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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:06 | |
against each other in an all-out battle for profit... | 0:00:06 | 0:00:10 | |
Elementary, my dear dealers. | 0:00:10 | 0:00:11 | |
..and gives you the insider's view of the trade. | 0:00:11 | 0:00:15 | |
HE CHUCKLES | 0:00:15 | 0:00:16 | |
HE GROWLS | 0:00:16 | 0:00:17 | |
Each week, one pair of duelling dealers | 0:00:17 | 0:00:19 | |
will face a different daily challenge... | 0:00:19 | 0:00:22 | |
Catch me if you can! | 0:00:22 | 0:00:23 | |
The Axeman cometh. | 0:00:23 | 0:00:24 | |
..putting their reputations on the line... | 0:00:26 | 0:00:28 | |
Argh! Ready for battle! | 0:00:28 | 0:00:30 | |
..and giving you their top tips and savvy secrets | 0:00:32 | 0:00:35 | |
on how to make the most money from buying and selling. | 0:00:35 | 0:00:38 | |
Get in! | 0:00:39 | 0:00:40 | |
Today, it's that mild-mannered man from Morecambe Paul Hayes | 0:00:42 | 0:00:46 | |
versus the wonderful wizard of Newmarket Will Axon. | 0:00:46 | 0:00:49 | |
Coming up, Paul's bidding gets out of control... | 0:00:49 | 0:00:52 | |
-At £270 now. -One more. -£290. -One more. -At £290. | 0:00:52 | 0:00:56 | |
..Will reveals his secret identity... | 0:00:56 | 0:00:58 | |
Witness The Axeman! | 0:00:58 | 0:01:00 | |
..and Paul confronts a comedy legend. | 0:01:02 | 0:01:04 | |
Ah! I've been expecting you, Mr Hayes. | 0:01:04 | 0:01:08 | |
This is Put Your Money Where Your Mouth Is. | 0:01:08 | 0:01:11 | |
Welcome, thrill-seekers and antiques-lovers. | 0:01:24 | 0:01:27 | |
It's time to batten down the hatches and bolt the doors | 0:01:27 | 0:01:30 | |
as two raving axles of antiques rev up their engines | 0:01:30 | 0:01:34 | |
in an ultimate contest to buy, sell and make money. | 0:01:34 | 0:01:38 | |
First up, the low rumbling of doom heralds the arrival | 0:01:38 | 0:01:42 | |
of a ballistic buyer and sartorial seller. | 0:01:42 | 0:01:45 | |
Fantastic. Jolly good show. | 0:01:48 | 0:01:49 | |
Up against Paul, a full-throttle, breakneck dealer from Newmarket | 0:01:49 | 0:01:53 | |
who can turn a profit on a sixpence. | 0:01:53 | 0:01:56 | |
Rock'n'roll. | 0:02:00 | 0:02:01 | |
Today, these storming giants will be battling it out | 0:02:01 | 0:02:04 | |
to see who ends up with the greatest profit. | 0:02:04 | 0:02:07 | |
They've arrived at Stacey's Auctioneers in Essex | 0:02:07 | 0:02:09 | |
to see who can ride off with the best buys | 0:02:09 | 0:02:11 | |
and who's likely to crash and burn. | 0:02:11 | 0:02:14 | |
They've each got £1,000 of their own money to spend, | 0:02:15 | 0:02:18 | |
and all the profits will go to their chosen charities. | 0:02:18 | 0:02:21 | |
So, Paul Hayes and Will Axon, | 0:02:21 | 0:02:24 | |
it's time to Put Your Money Where Your Mouth Is. | 0:02:24 | 0:02:28 | |
-Ah, Mr Morecambe. -Good morning, Will. | 0:02:28 | 0:02:29 | |
-How are you? -I'm very well. Yourself? | 0:02:29 | 0:02:31 | |
Really looking forward to it. It's an auction today. | 0:02:31 | 0:02:33 | |
-Can you feel the tension? -A bit. | 0:02:33 | 0:02:35 | |
I always find them a bit tricky, the auctions. | 0:02:35 | 0:02:37 | |
You don't buy the lots you come to buy. | 0:02:37 | 0:02:38 | |
You buy the lots around it, so let's hope we see something special. | 0:02:38 | 0:02:41 | |
-Are you ready for this? -Course I am. -Come on then, mate. | 0:02:41 | 0:02:44 | |
Yes, on the surface of it, | 0:02:45 | 0:02:46 | |
these two are all smiles and backslapping. | 0:02:46 | 0:02:48 | |
But scratch that gleaming veneer | 0:02:48 | 0:02:50 | |
and you'll find nothing but raw competitive spirit. | 0:02:50 | 0:02:54 | |
And today, they've got their fair share of competition | 0:02:55 | 0:02:58 | |
not just from each other, but from a room full of hopefuls, | 0:02:58 | 0:03:01 | |
phone bidders and online bidders. | 0:03:01 | 0:03:03 | |
So, what's Will's plan of attack today? | 0:03:03 | 0:03:06 | |
I'm going to take my inspiration from this drum kit | 0:03:06 | 0:03:08 | |
and go rock'n'roll. | 0:03:08 | 0:03:10 | |
I'm going to splash out on the things I like. | 0:03:10 | 0:03:13 | |
I may have to suffer the consequences later, | 0:03:13 | 0:03:15 | |
but at the auction, as well as running out of time, | 0:03:15 | 0:03:18 | |
we run out of lots | 0:03:18 | 0:03:19 | |
and I don't want to be left with the dregs at the end. | 0:03:19 | 0:03:22 | |
Paul is also showing that it's not his first time | 0:03:22 | 0:03:25 | |
on this side of the gavel as he reveals his road map to profit. | 0:03:25 | 0:03:29 | |
It really does pay to do your homework | 0:03:29 | 0:03:30 | |
before you come to the auction. | 0:03:30 | 0:03:32 | |
I've made a list of about six items that I actually want to buy, | 0:03:32 | 0:03:35 | |
but of course, I'm not guaranteed to get that. | 0:03:35 | 0:03:37 | |
Lots of other people are doing the same thing. | 0:03:37 | 0:03:39 | |
So, what I always do is have a good look round, | 0:03:39 | 0:03:41 | |
see what else jumps out | 0:03:41 | 0:03:42 | |
and that's probably more than likely what I'm going to go home with. | 0:03:42 | 0:03:45 | |
Our lads are soon perusing the possibilities | 0:03:45 | 0:03:47 | |
and Paul has found a job lot of old posters | 0:03:47 | 0:03:50 | |
estimated at £80 to £120, | 0:03:50 | 0:03:52 | |
including one with particular appeal. | 0:03:52 | 0:03:56 | |
These guys are mainly from Liverpool. | 0:03:56 | 0:03:58 | |
We've got Cilla Black, we've got PJ Proby. | 0:03:58 | 0:04:01 | |
I've even got a friend of mine here. | 0:04:01 | 0:04:02 | |
He used to be the drummer in The Remo Four. | 0:04:02 | 0:04:05 | |
These were all guys that were around The Cavern | 0:04:05 | 0:04:07 | |
around that early, exciting, 1960s Merseybeat. | 0:04:07 | 0:04:10 | |
Just great things to have. | 0:04:10 | 0:04:11 | |
I love the artwork. I love the '50s, '60s nostalgia. | 0:04:11 | 0:04:14 | |
This has got my name all over it. | 0:04:14 | 0:04:16 | |
"Appearing here soon," with a bit of luck. | 0:04:16 | 0:04:18 | |
Yes, Paul is on familiar turf with his '60s memorabilia, | 0:04:18 | 0:04:21 | |
but Will is scaling new heights to find the things he likes. | 0:04:21 | 0:04:25 | |
Ooh, now, I've just climbed onto a chair | 0:04:25 | 0:04:27 | |
to have a closer look at this clock which caught my eye. | 0:04:27 | 0:04:30 | |
Looking at the case - all in good order. | 0:04:30 | 0:04:32 | |
Rosewood, mother-of-pearl inlaid | 0:04:32 | 0:04:34 | |
and also it's signed Newmarket, which, for a local lad, is nice. | 0:04:34 | 0:04:38 | |
One or two losses to be expected but generally not in bad condition. | 0:04:38 | 0:04:43 | |
Needs a bit of TLC, but I like a project. | 0:04:43 | 0:04:47 | |
The clock is estimated at £200-£250. | 0:04:48 | 0:04:51 | |
Across the way, Paul has some World War II nostalgia | 0:04:51 | 0:04:54 | |
in his sights. | 0:04:54 | 0:04:55 | |
OK, now, I think I've found a little real gem here, | 0:04:55 | 0:04:58 | |
a real piece of aviation history. | 0:04:58 | 0:05:00 | |
This is a beautiful print of a painting done by Robert Taylor, | 0:05:00 | 0:05:03 | |
but it features two of the most prominent fighter pilots | 0:05:03 | 0:05:07 | |
of that period. | 0:05:07 | 0:05:08 | |
This one here, the British guy is Douglas Bader, | 0:05:08 | 0:05:11 | |
the most famous pilot. | 0:05:11 | 0:05:13 | |
He lost both his legs during the Second World War | 0:05:13 | 0:05:15 | |
and he made friends with Adolf Galland, | 0:05:15 | 0:05:17 | |
who was the German pilot. The estimate's quite heavy. | 0:05:17 | 0:05:20 | |
It's £200-£300, which is a lot of money, | 0:05:20 | 0:05:23 | |
but for the calibre of names that are on this, it's priceless. | 0:05:23 | 0:05:27 | |
But it's going to be a bit of a dogfight for this one, I think. | 0:05:27 | 0:05:29 | |
Paul is anticipating a battle ahead, but Will has found a new friend. | 0:05:29 | 0:05:34 | |
I love this robot figure, don't you? He's a Japanese tin plate robot. | 0:05:34 | 0:05:39 | |
I don't think he's brand-new. | 0:05:39 | 0:05:40 | |
Even so, he's got the look, hasn't he? | 0:05:40 | 0:05:42 | |
You turn the key, you flick the switch and off he goes. | 0:05:42 | 0:05:46 | |
-ROBOTIC VOICE: -Paul Hayes, exterminate! | 0:05:46 | 0:05:48 | |
Paul Hayes, exterminate! | 0:05:48 | 0:05:51 | |
Yes, I think you and me are going to get on. | 0:05:52 | 0:05:55 | |
Both our experts have finely-tuned ears | 0:05:55 | 0:05:57 | |
when it comes to finding bargains and making money. | 0:05:57 | 0:06:00 | |
And now that Will and Paul have perused their pieces | 0:06:00 | 0:06:03 | |
and the room has filled up, | 0:06:03 | 0:06:04 | |
the auctioneer takes to the rostrum and the auction is go. | 0:06:04 | 0:06:08 | |
And first to come up is the mother-of-pearl clock | 0:06:09 | 0:06:11 | |
that Will spotted earlier. | 0:06:11 | 0:06:13 | |
It's estimated between £200 and £250, | 0:06:13 | 0:06:16 | |
and Will's hoping for the lowest possible price | 0:06:16 | 0:06:18 | |
as he needs to clock up a profit when it comes to selling. | 0:06:18 | 0:06:22 | |
£170. £180 is in the room. | 0:06:22 | 0:06:24 | |
But it looks like Will has stiff competition from a phone bidder. | 0:06:24 | 0:06:28 | |
£250. £260. £270. £280. | 0:06:28 | 0:06:32 | |
He's slowing up a bit on the phone now. | 0:06:32 | 0:06:34 | |
-No, we're out. -At £280 now, the bid is in the room. | 0:06:34 | 0:06:37 | |
Are we all done now? I shall sell. The hammer is up at £280, then. | 0:06:37 | 0:06:41 | |
Will wins his first lot | 0:06:42 | 0:06:43 | |
and pays £336 for the clock with auction costs - | 0:06:43 | 0:06:47 | |
way over the estimate. | 0:06:47 | 0:06:48 | |
Could have got it a bit cheaper | 0:06:48 | 0:06:50 | |
if it hadn't been for that pesky phone bidder. | 0:06:50 | 0:06:52 | |
Well, at least I wasn't the only one who thought it was a nice piece. | 0:06:52 | 0:06:55 | |
The phone bidder may have pushed up the price, | 0:06:57 | 0:06:59 | |
but at least Will has his first purchase. | 0:06:59 | 0:07:02 | |
Paul is still yet to get going. | 0:07:02 | 0:07:03 | |
The clock is ticking, but before Paul has a chance to bid, | 0:07:03 | 0:07:07 | |
Will is bidding on a Bulova Accutron desk clock. | 0:07:07 | 0:07:10 | |
He wins the lot for £114 after costs. | 0:07:10 | 0:07:14 | |
So, why did he buy it? | 0:07:14 | 0:07:15 | |
It's super quality, Bulova, Accutron movement, | 0:07:15 | 0:07:19 | |
which was a sort of horological revolution, really. | 0:07:19 | 0:07:21 | |
So, I'm hoping I'm going to find someone | 0:07:21 | 0:07:23 | |
who's got an eye for style and quality. | 0:07:23 | 0:07:27 | |
A bit like yours truly. | 0:07:27 | 0:07:28 | |
With Will's buying well underway, | 0:07:28 | 0:07:30 | |
it's no wonder Paul is feeling flustered. | 0:07:30 | 0:07:32 | |
-£220. -Gosh, he's bought two things. I haven't bought anything yet. | 0:07:32 | 0:07:36 | |
Paul may well panic, as Will wins another lot. | 0:07:36 | 0:07:39 | |
And would you believe it? It's another clock. | 0:07:39 | 0:07:41 | |
This one is a Jaeger desk clock for £144. | 0:07:41 | 0:07:45 | |
When it comes to clocks, the name you want to see is Jaeger-LeCoultre. | 0:07:46 | 0:07:50 | |
Super quality, top-end maker and just look at that style. | 0:07:50 | 0:07:55 | |
I love this brushed chrome and this lapiz-type dial. | 0:07:55 | 0:07:59 | |
I mean, I haven't seen another one. Have you? | 0:07:59 | 0:08:01 | |
With his three timely purchases to Paul's none, | 0:08:03 | 0:08:05 | |
you might think that Will could relax, | 0:08:05 | 0:08:07 | |
but it seems that Captain Paranoia has set in. | 0:08:07 | 0:08:11 | |
Where's Paul? Has he bought anything yet? | 0:08:11 | 0:08:13 | |
MUSIC: Back Stabbers by The O'Jays | 0:08:13 | 0:08:15 | |
I think he's trying to lull me into a false sense of security. | 0:08:15 | 0:08:18 | |
All right, mate? Amazing. | 0:08:20 | 0:08:22 | |
Whether Paul is really plotting or not, | 0:08:25 | 0:08:27 | |
Will is the next to strike again when he finds another item. | 0:08:27 | 0:08:31 | |
This time, it's not a clock but a child's leather chair. | 0:08:31 | 0:08:34 | |
I'm tempted, you know. | 0:08:35 | 0:08:36 | |
I do like it and, at £30 to £50, it could be a cheeky little steal. | 0:08:36 | 0:08:42 | |
At £25. It's bid at £25 now. £28... Thank you. ..I've got in the room. | 0:08:42 | 0:08:46 | |
Internet bid is £30 against you, sir. | 0:08:46 | 0:08:48 | |
-£32 back in the room. -Internet. | 0:08:48 | 0:08:50 | |
It's just the sort of thing that's going to appeal | 0:08:50 | 0:08:52 | |
to a buyer online, isn't it? Young, funky thing. | 0:08:52 | 0:08:56 | |
-Go on, then. Bang your hammer down. -Last opportunity. | 0:08:56 | 0:08:59 | |
Hammer's up and selling at £38. | 0:08:59 | 0:09:01 | |
-9312. -Right. | 0:09:01 | 0:09:04 | |
After auctions costs, Will pays £45.60 for the 1970s leather chair | 0:09:04 | 0:09:08 | |
so does he still think it's groovy when he sees it up close? | 0:09:08 | 0:09:12 | |
Now, we all know that the retro look is very on trend, | 0:09:12 | 0:09:16 | |
so my attention was caught by this child's chair. | 0:09:16 | 0:09:19 | |
It's a leather upholstered tub chair with this almost tulip base. | 0:09:19 | 0:09:23 | |
What better thing to give your child | 0:09:23 | 0:09:25 | |
to pass on that love of all things vintage? | 0:09:25 | 0:09:29 | |
So, Will has four lots to Paul's none, | 0:09:29 | 0:09:32 | |
but the ever unflappable Mr Morecambe | 0:09:32 | 0:09:35 | |
is now ready to get off the starter's blocks | 0:09:35 | 0:09:36 | |
and go after a collection of pictures, | 0:09:36 | 0:09:38 | |
including some Laurel & Hardy prints. | 0:09:38 | 0:09:41 | |
At £50, there's a commission bid. £55. £60. £65. £70. £75, I'm out. | 0:09:41 | 0:09:47 | |
At £75 at the back of the room now. Are we all done? | 0:09:47 | 0:09:50 | |
Hammer's up, then, at £75. That's yours. | 0:09:50 | 0:09:54 | |
Paul wins the bid and pays £90 after costs | 0:09:54 | 0:09:57 | |
for the collection of framed pictures. | 0:09:57 | 0:09:59 | |
So, is he happy with his lot? | 0:09:59 | 0:10:01 | |
We got two of the world's most famous comedians here - Laurel & Hardy. | 0:10:01 | 0:10:05 | |
How fantastic were these guys? | 0:10:05 | 0:10:06 | |
Interestingly, Stan Laurel was born not a million miles away from me | 0:10:06 | 0:10:10 | |
in a place called Ulverston. | 0:10:10 | 0:10:12 | |
They have a big museum and there are lots of collectors up there. | 0:10:12 | 0:10:15 | |
But we've got two or three really good quality Laurel & Hardy items. | 0:10:15 | 0:10:19 | |
I've also got some advertising signs and some early comics, all right? | 0:10:19 | 0:10:23 | |
So, this is a good little lot | 0:10:23 | 0:10:24 | |
and it'll probably be another fine mess I've got myself into. | 0:10:24 | 0:10:27 | |
Ooh! | 0:10:27 | 0:10:28 | |
Paul has picked up his first purchase, | 0:10:28 | 0:10:30 | |
but now it's that signed Robert Taylor print | 0:10:30 | 0:10:32 | |
that he saw earlier on. | 0:10:32 | 0:10:33 | |
He really wants this. | 0:10:33 | 0:10:35 | |
It's estimated at between £200 and £300, | 0:10:35 | 0:10:38 | |
but as he starts going after it, | 0:10:38 | 0:10:40 | |
he realises there's more interest in the room than he was hoping for. | 0:10:40 | 0:10:44 | |
I am going to try and stick my neck out on this next one. | 0:10:44 | 0:10:46 | |
-Bid on this. £190. Thank you, sir. £200. -It goes up and up... | 0:10:46 | 0:10:51 | |
-£220. -He's having a go on this. -£230. -..and up. -£240. £250. | 0:10:51 | 0:10:55 | |
-At £250 now. It's a front-row bid at £250. -One more. | 0:10:55 | 0:10:58 | |
-£260 against you, sir. £270. -No. | 0:10:58 | 0:11:01 | |
-The battle's off. -That was actually a dogfight. Go on. One more. | 0:11:01 | 0:11:05 | |
-£280. £290. -One more. -At £290. | 0:11:05 | 0:11:08 | |
-It looks like he might win... -£310. -No. -No. | 0:11:08 | 0:11:11 | |
..but in the end, Paul crashes and burns. | 0:11:11 | 0:11:14 | |
Did you notice he said, "One more," about five times? | 0:11:14 | 0:11:17 | |
HE LAUGHS | 0:11:17 | 0:11:19 | |
Yes, Paul is devastated to have been outbid. | 0:11:19 | 0:11:21 | |
He's really struggling today, but Will is swinging from bid to bid. | 0:11:21 | 0:11:25 | |
And next up, it's a reprint from a Spider-Man comic | 0:11:25 | 0:11:28 | |
with an upper estimate of £50. | 0:11:28 | 0:11:31 | |
Any advances? At £25. £28... Thank you. ..is on my left now. | 0:11:31 | 0:11:35 | |
At £28 now, are we all done? | 0:11:35 | 0:11:37 | |
Going to sell, then, at £28. All done. | 0:11:37 | 0:11:40 | |
9312. | 0:11:41 | 0:11:42 | |
Will swings in and snatches the bid under estimate, | 0:11:42 | 0:11:45 | |
paying £33.60 in total. | 0:11:45 | 0:11:48 | |
So, is he happy with his catch? | 0:11:48 | 0:11:50 | |
Now, this caught my eye as I was wandering round the saleroom. | 0:11:50 | 0:11:53 | |
Big, brash and bright, | 0:11:53 | 0:11:55 | |
it's a reprint of the front cover of the Marvel comic | 0:11:55 | 0:11:58 | |
which first introduced Spider-Man. | 0:11:58 | 0:12:01 | |
Now, Spider-Man, created by Stan Lee and Ditko, | 0:12:01 | 0:12:04 | |
came into his being here on the August edition | 0:12:04 | 0:12:07 | |
of Amazing Fantasy, and here he is in all his glory. | 0:12:07 | 0:12:11 | |
He's talking about teenage angst | 0:12:11 | 0:12:13 | |
and how he's going to turn that energy into being a crime fighter. | 0:12:13 | 0:12:16 | |
I know a Spidey fan, | 0:12:16 | 0:12:18 | |
so I think I might have to swing into action on this one. | 0:12:18 | 0:12:22 | |
And Will's superhero purchase brings us to the halfway mark | 0:12:23 | 0:12:26 | |
of this buying action, so let's see who's on course | 0:12:26 | 0:12:29 | |
to save the day and who's got caught in a web. | 0:12:29 | 0:12:31 | |
Paul and Will each started the day with £1,000 of their own money. | 0:12:34 | 0:12:38 | |
Paul Hayes has been slow off the starter's marks | 0:12:38 | 0:12:41 | |
and bought only one item, spending £90, | 0:12:41 | 0:12:44 | |
leaving him with a whopping £910 to play with. | 0:12:44 | 0:12:47 | |
Will Axon has bought an amazing five items, but spent £673.20, | 0:12:49 | 0:12:55 | |
which leaves him with £326.80 still to spend. | 0:12:55 | 0:12:59 | |
Both our boys are being forced | 0:13:00 | 0:13:02 | |
to fight off a fair bit of competition today | 0:13:02 | 0:13:04 | |
but Paul is hoping to catch up now as he sets his sights on a new lot. | 0:13:04 | 0:13:09 | |
This is a job lot of 20 first edition books | 0:13:09 | 0:13:13 | |
from the author Stephen King | 0:13:13 | 0:13:15 | |
and the estimate is £40 to £60, which is two pounds a book. | 0:13:15 | 0:13:18 | |
If they go for that sort of price, they're a bargain. | 0:13:18 | 0:13:21 | |
I've got to buy them. They're calling to me. | 0:13:21 | 0:13:23 | |
-I've got to buy them. -These trade in at £30. | 0:13:23 | 0:13:25 | |
£30, I'm bid. Thank you, sir. £32 anywhere? | 0:13:25 | 0:13:27 | |
£32 on the internet against you, sir. | 0:13:27 | 0:13:29 | |
He might want them, but with bidders in the room | 0:13:29 | 0:13:31 | |
and on the internet, it's a buyers' brawl. | 0:13:31 | 0:13:34 | |
£60. £60. Gentleman standing at £60. Any advances? | 0:13:34 | 0:13:38 | |
Are we all done? Are we all finished? | 0:13:38 | 0:13:40 | |
-At £60, hammer's going down. -GAVEL BANGS | 0:13:40 | 0:13:43 | |
Paul wins the Stephen King books for £72, | 0:13:43 | 0:13:46 | |
just a little over what he was hoping. | 0:13:46 | 0:13:48 | |
He must be happy. | 0:13:48 | 0:13:49 | |
These were a bit of a panic buy. | 0:13:49 | 0:13:51 | |
They're 20 first editions of Stephen King, | 0:13:51 | 0:13:53 | |
the great horror writer and I can't believe they're so cheap. | 0:13:53 | 0:13:57 | |
What I really like about them is they're in excellent condition. | 0:13:57 | 0:14:00 | |
They've got their dust jackets with them, | 0:14:00 | 0:14:02 | |
they're a very well-known author | 0:14:02 | 0:14:03 | |
and I think these are going to be a real winner. | 0:14:03 | 0:14:05 | |
Not a horror story, this one. Believe me. | 0:14:05 | 0:14:07 | |
WOLF HOWLS | 0:14:07 | 0:14:09 | |
And while he's on the book trail, | 0:14:09 | 0:14:11 | |
Paul spies another lot with potential - | 0:14:11 | 0:14:13 | |
a hardback copy of Ian Fleming's The Spy Who Loved Me. | 0:14:13 | 0:14:17 | |
Must start the bidding at £80. £85 anywhere? | 0:14:17 | 0:14:21 | |
Hear me at £80. The maiden bid. £85. Thank you. | 0:14:21 | 0:14:24 | |
£90 is against you, sir. £95. £100. £110, I am out. | 0:14:24 | 0:14:27 | |
-£110. -£110 in the room. £120 anywhere? | 0:14:27 | 0:14:29 | |
Are we all done at £110? | 0:14:29 | 0:14:31 | |
£120 against you. New bidder. £130. £140. | 0:14:31 | 0:14:35 | |
-£150. £160. -No. -Ah, pulled out. | 0:14:35 | 0:14:39 | |
-£160. Are we all done? Are we all finished? -One more. | 0:14:39 | 0:14:42 | |
-Ooh, no, he's back in again. -£170 against you. He's out. | 0:14:42 | 0:14:44 | |
-Oh, I've got it. -At £170 knockout bid. | 0:14:44 | 0:14:47 | |
Are we all done at £170? | 0:14:47 | 0:14:48 | |
-Hammer's going down. -GAVEL BANGS | 0:14:48 | 0:14:50 | |
And he's won it. | 0:14:50 | 0:14:52 | |
He pays £204 for the book so he's in 00-heaven. | 0:14:52 | 0:14:56 | |
There we are, Miss Moneypenny. | 0:14:56 | 0:14:57 | |
I'm delighted that I managed to get this first edition of James Bond - | 0:14:57 | 0:15:00 | |
Ian Fleming's The Spy Who Loved Me. My favourite film, actually. | 0:15:00 | 0:15:04 | |
But, of course, this is the original book from 1962. | 0:15:04 | 0:15:06 | |
But what I love about it is the fact it's in great condition. | 0:15:06 | 0:15:09 | |
I think it's a great selling item. So, move over, Roger Moore. | 0:15:09 | 0:15:11 | |
There's a new James Bond on the scene - 006.5. | 0:15:11 | 0:15:14 | |
I've got a licence to deal. | 0:15:14 | 0:15:17 | |
Agent Hayes is pleased with his book | 0:15:17 | 0:15:19 | |
but a signed White Hart Lane sign has caught Will's eye. | 0:15:19 | 0:15:22 | |
It's just the kind of sporting memorabilia | 0:15:22 | 0:15:24 | |
that will appeal to the right Spurs fan | 0:15:24 | 0:15:26 | |
and Will's hoping it will be an easy goal | 0:15:26 | 0:15:28 | |
-when it comes to buying it. -WHISLTE BLOWS | 0:15:28 | 0:15:31 | |
And the ref's whistle signifies the start of the match. | 0:15:31 | 0:15:34 | |
£20. Any advances, please, at £20? | 0:15:34 | 0:15:36 | |
Axeman FC scores an early goal. | 0:15:36 | 0:15:39 | |
-£24 online. £25, I've got. -Oh, online bidders. | 0:15:39 | 0:15:42 | |
Ooh! But his opponent equalises. | 0:15:42 | 0:15:44 | |
£32 against you, sir. £35. | 0:15:44 | 0:15:45 | |
And as we enter extra time, he nudges another one | 0:15:45 | 0:15:47 | |
into the back of the net | 0:15:47 | 0:15:49 | |
and wins the lot. | 0:15:49 | 0:15:50 | |
-Hammer's going down. -GAVEL BANGS | 0:15:50 | 0:15:52 | |
Let's see that action again. | 0:15:52 | 0:15:54 | |
Beautiful. | 0:15:54 | 0:15:56 | |
Shame it wasn't Morecambe FC. Come on, you reds! | 0:15:56 | 0:15:59 | |
Will gets the Spurs sign for £42 | 0:15:59 | 0:16:01 | |
and he's got his tactics all worked out. | 0:16:01 | 0:16:04 | |
I know a particular football fan | 0:16:04 | 0:16:06 | |
that would go mad for something like this. | 0:16:06 | 0:16:08 | |
2013/14 season but even so, | 0:16:08 | 0:16:12 | |
I think that would grace his bedroom beautifully. | 0:16:12 | 0:16:14 | |
So, Will had a game plan all along. | 0:16:14 | 0:16:17 | |
It does help to have a buyer in mind. | 0:16:17 | 0:16:19 | |
Now, Paul is hoping to score a winning goal | 0:16:19 | 0:16:21 | |
when he takes the 1960s posters he saw earlier | 0:16:21 | 0:16:24 | |
for a fab-tastic £156. | 0:16:24 | 0:16:27 | |
Will is way ahead in the buying stakes, | 0:16:27 | 0:16:30 | |
but Paul is a magnanimous competitor. | 0:16:30 | 0:16:32 | |
I think it's Will's day today. | 0:16:32 | 0:16:34 | |
I think he's had a bit of insider knowledge, I think. | 0:16:34 | 0:16:36 | |
But fair play to him. I think he's done really well. | 0:16:36 | 0:16:38 | |
He seems to have bought lots of things early on in this sale | 0:16:38 | 0:16:41 | |
so he can relax a little bit now. | 0:16:41 | 0:16:43 | |
But it's not over just yet, you know. | 0:16:43 | 0:16:45 | |
Yes, that's very true, Paul, | 0:16:45 | 0:16:47 | |
but that does mean you need to get bidding. | 0:16:47 | 0:16:49 | |
Will's next, though, | 0:16:49 | 0:16:51 | |
as that Japanese robot that he saw earlier goes up. | 0:16:51 | 0:16:53 | |
It's estimated at £30 to £50, but yet again, Will has competition. | 0:16:53 | 0:16:58 | |
Are we all done at £40? £42. £45 against you, sir. £48. | 0:17:00 | 0:17:04 | |
-And £50 is bid. And £55. -It's a telephone bidder. Look. | 0:17:04 | 0:17:07 | |
-£60 bid against you. £65. -BIDDER: £70. | 0:17:07 | 0:17:09 | |
-£70 against you. -£80. -£80. | 0:17:09 | 0:17:12 | |
-£90. -£90. -Oh! | 0:17:12 | 0:17:15 | |
WILL SIGHS | 0:17:15 | 0:17:17 | |
-One more. -£100 is bid. -£110, sir. -£110. | 0:17:17 | 0:17:20 | |
-Oh, he wants it, doesn't he? -£120. -£130, sir. | 0:17:20 | 0:17:25 | |
No. After that, no. | 0:17:25 | 0:17:26 | |
£120 now in the room with the gentleman. | 0:17:26 | 0:17:28 | |
At £120, are we all done? Are we all finished at £120? | 0:17:28 | 0:17:31 | |
Will wins the lot for £144, | 0:17:33 | 0:17:36 | |
considerably higher than the estimate. | 0:17:36 | 0:17:38 | |
So, is Will happy with his new robot friend? | 0:17:38 | 0:17:41 | |
I'm not sure how old he is. | 0:17:41 | 0:17:43 | |
I'm going to have to do a bit of research | 0:17:43 | 0:17:44 | |
but he's really well made - | 0:17:44 | 0:17:46 | |
almost too well - to be a reproduction one. | 0:17:46 | 0:17:49 | |
So, I'm going to have to do a bit of digging about once I get him home. | 0:17:49 | 0:17:52 | |
But for someone who loves robots and science fiction, | 0:17:52 | 0:17:55 | |
he's a must to add to your collection, isn't he? | 0:17:55 | 0:17:58 | |
With the auction approaching its conclusion, | 0:17:59 | 0:18:01 | |
Paul is pleased when he picks up an old teaching aid for £45.60, | 0:18:01 | 0:18:06 | |
but what exactly has he bought? | 0:18:06 | 0:18:08 | |
These are called magic lanterns | 0:18:08 | 0:18:10 | |
and the idea was that they would use a lens, | 0:18:10 | 0:18:12 | |
a bit like we have a projector today, | 0:18:12 | 0:18:14 | |
but in the back here would be a gas lamp or perhaps even a candle | 0:18:14 | 0:18:18 | |
which would project your light. | 0:18:18 | 0:18:20 | |
Lots of them tend to be to teach you the Bible, religious studies. | 0:18:20 | 0:18:24 | |
So, these were something that were phased out, really, | 0:18:24 | 0:18:27 | |
in the 1920s, 1930s and we moved on to different formats. | 0:18:27 | 0:18:30 | |
Time is running out so Paul does one last sweep | 0:18:30 | 0:18:33 | |
to find anything else worth spending his money on. | 0:18:33 | 0:18:36 | |
There are two stained glass windows. Nice, small ones. | 0:18:36 | 0:18:39 | |
One has a picture of a cottage. The other of a landscape. | 0:18:39 | 0:18:42 | |
They're in good condition. | 0:18:42 | 0:18:43 | |
Back of the room at £42. £45 anywhere? | 0:18:43 | 0:18:46 | |
Are we all done? Your bid, sir. At £42, the hammer's going down. | 0:18:46 | 0:18:49 | |
£45 on the internet just in time. Sorry, sir. | 0:18:49 | 0:18:52 | |
-£48 if you like. -£48. -£48 is bid. At £48 now. | 0:18:52 | 0:18:56 | |
Are you finished online? It's in the room at £48. | 0:18:56 | 0:18:58 | |
£48. Go on. Put your hammer down. | 0:18:58 | 0:18:59 | |
-GAVEL BANGS -Thank you, sir. That's yours. | 0:18:59 | 0:19:01 | |
Paul wins the windows and pays £57.60 sight unseen, | 0:19:01 | 0:19:06 | |
but has he got a cracking deal? | 0:19:06 | 0:19:08 | |
When you hold them to the light, look at that. | 0:19:08 | 0:19:11 | |
How fantastic are those? Absolutely beautiful. | 0:19:11 | 0:19:13 | |
They're 19th century. | 0:19:13 | 0:19:15 | |
They probably come from a large family estate or a large house, | 0:19:15 | 0:19:18 | |
and what I like about them - they're a nice, small size. | 0:19:18 | 0:19:21 | |
So, they're hand-painted stained glass, | 0:19:21 | 0:19:24 | |
dating from the 19th century and a bit of a bargain, I think. | 0:19:24 | 0:19:28 | |
There we are. Smashing. I hope not! | 0:19:28 | 0:19:30 | |
Well, both our boys have fought hard at today's auction, | 0:19:31 | 0:19:35 | |
but it's Paul who makes the final purchase | 0:19:35 | 0:19:37 | |
to bring this whirlwind of bidding to a close. | 0:19:37 | 0:19:40 | |
Our two challengers each started the day | 0:19:40 | 0:19:43 | |
with £1,000 of their own money to spend. | 0:19:43 | 0:19:46 | |
After a slow start, Paul Hayes picked up pace | 0:19:46 | 0:19:48 | |
and bought six items for £625.20. | 0:19:48 | 0:19:53 | |
Axon finished with seven items | 0:19:54 | 0:19:56 | |
and forked out £859.20. | 0:19:56 | 0:19:59 | |
But it's not all about who spent the most. | 0:20:00 | 0:20:03 | |
It's about who's going to make the biggest profit. | 0:20:03 | 0:20:06 | |
-Phwoar! Day done. -I tell you, it's never been as difficult. | 0:20:07 | 0:20:10 | |
I missed out on loads of things I'd have loved to have brought home, | 0:20:10 | 0:20:13 | |
but, gosh, what do you do? | 0:20:13 | 0:20:14 | |
Well, you ended up with a pretty good selection. | 0:20:14 | 0:20:16 | |
I'm quite pleased with what I got. What's your favourite thing? | 0:20:16 | 0:20:19 | |
I'm quite pleased with what I got. I mean, I love this clock. | 0:20:19 | 0:20:22 | |
I've got a pretty good idea of where I'm going to try and sell that. | 0:20:22 | 0:20:25 | |
-I mean, it's signed Newmarket. How could I not buy it? -Right. | 0:20:25 | 0:20:28 | |
I tried to buy across the board. | 0:20:28 | 0:20:29 | |
The only thing I really stuck my neck out | 0:20:29 | 0:20:31 | |
is the James Bond first edition The Spy Who Loved Me. | 0:20:31 | 0:20:34 | |
-Remember the film? -Of course. What about least favourite? | 0:20:34 | 0:20:36 | |
-It has to be the magic lantern. -Really? | 0:20:36 | 0:20:38 | |
I mean, I saw you go for those. Any decent subjects in the slides? | 0:20:38 | 0:20:41 | |
Unfortunately not, but there's lots of them. | 0:20:41 | 0:20:43 | |
-What about yourself? -Well, I'm thinking probably... | 0:20:43 | 0:20:45 | |
I mean, I'm not really a football fan, | 0:20:45 | 0:20:47 | |
so probably the White Hart Lane sign. | 0:20:47 | 0:20:51 | |
But it's all about the profit, | 0:20:51 | 0:20:53 | |
so I was buying with my head, not my heart, on that lot. | 0:20:53 | 0:20:55 | |
Well, looking at what we bought and spread on this table, | 0:20:55 | 0:20:58 | |
-it's a pretty eclectic mix, Paul. -It certainly is. | 0:20:58 | 0:21:00 | |
I had that once, you know. Got some cream off the doctor. | 0:21:00 | 0:21:03 | |
-It cleared up nicely. -Go on. Get out of here. | 0:21:03 | 0:21:04 | |
-That eclectic mix gets everywhere, mate. -Get out of here! | 0:21:04 | 0:21:07 | |
The buying sky is clear now, | 0:21:09 | 0:21:11 | |
but a tumultuous tsunami of selling is set to descend | 0:21:11 | 0:21:14 | |
as we enter the second half of this competition, | 0:21:14 | 0:21:16 | |
when it's the biggest profit that will secure a win. | 0:21:16 | 0:21:20 | |
Hayes and Axon now head home to assess their acquisitions. | 0:21:20 | 0:21:24 | |
And back in Morecambe, Paul is preparing for his selling adventure. | 0:21:24 | 0:21:28 | |
So, are you sitting comfortably? The show is about to begin. | 0:21:28 | 0:21:30 | |
We have the magic lanterns all fired up, | 0:21:30 | 0:21:33 | |
ready to display their wonderful pictures. | 0:21:33 | 0:21:35 | |
And, of course, we've advertised well using the posters. | 0:21:35 | 0:21:37 | |
And the main attraction's here, | 0:21:37 | 0:21:39 | |
which is Morecambe's answer to Richard Gere. | 0:21:39 | 0:21:41 | |
These posters have turned out to be better than I thought. | 0:21:41 | 0:21:44 | |
I bought them originally for this one here, | 0:21:44 | 0:21:46 | |
The Remo Four, the Brian Epstein acts. | 0:21:46 | 0:21:48 | |
Fantastic. Dead trendy. | 0:21:48 | 0:21:50 | |
Amongst them are two posters which represent acts | 0:21:50 | 0:21:53 | |
here at the Winter Gardens in Morecambe. | 0:21:53 | 0:21:55 | |
How great is that? I bought them down in Southend. | 0:21:55 | 0:21:58 | |
The magic lanterns, unfortunately, with them being religious, | 0:21:58 | 0:22:01 | |
they won't be quite as easy to sell. | 0:22:01 | 0:22:03 | |
I've had a couple of knock backs already on these. | 0:22:03 | 0:22:05 | |
I was going to have them framed up but it wouldn't warrant the cost. | 0:22:05 | 0:22:08 | |
The books - great. I've got 20 editions of Stephen King. | 0:22:08 | 0:22:11 | |
First editions. Wonderful. But they're only worth one of these. | 0:22:11 | 0:22:15 | |
This has to be the show stopper. | 0:22:15 | 0:22:16 | |
This is The Spy Who Loved Me by Ian Fleming from 1962. | 0:22:16 | 0:22:20 | |
Overall, it's great. It's on with the show. | 0:22:20 | 0:22:23 | |
And Paul's selling show will also include | 0:22:23 | 0:22:26 | |
the stained glass window panels, | 0:22:26 | 0:22:28 | |
the Beano posters and the Laurel & Hardy postcards. | 0:22:28 | 0:22:31 | |
So, how's Will doing down in Newmarket? | 0:22:31 | 0:22:34 | |
Now, I know it's a bit traditional | 0:22:34 | 0:22:36 | |
compared to what I usually buy, but I had to have this clock. Why? | 0:22:36 | 0:22:40 | |
Well, because it's signed F Crick, Newmarket. | 0:22:40 | 0:22:43 | |
I couldn't turn it down. It was fate. | 0:22:43 | 0:22:45 | |
And at the other end of the scale, | 0:22:45 | 0:22:46 | |
I've got my two very stylish 20th-century desk clocks. | 0:22:46 | 0:22:50 | |
Good names - Bulova and Jaeger. | 0:22:50 | 0:22:53 | |
And at the time these were bought new, | 0:22:53 | 0:22:54 | |
they would have been expensive and top-notch quality. | 0:22:54 | 0:22:58 | |
Well, I'm not going to have any trouble selling my Tottenham sign | 0:22:58 | 0:23:01 | |
signed by all the players | 0:23:01 | 0:23:02 | |
and with its certificate of authenticity | 0:23:02 | 0:23:05 | |
because I bought that with a man in mind. | 0:23:05 | 0:23:07 | |
He's a mad Tottenham fan as well as being a football coach. | 0:23:07 | 0:23:10 | |
I just hope I don't score an own goal with it. | 0:23:10 | 0:23:12 | |
And, um... | 0:23:12 | 0:23:14 | |
Oh, yeah, I'm sitting on it. | 0:23:14 | 0:23:15 | |
My rather funky child's tub chair. 1960s. Tulip design foot there. | 0:23:15 | 0:23:22 | |
It's really funky and got that retro feel about it. | 0:23:22 | 0:23:25 | |
I love it and to be honest, it's pretty comfortable. | 0:23:25 | 0:23:28 | |
But if it is an original, | 0:23:28 | 0:23:30 | |
it will need to be up to current fire regulations. | 0:23:30 | 0:23:32 | |
Will also has the Spider-Man poster | 0:23:32 | 0:23:35 | |
and the vintage clockwork robot to sell. | 0:23:35 | 0:23:38 | |
Our two tussling tornados of talent must hit the phones, | 0:23:38 | 0:23:41 | |
the internet and the road to find the right buyer for each item. | 0:23:41 | 0:23:45 | |
They'll be hoping to raise enough money to come out on top | 0:23:45 | 0:23:47 | |
in today's competition, | 0:23:47 | 0:23:49 | |
but remember, no deal is sealed until the shake of a hand. | 0:23:49 | 0:23:53 | |
And Paul is the first on the trail of potential profit | 0:23:53 | 0:23:56 | |
when he travels to Standish near Wigan with his 1960s poster, | 0:23:56 | 0:24:00 | |
having targeted Harry P, | 0:24:00 | 0:24:02 | |
the drummer of Merseybeat band The Remo Four. | 0:24:02 | 0:24:05 | |
What I'm going to show you now | 0:24:05 | 0:24:07 | |
is a poster that was promoted by Brian Epstein | 0:24:07 | 0:24:10 | |
-and on the bill is The Remo Four. -Oh, well, I love my posters. | 0:24:10 | 0:24:13 | |
-Look at that. Isn't that fantastic? -Oh, wow. I like that. | 0:24:13 | 0:24:16 | |
-Hey, it's signed. -Isn't it a good...? -Signed. Wow. | 0:24:16 | 0:24:19 | |
-That's PJ Proby. -OK. -Yeah. | 0:24:19 | 0:24:21 | |
Obviously, I can sign the Remo bit | 0:24:21 | 0:24:22 | |
and I can get what's left of The Fourmost | 0:24:22 | 0:24:25 | |
to sign The Fourmost bit and then that's going to go, hopefully... | 0:24:25 | 0:24:28 | |
I mean, a lot of my stuff will go in a museum. | 0:24:28 | 0:24:30 | |
-If I was to ask you sort of £80? -No, I'd go for half of that. | 0:24:30 | 0:24:35 | |
-Sort of £40? -Yeah. | 0:24:35 | 0:24:36 | |
You couldn't sort of make it around £50 and we'll, you know...? | 0:24:36 | 0:24:39 | |
And I'll sign it for you. I'll sign the back. | 0:24:39 | 0:24:41 | |
-How does that sound? -No, that takes money off, Paul. | 0:24:41 | 0:24:44 | |
-£45. -£45? Do you know what? I'm not going to argue with you. | 0:24:44 | 0:24:47 | |
-Is that OK? -I want you to have it. | 0:24:47 | 0:24:48 | |
I'll give you a signed picture of The Remo Four. | 0:24:48 | 0:24:50 | |
-Thank you very much. -How's that? | 0:24:50 | 0:24:52 | |
-I'll give you a signed picture of me. -Oh, that's OK. | 0:24:52 | 0:24:54 | |
I don't think he wants a signed picture, thank you, | 0:24:54 | 0:24:57 | |
but Paul does make £45 and sells the poster to a good home. | 0:24:57 | 0:25:00 | |
It's gone to the right place. | 0:25:00 | 0:25:01 | |
That poster will go into the museum | 0:25:01 | 0:25:03 | |
and it will be seen for generations to come. | 0:25:03 | 0:25:05 | |
Well, that's music to my ears, really. | 0:25:05 | 0:25:07 | |
The total lot cost Paul just north of £150 at the auction. | 0:25:07 | 0:25:10 | |
He's got more selling to do until he makes that all-important profit, | 0:25:10 | 0:25:14 | |
but it's a good start. | 0:25:14 | 0:25:16 | |
Will isn't wasting any time either. | 0:25:17 | 0:25:18 | |
He heads to a village near Braintree in Essex | 0:25:18 | 0:25:21 | |
to try and make his first sale. | 0:25:21 | 0:25:24 | |
Well, I'm in the famously picturesque Finchingfield, | 0:25:24 | 0:25:27 | |
and I'm here with my rosewood wall clock. | 0:25:27 | 0:25:29 | |
Now, a couple of buyers I had in mind have blown me out | 0:25:29 | 0:25:31 | |
and, to be honest, it's got a few more issues | 0:25:31 | 0:25:34 | |
than I originally thought. | 0:25:34 | 0:25:35 | |
I'm here to see Peter who deals predominantly in high-end clocks. | 0:25:35 | 0:25:39 | |
So, I'm hoping he's going to help get me out of a hole. | 0:25:39 | 0:25:42 | |
Right, Will, what have you got for me? Let's have a look. | 0:25:42 | 0:25:44 | |
-I'm going to be honest with you. -Yeah. | 0:25:44 | 0:25:47 | |
I saw it in the saleroom and I fell in love with it | 0:25:47 | 0:25:50 | |
-mainly because it was signed Crick of Newmarket. -Newmarket, yeah. | 0:25:50 | 0:25:53 | |
-I've had a closer look at it now... -Doesn't need to be too close. | 0:25:53 | 0:25:56 | |
No, it doesn't. You're right. | 0:25:56 | 0:25:58 | |
I was hoping you'd turn the lights down a bit, actually, | 0:25:58 | 0:26:00 | |
-because it has got one or two issues. -Issues. | 0:26:00 | 0:26:03 | |
We've got issues with the mother-of-pearl. | 0:26:03 | 0:26:05 | |
That's fairly significant | 0:26:05 | 0:26:07 | |
because it's not easy to get people that repair mother-of-pearl. | 0:26:07 | 0:26:12 | |
I'm going to turn it over, put it on its face now. | 0:26:12 | 0:26:17 | |
This is a fairly modest movement. | 0:26:17 | 0:26:19 | |
I was hoping it'd have shoulder plates | 0:26:19 | 0:26:21 | |
-to cut out which it hasn't got. -Yes. | 0:26:21 | 0:26:22 | |
I think it might just need a little bit of TLC. | 0:26:22 | 0:26:24 | |
-A little bit of oiling perhaps. -It will have that. | 0:26:24 | 0:26:27 | |
It'll be taken apart and fully restored. | 0:26:27 | 0:26:29 | |
So, it all comes down to what sort of dosh do you want for it? | 0:26:29 | 0:26:34 | |
If I had to get out of this with what I would call a small profit... | 0:26:34 | 0:26:38 | |
-Yeah. -..I would be looking to sell this to you | 0:26:38 | 0:26:42 | |
for a flat 400 quid. | 0:26:42 | 0:26:43 | |
-OK. -You're going to...? -You're hard as flint, but there you go. | 0:26:43 | 0:26:47 | |
You, sir, are a gentleman. | 0:26:47 | 0:26:49 | |
The clock cost Will £336 at auction | 0:26:49 | 0:26:52 | |
so he secures a £64 profit and he's overjoyed. | 0:26:52 | 0:26:57 | |
Yes! | 0:26:57 | 0:26:58 | |
There is a clock god, and his name is Peter. | 0:26:58 | 0:27:01 | |
Meanwhile, in London, Paul has gone undercover to make his next sale. | 0:27:01 | 0:27:06 | |
MUSIC: Secret Agent Man by Johnny Rivers | 0:27:06 | 0:27:12 | |
Agent Morecambe has brought the James Bond first edition | 0:27:16 | 0:27:19 | |
to comedian and writer Charlie Higson | 0:27:19 | 0:27:21 | |
who writes the Young James Bond series. | 0:27:21 | 0:27:24 | |
Ah! I've been expecting you, Mr Hayes. | 0:27:26 | 0:27:29 | |
Thank goodness for that. | 0:27:29 | 0:27:30 | |
Does that mean I can get rid of this silly disguise? | 0:27:30 | 0:27:33 | |
-You've been a lifelong Bond fan. -Yes. | 0:27:33 | 0:27:35 | |
I mean, I grew up in the '60s | 0:27:35 | 0:27:36 | |
when Bond was just the biggest thing in the world. | 0:27:36 | 0:27:39 | |
When I was a kid going to the cinema, | 0:27:39 | 0:27:41 | |
I thought, "When I grow up, I will be James Bond." | 0:27:41 | 0:27:44 | |
I've had to accept that that's probably not going to happen, | 0:27:44 | 0:27:47 | |
but I got the second best job, which was writing James Bond books. | 0:27:47 | 0:27:51 | |
So, what I've brought along, I saw this in the auction | 0:27:51 | 0:27:53 | |
and I thought, "What a fantastic thing to have." | 0:27:53 | 0:27:56 | |
It's the first edition of The Spy Who Loved Me. | 0:27:56 | 0:27:58 | |
Have you got a copy of this already? | 0:27:58 | 0:28:00 | |
I have many copies of it, | 0:28:00 | 0:28:02 | |
but I don't have an original and certainly not... | 0:28:02 | 0:28:06 | |
-There you go. -..a first edition. | 0:28:06 | 0:28:07 | |
That is amazing. | 0:28:07 | 0:28:09 | |
What is it about The Spy Who Loved Me that stands out amongst the books? | 0:28:09 | 0:28:12 | |
Well, Fleming was trying to do something different with this. | 0:28:12 | 0:28:15 | |
He started to get upset | 0:28:15 | 0:28:16 | |
that schoolchildren were getting into it | 0:28:16 | 0:28:19 | |
and Bond had become this sort of jolly hero, | 0:28:19 | 0:28:21 | |
and he said that Bond was not supposed to be. He's an assassin. | 0:28:21 | 0:28:23 | |
He's supposed to be this quite dark figure. | 0:28:23 | 0:28:25 | |
So, in this book, he tried to portray Bond as making mistakes | 0:28:25 | 0:28:29 | |
and as being sort of virtually indistinguishable | 0:28:29 | 0:28:32 | |
from the villains that he has to deal with, | 0:28:32 | 0:28:34 | |
and most of the book is told from the point of view of a woman. | 0:28:34 | 0:28:37 | |
It's written in the first person. | 0:28:37 | 0:28:39 | |
Bond doesn't turn up till two-thirds of the way through the story. | 0:28:39 | 0:28:42 | |
He was trying a radical experiment, and it went very badly wrong. | 0:28:42 | 0:28:45 | |
HE LAUGHS | 0:28:45 | 0:28:47 | |
It's probably the least favourite of his books, but it is unique. | 0:28:47 | 0:28:51 | |
It stands about the £200 mark. | 0:28:51 | 0:28:54 | |
And I was wondering if I was to ask you £250, | 0:28:54 | 0:28:57 | |
does that sound like a reasonable...? | 0:28:57 | 0:28:58 | |
-That would be an amazing deal. -Is that all right with you? | 0:28:58 | 0:29:01 | |
-I was going to haggle with you. -Were you really? | 0:29:01 | 0:29:04 | |
Hmm, it seems Paul could have gone in a little higher. | 0:29:04 | 0:29:07 | |
James Bond, he ain't. | 0:29:07 | 0:29:08 | |
The Bond book cost Paul £204 at the auction, | 0:29:08 | 0:29:11 | |
meaning he walks away with a £46 profit. | 0:29:11 | 0:29:14 | |
That was fantastic talking to Charlie. | 0:29:14 | 0:29:16 | |
I could have stayed all day and learned more about James Bond, | 0:29:16 | 0:29:18 | |
but I've got an arch nemesis of my own. | 0:29:18 | 0:29:20 | |
-How are you getting on, Will? -Well, not so well, actually. | 0:29:20 | 0:29:23 | |
Will is in Newmarket with that leather chair, | 0:29:23 | 0:29:26 | |
and he's fallen out of love with it. | 0:29:26 | 0:29:28 | |
This has given me nothing but nightmares since I bought it. | 0:29:28 | 0:29:32 | |
It's post-1950, it's pre-1988 | 0:29:32 | 0:29:35 | |
so it doesn't meet the very strict fire regulations. | 0:29:35 | 0:29:39 | |
I can't sell it to a private individual, | 0:29:39 | 0:29:41 | |
but I might be able to work it into a trader. | 0:29:41 | 0:29:43 | |
And that trader is Patrick. | 0:29:43 | 0:29:45 | |
But will he buy Will's foam-filled reupholstering project? | 0:29:45 | 0:29:49 | |
Well, what have you got here? | 0:29:49 | 0:29:50 | |
Well, it's a pretty, I think, funky, well, tub chair, I suppose, | 0:29:50 | 0:29:54 | |
on that tulip base. | 0:29:54 | 0:29:56 | |
-Beautiful. Love the colour. -But, Patrick... -Problems. | 0:29:56 | 0:30:00 | |
There is a problem with it. | 0:30:00 | 0:30:01 | |
It is something that is going to have to be | 0:30:01 | 0:30:04 | |
-completely reupholstered and filled. -Hmm. | 0:30:04 | 0:30:07 | |
-I love it. It's a great chair. -It is, isn't it? | 0:30:07 | 0:30:09 | |
But it's going to cost a small fortune to recover this. | 0:30:09 | 0:30:12 | |
-I mean, the work that's gone... Look at it. -I know. | 0:30:12 | 0:30:15 | |
It's all stitched round the edge here. | 0:30:15 | 0:30:16 | |
Even if it was a great price, like ten pounds, | 0:30:16 | 0:30:20 | |
I cannot buy it because the money it's going to cost | 0:30:20 | 0:30:23 | |
to get it reupholstered | 0:30:23 | 0:30:25 | |
and up to the correct, modern trade-in standards | 0:30:25 | 0:30:28 | |
just outweighs any value | 0:30:28 | 0:30:29 | |
-that's going to be left in it afterwards. -Yeah. | 0:30:29 | 0:30:32 | |
Well, I'm a little bit annoyed with myself, to be honest. | 0:30:32 | 0:30:35 | |
I should have foreseen all this jiggery-pokery | 0:30:35 | 0:30:37 | |
before I bought this chair at auction. | 0:30:37 | 0:30:39 | |
I knew it was foam-filled, but to be honest with you, I was seduced. | 0:30:39 | 0:30:43 | |
Seduced by the shape, the colour, the style. | 0:30:43 | 0:30:47 | |
I can't help being a funky young chicken. | 0:30:47 | 0:30:50 | |
Will fails to sell the chair | 0:30:50 | 0:30:52 | |
and is forced to swallow a loss of the £45.60 he paid for it. | 0:30:52 | 0:30:57 | |
Paul has better luck with his stained glass windows, | 0:30:57 | 0:30:59 | |
meeting Jason Davies from an architectural reclamation shop. | 0:30:59 | 0:31:03 | |
He makes quick work of the sale and gets £100 for his panels, | 0:31:03 | 0:31:06 | |
making a £42.40 profit. | 0:31:06 | 0:31:09 | |
With both our experts busily plying their trade, | 0:31:10 | 0:31:12 | |
let's take a breather to see the scores so far. | 0:31:12 | 0:31:15 | |
Paul Hayes has sold two lots for a profit of £88.40 | 0:31:15 | 0:31:20 | |
but remember, that doesn't include the rest of those posters. | 0:31:20 | 0:31:23 | |
Axon has sold one item, the wall clock, | 0:31:23 | 0:31:26 | |
but failed to sell the child's chair, | 0:31:26 | 0:31:28 | |
meaning his profit stands at £18.40. | 0:31:28 | 0:31:31 | |
Of course, there's still everything to play for. | 0:31:32 | 0:31:35 | |
Both our experts know how important it is | 0:31:35 | 0:31:37 | |
to match up the right buyer for the right item. | 0:31:37 | 0:31:40 | |
Paul's Laurel & Hardy postcards have led him to Mark, | 0:31:40 | 0:31:43 | |
the owner of the Laurel & Hardy Museum in Ulverston. | 0:31:43 | 0:31:47 | |
-Hello, Mark. -Hello. -How are you? -I'm very well, thanks. | 0:31:47 | 0:31:50 | |
-How are you? -That's another fine mess you've got me into. | 0:31:50 | 0:31:53 | |
I'm sorry. I didn't mean to do it! | 0:31:53 | 0:31:55 | |
-Would you like to see my postcards? -I'd love to. -Go on, then. | 0:31:55 | 0:31:58 | |
I came across these, | 0:31:58 | 0:31:59 | |
I thought they were really good quality | 0:31:59 | 0:32:01 | |
and I thought, "I know. | 0:32:01 | 0:32:02 | |
"Why don't we take them up to Ulverston?" | 0:32:02 | 0:32:04 | |
But is it a case of bringing snow to the Eskimos? | 0:32:04 | 0:32:06 | |
Have you got, like, 500 of these already? | 0:32:06 | 0:32:08 | |
I have a lot of pictures of Laurel & Hardy in the museum. | 0:32:08 | 0:32:11 | |
That's what it's all about. | 0:32:11 | 0:32:13 | |
But these are really nicely presented | 0:32:13 | 0:32:15 | |
and there's some good photos on there. | 0:32:15 | 0:32:17 | |
So, are these the sort of thing that you could see in the museum? | 0:32:17 | 0:32:20 | |
-Are they any use to you? -Yeah, absolutely. | 0:32:20 | 0:32:22 | |
There's always a space for a picture of Laurel & Hardy | 0:32:22 | 0:32:24 | |
-in the museum and I really like them. -Fantastic. | 0:32:24 | 0:32:27 | |
-So, if I asked you £50 for them, would that be...? -Let's think of £35. | 0:32:27 | 0:32:34 | |
You couldn't make it £40 and we'll shake on that? How's that? | 0:32:34 | 0:32:37 | |
-£40. -Shall we do that? -Let's do that. | 0:32:37 | 0:32:39 | |
That's lovely. Thank you very much. | 0:32:39 | 0:32:40 | |
So, Mr Morecambe makes a great start | 0:32:40 | 0:32:42 | |
with a £40 sale for this part of the lot. | 0:32:42 | 0:32:45 | |
He then goes on to sell the tram prints | 0:32:45 | 0:32:47 | |
to a collector in Lancashire for £20 | 0:32:47 | 0:32:50 | |
and finally heads from selling two of the world's greatest comics | 0:32:50 | 0:32:53 | |
to selling two of the world's greatest comics. | 0:32:53 | 0:32:56 | |
He's travelled to Carnforth to see Neil, | 0:32:56 | 0:32:58 | |
who sells books and comic annuals, | 0:32:58 | 0:33:00 | |
hoping he'll be interested in his framed Beano and Dandy posters. | 0:33:00 | 0:33:04 | |
What do you think it is about this type of thing that sells? | 0:33:04 | 0:33:07 | |
Why do people buy these? | 0:33:07 | 0:33:08 | |
Well, you've got collectors | 0:33:08 | 0:33:09 | |
that literally like to build up collections of the annuals. | 0:33:09 | 0:33:14 | |
We have things like, you know, this Beano from 19... | 0:33:14 | 0:33:17 | |
-I think it's from 1953. -1953? Look at that. | 0:33:17 | 0:33:21 | |
So, what's the one to have, then? Is there a number one? | 0:33:21 | 0:33:24 | |
The very first one is several... | 0:33:24 | 0:33:26 | |
I believe it's tens of thousands of pounds. | 0:33:26 | 0:33:29 | |
It's massively expensive, the first ever issue. | 0:33:29 | 0:33:31 | |
Now, this one here says May 13th, 1978, | 0:33:31 | 0:33:32 | |
but these aren't from the original. | 0:33:32 | 0:33:34 | |
These are actually printed in 2009, I think that one was. | 0:33:34 | 0:33:37 | |
-That was 2009. -Yeah. -Have you got a use for them, Neil? | 0:33:37 | 0:33:40 | |
-Is it something that you can use? -It is something that I would use. | 0:33:40 | 0:33:42 | |
-I'd very much use it to help in a display. -Right. | 0:33:42 | 0:33:46 | |
To, you know, build up a display. | 0:33:46 | 0:33:48 | |
They are nice. They're lovely covers. | 0:33:48 | 0:33:50 | |
Mate, if I was to ask you £30 for these, would that be...? | 0:33:50 | 0:33:53 | |
-I'd be happy with that. -Would you be happy with that? | 0:33:53 | 0:33:55 | |
Yeah, I'm not going to argue with £30 cos that helps. | 0:33:55 | 0:33:57 | |
That will help us to do some nice displays. I like them. | 0:33:57 | 0:34:00 | |
Paul is happy with a deal of £30 for the comic posters | 0:34:00 | 0:34:03 | |
but once he adds up his total, | 0:34:03 | 0:34:05 | |
he's only just broken even on the lot. Oh, Paul! | 0:34:05 | 0:34:09 | |
Both our boys are weaving their way through this web of profit and loss | 0:34:09 | 0:34:12 | |
and Will still has his poster of webbed wonder Spider-Man. | 0:34:12 | 0:34:15 | |
He's heading to an American-themed diner | 0:34:15 | 0:34:17 | |
to try and spin a profit. | 0:34:17 | 0:34:19 | |
I'm in historic Colchester | 0:34:19 | 0:34:21 | |
and I'm here to meet Matt, who's head chef at Sloppy Joe's. | 0:34:21 | 0:34:24 | |
Trouble is he's not expecting Will Axon as we know him. | 0:34:24 | 0:34:27 | |
He's expecting someone else. | 0:34:27 | 0:34:29 | |
Brace yourselves, viewers. | 0:34:30 | 0:34:32 | |
There's a shockingly tight onesie coming. | 0:34:32 | 0:34:34 | |
Witness The Axeman! | 0:34:37 | 0:34:38 | |
-Matt? -Hello, mate. -Axeman. -How are you doing? All right? | 0:34:45 | 0:34:48 | |
-Very well, thank you very much. -Cool. -And before you say, I know. | 0:34:48 | 0:34:51 | |
The similarity is frightening, isn't it? | 0:34:51 | 0:34:53 | |
Yes, it is a bit, I must admit, actually. | 0:34:53 | 0:34:55 | |
Well, I have for sale this reproduction | 0:34:55 | 0:34:58 | |
of the front cover of Amazing Fantasy. | 0:34:58 | 0:35:01 | |
Now, it's number 15, I believe, from 15 August in the '60s | 0:35:01 | 0:35:05 | |
and it's actually the very first comic | 0:35:05 | 0:35:07 | |
in which this chap appears. What do you think? | 0:35:07 | 0:35:10 | |
-Can you see it hanging on the wall? -Yeah, because obviously, | 0:35:10 | 0:35:12 | |
it's Americanised and it's very how we represent our restaurant. | 0:35:12 | 0:35:15 | |
-So, yeah, definitely. -Yeah. | 0:35:15 | 0:35:17 | |
Listen, how does, I don't know, say £100 - | 0:35:17 | 0:35:20 | |
-a nice, round figure - 100 quid...? -No, no, no. | 0:35:20 | 0:35:23 | |
I was thinking more along the £45, £50 mark, to be honest. | 0:35:23 | 0:35:27 | |
£80 and you've got a deal. | 0:35:27 | 0:35:30 | |
£60. | 0:35:32 | 0:35:34 | |
Shake my spandex-clad hand. £70. | 0:35:35 | 0:35:38 | |
-Good work. -70 quid, Axeman. -You've been working out, haven't you? | 0:35:38 | 0:35:41 | |
-I think I might have to go to that gym you go to. -That's the spirit. | 0:35:41 | 0:35:44 | |
Super Will makes a super profit of 36.40 | 0:35:44 | 0:35:48 | |
for the Spider-Man poster and he's feeling triumphant. | 0:35:48 | 0:35:52 | |
Another profit under the cape, but... | 0:35:52 | 0:35:54 | |
Oh, hang on a minute. What's this? | 0:35:54 | 0:35:56 | |
My super dealer senses are alerting me | 0:35:56 | 0:35:58 | |
to another potential profit. | 0:35:58 | 0:36:00 | |
I think it may need my help. | 0:36:00 | 0:36:02 | |
Yes. Well, after a quick costume change, | 0:36:02 | 0:36:05 | |
Axeman's alter ego flies down to meet Roger, | 0:36:05 | 0:36:07 | |
owner of Clock Props in Wimbledon, | 0:36:07 | 0:36:10 | |
hoping to find a profit from the Jaegar clock | 0:36:10 | 0:36:12 | |
that cost him £144 | 0:36:12 | 0:36:14 | |
and the Bulova clock that cost him £114. | 0:36:14 | 0:36:17 | |
I've brought two clocks along today to show you. | 0:36:17 | 0:36:20 | |
-You haven't seen these before. -No. | 0:36:20 | 0:36:22 | |
-You haven't even seen an image of them. -No. | 0:36:22 | 0:36:24 | |
What I liked about them when I bought them | 0:36:24 | 0:36:26 | |
was I thought they were very strong visually | 0:36:26 | 0:36:28 | |
and stylistically but on top of that, | 0:36:28 | 0:36:32 | |
-they're both by well-known makers. -Ah. Well, I'll be honest with you, | 0:36:32 | 0:36:35 | |
-I've never had a Jaeger-LeCoultre mantel clock like this. -Yeah. | 0:36:35 | 0:36:40 | |
They were a very, very pioneering company. | 0:36:40 | 0:36:42 | |
They go back, I don't know, to the early 19th century. | 0:36:42 | 0:36:47 | |
-Yeah, yeah. -Based in Switzerland, I think. | 0:36:47 | 0:36:50 | |
Well, clocks and Switzerland, they go hand in hand. | 0:36:50 | 0:36:52 | |
-Go together. Yeah. Certainly. -This is the Accutron. | 0:36:52 | 0:36:55 | |
Now, I did a little bit of digging about | 0:36:55 | 0:36:57 | |
and what's interesting about the Accutron | 0:36:57 | 0:36:59 | |
is you can see here by that symbol, | 0:36:59 | 0:37:01 | |
they call it, I think, the tuning fork movement. | 0:37:01 | 0:37:04 | |
Absolutely, yeah. | 0:37:04 | 0:37:05 | |
So, is it a transitional piece from mechanical to quartz? | 0:37:05 | 0:37:09 | |
Are they, in principle, something that might interest you? | 0:37:09 | 0:37:12 | |
-It comes down to what you're going to ask for them. -It does come down. | 0:37:12 | 0:37:15 | |
-Well, I bought them... -Remember, I'm a pensioner. | 0:37:15 | 0:37:18 | |
HE LAUGHS | 0:37:18 | 0:37:19 | |
Yes, I've had that line tried on me before. | 0:37:19 | 0:37:22 | |
I would think that to get out of these with a reasonable profit, | 0:37:22 | 0:37:27 | |
-I need to look at sort of £150 each. -Ah. | 0:37:27 | 0:37:31 | |
-You stopped me in my tracks there. -Yeah. | 0:37:31 | 0:37:34 | |
I would offer you £110 for that one and probably do £100 on that. | 0:37:34 | 0:37:41 | |
If I could squeeze you to £110 on both, could we have a deal? | 0:37:41 | 0:37:47 | |
Yeah. | 0:37:49 | 0:37:50 | |
Will makes a loss of four pounds on the Bulova clock | 0:37:50 | 0:37:53 | |
and a loss of £34 on the Jaegar clock. | 0:37:53 | 0:37:57 | |
And there's more bad news when it turns out the robot toy | 0:37:57 | 0:38:00 | |
isn't as old or as valuable as Will hoped. | 0:38:00 | 0:38:03 | |
When he sells it to Peter, an antiques shop owner, | 0:38:03 | 0:38:06 | |
he winds up with a devastating loss of £124. | 0:38:06 | 0:38:10 | |
Will has left it wide open for Paul, and Mr Morecambe's music posters | 0:38:10 | 0:38:15 | |
have led him all the way back to...Morecambe. | 0:38:15 | 0:38:18 | |
He's at the Winter Gardens Theatre with trustee Evelyn. | 0:38:18 | 0:38:20 | |
Imagine my amazement. I'm down at a little auction in Essex... | 0:38:22 | 0:38:25 | |
-You know where that is? -Right. I do. -Turn left at London. | 0:38:25 | 0:38:28 | |
..and I was down there and amongst all these posters, | 0:38:28 | 0:38:30 | |
-I came across two for the Winter Gardens. -Go on. | 0:38:30 | 0:38:33 | |
-Honestly. I can't believe it. -Go on, show me. -Now, here we are. | 0:38:33 | 0:38:36 | |
-One of them is Mr Tommy Trinder. -Tommy Trinder. | 0:38:36 | 0:38:38 | |
-How fantastic is that? -Yeah. | 0:38:38 | 0:38:39 | |
And the other one here is Jewel & Warriss. | 0:38:39 | 0:38:42 | |
Do you remember them two? | 0:38:42 | 0:38:43 | |
Oh, now, Jewel & Warriss, I remember them. | 0:38:43 | 0:38:45 | |
Do you have much of this sort of stuff? | 0:38:45 | 0:38:47 | |
-Do you have lots of memorabilia? -We're collecting. | 0:38:47 | 0:38:49 | |
We're going to have a wall of fame of people that have performed | 0:38:49 | 0:38:53 | |
and I think these would go very nicely on that wall, Paul. | 0:38:53 | 0:38:57 | |
Fantastic. Well, if I was to ask you £60... | 0:38:57 | 0:39:01 | |
I mean, that's the lowest I could do on them. | 0:39:01 | 0:39:02 | |
..would that be convenient for you? | 0:39:02 | 0:39:04 | |
Would they reside here and live on the wall of fame? | 0:39:04 | 0:39:06 | |
I'm sure our treasurer would not mind at all. | 0:39:06 | 0:39:10 | |
-Shall we shake on that, then? -Yeah. | 0:39:10 | 0:39:12 | |
That's lovely. That's fantastic. And do you know what? | 0:39:12 | 0:39:15 | |
We need two more pictures on the wall of fame - mine and yours. | 0:39:15 | 0:39:17 | |
We were on this stage too, weren't we? There we go. | 0:39:17 | 0:39:19 | |
Oh, that's lovely. Thank you very much. | 0:39:19 | 0:39:21 | |
After selling the remaining music posters to Nick, | 0:39:21 | 0:39:24 | |
a collector from the Isle of Man, | 0:39:24 | 0:39:26 | |
Paul makes a total profit of £44.70 for the lot. | 0:39:26 | 0:39:29 | |
And his profit streak continues | 0:39:29 | 0:39:32 | |
as he sells his magic lanterns to Mathew and Lisa, | 0:39:32 | 0:39:34 | |
who run a curiosity shop in Clitheroe, | 0:39:34 | 0:39:37 | |
for a curious profit of £24.40. | 0:39:37 | 0:39:40 | |
And they also take his final lot of Stephen King books for £100, | 0:39:40 | 0:39:45 | |
giving him a £28 profit. | 0:39:45 | 0:39:48 | |
And with the final whistle almost ready to blow, | 0:39:48 | 0:39:51 | |
Will still has one item left. | 0:39:51 | 0:39:53 | |
It's the Spurs street sign. | 0:39:53 | 0:39:55 | |
He had a buyer in mind when he bought it - | 0:39:55 | 0:39:57 | |
football coach and die-hard Tottenham fan Lawrence - | 0:39:57 | 0:40:00 | |
but will he like it? | 0:40:00 | 0:40:01 | |
What do you reckon to that? White Hart Lane. | 0:40:01 | 0:40:04 | |
Signed by the players I think from the '13/'14 season. | 0:40:04 | 0:40:07 | |
A couple of England internationals there. | 0:40:07 | 0:40:10 | |
-You've got Townsend and Lennon and Ros. -Ooh. | 0:40:10 | 0:40:12 | |
-The great Adebayor. -Yes. | 0:40:12 | 0:40:14 | |
And our star man at the moment, Christian Eriksen. | 0:40:14 | 0:40:16 | |
So, you're obviously a Spurs fan. | 0:40:16 | 0:40:18 | |
Can you see that hanging up in your collection | 0:40:18 | 0:40:20 | |
in the trophy cabinet, that sort of thing? | 0:40:20 | 0:40:22 | |
I can, yeah. I can picture this. | 0:40:22 | 0:40:24 | |
I'm looking for close to 100 quid. How does that sound? | 0:40:24 | 0:40:28 | |
Ooh, that's driving a hard bargain. | 0:40:28 | 0:40:30 | |
I don't know. Can we start at £50 and work upwards? | 0:40:31 | 0:40:34 | |
What if I come in and say 80 quid? | 0:40:34 | 0:40:36 | |
-£75. -Let's have a little game. | 0:40:37 | 0:40:40 | |
Penalty shoot out. You against me. If you score, you get it for £70. | 0:40:40 | 0:40:44 | |
-If I save it, you get it for £80. -I've seen your keeping skills. | 0:40:44 | 0:40:48 | |
-I'll take that deal, then. -Oh, it's an outrage! | 0:40:48 | 0:40:51 | |
Right, I'm going to go get my kit on. | 0:40:51 | 0:40:53 | |
Yes, Will limbers up. | 0:40:53 | 0:40:54 | |
He's hoping to save the goal to make a profit. | 0:40:56 | 0:40:59 | |
Our lad looks nervous. | 0:41:00 | 0:41:01 | |
Lawrence places the ball on the penalty spot. | 0:41:01 | 0:41:04 | |
He shoots. He scores. Back of the net! | 0:41:06 | 0:41:10 | |
Which means Will sells the sign for £70 | 0:41:11 | 0:41:13 | |
and scores a profit of £28. | 0:41:13 | 0:41:17 | |
Now, Will might have let that goal in, | 0:41:17 | 0:41:19 | |
but has he scored enough and made enough to win this match? | 0:41:19 | 0:41:22 | |
Let's remind ourselves of how much they've spent today. | 0:41:22 | 0:41:26 | |
Our duelling duo each started with £1,000 of their own money. | 0:41:26 | 0:41:30 | |
Paul Hayes bought a total of six items for £625.20. | 0:41:30 | 0:41:35 | |
Will Axon won seven lots and forked out £859.20. | 0:41:36 | 0:41:41 | |
But now it all comes down to profit. | 0:41:41 | 0:41:44 | |
All of the money that Paul and Will have made | 0:41:44 | 0:41:46 | |
will go to charities of their choice. | 0:41:46 | 0:41:47 | |
So, now let's find out who is today's | 0:41:47 | 0:41:50 | |
Put Your Money Where Your Mouth Is champion. | 0:41:50 | 0:41:53 | |
-Good morning, Will. -How are you? Are you all right? -Yeah, great. | 0:41:53 | 0:41:56 | |
Cast your mind back. It seems ages ago since that auction, doesn't it? | 0:41:56 | 0:41:59 | |
A lifetime ago. How did you do, anyway? | 0:41:59 | 0:42:01 | |
I did very well, actually. I really enjoyed it. | 0:42:01 | 0:42:03 | |
It took me on lots of journeys. | 0:42:03 | 0:42:05 | |
-Those posters I bought, you know the one with The Remo Four? -Yes. | 0:42:05 | 0:42:08 | |
The guy I knew the drummer from? | 0:42:08 | 0:42:09 | |
There were two to do with the Winter Gardens in Morecambe. | 0:42:09 | 0:42:12 | |
-I don't believe it. -What would be the chance | 0:42:12 | 0:42:14 | |
-of finding that in an auction down in Rayleigh? -It's a plant. | 0:42:14 | 0:42:16 | |
You'd have thought that I'd have been at home at the auction, | 0:42:16 | 0:42:19 | |
but I have had a nightmare. | 0:42:19 | 0:42:20 | |
You know that robot? The clockwork robot? | 0:42:20 | 0:42:22 | |
Took a gamble on it being earlier than it was. | 0:42:22 | 0:42:25 | |
-Turned out it wasn't. -Oh. -Big loss. -Oh, what a shame. | 0:42:25 | 0:42:27 | |
That '70s funky chair - couldn't sell it. Foam-filled. | 0:42:27 | 0:42:30 | |
-Do you want to have a go at this? -I'm a bit nervous. | 0:42:30 | 0:42:32 | |
Go on. You'll be all right. Are you ready? | 0:42:32 | 0:42:34 | |
-BOTH: -One, two, three! | 0:42:34 | 0:42:36 | |
-Ooh, £79.20! -I've never seen a red one. | 0:42:36 | 0:42:38 | |
-BOTH LAUGH -Well, to be honest, | 0:42:38 | 0:42:40 | |
I thought I might have done worse than that, so I'm secretly happy. | 0:42:40 | 0:42:43 | |
I'm delighted just to be in the black. | 0:42:43 | 0:42:45 | |
-Tell me about this robot. What happened? -Listen, mate. | 0:42:45 | 0:42:47 | |
I've had enough about that. I don't want to talk about it anymore. | 0:42:47 | 0:42:50 | |
So, Paul is today's winner | 0:42:50 | 0:42:52 | |
after Will ends up in the red following a run of bad luck. | 0:42:52 | 0:42:56 | |
Well, I must admit, that was a bit of a surprise. | 0:42:56 | 0:42:58 | |
Will's misfortune there with the robot brings me out the winner. | 0:42:58 | 0:43:01 | |
I'm not arguing there, though. | 0:43:01 | 0:43:03 | |
Well, hands up, I've got to admit, | 0:43:03 | 0:43:05 | |
the auction for me was a complete disaster. | 0:43:05 | 0:43:08 | |
It's a lot harder the other side of the rostrum. | 0:43:08 | 0:43:10 | |
Tomorrow, Will has another bite of the cherry | 0:43:10 | 0:43:13 | |
as our pair of weary warriors step up again, | 0:43:13 | 0:43:16 | |
this time on the battlefield of the car boot sale. | 0:43:16 | 0:43:19 |