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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:10 | |
That could present a problem for us. | 0:00:10 | 0:00:12 | |
..giving you the insider's view of the trade. | 0:00:12 | 0:00:15 | |
HE LAUGHS | 0:00:15 | 0:00:16 | |
HE GROWLS | 0:00:16 | 0:00:17 | |
Each week, one pair of duelling dealers will face a different | 0:00:17 | 0:00:20 | |
daily challenge... | 0:00:20 | 0:00:22 | |
I've got a heavy profit here. | 0:00:22 | 0:00:24 | |
-..putting their reputations on the line. -Mwak! | 0:00:24 | 0:00:27 | |
I wasn't a Girl Guide for nothing. | 0:00:27 | 0:00:28 | |
And giving you their top tips and savvy secrets... | 0:00:31 | 0:00:34 | |
Let's make hay while the sun shines. | 0:00:34 | 0:00:36 | |
..on how to make the most money from buying and selling. | 0:00:36 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:40 | |
Today, the going gets tough as the tough get going. | 0:00:42 | 0:00:46 | |
Super-seller Phil Serrell takes on hard haggling | 0:00:46 | 0:00:49 | |
Katherine Higgins in the climax of the week - the Showdown. | 0:00:49 | 0:00:52 | |
Coming up, Katherine shows she is good with numbers. | 0:00:54 | 0:00:57 | |
Hang on a second. I got maths A-level and I know that's more. | 0:00:57 | 0:01:02 | |
Phil meets a rugby superstar. | 0:01:02 | 0:01:04 | |
Well, I was hoping that I'd get...50 quid for it. | 0:01:04 | 0:01:07 | |
BEN COHEN LAUGHS | 0:01:07 | 0:01:09 | |
And there are crocodile tears at the auction. | 0:01:09 | 0:01:12 | |
Do you think you might lose 25 quid? | 0:01:12 | 0:01:15 | |
That would be sad that, wouldn't it? | 0:01:15 | 0:01:17 | |
This is Put Your Money Where Your Mouth Is. | 0:01:17 | 0:01:20 | |
Friends, Romans, and antique lovers everywhere, | 0:01:34 | 0:01:38 | |
it's time to drop everything as two of this fair isle's | 0:01:38 | 0:01:41 | |
most prestigious dealers | 0:01:41 | 0:01:43 | |
prepare for a contest in which only one can succeed | 0:01:43 | 0:01:45 | |
to the throne of victory. | 0:01:45 | 0:01:47 | |
And it's a pairing worthy of a Shakespearean tragedy. | 0:01:48 | 0:01:52 | |
First up, preparing to cry havoc, let slip the dogs of war, | 0:01:52 | 0:01:55 | |
a man who loves treading the boards of an auction house. | 0:01:55 | 0:01:59 | |
Yes, it's the king of the gavel. | 0:01:59 | 0:02:01 | |
It's Phil 'The Fox' Serrell. | 0:02:01 | 0:02:04 | |
Some wonderful things here. | 0:02:06 | 0:02:08 | |
And Phil's opponent comes in the shape of an untameably shrewd | 0:02:08 | 0:02:11 | |
fashion expert. | 0:02:11 | 0:02:13 | |
She's the tenacious queen of selling well and buying even better. | 0:02:13 | 0:02:17 | |
Of course, it is Katherine 'The Great' Higgins. | 0:02:17 | 0:02:20 | |
So much social history you can't take it all in at once. | 0:02:22 | 0:02:25 | |
Today, it's a four act drama as our noble players | 0:02:25 | 0:02:28 | |
strut and stride from stage to stage, taking in a foreign market... | 0:02:28 | 0:02:32 | |
..a car-boot sale... | 0:02:33 | 0:02:36 | |
an antiques fair and an auction. | 0:02:36 | 0:02:38 | |
Our actors have £1,000 of their own money to spend | 0:02:40 | 0:02:43 | |
and eight purchases to make. | 0:02:43 | 0:02:45 | |
But, this is the Showdown, which means that | 0:02:45 | 0:02:47 | |
just before the curtain falls, | 0:02:47 | 0:02:49 | |
they have to hope their profits don't plummet as half | 0:02:49 | 0:02:52 | |
their purchases go with trembling foot into a public auction. | 0:02:52 | 0:02:56 | |
So, Katherine Higgins and Phil Serrell, | 0:02:56 | 0:03:00 | |
it's time to put your money where your mouth is. | 0:03:00 | 0:03:03 | |
-Oh, how exciting! -This is it! This is it. | 0:03:03 | 0:03:07 | |
All week we've been at it and this is the final conflict, isn't it? | 0:03:07 | 0:03:11 | |
I am a bit anxious. But anyway, "Welcome to the mighty Showdown. | 0:03:11 | 0:03:15 | |
-"The rules are simple." -They'll need to be. -For you. -Thank you. | 0:03:15 | 0:03:19 | |
"You must each by two items at every one of your regular | 0:03:19 | 0:03:23 | |
"Put Your Money challenges. You have £1,000 to spend." | 0:03:23 | 0:03:27 | |
That's 1,000 items for you. | 0:03:27 | 0:03:28 | |
"You can sell up to four items wherever you want. | 0:03:28 | 0:03:32 | |
"The rest will be sold at the Showdown auction in direct | 0:03:32 | 0:03:35 | |
"competition to your opponent, and the winner is the expert who | 0:03:35 | 0:03:39 | |
-"makes the most profit. Good luck". -Good luck to you. | 0:03:39 | 0:03:42 | |
-Are you looking forward to the auction? -No. | 0:03:42 | 0:03:44 | |
-I do really badly in this situation. -Excellent. Excellent. | 0:03:44 | 0:03:48 | |
Hm, don't let her false modesty fool you. | 0:03:48 | 0:03:51 | |
Katherine is ready for this challenge with every | 0:03:51 | 0:03:53 | |
fibre of her being. | 0:03:53 | 0:03:55 | |
Proceedings kick off at the foreign market, | 0:03:55 | 0:03:57 | |
or rather a number of markets in the Saint-Ouen area of Paris. | 0:03:57 | 0:04:01 | |
Buying here isn't cheap at the best of times, | 0:04:01 | 0:04:04 | |
so how are our experts approaching today's challenge? | 0:04:04 | 0:04:07 | |
I think the way to perhaps try and box a bit clever is to put | 0:04:07 | 0:04:11 | |
cheap things in the auction. | 0:04:11 | 0:04:13 | |
If they don't cost much, you can't lose much. | 0:04:13 | 0:04:16 | |
My strategy today is to find pieces that are quite | 0:04:16 | 0:04:19 | |
interesting in terms of interior design. | 0:04:19 | 0:04:21 | |
So pieces that you'd really like to have in your home. | 0:04:21 | 0:04:24 | |
So, Katherine is looking for unique items to dress her home | 0:04:24 | 0:04:27 | |
while Phil doesn't mind what he buys, as long as it is cheap. | 0:04:27 | 0:04:30 | |
Very different game plans there. And speaking of games, | 0:04:30 | 0:04:34 | |
Phil spotted his first possible purchase. | 0:04:34 | 0:04:37 | |
-I might guess these haven't got much age. -No, they haven't. | 0:04:37 | 0:04:40 | |
They are replica balls. | 0:04:40 | 0:04:42 | |
-Can I buy one of those off you, please, for 40 euros? -Um... | 0:04:42 | 0:04:46 | |
-And not a penny more. -We can do a deal. | 0:04:46 | 0:04:49 | |
You're a gentleman. Thank you very much indeed. | 0:04:49 | 0:04:51 | |
Phil pays £30.30 for the rugby ball which she is hoping | 0:04:51 | 0:04:54 | |
to convert into a profit when he comes to sell. | 0:04:54 | 0:04:57 | |
If ever there was an English game, it's rugby. | 0:04:59 | 0:05:01 | |
Rugby school, sometime in the 19th century, William Webb Ellis | 0:05:01 | 0:05:05 | |
was playing football and he picked up the ball and ran with it. | 0:05:05 | 0:05:08 | |
That's how we get rugby football. | 0:05:08 | 0:05:10 | |
Now this has got no age at all. | 0:05:10 | 0:05:13 | |
It's a replica rugby ball. But I'm sort of kind of hoping... | 0:05:13 | 0:05:17 | |
..that I can find a rugby bod to sell this to. | 0:05:19 | 0:05:22 | |
So, Phil's quickfire purchase of that replica ball puts him | 0:05:24 | 0:05:27 | |
one up and he's found his feet at this Parisian market. | 0:05:27 | 0:05:30 | |
And by the looks of things, so has Katherine. | 0:05:30 | 0:05:33 | |
I think we forget today how special it is | 0:05:33 | 0:05:37 | |
when you have a handcrafted pair of shoes. | 0:05:37 | 0:05:40 | |
I mean, you just buy them... | 0:05:40 | 0:05:43 | |
-No, they are still used. -I love them. -Yeah. -Price? | 0:05:43 | 0:05:47 | |
-Meilleur. -Erm... -S'il vous plait. S'il vous plait. | 0:05:47 | 0:05:52 | |
-35 would be the best. -Alors. OK. | 0:05:52 | 0:05:56 | |
So, the wooden moulds cost Katherine £26.52, | 0:05:56 | 0:05:59 | |
but what exactly are they? | 0:05:59 | 0:06:01 | |
I've bought what a shoemaker, a real shoemaker, | 0:06:01 | 0:06:05 | |
that somebody who's got the skill of making shoes by hand | 0:06:05 | 0:06:08 | |
would have used to mould the shoes. | 0:06:08 | 0:06:11 | |
So these are bespoke pieces that were made for Professor Paolaggi. | 0:06:11 | 0:06:17 | |
I couldn't leave them behind. | 0:06:17 | 0:06:19 | |
Well, it seems the great one's plan to buy homewares today | 0:06:19 | 0:06:22 | |
hasn't panned out. | 0:06:22 | 0:06:23 | |
And when she spots a novelty circus fan, | 0:06:23 | 0:06:25 | |
she decides to blow caution to the wind yet again. | 0:06:25 | 0:06:29 | |
OK. This is breaking a few rules of mine in the sense that the condition | 0:06:29 | 0:06:32 | |
is not fantastic. | 0:06:32 | 0:06:34 | |
But what you've got to remember is this is | 0:06:34 | 0:06:37 | |
a paper fan with paper sticks, cardboard sticks. | 0:06:37 | 0:06:41 | |
So it is actually done amazingly well to even get to my hands | 0:06:41 | 0:06:46 | |
sort of 70 years after it was designed. | 0:06:46 | 0:06:51 | |
The fan cost Katherine £22.73, | 0:06:56 | 0:06:59 | |
so will it lead to a cool profit? | 0:06:59 | 0:07:02 | |
What I loved about it, first glance, | 0:07:02 | 0:07:05 | |
is this sort of verdigris colour background which is great. | 0:07:05 | 0:07:09 | |
And then these images of the circus characters. | 0:07:09 | 0:07:11 | |
And then the treat is on the back. | 0:07:11 | 0:07:14 | |
You turn it over, it's promoting a brand, | 0:07:14 | 0:07:17 | |
it gives information about the cafes in the local area in Bordeaux. | 0:07:17 | 0:07:22 | |
It's really lovely, actually. | 0:07:22 | 0:07:24 | |
So, Katherine has both purchases under her belt. | 0:07:24 | 0:07:27 | |
But Phil is nipping at her heels | 0:07:27 | 0:07:29 | |
when he picks up a pair of armorials | 0:07:29 | 0:07:30 | |
for £75.76. | 0:07:30 | 0:07:33 | |
I really like these. The guy I bought them from, | 0:07:33 | 0:07:35 | |
he said they are from the Alsace region of France, probably | 0:07:35 | 0:07:37 | |
back into the 19th century, 1860, 1880, something like that. | 0:07:37 | 0:07:41 | |
And they are basically four armorials in later frames. | 0:07:41 | 0:07:44 | |
I think they were cheap. You might well ask who's going to buy them. | 0:07:44 | 0:07:47 | |
Buy them... Who is going to buy them? Hm... | 0:07:47 | 0:07:49 | |
Phil not sounding exactly confident there. | 0:07:49 | 0:07:52 | |
And his ego takes a further bashing | 0:07:52 | 0:07:54 | |
when Katherine turns up to give her twopence worth. | 0:07:54 | 0:07:57 | |
What's happened? Something's wrong with them. The whole thing is... | 0:07:57 | 0:08:00 | |
The holes, there are holes everywhere. They're... | 0:08:00 | 0:08:02 | |
Don't hold back, love. You say what you think. | 0:08:02 | 0:08:05 | |
You can rest assured Katherine will always do that, Phil. | 0:08:06 | 0:08:08 | |
Which brings us to the end of Round One. | 0:08:08 | 0:08:10 | |
So let's take a glance at the score sheet. | 0:08:10 | 0:08:12 | |
Both our experts started out with £1,000 of their own money. | 0:08:14 | 0:08:18 | |
Phil has so far spent £106.06, | 0:08:18 | 0:08:21 | |
leaving just under £894 | 0:08:21 | 0:08:23 | |
in his kitty. | 0:08:23 | 0:08:25 | |
While Katherine is playing it safe and has only forked out £49.25, | 0:08:25 | 0:08:30 | |
leaving over £950 left to spend. | 0:08:30 | 0:08:33 | |
And so it's straight on to Round Two, the car-boot sale. | 0:08:35 | 0:08:39 | |
Our determined dealers dart down to Ford Airfield in Sussex | 0:08:39 | 0:08:42 | |
and both are aware of all that money burning holes in their pockets. | 0:08:42 | 0:08:47 | |
I'm looking for things that can go into auction. | 0:08:47 | 0:08:50 | |
So, ideally, things that are quite big. | 0:08:50 | 0:08:53 | |
It's going to be a big day for Katherine The Great. | 0:08:53 | 0:08:56 | |
I've got nearly £900 in my pocket. | 0:08:56 | 0:08:59 | |
Now, at a car boot, | 0:08:59 | 0:09:01 | |
there will be some stalls I'll be able to buy everything on them. | 0:09:01 | 0:09:04 | |
I think so. | 0:09:04 | 0:09:05 | |
Yes. It might be tricky to make a dent in their kitties here, | 0:09:06 | 0:09:09 | |
but Phil is never shy to spend when there is a potential profit | 0:09:09 | 0:09:13 | |
in the offing. | 0:09:13 | 0:09:14 | |
And he's the first to strike as he spots a rusty old cabinet. | 0:09:14 | 0:09:18 | |
-It's nice, look. -It's actually horrid. | 0:09:19 | 0:09:22 | |
But I bought it. I delivered two of these to a fella's house... | 0:09:23 | 0:09:27 | |
Cos I'll polish one and he said, "If you had touched it, | 0:09:27 | 0:09:31 | |
"I wouldn't have wanted it." | 0:09:31 | 0:09:32 | |
-It looks like it is 30 quid to me. -I can't. | 0:09:32 | 0:09:35 | |
-It would hurt me at 30 quid. -How much pain can you take? | 0:09:35 | 0:09:38 | |
-Another fiver. 45 quid. That is definitely... -40 quid. | 0:09:39 | 0:09:42 | |
I'll tell you what we're going to do. | 0:09:42 | 0:09:44 | |
Listen, £42.50, just so I can tell my mates I won. | 0:09:44 | 0:09:48 | |
-CHUCKLES: -Go on. | 0:09:48 | 0:09:50 | |
-Done. -I have been absolutely kippered. | 0:09:50 | 0:09:52 | |
I want me handle back. | 0:09:52 | 0:09:54 | |
THEY LAUGH | 0:09:54 | 0:09:56 | |
It's a rusting, filthy, horrible cabinet. | 0:09:56 | 0:10:00 | |
-Character! -And I've just given my new best mate here... | 0:10:00 | 0:10:03 | |
-That's what it's called. -..£42.50 for it. | 0:10:03 | 0:10:06 | |
One of us is mad and it's not him. | 0:10:06 | 0:10:10 | |
Oh, dear. Still, the good thing is he can now learn his lesson | 0:10:10 | 0:10:12 | |
and go for something a little bit more... Eh, what's this? | 0:10:12 | 0:10:15 | |
Ah, another broken cupboard. | 0:10:15 | 0:10:18 | |
You can have 15 quid and not a penny more. | 0:10:18 | 0:10:20 | |
-That'll do. -I don't like the way his hand's come out so quick. | 0:10:20 | 0:10:22 | |
The two broken bits I've been trying to get rid of for weeks. | 0:10:22 | 0:10:25 | |
I've just been done again. | 0:10:25 | 0:10:27 | |
So, with his rusty cabinet and broken cupboard, | 0:10:27 | 0:10:30 | |
Phil's car-boot buys are over before the day has even begun. | 0:10:30 | 0:10:33 | |
Now, Katherine's plan was to buy something big at the car boot | 0:10:33 | 0:10:36 | |
and, yet again, her strategy appears long-lost. | 0:10:36 | 0:10:40 | |
She's not a porcelain doll, she's not a top-end porcelain doll. | 0:10:41 | 0:10:45 | |
She's a halfway house between that | 0:10:45 | 0:10:47 | |
and the emergence of plastic as we know it in hard plastic dolls. | 0:10:47 | 0:10:51 | |
And so in this sort of 1930s period, | 0:10:51 | 0:10:54 | |
you get dolls that look as good as porcelain, but are made from fabric. | 0:10:54 | 0:10:59 | |
Katherine pays £40 for the doll and heads to find her fourth buy. | 0:10:59 | 0:11:03 | |
Now, with so many quirky | 0:11:03 | 0:11:04 | |
and wonderful objects to choose from at this car boot, | 0:11:04 | 0:11:08 | |
our queen of vintage appears to be casting a wide net. | 0:11:08 | 0:11:11 | |
But is this box of fishing reels way out of her depth? | 0:11:11 | 0:11:14 | |
Talk to me about fishing. What is this, then? | 0:11:14 | 0:11:17 | |
-How much time have you got? -Oh, no, don't tell me the whole... | 0:11:17 | 0:11:20 | |
-What do you want me to tell you? -Well... | 0:11:20 | 0:11:22 | |
The big reel in your hand is an Allcock Commodore. | 0:11:22 | 0:11:24 | |
-That was made in the -'50s. Yes. | 0:11:24 | 0:11:26 | |
The one that is sitting in the box that's similar was made in the '30s. | 0:11:26 | 0:11:30 | |
It's got the brass feet on it, you see? | 0:11:30 | 0:11:32 | |
But if you wanted the box to go to auction with... | 0:11:32 | 0:11:34 | |
Yeah, that's what I was thinking. | 0:11:34 | 0:11:35 | |
I'll give you that box for 90 and you'd make good money on that. | 0:11:35 | 0:11:38 | |
-Or a bit less than 90. -Erm, what about 91? | 0:11:38 | 0:11:41 | |
-I can't count. -Now hang on a second. | 0:11:42 | 0:11:44 | |
-I got maths A-level and I know that's more. -Ask me what's the best. | 0:11:44 | 0:11:49 | |
-Yeah, what is the best? -150. That's better than 90, isn't it? -No! Nooo! | 0:11:49 | 0:11:55 | |
Give me 85 and we'll have a deal. | 0:11:55 | 0:11:57 | |
-I tell you what, I'd love to do 75. -Would you? -I'd love it. | 0:11:57 | 0:12:01 | |
I'll shake your hand. Go on, I'll shake your hand at 75. | 0:12:01 | 0:12:04 | |
What caught my eye was one particular reel that | 0:12:04 | 0:12:07 | |
reminded me of a camera case. So I sort of recognised the quality | 0:12:07 | 0:12:12 | |
and the period aspect of some of the reels. | 0:12:12 | 0:12:14 | |
That's an attractive aspect from my point of view. | 0:12:14 | 0:12:18 | |
I think that it's worth sometimes just getting out of your depth | 0:12:18 | 0:12:22 | |
and giving it a go. | 0:12:22 | 0:12:24 | |
Katherine reels in another purchase and brings us to the | 0:12:24 | 0:12:27 | |
halfway point of the buying. | 0:12:27 | 0:12:29 | |
So let's see the scores on the doors. | 0:12:29 | 0:12:32 | |
Our experts each started with £1,000. | 0:12:32 | 0:12:35 | |
Phil's four items have cost him £163.56, | 0:12:35 | 0:12:39 | |
leaving over £836 | 0:12:39 | 0:12:41 | |
for the remaining two rounds. | 0:12:41 | 0:12:43 | |
Katherine has spent a smidge more - £164.25, | 0:12:43 | 0:12:48 | |
leaving over £835 for her to spend. | 0:12:48 | 0:12:51 | |
Next up, Round Three takes us to an antiques fair in Donington. | 0:12:54 | 0:12:58 | |
Things couldn't be closer in terms of the spending, | 0:12:58 | 0:13:01 | |
so before delving into the stalls, our battling buyers collide. | 0:13:01 | 0:13:05 | |
-How are you doing? -Well, it's not going that well. | 0:13:06 | 0:13:08 | |
-The thing is, we each got a huge chunk of money, haven't we? -I know. | 0:13:08 | 0:13:11 | |
But I've got a bit of a plan cos out of the four things I bought | 0:13:11 | 0:13:14 | |
so far, I've sort of kind of got two things set up for auction. You? | 0:13:14 | 0:13:19 | |
I'm kind of in the same situation. | 0:13:19 | 0:13:21 | |
But I need two more things here for the auction. | 0:13:21 | 0:13:24 | |
And I just don't know, I mean, | 0:13:24 | 0:13:27 | |
where I'm going to start actually. | 0:13:27 | 0:13:28 | |
Quite honestly. | 0:13:28 | 0:13:30 | |
-If you go to the door at the end. -Yeah. -And then turn right. -Yeah. | 0:13:30 | 0:13:33 | |
-That's out. -Yeah. Bye-bye. | 0:13:33 | 0:13:36 | |
Yes, Phil there trying to win the contest | 0:13:36 | 0:13:38 | |
by eliminating the competition. | 0:13:38 | 0:13:40 | |
A more sure-fire way of course is to buy with profit in mind. | 0:13:40 | 0:13:44 | |
And he thinks he does just that when he picks up a display item for £15. | 0:13:44 | 0:13:48 | |
Do you know what? That's quite a cool thing. | 0:13:49 | 0:13:51 | |
I mean, it looks like it is '60s, | 0:13:51 | 0:13:53 | |
it might be a little bit later than that. | 0:13:53 | 0:13:54 | |
But what a great shop window dressing. | 0:13:54 | 0:13:57 | |
You know, if you got a jewellers | 0:13:57 | 0:13:58 | |
and got some really lovely gold chains or perhaps a pearl | 0:13:58 | 0:14:02 | |
necklace hanging from here, that would look so cool. | 0:14:02 | 0:14:06 | |
Yes, Phil is hoping his hand will hand him a victory. | 0:14:06 | 0:14:09 | |
But Katherine has decided to brave the weather and visit | 0:14:09 | 0:14:12 | |
the outside part of the market where she has found an unusual device. | 0:14:12 | 0:14:16 | |
-Do you know what this is for? -It's a check in. -It is a check in. | 0:14:16 | 0:14:19 | |
That's what I thought was for... | 0:14:19 | 0:14:20 | |
So when you go into the office or something, you just tu-du-du | 0:14:20 | 0:14:23 | |
-and you... -That's right. | 0:14:23 | 0:14:24 | |
It's a very good one actually. It's one of the better manufacturers. | 0:14:24 | 0:14:27 | |
-What price are you suggesting for it? -Well, I've got 70 on it. | 0:14:27 | 0:14:31 | |
-I'd like it at 55. -Well... | 0:14:31 | 0:14:34 | |
It's a reasonable bid but I think we should meet down in the middle | 0:14:34 | 0:14:37 | |
there somewhere at 60 and... | 0:14:37 | 0:14:39 | |
-60 and shake on it. -60 and shake on it. Why not? | 0:14:39 | 0:14:42 | |
So what I've bought is a time recorder, | 0:14:43 | 0:14:45 | |
the kind of piece that we don't use today, | 0:14:45 | 0:14:47 | |
but we would have in working life in the past where you put a card in | 0:14:47 | 0:14:52 | |
and punch it and it records the time and the date that you started work. | 0:14:52 | 0:14:56 | |
I'd love to see it fly because it's a really interesting piece | 0:14:56 | 0:15:00 | |
of social history and social working history. | 0:15:00 | 0:15:04 | |
Yes, time is ticking for our experts and Phil has moved on to | 0:15:04 | 0:15:08 | |
his next purchase picking up a decorative shield for £25. | 0:15:08 | 0:15:12 | |
It's tin. It's painted. | 0:15:12 | 0:15:14 | |
It's trying to look like it's 1700-and-something. | 0:15:14 | 0:15:17 | |
But it's actually 1900-and-something. | 0:15:17 | 0:15:20 | |
I would think probably 1950s. | 0:15:20 | 0:15:22 | |
If I can find somebody who has got a pub...called The Swan... | 0:15:22 | 0:15:26 | |
You never know, do you? | 0:15:28 | 0:15:30 | |
Phil hoping to swan off with a profit on the shield | 0:15:30 | 0:15:33 | |
while an item of jewellery has caught Katherine's eye. | 0:15:33 | 0:15:36 | |
It's quite a nice setting that, isn't it? | 0:15:37 | 0:15:39 | |
It's very pretty. | 0:15:39 | 0:15:40 | |
But it's got to be the ultimate engagement ring, hasn't it? | 0:15:40 | 0:15:43 | |
-Just need a bride on the day. -That would be quite handy. | 0:15:43 | 0:15:46 | |
I don't suppose we could go for 70, can we? | 0:15:46 | 0:15:48 | |
-85, but I cannot do it for a penny less. -It's a deal. 85. -OK. | 0:15:48 | 0:15:54 | |
Do you know what? | 0:15:54 | 0:15:55 | |
Had we met 30 years ago, this could have been oh so very different. | 0:15:55 | 0:15:59 | |
-Shall I get down on one knee now? -Sadly, I'm taken. -Oh. | 0:15:59 | 0:16:02 | |
Aw, Katherine is breaking hearts, but will she break into a profit | 0:16:02 | 0:16:06 | |
when she tries to sell it on? | 0:16:06 | 0:16:07 | |
When I looked at it quite closely, you can see that it is actually | 0:16:07 | 0:16:10 | |
what we call illusion set, so it's made up | 0:16:10 | 0:16:12 | |
of a number of diamonds which, when put together | 0:16:12 | 0:16:17 | |
in a clever setting, make it look | 0:16:17 | 0:16:19 | |
as though it is one solid carat of diamond. | 0:16:19 | 0:16:21 | |
It's the ultimate engagement ring. Well, that's what I think, anyway. | 0:16:21 | 0:16:25 | |
And Katherine is certainly fully engaged with this battle. | 0:16:26 | 0:16:29 | |
So as we reach the end of Round Three, let's check on the money. | 0:16:29 | 0:16:32 | |
Both our experts started the Showdown | 0:16:35 | 0:16:37 | |
with £1,000 of their own cash. | 0:16:37 | 0:16:40 | |
Phil has still spent under a quarter of his budget, | 0:16:40 | 0:16:42 | |
having forked out £203.56, | 0:16:42 | 0:16:45 | |
leaving over £796 in his kitty. | 0:16:45 | 0:16:48 | |
Katherine is flouting her spend-thrift reputation | 0:16:49 | 0:16:52 | |
and has splashed out £309.25, | 0:16:52 | 0:16:56 | |
going into Round Four | 0:16:56 | 0:16:57 | |
with just under £691. | 0:16:57 | 0:16:59 | |
And in this case, Round Four is the Bellmans Auction in West Sussex. | 0:17:02 | 0:17:06 | |
And while Katherine sees what is available, | 0:17:06 | 0:17:08 | |
auctioneer Phil has come up with a clever plan to increase his chances. | 0:17:08 | 0:17:13 | |
This is the last of a three-day sale | 0:17:13 | 0:17:15 | |
and the auction estimates in this catalogue are really punching hot. | 0:17:15 | 0:17:19 | |
I need to try to buy something cheap. I know the auctioneer. | 0:17:19 | 0:17:22 | |
I'm going to see if he can find me something that hasn't sold | 0:17:22 | 0:17:26 | |
over the last two days that might just, well, fit a foxlike bill. | 0:17:26 | 0:17:31 | |
So, Phil has a sneaky meeting with auctioneer JP | 0:17:32 | 0:17:36 | |
before the sale begins. | 0:17:36 | 0:17:38 | |
I can find you something definitely. But you don't mind if it is ceramic, | 0:17:38 | 0:17:41 | |
you don't mind if it's silver, you don't mind if it's furniture? | 0:17:41 | 0:17:44 | |
Uh, as long as it's not too big for me to lift | 0:17:44 | 0:17:47 | |
or take out or whatever, but, no. | 0:17:47 | 0:17:49 | |
So, with the promise of a post-sale purchase, Phil can relax a little. | 0:17:49 | 0:17:53 | |
Meanwhile, Katherine has to do things the conventional way | 0:17:53 | 0:17:56 | |
and is viewing a lot of museum cases containing airship fragments. | 0:17:56 | 0:18:00 | |
So the first case relates to England in the First World War, | 0:18:02 | 0:18:07 | |
particularly on the night of 3 September, 1916, | 0:18:07 | 0:18:11 | |
one of our great, great aviation heroes shot down the airship. | 0:18:11 | 0:18:16 | |
It crashed to the ground and fragments were scattered everywhere. | 0:18:16 | 0:18:19 | |
So what you're looking at are fragments from that airship. | 0:18:19 | 0:18:23 | |
Also, in the same lot, | 0:18:23 | 0:18:25 | |
we move onto the interwar period when Graf Zeppelin was flying. | 0:18:25 | 0:18:31 | |
It was the largest airship ever built. | 0:18:31 | 0:18:32 | |
And here is a piece of the Graf Zeppelin. | 0:18:32 | 0:18:35 | |
So, Katherine marks her lot and the auction gets underway. | 0:18:35 | 0:18:39 | |
Morning, everyone. Welcome to our Friday sale. | 0:18:39 | 0:18:42 | |
And it is the Zeppelin pieces that come up first. | 0:18:42 | 0:18:46 | |
Oh, this is it. Exciting. | 0:18:46 | 0:18:49 | |
I like Led Zeppelin. | 0:18:49 | 0:18:50 | |
90 I have. | 0:18:50 | 0:18:51 | |
£90, where is 5? | 0:18:51 | 0:18:53 | |
95. 100, seated. 110. | 0:18:53 | 0:18:56 | |
120, 130, 140. | 0:18:56 | 0:18:59 | |
She's got a very determined look, hasn't she? | 0:18:59 | 0:19:02 | |
It's £180 and selling, fair warning. | 0:19:02 | 0:19:04 | |
After auction costs, Katherine wins her lot for £223.20. | 0:19:05 | 0:19:09 | |
Now, Phil is up next as he spots a pair of antique wooden planters | 0:19:09 | 0:19:13 | |
going cheap. | 0:19:13 | 0:19:15 | |
All done, selling. £30. | 0:19:15 | 0:19:17 | |
He spends £37.20 on them, | 0:19:18 | 0:19:21 | |
sticking to his spend-low strategy it seems. | 0:19:21 | 0:19:23 | |
It's at times like this you realise that perhaps | 0:19:24 | 0:19:26 | |
I should have looked a little bit closer. | 0:19:26 | 0:19:29 | |
I don't think they're that bad. | 0:19:29 | 0:19:30 | |
What I really need is someone with a very, very, very small flat | 0:19:30 | 0:19:34 | |
in London with a very, very, very small window. | 0:19:34 | 0:19:38 | |
And then this is their very, very, very small window box. | 0:19:38 | 0:19:42 | |
Next up, Katherine has marked a novelty nutcracker. | 0:19:42 | 0:19:45 | |
Oh, it's the next lot, so I've got to listen to this. | 0:19:45 | 0:19:48 | |
It's got an upper estimate of £150, | 0:19:48 | 0:19:50 | |
and our queen of treen jumps in on the action. | 0:19:50 | 0:19:53 | |
Hiding at the back there at 95. Anyone at £95? 100 just in. | 0:19:53 | 0:19:57 | |
But it quickly goes up. | 0:19:57 | 0:19:59 | |
-140. -140's bid. "No," he says. It's 140... | 0:19:59 | 0:20:02 | |
Ooh, I might get it. | 0:20:02 | 0:20:04 | |
The hammer settles on £140. | 0:20:04 | 0:20:06 | |
With costs, that's £173.60. | 0:20:06 | 0:20:09 | |
But will it help her crack open a profit? | 0:20:09 | 0:20:11 | |
You just pop your little nut in, twist the handle, | 0:20:11 | 0:20:15 | |
screw it up, open your walnut and then you take it out. | 0:20:15 | 0:20:19 | |
Late-19th century, early-20th century, made of yew wood. | 0:20:19 | 0:20:23 | |
It's what we call a piece of treen, | 0:20:23 | 0:20:25 | |
so it's a really nicely carved and richly patternated piece of wood. | 0:20:25 | 0:20:29 | |
I've just got to find somebody who is nutty enough to love it. | 0:20:29 | 0:20:31 | |
And with that, the hammer falls on Katherine's buying. | 0:20:31 | 0:20:35 | |
But Phil's earlier plan comes to a head in the back storeroom, | 0:20:35 | 0:20:39 | |
and true to JP's words, | 0:20:39 | 0:20:41 | |
he's found Phil a rather broken Victorian pole screen. | 0:20:41 | 0:20:45 | |
Not the finest condition, but it is old. It's a Victorian one. | 0:20:46 | 0:20:48 | |
That would have sat on there. | 0:20:48 | 0:20:50 | |
And then this would have gone on there. | 0:20:50 | 0:20:54 | |
And then this was designed, wasn't it, so that a lady who sat | 0:20:54 | 0:20:56 | |
by a fire, basically her make-up didn't run or whatever | 0:20:56 | 0:20:59 | |
and it kept the heat from her, yeah? | 0:20:59 | 0:21:00 | |
-Exactly. -What's the absolute finish on that? | 0:21:00 | 0:21:02 | |
-To you, it's a tenner. Can have it for -£10. A tenner? | 0:21:02 | 0:21:05 | |
You are a gentleman, sir. | 0:21:05 | 0:21:06 | |
So, Phil's initiative gets in the pole screen parts for £10, | 0:21:06 | 0:21:10 | |
and since he has bought it outside the auction, | 0:21:10 | 0:21:12 | |
there are no extra costs. | 0:21:12 | 0:21:14 | |
With their buying done, | 0:21:14 | 0:21:16 | |
let's find out what they've spent across the four rounds. | 0:21:16 | 0:21:18 | |
From his £1,000, Phil Serrell has played a very cautious game | 0:21:21 | 0:21:25 | |
and ended up spending a paltry | 0:21:25 | 0:21:28 | |
£250.76. | 0:21:28 | 0:21:31 | |
Katherine Higgins wasn't much further ahead until the auction, | 0:21:31 | 0:21:34 | |
when a couple of big purchases pushed her total up | 0:21:34 | 0:21:37 | |
to £706.05. | 0:21:37 | 0:21:38 | |
We've witnessed two very different strategies in the buying, | 0:21:40 | 0:21:43 | |
so what will they make of each other's wares? | 0:21:43 | 0:21:46 | |
The sum total of a week's shopping. | 0:21:48 | 0:21:50 | |
-There is a certain contrast here, isn't there? -Yeah. | 0:21:50 | 0:21:53 | |
I'm really worried about you leaning on that very rusty, old piece of... | 0:21:53 | 0:21:56 | |
-This is quality. -OK. | 0:21:56 | 0:21:58 | |
This is a quality item. | 0:21:58 | 0:22:00 | |
-Now, listen, when you're knocking this... -Yes. | 0:22:00 | 0:22:03 | |
..at least it didn't crash and burn. | 0:22:03 | 0:22:06 | |
It's aviation history. | 0:22:06 | 0:22:08 | |
A bit of airship glamour with, erm...Graf Zeppelin. | 0:22:08 | 0:22:10 | |
-Sorry, sorry? Glamour? -Glamour! | 0:22:10 | 0:22:12 | |
The Graf Zeppelin. Glamorous. | 0:22:12 | 0:22:14 | |
It was...it was the place to be seen in the 1930s. | 0:22:14 | 0:22:17 | |
-You have outspent me, haven't you? -I have...somehow. I don't know how. | 0:22:17 | 0:22:21 | |
I got in a bit of a panic that I had to spend money | 0:22:21 | 0:22:23 | |
cos you... I listen to what you say. | 0:22:23 | 0:22:25 | |
And I spent, I think, just over £700. | 0:22:25 | 0:22:29 | |
So, all we've got to do now | 0:22:29 | 0:22:30 | |
is decide what we're going to put into auction. | 0:22:30 | 0:22:32 | |
HE BANGS LOUDLY | 0:22:32 | 0:22:34 | |
Or what the auction house will accept. | 0:22:34 | 0:22:37 | |
-I'll see you there. -Absolutely. | 0:22:37 | 0:22:39 | |
Now, our shooting stars must become stellar sellers | 0:22:44 | 0:22:48 | |
as they face the final frontier. | 0:22:48 | 0:22:51 | |
Each hoping to make a big bang as all that buying matter | 0:22:51 | 0:22:54 | |
explodes into a galaxy of powerful profits. | 0:22:54 | 0:22:58 | |
Half of their items will be sold privately, half at the auction. | 0:22:58 | 0:23:02 | |
So, over in Worcester, what tricks has Phil got up his sleeve? | 0:23:02 | 0:23:07 | |
So, my pot cupboard, my pole screen, my shield... | 0:23:07 | 0:23:12 | |
-HE BANGS LOUDLY -..and this little beauty | 0:23:12 | 0:23:14 | |
are all going into auction. They might not just look like they do now | 0:23:14 | 0:23:18 | |
when you see them next. | 0:23:18 | 0:23:19 | |
Because this, for example, that's going to have a really lovely, | 0:23:19 | 0:23:23 | |
vintage, warehouse look to it. So, the rugby ball, | 0:23:23 | 0:23:26 | |
I'm really hoping is going to take me on a story. | 0:23:26 | 0:23:28 | |
The planters... I haven't quite decided with those yet. | 0:23:28 | 0:23:31 | |
And these armorials would be great just to try and find out | 0:23:31 | 0:23:35 | |
where they've come from. And that, I mean, well... | 0:23:35 | 0:23:38 | |
there's no harm in that, is there? | 0:23:38 | 0:23:41 | |
Phil thinks he is pretty HANDY when it comes to strategising. | 0:23:41 | 0:23:44 | |
So, over in Guilford, how is Katherine's game plan shaping up? | 0:23:44 | 0:23:48 | |
I've selected the things that I think would work for auction, | 0:23:48 | 0:23:52 | |
which is the zeppelin memorabilia. | 0:23:52 | 0:23:54 | |
All my fishing items have to go into auction. They're perfect. | 0:23:54 | 0:23:58 | |
The doll, she's lovely. | 0:23:58 | 0:23:59 | |
She's a typical period treasure that people will love. | 0:23:59 | 0:24:02 | |
And the ring... | 0:24:02 | 0:24:03 | |
Erm, I've just discovered it's an evening sale | 0:24:03 | 0:24:06 | |
in London and I'm guessing it's going to be full of romantics. | 0:24:06 | 0:24:10 | |
So, I have high hopes for that ring. | 0:24:10 | 0:24:11 | |
The other pieces, I'm going to sell privately. | 0:24:11 | 0:24:14 | |
I'm confident about three out of four. | 0:24:14 | 0:24:17 | |
It's going to be quite a challenge to wind the clock back | 0:24:17 | 0:24:20 | |
and find a buyer for my timepiece, | 0:24:20 | 0:24:23 | |
but hey, I love a challenge! | 0:24:23 | 0:24:26 | |
With the shoe last, the fan and the nutcracker as well, | 0:24:26 | 0:24:29 | |
Katherine will need to find a path to profit. | 0:24:29 | 0:24:32 | |
Now, our experts must get down to the research to find a buyer | 0:24:32 | 0:24:35 | |
for every item knowing that no deal is sealed until a hand is shaken. | 0:24:35 | 0:24:40 | |
And first off the mark is Phil in Worcester | 0:24:40 | 0:24:43 | |
with the black glove model that made a £15 hole in his pocket | 0:24:43 | 0:24:47 | |
at the antiques fair. | 0:24:47 | 0:24:49 | |
I'm here to see local jeweller Anja and I'm hoping that she shares | 0:24:49 | 0:24:53 | |
my vision that this delicate, little hand will display | 0:24:53 | 0:24:56 | |
her pearls and jewellery to good effect in her window. | 0:24:56 | 0:25:00 | |
I bought this particularly with you in mind, OK? | 0:25:01 | 0:25:04 | |
-Cos I thought in your window... -Yes. | 0:25:04 | 0:25:06 | |
..with that holding a pearl necklace or something like that. | 0:25:06 | 0:25:10 | |
I thought the colour of the pearls with the contrast, | 0:25:10 | 0:25:13 | |
-that would look really, really good. -Black and white. | 0:25:13 | 0:25:15 | |
-What do you reckon? -Yes, very good idea. -How much are these pearls? | 0:25:15 | 0:25:18 | |
Eh, 4,800. | 0:25:18 | 0:25:20 | |
-Sorry? -4,800. | 0:25:20 | 0:25:22 | |
Do you want the good news? | 0:25:22 | 0:25:24 | |
My hand is not £4,800. | 0:25:24 | 0:25:26 | |
-SHE LAUGHS -It's not even £480. | 0:25:26 | 0:25:29 | |
-But if you knock the four off... -Yes. | 0:25:30 | 0:25:32 | |
..you might be getting close to... | 0:25:32 | 0:25:34 | |
-SHE SQUEALS INQUISITIVELY -What do you think? | 0:25:34 | 0:25:36 | |
-And we could use it for our window display? -It would... | 0:25:36 | 0:25:38 | |
Well, I just thought it would look really cool, wouldn't it? | 0:25:38 | 0:25:41 | |
Oh, it would be good! Yeah, that would be good. £60, deal? | 0:25:41 | 0:25:45 | |
-I'll meet you in the middle. -OK. | 0:25:45 | 0:25:47 | |
The glove model hands Phil a first profit of... | 0:25:47 | 0:25:51 | |
Well done, Mr Serrell. | 0:25:51 | 0:25:52 | |
So, it's over to Katherine now | 0:25:52 | 0:25:54 | |
who's kicking off her sales away from home. | 0:25:54 | 0:25:57 | |
She's travelled all the way to Birmingham | 0:25:57 | 0:25:59 | |
with the hopes of finding a cracking profit. | 0:25:59 | 0:26:02 | |
I've tracked down this specialist dealer who just adores | 0:26:02 | 0:26:05 | |
everything to do with wood. | 0:26:05 | 0:26:06 | |
She specialises in treen and I think she will love it. | 0:26:06 | 0:26:11 | |
But, will Sally, the wood-loving lady, | 0:26:11 | 0:26:13 | |
give Katherine a profit on the £173 she paid? | 0:26:13 | 0:26:17 | |
What I found you is this. | 0:26:17 | 0:26:20 | |
Oh, right. OK. | 0:26:20 | 0:26:21 | |
-So, it couldn't be more wooden... -No, that's true. | 0:26:21 | 0:26:24 | |
-..which is...which is a good sign. -Yeah. | 0:26:24 | 0:26:26 | |
This is, sort of, a 19th-century | 0:26:26 | 0:26:29 | |
sort of Swiss or French nutcracker, but it's nice because it's yew wood. | 0:26:29 | 0:26:32 | |
Yew wood is the nicest. | 0:26:32 | 0:26:33 | |
-Well, I have clearly brought the right thing to the right place. -Yeah. | 0:26:33 | 0:26:36 | |
So, I'd like to suggest starting around about 220, | 0:26:36 | 0:26:41 | |
something like that. | 0:26:41 | 0:26:42 | |
-190. -190. I think 190 would be...would be fantastic. | 0:26:42 | 0:26:46 | |
-Yeah? -I'd be delighted with that. | 0:26:46 | 0:26:48 | |
Katherine shakes on the deal and makes a modest profit of... | 0:26:48 | 0:26:52 | |
..and staying in the Midlands, | 0:26:52 | 0:26:54 | |
decides to try and sell her clock device. | 0:26:54 | 0:26:57 | |
I've brought my time recorder to Atherstone in Warwickshire | 0:26:57 | 0:26:59 | |
where I found this lovely, little cafe, | 0:26:59 | 0:27:01 | |
which is totally 1940s-themed. | 0:27:01 | 0:27:03 | |
And I think the owner will really like this | 0:27:03 | 0:27:06 | |
because I've dated it to 1940. | 0:27:06 | 0:27:08 | |
-IMITATES OLD-FASHIONED BROADCASTER: -Yes, it's chocks away, | 0:27:08 | 0:27:11 | |
or should that be 'clocks away', for this plucky dealer | 0:27:11 | 0:27:13 | |
as she hopes to wave goodbye to the clock | 0:27:13 | 0:27:15 | |
for which she paid 60 of Her Majesty's pounds. | 0:27:15 | 0:27:19 | |
Simon, I...I feel I am totally in the right place | 0:27:19 | 0:27:22 | |
for what I've brought you. | 0:27:22 | 0:27:24 | |
Literally, I cannot move my head | 0:27:24 | 0:27:26 | |
but see something from the 1940s within view. | 0:27:26 | 0:27:29 | |
I mean, it's incredible what you've brought together. | 0:27:29 | 0:27:32 | |
Yeah, we just, sort of, dropped them a theme that people are... | 0:27:32 | 0:27:36 | |
thoroughly enjoying. | 0:27:36 | 0:27:37 | |
What I brought you is a time recording machine by Gledhill-Brook. | 0:27:37 | 0:27:41 | |
When we open it up, you can see there's a serial number inside | 0:27:41 | 0:27:45 | |
and I've dated that to 1940, 1941, | 0:27:45 | 0:27:48 | |
-between those two very precise years. -Yeah, OK. | 0:27:48 | 0:27:51 | |
So, it fits beautifully with here. | 0:27:51 | 0:27:54 | |
It's definitely a talking point. | 0:27:54 | 0:27:56 | |
You can see it's such good quality. | 0:27:56 | 0:27:58 | |
If it's working, we could even use it. | 0:27:58 | 0:28:00 | |
I don't know whether the staff would agree with that, but, yeah. | 0:28:00 | 0:28:03 | |
So, I would love you to have it at something | 0:28:03 | 0:28:05 | |
around about the, sort of... | 0:28:05 | 0:28:08 | |
£70, £75 mark would sit quite nicely with me. | 0:28:08 | 0:28:12 | |
-70. -70? -OK. | 0:28:12 | 0:28:13 | |
With that, Katherine clocks off with a profit of... | 0:28:13 | 0:28:17 | |
..and Simon's staff will have to be on time from now on. Hmph! | 0:28:17 | 0:28:20 | |
Meanwhile, Phil still has his replica rugby ball to sell | 0:28:20 | 0:28:24 | |
and he's about to tackle the perfect buyer. | 0:28:24 | 0:28:27 | |
If you've got an England match ball, | 0:28:28 | 0:28:31 | |
what better person to sell it to | 0:28:31 | 0:28:32 | |
than someone who's played rugby for England? | 0:28:32 | 0:28:35 | |
I'm hoping that I can convert this into a profit. | 0:28:35 | 0:28:38 | |
Yes, Phil is going to meet former England rugby player | 0:28:40 | 0:28:42 | |
and charity fundraiser Ben Cohen | 0:28:42 | 0:28:45 | |
with a ball that cost him just over £30 in France. | 0:28:45 | 0:28:48 | |
-Look what I've brought... -What have you got for me here? | 0:28:48 | 0:28:51 | |
..specially for you. Look, an England match ball. | 0:28:51 | 0:28:53 | |
-BEN SIGHS AND CHUCKLES -Brand-new, brand-new. But I was | 0:28:53 | 0:28:55 | |
thinking if you signed that, Ben Cohen, | 0:28:55 | 0:28:58 | |
then you could get some unsuspecting auctioneer to flog it for you... | 0:28:58 | 0:29:01 | |
-Yeah. -..you could make a huge amount of money at one of your dos. | 0:29:01 | 0:29:04 | |
I... My next dinner is coming up soon, | 0:29:04 | 0:29:06 | |
so I could do with a ball like this. | 0:29:06 | 0:29:08 | |
Well, I was hoping that I'd get 50 quid for it. | 0:29:08 | 0:29:12 | |
-BEN LAUGHS -So, how much are you going to...? | 0:29:12 | 0:29:14 | |
The laugh says it all, doesn't it? | 0:29:14 | 0:29:16 | |
I can tell you now, it cost me 30 quid. | 0:29:16 | 0:29:18 | |
Anything that you offer me, I will take | 0:29:18 | 0:29:20 | |
-cos I know you are a fair man. -HE LAUGHS | 0:29:20 | 0:29:22 | |
-All right? Anything you offer me. -Well, you... If it cost you 30... | 0:29:22 | 0:29:26 | |
-and you want 50. -I'll meet you halfway. | 0:29:26 | 0:29:28 | |
I'll meet you halfway. | 0:29:28 | 0:29:30 | |
Ben squeezes on the deal | 0:29:30 | 0:29:32 | |
and Phil pops a profit of... | 0:29:32 | 0:29:34 | |
..into his pot. | 0:29:34 | 0:29:36 | |
Now, neither of our experts seem to be making much of a runaway | 0:29:36 | 0:29:39 | |
profit, so when Katherine runs away to the circus, | 0:29:39 | 0:29:42 | |
in Stroud, with her French fan, | 0:29:42 | 0:29:44 | |
it seems Nell, the circus producer, isn't up for playing games either. | 0:29:44 | 0:29:49 | |
I don't even have any more than £20 on the site and I think... | 0:29:49 | 0:29:55 | |
-I mean... -Well, maybe I'm just very nice and I give it to you. | 0:29:55 | 0:29:58 | |
Well, that's... I mean, wonderful. | 0:29:58 | 0:30:00 | |
I mean, we do, in the end, want to | 0:30:00 | 0:30:01 | |
develop a kind of circus collection museum. | 0:30:01 | 0:30:03 | |
-I mean, most circus do, so... -Oh, I'd love... | 0:30:03 | 0:30:06 | |
That's what... I would love to see it on display somewhere. | 0:30:06 | 0:30:08 | |
I'd love to see it on the show. | 0:30:08 | 0:30:10 | |
So, Katherine's decision to donate the fan to the circus | 0:30:10 | 0:30:13 | |
makes her a loss of... | 0:30:13 | 0:30:14 | |
But on the upside, | 0:30:16 | 0:30:18 | |
she does get to see a dog riding a bear on a horse. | 0:30:18 | 0:30:21 | |
From the silliness of the circus, | 0:30:21 | 0:30:23 | |
Katherine heads to the far more refined countryside | 0:30:23 | 0:30:25 | |
of King's Lynn, where she has arranged to meet Marcus, | 0:30:25 | 0:30:28 | |
the director of shoe manufacturers Fairfax & Favor. | 0:30:28 | 0:30:31 | |
He is interested in acquiring her wooden shoe mould known as lasts. | 0:30:31 | 0:30:36 | |
This is quite an old shoe last. | 0:30:36 | 0:30:37 | |
The way it works is these... The leather would be put on top of these | 0:30:37 | 0:30:41 | |
and all around the last in order to make...in order to make the shoe | 0:30:41 | 0:30:44 | |
and they'll press it on using machines now. | 0:30:44 | 0:30:46 | |
Really, this is...this is the most important part of the shoe. | 0:30:46 | 0:30:49 | |
I should tell you a little bit of the history of them | 0:30:49 | 0:30:51 | |
because they belonged to the last atelier, | 0:30:51 | 0:30:55 | |
the last craftsman shoemaker, in the area, arrondissement, | 0:30:55 | 0:30:59 | |
-the area that we were working in. -Right. | 0:30:59 | 0:31:01 | |
Well, you see, we do a lot of shows, so, actually, it would be... | 0:31:01 | 0:31:04 | |
This is probably not good for negotiation tactics, | 0:31:04 | 0:31:06 | |
but they would be useful for having on the stand | 0:31:06 | 0:31:08 | |
cos they can show people how they're made. | 0:31:08 | 0:31:10 | |
And...and they are... Some of our factories are over 300 years old. | 0:31:10 | 0:31:13 | |
I'm looking for something in the region of... | 0:31:13 | 0:31:18 | |
-£70-ish. -You say 60, and we've got a deal. | 0:31:18 | 0:31:21 | |
60? We've got a deal. | 0:31:21 | 0:31:23 | |
Katherine slips off with a profit of... | 0:31:23 | 0:31:26 | |
..for the shoe lasts. | 0:31:26 | 0:31:28 | |
Meanwhile, Phil has been busy selling his planters | 0:31:28 | 0:31:30 | |
for a profit of... | 0:31:30 | 0:31:32 | |
..to one antiques dealer. | 0:31:32 | 0:31:33 | |
He then takes his armorials to another. | 0:31:33 | 0:31:36 | |
Katherine wasn't exactly over enthused by them in Paris, | 0:31:36 | 0:31:39 | |
so will he prove her wrong when he takes them | 0:31:39 | 0:31:42 | |
to Worcester-based dealer Gabriel? | 0:31:42 | 0:31:44 | |
-I like...I like these, erm, frames. -I love the frames. | 0:31:44 | 0:31:47 | |
They...they, obviously, aren't, you know, one of these Victorian. | 0:31:47 | 0:31:50 | |
-In fairness... -19...18, 19, aren't they? -Yeah, 1900. | 0:31:50 | 0:31:53 | |
I wonder if there's been a whole series of them | 0:31:53 | 0:31:55 | |
cos of the numbers - 23, 24, 22. So, you've got... | 0:31:55 | 0:31:58 | |
you've got about a fifth of a... | 0:31:58 | 0:31:59 | |
Well, there's the challenge for you, Gabriel, | 0:31:59 | 0:32:02 | |
-go and find the other 20. -SHE CHUCKLES | 0:32:02 | 0:32:03 | |
-Are they of interest to you? -Yeah, I would like to buy those. | 0:32:03 | 0:32:06 | |
-Good. -And I will give you... | 0:32:06 | 0:32:08 | |
-£125. -Fantastic. | 0:32:08 | 0:32:10 | |
-Thank you very much, indeed. -OK? -That's lovely. -Oh, good. | 0:32:10 | 0:32:13 | |
Mm. With not even a haggle, Phil is given a profit of... | 0:32:13 | 0:32:16 | |
Brave move because now the selling is out of his hands. | 0:32:18 | 0:32:21 | |
Both our dealers must now brace themselves for the mighty | 0:32:21 | 0:32:24 | |
showdown auction. | 0:32:24 | 0:32:25 | |
Before it all kicks off, let's see how the scores are at this stage. | 0:32:25 | 0:32:29 | |
Phil's four private sales have brought him... | 0:32:31 | 0:32:34 | |
Katherine has sold three items and given one away, | 0:32:36 | 0:32:39 | |
so she's just made... | 0:32:39 | 0:32:41 | |
With a lot of catching up to do. | 0:32:43 | 0:32:44 | |
But now the haggling is over and no deals can be done | 0:32:46 | 0:32:49 | |
as our experts' remaining items are thrown into the unforgiving arena | 0:32:49 | 0:32:53 | |
of High Road Auctions in Twickenham. | 0:32:53 | 0:32:55 | |
But before the battle begins, | 0:32:55 | 0:32:57 | |
Phil and Katherine get a chance to catch up. | 0:32:57 | 0:32:59 | |
We may have finished all of our sales, but the auction... | 0:33:00 | 0:33:03 | |
-I'm terrified. -Well, I'm just so pleased. | 0:33:03 | 0:33:05 | |
It's such a relief that the only things left for me | 0:33:05 | 0:33:07 | |
is the auction stuff. | 0:33:07 | 0:33:08 | |
And I sort of, kind of, think | 0:33:08 | 0:33:10 | |
I might have boxed a little bit clever, which is... | 0:33:10 | 0:33:12 | |
Don't normally happen, but I was... | 0:33:12 | 0:33:14 | |
I've tried to leave my cheap bits for the auction. | 0:33:14 | 0:33:16 | |
You see, why didn't I have that strategy? | 0:33:16 | 0:33:18 | |
I should have listened to you! | 0:33:18 | 0:33:20 | |
You know, there I was putting my most expensive things into the auction... | 0:33:20 | 0:33:23 | |
-Is that what you've done? -Well, they're also quite specialist as well | 0:33:23 | 0:33:26 | |
and they need a specialist auction, which is not what we've got today. | 0:33:26 | 0:33:29 | |
-So, you've got your fishing reels? -Yeah, I know we're by the... | 0:33:29 | 0:33:32 | |
Yeah, but...but... How can you fail? | 0:33:32 | 0:33:34 | |
I like being in control and when I'm let on my own | 0:33:34 | 0:33:37 | |
and I'm not in control, it all goes wrong. | 0:33:37 | 0:33:38 | |
Shall we just go and see how it's going, then? | 0:33:38 | 0:33:40 | |
-SHE SIGHS OK. -Come on, I want to look | 0:33:40 | 0:33:42 | |
-at your goodies. -SHE GRUNTS | 0:33:42 | 0:33:44 | |
With tension mounting and nerves jangling, | 0:33:44 | 0:33:46 | |
Phil and Katherine seek out their opponents' artillery | 0:33:46 | 0:33:49 | |
to assess their chance of victory. | 0:33:49 | 0:33:51 | |
This is an illusion set ring. | 0:33:51 | 0:33:53 | |
That means the very small diamonds are meant to look | 0:33:53 | 0:33:56 | |
a lot bigger than they are. | 0:33:56 | 0:33:58 | |
If people get fooled by that, it might make £100 | 0:33:58 | 0:34:01 | |
and if they don't, it might make £60. | 0:34:01 | 0:34:03 | |
Well, this is listed as an early 20th-century plaque, | 0:34:03 | 0:34:06 | |
and I'd be interested to know... I mean, that's where the story | 0:34:06 | 0:34:09 | |
begins. It's an intriguing piece. | 0:34:09 | 0:34:11 | |
Eh, I think it probably will sell...OK. | 0:34:11 | 0:34:13 | |
I'm not sure he'll get his money back, but I'll be watching. | 0:34:13 | 0:34:16 | |
I think this is a really risky buy for Katherine. | 0:34:16 | 0:34:20 | |
This zeppelin lot, if it gets picked up on the internet, | 0:34:20 | 0:34:23 | |
it could soar and fly. But if it doesn't, | 0:34:23 | 0:34:25 | |
well, her investment could just crash and burn. | 0:34:25 | 0:34:29 | |
I think Phil paid around about £40 for this | 0:34:29 | 0:34:31 | |
and I think it was a very, very good buy. | 0:34:31 | 0:34:34 | |
I mean, it has been totally transformed. | 0:34:34 | 0:34:37 | |
It is not the piece that I first saw. And it's really on trend. | 0:34:37 | 0:34:41 | |
Well, our experts' opinions are of no consequence now | 0:34:41 | 0:34:45 | |
as the auction gears up and their items are out of their hands | 0:34:45 | 0:34:48 | |
and into the lap of the gavel gods. | 0:34:48 | 0:34:50 | |
First up for sale is Katherine's doll. | 0:34:50 | 0:34:53 | |
So, it cost me £40 | 0:34:53 | 0:34:55 | |
and I've got to make 54 in order to break even, which is... | 0:34:55 | 0:34:59 | |
And what will it make? | 0:34:59 | 0:35:00 | |
I think it'll probably make 30. | 0:35:00 | 0:35:02 | |
So, you think you might lose 25 quid? | 0:35:02 | 0:35:05 | |
Yes, I do. | 0:35:06 | 0:35:08 | |
That'd be...sad, that, wouldn't it? | 0:35:08 | 0:35:11 | |
-Thank you, ten bid. 15? -15. -20? 25? 30? | 0:35:11 | 0:35:15 | |
I've got it... I'm pretty close with what I thought it would make. Yes. | 0:35:15 | 0:35:18 | |
That was the gentleman's bid on my right. | 0:35:18 | 0:35:20 | |
It's your final time. We'll be selling at 25 to bidder number 178. | 0:35:20 | 0:35:25 | |
Yeah, I didn't really break even... | 0:35:25 | 0:35:27 | |
I didn't lose that much and it's gone to a nice home. | 0:35:27 | 0:35:31 | |
After costs, Katherine loses... | 0:35:31 | 0:35:33 | |
So, she'll be hoping to do better with the fishing items. | 0:35:35 | 0:35:38 | |
This is my star lot. Oh, it looks great. | 0:35:38 | 0:35:41 | |
Bid me 100, surely. Quickly, £50 for the lot? | 0:35:41 | 0:35:44 | |
-Any fishermen at £50? The bid is... -Oh, gosh. | 0:35:44 | 0:35:47 | |
-Final time, I've got to sell. -A bit more. -Done at 50. 50, online bidder. | 0:35:47 | 0:35:50 | |
-Oh, no. That was my star lot. -I thought that would do well. | 0:35:50 | 0:35:54 | |
Katherine's hopes of a profit sink without a trace as she loses... | 0:35:54 | 0:35:58 | |
The showdown auction really can be an unforgiving mistress. | 0:36:00 | 0:36:04 | |
So, how will Phil get on with his decorative shield? | 0:36:04 | 0:36:06 | |
You see, I've only got to get... | 0:36:08 | 0:36:10 | |
-You've only got to get £36. -..36. -There will be somebody in this room | 0:36:10 | 0:36:13 | |
that pays £36 for that because it's sitting at the front of the saleroom | 0:36:13 | 0:36:16 | |
-for start. -Is it? Where? -Look. -This one right in front of the rostrum, | 0:36:16 | 0:36:19 | |
-lot number 27, we're selling. £30 for it. £30, sir. -Oh, my gosh. | 0:36:19 | 0:36:24 | |
-Well, that's just cost me six quid... -Not yet, wait a minute. | 0:36:24 | 0:36:27 | |
-Wait a minute. -It's cost me six quid. | 0:36:27 | 0:36:31 | |
Actually, that's a total loss of... | 0:36:31 | 0:36:33 | |
Now, Phil's had his metal cabinet stripped and waxed | 0:36:35 | 0:36:38 | |
adding another £20 onto its costs. | 0:36:38 | 0:36:41 | |
So it's currently standing him at £62.50. | 0:36:41 | 0:36:44 | |
If you had to buy something new like that, it would cost you | 0:36:44 | 0:36:47 | |
-£300, £400. -I'd like to think of myself as a trendy person, really. | 0:36:47 | 0:36:50 | |
You know sort of up there with the kids. | 0:36:50 | 0:36:51 | |
-You know, that's what I like to think. -It's all about fashion, | 0:36:51 | 0:36:54 | |
-isn't it, for you? -Yeah. -A few bids on this. | 0:36:54 | 0:36:56 | |
-We're going to start at 100. -There you go. Oh, my gosh. | 0:36:56 | 0:36:58 | |
£100 on commission. 110 in the room. | 0:36:58 | 0:37:01 | |
-Thank you, sir. 120. -That is so good. -130. | 0:37:01 | 0:37:03 | |
140, new buyer. I've got to go five, sir. | 0:37:03 | 0:37:06 | |
-150. That's really good. -150 with the internet. | 0:37:06 | 0:37:08 | |
That's...very good. HE BANGS GAVEL | 0:37:08 | 0:37:11 | |
I think we should have portioned that, | 0:37:11 | 0:37:12 | |
-so I could have a bit of that money. -That's a relief. | 0:37:12 | 0:37:14 | |
-Oh, yeah, without a doubt. -Yes, sadly, that's not how it works. | 0:37:14 | 0:37:17 | |
Every penny of a... | 0:37:17 | 0:37:19 | |
..goes into Phil's kitty. | 0:37:20 | 0:37:22 | |
Katherine has her chance now as her airship fragments come up. | 0:37:22 | 0:37:26 | |
In a cunning bit of gameplay, she split the lot into two, | 0:37:26 | 0:37:29 | |
so how will the first half do? | 0:37:29 | 0:37:31 | |
This is the one that should do well | 0:37:31 | 0:37:33 | |
but I fear the setting is not quite as sparkling as it should be. | 0:37:33 | 0:37:37 | |
I hope, for you, they do well. | 0:37:37 | 0:37:39 | |
-120 bid. -Oh, please, yes. -140 bid. | 0:37:39 | 0:37:42 | |
Well done, well done, well done. | 0:37:42 | 0:37:44 | |
-I might just be selling it. Oh, my gosh. -Well done. | 0:37:44 | 0:37:47 | |
-170. -Oh, thank goodness. | 0:37:47 | 0:37:48 | |
Any further interest? We're selling at 160. | 0:37:48 | 0:37:51 | |
-Internet. -Do you know, I've got to tell you, | 0:37:51 | 0:37:53 | |
I'm quietly relieved there cos that could have gone on. | 0:37:53 | 0:37:55 | |
-That could have... Yes. -It could have gone on. | 0:37:55 | 0:37:57 | |
-I mean, it could have gone either way, couldn't it? -Yes. | 0:37:57 | 0:38:00 | |
That's a good start from the first half of the lot | 0:38:00 | 0:38:02 | |
but she still has to sell the second half for more than £140 | 0:38:02 | 0:38:06 | |
to break even on the whole. | 0:38:06 | 0:38:08 | |
It will be interesting to see which way this goes. | 0:38:08 | 0:38:10 | |
I mean, this is a piece of the Graf Zeppelin. | 0:38:10 | 0:38:12 | |
I'll take 55. | 0:38:12 | 0:38:14 | |
OK, I need 140... | 0:38:14 | 0:38:16 | |
And we are slowly climbing towards that. | 0:38:16 | 0:38:19 | |
Unusual lot, at £95... | 0:38:19 | 0:38:22 | |
-Yes, a little bit more. A little bit more. -Any further interest? -Yes. | 0:38:22 | 0:38:25 | |
Got to sell it. Done at 95? | 0:38:25 | 0:38:26 | |
-Oh, my gosh. -Internet once more. -So what's happened to that, then? | 0:38:26 | 0:38:29 | |
Has that brought it all back to level? | 0:38:29 | 0:38:31 | |
I mean, it's pretty close to what I originally paid for it, | 0:38:31 | 0:38:33 | |
that's how I like to think about things. | 0:38:33 | 0:38:36 | |
Yes, but after auction fees have been taken, | 0:38:36 | 0:38:38 | |
she makes a total loss of £29.16 across the two lots. | 0:38:38 | 0:38:43 | |
So Katherine's items really are failing to fly today, | 0:38:43 | 0:38:46 | |
but will her ring sparkle? | 0:38:46 | 0:38:48 | |
It's really pretty. | 0:38:48 | 0:38:51 | |
£55 with the internet. | 0:38:51 | 0:38:53 | |
Cos it is really beautiful. | 0:38:53 | 0:38:54 | |
I don't think anybody gets engaged around here. | 0:38:54 | 0:38:56 | |
£55 only. | 0:38:56 | 0:38:58 | |
OK. | 0:38:58 | 0:39:00 | |
The very nice man I bought it from said that I would | 0:39:00 | 0:39:02 | |
definitely make some money on that, cos I went off-piste there. | 0:39:02 | 0:39:05 | |
Men always say that to girls about rings. | 0:39:05 | 0:39:08 | |
So Katherine's ring brings in a loss of £46.56 after commission | 0:39:08 | 0:39:13 | |
and that's her all done. | 0:39:13 | 0:39:15 | |
Phil is back next with the marble-top bedside cabinet. | 0:39:15 | 0:39:18 | |
It cost him £15 and has been restored at no extra cost | 0:39:18 | 0:39:22 | |
after Phil called in a favour from a friend. | 0:39:22 | 0:39:25 | |
So will it earn its money back now? | 0:39:25 | 0:39:26 | |
Trying to make 24 quid to break even, so I'm hoping I'm all right. | 0:39:28 | 0:39:31 | |
Come along, thank you. 5.60, madam. | 0:39:31 | 0:39:33 | |
5 again, sir, 60 the lady's bid right in front. | 0:39:33 | 0:39:36 | |
Oh, my gosh. | 0:39:36 | 0:39:37 | |
Are we done at 60? | 0:39:37 | 0:39:39 | |
£60, madam, to bidder 213. | 0:39:39 | 0:39:42 | |
60, you've broken even. | 0:39:42 | 0:39:44 | |
No, you've made a profit. | 0:39:44 | 0:39:45 | |
Phil makes a profit of £27.48 for the cabinet. | 0:39:45 | 0:39:48 | |
Now, his final item is the restored pole screen | 0:39:48 | 0:39:52 | |
that he picked up on the cheap. | 0:39:52 | 0:39:53 | |
He spent £15 restoring it, so it now stands in at £25. | 0:39:53 | 0:39:58 | |
My pole screen, I was kind of hoping this would have been | 0:39:58 | 0:40:00 | |
earlier in the sale. | 0:40:00 | 0:40:01 | |
-I... -I wasn't sure if the glue would last that long. -I really... | 0:40:01 | 0:40:05 | |
-Where are we going to be? £30, surely. -35. | 0:40:05 | 0:40:07 | |
35 online, bid me 40 in the room. | 0:40:07 | 0:40:09 | |
The banner is worth that at £35... | 0:40:09 | 0:40:11 | |
-So you made a profit. -I know. No, I haven't. -Yes. | 0:40:11 | 0:40:14 | |
I have now, I've made four quid. | 0:40:14 | 0:40:16 | |
Sells at 40. | 0:40:16 | 0:40:17 | |
-45. -45, just in time, I'll take it. | 0:40:17 | 0:40:20 | |
Phil makes a profit of £5.36 for the pole screen | 0:40:20 | 0:40:23 | |
and brings this showdown auction to a conclusion. | 0:40:23 | 0:40:26 | |
In just a moment, our winner will be revealed. | 0:40:26 | 0:40:29 | |
First, let's remind ourselves of what they spent in total. | 0:40:29 | 0:40:33 | |
Both our experts started the challenge | 0:40:33 | 0:40:35 | |
with £1,000 of their own money. | 0:40:35 | 0:40:37 | |
Phil Serrell spent £285.76, along with his restoration costs. | 0:40:37 | 0:40:42 | |
Katherine spent over twice as much, forking out £706.05. | 0:40:43 | 0:40:48 | |
So now, it all comes down to profit. | 0:40:48 | 0:40:51 | |
All of the money that Phil and Katherine have made | 0:40:51 | 0:40:53 | |
from today's challenge will go to charities of their choice. | 0:40:53 | 0:40:56 | |
So, let's find out who is today's Put Your Money Where Your Mouth Is | 0:40:56 | 0:41:00 | |
Showdown champion. | 0:41:00 | 0:41:02 | |
-The auction... -The auction. | 0:41:03 | 0:41:05 | |
..I think is my last chance of just the nearest hint of respectability. | 0:41:05 | 0:41:11 | |
Er, the auction was a total disaster for me. | 0:41:11 | 0:41:14 | |
It was, you know... I didn't get my paintbrush out | 0:41:14 | 0:41:16 | |
and I didn't get my shot blaster out and I just bought traditional things. | 0:41:16 | 0:41:20 | |
I think it should be five auctions next time, | 0:41:20 | 0:41:22 | |
that's the way we should do this programme. | 0:41:22 | 0:41:23 | |
Anyway, I got to see Ben Cohen. | 0:41:23 | 0:41:26 | |
-Did you? -Strictly Come doodah. | 0:41:26 | 0:41:28 | |
-You lucky thing. -Rugby World Cup, all that sort of stuff. | 0:41:28 | 0:41:30 | |
-You lucky thing. -Yeah. -I was... | 0:41:30 | 0:41:32 | |
Yeah, losing on a number of different levels, actually. | 0:41:32 | 0:41:35 | |
Oh, joy, joy... Losing? | 0:41:35 | 0:41:38 | |
-Yeah. -Katherine lost money? | 0:41:38 | 0:41:39 | |
Just a few things that I didn't make money on. | 0:41:39 | 0:41:42 | |
-Anyway, come on, let's do the first of. -OK. | 0:41:42 | 0:41:44 | |
Three, two, one, go. | 0:41:44 | 0:41:46 | |
Is it in black or red? It's in red. Yeah, look at it, in red. | 0:41:46 | 0:41:51 | |
Get in there. | 0:41:51 | 0:41:52 | |
-Really? -I've never had anything in red before, | 0:41:52 | 0:41:55 | |
-this is just... -Do you know what? | 0:41:55 | 0:41:57 | |
I didn't know they printed red numbers. | 0:41:57 | 0:41:58 | |
-I'm going to take a photograph of that. -No. | 0:41:58 | 0:42:00 | |
Just let me look, just for a few moments. | 0:42:00 | 0:42:02 | |
So, Phil is today's winner | 0:42:02 | 0:42:04 | |
after playing it like the old pro that he is | 0:42:04 | 0:42:06 | |
and making profits at every turn. | 0:42:06 | 0:42:09 | |
But there's one more thing to reveal | 0:42:09 | 0:42:11 | |
and that is the winner across the whole week. | 0:42:11 | 0:42:14 | |
Three, two, one, go. | 0:42:14 | 0:42:16 | |
-Look at that. -Ohh. | 0:42:17 | 0:42:19 | |
Do you know, that's a pretty fair result, I reckon, don't you? | 0:42:19 | 0:42:22 | |
-I think you've done really well. -Come on then. | 0:42:22 | 0:42:24 | |
You can afford to buy me a drink, you know. | 0:42:24 | 0:42:26 | |
-I mean, I have done very well but... -Yes, you have. | 0:42:26 | 0:42:28 | |
-But you did follow along behind. -Oh, I tried. | 0:42:28 | 0:42:30 | |
Yes, Katherine is the overall winner | 0:42:30 | 0:42:31 | |
but together they've made over £3,700 which will all go to charity. | 0:42:31 | 0:42:37 | |
My chosen charity is The Fountain Centre for cancer care | 0:42:37 | 0:42:40 | |
in Guildford and I've chosen them | 0:42:40 | 0:42:41 | |
because they've been absolutely brilliant with me | 0:42:41 | 0:42:44 | |
in the last year and my battle with breast cancer. | 0:42:44 | 0:42:46 | |
At the moments when I had chemotherapy and I lost my hair, | 0:42:46 | 0:42:49 | |
my eyebrows and my eyelashes, they gave me lots of moral support | 0:42:49 | 0:42:53 | |
and they were there for me, so I wanted to be there for them | 0:42:53 | 0:42:56 | |
and they deserve every penny. | 0:42:56 | 0:42:57 | |
Katherine has had a rotten 12 months. | 0:42:57 | 0:43:01 | |
Now, she's one of the loveliest people | 0:43:01 | 0:43:03 | |
you could ever wish to meet and she's also one of the bravest. | 0:43:03 | 0:43:06 | |
So the money that I've raised this week, | 0:43:06 | 0:43:08 | |
I'd like to give to her charity. | 0:43:08 | 0:43:10 | |
Good on you, Katherine. | 0:43:10 | 0:43:12 | |
Yes, our experts have really put their money where their mouths are | 0:43:12 | 0:43:15 | |
and shown that they can make a convincing profit | 0:43:15 | 0:43:17 | |
from buying and selling antiques when their own money is on the line. | 0:43:17 | 0:43:21 |