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This is Put Your Money Where Your Mouth Is! | 0:00:02 | 0:00:04 | |
The show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:10 | |
Elementary, my dear dealers. | 0:00:10 | 0:00:11 | |
..and gives you the insider's view of the trade! | 0:00:11 | 0:00:15 | |
HE CHUCKLES | 0:00:15 | 0:00:16 | |
HE GROWLS | 0:00:16 | 0:00:17 | |
Each week, one pair of duelling dealers will face a different | 0:00:17 | 0:00:20 | |
daily challenge... | 0:00:20 | 0:00:22 | |
Catch me if you can. | 0:00:22 | 0:00:23 | |
The Axman cometh. | 0:00:23 | 0:00:25 | |
..putting their reputations on the line! | 0:00:25 | 0:00:28 | |
SHE GRUNTS | 0:00:28 | 0:00:29 | |
Ready for battle. | 0:00:29 | 0:00:30 | |
..and giving you their top tips | 0:00:32 | 0:00:34 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:34 | 0:00:39 | |
Get in! | 0:00:39 | 0:00:40 | |
Today's antiques fair, argy-bargy pitches the grand dame of the | 0:00:42 | 0:00:46 | |
hunt Kate Bliss against the crafty wiles of Phil "The Fox" Serrell. | 0:00:46 | 0:00:51 | |
Coming up, Phil divulges the real secret of antique spotting... | 0:00:51 | 0:00:55 | |
If you want to see what something is, it's always best to turn it up | 0:00:55 | 0:00:58 | |
and look at its bottom. | 0:00:58 | 0:00:59 | |
..Kate meets her match... | 0:00:59 | 0:01:01 | |
-I'm thinking 180. -No. | 0:01:01 | 0:01:04 | |
-Will you do 220? -No. | 0:01:04 | 0:01:06 | |
SHE GROANS AND CHUCKLES | 0:01:06 | 0:01:08 | |
..and Phil gets a few home truths. | 0:01:08 | 0:01:10 | |
Oh, Philip, it's only an old brick. | 0:01:10 | 0:01:14 | |
This is Put Your Money Where Your Mouth Is! | 0:01:14 | 0:01:16 | |
Ahh! Good morning and welcome, admirers of antiquities everywhere. | 0:01:31 | 0:01:36 | |
We're up with the sun at Ardingly Antiques Fair in West Sussex today. | 0:01:36 | 0:01:41 | |
With two skilled hunters of heirlooms aiming to catch | 0:01:42 | 0:01:46 | |
a cornucopia of collectibles in a race to buy, | 0:01:46 | 0:01:49 | |
sell and earn a winning profit. | 0:01:49 | 0:01:51 | |
First up, it's a thoroughbred filly of foraging. | 0:01:54 | 0:01:56 | |
She's a game girl with a spring in her step | 0:01:56 | 0:01:59 | |
and her eye trained on the price. It's... | 0:01:59 | 0:02:01 | |
I'm going to give Philip "The Fox" a run for his money. | 0:02:06 | 0:02:10 | |
And trying not to be hounded by Kate is a man so crammed | 0:02:10 | 0:02:14 | |
with clever collectible know-how, so filled with super-sly selling skills | 0:02:14 | 0:02:18 | |
and a gnarly thirst for thriftiness, they call him... | 0:02:18 | 0:02:20 | |
You have got to get stuck in here. | 0:02:20 | 0:02:22 | |
Buy cheap, sell expensive. | 0:02:25 | 0:02:27 | |
And it's a good job they're up early, as today both our relics | 0:02:27 | 0:02:31 | |
relishes are at the largest collector's market in the south of | 0:02:31 | 0:02:33 | |
England. With a massive 1,700 stalls to peruse, our dealers must sniff | 0:02:33 | 0:02:38 | |
out and snare the best bargains and then sell them on at a profit. | 0:02:38 | 0:02:42 | |
They've each got £750 of their own money to spend, | 0:02:42 | 0:02:46 | |
and all the profit goes to their chosen charities. | 0:02:46 | 0:02:49 | |
So, Kate Bliss and Phil Serrell, | 0:02:49 | 0:02:53 | |
it's time to Put Your Money Where Your Mouth Is. | 0:02:53 | 0:02:57 | |
-Hi, lovely. -Top of the morning to you. -How are you? Good to see you. | 0:02:57 | 0:03:00 | |
-Well, here we are - Ardingly. -I know. -It's a lovely sunny day. | 0:03:00 | 0:03:03 | |
-£750 to spend. -Are you going to spend all of it? | 0:03:03 | 0:03:05 | |
Well, do you know, I might go some today. | 0:03:05 | 0:03:07 | |
I really feel like something... Mm...I don't know, meaty, quality. | 0:03:07 | 0:03:10 | |
-Really? -Well, it's a good fair, isn't it? There's some good stuff here. | 0:03:10 | 0:03:13 | |
There's a lot of very good stuff. And where are you going to go? | 0:03:13 | 0:03:16 | |
Well, this is the thing, I think I might check out the sheds first. | 0:03:16 | 0:03:19 | |
-Really? -Mm. | 0:03:19 | 0:03:20 | |
Well, I'm going to go outside. For me... | 0:03:20 | 0:03:23 | |
-Big and lumpy - that's the answer, isn't it? -Yeah, lumpy is your thing. | 0:03:23 | 0:03:26 | |
Yeah, thank you. THEY GIGGLE | 0:03:26 | 0:03:28 | |
-Go on, then. Meet you for coffee. -All right, see you in a bit. | 0:03:28 | 0:03:30 | |
See you later. | 0:03:30 | 0:03:32 | |
Yes... Our dealers are going for the old divide and conquer | 0:03:32 | 0:03:35 | |
strategy. Phil is off to sniff the antiques-rich air of the outdoors... | 0:03:35 | 0:03:40 | |
-Morning. -Morning. | 0:03:40 | 0:03:41 | |
..while Kate is planning to keep it cosy | 0:03:41 | 0:03:43 | |
with the collectibles indoors. | 0:03:43 | 0:03:46 | |
I'll just have a quick look here. | 0:03:46 | 0:03:48 | |
Staying as far away from the competition as possible | 0:03:48 | 0:03:51 | |
in order to snaffle the best bargains. Hm, very cunning. | 0:03:51 | 0:03:55 | |
We're going to have to watch these two. | 0:03:55 | 0:03:56 | |
Now, what else is Kate plotting? | 0:03:56 | 0:03:59 | |
Well, there's loads to go at here. | 0:03:59 | 0:04:01 | |
So, my strategy today is to sort the wheat from the chaff, | 0:04:01 | 0:04:05 | |
to go for something of quality. | 0:04:05 | 0:04:07 | |
So, even if The Fox is buying rapido on the hoof, | 0:04:07 | 0:04:10 | |
the Bliss is certainly going to be classy. | 0:04:10 | 0:04:13 | |
So only the very best will do for our Kate today. | 0:04:13 | 0:04:18 | |
And what's Phil got up his sleeve? Or should that be, under his scarf? | 0:04:18 | 0:04:22 | |
I'm at a massive UK antique fair. | 0:04:22 | 0:04:25 | |
There are bits and goodies everywhere. | 0:04:25 | 0:04:28 | |
What I've got to do is keep focused, stay calm and buy sensibly. | 0:04:28 | 0:04:33 | |
Not spend too much money and remember - I'm not buying objects, | 0:04:33 | 0:04:37 | |
all I'm doing is buying a profit. | 0:04:37 | 0:04:39 | |
Yes, wise words, Phil, wise, wise words. | 0:04:41 | 0:04:44 | |
Phil's taking the magnitude of this fair calmly in his stride | 0:04:44 | 0:04:48 | |
focusing on buying sensibly and with that in mind, | 0:04:48 | 0:04:51 | |
he hotfoots it to the least sensible stall he can find! | 0:04:51 | 0:04:55 | |
There are old 1950s drill guns. I've turned them into Dan Dare Comics. | 0:04:55 | 0:05:00 | |
-Yeah, yeah, yeah. -Turned them into Dan Dare ray gun lamps. | 0:05:00 | 0:05:03 | |
HE LAUGHS | 0:05:03 | 0:05:04 | |
-You've got some vision, haven't you? -Yeah. | 0:05:04 | 0:05:06 | |
Well, Phil's forgotten his strategy already, | 0:05:06 | 0:05:09 | |
but at least Kate is sticking to her guns by heading straight inside. | 0:05:09 | 0:05:13 | |
-This one here is how much? -120. -120. | 0:05:13 | 0:05:16 | |
Oh, maybe not. Some leather cases have caught her eye before she's | 0:05:16 | 0:05:19 | |
even made it into the building. | 0:05:19 | 0:05:22 | |
And this one? | 0:05:22 | 0:05:24 | |
-250. -250. | 0:05:24 | 0:05:26 | |
And if I took the two, could you do me...? | 0:05:26 | 0:05:29 | |
HE SPEAKS FRENCH | 0:05:29 | 0:05:31 | |
Hold on, was that French? | 0:05:31 | 0:05:33 | |
Time for Kate to bring out her secret weapon. | 0:05:33 | 0:05:36 | |
SHE BARGAINS IN FRENCH | 0:05:40 | 0:05:42 | |
HE SPEAKS FRENCH | 0:05:42 | 0:05:46 | |
-£350. -Mm. | 0:05:46 | 0:05:47 | |
Hm. He's not budging and the French isn't working. Come on, Kate! | 0:05:47 | 0:05:51 | |
What's the best on that one? | 0:05:51 | 0:05:53 | |
330. | 0:05:53 | 0:05:54 | |
I'm thinking 180. | 0:05:54 | 0:05:56 | |
-No. -200's my final. -No. | 0:05:56 | 0:06:00 | |
Can you do a wee bit more for me? | 0:06:00 | 0:06:01 | |
No, sorry. I can't. | 0:06:01 | 0:06:04 | |
Sacre bleu! | 0:06:04 | 0:06:05 | |
Has Kate met her nemesis? | 0:06:05 | 0:06:07 | |
OK, 210, final. | 0:06:07 | 0:06:10 | |
-It's not possible. -What's it absolutely got to be? -230. -230. | 0:06:10 | 0:06:13 | |
-Can you do 220? -No. | 0:06:13 | 0:06:15 | |
OK, 230. | 0:06:19 | 0:06:20 | |
Well, it's not often you see Kate on the losing side of a haggle, | 0:06:21 | 0:06:24 | |
but she forks out £230 for the case to the man who likes to say... | 0:06:24 | 0:06:30 | |
No. | 0:06:30 | 0:06:31 | |
SHE GROANS AND CHUCKLES | 0:06:31 | 0:06:33 | |
Well, I have my first purchase and we're off to a cracking start. | 0:06:33 | 0:06:36 | |
I have a lovely, crocodile skin leather suitcase, which dates | 0:06:36 | 0:06:41 | |
from about 1900s. | 0:06:41 | 0:06:43 | |
But the thing that really sold it to me | 0:06:43 | 0:06:46 | |
was the lovely Regent Street name. | 0:06:46 | 0:06:49 | |
But £230 sounds an awful lot of money, | 0:06:49 | 0:06:53 | |
but I still think there's profit. | 0:06:53 | 0:06:57 | |
So Kate's strategy for buying classy is costing her serious money. | 0:06:57 | 0:07:01 | |
That's almost a third of her budget gone on one purchase. | 0:07:01 | 0:07:04 | |
How's Phil getting on with his search for the sensible? | 0:07:04 | 0:07:07 | |
What on earth is that? | 0:07:07 | 0:07:09 | |
That is a mould for some plumbing...use. | 0:07:09 | 0:07:12 | |
I think they'd put it in the sand and then get the shape | 0:07:12 | 0:07:17 | |
and then run the mould. | 0:07:17 | 0:07:18 | |
I think that's quite fun, actually. 25 quid and I'll buy it. | 0:07:18 | 0:07:22 | |
28. | 0:07:23 | 0:07:24 | |
Go on, then. I'll buy that off you. I think that's a bit of fun. | 0:07:26 | 0:07:28 | |
Quite what the hell I'm ever going to do with it, I don't know. | 0:07:28 | 0:07:32 | |
I think I need to get out more. | 0:07:32 | 0:07:34 | |
-£28. Thank you very much indeed. -Thank you. | 0:07:34 | 0:07:36 | |
And Phil's out of the blocks, shaking on £28 for a wooden... | 0:07:36 | 0:07:40 | |
A wooden...what? | 0:07:40 | 0:07:42 | |
I think it's a cool thing. It's almost like a piece of sculpture | 0:07:42 | 0:07:45 | |
and you know... | 0:07:45 | 0:07:47 | |
it's clearly been a mould at some point in time, | 0:07:47 | 0:07:49 | |
like he says, probably for some sort of drainage pipe or something | 0:07:49 | 0:07:52 | |
like that, but I think if you mount it like that, it looks quite cool. | 0:07:52 | 0:07:56 | |
Somebody's got to have the vision | 0:07:56 | 0:07:57 | |
to perhaps turn that into a table light or something like that. | 0:07:57 | 0:08:00 | |
Either that... | 0:08:00 | 0:08:02 | |
or I got to find a plumber | 0:08:02 | 0:08:05 | |
who needs a mould for a drainage pipe. | 0:08:05 | 0:08:07 | |
That's going to happen, isn't it? | 0:08:09 | 0:08:11 | |
Yes, like the wares on offer today, Phil's sensible strategy | 0:08:11 | 0:08:14 | |
is very much a thing of the past, but Kate is back on track. | 0:08:14 | 0:08:18 | |
Well, I hate to leave the sunshine, but I'm going to explore in there! | 0:08:18 | 0:08:23 | |
Now, remember, Kate, you're looking for something classy! | 0:08:23 | 0:08:27 | |
For a dressing gown, my husband would have a fit. | 0:08:27 | 0:08:31 | |
Oh! Just my colour, though. Love it! | 0:08:31 | 0:08:34 | |
Oh, la-dee-dah! Now, that's more like it! | 0:08:34 | 0:08:38 | |
What do you think? Always try it for size! | 0:08:38 | 0:08:40 | |
And that necklace isn't the only thing to have caught Kate's eye. | 0:08:42 | 0:08:45 | |
I've also spotted these little silver coffee spoons. | 0:08:45 | 0:08:48 | |
-What's your best on these? -That's it. 35 if you are just having those | 0:08:48 | 0:08:51 | |
-two. -35. Let's do that. | 0:08:51 | 0:08:54 | |
Kate pays £35 for her necklace and coffee spoon combo, | 0:08:54 | 0:08:58 | |
stirring herself firmly into the lead with three items to Phil's one. | 0:08:58 | 0:09:02 | |
Well, I'm on a mission this morning. I've just done myself | 0:09:03 | 0:09:06 | |
a cheeky double purchase from the same stall | 0:09:06 | 0:09:09 | |
and got myself a good deal. | 0:09:09 | 0:09:12 | |
So we have a costume jewellery necklace for £10. | 0:09:12 | 0:09:16 | |
It's quite an eyeful and it's simulating a beautiful, | 0:09:16 | 0:09:20 | |
19th-century diamond, crescent-shaped choker. | 0:09:20 | 0:09:24 | |
It's obviously simulated. | 0:09:24 | 0:09:26 | |
It's glass and base metal, | 0:09:26 | 0:09:28 | |
but costume jewellery is really coming back in at the moment. | 0:09:28 | 0:09:31 | |
And I think for a tenner, that's a seriously good buy. | 0:09:31 | 0:09:35 | |
Also, for £25, I've got some 1920s coffee spoons in silver | 0:09:35 | 0:09:41 | |
dating from 1924, so the George V period. | 0:09:41 | 0:09:45 | |
But these have got some really sweet coffee beans finials. | 0:09:45 | 0:09:49 | |
Now, these aren't rare. You see them about from time to time. | 0:09:49 | 0:09:52 | |
But I think, these were a good price | 0:09:52 | 0:09:56 | |
and I smell a barista for my purchaser. | 0:09:56 | 0:09:59 | |
And the scent of competition fills the air as Phil "The Fox", | 0:10:00 | 0:10:04 | |
not one to be left behind, has bagged himself a bit of old iron. | 0:10:04 | 0:10:08 | |
This is a 19th-century French iron radiator cover. | 0:10:08 | 0:10:13 | |
What on earth have I just spent £170 on an iron radiator cover for? | 0:10:13 | 0:10:18 | |
Well, I think this will make a really cool coffee table. | 0:10:18 | 0:10:23 | |
This is shabby chic at its shabbiest. | 0:10:23 | 0:10:26 | |
Well, I hope it's not that shabby, actually, cos I've got a lot | 0:10:26 | 0:10:29 | |
of money invested in this. | 0:10:29 | 0:10:31 | |
The 19th-century ironware takes £170 out of Phil's budget and brings | 0:10:33 | 0:10:38 | |
his total number of items to two. | 0:10:38 | 0:10:40 | |
But leading lady Kate is determined to stay ahead. | 0:10:40 | 0:10:43 | |
OK, I'm all done in here, so I'm heading outside on The Fox trail. | 0:10:44 | 0:10:50 | |
DOG BARKS | 0:10:50 | 0:10:51 | |
Watch out, Foxy, Miss Bliss has got some little helpers. | 0:10:51 | 0:10:55 | |
Evading capture, | 0:10:59 | 0:11:00 | |
Phil's found something to warm his paws on. | 0:11:00 | 0:11:03 | |
Do you know what that is? | 0:11:03 | 0:11:05 | |
Well, I'll give you a clue. | 0:11:05 | 0:11:07 | |
You put that in an oven and you get it really piping hot | 0:11:07 | 0:11:10 | |
and then you put it in your carriage or your bed or wherever, | 0:11:10 | 0:11:13 | |
put your foot on it and it warms it. I think that's wicked. | 0:11:13 | 0:11:15 | |
-How much is your foot warmer, my love? -£15. | 0:11:15 | 0:11:17 | |
OK, can I put that down? | 0:11:17 | 0:11:19 | |
I think we may have a little deal on that, | 0:11:19 | 0:11:21 | |
but I'm going to see if I can buy something else off you. | 0:11:21 | 0:11:24 | |
-That's good. -I just got to find it, that's all. | 0:11:24 | 0:11:26 | |
Wiley Phil knows it sometimes pays to buy a bundle. | 0:11:26 | 0:11:30 | |
How much are those, my love, please? | 0:11:30 | 0:11:32 | |
You can have those for...£25. | 0:11:32 | 0:11:36 | |
What's the best on the two? | 0:11:36 | 0:11:37 | |
Er, you can have the two for 20? | 0:11:37 | 0:11:42 | |
Do you know what, I'm not even going to argue with you. | 0:11:42 | 0:11:44 | |
-Well, I didn't think you were. -20 quid is lovely | 0:11:44 | 0:11:46 | |
-and it would have been churlish to have offered you less. -Well, I hope | 0:11:46 | 0:11:50 | |
-so. -That's a bulk buy deal for the 19th-century foot warmer | 0:11:50 | 0:11:52 | |
and tumblers, and Mr Serrell is in the lead and the purchase has him | 0:11:52 | 0:11:56 | |
reminiscing about his childhood. | 0:11:56 | 0:11:58 | |
I just want you to imagine it's the really early days of Downton Abbey | 0:11:58 | 0:12:02 | |
and in my carriage is really freezing, | 0:12:02 | 0:12:05 | |
so I've got my foot warmer | 0:12:05 | 0:12:08 | |
and what I would do with this is heat it up | 0:12:08 | 0:12:10 | |
and this would have sat on the floor in my carriage. | 0:12:10 | 0:12:13 | |
And I just plunk my feet on it. | 0:12:13 | 0:12:14 | |
Whilst warming my feet, | 0:12:14 | 0:12:16 | |
I would have had these lovely silver-plated tumblers. | 0:12:16 | 0:12:19 | |
And I would have had a quick snifter just to keep me warm. | 0:12:19 | 0:12:22 | |
Keep the feet warm, keep the inner man warm. | 0:12:22 | 0:12:25 | |
While Foxy warms his cockles, | 0:12:25 | 0:12:27 | |
Kate warms her heart as she spots a frame of embroidered war cards. | 0:12:27 | 0:12:31 | |
-What are you offering? -I'm probably wanting to pay auction price, | 0:12:31 | 0:12:35 | |
sort of £25-£30, something like that. | 0:12:35 | 0:12:38 | |
HE WHEEZES | 0:12:38 | 0:12:40 | |
-Could you do 40? -40's good. -Let's do 40. | 0:12:40 | 0:12:43 | |
-40, thank you very much. -Lovely. Thank you very much. | 0:12:43 | 0:12:46 | |
Now, I've probably paid a little bit too much for this, | 0:12:46 | 0:12:49 | |
but I bought it because I think these are really underrated. | 0:12:49 | 0:12:52 | |
They are beautifully embroidered cards dating from the First | 0:12:52 | 0:12:56 | |
World War period. And for me, they are really emotional items | 0:12:56 | 0:13:00 | |
of social history. I paid £40. | 0:13:00 | 0:13:04 | |
Well, if I can get £5 a card for them, that gives me profit, | 0:13:04 | 0:13:08 | |
but where I'm going to be aiming these | 0:13:08 | 0:13:10 | |
is at a private sentimental collector. | 0:13:10 | 0:13:13 | |
Nostalgic Kate hopes to tug on the old heart strings | 0:13:14 | 0:13:17 | |
and turn that £40 into profit. | 0:13:17 | 0:13:20 | |
Our antiques hunters have delved deep | 0:13:20 | 0:13:22 | |
and at the halfway mark, it's time to see who's blowing the bugle | 0:13:22 | 0:13:25 | |
and who's scrabbling around in the undergrowth. | 0:13:25 | 0:13:28 | |
Our dealers started the day with £750 to spend. | 0:13:29 | 0:13:33 | |
Kate Bliss has four purchases | 0:13:33 | 0:13:35 | |
and has spent £305 leaving £445 still in the kitty. | 0:13:35 | 0:13:40 | |
Phil Serrell has also picked up four items, | 0:13:42 | 0:13:45 | |
but spent £218 leaving him £532 to play with. | 0:13:45 | 0:13:50 | |
All that spending has left our duo in need of a coffee break. | 0:13:52 | 0:13:56 | |
-Oh, bless you. -There we are, a life-saver. -Thank you! | 0:13:56 | 0:13:58 | |
-So how have you got on? -Well, I was drawn into... | 0:13:58 | 0:14:01 | |
buy something outside, actually, after saying | 0:14:01 | 0:14:03 | |
I was going to go inside, which was good. | 0:14:03 | 0:14:05 | |
I went down the alleyway here, which wasn't too bad | 0:14:05 | 0:14:08 | |
-and around there, it's been quite good. I've enjoyed it. -Yeah? Mm! | 0:14:08 | 0:14:10 | |
-And I'm sort of pleased with what I've got. -Are you now? | 0:14:10 | 0:14:13 | |
Yeah, I couldn't possibly tell you what it was, of course, but you know? | 0:14:13 | 0:14:16 | |
-Sounds far too confident to me. -What about you? | 0:14:16 | 0:14:18 | |
Do you know what? Last of the fair, | 0:14:18 | 0:14:20 | |
I don't think these guys are going to hang around for very long. | 0:14:20 | 0:14:22 | |
-So I'm going to be speedy. -What, speedy now? -Mm. | 0:14:22 | 0:14:25 | |
-I leave you to finish your coffee and I am out of here. -Right. | 0:14:25 | 0:14:29 | |
See you later. Thanks for the drink. | 0:14:29 | 0:14:31 | |
Oh, the mind games are rife today! | 0:14:31 | 0:14:33 | |
Kate sprints back into the market leaving Phil to calmly | 0:14:34 | 0:14:37 | |
consider his options, and quick as a flash, she invests £15 | 0:14:37 | 0:14:42 | |
in a contemporary brass plaque. | 0:14:42 | 0:14:44 | |
Obviously, it's the sign outside | 0:14:44 | 0:14:46 | |
the offices of a chartered quantity surveyor in brass. | 0:14:46 | 0:14:51 | |
And the lettering's been picked out in black enamel, which is missing in | 0:14:51 | 0:14:54 | |
places, but for £15, you couldn't buy the brass for that! | 0:14:54 | 0:14:59 | |
Quick Kate's speedy strategy pays off as she zooms into the lead. | 0:15:01 | 0:15:05 | |
Phil, however, is still struggling to remember his plan | 0:15:05 | 0:15:08 | |
to spend sensibly. | 0:15:08 | 0:15:10 | |
How much is the boy? | 0:15:10 | 0:15:12 | |
The boy on its own is 2,850. | 0:15:12 | 0:15:14 | |
Trouble is I've got a good eye and a poor pocket. | 0:15:14 | 0:15:17 | |
I thought we were going to shake on a deal there! | 0:15:17 | 0:15:19 | |
THEY LAUGH | 0:15:19 | 0:15:20 | |
In the nick of time, Phil recalls exactly how much | 0:15:23 | 0:15:25 | |
is in his wallet, and spends a more affordable | 0:15:25 | 0:15:28 | |
amount on this antique poster. | 0:15:28 | 0:15:30 | |
I've just bought this off a camera-shy dealer for only £30. | 0:15:30 | 0:15:35 | |
I think it's a really cool thing. | 0:15:35 | 0:15:37 | |
It's a poster for an auction sale in the mid-19th century | 0:15:37 | 0:15:40 | |
and look what they've got to sell. | 0:15:40 | 0:15:42 | |
"121 good Oxfordshire down sheep, four steers..." | 0:15:42 | 0:15:46 | |
That's cattle to you and I. | 0:15:46 | 0:15:48 | |
"..a valuable cart horse, which is four years old, three cart horses, | 0:15:48 | 0:15:52 | |
"two nags, harness and a fat pig." | 0:15:52 | 0:15:56 | |
I think this is a really, really lovely thing. | 0:15:56 | 0:15:59 | |
The trick for me is to try and find out who Mr Jonas Paxton was | 0:15:59 | 0:16:03 | |
and if that firm is still going, I reckon they would love to buy this. | 0:16:03 | 0:16:07 | |
Now, if there isn't a profit in that... | 0:16:07 | 0:16:10 | |
I'm not an auctioneer. | 0:16:10 | 0:16:12 | |
Mm. The Fox putting his own reputation on the line there and as | 0:16:12 | 0:16:16 | |
the day's end draws ever closer, it seems both our dealers are weighing | 0:16:16 | 0:16:19 | |
up their opponent's determination to win. | 0:16:19 | 0:16:22 | |
Well, if I know Philip, he is getting in amongst it | 0:16:22 | 0:16:24 | |
and is buying like fury. | 0:16:24 | 0:16:26 | |
So, between you and me, I'm slightly feeling the pressure. | 0:16:27 | 0:16:31 | |
Better get on with it. | 0:16:31 | 0:16:33 | |
Well, I know Kate. Kate's got a really good eye and... | 0:16:34 | 0:16:37 | |
..she will be competitive, trust me. | 0:16:39 | 0:16:41 | |
So I just need to be really on my guard. | 0:16:41 | 0:16:44 | |
Leaving no stone unturned, Kate's hurried back to her stomping ground | 0:16:44 | 0:16:48 | |
indoors and, sensing a profit, | 0:16:48 | 0:16:50 | |
swoops on some slightly damaged gold cuff links for £50. | 0:16:50 | 0:16:54 | |
-That's great. Thanks so much. -Thank you. | 0:16:55 | 0:16:57 | |
Cuff links are perennial good sellers and if they are gold, | 0:16:57 | 0:17:01 | |
even better. But I have broken my golden rule here | 0:17:01 | 0:17:03 | |
and bought something which is damaged. | 0:17:03 | 0:17:05 | |
However, for an experienced jeweller, | 0:17:05 | 0:17:08 | |
putting a little link in there | 0:17:08 | 0:17:09 | |
and repairing it is a five-minute job. | 0:17:09 | 0:17:12 | |
And at £50, which is roughly scrap value, | 0:17:12 | 0:17:15 | |
I think there's still a profit there. | 0:17:15 | 0:17:17 | |
Stubbornly sticking outside, Phil's on the prowl, | 0:17:17 | 0:17:21 | |
desperate to sink his teeth into something substantial. | 0:17:21 | 0:17:24 | |
It'd be really, really nice if I could just find something now | 0:17:24 | 0:17:26 | |
that's just a bit punchy, a bit meaty. | 0:17:26 | 0:17:29 | |
Before long, he pounces on a pair of urns. | 0:17:29 | 0:17:32 | |
Where do you think these were made? | 0:17:32 | 0:17:34 | |
They could be Skey's of Tamworth. | 0:17:34 | 0:17:37 | |
They are not marked, but they very rarely were. | 0:17:37 | 0:17:39 | |
-And how old do you think they are? -I think they're 19th century. | 0:17:41 | 0:17:44 | |
-Salt glazed? -Yeah, they are salt glazed. | 0:17:44 | 0:17:47 | |
-What did you say the best is? -It's got to be £80. | 0:17:47 | 0:17:49 | |
OK, I'm going to buy those off of you, good sir. | 0:17:49 | 0:17:51 | |
OK, thank you very much. | 0:17:51 | 0:17:53 | |
-Two, four, six, eight. There we go. -Well done. -Just like shelling peas. | 0:17:53 | 0:17:57 | |
-Indeed, sir. -You're a good man. -Thanks very much. -Cheers, bye-bye. | 0:17:57 | 0:18:01 | |
£80 for the urns and he's pleased with his pottery, | 0:18:01 | 0:18:04 | |
but nothing gets past his sharp gaze. | 0:18:04 | 0:18:06 | |
If you want to see what something is, it's always best to turn it up | 0:18:06 | 0:18:10 | |
and look at its bottom. | 0:18:10 | 0:18:11 | |
That to me does not look like it was around | 0:18:12 | 0:18:15 | |
when Queen Victoria was sat on the throne. Sorry, ma'am. | 0:18:15 | 0:18:19 | |
Now, salt glazed? Well, it's a simple term, really. | 0:18:19 | 0:18:22 | |
When an object is being fired in the kiln, | 0:18:22 | 0:18:25 | |
you'd lob salt in and it would produce this sort of speckled finish | 0:18:25 | 0:18:29 | |
around here and hopefully, hopefully, I might just have someone for them. | 0:18:29 | 0:18:36 | |
And with that buy in the bag, The Fox calls it a day. | 0:18:36 | 0:18:38 | |
Back inside and Miss Bliss' quest for quality has led her to | 0:18:38 | 0:18:42 | |
something sparkly! | 0:18:42 | 0:18:43 | |
Diamonds and ruby. They're nice, aren't they? Contemporary. | 0:18:44 | 0:18:47 | |
-I'm thinking 140... -No. -150... | 0:18:47 | 0:18:51 | |
I'll do 150. That's it, I can't do any more. | 0:18:51 | 0:18:53 | |
-Done. -Done. There you go. -Thank you. | 0:18:53 | 0:18:56 | |
£150 for the earrings | 0:18:56 | 0:18:58 | |
and Kate's day of dealing has come to a glittering end. | 0:18:58 | 0:19:02 | |
Now, my eye caught these. | 0:19:02 | 0:19:04 | |
They've got a little bit of an Art Deco look about them | 0:19:04 | 0:19:06 | |
because they are very square, ruby's in the centre | 0:19:06 | 0:19:10 | |
and then a surround of diamonds in what's known as a millegrain setting | 0:19:10 | 0:19:14 | |
after the French '1,000 grains'. | 0:19:14 | 0:19:17 | |
They are 18-carat white gold | 0:19:17 | 0:19:19 | |
and at £150, I don't think they're expensive. | 0:19:19 | 0:19:23 | |
So whether I find a private buyer or a jeweller who wants to stock | 0:19:23 | 0:19:27 | |
these, there's got to be a sparkling profit. | 0:19:27 | 0:19:30 | |
Well, whether Kate will outshine her opponent remains to be seen. | 0:19:32 | 0:19:35 | |
But for now, buying time has come to an end, so before our stalkers of | 0:19:35 | 0:19:39 | |
sellables meet to pick apart each other's prey, | 0:19:39 | 0:19:41 | |
let's see how they got on today. | 0:19:41 | 0:19:43 | |
Kate and Phil each started the day with £750 of their own money. | 0:19:46 | 0:19:51 | |
Kate Bliss has seven purchases and forked out £520. | 0:19:51 | 0:19:56 | |
Phil Serrell has bought less and spent less - six items for £328. | 0:19:58 | 0:20:04 | |
Now, before our dealers depart, | 0:20:06 | 0:20:07 | |
there's a chance to eye up the competition. | 0:20:07 | 0:20:10 | |
As ever, we differ quite considerably. | 0:20:11 | 0:20:14 | |
THEY LAUGH | 0:20:14 | 0:20:16 | |
So which is your best bit? | 0:20:16 | 0:20:18 | |
My favourite bit is probably the earrings. | 0:20:18 | 0:20:20 | |
-And they are Art Deco, aren't they? -No, they are Art Deco-style. | 0:20:20 | 0:20:22 | |
They are contemporary and they are 180-carat white gold, | 0:20:22 | 0:20:26 | |
-ruby and diamond. -And how much were they? -They were £150, but... | 0:20:26 | 0:20:29 | |
Yeah, but you know your jewellery, so they are going to do all right, | 0:20:29 | 0:20:32 | |
-aren't they? -I think that's all right. Tell me about this brick, | 0:20:32 | 0:20:35 | |
because I think that is a lovely piece of history. | 0:20:35 | 0:20:38 | |
It's a great bit of social history, isn't it? It's just a little | 0:20:38 | 0:20:41 | |
salt-glazed foot warmer. | 0:20:41 | 0:20:42 | |
Get it hot, put it in your carriage... | 0:20:42 | 0:20:44 | |
and I'm hoping that I can find a carriage museum or whatever | 0:20:44 | 0:20:48 | |
-that might just buy it off me, but you never know. -Oh, lovely. | 0:20:48 | 0:20:50 | |
But I love this. | 0:20:50 | 0:20:52 | |
It was sold as a radiator cover. | 0:20:52 | 0:20:54 | |
-Might be a window cover, I don't know. -Yeah. | 0:20:55 | 0:20:57 | |
But I think it's a Serrell... | 0:20:57 | 0:21:00 | |
..coffee-table. | 0:21:02 | 0:21:03 | |
Piece of plate glass on the top and I think that would look really cool. | 0:21:03 | 0:21:07 | |
-My favourite piece, I love this. -Do you? -Absolutely love that, yeah. | 0:21:07 | 0:21:11 | |
If that had got PMS there, I know who would buy that off you. | 0:21:11 | 0:21:15 | |
-It's really lovely. -It should be really for what it cost. | 0:21:15 | 0:21:17 | |
-Well, how much was it? -Quite a lot, so moving on, | 0:21:17 | 0:21:20 | |
-you'd better tell me some of your contacts, then. -No, you've done | 0:21:20 | 0:21:22 | |
really, really well. | 0:21:22 | 0:21:24 | |
This pair of diggling dynamos must now swap their buying hats for | 0:21:25 | 0:21:29 | |
selling caps as the hunt for pure profit is their new driving force. | 0:21:29 | 0:21:34 | |
Using all available methods, Phil and Kate will tirelessly search | 0:21:34 | 0:21:38 | |
the country for buyers, and they'll be hoping to accumulate | 0:21:38 | 0:21:41 | |
the biggest possible profits to go to their chosen charities. | 0:21:41 | 0:21:45 | |
So, down in his Worcester lair, | 0:21:45 | 0:21:47 | |
how is Phil feeling about his assorted acquisitions? | 0:21:47 | 0:21:50 | |
If I'm ever going to be an auctioneer again, Jonas Paxton. | 0:21:51 | 0:21:55 | |
What a great name and his fat pig. | 0:21:55 | 0:21:57 | |
There you are. That poster, £30. | 0:21:57 | 0:22:00 | |
I don't see how I can fail with that. | 0:22:00 | 0:22:02 | |
These urns, the guy who sold them me, | 0:22:02 | 0:22:05 | |
they were priced originally at £160. | 0:22:05 | 0:22:07 | |
He thought they were old, I don't think they've got any age at all but | 0:22:07 | 0:22:10 | |
at £80, you know, | 0:22:10 | 0:22:12 | |
I don't think you could buy anything like that today in a modern centre | 0:22:12 | 0:22:15 | |
and I think they are really stylish things to have in your garden. | 0:22:15 | 0:22:18 | |
My nest of tumblers, silver-plated at £15, I can't fail with those. | 0:22:18 | 0:22:22 | |
And what a great bit of social history, that foot warmer. | 0:22:22 | 0:22:25 | |
Cost £5. If you want a bit of fun, what about that? | 0:22:25 | 0:22:30 | |
It's a pipe mould. Well, I think it is. | 0:22:30 | 0:22:32 | |
Not that sort of Sherlock Holmes pipe | 0:22:32 | 0:22:34 | |
but a drainage pipe of some sort. | 0:22:34 | 0:22:36 | |
But for me the star of the show is this, I absolutely love this. | 0:22:36 | 0:22:41 | |
This is going to be the basis of a really funky table. | 0:22:41 | 0:22:44 | |
Well, that is Serrell vision. | 0:22:44 | 0:22:46 | |
The thing about Serrell vision is sometimes you have to be really, | 0:22:46 | 0:22:49 | |
really careful with it because it can get a little out of focus. | 0:22:49 | 0:22:53 | |
Hmm, with hopefully a clearer view of her wares, | 0:22:53 | 0:22:56 | |
Kate's getting down to business in Hereford. | 0:22:56 | 0:22:59 | |
Now, I have gone a little bit girlie with at least some of my purchases. | 0:22:59 | 0:23:03 | |
Because we've got a few little sparkly items here. | 0:23:03 | 0:23:06 | |
And my absolute favourite is this necklace. | 0:23:06 | 0:23:09 | |
I paid a tenner for it and I think, in the right place, | 0:23:09 | 0:23:12 | |
I could get a serious profit for this. | 0:23:12 | 0:23:14 | |
It's worth an awful lot more than £10 in my eyes. | 0:23:14 | 0:23:18 | |
My sign down here, | 0:23:18 | 0:23:19 | |
I think is relatively straightforward | 0:23:19 | 0:23:22 | |
and there are a few chartered | 0:23:22 | 0:23:24 | |
quantity surveyors in my local area | 0:23:24 | 0:23:26 | |
so I'm hoping that one of them needs | 0:23:26 | 0:23:29 | |
a nice sign outside | 0:23:29 | 0:23:30 | |
their front door. | 0:23:30 | 0:23:32 | |
My wild card is my suitcase. | 0:23:33 | 0:23:36 | |
It is awfully expensive, | 0:23:36 | 0:23:38 | |
it's got a replaced handle and the lining, I've had | 0:23:38 | 0:23:42 | |
a look at inside, and I'm pretty sure has been replaced as well. | 0:23:42 | 0:23:45 | |
So I'm hoping I can find a profit with this. | 0:23:45 | 0:23:50 | |
My most nostalgic, and if you like emotional piece, though, | 0:23:50 | 0:23:55 | |
is the World War I silks and I love these. | 0:23:55 | 0:24:00 | |
So I've got to find a collector for this who really appreciates | 0:24:00 | 0:24:03 | |
the amount of work and the sentiments that they sum up. | 0:24:03 | 0:24:07 | |
All-in-all I'm really excited about what I've bought, | 0:24:07 | 0:24:09 | |
particularly my jewellery, | 0:24:09 | 0:24:11 | |
but it's all going to depend on my suitcase and I could come unstuck. | 0:24:11 | 0:24:16 | |
Kate will also need to shift the diamond and ruby earrings, | 0:24:16 | 0:24:19 | |
the silver coffee spoons, and the gold cuff links. | 0:24:19 | 0:24:22 | |
Both our experts are revved up and | 0:24:22 | 0:24:24 | |
raring to go on their selling sprees, | 0:24:24 | 0:24:27 | |
so quickly hit the phones, the web and the road in search of potential | 0:24:27 | 0:24:31 | |
buyers. But remember, no deal is truly sealed until the handshake. | 0:24:31 | 0:24:37 | |
So Kate's not sure it's an open and shut case, | 0:24:37 | 0:24:40 | |
but it's Phil who is first to make a break for it. | 0:24:40 | 0:24:43 | |
He's in Worcestershire with his 19th-century foot warmer | 0:24:43 | 0:24:46 | |
and he thinks he's found it the perfect home. | 0:24:46 | 0:24:49 | |
I'm at Hartlebury Castle, which use to be the | 0:24:49 | 0:24:51 | |
home of the Bishop of Worcester but now it's also known | 0:24:51 | 0:24:55 | |
to have a fantastic collection | 0:24:55 | 0:24:57 | |
of carriages and horse-drawn vehicles. | 0:24:57 | 0:24:59 | |
And which carriage would be complete without a foot warmer? | 0:24:59 | 0:25:03 | |
With just £5 invested, Phil is hoping to tempt preservation | 0:25:03 | 0:25:06 | |
trustee Mary into buying it as an addition to the collection. | 0:25:06 | 0:25:10 | |
What have you brought? | 0:25:10 | 0:25:11 | |
Well, I went to an antique fair and I bought this foot warmer. | 0:25:11 | 0:25:15 | |
I thought that these would have fitted into a carriage, | 0:25:15 | 0:25:18 | |
rather like one of these. | 0:25:18 | 0:25:20 | |
-It looks like a brick, Philip! -It's lovely. That's just what it is. | 0:25:20 | 0:25:23 | |
-You are holding now a very hot brick. -It's very heavy. -It is. | 0:25:23 | 0:25:27 | |
That could go in the bishop's carriage beautifully. | 0:25:27 | 0:25:29 | |
-It could, couldn't it? -Yes. -Now, the thing is, this was very expensive. | 0:25:29 | 0:25:34 | |
Was it? How much? It's only a brick, Philip! | 0:25:34 | 0:25:36 | |
-What? -It's a brick. | 0:25:36 | 0:25:38 | |
See, I'm thinking that I should get somewhere between... | 0:25:38 | 0:25:42 | |
£25 and £35 for it. | 0:25:42 | 0:25:44 | |
Oh, Philip, it's only an old brick! | 0:25:44 | 0:25:47 | |
Looks like Foxy's met his match! | 0:25:47 | 0:25:49 | |
I'm part of a preservation trust, we have to be very careful | 0:25:50 | 0:25:54 | |
-with our money. -Make me an offer I can't refuse. | 0:25:54 | 0:25:58 | |
-£10. -I can refuse that. -Oh. £12? | 0:25:58 | 0:26:01 | |
You are supposed to be a gentle lady who's a pushover. | 0:26:01 | 0:26:06 | |
She's no pushover! | 0:26:06 | 0:26:07 | |
-Really? -You're not supposed to give me a hard time. | 0:26:07 | 0:26:10 | |
£12.50? | 0:26:10 | 0:26:11 | |
£24? | 0:26:11 | 0:26:13 | |
-£16? -Where did that come from?! | 0:26:13 | 0:26:17 | |
-I tell you what. -What? | 0:26:17 | 0:26:18 | |
£20 and it's yours. | 0:26:18 | 0:26:21 | |
SHE SIGHS | 0:26:21 | 0:26:22 | |
Look at this. | 0:26:22 | 0:26:24 | |
-As it's you, Philip. As it's you. -You're an angel. | 0:26:24 | 0:26:27 | |
So they shake on £20 and Phil toasts his toes on a lovely | 0:26:27 | 0:26:32 | |
warm £15 profit. | 0:26:32 | 0:26:33 | |
Well, Mary might have warm feet | 0:26:35 | 0:26:37 | |
but I came close to getting my fingers burnt there. | 0:26:37 | 0:26:39 | |
But I tell you what, that is still just a tidy profit. | 0:26:39 | 0:26:42 | |
Now, Phil might have been first to strike | 0:26:42 | 0:26:44 | |
but Kate's hot on his heels in Hereford | 0:26:44 | 0:26:46 | |
with grand plans for the costume necklace that cost her £10. | 0:26:46 | 0:26:50 | |
I bought my costume necklace and coffee spoons together | 0:26:51 | 0:26:54 | |
but I'm splitting them up | 0:26:54 | 0:26:56 | |
and I am taking my necklace up a gear to a place where I think it | 0:26:56 | 0:26:59 | |
really belongs, to a luxurious designer boutique. | 0:26:59 | 0:27:05 | |
Now, while the owner of this boutique already likes the look | 0:27:08 | 0:27:11 | |
of Kate's necklace, they want her to meet Candice, | 0:27:11 | 0:27:14 | |
the shop's jewellery buyer, to look it over. | 0:27:14 | 0:27:16 | |
Oh, it's lovely! | 0:27:18 | 0:27:20 | |
-So, I thought it was stunning when I saw it. -Yeah. | 0:27:20 | 0:27:23 | |
It's obviously costume, set with cut paste or crystals on a white | 0:27:23 | 0:27:28 | |
-metal mount. -OK. It's a beautiful piece. | 0:27:28 | 0:27:31 | |
I mean, you could definitely see it in our shop. | 0:27:31 | 0:27:33 | |
The shame part of it, it has no maker's mark | 0:27:33 | 0:27:36 | |
and we do like to sell it with a maker's mark. | 0:27:36 | 0:27:39 | |
And as I can see, there's a few crystals missing | 0:27:39 | 0:27:42 | |
-out of the paste there... -Yes. -..which obviously will devalue it. | 0:27:42 | 0:27:46 | |
Kate's got her work cut out here. | 0:27:46 | 0:27:48 | |
When I showed it to the shop owner, | 0:27:48 | 0:27:51 | |
she said roughly around the £100-£150 mark. | 0:27:51 | 0:27:56 | |
Yes, I would be more willing to pay £80 to £120. | 0:27:56 | 0:27:59 | |
If we were to restore it, | 0:27:59 | 0:28:00 | |
it obviously would take a bit more money from us | 0:28:00 | 0:28:03 | |
and if we were going to sell it on, it would be devalued by that. | 0:28:03 | 0:28:07 | |
Well, I mean, I want to help you, | 0:28:07 | 0:28:09 | |
-I want to take my little bit of profit. -Yes. | 0:28:09 | 0:28:12 | |
What if I said - bang in the middle, straight £100? | 0:28:12 | 0:28:15 | |
-That's absolutely fine. -Thank you very much indeed. | 0:28:15 | 0:28:17 | |
Thank you very much. | 0:28:17 | 0:28:19 | |
That's her first profit in the bag and it's a shimmering £90. | 0:28:19 | 0:28:24 | |
Well, my necklace is in great company in there | 0:28:24 | 0:28:27 | |
and a sparkly profit! | 0:28:27 | 0:28:28 | |
And Kate stirs another £5 into to her profit cup | 0:28:30 | 0:28:33 | |
when she sells the coffee spoons to Richard, | 0:28:33 | 0:28:35 | |
a Gloucestershire-based antiques dealer. | 0:28:35 | 0:28:38 | |
Phil's travelled down to Rutland with his 19th-century ironware. | 0:28:39 | 0:28:43 | |
He's given up on turning it into a table himself | 0:28:43 | 0:28:45 | |
and decided to try and sell it to Tom, who is a furniture restorer. | 0:28:45 | 0:28:49 | |
-What have we got here? -Well... -That's a bit different, isn't it? | 0:28:49 | 0:28:52 | |
I bought this at an antique fair | 0:28:52 | 0:28:56 | |
and the guy I bought it off was a Frenchman who swore blind | 0:28:56 | 0:28:59 | |
that it was a radiator cover. | 0:28:59 | 0:29:00 | |
-How does that... -And I've given it a great deal of thought. | 0:29:00 | 0:29:03 | |
A radiator cover to start with would only have three sides. | 0:29:03 | 0:29:05 | |
-That's it, yeah. -It wouldn't have four sides. -No. | 0:29:05 | 0:29:07 | |
And I wonder whether it's a window grill and these... | 0:29:07 | 0:29:11 | |
But that'd be the same again. You wouldn't have four sides, would you? | 0:29:11 | 0:29:14 | |
-Or would you? -I don't know. | 0:29:14 | 0:29:16 | |
-But the Serrell vision. -That's it, exactly. | 0:29:16 | 0:29:19 | |
-Table. -Table on there, nice slab of glass. | 0:29:19 | 0:29:22 | |
Now, the reason why I haven't done this is twofold. | 0:29:22 | 0:29:24 | |
I've got the vision, it's the ability to get it get there. | 0:29:24 | 0:29:27 | |
-We've got a few guys that could do that. -I love this sort of... | 0:29:27 | 0:29:31 | |
The scroll on it and the finish. | 0:29:31 | 0:29:33 | |
But I love the fact that it's au naturel. | 0:29:33 | 0:29:35 | |
You've got bits of paint on it. | 0:29:35 | 0:29:36 | |
You won't get this sand blasted, will you? | 0:29:36 | 0:29:38 | |
No, well, you could but it'd be a shame. | 0:29:38 | 0:29:40 | |
And you're not going to get it painted? | 0:29:40 | 0:29:41 | |
No, that's just exactly what you want, isn't it? As is. | 0:29:41 | 0:29:44 | |
Just the way it is. But what it wants is some glass on there. | 0:29:44 | 0:29:47 | |
I think probably clear glass. | 0:29:47 | 0:29:49 | |
I can see that would work well. Good spot there. | 0:29:49 | 0:29:51 | |
I mean, it's cost me £170 and I had some interest in it. | 0:29:51 | 0:29:55 | |
Have you got 350 quid? | 0:29:55 | 0:29:57 | |
I have got 350 quid but I'm going to make you an offer. | 0:29:57 | 0:30:01 | |
I'll bid you, but a good bid, | 0:30:01 | 0:30:03 | |
I'll give you £300 for it done, there, now. | 0:30:03 | 0:30:06 | |
That's it finished. | 0:30:06 | 0:30:07 | |
That's it finished and I'll sort out the rest. I'll get the glass, | 0:30:07 | 0:30:10 | |
I'll get the rubber widgets, get the lot sorted. | 0:30:10 | 0:30:12 | |
That's £130 profit on the radiator cover or window grille or | 0:30:12 | 0:30:17 | |
table, whatever it is. | 0:30:17 | 0:30:18 | |
That was a very impressive bit of money making! | 0:30:18 | 0:30:22 | |
Our antiques athletes are neck and neck with two sales apiece. | 0:30:22 | 0:30:25 | |
Can Kate make it three with the ruby and diamond earrings? | 0:30:25 | 0:30:28 | |
I had a really good feeling when I purchased these | 0:30:29 | 0:30:33 | |
and I've brought them here to Cheltenham to a jeweller's. | 0:30:33 | 0:30:35 | |
They haven't seen them yet so it could go either way. | 0:30:35 | 0:30:39 | |
Wish me luck. | 0:30:39 | 0:30:40 | |
# A kiss on the hand may be quite continental | 0:30:42 | 0:30:46 | |
# But diamonds are a girl's best friend. # | 0:30:46 | 0:30:49 | |
Kate's earrings cost her £150 | 0:30:49 | 0:30:51 | |
but will jeweller Casey want them for a rock-bottom price? | 0:30:51 | 0:30:55 | |
These are the earrings that I told you about on the telephone. | 0:30:55 | 0:30:58 | |
I know you haven't seen them so there we go. | 0:30:58 | 0:31:00 | |
Oh, they're lovely, aren't they? | 0:31:00 | 0:31:02 | |
So they are 18-carat white gold and with a ruby | 0:31:02 | 0:31:07 | |
and diamonds around the outside. Little brilliant-cut diamonds. | 0:31:07 | 0:31:09 | |
Now, you mentioned yesterday you think that they're probably modern. | 0:31:09 | 0:31:12 | |
Being in a square mount, it sort of suggests the Art Deco style. | 0:31:12 | 0:31:16 | |
-It does, it does. -But looking at them, I think they're pretty modern. | 0:31:16 | 0:31:19 | |
Nice little brilliant-cut diamonds. | 0:31:19 | 0:31:21 | |
Nice little princess-cut ruby in the centre. | 0:31:21 | 0:31:23 | |
-So princess-cut because it square? -Yes. | 0:31:23 | 0:31:25 | |
-And then has facets on the top as opposed to a square cut. -Yeah. | 0:31:25 | 0:31:29 | |
If it was Art Deco, | 0:31:29 | 0:31:30 | |
it probably would have been a square cut or a step cut. | 0:31:30 | 0:31:33 | |
It would have been, yeah. Flatter. | 0:31:33 | 0:31:35 | |
So that's a good indication of date, actually, isn't it? | 0:31:35 | 0:31:37 | |
-How the stones are cut. -Yeah. | 0:31:37 | 0:31:39 | |
Well, what we normally do is we normally give them | 0:31:39 | 0:31:41 | |
a bit of a clean, if you don't mind, | 0:31:41 | 0:31:42 | |
and just have a better look downstairs where the light is a bit | 0:31:42 | 0:31:45 | |
brighter. So I'll just be a couple of minutes, if that's OK. | 0:31:45 | 0:31:47 | |
-OK, no problem. -Thank you. | 0:31:47 | 0:31:49 | |
-OK. -What do you think? -I think they are very saleable. | 0:32:01 | 0:32:05 | |
I think they are nice quality, good-colour rubies | 0:32:05 | 0:32:08 | |
-so I will be prepared to make you an offer. -Lovely. | 0:32:08 | 0:32:11 | |
And the offer is £150. | 0:32:11 | 0:32:13 | |
I could really do with about £190. | 0:32:13 | 0:32:15 | |
I'll give you £175 for them. | 0:32:15 | 0:32:17 | |
If you can do £180, I can do a deal. | 0:32:18 | 0:32:21 | |
-£180. That's fine. -Wonderful. | 0:32:21 | 0:32:23 | |
-Thank you very much indeed. -Thank you very much indeed. | 0:32:23 | 0:32:25 | |
And that's £30 added to Kate's sparkling profit pot. | 0:32:25 | 0:32:28 | |
Well, Katie obviously really knows her stuff. Not a vast profit, | 0:32:31 | 0:32:35 | |
but a profit nevertheless. | 0:32:35 | 0:32:37 | |
Yes, that's the spirit, Miss Bliss! | 0:32:37 | 0:32:40 | |
Now, back in Worcester, Phil's hoping | 0:32:40 | 0:32:42 | |
to shift his mysterious wooden mould. | 0:32:42 | 0:32:44 | |
I'm here to see Mark, who I play racquetball against. | 0:32:44 | 0:32:47 | |
Now, he's a builder and, hopefully, not only will he buy this off me, | 0:32:47 | 0:32:50 | |
but also he'll tell me just what it is! | 0:32:50 | 0:32:53 | |
Will Phil be able to build on his £28 investment? | 0:32:55 | 0:32:58 | |
He's donning a hard hat so he must mean business! | 0:32:58 | 0:33:02 | |
-Remember I told you about it? -Yeah. | 0:33:02 | 0:33:04 | |
The guy I bought it off, | 0:33:04 | 0:33:05 | |
-I paid 28 quid for it, he said it was a drain mould. -Right. | 0:33:05 | 0:33:08 | |
And having got it back, you wouldn't paint and make all this quite | 0:33:08 | 0:33:12 | |
as decorative as it is if it was a mould, would you? | 0:33:12 | 0:33:15 | |
-It looks more like a model, really. -So it's a working model for a drain? | 0:33:15 | 0:33:18 | |
-Yeah. -I quite like it, though. | 0:33:18 | 0:33:19 | |
Is it the sort of thing you might be interested in buying? | 0:33:19 | 0:33:21 | |
-Yeah, I think I would. -Really? -Yeah. | 0:33:21 | 0:33:23 | |
I'm remodelling my office at the moment | 0:33:23 | 0:33:26 | |
so I could actually adapt it to make a bit of a lamp to go on my desk. | 0:33:26 | 0:33:31 | |
-That would be quite cool, wouldn't it? -I think so. -Right. | 0:33:31 | 0:33:34 | |
-Make me an offer I can't refuse. -Oh. | 0:33:34 | 0:33:37 | |
£30. | 0:33:37 | 0:33:39 | |
Well, I was hoping I might have got 50 quid for it. | 0:33:39 | 0:33:42 | |
-That's what you call a sharp intake of breath, isn't it? -Mmm. | 0:33:42 | 0:33:45 | |
Split the difference, £40. | 0:33:45 | 0:33:47 | |
£40, that's very kind. | 0:33:47 | 0:33:48 | |
And you've got to get back to this before it all goes off. | 0:33:48 | 0:33:51 | |
Thank you very much. | 0:33:51 | 0:33:53 | |
Now, that's £12 added to his balance sheet. | 0:33:53 | 0:33:56 | |
Which brings us to the halfway mark. | 0:33:56 | 0:33:58 | |
Now, with our enterprising experts doing deals left, right and centre, | 0:33:58 | 0:34:02 | |
let's see who's rolling in it and who's counting the pennies. | 0:34:02 | 0:34:06 | |
So far, Kate has sold three | 0:34:06 | 0:34:08 | |
of her seven items, racking up | 0:34:08 | 0:34:10 | |
a profit of £125. | 0:34:10 | 0:34:13 | |
Phil has also done three deals | 0:34:13 | 0:34:15 | |
with a profit of £157 | 0:34:15 | 0:34:17 | |
in his pocket. | 0:34:17 | 0:34:18 | |
Kate is trailing slightly, | 0:34:20 | 0:34:21 | |
but she's hoping to play her cards right in the Cotswolds. | 0:34:21 | 0:34:25 | |
I'm here in Winchcombe with my First World War silks or postcards | 0:34:25 | 0:34:29 | |
and I've come to see Richard. | 0:34:29 | 0:34:31 | |
He's got all sorts of things in his shop | 0:34:31 | 0:34:33 | |
and I'm hoping this will be just up his street. | 0:34:33 | 0:34:36 | |
With £40 invested in the silk postcards, | 0:34:38 | 0:34:40 | |
will this sale be something to write home about? | 0:34:40 | 0:34:43 | |
-What's that you got in your hand? -Well, this is something | 0:34:43 | 0:34:46 | |
I thought might be up your street. | 0:34:46 | 0:34:47 | |
-I know you've got a huge variety in here, haven't you? -Yeah, yeah. | 0:34:47 | 0:34:51 | |
-First World War postcards, or silks, as they're called. -Right, yes. | 0:34:51 | 0:34:54 | |
They're quite interesting cos, of course, | 0:34:54 | 0:34:56 | |
they were hand-embroidered by women on the Western Front. | 0:34:56 | 0:34:59 | |
-That's right. -In Flanders. -Yeah. -In France and Belgium. | 0:34:59 | 0:35:02 | |
And it's, actually, was a really important source of income for them. | 0:35:02 | 0:35:05 | |
-OK. -Because the soldiers would buy them to send home to loved ones. | 0:35:05 | 0:35:09 | |
This one, I think, is really sweet. | 0:35:09 | 0:35:11 | |
"A kiss from France." | 0:35:11 | 0:35:13 | |
One thing I haven't done is take the back off | 0:35:13 | 0:35:15 | |
to have a look to see if there were any personalised messages. | 0:35:15 | 0:35:19 | |
-That would be interesting, yeah. -Yeah. -Go on. | 0:35:19 | 0:35:21 | |
Oh, look. We've got all sorts of addresses on here. | 0:35:23 | 0:35:26 | |
-SHE GASPS -"From George. Best love." | 0:35:26 | 0:35:29 | |
"Dear friends, just a small card | 0:35:29 | 0:35:31 | |
"but remembrance from your loving friend." | 0:35:31 | 0:35:34 | |
"From Arthur. Kiss, kiss, kiss." | 0:35:34 | 0:35:37 | |
I think it's nice that they have got some inscription, | 0:35:37 | 0:35:40 | |
cos it shows they were used. | 0:35:40 | 0:35:41 | |
-They were actually bought in Flanders and sent back. -Yeah. | 0:35:41 | 0:35:45 | |
In this case, to County Durham. | 0:35:45 | 0:35:47 | |
-It's a shame we're not in County Durham, really. -Well, there is that. | 0:35:47 | 0:35:50 | |
-Yeah. So what are you talking? -So, what am I talking? | 0:35:50 | 0:35:53 | |
Well, I was hoping... | 0:35:53 | 0:35:55 | |
for around, sort of, £60-£90. | 0:35:55 | 0:35:58 | |
-I was thinking more about the £50 mark, to be honest. -Ooo. | 0:35:58 | 0:36:02 | |
I could do with a wee bit more than 50, I have to say. | 0:36:02 | 0:36:05 | |
I mean, could you meet me somewhere around 70? | 0:36:05 | 0:36:09 | |
-HE LAUGHS -Ummm... | 0:36:09 | 0:36:12 | |
I'll do 60. | 0:36:12 | 0:36:14 | |
Could I say 65? And you've got a deal? | 0:36:14 | 0:36:16 | |
-Go on, why not? All right, 65. -65? | 0:36:16 | 0:36:18 | |
-Yeah, we'll do it. -All right. | 0:36:18 | 0:36:20 | |
-That's really kind, thank you very much indeed. -Pleasure. | 0:36:20 | 0:36:22 | |
That's a profit of £25 and Kate is delighted. | 0:36:22 | 0:36:26 | |
Well, a little bit of profit. | 0:36:28 | 0:36:29 | |
But what an exciting discovery to find those inscriptions. | 0:36:29 | 0:36:34 | |
And, proving she's got a few more selling tricks up her sleeve, | 0:36:34 | 0:36:37 | |
or, rather, up the end of her sleeve, | 0:36:37 | 0:36:39 | |
she makes £30 on her restored gold cuff links, | 0:36:39 | 0:36:42 | |
when she sells them to Hereford jeweller Robert. | 0:36:42 | 0:36:45 | |
With Kate on five sales to Phil's three, | 0:36:46 | 0:36:49 | |
it's time for Foxy to get his hands dirty. | 0:36:49 | 0:36:53 | |
I'm at a local garden centre that's run by a family | 0:36:53 | 0:36:55 | |
I've known for 35 years. | 0:36:55 | 0:36:56 | |
Now, most people come here looking to buy garden urns. | 0:36:56 | 0:36:59 | |
I'm going to try and sell them a couple. | 0:36:59 | 0:37:01 | |
-Hi, Will, how are you? -Very good, thank you. | 0:37:06 | 0:37:09 | |
I'm glad you've seen these. | 0:37:09 | 0:37:10 | |
-Yeah, lovely. -It's quite funny. | 0:37:10 | 0:37:12 | |
I was walking round an antique fair and I saw that. | 0:37:12 | 0:37:15 | |
-That's the price the guy was asking for them. -OK. | 0:37:15 | 0:37:18 | |
Just want you to bear that in mind, all right? | 0:37:18 | 0:37:20 | |
You don't, actually, seem to be too short of pots round here | 0:37:20 | 0:37:23 | |
-at the minute. -We've got a few. -All I can see is pots. | 0:37:23 | 0:37:25 | |
But none like this. | 0:37:25 | 0:37:27 | |
I mean, he was asking 160 quid for it. | 0:37:27 | 0:37:29 | |
-I don't think they're going to fetch £160. -No? | 0:37:29 | 0:37:32 | |
So, what are you going to bid me, then? | 0:37:32 | 0:37:34 | |
£50. | 0:37:34 | 0:37:35 | |
If I bought these for 80 quid and I sell them you for £50... | 0:37:37 | 0:37:41 | |
That's me £30 in a bad place, isn't it? | 0:37:41 | 0:37:43 | |
So, I've got to make a profit. | 0:37:43 | 0:37:45 | |
Hm, Foxy certainly seems to have grasped the idea of the competition. | 0:37:45 | 0:37:48 | |
He just needs Will to do the same. | 0:37:48 | 0:37:51 | |
-75? -You still haven't got this, have you? | 0:37:51 | 0:37:54 | |
Well, I think my best offer would be £100. | 0:37:55 | 0:37:59 | |
-Go on, then. -And then, we'll plant those up and use them for display. | 0:37:59 | 0:38:02 | |
So Phil doesn't get the price he wanted | 0:38:02 | 0:38:04 | |
but still walks away with £20 profit. | 0:38:04 | 0:38:07 | |
And green fingers. | 0:38:07 | 0:38:10 | |
-You can get your hands dirty. -What, these hands? -Yeah. | 0:38:10 | 0:38:13 | |
MUSIC: Little Shop Of Horrors Theme | 0:38:13 | 0:38:15 | |
-Look at this. Now, you have to tap its bottom, don't you? -Yeah. | 0:38:15 | 0:38:19 | |
Oh. Look at that. | 0:38:20 | 0:38:23 | |
Ta-dah! | 0:38:23 | 0:38:24 | |
Ta-dah, indeed. | 0:38:24 | 0:38:26 | |
And not one to let the grass grow under his feet, | 0:38:26 | 0:38:28 | |
Phil adds another £20 to his coffer | 0:38:28 | 0:38:30 | |
when he sells his Edwardian tumblers to Worcester-based | 0:38:30 | 0:38:33 | |
country pursuits shop owner Tim. | 0:38:33 | 0:38:36 | |
Now, our selling supremos are neck and neck. | 0:38:36 | 0:38:38 | |
But, with two items left to sell and determined to pull out in front, | 0:38:38 | 0:38:41 | |
Kate packs her trunk and says goodbye to Hereford. | 0:38:41 | 0:38:44 | |
I've brought my suitcase to Stow-on-the-Wold, | 0:38:45 | 0:38:48 | |
in the middle of the Cotswolds, | 0:38:48 | 0:38:49 | |
to an antique specialist who I know, is always on the lookout... | 0:38:49 | 0:38:53 | |
for luggage. | 0:38:53 | 0:38:55 | |
With a whopping £230 invested in the suitcase, | 0:38:56 | 0:38:59 | |
Kate's sales pitch to Vienetta will have to pack a punch. | 0:38:59 | 0:39:03 | |
So...there you have it. | 0:39:03 | 0:39:06 | |
-It's crocodile skin. -Yes. | 0:39:06 | 0:39:08 | |
And, as I'm sure you know, | 0:39:08 | 0:39:10 | |
some of these perish on the seams quite easily. | 0:39:10 | 0:39:12 | |
-Yes. -But this one, actually, is not in bad order. | 0:39:12 | 0:39:15 | |
-I would say it dates from about 1910. -Yes. | 0:39:15 | 0:39:18 | |
-Certainly Edwardian, I would say. -Yes. | 0:39:18 | 0:39:20 | |
But then, open it up and you've got, actually, quite a nice surprise | 0:39:20 | 0:39:23 | |
because just on the top here, | 0:39:23 | 0:39:25 | |
-you've got Edward & Sons, Regent Street. -Yes. | 0:39:25 | 0:39:29 | |
And then, of course, by royal appointment. | 0:39:29 | 0:39:31 | |
-I do like to have a name. I think that's most important. -Hm. | 0:39:31 | 0:39:33 | |
-And also, with the initials on the top, it's had a life. -Yes. | 0:39:33 | 0:39:38 | |
-It would need some attention to the skin. -Yes. | 0:39:38 | 0:39:42 | |
Now, of course, for some people, this is quite a controversial item | 0:39:42 | 0:39:46 | |
because it is using the skin from a dead animal. | 0:39:46 | 0:39:49 | |
But it is well over 100 years old. | 0:39:49 | 0:39:52 | |
So is it the sort of thing you think would go well here? | 0:39:52 | 0:39:55 | |
It is the sort of thing I could sell. Oh, yes, I've sold crocodile. | 0:39:55 | 0:39:58 | |
I have some crocodile here at the moment. | 0:39:58 | 0:39:59 | |
Whereabouts do you see it, price-wise? | 0:39:59 | 0:40:03 | |
I would probably...be looking to pay, | 0:40:03 | 0:40:06 | |
I would think, probably, about £280? | 0:40:06 | 0:40:08 | |
Could you do just a tiny bit more and say, £290? | 0:40:08 | 0:40:11 | |
-Yes. Very happy indeed. -All right, that's great for me. | 0:40:11 | 0:40:14 | |
And that deal has put £60 profit in Kate's bag. | 0:40:14 | 0:40:18 | |
She then ends her super selling spree with a shiny £45 profit, | 0:40:18 | 0:40:22 | |
when she sells her brass plaque | 0:40:22 | 0:40:23 | |
to a quantity surveyor in her hometown of Hereford. | 0:40:23 | 0:40:26 | |
With Kate all sold up, the pressure is on for Phil | 0:40:26 | 0:40:29 | |
to sell his final item. | 0:40:29 | 0:40:30 | |
The 19th-century auction poster he bought for £30. | 0:40:30 | 0:40:34 | |
With a potential buyer pulling out at the last minute, | 0:40:34 | 0:40:36 | |
Phil is using every ounce of his experience to drum up a sale. | 0:40:36 | 0:40:40 | |
But the clock is ticking. | 0:40:40 | 0:40:42 | |
I've got an auction poster for a 19th-century farm sale. | 0:40:42 | 0:40:44 | |
And I've got to sell it and I reckon you could just be the man. | 0:40:44 | 0:40:47 | |
Using all his foxy wiles, Phil targets a local gallery and, | 0:40:47 | 0:40:51 | |
with the finishing line looming... | 0:40:51 | 0:40:53 | |
ALARM RINGS | 0:40:53 | 0:40:54 | |
Sells the poster for a not-to-be-sniffed-at £10 profit. | 0:40:54 | 0:40:58 | |
That's me, just like my auction poster. | 0:41:00 | 0:41:02 | |
Going, going...gone. | 0:41:02 | 0:41:04 | |
So, our experts have shut up shop. | 0:41:04 | 0:41:06 | |
Who will be doing their happy dance? | 0:41:06 | 0:41:08 | |
And who will be warbling their sad song? | 0:41:08 | 0:41:11 | |
All will soon be revealed. | 0:41:11 | 0:41:12 | |
First, a quick reminder of how much they spent at the antiques fair. | 0:41:12 | 0:41:16 | |
Having each started the day with £750 to spend, | 0:41:16 | 0:41:20 | |
Kate did seven deals. spending a total of £520. | 0:41:20 | 0:41:24 | |
Phil did six deals and spent £328. | 0:41:26 | 0:41:30 | |
But who made the most profit? | 0:41:30 | 0:41:32 | |
All of the money that Phil and Kate have made from today's challenge | 0:41:32 | 0:41:35 | |
will go to charities of their choice. | 0:41:35 | 0:41:37 | |
So let's find out who is today's | 0:41:37 | 0:41:40 | |
Put Your Money Where Your Mouth Is champion. | 0:41:40 | 0:41:43 | |
-Well, hello. -Whoa. I found that really tough. | 0:41:43 | 0:41:46 | |
-Do you know? You're not the only one. -Oh. | 0:41:46 | 0:41:48 | |
-It was a tough one, wasn't it? -What was your best thing? | 0:41:48 | 0:41:50 | |
I tell you what one of the nicest things was. | 0:41:50 | 0:41:52 | |
-And that was with my First World War silks. -Oh, yeah. | 0:41:52 | 0:41:54 | |
-My little postcards. -Yeah. | 0:41:54 | 0:41:56 | |
Well, for the potential purchaser, I took the back off. | 0:41:56 | 0:41:58 | |
And there were some lovely handwritten messages | 0:41:58 | 0:42:00 | |
-on the back of them. So, that was a great discovery. -A story. | 0:42:00 | 0:42:03 | |
-Yeah, lovely. -A story. | 0:42:03 | 0:42:04 | |
Well, my story, or what I wanted... | 0:42:04 | 0:42:06 | |
Do you remember that sort of radiator cage? | 0:42:06 | 0:42:08 | |
I had all these designs of turning it into this, that and the other, | 0:42:08 | 0:42:11 | |
and putting an engine in it, four wheels, | 0:42:11 | 0:42:13 | |
make it into a car and all the other usual rubbish. | 0:42:13 | 0:42:16 | |
And I decided at the end of the day, | 0:42:16 | 0:42:17 | |
-I was going to let someone do it who knew what they were doing. -Right. | 0:42:17 | 0:42:21 | |
-But that was my best thing, really. -Was it? -Are we going to...? | 0:42:21 | 0:42:23 | |
-Yeah, let's have a look. Come on. Ready. -Steady. Go. | 0:42:23 | 0:42:27 | |
-BOTH EXCLAIM -It's close. -Again. | 0:42:27 | 0:42:29 | |
-Again. -It's pretty close. | 0:42:29 | 0:42:31 | |
-PHIL SIGHS -Not bad. | 0:42:31 | 0:42:34 | |
-Well, do you know what did it for me? -No. | 0:42:34 | 0:42:35 | |
I think I bought a few girlie bits, a few bits of jewellery. | 0:42:35 | 0:42:38 | |
You know, you've got to invest in a few girlie things. | 0:42:38 | 0:42:40 | |
I think I need to explore my feminine side. | 0:42:40 | 0:42:43 | |
So, Kate is today's winner, having successfully | 0:42:43 | 0:42:46 | |
stalked the sellables, sitting secretly amongst the stalls. | 0:42:46 | 0:42:49 | |
And sold them sensationally. | 0:42:49 | 0:42:50 | |
Huh! | 0:42:50 | 0:42:52 | |
Well, that's an unexpected pleasure. | 0:42:52 | 0:42:54 | |
And I'm sure it was my sparkly things that did the trick. | 0:42:54 | 0:42:57 | |
This was a really close call. | 0:42:57 | 0:42:59 | |
And if I could have made the same margins on the other things, | 0:42:59 | 0:43:02 | |
as I did my radiator cover, well, who knows, | 0:43:02 | 0:43:04 | |
it might have been a different story. | 0:43:04 | 0:43:07 | |
Phil will be doing all he can to redeem himself tomorrow. | 0:43:07 | 0:43:09 | |
In the ultimate antiques challenge. | 0:43:09 | 0:43:11 | |
The Put Your Money Showdown. | 0:43:11 | 0:43:14 |