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This is Put Your Money | 0:00:02 | 0:00:03 | |
Where Your Mouth Is - | 0:00:03 | 0:00:04 | |
the show that pitches TV's | 0:00:04 | 0:00:06 | |
best-loved antiques experts | 0:00:06 | 0:00:07 | |
against each other in an all-out | 0:00:07 | 0:00:09 | |
battle for profit... | 0:00:09 | 0:00:10 | |
Elementary, my dear dealers. | 0:00:10 | 0:00:11 | |
And gives you the insider's view of the trade. | 0:00:11 | 0:00:15 | |
Each week, one pair of duelling | 0:00:17 | 0:00:18 | |
dealers will face a different | 0:00:18 | 0:00:20 | |
daily challenge... | 0:00:20 | 0:00:22 | |
Catch me if you can! | 0:00:22 | 0:00:23 | |
The axeman cometh. | 0:00:23 | 0:00:24 | |
Putting their reputations | 0:00:26 | 0:00:28 | |
-on the line... -SHE GRUNTS | 0:00:28 | 0:00:29 | |
Ready for battle. | 0:00:29 | 0:00:30 | |
And giving you their top tips | 0:00:32 | 0:00:34 | |
and savvy secrets | 0:00:34 | 0:00:36 | |
on how to make the most money from buying and selling. | 0:00:36 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:40 | |
Stand by and prepare to be stunned as antiques angel Kate Bliss | 0:00:43 | 0:00:47 | |
faces gutsy gavel swinger Phil Serrell in the toughest | 0:00:47 | 0:00:51 | |
battle our incredible experts have fought yet. | 0:00:51 | 0:00:55 | |
Our daredevil dealers will be tested to the absolute limit as they're | 0:00:55 | 0:00:59 | |
sent on a mission to scour the country and continent | 0:00:59 | 0:01:02 | |
to track down top treasures they can sell on for top dollar. | 0:01:02 | 0:01:06 | |
This is the Showdown! | 0:01:06 | 0:01:08 | |
Coming up... | 0:01:08 | 0:01:10 | |
Kate's hoping to be in pole profit position... | 0:01:10 | 0:01:12 | |
That was fantastic! | 0:01:12 | 0:01:15 | |
Phil unleashes his inner wheeler-dealer. | 0:01:15 | 0:01:17 | |
Del Boy! How are you? | 0:01:17 | 0:01:20 | |
But will our dealers make a profit in the toughest Showdown test - | 0:01:20 | 0:01:24 | |
the auction? | 0:01:24 | 0:01:25 | |
Drop the hammer, drop the hammer. | 0:01:25 | 0:01:27 | |
Will you please wipe that smile off your face? Thank you. | 0:01:27 | 0:01:29 | |
This is Put Your Money Where Your Mouth Is! | 0:01:30 | 0:01:33 | |
In today's Showdown, | 0:01:47 | 0:01:49 | |
our dealers draw their swords in this ultimate duel. | 0:01:49 | 0:01:52 | |
Major profit margins | 0:01:52 | 0:01:53 | |
and the accolade of top dealer are the prizes at stake. | 0:01:53 | 0:01:57 | |
First up is a savvy maiden with a shrewd eye for a bargain. | 0:01:57 | 0:02:00 | |
She's a polished professional with a taste for profit | 0:02:00 | 0:02:03 | |
and the skill to secure it. It's Herefordshire's finest - | 0:02:03 | 0:02:06 | |
Kate "Absolute" Bliss. | 0:02:06 | 0:02:09 | |
I am determined to beat the Fox. | 0:02:09 | 0:02:13 | |
Her opposition? | 0:02:13 | 0:02:14 | |
The dealing dynamo with the mind of a maverick | 0:02:14 | 0:02:17 | |
and the moves of a stealth missile. | 0:02:17 | 0:02:19 | |
He knows what he wants and just how he's going to get it - | 0:02:19 | 0:02:22 | |
he's the master from Malvern, | 0:02:22 | 0:02:24 | |
it's Phil "The Fox" Serrell. | 0:02:24 | 0:02:26 | |
Today's the day I need to take the band off the bundle. | 0:02:26 | 0:02:31 | |
Our experts have £1,000 of their own money to | 0:02:32 | 0:02:34 | |
spend across four different locations - an auction, | 0:02:34 | 0:02:37 | |
a foreign market, an antiques fair, | 0:02:37 | 0:02:41 | |
and a car-boot sale. | 0:02:41 | 0:02:43 | |
Once they've hunted down their hoard, | 0:02:43 | 0:02:45 | |
they must use their wit and wisdom to sell the lot | 0:02:45 | 0:02:48 | |
and any profit they make will go to a charity of their choice. | 0:02:48 | 0:02:52 | |
But the Showdown has a twist. | 0:02:52 | 0:02:55 | |
At least half their items must be sold at the special Showdown | 0:02:55 | 0:02:58 | |
Auction, where our dealers have no control over the buying public. | 0:02:58 | 0:03:02 | |
As the drama unfolds, they will have to stand by | 0:03:02 | 0:03:05 | |
and watch as their items go under the hammer. | 0:03:05 | 0:03:09 | |
Only one can be victorious. | 0:03:09 | 0:03:11 | |
The other will have to do the walk of shame. | 0:03:11 | 0:03:14 | |
So, Kate Bliss and Phil Serrell, may the odds ever be in your favour. | 0:03:14 | 0:03:20 | |
It's time for the Put Your Money Where Your Mouth Is Showdown. | 0:03:20 | 0:03:24 | |
-Hello. -Hiya, lovely. -Hiya. -Good to see you. | 0:03:24 | 0:03:28 | |
-So this is it, the last challenge, the Showdown. -Oh, you nervous? | 0:03:28 | 0:03:33 | |
-I've got the rules. -Go on, then. | 0:03:33 | 0:03:35 | |
"You must each buy two items at everyone of your regular | 0:03:35 | 0:03:38 | |
"Put Your Money challenges. You have £1,000 to spend." | 0:03:38 | 0:03:44 | |
"You can sell up to four items wherever you want. | 0:03:44 | 0:03:47 | |
"The rest will be sold at the Showdown Auction | 0:03:47 | 0:03:51 | |
"in direct competition with your opponent. | 0:03:51 | 0:03:54 | |
"The winner is the expert..." I think that's one of us, | 0:03:54 | 0:03:56 | |
"..who makes the most profit. Good luck." | 0:03:56 | 0:03:59 | |
Good luck to you, my friend. Let's get in there. | 0:03:59 | 0:04:02 | |
The tension is in the air as our treasure hunting titans prepare to | 0:04:04 | 0:04:08 | |
clash as their momentous | 0:04:08 | 0:04:09 | |
challenge begins. | 0:04:09 | 0:04:10 | |
It's Round 1, The Auction. | 0:04:10 | 0:04:13 | |
They're at Stroud Auction Rooms | 0:04:13 | 0:04:14 | |
in Gloucestershire | 0:04:14 | 0:04:15 | |
where there is a speciality | 0:04:15 | 0:04:16 | |
toy and collectors' sale. | 0:04:16 | 0:04:18 | |
So, what are they planning? | 0:04:18 | 0:04:21 | |
I'm probably not going to put the pieces in today | 0:04:21 | 0:04:24 | |
into the Showdown Auction because buying at auction and then selling | 0:04:24 | 0:04:27 | |
again at auction doesn't usually mean a vast amount of profit. | 0:04:27 | 0:04:31 | |
Out of all the things I buy, | 0:04:31 | 0:04:33 | |
the things I have no control over at all are the auction items | 0:04:33 | 0:04:37 | |
so I think I'm going to try and make those the less expensive items. | 0:04:37 | 0:04:41 | |
Our battling behemoths must each bag two items | 0:04:41 | 0:04:44 | |
so let the bidding begin! | 0:04:44 | 0:04:47 | |
Phil Serrell, the auction room high achiever, gets | 0:04:47 | 0:04:50 | |
straight down to business bidding on a 1930s book of country | 0:04:50 | 0:04:54 | |
pursuits with an estimate of £20 to £40. | 0:04:54 | 0:04:58 | |
Bids in with me at £16. Is there £18? | 0:04:58 | 0:05:00 | |
That's £16, a bid with me. £18, £20 with me, £22. | 0:05:00 | 0:05:03 | |
I'm out at £22 in the room. | 0:05:03 | 0:05:04 | |
Is there £5? £25 on the internet. £28, sir? £28 in the room. | 0:05:04 | 0:05:07 | |
Is there £30? | 0:05:07 | 0:05:08 | |
At £28 I am selling. | 0:05:08 | 0:05:10 | |
Snaffles' prints are hugely collectable, | 0:05:10 | 0:05:13 | |
particularly in the countryside | 0:05:13 | 0:05:14 | |
so I think I bought that really rather cheaply. | 0:05:14 | 0:05:17 | |
The hunted becomes the hunter | 0:05:18 | 0:05:20 | |
and The Fox pays £32.20 | 0:05:20 | 0:05:22 | |
costs included. | 0:05:22 | 0:05:25 | |
Now, it was published in 1935. | 0:05:25 | 0:05:28 | |
It's called Osses And Obstacles | 0:05:28 | 0:05:30 | |
and it's by Snaffles, who was world-famous for his prints | 0:05:30 | 0:05:34 | |
at that time and it's basically all about horseback pursuits. | 0:05:34 | 0:05:38 | |
I'm not a fan of hunting but what I love about this, I think | 0:05:38 | 0:05:42 | |
the fox normally always gets away. | 0:05:42 | 0:05:44 | |
Desperate to get into the race for the Showdown title, Kate gears | 0:05:44 | 0:05:47 | |
up to grab a collection of toy cars with a guide of £50 to £80. | 0:05:47 | 0:05:52 | |
OK, this is the one I want. | 0:05:52 | 0:05:54 | |
£70 I start, £75, £80, £85, £90, £95. | 0:05:54 | 0:05:58 | |
£100, £110 on the screen. | 0:05:58 | 0:06:01 | |
An internet bidder has pushed the price way past | 0:06:01 | 0:06:04 | |
the estimate but Miss Bliss isn't giving up. | 0:06:04 | 0:06:06 | |
Lady's bid of £140. | 0:06:06 | 0:06:08 | |
-£150, another room bid at £150. -Oh, no. | 0:06:08 | 0:06:11 | |
£160. | 0:06:11 | 0:06:13 | |
That is far too much but I'm in at £160. | 0:06:13 | 0:06:16 | |
-£160. -That's for me. | 0:06:16 | 0:06:18 | |
£160. They are nice, though. | 0:06:18 | 0:06:20 | |
They should be for double the estimate! | 0:06:20 | 0:06:22 | |
Kate pays a whopping £188.80 | 0:06:22 | 0:06:26 | |
fees included. | 0:06:26 | 0:06:27 | |
Where I think there could be potentially a profit | 0:06:27 | 0:06:31 | |
is by selling them to different buyers. | 0:06:31 | 0:06:34 | |
The racing cars to one person, maybe the aeroplanes to another. | 0:06:34 | 0:06:37 | |
I have a feeling I've got my work cut out. | 0:06:37 | 0:06:41 | |
Well, Kate had better have a contacts book full of toy | 0:06:41 | 0:06:43 | |
vehicle fans as she wastes no time | 0:06:43 | 0:06:45 | |
in adding a little fire engine to | 0:06:45 | 0:06:48 | |
her vast collection | 0:06:48 | 0:06:49 | |
for £35.40, including costs. | 0:06:49 | 0:06:52 | |
Now, I looked at this fire engine quite late last night | 0:06:53 | 0:06:56 | |
when the sale was on view. | 0:06:56 | 0:06:58 | |
It's in great condition, it's got its box and it looked to be going | 0:06:58 | 0:07:01 | |
really cheap at £30 | 0:07:01 | 0:07:04 | |
so this is a bit of a punt. | 0:07:04 | 0:07:06 | |
Yes, Kate may have secured her two items | 0:07:09 | 0:07:10 | |
but the auction room is still in full swing. | 0:07:10 | 0:07:13 | |
And it seems Kate isn't the only one with a penchant for toy cars. | 0:07:13 | 0:07:16 | |
Phil's planning on being in pole bidding position for this | 0:07:16 | 0:07:20 | |
vintage racer with a guide price of £50 to £80. | 0:07:20 | 0:07:24 | |
£35, £38, £40, £42, £45. | 0:07:24 | 0:07:27 | |
£48, £50, £55, £60... | 0:07:27 | 0:07:29 | |
Just look at the concentration. | 0:07:29 | 0:07:31 | |
£80, £85, £85... | 0:07:31 | 0:07:33 | |
£90, £95? No? | 0:07:33 | 0:07:36 | |
£90 net bid. I'm selling it... | 0:07:36 | 0:07:38 | |
£95, comes back in. | 0:07:38 | 0:07:40 | |
I don't know why I've done that! | 0:07:40 | 0:07:41 | |
I'm selling at £95. | 0:07:41 | 0:07:43 | |
GAVEL THUMPS | 0:07:43 | 0:07:45 | |
Sold, 397. | 0:07:45 | 0:07:46 | |
He was in, he was out, he was shaking it all about. | 0:07:46 | 0:07:48 | |
Phil's done the hokey cokey | 0:07:48 | 0:07:50 | |
and turned the bidding around, | 0:07:50 | 0:07:53 | |
spending £112.10, including costs. | 0:07:53 | 0:07:55 | |
The Vanwall racing car, | 0:07:55 | 0:07:57 | |
an English Grand Prix car from the late 1950s. | 0:07:57 | 0:08:01 | |
Now, this is a model by Tri-ang. Great make. | 0:08:01 | 0:08:05 | |
And the thing about toys is that they need to be mint and boxed. | 0:08:05 | 0:08:09 | |
Well, it's boxed and it looks pretty mint to me. | 0:08:09 | 0:08:11 | |
Our auction room aficionados have survived Round One and spent big. | 0:08:13 | 0:08:17 | |
Miniature vehicles have been the flavour of the day | 0:08:17 | 0:08:20 | |
but which dealer will drive into the sunset of ultimate victory? | 0:08:20 | 0:08:23 | |
Let's tot up the totals so far. | 0:08:23 | 0:08:25 | |
Both our experts started the Showdown | 0:08:26 | 0:08:28 | |
with £1,000 of their own money to spend. | 0:08:28 | 0:08:31 | |
Kate has spent £224.20, | 0:08:31 | 0:08:34 | |
which means she has £775.80 | 0:08:34 | 0:08:37 | |
left in the kitty. | 0:08:37 | 0:08:40 | |
Phil's haul has cost him £144.30 | 0:08:40 | 0:08:44 | |
leaving him £855.70 | 0:08:44 | 0:08:46 | |
for the next three rounds. | 0:08:46 | 0:08:48 | |
And so begins Round Two, | 0:08:50 | 0:08:52 | |
the Foreign Market. | 0:08:52 | 0:08:53 | |
Our speedy spenders have been | 0:08:53 | 0:08:55 | |
sent to the Sint-Truiden antiques | 0:08:55 | 0:08:56 | |
market in Brussels, where they'll need to purchase two items to | 0:08:56 | 0:08:59 | |
add to their Showdown haul. | 0:08:59 | 0:09:01 | |
Phil is first out of the blocks as he spots a garden set | 0:09:02 | 0:09:06 | |
he likes the look of. | 0:09:06 | 0:09:08 | |
Is 40 euro any good? | 0:09:08 | 0:09:09 | |
No. 50. | 0:09:09 | 0:09:11 | |
-45? -50. -OK. | 0:09:11 | 0:09:13 | |
That's a quick deal, isn't it? | 0:09:13 | 0:09:15 | |
It certainly was, Phil. | 0:09:15 | 0:09:17 | |
And at £40.98 | 0:09:17 | 0:09:19 | |
he seals the deal | 0:09:19 | 0:09:20 | |
on the teak garden set. | 0:09:20 | 0:09:21 | |
And for all you furniture fans out there, Foxy has got a very | 0:09:21 | 0:09:25 | |
nifty trick for determining the origin of wooden garden items. | 0:09:25 | 0:09:29 | |
It's definitely Indonesian. | 0:09:29 | 0:09:30 | |
Do you know how I know? | 0:09:30 | 0:09:32 | |
-It says here, look. "Made in Indonesia". -Oh! | 0:09:32 | 0:09:34 | |
And that's always a good clue, my friend. | 0:09:34 | 0:09:36 | |
Yes, impressive stuff. Nothing gets past the Fox's beady eye. | 0:09:38 | 0:09:41 | |
And he's on a roll | 0:09:41 | 0:09:43 | |
and sticking with his theme of 'things to sit on in the sunshine'. | 0:09:43 | 0:09:47 | |
He spots a chair that he'd like to add to his collection. | 0:09:47 | 0:09:50 | |
5 euros? | 0:09:50 | 0:09:51 | |
Yes. That's for nothing. | 0:09:51 | 0:09:53 | |
-It's for nothing? -Almost. | 0:09:53 | 0:09:56 | |
Almost for nothing. 4 euros. | 0:09:56 | 0:09:57 | |
HE LAUGHS | 0:09:57 | 0:09:59 | |
I've been saving up. | 0:09:59 | 0:10:00 | |
-Thank you very much. -Thank you very much indeed. | 0:10:01 | 0:10:04 | |
So just 4 euros, or £3.28 later, | 0:10:04 | 0:10:08 | |
and Phil hopes he's sitting on a profit. | 0:10:08 | 0:10:10 | |
I guess it's probably 1960s, something like that. | 0:10:10 | 0:10:13 | |
It was 4 euros. How can I fail to make a profit on that? | 0:10:13 | 0:10:18 | |
And in the meantime, I could always hire it out. | 0:10:18 | 0:10:21 | |
While Phil dreams of all the money he hopes to make, Kate has | 0:10:23 | 0:10:26 | |
spotted some vintage crockery she hopes will make her a crock of cash. | 0:10:26 | 0:10:30 | |
-How much is this? -15. | 0:10:30 | 0:10:32 | |
-From the years...1950. -1950s? | 0:10:32 | 0:10:36 | |
This is basically nursery ware. | 0:10:36 | 0:10:38 | |
And it is transfer printed with lovely little nursery | 0:10:38 | 0:10:42 | |
figures of children dressing up. | 0:10:42 | 0:10:44 | |
You can't do 10? | 0:10:44 | 0:10:46 | |
No, no, I don't do this for these things. | 0:10:46 | 0:10:48 | |
-OK, so 15. I can do 15. -Thank you. | 0:10:48 | 0:10:51 | |
That's £12.30 in sterling. | 0:10:53 | 0:10:55 | |
And she thinks the set is mashing. | 0:10:55 | 0:10:57 | |
A plate, a bowl and a trio. | 0:10:57 | 0:11:00 | |
That is a side plate, cup and saucer | 0:11:00 | 0:11:02 | |
and this beaker, | 0:11:02 | 0:11:04 | |
all in lovely condition. | 0:11:04 | 0:11:05 | |
Somebody has really looked after the set, | 0:11:06 | 0:11:08 | |
so I better make sure I do too. | 0:11:08 | 0:11:10 | |
Yes, don't go dropping it, old Butterfingers Bliss. | 0:11:11 | 0:11:14 | |
She is certainly in the zone now | 0:11:14 | 0:11:16 | |
and swiftly splashes out | 0:11:16 | 0:11:17 | |
another 15 euros or £12.30 | 0:11:17 | 0:11:20 | |
on a pot cupboard | 0:11:20 | 0:11:21 | |
with a special purpose. | 0:11:21 | 0:11:22 | |
It would sit beside a bed. | 0:11:22 | 0:11:24 | |
And in this little cupboard below, it would house a chamber pot. | 0:11:24 | 0:11:28 | |
Made of oak. Typically Edwardian. | 0:11:28 | 0:11:30 | |
But it's not. It's actually very modern. | 0:11:30 | 0:11:33 | |
But it has got a good marble top. | 0:11:33 | 0:11:35 | |
The best way to maximise my profit is to sell it privately. | 0:11:35 | 0:11:40 | |
It might need a little bit of TLC first, though. | 0:11:40 | 0:11:43 | |
They are halfway through their buying bonanza | 0:11:45 | 0:11:48 | |
and both kept their costs down on foreign soil. | 0:11:48 | 0:11:51 | |
But winning this Showdown rests on how much | 0:11:51 | 0:11:53 | |
they sell their items for back in Blighty. | 0:11:53 | 0:11:55 | |
With £1,000 of their own money | 0:11:57 | 0:11:58 | |
to spend, they have now bought | 0:11:58 | 0:12:00 | |
four items each. | 0:12:00 | 0:12:02 | |
Kate's purchases have cost her | 0:12:02 | 0:12:03 | |
£248.80, | 0:12:03 | 0:12:06 | |
leaving the heart with £751.20 | 0:12:06 | 0:12:08 | |
in her kitty. | 0:12:08 | 0:12:10 | |
Phil has spent £188.56, | 0:12:10 | 0:12:13 | |
leaving him with £811.44 | 0:12:13 | 0:12:16 | |
for the next two rounds. | 0:12:16 | 0:12:18 | |
Time for Round Three | 0:12:19 | 0:12:21 | |
at the antiques fair. | 0:12:21 | 0:12:23 | |
Their third battle ground is the Ardingly antiques | 0:12:23 | 0:12:25 | |
and collectables fair in West Sussex, | 0:12:25 | 0:12:27 | |
where they will be pursuing the most profitable plunder. | 0:12:27 | 0:12:30 | |
But before the buying begins, our pair have time for a catch-up. | 0:12:30 | 0:12:34 | |
-Hey! -How are you? -How are you doing? | 0:12:34 | 0:12:35 | |
-Half done already! -Where did that go? | 0:12:35 | 0:12:38 | |
-I know, just frightening, isn't it? -Yeah. | 0:12:38 | 0:12:40 | |
I think the frightening thing for me is that I haven't really got anything | 0:12:40 | 0:12:43 | |
that I've earmarked for the auction yet. | 0:12:43 | 0:12:46 | |
What bothers me is I haven't bought anything I really think is | 0:12:46 | 0:12:48 | |
-quite meaty. -I'm the same. | 0:12:48 | 0:12:50 | |
I mean, I really want to buy | 0:12:50 | 0:12:51 | |
something of quality that is going to do well at auction. | 0:12:51 | 0:12:54 | |
Then I think I'm going to follow you. | 0:12:54 | 0:12:56 | |
-Well, you are going to have to catch me first. -Right. | 0:12:56 | 0:12:59 | |
Yes, the race is on, | 0:13:01 | 0:13:02 | |
and Phil is first to shine the light on a potential buy. | 0:13:02 | 0:13:05 | |
-Is this PAT tested? -Yeah, it is all tested and done | 0:13:05 | 0:13:08 | |
and works. | 0:13:08 | 0:13:10 | |
The best I can do on that is 150 quid, if it's any good. | 0:13:10 | 0:13:14 | |
Uh... | 0:13:14 | 0:13:15 | |
How about 175? | 0:13:15 | 0:13:18 | |
I've got to sell it, so if I give 150 for it, I think | 0:13:18 | 0:13:22 | |
I can ask perhaps... | 0:13:22 | 0:13:24 | |
-185, 195. -160 and it is yours. | 0:13:24 | 0:13:27 | |
I think this is a really cool thing. It is a marriage. | 0:13:29 | 0:13:32 | |
It would never have started life out like this. The tripod, | 0:13:32 | 0:13:36 | |
it's a surveyor's theodolite or level stand. | 0:13:36 | 0:13:39 | |
And some clever man has got a theatre light that would've hung | 0:13:39 | 0:13:42 | |
in the gantry of a French theatre | 0:13:42 | 0:13:45 | |
in the 1940s, turned it upside down | 0:13:45 | 0:13:47 | |
and put it on here. Really, really wicked. I think it is a cool thing. | 0:13:47 | 0:13:51 | |
Yes, the Fox is beaming, but it is Miss Bliss who strikes | 0:13:51 | 0:13:55 | |
the next blow, buying this moulded glass grouse for £55. | 0:13:55 | 0:13:59 | |
The best bit is that there is a little signature down here, | 0:13:59 | 0:14:02 | |
which happens to say...Lalique. | 0:14:02 | 0:14:05 | |
Now, Lalique is a very well-known name associated with glass models. | 0:14:05 | 0:14:11 | |
And this is very much a late 20th-century piece. | 0:14:11 | 0:14:14 | |
Now, I'm sure the Fox, if he'd seen the grouse, | 0:14:14 | 0:14:16 | |
would have been after it first. | 0:14:16 | 0:14:18 | |
But, um...too late. | 0:14:18 | 0:14:20 | |
Hm, Kate is full of fighting talk. | 0:14:22 | 0:14:24 | |
But Phil retaliates with his final buy. | 0:14:24 | 0:14:26 | |
The charmer seals the deal with a kiss on this rhubarb forcer | 0:14:26 | 0:14:30 | |
for £35. | 0:14:30 | 0:14:32 | |
You put it over your rhubarb and it forces it to grow. | 0:14:32 | 0:14:35 | |
There is no great age to this. It is terra-cotta. | 0:14:35 | 0:14:38 | |
But it has got this pattern to it. How do you recreate that look? | 0:14:38 | 0:14:41 | |
Well, you've got to put yogurt on it, | 0:14:41 | 0:14:44 | |
bury it for a while, | 0:14:44 | 0:14:45 | |
and that promotes the moss and lichen growth... | 0:14:45 | 0:14:47 | |
(Or cavalry and cow muck.) | 0:14:47 | 0:14:49 | |
It works! | 0:14:49 | 0:14:51 | |
Pew! | 0:14:51 | 0:14:52 | |
Hm, let's hope Kate's next purchase is something less smelly. | 0:14:52 | 0:14:56 | |
-Could I have a look at your little shoe, please? -Yeah. | 0:14:56 | 0:14:58 | |
Oh. | 0:14:58 | 0:14:59 | |
-What is the very best you could do for me on that one? -I could do...45. | 0:14:59 | 0:15:04 | |
-That is the rock-bottom. -Is it? -That is 20 off. | 0:15:04 | 0:15:07 | |
-You couldn't do 40 just for me? -Oh... -No? | 0:15:07 | 0:15:10 | |
I tell you what, we can do a very silly price for you, and that is 41. | 0:15:10 | 0:15:14 | |
41, done. | 0:15:14 | 0:15:16 | |
It looks like a novelty silver shoe. | 0:15:16 | 0:15:19 | |
It is in fact made of pewter. | 0:15:19 | 0:15:21 | |
It dates from the Georgian period. And it is beautifully crafted. | 0:15:21 | 0:15:26 | |
But it is not just a novelty boot. It was actually used as a snuff box. | 0:15:26 | 0:15:31 | |
And the lid flips open. | 0:15:31 | 0:15:33 | |
And that is where the gentleman of the early 19th century | 0:15:33 | 0:15:37 | |
would put his snuff. | 0:15:37 | 0:15:38 | |
I've got high hopes for that one. | 0:15:38 | 0:15:40 | |
And with that, Kate's kicked us to the antiques fair finish line. | 0:15:42 | 0:15:45 | |
Both our treasure hunters are desperate to win, so let's see | 0:15:45 | 0:15:49 | |
where they stand after Round Three. | 0:15:49 | 0:15:50 | |
From her £1,000 budget, | 0:15:52 | 0:15:54 | |
Kate has spent £344.80, | 0:15:54 | 0:15:56 | |
which leaves £655.20 | 0:15:56 | 0:15:59 | |
for the final round. | 0:15:59 | 0:16:00 | |
Phil has spent a total of £383.56 | 0:16:02 | 0:16:06 | |
so far, leaving him with £616.44 | 0:16:06 | 0:16:09 | |
for Round Four. | 0:16:09 | 0:16:11 | |
So, all that cash comes with them | 0:16:13 | 0:16:15 | |
to Round Four - the Car Boot. | 0:16:15 | 0:16:17 | |
Our bargain busters have arrived at Ford Airfield, in Sussex, | 0:16:17 | 0:16:20 | |
for their final profit-finding fling. | 0:16:20 | 0:16:22 | |
And with no time to waste, Phil wields his cash cleaver | 0:16:23 | 0:16:27 | |
and brings it down hard on this butcher's block for £100. | 0:16:27 | 0:16:31 | |
I've got a real soft spot for butcher's blocks. | 0:16:31 | 0:16:34 | |
Both my father and my grandfather, well, they were both butchers. | 0:16:34 | 0:16:37 | |
It sort of missed a generation when it got to me. | 0:16:37 | 0:16:40 | |
Now, this particular example is Austrian | 0:16:40 | 0:16:43 | |
because it says just here - Innsbruck. | 0:16:43 | 0:16:45 | |
The bottom, well, I've got to be truthful - it's a bit rough. | 0:16:45 | 0:16:49 | |
So I need to do some work there. | 0:16:49 | 0:16:51 | |
But I love it. I hope someone else does. | 0:16:51 | 0:16:53 | |
Yes, he's on a roll, and spots a couple of barrels | 0:16:54 | 0:16:57 | |
and takes a punt with the seller. | 0:16:57 | 0:16:59 | |
What's the debt on them? | 0:16:59 | 0:17:01 | |
These are salt glazed. | 0:17:04 | 0:17:05 | |
Now, the term salt glaze comes from the fact that | 0:17:05 | 0:17:08 | |
when they are fired, you would lob a handful of salt into the kiln, | 0:17:08 | 0:17:12 | |
and it produces this lovely glaze on them. | 0:17:12 | 0:17:14 | |
Originally, these would probably have been spirit or wine | 0:17:14 | 0:17:18 | |
or ale barrels. | 0:17:18 | 0:17:20 | |
They cost me £35 each. | 0:17:20 | 0:17:22 | |
£70, the pair. | 0:17:22 | 0:17:25 | |
And with that, Phil has completed his Showdown haul. | 0:17:25 | 0:17:28 | |
His rival has scanned the stalls and seems to have the measure of them. | 0:17:28 | 0:17:32 | |
What's this? | 0:17:32 | 0:17:34 | |
-A horse measuring stick. -Oh, yes, I can see. Isn't that a nice one? | 0:17:34 | 0:17:38 | |
-This is the case, is it? -That's the case. -Oh, shame! | 0:17:38 | 0:17:41 | |
Oh, isn't that a shame? The top has come off. | 0:17:41 | 0:17:44 | |
How much is that? | 0:17:44 | 0:17:46 | |
-Owes me 100. -Does it? -Hm. | 0:17:46 | 0:17:49 | |
Could you do 90? | 0:17:49 | 0:17:50 | |
-I'm actually losing money at 100. -£100, OK. | 0:17:50 | 0:17:53 | |
Now, antique measures are still a really buoyant | 0:17:55 | 0:17:57 | |
area of the collectors' market. | 0:17:57 | 0:17:59 | |
And I have bought this one because it is a lovely example of a horse | 0:17:59 | 0:18:03 | |
measure, which is a little bit more unusual. | 0:18:03 | 0:18:06 | |
And at well over 100 years old, it dates from the Edwardian period. | 0:18:06 | 0:18:09 | |
Now, £100 may sound expensive to you, | 0:18:09 | 0:18:13 | |
but I still think there is a profit there. | 0:18:13 | 0:18:17 | |
With one item left to scoop up, | 0:18:17 | 0:18:19 | |
Kate hotfoots it towards a Georgian ladle she'd spotted earlier, | 0:18:19 | 0:18:23 | |
but she does have some concerns. | 0:18:23 | 0:18:25 | |
The thing about ladles is very often you'd have them in a pair. | 0:18:25 | 0:18:28 | |
-Yeah. -And so selling one on its own wouldn't be quite as good. | 0:18:28 | 0:18:32 | |
What could you do for me? | 0:18:32 | 0:18:34 | |
-Can we do business on 30? -If you can do 25 cash, I'll take it away. | 0:18:34 | 0:18:38 | |
25 cash? | 0:18:38 | 0:18:40 | |
You got a deal. | 0:18:40 | 0:18:42 | |
-You're a star. -Thank you. | 0:18:42 | 0:18:44 | |
Now, I knew what this was even from a distance. | 0:18:44 | 0:18:47 | |
It is called a toddy ladle | 0:18:47 | 0:18:48 | |
and was used to measure out an alcoholic tipple. | 0:18:48 | 0:18:51 | |
But I also knew that this one is from Scotland. | 0:18:51 | 0:18:55 | |
Turn it over and the hallmark bares that out because you have got | 0:18:55 | 0:18:58 | |
a little thistle, which tells me that it was made in Edinburgh. | 0:18:58 | 0:19:01 | |
But it was made over 200 years ago. | 0:19:01 | 0:19:04 | |
So with £25, | 0:19:04 | 0:19:08 | |
this is going to auction | 0:19:08 | 0:19:10 | |
and should make a profit. | 0:19:10 | 0:19:12 | |
So, there we go. They're all bought up. | 0:19:12 | 0:19:15 | |
Let's look at the figures. | 0:19:15 | 0:19:17 | |
Our rummaging rivals each started | 0:19:18 | 0:19:20 | |
out with £1,000 | 0:19:20 | 0:19:21 | |
of their own money to spend. | 0:19:21 | 0:19:23 | |
Kate's been cautious with her cash | 0:19:23 | 0:19:25 | |
and has spent almost £470 | 0:19:25 | 0:19:27 | |
of her kitty, | 0:19:27 | 0:19:29 | |
while Phil's splashed out slightly | 0:19:29 | 0:19:31 | |
more in his bid for victory, | 0:19:31 | 0:19:33 | |
and finishes having spent | 0:19:33 | 0:19:34 | |
almost £554. | 0:19:34 | 0:19:36 | |
Before our dealers turn their minds to selling, | 0:19:36 | 0:19:39 | |
what do they make of their wares? | 0:19:39 | 0:19:41 | |
-We're finished! -Wow! -We got all our stuff! -What a relief that is! | 0:19:42 | 0:19:46 | |
Today, I am really pleased. I bought a Scottish toddy ladle. | 0:19:46 | 0:19:50 | |
Oh, that's cool. | 0:19:50 | 0:19:51 | |
For £25. | 0:19:51 | 0:19:53 | |
How did you do that? | 0:19:53 | 0:19:54 | |
My favourite thing could be my little snuff box, | 0:19:54 | 0:19:57 | |
which I bought at Ardingly, at the UK fair. | 0:19:57 | 0:20:00 | |
And that I am going to put into auction definitely. | 0:20:00 | 0:20:03 | |
My favourite thing is my Vanwall motorcar. | 0:20:03 | 0:20:05 | |
-My racing car. -What are you putting into auction? | 0:20:05 | 0:20:07 | |
-Don't know yet. -Are you doing a damage limitation exercise? | 0:20:07 | 0:20:10 | |
-Don't know yet. -And only putting really cheap... | 0:20:10 | 0:20:13 | |
-I bet you are, aren't you? -Don't know yet. | 0:20:13 | 0:20:15 | |
-Is he? I reckon you are. -I'll see you at the auction. | 0:20:15 | 0:20:19 | |
Hm... | 0:20:19 | 0:20:20 | |
Well, dealers, there's a long road ahead before the Showdown Auction, | 0:20:24 | 0:20:27 | |
but it is a race against time, | 0:20:27 | 0:20:29 | |
as they have to beef up their | 0:20:29 | 0:20:30 | |
bartering brawn and find private sellers for half their items. | 0:20:30 | 0:20:34 | |
The other half will enter the auction of terror, | 0:20:34 | 0:20:38 | |
where their profit will be at the whim of the bidding public. | 0:20:38 | 0:20:41 | |
What goes in is vitally important. | 0:20:41 | 0:20:43 | |
So, what are the big plans of attack? | 0:20:43 | 0:20:46 | |
Kate is in her kitchen in Herefordshire. | 0:20:46 | 0:20:49 | |
Now, my favourite piece is the collection of model toys. | 0:20:49 | 0:20:54 | |
And I think these are lovely. | 0:20:54 | 0:20:56 | |
Now, these four pieces at the front are my four pieces | 0:20:56 | 0:20:59 | |
I have decided to send into auction. | 0:20:59 | 0:21:01 | |
We have got my lovely Georgian silver ladle, | 0:21:01 | 0:21:03 | |
which SHOULD make a profit if there is any justice in the world. | 0:21:03 | 0:21:08 | |
I've got a lovely, little 19th-century snuff box. | 0:21:08 | 0:21:11 | |
I've got my nursery transfer-printed china. | 0:21:11 | 0:21:14 | |
The bad thing about this is that it is Belgian, | 0:21:14 | 0:21:17 | |
which hasn't got such a strong market over here, in the UK. | 0:21:17 | 0:21:20 | |
But I am still hoping a collector will be charmed by the little | 0:21:20 | 0:21:23 | |
motifs we have got on this. | 0:21:23 | 0:21:26 | |
And then, we've got my Lalique grouse. | 0:21:26 | 0:21:29 | |
I knew when I bought it that it was a modern piece, | 0:21:29 | 0:21:32 | |
and now I know is post-1978. | 0:21:32 | 0:21:35 | |
So a little bit more modern than I thought, | 0:21:35 | 0:21:37 | |
but I think there is still room for a profit. | 0:21:37 | 0:21:41 | |
So Kate also needs to line up private buyers for her | 0:21:41 | 0:21:44 | |
pot cupboard, toy fire engine, and Edwardian horse measure. | 0:21:44 | 0:21:48 | |
Over at Serrell HQ, Phil's deciding what he's putting into the auction. | 0:21:48 | 0:21:52 | |
Now, if I go through these lots, | 0:21:53 | 0:21:55 | |
this is Osses And Obstacles, | 0:21:55 | 0:21:58 | |
by Snaffles. I think that is a definite winner for auction. | 0:21:58 | 0:22:02 | |
My next auction lot is going to be these barrels here. | 0:22:02 | 0:22:05 | |
I think they're quite a fun thing | 0:22:05 | 0:22:06 | |
and I don't think they are expensive. I should be OK | 0:22:06 | 0:22:09 | |
with those. My rhubarb forcer... | 0:22:09 | 0:22:11 | |
Now, if you live in the country, who doesn't want to force their rhubarb? | 0:22:11 | 0:22:14 | |
So those are three cheapish sort of lots. | 0:22:14 | 0:22:16 | |
And I am sort of toying with the idea that I'd like to have | 0:22:16 | 0:22:19 | |
just a little bit of jeopardy. | 0:22:19 | 0:22:20 | |
So, for me, it is either the theatre light or the butcher's block | 0:22:20 | 0:22:24 | |
that is going to be my fourth item in auction. | 0:22:24 | 0:22:26 | |
And I think I'm going to put this in. | 0:22:26 | 0:22:29 | |
I'm going to get the bottom painted in that sort of trendy light blue | 0:22:29 | 0:22:33 | |
grey colour. | 0:22:33 | 0:22:34 | |
And I think that will do quite well. | 0:22:34 | 0:22:36 | |
So those are going to be my four auction items. | 0:22:36 | 0:22:38 | |
So that means Phil has to find buyers for his theatre light, | 0:22:38 | 0:22:41 | |
garden furniture, 1960s chair, and toy racing car. | 0:22:41 | 0:22:46 | |
Our determined dealers must now knuckle down | 0:22:48 | 0:22:50 | |
and turn all their talk into antiques selling action. | 0:22:50 | 0:22:53 | |
And remember, until they've shaken on it | 0:22:53 | 0:22:55 | |
and the money has changed hands, no deal is ever sealed. | 0:22:55 | 0:22:59 | |
It's Kate "Absolute" Bliss who's first into the fray, | 0:23:00 | 0:23:03 | |
hoping to bag that crucial opening sale. | 0:23:03 | 0:23:05 | |
Now, she's a well brought-up girl with a high set of morals, | 0:23:05 | 0:23:09 | |
so of course won't be resorting to any underhand tactics... | 0:23:09 | 0:23:12 | |
Will she? | 0:23:12 | 0:23:13 | |
I'm here at Shelsley Walsh Hill Climb. | 0:23:13 | 0:23:15 | |
And I am here to meet... | 0:23:15 | 0:23:17 | |
Philip Serrell's wife! | 0:23:17 | 0:23:20 | |
She is actually a really good friend of mine and a bit of a petrol head. | 0:23:20 | 0:23:23 | |
And I'm hoping that she'd like to buy a little model car that is | 0:23:23 | 0:23:27 | |
not dissimilar to her racing car. | 0:23:27 | 0:23:29 | |
The sneaky little minx! | 0:23:32 | 0:23:34 | |
All's fair in love and war...and dealing, it seems! | 0:23:34 | 0:23:37 | |
The car came as part of a larger collection | 0:23:37 | 0:23:39 | |
and owes her ten pounds. | 0:23:39 | 0:23:41 | |
So can she drive up the price | 0:23:41 | 0:23:43 | |
with racetrack regular Mrs Bryony Serrell? | 0:23:43 | 0:23:45 | |
# Bad to the bone! # | 0:23:45 | 0:23:47 | |
Well, I have brought you something I'm sort of hoping you might like. | 0:23:47 | 0:23:51 | |
It doesn't go as fast. | 0:23:51 | 0:23:53 | |
But it is a little model which doesn't look dissimilar | 0:23:53 | 0:23:57 | |
to your Lotus. | 0:23:57 | 0:23:59 | |
No. It is very sweet, actually. | 0:23:59 | 0:24:01 | |
-And this little car dates from, what, late '60s, early '70s. -OK. | 0:24:01 | 0:24:04 | |
-It is cute, isn't it? -What sort of year is yours? -1967. | 0:24:04 | 0:24:08 | |
-One for the collection? -Um... I feel a bit of a turncoat being here, | 0:24:08 | 0:24:11 | |
you know, looking at this. | 0:24:11 | 0:24:13 | |
-What are you thinking on this? -Well, I'm looking for | 0:24:13 | 0:24:15 | |
anywhere from sort of £20 to £40, something like that. | 0:24:15 | 0:24:19 | |
That's rather a lot, isn't it? What about 25, then? | 0:24:19 | 0:24:22 | |
Hm-mm. Could I bump you up just a fiver and say 30? | 0:24:22 | 0:24:25 | |
-Meet me in the middle, how about that? A nice round figure. -30... Hm. | 0:24:25 | 0:24:28 | |
-You are against Philip, though, aren't you? -I am against Phil. | 0:24:28 | 0:24:31 | |
THEY LAUGH | 0:24:31 | 0:24:33 | |
-OK, 30. Shall we go 28? -All right. | 0:24:33 | 0:24:36 | |
It's a swift start for Kate | 0:24:38 | 0:24:40 | |
as she nets a profit of £18. | 0:24:40 | 0:24:42 | |
And she can't resist | 0:24:42 | 0:24:43 | |
a lap of honour... | 0:24:43 | 0:24:44 | |
I'm ready! | 0:24:44 | 0:24:45 | |
Go on, put your foot down! | 0:24:50 | 0:24:52 | |
She's no Lewis Hamilton, that's for sure! | 0:24:53 | 0:24:56 | |
That was fantastic! | 0:24:59 | 0:25:01 | |
Well, while she made a tidy sum off Phil's wife, | 0:25:01 | 0:25:04 | |
Kate struggles to sell the rest of her vehicles | 0:25:04 | 0:25:06 | |
individually as planned, and ends up | 0:25:06 | 0:25:09 | |
making a slight loss of £3.80 | 0:25:09 | 0:25:11 | |
when she sells them in bulk to | 0:25:11 | 0:25:13 | |
toy car collector Chris in Hereford. | 0:25:13 | 0:25:15 | |
But she redeems herself | 0:25:15 | 0:25:17 | |
with a profit of £6.60, | 0:25:17 | 0:25:19 | |
selling the toy fire engine | 0:25:19 | 0:25:20 | |
to the same buyer. | 0:25:20 | 0:25:21 | |
It's a mixed start from Kate. | 0:25:21 | 0:25:23 | |
But there's no first-night nerves from Foxy. | 0:25:23 | 0:25:26 | |
If you're going to sell a theatre light, there is only one place to | 0:25:26 | 0:25:29 | |
take it. And I'm at my local theatre, in Worcester, | 0:25:29 | 0:25:32 | |
and I am hoping that my light is going to find itself centre stage | 0:25:32 | 0:25:35 | |
in there. | 0:25:35 | 0:25:36 | |
# Like a super trooper... # | 0:25:36 | 0:25:38 | |
He's spent £1.50 getting it PAT tested, | 0:25:38 | 0:25:41 | |
so needs to perform like a superstar to get more than | 0:25:41 | 0:25:43 | |
the £161.50 that it owes him. | 0:25:43 | 0:25:46 | |
But will theatre director Chris like it? | 0:25:46 | 0:25:49 | |
We have action, look at that! | 0:25:50 | 0:25:53 | |
-Very good. -Now, is this of interest to you? | 0:25:53 | 0:25:56 | |
I probably wouldn't use it actually as a light, Phil. | 0:25:56 | 0:26:00 | |
But I would use it on the stage as a prop. | 0:26:00 | 0:26:02 | |
Well, I was hoping I might get 250 for it. | 0:26:02 | 0:26:04 | |
I would be looking more about... | 0:26:04 | 0:26:07 | |
170, 180, something like that. | 0:26:07 | 0:26:10 | |
Come on, sharpen your pencil a bit. | 0:26:10 | 0:26:12 | |
200, final offer. | 0:26:12 | 0:26:14 | |
-You're a gentleman. -Lovely. -Thank you very much indeed. -Job done. | 0:26:14 | 0:26:17 | |
That's a £38.50 profit, | 0:26:17 | 0:26:20 | |
and he's come over all Thespian. | 0:26:20 | 0:26:22 | |
To sell or not to sell, | 0:26:22 | 0:26:25 | |
that is the question. | 0:26:25 | 0:26:26 | |
It's to sell, Phil, that's the whole point! | 0:26:26 | 0:26:29 | |
Now, someone who does have the measure of this show is Kate, | 0:26:29 | 0:26:32 | |
who doesn't even let the small matter of no daylight hold her back. | 0:26:32 | 0:26:36 | |
It's really late in the day and here I am in Gloucestershire, | 0:26:36 | 0:26:39 | |
at a stable yard. | 0:26:39 | 0:26:41 | |
And I have come to meet Robert, who is a producer of show horses. | 0:26:41 | 0:26:45 | |
Now, I'm hoping to learn a thing or two about my horse measure. | 0:26:45 | 0:26:48 | |
Kate paid a rather hefty £100 for it, | 0:26:48 | 0:26:52 | |
so will equine expert Robert think it's worth it? | 0:26:52 | 0:26:55 | |
Well, let me show you my measure. | 0:26:55 | 0:26:57 | |
This one dates from about 1900. | 0:26:57 | 0:27:00 | |
-I've never actually seen one produced like that. -Like this? | 0:27:00 | 0:27:03 | |
I've seen lots of measurements, but not in a case. | 0:27:03 | 0:27:05 | |
They wouldn't accept this these days for measuring cos it's not | 0:27:05 | 0:27:09 | |
-got a spirit level. -Ah! | 0:27:09 | 0:27:11 | |
-So the modern measures... -You see, it's wobbly. | 0:27:11 | 0:27:13 | |
So, do you think this is something you would like to buy, Robert? | 0:27:13 | 0:27:16 | |
Obviously, perhaps not to use on your horses, | 0:27:16 | 0:27:19 | |
but as a sort of collector's item, | 0:27:19 | 0:27:21 | |
-is it something...? -I would've thought so, yes. | 0:27:21 | 0:27:23 | |
I was looking for around the £150 to £200 mark. | 0:27:23 | 0:27:27 | |
-How do you feel about that? -Yes, you... Possibly slightly higher | 0:27:27 | 0:27:32 | |
than one would've thought. | 0:27:32 | 0:27:34 | |
-Shall we try it on one of your horses... -Yes, do. | 0:27:34 | 0:27:36 | |
-..and see what you think? -Yep, we will. | 0:27:36 | 0:27:37 | |
-Where are you going to measure him? -The highest point of his wither, | 0:27:37 | 0:27:41 | |
-which is there. -Hm-mm. | 0:27:41 | 0:27:42 | |
He's 15 hands and a half an inch, which is perfect for his age. | 0:27:42 | 0:27:47 | |
-What do you think? -I think you've asked quite high. -Right. | 0:27:47 | 0:27:51 | |
But I would bid you 125. | 0:27:51 | 0:27:54 | |
Could I say just five pounds more, say 130? | 0:27:54 | 0:27:57 | |
-We'd have a deal. -Brilliant. Thank you very much. -Not at all. | 0:27:57 | 0:28:00 | |
And Kate rides off into the night | 0:28:00 | 0:28:02 | |
with a profit of £30, | 0:28:02 | 0:28:04 | |
leaving the measure | 0:28:04 | 0:28:05 | |
in the right HANDS. Ha! | 0:28:05 | 0:28:06 | |
Miss Bliss is storming ahead on three sales to Foxy's one - | 0:28:06 | 0:28:10 | |
time for Phil-Boy to unleash his inner wheeler dealer. | 0:28:10 | 0:28:14 | |
# Bush, Bush, Bush, Bush, Bush | 0:28:14 | 0:28:16 | |
# No income tax, no VAT | 0:28:16 | 0:28:19 | |
# No money back, no guarantee. | 0:28:19 | 0:28:22 | |
# Black or white... # | 0:28:22 | 0:28:24 | |
He's on his way to see a man who's having his garden landscaped | 0:28:24 | 0:28:27 | |
in the hope of turning his garden furniture into a nice | 0:28:27 | 0:28:30 | |
little earner. | 0:28:30 | 0:28:31 | |
-Hi, John! -Del-Boy, how are you?! | 0:28:34 | 0:28:39 | |
He who dares, Phil! | 0:28:39 | 0:28:40 | |
How are you, my friend? | 0:28:40 | 0:28:42 | |
-I'm very well, Phil, how are you? -Lovely to see you. | 0:28:42 | 0:28:45 | |
-Now, can I show you what I've got for you? -Yes, yeah. | 0:28:45 | 0:28:47 | |
Let's go have a look then, shall we? | 0:28:47 | 0:28:49 | |
Look at that. | 0:28:49 | 0:28:51 | |
Don't they look fantastic? | 0:28:51 | 0:28:53 | |
-Yes, they do. -Just a little bit of that oil in them. | 0:28:53 | 0:28:55 | |
I constantly have a lot of people around here, | 0:28:55 | 0:28:57 | |
and they're always saying, "Is there somewhere to sit?" | 0:28:57 | 0:29:00 | |
And there are places to sit, as you see, but never enough. | 0:29:00 | 0:29:03 | |
So, how old are they? I mean, are they...? | 0:29:03 | 0:29:05 | |
-I think they're Elizabethan(!) -Elizabeth... -Hm. | 0:29:05 | 0:29:07 | |
-HE LAUGHS -The Second. | 0:29:07 | 0:29:09 | |
Elizabethan, hm. | 0:29:09 | 0:29:11 | |
-They're made in Indonesia! -Yes, but they're teak, look, an-teak. | 0:29:11 | 0:29:15 | |
-Ah. -There's an an-teak, and there's an an-teak. -Oh, antique, yes. | 0:29:15 | 0:29:18 | |
-Another an-teak. -Yes, of course, yes. | 0:29:18 | 0:29:20 | |
I bought these just outside Brussels. And they cost me 50 euros. | 0:29:20 | 0:29:25 | |
What I was really hoping for was £20 a chair and I'll give you the table. | 0:29:25 | 0:29:28 | |
How much?! | 0:29:28 | 0:29:30 | |
This isn't going very well, this, is it? | 0:29:30 | 0:29:32 | |
HE LAUGHS | 0:29:32 | 0:29:34 | |
£80 isn't going to work, is it? | 0:29:34 | 0:29:37 | |
Well, not really, no. I was thinking more about half that, really. | 0:29:37 | 0:29:40 | |
What do you think about that? | 0:29:40 | 0:29:42 | |
No, I don't like the sound of that at all. | 0:29:42 | 0:29:43 | |
-HE LAUGHS -I don't like that at all, really. | 0:29:43 | 0:29:46 | |
What about if I sold them to you for... I don't know, 60 quid? | 0:29:46 | 0:29:49 | |
I'll tell you what I'll do... | 0:29:49 | 0:29:50 | |
If I give you 60 quid... | 0:29:50 | 0:29:52 | |
-Yeah. -..will you take that yellow van out of here? -Now? -With you? | 0:29:52 | 0:29:57 | |
-Deal, done. -It's a deal. -I'll get moving now! | 0:29:57 | 0:29:59 | |
HE LAUGHS | 0:29:59 | 0:30:02 | |
Lovely jubley! | 0:30:02 | 0:30:04 | |
That's a profit of £19.02 | 0:30:05 | 0:30:08 | |
from Boycie, and he's out of there! | 0:30:08 | 0:30:10 | |
And whilst he's in the mood | 0:30:15 | 0:30:16 | |
for hawking furniture, | 0:30:16 | 0:30:17 | |
he adds £1.72 to his profit pot | 0:30:17 | 0:30:20 | |
when he sells his 1960s chair | 0:30:20 | 0:30:21 | |
to dealer Alison in Worcester. | 0:30:21 | 0:30:23 | |
Our dealers now have one item left each | 0:30:24 | 0:30:27 | |
to sell privately before the mighty Showdown Auction. | 0:30:27 | 0:30:30 | |
Kate has given her £12.30 pot cupboard a once-over | 0:30:30 | 0:30:33 | |
with some paint she had sitting around and is hoping | 0:30:33 | 0:30:36 | |
Hereford-based vintage shop owner | 0:30:36 | 0:30:38 | |
Polly will fall in love with | 0:30:38 | 0:30:40 | |
its newly spruced-up state. | 0:30:40 | 0:30:42 | |
There you go. | 0:30:42 | 0:30:43 | |
Oh, I do like it. | 0:30:43 | 0:30:44 | |
-Yes, I do like it. -You do? -Yeah. | 0:30:44 | 0:30:47 | |
Well, I was hoping for around the sort of £100 to £150 mark. | 0:30:47 | 0:30:51 | |
-Yes. -How does that sound to you? | 0:30:51 | 0:30:54 | |
I'd be happy with 80. | 0:30:54 | 0:30:56 | |
OK. If I come down and meet you at, say, 90... | 0:30:56 | 0:31:00 | |
85. | 0:31:00 | 0:31:01 | |
-Done. -Brilliant. -I'm happy with that. -Amazing! | 0:31:01 | 0:31:04 | |
That's an impressive profit | 0:31:04 | 0:31:06 | |
of £72.70. And with that, | 0:31:06 | 0:31:08 | |
Kate has sold all of the items | 0:31:08 | 0:31:10 | |
she planned to sell privately. | 0:31:10 | 0:31:12 | |
Well, what a relief, that all came good. | 0:31:12 | 0:31:14 | |
It just goes to show, | 0:31:14 | 0:31:15 | |
it's worth sometimes putting in a little bit of elbow grease. | 0:31:15 | 0:31:19 | |
You should try it sometime, Mr Serrell. | 0:31:19 | 0:31:22 | |
Well, Phil knows more about axle grease than elbow grease! | 0:31:22 | 0:31:25 | |
So, cheeky Kate sold her toy car to Phil's wife, | 0:31:25 | 0:31:28 | |
but Foxy's had to go further afield to Derby with his 1950s racer. | 0:31:28 | 0:31:33 | |
And he's revved up with ambition. | 0:31:33 | 0:31:36 | |
I'm here at Donnington Park, which has not only got a race track, | 0:31:36 | 0:31:39 | |
but also a collection of Formula 1 cars. | 0:31:39 | 0:31:42 | |
And I'm here to meet Kevin Wheatcroft, | 0:31:42 | 0:31:43 | |
who I know has got an interest in these. | 0:31:43 | 0:31:45 | |
# Back in the fast lane! # | 0:31:45 | 0:31:48 | |
But with over £112 invested in it, | 0:31:48 | 0:31:50 | |
will Kevin give Phil a speedy profit? | 0:31:50 | 0:31:53 | |
Well, look at this, a Vanwall. And there is one, two, three, four, | 0:31:55 | 0:31:59 | |
five and a body. | 0:31:59 | 0:32:00 | |
-A full range. -Well, I've got to be honest with you. | 0:32:00 | 0:32:02 | |
I went to an auction and I did think of you, cos I saw this. | 0:32:02 | 0:32:05 | |
-Wow. -Which is... -Wow, look at that. -..a Vanwall. | 0:32:05 | 0:32:08 | |
-I've heard of these, but I've never actually seen one... -Have you not? | 0:32:08 | 0:32:12 | |
..in the flesh, let alone in its box. | 0:32:12 | 0:32:14 | |
I would be interested, yeah. | 0:32:14 | 0:32:15 | |
I was hoping to get close to something like 200 quid, if I could. | 0:32:15 | 0:32:18 | |
-I would definitely be happy in giving you that for it. -Really? | 0:32:18 | 0:32:21 | |
Because it's in its box, | 0:32:21 | 0:32:23 | |
makes a lot of sense to me. And having these ones out here... | 0:32:23 | 0:32:25 | |
-That's fantastic. -It can go in the display case. | 0:32:25 | 0:32:28 | |
Kevin's a fast mover | 0:32:28 | 0:32:30 | |
and gives Foxy a profit of £87.90. | 0:32:30 | 0:32:34 | |
With the chequered flag in sight, let's see who's in pole position | 0:32:35 | 0:32:38 | |
and who's got a flat. | 0:32:38 | 0:32:41 | |
Both our experts have now sold | 0:32:41 | 0:32:42 | |
four items. | 0:32:42 | 0:32:43 | |
Kate is doing well with a profit | 0:32:43 | 0:32:45 | |
so far of £123.50 | 0:32:45 | 0:32:49 | |
But it's Phil who's leading | 0:32:49 | 0:32:50 | |
at this stage. | 0:32:50 | 0:32:52 | |
His private sales have earned him | 0:32:52 | 0:32:53 | |
a profit of just over £147. | 0:32:53 | 0:32:57 | |
And now, it's finally here - | 0:32:57 | 0:32:59 | |
the moment we've all been waiting for with baited breath - | 0:32:59 | 0:33:03 | |
the Showdown Auction! | 0:33:03 | 0:33:04 | |
This is a terrifying place where our dealers have absolutely no | 0:33:04 | 0:33:08 | |
influence over what happens. | 0:33:08 | 0:33:11 | |
Their fate is in the hands of the | 0:33:11 | 0:33:13 | |
bidders at Pump House Auctions, in Hampshire. | 0:33:13 | 0:33:15 | |
So, are our two brave warriors bearing up or crumbling under | 0:33:15 | 0:33:19 | |
the pressure? | 0:33:19 | 0:33:20 | |
I sort of feel there is a lot riding on this auction. | 0:33:20 | 0:33:23 | |
Well, do you know what? | 0:33:23 | 0:33:24 | |
I'm quite nervous because I've sort of done a worst-case scenario. | 0:33:24 | 0:33:28 | |
And if I have a bad day, I'm sort of £100 down the bin, really. | 0:33:28 | 0:33:33 | |
I'm similar, I would say. But, hey, | 0:33:33 | 0:33:36 | |
the sun's going to shine, positive feeling. | 0:33:36 | 0:33:39 | |
-Come on, let's go and have a look. -OK, come on then. | 0:33:39 | 0:33:42 | |
So, our pair have understandably got the jitters. | 0:33:43 | 0:33:46 | |
The only thing we know at this stage is they'll be paying | 0:33:46 | 0:33:49 | |
the saleroom's standard selling commission and house fees. | 0:33:49 | 0:33:52 | |
Before the hammer starts to fall, | 0:33:52 | 0:33:54 | |
there's one last chance to look over each other's lots. | 0:33:54 | 0:33:57 | |
That's a sweet little lot. And worryingly, I think | 0:33:57 | 0:33:59 | |
she could do all right with that. | 0:33:59 | 0:34:02 | |
This looks like it should be old, | 0:34:02 | 0:34:04 | |
but I've lifted up the lid, | 0:34:04 | 0:34:06 | |
and that...is brand-new. | 0:34:06 | 0:34:07 | |
Katie, my love, I think your grouse has turned into a turkey. | 0:34:07 | 0:34:12 | |
That paint looks pretty fresh. | 0:34:12 | 0:34:14 | |
It's not a dissimilar colour to my pot cupboard either. | 0:34:14 | 0:34:17 | |
He's been pinching my ideas! | 0:34:17 | 0:34:19 | |
This is just an absolute steal and I wish I'd seen it. | 0:34:19 | 0:34:22 | |
I normally like salt-glazed items, | 0:34:22 | 0:34:24 | |
but there's something about these that don't exactly set me on fire. | 0:34:24 | 0:34:29 | |
Maybe it's the cushions on top. | 0:34:29 | 0:34:30 | |
It's a lovely little Scottish ladle. | 0:34:30 | 0:34:34 | |
The only thing is, Kate, we're in Hampshire! | 0:34:34 | 0:34:37 | |
I've seen examples of Snaffles' books go for really big money | 0:34:37 | 0:34:40 | |
if they're in great condition, | 0:34:40 | 0:34:42 | |
but is anybody going to want | 0:34:42 | 0:34:44 | |
a volume of Snaffles that looks like it's been caught in the rain? | 0:34:44 | 0:34:47 | |
And we're off! | 0:34:49 | 0:34:50 | |
The first of our items under the hammer is Phil's rhubarb forcer. | 0:34:50 | 0:34:54 | |
He paid £35 for it. | 0:34:54 | 0:34:56 | |
Well, you know, fair dues - | 0:34:56 | 0:34:57 | |
I don't think you could get many more people in here. | 0:34:57 | 0:34:59 | |
Not unless they were swinging from the chandelier. | 0:34:59 | 0:35:01 | |
The real question is, how many of them want their rhubarb forced? | 0:35:01 | 0:35:04 | |
Couple of bids here. 18. 20. | 0:35:04 | 0:35:06 | |
2 here. 24 anywhere? | 0:35:06 | 0:35:08 | |
-This is all looking rather good, isn't it(?) -No. | 0:35:08 | 0:35:11 | |
-Got a bidder on the front row. -28 only. 30 anywhere? | 0:35:11 | 0:35:14 | |
Ouch. | 0:35:14 | 0:35:15 | |
At £28 then... | 0:35:15 | 0:35:18 | |
That is for 303. | 0:35:18 | 0:35:21 | |
Will you please wipe that smile off your face? | 0:35:21 | 0:35:23 | |
Thank you. | 0:35:23 | 0:35:24 | |
10. 12 anywhere? | 0:35:24 | 0:35:26 | |
Rhubarb's off the menu. | 0:35:26 | 0:35:28 | |
Oh, a crushing start for Phil. | 0:35:28 | 0:35:31 | |
He sells it for less than he paid, and there are those auction fees | 0:35:31 | 0:35:35 | |
to think about. After costs, | 0:35:35 | 0:35:36 | |
Phil makes a loss of £15.38. | 0:35:36 | 0:35:39 | |
But it's still all to play for and he could redeem himself | 0:35:40 | 0:35:43 | |
quickly with his upcycled butcher's block, which is up next. | 0:35:43 | 0:35:47 | |
It owes him £100. | 0:35:47 | 0:35:49 | |
I would have this in my kitchen, I like it. | 0:35:49 | 0:35:51 | |
-And I think it's got a good chance of making... -You might have to! | 0:35:51 | 0:35:54 | |
£90. | 0:35:54 | 0:35:56 | |
100 there is. 110. 120. | 0:35:56 | 0:35:59 | |
5. 130. 5. | 0:35:59 | 0:36:01 | |
Oh, it's proving popular! | 0:36:01 | 0:36:02 | |
-£190. 5. Yes? -What?! -200. | 0:36:02 | 0:36:06 | |
And 10? | 0:36:06 | 0:36:08 | |
220. 230. 240. | 0:36:08 | 0:36:11 | |
And 5. 250. | 0:36:11 | 0:36:13 | |
-You are joking! -5. 260. | 0:36:13 | 0:36:16 | |
£255, then... | 0:36:16 | 0:36:18 | |
Geez! | 0:36:18 | 0:36:19 | |
That's an incredible price! | 0:36:21 | 0:36:23 | |
I knew that all the time, really. | 0:36:23 | 0:36:25 | |
My goodness me! | 0:36:25 | 0:36:26 | |
The block chops Phil a huge profit | 0:36:26 | 0:36:28 | |
of £103.04 after fees, | 0:36:28 | 0:36:31 | |
but Phil has a question for the buyer. | 0:36:31 | 0:36:33 | |
What would you have gone to? | 0:36:33 | 0:36:35 | |
-400, 500. -Oh, go away! | 0:36:35 | 0:36:37 | |
You're a star. Well done, you. Thank you very much. | 0:36:39 | 0:36:41 | |
-How come we've missed out on the butcher's block market? -Hold on. | 0:36:41 | 0:36:45 | |
I'm going to go see if she's into barrels as well. | 0:36:45 | 0:36:47 | |
I'll be back in a minute. | 0:36:47 | 0:36:49 | |
Well, hopefully she is, Phil, because they're up next. | 0:36:49 | 0:36:52 | |
He paid £70. | 0:36:52 | 0:36:53 | |
Bid's here. 38. 48 for them. | 0:36:53 | 0:36:57 | |
50 there is. | 0:36:57 | 0:36:58 | |
Phil needs bids to reach £90 to be in profit. | 0:36:58 | 0:37:02 | |
-£70. 2 anywhere? -That's enough now. | 0:37:02 | 0:37:05 | |
Sell them for £70 then... | 0:37:05 | 0:37:07 | |
Yours, sir. | 0:37:09 | 0:37:10 | |
-Do you know what? -What? -I really wouldn't sweat, you're still ahead. | 0:37:10 | 0:37:15 | |
Well, Phil rolled out the barrels... | 0:37:15 | 0:37:17 | |
and then fell under them, | 0:37:17 | 0:37:18 | |
suffering his second loss | 0:37:18 | 0:37:20 | |
of the day - £16.44 after fees. | 0:37:20 | 0:37:23 | |
I think what I should have done is just bought three more | 0:37:23 | 0:37:27 | |
butcher's blocks and brought them all here and then nothing else | 0:37:27 | 0:37:30 | |
and everything would have been fine. | 0:37:30 | 0:37:32 | |
Phil is three items down and his auction has been | 0:37:32 | 0:37:35 | |
a white-knuckle ride of extreme highs and lows. | 0:37:35 | 0:37:38 | |
Time now for Kate to test her mettle, | 0:37:38 | 0:37:40 | |
as her Georgian silver toddy ladle is up next. | 0:37:40 | 0:37:43 | |
-What did you pay for it? -So, I paid 25. | 0:37:43 | 0:37:46 | |
It's got to make £33. | 0:37:46 | 0:37:49 | |
I've got £30. 2 is there. | 0:37:49 | 0:37:52 | |
-Drop the hammer. -32 there is. | 0:37:52 | 0:37:53 | |
-34. 36. -Drop the hammer! | 0:37:53 | 0:37:56 | |
38. 40. Two anywhere? | 0:37:56 | 0:37:57 | |
Drop the hammer. Drop the hammer. | 0:37:57 | 0:37:59 | |
-£40 then... -Drop it. Drop it. | 0:37:59 | 0:38:01 | |
-Yours, madam. -£40. -Phew! | 0:38:01 | 0:38:04 | |
I've made money. Not a huge amount, but I have made money. | 0:38:04 | 0:38:07 | |
Yes, you have, Kate - | 0:38:07 | 0:38:09 | |
£4.32 after fees. | 0:38:09 | 0:38:11 | |
A small profit, | 0:38:11 | 0:38:12 | |
but better than a loss! | 0:38:12 | 0:38:13 | |
Can she turn a bigger profit with her little glass grouse? | 0:38:13 | 0:38:17 | |
It cost her £55, but she's done the calculations | 0:38:17 | 0:38:20 | |
and knows what she needs to break even. | 0:38:20 | 0:38:23 | |
It's got to make £70, pretty much. | 0:38:23 | 0:38:26 | |
I've got 55 for that. | 0:38:26 | 0:38:28 | |
-60 is there. -Come on! | 0:38:28 | 0:38:30 | |
-At £60 then... -Go on! | 0:38:30 | 0:38:32 | |
-579. -Oh, no! -The bird's flown. -Ooh... £60! | 0:38:33 | 0:38:37 | |
The grouse hits the ground, | 0:38:37 | 0:38:39 | |
losing Kate £9.52 after costs. | 0:38:39 | 0:38:42 | |
Her children's tea set is up next. | 0:38:42 | 0:38:44 | |
It cost £12.30 in Belgium. Will it do better than the birdie? | 0:38:44 | 0:38:48 | |
You cannot fail. | 0:38:48 | 0:38:50 | |
I think it's got a chance. | 0:38:50 | 0:38:51 | |
Couple of bids. 25. I've got 28 for the lot. | 0:38:51 | 0:38:54 | |
30 anywhere? 30, bid 2. 34. | 0:38:54 | 0:38:57 | |
I've 34. 36 anywhere? | 0:38:57 | 0:39:00 | |
Sell it then at £34... | 0:39:00 | 0:39:02 | |
Yes! £34. | 0:39:04 | 0:39:06 | |
Miss Bliss has nearly doubled her money there with | 0:39:06 | 0:39:09 | |
a profit of £12.17. | 0:39:09 | 0:39:11 | |
But there's no time to celebrate - her lots are coming thick | 0:39:11 | 0:39:15 | |
and fast, and she's about to try her luck with her final item - | 0:39:15 | 0:39:19 | |
the 19th-century snuff box. | 0:39:19 | 0:39:21 | |
And she's got £41 invested. | 0:39:21 | 0:39:24 | |
It's got to make just over £50 for me to break even. | 0:39:24 | 0:39:27 | |
I think this could go either way. | 0:39:27 | 0:39:28 | |
38. I've got 40. And I've got 42. | 0:39:28 | 0:39:32 | |
44 there is. 46. 48. | 0:39:32 | 0:39:34 | |
-At £48 then... -Oh, go on, go on, go on! | 0:39:34 | 0:39:38 | |
Yours, madam. | 0:39:38 | 0:39:40 | |
I think you're sort of unlucky. | 0:39:40 | 0:39:41 | |
Just a couple of pounds below what Kate was hoping for - | 0:39:41 | 0:39:45 | |
but every pound counts at the auction. And after fees, | 0:39:45 | 0:39:47 | |
the snuff box sticks the boot in with a disappointing | 0:39:47 | 0:39:50 | |
£5.21 loss. | 0:39:50 | 0:39:52 | |
Phil's last chance at glory lies with his 1930s Snaffles' book. | 0:39:53 | 0:39:58 | |
It owes him just over £32. | 0:39:58 | 0:40:00 | |
Did you drop it in a puddle? | 0:40:00 | 0:40:02 | |
No. We've all seen better days. | 0:40:02 | 0:40:04 | |
My prediction is you're going to break even. | 0:40:04 | 0:40:06 | |
Couple of bids. I've got 35 and I've got 42. | 0:40:06 | 0:40:09 | |
44 anywhere? | 0:40:09 | 0:40:11 | |
-50 pence profit. I told you! -44 there is. 46. 48. | 0:40:11 | 0:40:14 | |
50 I've got. 2, at 52. | 0:40:14 | 0:40:16 | |
Sell it then at £52 with me... | 0:40:16 | 0:40:20 | |
-Well done. That's money. -Absolutely right. -Well done! | 0:40:20 | 0:40:24 | |
Well, that's turned out nicely, hasn't it? | 0:40:24 | 0:40:27 | |
So Phil ends on a high - | 0:40:27 | 0:40:29 | |
that's £6.82 profit after fees, | 0:40:29 | 0:40:31 | |
and the book is closed | 0:40:31 | 0:40:33 | |
on the auction. | 0:40:33 | 0:40:34 | |
Well, fair dues, the boy done good. Well done. | 0:40:34 | 0:40:37 | |
-I better go get the teas in. -I think so. | 0:40:37 | 0:40:41 | |
And that's it. There were peaks and troughs, but they survived. | 0:40:41 | 0:40:44 | |
We'll reveal the victor in just a moment. | 0:40:44 | 0:40:46 | |
But first, let's remind ourselves what | 0:40:46 | 0:40:48 | |
they spent originally. | 0:40:48 | 0:40:50 | |
Both our experts started out | 0:40:51 | 0:40:53 | |
with £1,000 of their own money. | 0:40:53 | 0:40:55 | |
Kate spent almost half that - | 0:40:55 | 0:40:56 | |
£469.80 - | 0:40:56 | 0:40:59 | |
while Phil spent a little bit more - | 0:40:59 | 0:41:01 | |
£555.06, | 0:41:01 | 0:41:04 | |
including PAT testing costs. | 0:41:04 | 0:41:06 | |
All of the money that Kate and Phil have made from today's challenge | 0:41:08 | 0:41:11 | |
will go to charities of their choice. | 0:41:11 | 0:41:13 | |
So, let's find out who is today's | 0:41:13 | 0:41:15 | |
Put Your Money Where Your Mouth Is Showdown Champion. | 0:41:15 | 0:41:19 | |
-Well... -It's the big one! -How are you? | 0:41:19 | 0:41:21 | |
Do you know? I got to appear on stage. I sat in a Vanwall. | 0:41:21 | 0:41:25 | |
And the best thing is, I made a profit out of Boicey! | 0:41:25 | 0:41:28 | |
That's pretty good going, I would say. | 0:41:28 | 0:41:30 | |
-You sold something to my wife. -Well, all's fair in love and war. | 0:41:30 | 0:41:34 | |
-So how were all your other things? -Well, OK. | 0:41:34 | 0:41:37 | |
Painted my pot cupboard, that went well. | 0:41:37 | 0:41:39 | |
And I got to measure a 15-hand hunter. | 0:41:39 | 0:41:42 | |
-Not for me, that would have terrified me. -Beautiful animal. | 0:41:42 | 0:41:44 | |
Yeah. But, I mean, for me, the auction was a one-lot wonder. | 0:41:44 | 0:41:47 | |
Well, the auction was amazing for you. | 0:41:47 | 0:41:49 | |
You had a right flyer, didn't you? | 0:41:49 | 0:41:51 | |
-Well, just the one lot. -As butcher's blocks go, it was a nice one. | 0:41:51 | 0:41:55 | |
-And the rest of it was a bit... -I'm not quite sure it was THAT nice. | 0:41:55 | 0:41:58 | |
Well, yeah, I was two up, two down, so... | 0:41:58 | 0:42:00 | |
-Very up and down. -So where are we going to be here? | 0:42:00 | 0:42:02 | |
-I know, I really don't know. -Shall we have a look? -Hm. | 0:42:02 | 0:42:05 | |
-Three. -You going to count? -Two. One. | 0:42:05 | 0:42:07 | |
-Go! -Whoa! -Ooh! | 0:42:07 | 0:42:10 | |
Look, it's me, ha-ha! | 0:42:10 | 0:42:11 | |
Yes, Phil triumphs - and it was the butcher's block that made him | 0:42:13 | 0:42:16 | |
his meatiest profit. | 0:42:16 | 0:42:17 | |
But it doesn't end there. | 0:42:17 | 0:42:19 | |
Both our experts have been building up their profit pots over | 0:42:19 | 0:42:22 | |
a week of challenges. So, who is the overall winner? | 0:42:22 | 0:42:26 | |
Three. | 0:42:26 | 0:42:28 | |
Two. | 0:42:28 | 0:42:29 | |
One. Go! | 0:42:29 | 0:42:31 | |
-Well done, you! -Oh-ho-ho! -That's close. -That is pretty close. | 0:42:31 | 0:42:35 | |
-Well, that was a huge amount of fun. -It was great fun, wasn't it? | 0:42:35 | 0:42:39 | |
-And you've been a fantastic partner. -And you too. | 0:42:39 | 0:42:41 | |
-A winning partner. -Do you know? | 0:42:41 | 0:42:43 | |
-I feel like doing it all again. -But first you can buy me lunch. | 0:42:43 | 0:42:45 | |
SHE LAUGHS | 0:42:45 | 0:42:47 | |
So a convincing win from Kate. | 0:42:47 | 0:42:50 | |
Between them, they've made almost £3,400 - | 0:42:50 | 0:42:53 | |
and every penny of that will go to charity. | 0:42:53 | 0:42:56 | |
My chosen charity is Herefordshire Mind, | 0:42:56 | 0:42:59 | |
which helps people suffering from mental health illness | 0:42:59 | 0:43:02 | |
and supports their families. | 0:43:02 | 0:43:04 | |
The profits that I've made are going to Ben Cohen's StandUp Foundation, | 0:43:04 | 0:43:09 | |
which tackles bullying in all its forms. | 0:43:09 | 0:43:12 | |
It's been a week of no-holds-barred combat. | 0:43:12 | 0:43:15 | |
Our excellent experts have really put their money | 0:43:15 | 0:43:17 | |
where their mouths are and shown they can make a profit | 0:43:17 | 0:43:20 | |
from buying and selling antiques when their own money is on the line. | 0:43:20 | 0:43:24 |