Browse content similar to Katherine Higgins v Phil Serrell - Car Boot. Check below for episodes and series from the same categories and more!
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This is Put Your Money Where Your Mouth Is. | 0:00:02 | 0:00:03 | |
The show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:10 | |
That could present a problem for me. | 0:00:10 | 0:00:12 | |
..giving you the insider's view of the trade. | 0:00:12 | 0:00:15 | |
PHIL GROWLS | 0:00:15 | 0:00:17 | |
Each week, one pair of duelling dealers will face | 0:00:17 | 0:00:20 | |
a different daily challenge. | 0:00:20 | 0:00:22 | |
I've got a heavy profit here. | 0:00:22 | 0:00:24 | |
Putting their reputations on the line... | 0:00:24 | 0:00:27 | |
I wasn't a Girl Guide for nothing. | 0:00:27 | 0:00:29 | |
..and giving you their top tips and savvy secrets... | 0:00:31 | 0:00:34 | |
Let's make hay while that sun shines. | 0:00:34 | 0:00:37 | |
..on how to make the most money from buying and selling. | 0:00:37 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:41 | |
Today, we have a right pair of bright-eyed bushy-tailed | 0:00:42 | 0:00:45 | |
battlers as Phil "The Fox" Serrell takes on vixen of the vintage, | 0:00:45 | 0:00:49 | |
Katherine "The Great" Higgins. | 0:00:49 | 0:00:52 | |
Coming up... Phil finds the noisy end of a car. | 0:00:52 | 0:00:54 | |
I think it's quite a fun thing that. | 0:00:54 | 0:00:56 | |
HONKS HORN | 0:00:56 | 0:00:58 | |
Katherine gets more than she bargained for... | 0:00:58 | 0:01:00 | |
-He's going to take me to the pub. -But not now. | 0:01:00 | 0:01:03 | |
A date later. | 0:01:03 | 0:01:04 | |
..and Phil considers a makeover. | 0:01:04 | 0:01:08 | |
No, no. | 0:01:08 | 0:01:10 | |
This is Put Your Money Where Your Mouth Is. | 0:01:10 | 0:01:12 | |
Welcome, foraging fanatics | 0:01:26 | 0:01:28 | |
and antiques enthusiasts everywhere to another | 0:01:28 | 0:01:31 | |
collision of the collectables, as two giants of the trade | 0:01:31 | 0:01:34 | |
go head-to-head, fist to fist and nose to grindstone in | 0:01:34 | 0:01:38 | |
a buying and selling battle in which the only way is profit. | 0:01:38 | 0:01:42 | |
Up today, an iron lady who's as stylish as she's competitive. | 0:01:43 | 0:01:48 | |
It's the reigning queen of collectables, | 0:01:48 | 0:01:50 | |
it's... | 0:01:50 | 0:01:52 | |
I'm going to be in the right place at the right time. | 0:01:55 | 0:01:58 | |
And leading the coup against her is a rebel with a cause. | 0:01:58 | 0:02:01 | |
Eager to take down anyone who stands in the way of a good profit, | 0:02:01 | 0:02:05 | |
it's... | 0:02:05 | 0:02:06 | |
Get in there and get it bought quickly. | 0:02:08 | 0:02:10 | |
Today's battle of the bargains takes place at | 0:02:10 | 0:02:12 | |
Ford Airfield car-boot sale in West Sussex, | 0:02:12 | 0:02:15 | |
where our crusaders of the curio have £250 of their own money | 0:02:15 | 0:02:20 | |
to buy, sell and make a profit for their chosen charity and, | 0:02:20 | 0:02:24 | |
more importantly, beat their rival. | 0:02:24 | 0:02:26 | |
Yes, Katherine Higgins and Phil Serrell, | 0:02:26 | 0:02:29 | |
it's time to Put Your Money Where Your Mouth Is. | 0:02:29 | 0:02:33 | |
Hello, lovely, how are you? | 0:02:33 | 0:02:35 | |
-Oh, bright and early in the morning. -Oh, goodness me. | 0:02:35 | 0:02:38 | |
-And we're ready to go with our £250. -£250. | 0:02:38 | 0:02:42 | |
Well, I'm quite looking forward to this because I know most of these | 0:02:42 | 0:02:45 | |
dealers personally. They always bring nice things down for me. | 0:02:45 | 0:02:47 | |
I've got insider knowledge too. I was last here when I was six. | 0:02:47 | 0:02:51 | |
-Really? -Yes. -In pig tails? | 0:02:51 | 0:02:53 | |
Yeah, pig tails, playing on the beach, all that sort of stuff. | 0:02:53 | 0:02:55 | |
Well, listen, I'm going to go because there's my friend Eric | 0:02:55 | 0:02:58 | |
over there and this place is supposed to be rammed with cars... | 0:02:58 | 0:03:00 | |
I'll be back in a minute. | 0:03:00 | 0:03:02 | |
I'm already on the losing foot. | 0:03:02 | 0:03:04 | |
Hmm, Phil there doing his best to wrong foot his opponent. | 0:03:05 | 0:03:08 | |
Hoping to panic her into an early mistake maybe. | 0:03:08 | 0:03:12 | |
But other than the mind games, | 0:03:12 | 0:03:14 | |
what does the old fox make of today's challenge? | 0:03:14 | 0:03:17 | |
There are car-boots and there are car-boots | 0:03:17 | 0:03:20 | |
and I think this one is one of the best. | 0:03:20 | 0:03:22 | |
I've got £250, | 0:03:22 | 0:03:24 | |
I'm going to try and make a really big hole in that. | 0:03:24 | 0:03:27 | |
So with Phil looking to make a big dent, | 0:03:27 | 0:03:30 | |
has he succeed in putting the wind up Katherine? | 0:03:30 | 0:03:33 | |
I must say, I'm feeling quite relaxed. | 0:03:33 | 0:03:36 | |
I'm feeling that my strategy is going to be | 0:03:36 | 0:03:38 | |
calm, cool and collected. | 0:03:38 | 0:03:41 | |
Phil's out there, running around like a mad thing. | 0:03:41 | 0:03:44 | |
I'm just playing it cool. | 0:03:44 | 0:03:46 | |
Hmm, will it be Phil's dogged determination or Katherine's | 0:03:46 | 0:03:49 | |
cucumber coolness that wins in the end? | 0:03:49 | 0:03:52 | |
As Phil gets chummy with the market owners, | 0:03:52 | 0:03:55 | |
Katherine spies a van opening and gets into place, | 0:03:55 | 0:03:58 | |
hoping to discover the treasures which lie within. | 0:03:58 | 0:04:01 | |
It's very, very exciting. | 0:04:01 | 0:04:04 | |
I've just found this lovely little watercolour of a local scene. | 0:04:04 | 0:04:08 | |
Great church with 15th century additions | 0:04:08 | 0:04:13 | |
and the Star pub next door to it. | 0:04:13 | 0:04:16 | |
Goodness knows where it is. | 0:04:16 | 0:04:18 | |
On the back, Old Heathfield Church and the Star. | 0:04:18 | 0:04:21 | |
-Can I snap that up? -Yep. | 0:04:21 | 0:04:24 | |
-For pennies. -For pennies. -I've got no idea... | 0:04:24 | 0:04:27 | |
-I mean, I'm presuming it's here, isn't it? -A watercolour. | 0:04:27 | 0:04:30 | |
-Is that local? -Yes. | 0:04:30 | 0:04:32 | |
-Do you know the scene? Can you take me to that pub? -Yeah, I can, yeah. | 0:04:32 | 0:04:35 | |
-He's going to take me to the pub. -But not now. | 0:04:35 | 0:04:37 | |
A date later. | 0:04:37 | 0:04:39 | |
Hold on, you're meant to be setting up sales, not dates. | 0:04:39 | 0:04:43 | |
But it's not a great artist. | 0:04:43 | 0:04:45 | |
-Not a great artist, lovely little frame though. -I like sheep. | 0:04:45 | 0:04:48 | |
Give us a tenner for it. | 0:04:48 | 0:04:50 | |
-Oh, no, I can't that's too... -That's cheap. -Oh, no, that's not cheap. | 0:04:50 | 0:04:53 | |
-No, no, I can't do that. Unless, five? -Give us seven quid. | 0:04:53 | 0:04:58 | |
£7, there you go, £7. | 0:04:58 | 0:05:00 | |
Katherine's on a real charm offensive | 0:05:00 | 0:05:02 | |
and it's definitely working, | 0:05:02 | 0:05:04 | |
as the seller produces a vintage wedding dress. | 0:05:04 | 0:05:07 | |
Hold on, where's this going? | 0:05:07 | 0:05:09 | |
OK, I'll have that for £2 then. | 0:05:09 | 0:05:11 | |
-Not for -£2. Yeah, yeah, -£2. I owe you two quid, you're not... | 0:05:11 | 0:05:14 | |
-£2! What a silk wedding dress for -£2? Well... | 0:05:14 | 0:05:18 | |
Oh, now they're arguing like an old married couple. | 0:05:18 | 0:05:20 | |
But they settle on a price of £8 | 0:05:20 | 0:05:22 | |
and Katherine steps to the side to take another look at that dress. | 0:05:22 | 0:05:27 | |
I think it shows quite a lot of the hallmarks of post-war design. | 0:05:27 | 0:05:32 | |
I mean, it was a period where fabric | 0:05:32 | 0:05:36 | |
was still on the rations, | 0:05:36 | 0:05:38 | |
so you had to use what you could. | 0:05:38 | 0:05:40 | |
It has got a fine, fine almost damask style pattern running | 0:05:40 | 0:05:44 | |
through it and that's rather attractive. | 0:05:44 | 0:05:47 | |
The other thing that's very appealing is the condition. | 0:05:47 | 0:05:49 | |
Wrapped in its plastic, that was a great thing | 0:05:49 | 0:05:52 | |
and the size is really good. | 0:05:52 | 0:05:54 | |
It's a nice waistline, | 0:05:54 | 0:05:55 | |
probably equivalent to a size 10-12 today, something like that. | 0:05:55 | 0:06:00 | |
Perfect for the bride-to-be. | 0:06:00 | 0:06:02 | |
Am I going to be on time for that wedding? | 0:06:02 | 0:06:04 | |
I don't know but I'm going to try jolly hard to get there. | 0:06:04 | 0:06:07 | |
Katherine has two purchases under her belt | 0:06:07 | 0:06:10 | |
and wedding plans in the offing, so Phil had better get a move on, | 0:06:10 | 0:06:13 | |
if he wants to avoid being left on the shelf. | 0:06:13 | 0:06:17 | |
Luckily, he's spotted a chimney that he hopes might stack up a profit. | 0:06:17 | 0:06:22 | |
How much was that? | 0:06:22 | 0:06:24 | |
Is that the best on him? | 0:06:24 | 0:06:26 | |
Is that right? | 0:06:26 | 0:06:28 | |
That wasn't an answer to the question, was it? | 0:06:28 | 0:06:29 | |
Eh? Well, not £50. | 0:06:29 | 0:06:32 | |
You've got a chink out here, look. | 0:06:32 | 0:06:34 | |
I was thinking, like, 30, 35 quid for it. | 0:06:34 | 0:06:36 | |
That would be the finish really. | 0:06:38 | 0:06:40 | |
Thank you very much indeed. | 0:06:40 | 0:06:42 | |
I'd better give you some money. | 0:06:42 | 0:06:43 | |
All I need now is a few bricks, some tiles, a door and some windows | 0:06:43 | 0:06:47 | |
and I've got myself a house. | 0:06:47 | 0:06:49 | |
Now, you look at this and you're seeing a chimney but I'm not. | 0:06:49 | 0:06:53 | |
I'm looking at this as a garden feature. | 0:06:53 | 0:06:54 | |
I can see this in someone's garden with all sorts of busy lizzies | 0:06:54 | 0:06:58 | |
and other flowers just cascading out of the top. | 0:06:58 | 0:07:01 | |
I think it's a really, really cool thing. | 0:07:01 | 0:07:03 | |
Now, it's probably turn of the last century. | 0:07:03 | 0:07:07 | |
It's stoneware and it's salt glaze. | 0:07:07 | 0:07:10 | |
What I love is the transition between industrial and decorative because you | 0:07:10 | 0:07:15 | |
think of Royal Doulton Stoneware, | 0:07:15 | 0:07:17 | |
you get glaze jugs, mugs, that type of thing. | 0:07:17 | 0:07:21 | |
But you also get drainpipes and chimneypots | 0:07:21 | 0:07:24 | |
and I love that crossover. | 0:07:24 | 0:07:26 | |
This has cost me £35 | 0:07:26 | 0:07:29 | |
and I think it's going to be just the best garden feature | 0:07:29 | 0:07:32 | |
you could see. | 0:07:32 | 0:07:33 | |
Ah, Phil's on top of the world with his chimney and on a high, | 0:07:33 | 0:07:36 | |
swoops in on what looks like a set of mid-century liberty tables. | 0:07:36 | 0:07:40 | |
How much are they? | 0:07:40 | 0:07:42 | |
-Worth a tenner. -A tenner. There you are, my friend. | 0:07:42 | 0:07:45 | |
-Thank you very much indeed. -Thank you very much, cheers. | 0:07:45 | 0:07:47 | |
Hmm, but on closer inspection it seems Phil may have been | 0:07:47 | 0:07:50 | |
a little hasty. | 0:07:50 | 0:07:52 | |
Do you know, from a distance those actually look really, really | 0:07:52 | 0:07:56 | |
nice things. | 0:07:56 | 0:07:57 | |
Sort of turn of the century, Islamic, Liberty influence. | 0:07:57 | 0:08:02 | |
But the thing is, buying antiques is not unlike marriage, | 0:08:03 | 0:08:08 | |
you do it in haste and you repent at leisure. | 0:08:08 | 0:08:11 | |
Turn of the century? | 0:08:15 | 0:08:18 | |
Turn of the last century, not the one before. | 0:08:18 | 0:08:20 | |
Gopping. | 0:08:22 | 0:08:24 | |
Certainly not a word you want to be using at this stage but the pressure | 0:08:29 | 0:08:32 | |
of this challenge does sometimes lead to mistakes being made. | 0:08:32 | 0:08:36 | |
After Phil's table error, | 0:08:36 | 0:08:38 | |
he will presumably be introducing a bit more caution to proceedings, | 0:08:38 | 0:08:42 | |
maybe he'll be after something subtle, something delicate. | 0:08:42 | 0:08:45 | |
HORN BEEPS | 0:08:45 | 0:08:46 | |
Or maybe he'll get his hands on a whopping big car horn. | 0:08:46 | 0:08:49 | |
How old is it? | 0:08:49 | 0:08:51 | |
Looks like 1930s. It's English. | 0:08:51 | 0:08:54 | |
-You see, I'd love to give you 30 quid for this really. -I'm sure you would. | 0:08:54 | 0:08:57 | |
THE SELLER LAUGHS | 0:08:57 | 0:08:59 | |
I'll do 32 for you. | 0:08:59 | 0:09:02 | |
There we are. Thank you very much indeed. | 0:09:02 | 0:09:05 | |
Why have I bought this? Well, I think it's quite a cool thing. | 0:09:05 | 0:09:08 | |
It's an old bulb car horn. | 0:09:08 | 0:09:11 | |
HONKS HORN | 0:09:11 | 0:09:13 | |
And I know a few people who've got a few cars | 0:09:13 | 0:09:16 | |
and the nice thing about it is that it's English. | 0:09:16 | 0:09:19 | |
How do you know it's English? | 0:09:19 | 0:09:20 | |
Well, if you think about it logically, | 0:09:20 | 0:09:23 | |
an English car is right-hand drive and this, | 0:09:23 | 0:09:25 | |
with that bracket there, fits on the outside of a right-hand drive car. | 0:09:25 | 0:09:30 | |
If it was from an American or left-hand drive car, it would | 0:09:30 | 0:09:33 | |
be on that side and the bracket would be in a different place. | 0:09:33 | 0:09:35 | |
I'm guessing in terms of age it's probably 1930s | 0:09:35 | 0:09:38 | |
but I think it's quite a fun thing that. | 0:09:38 | 0:09:40 | |
HONKS HORN | 0:09:40 | 0:09:42 | |
So Phil's happy with his horn, | 0:09:42 | 0:09:44 | |
while Katherine is hoping she might have found the next | 0:09:44 | 0:09:46 | |
piece of this purchasing puzzle in a box of Edwardian jigsaws. | 0:09:46 | 0:09:51 | |
I was wondering what they looked like when they were made-up and there they are there, actually. | 0:09:51 | 0:09:55 | |
Yeah, that's the six pictures. | 0:09:55 | 0:09:57 | |
-Isn't that lovely? -Yeah. They're all there. -Did you do it? -Yes. | 0:09:57 | 0:09:59 | |
-Did you put them together? God. -They all just clicked in together. | 0:09:59 | 0:10:02 | |
-How long did it take? -It wasn't too bad | 0:10:02 | 0:10:05 | |
because they're actually different colours on the back. | 0:10:05 | 0:10:08 | |
-Oh, right, so you can... -So, I could sort them... | 0:10:08 | 0:10:10 | |
-Oh, isn't that brilliant? -Yeah. | 0:10:10 | 0:10:12 | |
-Gosh, that's clever, isn't it? -There's 15 pieces in each one. | 0:10:12 | 0:10:15 | |
Why don't they make puzzles like that now? | 0:10:15 | 0:10:18 | |
-That's obviously the six styles. -Yeah, how much do you want for those? | 0:10:18 | 0:10:22 | |
-That's a really nice... -I'm asking £10 for the lot. | 0:10:22 | 0:10:24 | |
OK, em, what about 6-ish? | 0:10:24 | 0:10:29 | |
That's a bit tight for me. Eight would get it. | 0:10:29 | 0:10:31 | |
-OK, -£8. Yep. | 0:10:31 | 0:10:33 | |
It's the jigsaw puzzle | 0:10:33 | 0:10:36 | |
from the great hand and the great company of Ernest Nister, | 0:10:36 | 0:10:39 | |
who was a German firm, pre to WW1. | 0:10:39 | 0:10:44 | |
It was very popular to buy toys that were designed by German firms | 0:10:44 | 0:10:48 | |
and they were known for their quality, | 0:10:48 | 0:10:51 | |
quality lithographic printing. Very kindly the man sorted it all out. | 0:10:51 | 0:10:54 | |
So we do know it is complete, it's got six images of birds. | 0:10:54 | 0:11:01 | |
It's a memory of how children played in the past | 0:11:01 | 0:11:04 | |
and I think that's quite captivating. | 0:11:04 | 0:11:07 | |
So with chimneys, paintings, wedding dresses and car horns, | 0:11:07 | 0:11:11 | |
our battling buyers are picking up an extremely puzzling | 0:11:11 | 0:11:14 | |
collection of sellables. | 0:11:14 | 0:11:16 | |
So let's see how our experts are getting on. | 0:11:16 | 0:11:19 | |
Both Phil and Katherine started the day with £250 to spend. | 0:11:20 | 0:11:24 | |
Phil has bought three items totalling £77, | 0:11:24 | 0:11:28 | |
meaning he has £173 still burning a hole in his pocket. | 0:11:28 | 0:11:33 | |
Katherine also has three purchases but has only spent £23, | 0:11:33 | 0:11:37 | |
leaving her with £227 to spend. | 0:11:37 | 0:11:40 | |
And so, before this tussle continues, | 0:11:42 | 0:11:45 | |
our tenacious two come together for a tete-a-tete. | 0:11:45 | 0:11:48 | |
So how are you getting on? | 0:11:48 | 0:11:49 | |
Well, I've got this budget and I should be spending money but I'm finding it really hard. | 0:11:49 | 0:11:53 | |
-Well, I'm, sort of, spending it. -What have you bought? | 0:11:53 | 0:11:55 | |
Well, I am regretting something. | 0:11:55 | 0:11:57 | |
-Oh, what? -Well, I bought something and I think it was probably a mistake. -OK. | 0:11:57 | 0:12:01 | |
In fact I don't think it was probably a mistake, I know it was a mistake. | 0:12:01 | 0:12:05 | |
It was a mistake. Have you spent loads? | 0:12:05 | 0:12:08 | |
-More than you. -Oh, gosh. | 0:12:08 | 0:12:11 | |
Hmm, Katherine there doing a good job of looking concerned about Phil's plight | 0:12:11 | 0:12:15 | |
But don't forget, every mistake he makes brings her that | 0:12:15 | 0:12:18 | |
little bit closer to victory. | 0:12:18 | 0:12:21 | |
I'd say Phil was a worried man and, kind of, hearing what | 0:12:21 | 0:12:25 | |
he was talking about, I think he probably should be too. | 0:12:25 | 0:12:29 | |
She's spent pence, I've spent pounds | 0:12:29 | 0:12:31 | |
and the problem comes, she'll turn her pence into pounds, | 0:12:31 | 0:12:35 | |
I could turn my pounds into pence. | 0:12:35 | 0:12:39 | |
Hmm, but things are soon looking up for Phil as he spots a red coat | 0:12:39 | 0:12:42 | |
being sold by a jolly bearded chap. | 0:12:42 | 0:12:45 | |
Could it be? Erm, maybe not. | 0:12:45 | 0:12:48 | |
So how much of it is original? | 0:12:48 | 0:12:51 | |
The tunic itself is original. | 0:12:51 | 0:12:53 | |
And does it come with trousers? | 0:12:53 | 0:12:55 | |
The trousers go with it, yeah. You can feel there, they're heavy quality ones. | 0:12:55 | 0:12:59 | |
OK. | 0:12:59 | 0:13:01 | |
-And how much was it? -I had 65 but 50. | 0:13:01 | 0:13:05 | |
-They have been put on, probably for fancy dress... -OK. | 0:13:05 | 0:13:08 | |
..because the button there, which is where the belt goes, should be flat. | 0:13:08 | 0:13:11 | |
-Right, and those have got nothing to do with it... -No. -..and those have nothing to do with it. | 0:13:11 | 0:13:15 | |
So all I'm buying is a red tunic, isn't it? | 0:13:15 | 0:13:17 | |
Well, you get those bits and you get the trousers too. | 0:13:17 | 0:13:20 | |
-I mean, you'd look good in those. -Yeah, yeah. | 0:13:20 | 0:13:23 | |
You see, I look at that and I think it's, like, 25/30 quid's worth. | 0:13:23 | 0:13:26 | |
That's what I think. | 0:13:26 | 0:13:28 | |
It actually owes me £36. | 0:13:30 | 0:13:32 | |
My best on that is 30 quid. | 0:13:32 | 0:13:36 | |
The first loss is the best, my friend. | 0:13:36 | 0:13:39 | |
-Unfortunately, you're right. I'll take it. -You're a gentleman. | 0:13:39 | 0:13:41 | |
Thank you very much indeed. | 0:13:41 | 0:13:43 | |
There's a couple of expressions in this business, mishmash, | 0:13:43 | 0:13:46 | |
marriage and there's another slightly ruder one which | 0:13:46 | 0:13:48 | |
all could be applied to this tunic. | 0:13:48 | 0:13:51 | |
But it was 30 quid. | 0:13:51 | 0:13:53 | |
All I need to do now is find somebody who likes dressing up. | 0:13:53 | 0:13:58 | |
Having so far bought a mishmash of items, | 0:13:58 | 0:14:00 | |
Phil now appears to have bought a mismatched item. | 0:14:00 | 0:14:03 | |
Oh, dear. | 0:14:03 | 0:14:05 | |
Katherine will be pleased though, she's a woman | 0:14:05 | 0:14:07 | |
with a competitive edge. Having already picked up one game, | 0:14:07 | 0:14:11 | |
she's now found a ping-pong set. | 0:14:11 | 0:14:13 | |
This caught my eye. | 0:14:13 | 0:14:15 | |
I kind of remember playing with a set very similar to this | 0:14:15 | 0:14:18 | |
and who didn't really | 0:14:18 | 0:14:20 | |
when table tennis was something you'd attach to your table? | 0:14:20 | 0:14:23 | |
You didn't buy a specially made table, | 0:14:23 | 0:14:26 | |
you actually attached this net | 0:14:26 | 0:14:29 | |
with these clamps and then you were away. | 0:14:29 | 0:14:34 | |
You could be a table tennis champion. | 0:14:34 | 0:14:37 | |
Hello. | 0:14:37 | 0:14:38 | |
Are you a table tennis champion at heart? | 0:14:38 | 0:14:40 | |
No. Definitely not. | 0:14:40 | 0:14:44 | |
The only thing about this is what's missing? | 0:14:44 | 0:14:47 | |
We can't play it, can we? | 0:14:47 | 0:14:48 | |
-Oh, balls. -I know. | 0:14:48 | 0:14:50 | |
-Huh! What did she say? -Missing balls. -I know! | 0:14:50 | 0:14:53 | |
-Oh, right. -Still, that should keep the price down. | 0:14:53 | 0:14:56 | |
So price-wise, three pounds? | 0:14:56 | 0:14:58 | |
-Yep, that's fine. -Yeah, OK. | 0:14:58 | 0:15:01 | |
I'm very excited. This is what our children today should be playing | 0:15:01 | 0:15:05 | |
instead of computer games. | 0:15:05 | 0:15:07 | |
It's lovely to have them, you know, | 0:15:07 | 0:15:09 | |
round a table playing some table tennis. | 0:15:09 | 0:15:13 | |
Where it's going to go, | 0:15:13 | 0:15:14 | |
I don't quite know yet but who couldn't resist that? | 0:15:14 | 0:15:18 | |
So with Katherine buying incomplete items for less than | 0:15:18 | 0:15:21 | |
a pint of beer, Phil is looking at a larger round of purchases, | 0:15:21 | 0:15:25 | |
as he's drawn to a decorative mug and a white stone box. | 0:15:25 | 0:15:29 | |
The only stumbling block, the price. | 0:15:29 | 0:15:32 | |
My issue with these, right, governor, is I'm going to get | 0:15:32 | 0:15:35 | |
what you're are asking for them. | 0:15:35 | 0:15:37 | |
I'm going to get 35/45 quid for that | 0:15:37 | 0:15:40 | |
and I'm going to get, hopefully, 50 or 60 quid for that. | 0:15:40 | 0:15:44 | |
OK, which means I've got to give you for the two, | 0:15:44 | 0:15:48 | |
somewhere between 40 and 50 quid. | 0:15:48 | 0:15:50 | |
I'll give you 60 quid for the two. | 0:15:54 | 0:15:58 | |
£62.50 then. | 0:15:59 | 0:16:00 | |
LAUGHTER | 0:16:00 | 0:16:02 | |
There you are. You're a gentleman, thank you. | 0:16:02 | 0:16:05 | |
With two buys in the bag, | 0:16:07 | 0:16:08 | |
Phil also spots a brass letter opener on the stall | 0:16:08 | 0:16:11 | |
and spends a further £7.50 on it, | 0:16:11 | 0:16:14 | |
rounding the total spend to £70. | 0:16:14 | 0:16:17 | |
This is a really interesting mug, | 0:16:17 | 0:16:19 | |
late 19th-century, probably about 1880/1890, something like that. | 0:16:19 | 0:16:23 | |
If you turn it upside down, that, for all the world, | 0:16:23 | 0:16:26 | |
looks like it should be Chinese. | 0:16:26 | 0:16:28 | |
By that we mean made in China with this wonderful armorial | 0:16:28 | 0:16:31 | |
family crest on the front | 0:16:31 | 0:16:33 | |
and exported to Europe. | 0:16:33 | 0:16:35 | |
But the thing is, it's not Chinese. | 0:16:35 | 0:16:37 | |
This, sort of, fake Chinese mark | 0:16:37 | 0:16:40 | |
actually is produced by the Samson of Paris factory. | 0:16:40 | 0:16:45 | |
So that's where it was made, that's when it was made. | 0:16:45 | 0:16:47 | |
This little box is lovely. | 0:16:47 | 0:16:50 | |
Now, I'm not sure whether this is lapis lazuli and alabaster | 0:16:50 | 0:16:53 | |
or what the stone is, that's something I've got try and find out. | 0:16:53 | 0:16:56 | |
It's got a fantastic hinge on there, it's English, it's made in England. | 0:16:56 | 0:17:00 | |
There's a maker's mark on there, I'll try and find that out as well. | 0:17:00 | 0:17:03 | |
Now, my friend on the stall, he thought that this little brass item | 0:17:03 | 0:17:07 | |
was probably a pipe tamper. | 0:17:07 | 0:17:10 | |
In other words, something you just tapped the tobacco down on the end of your pipe. | 0:17:10 | 0:17:13 | |
I don't think it is that at all, I think this is a paper knife | 0:17:13 | 0:17:16 | |
and it would have done just what it's doing now. | 0:17:16 | 0:17:18 | |
It would have sat on someone's desk or table and I think | 0:17:18 | 0:17:21 | |
that this is clearly the bit for opening your letter. | 0:17:21 | 0:17:25 | |
This here, I believe, would have originally have had a seal on it. | 0:17:25 | 0:17:30 | |
So I think I've got three really interesting items. | 0:17:30 | 0:17:33 | |
And with that, Phil decides to call it a day. | 0:17:33 | 0:17:36 | |
Across the boot-fair, Katherine is still perusing the stalls | 0:17:36 | 0:17:40 | |
and taking yet another trip down memory lane. | 0:17:40 | 0:17:43 | |
I grew up with a picnic hamper | 0:17:43 | 0:17:45 | |
and we used to go come down very near here to the beach | 0:17:45 | 0:17:48 | |
and it was a most exciting moment when you got out of the car, | 0:17:48 | 0:17:51 | |
you opened up your hamper, you opened the plastic box | 0:17:51 | 0:17:53 | |
and inside were your sandwiches wrapped up in paper. | 0:17:53 | 0:17:56 | |
I think it needs a bit of a brush. I think it needs a bit of TLC | 0:17:56 | 0:18:01 | |
but, hey, I'm the sort of girl that can give it all of that. | 0:18:01 | 0:18:05 | |
The picnic hamper nibbles a paltry £8 into her budget. | 0:18:05 | 0:18:08 | |
She really has held back the reins today | 0:18:08 | 0:18:10 | |
and so let's see how the totals tot up | 0:18:10 | 0:18:13 | |
at the end of the car-boot buying. | 0:18:13 | 0:18:16 | |
Phil and Katherine started the day with £250 to spend. | 0:18:16 | 0:18:20 | |
Phil has made seven purchases, costing a meaty £177. | 0:18:20 | 0:18:26 | |
Katherine has five items under her arm, spending a meagre £34. | 0:18:26 | 0:18:30 | |
-I have one question to ask you... -Go on. -..just one question. | 0:18:34 | 0:18:36 | |
-Just the one? -Yeah. | 0:18:36 | 0:18:38 | |
How much have you spent on all of this? | 0:18:38 | 0:18:41 | |
Well, in total £34. | 0:18:41 | 0:18:46 | |
You've spent £34 on all of this?! | 0:18:46 | 0:18:49 | |
-I worked really hard to spend that! -That cost me more than that, | 0:18:49 | 0:18:52 | |
on its own, by itself. | 0:18:52 | 0:18:54 | |
-You paid more than £34 for that? -Yes. -That's scary. | 0:18:54 | 0:18:57 | |
My question would be, how much do you like chipboard? | 0:18:57 | 0:19:02 | |
You go straight for the throat, don't you? There's no messing around. | 0:19:02 | 0:19:05 | |
-Funnily enough, actually, from a distance... -Yeah, three miles. | 0:19:05 | 0:19:08 | |
..those do look quite attractive. | 0:19:08 | 0:19:09 | |
Close-up they are... | 0:19:09 | 0:19:11 | |
-Close-up, yes, yes. -Minging, horrible. | 0:19:11 | 0:19:13 | |
-You need to probably change your glasses really, yes, yes. -Or even get a pair. | 0:19:13 | 0:19:16 | |
I think the favourite thing that you bought, undoubtedly, | 0:19:16 | 0:19:19 | |
and I wish I'd seen it, | 0:19:19 | 0:19:21 | |
is your little lapis box. I mean, isn't it, oh! | 0:19:21 | 0:19:25 | |
I have to tell you, out of the whole £34 that you've spent, | 0:19:25 | 0:19:29 | |
I've got a few favourites. | 0:19:29 | 0:19:31 | |
-The old ping-pong, or table tennis, I love... -Yeah. | 0:19:31 | 0:19:33 | |
-I think the jigsaw's lovely... -Good. | 0:19:33 | 0:19:35 | |
The picnic set I like, the watercolour I like. | 0:19:35 | 0:19:37 | |
-I've never really been into dresses. -No, no. | 0:19:37 | 0:19:39 | |
Wedding dresses in particular have always frightened me. | 0:19:39 | 0:19:42 | |
Anyway, how are we going to do, do you think? | 0:19:42 | 0:19:45 | |
If I can make £34 work for me... It'll be a challenge. | 0:19:45 | 0:19:48 | |
-I think, considering you've spent what, how much? -Thank you very much. | 0:19:48 | 0:19:53 | |
-100 and something. -All right, OK... -Quick march. -No need to rub it in. | 0:19:53 | 0:19:56 | |
HONKS HORN | 0:19:56 | 0:19:59 | |
So our dealers beat a retreat as they head back to their bases | 0:20:03 | 0:20:06 | |
and turn their settings from buy to sell, sell, sell. | 0:20:06 | 0:20:10 | |
Each will be hoping to keep their prices high, | 0:20:10 | 0:20:12 | |
their profits big and their victories mighty as they both | 0:20:12 | 0:20:16 | |
try to collect a bag of loot for the charities of their choice. | 0:20:16 | 0:20:20 | |
In Guildford, Katherine is taking the time to really get | 0:20:21 | 0:20:24 | |
a good look at her wares. | 0:20:24 | 0:20:26 | |
I think my favourite piece out of everything I bought, | 0:20:26 | 0:20:28 | |
is probably the watercolour. | 0:20:28 | 0:20:30 | |
It's really well painted, I've done some research | 0:20:30 | 0:20:32 | |
into the artist, Rosemary Brown, | 0:20:32 | 0:20:34 | |
and she is known for her animal watercolours | 0:20:34 | 0:20:38 | |
and it makes sense because the sheep in this are beautifully painted. | 0:20:38 | 0:20:42 | |
Finding that jigsaw puzzle was great and what I want to try | 0:20:42 | 0:20:46 | |
and do is perhaps reconnect it with someone who's got parrots | 0:20:46 | 0:20:50 | |
someone who is interested in birds. | 0:20:50 | 0:20:52 | |
We can really explore the Pretty Polly element of that. | 0:20:52 | 0:20:55 | |
With the picnic hamper, I just remember as a child growing up with things like that. | 0:20:55 | 0:20:59 | |
It just would be magical to reunite it was somebody who is | 0:20:59 | 0:21:02 | |
as passionate about picnic hampers as I am. | 0:21:02 | 0:21:05 | |
Table tennis, I haven't even begun to think about that. | 0:21:05 | 0:21:07 | |
It's outside of my area of knowledge but I'm going to find somebody | 0:21:07 | 0:21:11 | |
who rather enjoys a bit of ping-pong. | 0:21:11 | 0:21:14 | |
And the wedding dress, I was really hoping | 0:21:14 | 0:21:16 | |
and I am hoping to find a bride who will wear it. | 0:21:16 | 0:21:19 | |
Phil, that chimney, are you all smoke and no fire? | 0:21:19 | 0:21:24 | |
Yes, fighting talk there. Over in Worcester, Phil appears to be | 0:21:24 | 0:21:27 | |
getting all hot and bothered about his purchases. | 0:21:27 | 0:21:30 | |
This is an object lesson, in that you've got to look little bit closer | 0:21:30 | 0:21:33 | |
before you part with your money. | 0:21:33 | 0:21:34 | |
It's hard to believe this, I am older than these. | 0:21:34 | 0:21:38 | |
But they were only a tenner, so I don't think there's going to be too much damage there. | 0:21:38 | 0:21:42 | |
My car horn, well, I think it's a really cool thing and I think | 0:21:42 | 0:21:45 | |
I'm going to try and find someone with a vintage car for that. | 0:21:45 | 0:21:48 | |
I think it's an old one, so hopefully, | 0:21:48 | 0:21:50 | |
fingers crossed, that will be all right. | 0:21:50 | 0:21:53 | |
The uniform, it wasn't expensive but the badges aren't right, | 0:21:53 | 0:21:56 | |
the buttons aren't right, and I think it's got somebody's pyjama cord | 0:21:56 | 0:22:00 | |
round the middle of it. But, you know, it looks the part, | 0:22:00 | 0:22:03 | |
so I think it's a great decorator's thing. | 0:22:03 | 0:22:05 | |
For me, my star lot, however, is the lapis box, | 0:22:05 | 0:22:09 | |
the Chinese export porcelain mug, | 0:22:09 | 0:22:11 | |
that's actually made in France | 0:22:11 | 0:22:13 | |
and the feather letter opener. | 0:22:13 | 0:22:15 | |
That lot, I think, was £70 the lot and I would really hope | 0:22:15 | 0:22:18 | |
there's a profit in those. | 0:22:18 | 0:22:20 | |
If all else fails, I could always fall back on my chimney. | 0:22:20 | 0:22:23 | |
-Oh, that would hurt. -Oh, yes, it would indeed. | 0:22:23 | 0:22:26 | |
Now, the burning question is, who will buy what as our matchmakers | 0:22:26 | 0:22:30 | |
try to find perfect suitors for their desirables as they utilise | 0:22:30 | 0:22:34 | |
every tool at their disposal, | 0:22:34 | 0:22:35 | |
knowing that for a deal to be done, the hand must be shaken | 0:22:35 | 0:22:39 | |
and the money taken. | 0:22:39 | 0:22:41 | |
And it's Phil who's first with the pair of tables that he's been | 0:22:41 | 0:22:44 | |
regretting buying from the moment he handed over £10. | 0:22:44 | 0:22:48 | |
He's taken them to Herefordshire-based antiques dealer | 0:22:48 | 0:22:51 | |
Lynn but tries the same trick that fooled him, | 0:22:51 | 0:22:54 | |
placing them at a distance from her. | 0:22:54 | 0:22:57 | |
-Don't you think those look the business? -Yeah, they do... | 0:22:57 | 0:23:00 | |
-Liberty style, do you think? -Well, I wouldn't have said Liberty | 0:23:00 | 0:23:03 | |
but they do look nice, I'll give you that. Eastern... | 0:23:03 | 0:23:05 | |
I must admit, when I saw them, I sort of thought, perhaps 1900-ish. | 0:23:05 | 0:23:08 | |
That's what I thought when I saw them. Are you interested? | 0:23:08 | 0:23:11 | |
Yeah, but I'd need to look at them, | 0:23:11 | 0:23:12 | |
-only a fool would buy them without looking at them. -All right, OK. | 0:23:12 | 0:23:17 | |
-Ah! -That's really done a... | 0:23:17 | 0:23:20 | |
OK, all right, all right. | 0:23:20 | 0:23:23 | |
Normally when you get pairs of things they're more expensive, Phil, | 0:23:23 | 0:23:26 | |
-but there is always an exception to the rule. -Thanks, Lynn. | 0:23:26 | 0:23:29 | |
-They're not what they seem, are they? -No. | 0:23:29 | 0:23:32 | |
Anyway, I know you're fair. I'm not going to negotiate with you at all. | 0:23:32 | 0:23:36 | |
Give me your best price for them and I'll take it. | 0:23:36 | 0:23:40 | |
Absolute, absolute, absolute, best is £25 because I think... | 0:23:40 | 0:23:43 | |
Fine, you don't have to reason with me. | 0:23:43 | 0:23:45 | |
Thank you very much indeed, my love. | 0:23:45 | 0:23:47 | |
Phil takes the first offer and wins the first profit of... | 0:23:47 | 0:23:51 | |
Who knows, Katherine, I might have just turned the tables on you. | 0:23:53 | 0:23:57 | |
Ah, but Katherine has plans of her own | 0:23:57 | 0:24:00 | |
and they're wedding plans by the looks of it. | 0:24:00 | 0:24:02 | |
I've brought my vintage wedding dress | 0:24:02 | 0:24:04 | |
to the Birmingham School of Sewing to meet a lovely lady called Sheila-May. | 0:24:04 | 0:24:07 | |
She runs classes for young brides-to-be to help them stitch | 0:24:07 | 0:24:10 | |
and sew their own wedding dresses today. | 0:24:10 | 0:24:12 | |
So I think this will really fit in because she'll be able to use it | 0:24:12 | 0:24:15 | |
as a piece of inspiration for her students. | 0:24:15 | 0:24:18 | |
So will Sheila be interested in marrying Katherine to a | 0:24:18 | 0:24:22 | |
tidy profit with a dress that cost her £8? | 0:24:22 | 0:24:25 | |
So Sheila-May, I've taken the liberty of putting it on | 0:24:25 | 0:24:27 | |
one of your mannequins. | 0:24:27 | 0:24:29 | |
I love it because you can now see the structure of it. | 0:24:29 | 0:24:32 | |
What do you think? | 0:24:32 | 0:24:33 | |
I think it's amazing, it looks lovely on a mannequin | 0:24:33 | 0:24:36 | |
and it does need the body inside to show you the actual fit of the dress. | 0:24:36 | 0:24:39 | |
So in your classes when you're teaching, how will you use this? | 0:24:39 | 0:24:43 | |
I will show it to people on the mannequin. | 0:24:43 | 0:24:46 | |
They like to see all the details on it. | 0:24:46 | 0:24:48 | |
They like to see how things are made and how things are put together. | 0:24:48 | 0:24:51 | |
Even though it's a completely different shape to what is | 0:24:51 | 0:24:55 | |
popular at the moment, the detailing is still the same | 0:24:55 | 0:24:58 | |
so we can still learn from seeing | 0:24:58 | 0:25:01 | |
the way that things have been done. | 0:25:01 | 0:25:03 | |
I suppose, in terms of what I would like to achieve for it, | 0:25:03 | 0:25:06 | |
I think between, I guess, £50-£70, that sort of price. | 0:25:06 | 0:25:13 | |
Where do you lie on that? | 0:25:13 | 0:25:15 | |
I'm happy with that. I'd be happy to give you £70. | 0:25:15 | 0:25:18 | |
-70? -Yeah. -OK, that's fantastic. I'd be delighted with that. | 0:25:18 | 0:25:23 | |
So that makes a £62 profit for the dress. | 0:25:23 | 0:25:27 | |
I'm really pleased with how that went. | 0:25:27 | 0:25:29 | |
I've made a good profit but that wasn't what it was all about, | 0:25:29 | 0:25:32 | |
it was about giving it to the right home where it's | 0:25:32 | 0:25:35 | |
going to be used for inspiration and I think I've achieved that. | 0:25:35 | 0:25:38 | |
Well done, Katherine The Great. | 0:25:38 | 0:25:40 | |
That's my first item sold. Phil, you should be worried. | 0:25:40 | 0:25:43 | |
Yes, but Phil isn't one to allow self-doubt to get in the way | 0:25:43 | 0:25:46 | |
as he travels to London for his second sale. | 0:25:46 | 0:25:50 | |
This is me really chancing my arm. | 0:25:50 | 0:25:52 | |
I go and buy a lovely little porcelain mug | 0:25:52 | 0:25:56 | |
from a car-boot in West Sussex | 0:25:56 | 0:25:59 | |
and bring it to one of the best porcelain dealers in Saint James's. | 0:25:59 | 0:26:02 | |
He's that good, he's got a Royal Warrant to sell to the Queen. | 0:26:02 | 0:26:06 | |
I just hope he doesn't show me the door. | 0:26:06 | 0:26:08 | |
Remember the mug cost £30, | 0:26:08 | 0:26:10 | |
so will Mark help Phil top-up his profit sheet? | 0:26:10 | 0:26:14 | |
-It's a very decorative thing but we don't normally buy Samson pieces. -No. | 0:26:14 | 0:26:18 | |
People will buy them for decoration and that's very nicely painted | 0:26:18 | 0:26:23 | |
-and in good condition. -It's a good example of what it is, isn't it? | 0:26:23 | 0:26:27 | |
It's a good example and it's good that it's still got the Samson mark. | 0:26:27 | 0:26:30 | |
Quite often you find this has been erased off later to disguise | 0:26:30 | 0:26:34 | |
-the fact that it's a copy. -Yeah. | 0:26:34 | 0:26:36 | |
Or they even painted little gold roses over them sometimes | 0:26:36 | 0:26:39 | |
-to hide the Samson mark. -Right. | 0:26:39 | 0:26:41 | |
So that's a plus. | 0:26:41 | 0:26:42 | |
Well, it cost me £30. All I would ask you to do is make me | 0:26:42 | 0:26:46 | |
-your best offer and... -OK. | 0:26:46 | 0:26:49 | |
I think a fair offer from us would be £65. | 0:26:49 | 0:26:53 | |
-You're a gentleman, sir. Thank you very much indeed. -Pleasure. | 0:26:53 | 0:26:56 | |
What a lovely man, he didn't throw me or my mug out, he bought it | 0:26:56 | 0:27:01 | |
and I more than doubled my money. | 0:27:01 | 0:27:03 | |
Yes, Phil is delighted with a profit of... | 0:27:03 | 0:27:07 | |
Now he bought it along with two other items | 0:27:07 | 0:27:10 | |
and, whilst he's in the capital city, | 0:27:10 | 0:27:12 | |
he takes his cigarette box to specialist tobacconist Philip. | 0:27:12 | 0:27:16 | |
Now, this isn't a cigar box but it's got the tobacco connection. | 0:27:16 | 0:27:21 | |
I thought this was lapis lazuli | 0:27:21 | 0:27:22 | |
but I've since been told it's moissanite.. | 0:27:22 | 0:27:25 | |
I just was hoping above hope that you might have somewhere for it. | 0:27:25 | 0:27:29 | |
What do you think, Philip? | 0:27:29 | 0:27:31 | |
-Beautifully made. -It is, isn't it? -It's all tailed in. | 0:27:31 | 0:27:34 | |
Would that fit in with your collection? | 0:27:34 | 0:27:36 | |
It would, yeah, very much so, very much so. | 0:27:36 | 0:27:39 | |
So you might be interested in buying it off me? | 0:27:39 | 0:27:42 | |
-If the price is right. -Look at this... | 0:27:42 | 0:27:44 | |
Tell me what your best, best offer is and I shall shake you by the hand. | 0:27:44 | 0:27:47 | |
-50. -Is that your best? -Yeah. Go on, then. | 0:27:47 | 0:27:50 | |
Phil charms his was way to profit of... | 0:27:50 | 0:27:55 | |
Not the biggest profit in the world | 0:27:55 | 0:27:57 | |
but from small acorns do big oak trees grow. | 0:27:57 | 0:28:00 | |
Katherine, put that in your pipe and smoke it. | 0:28:00 | 0:28:03 | |
Hmm, charming. So that's three sales to Serrell. | 0:28:03 | 0:28:07 | |
Meanwhile, Katherine's taken her picnic set to Chesterfield. | 0:28:07 | 0:28:11 | |
Not the prettiest place for an outing. | 0:28:11 | 0:28:13 | |
You'll never believe it, but down this alleyway is a real treasure trove. | 0:28:13 | 0:28:17 | |
I've come to see Matt who specialises in renovating | 0:28:17 | 0:28:19 | |
period camper vans. | 0:28:19 | 0:28:21 | |
He's working on one now, so I'm hoping he's going to want | 0:28:21 | 0:28:24 | |
this to go with it. | 0:28:24 | 0:28:27 | |
-Wow! -Hi. What an incredible place to have a chat. | 0:28:27 | 0:28:30 | |
-Thank you. -Isn't it fantastic? | 0:28:30 | 0:28:32 | |
-We are not in a house... -Nope. -We are in a room on wheels. | 0:28:32 | 0:28:36 | |
Yes, yeah, our old 1966 split screen. | 0:28:36 | 0:28:39 | |
-What's the official colour of this? -This is dove blue. -OK, I have brought | 0:28:39 | 0:28:42 | |
you a dove blue Brexton picnic hamper. | 0:28:42 | 0:28:46 | |
-Fantastic, great stuff. -What's the date of this vehicle? -It's a 1966. | 0:28:46 | 0:28:51 | |
OK, I've brought you probably something from about 1968/69. | 0:28:51 | 0:28:56 | |
-So... -Close, absolutely. -..I'm in the ballpark for the figure area here. | 0:28:56 | 0:28:59 | |
Can you see yourself using it on a summers day? | 0:28:59 | 0:29:01 | |
Absolutely, yeah, yeah, a nice laid-out picnic. | 0:29:01 | 0:29:04 | |
-I'm thinking of around about £15. -OK, OK. | 0:29:04 | 0:29:08 | |
£18, maybe a bit more. | 0:29:08 | 0:29:09 | |
What price can you put on a good lunch? | 0:29:09 | 0:29:12 | |
If I'm honest, with the colour match and with it being | 0:29:12 | 0:29:15 | |
so retro, with it, kind of suiting... | 0:29:15 | 0:29:18 | |
This is sounding good. | 0:29:18 | 0:29:20 | |
-I'd be happy to pay 20, if I'm honest. -Would you? | 0:29:20 | 0:29:22 | |
Do you know, it's so rare that I come into a situation | 0:29:22 | 0:29:25 | |
and I'm actually upped on the price. | 0:29:25 | 0:29:27 | |
-Do you know, I'm going to shake your hand... -Thank you very much. | 0:29:27 | 0:29:30 | |
..before any more time goes by. | 0:29:30 | 0:29:32 | |
Well, that was positively extraordinary that I pitched it | 0:29:32 | 0:29:35 | |
at one price level and actually he gave me more. Fantastic! | 0:29:35 | 0:29:39 | |
I'm really pleased. In many ways it's gone to exactly the right home, | 0:29:39 | 0:29:43 | |
it's the perfect colour for that home | 0:29:43 | 0:29:45 | |
and, Phil, can you do better than that? | 0:29:45 | 0:29:48 | |
Yes, Katherine unpacks a profit of... | 0:29:48 | 0:29:52 | |
and brings us to the halfway mark. | 0:29:52 | 0:29:54 | |
So it's time to find out who's dancing the fandango | 0:29:54 | 0:29:57 | |
and who's stumbling in the dark. | 0:29:57 | 0:30:00 | |
Phil has sold three of his seven items, making a profit of... | 0:30:01 | 0:30:04 | |
Katherine has only sold two of her five but has £74 to her name. | 0:30:06 | 0:30:10 | |
So this campaign of the collectables is still up for contention | 0:30:13 | 0:30:16 | |
and it's Phil who's striking next, armed with his officer's uniform. | 0:30:16 | 0:30:21 | |
Now, I'm in my home town of Worchester and there are no | 0:30:21 | 0:30:23 | |
army barracks here but there is a fancy dress shop | 0:30:23 | 0:30:26 | |
just round the corner. | 0:30:26 | 0:30:27 | |
I'm not going to find any self-respecting soldier who's | 0:30:27 | 0:30:30 | |
going to wear my uniform | 0:30:30 | 0:30:32 | |
but if you're dressing up, I might just have the thing for you. | 0:30:32 | 0:30:36 | |
But will fancy dress shop owner Sue notice how mismatched | 0:30:36 | 0:30:40 | |
the tunic is and will it matter? | 0:30:40 | 0:30:42 | |
I was told that it's early part of the 20th century, | 0:30:42 | 0:30:46 | |
that's what the guy told me, about 1900 and something. What do you think to that? | 0:30:46 | 0:30:50 | |
-I don't know about these buttons. -What's wrong with the buttons? | 0:30:50 | 0:30:53 | |
I don't know whether they match the outfit, the time period for | 0:30:53 | 0:30:57 | |
the outfit and, I don't mean to be funny, | 0:30:57 | 0:31:00 | |
but that does look a bit like a dressing gown cord. | 0:31:00 | 0:31:05 | |
-So this is an absolute mashup, isn't it? -Yeah, it's not bad. | 0:31:05 | 0:31:09 | |
But you could do something with it, couldn't you? | 0:31:09 | 0:31:11 | |
-We could use it for a bandsman... -Yeah. | 0:31:11 | 0:31:15 | |
-..a military and maybe Zulu warrior. -Oh, the film. | 0:31:15 | 0:31:21 | |
-From Michael Caine. -Oh, yeah, that would be fantastic, wouldn't it? | 0:31:21 | 0:31:24 | |
-That would fit into our TV and film section. -That would be brilliant. | 0:31:24 | 0:31:27 | |
It's getting more expensive by the minute now. I was hoping above hopes | 0:31:27 | 0:31:30 | |
I might get, sort of, 75 quid for it. | 0:31:30 | 0:31:32 | |
I could probably go to 50 top | 0:31:32 | 0:31:34 | |
because I am going to have to do repairs and swap the buttons over. | 0:31:34 | 0:31:37 | |
If I can squeeze you for another five quid, I'll sell it to you. | 0:31:37 | 0:31:40 | |
-Go on, then, deal. -Thank you very much. -Michael Caine. | 0:31:40 | 0:31:43 | |
Yeah, yeah, yeah, yeah. | 0:31:43 | 0:31:45 | |
Phil marches off with a profit of... | 0:31:45 | 0:31:47 | |
And whilst he's there, considers changing his look. | 0:31:48 | 0:31:51 | |
No. | 0:31:52 | 0:31:53 | |
Not that one. | 0:31:55 | 0:31:56 | |
No, no, no. | 0:31:56 | 0:32:00 | |
That's the one. | 0:32:00 | 0:32:03 | |
So, while Phil is trying to get ahead, | 0:32:04 | 0:32:06 | |
Katherine is winging it for her next sale as she takes her | 0:32:06 | 0:32:10 | |
jigsaw puzzle to Birdworld in Surrey. | 0:32:10 | 0:32:13 | |
Well, I've brought my bird jigsaw puzzle to Birdworld which is | 0:32:13 | 0:32:16 | |
one of Britain's largest bird parks and I'm going to have a chat with | 0:32:16 | 0:32:19 | |
their general manager Mark Anderson to see if he might like this. | 0:32:19 | 0:32:23 | |
As a child I came here and I now bring my children here, | 0:32:23 | 0:32:26 | |
so I pretty much know every bird in this area | 0:32:26 | 0:32:30 | |
and I know there's one bird that matches this puzzle exactly. | 0:32:30 | 0:32:34 | |
So he must be tempted. In fact, I think I'm on to a winner. | 0:32:34 | 0:32:38 | |
What I'd love to say about it, | 0:32:38 | 0:32:40 | |
I hope you can spot straight away, is the quality of the illustration. | 0:32:40 | 0:32:44 | |
-Absolutely, yeah. -I know you've got this bird here. | 0:32:44 | 0:32:46 | |
-We do, we have African Greys. -Yeah. | 0:32:46 | 0:32:49 | |
So where and how would this fit into your remit? | 0:32:49 | 0:32:52 | |
You know, where we might be interested in being able to | 0:32:52 | 0:32:55 | |
use them is as part of our conservation fundraising efforts. | 0:32:55 | 0:32:59 | |
And each year we hold an auction | 0:32:59 | 0:33:02 | |
and these sort of things are obviously quite sought-after | 0:33:02 | 0:33:05 | |
and a lot of the people who follow our online auction | 0:33:05 | 0:33:08 | |
are interested in this sort of thing. | 0:33:08 | 0:33:10 | |
I'm thinking, I mean, it's a lovely piece and should it appear | 0:33:10 | 0:33:13 | |
in a dealer's catalogue, I think it would be around | 0:33:13 | 0:33:16 | |
about the £50/60 mark, that sort of price. | 0:33:16 | 0:33:20 | |
Would you take £40? | 0:33:20 | 0:33:22 | |
Erm, I'd love to settle on £45, | 0:33:22 | 0:33:27 | |
I'd be happy then, would you be? | 0:33:27 | 0:33:29 | |
Erm, yeah, OK, £45. I think that's a fair price. | 0:33:29 | 0:33:33 | |
So Katherine flies off with a squawking... | 0:33:33 | 0:33:37 | |
Leaving her just enough time to feed the penguins. | 0:33:37 | 0:33:41 | |
OK, line-up everybody. | 0:33:41 | 0:33:43 | |
Who's first in the queue? You? | 0:33:43 | 0:33:46 | |
Here we go. | 0:33:46 | 0:33:48 | |
SQUAWKING | 0:33:48 | 0:33:52 | |
I think, I think that means love. | 0:33:52 | 0:33:54 | |
Katherine is putting in the hours matching her items to the | 0:33:54 | 0:33:57 | |
right buyers and, true to form, when it comes to selling | 0:33:57 | 0:34:00 | |
the watercolour, she's tracked down the same Sussex scene it depicts. | 0:34:00 | 0:34:04 | |
I think I'm in exactly the right spot in Old Heathfield in Sussex | 0:34:04 | 0:34:08 | |
because I can see the church spire behind and I can see | 0:34:08 | 0:34:11 | |
the inn to the left. | 0:34:11 | 0:34:12 | |
I'm going to go and see the owner of the inn and see | 0:34:12 | 0:34:14 | |
if I can get him to buy this from me. | 0:34:14 | 0:34:17 | |
Mike, I hope you like this as much as I do. | 0:34:18 | 0:34:21 | |
-What are your thoughts about it? -It's very sweet. | 0:34:21 | 0:34:26 | |
I have the honour of having quite a lot of painting clubs | 0:34:26 | 0:34:30 | |
sit in the garden during the summer and come for lunch and | 0:34:30 | 0:34:33 | |
the ladies and the gentlemen that attend like to do watercolours. | 0:34:33 | 0:34:36 | |
So I've got a collection that are in the pub, | 0:34:36 | 0:34:40 | |
some are in the loft. | 0:34:40 | 0:34:41 | |
I hope this wouldn't go into the loft, | 0:34:41 | 0:34:43 | |
should you be interested in buying it. | 0:34:43 | 0:34:46 | |
No, I shouldn't think it would, no. | 0:34:46 | 0:34:49 | |
I'm thinking, Mike, because it's a very accomplished watercolour, | 0:34:49 | 0:34:53 | |
and it reflects the scene beautifully and it would look | 0:34:53 | 0:34:57 | |
lovely on your walls, that a price point of about 90-120 is right. | 0:34:57 | 0:35:01 | |
Realistically, for me, if I was to go to Heathfield on Tuesday | 0:35:01 | 0:35:04 | |
-to Heathfield market and one of the stalls... -You wouldn't find this. | 0:35:04 | 0:35:07 | |
-..there's quite a lot of watercolours there. -Are there? | 0:35:07 | 0:35:10 | |
-And a lot of them are of the Star Inn. -Are they? | 0:35:10 | 0:35:13 | |
Erm, 40 quid. | 0:35:13 | 0:35:16 | |
I'd be happier with 60. | 0:35:16 | 0:35:18 | |
-I'd struggle with 50. -Can we shake on that? -We can. -Good. | 0:35:20 | 0:35:24 | |
And I would actually love to see where it's going to go on the wall. | 0:35:24 | 0:35:27 | |
I'll show you. | 0:35:27 | 0:35:29 | |
Mike hangs up the picture pride of place | 0:35:29 | 0:35:31 | |
and Katherine departs with a profit of... | 0:35:31 | 0:35:36 | |
Well, that's a picture that's well and truly reunited to the | 0:35:36 | 0:35:38 | |
right place and a great profit in the process. | 0:35:38 | 0:35:41 | |
Can you beat that Phil? | 0:35:41 | 0:35:43 | |
Hmm, well, let's find out, as he's en route to his next potential sale. | 0:35:43 | 0:35:46 | |
He's taking his £35 chimney to Jack, a reclamation specialist. | 0:35:46 | 0:35:51 | |
I'm in Lincolnshire to see my old mate Jack at Junction Antiques. | 0:35:51 | 0:35:54 | |
Now, Jack has got a really good eye. | 0:35:54 | 0:35:56 | |
He buys many and varied things | 0:35:56 | 0:35:58 | |
and I'm, sort of, hoping he's going to take a shine to my chimney. | 0:35:58 | 0:36:03 | |
If anybody can sell it, Jack can. | 0:36:03 | 0:36:05 | |
-Jack, how are you doing? -I'm all right, thank you. | 0:36:05 | 0:36:08 | |
-Lovely to see you. -Not bad at all, thank you. | 0:36:08 | 0:36:10 | |
-What's this, this is salt glazed, isn't it? -Salt glazed, yeah. | 0:36:10 | 0:36:12 | |
-Stoneware? -Yep. Not a bad colour, is it? | 0:36:12 | 0:36:15 | |
Salt glaze, they achieved that, didn't they? | 0:36:15 | 0:36:17 | |
Because when they got the kiln, they just threw a handful of salt in | 0:36:17 | 0:36:20 | |
-and it gave this mottled brown effect, didn't it? -Yeah. | 0:36:20 | 0:36:23 | |
What would it sell for, Jack? I mean, you've got to make a modest profit. | 0:36:23 | 0:36:26 | |
Yeah, I don't know. Always better when you own it. | 0:36:26 | 0:36:29 | |
I can't tell until I own it. | 0:36:29 | 0:36:31 | |
It feels better. | 0:36:31 | 0:36:34 | |
-I was thinking it would be worth 75 quid, Jack. -Do you? | 0:36:34 | 0:36:38 | |
Oh, it's gone quiet, hasn't it? | 0:36:38 | 0:36:40 | |
This could be the end of a fantastic relationship, couldn't it? | 0:36:40 | 0:36:43 | |
-I don't think we're too far off. -Really? -No, no, I think not much | 0:36:43 | 0:36:46 | |
difference between 40 and 75. | 0:36:46 | 0:36:50 | |
-Not much?! It's almost double, Jack. -Oh, is it? -Yeah. | 0:36:50 | 0:36:53 | |
Go on, make me an offer I can't refuse. | 0:36:53 | 0:36:57 | |
-£65, Phil. -You're a gentleman, Jack. -True. -Thank you very much indeed. | 0:36:57 | 0:37:00 | |
Yes, Phil is happy with a top-notch profit of... | 0:37:00 | 0:37:04 | |
He then goes on to sell his brass letter opener to Stephanie, | 0:37:04 | 0:37:07 | |
a dealer from Leominster for £25, | 0:37:07 | 0:37:10 | |
topping up his pot with a further... | 0:37:10 | 0:37:14 | |
So it's all down to his last item, the car horn. | 0:37:14 | 0:37:18 | |
I'm just outside Malvern, on the common, on a glorious day | 0:37:18 | 0:37:21 | |
with my car-boot car horn and I'm here to see an old friend of mine, | 0:37:21 | 0:37:25 | |
Keith, who is a complete vintage car petrol-head | 0:37:25 | 0:37:27 | |
and I'm hoping that my car horn gives him the... | 0:37:27 | 0:37:30 | |
HONKS HORN | 0:37:30 | 0:37:32 | |
But will car enthusiast Keith want to pay more than the £34 Phil | 0:37:32 | 0:37:36 | |
forked out at the car-boot? | 0:37:36 | 0:37:38 | |
-Now, you know why we're here because you've seen this. -Ah, yes. | 0:37:38 | 0:37:41 | |
What year is that? | 0:37:41 | 0:37:42 | |
I would think that's late '20s. | 0:37:42 | 0:37:45 | |
Not suitable for this car. | 0:37:45 | 0:37:47 | |
In mind I've got... | 0:37:47 | 0:37:49 | |
Our daughter and son-in-law have got an Alvis, late Alvis... | 0:37:49 | 0:37:53 | |
It's a 1930 but it would be very suitable for... | 0:37:53 | 0:37:57 | |
-So that would go on there ideally? -Yes, and he's got a birthday coming up so... -Oh, right. | 0:37:57 | 0:38:01 | |
Have you any idea who that might be by? | 0:38:01 | 0:38:04 | |
I've done a little bit of research and I have another one that | 0:38:04 | 0:38:09 | |
-I made earlier here... -Really? | 0:38:09 | 0:38:11 | |
..and I would think we're not far away, are we? | 0:38:11 | 0:38:16 | |
-Can I have a look? -Yes, yeah. | 0:38:16 | 0:38:21 | |
And that's King of the Road, which is Lucas, isn't it? | 0:38:21 | 0:38:23 | |
-Lucas, yeah, Birmingham. -Because they did King of the Road, they did those big lamps | 0:38:23 | 0:38:27 | |
-that featured on veteran cars, didn't they? -Yes. | 0:38:27 | 0:38:29 | |
I paid £32 for it, or there abouts, | 0:38:29 | 0:38:31 | |
and I was kind of hoping I might get close to 60 quid, what do you think? | 0:38:31 | 0:38:36 | |
-You're not far away. -Am I? | 0:38:36 | 0:38:38 | |
Well, you're the expert. What's fair? | 0:38:38 | 0:38:40 | |
Well, the other day I saw one sold at auction for 50. | 0:38:40 | 0:38:46 | |
-That sounds like a hand shake to me, doesn't it? -We're not far away. -50 quid? -Yeah. | 0:38:46 | 0:38:50 | |
You're a scholar, thanks, Keith. | 0:38:50 | 0:38:51 | |
Well, that's my car-boot all done, all finished, in the pocket. | 0:38:51 | 0:38:54 | |
Brilliant. | 0:38:54 | 0:38:56 | |
Katherine, let's see what you're doing. | 0:38:56 | 0:38:58 | |
Come on, Keith, start her up. | 0:38:58 | 0:39:00 | |
Phil rides off with a final profit of... | 0:39:03 | 0:39:07 | |
and he's all sold up. | 0:39:07 | 0:39:08 | |
Katherine, however, has one last item to sell and she's hoping | 0:39:08 | 0:39:12 | |
to serve up a strong profit to end her game and put her in front. | 0:39:12 | 0:39:17 | |
The sport shoes have gone on, the table tennis set is under my arm and | 0:39:17 | 0:39:20 | |
I've come to King's Lynn in Norfolk | 0:39:20 | 0:39:22 | |
to meet the chairman of the King's Lynn table tennis association | 0:39:22 | 0:39:25 | |
to see if I can persuade him to part with a little bit of money. | 0:39:25 | 0:39:28 | |
Katherine paid £3 for the game, | 0:39:28 | 0:39:31 | |
will club owner John help her score a big profit? | 0:39:31 | 0:39:34 | |
I've brought you this because I think it shows you perfectly | 0:39:34 | 0:39:37 | |
how things maybe changed from then to now. | 0:39:37 | 0:39:40 | |
Things certainly have changed. | 0:39:40 | 0:39:42 | |
What's nice about his actually is you probably notice that it's | 0:39:42 | 0:39:45 | |
-made by Spear's Games. -Yep. | 0:39:45 | 0:39:47 | |
They were great, you know, games manufactures | 0:39:47 | 0:39:51 | |
and known for their quality printing. | 0:39:51 | 0:39:53 | |
So the image itself is really rather striking, I think | 0:39:53 | 0:39:57 | |
and that caught my eye to start with when I saw it. | 0:39:57 | 0:40:01 | |
Would you... Would this be useful to you as a club | 0:40:01 | 0:40:04 | |
to bring a bit of nostalgia back into the game? | 0:40:04 | 0:40:06 | |
Yep, we could have... | 0:40:06 | 0:40:10 | |
We have a display cabinet | 0:40:10 | 0:40:12 | |
so it could go in the display cabinet with the trophies. | 0:40:12 | 0:40:15 | |
Oh, fantastic. I was hoping for around about the £15 mark. | 0:40:15 | 0:40:21 | |
I'm sure our association would be pleased to pay the £15 that you want. | 0:40:21 | 0:40:25 | |
-OK, well, shall we shake on it? -Yep. | 0:40:25 | 0:40:28 | |
And I'd love to have a game. | 0:40:28 | 0:40:30 | |
With all this going on in the background, I'm itching to play. | 0:40:30 | 0:40:33 | |
So, having sold her final item in this competition, | 0:40:33 | 0:40:36 | |
Katherine takes on a new opponent. | 0:40:36 | 0:40:38 | |
Ladies and gentlemen, it's Charlie. | 0:40:38 | 0:40:41 | |
Yay! | 0:40:41 | 0:40:43 | |
Ah! | 0:40:44 | 0:40:46 | |
He's a little bit of a better player than I am and he's only three! | 0:40:48 | 0:40:52 | |
Well, that was tremendous fun but beaten by a three-year-old? | 0:40:52 | 0:40:56 | |
Yeah, but I'm not going to be beaten by you, Phil. | 0:40:56 | 0:41:00 | |
Oh, still fighting talk from Katherine but will her | 0:41:00 | 0:41:03 | |
profit of £12 for the game be enough to win this competition? | 0:41:03 | 0:41:07 | |
Before we find out whether Katherine's selling skills | 0:41:07 | 0:41:10 | |
are better then her table tennis, | 0:41:10 | 0:41:11 | |
let's remind ourselves what our experts spent in total. | 0:41:11 | 0:41:15 | |
From a £250 budget, | 0:41:16 | 0:41:18 | |
Phil made seven purchases and spent... | 0:41:18 | 0:41:20 | |
Katherine picked up five items for the minuscule amount of... | 0:41:22 | 0:41:26 | |
All of the money that Phil and Katherine have made | 0:41:27 | 0:41:30 | |
from toady's challenge will go to charities of their choice. | 0:41:30 | 0:41:33 | |
So let's find out who is today's | 0:41:33 | 0:41:35 | |
Put Your Money Where Your Mouth Is champion. | 0:41:35 | 0:41:40 | |
-Hi, lovely, how are you? -I'm very well. | 0:41:40 | 0:41:42 | |
-What fun we had at that car-boot. -What was your best car-boot moment? | 0:41:42 | 0:41:46 | |
Best car-boot moment was finding that wedding dress | 0:41:46 | 0:41:48 | |
-at the back of a huge lorry... -Oh, yeah, yeah. | 0:41:48 | 0:41:50 | |
..and then selling it to somebody | 0:41:50 | 0:41:52 | |
who is going to use it for inspiration. | 0:41:52 | 0:41:54 | |
-So it was a real journey for me. -Really? | 0:41:54 | 0:41:57 | |
Well, my best car-boot moment was my car horn which I sold to a car man. | 0:41:57 | 0:42:00 | |
-Toot-toot! -Yeah, rooty-toot-toot. He had a Bugatti. -Really? | 0:42:00 | 0:42:04 | |
A 1930s Bugatti, absolutely fantastic. | 0:42:04 | 0:42:06 | |
So not just any car, you know, the top of the tree. | 0:42:06 | 0:42:08 | |
It was just wonderful. | 0:42:08 | 0:42:10 | |
Anyway, I'm feeling a bit more confident about this one. | 0:42:10 | 0:42:13 | |
I'm feeling like I could be in deep water with this. | 0:42:13 | 0:42:15 | |
No, no, I think I might be all right here. | 0:42:15 | 0:42:17 | |
Ready, on the count of three, two, one, go! | 0:42:17 | 0:42:20 | |
KATHERINE SQUEALS | 0:42:20 | 0:42:22 | |
-Yes! -No. | 0:42:22 | 0:42:24 | |
-Great. -It must be down to those tables, remember those tables? | 0:42:24 | 0:42:28 | |
Yeah, I did say don't buy them. | 0:42:28 | 0:42:30 | |
-I'm going to go and find another programme to do. -Awe! -An easier one. | 0:42:30 | 0:42:32 | |
Or, better still, someone who's just a bit gentler with me. | 0:42:32 | 0:42:35 | |
-Who would have you? -Someone gentler with me, that's what I want. | 0:42:35 | 0:42:38 | |
So Katherine is today's winner but it couldn't have been much closer. | 0:42:38 | 0:42:43 | |
Success or failure can be measured in very fine margins. | 0:42:43 | 0:42:47 | |
In this instance, eight quid. | 0:42:47 | 0:42:50 | |
I guess, if there was a moral to this, Phil, it would be that | 0:42:50 | 0:42:54 | |
you need attention to detail for this game and I had it on that task. | 0:42:54 | 0:42:57 | |
I really found the items that would turn a profit. | 0:42:57 | 0:43:00 | |
And tomorrow our pair get to fight it out in one last hurrah, | 0:43:01 | 0:43:06 | |
as they go head-to-head in the contest to end all contests, the... | 0:43:06 | 0:43:09 |