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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-round battle for profits... | 0:00:07 | 0:00:10 | |
That could present a problem for Harry. | 0:00:10 | 0:00:12 | |
..giving you the insider's view of the trade. | 0:00:12 | 0:00:15 | |
HE LAUGHS | 0:00:15 | 0:00:16 | |
HE GROWLS | 0:00:16 | 0:00:17 | |
Each week, a pair of duelling dealers will face a different | 0:00:17 | 0:00:21 | |
daily challenge... | 0:00:21 | 0:00:22 | |
I've got a heavy profit here. | 0:00:22 | 0:00:24 | |
..putting their reputations on the line... | 0:00:24 | 0:00:27 | |
I wasn't a Girl Guide for nothing. | 0:00:27 | 0:00:28 | |
FANFARE TRUMPETS | 0:00:28 | 0:00:31 | |
..and giving you their top tips and savvy secrets... | 0:00:31 | 0:00:34 | |
Let's make hay while that sun shines. | 0:00:34 | 0:00:36 | |
..on how to make the most money from buying and selling. | 0:00:36 | 0:00:39 | |
Get in there. | 0:00:39 | 0:00:41 | |
Today, the saleroom supremo, Phil Serrell, goes into battle | 0:00:42 | 0:00:46 | |
against the red queen of the antiques scene, Katherine Higgins. | 0:00:46 | 0:00:50 | |
Coming up... Katherine risks detention... | 0:00:51 | 0:00:54 | |
I think those words were on my school report at one point. "Distracted. | 0:00:54 | 0:00:57 | |
-"Easily distracted," they said. -Phil gets hot under the collar... | 0:00:57 | 0:01:01 | |
I can see somebody buying that... Well, to...hang their... | 0:01:01 | 0:01:05 | |
-And there's some risque selling ahead. -You're missing out, Phil. | 0:01:07 | 0:01:12 | |
This is Put Your Money Where Your Mouth Is. | 0:01:12 | 0:01:15 | |
Welcome, one and all. | 0:01:29 | 0:01:31 | |
There's a heady mix of competition and petrol in the air today, | 0:01:31 | 0:01:34 | |
as our duo prepare to go hell for leather | 0:01:34 | 0:01:37 | |
around an antiques fair at Donington Park in Leicestershire. | 0:01:37 | 0:01:41 | |
They'll be racing to hunt down the best trinkets and treasures, | 0:01:41 | 0:01:44 | |
which they will then try and turn into oodles of lovely profits. | 0:01:44 | 0:01:48 | |
# Life in the fast lane... # | 0:01:48 | 0:01:50 | |
Up first, it's a finely-tuned motor from Malvern, | 0:01:52 | 0:01:55 | |
a man who lives life in the antiques fast lane | 0:01:55 | 0:01:58 | |
and can track down a potential profit from 50 paces. | 0:01:58 | 0:02:01 | |
It's Phil "The Fox" Serrell. | 0:02:01 | 0:02:05 | |
And the interesting thing here, you see, is I haven't got a clue. | 0:02:05 | 0:02:08 | |
His rival today is a fiery redhead who doesn't plan | 0:02:08 | 0:02:11 | |
on making any pit stops. | 0:02:11 | 0:02:13 | |
She's the darling doyenne of the vintage scene, | 0:02:13 | 0:02:16 | |
and keeps her pedal to the metal in the pursuit of victory. | 0:02:16 | 0:02:19 | |
It's Katherine "The Great" Higgins. | 0:02:19 | 0:02:21 | |
It really pays off making notes. I wasn't a Girl Guide for nothing. | 0:02:23 | 0:02:29 | |
They each have £750 of their own money to spend, and they'd better | 0:02:29 | 0:02:33 | |
be quick, as this antiques fair | 0:02:33 | 0:02:35 | |
waves its chequered flag at lunchtime. | 0:02:35 | 0:02:37 | |
So start your engines, Phil Serrell and Katherine Higgins, | 0:02:37 | 0:02:41 | |
it's time to put your money where your mouth is. | 0:02:41 | 0:02:44 | |
-Hello, lovely. How are you? -Ooh. On a cold and frosty morning... | 0:02:47 | 0:02:51 | |
-Absolutely. Are you a Donington virgin? -I am, indeed. | 0:02:51 | 0:02:54 | |
I've never been on a motorbike. | 0:02:54 | 0:02:55 | |
I've been to car race meetings here, and in the past, | 0:02:55 | 0:02:58 | |
I've been to an antique fair but not this one. | 0:02:58 | 0:03:00 | |
So this is high-end, isn't it? How much money have we got? | 0:03:00 | 0:03:03 | |
-We've got £750 to spend. -How much are you going to spend? | 0:03:03 | 0:03:06 | |
-I might try and spend £50 of it. -What, a whole 50? | 0:03:06 | 0:03:08 | |
This is an opportunity for you | 0:03:08 | 0:03:10 | |
-cos you've got to spend some money here. -I'm feeling comfortable. | 0:03:10 | 0:03:13 | |
I'm feeling like it's going to be a notch up from where we've been. | 0:03:13 | 0:03:15 | |
It's kind of, you know, a calm, cool and collected approach. | 0:03:15 | 0:03:19 | |
-Calm? Cool? We're on the start line. -The calm before the storm. | 0:03:19 | 0:03:23 | |
-It's about cars, girl. Come on. -You're a petrolhead. | 0:03:23 | 0:03:26 | |
Well, there's no time to waste as the crowds are gathering. | 0:03:26 | 0:03:30 | |
The fair starts at 9am sharp | 0:03:30 | 0:03:32 | |
but the stalls have been setting up since half seven. | 0:03:32 | 0:03:35 | |
Both our super-charged buying machines need to head inside | 0:03:35 | 0:03:38 | |
and rev their engines. | 0:03:38 | 0:03:40 | |
They really are up for it, these boys. | 0:03:40 | 0:03:42 | |
And they're off. The doors to the fair are thrown open | 0:03:46 | 0:03:49 | |
and it's every man, woman and dealer for themselves. | 0:03:49 | 0:03:52 | |
Time for our treasure-hunters to unveil their expert plans of attack. | 0:03:52 | 0:03:57 | |
If you want to be successful at a fair like this, | 0:03:57 | 0:04:00 | |
you've got to have a really good plan. | 0:04:00 | 0:04:02 | |
And I don't. And that will tell you something. | 0:04:04 | 0:04:07 | |
Hmm. Right then. Winging it, are we, Phil? | 0:04:07 | 0:04:09 | |
I mean, I don't, I just sort of wander round, really. | 0:04:09 | 0:04:12 | |
I'm in a complete world of my own. | 0:04:12 | 0:04:14 | |
Right, maybe our vixen of the vintage will have a more | 0:04:14 | 0:04:17 | |
concrete strategy, or even a strategy, at that. | 0:04:17 | 0:04:21 | |
I think the way to make sense of all this is to take a notebook, | 0:04:21 | 0:04:25 | |
and a bit like your shopping list, write down things that you like, | 0:04:25 | 0:04:28 | |
and then you'll remember where they are and you'll be able | 0:04:28 | 0:04:32 | |
to go back to them if you're not going to buy them immediately. | 0:04:32 | 0:04:35 | |
And I'm just making little notes in my little, green book. | 0:04:35 | 0:04:38 | |
Wow, that's a novel approach from our rummaging redhead. | 0:04:38 | 0:04:41 | |
And who doesn't love a good shopping list? | 0:04:41 | 0:04:44 | |
I'm sort of thinking I should be stopping, looking at things | 0:04:44 | 0:04:46 | |
so I'm going to stop and look at something. | 0:04:46 | 0:04:49 | |
-All very sparkly over here, isn't it? -Yes. | 0:04:49 | 0:04:51 | |
This is pretty, isn't it? You've just got to go through each of the boxes. | 0:04:51 | 0:04:55 | |
I could be here for days. | 0:04:55 | 0:04:57 | |
Hmm. This is all very thorough, | 0:04:57 | 0:04:59 | |
but is window-shopping really the way forward? | 0:04:59 | 0:05:02 | |
I'm just going to basically look in detail at everything, | 0:05:02 | 0:05:06 | |
and eventually, in about six hours, I might commit to buying one thing. | 0:05:06 | 0:05:10 | |
Actually, I've just been told it finishes around midday | 0:05:10 | 0:05:13 | |
so I've not got very much time. I'd better get started. | 0:05:13 | 0:05:17 | |
Yes. More buy, less browse, maybe. | 0:05:17 | 0:05:19 | |
On the other side of the market, | 0:05:19 | 0:05:21 | |
-the fox has stumbled upon his first potential treasure. -They're lovely. | 0:05:21 | 0:05:25 | |
-How much are they? -Um, about 85. -How much? -85. | 0:05:25 | 0:05:30 | |
Go on, mate. 50 quid. | 0:05:30 | 0:05:31 | |
-Split the difference. 55 and they're yours. -Can I toss you for it? | 0:05:31 | 0:05:35 | |
Yeah, toss me for it. | 0:05:35 | 0:05:37 | |
Heads, it's 55. | 0:05:37 | 0:05:39 | |
You ready for this? | 0:05:43 | 0:05:44 | |
Get in! Tails. Ka-ching. | 0:05:46 | 0:05:47 | |
Oh, he's a wily one | 0:05:49 | 0:05:50 | |
and at £50 that's buy one in the back of the net for striker Serrell. | 0:05:50 | 0:05:55 | |
I would think these are probably... '50s. | 0:05:55 | 0:05:58 | |
Might be a little bit earlier. | 0:05:58 | 0:06:00 | |
But what's interesting about them, there's no nylon or aluminium studs. | 0:06:00 | 0:06:05 | |
These are leather studs that you had to nail into the sole. | 0:06:05 | 0:06:09 | |
This is retro or vintage at its best and the place for these, | 0:06:09 | 0:06:12 | |
I think, is in a really cool, retro or vintage clothing shop window. | 0:06:12 | 0:06:17 | |
Look at those. | 0:06:17 | 0:06:18 | |
So, the fox is dabbling with a spot of retro vintage, | 0:06:18 | 0:06:21 | |
treading on Katherine's territory it seems. | 0:06:21 | 0:06:24 | |
Speaking of which, where is our browsing beauty? | 0:06:24 | 0:06:27 | |
Just perusing. I'm just looking. | 0:06:27 | 0:06:29 | |
I don't think this is the sort of place that you have to buy immediately. | 0:06:29 | 0:06:32 | |
I reckon that if I see something and go back to it, it'll still be there. | 0:06:32 | 0:06:36 | |
You're going to watch it for me anyway, aren't you? | 0:06:37 | 0:06:40 | |
So it's going to be fine. | 0:06:40 | 0:06:42 | |
Yes, just don't forget the lunchtime deadline. | 0:06:42 | 0:06:44 | |
Across the market, the fox is already on the prowl | 0:06:44 | 0:06:47 | |
for his second potential profit - an unusual, metal funnel. | 0:06:47 | 0:06:51 | |
-Excuse me, how much is that, please? -45 if that's any good for you? | 0:06:51 | 0:06:55 | |
-OK. I'll have a think about it and might come back in a minute. -No worries. -If it's here. | 0:06:55 | 0:06:59 | |
Mm... The mystery object has cause hesitation from Mr Serrell. | 0:06:59 | 0:07:03 | |
Maybe the browsing bug is catching. | 0:07:03 | 0:07:06 | |
A few stalls away, it seems something has finally caught | 0:07:06 | 0:07:09 | |
the eye of our mistress of Miscellania. | 0:07:09 | 0:07:12 | |
Perfect. This is exactly what I like doing. | 0:07:12 | 0:07:15 | |
I feel this need to reunite these images with the setting | 0:07:15 | 0:07:20 | |
which is depicted in the etching. | 0:07:20 | 0:07:23 | |
Oh, that's really nice, they're signed by the artist. 1949. | 0:07:23 | 0:07:27 | |
What I'm looking at here are two etchings of local pubs. | 0:07:27 | 0:07:31 | |
What I'd love to do is take a trip to the Hatchet Inn | 0:07:31 | 0:07:35 | |
and to the George Inn, and give them back a piece of their heritage. | 0:07:35 | 0:07:39 | |
-Hiya. -Hello. Are these yours? -Yeah, they are. £10 for both. -Ooh. | 0:07:40 | 0:07:46 | |
-£8 and you can have them. -Can I? OK, £8 is good. -That all right? -Yeah. | 0:07:46 | 0:07:51 | |
-Can I shake on that? -Yeah. -Last of the big spenders here. | 0:07:51 | 0:07:55 | |
Yes, she's off the starting grid at last. | 0:07:55 | 0:07:58 | |
And it appears the fox's ears have pricked up at the sound of a sale. | 0:07:58 | 0:08:02 | |
-Did you spend money? -Do you know what? | 0:08:02 | 0:08:04 | |
He wouldn't give them to me for free but I've spent £8. | 0:08:04 | 0:08:06 | |
-Yes. -Cheapskate. | 0:08:06 | 0:08:08 | |
I am the last of the big spenders, after all. | 0:08:08 | 0:08:11 | |
Well, she may be frugal but, at the end of the day, | 0:08:11 | 0:08:13 | |
it all comes down to the big P - profit. | 0:08:13 | 0:08:16 | |
Having finished heckling the opposition, | 0:08:16 | 0:08:19 | |
the fox scampers back over to try and back that metal funnel. | 0:08:19 | 0:08:22 | |
-What did you say your best was? -45. -40 is not going to buy it? -No. | 0:08:22 | 0:08:28 | |
-There was a bit of doubt there. -Well... | 0:08:28 | 0:08:30 | |
-There was! -..it kind of owes me that much money. | 0:08:30 | 0:08:32 | |
-If you want to sell it, 40 quid is yours. -Go on, then. 40 quid. | 0:08:32 | 0:08:37 | |
And there's Phil's happy face. | 0:08:37 | 0:08:39 | |
What am I going to do with it? | 0:08:39 | 0:08:42 | |
-Well, wax lyrically in front of the camera. -Mm, I'm sure he will. | 0:08:42 | 0:08:46 | |
But what is it? | 0:08:46 | 0:08:47 | |
It's a 1950s speaker. | 0:08:47 | 0:08:49 | |
There is no self-respecting garden show or local church fete | 0:08:49 | 0:08:53 | |
that wouldn't have had one of these | 0:08:53 | 0:08:56 | |
on the top of the organiser's roof in about 1955. | 0:08:56 | 0:08:59 | |
I bet you're sitting at home thinking, | 0:08:59 | 0:09:01 | |
"What on earth has he bought that for?" You know what? | 0:09:01 | 0:09:04 | |
You can make this into a garden feature, | 0:09:04 | 0:09:06 | |
you can make it into a light, | 0:09:06 | 0:09:08 | |
you could put a speaker in there for your latest smartphone. | 0:09:08 | 0:09:11 | |
This has everything going for it. | 0:09:11 | 0:09:13 | |
So Phil's £40 funnel puts him in the lead | 0:09:13 | 0:09:16 | |
with two buys to Katherine's one. | 0:09:16 | 0:09:18 | |
But our foraging fashionista is on the hunt for some vintage chic. | 0:09:18 | 0:09:23 | |
This is one of those things that you have to look at in detail | 0:09:23 | 0:09:26 | |
and admire very fondly because smocking, | 0:09:26 | 0:09:30 | |
which this little child's dress is made from, | 0:09:30 | 0:09:33 | |
is incredibly difficult to do. A very nice, little dress. | 0:09:33 | 0:09:37 | |
I'm not sure it's definitely worth buying at the moment but, bizarrely, | 0:09:37 | 0:09:42 | |
I'm moving from the period to the more contemporary. | 0:09:42 | 0:09:45 | |
I'm very interested in that. | 0:09:45 | 0:09:47 | |
I think that is de rigueur for anyone who enjoys | 0:09:47 | 0:09:51 | |
a bit of burlesque in their life. | 0:09:51 | 0:09:53 | |
I'm in a bit of a dilemma as to which to go for, | 0:09:53 | 0:09:56 | |
whether to go for the child's dress | 0:09:56 | 0:09:58 | |
or to go for the sensational burlesque outfit. | 0:09:58 | 0:10:02 | |
What would you like to see? | 0:10:02 | 0:10:04 | |
-Well, as you ask... -OK, it's burlesque, isn't it? | 0:10:04 | 0:10:08 | |
-What do you want for it? -Well, it's emu, I'm told. Um...25. | 0:10:08 | 0:10:13 | |
-I'm just wondering if I could have it any less? -I'd do 20. -OK. £20. | 0:10:13 | 0:10:19 | |
-Thank you. Ta. -Thank you very much. | 0:10:19 | 0:10:21 | |
We're going to watch that shimmy fairly soon. | 0:10:21 | 0:10:24 | |
Ooh, risque. That's purchase number two for the great one. | 0:10:24 | 0:10:29 | |
And talking of risque... | 0:10:29 | 0:10:31 | |
Often, you go to these stands and you pick things up, | 0:10:33 | 0:10:36 | |
and you just don't know what they're for. | 0:10:36 | 0:10:39 | |
# Strike a pose... # | 0:10:39 | 0:10:42 | |
Is our foxy having a Madonna moment? He's taking quite a shine to it. | 0:10:42 | 0:10:46 | |
-What's the best you can do that for? -15 quid. -15? 1-5? | 0:10:46 | 0:10:52 | |
Oh, done. I've got to have that, haven't I? 15 quid. | 0:10:52 | 0:10:55 | |
What a gentleman. Thank you very much, indeed. | 0:10:55 | 0:10:59 | |
So our speedy spender is now the proud owner of... Um... What is it? | 0:10:59 | 0:11:04 | |
I've always been mesmerised by a lovely pair...of Art-Deco | 0:11:04 | 0:11:09 | |
shop display stands. I'm not sure they're Art-Deco. | 0:11:09 | 0:11:12 | |
I think they're more likely to be '60s, | 0:11:12 | 0:11:14 | |
and I think, at some point or other, | 0:11:14 | 0:11:16 | |
they've had a banner sign across there that may have been | 0:11:16 | 0:11:20 | |
the make of the bra that they were trying to sell. | 0:11:20 | 0:11:24 | |
I just think it's a cool, fun thing, this. | 0:11:24 | 0:11:27 | |
I can see someone buying that, well to... | 0:11:27 | 0:11:30 | |
hang their... | 0:11:30 | 0:11:32 | |
Don't get your knickers in a twist, Phil. | 0:11:34 | 0:11:36 | |
The word you're looking for is bra. | 0:11:36 | 0:11:39 | |
Now, whilst Phil's getting in touch with his feminine side, | 0:11:39 | 0:11:42 | |
Katherine's bagged herself an interesting weather vane. | 0:11:42 | 0:11:45 | |
I've just bought this. The seller was a little bit camera-shy. | 0:11:45 | 0:11:48 | |
It really caught my eye because, as a child, I grew up watching | 0:11:48 | 0:11:52 | |
many a bowling match in Guilford, which was my hometown. | 0:11:52 | 0:11:55 | |
It's an iron weather vane that's actually enamelled over the top. | 0:11:55 | 0:11:59 | |
20th-century. The enamelling has deteriorated a little bit. | 0:11:59 | 0:12:03 | |
Originally, the asking price was £40 and we ended up on £30. | 0:12:03 | 0:12:07 | |
So for a piece of rural history and sporting history and, | 0:12:07 | 0:12:11 | |
quintessentially, British history, that's not a bad price. | 0:12:11 | 0:12:16 | |
Well, she may have taken her time at the start | 0:12:16 | 0:12:18 | |
but with that buy under her belt, Katherine has gained ground | 0:12:18 | 0:12:22 | |
and is hounding her rival with three buys each. | 0:12:22 | 0:12:25 | |
But what about that kitty? | 0:12:25 | 0:12:27 | |
They each arrived with £750 of their own money. | 0:12:28 | 0:12:32 | |
Phil has spent £105 on his three deals, | 0:12:32 | 0:12:35 | |
leaving himself a chunky £645 to play with. | 0:12:35 | 0:12:40 | |
But a thrifty Katherine has kept a tight grip on the purse strings, | 0:12:40 | 0:12:44 | |
spending just £58 on her three items, | 0:12:44 | 0:12:47 | |
so she has a whopping £692 left to spend. | 0:12:47 | 0:12:51 | |
But before their buying bonanza continues, | 0:12:51 | 0:12:54 | |
it's time for a quick pit stop. | 0:12:54 | 0:12:56 | |
How are you, lovely? Are you all right? | 0:12:56 | 0:12:58 | |
-Well, I think I've done three stalls by now. -One question. | 0:12:58 | 0:13:01 | |
-OK. -How much have you spent? -I've spent definitely under £100. | 0:13:01 | 0:13:07 | |
-Possibly under 50. -You see, the budget for today is £750, not £75. | 0:13:07 | 0:13:15 | |
Yeah, but it's what you buy. It's the quality that you buy. | 0:13:15 | 0:13:18 | |
-Now, what have you bought that's fascinating? -Quality. -Really? | 0:13:18 | 0:13:22 | |
I bought a couple of things I think you might just like. | 0:13:22 | 0:13:25 | |
-You've strayed into my territory? -I have. Just... | 0:13:25 | 0:13:31 | |
I'm perplexed. | 0:13:31 | 0:13:33 | |
Yes. Foxy knows how to ruffle the great one's feathers. | 0:13:33 | 0:13:37 | |
And it seems her thrifty spending is playing on her mind | 0:13:37 | 0:13:41 | |
as she ponders on what her opponent has been buying. | 0:13:41 | 0:13:45 | |
Well, Phil sounded like he's bought some interesting things | 0:13:45 | 0:13:50 | |
because he's crossed the boundaries. He's coming to my territory. | 0:13:50 | 0:13:54 | |
I haven't bought anything boysie. I'm not quite sure whether | 0:13:54 | 0:13:57 | |
I should be straying into his territory, actually. | 0:13:57 | 0:13:59 | |
The fox has bowled her a curveball | 0:13:59 | 0:14:01 | |
and our great lady seems all of a dither. | 0:14:01 | 0:14:04 | |
Generally, I'd say I get quite sidetracked. | 0:14:04 | 0:14:07 | |
Ooh. | 0:14:07 | 0:14:08 | |
I think those words were on my school report at one point. | 0:14:08 | 0:14:11 | |
"Distracted. Easily distracted," they said. | 0:14:11 | 0:14:14 | |
Yep. Here I am, easily distracted. | 0:14:14 | 0:14:16 | |
Surely Katherine hasn't lost her focus! | 0:14:16 | 0:14:19 | |
That's a possibility. | 0:14:19 | 0:14:21 | |
That's a possibility. That is a possibility. | 0:14:21 | 0:14:24 | |
Um... Right. OK. | 0:14:25 | 0:14:29 | |
Just hang on there with me. I will buy something soon. | 0:14:31 | 0:14:34 | |
You've just got to wait. Be patient. | 0:14:34 | 0:14:36 | |
Yes, we've got all the time in the world. | 0:14:36 | 0:14:38 | |
Or not. | 0:14:38 | 0:14:40 | |
At least her opponent's going full steam ahead to find buy number four, | 0:14:40 | 0:14:43 | |
a pair of railway spotter's guidebooks. | 0:14:43 | 0:14:46 | |
Are they complete? | 0:14:47 | 0:14:48 | |
-Could you hold on to those, just for five minutes for me, please? -Sure, yeah. | 0:14:51 | 0:14:55 | |
The More Than Maestro has a plan up his sleeve. | 0:14:55 | 0:14:58 | |
He's straight on the phone. | 0:14:58 | 0:15:00 | |
Richard, it's Philip Serrell. I got it in my mind, somewhere, | 0:15:00 | 0:15:03 | |
that you were a bit of a railway buff. | 0:15:03 | 0:15:05 | |
Lining up a buyer before he's even bought them. | 0:15:05 | 0:15:08 | |
A super-sly move from the fox. | 0:15:08 | 0:15:10 | |
How much have you got them priced up at? | 0:15:10 | 0:15:13 | |
-12. -And what can you do them for? | 0:15:13 | 0:15:15 | |
-I can do them for a fiver. -A fiver? What a gentleman. | 0:15:15 | 0:15:20 | |
What an absolute gentleman. Get my money out quick. | 0:15:20 | 0:15:23 | |
Well, he didn't hang around and that's Phil's fourth buy | 0:15:23 | 0:15:26 | |
done and dusted for just a fiver. | 0:15:26 | 0:15:29 | |
Railway memorabilia is a big area of collectability | 0:15:29 | 0:15:33 | |
and the earlier the better. | 0:15:33 | 0:15:35 | |
Now, these are 70 years old, really evocative of their period. | 0:15:35 | 0:15:38 | |
I can only think of Agatha Christie but, you know, these, I suppose, | 0:15:38 | 0:15:42 | |
were originally train spotter's pocket handbooks. | 0:15:42 | 0:15:45 | |
Aren't they great things? | 0:15:45 | 0:15:47 | |
I bought them for £5 and I've got a feeling, | 0:15:47 | 0:15:50 | |
when I come to sell these, | 0:15:50 | 0:15:52 | |
it might just take me on a bit of a journey. | 0:15:52 | 0:15:54 | |
AGATHA CHRISTIE'S TV THEME PLAYS | 0:15:54 | 0:15:56 | |
Aah, he's thinking steam trains, Agatha Christie... | 0:15:56 | 0:15:59 | |
You can just see Phil as Poirot. | 0:15:59 | 0:16:02 | |
But it seems with that £5 buy in the bag, | 0:16:02 | 0:16:04 | |
Phil is channelling someone far more frugal. | 0:16:04 | 0:16:07 | |
Albert Steptoe? | 0:16:07 | 0:16:09 | |
Excuse me, sir, how much are these? How much is that? | 0:16:09 | 0:16:12 | |
-280. -No, I haven't got anything like that. | 0:16:12 | 0:16:14 | |
How much is that, please? | 0:16:14 | 0:16:16 | |
Could it be any less than a fiver? | 0:16:16 | 0:16:18 | |
How much are those? 250? I can give you £2 for them. | 0:16:18 | 0:16:21 | |
How much is your poster, please? | 0:16:21 | 0:16:23 | |
HE GASPS | 0:16:23 | 0:16:24 | |
Skimping Serrell. Who'd have thought it? | 0:16:24 | 0:16:28 | |
And nearby, the queen of cheap, herself, | 0:16:28 | 0:16:30 | |
has just netted a £5 buy too. | 0:16:30 | 0:16:33 | |
I've just bought these lovely, linen and cotton tablecloths and napkins. | 0:16:33 | 0:16:37 | |
I'm thinking I'm ready for a cup of tea with these, really. | 0:16:37 | 0:16:41 | |
They are really lovely pieces of craftsmanship, for one thing. | 0:16:41 | 0:16:45 | |
Complicated cross-stitch coupled with pulled thread detailing | 0:16:45 | 0:16:48 | |
and they're also a nice piece of social history. | 0:16:48 | 0:16:51 | |
There's one that I've got here, | 0:16:51 | 0:16:52 | |
which has actually got the name of the people that owned it | 0:16:52 | 0:16:56 | |
and I think they will go to somebody who appreciates vintage | 0:16:56 | 0:16:59 | |
as much as I do. | 0:16:59 | 0:17:00 | |
So, our determined duo are neck and neck again | 0:17:01 | 0:17:04 | |
with four buys each. | 0:17:04 | 0:17:05 | |
But this morning's market is already beginning to pack up, | 0:17:05 | 0:17:09 | |
so the race is on to find the final treasures. | 0:17:09 | 0:17:11 | |
Everybody else here's rushing round | 0:17:11 | 0:17:14 | |
and I just seem to be meandering gently. | 0:17:14 | 0:17:18 | |
Gosh, he's so laidback he's horizontal. | 0:17:18 | 0:17:21 | |
With the clock ticking, Katherine the great decides to hunt down | 0:17:21 | 0:17:24 | |
her earlier shopping list spots but there's a problem. | 0:17:24 | 0:17:28 | |
The only downside is, I didn't put down where I saw everything | 0:17:28 | 0:17:31 | |
so I'm slightly... It's not terribly helpful. | 0:17:31 | 0:17:34 | |
But hey-ho, you know? | 0:17:34 | 0:17:36 | |
It's quietening down and nobody's started to pack up yet. | 0:17:36 | 0:17:40 | |
Or have they? | 0:17:40 | 0:17:42 | |
Yes, they have, Miss Higgins. It seems there's a flaw in your plan. | 0:17:42 | 0:17:46 | |
However, the man with no plan seems to be sauntering | 0:17:46 | 0:17:49 | |
towards his final buy of the day and they've got a hefty price tag. | 0:17:49 | 0:17:54 | |
We have got a set of Edwardian bowls. Basically four pairs. | 0:17:54 | 0:18:00 | |
I've got a one-off deal. One-off offer. I've got 80 quid. | 0:18:00 | 0:18:03 | |
-That's me finished. -Yeah, go on. That'll work. | 0:18:03 | 0:18:06 | |
OK, good man. Thank you very much. | 0:18:06 | 0:18:08 | |
So, Phil uses his foxy wiles to secure a quick end-of-fair discount. | 0:18:08 | 0:18:13 | |
I expect you're thinking "This is a load of bowls." | 0:18:13 | 0:18:16 | |
Well, it sort of is, really. Well, it's a box of bowls. | 0:18:16 | 0:18:19 | |
They're 19th-century, made out of lignum vitae. | 0:18:19 | 0:18:22 | |
Lignum vitae is typified by this light and dark, | 0:18:22 | 0:18:26 | |
and it's very, very dense timber. It doesn't float. | 0:18:26 | 0:18:30 | |
Who am I going to sell them to? | 0:18:30 | 0:18:32 | |
Well, you know, there's a decorative angle there. | 0:18:32 | 0:18:35 | |
I could sell them to someone who's going to use them. | 0:18:35 | 0:18:38 | |
But either way, I really like them. They're my sort of lot, really. | 0:18:38 | 0:18:42 | |
Pity I've got to sell them, really. | 0:18:42 | 0:18:44 | |
Well, those are the rules, Mr Serrell. | 0:18:44 | 0:18:46 | |
So, that's our gutsy gavel swinger's priciest purchase. | 0:18:46 | 0:18:49 | |
And with that, he's done for the day. All eyes now are on Katherine. | 0:18:49 | 0:18:55 | |
This is the most desperate moment because I'm, literally, kind of, | 0:18:55 | 0:18:58 | |
running backwards to get to the stall because people's lights are going on. | 0:18:58 | 0:19:03 | |
They are, literally, packing up. | 0:19:03 | 0:19:05 | |
Right, over here, somewhere. | 0:19:06 | 0:19:08 | |
Our red queen relies on her internal antiques homing instinct | 0:19:08 | 0:19:12 | |
to draw her back to the treasure. | 0:19:12 | 0:19:14 | |
And it seems she's straying into Phil's territory after all | 0:19:14 | 0:19:17 | |
with some vintage fuel cans. | 0:19:17 | 0:19:20 | |
I suppose my favourite would be... | 0:19:20 | 0:19:23 | |
this one. | 0:19:23 | 0:19:25 | |
-What sort of price are you thinking for that? -£12. | 0:19:25 | 0:19:29 | |
Can we go for a bit less than that? Can we go for, maybe... | 0:19:29 | 0:19:32 | |
-I don't know, seven or... -Ten. | 0:19:32 | 0:19:35 | |
-Oh, it hasn't got a lid. Eight. -Eight. All right, eight. | 0:19:35 | 0:19:39 | |
Eight cos it hasn't got a lid. Yeah. | 0:19:39 | 0:19:42 | |
It's another cheap and cheerful buy for Higgins the haggler. | 0:19:42 | 0:19:46 | |
It is simply a fuel can but what's quite nice, | 0:19:46 | 0:19:50 | |
it's got the mark of the brand on it. | 0:19:50 | 0:19:52 | |
I think it's definitely a post-war piece. | 0:19:52 | 0:19:55 | |
You forget that it was, sort of, de rigueur to carry something like this | 0:19:55 | 0:19:58 | |
because fuel tank size was much smaller in older cars, | 0:19:58 | 0:20:01 | |
and I've got an old triumph, which, you know, | 0:20:01 | 0:20:03 | |
I have to carry something like this just in case I run out of fuel. | 0:20:03 | 0:20:07 | |
So today they're great interior pieces. | 0:20:07 | 0:20:10 | |
It would look great in someone's home... | 0:20:10 | 0:20:14 | |
or office...or bathroom... | 0:20:14 | 0:20:17 | |
or anywhere, really. | 0:20:17 | 0:20:18 | |
Hmm. Let's hope she's not running on empty | 0:20:18 | 0:20:21 | |
when it comes to the profits. And, with that, | 0:20:21 | 0:20:23 | |
it's time to wave the chequered flag on this antiques grand prix. | 0:20:23 | 0:20:27 | |
Phil and Katherine each arrived at Donington with a budget of £750. | 0:20:27 | 0:20:33 | |
Foxy sniffed out five potential profit-makers and spent £190. | 0:20:33 | 0:20:38 | |
But Katherine kept her costs on the down-low, | 0:20:39 | 0:20:42 | |
spending just £71 on her five items. | 0:20:42 | 0:20:45 | |
Before they head home with their treasures, | 0:20:45 | 0:20:48 | |
there's time to check out the competition. | 0:20:48 | 0:20:50 | |
Do you know what? There's a sense of symmetry here, isn't there? | 0:20:50 | 0:20:54 | |
-There is. -Bowling, bowling. -Yeah. Great minds think alike. | 0:20:54 | 0:20:57 | |
I wouldn't go that far. How much... I love that. How much was that? | 0:20:57 | 0:21:00 | |
-It was quite a good buy, I must say. -Wicked, wicked. -All of £30. | 0:21:00 | 0:21:03 | |
-You have duplicated...with yours. -I know, I know. -How much did you pay? | 0:21:03 | 0:21:07 | |
80 quid. You'd think, when they set this up, | 0:21:07 | 0:21:10 | |
the cleaners would have got rid of all this old tat. | 0:21:10 | 0:21:13 | |
Real, real, great craftsmanship in that. | 0:21:13 | 0:21:15 | |
-Fantastic tableware. -That's one of your lots? | 0:21:15 | 0:21:17 | |
-Really nice linen tableware. -Really? -Yeah. Now, what else do I like here? | 0:21:17 | 0:21:21 | |
I can imagine being a little boy with that GWR book. | 0:21:21 | 0:21:23 | |
-They're fun, aren't they? -Train-spotting, yeah. | 0:21:23 | 0:21:25 | |
-They're really fun. -Really nice. -And of a period. | 0:21:25 | 0:21:27 | |
Sorry, just one question for you. How much have you spent? | 0:21:27 | 0:21:30 | |
Probably around about 70. | 0:21:30 | 0:21:32 | |
My...one lot...has cost more than all of yours. | 0:21:33 | 0:21:38 | |
Get out of here. | 0:21:38 | 0:21:40 | |
Battle-weary and laden with booty, our duo head home. | 0:21:43 | 0:21:47 | |
But there's no time to put their feet up | 0:21:47 | 0:21:49 | |
as the pressure is about to really pile on as they undertake | 0:21:49 | 0:21:53 | |
the gargantuan challenge of selling all their items. | 0:21:53 | 0:21:56 | |
They must hunt down all the right buyers and deploy | 0:21:56 | 0:21:59 | |
their hardest haggling skills in a quest to make the most profit. | 0:21:59 | 0:22:04 | |
Back at his auction house, Phil is assessing his weapons of war. | 0:22:04 | 0:22:07 | |
That was a really good, little antique fair for me. | 0:22:07 | 0:22:10 | |
It wasn't the biggest I've ever been to but if you looked, | 0:22:10 | 0:22:13 | |
there were some interesting things there. | 0:22:13 | 0:22:15 | |
These two little railway books... | 0:22:15 | 0:22:17 | |
You went train-spotting in the '40s and '50s | 0:22:17 | 0:22:19 | |
and every time you saw a locomotive that you hadn't seen before, | 0:22:19 | 0:22:21 | |
you ticked it off in your little book. | 0:22:21 | 0:22:24 | |
That's a great piece of social history and it's cost me a fiver. | 0:22:24 | 0:22:27 | |
But I think that's going to take me on a bigger journey yet. | 0:22:27 | 0:22:30 | |
However... Quite why I bought that, I don't know. | 0:22:30 | 0:22:33 | |
I still think it would make a very, very cool thing. | 0:22:33 | 0:22:36 | |
And my...over there. | 0:22:36 | 0:22:38 | |
I think I'm missing some ends off the things... | 0:22:38 | 0:22:42 | |
in the...there. | 0:22:42 | 0:22:43 | |
I'm not sure how that's going to affect their saleability, | 0:22:43 | 0:22:46 | |
but I still think they're a great lot for someone who's got | 0:22:46 | 0:22:49 | |
a vintage shop. My bowls - there's a plan ahead for those | 0:22:49 | 0:22:52 | |
but my favourite lot has got to be these footy boots. | 0:22:52 | 0:22:55 | |
Now, I'm not quite as old as those | 0:22:55 | 0:22:57 | |
but can you imagine playing football in those? | 0:22:57 | 0:23:00 | |
I'd like to see Mr Beckham in those. | 0:23:01 | 0:23:04 | |
So, while Phil tracks down a vintage-loving sportsman, | 0:23:04 | 0:23:07 | |
down in Surrey, Katherine's making sure her treasures shine. | 0:23:07 | 0:23:11 | |
Now, a real top tip. | 0:23:11 | 0:23:13 | |
If you want to make your items really sell well, | 0:23:13 | 0:23:16 | |
then make sure they look their best. So a little spot of cleaning. | 0:23:16 | 0:23:19 | |
Here I am busying myself, cleaning the glass up on these | 0:23:19 | 0:23:22 | |
great pictures. I'm really pleased with these pictures. | 0:23:22 | 0:23:25 | |
I'm going to make some social history by reuniting them | 0:23:25 | 0:23:28 | |
with the pubs where they should quite rightfully be. | 0:23:28 | 0:23:31 | |
So that's lovely, and I can feel a bit of shimmying | 0:23:31 | 0:23:34 | |
coming on with my burlesque-style boa scarf. | 0:23:34 | 0:23:38 | |
So that's going to be quite fun to work with. | 0:23:38 | 0:23:40 | |
What amazed me is I've already spoken to somebody about the oil can, | 0:23:40 | 0:23:44 | |
my last minute purchase, and it is going to be transformed in a way | 0:23:44 | 0:23:47 | |
you are never possibly going to imagine. | 0:23:47 | 0:23:50 | |
So I'm really excited about that. | 0:23:50 | 0:23:52 | |
My linen, oh, it's going to be lovely. | 0:23:52 | 0:23:54 | |
The only thing that's worrying me is the bowling. | 0:23:54 | 0:23:57 | |
I'm not a great bowling specialist | 0:23:57 | 0:23:59 | |
and the one call I have made was to somebody who said, | 0:23:59 | 0:24:02 | |
"Oh, we've just had a new bowls club built, it's great, | 0:24:02 | 0:24:04 | |
"we're really excited." And I said, "Have you got a weather vane?" | 0:24:04 | 0:24:07 | |
And they said, "Yes, we've just bought one. | 0:24:07 | 0:24:10 | |
"I wish we'd known about yours." | 0:24:10 | 0:24:12 | |
Well, it's back to the drawing board on that one, then. | 0:24:12 | 0:24:15 | |
It's all about the cold, hard cash now | 0:24:15 | 0:24:17 | |
and our brave profiteers waste no time getting straight on the road. | 0:24:17 | 0:24:21 | |
Any money they make will go to their chosen charities. | 0:24:21 | 0:24:24 | |
And remember, until they shake on it, | 0:24:24 | 0:24:26 | |
and the money changes hands, no deal is ever sealed. | 0:24:26 | 0:24:29 | |
For his first sale, | 0:24:32 | 0:24:34 | |
Phil is heading to his local bowls centre in Pershore. | 0:24:34 | 0:24:37 | |
They're one of only a handful of official testers | 0:24:38 | 0:24:41 | |
for the World Bowls Board, no less. | 0:24:41 | 0:24:44 | |
But will his antique bowls make the grade? | 0:24:44 | 0:24:47 | |
Morris, I've bought you some bowls, | 0:24:47 | 0:24:49 | |
and you are the local expert on bowls. | 0:24:49 | 0:24:51 | |
But there's two types of bowls, isn't there? | 0:24:51 | 0:24:53 | |
Level green and crown green, yes. | 0:24:53 | 0:24:55 | |
So one's flat and the other's got a bit of a dome in the middle. | 0:24:55 | 0:24:58 | |
-That's right. -And all bowls have a bias. -Yes. | 0:24:58 | 0:25:01 | |
They, sort of, go in a separate shape, is that right? | 0:25:01 | 0:25:06 | |
Absolutely right, yes. | 0:25:06 | 0:25:07 | |
-Are you going to tell me what I've got? -Right. These are old. | 0:25:07 | 0:25:11 | |
-How old do you think they might be? -150 years, plus. | 0:25:11 | 0:25:14 | |
-Somewhere between 1840 and 1860? -I should imagine so, yes. | 0:25:14 | 0:25:17 | |
-Will these get used today? -Yeah. -Why is that? | 0:25:17 | 0:25:19 | |
Does no-one play crown green or...? | 0:25:19 | 0:25:21 | |
These are not crown green or level bowls. They're lawn bowls. | 0:25:21 | 0:25:25 | |
They were used on a rough and ready lawn. | 0:25:25 | 0:25:27 | |
-But what I love about them is... This is lignum, isn't it? -Yes. | 0:25:27 | 0:25:32 | |
-You've got that wonderful light and dark, haven't you? -That's right. | 0:25:32 | 0:25:36 | |
But there's a bit of renovation work. The polishing up. | 0:25:36 | 0:25:39 | |
It'll be a talking point within the shop. | 0:25:39 | 0:25:41 | |
It's at this point we need to discuss whether you'd like to buy them off me or not. | 0:25:41 | 0:25:45 | |
-Well, I will buy them off you. -Really? -Yeah. Yes. | 0:25:45 | 0:25:48 | |
I'm hoping to get close to 200 quid for them. Hoping. | 0:25:48 | 0:25:51 | |
-No. I've got a set of these in the shop... -Yeah. | 0:25:51 | 0:25:54 | |
..I've given a pair of trousers for. You don't want a pair of trousers, do you? | 0:25:54 | 0:25:58 | |
Well, depends how good they are. | 0:25:58 | 0:25:59 | |
And there'd be a lot of cloth in them. Go on, then, what's your best? | 0:25:59 | 0:26:03 | |
-I'll go 150. -And you're happy with that? -I'm happy with that. | 0:26:03 | 0:26:06 | |
Well, if you're happy, I'm happy and I'll shake your hand. | 0:26:06 | 0:26:09 | |
-You're a gentleman. Thank you very much. -Thank you very much. | 0:26:09 | 0:26:12 | |
So, the fox kicks off his profit pot with £70 | 0:26:12 | 0:26:15 | |
and can't resist trying out his own bowls on the testing equipment. | 0:26:15 | 0:26:19 | |
-So, this machine tests the bias, really. -Yes. | 0:26:19 | 0:26:22 | |
Right, let's have a go, then. Let's just see what happens. | 0:26:22 | 0:26:25 | |
-Look at that. -There you go. -Look at that. | 0:26:25 | 0:26:28 | |
It's gone straight round the end bend at the bottom, look. | 0:26:30 | 0:26:33 | |
-Is that good or bad? -It's probably very good, from when they were made. | 0:26:33 | 0:26:37 | |
-I'm pleased cos they're yours. -THEY LAUGH | 0:26:37 | 0:26:39 | |
-You take care, Morris. Good to see you. -Thanks very much. | 0:26:39 | 0:26:42 | |
While Phil hotfoots it back to Serrell HQ, his opponent | 0:26:42 | 0:26:46 | |
is hoping to get her selling spree under way with that vintage oil can. | 0:26:46 | 0:26:50 | |
I've come to Chesterfield, in Derbyshire, | 0:26:51 | 0:26:53 | |
to meet a man called Matt, who is a very creative designer. | 0:26:53 | 0:26:56 | |
He loves to upcycle, and is brilliant at turning oil cans, like this, | 0:26:56 | 0:27:01 | |
into things you could never even dream of. | 0:27:01 | 0:27:03 | |
I hope he wants to buy mine and he likes it. | 0:27:03 | 0:27:06 | |
It cost Katherine just £8 but can she turn a profit? | 0:27:08 | 0:27:11 | |
Matt, this is definitely the right place for this oil can. | 0:27:12 | 0:27:16 | |
You can turn anything into something else, very creatively. | 0:27:16 | 0:27:19 | |
Thank you very much. It's nice to, sort of, keep the life going | 0:27:19 | 0:27:23 | |
of something that, otherwise, would be discarded. | 0:27:23 | 0:27:25 | |
-So, what I've brought you is this. -Yeah. -And I, sort of, felt a sense of guilt about bringing it to you | 0:27:25 | 0:27:30 | |
because it didn't have a lid and it's a bit rough and ready around the edges. | 0:27:30 | 0:27:34 | |
Dating-wise, it's difficult to say, but certainly 50 years old, plus. | 0:27:34 | 0:27:37 | |
-Yeah. Absolutely, yeah. -So what will you do to this? | 0:27:37 | 0:27:41 | |
We're actually going to turn it into an mp3 dock. | 0:27:41 | 0:27:44 | |
We'll seal this in with a clear sealer. | 0:27:44 | 0:27:46 | |
We'll then cut the holes in for the speakers, | 0:27:46 | 0:27:48 | |
and we'll fit the modern-style mp3, and turn it into a player. | 0:27:48 | 0:27:53 | |
Well, price-wise, I'm hovering around about the... Maybe the £20 mark. | 0:27:53 | 0:27:57 | |
-That's what's in my mind. -I think £20... I think that's reasonable | 0:27:57 | 0:28:01 | |
and it's certainly something we can work with and make alive again. | 0:28:01 | 0:28:04 | |
The coolest bit of battered, vintage item that I've found | 0:28:04 | 0:28:08 | |
-has sold for £20... -Fantastic. -..and I will shake your hand, Matt. | 0:28:08 | 0:28:13 | |
So, Katherine's can gets a new life as an mp3 dock | 0:28:13 | 0:28:16 | |
and she pots £12 into her profit pot. | 0:28:16 | 0:28:19 | |
Meanwhile, Phil's travelled to the bright lights of London | 0:28:22 | 0:28:25 | |
in search of his next buyer and he's feeling rather grand. | 0:28:25 | 0:28:29 | |
BIG BEN CHIMES | 0:28:29 | 0:28:30 | |
I'm outside the Houses of Parliament. | 0:28:30 | 0:28:33 | |
Now, this has nothing to do with the fact that my parents | 0:28:33 | 0:28:36 | |
christened me Philip Martin, or "PM", Serrell, | 0:28:36 | 0:28:38 | |
and everything to do with the fact that I'm here to see railway buff, | 0:28:38 | 0:28:42 | |
the right honourable, the Lord Faulkner of Worcester, | 0:28:42 | 0:28:45 | |
who will hopefully buy my little bits of railway memorabilia. | 0:28:45 | 0:28:49 | |
PM Foxy. Now, there's a thought. | 0:28:49 | 0:28:52 | |
Now, Lord Faulkner, everyone knows that your daytime job | 0:28:52 | 0:28:56 | |
is Deputy Speaker in the House of Lords, | 0:28:56 | 0:28:58 | |
but what I bet all the people at home won't know, is that | 0:28:58 | 0:29:01 | |
you are a published authority on railway heritage. Correct? | 0:29:01 | 0:29:04 | |
-Yes, that's true. -So I've got a feeling that I'm going | 0:29:04 | 0:29:07 | |
to show you these two little books that I bought, | 0:29:07 | 0:29:10 | |
and you're going to tell me more about them than I already know. | 0:29:10 | 0:29:14 | |
I'll try. Well, Phil, these are very, very interesting and iconic... | 0:29:14 | 0:29:20 | |
-Really? -..little books. Yes. | 0:29:20 | 0:29:22 | |
I mean, they are among the very first spotter's guides | 0:29:22 | 0:29:27 | |
-produced by a company called Ian Allan. -Yep. | 0:29:27 | 0:29:30 | |
And Ian Allan, in the years immediately after the war, | 0:29:30 | 0:29:34 | |
saw that there was a demand for people who wanted to know | 0:29:34 | 0:29:39 | |
what was running on the railway. | 0:29:39 | 0:29:41 | |
If you're a collector of railway memorabilia | 0:29:41 | 0:29:43 | |
then these should be on your shelves. | 0:29:43 | 0:29:46 | |
-Are these plentiful? -No. -Are there tonnes of them around? -No. | 0:29:46 | 0:29:49 | |
I haven't seen pre-nationalisation ABC guides before. | 0:29:49 | 0:29:53 | |
Mm... Sounding good. Time to go for a big price, then. | 0:29:53 | 0:29:57 | |
Well, I'm going to tell you what I paid for them. | 0:29:57 | 0:30:00 | |
They cost me £5. £2.50 each. | 0:30:00 | 0:30:02 | |
Um, I'm not sure you should have told him that, Phil. | 0:30:02 | 0:30:05 | |
-Would you like to buy them? -Oh, I would, please, yes. | 0:30:05 | 0:30:07 | |
And the next question is, whatever you care to offer me, | 0:30:07 | 0:30:10 | |
I will accept because I know you're a fair man and that will be it. | 0:30:10 | 0:30:13 | |
-I'll offer you a tenner for them, certainly. -You're a gentleman. | 0:30:13 | 0:30:16 | |
Thank you very much indeed. | 0:30:16 | 0:30:18 | |
He may have doubled his money but that's just a fiver profit. | 0:30:18 | 0:30:21 | |
Did the fox make a schoolboy error | 0:30:21 | 0:30:23 | |
by admitting the purchase price? | 0:30:23 | 0:30:25 | |
It's not all about the money. | 0:30:27 | 0:30:28 | |
I'm really pleased because, in that instance, I sold those | 0:30:28 | 0:30:31 | |
to a man who's clearly an enthusiast, and that's just great. | 0:30:31 | 0:30:35 | |
Well, if you're happy then we're happy, Phil. | 0:30:36 | 0:30:39 | |
And that's his second sale done and dusted. | 0:30:39 | 0:30:41 | |
Across the country, Katherine the great is on her way to the pub. | 0:30:41 | 0:30:45 | |
Well, here I am at the George Inn in Somerset, Norton St Philip, | 0:30:46 | 0:30:50 | |
and it's still here, which is fantastic news. | 0:30:50 | 0:30:52 | |
I'm hoping to sell my lovely engraving to, | 0:30:52 | 0:30:55 | |
not only the owner of the pub itself, but the owner of the brewery. | 0:30:55 | 0:30:58 | |
I think he might rather like it. | 0:30:58 | 0:31:01 | |
She bought the picture, along with another, for a total of £8. | 0:31:01 | 0:31:05 | |
Time to unveil it to owner, Charles. | 0:31:05 | 0:31:08 | |
-Here we go. This is the moment. -Look at that. | 0:31:08 | 0:31:11 | |
-I think you will recognise what you're seeing. -Yes, absolutely. | 0:31:11 | 0:31:15 | |
-Isn't that lovely? -It has a tremendously long history. | 0:31:15 | 0:31:19 | |
Can you start me off where it began? | 0:31:19 | 0:31:21 | |
Well, it was certainly an ale house in 1397, but it, you know, | 0:31:21 | 0:31:25 | |
was also famous for the Monmouth Rebellion in 1685, | 0:31:25 | 0:31:30 | |
when Monmouth brought his rebels up against James II and, reputably, | 0:31:30 | 0:31:34 | |
he actually got shot at through the window, there. | 0:31:34 | 0:31:36 | |
-Can we see that in this? -Yeah. That's the one... It's the north. | 0:31:36 | 0:31:39 | |
-It's one of the oldest, which is that one, there. -Oh, my gosh. | 0:31:39 | 0:31:42 | |
-And it all happened in that room? -That room, there. | 0:31:42 | 0:31:44 | |
If it was just an engraving, without the signature, | 0:31:44 | 0:31:47 | |
I'd think of it differently but because it's signed by the artist, | 0:31:47 | 0:31:51 | |
and it's such an exquisite engraving, I'd like to, I suppose, | 0:31:51 | 0:31:55 | |
open my bidding, so to speak, at 200, 220, that sort of price mark. | 0:31:55 | 0:32:00 | |
-I would perhaps pay £100. -100. Can I edge you up a little bit? -Well... | 0:32:00 | 0:32:05 | |
-120? -If we said 130? -£130, and thank you. | 0:32:05 | 0:32:09 | |
I'm just delighted to have ended the journey here | 0:32:09 | 0:32:12 | |
and brought you a piece of history. | 0:32:12 | 0:32:14 | |
That is a fantastic result. | 0:32:14 | 0:32:17 | |
She then goes on to sell the remaining picture in an | 0:32:17 | 0:32:20 | |
online sale for just over £5. | 0:32:20 | 0:32:22 | |
And after taking out postage and fees, | 0:32:22 | 0:32:24 | |
makes a total profit of £122.60 for the two. | 0:32:24 | 0:32:29 | |
So, that's two sales each to our battling bounty hunters | 0:32:30 | 0:32:33 | |
but Katherine's taken the lead with the profits. | 0:32:33 | 0:32:38 | |
Back in Worcester, Phil's next sale has him hot under the collar. | 0:32:38 | 0:32:41 | |
I bought this a long way from home and that was fine | 0:32:43 | 0:32:47 | |
but now I'm wandering around my hometown holding a thing | 0:32:47 | 0:32:52 | |
for displaying another thing that covers ladies' bits. | 0:32:52 | 0:32:56 | |
I'm beginning to feel just a little bit... | 0:32:56 | 0:32:59 | |
Well, people are looking at me. | 0:32:59 | 0:33:01 | |
Oh, dear. Our red-faced fox skulks around the streets | 0:33:01 | 0:33:06 | |
trying to stay incognito. | 0:33:06 | 0:33:08 | |
Finally, he makes it into a vintage shop | 0:33:08 | 0:33:10 | |
and hurries in for cover with owner, Linda. | 0:33:10 | 0:33:13 | |
I have severely been embarrassed today cos I've been walking | 0:33:13 | 0:33:16 | |
round the streets of Worcester with this. | 0:33:16 | 0:33:18 | |
I mean... Anyway... So, how old do you think that is? | 0:33:18 | 0:33:21 | |
-I would say, sort of, perhaps '40s, '50s. -Really? | 0:33:21 | 0:33:24 | |
-It's clearly missing something here. -Yes. | 0:33:24 | 0:33:27 | |
I'm thinking it would have had a banner that would have said... | 0:33:27 | 0:33:30 | |
Advertising the make. | 0:33:30 | 0:33:31 | |
..Berlei or Playtex or whatever, and I was thinking that... | 0:33:31 | 0:33:34 | |
See this is where... You've got to be creative in my business. | 0:33:34 | 0:33:37 | |
I was thinking that you could have your shop name put across there, | 0:33:37 | 0:33:40 | |
-couldn't you? -Mm... Yes. -Yeah. | 0:33:40 | 0:33:42 | |
And "As handled by Philip Serrell," across the bottom. I thought that might be a selling feature. | 0:33:42 | 0:33:46 | |
Really? Hm... | 0:33:46 | 0:33:47 | |
I'd like to get as close to 60 quid as I could. | 0:33:47 | 0:33:51 | |
£40, I would have said was quite a nice price. | 0:33:51 | 0:33:53 | |
What about if we, sort of, met somewhere in the middle? | 0:33:53 | 0:33:56 | |
Perhaps we could do that cos it would be a nice piece in the window. | 0:33:56 | 0:33:59 | |
-People do love to look in my window. -I walk past it all the time. -Yes. | 0:33:59 | 0:34:04 | |
-So 50 quid? -Yeah. -You're an angel. | 0:34:04 | 0:34:07 | |
Phew. That's £35 profit but I think our blushing auctioneer | 0:34:07 | 0:34:11 | |
is just glad to be shot of it. | 0:34:11 | 0:34:14 | |
So, while Phil heads home to recover, | 0:34:14 | 0:34:16 | |
let's have a peek at the figures. | 0:34:16 | 0:34:19 | |
Phil has sold three of his five buys and banked himself £110 profit. | 0:34:19 | 0:34:24 | |
Katherine's only sold two items | 0:34:24 | 0:34:26 | |
but is out in front with £134.60 in her profit pot. | 0:34:26 | 0:34:32 | |
So it's a close-run race so far but with plenty of items left to sell, | 0:34:32 | 0:34:37 | |
there's everything to play for. | 0:34:37 | 0:34:39 | |
Katherine's next target is her bowling themed weather vane. | 0:34:39 | 0:34:43 | |
She's managed to track down a bowling club in Surrey | 0:34:43 | 0:34:46 | |
who haven't already got one. | 0:34:46 | 0:34:47 | |
But will club secretary, Stuart, play ball. | 0:34:47 | 0:34:50 | |
When I walked up, I noticed there was one thing missing on this | 0:34:50 | 0:34:54 | |
brand spanking new clubhouse. It's a weather vane. | 0:34:54 | 0:34:57 | |
I have to show you this because, personally, | 0:34:57 | 0:35:00 | |
I was totally drawn to it because of that inter-war feel. | 0:35:00 | 0:35:04 | |
-It's, sort of, 1930s, I think. -That is, really, very good. Excellent. | 0:35:04 | 0:35:09 | |
And it would be rather nice to put | 0:35:09 | 0:35:10 | |
on the end of our pavilion, there, wouldn't it? | 0:35:10 | 0:35:13 | |
-Stuart, I suppose it comes down to the price. -I think it does, yes. | 0:35:13 | 0:35:17 | |
I'm looking for something in the region of... | 0:35:17 | 0:35:19 | |
£40, £45, that sort of price range. | 0:35:19 | 0:35:22 | |
I was thinking of 30. | 0:35:22 | 0:35:24 | |
The fact is that it's a bit smaller than I would have liked. | 0:35:24 | 0:35:28 | |
It may be small but it is perfectly formed. | 0:35:28 | 0:35:30 | |
Would we be able to negotiate, perhaps, a £35 finishing point? | 0:35:32 | 0:35:36 | |
-I think we could do that. -Let's shake on 35. | 0:35:36 | 0:35:39 | |
-Shake on 35. -Thank you. -Yes. | 0:35:39 | 0:35:41 | |
Well, at just a fiver, that's Katherine's smallest profit yet. | 0:35:41 | 0:35:44 | |
But she doesn't seem to mind and jumps at the chance of a game. | 0:35:46 | 0:35:49 | |
-You have a go. -Oh, my gosh. -Yes, that's good. You're a natural. | 0:35:49 | 0:35:53 | |
-Oh... -So you've got the winner at the moment. -Ooh... | 0:35:56 | 0:36:00 | |
Ooh, you're not supposed to do that but it's going to be close. | 0:36:00 | 0:36:03 | |
Wow. | 0:36:03 | 0:36:05 | |
SHE CHEERS HE LAUGHS | 0:36:05 | 0:36:07 | |
Who knew our great lady was a budding bowler? | 0:36:07 | 0:36:10 | |
Is there no end to her talents? | 0:36:10 | 0:36:12 | |
Well, that was a great way to make a little bit of profit, | 0:36:12 | 0:36:15 | |
and I've come away with a membership form to join the bowling club. | 0:36:15 | 0:36:18 | |
Yes, no time for that now. | 0:36:18 | 0:36:20 | |
Our budding sportswoman heads off to bank some more cash | 0:36:20 | 0:36:24 | |
when she sells her collection of vintage tablecloths | 0:36:24 | 0:36:27 | |
to food writer, Sam, as a prop for her photoshoots. | 0:36:27 | 0:36:31 | |
I think I could certainly make use of these in the shoots. | 0:36:31 | 0:36:34 | |
At £25, they make her a tasty £20 profit. | 0:36:34 | 0:36:38 | |
Katherine is in the lead, | 0:36:38 | 0:36:40 | |
four sales to Foxy's three. | 0:36:40 | 0:36:42 | |
But, in Worcester, Phil's popped down the road | 0:36:42 | 0:36:45 | |
to a local menswear shop. | 0:36:45 | 0:36:47 | |
He's had a bright idea about those football boots. | 0:36:47 | 0:36:50 | |
Now, these boots, they are really, really old | 0:36:50 | 0:36:52 | |
but not as old as my tailor's because they've been in Worcester since the 18th century, | 0:36:52 | 0:36:56 | |
and I think these are going to look great dressing their window. | 0:36:56 | 0:37:00 | |
I just hope they think the same. | 0:37:00 | 0:37:02 | |
Having paid £50 for them, | 0:37:02 | 0:37:04 | |
will Phil be able to volley his profit into the back of the net? | 0:37:04 | 0:37:08 | |
WHISTLE BLOWS | 0:37:08 | 0:37:09 | |
-Have a look. -Wow. -They're archaic. | 0:37:09 | 0:37:11 | |
I was thinking of getting a felt-tip and putting "S Matthews" | 0:37:11 | 0:37:15 | |
on the bottom of them. | 0:37:15 | 0:37:16 | |
-Do we know how old they are? -Well, I don't know. | 0:37:16 | 0:37:19 | |
I think they might have been, sort of, 1930s. | 0:37:19 | 0:37:21 | |
And we're probably looking at these as being good for the window, | 0:37:21 | 0:37:24 | |
-do you think? -Well, that's what I was thinking. | 0:37:24 | 0:37:26 | |
I think they'd look great in one of your windows with, | 0:37:26 | 0:37:29 | |
I don't know, some colourful socks coming out of them, or whatever. | 0:37:29 | 0:37:32 | |
See, I can't go too far cos I could get a job here | 0:37:32 | 0:37:34 | |
as a window dresser and that's, you know... I'm just too busy. | 0:37:34 | 0:37:37 | |
-Um... -No. -Are they of interest to you? | 0:37:37 | 0:37:39 | |
I think they could be. Yes, they could be. | 0:37:39 | 0:37:41 | |
I'd like to try and get as close to 120 quid as I could for them. | 0:37:41 | 0:37:44 | |
-I am a retailer. -I'm not sure where this is going now. -Well... | 0:37:44 | 0:37:48 | |
-I've got a feeling it means I'm not going to get 120 quid. -Possibly. | 0:37:48 | 0:37:51 | |
-Yeah, yeah. Go on. -If we talked about £100. | 0:37:51 | 0:37:53 | |
-If you talked about £100 I'd shake your hand. -Would you? -Yeah, I would. | 0:37:53 | 0:37:57 | |
There you go. | 0:37:57 | 0:37:58 | |
That's a Premier League score for our star striker, | 0:37:58 | 0:38:01 | |
netting him £50 profit. | 0:38:01 | 0:38:03 | |
And with one item left to sell, | 0:38:04 | 0:38:06 | |
Phil heads to Lincolnshire to meet retro junk dealer, Jack. | 0:38:06 | 0:38:10 | |
He's taking his, what he thinks is unique, tannoy speaker, | 0:38:10 | 0:38:13 | |
hoping to make some money to shout about, | 0:38:13 | 0:38:16 | |
but only to discover it's not so unique. | 0:38:16 | 0:38:19 | |
-Jack, that's the same. -These were rare last week. -Yeah, and this week? | 0:38:21 | 0:38:26 | |
This week, not so good. | 0:38:26 | 0:38:28 | |
Now, I don't know what you think, Jack, | 0:38:28 | 0:38:30 | |
but I always think these things sell better in pairs. | 0:38:30 | 0:38:33 | |
-Oh, dear. Sometimes. -So, that's about 1950s, | 0:38:33 | 0:38:36 | |
-and it's been a PA system. -Yeah. -Who would be the buyer for these, then? | 0:38:36 | 0:38:40 | |
Film props, probably. They're just decorative. | 0:38:40 | 0:38:43 | |
Well, Jack. Are you going to buy it off me? | 0:38:43 | 0:38:46 | |
-How much do you want for it? -I was thinking it was worth 100 quid. | 0:38:46 | 0:38:49 | |
Yeah? You have got a very vivid imagination, Phil. | 0:38:49 | 0:38:53 | |
-I'd go... -Let me just stop you. -Right, go on, then. | 0:38:55 | 0:38:58 | |
I know you are a very fair man, right. | 0:38:58 | 0:39:00 | |
You just make me your best offer and I'll take it. | 0:39:00 | 0:39:03 | |
Yes, because that strategy worked so well with the railway books. | 0:39:03 | 0:39:08 | |
-£75, Phil. -You're a gentleman, Jack. I said I'd take it. | 0:39:08 | 0:39:11 | |
-Just a question now. How much is that one? -125, about. Oh, Jack. | 0:39:11 | 0:39:16 | |
-How did... -This one's not so good because... -Shut up, Jack. Shut up. | 0:39:18 | 0:39:21 | |
Mm... Now, now. Manners. | 0:39:23 | 0:39:24 | |
It's a final £35 profit and our fox scampers over the finish line. | 0:39:24 | 0:39:30 | |
Well, that's me sold up and I've almost doubled my money on that. | 0:39:30 | 0:39:34 | |
Can you hear me, Katherine? | 0:39:34 | 0:39:36 | |
Um, she's hundreds of miles away in London, Phil. | 0:39:38 | 0:39:41 | |
And if the bra stand made our fox blush, | 0:39:41 | 0:39:43 | |
it's a good thing he isn't here for this. | 0:39:43 | 0:39:45 | |
Well, I've come to London, to the Hippodrome Casino | 0:39:45 | 0:39:48 | |
to meet its founder, Jimmy Thomas. They put on loads of burlesque shows | 0:39:48 | 0:39:52 | |
and I think this feather boa could be just the thing for them. | 0:39:52 | 0:39:55 | |
Remember, it cost our fashionista £20 to buy and after a sneak preview | 0:39:57 | 0:40:01 | |
of the show from dancer, Polly Rae, it's time to talk business. | 0:40:01 | 0:40:06 | |
I have brought you something that I think will be | 0:40:06 | 0:40:10 | |
just the ticket for Miss Polly Rae to wear in her next show. | 0:40:10 | 0:40:14 | |
What do you think of that? | 0:40:14 | 0:40:15 | |
-Oh, this is beautiful. -I'm longing to put it on you. Does it... | 0:40:15 | 0:40:19 | |
-You see, there you go. -I want to go home in it. -Oh. | 0:40:19 | 0:40:22 | |
-It's beautiful. -I found it at an antiques fair | 0:40:22 | 0:40:25 | |
and I think it's post-war | 0:40:25 | 0:40:27 | |
and it's made from cock feathers so they are... | 0:40:27 | 0:40:30 | |
They have that natural iridescence to them. | 0:40:30 | 0:40:32 | |
She would love it if she would dance in that. | 0:40:37 | 0:40:39 | |
When I bought it, I just thought "It has to go to the best | 0:40:39 | 0:40:42 | |
-"burlesque dancer in the world." -Well, she is number one in London. | 0:40:42 | 0:40:46 | |
So, in terms of price, I'm going to start high and be ambitious here, | 0:40:46 | 0:40:49 | |
but I'm thinking around about £100 and see what happens. | 0:40:49 | 0:40:54 | |
Well, let's say, for Polly, I'll pay £100. It's beautiful. | 0:40:54 | 0:40:57 | |
-Shall we shake on that? -Yeah. | 0:40:57 | 0:40:59 | |
-Or shall we shimmy on that, I should say. -Why not? | 0:40:59 | 0:41:03 | |
She's done it. | 0:41:04 | 0:41:05 | |
So Katherine dances over the finish line with £80 profit. | 0:41:05 | 0:41:09 | |
You're missing out, Phil. | 0:41:12 | 0:41:14 | |
Aah, if only he knew. | 0:41:15 | 0:41:17 | |
That's both our experts sold up, | 0:41:17 | 0:41:19 | |
but who'll be on the winner's podium and who'll be left for dust. | 0:41:19 | 0:41:23 | |
Let's first remind ourselves of what they spent at the fair. | 0:41:23 | 0:41:27 | |
Both our experts took £750 of their own money to Donington. | 0:41:27 | 0:41:31 | |
Phil bought five items and spent £190. | 0:41:31 | 0:41:34 | |
Katherine also bagged herself five items, but spent a titchy £71. | 0:41:36 | 0:41:41 | |
But now it's all a matter of profit and selling prowess. | 0:41:41 | 0:41:45 | |
All of the money that Phil and Katherine have | 0:41:45 | 0:41:47 | |
made from today's challenge will go to the charities of their choice. | 0:41:47 | 0:41:51 | |
So, let's find out who is today's | 0:41:51 | 0:41:53 | |
Put Your Money Where Your Mouth Is champion. | 0:41:53 | 0:41:56 | |
-Hi, lovely. -Well, this is a sporting entrance from you. -How are you? | 0:41:56 | 0:42:00 | |
Well, the chequered flag should be waving. I had such a nice time. | 0:42:00 | 0:42:04 | |
-How about you? -I loved it. Let's talk about the experience. | 0:42:04 | 0:42:07 | |
What was the best bit for you? | 0:42:07 | 0:42:09 | |
The best bit, for me, was being in the Hippodrome | 0:42:09 | 0:42:12 | |
-and watching the most amazing burlesque show. -Really? -Yeah. | 0:42:12 | 0:42:15 | |
-You didn't ask me to come? -Well, you see, | 0:42:15 | 0:42:17 | |
you were busy doing something else. | 0:42:17 | 0:42:19 | |
-What were you busy doing? -Well, country boy goes to London. | 0:42:19 | 0:42:22 | |
I got to sell something to the Deputy Speaker | 0:42:22 | 0:42:26 | |
of the House of Lords. | 0:42:26 | 0:42:27 | |
-Really? -Outside the Houses of Parliament, Big Ben, doing a sale. | 0:42:27 | 0:42:31 | |
You and your friends. Goodness me. What a contacts list. | 0:42:31 | 0:42:34 | |
Well, come on, time tells. Let's have a look. | 0:42:34 | 0:42:36 | |
-OK. -Who's going to count? | 0:42:36 | 0:42:38 | |
-Three. -Two. -Two. | 0:42:38 | 0:42:39 | |
-One. Go! -Go! | 0:42:39 | 0:42:42 | |
Ooh! Gosh! | 0:42:42 | 0:42:44 | |
-I did not expect that at all. -I'm really pleased for you. | 0:42:44 | 0:42:49 | |
Come on. Let's go and um... | 0:42:49 | 0:42:52 | |
celebrate! | 0:42:52 | 0:42:54 | |
So Katherine walks away the winner after an impressive display | 0:42:54 | 0:42:58 | |
of treasure-hunting and profit pioneering. | 0:42:58 | 0:43:01 | |
It's all about what you buy and not how much you spend. | 0:43:01 | 0:43:05 | |
Remember, Phil, I spent half of what you did | 0:43:05 | 0:43:07 | |
but I made that little bit extra profit. | 0:43:07 | 0:43:10 | |
They say that winning is habit-forming. | 0:43:10 | 0:43:13 | |
Well, in this instance, so is losing. | 0:43:13 | 0:43:16 | |
But Phil gets another chance at the top spot tomorrow, | 0:43:16 | 0:43:19 | |
when they head to a car-boot sale in Sussex. | 0:43:19 | 0:43:23 | |
HORN BEEPS | 0:43:23 | 0:43:24 |