Browse content similar to Katherine Higgins v Phil Serrell - Auction. Check below for episodes and series from the same categories and more!
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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:10 | |
That could present a problem for me. | 0:00:10 | 0:00:12 | |
..giving you the insider's view of the trade. | 0:00:12 | 0:00:16 | |
HE ROARS | 0:00:16 | 0:00:17 | |
Each week, one pair of duelling dealers will face | 0:00:17 | 0:00:20 | |
a different daily challenge... | 0:00:20 | 0:00:22 | |
I've got a heavy profit here! | 0:00:22 | 0:00:24 | |
..putting their reputations on the line... | 0:00:24 | 0:00:27 | |
I wasn't a Girl Guide for nothing. | 0:00:27 | 0:00:29 | |
..and giving you their top tips and savvy secrets... | 0:00:30 | 0:00:34 | |
Let's make hay while that sun shines. | 0:00:34 | 0:00:36 | |
..on how to make the most money from buying and selling. | 0:00:36 | 0:00:39 | |
Get rid of it! HE CACKLES | 0:00:39 | 0:00:41 | |
Today, grand master of the gavel Phil Serrell goes up against | 0:00:42 | 0:00:46 | |
vintage queen Katherine Higgins at an antiques auction. | 0:00:46 | 0:00:51 | |
Coming up, there's a tussle in the saleroom... | 0:00:51 | 0:00:54 | |
He's bought my lot! He's bought my lot. | 0:00:54 | 0:00:57 | |
..it all gets too much for Phil... | 0:00:57 | 0:00:59 | |
I've just broke the paddle! | 0:00:59 | 0:01:01 | |
..and Katherine lives life in the fast lane. | 0:01:01 | 0:01:04 | |
Whoo! Oh, no! Ahhh! No! | 0:01:04 | 0:01:09 | |
This is Put Your Money Where Your Mouth Is. | 0:01:09 | 0:01:12 | |
Welcome, treasure hunters everywhere! | 0:01:25 | 0:01:27 | |
It is time to grab your popcorn, dim the lights... | 0:01:27 | 0:01:30 | |
Selling, fair warning. | 0:01:30 | 0:01:32 | |
Sold. | 0:01:32 | 0:01:33 | |
..and sit back to watch two superheroes of the antiques world | 0:01:33 | 0:01:37 | |
go head-to-head in a battle to control the Earth, | 0:01:37 | 0:01:40 | |
the universe...in a saleroom in Sussex. | 0:01:40 | 0:01:43 | |
Up first, is it a bat? | 0:01:43 | 0:01:46 | |
Is it a spider? No, it's a fox. | 0:01:46 | 0:01:49 | |
This caped crusader of collectables has profit-hunting superpowers | 0:01:49 | 0:01:53 | |
and a steely determination to beat his archrivals. | 0:01:53 | 0:01:56 | |
It's the Dark Knight of Worcester, Phil "The Fox" Serrell. | 0:01:56 | 0:02:00 | |
# There may be trouble ahead... # | 0:02:02 | 0:02:05 | |
His nemesis is the Wonder Woman of the Home Counties, | 0:02:05 | 0:02:09 | |
a fearless fashionista who sets her sights on victory | 0:02:09 | 0:02:12 | |
and will do anything to win. | 0:02:12 | 0:02:14 | |
It's Guildford's true heroine, Katherine "The Great" Higgins. | 0:02:14 | 0:02:17 | |
Oh! My heart is going dud-dud-dud-dud-dud! | 0:02:20 | 0:02:23 | |
These supercharged buying machines are crashing at Bellmans Auctioneers | 0:02:24 | 0:02:28 | |
near Billingshurst in West Sussex. | 0:02:28 | 0:02:31 | |
Yes! | 0:02:31 | 0:02:32 | |
They're each armed with £1,000 of their own money | 0:02:32 | 0:02:35 | |
and are here to maximise profits for their chosen charities. | 0:02:35 | 0:02:38 | |
So, superpowers at the ready, let's get this bidding battle underway. | 0:02:38 | 0:02:43 | |
Phil Serrell and Katherine Higgins, | 0:02:43 | 0:02:46 | |
it's time to put your money where your mouth is! | 0:02:46 | 0:02:50 | |
-Hi, how're you? -Hello. | 0:02:50 | 0:02:52 | |
-Welcome to Sussex. -This your home patch, isn't it? | 0:02:52 | 0:02:54 | |
It is my home ground, I feel safe in this territory...sort of. | 0:02:54 | 0:02:58 | |
-How much money have we got to spend? -Well, this is the point. | 0:02:58 | 0:03:00 | |
We've got £1,000 in theory... | 0:03:00 | 0:03:02 | |
That's a problem for you, isn't it? | 0:03:02 | 0:03:04 | |
It's a huge problem for me because it's an enormous amount, | 0:03:04 | 0:03:07 | |
but actually, it diminishes | 0:03:07 | 0:03:08 | |
because we've got to take out the auction house cost, | 0:03:08 | 0:03:11 | |
so buyer's premium is 20%, so... | 0:03:11 | 0:03:12 | |
But if I could just stop you, it's about 800? | 0:03:12 | 0:03:15 | |
-It's about 800. -Right. What have you got marked today? | 0:03:15 | 0:03:18 | |
I'm not going to tell you! They're my secret things. | 0:03:18 | 0:03:20 | |
I think there are some fashionable scarves that have caught my eye. | 0:03:20 | 0:03:25 | |
Well, I've seen some rather nice horse racing scarves as well. | 0:03:25 | 0:03:28 | |
I'm just going to go and have another look at them. I think they're lovely. | 0:03:28 | 0:03:31 | |
I wanted those! | 0:03:31 | 0:03:32 | |
Yes, our antiques avengers are playing their cards close | 0:03:34 | 0:03:37 | |
to their chests. | 0:03:37 | 0:03:38 | |
They need to take advantage of the presale viewing time now, | 0:03:38 | 0:03:41 | |
as with over 300 lots on sale, they are going to need all their | 0:03:41 | 0:03:45 | |
profit-hunting tactics to bag themselves the richest pickings, | 0:03:45 | 0:03:49 | |
and savvy Serrell knows exactly how he's going to play it. | 0:03:49 | 0:03:53 | |
I've got a tactic for auctions. | 0:03:53 | 0:03:55 | |
Now, the thing is, an auctioneer's job is to try and sell you | 0:03:55 | 0:03:58 | |
something for a bit more than you wanted to pay for it. | 0:03:58 | 0:04:01 | |
Mark your price, stick to it, | 0:04:01 | 0:04:04 | |
don't get carried away, and then, everything should just be all right. | 0:04:04 | 0:04:09 | |
Wise words from our foxy auctioneer. But what about the opposition? | 0:04:09 | 0:04:13 | |
I've got a very interesting strategy | 0:04:13 | 0:04:15 | |
because I know that there's something amazing in this auction | 0:04:15 | 0:04:19 | |
that I'm really hoping other people haven't seen, | 0:04:19 | 0:04:23 | |
so I can't go spending any money until that lot comes up | 0:04:23 | 0:04:27 | |
because I've got to save it for that. | 0:04:27 | 0:04:30 | |
Will I do it? I don't know! | 0:04:30 | 0:04:34 | |
Oooh! A risky strategy from our great gambler. | 0:04:34 | 0:04:37 | |
You know what they say about putting all your eggs in one basket. | 0:04:37 | 0:04:40 | |
Come on then, Katherine, let us in on the show stopper. | 0:04:40 | 0:04:44 | |
Look here. A little secret. | 0:04:44 | 0:04:46 | |
So, rolled up here, in the corner, with the umbrellas, | 0:04:49 | 0:04:53 | |
is a vintage film poster of James Dean's great film | 0:04:53 | 0:04:57 | |
Rebel Without A Cause. | 0:04:57 | 0:04:59 | |
What you've got here is an Italian film poster by one of | 0:04:59 | 0:05:02 | |
the great Italian movie poster artists | 0:05:02 | 0:05:05 | |
and, at 250-350, which I think is the guideline estimate, | 0:05:05 | 0:05:09 | |
it's a brilliant find. | 0:05:09 | 0:05:11 | |
Mmm, obviously she wants to keep this lot her little secret, | 0:05:13 | 0:05:16 | |
so she doesn't even unroll it for a closer look. Clever. | 0:05:16 | 0:05:20 | |
Foxy is on the prowl, too, leaving no pot, picture | 0:05:20 | 0:05:24 | |
or piece of furniture unturned. | 0:05:24 | 0:05:26 | |
Here's a tip. | 0:05:26 | 0:05:27 | |
If you're going to buy at auction, always look for the mixed lots, | 0:05:27 | 0:05:30 | |
because you're going to get better value for money, by and large. | 0:05:30 | 0:05:33 | |
This is a little interesting lot of treen. Treen is turned wood - | 0:05:33 | 0:05:37 | |
small, little wooden objects. | 0:05:37 | 0:05:39 | |
So, we've got a pair of candlesticks | 0:05:39 | 0:05:42 | |
and here we've got a lovely little inkwell | 0:05:42 | 0:05:44 | |
in the form of a coal scuttle, | 0:05:44 | 0:05:46 | |
and that's for wiping your nib on. | 0:05:46 | 0:05:49 | |
This is a string box, so you undo this here, the string will go in | 0:05:49 | 0:05:54 | |
there, the end would come out of there and normally you'll have a little cutter on it. | 0:05:54 | 0:05:58 | |
Estimate is £60-£80, is there a profit in that? | 0:05:58 | 0:06:02 | |
Well, you tell us, Phil! | 0:06:02 | 0:06:03 | |
And now, Katherine has found something to whip her | 0:06:05 | 0:06:08 | |
opponent into shape. | 0:06:08 | 0:06:10 | |
There are two items in this lot, | 0:06:10 | 0:06:12 | |
but the one I'm most interested in is this riding crop. Really nice | 0:06:12 | 0:06:16 | |
horn or bone handle going down into a little silver cap, and then | 0:06:16 | 0:06:21 | |
this lovely piece of cane all the way down and into the leather whip. | 0:06:21 | 0:06:25 | |
The reason I'm particularly interested in it | 0:06:25 | 0:06:27 | |
is because it's got the maker's name on it and that is Brigg. | 0:06:27 | 0:06:30 | |
They were THE firm to go to if you wanted a cane. | 0:06:30 | 0:06:34 | |
They were the masters of it. | 0:06:34 | 0:06:35 | |
The other item is what we call a "swagger stick". | 0:06:35 | 0:06:37 | |
You would have held it under your arm as a military man. | 0:06:37 | 0:06:40 | |
They were very popular at the turn-of-the-century. | 0:06:40 | 0:06:43 | |
They're estimated at £60-£80, so watch this space. | 0:06:43 | 0:06:47 | |
I'm not sure what it's going to go for, but I'm going to | 0:06:47 | 0:06:49 | |
find some interesting home for it - IF I get it, that is. | 0:06:49 | 0:06:51 | |
So, our vintage queen marks her catalogue and with that, | 0:06:54 | 0:06:57 | |
time's up for viewing. | 0:06:57 | 0:06:59 | |
The sale is about to get underway, so our Buccaneer Bidders | 0:06:59 | 0:07:03 | |
find themselves prime positions in the room... | 0:07:03 | 0:07:06 | |
And with the poster not up for nearly 200 lots, | 0:07:08 | 0:07:11 | |
our great lady can take things easy. | 0:07:11 | 0:07:14 | |
I'm just going to make myself completely at home here, | 0:07:14 | 0:07:16 | |
dragging the furniture around, finding myself a little seat. | 0:07:16 | 0:07:20 | |
Got my tea. I can just relax. | 0:07:22 | 0:07:26 | |
Well, don't they both look cosy! | 0:07:26 | 0:07:28 | |
Meanwhile, the hammer begins to fall. | 0:07:28 | 0:07:31 | |
It's 380 on the net now, it's 400 on the net now. | 0:07:31 | 0:07:34 | |
Upward bidding on the phones and internet. | 0:07:34 | 0:07:36 | |
500 on the net, now, £500. | 0:07:36 | 0:07:39 | |
Sold. | 0:07:39 | 0:07:40 | |
It seems the prices are steep. | 0:07:40 | 0:07:42 | |
Nice carved marble tablet... | 0:07:42 | 0:07:44 | |
It's just a lump of marble off a fireplace! | 0:07:44 | 0:07:46 | |
-And you know, it's a popular lot, this. -Here we go. | 0:07:46 | 0:07:48 | |
Hark at this. | 0:07:48 | 0:07:50 | |
It's 520 on the net, selling 520. All done, 520. | 0:07:50 | 0:07:54 | |
GAVEL BANGS | 0:07:54 | 0:07:55 | |
Gosh. That was FIVE TIMES the estimate! | 0:07:55 | 0:07:58 | |
If everything goes like this, we are in serious trouble. | 0:07:58 | 0:08:02 | |
It's like going to a football match | 0:08:02 | 0:08:04 | |
and realising you've left your boots at home. | 0:08:04 | 0:08:07 | |
No point in getting changed, really. | 0:08:07 | 0:08:08 | |
Oh, dear! The nerves are mounting and now Foxy's ears prick up | 0:08:08 | 0:08:12 | |
at a pricey collection of animal bones. | 0:08:12 | 0:08:15 | |
190 an amount now, 190 on the left... | 0:08:15 | 0:08:17 | |
That's £200 for a pile of old bones! | 0:08:17 | 0:08:19 | |
Selling 190. | 0:08:19 | 0:08:21 | |
Going home. | 0:08:21 | 0:08:23 | |
Oh, where's he off to? | 0:08:23 | 0:08:24 | |
Come on, Mr Serrell! Don't give up. | 0:08:24 | 0:08:27 | |
It's at this point in the proceedings | 0:08:27 | 0:08:29 | |
that you realise you've | 0:08:29 | 0:08:32 | |
got to gird your loins and get on with it. | 0:08:32 | 0:08:34 | |
That's more like it, Phil! | 0:08:34 | 0:08:36 | |
And he's got a pair of lamp bases in his sights. | 0:08:36 | 0:08:39 | |
I really love these aged glass lamps. They're Victorian. | 0:08:39 | 0:08:43 | |
I'd love to try and buy them for around 100-£120. | 0:08:43 | 0:08:47 | |
You know, I think there'd be a... Not a massive profit, | 0:08:47 | 0:08:50 | |
but there'd be a profit in there. | 0:08:50 | 0:08:52 | |
The thing is to just set yourself that limit, don't go over it. | 0:08:52 | 0:08:55 | |
110 I have. | 0:08:55 | 0:08:57 | |
120, 130. 130, 150. 160 and I'm out now. | 0:08:57 | 0:09:00 | |
I'll sell one at 160. | 0:09:00 | 0:09:03 | |
PHIL CHORTLES | 0:09:04 | 0:09:06 | |
Get in! I just broke the paddle! | 0:09:06 | 0:09:08 | |
Steady on, old chap! | 0:09:08 | 0:09:10 | |
And what happened to setting a limit? | 0:09:10 | 0:09:12 | |
With fees, the lamp bases cost just over £198 - | 0:09:12 | 0:09:17 | |
substantially more than the £120 Phil wanted to pay. | 0:09:17 | 0:09:21 | |
-I've just bought the dearest lights in the world. -OK, what did you buy? | 0:09:21 | 0:09:26 | |
OK, I'm liking that. | 0:09:26 | 0:09:27 | |
-Do you want my lamp? -How much did you pay? -Don't ask. | 0:09:27 | 0:09:31 | |
Oh, dear. He's overspent already. | 0:09:32 | 0:09:36 | |
Well, they may have cost Foxy a pretty penny, | 0:09:36 | 0:09:38 | |
but at least he's off the starting blocks, | 0:09:38 | 0:09:40 | |
which is more than can be said for some. | 0:09:40 | 0:09:43 | |
Two pages to go until the poster goes up for sale. | 0:09:43 | 0:09:46 | |
I'm just... My heart is going, if you could hear it, | 0:09:47 | 0:09:50 | |
dum-dum-dum-dum-dum-dum... | 0:09:50 | 0:09:53 | |
Mmm, it's all or nothing for our poster girl Katherine. | 0:09:53 | 0:09:56 | |
And while she's a lady-in-waiting, Phil is lining up buy number two. | 0:09:56 | 0:10:01 | |
Lot 2096, treen ware, a pair of small Victorian candlesticks. | 0:10:01 | 0:10:05 | |
A couple of other bits there. | 0:10:05 | 0:10:06 | |
-It's just that little bit of treen I looked at. -£60. | 0:10:06 | 0:10:08 | |
Who needs 60, who's got five? 65, 70. 75-80 with me. | 0:10:08 | 0:10:12 | |
85-90 with me. | 0:10:12 | 0:10:15 | |
£95. | 0:10:15 | 0:10:17 | |
That little lot has just cost me around £120. | 0:10:17 | 0:10:21 | |
And I reckon I've got a pair of candlesticks that are probably | 0:10:21 | 0:10:24 | |
worth 20, the inkwell might be worth 50 or 60, | 0:10:24 | 0:10:26 | |
and I've got a string barrel that might be worth 30. | 0:10:26 | 0:10:29 | |
Never been a strong point, maths, really, you know? | 0:10:29 | 0:10:32 | |
Er, yes. | 0:10:32 | 0:10:33 | |
The collection costs just under £118, | 0:10:33 | 0:10:36 | |
so Phil's going to need to sell his socks off to turn a profit. | 0:10:36 | 0:10:39 | |
It's two-nil to Phil | 0:10:41 | 0:10:43 | |
and the sale is flying by, with half the lots already sold, | 0:10:43 | 0:10:46 | |
but now it's finally the moment of truth for our great gambler. | 0:10:46 | 0:10:50 | |
Two lots to go until the poster comes out. | 0:10:50 | 0:10:53 | |
Getting quite excited, actually. | 0:10:54 | 0:10:56 | |
But wait! | 0:10:56 | 0:10:57 | |
Has the Fox got a whiff of something in the air? | 0:10:57 | 0:10:59 | |
2127. | 0:10:59 | 0:11:01 | |
I ought to really see it before I bid on it. | 0:11:01 | 0:11:04 | |
Where's he gone? Where's he gone? He's disappeared. | 0:11:07 | 0:11:10 | |
I need to buy some things, so I've seen in the catalogue there's a | 0:11:10 | 0:11:13 | |
poster, Rebel Without A Cause, James Dean, who was a legend. | 0:11:13 | 0:11:18 | |
I haven't even seen it. | 0:11:18 | 0:11:20 | |
Oh, could Foxy be about to set our great lady asunder? | 0:11:20 | 0:11:23 | |
Will he track down the hidden poster? | 0:11:23 | 0:11:26 | |
I'm not sure what he's doing. | 0:11:26 | 0:11:28 | |
Still viewing, the sale is going on. | 0:11:28 | 0:11:31 | |
That indicates a note of worry. | 0:11:32 | 0:11:34 | |
But, at the last minute, Phil's distracted | 0:11:36 | 0:11:38 | |
when he spots the lamp bases he bought earlier. Phew! | 0:11:38 | 0:11:42 | |
I just bought these. They're 19th century, late Victorian, | 0:11:42 | 0:11:45 | |
raised on this marble base. | 0:11:45 | 0:11:47 | |
I'm hoping that that's the light that'll brighten my darkness. | 0:11:47 | 0:11:51 | |
So, with her opponent preoccupied, | 0:11:51 | 0:11:53 | |
all eyes are on Katherine as the poster goes under the hammer. | 0:11:53 | 0:11:56 | |
This is it. | 0:11:56 | 0:11:57 | |
2127, Italian vintage film poster, Rebel Without A Cause. | 0:11:57 | 0:12:01 | |
-Right. -I've got two matching bids | 0:12:01 | 0:12:03 | |
and I'm taking the one on the book at £280. | 0:12:03 | 0:12:05 | |
With me at 280. | 0:12:05 | 0:12:06 | |
300, the net now, takes it away. | 0:12:06 | 0:12:08 | |
James Dean. There we are. | 0:12:08 | 0:12:09 | |
-320 in the room. -And she's in. | 0:12:09 | 0:12:12 | |
Go on, my girl. | 0:12:12 | 0:12:13 | |
350. 380 in the room, 380. | 0:12:13 | 0:12:15 | |
-Someone else knows about it. -Come on, girl, get in there. Spend your money. | 0:12:15 | 0:12:18 | |
I'm bidding against the internet. | 0:12:18 | 0:12:20 | |
480. 500. 520 in the room. | 0:12:20 | 0:12:22 | |
I don't know how high I can go, actually. | 0:12:22 | 0:12:24 | |
Can she hold her nerve? | 0:12:24 | 0:12:26 | |
-550's bid. 580 in the room. Going to go 600? -No. | 0:12:26 | 0:12:29 | |
It's in the room at £580. | 0:12:29 | 0:12:32 | |
-One more, maybe? -No. -580, then. | 0:12:32 | 0:12:33 | |
Fair warning at £580. | 0:12:33 | 0:12:35 | |
-Last chance, 580. -Lock it down. | 0:12:35 | 0:12:37 | |
She's done it! | 0:12:39 | 0:12:41 | |
-WHISPERED: -Yes! I got it for £580! | 0:12:41 | 0:12:44 | |
I cannot believe that. Plus commission, that's nearly £700. | 0:12:44 | 0:12:48 | |
Katherine Higgins. I don't believe it. | 0:12:48 | 0:12:51 | |
I'm left with hardly any money to spend on anything else, | 0:12:51 | 0:12:53 | |
that's a massive problem, but the gamble has paid off. | 0:12:53 | 0:12:57 | |
Oh, my heart is going de-de-de-de-de. | 0:12:57 | 0:13:01 | |
That was a colossal purchase | 0:13:02 | 0:13:04 | |
at a whopping £719.20, with fees, | 0:13:04 | 0:13:07 | |
and nearly 3/4 of her budget in one go. | 0:13:07 | 0:13:11 | |
Come on then, let's take a closer look. | 0:13:11 | 0:13:13 | |
This is the moment of truth, | 0:13:14 | 0:13:16 | |
so I'm going to unroll it in front of your eyes. | 0:13:16 | 0:13:19 | |
Oh, my gosh. | 0:13:19 | 0:13:21 | |
Look at this lithographic printing. | 0:13:21 | 0:13:24 | |
It is beautifully done. | 0:13:24 | 0:13:26 | |
Now, this has actually been linen-backed, | 0:13:26 | 0:13:28 | |
which is a very expensive thing to do. | 0:13:28 | 0:13:30 | |
It's exceptional, really. | 0:13:30 | 0:13:32 | |
So, this is a poster pasted up | 0:13:32 | 0:13:34 | |
on a giant, giant billboard, | 0:13:34 | 0:13:36 | |
advertising the film, so Rebel Without A Cause, | 0:13:36 | 0:13:38 | |
which came out in 1955. | 0:13:38 | 0:13:41 | |
Oh, my gosh, wow! | 0:13:41 | 0:13:43 | |
This is... This is amazing. | 0:13:44 | 0:13:45 | |
The graphics are so striking. | 0:13:45 | 0:13:47 | |
This is a poster by Luigi Martinati, | 0:13:47 | 0:13:50 | |
one of Italy's greatest film poster makers. | 0:13:50 | 0:13:53 | |
Gosh, you can't get better than this. | 0:13:55 | 0:13:57 | |
The size, the fact it's survived. | 0:13:57 | 0:14:00 | |
So I paid £580, | 0:14:00 | 0:14:02 | |
but that's money well spent because these posters can go into the... | 0:14:02 | 0:14:07 | |
wait for it...thousands. | 0:14:07 | 0:14:09 | |
The sad thing is, if I wasn't doing this contest, | 0:14:09 | 0:14:13 | |
I'd be keeping it for myself. | 0:14:13 | 0:14:15 | |
Well, she's a very happy buyer | 0:14:15 | 0:14:17 | |
and after that dramatic purchase, | 0:14:17 | 0:14:19 | |
how are the figures looking? | 0:14:19 | 0:14:22 | |
Our bounty hunters each arrived | 0:14:22 | 0:14:23 | |
with £1,000 of their own money. | 0:14:23 | 0:14:26 | |
Phil has managed to bag himself two items so far | 0:14:26 | 0:14:29 | |
and spent £316.20, | 0:14:29 | 0:14:32 | |
leaving nearly 684 | 0:14:32 | 0:14:34 | |
still to play with. | 0:14:34 | 0:14:36 | |
She may have bought just one item so far, | 0:14:38 | 0:14:40 | |
but Katherine's poster has wiped off a massive £719.20, | 0:14:40 | 0:14:45 | |
leaving just under 281 | 0:14:45 | 0:14:47 | |
for the rest of the sale. | 0:14:47 | 0:14:49 | |
So a bold purchase from the great Miss Higgins | 0:14:50 | 0:14:53 | |
and Phil is keen to find out why. | 0:14:53 | 0:14:55 | |
You told me I never spend any money. | 0:14:55 | 0:14:58 | |
Hell fire! You've had a go, haven't you? | 0:14:58 | 0:15:00 | |
It's really nice, but listen, | 0:15:00 | 0:15:02 | |
I'm in a terrible situation now. | 0:15:02 | 0:15:04 | |
I have spent pretty much my entire budget, | 0:15:04 | 0:15:06 | |
so I'll just have to buy everything that goes for very little. | 0:15:06 | 0:15:09 | |
-I've got a lot coming up, but I've worked out a new strategy. -OK. | 0:15:09 | 0:15:12 | |
I'm going to unplug the internet. | 0:15:12 | 0:15:15 | |
Now, now, Phil, play fair! | 0:15:15 | 0:15:17 | |
Katherine may have spent more than double her opponent, | 0:15:17 | 0:15:20 | |
but with a total of three lots between them, | 0:15:20 | 0:15:22 | |
they both need to get buying and fast. | 0:15:22 | 0:15:25 | |
This is a new strategy. | 0:15:25 | 0:15:27 | |
Because I have spent such a vast amount of money on the poster, | 0:15:27 | 0:15:31 | |
I have £200 left. | 0:15:31 | 0:15:35 | |
I've got some great things that I should be buying, I can't, | 0:15:35 | 0:15:37 | |
because I haven't got enough money left. | 0:15:37 | 0:15:40 | |
And this auction isn't a great place to be | 0:15:40 | 0:15:42 | |
if you need to watch the pennies. | 0:15:42 | 0:15:44 | |
Our brave redhead needs to keep an eye out for the cheaper lots. | 0:15:44 | 0:15:48 | |
2148 - a pair of expanding table trivets. | 0:15:48 | 0:15:51 | |
I spent 40-£60. | 0:15:51 | 0:15:53 | |
This could be part of my strategy. | 0:15:53 | 0:15:54 | |
-£50 I have. -Oh. I can't afford that. | 0:15:54 | 0:15:57 | |
-2149 - a quantity of Victorian and early 20th-century papier mache accessories. -Yes. | 0:15:57 | 0:16:00 | |
I've got £120. | 0:16:00 | 0:16:03 | |
Oh, no! | 0:16:03 | 0:16:06 | |
-I can't buy it. -Down the front, 140, who's got 150? | 0:16:06 | 0:16:08 | |
And it's a really nice lot as well. | 0:16:08 | 0:16:10 | |
Things start really cheaply | 0:16:10 | 0:16:12 | |
and then they just spiral upwards and upwards. | 0:16:12 | 0:16:17 | |
With prices flying over estimate again and again, | 0:16:17 | 0:16:20 | |
does she have any chance with the horsey lot she spotted earlier? | 0:16:20 | 0:16:23 | |
Ah, this is the riding crop. | 0:16:23 | 0:16:26 | |
Now this might be in my favour. | 0:16:26 | 0:16:29 | |
I've got £60. | 0:16:29 | 0:16:30 | |
-60. -'5, 70. -No. | 0:16:30 | 0:16:32 | |
'5, 80. 85. | 0:16:32 | 0:16:34 | |
Oh, watch out, Foxy's about! | 0:16:34 | 0:16:36 | |
Is he bidding? | 0:16:36 | 0:16:38 | |
I think the competition might be bidding on this. | 0:16:38 | 0:16:40 | |
At £85, then. Fair warning, selling, £85. | 0:16:40 | 0:16:43 | |
-436. -He's bought my lot! | 0:16:43 | 0:16:45 | |
That's cost me cost me about 105 quid. | 0:16:45 | 0:16:47 | |
I'm hoping that that crop might get 60 or £70 | 0:16:47 | 0:16:52 | |
and the stick might get me perhaps another 30 or £40. | 0:16:52 | 0:16:57 | |
So, at £105.40, | 0:16:57 | 0:16:59 | |
sneaky Serrell whips the lot from under his rival's nose | 0:16:59 | 0:17:03 | |
and it's 3-1 to Phil. | 0:17:03 | 0:17:05 | |
Botherations! | 0:17:05 | 0:17:06 | |
Is the great one on the ropes? | 0:17:06 | 0:17:09 | |
Now, I'm just going to have to buy whatever is... | 0:17:09 | 0:17:12 | |
£50. | 0:17:12 | 0:17:13 | |
We've got pages... | 0:17:13 | 0:17:15 | |
Oh, no. We've only got two pages to go... | 0:17:16 | 0:17:18 | |
..so this could not be a good situation. | 0:17:20 | 0:17:22 | |
She's really played a risky strategy | 0:17:22 | 0:17:24 | |
cos she's put boatloads of her money into one poster. | 0:17:24 | 0:17:28 | |
Now, Jimmy Dean is either going to do her proud...or he might sink her. | 0:17:28 | 0:17:32 | |
But Foxy should know better than to underestimate his rival. | 0:17:34 | 0:17:37 | |
She hears a lot going under £50 | 0:17:38 | 0:17:40 | |
and quickly throws her bidding card into the air. | 0:17:40 | 0:17:43 | |
It's 35. 40. Commission's gone. It's 40 in the room, at 40. | 0:17:43 | 0:17:46 | |
It's £40 in the centre of the room, then, at £40... | 0:17:46 | 0:17:49 | |
-Oh, do knock it down to me, I need it. -Fair warning at £40. | 0:17:49 | 0:17:54 | |
I don't know what I've bought. 2-1-6... | 0:17:54 | 0:17:57 | |
OK, so I've bought a piece of surveying equipment, | 0:17:57 | 0:17:59 | |
but that's my second item I've bought. Phew! | 0:17:59 | 0:18:03 | |
So Katherine spends £49.60 on an ivory sector sight unseen | 0:18:03 | 0:18:08 | |
and she chances her arm at another blind bid | 0:18:08 | 0:18:10 | |
when she hears a mixed lot going under the hammer. | 0:18:10 | 0:18:13 | |
£40... | 0:18:13 | 0:18:15 | |
Is bid. Thank you. At 40. | 0:18:15 | 0:18:16 | |
Where's 5? Any more at £45? | 0:18:16 | 0:18:18 | |
-50. -Yes! | 0:18:18 | 0:18:20 | |
50 gets it now. Seated left at 50. | 0:18:20 | 0:18:21 | |
Oh, I've got no idea what I've bought. | 0:18:21 | 0:18:23 | |
At 50. | 0:18:23 | 0:18:25 | |
435. | 0:18:25 | 0:18:27 | |
I've bought a brass coal bin and... | 0:18:27 | 0:18:30 | |
a fire screen. | 0:18:30 | 0:18:32 | |
-SHE SIGHS -Mm. | 0:18:32 | 0:18:34 | |
Well, they cost £62, with fees, | 0:18:34 | 0:18:36 | |
and this time she wants a closer look. | 0:18:36 | 0:18:39 | |
The first item is very highly polished brass, | 0:18:40 | 0:18:43 | |
moulded almost and shaped as a kind of harvesting hopper. | 0:18:43 | 0:18:47 | |
We are firmly, I think, into the 20th century with this piece. | 0:18:47 | 0:18:50 | |
What it was made for, I will do some research and find out. | 0:18:50 | 0:18:54 | |
This is a rather attractive fire screen | 0:18:54 | 0:18:56 | |
and this is, again, a rather lovely piece. | 0:18:56 | 0:18:58 | |
Didn't intend to buy them, but watch me work away. | 0:18:58 | 0:19:01 | |
Our gutsy lady is really taking risks now | 0:19:02 | 0:19:05 | |
and she makes it three in a row | 0:19:05 | 0:19:07 | |
when she wins a collection of vintage car badges. | 0:19:07 | 0:19:10 | |
£95 in the middle of the room. | 0:19:10 | 0:19:12 | |
Katherine has got into the second-hand car market. | 0:19:12 | 0:19:16 | |
The badges cost nearly £118 and leave Katherine | 0:19:16 | 0:19:19 | |
just £51 left to play with. | 0:19:19 | 0:19:21 | |
As this saleroom steeplechase enters its final furlong, | 0:19:23 | 0:19:26 | |
the pressure's on both our buyers to land their final lots. | 0:19:26 | 0:19:30 | |
The next few items are all horse racing scarves | 0:19:30 | 0:19:33 | |
and our fine Philly was first out of the gates. | 0:19:33 | 0:19:36 | |
2199 - a silken derby scarf. | 0:19:36 | 0:19:38 | |
Can we take 30 there? 30 at the front. | 0:19:38 | 0:19:41 | |
Here, 30. 5. | 0:19:41 | 0:19:43 | |
But, coming up on the inside, it's the Worcester stallion. | 0:19:43 | 0:19:46 | |
-HORSE NEIGHS -35. | 0:19:46 | 0:19:48 | |
He's buying my lot. | 0:19:48 | 0:19:49 | |
And Serrell's over the first jump | 0:19:51 | 0:19:52 | |
but with another scarf on the horizon, Katherine's gaining ground. | 0:19:52 | 0:19:55 | |
Silk coronation derby scarf commemorating the victory of Pinza. | 0:19:55 | 0:19:59 | |
-I'll have that. -33. | 0:19:59 | 0:20:01 | |
35 on the left then. At 35. | 0:20:01 | 0:20:03 | |
I think I'm OK with those five. | 0:20:03 | 0:20:04 | |
-Selling 35. -Great. | 0:20:04 | 0:20:07 | |
So, with one scarf each, | 0:20:07 | 0:20:08 | |
as our thoroughbreds enter the final stretch, | 0:20:08 | 0:20:10 | |
there's another scarf up next. | 0:20:10 | 0:20:12 | |
But, with Katherine out of money, the fox makes a break for it. | 0:20:12 | 0:20:14 | |
35. Selling 35. | 0:20:16 | 0:20:18 | |
Well, I'm going to put two scarves together - | 0:20:18 | 0:20:20 | |
that's what I'm going to do. | 0:20:20 | 0:20:23 | |
And he's done it. So the results of our scarf-buying derby are in. | 0:20:23 | 0:20:27 | |
Katherine the Great bagged herself one for just over £43, with fees, | 0:20:27 | 0:20:31 | |
but Phil the Fox had a final sprint | 0:20:31 | 0:20:33 | |
and won two scarves at a total cost of nearly £87. | 0:20:33 | 0:20:37 | |
But is he odds-on for profit? | 0:20:37 | 0:20:39 | |
I really don't know. | 0:20:42 | 0:20:43 | |
It seemed like a good idea at the time. | 0:20:43 | 0:20:46 | |
But if you want to find out all there is to know about these, | 0:20:46 | 0:20:50 | |
go and listen to Katherine cos, let me tell you, she'll know. | 0:20:50 | 0:20:53 | |
Well, over to our resident fashionista then. | 0:20:54 | 0:20:57 | |
This scarf celebrates the victory of Pinza. | 0:20:57 | 0:21:01 | |
The great horse that came first, over the Queen's own horse, | 0:21:01 | 0:21:05 | |
and took the 1953 Derby by storm. | 0:21:05 | 0:21:09 | |
It's made of silk and, generally, these pieces are quite hard to find. | 0:21:09 | 0:21:13 | |
It's almost immaculate. It's quite magical, actually. It's very... | 0:21:13 | 0:21:17 | |
Yeah, it's very awe-inspiring. | 0:21:17 | 0:21:19 | |
So Katherine ends her sale on a high and that's the auction over. | 0:21:20 | 0:21:24 | |
But, as the bidders head home, | 0:21:24 | 0:21:26 | |
our wily fox has snuck into the back office to make one final purchase. | 0:21:26 | 0:21:31 | |
He spotted an unsold lot with a £60-to-£90 estimate | 0:21:31 | 0:21:34 | |
and bags a last-minute discount. | 0:21:34 | 0:21:38 | |
I've had a word with the auctioneer. | 0:21:38 | 0:21:40 | |
I've been able to buy these two bits after the sale that remain unsold. | 0:21:40 | 0:21:43 | |
This is a really lovely decanter. | 0:21:43 | 0:21:46 | |
It's silver mounted. Dated 1928. | 0:21:46 | 0:21:49 | |
And this is a little silver cut glass sugar sifter, | 0:21:49 | 0:21:53 | |
probably a little bit later than the decanter. | 0:21:53 | 0:21:55 | |
What am I going to get for them? Well, I sort of, kind of hope... | 0:21:55 | 0:21:59 | |
that I might get £60 or £70 for that. | 0:21:59 | 0:22:01 | |
That's got to be worth £10 or £15 of somebody's money all day long. | 0:22:03 | 0:22:06 | |
And that's a final £55.80, with fees, from Phil's pocket. | 0:22:06 | 0:22:11 | |
A smart move from an auctioneer in the know. | 0:22:11 | 0:22:13 | |
And that brings this bid-tastic bonanza to an end. | 0:22:13 | 0:22:17 | |
But, before they get a nose at each other's treasures, | 0:22:17 | 0:22:19 | |
what were those final figures? | 0:22:19 | 0:22:21 | |
Well, they both arrived in Sussex with £1,000. | 0:22:22 | 0:22:26 | |
Phil leads with six items | 0:22:26 | 0:22:28 | |
and spent £564.20. | 0:22:28 | 0:22:31 | |
Katherine may have just five items, | 0:22:33 | 0:22:35 | |
but she blew her budget on that | 0:22:35 | 0:22:37 | |
poster and spent a total of £992! | 0:22:37 | 0:22:40 | |
Two very different strategies from our duelling dealers, | 0:22:41 | 0:22:44 | |
but they both had to fight tooth and nail for every lot. | 0:22:44 | 0:22:47 | |
-Ugh! -Ugh! | 0:22:48 | 0:22:50 | |
Well, you've had a day, haven't you? | 0:22:50 | 0:22:53 | |
-Can I just see the seat of your pants? -Yeah. | 0:22:53 | 0:22:55 | |
You have had... I mean, I think your poster's fantastic, right? | 0:22:55 | 0:22:58 | |
If I'd have seen that, I wouldn't have bought it | 0:22:58 | 0:23:02 | |
because I wouldn't have known what you know. | 0:23:02 | 0:23:04 | |
Yeah, but you did buy other lovely things. | 0:23:04 | 0:23:07 | |
Not many of them, but... | 0:23:07 | 0:23:08 | |
-Oh! She's so horrible to me! -But you did buy... -I love these. | 0:23:10 | 0:23:13 | |
-I love these! They are so now. They're so decorative. -Yeah, yeah. | 0:23:13 | 0:23:17 | |
They're so of our time. Goodness me, | 0:23:17 | 0:23:18 | |
I think you could do really well with those. | 0:23:18 | 0:23:20 | |
-What about the scarves? -Oh! -I'm either twice as well off | 0:23:20 | 0:23:22 | |
-or twice as worse off, I'm not sure which. -I love it that we've bought | 0:23:22 | 0:23:25 | |
-the same thing. Isn't that interesting? -Yeah. I wouldn't mind | 0:23:25 | 0:23:28 | |
betting that you might do better out of your one | 0:23:28 | 0:23:30 | |
than I do out of my two, though. | 0:23:30 | 0:23:32 | |
So I say may the best scarf win. | 0:23:32 | 0:23:33 | |
Well, first past the post. | 0:23:33 | 0:23:35 | |
-Oh! -Come on! -Come on! | 0:23:35 | 0:23:37 | |
So, our bidding buccaneers head home with their auction bounty. | 0:23:39 | 0:23:43 | |
It's time to mop their brows, grit their teeth | 0:23:43 | 0:23:46 | |
and prepare for a selling spectacular. | 0:23:46 | 0:23:48 | |
They've got to find the very best buyers for all their lots | 0:23:48 | 0:23:51 | |
and use their charm, and cheek, to eke out every penny of profit. | 0:23:51 | 0:23:56 | |
Down in Surrey, our great lady is still reeling from the sale. | 0:23:56 | 0:24:00 | |
Well, goodness me, | 0:24:02 | 0:24:04 | |
that auction was a shocker, really. | 0:24:04 | 0:24:07 | |
For me, it hinged on acquiring this lot. | 0:24:07 | 0:24:11 | |
Just looking at it, I mean, I've been photographing it all morning, | 0:24:11 | 0:24:14 | |
just looking at it is just a dream. | 0:24:14 | 0:24:16 | |
I've already had a couple of phone calls | 0:24:16 | 0:24:18 | |
to a number of vintage poster dealers | 0:24:18 | 0:24:20 | |
who are really specialist in this kind of area, | 0:24:20 | 0:24:24 | |
and it would definitely be one of their clients | 0:24:24 | 0:24:27 | |
who would love to scoop this up. | 0:24:27 | 0:24:29 | |
Destination for all my other items, | 0:24:29 | 0:24:31 | |
so my 1953 Victory Of Pinza scarf is a horse racing item | 0:24:31 | 0:24:35 | |
and I think that will go to someone in the horse racing world. | 0:24:35 | 0:24:38 | |
The car badges, well, I'm thinking laterally here, | 0:24:38 | 0:24:42 | |
and I think I quite fancy driving something fast with those. | 0:24:42 | 0:24:47 | |
So roughly 90% of my budget went on the poster | 0:24:47 | 0:24:51 | |
and 10% went on everything else. | 0:24:51 | 0:24:53 | |
It's a kind of risky, risky strategy, | 0:24:53 | 0:24:56 | |
but it's only one that Katherine the Great can take. | 0:24:56 | 0:24:59 | |
Well, we don't doubt you for a minute. | 0:24:59 | 0:25:02 | |
She also has to sell her ivory sector, | 0:25:02 | 0:25:04 | |
fire screen and brass coal bin. | 0:25:04 | 0:25:07 | |
Over near Worcester, Phil's putting in some elbow grease. | 0:25:07 | 0:25:11 | |
Never let it be said that I'm not a modern man. | 0:25:11 | 0:25:14 | |
And you know, presentation is the key to selling all of these things. | 0:25:14 | 0:25:17 | |
So if I can just perhaps clean the inside a little bit | 0:25:17 | 0:25:20 | |
and get this all polished up, | 0:25:20 | 0:25:22 | |
that's going to help when I come to sell it. | 0:25:22 | 0:25:24 | |
These scarves, I am so far out of my comfort zone with those. | 0:25:24 | 0:25:27 | |
These are my favourite piece. I absolutely love these. | 0:25:27 | 0:25:30 | |
I was a bit concerned, well, not a bit, | 0:25:30 | 0:25:32 | |
because this, as you can see, has just broken down here. | 0:25:32 | 0:25:35 | |
Now, Worcestershire is the centre of the glass industry in this country, | 0:25:35 | 0:25:40 | |
Stourbridge in particular, | 0:25:40 | 0:25:42 | |
and I've been on the phone to the museum up at Stourbridge | 0:25:42 | 0:25:44 | |
where they have a restorer, and he tells me, | 0:25:44 | 0:25:46 | |
and I think this is just incredible, | 0:25:46 | 0:25:48 | |
that basically they can cut this off here, and they can either, | 0:25:48 | 0:25:51 | |
if he's got an old one, put a new base on it, | 0:25:51 | 0:25:53 | |
or he can make a new base for me, | 0:25:53 | 0:25:55 | |
and it's going to cost around £50. | 0:25:55 | 0:25:58 | |
That's going to put these in at just about £250. | 0:25:58 | 0:26:01 | |
I still think they're cheap. | 0:26:01 | 0:26:03 | |
I think they're lovely. | 0:26:03 | 0:26:04 | |
I just hope the buyer does. | 0:26:04 | 0:26:06 | |
He also has to sell his riding crop and collection of treen. | 0:26:06 | 0:26:10 | |
Any money they make will go to their chosen charities, | 0:26:10 | 0:26:13 | |
so our daring duo waste no time hitting the phones. | 0:26:13 | 0:26:17 | |
They're lining up potential buyers across the country, | 0:26:17 | 0:26:19 | |
but until they shake on it, no deal is ever sealed. | 0:26:19 | 0:26:23 | |
Phil's first port of call is the glass-restorer in Stourbridge | 0:26:25 | 0:26:28 | |
with his Victorian lamp. | 0:26:28 | 0:26:30 | |
The damaged part is removed under Foxy's nervous eye. | 0:26:30 | 0:26:34 | |
I think, if I did this, | 0:26:34 | 0:26:36 | |
I'd probably break more than I'd mend. | 0:26:36 | 0:26:38 | |
Having kittens here. | 0:26:38 | 0:26:40 | |
LOUD MACHINERY | 0:26:40 | 0:26:43 | |
There we go, just like that. | 0:26:43 | 0:26:45 | |
The bill for the new base actually comes to £40, | 0:26:47 | 0:26:49 | |
so Phil needs to get his thinking cap on for a buyer. | 0:26:49 | 0:26:52 | |
Meanwhile, his great opponent is revving up | 0:26:54 | 0:26:57 | |
for her first potential profit. | 0:26:57 | 0:27:00 | |
I've brought my vintage car badges to Reading | 0:27:00 | 0:27:02 | |
and I've come to see Dominic, who is a bit of a petrolhead. | 0:27:02 | 0:27:05 | |
He owns this go-karting track | 0:27:05 | 0:27:07 | |
and I think he's really going to like them. | 0:27:07 | 0:27:10 | |
Mmm, she's certainly thinking outside the box, | 0:27:10 | 0:27:13 | |
but can she turn a profit on the £117 purchase price? | 0:27:13 | 0:27:18 | |
I have bought you something that connects with motoring history. | 0:27:18 | 0:27:22 | |
-I've bought you four car badges. -Fabulous. | 0:27:22 | 0:27:24 | |
Emblems that would have gone on the front of your motorcar. | 0:27:24 | 0:27:27 | |
The first is the AA badge, which I think is, you know, | 0:27:27 | 0:27:29 | |
rather striking and dated to the 1960s with the serial number there. | 0:27:29 | 0:27:33 | |
The second is the Royal Automobile Club. | 0:27:33 | 0:27:36 | |
You've got the Royal Signals here, | 0:27:36 | 0:27:38 | |
and here, from the Worshipful Company of Carmen, | 0:27:38 | 0:27:41 | |
so the idea of transport wagons carriage. | 0:27:41 | 0:27:44 | |
That is the badge that marks all of that. What's your first impression? | 0:27:44 | 0:27:48 | |
I think they are lovely. | 0:27:48 | 0:27:49 | |
I could see them going on display in one of our venues or something like that. | 0:27:49 | 0:27:52 | |
And do you know if these would have sat as a set on one car? | 0:27:52 | 0:27:55 | |
They would have sat as a set. | 0:27:55 | 0:27:56 | |
So it's interesting who would have owned these | 0:27:56 | 0:27:58 | |
because there's a connection with the Royal Signals, | 0:27:58 | 0:28:00 | |
-there's a connection with a livery company in London... -OK. | 0:28:00 | 0:28:03 | |
..but they're all individually quite sought after. | 0:28:03 | 0:28:07 | |
Price-wise, as a group, I'm thinking the £250 mark, | 0:28:07 | 0:28:11 | |
that sort of price would be my opening gambit. | 0:28:11 | 0:28:15 | |
How about this? | 0:28:15 | 0:28:16 | |
-I'll buy them anyway... -Oh, good. | 0:28:16 | 0:28:19 | |
-..for 150. -OK. | 0:28:19 | 0:28:22 | |
And if you can beat me on the circuit, I'll pay 200 for them. | 0:28:22 | 0:28:26 | |
This sounds a really good deal. | 0:28:26 | 0:28:29 | |
The only worry is I've got to beat you. Help! | 0:28:29 | 0:28:32 | |
Well, you did say you fancied driving something fast, Katherine. | 0:28:32 | 0:28:36 | |
Our racing redhead hits the track. | 0:28:36 | 0:28:38 | |
Oh, no! | 0:28:42 | 0:28:43 | |
But it's Dominic who takes the lead. | 0:28:43 | 0:28:46 | |
No, no, no. No! | 0:28:50 | 0:28:53 | |
And he's passed the chequered flag. | 0:28:53 | 0:28:55 | |
Well done, I think you won. | 0:28:57 | 0:28:59 | |
-Thank you very much. -So the deal is 150. -£150. | 0:28:59 | 0:29:03 | |
Yes, podium or not, that's still £32 into her pot. | 0:29:03 | 0:29:07 | |
So, our speedy seller is up and running. | 0:29:08 | 0:29:12 | |
Meanwhile, the Fox has scampered over to Leicestershire | 0:29:12 | 0:29:16 | |
with his lamp bases. | 0:29:16 | 0:29:17 | |
After the restoration, his costs stand at over £238 | 0:29:17 | 0:29:21 | |
and he's got a meeting with lighting specialist Tom. | 0:29:21 | 0:29:24 | |
I thought these would just be right up your street. | 0:29:24 | 0:29:27 | |
-They're great. Nice, big near pair. -When I bought these at auction... | 0:29:27 | 0:29:30 | |
-Yeah. -..this was in two pieces, the base. | 0:29:30 | 0:29:33 | |
That's quality restoration. | 0:29:33 | 0:29:36 | |
Now I think that these were around 1880 | 0:29:36 | 0:29:40 | |
and I think that they've been lampised probably 1910, 1920, perhaps. | 0:29:40 | 0:29:44 | |
I don't know, yeah, anywhere, by looks of this, | 0:29:44 | 0:29:46 | |
from the '20s through to the '50s. It's difficult to know. | 0:29:46 | 0:29:49 | |
-So probably into war then, really? -Yeah. | 0:29:49 | 0:29:51 | |
So you'd be interested in buying them? | 0:29:51 | 0:29:52 | |
-I would, yeah. -What will you do with these to sell them? | 0:29:52 | 0:29:55 | |
First of all, we'll strip them | 0:29:55 | 0:29:56 | |
completely down, so they get cleaned inside and out and polished up. | 0:29:56 | 0:29:59 | |
And then the wiring is the most important part - | 0:29:59 | 0:30:01 | |
-everything has got to be renewed. -Pat tested. | 0:30:01 | 0:30:04 | |
All Pat tested, all that kind of thing. | 0:30:04 | 0:30:06 | |
So now we come to the crucial bit. | 0:30:06 | 0:30:08 | |
-You want to buy them off me? -I would. | 0:30:08 | 0:30:10 | |
Well, I'm thinking that they're worth between £800 and £1,000, | 0:30:10 | 0:30:14 | |
that's what I'm thinking. | 0:30:14 | 0:30:16 | |
I'd be happier nearer the £550/£600, really. | 0:30:16 | 0:30:19 | |
£750, would that be any good, do you think? | 0:30:19 | 0:30:22 | |
Can we do something at 600 quid? | 0:30:22 | 0:30:24 | |
650 and they're yours. | 0:30:24 | 0:30:26 | |
Go on, then. | 0:30:26 | 0:30:28 | |
That is an enormous profit from superstar Serrell. | 0:30:28 | 0:30:31 | |
£411.60 on his very first sale. | 0:30:31 | 0:30:35 | |
And he hits the ground running | 0:30:35 | 0:30:36 | |
when he goes on to sell his collection of treen to Herefordshire | 0:30:36 | 0:30:39 | |
dealer Stephanie for £165, | 0:30:39 | 0:30:42 | |
making him just over £47 profit. | 0:30:42 | 0:30:46 | |
So, our Red Queen has a lot of catching up to do. | 0:30:46 | 0:30:51 | |
Her next target is in Newmarket, | 0:30:51 | 0:30:53 | |
where she's taking the silk racing scarf she bought for £43. | 0:30:53 | 0:30:57 | |
Well, I've actually done quite a lot of research on my scarf | 0:30:57 | 0:31:00 | |
and I've tracked it down to this actual racing stables, | 0:31:00 | 0:31:04 | |
where Pinza himself was trained. | 0:31:04 | 0:31:06 | |
I've come to meet Graham Budd, who's a specialist sporting auctioneer, | 0:31:06 | 0:31:09 | |
and I think he'll really love this piece of racing memorabilia. | 0:31:09 | 0:31:13 | |
Smart thinking from our fine filly. | 0:31:14 | 0:31:18 | |
We are at the heart of the Newmarket stables, really. | 0:31:18 | 0:31:20 | |
We're here where Pinza, on my scarf, was trained. | 0:31:20 | 0:31:25 | |
Absolutely. I believe in that stable over in the corner there was | 0:31:25 | 0:31:29 | |
where he was trained and won the Derby in 1953. | 0:31:29 | 0:31:33 | |
Did he really look like this? | 0:31:33 | 0:31:34 | |
I'm going to show you the scarf now because | 0:31:34 | 0:31:37 | |
you never know whether reproductions are accurate. | 0:31:37 | 0:31:40 | |
The answer is, if I'm being honest, that is | 0:31:40 | 0:31:43 | |
-not a portrait of Pinza or the jockey. -OK. | 0:31:43 | 0:31:46 | |
It was a template that they used every year. | 0:31:46 | 0:31:50 | |
-You've put the correct number on the saddlecraft there - 23. -Yes, 23. | 0:31:50 | 0:31:53 | |
And then, of course, you'd paint the owner's colours on there. | 0:31:53 | 0:31:57 | |
But, no, it's not really an actual portrait is the answer. | 0:31:57 | 0:31:59 | |
And were these actually worn? | 0:31:59 | 0:32:01 | |
I mean, this is in an unfinished state, | 0:32:01 | 0:32:03 | |
so we've got rough and ready edges here. | 0:32:03 | 0:32:05 | |
They were all a bit of a rush job. | 0:32:05 | 0:32:07 | |
The reason was the Derby was run on the first | 0:32:07 | 0:32:09 | |
day of the meeting, on the Wednesday, | 0:32:09 | 0:32:11 | |
and by the Thursday these were actually being sold on the racecourse. | 0:32:11 | 0:32:15 | |
-Gosh, that's quick, isn't it? -Yeah, it is. | 0:32:15 | 0:32:17 | |
Price-wise, I was thinking of around about the £100 mark. | 0:32:17 | 0:32:23 | |
-I think we're close, I think we're close. -Good. | 0:32:23 | 0:32:25 | |
I was going to offer you £80 for it. | 0:32:25 | 0:32:28 | |
-£80, it's a deal. -It's a deal. | 0:32:28 | 0:32:30 | |
-A racing deal has been stuck. -Horse-trading. -Horse-trading! | 0:32:30 | 0:32:33 | |
Yes, that's what we've done. | 0:32:33 | 0:32:35 | |
So, Katherine nearly doubles her money, making £36.60 profit. | 0:32:35 | 0:32:40 | |
But the celebrations are cut short as she stumbles at the next hurdle, | 0:32:40 | 0:32:45 | |
when she tries to sell her antique surveyors' equipment. | 0:32:45 | 0:32:48 | |
Well, I've tried extremely hard with this sector. | 0:32:48 | 0:32:51 | |
It's not been very easy to find a buyer, | 0:32:51 | 0:32:53 | |
so what I have decided to do is sell it to a private collector, | 0:32:53 | 0:32:57 | |
but he's only prepared to pay me £40. | 0:32:57 | 0:33:01 | |
Technically, I haven't made a loss because it was £40 hammer price. | 0:33:01 | 0:33:04 | |
Have I? Really? OK, a little bit of a loss. | 0:33:04 | 0:33:07 | |
Maybe? Possibly. | 0:33:07 | 0:33:09 | |
I never make a loss. | 0:33:09 | 0:33:10 | |
-I've made a loss! -Oh, dear. | 0:33:10 | 0:33:13 | |
A loss of nearly £13, in fact. | 0:33:13 | 0:33:15 | |
It's been a rollercoaster ride, | 0:33:15 | 0:33:17 | |
and there's no doubt who's in the lead, | 0:33:17 | 0:33:20 | |
but let's see how the numbers stack up so far. | 0:33:20 | 0:33:23 | |
Phil has sold just two of his six auction buys, | 0:33:23 | 0:33:25 | |
but has banked a massive profit of £458.80. | 0:33:25 | 0:33:30 | |
But Katherine is trailing way behind. | 0:33:32 | 0:33:34 | |
She's sold three of her five lots, but only made £55.90. | 0:33:34 | 0:33:38 | |
The challenge is far from over though. | 0:33:40 | 0:33:42 | |
With plenty of big lots to sell, anything could happen. | 0:33:42 | 0:33:45 | |
So, as Katherine plans her next move, | 0:33:47 | 0:33:50 | |
Phil is already trotting off to his next potential sale. | 0:33:50 | 0:33:53 | |
He's come to an equestrian centre in the Cotswolds to try | 0:33:53 | 0:33:56 | |
and sell his riding crop | 0:33:56 | 0:33:57 | |
and swagger stick to vintage side-saddle enthusiast Lydia. | 0:33:57 | 0:34:02 | |
You collect lots of vintage tack and stuff, don't you? | 0:34:02 | 0:34:04 | |
I do, and that's one of the reasons I really like side-saddle | 0:34:04 | 0:34:07 | |
because there's loads of vintage saddles and crops and canes, | 0:34:07 | 0:34:10 | |
and there's a lot of rich history. | 0:34:10 | 0:34:12 | |
1920 was the heyday of side-saddle. | 0:34:12 | 0:34:14 | |
Can we just check out the date on that? | 0:34:14 | 0:34:16 | |
-1922. -As if by magic. | 0:34:16 | 0:34:19 | |
-Funny old world, isn't it? -Bang on. | 0:34:19 | 0:34:21 | |
-So is that a crop? -It's a hunting crop | 0:34:21 | 0:34:24 | |
and it would have been used in the hunting fields. | 0:34:24 | 0:34:26 | |
-To open gates is what you use the bone handle... -Put it on there. | 0:34:26 | 0:34:29 | |
-Yep. -It's a stag, isn't it? A stag horn. -Yes, a stag horn, that's right. | 0:34:29 | 0:34:32 | |
And then the shaft is cane. Is it bamboo? | 0:34:32 | 0:34:34 | |
I think it might be a piece of bamboo. | 0:34:34 | 0:34:36 | |
That's by Brigg. | 0:34:36 | 0:34:37 | |
They were a famous London maker and they had a big shop in London. | 0:34:37 | 0:34:40 | |
Well, that's the one part of it because this came with it. | 0:34:40 | 0:34:42 | |
-It looks like a little swagger stick. -Yep. | 0:34:42 | 0:34:44 | |
But what's interesting is this here, look, because this is hallmarked silver. | 0:34:44 | 0:34:48 | |
Might these be something that you might be interested in? | 0:34:48 | 0:34:50 | |
-Definitely, definitely. -Have you got one like this? | 0:34:50 | 0:34:53 | |
-No, I haven't got one like this. -(Thank you, thank you.) | 0:34:53 | 0:34:55 | |
They've cost me £105 or thereabouts, so I was hoping to get 180/190. | 0:34:55 | 0:34:59 | |
I mean, I'd take 180, how does that sound? | 0:34:59 | 0:35:01 | |
I think that's OK. I think that's OK. | 0:35:01 | 0:35:03 | |
-Thanks, Lydia. You're an absolute angel. Thank you. -Thank you. | 0:35:03 | 0:35:06 | |
Another £74.60 into Fox's profit pot | 0:35:06 | 0:35:09 | |
and he didn't even have to haggle. | 0:35:09 | 0:35:11 | |
Lydia was really very fair with me. | 0:35:11 | 0:35:14 | |
I just had one overwhelming fear that she'd ask me to get on that horse. | 0:35:14 | 0:35:18 | |
Side-saddle or otherwise, that wouldn't have been for me, | 0:35:18 | 0:35:21 | |
probably, or the horse. | 0:35:21 | 0:35:23 | |
We'll take that as a neigh then. | 0:35:25 | 0:35:27 | |
Our selling stallion is way out in front, but his rival has been | 0:35:27 | 0:35:30 | |
playing the long game and she's about to bring out the big guns. | 0:35:30 | 0:35:35 | |
Well, I've come to London to sell my vintage poster to a specialist | 0:35:35 | 0:35:38 | |
dealer Simon Dwyer and I think it will just be his cup of tea. | 0:35:38 | 0:35:43 | |
The thing is, you see, you've got to spend a lot of money in order | 0:35:43 | 0:35:46 | |
to accumulate a lot of money. That's my philosophy... | 0:35:46 | 0:35:49 | |
or it was when I bought it. | 0:35:49 | 0:35:51 | |
Having spent a massive £719 on the poster, | 0:35:51 | 0:35:55 | |
the stakes have never been higher. | 0:35:55 | 0:35:59 | |
I can feel the tension mounting as I get closer to his house. | 0:35:59 | 0:36:03 | |
Deep breaths, Katherine. | 0:36:03 | 0:36:04 | |
So, first reactions, is it as good as I said it was? | 0:36:08 | 0:36:12 | |
It's really, really good. | 0:36:12 | 0:36:14 | |
The thing about Italian posters is that the inks fade, | 0:36:14 | 0:36:19 | |
the background paper goes brown. | 0:36:19 | 0:36:21 | |
They printed on appalling quality newsprint, which was only | 0:36:21 | 0:36:24 | |
designed to last a few weeks, so, actually, the colour is fabulous. | 0:36:24 | 0:36:28 | |
They would have printed maybe a couple of thousand of these. | 0:36:28 | 0:36:30 | |
So, of those 2,000, | 0:36:30 | 0:36:32 | |
probably no more than 50 were surviving at the end of the year. | 0:36:32 | 0:36:36 | |
Of those 50, most of them have been recycled, repulped. | 0:36:36 | 0:36:39 | |
Now, 10/15 left, | 0:36:39 | 0:36:41 | |
so they are incredibly rare. | 0:36:41 | 0:36:43 | |
Wow, I didn't realise quite how few there were. | 0:36:43 | 0:36:47 | |
The Italian film posters are actually worth more than | 0:36:47 | 0:36:49 | |
the American film posters which, for the archetypal American film, | 0:36:49 | 0:36:53 | |
you might find surprising. | 0:36:53 | 0:36:55 | |
This is proper art. | 0:36:55 | 0:36:56 | |
To be honest, these are so rare, people want these. | 0:36:56 | 0:37:00 | |
In terms of what I would like to see for it, I'm going | 0:37:00 | 0:37:04 | |
to start quite high because I know it's rare, I know it's special. | 0:37:04 | 0:37:08 | |
I'd like to see something around about £2,000. | 0:37:08 | 0:37:13 | |
I'd normally sort of pitch at around £1,000. | 0:37:13 | 0:37:15 | |
I don't know. Would 1,500, how does that, sort of, sit with you? | 0:37:15 | 0:37:19 | |
1,300. | 0:37:19 | 0:37:21 | |
1,400 and we've got it. | 0:37:21 | 0:37:22 | |
-1,400 and we're there. -1,400 and we're there. Perfect. | 0:37:22 | 0:37:26 | |
She's done it! And that's a £680 profit. | 0:37:26 | 0:37:30 | |
It's a blockbuster result for Higgins the haggler. | 0:37:30 | 0:37:33 | |
I did it. | 0:37:33 | 0:37:35 | |
I spent a lot in the first place, but I doubled my money | 0:37:35 | 0:37:38 | |
and what a result. | 0:37:38 | 0:37:39 | |
As if there was any doubt. | 0:37:39 | 0:37:42 | |
With that sale, she's back in the game and back in the lead. | 0:37:42 | 0:37:45 | |
Her opponent isn't slowing down though. | 0:37:45 | 0:37:47 | |
Phil is still on his equestrian run and has brought his silk scarves | 0:37:47 | 0:37:51 | |
to a horse-themed pub in Worcestershire. | 0:37:51 | 0:37:53 | |
Rebecca, I'm hoping to add to your equestrian theme | 0:37:53 | 0:37:56 | |
because I brought these to show you. | 0:37:56 | 0:37:58 | |
They're Derby scarves and each year there was a scarf produced | 0:37:58 | 0:38:02 | |
to commemorate the Derby winner, | 0:38:02 | 0:38:05 | |
and with your jockey theme here I thought they might be ideal for you. | 0:38:05 | 0:38:09 | |
-What do you reckon? -Yes. | 0:38:09 | 0:38:11 | |
I was kind of hoping that I might get around £150 or £160 for the two. | 0:38:11 | 0:38:16 | |
That seems a little bit steep. | 0:38:17 | 0:38:19 | |
Go on, then, make me an offer I can't refuse. | 0:38:19 | 0:38:21 | |
-120 would be the last offer on them. -120. | 0:38:21 | 0:38:24 | |
-I'll tell you what, I'll take that. Thank you very much indeed. -OK, thank you. | 0:38:24 | 0:38:27 | |
Well, that's £33.20 profit on the pair. | 0:38:27 | 0:38:31 | |
Phil finishes his quest when he sells his glass decanter | 0:38:32 | 0:38:35 | |
and sugar sifter to a jeweller in Malvern... | 0:38:35 | 0:38:38 | |
And that, David, will just sweeten the deal. | 0:38:38 | 0:38:42 | |
..netting him a final £39.20 profit. | 0:38:42 | 0:38:44 | |
So, Foxy is over the finish line. | 0:38:44 | 0:38:47 | |
Katherine the Great has one final lot to find a home for. | 0:38:48 | 0:38:52 | |
She bought the fire screen and coal bin at auction for £62, and quickly | 0:38:52 | 0:38:56 | |
makes back £40 when she sells the screen to a dealer in Hove. | 0:38:56 | 0:39:01 | |
But, the brass bin in the shape of a grape harvester's pod | 0:39:01 | 0:39:03 | |
proved surprisingly popular | 0:39:03 | 0:39:05 | |
when she advertises on an international dealers' website. | 0:39:05 | 0:39:09 | |
Oh, that's the sound of America. | 0:39:09 | 0:39:12 | |
In fact, a specialist who deals in grape harvesting bins | 0:39:12 | 0:39:15 | |
in Savannah, Georgia is interested in taking a closer look. | 0:39:15 | 0:39:19 | |
-George, is that you? -Hello, how are you, Katherine? | 0:39:19 | 0:39:21 | |
It's going to be interesting to show this to you over | 0:39:21 | 0:39:24 | |
the internet, but I'm going to start from the top. | 0:39:24 | 0:39:26 | |
So you can see the almost repoussoir decorations. | 0:39:26 | 0:39:29 | |
Then, if you look further down, | 0:39:29 | 0:39:32 | |
it's actually got a nice rural interior scene. | 0:39:32 | 0:39:36 | |
And then the back is actually plain, so it's flat-backed, | 0:39:36 | 0:39:39 | |
and I think you can see that there. | 0:39:39 | 0:39:41 | |
That would be most likely strapped to their back and the | 0:39:41 | 0:39:46 | |
grapes would be put in there to carry from the vineyards. | 0:39:46 | 0:39:49 | |
It hasn't got any holders for straps, | 0:39:49 | 0:39:51 | |
so I was wondering whether it was actually a functional piece | 0:39:51 | 0:39:54 | |
or whether it's a decorative piece. | 0:39:54 | 0:39:56 | |
Do you know about the age of that particular one? | 0:39:56 | 0:40:00 | |
I thought it was around about the turn of the century. | 0:40:00 | 0:40:03 | |
I think it's perhaps just a little earlier | 0:40:03 | 0:40:06 | |
because of the craftsmanship. | 0:40:06 | 0:40:09 | |
It is a unique piece. | 0:40:09 | 0:40:12 | |
You usually see the vineyards, | 0:40:12 | 0:40:14 | |
-more of a landscape-type environment. -Yes. | 0:40:14 | 0:40:17 | |
This one shows inside environment... | 0:40:17 | 0:40:20 | |
-It's a domestic scene. -..and I like that about it. -Yeah. | 0:40:20 | 0:40:23 | |
It sets it apart from a lot that I've seen. | 0:40:23 | 0:40:26 | |
Price-wise, I was hoping for | 0:40:26 | 0:40:29 | |
around about 700-plus, something like that. | 0:40:29 | 0:40:34 | |
How does that feel? | 0:40:34 | 0:40:36 | |
That is a massive opening gambit. | 0:40:36 | 0:40:38 | |
You'll have to hold your breath and wait to see if George was | 0:40:38 | 0:40:41 | |
feeling flush, or whether the price tag scared him off. | 0:40:41 | 0:40:44 | |
Before we reveal all, let's remind ourselves of what they spent at auction. | 0:40:44 | 0:40:49 | |
Phil and Katherine both put £1,000 of their own money to Sussex. | 0:40:50 | 0:40:54 | |
Phil won six lots and spent just over half his budget at £604.20. | 0:40:54 | 0:41:00 | |
Katherine bought one item less, | 0:41:00 | 0:41:02 | |
but spent £995.30, including postage costs. | 0:41:02 | 0:41:07 | |
But now it all comes down to who turned the most profit. | 0:41:08 | 0:41:12 | |
All of the money that our brave duo made from today's challenge | 0:41:12 | 0:41:15 | |
will go to charities of their choice. | 0:41:15 | 0:41:17 | |
So, the wait is finally over. | 0:41:17 | 0:41:19 | |
It's time to find out who is today's Put Your Money Where Your Mouth Is champion. | 0:41:19 | 0:41:24 | |
-Hello. -How are you? | 0:41:25 | 0:41:27 | |
Now, I have got some trepidation here. | 0:41:27 | 0:41:29 | |
I've referred to you to everybody as poster girl. You are my poster girl. | 0:41:29 | 0:41:33 | |
-I am your poster girl. -Well, go on, tell me. How good was it? | 0:41:33 | 0:41:36 | |
It was right and it went to a great dealer, | 0:41:36 | 0:41:38 | |
-who has recognised a good thing. -Great, fantastic. | 0:41:38 | 0:41:41 | |
Those vases I adored. | 0:41:41 | 0:41:43 | |
Well, they were a fantastic story because I got the one restored, | 0:41:43 | 0:41:47 | |
you would never ever know it was broken, it's fantastic. | 0:41:47 | 0:41:49 | |
-But the thing is, we bought the same lot, didn't we? -We did, yes. | 0:41:49 | 0:41:53 | |
-Our racing scarves. -I had a tough time with those scarves. -Did you? | 0:41:53 | 0:41:56 | |
Yeah, like a real... And you? | 0:41:56 | 0:41:57 | |
Well, I had a great time. I went up to Newmarket, | 0:41:57 | 0:42:00 | |
it was fantastic, and traced back to the stable Pinza was in. | 0:42:00 | 0:42:05 | |
-The Green Goddess. -That's me. | 0:42:05 | 0:42:08 | |
I am your poster girl and I think, without further adieu... | 0:42:08 | 0:42:12 | |
Go on, then. | 0:42:12 | 0:42:13 | |
-One, two, three, go. -Go. | 0:42:13 | 0:42:16 | |
Oh! | 0:42:16 | 0:42:18 | |
Actually, gosh, you've done a lot better than I thought you would. | 0:42:18 | 0:42:21 | |
Oh, thank you(!) | 0:42:21 | 0:42:23 | |
You are horrid. | 0:42:23 | 0:42:25 | |
What do you mean I've done better than you thought? | 0:42:25 | 0:42:27 | |
Well, I was quite surprised, actually. | 0:42:27 | 0:42:29 | |
Yes, it's a resounding victory for Katherine. | 0:42:29 | 0:42:31 | |
They don't call her the Great One for nothing. | 0:42:31 | 0:42:34 | |
So, just how much did she sell the coal bin for? | 0:42:34 | 0:42:37 | |
Can we shake a virtual hand with 650? | 0:42:38 | 0:42:41 | |
Oh, my gosh, we have a deal. | 0:42:44 | 0:42:46 | |
So, that's a massive profit of over £394 for the bin and screen. | 0:42:46 | 0:42:51 | |
What a way to end her selling spree. | 0:42:51 | 0:42:54 | |
Well, I'm just totally delighted. | 0:42:54 | 0:42:56 | |
It was all about that poster, really. | 0:42:56 | 0:42:58 | |
It was nerve-racking buying it, but I held my own in the end | 0:42:58 | 0:43:01 | |
and it was worth it. | 0:43:01 | 0:43:03 | |
I thought I'd done OK at the auction. | 0:43:03 | 0:43:05 | |
Those glass lamps, they really did me proud and I was pleased with them. | 0:43:05 | 0:43:08 | |
But then poster girl comes along, | 0:43:08 | 0:43:11 | |
rebel without a cause, | 0:43:11 | 0:43:13 | |
Phil without a clue, I got spanked. | 0:43:13 | 0:43:16 | |
But, the wily fox gets another chance to beat his opponent tomorrow, | 0:43:16 | 0:43:20 | |
when they rev their engines at an antiques fair in Donington. | 0:43:20 | 0:43:24 |