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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:10 | |
Elementary, my dear dealers. | 0:00:10 | 0:00:12 | |
..and gives you the insider's view of the trade. | 0:00:12 | 0:00:15 | |
HE LAUGHS HE GROWLS | 0:00:15 | 0:00:17 | |
Each week, one pair of duelling dealers will face | 0:00:17 | 0:00:20 | |
a different daily challenge... | 0:00:20 | 0:00:22 | |
Catch me if you can. | 0:00:22 | 0:00:24 | |
The axeman cometh. | 0:00:24 | 0:00:26 | |
..putting their reputations on the line... | 0:00:26 | 0:00:29 | |
Urgh. Ready for battle. FANFARE BLARES | 0:00:29 | 0:00:32 | |
..and giving you their top tips | 0:00:32 | 0:00:34 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:34 | 0:00:39 | |
Get in there. | 0:00:39 | 0:00:40 | |
Today, the biggest, boldest antiques challenge | 0:00:42 | 0:00:45 | |
known to man - the dealing dynamo, David Harper, | 0:00:45 | 0:00:48 | |
goes head-to-head with the Put Your Money newcomer, | 0:00:48 | 0:00:50 | |
Caroline Hawley, in the climax of the week. | 0:00:50 | 0:00:53 | |
Hold on tight, it's the Showdown. | 0:00:53 | 0:00:56 | |
Coming up, Caroline bags herself a bit of bling... | 0:01:00 | 0:01:03 | |
Oh, I like that. I think madam might wear it home. | 0:01:03 | 0:01:07 | |
..David buys something he hates... | 0:01:07 | 0:01:09 | |
It is positively revolting and it makes me want to be sick. | 0:01:09 | 0:01:12 | |
..and all bets are off at the Showdown auction. | 0:01:12 | 0:01:14 | |
My only profit, and it's the worst object I've bought in years. | 0:01:14 | 0:01:18 | |
This is Put Your Money Where Your Mouth Is. | 0:01:18 | 0:01:22 | |
Brace yourselves, folks, as two wily warriors are about to step | 0:01:35 | 0:01:39 | |
into the arena for an all-out bargain battle. | 0:01:39 | 0:01:43 | |
It's the culmination of a close-run race | 0:01:43 | 0:01:45 | |
and these titans of the trade have one final chance | 0:01:45 | 0:01:49 | |
to flex their marketing muscles and outwit the opposition. | 0:01:49 | 0:01:52 | |
First up, it's a dealing dandy with a keen eye for a bargain. | 0:01:52 | 0:01:56 | |
He's a trading tiger, who pounces on profit | 0:01:56 | 0:01:59 | |
without a moment's hesitation. | 0:01:59 | 0:02:00 | |
All the way from Durham, it's Devilish David Harper. | 0:02:00 | 0:02:04 | |
-It's all about trust in this business. Thank you. -Thank you. | 0:02:04 | 0:02:07 | |
His opponent today is an auctioneer action woman. | 0:02:07 | 0:02:10 | |
She may be a Put Your Money newbie | 0:02:10 | 0:02:12 | |
but she's been in the trade for years and knows it inside out. | 0:02:12 | 0:02:16 | |
It's the profit-hunting bird of prey, | 0:02:16 | 0:02:19 | |
Caroline "The Hawk" Hawley. | 0:02:19 | 0:02:21 | |
BIRD SCREECHES | 0:02:21 | 0:02:22 | |
So watch out, David, you're going to have your work cut out to beat me. | 0:02:22 | 0:02:26 | |
They both have £1,000 of their own money to spend | 0:02:26 | 0:02:29 | |
across four very different locations. | 0:02:29 | 0:02:32 | |
A car boot sale, an auction, an antiques fair and a foreign market. | 0:02:32 | 0:02:38 | |
But this is the Showdown | 0:02:38 | 0:02:39 | |
so they'll have to choose their eight collectables carefully | 0:02:39 | 0:02:42 | |
as half their booty will be sent to an auction, | 0:02:42 | 0:02:45 | |
where their fate and profit lies in the hands of the bidding public. | 0:02:45 | 0:02:49 | |
Anything can happen but only one dealer will emerge the winner | 0:02:49 | 0:02:53 | |
so, David Harper and Caroline Hawley, | 0:02:53 | 0:02:56 | |
it's time to put your money where your mouth is. | 0:02:56 | 0:02:59 | |
Oh, this is the exciting one, you know that? | 0:02:59 | 0:03:02 | |
-I do know that, David. -This is the Showdown. The rules are very simple. | 0:03:02 | 0:03:06 | |
You must each buy two items at every one of your regular | 0:03:06 | 0:03:10 | |
Put Your Money challenges and you have, we have, £1,000 to spend. | 0:03:10 | 0:03:15 | |
You can sell up to four items wherever you want. | 0:03:15 | 0:03:18 | |
-All right, yeah. Oh, you're a bit bossy. -I am indeed. -Oh, I like it. | 0:03:18 | 0:03:22 | |
The rest will be sold at the Showdown auction in direct competition | 0:03:22 | 0:03:26 | |
-with your opponent. That's you. -And you, -yeah. -And me. | 0:03:26 | 0:03:29 | |
-The winner, that's me... -Yeah. | 0:03:29 | 0:03:32 | |
-..is the expert... -That's me. -Yeah. | 0:03:32 | 0:03:35 | |
-..who makes the most profit. -That's none of us. -No. Good luck. | 0:03:35 | 0:03:39 | |
-Good luck to you as well. -Thank you. -Come on. | 0:03:39 | 0:03:41 | |
So, poised and ready, it's straight to round one - the car boot sale. | 0:03:41 | 0:03:45 | |
They're on home turf in the North East, | 0:03:45 | 0:03:47 | |
hitting the racecourse at Sedgefield in Teesside, | 0:03:47 | 0:03:50 | |
a weekly boot sale that's relatively new to the calendar. | 0:03:50 | 0:03:53 | |
There's an eclectic choice of goods on offer | 0:03:53 | 0:03:55 | |
but what will our treasure-hunting twosome hone in on? | 0:03:55 | 0:03:59 | |
It seems the Hawk is first up. | 0:03:59 | 0:04:01 | |
-A couple of quid? -Three. -Two and it's a deal. -Go on, then. -Go on, then. | 0:04:01 | 0:04:06 | |
-Thank you, sir. -You're welcome. -Thank you very much. | 0:04:06 | 0:04:10 | |
And quick as a flash that's her first buy in the bag. | 0:04:10 | 0:04:13 | |
10 years ago, I would have sold this all day long... £60, £70, £80. | 0:04:13 | 0:04:20 | |
It's unbelievable. Mahogany, burl walnut top to it. | 0:04:20 | 0:04:26 | |
It's in really good condition. | 0:04:26 | 0:04:28 | |
Bob's your uncle and I can turn £2... | 0:04:28 | 0:04:30 | |
-Well, I can easily times it by 10. -So the new girl is out of the gates. | 0:04:30 | 0:04:35 | |
Across the boot sale, Devilish has just | 0:04:35 | 0:04:37 | |
sealed his first deal as well, | 0:04:37 | 0:04:39 | |
buying a colourful pot stand for £20. | 0:04:39 | 0:04:42 | |
Well, I've got to tell you, I really do like a nice piece of majolica, | 0:04:42 | 0:04:47 | |
and this actually is a good piece of majolica. | 0:04:47 | 0:04:50 | |
The more I look at it, the more confident I am | 0:04:50 | 0:04:53 | |
that it is late 19th century, 1890s, circa 1900. | 0:04:53 | 0:04:57 | |
It's a bargain at 20 quid | 0:04:57 | 0:05:00 | |
and there should be two or three times that amount easily in profit. | 0:05:00 | 0:05:06 | |
-It's a lovely find. -That's the kind of maths we like. | 0:05:06 | 0:05:09 | |
Caroline has been busy too and she's spotted a bit of bling. | 0:05:09 | 0:05:13 | |
-What's the absolute best on that? -To you, £10. | 0:05:13 | 0:05:17 | |
Can I squeeze you a little bit on it? | 0:05:17 | 0:05:21 | |
-What about eight? -What about five? | 0:05:21 | 0:05:24 | |
-You're packing up, it's late in the day. -Go on, then. | 0:05:24 | 0:05:27 | |
-Have yourself a bargain. -Cheers, thank you. | 0:05:27 | 0:05:31 | |
Oh, I like that. I think madam might wear it home. | 0:05:31 | 0:05:35 | |
Impressive haggling, milady. That's half-price. | 0:05:35 | 0:05:38 | |
Just look at this little gem. | 0:05:38 | 0:05:40 | |
I'm thrilled to bits with it. It's absolutely fantastic, isn't it? | 0:05:40 | 0:05:45 | |
Now, I think by the style of this its 1920s, 1930s. | 0:05:45 | 0:05:49 | |
It's gold, nine carat gold, | 0:05:49 | 0:05:52 | |
silver mounted, which shows off these paste stones beautifully. | 0:05:52 | 0:05:57 | |
It's worth £20 of anybody's money. | 0:05:57 | 0:05:59 | |
So the Hawk's got her two car boot bargains. | 0:05:59 | 0:06:02 | |
With the sale drawing to a close, | 0:06:02 | 0:06:04 | |
David moves quickly on something with a weighty price tag. | 0:06:04 | 0:06:08 | |
It's probably a 1960s barometer made out of onyx. | 0:06:08 | 0:06:11 | |
The face is faded, it doesn't work, it's got a lot going for it. | 0:06:13 | 0:06:17 | |
It could involve, possibly, 150 pennies. | 0:06:17 | 0:06:20 | |
-150 big ones. -Yeah. Yes, you've got it. | 0:06:20 | 0:06:24 | |
-I tell you what I'll do, I'll give you 100 big ones. -Yes. | 0:06:24 | 0:06:27 | |
-Please take it away. -Good man. | 0:06:27 | 0:06:28 | |
You've got a deal, the easiest deal of the afternoon. | 0:06:28 | 0:06:31 | |
So the barometer cost him just a pound. | 0:06:31 | 0:06:33 | |
Last of the big spenders, Harper. | 0:06:33 | 0:06:35 | |
No one ever, ever again call me tight. | 0:06:35 | 0:06:38 | |
I bought this absolutely, positively revolting barometer | 0:06:38 | 0:06:43 | |
but only for £1. There's got to be at least 100% margin in that. | 0:06:43 | 0:06:48 | |
And if you can get 100%, you're doing pretty well. | 0:06:48 | 0:06:51 | |
That cheap and cheerful buy brings us to the end | 0:06:51 | 0:06:54 | |
of round one of our Showdown challenge. | 0:06:54 | 0:06:56 | |
Let's take a look at the figures. | 0:06:56 | 0:06:58 | |
Both our experts started out with £1,000 of their own money. | 0:07:00 | 0:07:04 | |
David has parted with just £21, leaving 979 to play with. | 0:07:04 | 0:07:09 | |
Amazingly, Caroline has spent even less at just £7, | 0:07:12 | 0:07:17 | |
so she has an enormous 993 for the rest of the game. | 0:07:17 | 0:07:21 | |
It's straight into round two - the antique auction. | 0:07:22 | 0:07:25 | |
Our daring duo ahead to Henry Spencer auctions near Nottingham | 0:07:26 | 0:07:30 | |
for a general sale. | 0:07:30 | 0:07:31 | |
Before the sale gets under way, | 0:07:33 | 0:07:34 | |
our treasure hunters have a quick scout around the saleroom. | 0:07:34 | 0:07:37 | |
David spots a potential star. | 0:07:37 | 0:07:40 | |
Now let me show you something that I think can only be described | 0:07:40 | 0:07:44 | |
as the bargain of the century. | 0:07:44 | 0:07:47 | |
It dates to about 1890, 1900, thereabouts. | 0:07:47 | 0:07:51 | |
It's described as an American rocking chair. | 0:07:51 | 0:07:54 | |
£20-£50 will buy you a handmade rocking chair that works | 0:07:54 | 0:08:00 | |
just absolutely...beautifully. | 0:08:00 | 0:08:05 | |
So he marks his catalogue and the sale gets under way. | 0:08:05 | 0:08:09 | |
First up is a silver salver and Caroline decides to give it a go. | 0:08:09 | 0:08:13 | |
1620A is a silver salver by Ebenezer Coker... | 0:08:13 | 0:08:17 | |
-I'm just going to see what this goes for. -..1763. | 0:08:17 | 0:08:20 | |
We've got £50 to start it. We've got £50. 60, 70... | 0:08:20 | 0:08:23 | |
-But she's not the only one interested. -80, 90, 100, 110... | 0:08:23 | 0:08:27 | |
No, thanks. | 0:08:27 | 0:08:29 | |
120 in a new place. Are you 130? | 0:08:29 | 0:08:31 | |
130. Are you 140? It'll be sold at £130. | 0:08:31 | 0:08:36 | |
Being sold, 130. | 0:08:36 | 0:08:38 | |
I think that's quite cheap, actually. I mean, 1763, Ebenezer Coker, London. | 0:08:38 | 0:08:45 | |
It's a good thing. It's got a little bit of repair on it | 0:08:45 | 0:08:48 | |
but I think that's OK. | 0:08:48 | 0:08:50 | |
So the Hawk wins the tray and with fees it costs is her £158.60. | 0:08:50 | 0:08:56 | |
Next up, Devilish overhears an antique prayer book | 0:08:56 | 0:08:59 | |
with a whopping £600 estimate, going cheap. | 0:08:59 | 0:09:02 | |
-50? -I'll get that. -I've got £50. I've got 60 on the book. 70, 80. | 0:09:02 | 0:09:09 | |
-You 90? -Yeah. -I've got 100 on the book. Are you 110? | 0:09:09 | 0:09:13 | |
I've got 120 on the book. | 0:09:13 | 0:09:15 | |
-No. -Are you 130? | 0:09:15 | 0:09:17 | |
-No. -One more will get it. | 0:09:17 | 0:09:20 | |
-Go on, then. -130. Any advance on 130? | 0:09:20 | 0:09:23 | |
Lord only knows what I've just bought. | 0:09:23 | 0:09:25 | |
-GAVEL BANGS -It looks cheap. -130. | 0:09:25 | 0:09:28 | |
Well, with commission that's £158.60 but Devilish hopes | 0:09:28 | 0:09:32 | |
he's onto a winner. | 0:09:32 | 0:09:34 | |
It's always exciting to take a punt like this, | 0:09:34 | 0:09:37 | |
My Sermons on Social Life, by William Wood, dated 1775. | 0:09:37 | 0:09:42 | |
With an estimate of 600 - 1000, when the bidding started at £50, | 0:09:42 | 0:09:47 | |
my ears pricked up and I nailed it at 130. | 0:09:47 | 0:09:51 | |
That is the only reason I bought this book. | 0:09:51 | 0:09:55 | |
And, riding high on the success of his first purchase, | 0:09:55 | 0:09:58 | |
David throws his bidding card into the air | 0:09:58 | 0:10:00 | |
for that rocking chair as well... | 0:10:00 | 0:10:02 | |
40. | 0:10:02 | 0:10:04 | |
..and wins it for just over £36 with fees. | 0:10:04 | 0:10:07 | |
So that's Devilish's two auction items in the bag | 0:10:09 | 0:10:12 | |
but Caroline fancies a bit of furniture too | 0:10:12 | 0:10:15 | |
and has her eye on a mixed lot of chairs. | 0:10:15 | 0:10:17 | |
-Yes. -£5 only bid. I've got eight across here. Are you 10? | 0:10:17 | 0:10:21 | |
10, 12, 15. Are you 18? | 0:10:21 | 0:10:25 | |
The lady on the left at 15. Sold at 15. | 0:10:25 | 0:10:29 | |
-GAVEL BANGS 81. -Number 81. | 0:10:29 | 0:10:31 | |
So the chairs cost her just over £18 with commission | 0:10:31 | 0:10:34 | |
and she's over the moon. | 0:10:34 | 0:10:36 | |
I'm a really, really happy lady right now. | 0:10:36 | 0:10:39 | |
I bid and bought these two chairs for the princely sum of £15. | 0:10:39 | 0:10:44 | |
After the sale I found out, to my joy, | 0:10:44 | 0:10:46 | |
that these two were thrown in free, effectively. | 0:10:46 | 0:10:49 | |
So now I've got four chairs and these two are at better than these. | 0:10:49 | 0:10:54 | |
-so I'm really thrilled. Chuffed to bits. -Well, isn't that a result? | 0:10:54 | 0:10:59 | |
So, their quickfire bidding bonanza brings us | 0:10:59 | 0:11:02 | |
to the halfway point in our epic Showdown. | 0:11:02 | 0:11:05 | |
But what dents have they made in their coffers? | 0:11:05 | 0:11:07 | |
Both our profit hunters started out with £1,000 of their own money. | 0:11:09 | 0:11:13 | |
David's four purchases have cost him £216.20 | 0:11:13 | 0:11:17 | |
so he's got just under £784 left to play with. | 0:11:17 | 0:11:22 | |
Caroline has spent a bit less at £183.90 | 0:11:22 | 0:11:26 | |
so she has just over £816 in her kitty. | 0:11:26 | 0:11:31 | |
Round three is the antiques fair | 0:11:33 | 0:11:35 | |
and our trading terriers are at Detling, near Maidstone in Kent. | 0:11:35 | 0:11:39 | |
They have 400 stalls to plunder | 0:11:39 | 0:11:40 | |
so our brave profit hunters throw themselves into the fray. | 0:11:40 | 0:11:44 | |
Devilish hones straight in on a wooden cart | 0:11:44 | 0:11:47 | |
and seals the deal for £50. | 0:11:47 | 0:11:49 | |
Here we have a quirky, odd, mid-20th century cart. | 0:11:49 | 0:11:53 | |
German, hardwood. It's a lot of fun. I love its original condition. | 0:11:53 | 0:11:58 | |
Original tin wheels with the original paint flaking off. | 0:11:58 | 0:12:03 | |
It's only cost 50 quid. Come on, can you imagine making that for 50 quid? | 0:12:03 | 0:12:07 | |
Never, ever, ever. So, in that regard, it's a little bargain. | 0:12:07 | 0:12:11 | |
Well, he's a happy purchaser. | 0:12:11 | 0:12:13 | |
Across the market, | 0:12:13 | 0:12:14 | |
Caroline's just sealed the deal on her first buy too. | 0:12:14 | 0:12:17 | |
But what is it? | 0:12:17 | 0:12:19 | |
-So £6? -£6. Thank you. -Thank you very much, sir. | 0:12:19 | 0:12:22 | |
Well, I've taken some corks out of wine bottles in my time | 0:12:22 | 0:12:25 | |
but this is a French wine bottle cork putter-inner. | 0:12:25 | 0:12:30 | |
The cork goes in here. | 0:12:30 | 0:12:32 | |
You can see it tapered down and then you push this | 0:12:32 | 0:12:35 | |
and the cork would go into the bottle and seal the bottle. | 0:12:35 | 0:12:38 | |
That's lovely. I don't think it's got huge age to it. | 0:12:38 | 0:12:41 | |
I think it's probably 1950s, '60s | 0:12:41 | 0:12:43 | |
and a useful object should you want to re-cork your wine bottle. | 0:12:43 | 0:12:48 | |
Well, cheers to that. On the other side of the market, | 0:12:48 | 0:12:51 | |
David has found an unusual wooden item too. | 0:12:51 | 0:12:54 | |
-Is it a tenner? -No, no. | 0:12:54 | 0:12:57 | |
-How much is it? -35. | 0:12:57 | 0:13:00 | |
-Can it be 20? I'll have it at 20. -Yeah. -Good man. | 0:13:00 | 0:13:03 | |
Thank you very much. OK. Hang on, I'll hold onto that. You take 20. | 0:13:03 | 0:13:08 | |
-See, it's all about trust in this business. Thank you. -You're welcome. | 0:13:08 | 0:13:12 | |
So that's Devilish's two market buys in the bag | 0:13:12 | 0:13:15 | |
and he's feeling confident. | 0:13:15 | 0:13:16 | |
It's obviously Chinese. It's certainly Buddhistic. | 0:13:16 | 0:13:19 | |
Here we've got featured a Shishi dog, or a dog of foe, | 0:13:19 | 0:13:22 | |
or a lion Buddhistic dog. | 0:13:22 | 0:13:24 | |
These are protector dogs. They look totally fearsome | 0:13:24 | 0:13:28 | |
but the owner of this lid, | 0:13:28 | 0:13:29 | |
because that's what it is, it's just a lid off a barrel of some sort, | 0:13:29 | 0:13:34 | |
this dog was placed there to protect him and his family. | 0:13:34 | 0:13:38 | |
Fantastic significance. | 0:13:38 | 0:13:40 | |
All hand-carved, hardwood, the perfect auction lot for £20. | 0:13:40 | 0:13:46 | |
David is bought up but Caroline needs to find | 0:13:46 | 0:13:49 | |
one more Showdown star and she's spotted a likely contender. | 0:13:49 | 0:13:53 | |
I just came across your bench. I think it's great. | 0:13:53 | 0:13:56 | |
-It's been re-wooded, hasn't it? If that's the word. -It has. By myself. | 0:13:56 | 0:13:59 | |
-Covered in sycamore. -Yeah? And what's your best price on it? | 0:13:59 | 0:14:04 | |
-£380 would be the best price. -Is that absolutely the best? | 0:14:04 | 0:14:07 | |
-That's it, yes. -I'm going to have a think and I'll come back to you. | 0:14:07 | 0:14:11 | |
-No problem. -Thank you very much. | 0:14:11 | 0:14:13 | |
Yes, it's a whopping price tag but a moment later Caroline | 0:14:13 | 0:14:16 | |
has a change of heart and decides the bench is too good to pass up. | 0:14:16 | 0:14:21 | |
-380, I'll have it. -Yeah, OK. Thank you. | 0:14:21 | 0:14:24 | |
-Thank you. -That trebles her total spend so far, | 0:14:24 | 0:14:26 | |
and the Hawk is on a high. | 0:14:26 | 0:14:29 | |
I'm thrilled to bits with this 19th-century iron bench. It's lovely. | 0:14:29 | 0:14:33 | |
re-slatted in sycamore, great condition all over, | 0:14:33 | 0:14:37 | |
heavy, heavy, heavy. I can hardly lift it. | 0:14:37 | 0:14:41 | |
This would look fantastic in anybody's garden. | 0:14:41 | 0:14:43 | |
So that brings us to the end of round three | 0:14:43 | 0:14:46 | |
of this Showdown supernova. | 0:14:46 | 0:14:48 | |
Time for another look at the figures. | 0:14:48 | 0:14:50 | |
Both our experts started the Showdown with £1,000 | 0:14:52 | 0:14:55 | |
of their own money. | 0:14:55 | 0:14:57 | |
David has now spent £286.20 | 0:14:57 | 0:14:59 | |
so has a whopping £713 to take through to round four. | 0:14:59 | 0:15:04 | |
Caroline's pricey bench rocketed her total spend so far to £569.90. | 0:15:05 | 0:15:12 | |
So she has just over £430 left to play with. | 0:15:12 | 0:15:16 | |
Their fourth and final chance to buy is the foreign antiques market. | 0:15:17 | 0:15:21 | |
Our bargain-hunting Brits exchange their pounds for euros | 0:15:21 | 0:15:24 | |
and head over the Channel to Saint-Ouen market | 0:15:24 | 0:15:27 | |
in the north of Paris. | 0:15:27 | 0:15:29 | |
Both are poised to pounce on any potential profit | 0:15:29 | 0:15:32 | |
that comes their way. | 0:15:32 | 0:15:34 | |
Well, I've just got two more items to buy | 0:15:34 | 0:15:36 | |
and I've got just under half the money left. | 0:15:36 | 0:15:39 | |
This is absolutely the place to do it. | 0:15:39 | 0:15:41 | |
Caroline has a trick up her sleeve as she speaks fluent French. | 0:15:41 | 0:15:44 | |
But Devilish has his own Parisian plan. | 0:15:46 | 0:15:49 | |
I'm going to try and find something fabulously flamboyant | 0:15:49 | 0:15:52 | |
and fabulously French. I don't speak the language but who cares? | 0:15:52 | 0:15:56 | |
Money talks. | 0:15:56 | 0:15:58 | |
So, relying on the international language of hard cash, | 0:15:58 | 0:16:01 | |
Devilish tries his hand at a retro, '70s, plastic desk. | 0:16:01 | 0:16:05 | |
What kind of price can it be? Combien, monsieur? | 0:16:05 | 0:16:09 | |
-Cent quatre vingt... 190. -190. | 0:16:09 | 0:16:12 | |
I suppose I could always make a cheeky bid | 0:16:12 | 0:16:15 | |
but you know when sometimes you get the sense | 0:16:15 | 0:16:17 | |
that somebody just doesn't like you? | 0:16:17 | 0:16:20 | |
Do you know what I mean? | 0:16:20 | 0:16:22 | |
Yeah. Exactly. I'm getting it, getting the vibe. | 0:16:22 | 0:16:25 | |
It could be my fashion sense. It may well be the trousers. | 0:16:25 | 0:16:29 | |
They somehow have an adverse act on him. | 0:16:29 | 0:16:31 | |
Maybe he's jealous of the way I look. | 0:16:31 | 0:16:34 | |
So I think a bid is coming. | 0:16:35 | 0:16:38 | |
Could it be... I'd like to try and buy it. | 0:16:38 | 0:16:41 | |
Can it be 120? | 0:16:41 | 0:16:43 | |
Um... No. 190 is the best price. | 0:16:43 | 0:16:48 | |
Is it? It is positively revolting and it makes me want to be sick | 0:16:48 | 0:16:53 | |
but it does have a good style. | 0:16:53 | 0:16:56 | |
Could it be 150? | 0:16:56 | 0:16:59 | |
OK, for 170, it's the last price. | 0:17:00 | 0:17:04 | |
He's a hard man. 160? | 0:17:04 | 0:17:07 | |
-OK. -OK. Good man. Do you like me now? | 0:17:07 | 0:17:11 | |
-Say yes. -Yes. -Yes. | 0:17:11 | 0:17:13 | |
Yes. I don't believe him. | 0:17:14 | 0:17:16 | |
That's just over £131 sterling and Devilish is in retro heaven. | 0:17:16 | 0:17:21 | |
Or is it hell? | 0:17:21 | 0:17:23 | |
On a quality level it's positively revolting | 0:17:23 | 0:17:27 | |
but as a design thing, it's got it. | 0:17:27 | 0:17:31 | |
It's got the colour and it's got the look | 0:17:31 | 0:17:33 | |
and actually, it's got the rarity. | 0:17:33 | 0:17:36 | |
So this baby, I feel, is heading right to the centre of the universe. | 0:17:36 | 0:17:41 | |
It's going to London town. | 0:17:41 | 0:17:43 | |
Across the other side of this Parisian market, | 0:17:43 | 0:17:46 | |
Caroline has hounded down her first item too. | 0:17:46 | 0:17:49 | |
Time to flex those French phrases. | 0:17:49 | 0:17:51 | |
C'est combien le peigne noir? | 0:17:51 | 0:17:54 | |
Bon. Pour moi, quinze? Vous pouvez le faire quinze? | 0:17:54 | 0:17:57 | |
-OK. -D'accord? -Oui. -C'est bon. -D'accord. -Merci, merci. | 0:17:57 | 0:18:02 | |
So, to translate, the comb cost her 15 euros, which works out at £12.30 | 0:18:02 | 0:18:06 | |
and the Hawk is a happy haggler. | 0:18:06 | 0:18:09 | |
Look at my little comb. Isn't he gorgeous? | 0:18:09 | 0:18:12 | |
Complete with his little winter jacket. | 0:18:12 | 0:18:15 | |
Faux tortoiseshell, which to you and I is plastic. | 0:18:15 | 0:18:17 | |
A little diamante eye there. Just perfect for the auction. | 0:18:17 | 0:18:21 | |
It's unique. I've never, ever seen one. | 0:18:21 | 0:18:24 | |
You might ask who wants to see one but I think loads of people | 0:18:24 | 0:18:27 | |
would like this baby. I love him. Woof woof. | 0:18:27 | 0:18:30 | |
So our marvellous marketeers both need one final item | 0:18:30 | 0:18:34 | |
to complete their Showdown haul. | 0:18:34 | 0:18:36 | |
And it's Devilish David who's next to pounce, | 0:18:36 | 0:18:38 | |
when he spots a wooden projector mould. | 0:18:38 | 0:18:41 | |
So how much could it be for me to buy it? | 0:18:41 | 0:18:44 | |
Alors. I can... Five. | 0:18:44 | 0:18:48 | |
-Five. Five euros? -No, five, zero. | 0:18:48 | 0:18:51 | |
Oh, five, zero. OK. Can we do it for four, zero? | 0:18:51 | 0:18:56 | |
-If you want four, zero... -I do want 40, very badly. Thank you very much. | 0:18:56 | 0:19:02 | |
And the same to you. Exactly. | 0:19:04 | 0:19:06 | |
That works out at just under £33 and Harper's happy. | 0:19:06 | 0:19:10 | |
It's a home projector, isn't it, from the 1920s, | 0:19:10 | 0:19:14 | |
so the mould that would make the Bakelite casing | 0:19:14 | 0:19:17 | |
and even these little sections here, | 0:19:17 | 0:19:20 | |
would be where the switches and the dials would be. | 0:19:20 | 0:19:22 | |
It's a fascinating object and as a piece of art, | 0:19:22 | 0:19:25 | |
actually, I think yes, it works perfectly well. | 0:19:25 | 0:19:29 | |
I might just give it a bit of a wax | 0:19:29 | 0:19:31 | |
and it will no doubt take me on an interesting journey | 0:19:31 | 0:19:35 | |
to find out more about projectors of that period and to try and find | 0:19:35 | 0:19:38 | |
some crazy collector who will want that more than life itself. | 0:19:38 | 0:19:43 | |
So, David's done and dusted but hawk-eyed Caroline | 0:19:43 | 0:19:46 | |
has spotted piece of silver and quickly seals the deal | 0:19:46 | 0:19:49 | |
for just over £20. | 0:19:49 | 0:19:51 | |
It's a little, English, silver bonbon dish made in Birmingham, | 0:19:54 | 0:19:58 | |
not a million miles from where I live in the UK | 0:19:58 | 0:20:01 | |
so I think this is great. 1901, 1900. Fantastic. | 0:20:01 | 0:20:05 | |
So, there we have it. | 0:20:05 | 0:20:07 | |
Four epic locations, eight superstar items each. | 0:20:07 | 0:20:09 | |
But who's destined for stardom | 0:20:09 | 0:20:11 | |
and who will be hanging their head in Showdown shame? | 0:20:11 | 0:20:15 | |
Before we catch up with our daring dealers, | 0:20:15 | 0:20:17 | |
let's see the final spending figures. | 0:20:17 | 0:20:19 | |
Both our experts started with £1,000 of their own money. | 0:20:21 | 0:20:25 | |
David kept his spending on the low-down, | 0:20:25 | 0:20:27 | |
parting with less than half his budget at £450. | 0:20:27 | 0:20:31 | |
Caroline was more flash with the cash, spending a total of £602.69. | 0:20:33 | 0:20:38 | |
So, now it's all over what do they think of their buying bonanza? | 0:20:40 | 0:20:45 | |
-I can't believe, Caroline, that's it, the buying is over. -No, I can't. | 0:20:45 | 0:20:50 | |
-It's gone so quickly. -Hasn't it just? | 0:20:50 | 0:20:52 | |
-And where has your favourite place been? -Paris. No question, Paris. | 0:20:52 | 0:20:56 | |
-Me too. -It's been great. | 0:20:56 | 0:20:57 | |
I just had a brilliant time, a really brilliant time. | 0:20:57 | 0:21:00 | |
Favourite object, and which is going to make the most profit? | 0:21:00 | 0:21:04 | |
I think what will make the most profit is a little ring, | 0:21:04 | 0:21:07 | |
-a silver and gold ring I bought at the car boot sale for a fiver. -Yeah. | 0:21:07 | 0:21:10 | |
-My new favourite item bought today... -Yeah, what is it? | 0:21:10 | 0:21:14 | |
And you're not going to believe it. | 0:21:14 | 0:21:16 | |
It is the abominable, positively revolting, | 0:21:16 | 0:21:19 | |
-early 1970s, plastic dressing table and chair. -Yeah, it is. | 0:21:19 | 0:21:22 | |
-I'm looking forward to the auction. -Yeah, so am I. -I shall see you there | 0:21:22 | 0:21:26 | |
and in the meantime good luck with the rest of the sales. | 0:21:26 | 0:21:29 | |
-Same to you, David. -Off you go. | 0:21:29 | 0:21:31 | |
Well, our dealers have many hurdles to jump | 0:21:33 | 0:21:35 | |
before they reach the saleroom. | 0:21:35 | 0:21:37 | |
It's time for them to showcase their best selling skills | 0:21:37 | 0:21:40 | |
and eke out every penny of profit from their treasures. | 0:21:40 | 0:21:44 | |
But the stakes have never been higher, | 0:21:44 | 0:21:46 | |
as with the Showdown auction looming, the pressure's on | 0:21:46 | 0:21:49 | |
to arrive with as much profit as possible in the bank. | 0:21:49 | 0:21:52 | |
Because then they're at the mercy of the bidding public | 0:21:52 | 0:21:55 | |
so the decision over what goes into the auction is absolutely critical. | 0:21:55 | 0:21:59 | |
At Devilish HQ, the responsibility is playing on David's mind. | 0:21:59 | 0:22:04 | |
Crikey. What a motley collection you see before you. | 0:22:04 | 0:22:08 | |
The early 1970s plastic lump of dreadfulness. | 0:22:08 | 0:22:13 | |
Quality? It doesn't know quality. It's never heard the word quality | 0:22:13 | 0:22:18 | |
but it's got the look and the design and the colour. | 0:22:18 | 0:22:22 | |
The object next to it is completely different. | 0:22:22 | 0:22:25 | |
It's almost 100 years earlier. | 0:22:25 | 0:22:27 | |
It's a big lump of majolica and that is the perfect auction lot. | 0:22:27 | 0:22:32 | |
That should make profit in the saleroom | 0:22:32 | 0:22:35 | |
and, keeping on the theme of auctions, | 0:22:35 | 0:22:37 | |
and talking about making profit, | 0:22:37 | 0:22:39 | |
if I don't make a profit on that barometer that cost me £1, | 0:22:39 | 0:22:42 | |
then there is really, seriously something wrong with the world. | 0:22:42 | 0:22:46 | |
The Chinese barrel lid - that just screams saleroom | 0:22:46 | 0:22:49 | |
with good online images that may well just take off. | 0:22:49 | 0:22:54 | |
So the thing with auction is you've got to choose objects | 0:22:54 | 0:22:57 | |
that you can't really value. | 0:22:57 | 0:23:00 | |
And who on earth can value that? | 0:23:00 | 0:23:02 | |
A wooden mould for a 1920s Bakelite home cinema projector? | 0:23:02 | 0:23:08 | |
Very, very exciting. | 0:23:08 | 0:23:11 | |
But let's talk about things that are not exciting. | 0:23:11 | 0:23:14 | |
That thing. | 0:23:14 | 0:23:16 | |
Bought in auction, my 18th-century book, I bought it blind | 0:23:16 | 0:23:20 | |
and I know people criticise me for doing this and I can tell you, | 0:23:20 | 0:23:24 | |
I've made plenty of money in my time doing that | 0:23:24 | 0:23:27 | |
but on occasions it all goes drastically wrong. | 0:23:27 | 0:23:31 | |
It looks like it's absolutely rubbish. | 0:23:31 | 0:23:35 | |
So, his early research on the book isn't looking good. | 0:23:35 | 0:23:37 | |
He also has to sell his wooden cart and American rocking chair. | 0:23:37 | 0:23:41 | |
Over in East Yorkshire, Caroline has been getting | 0:23:41 | 0:23:44 | |
a second opinion on her antique haul. | 0:23:44 | 0:23:47 | |
Mamba and I have been going through my Showdown items. | 0:23:47 | 0:23:52 | |
He's given his opinion on one or two things. | 0:23:52 | 0:23:54 | |
He's particularly keen on the dog comb, | 0:23:54 | 0:23:57 | |
complete with his jacket and little diamante eye. | 0:23:57 | 0:24:00 | |
Now, that's definitely going to go into auction. | 0:24:00 | 0:24:02 | |
I think that's got legs. Also for auction is this ring. | 0:24:02 | 0:24:07 | |
Would you believe, 1920s, nine carat gold and silver, paste set, | 0:24:07 | 0:24:13 | |
very fashionable look at the moment and I paid £5 for it? | 0:24:13 | 0:24:19 | |
Also for auction is this little, silver bonbon dish. | 0:24:19 | 0:24:23 | |
Not a lot of money and I had to say probably not a lot of profit. | 0:24:23 | 0:24:27 | |
And the final thing I've chosen for auction | 0:24:27 | 0:24:30 | |
is this French, little corker here. | 0:24:30 | 0:24:33 | |
The chairs, now that's an interesting lot. | 0:24:33 | 0:24:37 | |
I'm going to be hard-pressed to get a buyer that wants all of them | 0:24:37 | 0:24:40 | |
but I'm going to do my damnedest. | 0:24:40 | 0:24:43 | |
And the bench is Victorian, latter part of the 19th century. | 0:24:43 | 0:24:50 | |
It is so heavy but I think somebody will love this | 0:24:50 | 0:24:54 | |
and it will make a good profit. | 0:24:54 | 0:24:57 | |
She also needs buyers for her walnut table and silvers salver. | 0:24:57 | 0:25:01 | |
But before they tackle the auction, | 0:25:01 | 0:25:03 | |
first they need to sell everything else. | 0:25:03 | 0:25:05 | |
So it's time to hit the phones, travel the countryside | 0:25:05 | 0:25:08 | |
and hunt down the very best buyers. | 0:25:08 | 0:25:11 | |
Any profits will go straight to charity. | 0:25:11 | 0:25:13 | |
And remember, until they've shaken on it, no deal is ever sealed. | 0:25:13 | 0:25:17 | |
Caroline gets straight to work and hotfoots it to Hull, | 0:25:17 | 0:25:20 | |
where she's sent her £18 collection of chairs. | 0:25:20 | 0:25:23 | |
Three are arts and crafts and one is Victorian | 0:25:23 | 0:25:26 | |
and they're coming under the scrutiny | 0:25:26 | 0:25:29 | |
of furniture restorer, Steve. | 0:25:29 | 0:25:31 | |
-Hi, Steve. -Hi, Caroline. -Aren't these fab? | 0:25:31 | 0:25:34 | |
Well, this is a lovely shape. | 0:25:34 | 0:25:35 | |
The problem with these commercially is that it costs £65 per chair | 0:25:35 | 0:25:41 | |
to have a new rush seat put on so we will probably sell those | 0:25:41 | 0:25:45 | |
as they are with a bit of repair. | 0:25:45 | 0:25:49 | |
So what about the fourth one? | 0:25:49 | 0:25:51 | |
It's a good quality, very strong Victorian chair | 0:25:51 | 0:25:54 | |
with a nice piece of '50s cover on it | 0:25:54 | 0:25:57 | |
but really no commercial value. | 0:25:57 | 0:26:00 | |
Isn't it extraordinary, Steve, that this Victorian piece | 0:26:00 | 0:26:04 | |
is so out of fashion at the moment as opposed to these | 0:26:04 | 0:26:07 | |
arts and crafts style which are very much of the moment | 0:26:07 | 0:26:10 | |
and very desirable? | 0:26:10 | 0:26:11 | |
Yeah, everybody wanted to live in a Victorian cottage, didn't they? | 0:26:11 | 0:26:15 | |
-Yeah, they did. -And now everybody wants to live in a loft. | 0:26:15 | 0:26:18 | |
-Right, so these three... -Yeah. -Are they worth 20 quid a piece to you? | 0:26:18 | 0:26:23 | |
-No, sadly they're not. -Right. | 0:26:23 | 0:26:25 | |
Let's go 50 for the lot and we've got a deal. | 0:26:25 | 0:26:28 | |
-OK, you've got yourself a deal. -Thank you, Caroline. -Thank you, Steve. | 0:26:28 | 0:26:32 | |
Well, the Hawk didn't even haggle on that one | 0:26:32 | 0:26:35 | |
so leaves with £31.70 profit. | 0:26:35 | 0:26:37 | |
And she hits the ground running, going straight on to sell | 0:26:37 | 0:26:41 | |
her walnut side table that she paid £2 for to regular customer, Mark, | 0:26:41 | 0:26:45 | |
for £40, giving him a place to rest his drink | 0:26:45 | 0:26:48 | |
and for her, a very tidy profit of £38. | 0:26:48 | 0:26:52 | |
David started his profit quest off close to home | 0:26:53 | 0:26:56 | |
at a farm shop near Barnard Castle. | 0:26:56 | 0:26:58 | |
He sold owner, Pete, his wooden cart for £120, | 0:26:58 | 0:27:03 | |
which works out as a £70 profit. | 0:27:03 | 0:27:05 | |
But now he's headed down to The Big Smoke. | 0:27:08 | 0:27:11 | |
I'm at a company in London called Theme Traders | 0:27:11 | 0:27:14 | |
and they rent out props to TV, film, and to parties. | 0:27:14 | 0:27:19 | |
Welcome to London. | 0:27:19 | 0:27:21 | |
Devilish is hoping his '70s desk might join their collection. | 0:27:21 | 0:27:25 | |
It cost him over £131 but will project manager, Millie, be a fan? | 0:27:25 | 0:27:30 | |
-Now, you must be Millie. -Hi, David. Nice to meet you. | 0:27:30 | 0:27:33 | |
-Lovely to meet you. Have you had a good look at it? -Yes, I have. | 0:27:33 | 0:27:37 | |
-So it's a '70s piece? -It's early '70s, about 1972, I reckon. -OK. | 0:27:37 | 0:27:41 | |
I love the shape and the design. | 0:27:41 | 0:27:43 | |
It just screams that period, doesn't it? | 0:27:43 | 0:27:46 | |
-And the colour, beige and brown... -Yeah. -..which is trendy again now. | 0:27:46 | 0:27:49 | |
Interestingly enough, in a couple of weeks' time | 0:27:49 | 0:27:52 | |
we've got, kind of, a children's party but it's very retro. | 0:27:52 | 0:27:55 | |
The parents are doing something quite different there | 0:27:55 | 0:27:58 | |
-so I think this might actually work. -So it'll work for you? -Yeah. | 0:27:58 | 0:28:01 | |
So it's down to money, If I can tempt you? | 0:28:01 | 0:28:03 | |
-300 is the figure I have in mind. -OK. -Do you have a figure in mind? | 0:28:03 | 0:28:07 | |
I was looking more at around the 200 mark. | 0:28:07 | 0:28:11 | |
Um... 275. | 0:28:11 | 0:28:13 | |
225 but that is, kind of, final. | 0:28:13 | 0:28:15 | |
-250. -225. -Is that it? -225. | 0:28:15 | 0:28:19 | |
-It will have a good home, we'll look after it. -Go on. 225. | 0:28:19 | 0:28:22 | |
-Thank you very much. -No worries. | 0:28:22 | 0:28:24 | |
Well, Millie stood firm | 0:28:24 | 0:28:25 | |
but David still leaves with nearly £94 profit on the desk. | 0:28:25 | 0:28:31 | |
Back near Beverley, Caroline is hot on his heels. | 0:28:31 | 0:28:34 | |
She's sold her silver salver to collector, Tommy, | 0:28:34 | 0:28:37 | |
for a sparkling £260... | 0:28:37 | 0:28:40 | |
-OK. -Thank you very much. -260. | 0:28:40 | 0:28:43 | |
..which banks her over £101 profit, more than doubling her total so far. | 0:28:43 | 0:28:49 | |
But now she has to focus all her energy on selling | 0:28:49 | 0:28:52 | |
her pricey £380 bench. | 0:28:52 | 0:28:55 | |
She's sent it ahead to the show home of a new housing development | 0:28:55 | 0:28:58 | |
near Hull and is here to meet company owner, Peter. | 0:28:58 | 0:29:02 | |
-Hello, Caroline. -Hi. How are you? -How do you do? | 0:29:02 | 0:29:05 | |
Now, I've got this bench along to show you, Peter. | 0:29:05 | 0:29:09 | |
Now, it's Victorian. The base of it is solid cast iron. | 0:29:09 | 0:29:15 | |
I've left it in its original condition. | 0:29:15 | 0:29:17 | |
-It's been re-wooded in sycamore. -I rather like the sycamore. | 0:29:17 | 0:29:21 | |
I think this natural effect would look good in this garden | 0:29:21 | 0:29:24 | |
and it goes with the whole look of the garden. | 0:29:24 | 0:29:27 | |
-This, in a retail outlet would be quite a lot of money. -Yes. | 0:29:27 | 0:29:31 | |
600, 700-ish. But I'm not asking that. | 0:29:31 | 0:29:34 | |
-Could you do, sort of, 550? -Would you take... | 0:29:34 | 0:29:39 | |
450? | 0:29:39 | 0:29:42 | |
I can't do 450. 480 and it's a deal. | 0:29:42 | 0:29:46 | |
That would be as much as I could go to | 0:29:47 | 0:29:50 | |
-but if you'd go at 480 we'll do it. -480. Brilliant. -Deal? | 0:29:50 | 0:29:55 | |
You have yourself a deal, Peter. | 0:29:55 | 0:29:57 | |
-Thank you, Caroline. -Thank you very much. | 0:29:57 | 0:29:59 | |
She's done it. That's a round £100 profit | 0:29:59 | 0:30:02 | |
for our auctioneer extraordinaire. | 0:30:02 | 0:30:04 | |
So, Caroline is sitting pretty with some chunky profits in the bank. | 0:30:04 | 0:30:08 | |
Down in London, David is tackling his book of sermons. | 0:30:08 | 0:30:12 | |
He's worried it's worth less than the £160 he paid at auction | 0:30:12 | 0:30:15 | |
so he's brought it to an antiquarian bookshop to show owner, Etan, | 0:30:15 | 0:30:19 | |
and book specialist, Klaus. | 0:30:19 | 0:30:22 | |
-This is a book from 1775. I sent you the details of it. -You did. | 0:30:22 | 0:30:26 | |
-You haven't actually seen it physically. -No. | 0:30:26 | 0:30:28 | |
-So have you carried out some research? -Yeah, absolutely. | 0:30:28 | 0:30:32 | |
It's a bit outside of our field of theology, local history | 0:30:32 | 0:30:38 | |
-but it's a nice thing to have. -OK. | 0:30:38 | 0:30:41 | |
Looking at the period of people publishing their sermons | 0:30:41 | 0:30:45 | |
like 1750s to 1775, say, | 0:30:45 | 0:30:51 | |
books of that nature sell between | 0:30:51 | 0:30:55 | |
£50 and £220 at the most. | 0:30:55 | 0:30:59 | |
-I think we should start off with a nice upfront bid. -Go on. -75. -75. | 0:30:59 | 0:31:04 | |
-ETAN WHIMPERS -OK. Show a bit of compassion, Etan. | 0:31:04 | 0:31:08 | |
I think we could certainly go up to £100, no problem. | 0:31:08 | 0:31:12 | |
-Really? Can I tell you the truth? -Yeah. -OK. | 0:31:12 | 0:31:15 | |
It owes me 160 with auction commission. | 0:31:15 | 0:31:19 | |
I think because it is in really good condition, | 0:31:19 | 0:31:22 | |
-the very best we can do is 135. -Etan... -It's not a very big loss. | 0:31:22 | 0:31:27 | |
It's not a big loss. I'm going to take your offer. | 0:31:27 | 0:31:30 | |
-Klaus, it's been a pleasure. -Same here. -Thank you very much, guys. | 0:31:30 | 0:31:33 | |
Well, David takes a £23.60 hit but he feels is a lucky escape. | 0:31:33 | 0:31:37 | |
Wow. Well, I think I got out of that by the skin of my teeth. | 0:31:39 | 0:31:43 | |
Yes, it's a bit of a loss but it could have been much worse. | 0:31:43 | 0:31:46 | |
And it's just confirmed to me that, actually, | 0:31:46 | 0:31:49 | |
living life by the seat of your pants and buying things | 0:31:49 | 0:31:52 | |
in auction blind, without knowing what they are, is the way to do it. | 0:31:52 | 0:31:55 | |
It's the way I've always done it and, you know what, | 0:31:55 | 0:31:58 | |
I'm always going to continue doing it too. | 0:31:58 | 0:32:01 | |
He has better luck though when he sells his American rocking chair | 0:32:01 | 0:32:04 | |
to an upholsterer's in Darlington for stock in their shop... | 0:32:04 | 0:32:07 | |
-75. -Go on. -Mwah. | 0:32:07 | 0:32:10 | |
..doubling his money and adding another £38.40 to his balance sheet. | 0:32:10 | 0:32:15 | |
So, with both our experts ready to hit the auction, | 0:32:15 | 0:32:18 | |
let's see who's sitting on the comfiest profit cushion. | 0:32:18 | 0:32:22 | |
David has sold four items but taking into account his loss | 0:32:22 | 0:32:26 | |
on the book, his profit pot stands at over £178. | 0:32:26 | 0:32:30 | |
But Caroline is out in front. | 0:32:31 | 0:32:33 | |
She's made four solid sales and banked profits of over £271. | 0:32:33 | 0:32:38 | |
So, the Showdown auction is crucial for David if he's going | 0:32:41 | 0:32:45 | |
to catch his rival and that's a nerve-racking position to be in. | 0:32:45 | 0:32:49 | |
Caroline has got nearly £100 head-start | 0:32:49 | 0:32:52 | |
so Devilish better hope the auction gods are smiling on him. | 0:32:52 | 0:32:55 | |
Our pair's remaining items are going under the hammer | 0:32:55 | 0:32:58 | |
at Moore Allen & Innocent in Cirencester. | 0:32:58 | 0:33:01 | |
From now on their profits are in the hands of the auctioneers | 0:33:01 | 0:33:05 | |
and the bidding public so how are they feeling? | 0:33:05 | 0:33:08 | |
-Good morning. Look at you. You look fantastic. -Thank you. | 0:33:08 | 0:33:12 | |
-And you don't look so bad yourself, David. -Well, I've had a bath. | 0:33:12 | 0:33:16 | |
It does help, doesn't it? What about you? Have you made lots of money? | 0:33:16 | 0:33:20 | |
I have. Some items I've done really well on, | 0:33:20 | 0:33:23 | |
some I've just scraped out of... | 0:33:23 | 0:33:26 | |
-Yeah. -So there's... -A bit ambiguous. | 0:33:26 | 0:33:28 | |
Yeah, but there's all to play for today | 0:33:28 | 0:33:31 | |
but I'm not expect huge profits today, | 0:33:31 | 0:33:33 | |
but I do think all of my items are going to make a little bit. | 0:33:33 | 0:33:36 | |
I love this bit. This is the best bit for me. It is so exciting. | 0:33:36 | 0:33:40 | |
Well, we're completely out of control. | 0:33:40 | 0:33:42 | |
-Don't you love being out of control? -I do actually, yeah. | 0:33:42 | 0:33:45 | |
Yeah, and talking of being out of control, | 0:33:45 | 0:33:47 | |
the barometer is beyond belief. It will make it profit. | 0:33:47 | 0:33:50 | |
If that doesn't make a profit, I'm giving up. | 0:33:50 | 0:33:52 | |
Oh, no. I shouldn't say that, should I? Cos if it doesn't make... | 0:33:52 | 0:33:55 | |
-That might be me giving up. -It might not. Come on, let's go and see. | 0:33:55 | 0:33:58 | |
But before the sale gets under way, | 0:33:58 | 0:34:00 | |
our dealers take the chance to check out each other's lots. | 0:34:00 | 0:34:03 | |
This hideous barometer that David bought for £1 at the car boot sale | 0:34:05 | 0:34:10 | |
should have stayed there. | 0:34:10 | 0:34:12 | |
You can't even see the lettering on the dial. | 0:34:12 | 0:34:15 | |
And the auctioneers estimate is £30-£50. What? | 0:34:15 | 0:34:19 | |
Well, what can I say? | 0:34:19 | 0:34:21 | |
It's a silver, little bonbon dish. Edwardian, I don't know, 1910. | 0:34:21 | 0:34:24 | |
Somewhere around there. | 0:34:24 | 0:34:26 | |
It is silver, it's so light it's like a feather. | 0:34:26 | 0:34:28 | |
If you dropped it, it would just bend. | 0:34:28 | 0:34:31 | |
You could squeeze it and crush it if you wanted to. | 0:34:31 | 0:34:34 | |
Basically, it's dull and it's boring. | 0:34:34 | 0:34:37 | |
This stand of David's, I don't think it's 19th-century | 0:34:37 | 0:34:41 | |
any more than I am, to be honest. | 0:34:41 | 0:34:43 | |
I think it's a modern, Chinese copy that's fresh off the boat. | 0:34:43 | 0:34:49 | |
And the estimate is £50-£80. I wouldn't give it 50 quid myself. | 0:34:49 | 0:34:55 | |
I think it's more 20, 25, but we shall see. | 0:34:55 | 0:34:59 | |
This comb is an absolute sweetheart. It's faux tortoiseshell | 0:34:59 | 0:35:03 | |
in the form of a dog wearing its little body warmer. | 0:35:03 | 0:35:07 | |
It is a sweetheart. It's going to do well but, come on. | 0:35:07 | 0:35:10 | |
Who on earth wants to buy a comb? I mean, would you, sir, buy a comb? | 0:35:10 | 0:35:14 | |
I don't really need one but there has been some interest in it | 0:35:14 | 0:35:17 | |
-and it's a nice thing. -That's very disappointing. | 0:35:17 | 0:35:19 | |
Put that at the back so no-one can see it. Good man. | 0:35:19 | 0:35:22 | |
Oi, enough of your sneaky tricks, Devilish. | 0:35:22 | 0:35:24 | |
It's time to take your places now | 0:35:24 | 0:35:26 | |
and our duo can only watch as the auction gets under way. | 0:35:26 | 0:35:29 | |
Lot number one, which is the seven box of assorted China... | 0:35:29 | 0:35:32 | |
Up first is David's majolica plant stand, which cost him £20. | 0:35:32 | 0:35:37 | |
-I don't like it. -How dare you? -I don't see it. -Why? | 0:35:37 | 0:35:40 | |
Well, lots of reasons. We haven't got enough time | 0:35:40 | 0:35:43 | |
-to talk about them but it's coming up. -£30. | 0:35:43 | 0:35:46 | |
Got to be £30. 20 then. £20 for the urn stand. | 0:35:46 | 0:35:50 | |
Chinese urn stand for £20. | 0:35:50 | 0:35:53 | |
20 a bid. Right in front of me at £20. Five now. At £20 it is here. | 0:35:53 | 0:35:57 | |
-At £20, are you all done? -No! -Right, 25. | 0:35:57 | 0:36:02 | |
-Oh! -30 if you like, sir. | 0:36:02 | 0:36:04 | |
-30, 35. -Come on. A bit more makes a profit. | 0:36:04 | 0:36:08 | |
-No. Surely not. -Go on. | 0:36:08 | 0:36:10 | |
Are you all sure now at 35? Number 27. | 0:36:10 | 0:36:14 | |
Oh, that's a bit of a loss, it's a bit of a loss. | 0:36:14 | 0:36:17 | |
Yes, he may have made £35 on the hammer | 0:36:17 | 0:36:19 | |
but when you deduct the saleroom fees it works out at a £3.94 loss. | 0:36:19 | 0:36:24 | |
David's projector mould struggles too. | 0:36:24 | 0:36:26 | |
At £45 on the right. At £45 are you all sure? | 0:36:26 | 0:36:32 | |
-Oh, I missed it. No! -David. -Oh, this isn't looking good. | 0:36:32 | 0:36:36 | |
That's another £8.70 loss after commission. | 0:36:36 | 0:36:40 | |
Over to Caroline now as her £6 bottle corker goes under the hammer. | 0:36:40 | 0:36:43 | |
-Well, now you're on. -I know. And it's quite nerve wracking, isn't it? | 0:36:43 | 0:36:47 | |
-Yeah. -20 to get on. -Come on. -£20. | 0:36:47 | 0:36:52 | |
-Please. -A tenner. It's got to be £10. | 0:36:52 | 0:36:54 | |
-Thank you. -I've got £10, now 12. 15, 18, 20. | 0:36:54 | 0:36:59 | |
-How much do I need? 19. -That's £25. -Yes! -30 anywhere? -A little be more. | 0:36:59 | 0:37:05 | |
It's all over, it's 25. | 0:37:05 | 0:37:06 | |
-Yes! -Well done. At least someone is making a profit. | 0:37:06 | 0:37:09 | |
Yes, but again, after fees that's just a small profit | 0:37:09 | 0:37:13 | |
of just over £2. | 0:37:13 | 0:37:15 | |
Next up is David's Chinese barrel lid, which he bought for £20. | 0:37:15 | 0:37:21 | |
-£5 a bid there at 5. Any of you like that? 5 here. -Go on. | 0:37:21 | 0:37:25 | |
-All that carving for a fiver? -Go on. | 0:37:25 | 0:37:28 | |
-That's cheaper than firewood. -I know. | 0:37:28 | 0:37:31 | |
At 10, 12, 15. At 15... | 0:37:31 | 0:37:35 | |
-Oh, it's taken off. -18, 20. -Go on, madam. | 0:37:35 | 0:37:40 | |
-At £20, are you all sure? -You are absolutely pathetic. -Oh, David. | 0:37:40 | 0:37:45 | |
-Do you want a tissue? -I do. I do. -Aw. | 0:37:45 | 0:37:48 | |
The hammer price was the same amount he paid for it at the antiques fair | 0:37:48 | 0:37:52 | |
but with costs he loses almost £16. | 0:37:52 | 0:37:55 | |
So will his cheapest purchase have any better luck? | 0:37:55 | 0:37:58 | |
So my barometer's on next. | 0:37:58 | 0:38:00 | |
Now, if I'm lucky, the Porter might drop it | 0:38:00 | 0:38:03 | |
-and I'd get an insurance claim. -Yeah, 30 to 50. | 0:38:03 | 0:38:06 | |
-That is the best chance, David. -A tenner. -Oh, my gosh. | 0:38:06 | 0:38:10 | |
-£10. At £10... -A lady with taste. | 0:38:10 | 0:38:14 | |
10 quid. I need 13 to get my money back. Come on. | 0:38:14 | 0:38:19 | |
-15, at 18... -You're in profit. -He's bidding, he's bidding. | 0:38:19 | 0:38:23 | |
-Go on, madam. -18. | 0:38:23 | 0:38:24 | |
-She's the one that you put the witch's spell on. -At 25. | 0:38:24 | 0:38:27 | |
-30 if you like now. -You're doing really well. She's doing it, yes! | 0:38:27 | 0:38:31 | |
-No, no! -You are the top witch! -Well...that is brilliant. | 0:38:31 | 0:38:36 | |
My only profit and it's the worst object I've bought in years. | 0:38:36 | 0:38:40 | |
Finally at over £11 after fees, that's a first and only profit | 0:38:40 | 0:38:45 | |
for David and ends his selling on a high. | 0:38:45 | 0:38:48 | |
So, now all he can do is watch and wait as the Hawk's | 0:38:48 | 0:38:51 | |
three remaining lots go before the room. | 0:38:51 | 0:38:53 | |
First up, the vintage ring. | 0:38:53 | 0:38:55 | |
-It cost me £5. -I know. Was that at the car boot? | 0:38:55 | 0:38:58 | |
-Yeah, the car boot. -Yeah, yeah. -It's nine carat gold. -Tenner. -Oh, come on. | 0:38:58 | 0:39:02 | |
-Two quid! -£10. -Shut up. | 0:39:02 | 0:39:06 | |
-At £10 I have... -Thank you. -£12 at 12. -10? You're off. | 0:39:06 | 0:39:09 | |
-15 if you like now. -You've been putting spells... -Surely. | 0:39:09 | 0:39:12 | |
-At £12, 15, at 18. 20 if you like now. At £18. -Thank you. | 0:39:12 | 0:39:17 | |
-20. Come on. -I cant believe it. | 0:39:17 | 0:39:20 | |
-Just one more. Just one more! -I'm doing my best. -Spill them. | 0:39:20 | 0:39:24 | |
-Go, go! -There you go, it works. | 0:39:24 | 0:39:27 | |
-5. -That's ridiculous. -At 25, 30 now? 25. -Yes. | 0:39:27 | 0:39:31 | |
-Yes! -I actually think you need a round of applause for that one. | 0:39:31 | 0:39:35 | |
Well, the Hawk's over the moon with her small | 0:39:35 | 0:39:37 | |
but perfectly formed profit of just over £3. | 0:39:37 | 0:39:41 | |
Her silver bonbon dish doesn't prove as popular though. | 0:39:41 | 0:39:44 | |
At 30. £30, that's it I'm afraid. | 0:39:44 | 0:39:48 | |
And it's a first loss for the Hawk denting her coffers by £8.43. | 0:39:48 | 0:39:55 | |
-That's your first loss? -It is my first loss. -How does it feel? | 0:39:55 | 0:39:58 | |
-Great, isn't it? -It feels dreadful, David. | 0:39:58 | 0:40:00 | |
With just the dog-shaped comb to sell, | 0:40:00 | 0:40:02 | |
will it make more than £12 purchase price and end the day on a high? | 0:40:02 | 0:40:06 | |
-Now, this is our last one. -It is. | 0:40:06 | 0:40:08 | |
-Our last object. -It's going to be a good'un. -At £5. | 0:40:08 | 0:40:11 | |
-Who says plastic doesn't sell well? -It's got a jacket. | 0:40:11 | 0:40:14 | |
-At £5 a bid here. -Faux tortoiseshell. -8. At £8. | 0:40:14 | 0:40:17 | |
-10, at 10. -Oh, they're off. -At 12, 15 if you like now. | 0:40:17 | 0:40:21 | |
-Yes, yes, yes! -Oh. -18 is that? | 0:40:21 | 0:40:25 | |
At 15. 15. | 0:40:25 | 0:40:28 | |
-What's the situation there? Have you made a loss? -Yes. | 0:40:28 | 0:40:31 | |
Oh, darling. That is such a shame. | 0:40:31 | 0:40:34 | |
Oh, he seems quite pleased with that | 0:40:34 | 0:40:36 | |
but for Caroline it's not the best end to the day | 0:40:36 | 0:40:38 | |
with a loss of £12.27. | 0:40:38 | 0:40:40 | |
It seems the bidders weren't digging deep today | 0:40:40 | 0:40:43 | |
and both our dealers have come out bruised and battle-weary. | 0:40:43 | 0:40:47 | |
That's such a shame. Such a shame. Come on. | 0:40:47 | 0:40:51 | |
They started their Herculean challenge | 0:40:51 | 0:40:54 | |
with £1,000 of their own money. | 0:40:54 | 0:40:56 | |
David "Devilish" Harper spent just £450.14 on his eight items. | 0:40:56 | 0:41:01 | |
Caroline "the Hawk" Hawley spent quite a bit more at over £602. | 0:41:04 | 0:41:08 | |
All of the money that David and Caroline | 0:41:10 | 0:41:12 | |
have made from today's challenge will go to charities | 0:41:12 | 0:41:15 | |
of their choice so without further ado let's find out | 0:41:15 | 0:41:18 | |
who is today's Put Your Money Where Your Mouth Is Showdown champion. | 0:41:18 | 0:41:22 | |
-Oh, Caroline. I'll tell you what... -Hi, David. | 0:41:22 | 0:41:25 | |
-..I am now feeling absolutely, dreadfully nervous. -Oh, dear. | 0:41:25 | 0:41:28 | |
-So how did your selling go? -All right, all right. | 0:41:28 | 0:41:32 | |
I did well on two items. Do you remember the bench? | 0:41:32 | 0:41:34 | |
-Yeah. -Beautiful, Victorian bench. | 0:41:34 | 0:41:36 | |
And the silver salver, do you remember that? | 0:41:36 | 0:41:39 | |
-Oh, I do. That was nice. -I did quite nicely on that one. -Oh, no. | 0:41:39 | 0:41:41 | |
I know where this is going, I just know it. | 0:41:41 | 0:41:43 | |
No, no, but the rest... OK. What about you? | 0:41:43 | 0:41:46 | |
Tell me, that book you bought, how did that do? | 0:41:46 | 0:41:48 | |
Oh, the book. Well, that was going to be a disaster | 0:41:48 | 0:41:51 | |
but it didn't turn out to be | 0:41:51 | 0:41:52 | |
as disastrous as I thought although I did make a loss on it. | 0:41:52 | 0:41:55 | |
-Are you ready? -Go on then. -OK. | 0:41:55 | 0:41:57 | |
-Three. -Two. -One. -One. Oh, I daren't. I daren't. | 0:41:57 | 0:42:00 | |
Oh, my goodness me. You got me. | 0:42:00 | 0:42:03 | |
So the Hawk swoops in and secures another victory | 0:42:03 | 0:42:06 | |
but our experts have been banking profits over a whole week | 0:42:06 | 0:42:09 | |
of challenges so who's made the most overall? | 0:42:09 | 0:42:13 | |
-Are you ready? -Yeah. -Three. -Two. -Two. One. -One... | 0:42:13 | 0:42:17 | |
-What have I got? Oh! -1,273! | 0:42:17 | 0:42:22 | |
Seriously, seriously, well done. And I'll tell you what, | 0:42:22 | 0:42:27 | |
-hasn't it been brilliant? -It has been such fun, David. -I've loved it. | 0:42:27 | 0:42:31 | |
Yes, the Put Your Money new girl is victorious. Hawk, the heroine. | 0:42:31 | 0:42:35 | |
Between them, our duo have made just over £2,400 | 0:42:35 | 0:42:39 | |
and every last penny is going straight to good causes. | 0:42:39 | 0:42:43 | |
My chosen charity is Macmillan Cancer support, | 0:42:43 | 0:42:46 | |
a nationwide charity offering help | 0:42:46 | 0:42:48 | |
and practical advice to people with cancer and also for their families. | 0:42:48 | 0:42:53 | |
My chosen charity is Mires Beck Nursery | 0:42:53 | 0:42:56 | |
and they provide training and work experiences | 0:42:56 | 0:42:59 | |
for people with learning difficulties and disabilities. | 0:42:59 | 0:43:02 | |
And our daring duo can have a well-earned rest now. | 0:43:02 | 0:43:04 | |
It's been a week of hard haggles | 0:43:04 | 0:43:06 | |
and our brave experts have really put their money | 0:43:06 | 0:43:09 | |
where their mouths are and proved their skills, making a profit | 0:43:09 | 0:43:12 | |
from buying and selling antiques and collectables | 0:43:12 | 0:43:14 | |
when their own money is on the line. | 0:43:14 | 0:43:16 |