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This is Put Your Money Where Your Mouth Is - | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:10 | |
Elementary, my dear dealers. | 0:00:10 | 0:00:11 | |
And gives you the insiders' view of the trade. | 0:00:12 | 0:00:15 | |
Each week, one pair of duelling dealers | 0:00:17 | 0:00:19 | |
will face a different daily challenge... | 0:00:19 | 0:00:22 | |
Catch me if you can. | 0:00:22 | 0:00:23 | |
The Axeman cometh. | 0:00:23 | 0:00:24 | |
..putting their reputations on the line... | 0:00:25 | 0:00:28 | |
SHE GROANS | 0:00:28 | 0:00:29 | |
Ready for battle. | 0:00:29 | 0:00:30 | |
..and giving you their top tips and savvy secrets | 0:00:32 | 0:00:35 | |
on how to make the most money from buying and selling. | 0:00:35 | 0:00:39 | |
Get in there. | 0:00:39 | 0:00:40 | |
Today, wily Phil Serrell takes on blissful Kate Bliss | 0:00:42 | 0:00:46 | |
at a Belgian antiques market. | 0:00:46 | 0:00:47 | |
Coming up, Kate finds a price even she can't haggle with. | 0:00:48 | 0:00:52 | |
-How much? -One euro. -One euro, the man said. | 0:00:52 | 0:00:57 | |
Phil gets on his bike. | 0:00:57 | 0:00:59 | |
It's all very well, but it chaffs your bits. | 0:00:59 | 0:01:01 | |
And Kate risks life and limb in search of profit. | 0:01:01 | 0:01:05 | |
Haven't done this for years. Woo! | 0:01:05 | 0:01:07 | |
Here goes. Oooh. | 0:01:08 | 0:01:10 | |
Woo! | 0:01:10 | 0:01:11 | |
This is Put Your Money Where Your Mouth Is. | 0:01:11 | 0:01:13 | |
This is an early morning welcome to mystery lovers everywhere. | 0:01:27 | 0:01:30 | |
Today, we're in Belgium, birthplace of that famous detective, Poirot, | 0:01:30 | 0:01:35 | |
with two of the UK's biggest inspectors of antiques, | 0:01:35 | 0:01:38 | |
who will try to solve a conundrum of collectibles in a battle | 0:01:38 | 0:01:41 | |
to buy, sell and earn a winning profit. | 0:01:41 | 0:01:45 | |
First up, hailing from Hereford, | 0:01:45 | 0:01:46 | |
it's the true femme fatale of foraging. | 0:01:46 | 0:01:49 | |
She's got guile and style and she's just about ready to open this file - | 0:01:49 | 0:01:52 | |
it's Kate "Absolute" Bliss. | 0:01:52 | 0:01:54 | |
It's all a question of taste. | 0:01:56 | 0:01:58 | |
And trying to outwit Kate is an international man of mystery, | 0:01:58 | 0:02:02 | |
armed to the teeth with antiques know-how on a money-making mission - | 0:02:02 | 0:02:06 | |
it's Phil "The Fox" Serrell. | 0:02:06 | 0:02:08 | |
I always find the best plan is actually no plan at all. | 0:02:10 | 0:02:13 | |
Today both our dealers have gone undercover | 0:02:15 | 0:02:17 | |
and overseas as they arrive on the continental shores of Belgium. | 0:02:17 | 0:02:21 | |
The mystery our experts must unravel is to find the best bargains | 0:02:23 | 0:02:27 | |
from Sint-Truiden Antiques Market in Brussels | 0:02:27 | 0:02:29 | |
then sell them on in the UK for a profit. | 0:02:29 | 0:02:33 | |
They've each got £750 worth of their own euros to spend | 0:02:33 | 0:02:36 | |
and all the profit goes to their chosen charities. | 0:02:36 | 0:02:39 | |
But will they be able to reveal the identity | 0:02:39 | 0:02:42 | |
of the sensational sellables secreted amongst the stalls | 0:02:42 | 0:02:44 | |
or will the market thwart their attempts | 0:02:44 | 0:02:47 | |
to reveal its true treasures? | 0:02:47 | 0:02:49 | |
Kate Bliss and Phil Serrell, | 0:02:49 | 0:02:51 | |
it's time to put your money where your mouth is. | 0:02:51 | 0:02:54 | |
-How are you? -Bonjour! | 0:02:55 | 0:02:56 | |
It's not even light properly yet. | 0:02:59 | 0:03:00 | |
-Are you a morning girl or an evening girl? -Definitely... | 0:03:00 | 0:03:02 | |
Cos you're going to need to be a morning girl. | 0:03:02 | 0:03:04 | |
Do you make it six o'clock just gone? | 0:03:04 | 0:03:06 | |
Morning or evening? | 0:03:06 | 0:03:08 | |
Well, £750, or euros equivalent. | 0:03:08 | 0:03:12 | |
-Uh-huh. -This is going to be tough, I think. | 0:03:12 | 0:03:14 | |
-Really? Well, you've been here before. -Yeah, I came here last year. | 0:03:14 | 0:03:17 | |
What's the score, then, come on? Give me the lowdown. | 0:03:17 | 0:03:19 | |
Ah, well, I think I spent more on my lunch last time | 0:03:19 | 0:03:21 | |
-than I did on my antiques. -Really? -Yes. | 0:03:21 | 0:03:24 | |
-Not really high-end? -It is tough. | 0:03:24 | 0:03:25 | |
So, I mean, it's just a question of just trying to see what you can see. | 0:03:25 | 0:03:28 | |
Thing that concerns me... There's not really a buzz going on. | 0:03:28 | 0:03:31 | |
I reckon we're either really early or really late. | 0:03:31 | 0:03:34 | |
So you don't know if they're coming or going. | 0:03:34 | 0:03:36 | |
No. I think we better go and investigate. | 0:03:36 | 0:03:38 | |
Yes, plenty of jangling nerves from our two experts there | 0:03:39 | 0:03:43 | |
as they head off to explore this Belgian market. | 0:03:43 | 0:03:45 | |
Will Phil's experience as a second-time visitor | 0:03:45 | 0:03:48 | |
count for anything when it comes down to it? | 0:03:48 | 0:03:50 | |
What cunning strategy has Kate got up her sleeve? | 0:03:50 | 0:03:53 | |
Now, between you and me, I haven't really got a game plan for today. | 0:03:55 | 0:03:59 | |
There's such a mixture of items here I think it's a case of | 0:03:59 | 0:04:01 | |
what leaps out at me. | 0:04:01 | 0:04:03 | |
But one thing is for certain - | 0:04:03 | 0:04:05 | |
because the pound isn't very strong at the moment, I'm going | 0:04:05 | 0:04:08 | |
to have to haggle really hard to get my money's worth. | 0:04:08 | 0:04:10 | |
Yes, Kate says she has no strategy, but isn't that a strategy in itself? | 0:04:12 | 0:04:16 | |
Certainly all this unbridled enthusiasm is making Phil | 0:04:16 | 0:04:19 | |
a bag of nerves. | 0:04:19 | 0:04:21 | |
I think Kate's going to have the real edge on me here, | 0:04:21 | 0:04:24 | |
because she is a bright and breezy, lemon squeezy, up early girl. | 0:04:24 | 0:04:27 | |
She's wide awake. | 0:04:27 | 0:04:28 | |
She's out there rooking around like a whirling dervish. And me? | 0:04:28 | 0:04:32 | |
Well, I'm just sort of plodding round. | 0:04:32 | 0:04:33 | |
I've been here before, | 0:04:33 | 0:04:35 | |
I sort of kind of think I know where I'm going to go, but... | 0:04:35 | 0:04:38 | |
Mm, very reassuring. | 0:04:42 | 0:04:43 | |
Phil sort of knows where he's going | 0:04:43 | 0:04:46 | |
and sort of knows how he's going to get there. | 0:04:46 | 0:04:49 | |
Sort of. | 0:04:49 | 0:04:51 | |
Oh, Lordy. | 0:04:51 | 0:04:53 | |
Oh, dear, Kate's certainly got Phil on the back foot. | 0:04:53 | 0:04:56 | |
I think you're going the wrong way, mate. | 0:04:57 | 0:05:00 | |
This is all very well, but it chaffs your bits. | 0:05:00 | 0:05:03 | |
Charming. Phil is supposed to be the wily fox, | 0:05:03 | 0:05:06 | |
and yet it's Kate who has the bright eyes, the bushy tail | 0:05:06 | 0:05:09 | |
and a twitchy nose as she spies an item of potential interest. | 0:05:09 | 0:05:12 | |
But what is it? | 0:05:13 | 0:05:15 | |
Bonjour, monsieur. | 0:05:15 | 0:05:16 | |
How old? | 0:05:16 | 0:05:17 | |
This is about 1910, 1920. | 0:05:19 | 0:05:21 | |
OK, so it dates back to the 1920s, but what is it? | 0:05:21 | 0:05:24 | |
How much? | 0:05:25 | 0:05:26 | |
125. | 0:05:26 | 0:05:28 | |
125 euros, right. But what is it?! | 0:05:28 | 0:05:31 | |
Et le dernier prix? | 0:05:31 | 0:05:33 | |
90, but that's minimum. | 0:05:33 | 0:05:36 | |
-85, just for me. -OK. | 0:05:36 | 0:05:38 | |
-Merci beaucoup. -Thank you. | 0:05:38 | 0:05:41 | |
So Kate pays 85 euros for the item, or £69.67 in sterling. | 0:05:41 | 0:05:47 | |
But, OK, everyone, all together, now... | 0:05:47 | 0:05:49 | |
-GROUP: -What is it? | 0:05:49 | 0:05:51 | |
It's a gingerbread mould or a biscuit mould. | 0:05:51 | 0:05:54 | |
It's not a really old one, but it is a fantastic size. | 0:05:54 | 0:05:58 | |
Back in the UK, you can find really early gingerbread moulds that | 0:05:58 | 0:06:01 | |
sell for several hundreds of pounds. | 0:06:01 | 0:06:04 | |
So it's either a collector for this or a gingerbread factory, I think. | 0:06:04 | 0:06:09 | |
Saying that, feeling a bit peckish. | 0:06:09 | 0:06:12 | |
Knocking down the gingerbread price by 40 euros, | 0:06:12 | 0:06:15 | |
Kate clearly has an insatiable appetite for a bargain, but Phil | 0:06:15 | 0:06:19 | |
has finally got down to it | 0:06:19 | 0:06:20 | |
and found himself a piece of antique metalwork of interest. | 0:06:20 | 0:06:25 | |
This is Trench Art. | 0:06:25 | 0:06:27 | |
These would have been by, I suppose, ladies in and around Flanders | 0:06:27 | 0:06:32 | |
and that sort of area. | 0:06:32 | 0:06:33 | |
They turned shell cases into works of art. | 0:06:33 | 0:06:35 | |
Trench Art. | 0:06:37 | 0:06:38 | |
Phil is clearly interested in his find, but as an old hand in antiques | 0:06:38 | 0:06:42 | |
fairs like this, he knows that it sometimes pays to see | 0:06:42 | 0:06:46 | |
what else your vendor has on offer. | 0:06:46 | 0:06:48 | |
How much is this? | 0:06:48 | 0:06:50 | |
-25. -25? | 0:06:50 | 0:06:51 | |
-Can I give you 40 euros for those and for that? -Yeah. | 0:06:53 | 0:06:57 | |
You're a gentleman, sir. Thank you very much indeed. Let me pay you. | 0:06:57 | 0:07:00 | |
Phil gets the price he wants | 0:07:00 | 0:07:01 | |
and buys both the Trench Art and the case. | 0:07:01 | 0:07:04 | |
So I've just bought a modern Scandinavian box for 20 euros. | 0:07:04 | 0:07:10 | |
The way it's been painted, | 0:07:10 | 0:07:11 | |
I think it's probably one step away from awful. | 0:07:11 | 0:07:13 | |
But the thing is, you can do something with it. | 0:07:13 | 0:07:16 | |
That is going to make a great kids' toy box, you know? | 0:07:16 | 0:07:19 | |
You've just got to have a bit of vision with these things. | 0:07:19 | 0:07:22 | |
If I can get it painted in the right way, there's some value here. | 0:07:22 | 0:07:25 | |
I hope. | 0:07:25 | 0:07:27 | |
So Phil pays 20 euros for the Trench Art, or £16.39, | 0:07:27 | 0:07:31 | |
and then the same again for the trunk, meaning that in spite of | 0:07:31 | 0:07:34 | |
his concerns, he's now in the lead with two purchases to Kate's one. | 0:07:34 | 0:07:39 | |
In Kate's determination to catch up, | 0:07:42 | 0:07:44 | |
she's found what she thinks is a really cracking case. | 0:07:44 | 0:07:47 | |
Sadly it's lost its little buckle here, | 0:07:51 | 0:07:54 | |
but I don't think that'd be too much of a problem. | 0:07:54 | 0:07:56 | |
The key with leather is always check the seams... | 0:07:56 | 0:08:00 | |
just to check there aren't any really bad splits. | 0:08:00 | 0:08:03 | |
This is pretty good, and it's really clean inside, which is lovely. | 0:08:03 | 0:08:07 | |
Look at that. | 0:08:07 | 0:08:08 | |
I'm going for that. | 0:08:10 | 0:08:11 | |
Merci beaucoup. | 0:08:11 | 0:08:13 | |
Kate shakes on 6 euros for the case, which means it costs her £4.92. | 0:08:13 | 0:08:17 | |
Girls and bags, you know, kind of goes together, really. | 0:08:19 | 0:08:23 | |
Satchels are coming back into fashion. | 0:08:23 | 0:08:25 | |
A nice vintage example like this, I think, should be quite commercial. | 0:08:25 | 0:08:29 | |
Ah, the ever-savvy Miss Bliss bags her second purchase, but Phil | 0:08:30 | 0:08:34 | |
is also making progress, having acquired himself a pair of pots. | 0:08:34 | 0:08:38 | |
I think they're fantastic. They're salt-glazed stoneware. | 0:08:39 | 0:08:43 | |
In terms of age, they could be anything from sort of | 0:08:43 | 0:08:46 | |
17th century through to late 19th century. | 0:08:46 | 0:08:48 | |
20 euros each, it's no money. | 0:08:49 | 0:08:51 | |
I think they'd make really wicked table lamps. | 0:08:51 | 0:08:54 | |
One thing's for sure - I reckon I'm going to make a profit on them. | 0:08:54 | 0:08:58 | |
The pair of pots take £32.79 out of Phil's budget, | 0:08:59 | 0:09:03 | |
and bring him back into the lead. | 0:09:03 | 0:09:05 | |
There's a fair bit of distance to cover at this market, | 0:09:06 | 0:09:09 | |
and Kate is moving at a dizzying speed. | 0:09:09 | 0:09:12 | |
Where was it? That was the thing. | 0:09:12 | 0:09:14 | |
Let's try over there. | 0:09:15 | 0:09:16 | |
She's searching high and low for the best bargains. | 0:09:16 | 0:09:20 | |
Right, I'm back outside again. | 0:09:20 | 0:09:21 | |
Less haste, more speed, Kate! | 0:09:21 | 0:09:23 | |
I think it was down here. | 0:09:23 | 0:09:25 | |
It's exhausting to watch. | 0:09:25 | 0:09:27 | |
Phil, on the other hand, | 0:09:27 | 0:09:28 | |
is back on the lookout for other ways of getting around. | 0:09:28 | 0:09:32 | |
After the bike, maybe this will be better. | 0:09:32 | 0:09:34 | |
Oh, lord above. | 0:09:35 | 0:09:37 | |
Actually, I think there's too much of me and not enough bike here. | 0:09:39 | 0:09:42 | |
Yeah, maybe not. | 0:09:42 | 0:09:44 | |
However, Kate's manic movement has bagged her another purchase. | 0:09:44 | 0:09:48 | |
I've just done a crazy thing. | 0:09:48 | 0:09:50 | |
I've gone somewhat off-piste, as it were, | 0:09:50 | 0:09:52 | |
because I have bought myself a pair of skis. | 0:09:52 | 0:09:56 | |
Now, I would say these date from the 1920s or even '30s, | 0:09:56 | 0:09:59 | |
when skiing was a sport for the rich, | 0:09:59 | 0:10:01 | |
and back then, these would have cost a fair bit. | 0:10:01 | 0:10:05 | |
Now, the gentleman was asking 65 euros - | 0:10:05 | 0:10:07 | |
he's come down to 50 for me. | 0:10:07 | 0:10:09 | |
Now, to be honest with you, I don't know whether that's good or bad. | 0:10:09 | 0:10:13 | |
I'm taking a bit of a punt on these. | 0:10:13 | 0:10:15 | |
The 50 euros translates to £40.98 for the skis, | 0:10:15 | 0:10:19 | |
and Kate will be hoping to slide out a profit | 0:10:19 | 0:10:22 | |
when she comes to sell. | 0:10:22 | 0:10:23 | |
All of which brings us to the halfway mark. | 0:10:23 | 0:10:27 | |
Our investigating inspectors have delved deep, | 0:10:27 | 0:10:29 | |
so it's time to see who's solving the case of the missing antiques, | 0:10:29 | 0:10:32 | |
and who's scrabbling around without a clue. | 0:10:32 | 0:10:35 | |
Each of our bargain hunters | 0:10:36 | 0:10:38 | |
started the day with £750 worth | 0:10:38 | 0:10:40 | |
of their own euros to spend. | 0:10:40 | 0:10:42 | |
Bliss has three purchases, and spent £115.57, | 0:10:43 | 0:10:47 | |
leaving just over £634 still in the kitty. | 0:10:47 | 0:10:51 | |
Phil Serrell has also picked up three items, | 0:10:52 | 0:10:55 | |
but spent £65.57, leaving him just over £684 to play with. | 0:10:55 | 0:11:01 | |
Aha! | 0:11:02 | 0:11:03 | |
-Here, tell you what... -Cheers. | 0:11:03 | 0:11:04 | |
..if you've been up since five o'clock, | 0:11:04 | 0:11:06 | |
hot chocolate at nine o'clock tastes like nectar. | 0:11:06 | 0:11:08 | |
-Is it only nine o'clock?! -I know! | 0:11:08 | 0:11:10 | |
I thought it was about four in the afternoon! | 0:11:10 | 0:11:12 | |
-I'm going to be worn out at the end of the day. -So, um, you spent up? | 0:11:12 | 0:11:15 | |
No. Not really. Bought some things. | 0:11:16 | 0:11:18 | |
-Bought some things? -Have you bought some things? | 0:11:18 | 0:11:21 | |
-I've bought some things, yes. -Good things, bad things? | 0:11:21 | 0:11:23 | |
I'm finding the market quite difficult to find some really nice | 0:11:23 | 0:11:26 | |
sort of meaty, quality items. | 0:11:26 | 0:11:28 | |
So, I've bought sort of quirky objects - | 0:11:28 | 0:11:30 | |
not necessarily top quality, shall we say? | 0:11:30 | 0:11:33 | |
-How about you? -I think I've had a bit of luck - I think | 0:11:33 | 0:11:35 | |
I've just sort of walked into some things that I've just found... | 0:11:35 | 0:11:38 | |
-Right. -..so, they'll probably turn around and bite me | 0:11:38 | 0:11:40 | |
on the not-insubstantial Serrell bum before too long. | 0:11:40 | 0:11:43 | |
But, no, I'm pleased. | 0:11:43 | 0:11:44 | |
That's really worrying, cos you don't often say that. | 0:11:44 | 0:11:46 | |
That is very worrying. That is really worrying, that is. | 0:11:46 | 0:11:49 | |
Oh, he's off. Right... | 0:11:49 | 0:11:51 | |
Better get my skates on. | 0:11:51 | 0:11:53 | |
Yes, it's all mind games with these two today. | 0:11:53 | 0:11:56 | |
And as our experts delve back into the Belgian market, | 0:11:56 | 0:11:59 | |
having only spent a fraction of their budget, | 0:11:59 | 0:12:01 | |
what is this that Kate's thinking of splashing out on? | 0:12:01 | 0:12:05 | |
# We are sailing | 0:12:05 | 0:12:09 | |
# We are sailing | 0:12:09 | 0:12:12 | |
# Home again... # | 0:12:12 | 0:12:14 | |
It's a model yacht. | 0:12:14 | 0:12:15 | |
FOGHORN TOOTS | 0:12:15 | 0:12:17 | |
She's got over £630 to spend, but how much of a dent will this make? | 0:12:17 | 0:12:22 | |
I'm thinking it's broken - how much? | 0:12:22 | 0:12:28 | |
-One euro. -One euro? -Yes. | 0:12:28 | 0:12:30 | |
One euro, the man said. | 0:12:30 | 0:12:32 | |
Merci beaucoup. | 0:12:35 | 0:12:36 | |
The model yacht costs Kate 82 pence, | 0:12:36 | 0:12:39 | |
so will she be able to sail off with a profit? | 0:12:39 | 0:12:42 | |
Now, you may be asking why I've just bought this - | 0:12:42 | 0:12:45 | |
particularly as it's broken. | 0:12:45 | 0:12:47 | |
I wouldn't say this is the finest example in the world, | 0:12:47 | 0:12:49 | |
but there's a little bit of craftsmanship going on here. | 0:12:49 | 0:12:52 | |
Look at this deck. | 0:12:52 | 0:12:54 | |
Yes, it needs a little bit of TLC, | 0:12:54 | 0:12:56 | |
but it cost one euro. | 0:12:56 | 0:13:00 | |
Not ten, not five - one. | 0:13:00 | 0:13:04 | |
I can't go wrong! Can I? | 0:13:04 | 0:13:07 | |
Well, it certainly seems unlikely she could sell it for less | 0:13:07 | 0:13:09 | |
than 82 pence, but this is Put Your Money Where Your Mouth Is, | 0:13:09 | 0:13:12 | |
and anything can happen. | 0:13:12 | 0:13:14 | |
Now, Phil is showing just what a range of goods you can find here | 0:13:14 | 0:13:18 | |
as he eyes up a bookcase. | 0:13:18 | 0:13:20 | |
What's the very best? | 0:13:20 | 0:13:23 | |
-Very best. -180. | 0:13:23 | 0:13:25 | |
Well, let me have a look at the other one. | 0:13:25 | 0:13:27 | |
Once again he's deploying his tactic of asking about another item | 0:13:27 | 0:13:31 | |
to find a better price. | 0:13:31 | 0:13:33 | |
How much this one? | 0:13:33 | 0:13:34 | |
-200. -That's a better one. | 0:13:34 | 0:13:37 | |
Could it be that for all his blustering, | 0:13:37 | 0:13:39 | |
Phil had a plan all along? | 0:13:39 | 0:13:40 | |
So, that one is 200... | 0:13:40 | 0:13:43 | |
-and that one is 180? -Yeah. | 0:13:43 | 0:13:45 | |
-180. -180. -OK. | 0:13:45 | 0:13:48 | |
-300 the two. -No, it's impossible. | 0:13:48 | 0:13:50 | |
325 and I'll have a deal with you. | 0:13:50 | 0:13:52 | |
325. | 0:13:52 | 0:13:54 | |
-OK. -Gentleman, thank you. | 0:13:54 | 0:13:55 | |
So, he gets the price he wants for the both, | 0:13:56 | 0:13:59 | |
and divvies the cost of the oak-glazed bookcase | 0:13:59 | 0:14:01 | |
to 150 euros, or £122.95, | 0:14:01 | 0:14:04 | |
and believes the oak case with the leaded lights | 0:14:04 | 0:14:07 | |
is worth more, costing 175 euros, | 0:14:07 | 0:14:10 | |
or £143.44. | 0:14:10 | 0:14:12 | |
So, how does he feel about his big, brown purchases? | 0:14:12 | 0:14:16 | |
What have I bought? Well, I've got two Dutch bookcase cupboards. | 0:14:16 | 0:14:20 | |
They're about 1880 to 1900, | 0:14:20 | 0:14:22 | |
and for me the prize one is the one with the leaded lights. | 0:14:22 | 0:14:26 | |
I've GOT to make a profit on those. | 0:14:26 | 0:14:28 | |
Nice to see a bit of optimism from Mr Serrell. | 0:14:28 | 0:14:31 | |
Both our experts are certainly doggedly desperate | 0:14:31 | 0:14:34 | |
to outdo each other as they sniff out the bargains | 0:14:34 | 0:14:37 | |
and search for the leads that they hope won't leave them | 0:14:37 | 0:14:40 | |
-barking up the wrong tree. -DOGS BARK | 0:14:40 | 0:14:42 | |
# Bow wow wow yippie yo yippie yay | 0:14:42 | 0:14:44 | |
# Where my dogs at? # | 0:14:44 | 0:14:46 | |
Talking of which, | 0:14:46 | 0:14:47 | |
these Belgian dealers really do have a thing for dogs - | 0:14:47 | 0:14:50 | |
this one is guarding a set of chandeliers | 0:14:50 | 0:14:53 | |
that Kate's got her eye on. | 0:14:53 | 0:14:55 | |
Er, c'est combien? | 0:14:55 | 0:14:56 | |
Deux cent quarante pour le deux. | 0:14:56 | 0:14:58 | |
-Deux cent... -Deux cent quarante. -Quarante... | 0:14:58 | 0:15:01 | |
-Speak French or English? -English. | 0:15:01 | 0:15:04 | |
240. | 0:15:04 | 0:15:06 | |
-240 for two. -Yes. | 0:15:06 | 0:15:08 | |
It's more expensive. | 0:15:08 | 0:15:09 | |
I'm looking for something old. | 0:15:09 | 0:15:11 | |
That's old, that's eight kilo. | 0:15:11 | 0:15:13 | |
Eight kilo. | 0:15:13 | 0:15:14 | |
Eight kilo! That IS old(!) | 0:15:14 | 0:15:17 | |
This is nice. | 0:15:17 | 0:15:19 | |
Oh, that's how they work! | 0:15:19 | 0:15:20 | |
I've always wondered. | 0:15:20 | 0:15:22 | |
OK, le...le dernier prix pour le deux. | 0:15:22 | 0:15:27 | |
How much you give? | 0:15:27 | 0:15:28 | |
-150. -200 deal for me. | 0:15:30 | 0:15:32 | |
40 I give - you a woman, I give to you. 200. | 0:15:32 | 0:15:36 | |
Mm, even with her special "woman" discount, | 0:15:36 | 0:15:38 | |
Kate isn't happy with the price, | 0:15:38 | 0:15:39 | |
so she tries an old dealer technique - | 0:15:39 | 0:15:42 | |
take out the money you want to spend. | 0:15:42 | 0:15:44 | |
150. | 0:15:44 | 0:15:46 | |
That's what I think. | 0:15:46 | 0:15:47 | |
-Allez, come, OK. -Yeah? | 0:15:47 | 0:15:50 | |
And it works. | 0:15:50 | 0:15:51 | |
-Voila. -Please. -Merci. | 0:15:51 | 0:15:53 | |
Merci! | 0:15:54 | 0:15:55 | |
OK...we got there in the end. | 0:15:58 | 0:16:01 | |
Kate pays 150 euros, which works out just under £123 for the candelabras. | 0:16:03 | 0:16:09 | |
And while Kate uses her feminine wiles to steal a bargain, | 0:16:09 | 0:16:12 | |
Phil's got his eye on a feminine figurine. | 0:16:12 | 0:16:15 | |
This is an interesting thing. I mean, it's... | 0:16:17 | 0:16:20 | |
I can't why it caught my eye, initially, but... | 0:16:20 | 0:16:22 | |
Why indeed?! | 0:16:22 | 0:16:23 | |
..it's quite a nice bronze of a kneeling girl, | 0:16:23 | 0:16:26 | |
and it IS bronze - it's a French bronze. | 0:16:26 | 0:16:29 | |
It's got the maker's name just down here, | 0:16:29 | 0:16:32 | |
foundry mark, and it's raised on that marble base, | 0:16:32 | 0:16:35 | |
and I just think it's a really cool-looking thing. | 0:16:35 | 0:16:38 | |
It's how much it is, that's the issue, isn't it? | 0:16:38 | 0:16:41 | |
Monsieur - combien? | 0:16:41 | 0:16:42 | |
Septante-cinq. | 0:16:43 | 0:16:45 | |
-Oh... -75. | 0:16:45 | 0:16:47 | |
Le dernier prix? | 0:16:47 | 0:16:48 | |
Yes, appropriate - "the bottom price". | 0:16:48 | 0:16:51 | |
70. | 0:16:51 | 0:16:53 | |
70?! | 0:16:53 | 0:16:54 | |
70. | 0:16:54 | 0:16:56 | |
70 is the very best. | 0:16:56 | 0:16:58 | |
OK. I think she's too good to leave behind. | 0:16:58 | 0:17:01 | |
-Merci. -Thank you. | 0:17:03 | 0:17:04 | |
Thank you very much. | 0:17:04 | 0:17:06 | |
Un sac? Moment... | 0:17:06 | 0:17:07 | |
I'm going to keep it with me. | 0:17:07 | 0:17:10 | |
Yes, Phil takes the statue for a cheeky 70 euros, or £57.38. | 0:17:10 | 0:17:15 | |
He's got his woman, | 0:17:15 | 0:17:16 | |
and Kate, it appears, has also found an admirer. | 0:17:16 | 0:17:19 | |
# Love is in the air | 0:17:19 | 0:17:21 | |
# Everywhere I look around... # | 0:17:21 | 0:17:23 | |
Yes, in spite of his obvious charms, | 0:17:23 | 0:17:25 | |
the only romance on Kate's mind is the love of a good deal, | 0:17:25 | 0:17:29 | |
and she's got her sights set on a drum all the way from... | 0:17:29 | 0:17:32 | |
-Ch-China. -China. Yes. Oui, oui. | 0:17:32 | 0:17:35 | |
Taiwan. | 0:17:35 | 0:17:36 | |
But where did YOU get it from? | 0:17:36 | 0:17:38 | |
Where did the gentleman get it from? | 0:17:38 | 0:17:40 | |
From you?! You drum? | 0:17:40 | 0:17:43 | |
You drum? Ah! | 0:17:43 | 0:17:45 | |
S'il vous plait! | 0:17:45 | 0:17:46 | |
All right, that's quite enough of that. | 0:17:51 | 0:17:53 | |
Ringo Starr he ain't, but when it comes to drumming up a good price... | 0:17:53 | 0:17:57 | |
I have...vingt. | 0:17:57 | 0:18:00 | |
Vingt? | 0:18:00 | 0:18:02 | |
Kate tries her "show 'em the money" technique again. | 0:18:02 | 0:18:04 | |
But the dealer wants more. | 0:18:04 | 0:18:07 | |
Voila, voila! | 0:18:07 | 0:18:09 | |
Kate settles on 25 euros for the drum, | 0:18:09 | 0:18:11 | |
or £20.49, and the seller steals a kiss to seal the deal. | 0:18:11 | 0:18:16 | |
Ahh, how romantic(!) | 0:18:16 | 0:18:18 | |
Bon. | 0:18:18 | 0:18:20 | |
Hmm, whether Kate's drum will help her beat her opponent, | 0:18:20 | 0:18:23 | |
only time will tell, but as for this buying half, the time has run out. | 0:18:23 | 0:18:27 | |
So, before our adversarial antiques agents meet up | 0:18:27 | 0:18:30 | |
at Checkpoint Charlie, let's see how they got on today. | 0:18:30 | 0:18:33 | |
Kate and Phil each started the day | 0:18:35 | 0:18:37 | |
with £750 worth of their own euros. | 0:18:37 | 0:18:40 | |
Kate Bliss has six purchases | 0:18:40 | 0:18:43 | |
and forked out £259.83. | 0:18:43 | 0:18:45 | |
Phil Serrell has also done six deals, costing him £389.34. | 0:18:47 | 0:18:53 | |
There's a definite division here | 0:18:54 | 0:18:55 | |
between old stuff and new stuff, isn't there? | 0:18:55 | 0:18:58 | |
Well, do you know what I would say? | 0:18:58 | 0:19:00 | |
I would say because you've been here before, | 0:19:00 | 0:19:02 | |
I would say that's the experience, | 0:19:02 | 0:19:04 | |
and this is the new kid on the block. | 0:19:04 | 0:19:07 | |
I think you've got more antiquey stuff. | 0:19:07 | 0:19:09 | |
But you've got - look, drums, and boats and skis... | 0:19:09 | 0:19:12 | |
Yeah, quite boys-y stuff, actually. | 0:19:12 | 0:19:14 | |
OK, so let's get down to it. | 0:19:14 | 0:19:16 | |
Which was your most expensive bit? | 0:19:16 | 0:19:18 | |
-Candelabra. -And how much were they? | 0:19:18 | 0:19:20 | |
150 euros. | 0:19:20 | 0:19:21 | |
-They're a really good decorator's piece, aren't they? -Mm. | 0:19:21 | 0:19:24 | |
-And I love the skis. -The skis are quite cool. | 0:19:24 | 0:19:26 | |
Are you expecting bad weather in Hereford? | 0:19:26 | 0:19:28 | |
Well, no - I'm hoping to sell them somewhere | 0:19:28 | 0:19:30 | |
-where I might be able to try them out. -Really?! -Yeah. | 0:19:30 | 0:19:32 | |
-And the boat. -You ready for this? -Yes. | 0:19:32 | 0:19:34 | |
One euro. | 0:19:34 | 0:19:36 | |
That's about 80 pence! | 0:19:36 | 0:19:37 | |
-One euro. -Even I could make a profit out of that. And I like this. | 0:19:37 | 0:19:40 | |
-Is that a steal, or is that a steal? -This is nice. -This is quite nice. | 0:19:40 | 0:19:43 | |
-I am a sucker for all things leather. -Laptop bags, isn't it? | 0:19:43 | 0:19:46 | |
-Exactly. Good laptop size. -Yeah. | 0:19:46 | 0:19:47 | |
And my gingerbread mould - I really like that. | 0:19:47 | 0:19:49 | |
-Very continental. Good size. -Mm, yes. -You don't often see them that big. | 0:19:49 | 0:19:52 | |
No, that's good, I think you've done very, very well. | 0:19:52 | 0:19:55 | |
Tell me about your bookcases. | 0:19:55 | 0:19:56 | |
Well, I think they're both Dutch, | 0:19:56 | 0:19:59 | |
-1880, 1900. -Mm. | 0:19:59 | 0:20:01 | |
And I paid 175 euros for this one with the leaded light windows, | 0:20:01 | 0:20:05 | |
-and 150 euros for the other one. -OK. | 0:20:05 | 0:20:08 | |
These were 20 euros apiece and I love 'em. | 0:20:08 | 0:20:11 | |
-They'll make great lights, won't they? Table lamps? -Yes. | 0:20:11 | 0:20:14 | |
-These because there's a story here. -Mm. | 0:20:14 | 0:20:17 | |
Couldn't resist my young lady. | 0:20:17 | 0:20:19 | |
-Yeah, that's definitely your kind of thing. -Steady! | 0:20:19 | 0:20:22 | |
And that, I think that's just going to make | 0:20:22 | 0:20:24 | |
-a great children's toy trunk. -Mm. | 0:20:24 | 0:20:26 | |
I think your best thing is that. | 0:20:26 | 0:20:30 | |
-I hope so. -With the leaded light. | 0:20:30 | 0:20:31 | |
-It's sort of aesthetic movement, isn't it? -Yeah. | 0:20:31 | 0:20:33 | |
But I think you'll do well on that. | 0:20:33 | 0:20:36 | |
I'll leave you to arrange to get it all home, then. | 0:20:36 | 0:20:38 | |
-I can neatly pack mine away... -In your boat. | 0:20:38 | 0:20:41 | |
..quite compactly, I would say. | 0:20:41 | 0:20:43 | |
I tell you what, though, I started that early this morning, | 0:20:43 | 0:20:46 | |
I need a rest! Come on. | 0:20:46 | 0:20:48 | |
This pair of overseas explorers must now return to good old Blighty, | 0:20:51 | 0:20:54 | |
where they'll have to transform from battling buyers | 0:20:54 | 0:20:57 | |
into sensational sellers. | 0:20:57 | 0:20:59 | |
Using all available methods, Kate and Phil will scour the land | 0:21:00 | 0:21:04 | |
in search of a good home for each of their foreign purchases, | 0:21:04 | 0:21:07 | |
and they'll be hoping to amass the biggest possible profits | 0:21:07 | 0:21:10 | |
to go to their chosen charities. | 0:21:10 | 0:21:11 | |
So, down in her Hereford hideout, how is Kate feeling about her wares? | 0:21:13 | 0:21:18 | |
It's funny looking at the items I've got here | 0:21:18 | 0:21:21 | |
because they're not really what I set out to buy. | 0:21:21 | 0:21:24 | |
I've got a brand-new drum here, it's not old at all, | 0:21:24 | 0:21:28 | |
and there are a few issues with it. | 0:21:28 | 0:21:30 | |
But I've shown this to a friend of mine. | 0:21:30 | 0:21:32 | |
He's confident he might be able to improve on it a little bit. | 0:21:32 | 0:21:35 | |
Because it's not a top quality model, | 0:21:35 | 0:21:37 | |
it would be ideal for somebody learning to play. | 0:21:37 | 0:21:41 | |
My model of a yacht, it does need a little bit of work, | 0:21:41 | 0:21:43 | |
but I'm confident if we can put it back together nicely, | 0:21:43 | 0:21:46 | |
there's a serious profit there because it's a nice quality thing. | 0:21:46 | 0:21:50 | |
My candelabra certainly aren't that old. | 0:21:50 | 0:21:53 | |
The reason I bought them is because they make a lovely pair | 0:21:53 | 0:21:56 | |
and it may be that I look for a lighting specialist that will | 0:21:56 | 0:22:00 | |
give me a good profit on these. | 0:22:00 | 0:22:03 | |
My satchel's a bit of fun, wasn't very expensive, | 0:22:03 | 0:22:05 | |
maybe a good vintage shop for that and it'll do well. | 0:22:05 | 0:22:09 | |
And my skis, I can see a lot of fun with these. | 0:22:09 | 0:22:12 | |
But my favourite piece is my gingerbread mould, | 0:22:12 | 0:22:16 | |
or my biscuit mould. | 0:22:16 | 0:22:17 | |
It'd be great to sell it to somebody who knows about cooking | 0:22:17 | 0:22:20 | |
so they can really appreciate it. | 0:22:20 | 0:22:22 | |
So, all in all, I've got a bit of an eclectic mix here. | 0:22:22 | 0:22:26 | |
Think I'm going to have a bit of fun selling these. | 0:22:26 | 0:22:29 | |
Kate's looking forward to some fun, | 0:22:29 | 0:22:31 | |
but over in Worcester, Phil is getting down to business. | 0:22:31 | 0:22:35 | |
For me, it's the tale of two Belgian bookcases. | 0:22:35 | 0:22:39 | |
I'm pleased with this one, which stands me in at about £125. | 0:22:39 | 0:22:43 | |
I think that's absolutely for nothing. | 0:22:43 | 0:22:45 | |
This is a better example at £145 or thereabouts. | 0:22:45 | 0:22:49 | |
You've got this really lovely leaded light glass here. | 0:22:49 | 0:22:52 | |
This trunk, well, you know, I'm probably older than that is. | 0:22:52 | 0:22:56 | |
It's cost me about 16 quid, and I think someone's going to ask | 0:22:56 | 0:23:00 | |
perhaps £80 or £120 for that once it's just been blown over. | 0:23:00 | 0:23:03 | |
These two salt glazed pots have got lovely, lovely form, | 0:23:03 | 0:23:06 | |
and they were £33 or thereabouts. | 0:23:06 | 0:23:08 | |
And I had visions of turning them into a couple of table lamps, so I'm | 0:23:08 | 0:23:12 | |
going to try and sell them, I think, to someone who can do just that. | 0:23:12 | 0:23:15 | |
The bronze has got no age at all | 0:23:15 | 0:23:18 | |
but it's really, really well sculpted. | 0:23:18 | 0:23:20 | |
If that was old, depending upon who it was by, | 0:23:20 | 0:23:23 | |
that would be thousands of pounds. | 0:23:23 | 0:23:25 | |
I'm hoping, as it is, I can get around £100-150 for her. | 0:23:25 | 0:23:30 | |
Trench art is a hugely emotional area | 0:23:30 | 0:23:32 | |
and we're at the anniversary of the First World War, | 0:23:32 | 0:23:35 | |
and what I want to try and do is sell these to someone | 0:23:35 | 0:23:38 | |
who's going to have that emotional feel for them. | 0:23:38 | 0:23:41 | |
Now, Kate found it a struggle. | 0:23:41 | 0:23:43 | |
I wonder how she's going to get on selling the things she bought. | 0:23:43 | 0:23:47 | |
Both our experts are chomping at the bit to get going, | 0:23:47 | 0:23:50 | |
and in order to do just that, they begin the hard work of hitting | 0:23:50 | 0:23:53 | |
the phones, the internet and the road, | 0:23:53 | 0:23:56 | |
knowing that no deal is done until they press the flesh. | 0:23:56 | 0:23:59 | |
Kate is keen to get going, | 0:24:00 | 0:24:02 | |
but it's Phil who's first to find a potential nibble. | 0:24:02 | 0:24:05 | |
He's in Worcester on his way to visit a collector of bronze statues | 0:24:05 | 0:24:08 | |
who he's hoping will be interested in his nude. | 0:24:08 | 0:24:11 | |
There's risky and there's risque, | 0:24:11 | 0:24:13 | |
but nudes have formed an integral part of the art world | 0:24:13 | 0:24:16 | |
for hundreds of years now, | 0:24:16 | 0:24:18 | |
and I'm just hoping that my old mate John, | 0:24:18 | 0:24:20 | |
who collects bronzes, might just want to add her to his collection. | 0:24:20 | 0:24:24 | |
Phil forked out £57.38 on the bronze beauty in Belgium - | 0:24:26 | 0:24:30 | |
but will collector John feel it's worth it? | 0:24:30 | 0:24:33 | |
I know that you're a collector of bronzes. | 0:24:33 | 0:24:36 | |
-Bronzes, yes. -I just thought that was lovely. | 0:24:36 | 0:24:38 | |
Well, I couldn't possibly disagree with you | 0:24:38 | 0:24:41 | |
but why would you think of me? | 0:24:41 | 0:24:42 | |
I already have one or two around | 0:24:42 | 0:24:44 | |
-which are rather superior to this one. -Why do you say that, then? | 0:24:44 | 0:24:48 | |
I don't believe that this one is terribly old. | 0:24:48 | 0:24:51 | |
I think it's pretty well a mass produced item. | 0:24:51 | 0:24:53 | |
You're trying to sell it to me, what sort of money have you got in mind? | 0:24:53 | 0:24:56 | |
Oh, here we... No, this is... | 0:24:56 | 0:24:57 | |
Let me just tell you that this is going to be an object lesson in | 0:24:57 | 0:25:01 | |
P Serrell being totally abused | 0:25:01 | 0:25:02 | |
and taken to the cleaners here by my old mate. | 0:25:02 | 0:25:05 | |
John, she cost me 70 euros, | 0:25:05 | 0:25:08 | |
which in proper money is sort of 60, 63 quid or something like that. | 0:25:08 | 0:25:12 | |
That's right, yes. | 0:25:12 | 0:25:13 | |
And I was thinking that she'd be worth 150 quid. | 0:25:13 | 0:25:15 | |
I'd be happy to put 150 on it. | 0:25:15 | 0:25:18 | |
-Right, OK, and you said you wanted a modest profit? -Yes. | 0:25:18 | 0:25:21 | |
I'll give you £100 for it, how about that? | 0:25:21 | 0:25:24 | |
See, my maths has never been that sharp, really, | 0:25:24 | 0:25:26 | |
but that's me earning 40 quid and you earning 50 quid. | 0:25:26 | 0:25:29 | |
Yes. | 0:25:29 | 0:25:31 | |
What's wrong with that? | 0:25:31 | 0:25:33 | |
THEY LAUGH | 0:25:33 | 0:25:34 | |
Oh, you're a terrible man. | 0:25:34 | 0:25:36 | |
-I tell you what, let's both make 45 quid out of her. -OK. | 0:25:37 | 0:25:41 | |
That's 105 quid... | 0:25:41 | 0:25:42 | |
Is that 100 guineas? | 0:25:42 | 0:25:44 | |
Is that 100 guineas? | 0:25:44 | 0:25:45 | |
-It's 105 quid or thereabouts. -I think it's 100 guineas, actually. | 0:25:45 | 0:25:48 | |
Well, I'll shake your hand on that. | 0:25:48 | 0:25:50 | |
Phil gets the first shake of a hand | 0:25:50 | 0:25:53 | |
and makes the first profit, | 0:25:53 | 0:25:54 | |
earning £47.62 for the statue. | 0:25:54 | 0:25:57 | |
So, a strong start from Phil. | 0:25:58 | 0:26:00 | |
Kate isn't wasting any time either. | 0:26:00 | 0:26:03 | |
She's in the West Midlands with her skis, | 0:26:03 | 0:26:05 | |
where she's found her first target. | 0:26:05 | 0:26:07 | |
I've brought my old skis to meet Brian, | 0:26:08 | 0:26:10 | |
who's a collector of old winter sports equipment, | 0:26:10 | 0:26:13 | |
and I'm meeting him here at these dry ski slopes in Telford | 0:26:13 | 0:26:16 | |
because he uses these slopes for practising. | 0:26:16 | 0:26:19 | |
I'm really hoping this sale isn't going to be an uphill struggle. | 0:26:19 | 0:26:23 | |
But will skiing enthusiast Brian be hoping for a rock bottom price? | 0:26:25 | 0:26:29 | |
Remember, she paid £40.98 for the set. | 0:26:29 | 0:26:32 | |
-These are the ones I told you about. -Ah, those look good. | 0:26:32 | 0:26:35 | |
There you go, so they're wooden. | 0:26:35 | 0:26:37 | |
There is some remnants of a name here, | 0:26:37 | 0:26:39 | |
-and then we've got, obviously, metal bindings... -Yep, yep. | 0:26:39 | 0:26:42 | |
..but leather straps. | 0:26:42 | 0:26:44 | |
So, I mean, date-wise, I thought they looked about 1920s? | 0:26:44 | 0:26:47 | |
I'd say 1920, yeah, yeah, and French, I think. | 0:26:47 | 0:26:50 | |
Would these have been for skiing or more for land layer things, | 0:26:50 | 0:26:53 | |
so literally going along the flats? | 0:26:53 | 0:26:54 | |
They would have been downhill skiers. | 0:26:54 | 0:26:56 | |
They would have been downhill skis. | 0:26:56 | 0:26:58 | |
-Yeah. You can unclip the metal binding... -Right. | 0:26:58 | 0:27:00 | |
-..and walk back up the slope. -I see, oh, I see. | 0:27:00 | 0:27:03 | |
And then when you get to the top you can clip it back in and ski down. | 0:27:03 | 0:27:06 | |
So, tell me, Brian, are they something | 0:27:06 | 0:27:08 | |
you would like to add to your collection? | 0:27:08 | 0:27:10 | |
I think so, I haven't seen a pair like that. | 0:27:10 | 0:27:12 | |
They're very nice skis, yeah, yeah. | 0:27:12 | 0:27:14 | |
What sort of figure are you thinking of? | 0:27:14 | 0:27:17 | |
About £80, I would say. | 0:27:17 | 0:27:18 | |
Could I push you up just to a tenner and say 90? | 0:27:18 | 0:27:22 | |
I was hoping for about 100, but I'll meet you halfway. | 0:27:22 | 0:27:25 | |
-OK, yeah, that'll be fine. -Would you be happy with that? -Definitely. | 0:27:25 | 0:27:28 | |
-Fantastic, lovely. -Thank you. -Thank you very much indeed. | 0:27:28 | 0:27:32 | |
Kate makes a profit of just over £49 for the skis | 0:27:32 | 0:27:35 | |
and decides to hit the slopes. | 0:27:35 | 0:27:37 | |
Haven't done this for years! Woo! | 0:27:39 | 0:27:42 | |
Steady now, Kate, we don't want any accidents! | 0:27:42 | 0:27:44 | |
In fact, better have a quick lesson. | 0:27:44 | 0:27:46 | |
Here goes. | 0:27:46 | 0:27:48 | |
Whoa! Woo! | 0:27:49 | 0:27:51 | |
I made it! | 0:27:51 | 0:27:53 | |
Phew, I think we'll quit while all my limbs are still intact. | 0:27:53 | 0:27:56 | |
Yes, that's a very good idea. | 0:27:56 | 0:27:58 | |
Kate has shown her skills with the skis, making her even. | 0:27:58 | 0:28:01 | |
But cunning fox Phil is now trying to get ahead. | 0:28:03 | 0:28:07 | |
He's in Bringsty, | 0:28:07 | 0:28:08 | |
where antique dealer Nick shares premises with his mother Lynn. | 0:28:08 | 0:28:11 | |
He's hoping to sell his bookcase to him | 0:28:11 | 0:28:14 | |
and trunk to her. | 0:28:14 | 0:28:15 | |
So, first up, it's Nick and the bookcase. | 0:28:15 | 0:28:18 | |
What do you think? | 0:28:18 | 0:28:19 | |
-It's nice, yeah. Used to buy a lot of these at one time. -Really? | 0:28:19 | 0:28:23 | |
-Did you import them? -We went over to Belgium to buy them | 0:28:23 | 0:28:25 | |
and we've been to... We used to go to Normandy as well to buy. | 0:28:25 | 0:28:28 | |
-So this is typical, what, 1880s? -Yeah, thereabouts. | 0:28:28 | 0:28:31 | |
I mean, I was hoping I might get around 300 quid for it. | 0:28:31 | 0:28:34 | |
That's probably enough for this one. | 0:28:34 | 0:28:36 | |
Er, they're better with the lead glass, it's always better, | 0:28:36 | 0:28:39 | |
-but, erm... -Well, make me an offer I can't refuse. | 0:28:39 | 0:28:42 | |
I was thinking two-and-a-half. | 0:28:42 | 0:28:44 | |
-Sounds fair. -Is that your best shot? | 0:28:44 | 0:28:45 | |
Up another 20 quid, 270? Does that sound fair? | 0:28:45 | 0:28:47 | |
-Oh, you're a gentleman. -That's a fair price. | 0:28:47 | 0:28:49 | |
I'll have a deal with you, it's a very fair price. | 0:28:49 | 0:28:52 | |
Phil makes a whopping £147.05 profit on the Belgian bookcase, | 0:28:52 | 0:28:56 | |
but he's not done yet. | 0:28:56 | 0:28:58 | |
Having got a good profit from Nick, | 0:28:58 | 0:29:00 | |
how will he do when he lugs his trunk across the yard | 0:29:00 | 0:29:03 | |
to Nick's mum Lynn? | 0:29:03 | 0:29:04 | |
Lynn, how are you, my love? All right? | 0:29:05 | 0:29:07 | |
Oh, I'm pretty good, I'm pretty good, Phil. | 0:29:07 | 0:29:09 | |
-There we are, look at that. -What have you bought here? | 0:29:09 | 0:29:12 | |
-Does the word Chippendale spring to mind? -Not readily. | 0:29:12 | 0:29:15 | |
Right, OK, fine, I think you're a good judge. | 0:29:15 | 0:29:18 | |
Let me tell you, I bought this, and it was 20 euros, | 0:29:18 | 0:29:22 | |
which I thought was nothing, really, because I was thinking that | 0:29:22 | 0:29:25 | |
-a coat of paint on it might make what, 100-150, might it? -Ooh! | 0:29:25 | 0:29:29 | |
-What do you think that would make? -75, 85, something like that? | 0:29:29 | 0:29:32 | |
-Really? -But after I've done a lot of work to it, Philip. | 0:29:32 | 0:29:35 | |
Have you seen the screws in the bottom of it? | 0:29:35 | 0:29:38 | |
They've got your name on them. | 0:29:38 | 0:29:40 | |
-Philips. -Philips. | 0:29:40 | 0:29:41 | |
Right, OK, fine. I sort of kind of felt that | 0:29:42 | 0:29:44 | |
your son would be easier on me than you're going to be. | 0:29:44 | 0:29:47 | |
Oh, dear. Looks like Phil's met his match here. | 0:29:47 | 0:29:49 | |
Well, you couldn't get very excited about such a thing, could you? | 0:29:49 | 0:29:52 | |
I mean, it's a dome top. | 0:29:52 | 0:29:54 | |
I mean, who's going to want a dome top? I ask you! | 0:29:54 | 0:29:56 | |
And the paint job on it, Philip! | 0:29:56 | 0:29:58 | |
See? It hasn't finished yet. On it goes, yeah. | 0:29:58 | 0:30:00 | |
-Did you put these handles on, Philip(?) -Thanks, Lynn(!) | 0:30:00 | 0:30:03 | |
-Looks like it. -Thank you very much. | 0:30:03 | 0:30:05 | |
Poor old Phil, she's running rings round him! | 0:30:05 | 0:30:08 | |
I'm older than it is! | 0:30:08 | 0:30:10 | |
You're such a ratbag, you really are! | 0:30:11 | 0:30:13 | |
LYNN LAUGHS | 0:30:13 | 0:30:15 | |
-60 quid. -45? | 0:30:15 | 0:30:17 | |
-55. -50 knicker. -If you're happy with that, I'm more than happy. | 0:30:18 | 0:30:22 | |
-I'm very happy with that. -You're a star. Thank you very much. | 0:30:22 | 0:30:24 | |
Oh, he was done! LYNN LAUGHS | 0:30:24 | 0:30:27 | |
So, Phil holds his own | 0:30:30 | 0:30:31 | |
and escapes with a profit of £33.61 for the trunk. | 0:30:31 | 0:30:35 | |
Kate is in Herefordshire for the next item on her sale list, | 0:30:35 | 0:30:39 | |
the drum. | 0:30:39 | 0:30:41 | |
A friend of mine has given my drum and stand a little bit of a once over | 0:30:41 | 0:30:44 | |
and tidied them up a little bit, and it's only cost me a few quid. | 0:30:44 | 0:30:48 | |
But he's also put me in touch with Head of Music | 0:30:48 | 0:30:51 | |
at this school in Bromyard, Damjen. | 0:30:51 | 0:30:53 | |
Now, Damjen has expressed an interest in this | 0:30:53 | 0:30:56 | |
and I'm really hoping it's what he's looking for. | 0:30:56 | 0:30:59 | |
MUSIC: "Hit Me With Your Rhythm Stick" by Ian Dury | 0:30:59 | 0:31:01 | |
-Hello! -Hello. -Hi! | 0:31:09 | 0:31:10 | |
-This is the drum that I spoke of. -Excellent. | 0:31:10 | 0:31:13 | |
I've had it tidied up a little bit, | 0:31:13 | 0:31:15 | |
you've got new height adjuster nuts just here on the stand and, erm, | 0:31:15 | 0:31:19 | |
I've had the lock-off mechanism for the snare just tweaked a bit, | 0:31:19 | 0:31:24 | |
-so that's all in working order. -Yep. | 0:31:24 | 0:31:26 | |
So you've got the snare on at the moment. | 0:31:26 | 0:31:28 | |
SNARE DRUM RATTLES | 0:31:28 | 0:31:29 | |
-Great. -But then if you flip that off, that's all working | 0:31:29 | 0:31:32 | |
and you just get the tom sound. | 0:31:32 | 0:31:34 | |
-DULLER DRUM SOUND -Great. -There you go. -It looks great. | 0:31:34 | 0:31:36 | |
Both the fact that the snare is on and off, | 0:31:36 | 0:31:38 | |
we'd be able to use it for multiple purposes. | 0:31:38 | 0:31:41 | |
What sort of figure do you have in mind? | 0:31:41 | 0:31:44 | |
Round about the £55 mark. | 0:31:44 | 0:31:47 | |
Could I push you up just five and say around 60? | 0:31:47 | 0:31:51 | |
-60. You have yourself a deal. -OK. | 0:31:52 | 0:31:54 | |
I'm happy with that. Thank you very much indeed. Lovely. | 0:31:54 | 0:31:58 | |
And after taking off the restoration cost, | 0:31:59 | 0:32:01 | |
Kate makes £34.51 for the drum and it's definitely found a good home. | 0:32:01 | 0:32:06 | |
One, two, three, four. | 0:32:07 | 0:32:10 | |
Now, let's take a moment to see who's looking likely to beat | 0:32:16 | 0:32:19 | |
double-time and who needs to catch up. | 0:32:19 | 0:32:22 | |
So far, Kate has sold just two of her six items, racking up | 0:32:24 | 0:32:29 | |
a profit of £83.53. | 0:32:29 | 0:32:32 | |
Phil is ahead with three deals done | 0:32:32 | 0:32:34 | |
and with a profit of £228.28 to his name. | 0:32:34 | 0:32:38 | |
And he's still got another of those bookcases, so Kate needs to run, | 0:32:39 | 0:32:43 | |
run as fast as she can, because she has a date with a gingerbread man. | 0:32:43 | 0:32:48 | |
I'm taking my gingerbread mould to show Robert, | 0:32:48 | 0:32:51 | |
who owns a bakery here in Ludlow, to see what he makes of it. | 0:32:51 | 0:32:55 | |
Robert is a baker | 0:32:55 | 0:32:57 | |
so Kate hopes he will help her cook up a decent profit here. | 0:32:57 | 0:33:00 | |
It cost her £69.67. | 0:33:00 | 0:33:02 | |
This is the mould that I told you about. | 0:33:02 | 0:33:06 | |
-Do you want to have a look? -I'd love to. | 0:33:06 | 0:33:08 | |
-There it is. -Rather impressive. -Yeah, | 0:33:08 | 0:33:11 | |
it's impressive in size, certainly. | 0:33:11 | 0:33:15 | |
You do have really rare ones dating as far back as 17th century. | 0:33:15 | 0:33:19 | |
This one, I think, is late 19th century in date. | 0:33:19 | 0:33:23 | |
And the person I bought it off, I bought it in Belgium, | 0:33:23 | 0:33:26 | |
thought it might be depicting St Nicolas. | 0:33:26 | 0:33:30 | |
I think it's more likely to be Judy, as in the Punch and Judy Show. | 0:33:30 | 0:33:35 | |
I can see that. | 0:33:35 | 0:33:36 | |
Is it something you might be interested in purchasing? | 0:33:36 | 0:33:39 | |
Yeah, it might be something we could feature in the shop | 0:33:39 | 0:33:43 | |
which would blend in quite nicely with the history theme. | 0:33:43 | 0:33:46 | |
It's great that you're interested. Let's talk money. | 0:33:46 | 0:33:48 | |
Because it is unusually big, | 0:33:48 | 0:33:50 | |
I was hoping for around the £150 mark. | 0:33:50 | 0:33:53 | |
How do you feel? | 0:33:53 | 0:33:55 | |
-How would 90 be? -Can I push it and say 125? | 0:33:55 | 0:33:59 | |
-Seeing as you asked nicely, we'll go for 125. -Happy? -Happy. | 0:34:00 | 0:34:04 | |
I'll give you a hand with a bit of baking! | 0:34:04 | 0:34:06 | |
-Excellent, we'll get on with that now, then. Thank you. -Fantastic. | 0:34:06 | 0:34:09 | |
Thank you. | 0:34:09 | 0:34:11 | |
Kate takes out a tasty profit of £55.33 for the gingerbread mould | 0:34:11 | 0:34:15 | |
so it's on your marks, get set, bake! | 0:34:15 | 0:34:17 | |
In goes the sugar. | 0:34:18 | 0:34:21 | |
This is hard work. | 0:34:21 | 0:34:23 | |
She should have her own cookery show. | 0:34:24 | 0:34:27 | |
I wonder what it would be called. | 0:34:28 | 0:34:30 | |
-All right? -That is lovely. -Not bad for a beginner. | 0:34:33 | 0:34:37 | |
And Kate adds another £15.08 to her balance sheet | 0:34:37 | 0:34:41 | |
when she sells the satchel to Fran, a Hereford-based antiques dealer. | 0:34:41 | 0:34:45 | |
Phil has still got his second bookcase with leaded lights to sell. | 0:34:45 | 0:34:49 | |
He is hoping specialist furniture dealer Lee will give him | 0:34:49 | 0:34:51 | |
a good deal. | 0:34:51 | 0:34:53 | |
You and I both go to antique fairs | 0:34:53 | 0:34:55 | |
and you will see things like that for sale, just the columns... | 0:34:55 | 0:34:59 | |
Just the leaded lights for sale, you will see these columns cut off | 0:34:59 | 0:35:03 | |
-and polished and just those for sale. -That's right. | 0:35:03 | 0:35:07 | |
-And it's almost like breaking a car up for scrap. -That's right. | 0:35:07 | 0:35:11 | |
-The lions are superb as well. -I think they are good. -Yeah. | 0:35:11 | 0:35:15 | |
So you are interested? | 0:35:15 | 0:35:17 | |
-I'm interested, yes. -Let me guess what's coming next, Lee. | 0:35:17 | 0:35:20 | |
How long have I known you?! | 0:35:20 | 0:35:23 | |
-Price is always the thing. -I was hoping to get 300, 350 for it. | 0:35:23 | 0:35:27 | |
I could go 272. I wouldn't go any more than that. | 0:35:27 | 0:35:31 | |
-That would give me a small profit. -Gives you a working profit. | 0:35:31 | 0:35:34 | |
-Absolutely. -OK. I will shake your hand, matey. | 0:35:34 | 0:35:36 | |
-Thank you very much indeed. -My pleasure. | 0:35:36 | 0:35:39 | |
So, Phil doesn't get the price he wanted | 0:35:39 | 0:35:41 | |
but still walks away with a whopping £126.56 profit. | 0:35:41 | 0:35:45 | |
Kate is next with a model boat that cost her just one euro. | 0:35:47 | 0:35:51 | |
She has painstakingly restored the vessel herself | 0:35:51 | 0:35:54 | |
and come down to Bristol, where she is hoping it will float | 0:35:54 | 0:35:57 | |
the boat of Vaughan, a boating enthusiast. | 0:35:57 | 0:36:00 | |
-So, this is your boat here, is it? -This is my boat, the Queen of Sheba. | 0:36:00 | 0:36:03 | |
-Isn't she a beauty? -She's not bad. -Yes. | 0:36:03 | 0:36:06 | |
This is the model boat I told you about. The yacht. What do you think? | 0:36:06 | 0:36:10 | |
I think it's a very nice boat, yes. | 0:36:10 | 0:36:12 | |
I've been looking out for one for a long time. | 0:36:12 | 0:36:14 | |
And the ones in the shops seem to be mass produced | 0:36:14 | 0:36:17 | |
and this is original and looks as though... | 0:36:17 | 0:36:21 | |
It's handmade, isn't it? | 0:36:21 | 0:36:23 | |
So, what sort of price would you see her at, Vaughan? | 0:36:23 | 0:36:25 | |
Well, this is it, isn't it? Always difficult, money! | 0:36:25 | 0:36:28 | |
Yes, it is with Bliss. Especially with 82p invested. | 0:36:28 | 0:36:32 | |
What I was hoping for 150, maybe a little bit more. | 0:36:32 | 0:36:36 | |
Ahem! How much?! | 0:36:36 | 0:36:38 | |
-What were you thinking? -Well, 160. | 0:36:38 | 0:36:42 | |
160 sounds good to me. | 0:36:42 | 0:36:44 | |
-If you are happy with that. -You've got a deal, then. -Wonderful. | 0:36:44 | 0:36:46 | |
Thank you very much. Well, I hope she brings you good luck. | 0:36:46 | 0:36:50 | |
Would you believe it? | 0:36:51 | 0:36:52 | |
Kate's wooden ship makes an astounding £159.18 profit. | 0:36:52 | 0:36:58 | |
And with the wind in her sails, it is on to the next sale. | 0:36:58 | 0:37:02 | |
It's the chandeliers. | 0:37:02 | 0:37:03 | |
They cost her 150 euros so she's hoping that Ken, | 0:37:03 | 0:37:06 | |
a specialist antique lighting dealer, will take a shine to them. | 0:37:06 | 0:37:10 | |
I think they are really decorative. They are polished pewter. | 0:37:11 | 0:37:15 | |
I don't think they are antique, myself | 0:37:15 | 0:37:18 | |
but there's probably a bit of age to them. I would put them 20th century. | 0:37:18 | 0:37:21 | |
No, they are not antique. | 0:37:21 | 0:37:23 | |
But nevertheless they are decorative and I'm sure they could find a use. | 0:37:23 | 0:37:27 | |
Good. I notice a lot of them in your showroom have crystal drops. | 0:37:27 | 0:37:33 | |
Obviously these are much plainer. Are they suitable? | 0:37:33 | 0:37:36 | |
They are suitable inasmuch as they don't have to have crystal drops but | 0:37:36 | 0:37:40 | |
I don't normally sell them if they're not electrified | 0:37:40 | 0:37:43 | |
and in this case they would be very difficult to electrify. | 0:37:43 | 0:37:47 | |
So, how would you see them price-wise? | 0:37:47 | 0:37:49 | |
I could probably see £200-300 because they are decorative. | 0:37:49 | 0:37:54 | |
Excellent, I was hoping towards the upper end of that, | 0:37:54 | 0:37:57 | |
somewhere near 300. | 0:37:57 | 0:37:58 | |
If you were to say £280, then I would buy them. | 0:37:58 | 0:38:02 | |
-I am happy with that. Lovely, thank you very much. -You're very welcome. | 0:38:02 | 0:38:05 | |
That sounds fantastic. | 0:38:05 | 0:38:07 | |
Kate sells the chandeliers and makes a profit of just over £157 | 0:38:07 | 0:38:11 | |
and she is all sold up. | 0:38:11 | 0:38:14 | |
Phil has still got two to go, including his salt glazed pots. | 0:38:14 | 0:38:18 | |
You may remember he was hoping to find someone to turn them into lamps | 0:38:18 | 0:38:22 | |
and true to his word, he's travelled to Rutland to meet | 0:38:22 | 0:38:25 | |
Tom, who turns things into lamps. | 0:38:25 | 0:38:27 | |
Handy, that! | 0:38:27 | 0:38:29 | |
What's this all about? | 0:38:29 | 0:38:31 | |
-I bought these in a continental market in Brussels. -OK. | 0:38:31 | 0:38:34 | |
I had visions of turning them into a light. | 0:38:34 | 0:38:37 | |
What I lacked is the ability to do so. | 0:38:37 | 0:38:39 | |
You know a Serrell job - six-inch nail, baler twine and Blu-Tack! | 0:38:39 | 0:38:43 | |
-But they would look great. -You do this in-house? | 0:38:43 | 0:38:46 | |
We do it all in the workshop, yeah. | 0:38:46 | 0:38:48 | |
You have some shades, can I see what they look like? | 0:38:48 | 0:38:51 | |
Do. I reckon if you balance that just about... It will fit. | 0:38:51 | 0:38:55 | |
-Do you know what, Tom, I think they've gone up in price! -No! | 0:38:55 | 0:38:59 | |
It's my shades have done it, Phil. | 0:38:59 | 0:39:01 | |
-How much are the shades? -The shades are £55 a shade. | 0:39:01 | 0:39:04 | |
-Handmade silk pleated shades. -So, if the shades are £55... -Yes. | 0:39:04 | 0:39:10 | |
The bases ought to be £55, shouldn't they? | 0:39:10 | 0:39:12 | |
Well... Are you talking full retail? Is that what you're saying? | 0:39:12 | 0:39:16 | |
Hark at this. I was kind of hoping I might get 50 quid apiece for them. | 0:39:17 | 0:39:23 | |
I could do pretty close to that, Phil. | 0:39:23 | 0:39:26 | |
I would be happy to give you 80 quid for the pair. | 0:39:26 | 0:39:29 | |
You, sir, are a gentleman. Thank you very much indeed. | 0:39:29 | 0:39:33 | |
Phil makes £47.21 on the pots | 0:39:33 | 0:39:35 | |
and he's only got one to go. | 0:39:35 | 0:39:38 | |
It's the trench art that cost him £16.39 | 0:39:38 | 0:39:41 | |
but will it be shellshock when it comes to finding a good price | 0:39:41 | 0:39:45 | |
from Tim, a Worcester-based antiques dealer? | 0:39:45 | 0:39:47 | |
I bought these to show you. | 0:39:49 | 0:39:51 | |
Oh, trench art. | 0:39:51 | 0:39:54 | |
These things always come out on premiums in or around the | 0:39:54 | 0:39:57 | |
anniversary and I just think these things are hugely emotional, really. | 0:39:57 | 0:40:01 | |
-A lot of people call them shell art, don't they? -They are shell art. | 0:40:01 | 0:40:04 | |
You know why, obviously. Because they are made out of shell cases. | 0:40:04 | 0:40:07 | |
I think some were done by soldiers. | 0:40:07 | 0:40:09 | |
Some may have been done by prisoners of war. | 0:40:09 | 0:40:11 | |
For such a brutal destructive thing, which a shell is... | 0:40:11 | 0:40:15 | |
-They try to make something out of it. -To turn that into a work of art, | 0:40:15 | 0:40:19 | |
-there's an awful lot of work gone into that. -Yes. | 0:40:19 | 0:40:22 | |
-An awful lot of work. -Strangely enough though, Philip, | 0:40:22 | 0:40:25 | |
an awful lot of work and must be getting rarer | 0:40:25 | 0:40:27 | |
because time is going on, but they don't seem to fetch a lot of money | 0:40:27 | 0:40:31 | |
so I hope you haven't booked your holidays or whatever on how much. | 0:40:31 | 0:40:35 | |
How much is not a lot of money? | 0:40:35 | 0:40:37 | |
DEALER EXHALES | 0:40:37 | 0:40:39 | |
20 or 30 quid. That's all they would be worth. | 0:40:39 | 0:40:43 | |
-What was the last bit, 20 or... -Yeah. £20-£30. That's the most... | 0:40:43 | 0:40:48 | |
-I've said something wrong, haven't I? -No, 30 is fine. | 0:40:48 | 0:40:51 | |
-Right, I will give you 30. -You are a gentleman. What a good chap! | 0:40:51 | 0:40:55 | |
I've always liked him. | 0:40:55 | 0:40:57 | |
Phil makes £13.61 on the trench art and he's done. | 0:40:57 | 0:41:01 | |
I think I've done OK with my sales but the thing is, | 0:41:03 | 0:41:06 | |
is OK going to be enough? | 0:41:06 | 0:41:08 | |
Well, it's a good question, Phil. | 0:41:08 | 0:41:11 | |
It's almost time to find out who has scaled the mountain of profit | 0:41:11 | 0:41:14 | |
and who is stuck in the valley of despair. | 0:41:14 | 0:41:16 | |
First, a quick reminder of how much our experts spent. | 0:41:16 | 0:41:20 | |
Having each started the day with £750 worth of euros to spend, | 0:41:21 | 0:41:25 | |
Kate Bliss picked up six purchases, paying £259.83. | 0:41:25 | 0:41:29 | |
Phil Serrell matcher her six but spent more, | 0:41:31 | 0:41:34 | |
totalling £389.34. | 0:41:34 | 0:41:36 | |
But all that matters now is the bottom line. | 0:41:36 | 0:41:40 | |
All of the money that Phil and Kate have made from today's | 0:41:40 | 0:41:43 | |
challenge will go to charities of their choice. | 0:41:43 | 0:41:45 | |
Let's find out who is today's Put Your Money Where Your Mouth Is champion. | 0:41:45 | 0:41:50 | |
-Well... What a bumpy ride. -It was. Was it for you? | 0:41:50 | 0:41:54 | |
Well, the foreign market is always different, always a challenge. | 0:41:54 | 0:41:57 | |
But I had so much fun selling my items. | 0:41:57 | 0:41:59 | |
How did you get on at the shipyard? | 0:41:59 | 0:42:01 | |
Well, bought for one euro, sold for £160. | 0:42:01 | 0:42:05 | |
-I sweated blood and tears. -You sold it for how much?! | 0:42:07 | 0:42:10 | |
You should have seen it. I got the old husband. | 0:42:10 | 0:42:13 | |
-He was... -Burning the midnight oil. Tell me about yours. | 0:42:14 | 0:42:19 | |
Well, it was a big old oak day. I quite enjoyed it. It was good. | 0:42:19 | 0:42:23 | |
-They did well for me. -Yeah, I had a feeling they might. | 0:42:23 | 0:42:27 | |
-I've got high hopes. -Let's have a look. -Three, two, one. | 0:42:27 | 0:42:31 | |
Ooh! You did very, very well. Didn't you just? | 0:42:33 | 0:42:36 | |
-I thought you would have smashed me. -No, no! -Crikey. | 0:42:36 | 0:42:39 | |
You've done really really well. | 0:42:39 | 0:42:41 | |
Well, I haven't told you about my chandeliers yet. | 0:42:41 | 0:42:43 | |
-Come on, I had a really good contact. -Did you see the light?! -Hee-hee! | 0:42:43 | 0:42:47 | |
So, Captain Bliss sails to victory and it was all down to | 0:42:47 | 0:42:50 | |
that 82p boat - one of the biggest profit margins we've ever seen. | 0:42:50 | 0:42:55 | |
I've got to be honest with you, | 0:42:55 | 0:42:57 | |
when I saw Philip's big pieces of oak, I thought he had it in the bag. | 0:42:57 | 0:43:01 | |
My heart sank. | 0:43:01 | 0:43:03 | |
But not only did I have an enormous amount of fun selling my pieces, | 0:43:03 | 0:43:07 | |
I made steady profits too. | 0:43:07 | 0:43:09 | |
What I should have done is just bought more big bookcases! | 0:43:09 | 0:43:13 | |
Well, fear not, Phil. | 0:43:13 | 0:43:14 | |
Tomorrow you will have another chance to beat Miss Bliss | 0:43:14 | 0:43:18 | |
at an antiques fair in West Sussex. | 0:43:18 | 0:43:20 |