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This is Put Your Money Where Your Mouth Is, the show that pitches | 0:00:02 | 0:00:04 | |
TV's best-loved antiques experts against each other in an all-out | 0:00:04 | 0:00:09 | |
-battle for profit... -Elementary, my dear dealers. | 0:00:09 | 0:00:12 | |
..and gives you the insider's view of the trade. | 0:00:12 | 0:00:15 | |
Rrrar. | 0:00:16 | 0:00:17 | |
Each week, one pair of duelling dealers will face a different | 0:00:17 | 0:00:21 | |
-daily challenge... -Catch me if you can! | 0:00:21 | 0:00:24 | |
-The Axeman cometh. -..putting their reputations on the line... | 0:00:24 | 0:00:28 | |
Grr! Ready for battle. | 0:00:28 | 0:00:30 | |
..and giving you their top tips and savvy secrets | 0:00:32 | 0:00:35 | |
on how to make the most money from buying and selling. | 0:00:35 | 0:00:38 | |
Today, dare devil dealer Paul Hayes takes on auctioneer extraordinaire | 0:00:42 | 0:00:46 | |
Will Axon at a car boot sale in Essex. Coming up... | 0:00:46 | 0:00:50 | |
Things get WOOF for Will... | 0:00:50 | 0:00:52 | |
Excuse me, mate, how much is your plate? | 0:00:52 | 0:00:55 | |
..Paul hopes for a large profit from Sid Little... | 0:00:55 | 0:00:58 | |
-Oh, yeah, yeah. -That all right? -That'll do, that'll do. | 0:00:58 | 0:01:02 | |
..and Will gets on the right tracks. | 0:01:02 | 0:01:05 | |
Wa-hey! | 0:01:05 | 0:01:06 | |
This is Put Your Money Where Your Mouth Is. | 0:01:06 | 0:01:09 | |
Welcome, one and all, to another epic journey through | 0:01:22 | 0:01:25 | |
the realm of real antiques as two brave heroes of know-how | 0:01:25 | 0:01:29 | |
clash swords in a battle to buy, sell and ride off with a profit. | 0:01:29 | 0:01:34 | |
Up today... He hails from Morecambe and he's oh so wise. | 0:01:34 | 0:01:38 | |
It's the wonderful wizard of the north west, | 0:01:38 | 0:01:40 | |
ready to gaze into his magic mirror and mix a profit-making potion | 0:01:40 | 0:01:44 | |
that packs a punch... | 0:01:44 | 0:01:45 | |
It's Paul 'Mr Morecambe' Hayes. | 0:01:45 | 0:01:48 | |
I'm coming to get you now, Axeman. | 0:01:49 | 0:01:52 | |
And the Axeman cometh... He's the first knight of Newmarket. | 0:01:52 | 0:01:55 | |
He's dogged, determined, and straining at the leash... | 0:01:55 | 0:01:58 | |
It's Will "The Axeman" Axon, | 0:01:58 | 0:02:00 | |
and he's hoping to swing a victory. | 0:02:00 | 0:02:02 | |
Only time will tell. | 0:02:02 | 0:02:04 | |
Today's tournament takes place at Marks Tey car boot sale in Essex | 0:02:04 | 0:02:07 | |
and our crusaders of the curio have come laden | 0:02:07 | 0:02:10 | |
with £250 of their own money. | 0:02:10 | 0:02:12 | |
So, Paul Hayes and Will Axon, | 0:02:12 | 0:02:15 | |
It's time to Put Your Money Where Your Mouth Is. | 0:02:15 | 0:02:18 | |
-Good morning. -Good morning, how are you? -All right, thank you very much. | 0:02:18 | 0:02:21 | |
Bright and breezy and early, yeah? | 0:02:21 | 0:02:23 | |
I do like the old car boot, | 0:02:23 | 0:02:24 | |
so I'm fairly comfortable in dealing with the old booters. What about you? | 0:02:24 | 0:02:28 | |
Man and boy, man and boy. I used to sell things for ten pence. | 0:02:28 | 0:02:31 | |
I can remember those days, you know, but you can buy everything | 0:02:31 | 0:02:34 | |
and anything here, from a thimble to an elephant sometimes. | 0:02:34 | 0:02:37 | |
Don't show me your hand quite yet! An elephant? | 0:02:37 | 0:02:39 | |
I'm going to look out for one of them! | 0:02:39 | 0:02:41 | |
One tip I can give you is it makes a difference who gets there first. | 0:02:41 | 0:02:45 | |
Oh, man... | 0:02:45 | 0:02:46 | |
He's good, isn't he? | 0:02:46 | 0:02:48 | |
Yes, both of our antiques experts know that | 0:02:48 | 0:02:50 | |
when it comes to collecting car boot booty, | 0:02:50 | 0:02:52 | |
it's the early bird that catches the worm...or elephant, apparently. | 0:02:52 | 0:02:56 | |
ELEPHANT TRUMPETS | 0:02:56 | 0:02:58 | |
These heavy-weight hard hitters | 0:02:58 | 0:02:59 | |
will be trying to trump-trump-trump each other today, | 0:02:59 | 0:03:02 | |
so what schemes does young Will have up his sleeve? | 0:03:02 | 0:03:05 | |
My tactic today, bearing in mind this is a busy car boot, | 0:03:05 | 0:03:09 | |
is literally to scan the rows. | 0:03:09 | 0:03:11 | |
I'm walking past stalls, I'm just scanning what's on offer | 0:03:11 | 0:03:13 | |
and I'm trying to focus in on the pieces that shine out at me. | 0:03:13 | 0:03:17 | |
Well, I've got to, really, to try and get the upper hand on Mr Morecambe. | 0:03:17 | 0:03:20 | |
He's been doing this since he was in short trousers! | 0:03:20 | 0:03:23 | |
With Will scanning the scene for success, | 0:03:23 | 0:03:25 | |
what's Paul's plan of attack? | 0:03:25 | 0:03:28 | |
There's one thing that's really important for me when I come | 0:03:28 | 0:03:30 | |
to these car boot sales, is not to knock the stallholder too much. | 0:03:30 | 0:03:34 | |
It's very difficult to make a living here, | 0:03:34 | 0:03:36 | |
so I don't want to hammer them - | 0:03:36 | 0:03:37 | |
I want to go away all friends, all smiles and enjoy myself. | 0:03:37 | 0:03:41 | |
So Paul's plan is to make some friends and enjoy himself. | 0:03:41 | 0:03:44 | |
Well, you know what they say about mixing business | 0:03:44 | 0:03:46 | |
and pleasure, Paul, and it seems Will is heeding this advice. | 0:03:46 | 0:03:50 | |
A pair of signed racing photographs have caught his eye | 0:03:50 | 0:03:52 | |
and he's wasting no time on pleasantries. | 0:03:52 | 0:03:55 | |
How much do you want for those two? | 0:03:55 | 0:03:57 | |
Jumps racing. | 0:03:59 | 0:04:00 | |
I'm from Newmarket, you see, we're more on the flat. | 0:04:02 | 0:04:05 | |
-What's your very best on those? -Eight quid. | 0:04:05 | 0:04:07 | |
£8. | 0:04:07 | 0:04:08 | |
Go on, I'll have them for eight quid. | 0:04:10 | 0:04:13 | |
Well done, sir, £8. | 0:04:13 | 0:04:15 | |
That's my first purchase done. | 0:04:15 | 0:04:17 | |
The Axeman picks up the pair of pictures for £8, | 0:04:17 | 0:04:20 | |
but does he think he'll be able to ride them to victory? | 0:04:20 | 0:04:23 | |
Well, I was attracted to these for the obvious reasons that | 0:04:23 | 0:04:26 | |
it's horseracing from my hometown, Newmarket. | 0:04:26 | 0:04:29 | |
This looks like probably an official photograph at the end | 0:04:29 | 0:04:31 | |
of the Grand National, so it's a nice quality image | 0:04:31 | 0:04:34 | |
and what's great is it's been signed by the jockey as well. | 0:04:34 | 0:04:37 | |
And also the picture of Bob Champion. | 0:04:37 | 0:04:39 | |
Again, that doesn't look like an amateur photograph, does it? | 0:04:39 | 0:04:41 | |
It looks like probably someone who was there looking at the jockeys, | 0:04:41 | 0:04:45 | |
taking photos of them on their mounts and again | 0:04:45 | 0:04:47 | |
it's been signed by Bob, so it's a nice touch. | 0:04:47 | 0:04:51 | |
But both good images signed by the jockeys | 0:04:51 | 0:04:53 | |
and hopefully commercial back home. | 0:04:53 | 0:04:56 | |
Newmarket man Will is off to a confident start, | 0:04:56 | 0:04:59 | |
but rockabilly Paul is also sticking with what | 0:04:59 | 0:05:02 | |
he knows as he spies some reproduction 1950s enamel signs. | 0:05:02 | 0:05:07 | |
These are new versions. | 0:05:07 | 0:05:08 | |
They're reproductions, but they're all metal enamelled signs. | 0:05:08 | 0:05:11 | |
I love that one, look at that. | 0:05:11 | 0:05:12 | |
"My Garage, what happens in my garage stays in my garage." | 0:05:12 | 0:05:15 | |
-How much are your enamel signs? -They're 10, £10 each. -£10 each? | 0:05:15 | 0:05:19 | |
You couldn't do those two for 15, could you, if I smiled nicely? | 0:05:19 | 0:05:23 | |
-17. -17. | 0:05:23 | 0:05:25 | |
17, all right... Do you know what? I think I'll have them. | 0:05:26 | 0:05:29 | |
I quite like them. They're a bit of fun, aren't they? | 0:05:29 | 0:05:31 | |
When these were made in the 1930s and '40s, they were made from | 0:05:31 | 0:05:34 | |
cast iron and then tin plated. | 0:05:34 | 0:05:35 | |
That's why they're called tin enamel signs. | 0:05:35 | 0:05:38 | |
The original ones would have cost me a fortune, these were less | 0:05:38 | 0:05:41 | |
than £10 each so I definitely think there's a profit in them. | 0:05:41 | 0:05:43 | |
It reminds me of life back home, really, | 0:05:43 | 0:05:46 | |
when it is not early in the morning, I'm not at a car boot sale. | 0:05:46 | 0:05:49 | |
Ah, the good old times, eh, Paul, when you could have a lie in? | 0:05:49 | 0:05:53 | |
And with that sale, both Will and Paul are off the starter's blocks. | 0:05:53 | 0:05:57 | |
But it's Paul who takes the early lead, spotting some old postcards. | 0:05:57 | 0:06:01 | |
Now do you know what? I love old postcards. | 0:06:01 | 0:06:04 | |
-They are little capsules of time, aren't they? -They are, yes. | 0:06:04 | 0:06:06 | |
They're quite nice, those. The album itself has seen better days, | 0:06:06 | 0:06:09 | |
but this is very Art Nouveau. | 0:06:09 | 0:06:11 | |
You've got this wonderful 1900-1910 on the front there, | 0:06:11 | 0:06:14 | |
-I quite like that. -It's been well loved. -Yeah, it has. | 0:06:14 | 0:06:16 | |
A bit like myself. A bit worn round the edges. | 0:06:16 | 0:06:19 | |
-40 is the best offer. -Can you make it 35? -Yes. | 0:06:21 | 0:06:24 | |
All right, I'll do that for 35. | 0:06:24 | 0:06:26 | |
-That's lovely, thank you very much. -Thank you very much. | 0:06:26 | 0:06:28 | |
Ah, such a charmer! But Paul's ploy works and the postcards are his | 0:06:28 | 0:06:32 | |
for £35, but can he stamp out a profit? | 0:06:32 | 0:06:35 | |
Well, I've bought a cracking postcard album here. | 0:06:35 | 0:06:37 | |
These date from about 1900, | 0:06:37 | 0:06:38 | |
1910 and it's the golden age of travel around the UK. | 0:06:38 | 0:06:42 | |
What would happen is people would go on the steam trains and go out | 0:06:42 | 0:06:45 | |
for a day and buy a postcard and bring them back, | 0:06:45 | 0:06:47 | |
and I just love them. Little capsules of time. | 0:06:47 | 0:06:50 | |
Now, there's over 200 in this album here. | 0:06:50 | 0:06:52 | |
The album itself is a little bit rough | 0:06:52 | 0:06:54 | |
but the postcards are in great condition. | 0:06:54 | 0:06:56 | |
There's even one here of Croydon. | 0:06:56 | 0:06:58 | |
There we are, have a lovely day out in Croydon. | 0:06:58 | 0:07:01 | |
Paul there, doing his bit for the Croydon tourist trade. | 0:07:01 | 0:07:04 | |
Will is obviously feeling the pressure, though. | 0:07:04 | 0:07:06 | |
He's spotted some Homemaker plates, | 0:07:06 | 0:07:08 | |
but he appears to be negotiating with a dog. | 0:07:08 | 0:07:12 | |
Excuse me, mate, how much is your plate? | 0:07:12 | 0:07:14 | |
-SCOTTISH ACCENT: -For you, laddie, £25. | 0:07:14 | 0:07:17 | |
I'll tell you what, I'll have them. | 0:07:17 | 0:07:19 | |
Yes, well... Will buys the five Homemaker plates off the, | 0:07:19 | 0:07:22 | |
er, dog, but will they help him serve up a profit? | 0:07:22 | 0:07:25 | |
Well, the striking design of these Homemaker plates caught my eye. | 0:07:25 | 0:07:29 | |
£25 for five? Well, I think they are a bargain. | 0:07:29 | 0:07:32 | |
These are becoming more and more collectable. | 0:07:32 | 0:07:35 | |
Designed in the late 1950s by Enid Seeney for Ridgway Potteries, | 0:07:35 | 0:07:39 | |
and how more retro, vintage, funky can you get? | 0:07:39 | 0:07:43 | |
Retro, vintage, funky? | 0:07:44 | 0:07:46 | |
All words that equally apply to our pair of dapper battlers. | 0:07:46 | 0:07:50 | |
Yes, these chaps really put the FUN into funky, | 0:07:50 | 0:07:54 | |
the O into retro | 0:07:54 | 0:07:56 | |
and the AGE into vintage. | 0:07:56 | 0:07:58 | |
So, what funky item has Paul got his sights on next? | 0:07:59 | 0:08:02 | |
Oh, it's a creepy old doll's head. | 0:08:02 | 0:08:04 | |
I spotted this earlier on when I was looking at the postcards | 0:08:04 | 0:08:07 | |
and it's a great old Victorian doll's head, | 0:08:07 | 0:08:09 | |
it's just missing the rest of its body. | 0:08:09 | 0:08:11 | |
But to a collector, it's quite a sought-after item. | 0:08:11 | 0:08:14 | |
-How much did you say this one was? -I'll do it for about 35. | 0:08:14 | 0:08:17 | |
I can do you a deal if you're interested. | 0:08:18 | 0:08:21 | |
It couldn't be, like, 25 by any chance, could it? | 0:08:21 | 0:08:24 | |
-25, yes. -£25, how is that? | 0:08:25 | 0:08:27 | |
You might think I'm a bit daft buying a head, | 0:08:27 | 0:08:29 | |
but this actually is a really good one. | 0:08:29 | 0:08:31 | |
Victorian dolls are very, very desirable. | 0:08:31 | 0:08:34 | |
Bisque-head porcelain - very delicate, very collectable, | 0:08:34 | 0:08:37 | |
especially if you've got the Oriental features, | 0:08:37 | 0:08:40 | |
it was a rarer model that they used to do. | 0:08:40 | 0:08:41 | |
It's a great maker, Armand Marseille, I'm looking forward | 0:08:41 | 0:08:44 | |
to see where it ends up, see if we can reunite it with a body. | 0:08:44 | 0:08:48 | |
Paul's bodiless wonder brings the purchasing total to 2-2. | 0:08:48 | 0:08:52 | |
It's neck and neck when Will finds a window of opportunity... | 0:08:52 | 0:08:55 | |
or rather, an actual window. | 0:08:55 | 0:08:57 | |
You got some nice glass here. How much is it? | 0:08:57 | 0:08:59 | |
-That's £100 and that's 60. -100 is a bit steep for me on that. | 0:08:59 | 0:09:03 | |
-I've only got... -Is it? Only got what? | 0:09:03 | 0:09:06 | |
-I've got, like, nearer 50 quid to spend. -Yeah, no, I'd let go for 80. | 0:09:06 | 0:09:09 | |
-£80? -Yeah. | 0:09:09 | 0:09:10 | |
There's no damage in it at all. | 0:09:13 | 0:09:15 | |
-Shake my hand at 70 quid and take it off your hands. -What about 75? | 0:09:15 | 0:09:19 | |
Go on, then, 75. Sold. Well done. | 0:09:20 | 0:09:23 | |
So Will buys the stained glass for £75 | 0:09:23 | 0:09:26 | |
and his delight is transparent. | 0:09:26 | 0:09:29 | |
Well, I love this window. | 0:09:29 | 0:09:30 | |
It really caught my eye with the sun shining through it and why not? | 0:09:30 | 0:09:33 | |
Look at the colours, look at the design... | 0:09:33 | 0:09:35 | |
it's got something of the Art Nouveau, it's got something | 0:09:35 | 0:09:38 | |
of the Arts and Crafts, something of the Glasgow School about it. | 0:09:38 | 0:09:41 | |
I have no idea if it's by a particular designer, | 0:09:41 | 0:09:43 | |
but I like it and you've got to buy what you like. | 0:09:43 | 0:09:47 | |
A top tip there from Will, which brings us | 0:09:47 | 0:09:49 | |
to the halfway point of this car boot buying bonanza, | 0:09:49 | 0:09:52 | |
so let's see how our experts are getting on. | 0:09:52 | 0:09:54 | |
Both Paul and Will started the day with £250 to spend. | 0:09:56 | 0:10:01 | |
Paul has picked up three purchases and has spent £77, leaving him | 0:10:01 | 0:10:05 | |
with £173 to spend. | 0:10:05 | 0:10:07 | |
Will has also bought three items totalling £108, | 0:10:11 | 0:10:16 | |
meaning he has £142 still burning a hole in his pocket. | 0:10:16 | 0:10:19 | |
-Hello. -There you are! -Yeah, how are you? -What have got in there? | 0:10:21 | 0:10:24 | |
That's a whole new car boot in there. | 0:10:24 | 0:10:26 | |
-Well, I was wondering if it was greener your side. -Oh, well... | 0:10:26 | 0:10:29 | |
-Aren't they friendly? -They've made us feel really welcome here today. | 0:10:29 | 0:10:32 | |
I'm not surprised, but isn't it lovely to feel that? | 0:10:32 | 0:10:34 | |
They're all doing well, they're all having a great day and enjoying the whole thing. | 0:10:34 | 0:10:37 | |
Yeah, and it helps that the sun's got his hat on. | 0:10:37 | 0:10:39 | |
Definitely. And what about the buying, going all right? | 0:10:39 | 0:10:42 | |
Yeah, I think so. You know, a few items under my belt. What about you? | 0:10:42 | 0:10:45 | |
It's nice here, actually, there are a few antique items here. | 0:10:45 | 0:10:48 | |
-It's almost like an antiques fair. -You're right. | 0:10:48 | 0:10:50 | |
It's just trying to spot them, isn't it? | 0:10:50 | 0:10:52 | |
-Getting the wheat from the chaff, shall we say. -That's one way to put it! | 0:10:52 | 0:10:55 | |
I wouldn't have been quite as polite as that, | 0:10:55 | 0:10:57 | |
but it is one way to put it. Variety is the spice of life. | 0:10:57 | 0:11:00 | |
Well, exactly, and whatever catches your eye, you know, go for it. | 0:11:00 | 0:11:03 | |
Have you seen the lingerie stall that's over there? | 0:11:03 | 0:11:06 | |
I wasn't going to mention it, | 0:11:06 | 0:11:07 | |
-but I've reserved something for you. -Thank you very much. | 0:11:07 | 0:11:10 | |
-Go and try it on. -These are are chaffing a bit over here. | 0:11:10 | 0:11:12 | |
-Well, there's an extra large there for you! -Thank you. | 0:11:12 | 0:11:15 | |
Our two tireless troopers now head back to the battlefield | 0:11:15 | 0:11:19 | |
to continue hacking through the chaff and slicing off the wheat | 0:11:19 | 0:11:22 | |
as they try to uncover the hidden gems. | 0:11:22 | 0:11:25 | |
Paul is behind in the spending stakes but it's Will who | 0:11:25 | 0:11:28 | |
is next to see a potential purchase as he spots a railway lantern. | 0:11:28 | 0:11:32 | |
What sort of money are you asking for that? | 0:11:32 | 0:11:35 | |
40. | 0:11:35 | 0:11:37 | |
£40. | 0:11:37 | 0:11:38 | |
I mean, I'm interested, but... | 0:11:40 | 0:11:42 | |
How about we say something nearer 20? | 0:11:42 | 0:11:45 | |
How about 35.50? | 0:11:45 | 0:11:47 | |
Come on! | 0:11:47 | 0:11:49 | |
How about 30 quid? Shake my hand at 30 quid. | 0:11:49 | 0:11:52 | |
-35. -No, you shook my hand! 30 quid and we've got a deal. -30 quid. | 0:11:52 | 0:11:56 | |
Well done, sir. Good. Yeah, I like that, I do like that. | 0:11:56 | 0:11:59 | |
I could see myself as a railwayman. | 0:11:59 | 0:12:01 | |
Will's back on the right tracks with his lantern | 0:12:01 | 0:12:04 | |
and he's hoping it'll guide him to a great profit. | 0:12:04 | 0:12:07 | |
Well, I love this lantern I've found. | 0:12:07 | 0:12:09 | |
I'm pretty sure it's a railway lantern. | 0:12:09 | 0:12:11 | |
Looks like it's got its original paint. | 0:12:11 | 0:12:13 | |
There's also a little plaque here which will tell me who the maker is | 0:12:13 | 0:12:16 | |
but I need to do a bit of detective work at home, I think, on that. | 0:12:16 | 0:12:20 | |
Date-wise... Well, hard thing to date, I suppose. | 0:12:20 | 0:12:23 | |
Mid 20th, maybe a little bit earlier. | 0:12:23 | 0:12:24 | |
Pretty much a smart thing all round. Yeah, I'm pleased with that. | 0:12:24 | 0:12:28 | |
Paul Hayes is chugging along nicely too as he picks up | 0:12:28 | 0:12:31 | |
a pair of bench ends for £10. | 0:12:31 | 0:12:32 | |
Well, you never know what you're going to find | 0:12:32 | 0:12:34 | |
and what you're going to buy at a car boot sale. | 0:12:34 | 0:12:37 | |
I bought these modern bench ends. | 0:12:37 | 0:12:39 | |
They need a bit of restoration, but the end results are fantastic. | 0:12:39 | 0:12:41 | |
These are so expensive to buy in the shops and for ten quid, | 0:12:41 | 0:12:44 | |
they are an absolute bargain. | 0:12:44 | 0:12:46 | |
It depends on how much it's going to cost me to get them put right, | 0:12:46 | 0:12:49 | |
but I still think they're suitable even for your garden, Will. | 0:12:49 | 0:12:52 | |
Meanwhile, Will is so confident that he's started shopping for Paul. | 0:12:52 | 0:12:56 | |
I'm just having a flick through this book | 0:12:56 | 0:12:59 | |
because I think it's something that Paul should buy. | 0:12:59 | 0:13:02 | |
Laughs In The Smallest Room. | 0:13:02 | 0:13:04 | |
Yes, Paul certainly likes a laugh. | 0:13:04 | 0:13:06 | |
I'll keep ahead of the game, there, Will. | 0:13:12 | 0:13:14 | |
Isn't that an opera singer? A TENNER? | 0:13:14 | 0:13:16 | |
Come on, keep moving, please. Thank you very much. | 0:13:18 | 0:13:20 | |
Nothing to see, nothing to see. Do you know what? | 0:13:20 | 0:13:22 | |
If you had a pair of them, you'd have a pair of trunks. | 0:13:22 | 0:13:24 | |
Do you know what? There's one every minute, isn't there? | 0:13:24 | 0:13:27 | |
Yes, in the antiques world, Paul truly is the king of comedy. | 0:13:27 | 0:13:30 | |
And talking of kings... | 0:13:30 | 0:13:32 | |
That's Elvis' house, that's Graceland. I've been there. | 0:13:32 | 0:13:34 | |
There's his Cadillac there at the front. Can I make you an offer? | 0:13:34 | 0:13:37 | |
-I don't want to be mean. -I'll do 30 for the two. | 0:13:37 | 0:13:40 | |
-You can't do 20 for the two? -No. | 0:13:40 | 0:13:42 | |
Fancy in the middle somewhere? 25. | 0:13:44 | 0:13:47 | |
-25. -You'll do 25. All right, I'll have them for 25. | 0:13:47 | 0:13:50 | |
I'll have them, thank you very much. | 0:13:50 | 0:13:52 | |
Paul pays £25 for the pair of Graceland ornaments | 0:13:52 | 0:13:55 | |
but will they lead him to rock and roll glory or to Heartbreak Hotel? | 0:13:55 | 0:13:59 | |
Now, then, you may think I've gone mad, | 0:13:59 | 0:14:01 | |
but there is method in my madness. | 0:14:01 | 0:14:03 | |
This is the home of Elvis Presley, Graceland in Memphis, Tennessee - | 0:14:03 | 0:14:07 | |
a fantastic place. But it's a beautiful scale model. | 0:14:07 | 0:14:10 | |
It's in the manner of Lilliput Lane who did these | 0:14:10 | 0:14:12 | |
wonderful scale designs in the 1970s and '80s | 0:14:12 | 0:14:16 | |
and there are lots of people who collect that type of thing. | 0:14:16 | 0:14:19 | |
I think because of what it is | 0:14:19 | 0:14:20 | |
and where it is, I think it's a very saleable item | 0:14:20 | 0:14:23 | |
and I'm looking forward to seeing it light up and in its full glory. | 0:14:23 | 0:14:27 | |
Yes, Paul is all shook up with his Elvis memorabilia, | 0:14:27 | 0:14:30 | |
but Will has spotted an item harking back to | 0:14:30 | 0:14:32 | |
the golden age of steam-power - a plaque from a traction engine. | 0:14:32 | 0:14:36 | |
Harewood Rally... | 0:14:36 | 0:14:38 | |
Tell me. | 0:14:38 | 0:14:39 | |
It's a steam rally. | 0:14:39 | 0:14:41 | |
Oh, is it? | 0:14:41 | 0:14:42 | |
I see that hasn't got a price on it. | 0:14:42 | 0:14:44 | |
Well, I'm sure I could give you a price. 25 quid. | 0:14:44 | 0:14:47 | |
No, he's got to win.> | 0:14:47 | 0:14:49 | |
50 quid. | 0:14:49 | 0:14:50 | |
Oh, you're all heart, you are. | 0:14:51 | 0:14:53 | |
Do me that for a tenner and you're going out that much lighter. | 0:14:53 | 0:14:56 | |
-Make it 20. -15 and shake my hand. Go on. -£18, 18. | 0:14:56 | 0:15:00 | |
Go on, then. | 0:15:00 | 0:15:01 | |
What was that, 15? She's giving your permission. | 0:15:01 | 0:15:04 | |
-Come on, sir, shake my hand. -Go on, then. -Ha-hey! Well done. | 0:15:04 | 0:15:08 | |
After some no-nonsense haggling, | 0:15:08 | 0:15:10 | |
Will wins his trophy, but why has he bought it? | 0:15:10 | 0:15:13 | |
Well, a bit of a speculative buy, to be honest, | 0:15:14 | 0:15:16 | |
but I love the fact that I've got Harewood | 0:15:16 | 0:15:19 | |
and the Traction Engine Rally 1964 to go on as far as research goes. | 0:15:19 | 0:15:23 | |
I've been involved with vintage machinery sales in the past | 0:15:23 | 0:15:26 | |
and where there's a steam engine, there tends to be plenty of money. | 0:15:26 | 0:15:30 | |
Hopefully some of it coming my way to help me steam ahead of Paul. | 0:15:30 | 0:15:34 | |
Will is forging ahead, | 0:15:35 | 0:15:37 | |
but it appears that Mr Hayes is finally beginning to flounder. | 0:15:37 | 0:15:40 | |
What I'm trying to do is to find stalls that have interesting items | 0:15:40 | 0:15:43 | |
that have a bit of history about them, really. | 0:15:43 | 0:15:45 | |
There are lots of things that are very generic, | 0:15:45 | 0:15:47 | |
but I quite like things that tell me a story. | 0:15:47 | 0:15:50 | |
There's nothing that's shouting out to me just yet. | 0:15:50 | 0:15:53 | |
Looking for talking objects to tell you stories seems like a tall order, | 0:15:53 | 0:15:57 | |
but hold on a minute, Paul has spotted one item that may not | 0:15:57 | 0:16:00 | |
be talking, but it is making him sing. | 0:16:00 | 0:16:02 | |
# Oh, I'm down in Marks Tey | 0:16:02 | 0:16:04 | |
# And it's not me birthday | 0:16:04 | 0:16:06 | |
# And I'm here buying antiques | 0:16:06 | 0:16:08 | |
# And I'm not doing very well. # | 0:16:08 | 0:16:11 | |
Yes, well, sort of sing. | 0:16:11 | 0:16:12 | |
This may look like a washboard, which it is, but of course, | 0:16:12 | 0:16:16 | |
these can be a musical instrument. They can actually make a noise. | 0:16:16 | 0:16:20 | |
HE SCRATCHES THE WASHBOARD | 0:16:20 | 0:16:23 | |
See that? Do you want to do that? How much is it? | 0:16:23 | 0:16:25 | |
-12 quid. -12 quid. Can you do any better than that? | 0:16:25 | 0:16:27 | |
I'll give you a tune on it, can you do any better than that? | 0:16:27 | 0:16:30 | |
-10. -£10, I'll have that. Thank you very much. | 0:16:30 | 0:16:33 | |
So Paul buys the washboard for £10, | 0:16:33 | 0:16:35 | |
but will it help him scrub up when he comes to sell? | 0:16:35 | 0:16:39 | |
I've bought a bit of social history here, actually. | 0:16:39 | 0:16:41 | |
This is an 19th-century washboard and before we had inside plumbing | 0:16:41 | 0:16:44 | |
and washing machines | 0:16:44 | 0:16:46 | |
and all sorts of cool ways now to do your laundry, | 0:16:46 | 0:16:48 | |
this is all we had and this would sit in your tub | 0:16:48 | 0:16:51 | |
and you would actually wash your clothes against it. | 0:16:51 | 0:16:53 | |
But of course, that rhythmic action turned into skiffle | 0:16:53 | 0:16:57 | |
and skiffle became a very popular music sound in the 1950s. | 0:16:57 | 0:16:59 | |
So this really has a dual purpose - it can be used | 0:16:59 | 0:17:02 | |
as a bit of social history or a musical instrument. | 0:17:02 | 0:17:05 | |
But in my hands, it's neither. | 0:17:05 | 0:17:07 | |
HE SCRATCHES THE WASHBOARD | 0:17:07 | 0:17:09 | |
And with that, Paul thinks he's completely cleaned up. | 0:17:10 | 0:17:13 | |
I think I've seen all I need to see. | 0:17:13 | 0:17:15 | |
Elephants, thimbles, washboards, whatever... | 0:17:15 | 0:17:18 | |
and I think I'm spent up, so it's time now for a cup of tea. | 0:17:18 | 0:17:21 | |
Will, however, is still looking | 0:17:21 | 0:17:23 | |
and as the day goes on, it's only going to get tougher. | 0:17:23 | 0:17:27 | |
Well, I'm nearly done here today. I've just got... | 0:17:27 | 0:17:29 | |
Well, maybe one or two more items to buy | 0:17:29 | 0:17:31 | |
but it's getting towards the end of the day, | 0:17:31 | 0:17:34 | |
a few people are already packing up, so an element of panic setting in. | 0:17:34 | 0:17:38 | |
Oh, dear, don't do anything too hasty now. | 0:17:38 | 0:17:41 | |
Well, I've just spotted these... | 0:17:41 | 0:17:43 | |
Well, I suppose they're library card drawers | 0:17:43 | 0:17:46 | |
but they've got something about them, that sort of industrial look, | 0:17:46 | 0:17:49 | |
and I think there is potential there for a bit of up-cycling. | 0:17:49 | 0:17:52 | |
Now I just need to find out how much they are. | 0:17:52 | 0:17:54 | |
What sort of money and you looking for for them? | 0:17:54 | 0:17:56 | |
-I can do them for 35. -I like a nice round number. | 0:17:56 | 0:18:00 | |
-I'll give you 30 quid for them and I'll take them for you now. -OK. | 0:18:01 | 0:18:05 | |
Oh, it's a deal. Well done. | 0:18:05 | 0:18:06 | |
I think I've given myself a bit of a challenge here because I've entered | 0:18:06 | 0:18:09 | |
what I would call the up-cycling market and it's not really my field. | 0:18:09 | 0:18:14 | |
But I just love the industrial look, I love the finish, | 0:18:14 | 0:18:17 | |
and I'm thinking out loud here that with legs on, | 0:18:17 | 0:18:20 | |
these would make rather nice bedside tables. | 0:18:20 | 0:18:23 | |
But is it something I'm going to do myself or do | 0:18:23 | 0:18:25 | |
I need to find someone who really knows what they're doing? | 0:18:25 | 0:18:28 | |
Yes, Will seems to have stepped outside his comfort zone there. | 0:18:28 | 0:18:32 | |
But his drawers draw a line under the buying half, so as the shadows | 0:18:32 | 0:18:36 | |
grow longer and the dust settles, let's find out how they got on. | 0:18:36 | 0:18:40 | |
Both Paul and Will started the day with £250 to spend. | 0:18:41 | 0:18:46 | |
Paul has picked up six items and spent £122. | 0:18:46 | 0:18:50 | |
Will has also made six purchases, costing £183. | 0:18:50 | 0:18:55 | |
So before they both hang up their buying boots, | 0:18:56 | 0:18:59 | |
our pair of clashing colossuses come together to compare their wares. | 0:18:59 | 0:19:03 | |
Well, the thing I like about a boot fare is an early start | 0:19:03 | 0:19:06 | |
means an early finish. How did you get on, Paul? | 0:19:06 | 0:19:08 | |
I did really well, actually. Wasn't it a friendly fare? | 0:19:08 | 0:19:10 | |
It was great. Everyone made us feel really welcome, they were smiling... | 0:19:10 | 0:19:13 | |
I love your horseracing pictures. They're great, aren't they? | 0:19:13 | 0:19:16 | |
-Well, I had to buy them, didn't I, really? -Newmarket, horses, fantastic. | 0:19:16 | 0:19:21 | |
But, I mean, what about these? I don't know if I... Do I love them? | 0:19:21 | 0:19:26 | |
Do I hate them? All I know is that they are kitsch-tastic. | 0:19:26 | 0:19:29 | |
When I saw them, I liked them and I think | 0:19:29 | 0:19:31 | |
there's collectors out there who want them, so that's a good thing. | 0:19:31 | 0:19:34 | |
I'm a bit out of my comfort zone with these library card drawers. | 0:19:34 | 0:19:38 | |
I don't get that. Have you got a library in your house? | 0:19:38 | 0:19:40 | |
Oh, yeah, nice leather lined and all that, big partner's desk... | 0:19:40 | 0:19:43 | |
I think they'll look the business in there. | 0:19:43 | 0:19:45 | |
Well, you might surprise me on those, I think. | 0:19:45 | 0:19:47 | |
And are you on the old stand-up circuit, Where Is My Washboard? | 0:19:47 | 0:19:51 | |
Yeah, that's it. Golden age of skiffle, that's the idea. | 0:19:51 | 0:19:54 | |
But it's also if you have a power cut, I can wash my laundry. | 0:19:54 | 0:19:57 | |
You don't want to see my smalls after a long day at the car boot! | 0:19:57 | 0:20:00 | |
-I don't want to see any of your smalls. -No, you don't... | 0:20:00 | 0:20:02 | |
Now our wondrous warriors | 0:20:05 | 0:20:07 | |
must withdraw from the battlefield of buying | 0:20:07 | 0:20:09 | |
and ride back home to sharpen their swords of selling. | 0:20:09 | 0:20:13 | |
And they'll have to exploit every resource in their arsenal | 0:20:13 | 0:20:16 | |
to secure the biggest profit | 0:20:16 | 0:20:18 | |
that will go to the charity of their choice. | 0:20:18 | 0:20:20 | |
But, before they head out, | 0:20:20 | 0:20:21 | |
Paul and Will step back to consider their battle plans... | 0:20:21 | 0:20:24 | |
Back in Morecambe, Paul is in fine fettle. | 0:20:25 | 0:20:28 | |
OK, well, I'm back from the car boot sale. | 0:20:29 | 0:20:31 | |
I've got quite an eclectic mix of items. | 0:20:31 | 0:20:34 | |
I bought these two bench ends, which need a bit of restoration. | 0:20:34 | 0:20:37 | |
So, I'm going to replace the wood on those. | 0:20:37 | 0:20:38 | |
I've managed to bring these two Graceland ornaments to life. | 0:20:38 | 0:20:42 | |
I've taken all the batteries out of the remote controls in the house. | 0:20:42 | 0:20:45 | |
So, it's cost me nothing and I've told my kids | 0:20:45 | 0:20:47 | |
they can't play with the computers for a few weeks, | 0:20:47 | 0:20:49 | |
because Elvis is more important. | 0:20:49 | 0:20:51 | |
It's always been that way. | 0:20:51 | 0:20:52 | |
I've got this doll's head. | 0:20:52 | 0:20:54 | |
Now, believe it or not, I know a dolls' hospital, | 0:20:54 | 0:20:56 | |
who actually wants to reunite this with a body. | 0:20:56 | 0:20:59 | |
So, that would be great to bring that back to life. | 0:20:59 | 0:21:01 | |
Some old enamel signs. | 0:21:01 | 0:21:02 | |
I found a gentleman who has one of these tractors. | 0:21:02 | 0:21:05 | |
So, hopefully, he's interested in this sign. | 0:21:05 | 0:21:07 | |
You know, hopefully, we can do a deal on those, | 0:21:07 | 0:21:09 | |
because he actually restores the Ferguson tractors. | 0:21:09 | 0:21:11 | |
And some postcards. I wish they were all of Morecambe. | 0:21:11 | 0:21:13 | |
These ones are of Petersfield and down south. | 0:21:13 | 0:21:16 | |
But, I know a gentleman who is a general dealer in postcards. | 0:21:16 | 0:21:19 | |
And, of course, the washboard. | 0:21:19 | 0:21:21 | |
The washboard is a bit out there. | 0:21:21 | 0:21:22 | |
But you wait to see what I do with that one. | 0:21:22 | 0:21:24 | |
It'll be music to your ears. | 0:21:24 | 0:21:26 | |
So, Paul's plans are coming together, | 0:21:26 | 0:21:29 | |
whilst Will looks like he's having a picnic... | 0:21:29 | 0:21:31 | |
Oh, hello there. I didn't see you. | 0:21:31 | 0:21:33 | |
Welcome to my orchard, where you find me relaxing amongst my treasure. | 0:21:33 | 0:21:37 | |
Now, as you know, I feel at home at the car boot. | 0:21:37 | 0:21:40 | |
So, hopefully, that's reflected in my purchases. | 0:21:40 | 0:21:43 | |
First off, this rather handsome red-painted lantern. | 0:21:43 | 0:21:46 | |
I'm thinking railway lantern. | 0:21:46 | 0:21:48 | |
It could, possibly, be used for the road. | 0:21:48 | 0:21:50 | |
But I'm going to try and find a steam enthusiast | 0:21:50 | 0:21:52 | |
who could, perhaps, add to his collection with that. | 0:21:52 | 0:21:56 | |
And at the front there, again, my Newmarket roots came out. | 0:21:56 | 0:21:59 | |
I had to buy the signed racing photos. | 0:21:59 | 0:22:02 | |
We've got Bob Champion there. A legend in his own right. | 0:22:02 | 0:22:05 | |
As well as Mr Frisk winning the Derby. | 0:22:05 | 0:22:08 | |
They weren't a lot of money, | 0:22:08 | 0:22:09 | |
so I'm sure a pub in Newmarket's going to have those, | 0:22:09 | 0:22:12 | |
even if it's just as a wall filler. | 0:22:12 | 0:22:14 | |
Behind those, iconic Homemaker plates. | 0:22:14 | 0:22:17 | |
I love the retro design on those. | 0:22:17 | 0:22:19 | |
Then, the steam or traction engine plaque for Harewood House, | 0:22:19 | 0:22:23 | |
that Grade I listed stately home, | 0:22:23 | 0:22:25 | |
where they hold traction engine rallies. | 0:22:25 | 0:22:27 | |
The stack of four library card drawers. | 0:22:27 | 0:22:30 | |
I was drawn to them by their industrial look. | 0:22:30 | 0:22:33 | |
At first, I imagined them with, perhaps, bent steel legs on them, | 0:22:33 | 0:22:36 | |
something that I was thinking of trying to do myself. | 0:22:36 | 0:22:39 | |
But I think, to be honest, I'd be biting off more than I can chew. | 0:22:39 | 0:22:43 | |
Someone who's going to be used to upcycling that type of furniture | 0:22:43 | 0:22:46 | |
is going to do the work a whole lot better than I could. | 0:22:46 | 0:22:48 | |
So, I'll leave it to them. | 0:22:48 | 0:22:50 | |
And behind me, the stained-glass window. | 0:22:50 | 0:22:53 | |
What I loved about it was the Art Nouveau design, the stylised tulip, | 0:22:53 | 0:22:57 | |
very much in that sort of Mackintosh tradition. | 0:22:57 | 0:23:00 | |
Well, all in all, the car boot, not a lot of money spent. | 0:23:00 | 0:23:04 | |
So, I'm hoping to at least double my money | 0:23:04 | 0:23:06 | |
on most of the lots that I've bought. | 0:23:06 | 0:23:08 | |
So, plans drawn up, | 0:23:08 | 0:23:10 | |
it's time to delve into their contact books and bag the buyers. | 0:23:10 | 0:23:14 | |
Paul and Will now have one word in mind... | 0:23:14 | 0:23:16 | |
Profit! | 0:23:16 | 0:23:18 | |
But, don't forget, no deal is done until they shake a hand. | 0:23:18 | 0:23:21 | |
It's ready, set, sell! | 0:23:21 | 0:23:23 | |
And Paul is the first off the starter's marks. | 0:23:23 | 0:23:26 | |
He's in Manchester, | 0:23:26 | 0:23:27 | |
where he's tracked down what he hopes will be the perfect home | 0:23:27 | 0:23:29 | |
for the Graceland models that cost him £25. | 0:23:29 | 0:23:32 | |
Now, who'd have thought that these two Graceland models | 0:23:33 | 0:23:35 | |
would take me to a suburban street in the heart of Manchester? | 0:23:35 | 0:23:39 | |
It looks like an everyday house. | 0:23:39 | 0:23:40 | |
But, believe me, you've seen nothing like this... | 0:23:40 | 0:23:43 | |
Paul wiggles his way to his first potential sale, | 0:23:43 | 0:23:46 | |
having targeted Vilma and Terry. | 0:23:46 | 0:23:48 | |
And it's not hard to see why. | 0:23:48 | 0:23:50 | |
How many artefacts do you think you've got relating to Elvis? | 0:23:53 | 0:23:56 | |
I honestly couldn't say. | 0:23:56 | 0:23:58 | |
-It's hard to say, isn't it? -I couldn't say. I mean, upstairs... | 0:23:58 | 0:24:01 | |
They're hidden away all over the place. There is so much stuff! | 0:24:01 | 0:24:04 | |
So, have you ever seen anything like this before, then? | 0:24:04 | 0:24:07 | |
Well, yes. I've got one, haven't I? Snap! | 0:24:07 | 0:24:09 | |
Fantastic! So, you've already bought that one. | 0:24:09 | 0:24:11 | |
So, why didn't you buy the Christmas one? | 0:24:11 | 0:24:13 | |
-We just couldn't afford it. -Just couldn't afford it at the time. | 0:24:13 | 0:24:16 | |
Right. OK. So, are they quite expensive? | 0:24:16 | 0:24:18 | |
-Yeah. Getting on for about £100. -Were they really? | 0:24:18 | 0:24:20 | |
Right. Are they definitely something you'd be interested in? | 0:24:20 | 0:24:23 | |
Well, certainly this one. I mean, we've already got this one. | 0:24:23 | 0:24:26 | |
-But certainly this one. -OK. | 0:24:26 | 0:24:28 | |
I mean, if I was to ask you sort of half the price, say £50? | 0:24:28 | 0:24:32 | |
Would that be...? With the batteries in fully working order? | 0:24:32 | 0:24:35 | |
Don't be cruel now. Don't be cruel. | 0:24:36 | 0:24:39 | |
Otherwise, I've got to return them to sender. | 0:24:39 | 0:24:41 | |
Oh, dear... | 0:24:41 | 0:24:42 | |
-I will take them both. -Right. OK. | 0:24:44 | 0:24:46 | |
Right. For 75. | 0:24:46 | 0:24:49 | |
Shall we shake on that, then? £75. | 0:24:49 | 0:24:51 | |
-Thank you very much. -OK. | 0:24:51 | 0:24:53 | |
With a shake of the hand, | 0:24:53 | 0:24:54 | |
Paul rattles and rolls out a profit of £50 for the Graceland models. | 0:24:54 | 0:24:58 | |
Viva, Las Hayes! | 0:24:58 | 0:25:00 | |
Will hasn't travelled quite so far for his first sale. | 0:25:00 | 0:25:03 | |
He's headed to his local, | 0:25:03 | 0:25:05 | |
which overlooks the racecourse at Newmarket. | 0:25:05 | 0:25:08 | |
Well, here I am at the Shoes Pub, at the foot of the gallops. | 0:25:08 | 0:25:11 | |
And I'm here to see a man about a horse. | 0:25:11 | 0:25:12 | |
Well, not one horse, but two. | 0:25:12 | 0:25:14 | |
Let's see if I can't back a winner. | 0:25:14 | 0:25:16 | |
So, will landlord Ken be able to help Will make a profit | 0:25:16 | 0:25:20 | |
on the £8 he paid for them? | 0:25:20 | 0:25:21 | |
I know that the Shoes is what we would call a traditional racing pub. | 0:25:21 | 0:25:26 | |
We are at the bottom of the gallops. | 0:25:26 | 0:25:28 | |
You get all the boys in here, don't you? All the stable lads are in here. | 0:25:28 | 0:25:31 | |
How do you see these fitting in with your horse racing theme? | 0:25:31 | 0:25:34 | |
Newmarket's flat. | 0:25:35 | 0:25:36 | |
They're jumps. Where are they going to go? | 0:25:36 | 0:25:39 | |
What do you mean, where are they going to go? | 0:25:39 | 0:25:41 | |
I could probably have room under the bar for them. | 0:25:41 | 0:25:43 | |
Oh, that's outrageous! They deserve more than that. | 0:25:43 | 0:25:45 | |
Let's have a look. I can spot a nice couple of hooks here. | 0:25:45 | 0:25:49 | |
What have we got? One up there. | 0:25:49 | 0:25:51 | |
There. Now, this one, on the other side of that. | 0:25:51 | 0:25:55 | |
Now, Ken, look at that. | 0:25:56 | 0:25:57 | |
Sit back and admire my handiwork. | 0:25:57 | 0:25:59 | |
Anybody'd think that wall was made for that. | 0:25:59 | 0:26:01 | |
I think they have been. I mean, I see them at... | 0:26:01 | 0:26:03 | |
I'm going to say 50 quid for the two. How does that sound? | 0:26:03 | 0:26:06 | |
50 quid?! | 0:26:06 | 0:26:07 | |
For two?! | 0:26:07 | 0:26:08 | |
Well, I'll tell you what, I'll come down a tenner and say a score each. | 0:26:08 | 0:26:12 | |
40 quid. | 0:26:12 | 0:26:13 | |
I'll come up with 25 quid. How's that? | 0:26:13 | 0:26:16 | |
30 quid. We'll meet in the middle and we've got a deal. | 0:26:16 | 0:26:18 | |
Will gallops off with a profit of £22 on the sale of the pictures | 0:26:18 | 0:26:23 | |
and he's out of the starting box. | 0:26:23 | 0:26:25 | |
Job done and I've shortened my odds to win this, I'm pretty sure | 0:26:25 | 0:26:29 | |
So, watch out, Mr Morecambe! | 0:26:29 | 0:26:31 | |
A good start from Will. | 0:26:31 | 0:26:32 | |
But Paul's in Cheshire, where his next sale has led him | 0:26:32 | 0:26:36 | |
to a strange place of unspeakable horror | 0:26:36 | 0:26:38 | |
in which power-crazed scientists play God | 0:26:38 | 0:26:42 | |
and dabble in unnatural work. | 0:26:42 | 0:26:44 | |
You've done it, you fools! | 0:26:45 | 0:26:47 | |
It's alive! It's alive! | 0:26:47 | 0:26:49 | |
I don't want to go in there just yet. | 0:26:51 | 0:26:53 | |
Of course, this is the doll and teddy shop in Winsford | 0:26:53 | 0:26:56 | |
and Paul is hoping that Gloria, the owner, | 0:26:56 | 0:26:59 | |
might want to find a home for the doll's head that cost him £25. | 0:26:59 | 0:27:02 | |
Do people become very attached to their teddy bears? | 0:27:04 | 0:27:06 | |
-Extremely attached, yes. -Sort of like one of the family. | 0:27:06 | 0:27:08 | |
-We get "get well soon" cards. -Never?! | 0:27:08 | 0:27:11 | |
We do. Yes, we do. | 0:27:11 | 0:27:12 | |
I mentioned that I've got this one. | 0:27:12 | 0:27:14 | |
It's just a head but you're not squeamish, are you? | 0:27:14 | 0:27:16 | |
You're all right. You can do this. But it has no body. | 0:27:16 | 0:27:19 | |
But this is the one here. | 0:27:19 | 0:27:20 | |
Now, I recognise the name, which is Armand Marseille. | 0:27:20 | 0:27:24 | |
Armand Marseille, yes. | 0:27:24 | 0:27:25 | |
You just think, he's got to put those eyes | 0:27:25 | 0:27:28 | |
and all the fixtures in there through this little hole here. | 0:27:28 | 0:27:32 | |
Gosh, you are making me a bit queasy now. | 0:27:32 | 0:27:34 | |
And would the eyes be glass or...? | 0:27:34 | 0:27:36 | |
-Yes. Glass, yes. -OK. | 0:27:36 | 0:27:38 | |
And this is called a socket head. | 0:27:38 | 0:27:40 | |
Most of the babies have socket heads, | 0:27:40 | 0:27:43 | |
because they fit into a body or a shoulder plate. | 0:27:43 | 0:27:47 | |
-Right. So, the body comes up above the... -That's correct. | 0:27:47 | 0:27:50 | |
-Well, he is a nice little boy. -Right. -They're usually boys. | 0:27:50 | 0:27:53 | |
If anyone's going to find a body or repair it, it's going to be you, isn't it? | 0:27:53 | 0:27:56 | |
-I'm not going to be able to find that, I don't think. -Yes. | 0:27:56 | 0:27:59 | |
What were you thinking of? | 0:27:59 | 0:28:01 | |
I was hoping, what, £60, something like that? Does that sound...? | 0:28:01 | 0:28:04 | |
Well, I was going to offer you 45. | 0:28:05 | 0:28:06 | |
You can't make it around 50? | 0:28:06 | 0:28:09 | |
I think I could make it around 50. | 0:28:09 | 0:28:11 | |
That's lovely. We'll shake on that. I'll send him a get well card. | 0:28:11 | 0:28:14 | |
Paul makes a profit of £25 for the oriental doll's head | 0:28:14 | 0:28:17 | |
and gets ahead with two sales to Will's one. | 0:28:17 | 0:28:21 | |
The Axeman does need to get his skates on, | 0:28:21 | 0:28:23 | |
because Paul is in Preston, | 0:28:23 | 0:28:25 | |
where he's hoping to get some traction on his third item. | 0:28:25 | 0:28:28 | |
Do you remember these two enamel signs | 0:28:28 | 0:28:30 | |
that I found at the car boot sale? | 0:28:30 | 0:28:32 | |
One of them depicted a Ford Ferguson tractor in gunmetal grey. | 0:28:32 | 0:28:36 | |
Ta-da! How fantastic is that? | 0:28:36 | 0:28:38 | |
There she is. Now she's gone. | 0:28:38 | 0:28:40 | |
There she is. Now she's gone. | 0:28:40 | 0:28:41 | |
Yeah, very good, Paul. | 0:28:41 | 0:28:42 | |
But, will Jim, a repairer and collector of vintage tractors, | 0:28:42 | 0:28:46 | |
be interested in buying the signs? | 0:28:46 | 0:28:48 | |
I came across this. It's the Ford Ferguson N Series | 0:28:48 | 0:28:52 | |
and I take it that's one of those. | 0:28:52 | 0:28:53 | |
-Is that right? -That's right, yeah. | 0:28:53 | 0:28:55 | |
What does the 9 represent, then? | 0:28:55 | 0:28:56 | |
Well, the 9 represents that particular model. | 0:28:56 | 0:28:59 | |
This model is actually a 2N. | 0:28:59 | 0:29:02 | |
-A 2N. Right. OK. Well, it's very, very similar. -Very, very similar. | 0:29:02 | 0:29:05 | |
I've got two posters here. | 0:29:05 | 0:29:06 | |
I don't know whether you're interested in them. | 0:29:06 | 0:29:08 | |
Now, I do notice that, when we had a cup of tea in the office there, | 0:29:08 | 0:29:11 | |
that you do actually have signs very similar to this one. | 0:29:11 | 0:29:14 | |
Have you got this particular one yourself? | 0:29:14 | 0:29:16 | |
-Not that particular one, no. -Right. | 0:29:16 | 0:29:18 | |
Well, that's why I'm here today. | 0:29:18 | 0:29:19 | |
Is it the sort of thing that you might find an interest to? | 0:29:19 | 0:29:22 | |
Yes, it would be very nice to hang with the others, wouldn't it? | 0:29:22 | 0:29:25 | |
Excellent. And what about this one here? | 0:29:25 | 0:29:27 | |
Does that one sort of float your boat? | 0:29:27 | 0:29:29 | |
-Er...no. -No. Just the tractor. All right. OK. | 0:29:30 | 0:29:33 | |
Well, if I was to ask you £20 for that one, | 0:29:33 | 0:29:35 | |
does that sound like a good sort of price or...? | 0:29:35 | 0:29:38 | |
Well, would you take any less, Paul? | 0:29:39 | 0:29:41 | |
Would I take any less? | 0:29:41 | 0:29:43 | |
I'll tell you what I'll do. I'll tell you what I'll do. | 0:29:43 | 0:29:45 | |
I'll take £15 and a little ride on one of your tractors. | 0:29:45 | 0:29:48 | |
-Well, that will do. -So, that'll do you. Shall we shake on that? | 0:29:48 | 0:29:51 | |
Paul's used to driving hard bargains, | 0:29:51 | 0:29:53 | |
so he shouldn't have any trouble with this one... | 0:29:53 | 0:29:56 | |
Waaah! | 0:29:56 | 0:29:57 | |
Steady on now, Paul. | 0:29:57 | 0:29:58 | |
Hey-hey-hey! | 0:29:58 | 0:30:00 | |
There you are, how fantastic is that? | 0:30:00 | 0:30:02 | |
I've spreaded muck all around that field! | 0:30:02 | 0:30:04 | |
Paul is busy tractoring away | 0:30:04 | 0:30:06 | |
and after selling the other sign to Graham, | 0:30:06 | 0:30:08 | |
a collector of car memorabilia from Preston, | 0:30:08 | 0:30:11 | |
he trundles off with a profit of £6 for the signs. | 0:30:11 | 0:30:14 | |
Ah, boys and their toys, eh? | 0:30:15 | 0:30:16 | |
Talking of which, Will is back on the right tracks | 0:30:18 | 0:30:21 | |
and in Essex for his next sale. | 0:30:21 | 0:30:24 | |
Well, I'm on the platform at Audley End miniature railway station. | 0:30:24 | 0:30:27 | |
And I'm here to meet Amanda. | 0:30:27 | 0:30:29 | |
She runs the railway, | 0:30:29 | 0:30:30 | |
which was actually established by her father, Lord Braybrooke. | 0:30:30 | 0:30:33 | |
She told me to be here at 12.07, so... | 0:30:33 | 0:30:36 | |
Oh, hang on a minute, this looks good. | 0:30:36 | 0:30:38 | |
She's only driving the engine! | 0:30:41 | 0:30:43 | |
Way-hey! | 0:30:43 | 0:30:45 | |
Look at this! | 0:30:45 | 0:30:46 | |
Well, there's an entrance | 0:30:50 | 0:30:52 | |
and there is an entrance. | 0:30:52 | 0:30:54 | |
You must be Amanda. | 0:30:54 | 0:30:55 | |
How do you do? | 0:30:56 | 0:30:57 | |
Will hops on board the miniature railway, | 0:30:57 | 0:31:00 | |
hoping it will lead to a massive profit. | 0:31:00 | 0:31:03 | |
Well, we're off, Amanda. I'm slightly worried. | 0:31:03 | 0:31:06 | |
You arrived on the engine and now you're here. | 0:31:06 | 0:31:08 | |
Is there someone driving? | 0:31:08 | 0:31:09 | |
This is my manager driving, Nick Emberson. | 0:31:09 | 0:31:11 | |
So, he looks after all the trains for me and he is very knowledgeable. | 0:31:11 | 0:31:15 | |
Yes. What a great job. | 0:31:15 | 0:31:17 | |
He actually gets paid? | 0:31:17 | 0:31:18 | |
And he gets paid to play with trains. | 0:31:18 | 0:31:20 | |
So, I mean, your first impression of my railway lamp. | 0:31:20 | 0:31:25 | |
Is it something that you are sort of attracted to? | 0:31:25 | 0:31:27 | |
So, it's a danger lamp for people to carry? | 0:31:27 | 0:31:30 | |
Well, I think it could be carried. | 0:31:30 | 0:31:33 | |
It could also be hung, suspended from somewhere. | 0:31:33 | 0:31:36 | |
It's by a firm called Kenyon, who were based in Manchester. | 0:31:36 | 0:31:39 | |
And from the research I've done, | 0:31:39 | 0:31:41 | |
they basically made pieces for the roads, the railways, | 0:31:41 | 0:31:46 | |
anywhere where there was work being done, | 0:31:46 | 0:31:49 | |
workmen had to be looked after, | 0:31:49 | 0:31:50 | |
the signs, reflectors | 0:31:50 | 0:31:53 | |
and the lamps themselves. | 0:31:53 | 0:31:55 | |
What's also nice, if I open it up... | 0:31:55 | 0:31:57 | |
..is that you've got a red lens here, which is original. | 0:32:00 | 0:32:04 | |
Yeah. | 0:32:04 | 0:32:05 | |
And then you've also got the little paraffin base, | 0:32:05 | 0:32:08 | |
which would have had a wick. | 0:32:08 | 0:32:09 | |
But, again, I thought I'd leave that. | 0:32:09 | 0:32:11 | |
Because you've probably got people | 0:32:11 | 0:32:13 | |
who are very capable with their hands in the workshops here | 0:32:13 | 0:32:16 | |
and I'm sure they would be able to get that up and running beautifully. | 0:32:16 | 0:32:19 | |
I was hoping to sell that for around the sort of £50-£60 mark. | 0:32:20 | 0:32:25 | |
I don't know how that sort of sounds to your budget. | 0:32:25 | 0:32:28 | |
I think that's... | 0:32:28 | 0:32:30 | |
-So, 50 or 60? -50 or 60. | 0:32:31 | 0:32:33 | |
-I mean, we could meet in the middle and say 55. -OK. | 0:32:33 | 0:32:36 | |
So, with that £55 deal, | 0:32:36 | 0:32:38 | |
Will pulls into the station with a £25 profit | 0:32:38 | 0:32:42 | |
and takes the opportunity to sell his steam rally plaque | 0:32:42 | 0:32:45 | |
to engine enthusiast and driver of the train, Nick, | 0:32:45 | 0:32:48 | |
for a modest £5 profit. | 0:32:48 | 0:32:51 | |
So, with both our experts running on full steam, | 0:32:51 | 0:32:55 | |
let's see the scores at the halfway point. | 0:32:55 | 0:32:57 | |
Paul Hayes has had a solid start so far | 0:32:58 | 0:33:00 | |
with three purchases sold for a profit of £81. | 0:33:00 | 0:33:04 | |
Will Axon is keeping up with Paul in sales but behind with profit, | 0:33:05 | 0:33:09 | |
currently having £52 to his name. | 0:33:09 | 0:33:11 | |
Will is going to need to keep the pace up | 0:33:13 | 0:33:15 | |
if he's going to win this one. | 0:33:15 | 0:33:16 | |
But it's Paul who's next up. | 0:33:16 | 0:33:18 | |
He's visiting a little restaurant in Lancashire for his next sale... | 0:33:18 | 0:33:22 | |
It's amazing how life turns out actually, | 0:33:22 | 0:33:24 | |
I bought this washboard at a car boot sale | 0:33:24 | 0:33:27 | |
and it's brought me to here in Fleetwood to see Syd Little, | 0:33:27 | 0:33:30 | |
part of Little and Large, and how fantastic is that? | 0:33:30 | 0:33:33 | |
And do you know what, Syd's got a hidden talent | 0:33:33 | 0:33:35 | |
but I won't reveal it just yet. | 0:33:35 | 0:33:37 | |
But will Little help Paul get a large profit from the washboard? | 0:33:37 | 0:33:42 | |
Now people know you obviously as part of Little and Large | 0:33:42 | 0:33:44 | |
but you have a secret passion, don't you? | 0:33:44 | 0:33:47 | |
Yes, well, it goes back to my roots | 0:33:47 | 0:33:50 | |
and me and Ed sort of met in the early '60s, | 0:33:50 | 0:33:54 | |
1963 we turned professional so that's over 50 years | 0:33:54 | 0:33:57 | |
but before that I used to have what's known as a skiffle group. | 0:33:57 | 0:34:00 | |
All you needed for a skiffle group was a tea-chest bass, | 0:34:00 | 0:34:04 | |
-a washboard and a guitar. -Right... | 0:34:04 | 0:34:06 | |
And that's... That was it, | 0:34:06 | 0:34:08 | |
that was sort of Britain's answer to rock and roll. | 0:34:08 | 0:34:11 | |
-Well, the reason I... -Oh, no. | 0:34:11 | 0:34:13 | |
The reason I came along, I came across this washboard | 0:34:13 | 0:34:16 | |
or this instrument as we now like to call them, | 0:34:16 | 0:34:18 | |
this fantastic instrument here, and I was wondering if this | 0:34:18 | 0:34:21 | |
would make part of your band, if this could actually feature. | 0:34:21 | 0:34:23 | |
-Could you make good use of it? -It's a glass one, isn't it? -Right. | 0:34:23 | 0:34:27 | |
So that's quite modern really cos they were tin, weren't they? | 0:34:27 | 0:34:30 | |
Right, does that affect the overall sound? The glass... | 0:34:30 | 0:34:32 | |
I don't know, I've never played a glass one before. | 0:34:32 | 0:34:34 | |
-I've never heard of one... -Right. -..but you've got a chance to try it. | 0:34:34 | 0:34:38 | |
-So what do I do with these? -You put those on. -So these are thimbles. | 0:34:38 | 0:34:41 | |
-Thimbles, that's all they are. -Right, OK. | 0:34:41 | 0:34:43 | |
-Oh, yeah, yeah. -That all right? -That'll do, that'll do, yeah. | 0:34:43 | 0:34:46 | |
-Just one night only. -One night only, yeah. | 0:34:46 | 0:34:49 | |
But no, I'm surprised, I didn't think it would be like that. | 0:34:49 | 0:34:51 | |
-You're not wanting me to buy it, are you? -I would love you to buy it. | 0:34:51 | 0:34:54 | |
-I was going to ask you £20 for it but I feel quite... -20 quid?! | 0:34:54 | 0:34:58 | |
-Is that too much, do you think? -Seeing as you're a friend... | 0:34:58 | 0:35:01 | |
-Would you really give us 20 quid? Fantastic. -On one condition. -Go on. | 0:35:01 | 0:35:04 | |
That you join my little trio and we have a... | 0:35:04 | 0:35:08 | |
Cos we're all at work now so I'm a bit short. | 0:35:08 | 0:35:11 | |
Just to give a test. | 0:35:11 | 0:35:13 | |
Paul doubles his money on the washboard and makes £10 profit, | 0:35:13 | 0:35:16 | |
which means he gets to show off his musical talents. | 0:35:16 | 0:35:19 | |
One, two, three, four! | 0:35:19 | 0:35:21 | |
-That's all right! -Hey! | 0:35:23 | 0:35:25 | |
# The Rock Island line is a mighty good road | 0:35:25 | 0:35:27 | |
# The Rock Island line is a road to ride | 0:35:27 | 0:35:28 | |
# The Rock Island line, she's a mighty good road | 0:35:28 | 0:35:30 | |
# If you want to ride, you gotta ride it like you find it | 0:35:30 | 0:35:33 | |
# Get your ticket at the station on the Rock Island line! # | 0:35:33 | 0:35:39 | |
And Paul's celebratory mood continues | 0:35:39 | 0:35:42 | |
after piquing the interest of Wayne, a Morecambe-based dealer | 0:35:42 | 0:35:45 | |
in his postcards. | 0:35:45 | 0:35:47 | |
I didn't see much potential | 0:35:47 | 0:35:48 | |
-but having seen this one, look at the quality of that. -Right. | 0:35:48 | 0:35:51 | |
What makes that the quality? Is it the embossed work? | 0:35:51 | 0:35:53 | |
It's the embossed work, it's the printing, it's everything. | 0:35:53 | 0:35:56 | |
Unfortunately it's slightly creased in the corner but... | 0:35:56 | 0:35:59 | |
But nice. | 0:35:59 | 0:36:01 | |
-That one is Alresford. -Yeah, that's the one you want. | 0:36:01 | 0:36:03 | |
That's in Hampshire, that's just outside of Alton. | 0:36:03 | 0:36:05 | |
So that's the sort of thing you're looking for. | 0:36:05 | 0:36:07 | |
Why have you pulled that one out in particular? | 0:36:07 | 0:36:09 | |
It is printed by the photographic process, | 0:36:09 | 0:36:11 | |
-in other words it's done in the dark room. -OK. -OK. | 0:36:11 | 0:36:15 | |
-These are printed. -Oh, like, print, print, print. | 0:36:15 | 0:36:17 | |
-So these are produced in massive quantities. -Right. | 0:36:17 | 0:36:20 | |
Those had to be done one at a time. | 0:36:20 | 0:36:23 | |
If I asked you £60 for it, is that asking you too much? | 0:36:23 | 0:36:26 | |
Well, I'd be looking to pay probably £50 for it. | 0:36:26 | 0:36:28 | |
All right, well, let's shake on that then. | 0:36:28 | 0:36:31 | |
Paul makes a profit of £15 for the postcards | 0:36:31 | 0:36:33 | |
and he's the picture of happiness. | 0:36:33 | 0:36:36 | |
Will's hoping to pull out a few pounds | 0:36:36 | 0:36:38 | |
from his library card drawers. | 0:36:38 | 0:36:40 | |
With a mind to upcycling them, | 0:36:40 | 0:36:41 | |
he's brought them to Marylebone in London to see antiques dealer Simon. | 0:36:41 | 0:36:46 | |
-I see my drawers have arrived. -They have indeed. | 0:36:46 | 0:36:48 | |
Yeah, I hope you weren't taking too close attention when you were looking | 0:36:48 | 0:36:51 | |
at them there cos I know they're a little bit distressed, aren't they? | 0:36:51 | 0:36:55 | |
-They are a wee bit tired. -I thought I'd leave them | 0:36:55 | 0:36:57 | |
in their original condition as I found them | 0:36:57 | 0:37:00 | |
rather than messing around with them and perhaps doing something | 0:37:00 | 0:37:03 | |
that someone didn't like or wasn't happy with. | 0:37:03 | 0:37:05 | |
-Possibly I would bolt them together... -Yes. | 0:37:05 | 0:37:07 | |
..and have a square frame with legs on them. | 0:37:07 | 0:37:09 | |
I mean, what are they worth to you? | 0:37:09 | 0:37:11 | |
I was thinking maybe trying to get around £20 each for them, | 0:37:11 | 0:37:14 | |
that sort of... | 0:37:14 | 0:37:15 | |
-To tell the truth, with the amount of work... -Yeah. | 0:37:15 | 0:37:19 | |
..the expenditure which is far more than what you're asking. | 0:37:19 | 0:37:22 | |
I mean, I'll have to spend a couple of hundred pounds to get them... | 0:37:22 | 0:37:25 | |
-Is it that much? -With the base, yeah. Well worth doing. -Yeah. | 0:37:25 | 0:37:28 | |
But I would really see them more at £40. | 0:37:28 | 0:37:32 | |
Would you come up to 60, something like that? £60 perhaps? | 0:37:32 | 0:37:35 | |
I'll give you £50 right here, right now, cash. | 0:37:35 | 0:37:40 | |
You know what? I'm going to grab your hand and shake your hand on that. | 0:37:40 | 0:37:43 | |
Will files a profit of £20 on his drawers, | 0:37:43 | 0:37:45 | |
leaving him with two items left to sell. | 0:37:45 | 0:37:48 | |
His luck doesn't last for long though as he loses £25 | 0:37:48 | 0:37:52 | |
on his stained glass window. | 0:37:52 | 0:37:53 | |
He struggles to find a private buyer and ends up selling it to Peter, | 0:37:53 | 0:37:57 | |
a dealer from Exning as stock for his new shop. | 0:37:57 | 0:38:01 | |
For Paul's final sale, he's back on home turf | 0:38:01 | 0:38:03 | |
and Mr Morecambe thinks he's found the perfect home for his bench ends. | 0:38:03 | 0:38:07 | |
Well, last time you saw them, they were just a pair of ends | 0:38:07 | 0:38:10 | |
but they've actually been transformed into a loveseat | 0:38:10 | 0:38:12 | |
or a bench for two people. And I was thinking to myself where can I go | 0:38:12 | 0:38:16 | |
that has a great backyard and a fantastic view? | 0:38:16 | 0:38:19 | |
And you'll not get a better one than Morecambe Bay. Look at that! | 0:38:19 | 0:38:23 | |
The bench ends cost £10, with another £35.44 spent on restoration. | 0:38:23 | 0:38:29 | |
Paul brings the complete seat to cafe owner Tony. | 0:38:29 | 0:38:32 | |
I had to find somebody with the best view I could imagine | 0:38:32 | 0:38:35 | |
and that has to be the best view. What a fantastic view. | 0:38:35 | 0:38:38 | |
-I think it is. -Yeah, how long have you been here with the cafe? | 0:38:38 | 0:38:41 | |
-About six years now. -It's a fantastic place | 0:38:41 | 0:38:43 | |
but I always thought there was something lacking here. | 0:38:43 | 0:38:46 | |
-We wouldn't be sat on it, would we? -No, we wouldn't! | 0:38:46 | 0:38:49 | |
But no, I designed it. | 0:38:49 | 0:38:50 | |
It's a two-seater bench and I thought for somebody to sit here | 0:38:50 | 0:38:52 | |
with a mug of tea, what a fantastic way to spend an afternoon. | 0:38:52 | 0:38:55 | |
Yeah, and there's always room for more seating here. | 0:38:55 | 0:38:57 | |
Well, with all the restoration on its own, it stands me at about £45. | 0:38:57 | 0:39:01 | |
Is there a profit...? | 0:39:01 | 0:39:02 | |
If I asked you £75, would that be all right with you? | 0:39:02 | 0:39:05 | |
-Call it 70, I've got to haggle a bit, haven't I? -Yeah, that's a deal. | 0:39:05 | 0:39:08 | |
That is a deal. | 0:39:08 | 0:39:09 | |
Paul makes a profit of £24.56 for the restored bench ends | 0:39:09 | 0:39:13 | |
and he's all sold up. | 0:39:13 | 0:39:15 | |
Now, what with the trundling tractors, | 0:39:15 | 0:39:18 | |
the chuffing trains, | 0:39:18 | 0:39:20 | |
the wiggling hips and the skiffle-banding, | 0:39:20 | 0:39:23 | |
this selling spree is turning into a right old carry on. | 0:39:23 | 0:39:26 | |
Which may explain this final sale, | 0:39:26 | 0:39:28 | |
as Will takes his retro tableware to Nancy, owner of a Newmarket tearoom. | 0:39:28 | 0:39:33 | |
Now would you like a naughty or would you like a flirty? | 0:39:33 | 0:39:36 | |
I beg your pardon. | 0:39:36 | 0:39:38 | |
-Oh, naughty or flirty. -Yeah. -Any chance of mixing them? | 0:39:38 | 0:39:40 | |
Cheeky! | 0:39:40 | 0:39:42 | |
What's that, a secret blend? | 0:39:42 | 0:39:44 | |
That's for you to find out. | 0:39:44 | 0:39:46 | |
Ooh, Matron! | 0:39:46 | 0:39:47 | |
-Naughty. -Mm! -Bit of chocolate. | 0:39:47 | 0:39:49 | |
Ha-ha-ha! | 0:39:49 | 0:39:51 | |
-Well, listen, the reason I'm here... -Yeah, why are you here? | 0:39:51 | 0:39:53 | |
-To try and sell you my Homemaker plates. -Wow, OK. | 0:39:53 | 0:39:58 | |
-I mean, when you're talking kitsch-tastic... -Yep. | 0:39:58 | 0:40:00 | |
..these just tick every box, don't they? | 0:40:00 | 0:40:02 | |
Really stylish and I'm thinking, are they the sort of thing | 0:40:02 | 0:40:06 | |
that you might be able to use in the tearoom? | 0:40:06 | 0:40:08 | |
We could use them but what's the price? | 0:40:08 | 0:40:11 | |
You know, what am I looking at here? | 0:40:11 | 0:40:12 | |
Well, that's what I like about you, Nancy. Straight to the point. | 0:40:12 | 0:40:15 | |
-No mucking about. Well, listen, there's five there altogether. -Yeah. | 0:40:15 | 0:40:19 | |
-I was looking to maybe get a tenner a plate for them. -Mm-hm. -Who knows? | 0:40:19 | 0:40:24 | |
I'm looking at around sort of £50ish, something like that. | 0:40:24 | 0:40:27 | |
-How does that sound? -Would you go 40? -Do you know what? | 0:40:27 | 0:40:30 | |
I've had the tea... | 0:40:31 | 0:40:33 | |
just feels like I'm missing something | 0:40:33 | 0:40:35 | |
so shall we say £40 and a sticky doughnut? | 0:40:35 | 0:40:38 | |
-And a sticky doughnut, why not? -It's a deal. -It's a deal. | 0:40:38 | 0:40:41 | |
-Oh, yes! -You're a one, aren't you? | 0:40:41 | 0:40:42 | |
And I'm going to celebrate with another sip | 0:40:42 | 0:40:45 | |
of, I think, what is now my favourite tea. | 0:40:45 | 0:40:48 | |
-Mm, chocolate. -Naughty! | 0:40:48 | 0:40:51 | |
Naughty Will makes a nice profit of £15 on the Homemaker plates | 0:40:51 | 0:40:56 | |
and he's all sold up, so he celebrates with an iced doughnut. | 0:40:56 | 0:40:59 | |
Small profit... | 0:40:59 | 0:41:01 | |
Do you know what? Get out of here, get out of here. | 0:41:01 | 0:41:04 | |
Charming! Has no-one told you not to speak with your mouth full, Will? | 0:41:04 | 0:41:08 | |
Both our experts have stuffed their pockets with precision profits, | 0:41:08 | 0:41:11 | |
but only one can come out on top of this bun fight. | 0:41:11 | 0:41:14 | |
So before we find out who's the winner, | 0:41:14 | 0:41:16 | |
let's remind ourselves of what they spent. | 0:41:16 | 0:41:20 | |
Both Paul and Will started the day with £250 to spend. | 0:41:20 | 0:41:24 | |
Paul has picked up six items and spent £122. | 0:41:24 | 0:41:27 | |
Will has also made six purchases costing £183. | 0:41:30 | 0:41:35 | |
But now it all comes down to profit. | 0:41:35 | 0:41:37 | |
All the money that Will and Paul have made | 0:41:37 | 0:41:39 | |
will go to charities of their choice. | 0:41:39 | 0:41:41 | |
So let's find out who is today's | 0:41:41 | 0:41:43 | |
Put Your Money Where Your Mouth Is champion. | 0:41:43 | 0:41:46 | |
-Hey, how are you? -Yeah, good, thank you. | 0:41:46 | 0:41:48 | |
Car boot sale, I was in my element on the car boot sale. | 0:41:48 | 0:41:51 | |
That's me, that's man and boy. | 0:41:51 | 0:41:52 | |
You got a run on me on that day, I remember. | 0:41:52 | 0:41:54 | |
You nipped off like a whippet! | 0:41:54 | 0:41:55 | |
I know. Do you know what, I had such fun with those... | 0:41:55 | 0:41:58 | |
You know those two Graceland models? | 0:41:58 | 0:42:00 | |
Oh, God, yeah. They were nice but horrible at the same time. | 0:42:00 | 0:42:03 | |
I really liked them and do you know what? | 0:42:03 | 0:42:05 | |
I found a like-minded individual, | 0:42:05 | 0:42:06 | |
I found somebody who actually had one of them. Isn't that amazing? | 0:42:06 | 0:42:09 | |
-What was the chances? -Now they've got a matching pair. -Exactly. | 0:42:09 | 0:42:12 | |
-What about you? -Well, I had great fun. | 0:42:12 | 0:42:14 | |
I didn't make any huge profits I must admit but my railway lantern... | 0:42:14 | 0:42:19 | |
-Yes. -..do you remember the warning lantern | 0:42:19 | 0:42:21 | |
-and also my traction engine rally plaque? -Oh, right. | 0:42:21 | 0:42:24 | |
Double hit on those at this wonderful miniature railway. | 0:42:24 | 0:42:27 | |
Well, I had a great time. I got to ride a tractor as well. Fantastic. | 0:42:27 | 0:42:30 | |
-Did you? -Yeah, it was great. -You know how to live. -Let's see how we get on. | 0:42:30 | 0:42:33 | |
Right. One, two, three... | 0:42:33 | 0:42:35 | |
-Ooh! -It's close. | 0:42:35 | 0:42:37 | |
-It's close? -Yeah. -Double my... | 0:42:37 | 0:42:40 | |
You've whooped me, Paul, you've whooped me. | 0:42:40 | 0:42:42 | |
-I've had a good time though. -Well, I'm happy with a profit. -Yeah! | 0:42:42 | 0:42:45 | |
I used to like tractors but I'm an ex-tractor fan now. | 0:42:45 | 0:42:48 | |
Oh, it's shocking. | 0:42:48 | 0:42:49 | |
So Paul is today's winner after consistently turning good profits. | 0:42:49 | 0:42:54 | |
Well, there we are, | 0:42:54 | 0:42:55 | |
all those years hanging around car boot sales finally paid off. | 0:42:55 | 0:42:58 | |
Result! | 0:42:58 | 0:42:59 | |
Well, as Paul admitted himself, he's at home at a car boot. | 0:42:59 | 0:43:03 | |
I tried to keep up with him but that man's as fast as a whippet. | 0:43:03 | 0:43:06 | |
Whatever the result, we had a nice day out | 0:43:06 | 0:43:08 | |
and I had fun on my steam train. | 0:43:08 | 0:43:10 | |
It's my excuse anyway. | 0:43:10 | 0:43:12 | |
But Will has the chance to redeem himself tomorrow | 0:43:12 | 0:43:15 | |
when our daredevil dealers cross the Channel | 0:43:15 | 0:43:18 | |
and clash once more at a foreign antiques market in Paris. | 0:43:18 | 0:43:21 |