |
And Will puts his cards on the table. | 0:01:03 | 0:01:05 | |
15 is one of the worst hands you can have to draw. | 0:01:05 | 0:01:08 | |
This is Put Your Money Where Your Mouth Is. | 0:01:08 | 0:01:11 | |
Ah, bonjour, Put Your Money aficionados, to a challenge | 0:01:24 | 0:01:27 | |
with an international je ne sais quoi. | 0:01:27 | 0:01:30 | |
Today two tres magnifique men of antiques have | 0:01:30 | 0:01:33 | |
arrived in France hoping to elope with a profit. | 0:01:33 | 0:01:37 | |
So let's meet our warring duo. | 0:01:37 | 0:01:41 | |
Rolling in to town with a tank full of talent | 0:01:41 | 0:01:43 | |
and an artillery of antiques experience, | 0:01:43 | 0:01:46 | |
a man who has marched all the way from Morecambe. | 0:01:46 | 0:01:49 | |
It's Paul "Mr Morecambe" Hayes. | 0:01:49 | 0:01:51 | |
Do you know what? It's all part of the fun. | 0:01:52 | 0:01:55 | |
And the sound of supersonic soaring heralds the arrival of an auctioneer | 0:01:55 | 0:01:59 | |
ready to parachute down over enemy lines and escape with a profit. | 0:01:59 | 0:02:02 | |
It's Will "The Axeman" Axon. | 0:02:02 | 0:02:06 | |
If in doubt, chuck it out. | 0:02:06 | 0:02:09 | |
The chosen battlefield upon which this conflict will occur is | 0:02:09 | 0:02:12 | |
the Porte de Vanves flea market, Paris. | 0:02:12 | 0:02:14 | |
They've each converted £750 of their own | 0:02:14 | 0:02:17 | |
money into euros - and once they've sold on their wares, any profits | 0:02:17 | 0:02:21 | |
will go straight to their chosen charities. So, euros at the ready! | 0:02:21 | 0:02:25 | |
Paul Hayes and Will Axon, | 0:02:25 | 0:02:27 | |
it's time to put your money where your mouth is! | 0:02:27 | 0:02:31 | |
Croque monsieur, Mr Morecambe? | 0:02:31 | 0:02:33 | |
Sans jambon, Monsieur. | 0:02:33 | 0:02:35 | |
Mucky buckets! | 0:02:35 | 0:02:38 | |
-I see you are a natural linguist. -I see you studied French. | 0:02:38 | 0:02:41 | |
Maybe to pre-11 level. | 0:02:41 | 0:02:43 | |
I can understand it a little bit, but I believe that you've been to | 0:02:43 | 0:02:46 | |
this market before. That's the upper hand for you, isn't it, today? | 0:02:46 | 0:02:49 | |
I have been here before but it's a different day, | 0:02:49 | 0:02:51 | |
-a different market, different stallholders. -That's right. | 0:02:51 | 0:02:54 | |
And more importantly, different kit. | 0:02:54 | 0:02:56 | |
The only thing I have a problem with, really, | 0:02:56 | 0:02:58 | |
is French numbers. 20 plus 4, plus 8. | 0:02:58 | 0:03:01 | |
I can't work it out. | 0:03:01 | 0:03:02 | |
I've got a cunning plan. | 0:03:02 | 0:03:03 | |
I'm not going to tell you that, of course. | 0:03:03 | 0:03:06 | |
You've got me thinking now, Paul. | 0:03:06 | 0:03:08 | |
-But we can spend up to £750 worth of euros. -Ooh. | 0:03:08 | 0:03:11 | |
You can buy some good stuff with that. | 0:03:11 | 0:03:14 | |
Yeah, that's plenty of money. | 0:03:14 | 0:03:15 | |
Like I say, there's a bit of everything at this market, | 0:03:15 | 0:03:18 | |
so I reckon with that sort of budget will be all right. | 0:03:18 | 0:03:21 | |
Really good luck to you. I know you've been here before. | 0:03:21 | 0:03:23 | |
I have one thing to say to you - "J'habite dans un jardin publique." | 0:03:23 | 0:03:26 | |
Oh, bon chance, Monsieur! | 0:03:26 | 0:03:28 | |
So Paul's got a secret plan to get the upper hand on Will! | 0:03:29 | 0:03:33 | |
Come on, we're all friends here, spill the beans! | 0:03:33 | 0:03:36 | |
I'm quite good with the lingo, but don't tell that to Will. | 0:03:36 | 0:03:38 | |
The only thing I get confused about is the numbers, so I've done my homework | 0:03:38 | 0:03:43 | |
and I've written down all the numbers so that if I get confused | 0:03:43 | 0:03:46 | |
I just simply point and hopefully get the correct price. | 0:03:46 | 0:03:50 | |
A cunning strategy there, Paul. | 0:03:50 | 0:03:53 | |
He's written down all the numbers. That's right. | 0:03:53 | 0:03:55 | |
Not some of the numbers. No. All of the numbers. | 0:03:55 | 0:03:57 | |
And while Paul's concerned about how he's going to buy, it seems | 0:03:57 | 0:04:00 | |
Will is thinking about WHERE he's going to buy. | 0:04:00 | 0:04:04 | |
Invariably everybody starts off up where the old coffee machine is, | 0:04:04 | 0:04:08 | |
having their swift espresso, | 0:04:08 | 0:04:11 | |
so I'm going to wander down to this end and work my way back up, | 0:04:11 | 0:04:14 | |
so hopefully find the treasure before Paul does. | 0:04:14 | 0:04:18 | |
Will's experience is already paying off as he swims upstream. | 0:04:18 | 0:04:21 | |
Both have their strategies but now they must stop theorising | 0:04:21 | 0:04:24 | |
and start rummaging. For all of Will's confidence, | 0:04:24 | 0:04:27 | |
Paul is the first to have spotted an item with some potential. | 0:04:27 | 0:04:31 | |
I get a magazine every week which is to do with | 0:04:31 | 0:04:34 | |
antiques, and on the front page of the magazine | 0:04:34 | 0:04:36 | |
there was a world-record price paid | 0:04:36 | 0:04:38 | |
for some Scandinavian furniture, | 0:04:38 | 0:04:40 | |
which looked very, very similar to this - | 0:04:40 | 0:04:42 | |
the height of the 1960s/'70s, | 0:04:42 | 0:04:45 | |
the start of the Scandinavian invasion. | 0:04:45 | 0:04:47 | |
Paul likes the table | 0:04:47 | 0:04:48 | |
so he brings out his secret weapon, the list of numbers. | 0:04:48 | 0:04:52 | |
Le prix? | 0:04:52 | 0:04:53 | |
C'est le prix? | 0:04:53 | 0:04:55 | |
Cent cinquante. | 0:04:55 | 0:04:56 | |
-Cent...? -Cent cinquante, | 0:04:56 | 0:04:57 | |
-100... -150, OK. | 0:04:57 | 0:04:59 | |
Est-ce je peux acheter | 0:04:59 | 0:05:01 | |
pour ensemble? | 0:05:01 | 0:05:02 | |
Eh, 100... | 0:05:02 | 0:05:04 | |
Monsieur... | 0:05:04 | 0:05:06 | |
-100? -No, 120. | 0:05:06 | 0:05:08 | |
120? 120. | 0:05:08 | 0:05:10 | |
Is it worth a 120-euro gamble? | 0:05:10 | 0:05:14 | |
What do you think? Place your bets now. | 0:05:14 | 0:05:17 | |
Do you know what? Live dangerously. OK. Monsieur! | 0:05:17 | 0:05:20 | |
"Je purchase...oui." | 0:05:20 | 0:05:21 | |
Paul pays 120 euros for the wooden table, which works out | 0:05:21 | 0:05:24 | |
as £98.36, and it's not his usual type of purchase. | 0:05:24 | 0:05:29 | |
This type of Scandinavian furniture, | 0:05:30 | 0:05:32 | |
it's extremely popular at the moment. | 0:05:32 | 0:05:35 | |
you can sell this easier than you can a Georgian table. | 0:05:35 | 0:05:37 | |
It's rosewood, metal legs, | 0:05:37 | 0:05:40 | |
it's just dead Swinging '60s. | 0:05:40 | 0:05:42 | |
I think it has a real chance of making a good profit. | 0:05:42 | 0:05:44 | |
So Paul has one purchase under his belt but Will's "delve deep" | 0:05:44 | 0:05:48 | |
tactic means he hasn't even got going yet. | 0:05:48 | 0:05:51 | |
Well, I've pretty much come to the end of the fair here, | 0:05:51 | 0:05:55 | |
so I'm hoping most of the crowds are up the other end | 0:05:55 | 0:05:58 | |
so it gives me a chance to maybe have a look at the better bits | 0:05:58 | 0:06:01 | |
before they come down here in their hordes. | 0:06:01 | 0:06:03 | |
And it's not long before our Newmarket man has spotted | 0:06:03 | 0:06:06 | |
an equestrian item...of some sort. | 0:06:06 | 0:06:09 | |
-C'est combien, sir? -C'est cinq euro. -Cinq euro? | 0:06:09 | 0:06:12 | |
Whatever it is, the vendor wants five euros for it. | 0:06:12 | 0:06:17 | |
-C'est cinq pour les chevaux? -Oui. | 0:06:17 | 0:06:19 | |
It's something to definitely do with horses! | 0:06:19 | 0:06:23 | |
Dans meilleur prix? | 0:06:23 | 0:06:26 | |
C'est juste probablement un cafe, cinq euros. | 0:06:26 | 0:06:29 | |
Bon. Donnez-moi la main. | 0:06:29 | 0:06:30 | |
Achete. Cinq euros. | 0:06:30 | 0:06:32 | |
Will is happy with the price of £4.10 for the picture, | 0:06:32 | 0:06:37 | |
so what is it a picture of? | 0:06:37 | 0:06:39 | |
What I have bought here is, I think, an advertisement from a French | 0:06:39 | 0:06:43 | |
magazine for different designs of horse blanket. | 0:06:43 | 0:06:47 | |
It caught my eye, really. | 0:06:47 | 0:06:49 | |
I thought, who wouldn't want an animal-print horse blanket | 0:06:49 | 0:06:52 | |
with a picture of the Eiffel Tower? | 0:06:52 | 0:06:54 | |
Who indeed, Will? | 0:06:54 | 0:06:56 | |
Of course, the advantage of a return visit is that you can | 0:06:56 | 0:06:59 | |
learn from your mistakes. | 0:06:59 | 0:07:01 | |
Mmm, last time I was here I bought a few bottles of wine. | 0:07:01 | 0:07:06 | |
Probably about the same vintage, early '70s. | 0:07:06 | 0:07:10 | |
Turned out to be vinegar, not even good enough to cook with. | 0:07:10 | 0:07:13 | |
Now, have I learnt my lesson? | 0:07:13 | 0:07:16 | |
Let's hope so, because last time you had a disastrous sale. | 0:07:16 | 0:07:20 | |
-It's gone, hasn't it? -The off wine lost him £45. | 0:07:23 | 0:07:27 | |
So will he risk it again? | 0:07:27 | 0:07:29 | |
Trying to pick up some tips that I was told by my master of wine. | 0:07:29 | 0:07:32 | |
Appellation Margaux is a good name. | 0:07:32 | 0:07:36 | |
Mis en bouteille au chateau - | 0:07:36 | 0:07:39 | |
that's what you've got to look for. | 0:07:39 | 0:07:40 | |
Mmm... | 0:07:40 | 0:07:42 | |
Le best price? | 0:07:42 | 0:07:44 | |
I think he's telling me that it's good wine. | 0:07:53 | 0:07:55 | |
I'm trying to get a deal on six bottles. | 0:07:55 | 0:07:58 | |
I'm going to shake your hand. | 0:07:58 | 0:07:59 | |
60. | 0:07:59 | 0:08:02 | |
Done. And if it's no good, | 0:08:02 | 0:08:04 | |
-I'm going to come back and make you drink it. -Come back...? | 0:08:04 | 0:08:07 | |
I'm going to make you drink it. | 0:08:07 | 0:08:09 | |
So Will buys six bottles of red wine for 60 euros, | 0:08:09 | 0:08:12 | |
or £49.18, just as the hordes descend. | 0:08:12 | 0:08:16 | |
I seem to have started a craze! | 0:08:16 | 0:08:19 | |
"Come on in, boys, there's wine for sale!" | 0:08:19 | 0:08:21 | |
I better start getting out of here before someone else has me bottled! | 0:08:21 | 0:08:24 | |
You take it from here and sell it back. | 0:08:24 | 0:08:27 | |
Yeah! Merci, Monsieur. | 0:08:27 | 0:08:30 | |
Thank you! | 0:08:30 | 0:08:31 | |
That was a bit manic, wasn't it? | 0:08:31 | 0:08:34 | |
But I've ended up with six bottles of Margaux wine. | 0:08:34 | 0:08:37 | |
Well, let's see if I've learnt any lessons | 0:08:37 | 0:08:40 | |
from last time, because that's what we do in the trade. | 0:08:40 | 0:08:43 | |
I hope this lot comes out smelling of roses rather than vinegar. | 0:08:43 | 0:08:47 | |
And if it all goes pear-shaped this time, I'm going teetotal. | 0:08:47 | 0:08:50 | |
And with Will dashing from stall to stall, Paul is playing a slow hand. | 0:08:50 | 0:08:55 | |
What I'm hoping for is Will has been a bit quick and rushed past | 0:08:55 | 0:08:58 | |
all these wonderful stalls. | 0:08:58 | 0:09:00 | |
and going to take my time and find something that he has not spotted. | 0:09:00 | 0:09:03 | |
Both our experts are playing a very tactical game today, | 0:09:03 | 0:09:06 | |
and Paul's plodding approach appears to be paying off | 0:09:06 | 0:09:09 | |
when spots his next potential purchase. | 0:09:09 | 0:09:12 | |
I've found something typically French. | 0:09:12 | 0:09:14 | |
This called a garniture de cheminee. | 0:09:14 | 0:09:16 | |
The idea is that it goes onto your mantelpiece | 0:09:16 | 0:09:19 | |
and it is very Art Deco. | 0:09:19 | 0:09:20 | |
-Monsieur. -Oui. -Bonjour. -Bonjour. | 0:09:20 | 0:09:22 | |
-C'est combien...? -Cent cinq-ont. | 0:09:22 | 0:09:25 | |
-La garniture de cheminee? -Oui. | 0:09:25 | 0:09:28 | |
Est-ce vous acceptez...ont cinq? | 0:09:28 | 0:09:30 | |
Cinq ont? | 0:09:30 | 0:09:32 | |
130, oui? | 0:09:32 | 0:09:34 | |
Paul buys the damaged timepiece for a rather hefty £106.56, | 0:09:34 | 0:09:40 | |
so will it help him clock up a profit? | 0:09:40 | 0:09:43 | |
Do you know what? I've bought something quintessentially French | 0:09:43 | 0:09:47 | |
and something that just roars "Art Deco". | 0:09:47 | 0:09:50 | |
Fantastic quality, I'm just delighted with it. | 0:09:50 | 0:09:53 | |
The guy had a really good idea. This has a broken glass on the front | 0:09:53 | 0:09:57 | |
and he said to take the glass from the back door | 0:09:57 | 0:09:59 | |
to put into the front and that will repair itself. | 0:09:59 | 0:10:02 | |
What a fantastic idea. It's a quick restoration job, it's 130 euros. It's an absolute bargain! | 0:10:02 | 0:10:07 | |
With two purchases now, bought Paul is clearly getting a little giddy!! | 0:10:07 | 0:10:11 | |
It's called a car phone! | 0:10:11 | 0:10:13 | |
PHONE RINGS | 0:10:13 | 0:10:14 | |
It's ringing. I'll answer it. | 0:10:14 | 0:10:17 | |
What's that? No more jokes? | 0:10:17 | 0:10:19 | |
We all expect corny jokes from Paul but now Will's at it! | 0:10:19 | 0:10:23 | |
Well, I've never seen that before. A mounted ray head. | 0:10:23 | 0:10:26 | |
Alas, poor Ray, I knew him. | 0:10:26 | 0:10:29 | |
Come on, boys, stop joking around. Mind you, what's that? | 0:10:29 | 0:10:34 | |
He's a cheery looking chap, isn't he? | 0:10:34 | 0:10:37 | |
It's quite a nice theme, isn't it, circus? I wonder how much that is, it's quite striking. | 0:10:37 | 0:10:44 | |
Let's see if I can't ask the ringmaster. Monsieur, c'est combien? | 0:10:44 | 0:10:49 | |
Oui! | 0:10:55 | 0:10:58 | |
Cent? OK. | 0:11:04 | 0:11:07 | |
Tres bien. | 0:11:10 | 0:11:12 | |
A deft bit of haggling there, and Will buys the poster | 0:11:12 | 0:11:15 | |
for £81.97, so does it make him smile? | 0:11:15 | 0:11:17 | |
Well, I bought it, and to be honest, | 0:11:17 | 0:11:20 | |
it's growing on me. I like it more and more. | 0:11:20 | 0:11:22 | |
Slightly menacing Alice in Wonderland-type figure, | 0:11:22 | 0:11:26 | |
which it turns out is actually an original vintage game | 0:11:26 | 0:11:30 | |
which would have been in the exhibition | 0:11:30 | 0:11:32 | |
of games and the circus. | 0:11:32 | 0:11:34 | |
From 1985, but I'm almost looking forward | 0:11:34 | 0:11:38 | |
to try to find some crazy cat that juggles and does the trapeze | 0:11:38 | 0:11:42 | |
and perhaps the high wire, who might be interested in buying this. | 0:11:42 | 0:11:46 | |
With his flair for French, Will is doing well | 0:11:46 | 0:11:48 | |
but when Paul finds a pair of wooden bookends he likes, | 0:11:48 | 0:11:51 | |
he has to rely on his natural charm to get the price he wants. | 0:11:51 | 0:11:54 | |
For some reason these have taken my eye. Not usually what I buy. | 0:11:54 | 0:11:57 | |
A little. | 0:12:03 | 0:12:05 | |
"Le besier prix?" | 0:12:05 | 0:12:08 | |
Le besier prix? It's not technically English or French | 0:12:08 | 0:12:11 | |
-but she seems to understand him. -50. | 0:12:11 | 0:12:14 | |
Merci beaucoup! Tres bien. | 0:12:22 | 0:12:24 | |
Paul wins over the vendor | 0:12:24 | 0:12:27 | |
and he wins the bookends for £32.79 | 0:12:27 | 0:12:30 | |
so is he hoping they'll give him stand-up profit? | 0:12:30 | 0:12:32 | |
Now, I must admit this isn't something I would normally buy, | 0:12:32 | 0:12:36 | |
but I'm in Paris. Why not get drawn into the whole thing? | 0:12:36 | 0:12:39 | |
They are very unusual items. | 0:12:39 | 0:12:41 | |
They have all been handcrafted and signed by the artist. | 0:12:41 | 0:12:44 | |
They represent me and Will, one at either end. Who's going to win? | 0:12:44 | 0:12:49 | |
Who indeed, Paul? Who indeed? | 0:12:49 | 0:12:51 | |
So at this halfway mark let's see how the figures stack up. | 0:12:51 | 0:12:55 | |
Paul and Will each arrived in Paris with £750-worth | 0:12:55 | 0:12:59 | |
of their own euros to spend. | 0:12:59 | 0:13:02 | |
Paul Hayes is playing a gentile game | 0:13:02 | 0:13:04 | |
and has put his hand in his pocket three times, | 0:13:04 | 0:13:06 | |
spending £237.71, leaving over £512 in his kitty. | 0:13:06 | 0:13:12 | |
Will Axon is tearing around and also has three purchases | 0:13:12 | 0:13:17 | |
for £135.25, | 0:13:17 | 0:13:20 | |
meaning he still has £614 burning a hole in his pocket. | 0:13:20 | 0:13:24 | |
-How did you get up there? -I'm working that way, are you going that way? | 0:13:24 | 0:13:29 | |
So you've got ahead of me, ahead of the game? Have you scooped up all the bargains? | 0:13:29 | 0:13:34 | |
Not all of them, I've left one or two for you. | 0:13:34 | 0:13:37 | |
-Have you bought anything? -I'm enjoying it. | 0:13:37 | 0:13:39 | |
-I understood that the word "mille" means thousand. -Yeah, there's plenty of that about. | 0:13:39 | 0:13:43 | |
Everything is quite expensive but then I was quite shocked - | 0:13:43 | 0:13:46 | |
-the last thing I bought was quite reasonable. You just have to persevere. -Exactly. | 0:13:46 | 0:13:50 | |
Pick through the items. What about yourself? | 0:13:50 | 0:13:53 | |
There's a few things I've looked at but it's all about the money. | 0:13:53 | 0:13:56 | |
And then I got something for literally five euros. | 0:13:56 | 0:13:59 | |
And that got the ball rolling. | 0:13:59 | 0:14:02 | |
Any pointers, anything good down that end? | 0:14:02 | 0:14:05 | |
I have left you loads. | 0:14:05 | 0:14:07 | |
Keep walking. | 0:14:07 | 0:14:09 | |
I wouldn't bother going down there, mate. There's nothing down there | 0:14:09 | 0:14:13 | |
What, you've had it all, have you? | 0:14:13 | 0:14:16 | |
Yeah... Lots of tactical | 0:14:16 | 0:14:18 | |
misdirection from our contestants there as they head in opposite | 0:14:18 | 0:14:21 | |
directions through the market. They may have different tactics, | 0:14:21 | 0:14:25 | |
but both hope they're heading towards a profit | 0:14:25 | 0:14:27 | |
and it's Paul who stumbles onto an interesting item first. | 0:14:27 | 0:14:30 | |
What's nice about this is it's a bronze trophy | 0:14:30 | 0:14:34 | |
which has been converted into a lamp. | 0:14:34 | 0:14:37 | |
I was wondering if that would be reconverted. | 0:14:37 | 0:14:40 | |
Monsieur... | 0:14:40 | 0:14:42 | |
-J'achete, Monsieur. -D'accord. | 0:14:56 | 0:15:00 | |
Paul is clearly taken with the lamp and takes it for 150 euros | 0:15:00 | 0:15:04 | |
or £122.95, but that whisky will have to wait... | 0:15:04 | 0:15:08 | |
Well, it just goes to show you have to persevere. | 0:15:10 | 0:15:13 | |
I've managed to find this bronze lamp for 150 euros, | 0:15:13 | 0:15:16 | |
which is a complete bargain - I think it's fantastic quality. | 0:15:16 | 0:15:19 | |
What I like about it is it has an inscription here, | 0:15:19 | 0:15:22 | |
which has been mounted onto the front, of a sports challenge | 0:15:22 | 0:15:25 | |
from Pierre Bourry. I will research that. | 0:15:25 | 0:15:28 | |
If that turns out to be something important in French culture I will leave it on. | 0:15:28 | 0:15:32 | |
If not, I will remove it. This might just win me this competition. | 0:15:32 | 0:15:36 | |
Happy to be in the lead again, | 0:15:36 | 0:15:38 | |
he's found someone who will really appreciate his jokes. | 0:15:38 | 0:15:41 | |
Do you know what, mate? I've got a job for you in a mirror shop. | 0:15:41 | 0:15:45 | |
I can see meself working there. | 0:15:45 | 0:15:48 | |
He's a card, that Mr Hayes. Talking of which, Will has found | 0:15:48 | 0:15:54 | |
a playing card dispenser he thinks might deal out a profit. | 0:15:54 | 0:15:57 | |
C'est combien, ca, Monsieur? | 0:15:57 | 0:15:59 | |
Best price, trente. | 0:15:59 | 0:16:02 | |
Best price, 30. | 0:16:02 | 0:16:04 | |
I'm thinking 20. | 0:16:04 | 0:16:07 | |
I tell you... | 0:16:07 | 0:16:10 | |
Do you...? yeah, 20? | 0:16:10 | 0:16:14 | |
I was going to flick a coin for it but the man says yes, the man says yes. | 0:16:14 | 0:16:19 | |
Will pays a total of £16.39 for the card dispenser | 0:16:19 | 0:16:23 | |
so will his gamble pay off? | 0:16:23 | 0:16:26 | |
Well, whilst I like this piece for what it is, | 0:16:26 | 0:16:29 | |
a card dispenser, I'm intrigued by its possible history. | 0:16:29 | 0:16:34 | |
Imagine the high-rollers' tables that this has sat on. | 0:16:34 | 0:16:37 | |
Imagine the fortunes that have been won or lost | 0:16:37 | 0:16:40 | |
by the cards that people have been dealt. | 0:16:40 | 0:16:42 | |
Hopefully there might be an ace of spades in there somewhere | 0:16:42 | 0:16:46 | |
for me to hit the jackpot! | 0:16:46 | 0:16:48 | |
A high-roller is a happy man. | 0:16:48 | 0:16:51 | |
But Mr Morecambe appears to have hit hard times. | 0:16:51 | 0:16:54 | |
Well, I've got to hand it to you, William, there's nothing down this end of the market. | 0:16:54 | 0:16:58 | |
I have been through all these stalls and there's nothing that I want to buy. | 0:16:58 | 0:17:01 | |
I'm going to go back to where I started, change tack slightly, | 0:17:01 | 0:17:05 | |
and see if I've missed anything. You never know, it is possible. | 0:17:05 | 0:17:08 | |
You'd better get a move on, Paul. Time waits for no man | 0:17:08 | 0:17:12 | |
and Will has already found another target. | 0:17:12 | 0:17:16 | |
These are quite sweet...little set of kitchen jars. | 0:17:16 | 0:17:20 | |
What have we got? Sugar, flour, coffee, spices and pepper. | 0:17:20 | 0:17:25 | |
A little graduated set. | 0:17:25 | 0:17:28 | |
I suppose they're going to date from the 1940s, that sort of period. | 0:17:28 | 0:17:33 | |
Bonjour, Madame. | 0:17:33 | 0:17:36 | |
What is your very best price? | 0:17:36 | 0:17:39 | |
Le prix... | 0:17:39 | 0:17:42 | |
-Soixante, Monsieur. -Soixante. 60. | 0:17:45 | 0:17:48 | |
-Voila. -One, two, three, four... | 0:17:48 | 0:17:51 | |
Yeah, 60. Soixante euros... | 0:17:51 | 0:17:54 | |
Will buys the five aluminium pots for 60 euros, which converts | 0:17:58 | 0:18:02 | |
to 49.18, and he's potty about them. | 0:18:02 | 0:18:05 | |
Well, I ended up paying 60 euros for five of these stylish storage jars. | 0:18:05 | 0:18:09 | |
Do your own maths, but as French kitchenalia | 0:18:09 | 0:18:13 | |
so fashionable in England, | 0:18:13 | 0:18:14 | |
I don't think I'll have trouble selling these at all. | 0:18:14 | 0:18:17 | |
It seems as though Will has had the upper hand since the off, | 0:18:17 | 0:18:21 | |
but Paul is a trouper and it's not over yet. | 0:18:21 | 0:18:23 | |
He's now spotted an antique glass jug. | 0:18:23 | 0:18:27 | |
-Quarante euro? Est-ce vous acceptez trente? -Allez. OK. | 0:18:27 | 0:18:34 | |
Parce que c'est vous, eh? | 0:18:34 | 0:18:37 | |
-Sympathique! -Merci beaucoup. | 0:18:37 | 0:18:41 | |
Paul's charm gets him ten euros off the asking price | 0:18:41 | 0:18:44 | |
and he winds up with the jug for £24.59. | 0:18:44 | 0:18:47 | |
Now I've found something tres elegante, | 0:18:47 | 0:18:50 | |
as they say in this neck of the woods. This is a claret jug | 0:18:50 | 0:18:53 | |
which has a silver-plated mount, but what a wonderful Rococo design. | 0:18:53 | 0:18:57 | |
It's a bit loose but it can be glued together. | 0:18:57 | 0:19:00 | |
The idea was that this would contain your claret | 0:19:00 | 0:19:02 | |
and during your meal a gentlemen would come round | 0:19:02 | 0:19:05 | |
with his claret and serve it to every dinner guest. | 0:19:05 | 0:19:08 | |
So it's quite an elegant thing to have. I don't know how you pour your claret at home, | 0:19:08 | 0:19:12 | |
but from now on I'm going to pour it this way. | 0:19:12 | 0:19:16 | |
And with his luck on the turn, Paul spots a glass vase | 0:19:16 | 0:19:20 | |
and spends £57.38 on it. | 0:19:20 | 0:19:23 | |
Do you know what? This is exactly what | 0:19:23 | 0:19:25 | |
I would expect to find out here in Paris - a bit of French glass. | 0:19:25 | 0:19:29 | |
It just says Art Deco, 1920s and 1930s. Very much in the style of Rene Lalique. | 0:19:29 | 0:19:33 | |
It is signed on the bottom. I am not sure who the manufacturer is, | 0:19:33 | 0:19:36 | |
but what a cracking piece. | 0:19:36 | 0:19:38 | |
It has these modern dancing girls reminiscent of the ancient Greeks, | 0:19:38 | 0:19:42 | |
done in their own way, typically modern, of the day. | 0:19:42 | 0:19:45 | |
70 euros, fantastic. | 0:19:45 | 0:19:47 | |
And with that, Paul decides he's spent enough. | 0:19:47 | 0:19:51 | |
Do you know what? It's been a real feast for the eyes today. | 0:19:51 | 0:19:54 | |
I so enjoyed coming to this market. | 0:19:54 | 0:19:56 | |
I stuck to my guns, I tried to buy some French items. | 0:19:56 | 0:19:59 | |
In a roundabout way I think I have done that. | 0:19:59 | 0:20:01 | |
I can't wait to get them back to Blighty | 0:20:01 | 0:20:03 | |
to earn "les profits". Monsieur... | 0:20:03 | 0:20:08 | |
Paul is all done with his French items but Will | 0:20:08 | 0:20:11 | |
is still shopping and what could be more French than a tea set? | 0:20:11 | 0:20:15 | |
He's not selling the tray with the five-piece set | 0:20:19 | 0:20:21 | |
but I quite like this.... | 0:20:21 | 0:20:23 | |
He's now chucking in... Oi, get out of it, you. | 0:20:33 | 0:20:36 | |
He's now chucking in the tray. | 0:20:36 | 0:20:41 | |
200 euros, wahey! | 0:20:44 | 0:20:46 | |
Yes, a bit of playing hardball | 0:20:46 | 0:20:48 | |
and Will gets the tray thrown in with the silver tea set | 0:20:48 | 0:20:51 | |
for a sizeable £163.93, and he's more than pleased. | 0:20:51 | 0:20:57 | |
Well, maybe my back-up career is in silver service, but look at this, | 0:20:57 | 0:21:01 | |
what a bargain! | 0:21:01 | 0:21:03 | |
Classic Art Deco - he called it a service anglais, | 0:21:03 | 0:21:06 | |
so it is English-style. | 0:21:06 | 0:21:08 | |
I looked at the marks, I think they are actually Canadian. | 0:21:08 | 0:21:11 | |
Even so, nice quality. Good, heavy gauge. | 0:21:11 | 0:21:14 | |
200 euros for that and the tray, baring in mind he had marked up | 0:21:14 | 0:21:17 | |
originally at 450. | 0:21:17 | 0:21:20 | |
I think that's got to be bargain of the day! | 0:21:20 | 0:21:22 | |
Cup of tea, anyone? | 0:21:22 | 0:21:25 | |
And with Will off for a cuppa, both our experts are done and dusted | 0:21:25 | 0:21:28 | |
so before they meet to compare their wares, | 0:21:28 | 0:21:31 | |
let's see how much they spent today. | 0:21:31 | 0:21:34 | |
Both our experts arrived in Paris with £750-worth of their own euros. | 0:21:36 | 0:21:41 | |
Paul was slow and steady but ended up with six items for £442.63. | 0:21:41 | 0:21:46 | |
Will tore through the market like a bullet | 0:21:46 | 0:21:51 | |
and also ended up with six purchases and spent £364.75. | 0:21:51 | 0:21:58 | |
And so our pair of battling buyers meet up to check out each other's hauls. | 0:21:58 | 0:22:03 | |
Paul, you provided the table! | 0:22:03 | 0:22:05 | |
Do you know what? It's unique for me. Watch this moment. | 0:22:05 | 0:22:08 | |
I hardly ever buy furniture - this is one rare occasion. | 0:22:08 | 0:22:12 | |
I'm trying to get down with the masses, get hip, a bit funky. | 0:22:12 | 0:22:14 | |
A bit like yourself, and sometimes I let the cat change its spots. | 0:22:14 | 0:22:19 | |
-I'm interested to see how this gets on. -So am I. | 0:22:19 | 0:22:22 | |
You might get burnt or you might fall in love with a new area. | 0:22:22 | 0:22:25 | |
It could be a safe bet if I play my cards right. | 0:22:25 | 0:22:27 | |
I see that. I loved it. | 0:22:27 | 0:22:29 | |
I play a bit of cards. | 0:22:29 | 0:22:31 | |
It's genuine, it has the wear. | 0:22:31 | 0:22:34 | |
Imagine if it could talk, how many fortunes have been won or lost... | 0:22:34 | 0:22:37 | |
Exactly. Something that is probably not my cup of tea, this one. | 0:22:37 | 0:22:41 | |
Yeah, I see what you've done. | 0:22:41 | 0:22:43 | |
It's not my thing, either, | 0:22:43 | 0:22:44 | |
but I think I possibly have someone in mind for that | 0:22:44 | 0:22:47 | |
and at the price I couldn't say no. | 0:22:47 | 0:22:49 | |
What about your bits and bobs? | 0:22:49 | 0:22:51 | |
That's been a lamp. | 0:22:51 | 0:22:54 | |
A bit of damage up there. | 0:22:54 | 0:22:57 | |
-You've got some work cut out for yourself. -It's work in progress. | 0:22:57 | 0:23:00 | |
But rather than watch telly in the evenings, I'll sit there | 0:23:00 | 0:23:03 | |
and bring these things back to life, | 0:23:03 | 0:23:05 | |
regenerate. That's what it's all about, recycling. | 0:23:05 | 0:23:08 | |
Reinvigorate them. Well, Paul, another eclectic mix. | 0:23:08 | 0:23:11 | |
You can't say we buy the same stuff. | 0:23:11 | 0:23:13 | |
Variety is the spice of life, Monsieur. | 0:23:13 | 0:23:16 | |
Mange tout, my friend. | 0:23:16 | 0:23:19 | |
So our dealers set sail for Blighty with their treasures underarm, | 0:23:25 | 0:23:30 | |
knowing that the true test is yet to come. | 0:23:30 | 0:23:34 | |
Because now our continental cohorts must metamorphosis into superstar | 0:23:34 | 0:23:38 | |
salesmen. | 0:23:38 | 0:23:40 | |
They'll each be hoping to raise the most cash, to beat their opponent | 0:23:40 | 0:23:43 | |
and raise the maximum amount for the charities of their choice. | 0:23:43 | 0:23:46 | |
Back in Morecambe, how is Paul feeling about the road ahead? | 0:23:46 | 0:23:50 | |
Now, we all know that the French word for work is "travail". | 0:23:50 | 0:23:54 | |
I have beaucoup de travail to do on all these items. | 0:23:54 | 0:23:58 | |
They all need a bit of restoration. | 0:23:58 | 0:24:01 | |
The garniture set needs the back door putting on the front, | 0:24:01 | 0:24:04 | |
the bookends need one nail to make that stick together, | 0:24:04 | 0:24:07 | |
the claret jug needs a bit of glue to mount the silver mounting, | 0:24:07 | 0:24:11 | |
easy enough. And this one needs | 0:24:11 | 0:24:13 | |
wiring and part testing before I can sell it as a lamp. | 0:24:13 | 0:24:16 | |
A little bit more tricky has turned out to be this table. | 0:24:16 | 0:24:20 | |
There are new laws at the moment to do with rosewood. | 0:24:20 | 0:24:23 | |
It has comply with a CITES, | 0:24:23 | 0:24:26 | |
which is a protective order on the rosewood, | 0:24:26 | 0:24:29 | |
and I need to get this tested. | 0:24:29 | 0:24:30 | |
One thing that doesn't need anything doing to it all is this beautiful 1920s vase | 0:24:30 | 0:24:35 | |
by a guy called Georges Lefebvre. | 0:24:35 | 0:24:38 | |
What that will sell for, who knows, but do you know what? | 0:24:38 | 0:24:41 | |
Part of the enjoyment is finding out. | 0:24:41 | 0:24:43 | |
So Paul certainly has his work cut out for him. Over in Newmarket, | 0:24:43 | 0:24:47 | |
how are Will's battle plans shaping up? | 0:24:47 | 0:24:49 | |
Well, from the hustle | 0:24:49 | 0:24:51 | |
and bustle of Paris back to the serenity of Suffolk, | 0:24:51 | 0:24:54 | |
and a chance to reflect on my buys. | 0:24:54 | 0:24:56 | |
First off is the horse blanket advert. | 0:24:56 | 0:24:59 | |
I was just drawn to it, from the wacky designs. | 0:24:59 | 0:25:02 | |
This, on the other hand, is a good, strong image. | 0:25:02 | 0:25:05 | |
I'm hoping to find either a specialist poster dealer | 0:25:05 | 0:25:08 | |
or someone who is in love with the circus. | 0:25:08 | 0:25:11 | |
In front of me here, this wonderful Art Deco tea set, | 0:25:11 | 0:25:15 | |
very elegant as well, with the mirrored tray - | 0:25:15 | 0:25:18 | |
really sets it off. | 0:25:18 | 0:25:20 | |
In the front here, very trendy at the moment, kitchenalia, | 0:25:20 | 0:25:23 | |
period French vintage. | 0:25:23 | 0:25:26 | |
Aluminium, but the lady who I bought it from has polished it up beautifully. | 0:25:26 | 0:25:30 | |
I don't think I'll have any trouble selling that. | 0:25:30 | 0:25:33 | |
Another of my favourite lots is the card shoe. | 0:25:33 | 0:25:36 | |
I like a game of cards as much as the next man, | 0:25:36 | 0:25:38 | |
but these are unusual to find on the market. | 0:25:38 | 0:25:41 | |
They usually belong in casinos and even Paul | 0:25:41 | 0:25:44 | |
said he hadn't seen one in all the years that he's been dealing. | 0:25:44 | 0:25:47 | |
Then to my nemesis, bottles of wine. | 0:25:47 | 0:25:50 | |
I hope I've picked up some tips and pointers | 0:25:50 | 0:25:52 | |
and this time the boy is going to come good. | 0:25:52 | 0:25:55 | |
On the day, my French was un petit peu rusty, | 0:25:55 | 0:25:58 | |
but I think Paul's was too. | 0:25:58 | 0:25:59 | |
I'm just hoping he got his numbers all mixed up | 0:25:59 | 0:26:02 | |
and has paid hundreds rather than tens. | 0:26:02 | 0:26:04 | |
Yes, wishful thinking from Will there, but now our duelling dealers | 0:26:04 | 0:26:07 | |
need to make the necessary calls to line up the perfect sales. | 0:26:07 | 0:26:11 | |
In this game it's not just "what you know" but more importantly | 0:26:11 | 0:26:14 | |
"who you know" that brings in the best deals. | 0:26:14 | 0:26:17 | |
But remember no deal is done until they shake on it. | 0:26:17 | 0:26:20 | |
Both Will and Paul want that all-important first profit, | 0:26:20 | 0:26:24 | |
but it's The Axeman that strikes first, bringing his silver tea set | 0:26:24 | 0:26:28 | |
to a tearoom in Bury St Edmonds. | 0:26:28 | 0:26:31 | |
Well, this was one of the poshest tea sets I've seen for a while | 0:26:31 | 0:26:35 | |
and I hope it's going to fit in perfectly with the sophisticated look at Harriet's Tea Rooms. | 0:26:35 | 0:26:40 | |
It cost him over £160 so he'll be hoping for a sweet profit | 0:26:40 | 0:26:44 | |
from tearoom manager Tiffany. | 0:26:44 | 0:26:46 | |
Well. Tiff, what do you reckon? | 0:26:46 | 0:26:49 | |
Do you know what? I actually really like it, Will. | 0:26:49 | 0:26:53 | |
It's quite Art Deco, isn't it? | 0:26:53 | 0:26:56 | |
Exactly. It's Art Deco but without being that kind of | 0:26:56 | 0:26:59 | |
hardcore geometric Deco which can be a bit much sometimes. | 0:26:59 | 0:27:04 | |
-Absolutely. -You certainly have that more sort of | 0:27:04 | 0:27:06 | |
elegant Deco feel here. | 0:27:06 | 0:27:08 | |
The tray is big enough to display the tea set and... | 0:27:08 | 0:27:11 | |
I loved the tray - that actually might end up at home. | 0:27:11 | 0:27:14 | |
It's really smart, isn't it? Then you have the two teapots, | 0:27:14 | 0:27:18 | |
-which I think are rather smart. Look at those. -I love them! | 0:27:18 | 0:27:22 | |
And I'm liking the spout. | 0:27:22 | 0:27:24 | |
-A nice traditional little spout there. -And the key to | 0:27:24 | 0:27:27 | |
-a good teapot is how well it pours. -Is it really? -It is. | 0:27:27 | 0:27:30 | |
I tell you what, Tiff - you say there, | 0:27:30 | 0:27:32 | |
and I'm going to go to see if I can't prove that this is a good teapot. | 0:27:32 | 0:27:38 | |
Oh, fantastic, thank you. | 0:27:38 | 0:27:40 | |
So Will dons the appropriate garb to test the teapot's pour-ability. | 0:27:40 | 0:27:44 | |
So this is the moment of truth. | 0:27:44 | 0:27:47 | |
Is it's a good pourer or not? | 0:27:47 | 0:27:50 | |
Oh, look at that! | 0:27:51 | 0:27:54 | |
No spillage. | 0:27:54 | 0:27:56 | |
That doesn't bode well for me with negotiations. | 0:27:56 | 0:27:58 | |
No, you've shown your hand. | 0:27:58 | 0:28:01 | |
-I have. -Well, listen, I'm dressed for serious business. | 0:28:01 | 0:28:04 | |
You seriously are! | 0:28:04 | 0:28:07 | |
-I'm asking 250. -Initially that doesn't sound too bad. | 0:28:07 | 0:28:10 | |
Oh! I've let myself down again, | 0:28:10 | 0:28:12 | |
I should have come in higher. | 0:28:12 | 0:28:15 | |
But I'm not going to say 250. | 0:28:15 | 0:28:18 | |
I'm going to start at 210. | 0:28:18 | 0:28:21 | |
210? I'm going to come back | 0:28:21 | 0:28:24 | |
at 240. What are you going to say to that, Tiffany? | 0:28:24 | 0:28:27 | |
I'm going to come back at 225. | 0:28:27 | 0:28:30 | |
225? It sounds like we're going to shake at 230. | 0:28:30 | 0:28:33 | |
-At 230. -I quite like this. Is it all right if I keep it, because I see you are advertising for staff? | 0:28:33 | 0:28:39 | |
-Part-time job. -Yes, Will lines up a waiting job but he's no longer | 0:28:39 | 0:28:42 | |
"waiting" for a profit as he makes £66.07 for the tea set. | 0:28:42 | 0:28:46 | |
A smart start from Will, and talking of smart, | 0:28:46 | 0:28:50 | |
he's also dressed up for his next sale. | 0:28:50 | 0:28:53 | |
I'm at Churchill College in Cambridge | 0:28:53 | 0:28:55 | |
and I'm here to meet Alistair, who is a student | 0:28:55 | 0:28:59 | |
but also runs top-class casino nights. | 0:28:59 | 0:29:01 | |
I'm hoping he will be the perfect punter for my card shoe. | 0:29:01 | 0:29:05 | |
I've even made a special effort and I dug the old tuxe... | 0:29:05 | 0:29:07 | |
Hang on. Guys! | 0:29:07 | 0:29:09 | |
I can't work like this. | 0:29:09 | 0:29:11 | |
My trousers at the clean... | 0:29:11 | 0:29:14 | |
Thanks for nothing! | 0:29:14 | 0:29:16 | |
Almost a good effort, Will. | 0:29:16 | 0:29:18 | |
He paid £16.39 for the card dealer, so will casino manager | 0:29:18 | 0:29:22 | |
Alastair help him come out of the deal feeling flush? | 0:29:22 | 0:29:26 | |
What do you think to that? Pretty stylish, isn't it? | 0:29:26 | 0:29:29 | |
It looks fantastic. It would really fit in with the theme of a lot of the events we do. | 0:29:29 | 0:29:33 | |
Comes from France, it's a genuine casino piece. | 0:29:33 | 0:29:36 | |
They don't usually come onto the market. Nice quality. | 0:29:36 | 0:29:39 | |
Maker's mark in there, | 0:29:39 | 0:29:41 | |
the company that made it, just gives it a sense of authenticity. | 0:29:41 | 0:29:45 | |
What sort of money do you think that would be worth to you? | 0:29:45 | 0:29:49 | |
Give me a figure. | 0:29:49 | 0:29:51 | |
Perhaps about £30. | 0:29:51 | 0:29:53 | |
I was thinking nearer £50. | 0:29:53 | 0:29:58 | |
OK, maybe we can settle that over a hand at blackjack. | 0:29:58 | 0:30:02 | |
Ooh, you got me now. | 0:30:02 | 0:30:04 | |
I do like a game of cards. | 0:30:04 | 0:30:06 | |
So Will "The Pantsman" Axon takes on Alastair | 0:30:06 | 0:30:10 | |
"The Premiere Croupier" in a Casino Royale knockout game | 0:30:10 | 0:30:14 | |
of blackjack. Remember, the cards have to add up to at least 17 | 0:30:14 | 0:30:19 | |
and it's closest to 21, and under, that wins. | 0:30:19 | 0:30:22 | |
Alastair deals Will's cards first. | 0:30:22 | 0:30:25 | |
So it's 15 to Will. Alastair draws a king, giving him ten. | 0:30:27 | 0:30:32 | |
Look at this. I mean, 15 is one of the worst hands you can have to draw. | 0:30:32 | 0:30:36 | |
I tell you what, I'm going to twist. | 0:30:36 | 0:30:38 | |
That's a dangerous move... | 0:30:38 | 0:30:40 | |
-Oh, look at that! That's 21. -All right. | 0:30:40 | 0:30:44 | |
Alastair needs an ace to win. But Will's done it! | 0:30:44 | 0:30:48 | |
-Result, that's £50. -£50. | 0:30:48 | 0:30:51 | |
Yes, that's quite a victory! | 0:30:51 | 0:30:54 | |
Will takes the house, gets his asking price, | 0:30:54 | 0:30:56 | |
and wins a profit of £33.61 on the card dealer. | 0:30:56 | 0:31:00 | |
What a lucky chap! | 0:31:00 | 0:31:02 | |
That was nice and easy. | 0:31:02 | 0:31:04 | |
You win some, you lose some. It just turns out I'm a winner today. | 0:31:04 | 0:31:07 | |
-Beginner's luck? I don't think so! -Very good, Will. | 0:31:07 | 0:31:11 | |
Perhaps next time you'll remember to bring your trousers. | 0:31:11 | 0:31:15 | |
He's sold two items so Paul will be hoping to catch up with his first sale. | 0:31:15 | 0:31:19 | |
The marble clock cost Paul just north of £100. | 0:31:19 | 0:31:22 | |
He's handed it over to Morecambe-based clock expert | 0:31:22 | 0:31:25 | |
John for restoration, so now it's back to its former glory, | 0:31:25 | 0:31:28 | |
how much will he want to pay for it? | 0:31:28 | 0:31:30 | |
Now, I notice that my garniture is here. | 0:31:30 | 0:31:32 | |
-What do you think? -I think it looks fantastic. | 0:31:32 | 0:31:36 | |
I notice first of all you've done some repairs on it. | 0:31:36 | 0:31:38 | |
-Yes, we've done all the work on it. -Excellent. | 0:31:38 | 0:31:40 | |
When I was in France the gentleman was trying to explain the glass from the back | 0:31:40 | 0:31:45 | |
could be taken and put in the front. Was that what you did? | 0:31:45 | 0:31:47 | |
That was the easiest way of doing it. | 0:31:47 | 0:31:49 | |
I was hoping about £150. Does that sound about right? | 0:31:49 | 0:31:52 | |
I think we can shake hands on that. | 0:31:52 | 0:31:55 | |
That compensates you for even doing the restoration? | 0:31:55 | 0:31:57 | |
-Yes, that will be fine, Paul. -Right. -I think we can do that. | 0:31:57 | 0:32:00 | |
-Shall we do that, then? -We certainly will. | 0:32:00 | 0:32:02 | |
There we are, thank you very much. | 0:32:02 | 0:32:04 | |
Hmm, sounds like Paul could have gone in a little bit higher there, | 0:32:04 | 0:32:07 | |
but he does make £43.44 on the clock | 0:32:07 | 0:32:09 | |
and his selling campaign continues to tick along. | 0:32:09 | 0:32:13 | |
But it appears stepping out of his comfort zone with those | 0:32:13 | 0:32:15 | |
unusual carved bookends hasn't paid off. He sells them | 0:32:15 | 0:32:19 | |
to Joseph in Chatsworth, but makes a loss of £12.79. | 0:32:19 | 0:32:23 | |
Undeterred, however, Paul has already lined up another sale | 0:32:24 | 0:32:28 | |
and staying close to home, he's taking his glass vase | 0:32:28 | 0:32:31 | |
to the Midland Hotel in Morecambe. | 0:32:31 | 0:32:33 | |
Designed in the 1930s by Oliver Hill in the Art Deco tradition, | 0:32:33 | 0:32:37 | |
the hotel is renowned as a pillar to the modernist movement, | 0:32:37 | 0:32:41 | |
and Paul thinks his vase will be a perfect match for the interior. | 0:32:41 | 0:32:45 | |
But will hotel manager Matt agree? | 0:32:45 | 0:32:47 | |
You can't really mention the word Art Deco now without | 0:32:47 | 0:32:50 | |
-mentioning the Midland Hotel. It's put it on the map, I think. -It has. | 0:32:50 | 0:32:53 | |
We have people from literally all over the world coming here. | 0:32:53 | 0:32:56 | |
We have people travelling for miles just for afternoon tea, | 0:32:56 | 0:32:59 | |
for instance. It's extremely popular. | 0:32:59 | 0:33:01 | |
What I've brought you is something very, very similar. | 0:33:01 | 0:33:03 | |
I've come across this vase... | 0:33:03 | 0:33:05 | |
I was out in France and France, I think, | 0:33:05 | 0:33:07 | |
is the whole Art Deco feel. | 0:33:07 | 0:33:08 | |
They use this frosted glass effect at the time, dead 1920s. | 0:33:08 | 0:33:12 | |
It was done by using acid. The acid would wear away at the surface | 0:33:12 | 0:33:15 | |
and give this frosted effect. | 0:33:15 | 0:33:16 | |
-Have you ever seen anything like this before? -Do you know, I've not, | 0:33:16 | 0:33:19 | |
but it's startlingly similar to what we can see behind me. | 0:33:19 | 0:33:22 | |
There you are, you see! | 0:33:22 | 0:33:23 | |
No, I think we'll certainly find somewhere for that. | 0:33:23 | 0:33:26 | |
If I was to ask you £100, does that sound reasonable for you? | 0:33:26 | 0:33:29 | |
-How does 90 sound? -OK. Do you know what? I'd love to see it | 0:33:29 | 0:33:31 | |
-end up here. Does that sound all right to you? -Perfect. | 0:33:31 | 0:33:34 | |
-All right, that's lovely. Thank you very much. -Great. | 0:33:34 | 0:33:36 | |
Paul sells the vase for a profit of £32.62, which puts him | 0:33:36 | 0:33:40 | |
in the lead by one sale. But Will immediately catches up | 0:33:40 | 0:33:44 | |
when he sells his aluminium kitchen pots to Newmarket antiques dealer | 0:33:44 | 0:33:47 | |
Patrick for a profit of £10.82. | 0:33:47 | 0:33:51 | |
All of which takes us to the halfway point, | 0:33:51 | 0:33:53 | |
so let's take a moment to see who is selling in the fast lane | 0:33:53 | 0:33:55 | |
and who needs to put their foot down. | 0:33:55 | 0:33:58 | |
Paul has so far done three deals | 0:33:59 | 0:34:00 | |
and made a profit of £63.27. | 0:34:00 | 0:34:03 | |
Will is level pegging with sales | 0:34:04 | 0:34:07 | |
but ahead with profit, having sold three items and made £110.50. | 0:34:07 | 0:34:12 | |
So Will is in the lead. | 0:34:13 | 0:34:14 | |
However, his next sale could leave a sour taste | 0:34:14 | 0:34:17 | |
in his mouth as he's heading back to his Suffolk-based | 0:34:17 | 0:34:19 | |
wine expert David with a fresh crate of red wine. | 0:34:19 | 0:34:23 | |
Last time they met, his wine turned out to be vinegar. | 0:34:23 | 0:34:26 | |
So with almost £50 invested in his plonk, Will's praying | 0:34:26 | 0:34:30 | |
he's got a corker vintage. | 0:34:30 | 0:34:32 | |
Last time when we met, you had bought a sort of generic wine... | 0:34:32 | 0:34:36 | |
-That's right. -..from a weaker vintage and we said actually, | 0:34:36 | 0:34:40 | |
what you really want is to look for a wine which has been | 0:34:40 | 0:34:43 | |
chateau bottled and you've absolutely got that. | 0:34:43 | 0:34:45 | |
You've got Chateau Martinen. | 0:34:45 | 0:34:47 | |
-If we talk about the 1974 vintage... -1974, yeah. | 0:34:47 | 0:34:51 | |
OK, started very well... | 0:34:51 | 0:34:54 | |
Sadly, September and October came along | 0:34:54 | 0:34:57 | |
-and it absolutely tipped down the drain. -No! | 0:34:57 | 0:35:00 | |
It was very wet and what happens is you then get very large berries | 0:35:00 | 0:35:05 | |
because they swell up and you lose the concentration of flavours. | 0:35:05 | 0:35:09 | |
Listen, I've got six bottles. | 0:35:09 | 0:35:12 | |
Do you fancy doing what you did last time and giving me | 0:35:12 | 0:35:16 | |
-a bit of corkage and maybe open that? -Love to. | 0:35:16 | 0:35:19 | |
Now, last time it was a fiver... | 0:35:19 | 0:35:22 | |
I'm going to squeeze you for a tenner this time because, I mean, | 0:35:22 | 0:35:25 | |
-it is a bit better. -All right, OK. -So is there a tenner for me? | 0:35:25 | 0:35:28 | |
-I'll pay a tenner. -Excellent, and I look forward to tasting it. | 0:35:28 | 0:35:31 | |
Let me get this out of the way. | 0:35:31 | 0:35:32 | |
So 1974 isn't a great year for French wine, but has Will managed | 0:35:32 | 0:35:36 | |
to find a vintage or a vinegar? They crack open a bottle to find out. | 0:35:36 | 0:35:41 | |
-I think you've taken advantage of me with that -£10. Do you think? | 0:35:46 | 0:35:50 | |
-Good deal. -Oh, well, not quite the result he was hoping for. | 0:35:50 | 0:35:54 | |
But Will does manage to add to the £10 corkage | 0:35:54 | 0:35:57 | |
and sells the remaining five bottles to Cambridgeshire pub landlord | 0:35:57 | 0:36:00 | |
Richard as a display item, | 0:36:00 | 0:36:02 | |
which means he still makes a profit of £20.82 on the wine. | 0:36:02 | 0:36:06 | |
He then heads south to meet London-based online poster dealer | 0:36:06 | 0:36:09 | |
Kirill and sells his circus print for a profit of £43.03. | 0:36:09 | 0:36:13 | |
Paul has been juggling his time too. | 0:36:15 | 0:36:17 | |
Firstly, he restores his £25 claret jug himself at no extra cost, | 0:36:17 | 0:36:22 | |
then takes it to Southend cafe bar and restaurant owner Sonya who also | 0:36:22 | 0:36:26 | |
buys, displays and sells interesting objects and vintage furniture. | 0:36:26 | 0:36:30 | |
Have you a use for an absolutely beautiful claret jug? | 0:36:30 | 0:36:33 | |
-Isn't that a cracker? Have you got a claret jug? -No, I haven't. | 0:36:33 | 0:36:37 | |
-This will be the first. -Isn't that an absolute beauty? | 0:36:37 | 0:36:40 | |
I bought this out in France, it has that very French Art Nouveau look. | 0:36:40 | 0:36:44 | |
I think it's about 1930, 1920-1930, I don't think it's a Victorian one. | 0:36:44 | 0:36:47 | |
But what a nice thing. Could you make use of that, do you think? | 0:36:47 | 0:36:49 | |
I think I could. | 0:36:49 | 0:36:50 | |
I don't think, actually, I would use it here because I think it would | 0:36:50 | 0:36:54 | |
break, but I could use it at home and it is very nice, you're right. | 0:36:54 | 0:36:58 | |
-If I asked you £50, would that be...? -Sacre bleu! | 0:36:58 | 0:37:01 | |
Golly, golly gosh. | 0:37:01 | 0:37:03 | |
-That didn't go well, I assume? -Hmm, I'll tell you what... | 0:37:03 | 0:37:06 | |
How much do you want to win this competition? | 0:37:06 | 0:37:08 | |
I really want to win this competition. | 0:37:08 | 0:37:10 | |
Of course I will pay your money, then. | 0:37:10 | 0:37:11 | |
-Thank you very much, that is so nice of you. -A deal. -That is so nice. | 0:37:11 | 0:37:15 | |
That makes £25.41 on the claret jug | 0:37:15 | 0:37:18 | |
and Paul is stunned by his result. | 0:37:18 | 0:37:20 | |
She paid my asking price - how rare is that?! | 0:37:20 | 0:37:23 | |
So Paul still has a few items left in his hoard to sell | 0:37:23 | 0:37:27 | |
while Will only has one item still to sell - | 0:37:27 | 0:37:30 | |
the equine blankets picture - so there's no time for horsing around. | 0:37:30 | 0:37:35 | |
Well, it's the young Axeman out front on Franco | 0:37:35 | 0:37:37 | |
and he looks over his shoulder to see Paul Hayes on Morecambe Donkey, | 0:37:37 | 0:37:40 | |
he's several furlongs behind. | 0:37:40 | 0:37:41 | |
I don't think Hayes has got a chance to catch this young, | 0:37:41 | 0:37:44 | |
talented jockey who's new on the scene. | 0:37:44 | 0:37:46 | |
He's coming over the finish line. Come on girl, come on, girl! | 0:37:46 | 0:37:50 | |
Come on, girl, yes! | 0:37:50 | 0:37:52 | |
Hmm, well, after framing costs, the picture owes Will | 0:37:52 | 0:37:55 | |
£8.47, so will he be able to ride off with a winning profit? | 0:37:55 | 0:37:59 | |
He's showing it to John, | 0:37:59 | 0:38:01 | |
who owns a specialist equestrian shop in Newmarket. | 0:38:01 | 0:38:04 | |
I like to think that these are | 0:38:05 | 0:38:08 | |
the raciest horse blankets you've ever seen. | 0:38:08 | 0:38:11 | |
Have you ever known a horse blanket to be animal print | 0:38:11 | 0:38:14 | |
with a picture of the Eiffel Tower on it? | 0:38:14 | 0:38:17 | |
-It's different. -It is different. -Certainly different. | 0:38:17 | 0:38:19 | |
Well, I'll tell you the truth - it wasn't very expensive, | 0:38:19 | 0:38:22 | |
but I see that hanging maybe in your office | 0:38:22 | 0:38:25 | |
or in or in the downstairs loo with a bit of fun... | 0:38:25 | 0:38:27 | |
Yeah, I'm glad you said that. | 0:38:27 | 0:38:29 | |
Well, the gentleman's gallery is the downstairs water closet. | 0:38:29 | 0:38:32 | |
I'm looking for 30 quid and it's yours to hang. | 0:38:32 | 0:38:35 | |
I was looking at the lower end of, erm... | 0:38:35 | 0:38:38 | |
-A tenner. -A tenner?! | 0:38:38 | 0:38:40 | |
-I might want to sell it on, this is what is worrying me. -Ah, really? | 0:38:40 | 0:38:45 | |
I reckon you could ask for 30 for that, | 0:38:45 | 0:38:47 | |
so why don't we shake on 20 quid? | 0:38:47 | 0:38:49 | |
Meet in the middle and that leaves you a tenner profit. Go on, John. | 0:38:49 | 0:38:52 | |
-15 and we're done. -Oh, I like your style. Done. | 0:38:52 | 0:38:56 | |
Will makes a profit of £6.53 for the picture | 0:38:56 | 0:38:59 | |
and he's all sold up. | 0:38:59 | 0:39:01 | |
Paul still has two items to go, | 0:39:01 | 0:39:02 | |
so he takes his brass Art Deco urn to Clitheroe-based dealer | 0:39:02 | 0:39:06 | |
Glen hoping the urn will earn him a profit. | 0:39:06 | 0:39:10 | |
Right, well, I've brought something along to show you. | 0:39:10 | 0:39:13 | |
-I got this out in France. -Oh, right, yes. | 0:39:13 | 0:39:16 | |
It's solid bronze and it is neoclassical and I was | 0:39:16 | 0:39:18 | |
wondering if that's the sort of thing that you'd have a market for? | 0:39:18 | 0:39:21 | |
What's the market like for bronze at the moment? | 0:39:21 | 0:39:24 | |
It's a bit off on a lot of stuff but, you know, for something what's | 0:39:24 | 0:39:26 | |
nice, there are still people who will still buy it. | 0:39:26 | 0:39:29 | |
Well, I liked it, I saw something in it and I think with | 0:39:29 | 0:39:31 | |
a bit of restoration, it could be a fantastic thing. | 0:39:31 | 0:39:34 | |
It stands me at £120. Is there a little bit of profit in it for me? | 0:39:34 | 0:39:37 | |
Can you see a way out of that for it? | 0:39:37 | 0:39:40 | |
Yeah, I think there is. | 0:39:40 | 0:39:42 | |
The problem is just by the time you spend having it converted | 0:39:42 | 0:39:45 | |
back into a lamp, then you've got to get a decent shade, | 0:39:45 | 0:39:49 | |
I'd be wanting to pay £135, Paul. | 0:39:49 | 0:39:52 | |
-I think we'll shake on that. -Yeah, is that all right? | 0:39:53 | 0:39:56 | |
-Is that all right with you? -Yeah, no problem. | 0:39:56 | 0:39:58 | |
So Paul makes £12.05 on the urn | 0:39:58 | 0:40:00 | |
and he's down to his final item, his modern table. | 0:40:00 | 0:40:04 | |
Now since buying the table, Paul has discovered there are restrictions | 0:40:04 | 0:40:07 | |
on certain types of rosewood, so he's got his chemistry set out. | 0:40:07 | 0:40:11 | |
I'm going to have to do a test to make sure that it's not | 0:40:11 | 0:40:14 | |
made from Brazilian rosewood, which is endangered, | 0:40:14 | 0:40:17 | |
and it should be made from the more friendly Indian rosewood | 0:40:17 | 0:40:20 | |
-which is more commercially available. -Paul does the test | 0:40:20 | 0:40:23 | |
and the good news is that it is indeed Indian rosewood. | 0:40:23 | 0:40:27 | |
Bolstered by this, he takes it to be valued by a local dealer | 0:40:27 | 0:40:30 | |
and leaves it in their hands. | 0:40:30 | 0:40:32 | |
Does he make back the £98.36 he has invested in it? | 0:40:32 | 0:40:35 | |
Well, all will be revealed soon enough. But first, let's remind | 0:40:35 | 0:40:39 | |
ourselves how much our incredible importers spent today. | 0:40:39 | 0:40:43 | |
Both our experts started off in Paris with the euro | 0:40:43 | 0:40:46 | |
equivalent of £750 of their own money. | 0:40:46 | 0:40:49 | |
Paul bought six items totalling £442.63. | 0:40:49 | 0:40:54 | |
Will did the same number of deals but spent £369.12, | 0:40:54 | 0:40:58 | |
including restoration costs. | 0:40:58 | 0:41:01 | |
But now, it all comes down to the most impressive profit. | 0:41:01 | 0:41:04 | |
All of the money that Paul and Will have made from today's | 0:41:04 | 0:41:06 | |
challenge will go to charities of their choice. | 0:41:06 | 0:41:09 | |
So without further ado, let's find out who is today's | 0:41:09 | 0:41:12 | |
Put Your Money Where Your Mouth Is champion. | 0:41:12 | 0:41:15 | |
I had great fun. I think... what were my favourite lots...? | 0:41:18 | 0:41:21 | |
Oh, yes, my horse blanket poster managed to fulfil a dream of mine | 0:41:21 | 0:41:25 | |
and get in full jockey silks. | 0:41:25 | 0:41:28 | |
I didn't get on a real horse because they scare me | 0:41:28 | 0:41:30 | |
but on the old practice horse... | 0:41:30 | 0:41:32 | |
I've got to ask you, how is Morecambe Donkey, | 0:41:32 | 0:41:34 | |
because I beat you pay about eight lengths? | 0:41:34 | 0:41:36 | |
-Do you know what Morecambe donkeys get for lunch? -No. | 0:41:36 | 0:41:39 | |
-Half an hour, like everybody else. -Oh! | 0:41:39 | 0:41:41 | |
TROMBONE SOUND EFFECT | 0:41:41 | 0:41:43 | |
No, joking apart, I got a nice piece of glass, the marble clock... | 0:41:43 | 0:41:47 | |
-That glass vase was interesting. -Very Art Deco, very nice. -Good profit? | 0:41:47 | 0:41:50 | |
Yeah, good profit. What has really stuck me this time is that | 0:41:50 | 0:41:53 | |
I went out of my comfort zones, So things like the bookends... | 0:41:53 | 0:41:56 | |
Yeah, they were unusual. | 0:41:56 | 0:41:57 | |
They were unusual, and of course that rosewood table. | 0:41:57 | 0:41:59 | |
-So I think you might definitely have this one, mate. -Do you think so? | 0:41:59 | 0:42:02 | |
-Yeah, you must have. -Maybe if it's in euros. -Yeah, let's see how we go. | 0:42:02 | 0:42:05 | |
-Shall we? -Bon chance! -Un, deux, trois, ta-da! | 0:42:05 | 0:42:09 | |
Oh! | 0:42:09 | 0:42:11 | |
THEY LAUGH | 0:42:11 | 0:42:13 | |
-Oh, is in the black! -It's in the black. | 0:42:13 | 0:42:15 | |
That '60s retro, mate - forget it, it's not going to work. | 0:42:15 | 0:42:18 | |
Well, listen, mate... | 0:42:18 | 0:42:19 | |
Yes, Will is today's walk-away winner after Paul makes | 0:42:19 | 0:42:22 | |
a massive loss on that rosewood table. | 0:42:22 | 0:42:25 | |
I took a gamble on that table. It's from the 1960s, it's rosewood, | 0:42:25 | 0:42:29 | |
it's something I know nothing about, I still know nothing about. | 0:42:29 | 0:42:32 | |
I left it with a gentleman to have a look, he doesn't want it, | 0:42:32 | 0:42:34 | |
I've run out of time. Unfortunately, | 0:42:34 | 0:42:36 | |
I'm going to have to take a hit on this one. | 0:42:36 | 0:42:38 | |
With the table unsold, Paul loses £98.36, | 0:42:38 | 0:42:42 | |
wiping out most of the profit he earned today. | 0:42:42 | 0:42:45 | |
So there we are. After all that hard work, one item really let me down, | 0:42:45 | 0:42:49 | |
so what a desastre! But do you know what? I'm in the black, | 0:42:49 | 0:42:52 | |
and that's formidable. | 0:42:52 | 0:42:54 | |
Well, the French fare turned out to be a good day out as far as | 0:42:54 | 0:42:58 | |
I'm concerned and as for the profit, | 0:42:58 | 0:43:00 | |
c'est magnifique! | 0:43:00 | 0:43:01 | |
So will today's loss spur Paul on to fight even harder when our battling | 0:43:01 | 0:43:06 | |
bidders go head-to-head tomorrow at an antiques fair in Sussex? | 0:43:06 | 0:43:09 |