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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best loved antiques experts | 0:00:04 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:10 | |
That could present a problem for her. | 0:00:10 | 0:00:13 | |
Giving you the insider's view of the trade. | 0:00:13 | 0:00:17 | |
Each week one pair of duelling dealers | 0:00:17 | 0:00:19 | |
will face a different daily challenge. | 0:00:19 | 0:00:22 | |
I've got a heavy profit here. | 0:00:22 | 0:00:24 | |
Putting their reputations on the line... | 0:00:24 | 0:00:27 | |
I wasn't a Girl Guide for nothing. | 0:00:27 | 0:00:29 | |
..and giving you their top tips and savvy secrets... | 0:00:31 | 0:00:34 | |
Let's make hay while that sun shines. | 0:00:34 | 0:00:36 | |
-..on how to make the most money from buying and selling. -Get in there. | 0:00:36 | 0:00:40 | |
Today the King of Sly, Phil "The Fox" Serrell | 0:00:42 | 0:00:45 | |
takes on Queen of Style | 0:00:45 | 0:00:46 | |
Katherine Higgins in a Parisian market. | 0:00:46 | 0:00:49 | |
Coming up... | 0:00:49 | 0:00:51 | |
Phil is in for a shock. | 0:00:51 | 0:00:53 | |
-You paid how much for it? -80 euros. -80 euros. | 0:00:53 | 0:00:55 | |
Not 18, 80. | 0:00:55 | 0:00:57 | |
-Katherine finds her true self... -I am a 1932 girl. | 0:00:57 | 0:01:02 | |
..and Mr Serrell gets overfamiliar. | 0:01:02 | 0:01:04 | |
Hold on a moment. Whoa! | 0:01:04 | 0:01:07 | |
This is Put Your Money Where Your Mouth Is. | 0:01:07 | 0:01:11 | |
Ah, bonjour tout le monde, to a real tour de force | 0:01:25 | 0:01:28 | |
and a brief tour de France as two tres jolie antiques experts | 0:01:28 | 0:01:32 | |
take to the streets of gay Paris in the hope of eloping with | 0:01:32 | 0:01:36 | |
a pound-stretching profit. | 0:01:36 | 0:01:38 | |
So let's meet our battling pair. | 0:01:38 | 0:01:40 | |
Bursting into the sunlight with a rosy glow | 0:01:41 | 0:01:43 | |
and an eye for a bargain, a woman of substance with | 0:01:43 | 0:01:47 | |
a substantial knowledge of the trade, it's... | 0:01:47 | 0:01:49 | |
I like perfection. | 0:01:53 | 0:01:55 | |
But every rose has its thorn and the thorn in her side comes in the shape | 0:01:55 | 0:02:00 | |
of a real heavyweight, hard hitter in the world of antiques, it's... | 0:02:00 | 0:02:03 | |
It's absolutely fantastic. | 0:02:08 | 0:02:11 | |
These bric-a-brac lovers will | 0:02:11 | 0:02:14 | |
rendezvous at markets around Saint-Ouen in the | 0:02:14 | 0:02:16 | |
romance capital of the world for a real will-they-won't-they saga. | 0:02:16 | 0:02:22 | |
Will they or won't they fall in love with the items that will | 0:02:22 | 0:02:25 | |
bring home a profit and will they or won't they get the price they want? | 0:02:25 | 0:02:30 | |
They've each converted £750 of their own money into euros | 0:02:30 | 0:02:34 | |
and the profits they make will go straight to their chosen charities. | 0:02:34 | 0:02:39 | |
So get your cash out, Katherine Higgins and Phil Serrell. | 0:02:39 | 0:02:43 | |
It's time to Put Your Money Where Your Mouth Is. | 0:02:43 | 0:02:46 | |
-How are you? -Look at you, my lovely, lovely friend. | 0:02:48 | 0:02:51 | |
-I'm so excited, we're in Paris. -Gay Paris, the city of love. | 0:02:51 | 0:02:54 | |
-Well, and on that note I have this especially for you. -How lovely. | 0:02:54 | 0:02:58 | |
-I can only give you that in return. -Oh, gosh, goodness me. | 0:02:58 | 0:03:02 | |
-The romance is blossoming already. -Now, how much money have we got? | 0:03:02 | 0:03:05 | |
-We have got the equivalent of £750 to spend in euros. -Really? | 0:03:05 | 0:03:09 | |
-And have you got a plan? -I've got a cunning plan | 0:03:09 | 0:03:13 | |
-but I'm not sure what it is yet. -I worry about a girl with a plan. | 0:03:13 | 0:03:16 | |
Bon chance. | 0:03:16 | 0:03:19 | |
Indeed you should be worried, Phil. | 0:03:19 | 0:03:21 | |
As your rival is not only fluent in French, | 0:03:21 | 0:03:24 | |
but she's also fluent in the art of flirtation. | 0:03:24 | 0:03:27 | |
So you'd better have a good plan of action yourself, mate. | 0:03:27 | 0:03:31 | |
We are at probably the best antiques market in Paris. | 0:03:31 | 0:03:34 | |
I'm surrounded by really lovely, wonderful things. | 0:03:34 | 0:03:36 | |
So if I've got a plan, I've got to try and find something that is just | 0:03:36 | 0:03:40 | |
a bit different from the norm, a bit different from everything else | 0:03:40 | 0:03:43 | |
and I've got to get there before Katherine does. | 0:03:43 | 0:03:47 | |
So as Phil hotfoots it, | 0:03:47 | 0:03:49 | |
what does Katherine make of her chances in today's tussle? | 0:03:49 | 0:03:53 | |
I haven't been here for ten years so I'm thinking that it's going | 0:03:53 | 0:03:56 | |
to be a bit of a struggle because the prices have changed in that time. | 0:03:56 | 0:03:59 | |
I'm only used to spending about £1 per item | 0:03:59 | 0:04:02 | |
and here I've got to deal with the French pricing structure. | 0:04:02 | 0:04:05 | |
Having said that, I think that I'm going to win | 0:04:05 | 0:04:08 | |
and it's all about that, Phil, isn't it? | 0:04:08 | 0:04:10 | |
It's war. | 0:04:10 | 0:04:12 | |
It is and in this war of acquisition, | 0:04:12 | 0:04:15 | |
Phil is first to make a manoeuvre. | 0:04:15 | 0:04:18 | |
He's spotted a large trunk he's hoping might pack a profit. | 0:04:18 | 0:04:22 | |
So this would be about 1900s, 1890? | 0:04:24 | 0:04:27 | |
Oui, around there. | 0:04:27 | 0:04:29 | |
And Pyramid, it's the district of all the luggage in Paris. | 0:04:29 | 0:04:34 | |
I'd like to buy it, can we do a little bit better on price? | 0:04:34 | 0:04:37 | |
-Oh, you kill me already. -I kill you. | 0:04:37 | 0:04:39 | |
I'd like to kill you a little bit more. | 0:04:39 | 0:04:41 | |
If you buy it, I will tell you the price I've paid. | 0:04:41 | 0:04:45 | |
So Phil shows him the money | 0:04:45 | 0:04:46 | |
but how close will he get to the 250 euros the seller wants? | 0:04:46 | 0:04:50 | |
That's 150 so far. | 0:04:50 | 0:04:52 | |
Ah, yes, you can do better. No, let me eat, let me eat. | 0:04:52 | 0:04:57 | |
-Let me eat?! -Yes! -Let me eat. | 0:04:57 | 0:05:00 | |
-170 is my best. -No. | 0:05:00 | 0:05:04 | |
Laissez moi manger. | 0:05:04 | 0:05:06 | |
Oh, what a man. Get in there. | 0:05:06 | 0:05:09 | |
-Thank you very, very much. -Don't come back, please. | 0:05:09 | 0:05:13 | |
Yes, the seller reluctantly shakes on a price of 170 euros | 0:05:13 | 0:05:17 | |
for the trunk, which translates as... | 0:05:17 | 0:05:20 | |
However, having taken the cash the seller lets him in | 0:05:22 | 0:05:25 | |
on a little secret. | 0:05:25 | 0:05:27 | |
-You paid how much for it? -80 euros. | 0:05:27 | 0:05:29 | |
-80 euros?! -Not 18, 80. | 0:05:29 | 0:05:31 | |
-80 euros?! -Yes. -And you've just made 90 euros profit out of me? | 0:05:31 | 0:05:35 | |
And so what? | 0:05:35 | 0:05:37 | |
How harsh is that?! | 0:05:38 | 0:05:40 | |
But before Phil leaves the seller has one last trick | 0:05:40 | 0:05:43 | |
up his sleeve, producing a medley of antique beauty products | 0:05:43 | 0:05:46 | |
he originally found in the travel case. | 0:05:46 | 0:05:49 | |
I know that you've just made 90 euros on that bag, | 0:05:49 | 0:05:52 | |
so these don't cost you nothing. | 0:05:52 | 0:05:55 | |
-Ten. -No. -No? -No, no. | 0:05:55 | 0:05:57 | |
I'm learning now. Three euros. | 0:05:57 | 0:06:00 | |
-Trois euro. -Three euros. -Oui, oui, oui. | 0:06:00 | 0:06:04 | |
-Is that yes? -Yes, yes, yes. -What a good man. | 0:06:04 | 0:06:07 | |
Thank you very much indeed. | 0:06:07 | 0:06:08 | |
Oui, goodbye. | 0:06:08 | 0:06:11 | |
So Phil happily shells out three euros to the not | 0:06:11 | 0:06:14 | |
so happy seller, costing a meagre... | 0:06:14 | 0:06:16 | |
But what exactly did Phil get? | 0:06:18 | 0:06:21 | |
So here's my little three euro buy, moustache brush, probably bone, | 0:06:21 | 0:06:26 | |
might be ivory but it's certainly pre-1947, so that's fine. | 0:06:26 | 0:06:29 | |
What I wanted to buy were these two little bits here | 0:06:29 | 0:06:33 | |
because that's a little Parisian lipstick crayon, I suppose. | 0:06:33 | 0:06:38 | |
And here, look, we've got this... | 0:06:38 | 0:06:40 | |
..little beauty spot thing by Dorin of Paris | 0:06:42 | 0:06:46 | |
and they cost me three euros. | 0:06:46 | 0:06:48 | |
That's cost me 170 euros. | 0:06:48 | 0:06:52 | |
Chin up, old fellow. At least you have two buys in the bag. | 0:06:52 | 0:06:56 | |
Katherine, however, has yet to find that special something. | 0:06:56 | 0:06:59 | |
But she may be about to turn the page as she comes | 0:06:59 | 0:07:02 | |
across a trader selling 1930s vintage fashion prints. | 0:07:02 | 0:07:07 | |
This is why you come to Paris. | 0:07:07 | 0:07:09 | |
There are often little gems and in here we've got a whole magazine | 0:07:09 | 0:07:13 | |
which is absolutely lovely, so you actually learn | 0:07:13 | 0:07:16 | |
quite a lot about the period. | 0:07:16 | 0:07:18 | |
It's fascinating learning about the products that were | 0:07:18 | 0:07:20 | |
on sale at the time, | 0:07:20 | 0:07:22 | |
what the beauty regimes were, which I just get so excited about, | 0:07:22 | 0:07:26 | |
the method of preparation to go out and beautify yourself. | 0:07:26 | 0:07:32 | |
This is 1932 so we're winding the clock back and, | 0:07:32 | 0:07:36 | |
do you know? Look how similar it is. Fashion doesn't change. | 0:07:36 | 0:07:39 | |
Look at the neckline here and look at what I'm wearing | 0:07:39 | 0:07:41 | |
and look at my neckline. | 0:07:41 | 0:07:43 | |
I am a 1932 girl. | 0:07:43 | 0:07:45 | |
Sacre bleu, it's uncanny. | 0:07:45 | 0:07:48 | |
-Ten euros. -Ten euros. Dix. OK, well, it's marked at 12 euros. | 0:08:02 | 0:08:06 | |
So that's two euros off for good behaviour. | 0:08:06 | 0:08:10 | |
So the 1930s magazine takes ten euros, or... | 0:08:10 | 0:08:13 | |
..out of Katherine's budget and she seals the deal, | 0:08:15 | 0:08:18 | |
not with a shake but with a kiss. | 0:08:18 | 0:08:20 | |
-Hmm, a very awkward kiss. -Is that right? | 0:08:20 | 0:08:23 | |
Yes, that's right, both cheeks, Katherine. | 0:08:23 | 0:08:26 | |
Meanwhile, Phil has spotted a 19th century stool he likes the look of | 0:08:29 | 0:08:33 | |
but a price tag he doesn't. | 0:08:33 | 0:08:36 | |
I was hoping 150. | 0:08:36 | 0:08:39 | |
180, ca va? | 0:08:43 | 0:08:45 | |
150. My best, 150. | 0:08:45 | 0:08:48 | |
-Pay cash? -Pay cash. -Oui, ca va. | 0:08:48 | 0:08:52 | |
Thank you. Thank you very much indeed. | 0:08:52 | 0:08:54 | |
Phil gets the stool for 150 euros or... | 0:08:54 | 0:08:56 | |
So why did he splash out? | 0:08:59 | 0:09:02 | |
In this business, you're not selling an antique, | 0:09:02 | 0:09:04 | |
you're not selling a stool or a table, you're selling a look | 0:09:04 | 0:09:07 | |
and I hope that I've bought a look. | 0:09:07 | 0:09:10 | |
This is about 100 years old. | 0:09:10 | 0:09:12 | |
It's shabby chic. | 0:09:12 | 0:09:14 | |
Originally, this was painted in the most dreadful paint | 0:09:14 | 0:09:18 | |
and it's got the most dreadful blue upholstery on it. | 0:09:18 | 0:09:23 | |
But this guy, he's invested his time in it. | 0:09:23 | 0:09:26 | |
The one thing I have established now is that the mark-up round here is... | 0:09:26 | 0:09:32 | |
You've got to try and bid people for about half the price | 0:09:32 | 0:09:35 | |
and then you stand a chance of getting it. | 0:09:35 | 0:09:37 | |
I just hope that | 0:09:37 | 0:09:40 | |
I'm sitting on a fortune. | 0:09:40 | 0:09:43 | |
Well, with Phil getting comfortable, | 0:09:43 | 0:09:45 | |
Katherine is also in her comfort zone in the clothing and fashion | 0:09:45 | 0:09:48 | |
section and it isn't long before she homes in on a vintage dress. | 0:09:48 | 0:09:53 | |
The reason this is really good is because the condition is exemplary. | 0:09:53 | 0:09:56 | |
Late '70s. | 0:09:56 | 0:09:58 | |
We don't know who made it, it's unknown, it's not labelled | 0:09:58 | 0:10:02 | |
but it's very sheer, very sheer fabric, | 0:10:02 | 0:10:06 | |
very lightweight. | 0:10:06 | 0:10:08 | |
There's not a mark on it. Not a mark on it. | 0:10:08 | 0:10:13 | |
Delicate zip, quite lovely actually. | 0:10:13 | 0:10:17 | |
A little ruffle at the bottom. | 0:10:17 | 0:10:19 | |
And size, look at the size. It's probably a size ten, I'm guessing. | 0:10:19 | 0:10:24 | |
I mean it is my dream dress, it would fit me. | 0:10:24 | 0:10:27 | |
But this is not about selling to myself. | 0:10:27 | 0:10:29 | |
It's a nice piece, so that's definitely a goer for me. | 0:10:29 | 0:10:33 | |
Katherine pays 40 euros or... | 0:10:56 | 0:10:58 | |
..for the vintage dress. | 0:11:00 | 0:11:01 | |
You can put it on, walk into a room and you will be a show stopper. | 0:11:01 | 0:11:06 | |
But Katherine's voyage of the vintage isn't over | 0:11:06 | 0:11:09 | |
as she sets her sights on a ladies' 1950s straw hat. | 0:11:09 | 0:11:13 | |
What caught my eye first of all was the fact that | 0:11:13 | 0:11:16 | |
if you turn it around, the colour of the straw is completely even. | 0:11:16 | 0:11:20 | |
It's not bleached in one place, it's not dark in another | 0:11:20 | 0:11:24 | |
and when you take into account that that would have been | 0:11:24 | 0:11:26 | |
worn on a day-to-day basis, | 0:11:26 | 0:11:30 | |
it's actually rather lovely that | 0:11:30 | 0:11:32 | |
it hasn't got any sun damage or sun bleaching. | 0:11:32 | 0:11:35 | |
It's almost as if it's come straight out of the box, | 0:11:35 | 0:11:38 | |
fresh from the shop in 1954, | 0:11:38 | 0:11:42 | |
that sort of period. | 0:11:42 | 0:11:44 | |
We've got a label, made in Paris, as all great hats were at that point. | 0:11:44 | 0:11:51 | |
A little elastic, so it would have tucked behind your head, | 0:11:51 | 0:11:56 | |
supporting it as you wore it. | 0:11:56 | 0:11:58 | |
It needs a nice '50s girl to wear a hat like this. | 0:11:58 | 0:12:01 | |
I'm kind of thinking of somebody but the price has got to be right. | 0:12:03 | 0:12:08 | |
And after a little negotiating with the camera-shy shop owner, | 0:12:08 | 0:12:11 | |
the price turns out to be 35 euros or... | 0:12:11 | 0:12:14 | |
I feel very, very pleased with it. | 0:12:16 | 0:12:18 | |
It's a lovely piece. It's a great piece of 1950s history. | 0:12:18 | 0:12:21 | |
I think we should all be wearing these today, really. Come on. | 0:12:21 | 0:12:25 | |
Put your hat on. | 0:12:25 | 0:12:27 | |
So with Katherine using her head and Phil looking after his derriere, | 0:12:27 | 0:12:31 | |
let's find out where we are with the scores. | 0:12:31 | 0:12:34 | |
Katherine and Phil each arrived in Paris | 0:12:34 | 0:12:38 | |
with £750 worth of their own euros to spend. | 0:12:38 | 0:12:42 | |
Phil Serrell has paid out three times and racked up... | 0:12:42 | 0:12:45 | |
Katherine Higgins has also made three purchases | 0:12:50 | 0:12:52 | |
but forked out a modest... | 0:12:52 | 0:12:54 | |
However, as our two battling buyers collide, | 0:13:01 | 0:13:03 | |
Phil is regretting one of his purchases | 0:13:03 | 0:13:06 | |
and has a cunning plan to try | 0:13:06 | 0:13:08 | |
and shift it to an unsuspecting Katherine. | 0:13:08 | 0:13:10 | |
-I bought one thing. -Right. | 0:13:10 | 0:13:12 | |
It's sort of on the back end of something else | 0:13:12 | 0:13:15 | |
but it's sort of not really my thing, it's sort of make-up-y stuff | 0:13:15 | 0:13:18 | |
and there's some lippy stuff | 0:13:18 | 0:13:20 | |
and there's some stick-it-on-the-face stuff... | 0:13:20 | 0:13:23 | |
-OK... -..and some other stuff. | 0:13:23 | 0:13:24 | |
-..so you've been encroaching on my territory. -Yes, but... | 0:13:24 | 0:13:27 | |
-it cost me three euros. -Three euros?! | 0:13:27 | 0:13:30 | |
-I'm going to issue you a challenge. -OK. | 0:13:30 | 0:13:32 | |
You go and buy me something for three euros | 0:13:32 | 0:13:35 | |
and you can have my three euro lot. | 0:13:35 | 0:13:37 | |
-Three euros? -Yeah. -I haven't seen anything for three euros. | 0:13:37 | 0:13:40 | |
-That expensive. -So that's going to be kind of car related or... | 0:13:40 | 0:13:44 | |
Well, you know, gold. I like gold. | 0:13:44 | 0:13:48 | |
-For three euros? -I do like gold, gold. | 0:13:48 | 0:13:51 | |
-Go for gold. -Great. | 0:13:51 | 0:13:53 | |
So in a dramatic twist to this unfurling drama, | 0:13:53 | 0:13:56 | |
Phil has thrown down the gauntlet to get Katherine to buy | 0:13:56 | 0:13:59 | |
something for him for only three euros. | 0:13:59 | 0:14:02 | |
Three euros in Paris?! | 0:14:02 | 0:14:05 | |
Phil is struggling to find anything that costs less than three figures. | 0:14:05 | 0:14:08 | |
Six cents euro. | 0:14:08 | 0:14:10 | |
Six hundred. | 0:14:10 | 0:14:12 | |
HE MUMBLES | 0:14:12 | 0:14:14 | |
I'm sorry but I can't buy that, it's too much money. | 0:14:14 | 0:14:18 | |
1,000.... | 0:14:18 | 0:14:20 | |
-OK, no, it's fine, thank you. -Oh, dear. | 0:14:20 | 0:14:23 | |
As Phil struggles to find anything cheap enough to make a profit | 0:14:23 | 0:14:27 | |
back in Blighty, | 0:14:27 | 0:14:29 | |
Katherine is reflecting on an antique mirror | 0:14:29 | 0:14:32 | |
which has seen better days. | 0:14:32 | 0:14:34 | |
What you've got to accept is that the mirror is showing | 0:14:35 | 0:14:39 | |
signs of wear and tear. | 0:14:39 | 0:14:41 | |
It's what we call the patina of age and I love that feel about it. | 0:14:41 | 0:14:46 | |
So, yeah, I'm kind of falling in love. | 0:14:46 | 0:14:49 | |
Do you think there's a vanity thing going on here? | 0:14:49 | 0:14:52 | |
I mean, I love mirrors, why wouldn't I love mirrors? Girls and mirrors. | 0:14:52 | 0:14:56 | |
Et le meilleur, meilleur, meilleur prix! | 0:15:03 | 0:15:06 | |
That means the best, best, best price. | 0:15:06 | 0:15:08 | |
Alors, c'est bon. 150. Merci, merci. | 0:15:09 | 0:15:12 | |
So we have agreed on 150 euros. | 0:15:12 | 0:15:15 | |
Which was the best, best, best, best, best... | 0:15:15 | 0:15:18 | |
Were you following? ..price. | 0:15:18 | 0:15:20 | |
Yes, so once that 150 euros is converted, | 0:15:20 | 0:15:23 | |
Katherine pays a hefty... | 0:15:23 | 0:15:25 | |
I must say, I'm actually genuinely very pleased with this buy. | 0:15:28 | 0:15:31 | |
It fills all the things on my tick list. | 0:15:31 | 0:15:33 | |
So it's actually very stylish. | 0:15:33 | 0:15:35 | |
It's got a lot of interior style about it. | 0:15:35 | 0:15:37 | |
It's got heaps of provenance and by that I mean the age. | 0:15:37 | 0:15:40 | |
So you've got this lovely 19th century mirror | 0:15:40 | 0:15:43 | |
with the patina of age, | 0:15:43 | 0:15:46 | |
surrounded by this carved wooden, I suspect, oak frame. | 0:15:46 | 0:15:51 | |
Which is, you know, all hand tooled. | 0:15:51 | 0:15:54 | |
This is, you know... I can imagine the craftsmen making this. | 0:15:54 | 0:15:57 | |
I'm not certain they started life together | 0:15:57 | 0:15:59 | |
but I'm absolutely happy that they've ended up together. | 0:15:59 | 0:16:02 | |
So, all in all, the price was right, it's a good buy. | 0:16:02 | 0:16:06 | |
Phil, you should be worried. | 0:16:06 | 0:16:08 | |
So it seems, and not to be outdone on buying, ahem, shall we say, | 0:16:08 | 0:16:12 | |
delicate wooden glass items, | 0:16:12 | 0:16:14 | |
Phil has gone back to the same dealer he bought the stool from | 0:16:14 | 0:16:18 | |
and is looking at a set of doors which are slightly incomplete. | 0:16:18 | 0:16:22 | |
180. | 0:16:22 | 0:16:24 | |
180. | 0:16:24 | 0:16:25 | |
What am I doing? 180 euros, got to thank you. | 0:16:25 | 0:16:29 | |
Yes, that's 180 euros, which is just over... | 0:16:29 | 0:16:31 | |
..for French doors that need some TLC. | 0:16:33 | 0:16:36 | |
So, I've just bought a window | 0:16:37 | 0:16:42 | |
with some painted glass missing for 180 euros. | 0:16:42 | 0:16:47 | |
-What am I going to do with that? -Oh, dear. | 0:16:51 | 0:16:53 | |
Phil doesn't seem to be over the moon with anything | 0:16:53 | 0:16:55 | |
he's picked up so far. | 0:16:55 | 0:16:57 | |
Perhaps Katherine can do a better job of spending his money. | 0:16:57 | 0:17:01 | |
Phil, you set me a challenge, I could only do my best but respond. | 0:17:01 | 0:17:05 | |
So what I've found you are three, | 0:17:05 | 0:17:08 | |
made pretty much yesterday, | 0:17:08 | 0:17:11 | |
footballing figures in action, | 0:17:11 | 0:17:14 | |
different numbers, different strips. | 0:17:14 | 0:17:18 | |
I'm sure you'll do quite well with those. | 0:17:18 | 0:17:20 | |
Hmm, something tells me she doesn't mean that. | 0:17:20 | 0:17:22 | |
So she heads into the shop to buy the footballers and notices | 0:17:22 | 0:17:25 | |
a mis-boxed model car of an Aston Martin, | 0:17:25 | 0:17:28 | |
that may help drive home a profit. | 0:17:28 | 0:17:30 | |
I've found myself a 20th century model | 0:17:31 | 0:17:35 | |
and probably only made not that long ago | 0:17:35 | 0:17:38 | |
but it's actually nicely boxed, a very presentation piece. | 0:17:38 | 0:17:42 | |
Fantastic. | 0:17:42 | 0:17:44 | |
The toy car costs Katherine 15 euros or... | 0:17:55 | 0:17:58 | |
..and she hits the back of the net | 0:18:00 | 0:18:01 | |
when she completes Phil's challenge and buys | 0:18:01 | 0:18:03 | |
the three footballers for three euros or... | 0:18:03 | 0:18:06 | |
It's the end of the day, the sun is setting, | 0:18:08 | 0:18:11 | |
the romance is fading and I've finished. | 0:18:11 | 0:18:15 | |
I've bought everything I can do. Au revoir, Paris. | 0:18:15 | 0:18:19 | |
I love you. I'm not sure about Mr Serrell though. | 0:18:19 | 0:18:22 | |
Well, Phil is looking for one more item | 0:18:22 | 0:18:25 | |
and these French markets can be a great opportunity to mingle | 0:18:25 | 0:18:28 | |
with Parisian dealers specialising in continental items, or, | 0:18:28 | 0:18:32 | |
as in Phil's case, | 0:18:32 | 0:18:34 | |
a chap called John from London who sells British flags. | 0:18:34 | 0:18:37 | |
-I quite like... -It's Royal Air Force, light blue. | 0:18:37 | 0:18:41 | |
I quite like that one. | 0:18:41 | 0:18:43 | |
It's got... The bottom is a bit frayed. | 0:18:43 | 0:18:45 | |
Oh, I get this now. Look at this, eh? | 0:18:45 | 0:18:48 | |
Slightly frayed?! | 0:18:51 | 0:18:53 | |
Oh, I tell you what, this is getting cheaper by the minute. | 0:18:53 | 0:18:55 | |
I'm glad we did this, look. | 0:18:55 | 0:18:57 | |
All you need is somebody to redo the hem on it. | 0:18:57 | 0:19:03 | |
I tell you what I do think, I don't think it's 1950s. | 0:19:03 | 0:19:06 | |
You think it's later, do you? | 0:19:06 | 0:19:07 | |
Well, just... What do I know about it? | 0:19:07 | 0:19:09 | |
But that to me doesn't look like... | 0:19:09 | 0:19:12 | |
It's not cotton, it's nylon or something. | 0:19:12 | 0:19:14 | |
That's not 60 years old, is it? | 0:19:14 | 0:19:17 | |
-I don't, I think... -If it is, it's worn better than you and me. | 0:19:17 | 0:19:21 | |
Maybe it's 1970s but... I can't remember if it's stitched... | 0:19:21 | 0:19:24 | |
No, I'm the one that's stitched. | 0:19:24 | 0:19:28 | |
So, it's such a long time ago. | 0:19:28 | 0:19:30 | |
I can't remember what you said the best you'd do was? | 0:19:30 | 0:19:32 | |
-You started off at, what was it? -180. | 0:19:32 | 0:19:34 | |
How much? You've been playing too much darts, you have. | 0:19:34 | 0:19:37 | |
-No, I said 120, I told you. -120? -Yep. | 0:19:37 | 0:19:40 | |
-And then we got down to how much? -90. | 0:19:40 | 0:19:43 | |
-And that was before you'd seen all that frayed... -And then I said 85. | 0:19:43 | 0:19:47 | |
-85? -Yep. | 0:19:47 | 0:19:49 | |
-Go on, then. -We've done the deal? -Yeah, we have. | 0:19:49 | 0:19:51 | |
So that's 85 euros or... | 0:19:51 | 0:19:53 | |
..for the RAF flag. | 0:19:56 | 0:19:58 | |
Whether it will help his profits soar when he comes to sell, | 0:19:58 | 0:20:00 | |
who knows? | 0:20:00 | 0:20:02 | |
There's a huge amount of sentimentality in collecting | 0:20:02 | 0:20:05 | |
that revolves really around the First World War and, of course, | 0:20:05 | 0:20:08 | |
the Royal Air Force was founded in 1918 from the bones of what | 0:20:08 | 0:20:13 | |
was then The Royal Army Flying Corps. | 0:20:13 | 0:20:16 | |
This is the ensign, | 0:20:16 | 0:20:17 | |
and I just think this is just a really evocative thing. | 0:20:17 | 0:20:21 | |
Now, I don't think there's that much age to this. | 0:20:21 | 0:20:24 | |
I think if I'm lucky it might be '60s or '70s and if it's unlucky, | 0:20:24 | 0:20:27 | |
it might be perhaps '70s or '80s. | 0:20:27 | 0:20:30 | |
But it's cost me 85 euros, which isn't that much money | 0:20:30 | 0:20:35 | |
and I'm sort of, kind of hoping that I can sell it to somebody | 0:20:35 | 0:20:40 | |
who might just have a bit of an RAF connection. | 0:20:40 | 0:20:43 | |
So fingers crossed. | 0:20:43 | 0:20:46 | |
Both our experts have run out of time, so before they meet up | 0:20:46 | 0:20:49 | |
to compare their wares, let's see how much they spent today. | 0:20:49 | 0:20:53 | |
Phil has fretted and foraged and ended up with five items for... | 0:21:00 | 0:21:04 | |
Katherine has bought carefully and spent cautiously, | 0:21:07 | 0:21:10 | |
ending up with six items for... | 0:21:10 | 0:21:12 | |
So what have you bought? | 0:21:15 | 0:21:17 | |
Well, I had a bit of a shopping spree | 0:21:17 | 0:21:19 | |
-but didn't spend a great deal of money. -Now, there's a shock. | 0:21:19 | 0:21:21 | |
I bought this great '70s dress, which I love. | 0:21:21 | 0:21:25 | |
-It's a delicate size ten. Just your... -Yes. | 0:21:25 | 0:21:28 | |
Just designed and made for you. | 0:21:28 | 0:21:30 | |
-Tapered at the waist. -Yeah. Another bit of fashion. Got a bit kind of... | 0:21:30 | 0:21:33 | |
We're in Paris. | 0:21:33 | 0:21:35 | |
-Oh, yeah, yeah. -It's the home of couture. How could I not? | 0:21:35 | 0:21:37 | |
Lovely, lovely day hat. So I feel comfortable with that. | 0:21:37 | 0:21:40 | |
How about you? | 0:21:40 | 0:21:42 | |
I love the stool because it's, sort of, kind of shabby chic and I think | 0:21:42 | 0:21:46 | |
with that trunk, if that had Louis Vuitton on it, | 0:21:46 | 0:21:48 | |
it would be like £3,500. | 0:21:48 | 0:21:50 | |
It hasn't, it's got a Paris maker on it | 0:21:50 | 0:21:52 | |
but I just think it's a funky thing. That was my dearest buy. | 0:21:52 | 0:21:55 | |
Now, the real thing is... | 0:21:55 | 0:21:58 | |
Oh, that's absolutely lovely, isn't it? | 0:21:58 | 0:22:00 | |
-Yes, I thought you'd like that. -Oh, how fantastic is that? | 0:22:00 | 0:22:03 | |
-But isn't that lovely, look. -Oh, God, it's a Worth brush as well. | 0:22:03 | 0:22:06 | |
The House Of Worth is one of the best couture houses that you could | 0:22:06 | 0:22:09 | |
-buy in to. -Oh, I'm really so pleased about that. -I'm very pleased. | 0:22:09 | 0:22:13 | |
-And in return... -Isn't that fantastic. | 0:22:13 | 0:22:15 | |
..it would be rude of me to leave you out. | 0:22:15 | 0:22:17 | |
So underneath here, I have bought you... | 0:22:17 | 0:22:19 | |
Here we go. | 0:22:19 | 0:22:21 | |
So let me just get this right, | 0:22:21 | 0:22:24 | |
-I bought you... -Really nice pieces. -..really lovely fashion bits | 0:22:24 | 0:22:28 | |
that you would enjoy from the turn of the century, | 0:22:28 | 0:22:30 | |
from a Paris fashion house and a really good London retailer | 0:22:30 | 0:22:35 | |
and you got me... | 0:22:35 | 0:22:37 | |
But look, they are all numbered, different numbers on the back. | 0:22:37 | 0:22:41 | |
-I think that's good. -Great, thanks. | 0:22:41 | 0:22:44 | |
So our aces of antiques head back to Blighty | 0:22:47 | 0:22:50 | |
with their precious cargo in tow. | 0:22:50 | 0:22:54 | |
Now, they must flick their haggle switch from buy to sell as they know | 0:22:54 | 0:22:58 | |
whoever has the most profit at the end walks away, | 0:22:58 | 0:23:01 | |
not only the richer, but also the winner. | 0:23:01 | 0:23:05 | |
And don't forget all that lovely profit | 0:23:05 | 0:23:07 | |
goes to the charity of their choice. | 0:23:07 | 0:23:10 | |
Over in Guildford, Katherine is inspecting her hoard | 0:23:10 | 0:23:13 | |
and has some news about her mirror. | 0:23:13 | 0:23:15 | |
I've been doing a bit of research and my mirror | 0:23:15 | 0:23:18 | |
has proved to be rather exciting. | 0:23:18 | 0:23:20 | |
On the internet, I've found one that is | 0:23:20 | 0:23:22 | |
selling in Los Angeles currently for 2,800 dollars, | 0:23:22 | 0:23:26 | |
which is roughly about £2,000. | 0:23:26 | 0:23:28 | |
So, I'm going to give it a bit of TLC, it deserves that now | 0:23:28 | 0:23:32 | |
and I'm going to send it to the restorers, | 0:23:32 | 0:23:34 | |
have it beautifully polished. | 0:23:34 | 0:23:36 | |
It'll look even more immaculate than it does now and | 0:23:36 | 0:23:39 | |
hopefully find a buyer who will pay me a handsome sum for it. | 0:23:39 | 0:23:43 | |
Everything else, yes, it's going to go on a journey, | 0:23:43 | 0:23:46 | |
I'm not sure what that is at the moment but, yeah. | 0:23:46 | 0:23:49 | |
Just join me on that, it's going to be fun. | 0:23:49 | 0:23:52 | |
Yes, Katherine's a girl who wants to have fun and make money, | 0:23:52 | 0:23:55 | |
of course. | 0:23:55 | 0:23:56 | |
But over in Worcester, how's Phil feeling? | 0:23:56 | 0:24:00 | |
If you'd have said to me 35 years ago | 0:24:00 | 0:24:02 | |
when I started in this business that I'd be polishing luggage, you know, | 0:24:02 | 0:24:05 | |
I'd have thought you were bonkers. | 0:24:05 | 0:24:07 | |
But that's how the business has changed. | 0:24:07 | 0:24:09 | |
When I started it was chests, chairs, tables, you know, | 0:24:09 | 0:24:12 | |
the traditional antiques and now it's all moved. | 0:24:12 | 0:24:16 | |
It's the way to decorate a room | 0:24:16 | 0:24:18 | |
and I think that's a very, very cool thing. | 0:24:18 | 0:24:21 | |
Those, however, are not cool by any stretch of the imagination. | 0:24:22 | 0:24:28 | |
Hmm, yes, both our experts have their work cut out | 0:24:28 | 0:24:32 | |
because now they must put in the hard work, | 0:24:32 | 0:24:35 | |
pull out their contact book and get on with the research | 0:24:35 | 0:24:37 | |
it takes to find the perfect buyer for each item. | 0:24:37 | 0:24:41 | |
But remember, no deal is done until the flesh is pressed | 0:24:41 | 0:24:44 | |
and the cash is pocketed. | 0:24:44 | 0:24:47 | |
Both Katherine and Phil want that vital first sale | 0:24:47 | 0:24:50 | |
but it's the foxy one who's first to pick up the scent. | 0:24:50 | 0:24:53 | |
I'm at Bringsty, between Bromyard and Worcester, | 0:24:55 | 0:24:58 | |
here to see Nick Mitchell, who's a regular at my sales. | 0:24:58 | 0:25:00 | |
He specialises in selling vintage and collectable items | 0:25:00 | 0:25:04 | |
and I'm here to sell him my French chateau windows which I hope | 0:25:04 | 0:25:07 | |
he takes a bit of a shine to and doesn't become... | 0:25:07 | 0:25:11 | |
a PANE! | 0:25:11 | 0:25:13 | |
Yes, well, the doors cost Phil over £136, | 0:25:13 | 0:25:17 | |
but will Nick open them up to a profit? | 0:25:17 | 0:25:20 | |
What I quite like about them is the way that they've sort of... | 0:25:20 | 0:25:23 | |
They've got this shabby chic look, haven't they? | 0:25:23 | 0:25:25 | |
-I think that's just been badly stripped. -Do you? | 0:25:25 | 0:25:27 | |
-Which is the finish you want. -How old do you reckon it might be, Nick? | 0:25:27 | 0:25:31 | |
I don't know, it's very difficult to tell | 0:25:31 | 0:25:33 | |
but I imagine it's original to the houses, 1870? | 0:25:33 | 0:25:38 | |
I don't know if they'll be easy to sell, what do you think? | 0:25:38 | 0:25:41 | |
-I think we'll find customers for those. -Really? -I think so. | 0:25:41 | 0:25:43 | |
I was hoping to get, like, 200 quid for them. What do you think? | 0:25:43 | 0:25:48 | |
Yeah, a little over good for me but I can... It's not far away. | 0:25:48 | 0:25:52 | |
-This is the quiet bit, this is. -180 would be good. | 0:25:52 | 0:25:55 | |
Well, it would be good for you. It would be good for you. | 0:25:55 | 0:25:57 | |
You'll have to come a little bit more. | 0:25:57 | 0:25:59 | |
Go on, do me a tenner at least. | 0:25:59 | 0:26:02 | |
-190. -You're a gentleman. Thank you very much indeed. | 0:26:02 | 0:26:05 | |
So Phil shakes on the deal and makes a profit of... | 0:26:05 | 0:26:10 | |
The name of the game is profit and I think, in this instance, | 0:26:10 | 0:26:13 | |
I'm happy and I hope that Nick gets a good profit too. | 0:26:13 | 0:26:16 | |
Phil's first sale gives him a head start. | 0:26:16 | 0:26:18 | |
So will Katherine's hat help her top that, | 0:26:18 | 0:26:21 | |
as she takes it to the south coast? | 0:26:21 | 0:26:23 | |
Well, it's a glorious sunny day and I've come down to Hove, | 0:26:23 | 0:26:27 | |
by the seaside, to offer up my lovely vintage hat | 0:26:27 | 0:26:30 | |
to a lady called Jen Lewis, who's really | 0:26:30 | 0:26:32 | |
inspired by vintage style. | 0:26:32 | 0:26:33 | |
She's a milliner and she takes her designs | 0:26:33 | 0:26:36 | |
and inspirations for today's hats from pieces from the past. | 0:26:36 | 0:26:39 | |
So I think this will be perfect for her. | 0:26:39 | 0:26:42 | |
Remember, Katherine paid just over £26 for her Parisian straw hat. | 0:26:42 | 0:26:46 | |
So, Jen, I must say I'm in total hat heaven here. | 0:26:46 | 0:26:50 | |
I'm in awe of all of your incredible designs. | 0:26:50 | 0:26:53 | |
-Thank you. -You're a milliner, what does that mean? | 0:26:53 | 0:26:56 | |
Basically milliners are hat makers and designers. | 0:26:56 | 0:26:58 | |
So that is what we do. | 0:26:58 | 0:27:00 | |
I create a piece that I've designed, | 0:27:00 | 0:27:03 | |
mainly based on vintage styles. | 0:27:03 | 0:27:05 | |
Do you like this? | 0:27:05 | 0:27:07 | |
Oh, that's pretty, isn't it? | 0:27:07 | 0:27:10 | |
-Fifties, I'd say, early fifties. -Yes. | 0:27:10 | 0:27:14 | |
-From Paris, Parisian maker... -Yes. | 0:27:14 | 0:27:17 | |
..and also from Paris as well. | 0:27:17 | 0:27:19 | |
I mean, I bought it in Paris. Can we just see if it fits you? | 0:27:19 | 0:27:23 | |
-Shall we see? -Yeah. Oh, my gosh. | 0:27:23 | 0:27:25 | |
-I would have to change my hairstyle for it, however. -You look amazing. | 0:27:25 | 0:27:28 | |
-I'm looking a bit '60s today. -Yeah, well, '60s with a '50s hat. | 0:27:28 | 0:27:32 | |
It looks the part. Now I've let you try it on, | 0:27:32 | 0:27:36 | |
-and you're holding it... -Yes. -..you can't not keep it. | 0:27:36 | 0:27:39 | |
-I have fallen for it slightly, I must admit. -Well, that's great. | 0:27:39 | 0:27:43 | |
I was thinking in the region of | 0:27:43 | 0:27:46 | |
between, sort of, £50 and £70, | 0:27:46 | 0:27:49 | |
-that sort of price point I would feel very comfortable with. -OK. | 0:27:49 | 0:27:52 | |
I think that's a sort of fairish price. | 0:27:52 | 0:27:54 | |
I don't know how you sit on that, really. | 0:27:54 | 0:27:57 | |
I'd be quite happy to pay £60 for that. | 0:27:57 | 0:27:59 | |
-It's going to live with all these. -Perfect, well £60 it is. | 0:27:59 | 0:28:02 | |
Katherine makes a profit of... | 0:28:02 | 0:28:05 | |
..and can't resist trying on a few for herself. | 0:28:05 | 0:28:08 | |
MUSIC: Pretty Woman by Roy Orbison | 0:28:08 | 0:28:13 | |
-Hmm. -Maybe not your style. | 0:28:15 | 0:28:17 | |
-That's lovely. -So that's the one. | 0:28:19 | 0:28:21 | |
So I'm looking good and not a bad profit either. | 0:28:23 | 0:28:25 | |
Is it hats off to me, Phil? | 0:28:25 | 0:28:27 | |
Oh, reminds me, better return this. | 0:28:27 | 0:28:30 | |
Yes, you're supposed to be selling, not shopping, Katherine. | 0:28:30 | 0:28:34 | |
Phil hasn't gone far for his next sale | 0:28:34 | 0:28:36 | |
and the man with one of the thickest contact books in the business | 0:28:36 | 0:28:39 | |
has caught a whiff of his next possible buyer. | 0:28:39 | 0:28:43 | |
Now, I'm at a hotel and conference centre just outside Worcester. | 0:28:43 | 0:28:46 | |
It's being refurbished. | 0:28:46 | 0:28:48 | |
Now, it's owned by some people who | 0:28:48 | 0:28:49 | |
come to buy at my sales and the commercial director here, | 0:28:49 | 0:28:52 | |
who I'm hoping to sell my stool to, is a friend of mine. | 0:28:52 | 0:28:55 | |
Are you still with me? | 0:28:55 | 0:28:56 | |
Well, I hope she is, enough to buy it off me. | 0:28:56 | 0:28:59 | |
Yes, Phil's meeting friend Kathy | 0:28:59 | 0:29:01 | |
and the stool cost just over £113. | 0:29:01 | 0:29:04 | |
-So this is the... -Penthouse suite. -..the penthouse suite. -Yes. | 0:29:04 | 0:29:08 | |
That's something special and you've done it all up | 0:29:08 | 0:29:10 | |
and it looks absolutely fantastic. | 0:29:10 | 0:29:12 | |
It covers the whole floor. | 0:29:12 | 0:29:13 | |
The only thing that it's missing, I think, is a really smart stool. | 0:29:13 | 0:29:17 | |
Really? That's odd. | 0:29:17 | 0:29:20 | |
Just, oh, look. As if by magic. | 0:29:20 | 0:29:23 | |
So how old is it? | 0:29:23 | 0:29:25 | |
Well, I would think it's probably back end of the 19th century, | 0:29:25 | 0:29:29 | |
something like that, and I just think the way it's presented | 0:29:29 | 0:29:31 | |
at the minute, it catches that shabby chic look. | 0:29:31 | 0:29:35 | |
-It does, yeah. -And you've got... | 0:29:35 | 0:29:37 | |
But I think it would work in here | 0:29:37 | 0:29:39 | |
because you have got some really cool things. | 0:29:39 | 0:29:41 | |
-So you're interested, are you? -I am interested. I think it's... | 0:29:41 | 0:29:44 | |
So we need to arrive at a price, don't we? | 0:29:44 | 0:29:46 | |
I think it's worth £200. | 0:29:46 | 0:29:48 | |
Can you come another, I don't know, 20 or 30 quid? | 0:29:50 | 0:29:53 | |
My last offer, because I would really like it, and I can see | 0:29:53 | 0:29:57 | |
people sitting on this and I can see it upholstered, | 0:29:57 | 0:30:00 | |
210 and that is it, I'm afraid. | 0:30:00 | 0:30:02 | |
-215 and it's yours. -No! £210. | 0:30:02 | 0:30:04 | |
215 and it's yours and there's a reason. | 0:30:04 | 0:30:06 | |
-212, you're not getting the better of me, Phil. -No, 214. | 0:30:06 | 0:30:10 | |
-I can't say 13 because that's unlucky. 214. -214. | 0:30:10 | 0:30:13 | |
Oh, you're an angel. | 0:30:13 | 0:30:15 | |
Hold on a moment. Whoa! | 0:30:15 | 0:30:18 | |
Steady on, Phil. | 0:30:18 | 0:30:20 | |
According to the rules, all you need is a shake of the hand. | 0:30:20 | 0:30:23 | |
Phil earns a profit of... | 0:30:23 | 0:30:24 | |
..and so carries on and targets another lady for his next sale. | 0:30:26 | 0:30:30 | |
I've brought my flag to see a lovely old lady called Jane. | 0:30:30 | 0:30:34 | |
Now, I met her first about five or six years ago. | 0:30:34 | 0:30:37 | |
She's looked after by a family | 0:30:37 | 0:30:39 | |
and I'm kind of hoping they'll buy my flag just for her. | 0:30:39 | 0:30:44 | |
Hold on, Jane's home is the | 0:30:44 | 0:30:45 | |
Lincolnshire Aviation Heritage Centre? | 0:30:45 | 0:30:48 | |
That's a funny place to live. | 0:30:48 | 0:30:49 | |
Oh, Jane's a plane. | 0:30:49 | 0:30:52 | |
A World War II Lancaster Bomber, to be precise. | 0:30:52 | 0:30:55 | |
So, will Andrew, who runs the centre, be interested in buying | 0:30:55 | 0:30:58 | |
and flying the flag that cost Phil just over £64? | 0:30:58 | 0:31:02 | |
So how many of these Lancaster Bombers are there around today? | 0:31:02 | 0:31:05 | |
-So worldwide there's about 15 or 16... -Really. -..complete. | 0:31:05 | 0:31:08 | |
-In this country there's four. -Four? | 0:31:08 | 0:31:10 | |
Yeah, there's two that fly in the world | 0:31:10 | 0:31:12 | |
and there's this one that taxis as well. | 0:31:12 | 0:31:14 | |
-I went to France, Andrew... -Yep. | 0:31:14 | 0:31:16 | |
And I guess that probably went over France a few times, didn't it? | 0:31:16 | 0:31:19 | |
-Yeah, several times. -And I bought this. Now, I don't know... | 0:31:19 | 0:31:23 | |
-Have you got any RAF flags? -We don't have any at the moment, no. | 0:31:23 | 0:31:27 | |
Really, why is that? | 0:31:27 | 0:31:28 | |
We usually have one from the flagpole but it's got weathered, | 0:31:28 | 0:31:31 | |
shall we say, and it gets torn around in the wind. | 0:31:31 | 0:31:34 | |
-What do you reckon to that? -That's excellent, isn't it? RAF ensign. | 0:31:34 | 0:31:37 | |
-Yeah. That's pretty cool, isn't it? -It is. It's a big one as well. | 0:31:37 | 0:31:40 | |
You don't usually see them quite as big as this. | 0:31:40 | 0:31:42 | |
-Have you got space for it? -We have. -Have you got a flagpole for it? | 0:31:42 | 0:31:45 | |
We've got a flagpole begging for it, yes. | 0:31:45 | 0:31:47 | |
Well, there you go. This is looking better by the moment, isn't it? | 0:31:47 | 0:31:50 | |
Andrew, I was kind of thinking that | 0:31:50 | 0:31:51 | |
-I'd like the thick end of £200 for this. -OK. | 0:31:51 | 0:31:54 | |
We'd be happy to look somewhere £150. | 0:31:54 | 0:31:57 | |
If you can give me 170 quid, I'll flog it to you. | 0:31:57 | 0:32:01 | |
OK, if you'll give me a hand putting it on the flagpole, | 0:32:01 | 0:32:04 | |
-I'll do you a deal. -You're a gentleman. Thank you ever so much. | 0:32:04 | 0:32:06 | |
With Andrew raising the flag, Phil raises a top-notch profit of... | 0:32:06 | 0:32:10 | |
..and Phil gets to climb into the cockpit. | 0:32:12 | 0:32:15 | |
The profit almost seems irrelevant because, trust me, | 0:32:15 | 0:32:18 | |
the pleasure really is all mine. | 0:32:18 | 0:32:21 | |
Phil is zooming into the lead, | 0:32:21 | 0:32:23 | |
so Katherine needs to get a move on and she goes some way to catching up | 0:32:23 | 0:32:27 | |
when she sells her toy Aston Martin to a car dealer for a profit of... | 0:32:27 | 0:32:31 | |
And next up it's the 1930s magazine | 0:32:33 | 0:32:36 | |
that cost her over £7. | 0:32:36 | 0:32:38 | |
Well, I brought my vintage magazine to a vintage tearoom | 0:32:38 | 0:32:41 | |
that's actually dating from the 1930s in Castle Cary in Somerset. | 0:32:41 | 0:32:45 | |
I'm going to have a spot of tea with a lady who, I think, | 0:32:45 | 0:32:48 | |
might quite like it. | 0:32:48 | 0:32:50 | |
She's meeting with local vintage fair organiser Carole, | 0:32:50 | 0:32:53 | |
who's looking for inspiration for her promotional leaflets. | 0:32:53 | 0:32:57 | |
Carole, when I find things, | 0:32:57 | 0:32:59 | |
I get very excited about finding the right destination for them | 0:32:59 | 0:33:02 | |
and part of the journey has to end here because we're | 0:33:02 | 0:33:05 | |
in a 1930s tea room and I have brought you a 1930s magazine. | 0:33:05 | 0:33:09 | |
Oh, I say. | 0:33:09 | 0:33:11 | |
But it was the magazine that gave you fashion advice, | 0:33:11 | 0:33:15 | |
-how to wear your dresses... -Beautiful. | 0:33:15 | 0:33:16 | |
..whether to wear them slightly shorter now the '30s | 0:33:16 | 0:33:19 | |
was coming in or whether to wear them the full long length. | 0:33:19 | 0:33:23 | |
-It was a period also when modern design was coming in. -That's so... | 0:33:23 | 0:33:27 | |
-That's so now, isn't it? -So very now. | 0:33:27 | 0:33:29 | |
Now, Carole, how would you use this today? | 0:33:29 | 0:33:32 | |
Well, I love old magazines anyway myself but something like this, | 0:33:32 | 0:33:37 | |
I just love the images and would use them for marketing purposes. | 0:33:37 | 0:33:41 | |
So, I'd scan it in and then do something with it. | 0:33:41 | 0:33:44 | |
Price-wise, I was thinking something in the region of | 0:33:44 | 0:33:48 | |
£15 to £20, that sort of price band. | 0:33:48 | 0:33:52 | |
Right, I'd happily give you £15 for it. | 0:33:52 | 0:33:55 | |
-There we go. -Cheers. -Deal done. -Thank you. | 0:33:55 | 0:33:58 | |
Yes, the clink of china seals the deal and brings in a profit of... | 0:33:58 | 0:34:02 | |
..bringing us to the halfway point. | 0:34:04 | 0:34:06 | |
So let's take a moment to see who's sailing into the lead | 0:34:06 | 0:34:08 | |
and who's stuck in the doldrums. | 0:34:08 | 0:34:11 | |
Phil has sold three of his five items | 0:34:12 | 0:34:14 | |
and made a profit of... | 0:34:14 | 0:34:16 | |
Katherine has also sold three of her six items | 0:34:18 | 0:34:21 | |
but has only made... | 0:34:21 | 0:34:23 | |
Yes, Katherine has some serious catching up to do. | 0:34:27 | 0:34:29 | |
So how will she fare when she tries to sell the three euros' worth | 0:34:29 | 0:34:33 | |
of vintage cosmetics Phil swapped with her? | 0:34:33 | 0:34:36 | |
Thank you very much, Phil, for these wonderful pieces | 0:34:36 | 0:34:39 | |
of cosmetic history. | 0:34:39 | 0:34:40 | |
I've come to Surrey to see my great friend Grace, | 0:34:40 | 0:34:42 | |
who's the founder of a great British beauty brand | 0:34:42 | 0:34:45 | |
and I know she's going to love these. | 0:34:45 | 0:34:48 | |
The first thing I'm going to show you is this tiny little | 0:34:48 | 0:34:52 | |
beauty spot box. | 0:34:52 | 0:34:54 | |
It's by a Parisian maker and dates from anywhere between the 1880s, | 0:34:54 | 0:34:58 | |
when they were producing little satin spots to cover up blemishes, | 0:34:58 | 0:35:03 | |
to into the early 1920s. | 0:35:03 | 0:35:07 | |
I think it's a really interesting concept. | 0:35:07 | 0:35:10 | |
I mean, obviously now we use make-up, don't we, | 0:35:10 | 0:35:12 | |
different colours of make-up to correct and cover and conceal. | 0:35:12 | 0:35:15 | |
The other thing I've brought you is this lovely kohl pencil | 0:35:15 | 0:35:21 | |
and I think if you open it up... | 0:35:21 | 0:35:24 | |
It's an interesting device because it is designed to be | 0:35:24 | 0:35:27 | |
and look like something that it's not. | 0:35:27 | 0:35:29 | |
Because at this period of time, so really pre-1920, 1922, | 0:35:29 | 0:35:35 | |
make-up is something you did in private, | 0:35:35 | 0:35:37 | |
it's something you didn't do in public, it was very discreet. | 0:35:37 | 0:35:41 | |
So this was actually designed to look like, | 0:35:41 | 0:35:43 | |
almost like a propelling pencil. | 0:35:43 | 0:35:45 | |
I love that idea. | 0:35:45 | 0:35:46 | |
So seeing your enthusiasm, Grace, I can see I'm in the right place. | 0:35:46 | 0:35:50 | |
You are definitely and I've started a collection of vintage make-up, | 0:35:50 | 0:35:53 | |
so this would be a perfect fit with what I've got already. | 0:35:53 | 0:35:57 | |
Great, fantastic. | 0:35:57 | 0:35:59 | |
So what I was thinking about was an almost three for two offer here. | 0:35:59 | 0:36:04 | |
Around about the £60 to £80 price band. | 0:36:04 | 0:36:09 | |
I think 80 is a little bit high, | 0:36:09 | 0:36:12 | |
I was sort of looking more around the 60 mark. | 0:36:12 | 0:36:15 | |
£60 works for me perfectly. I think we should shake on it. | 0:36:15 | 0:36:19 | |
-Brilliant, I'm really excited. -Perfect. | 0:36:19 | 0:36:21 | |
And the only thing is, I want to know exactly how | 0:36:21 | 0:36:24 | |
to conceal my blemishes today because I've got quite a few. | 0:36:24 | 0:36:26 | |
So Katherine makes a profit of... | 0:36:27 | 0:36:29 | |
..for the cosmetic items and she's literally all made-up. | 0:36:31 | 0:36:35 | |
Well, that's how to do a deal. | 0:36:35 | 0:36:37 | |
I'm totally transformed | 0:36:37 | 0:36:38 | |
and I've made a fantastic profit in the process. | 0:36:38 | 0:36:41 | |
You're so generous, Phil. Thank you so much. | 0:36:41 | 0:36:45 | |
Oh, don't say that too loud as those plastic football figures | 0:36:45 | 0:36:48 | |
are proving problematic for Phil. | 0:36:48 | 0:36:51 | |
Bet he wishes he never did the swapsies now. | 0:36:51 | 0:36:54 | |
Nevertheless, he still has the trunk to sell and he's | 0:36:54 | 0:36:57 | |
Worchester-based dealer Gabrielle to see how much he can make | 0:36:57 | 0:37:00 | |
on the £128 that he paid for it. | 0:37:00 | 0:37:04 | |
Gabrielle, now, you're second or third generation? | 0:37:04 | 0:37:07 | |
-Third generation antique dealer. -Third generation antique dealer. | 0:37:07 | 0:37:10 | |
-And hasn't this business changed? -It's phenomenal, | 0:37:10 | 0:37:13 | |
over the last few years, particularly, I think. | 0:37:13 | 0:37:15 | |
But this one, which is French, | 0:37:15 | 0:37:18 | |
it's got a label just here which is Hall du Voyage, Paris. | 0:37:18 | 0:37:23 | |
And I just think it's lovely. Do you want to have a look inside? | 0:37:23 | 0:37:25 | |
-I was hoping you'd say that. -Yeah, I was frightened you'd say that. | 0:37:25 | 0:37:28 | |
-Hold on, let's have a look in here. -The interior makes it | 0:37:28 | 0:37:31 | |
as far as I'm concerned. It's a shame it's not Louis Vuitton | 0:37:31 | 0:37:33 | |
-or something exciting like that. -Then I wouldn't be asking you... | 0:37:33 | 0:37:36 | |
I'm hoping to get close to £300 for it. | 0:37:36 | 0:37:39 | |
I'll give you 240 for it but that is top whack. It's a good price, | 0:37:39 | 0:37:42 | |
-it's a good price. -I know that you... More than fair. | 0:37:42 | 0:37:44 | |
I'm going to shake your hand. | 0:37:44 | 0:37:46 | |
Thanks, Philip. Thank you very much indeed. | 0:37:46 | 0:37:48 | |
Incredible, Phil hits his third profit century and makes... | 0:37:48 | 0:37:51 | |
..for the trunk, which is good news for him but bad news for Katherine. | 0:37:53 | 0:37:57 | |
She really needs to bag a decent profit for her next sale. | 0:37:57 | 0:38:00 | |
But when she heads to trendy Marylebone in London | 0:38:00 | 0:38:03 | |
to sell her vintage floral dress... | 0:38:03 | 0:38:06 | |
45? Yep, I could do 45. | 0:38:06 | 0:38:09 | |
..it earns her just... | 0:38:09 | 0:38:12 | |
So she'll have to do something really special with her last item, | 0:38:12 | 0:38:15 | |
the mirror, which she spent £30 on restoring | 0:38:15 | 0:38:18 | |
and luckily has high hopes for. | 0:38:18 | 0:38:20 | |
Well, my mirror needs a great design guru | 0:38:20 | 0:38:23 | |
so I've come to London to see a chap called Jitesh Patel, | 0:38:23 | 0:38:26 | |
who's CEO of a company that makes spectacular office interiors. | 0:38:26 | 0:38:29 | |
I think he will really like it and hopefully | 0:38:29 | 0:38:31 | |
I'll persuade him to buy it. | 0:38:31 | 0:38:33 | |
Well, she might have to be an Alice Through The Looking-Glass | 0:38:33 | 0:38:36 | |
on this one, as she needs to go headfirst down the rabbit hole | 0:38:36 | 0:38:40 | |
of profit to impress office designer Jitesh. | 0:38:40 | 0:38:43 | |
Looking at the setting around me, I can't believe that it's possible | 0:38:43 | 0:38:47 | |
to have office design that's so quirky, original and stylish. | 0:38:47 | 0:38:51 | |
-Do you like it? -I'm... I'm... | 0:38:51 | 0:38:53 | |
I'm in Alice in Wonderland heaven. | 0:38:53 | 0:38:55 | |
HE LAUGHS | 0:38:55 | 0:38:56 | |
-You've got an eye for individual pieces. -Yeah. -Have you got | 0:38:56 | 0:38:59 | |
an eye for my individual piece? That's what I want to know. | 0:38:59 | 0:39:02 | |
-It's a very nice piece. -What's really lovely about it, | 0:39:02 | 0:39:05 | |
it hasn't been painted, it hasn't been gilded | 0:39:05 | 0:39:08 | |
and that, for me, is something that makes it very on trend now, | 0:39:08 | 0:39:11 | |
it's very, kind of, cutting edge now. | 0:39:11 | 0:39:14 | |
But equally at the time, it was the thing of its day. | 0:39:14 | 0:39:18 | |
I very much like the rustic look. | 0:39:18 | 0:39:21 | |
I like the fact that it's hand carved and it's got some history. | 0:39:21 | 0:39:25 | |
If you were to go into a smart dealer's showroom now | 0:39:25 | 0:39:28 | |
and want to buy something like this, I think a tag of about... | 0:39:28 | 0:39:32 | |
-Anything between, sort of, 1,300 and 1,700 would be on it. -Do you? | 0:39:34 | 0:39:38 | |
-Yeah, it would be quite a pricy piece. -Hmm. | 0:39:38 | 0:39:41 | |
But today I'm prepared to offer it up | 0:39:41 | 0:39:44 | |
around about... | 0:39:44 | 0:39:49 | |
-£1,200, something like that. -Really? | 0:39:49 | 0:39:52 | |
Hmmm, it appears Katherine is going in for the kill with this last sale. | 0:39:52 | 0:39:56 | |
If it goes her way, it could win her the competition. | 0:39:56 | 0:39:59 | |
Does she get her sale? | 0:39:59 | 0:40:01 | |
Does Phil manage to shift those football figures? | 0:40:01 | 0:40:04 | |
All will be revealed shortly. | 0:40:04 | 0:40:07 | |
But before we find out, let's remind ourselves | 0:40:07 | 0:40:10 | |
how much our incredible importers spent in France. | 0:40:10 | 0:40:14 | |
Both our experts started off in Paris with the euro | 0:40:14 | 0:40:18 | |
equivalent of £750 of their own money. | 0:40:18 | 0:40:21 | |
Phil ended up buying five items and spent £445.45. | 0:40:21 | 0:40:26 | |
Katherine bought six items | 0:40:28 | 0:40:30 | |
and, including her mirror restoration, spent £221.67. | 0:40:30 | 0:40:36 | |
But now it all comes down to the most impressive profit. | 0:40:36 | 0:40:40 | |
All of the money that Phil and Katherine have made in today's | 0:40:40 | 0:40:42 | |
challenge will go straight to the charities of their choice. | 0:40:42 | 0:40:45 | |
So without further ado, let's find out who is today's | 0:40:45 | 0:40:48 | |
Put Your Money Where Your Mouth Is champion. | 0:40:48 | 0:40:52 | |
-Hi, lovely. -Hello. -How are you? -Lovely to see you on British soil. | 0:40:52 | 0:40:56 | |
-Oui, oui. -In Paris. So... | 0:40:56 | 0:40:59 | |
-How did you get on? -I think I did OK, actually. | 0:40:59 | 0:41:02 | |
It was a real Through The Looking-Glass moment | 0:41:02 | 0:41:04 | |
-but the mirror... -That was nice. | 0:41:04 | 0:41:06 | |
-How did you do with that? -..sold well. It did sell well. | 0:41:06 | 0:41:09 | |
-Oh, great. -Yes, I found the perfect buyer for it and it's going to make | 0:41:09 | 0:41:12 | |
-some corporate office space look very glamorous. -Oh, fantastic. | 0:41:12 | 0:41:15 | |
-Very glamorous. What about you? -Well, I had a great time. | 0:41:15 | 0:41:18 | |
-Do you remember the flag? -Yes. | 0:41:18 | 0:41:20 | |
-I got to sit in a Lancaster Bomber. -Really? | 0:41:20 | 0:41:22 | |
-Oh, just magic, absolutely magic. -Oh, my goodness. | 0:41:22 | 0:41:25 | |
There's one thing I want to ask you. | 0:41:25 | 0:41:27 | |
-Yes? -Do you remember those lovely little things that I bought for you? | 0:41:27 | 0:41:31 | |
Do you know, all the way through I said how generous | 0:41:31 | 0:41:33 | |
and kind you were to give me those because that make-up, | 0:41:33 | 0:41:36 | |
that vintage make-up, was a treasure and I did really well, | 0:41:36 | 0:41:39 | |
-I made quite a profit on it. -Did you? -Yes. | 0:41:39 | 0:41:41 | |
-Great, great. -How did you get on with the things I gave you? | 0:41:41 | 0:41:44 | |
Well, funnily enough, all the way through I've been saying, | 0:41:44 | 0:41:46 | |
-"Thanks, Katherine." -Oh, good. | 0:41:46 | 0:41:49 | |
And thanks, Katherine... | 0:41:49 | 0:41:51 | |
-Oh. -..because no-one wanted them. -You're supposed to have sold these. | 0:41:51 | 0:41:54 | |
-No-one wanted them. Thanks, Katherine. -Oh, that's OK. | 0:41:54 | 0:41:58 | |
-Is this the moment? -Any time. | 0:41:58 | 0:42:00 | |
-Yes, I think so. -On the count of three. Are you going to count? | 0:42:00 | 0:42:02 | |
BOTH: One, two, three, go. | 0:42:02 | 0:42:04 | |
-Oh. -Oh! -OH! | 0:42:04 | 0:42:07 | |
Now that is what you call a beating. | 0:42:07 | 0:42:10 | |
That is double your money moment, isn't it? | 0:42:10 | 0:42:12 | |
Oh, come along, dear me. | 0:42:12 | 0:42:13 | |
Oh, you've done well, though, well done. | 0:42:13 | 0:42:17 | |
Yes, Katherine is today's out and out winner, earning over | 0:42:17 | 0:42:20 | |
twice as much profit as Phil and it was all down to that mirror. | 0:42:20 | 0:42:25 | |
Can I take that and say 750? | 0:42:25 | 0:42:29 | |
Given that the piece is so nice, we'll agree at 750. | 0:42:29 | 0:42:33 | |
-Thank you very much, that's great. -Fantastic. | 0:42:33 | 0:42:35 | |
The mirror made Katherine a smashing... | 0:42:35 | 0:42:38 | |
..and sealed Phil's fate. | 0:42:40 | 0:42:41 | |
And even the loss of those footballers, | 0:42:41 | 0:42:44 | |
returned to the games master, of course, pales in comparison. | 0:42:44 | 0:42:48 | |
Total elation. | 0:42:48 | 0:42:49 | |
It was all about that mirror. | 0:42:49 | 0:42:50 | |
The mirror was a quality piece, I spotted it | 0:42:50 | 0:42:53 | |
and I found exactly the right buyer for it. | 0:42:53 | 0:42:55 | |
I think I did pretty well. | 0:42:55 | 0:42:57 | |
But Phil, you're a good old egg, you've done well too. | 0:42:57 | 0:43:00 | |
Well, I'm really pleased because I flew the flag and it did me proud. | 0:43:00 | 0:43:03 | |
But, on reflection, | 0:43:03 | 0:43:04 | |
I think mirrors are probably the way forward. | 0:43:04 | 0:43:06 | |
But what I now need to do | 0:43:06 | 0:43:08 | |
is find a transfer market for me footballers. | 0:43:08 | 0:43:10 | |
But tomorrow Phil gets a chance to redeem himself | 0:43:10 | 0:43:13 | |
when our champions come face-to-face at an auction. | 0:43:13 | 0:43:17 |