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This is Put Your Money Where Your Mouth Is, the show that pitches TV's | 0:00:02 | 0:00:05 | |
best loved antiques experts against each other, in an all out | 0:00:05 | 0:00:08 | |
battle for profit. | 0:00:08 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:12 | |
Each day, one pair of duelling dealers | 0:00:12 | 0:00:15 | |
will face a mighty challenge. | 0:00:15 | 0:00:17 | |
I've got an 'eavy profit here. | 0:00:17 | 0:00:19 | |
Putting their reputations on the line. | 0:00:19 | 0:00:21 | |
Who's there? | 0:00:21 | 0:00:23 | |
They'll give you the insiders' view of the trade. | 0:00:23 | 0:00:26 | |
Along with their top tips and savvy secrets. | 0:00:27 | 0:00:30 | |
That could present a problem for me. | 0:00:30 | 0:00:32 | |
Showing you how to make the most money... | 0:00:32 | 0:00:35 | |
Ready for battle. | 0:00:35 | 0:00:36 | |
..from buying and selling. | 0:00:37 | 0:00:39 | |
Get in there. | 0:00:39 | 0:00:40 | |
Coming up, one expert has delusions of pet-bed grandeur. | 0:00:42 | 0:00:47 | |
Not really for me, is it? I think it has the look of a dog basket. | 0:00:47 | 0:00:52 | |
Kate's got her eye on a growing collector's trend. | 0:00:52 | 0:00:55 | |
There is a buoyant market for ophthalmic antiques. | 0:00:55 | 0:00:59 | |
Look at those. | 0:00:59 | 0:01:00 | |
And James fails to get the answer he's looking for. | 0:01:00 | 0:01:04 | |
So, is this my pathway to riches? | 0:01:04 | 0:01:06 | |
James, no. | 0:01:06 | 0:01:08 | |
This is Put Your Money Where Your Mouth Is. | 0:01:08 | 0:01:12 | |
Ah, Kent. The Garden of England, peaceful, beautiful, restful. | 0:01:29 | 0:01:34 | |
Yes, this is just the calm before the storm, as the tranquillity | 0:01:36 | 0:01:39 | |
of this quintessentially English countryside is about to be | 0:01:39 | 0:01:43 | |
shattered by two raging warhorses of worthy wares. | 0:01:43 | 0:01:47 | |
Fighting for Sussex, it's the auction room assassin. | 0:01:48 | 0:01:51 | |
Knowledge is his armour, and bidding prowess is his sword. | 0:01:51 | 0:01:55 | |
Why, it's... | 0:01:55 | 0:01:56 | |
Always a good thing to unsettle your opponent. | 0:01:59 | 0:02:02 | |
And flying the flag for Herefordshire is a cunning | 0:02:02 | 0:02:05 | |
combatant. She's got style, she's got stealth, | 0:02:05 | 0:02:08 | |
and she won't stop until she's got the wealth. | 0:02:08 | 0:02:10 | |
It's... | 0:02:10 | 0:02:11 | |
I'm quite excited. | 0:02:14 | 0:02:16 | |
Today's battleground is the Hop Farm auction room, an eclectic sale | 0:02:16 | 0:02:20 | |
where our daring duo will both be risking £1,000 of their own money. | 0:02:20 | 0:02:25 | |
And all the profit they make will go to charities of their choice, | 0:02:25 | 0:02:28 | |
so, bidding cards at the ready. | 0:02:28 | 0:02:31 | |
James Braxton and Kate Bliss, | 0:02:31 | 0:02:34 | |
it's time to put your money where your mouth is. | 0:02:34 | 0:02:37 | |
-Morning, James! -Morning, Kate, how are you? | 0:02:39 | 0:02:41 | |
I'm well considering the long trek down here, | 0:02:41 | 0:02:44 | |
of course it's a stone's throw for you. | 0:02:44 | 0:02:45 | |
Yes, welcome to Kent, it's about an hour for me. Home territory. | 0:02:45 | 0:02:49 | |
Well, I actually had a really good run down yesterday, | 0:02:49 | 0:02:51 | |
from Herefordshire, and I had a little pop in to the auction | 0:02:51 | 0:02:54 | |
-house, just before they closed... -What's it like? | 0:02:54 | 0:02:56 | |
..and had a little look. Well, it's certainly variety. | 0:02:56 | 0:03:00 | |
Variety - now that's a euphemism, isn't it? | 0:03:00 | 0:03:04 | |
No, it's quite a mixed bag, | 0:03:04 | 0:03:06 | |
but I think most things look fairly affordable, so I think even | 0:03:06 | 0:03:09 | |
I might struggle to spend the whole £1,000 that we've got to spend. | 0:03:09 | 0:03:13 | |
-That's of course including the buyer's premium, isn't it? -Right. | 0:03:13 | 0:03:16 | |
So that's rather like a film really, | 0:03:16 | 0:03:19 | |
it's billing. General Items, starring Some Antiques. | 0:03:19 | 0:03:23 | |
-Well, yes. -Go on, show me, show me. | 0:03:23 | 0:03:26 | |
So, James is going in blind - he could have previewed the sale | 0:03:28 | 0:03:32 | |
last night as well, but he chose not to. | 0:03:32 | 0:03:35 | |
A sign of a confident Bingo, perhaps. | 0:03:35 | 0:03:38 | |
Remember, both of our gavel grafters are auctioneers by trade, | 0:03:38 | 0:03:42 | |
and even though Kate has done her homework, with over 650 varied | 0:03:42 | 0:03:46 | |
lots going under the hammer, she can only have scratched the surface. | 0:03:46 | 0:03:50 | |
So, she will still need a good game plan. | 0:03:50 | 0:03:54 | |
My strategy today is to be absolutely | 0:03:54 | 0:03:57 | |
rigid about my price limits. | 0:03:57 | 0:03:59 | |
I think it's fair to say that I can get a little bit swept away | 0:03:59 | 0:04:02 | |
with the whole auction fever. And today, I'm going to be ruthless. | 0:04:02 | 0:04:06 | |
Stick to the limit, there's a competition to win. | 0:04:06 | 0:04:09 | |
Yes, Kate is planning to be super strict, and aim for self control. | 0:04:09 | 0:04:14 | |
Now, Bingo has had a chance to run his eye over the lots. | 0:04:14 | 0:04:17 | |
Has he spotted any gems amongst the junk? | 0:04:17 | 0:04:20 | |
It's a nice little auction room, in fact, the more I've looked, | 0:04:20 | 0:04:24 | |
the more I've marked. I'll know pretty quickly, | 0:04:24 | 0:04:28 | |
within the first ten lots, | 0:04:28 | 0:04:29 | |
whether I'm going to have a good day, or a difficult one. | 0:04:29 | 0:04:34 | |
Bingo thinks he's got a few prize pieces up his sleeve, | 0:04:34 | 0:04:37 | |
but he's keeping an open mind. | 0:04:37 | 0:04:39 | |
There's a lot on offer here, so that could prove to be a canny tactic. | 0:04:39 | 0:04:43 | |
Determined not to be left in the dark, Kate's radar has detected a | 0:04:45 | 0:04:49 | |
retro lamp, with an estimate of £25 to £35, and her eyes have lit up. | 0:04:49 | 0:04:56 | |
Now, I think this little lamp is one of the grooviest pieces in the sale. | 0:04:56 | 0:05:00 | |
It dates from the 1960s, and its origins are in the Anglepoise lamp, | 0:05:00 | 0:05:04 | |
which was invented in the 1930s, by a man called George Carwardine. | 0:05:04 | 0:05:09 | |
Now, Carwardine invented a spring, which allowed the lamp to | 0:05:09 | 0:05:12 | |
move in every conceivable position, but to hold its position. | 0:05:12 | 0:05:16 | |
And that's exactly what we've got here. | 0:05:16 | 0:05:19 | |
Now, Carwardine gave the design to the manufacturers | 0:05:19 | 0:05:22 | |
Herbert Terry & Sons, who are based in Worcestershire, | 0:05:22 | 0:05:25 | |
and they devised the series of Anglepoise lamps. | 0:05:25 | 0:05:28 | |
This comes from their more futuristic series, the 2,000 series, | 0:05:28 | 0:05:33 | |
in the 1960s. | 0:05:33 | 0:05:35 | |
I love it. | 0:05:35 | 0:05:36 | |
Not to be outdone, James steams towards something he hopes | 0:05:36 | 0:05:41 | |
will get him on the right track. | 0:05:41 | 0:05:44 | |
Now these are all railway signs. | 0:05:44 | 0:05:46 | |
Now, being a rail enthusiast, | 0:05:46 | 0:05:48 | |
of course I know exactly what yellow and blue means. | 0:05:48 | 0:05:51 | |
Regrettably, I don't, but I know somebody who does. | 0:05:51 | 0:05:55 | |
Generally made in Birmingham. | 0:05:55 | 0:05:57 | |
Most sort of metalwork's generally made in Birmingham. | 0:05:57 | 0:06:01 | |
£30 to £40 - that doesn't sound like too bad. | 0:06:01 | 0:06:04 | |
You know, if I was a railway enthusiast, | 0:06:04 | 0:06:07 | |
this is the sort of thing I'd want in my bedroom. | 0:06:07 | 0:06:09 | |
Hmm, I'm not sure Mrs Bingo would agree with that, James. | 0:06:09 | 0:06:12 | |
Meanwhile, refusing to be outmanoeuvred, | 0:06:12 | 0:06:14 | |
Kate eyeballs her next target, and brings it sharply into focus. | 0:06:14 | 0:06:19 | |
Now look what I've just found. | 0:06:19 | 0:06:21 | |
This is an optician's lens set, presumably for testing eyes, | 0:06:21 | 0:06:25 | |
and you've got numerous different lenses here, | 0:06:25 | 0:06:28 | |
and this is the frame to slot them in. Look at those. | 0:06:28 | 0:06:33 | |
Well, there is a buoyant market for ophthalmic antiques. | 0:06:33 | 0:06:37 | |
I haven't got a clue about these, but they look | 0:06:37 | 0:06:40 | |
quite funky, don't they? | 0:06:40 | 0:06:41 | |
Also with his eye on the prize, | 0:06:41 | 0:06:44 | |
James has spotted a carved Indian seat. | 0:06:44 | 0:06:48 | |
But he's having a little trouble making it work. | 0:06:48 | 0:06:51 | |
Not really for me, is it? | 0:06:51 | 0:06:53 | |
I think it has the look of a dog basket. | 0:06:53 | 0:06:56 | |
Now, people are potty about their dogs. | 0:06:56 | 0:06:59 | |
You know, that is great, isn't it? If you want to spoil your doggy. | 0:06:59 | 0:07:04 | |
Not so sure about the ply, | 0:07:04 | 0:07:06 | |
but maybe the seat was sort of webbing underneath, | 0:07:06 | 0:07:10 | |
an Indian seat, and you'd have sort of luxurious cushions. £150 to £200. | 0:07:10 | 0:07:16 | |
I don't think its got a tremendous amount of age. | 0:07:16 | 0:07:19 | |
It's quite crudely carved, we've got | 0:07:19 | 0:07:21 | |
all these sort of guardian figures - musicians by the look of it. | 0:07:21 | 0:07:25 | |
But...with a cushion in there, | 0:07:25 | 0:07:30 | |
great dog basket, fabulous dog basket. | 0:07:30 | 0:07:33 | |
Is he barking mad or a visionary genius? Only time will tell. | 0:07:33 | 0:07:38 | |
But, back in the land of the sensible, | 0:07:38 | 0:07:40 | |
Kate's decided it's time for tea. | 0:07:40 | 0:07:42 | |
This is a great little retro tea set. | 0:07:42 | 0:07:45 | |
It's known as Picquot Ware, and what we've got here is | 0:07:45 | 0:07:48 | |
an alloy of manganese and aluminium. | 0:07:48 | 0:07:50 | |
The pieces are cast as one piece, | 0:07:50 | 0:07:52 | |
to ensure there aren't any leaks around the spout, and then | 0:07:52 | 0:07:55 | |
it's polished, so it's not plated, it's just polished magnalium. | 0:07:55 | 0:08:00 | |
Now it's not rare, the products were quite prolific, but you've | 0:08:00 | 0:08:04 | |
got a nice four piece here and the tray, which you don't often see. | 0:08:04 | 0:08:09 | |
And I quite fancy it. The estimate is £65 to £75, | 0:08:09 | 0:08:12 | |
which is probably all the money at auction, | 0:08:12 | 0:08:14 | |
but if it goes a little bit cheaper, I'm after it. | 0:08:14 | 0:08:19 | |
So, they've both run the gauntlet of possible profit makers, | 0:08:19 | 0:08:22 | |
and without further ado, | 0:08:22 | 0:08:24 | |
it's time for our enemies to lower their visors and draw | 0:08:24 | 0:08:27 | |
their swords, because this is going to be a tense tussle for trinkets. | 0:08:27 | 0:08:30 | |
And as the auction gets going, James has carefully chosen | 0:08:30 | 0:08:34 | |
his vantage point for the proceedings. | 0:08:34 | 0:08:37 | |
Kate's just round the corner there, she can't see what I'm doing. | 0:08:37 | 0:08:41 | |
I might have a go at this glass vase, it's not my usual | 0:08:41 | 0:08:43 | |
sort of thing, it's sort of art glass, but I'll have a go. | 0:08:43 | 0:08:47 | |
If I get it for under a tenner, I'm a happy man. | 0:08:47 | 0:08:50 | |
22, the heavy studio coloured glass vase. £15 for this, £15. | 0:08:50 | 0:08:54 | |
I can hear James twitching there in the corner. | 0:08:55 | 0:08:58 | |
-I think he's bidding on this. -12 anywhere. £12 bid. | 0:08:58 | 0:09:02 | |
Oh he's got competition. | 0:09:02 | 0:09:04 | |
16. 16's there, 18. 20. | 0:09:05 | 0:09:07 | |
22. 24. | 0:09:09 | 0:09:11 | |
26. 28. | 0:09:11 | 0:09:14 | |
30. 32. 34. 36. | 0:09:14 | 0:09:17 | |
34's there, 36 in front. | 0:09:17 | 0:09:19 | |
And there's not just competition in the room, this sale is online, | 0:09:19 | 0:09:22 | |
and the invisible bidders, are closing in. | 0:09:22 | 0:09:26 | |
36 has jumped online. 36 has jumped, 38 to you sir. | 0:09:26 | 0:09:30 | |
38's there. At £38, in the room at 38. | 0:09:30 | 0:09:35 | |
GAVEL BANGS | 0:09:35 | 0:09:36 | |
He's bought it. | 0:09:36 | 0:09:38 | |
Yes, James held firm and the vase is his | 0:09:38 | 0:09:40 | |
for £44.65 including fees. | 0:09:40 | 0:09:43 | |
That's more than four times the price he wanted to pay, | 0:09:43 | 0:09:46 | |
so does he still think there's a profit in it? | 0:09:46 | 0:09:49 | |
Here we are, rather interesting vase. | 0:09:49 | 0:09:51 | |
It's very colourful. | 0:09:51 | 0:09:52 | |
It's like a millefleur, a paperweight | 0:09:52 | 0:09:55 | |
whereby it suggests 1,000 flowers. | 0:09:55 | 0:10:00 | |
And you've got these canes of glass, | 0:10:00 | 0:10:02 | |
multicoloured glass, he's chopped them at right angles, | 0:10:02 | 0:10:06 | |
and then they're inserted on the inside. | 0:10:06 | 0:10:09 | |
It's rough on the inside, smooth on the outside, | 0:10:09 | 0:10:12 | |
so it's obviously been polished or something. Profit or loss, hmm... | 0:10:12 | 0:10:17 | |
At the moment I think more the latter. | 0:10:17 | 0:10:19 | |
Uh-oh. Has James made a terrible mistake? | 0:10:19 | 0:10:22 | |
We'll have to wait and find out. | 0:10:22 | 0:10:24 | |
Bingo may be 1-0 up, | 0:10:24 | 0:10:26 | |
but Kate is about to launch her own covert attack. | 0:10:26 | 0:10:29 | |
Her target is a 19th century riding whip. | 0:10:29 | 0:10:33 | |
I'm talking really quietly cos I don't want James to hear. | 0:10:33 | 0:10:37 | |
Now this is a really nice piece. | 0:10:37 | 0:10:40 | |
They've actually catalogued it as a riding crop, and my idea | 0:10:40 | 0:10:43 | |
of a riding crop is quite a short whip, the kind that jockeys use. | 0:10:43 | 0:10:47 | |
This is actually a really long whip with a lovely long shaft handle, | 0:10:47 | 0:10:52 | |
and it's silver mounted. So I'd quite like this. | 0:10:52 | 0:10:55 | |
The estimate here is £50 to £70. | 0:10:55 | 0:10:59 | |
If I can get it for around there, we're looking good. | 0:10:59 | 0:11:02 | |
-1889 holly wood riding crop, silver tipped. £50 anywhere? -I'm waiting. | 0:11:02 | 0:11:07 | |
£45 it's got to be. £45 there. | 0:11:07 | 0:11:09 | |
Ooh, somebody's in. | 0:11:09 | 0:11:10 | |
45 there, 46 anywhere. 46, 48. | 0:11:10 | 0:11:13 | |
50, 55. | 0:11:13 | 0:11:14 | |
60, 65. | 0:11:14 | 0:11:16 | |
70, 75. | 0:11:16 | 0:11:18 | |
80, 85. | 0:11:18 | 0:11:20 | |
We're above the estimate. | 0:11:20 | 0:11:21 | |
Will Kate stick to her strategy of not pushing her prices? | 0:11:21 | 0:11:25 | |
120, 130. | 0:11:25 | 0:11:27 | |
Uh, no. | 0:11:27 | 0:11:28 | |
130's there, 140. At £130. | 0:11:28 | 0:11:32 | |
GAVEL BANGS | 0:11:32 | 0:11:34 | |
£130. What did I say about the strategy? | 0:11:34 | 0:11:38 | |
And with the auction fees added, that's a hefty outlay. | 0:11:38 | 0:11:41 | |
Now there's a buoyant market for horse riding | 0:11:44 | 0:11:47 | |
and racing associated items, and this whip is no exception. | 0:11:47 | 0:11:51 | |
It's got a lovely wooden shaft, | 0:11:51 | 0:11:52 | |
with all these lovely knobbly bits on it, which are really tactile. | 0:11:52 | 0:11:56 | |
I think it's probably holly wood, and is in really nice condition. | 0:11:56 | 0:12:01 | |
This whip would either be used in carriage driving, | 0:12:01 | 0:12:04 | |
or in lunging a horse, which is used to direct the horse, | 0:12:04 | 0:12:08 | |
so it's very definitely not an item of cruelty, | 0:12:08 | 0:12:11 | |
it's an item of instruction. | 0:12:11 | 0:12:13 | |
Little bit of damage just to the end here. | 0:12:13 | 0:12:15 | |
It probably would have had a little leather piece on the end, | 0:12:15 | 0:12:18 | |
but I think it's a lovely thing, dating probably from | 0:12:18 | 0:12:21 | |
the late Victorian, early Edwardian period. | 0:12:21 | 0:12:23 | |
Our warriors are level pegging on one item a piece. | 0:12:23 | 0:12:26 | |
But next are the vintage railway signs that James spotted earlier. | 0:12:26 | 0:12:30 | |
And he's eager for these to signal victory. | 0:12:30 | 0:12:33 | |
I'm hoping to get these for £10 each. There's three in all. | 0:12:33 | 0:12:37 | |
Let's hope I do. | 0:12:37 | 0:12:38 | |
Mm, fortune favours the bold, eh, Bingo? | 0:12:38 | 0:12:41 | |
But with an upper estimate of £40, | 0:12:41 | 0:12:43 | |
will he be bold enough? | 0:12:43 | 0:12:45 | |
£30. 32's here. 34 next. | 0:12:45 | 0:12:47 | |
34. Already with 34. | 0:12:48 | 0:12:50 | |
34 in the room there. 36. | 0:12:50 | 0:12:52 | |
38. 40. | 0:12:52 | 0:12:53 | |
42. 44. | 0:12:53 | 0:12:55 | |
46. 48. | 0:12:55 | 0:12:57 | |
50? 48 it is. | 0:12:57 | 0:12:59 | |
At £48. | 0:12:59 | 0:13:02 | |
-GAVEL BANGS -171. | 0:13:02 | 0:13:03 | |
I bought them. Second lot. Very happy. | 0:13:03 | 0:13:06 | |
James pays... | 0:13:06 | 0:13:09 | |
..and he's chuffed to bits. | 0:13:11 | 0:13:14 | |
And there's now no stopping him. | 0:13:14 | 0:13:16 | |
Up next is the carved Indian seat/dog bed he spotted earlier. | 0:13:16 | 0:13:20 | |
And he's about to go fetch. | 0:13:20 | 0:13:22 | |
130 anywhere? | 0:13:22 | 0:13:24 | |
130. Thank you sir. 140 anywhere? | 0:13:24 | 0:13:27 | |
-Let the show begin. -130's in the room, 140 next if you want. | 0:13:27 | 0:13:31 | |
At 130, maiden bid, it's going. At 130. | 0:13:31 | 0:13:35 | |
GAVEL BANGS | 0:13:35 | 0:13:36 | |
Always a good tip - when the bidding's with you, | 0:13:36 | 0:13:38 | |
get your number up. | 0:13:38 | 0:13:39 | |
It focuses the auctioneer on putting his hammer down. | 0:13:39 | 0:13:43 | |
Especially to you. | 0:13:43 | 0:13:45 | |
Little tip, that. | 0:13:45 | 0:13:47 | |
I think he's chuffed with that. | 0:13:47 | 0:13:49 | |
Yes, and he looks it. With auction fees, Bingo pays... | 0:13:49 | 0:13:52 | |
And he's blazing ahead with three items to Kate's one. | 0:13:55 | 0:13:59 | |
But Miss Bliss is back by royal appointment, | 0:13:59 | 0:14:02 | |
and has found something palatial to take a flutter on. | 0:14:02 | 0:14:06 | |
There's a quirky little lot coming up. | 0:14:06 | 0:14:08 | |
It's a little model of Queen Mary's doll house, | 0:14:08 | 0:14:11 | |
and I think it's quite sweet. | 0:14:11 | 0:14:13 | |
I think Kate looks rather anxious, I think she's preparing to bid, | 0:14:13 | 0:14:17 | |
so ears open, eyes open, let's see what she's going for. | 0:14:17 | 0:14:21 | |
Is he on Her Majesty's Secret Service? | 0:14:21 | 0:14:23 | |
James is spying on me. | 0:14:23 | 0:14:26 | |
The guide price is £20 to £25 | 0:14:26 | 0:14:28 | |
and Kate is about to make a distinctly un-royal cheeky offer. | 0:14:28 | 0:14:32 | |
What can I do you? | 0:14:34 | 0:14:36 | |
15 I can do, has to be. 15? | 0:14:36 | 0:14:41 | |
Thank you very much, 15's there, 16 anywhere else? | 0:14:41 | 0:14:43 | |
Go on, keep bidding. Somebody bid. | 0:14:43 | 0:14:46 | |
At £15, she takes it at 15. | 0:14:46 | 0:14:48 | |
GAVEL BANGS | 0:14:48 | 0:14:49 | |
-Yes! 15. -Kate pays.. | 0:14:49 | 0:14:51 | |
..and is jubilant. | 0:14:54 | 0:14:55 | |
It's a piece of Cauldon Ware china, known as Parian Ware, which is | 0:14:55 | 0:14:59 | |
the name for white china, which is then glazed. | 0:14:59 | 0:15:02 | |
And it dates from the early part of the 20th century. | 0:15:02 | 0:15:05 | |
But this was made to commemorate the Queen's doll house. | 0:15:05 | 0:15:10 | |
And that's what it's a model of. | 0:15:10 | 0:15:11 | |
It was designed by Edwin Lutyens - | 0:15:11 | 0:15:14 | |
the leading architect and designer of the day. | 0:15:14 | 0:15:17 | |
And it was crammed full of some of the best little, tiny pieces | 0:15:17 | 0:15:20 | |
of furniture and art made by leading artists and designers. | 0:15:20 | 0:15:25 | |
This is a model of it. | 0:15:25 | 0:15:27 | |
I think this is going to appeal to people who love royalist | 0:15:27 | 0:15:30 | |
memorabilia, but also to people who love doll houses. | 0:15:30 | 0:15:34 | |
And that flurry of bidding brings us to the halfway mark, so let's | 0:15:34 | 0:15:38 | |
find out who's leading the charge and who's waving the white flag. | 0:15:38 | 0:15:42 | |
-How are you doing? -I've bought a couple. -Yeah. -Bought a couple. | 0:16:07 | 0:16:11 | |
Chuffed with what you've got? | 0:16:11 | 0:16:14 | |
Uhh, one I paid too much for, one I paid all right for, | 0:16:14 | 0:16:17 | |
-and the third one, I got a bargain. -OK, well, can't be bad, evens out. | 0:16:17 | 0:16:23 | |
It's all right, isn't it? | 0:16:23 | 0:16:25 | |
I think I probably paid too much for one, definitely, | 0:16:25 | 0:16:28 | |
and the other one was a bargain, but, hmm, | 0:16:28 | 0:16:32 | |
I don't know whether there's a strong market for it. We'll see. | 0:16:32 | 0:16:36 | |
Good luck. | 0:16:36 | 0:16:37 | |
And after that brief ceasefire, | 0:16:37 | 0:16:39 | |
our dealing duo dot back to their trenches and take aim once more. | 0:16:39 | 0:16:44 | |
With no time to lose, Kate reveals her next plan of attack. | 0:16:44 | 0:16:48 | |
There's an orange glass lampshade just down here, that's coming | 0:16:48 | 0:16:51 | |
up in just a second, and they've catalogued it as Art Deco. | 0:16:51 | 0:16:55 | |
I think it's probably a bit later, but I might have a quick go at it. | 0:16:55 | 0:16:59 | |
The estimate is £5 to £10, so there could be a bright profit in it. | 0:16:59 | 0:17:03 | |
It's £5 for the lampshade. £5 anywhere, 5 I have there. £5.. | 0:17:03 | 0:17:07 | |
-Is that five? -Well, it is in Roman numerals. | 0:17:07 | 0:17:10 | |
-At 5 it is.. -Get the hammer down. | 0:17:12 | 0:17:15 | |
£6. Are you bidding, sir? | 0:17:15 | 0:17:17 | |
-You dare! -Nope. -You dare! | 0:17:17 | 0:17:19 | |
Very generous of you. | 0:17:19 | 0:17:20 | |
For goodness' sake, I don't want it. | 0:17:20 | 0:17:22 | |
That was jolly lucky, I nearly got it for £6. | 0:17:24 | 0:17:27 | |
£5. The little devil, he nearly bid against me, just for the hell of it. | 0:17:27 | 0:17:32 | |
That is called one for spite. | 0:17:32 | 0:17:34 | |
Kate draws even with her third purchase, paying... | 0:17:34 | 0:17:37 | |
But will she be able to bask in the warm orange glow of profit? | 0:17:39 | 0:17:43 | |
I don't think it's particularly old, it's a great shape, | 0:17:43 | 0:17:46 | |
and it's got a wonderful retro look to it. | 0:17:46 | 0:17:49 | |
It's made of glass. | 0:17:49 | 0:17:51 | |
It's actually a double layer of glass, | 0:17:51 | 0:17:53 | |
so you've got opaque white glass on the inside, | 0:17:53 | 0:17:56 | |
then this lovely orange glass on the outside. | 0:17:56 | 0:17:59 | |
Remember, this is a lampshade. | 0:17:59 | 0:18:01 | |
And lit up, she's going to look stunning. | 0:18:01 | 0:18:04 | |
And for a fiver, | 0:18:04 | 0:18:06 | |
plus premium, I think it's a bargain. | 0:18:06 | 0:18:09 | |
And shine a light, she's at it again. | 0:18:09 | 0:18:12 | |
The 1960s lamp she spotted earlier, with a guide price of £25 to £35, | 0:18:12 | 0:18:17 | |
is up next, and she's bidding intently. | 0:18:17 | 0:18:20 | |
22 is with me, 24 if you want. | 0:18:20 | 0:18:22 | |
24 to you. 24 I'm out, 24 is in the room. | 0:18:22 | 0:18:25 | |
And the bidding steps up a gear. | 0:18:25 | 0:18:27 | |
46. 48. | 0:18:27 | 0:18:31 | |
50. | 0:18:31 | 0:18:33 | |
48 it is. Staying under the 50, at £48. Selling, at £48. | 0:18:33 | 0:18:38 | |
GAVEL BANGS | 0:18:38 | 0:18:40 | |
Yes. That's with me. 48. | 0:18:40 | 0:18:43 | |
Tenacious Kate held her ground, and sealed the deal. | 0:18:43 | 0:18:46 | |
That looks very stylish, | 0:18:48 | 0:18:49 | |
it's the first bid of Kate's I've quite liked. | 0:18:49 | 0:18:53 | |
Ooh, saucer of milk for one. | 0:18:53 | 0:18:55 | |
Now, Absolute Bliss is absolutely storming it, | 0:18:55 | 0:18:58 | |
and quickly extends her new lead, with the retro tea set. | 0:18:58 | 0:19:02 | |
At 55. | 0:19:02 | 0:19:04 | |
GAVEL BANGS Buying it under the estimate for.. | 0:19:04 | 0:19:06 | |
I'm chuffed with that. | 0:19:09 | 0:19:10 | |
And for the first time today, | 0:19:10 | 0:19:12 | |
Bingo's trailing 5-3 behind Kate, and the stress is getting to him. | 0:19:12 | 0:19:17 | |
The heart is going like that. So much pressure. | 0:19:17 | 0:19:22 | |
Ooh, steady on there, Bingo, don't keel over. | 0:19:22 | 0:19:24 | |
An Art Deco money box he likes the look of, with a guide | 0:19:24 | 0:19:27 | |
price of £10 to £15, is up next, | 0:19:27 | 0:19:30 | |
so he could be in with a chance of catching up. | 0:19:30 | 0:19:33 | |
Right, this is my lot. | 0:19:33 | 0:19:35 | |
Oh, it looks absolutely rubbish on the photo, that's good. | 0:19:35 | 0:19:39 | |
£10 for this. £10. 10 I'm bid. | 0:19:39 | 0:19:41 | |
£12 for this. £12 sir? Thank you. | 0:19:41 | 0:19:44 | |
12 at the back, 14 anywhere. | 0:19:44 | 0:19:46 | |
£14 it is, if you want. | 0:19:46 | 0:19:48 | |
At £12, last chance. At 12. | 0:19:48 | 0:19:52 | |
GAVEL BANGS | 0:19:52 | 0:19:53 | |
£12 for the money box. Very pleased with that. | 0:19:53 | 0:19:56 | |
The penny's dropped and so has the hammer. | 0:19:56 | 0:19:59 | |
Bingo steals away the money box for.. | 0:19:59 | 0:20:01 | |
It's a humble money box. | 0:20:04 | 0:20:07 | |
But it has a really good look about it, it has the look of | 0:20:07 | 0:20:10 | |
PG Wodehouse about it. I'd say 1920s to 1930s, bit of damage there. | 0:20:10 | 0:20:15 | |
I think I could repair that. Here's our character. | 0:20:15 | 0:20:18 | |
I like this, I like cut-outs, because, funny enough, | 0:20:18 | 0:20:22 | |
they're only two dimensional, but they become animated, and he's | 0:20:22 | 0:20:26 | |
made a rather sedentary object into something like a bit of fun. | 0:20:26 | 0:20:30 | |
Our enterprising expert is really motoring now, | 0:20:30 | 0:20:33 | |
purchasing a handsome pair of vintage car badges. | 0:20:33 | 0:20:37 | |
Last chance, selling at 24, to 171. | 0:20:37 | 0:20:40 | |
This is turning into a close one. | 0:20:44 | 0:20:46 | |
The vintage optician's set that Kate had her eyes on earlier, with an | 0:20:46 | 0:20:50 | |
upper estimate of £150, is the next lot, | 0:20:50 | 0:20:53 | |
but there's already pre-bids on the books. | 0:20:53 | 0:20:56 | |
Starts at 85, 90 if you want. | 0:20:56 | 0:20:58 | |
-Ohh. -90 if you want on the set, £90 on the lens set, anywhere? | 0:20:58 | 0:21:03 | |
£90 on this, for 90, 95, 100. | 0:21:03 | 0:21:06 | |
-No. -100. 100 it's yours. | 0:21:06 | 0:21:09 | |
-Is she going to bid? -Go on, then. | 0:21:09 | 0:21:11 | |
100, you've got it. 100's yours. 110 anywhere else. | 0:21:11 | 0:21:15 | |
At 100. | 0:21:15 | 0:21:17 | |
GAVEL BANGS | 0:21:17 | 0:21:18 | |
Nope, that wasn't an optical illusion, folks. | 0:21:18 | 0:21:21 | |
In case you blinked and missed it, | 0:21:21 | 0:21:23 | |
here's Kate's lightning quick bidding reflexes again. | 0:21:23 | 0:21:26 | |
Go on then. | 0:21:26 | 0:21:28 | |
Like a coiled cobra she snatched the ophthalmic case for... | 0:21:28 | 0:21:33 | |
..and brings her purchases to six. | 0:21:36 | 0:21:40 | |
That's mine. | 0:21:40 | 0:21:41 | |
Bingo is once again eating Kate's dust, | 0:21:41 | 0:21:44 | |
but he's a brave little soldier, so he gets himself up, brushes himself | 0:21:44 | 0:21:48 | |
down, and goes into battle for something to drown his sorrows in. | 0:21:48 | 0:21:52 | |
Coming up, it's a rather nice Dimple whisky. Lovely. | 0:21:52 | 0:21:58 | |
589, £45 anywhere for this, 40 I'll go. | 0:21:58 | 0:22:03 | |
40 I'm in, thank you. 42 anywhere, 42's there, 44. | 0:22:03 | 0:22:07 | |
46. 44's there, 46 anywhere else? | 0:22:07 | 0:22:10 | |
At £44. | 0:22:10 | 0:22:12 | |
-GAVEL BANGS -Thank you. | 0:22:12 | 0:22:15 | |
Bingo seals the deal at... | 0:22:15 | 0:22:17 | |
..but can he pour a wee dram of profit? | 0:22:19 | 0:22:21 | |
70% proof, it's laid in somebody's sideboard, | 0:22:21 | 0:22:25 | |
it hasn't lost a lot, considering the stopper it's got. | 0:22:25 | 0:22:30 | |
There's quite a good market for old whisky, and this certainly is old. | 0:22:30 | 0:22:35 | |
Look at that - it's either '30s or '50s, by the lettering. | 0:22:35 | 0:22:40 | |
I think this is a winner, | 0:22:40 | 0:22:42 | |
and also, I get a little miniature as well with it. | 0:22:42 | 0:22:44 | |
It's rather sweet, isn't it? So we get the two together. | 0:22:44 | 0:22:47 | |
I'm fortunately able to sell single bottles like this, | 0:22:47 | 0:22:50 | |
because I have a personal license, so not only am I a landlord, | 0:22:50 | 0:22:55 | |
a publican, | 0:22:55 | 0:22:56 | |
but I also have a personal license to sell said wines and liquors. | 0:22:56 | 0:23:01 | |
I think there's a good profit in those. | 0:23:01 | 0:23:03 | |
So, after James' final flutter, | 0:23:03 | 0:23:05 | |
let's call a temporary truce, as we tot up the totals. | 0:23:05 | 0:23:08 | |
James bought six lots. | 0:23:13 | 0:23:14 | |
Kate bought six lots. | 0:23:18 | 0:23:19 | |
But all that matters now is profit. | 0:23:23 | 0:23:26 | |
Our duelling dealers have had themselves a good clean scrap, | 0:23:26 | 0:23:30 | |
but what do they make of each other's spoils of war? | 0:23:30 | 0:23:33 | |
-So, how did it go? -Yes, very good. | 0:23:33 | 0:23:36 | |
I was determined not to go above the prices that I'd set. | 0:23:36 | 0:23:39 | |
-Did you set prices? -I set prices, and it went out of the window. | 0:23:39 | 0:23:44 | |
-Well you obviously need disciplining, what's this? -This? | 0:23:44 | 0:23:47 | |
-Actually this is one of my favourite items. -Is this for coaching? | 0:23:47 | 0:23:50 | |
Yes, or for carriage riding. | 0:23:50 | 0:23:51 | |
-I think carriage, because you've got length haven't you? -Yes. | 0:23:51 | 0:23:54 | |
What's going on with the spirits, then? | 0:23:54 | 0:23:56 | |
The spirits, well, I like this, because the auctioneer told me | 0:23:56 | 0:24:00 | |
it came out of a house clearance. | 0:24:00 | 0:24:02 | |
And I think this is from either the '30s or the '50s, | 0:24:02 | 0:24:05 | |
and very little evaporation. | 0:24:05 | 0:24:08 | |
Is that right? | 0:24:08 | 0:24:09 | |
-Look at that, nothing. -I'd sooner have a cup of tea out of that. | 0:24:09 | 0:24:12 | |
You sure it's whisky? | 0:24:12 | 0:24:14 | |
-Of course I'm sure it's whisky. -OK, OK. -What about the old spectacles? | 0:24:14 | 0:24:18 | |
I know there's a really buoyant collectors' market | 0:24:18 | 0:24:21 | |
-for ophthalmic antiques, if you like. -Is there? | 0:24:21 | 0:24:24 | |
Yes, oh yes. Tell me about this. | 0:24:24 | 0:24:28 | |
I'm going to find the most extraordinary dog owner in the UK, for a basket. | 0:24:28 | 0:24:33 | |
It sounds like you've got it sewn up. | 0:24:33 | 0:24:35 | |
-Good luck. -Best of luck. | 0:24:36 | 0:24:38 | |
The auction was but a warm-up battle for the main event - | 0:24:42 | 0:24:47 | |
out-and-out selling war. | 0:24:47 | 0:24:49 | |
For it's only now that our pair of auction action heroes | 0:24:49 | 0:24:52 | |
can prove they've got what it takes to defeat their nemesis. | 0:24:52 | 0:24:56 | |
Both now head back to their bunkers to plan a path to profit. | 0:24:56 | 0:25:00 | |
In his Sussex abode, James is rifling through his wares. | 0:25:00 | 0:25:04 | |
So, this is my selection from the auction. | 0:25:04 | 0:25:08 | |
This was the first thing, | 0:25:08 | 0:25:10 | |
these fabulous semaphore railway signal arms. | 0:25:10 | 0:25:13 | |
There's nothing reproduction about these. | 0:25:13 | 0:25:15 | |
You can see where they were bolted on to the mechanical arms, | 0:25:15 | 0:25:18 | |
so they're fun. | 0:25:18 | 0:25:20 | |
And I'm hoping to sell those to a great railway enthusiast. | 0:25:20 | 0:25:24 | |
And then, the next thing that leapt out at me | 0:25:24 | 0:25:27 | |
was this rather fun 1920s money box. | 0:25:27 | 0:25:29 | |
I think some lovely dad would have made that for a child or something. | 0:25:29 | 0:25:33 | |
In fact, funnily enough, I do the odd profile, | 0:25:33 | 0:25:36 | |
so that's my car with one of my sons, and it's rather fun. | 0:25:36 | 0:25:40 | |
You bring a photograph to life. | 0:25:40 | 0:25:42 | |
And then, our mighty dog basket here. | 0:25:42 | 0:25:44 | |
I think it was a sort of Indian musician's seat here. | 0:25:44 | 0:25:48 | |
But, from a musician's seat, | 0:25:48 | 0:25:51 | |
with the introduction of a small rug, it becomes a dog basket. | 0:25:51 | 0:25:55 | |
Ready for the European market. | 0:25:55 | 0:25:57 | |
Well, Miss Bliss, will you be in the basket, or will I be in the basket? | 0:25:57 | 0:26:01 | |
Well, let's hope nobody ends up in the basket. | 0:26:03 | 0:26:05 | |
So, James will also need to find buyers for his vintage whisky, | 0:26:05 | 0:26:09 | |
his glass vase, and his vintage car badges. | 0:26:09 | 0:26:13 | |
Over in her Herefordshire home, Kate is also looking through her lots. | 0:26:13 | 0:26:17 | |
Now, these are my more affordable items. | 0:26:17 | 0:26:21 | |
The model of the doll house is a bit of fun, and I'm hoping | 0:26:21 | 0:26:25 | |
I can find a royal memorabilia enthusiast who's going to love that. | 0:26:25 | 0:26:30 | |
Now, my lamp, I really loved. It's pretty groovy for me. | 0:26:30 | 0:26:34 | |
It's not the sort of thing I go for, 1960s lighting. | 0:26:34 | 0:26:38 | |
I've had it PAT tested, so it's all safe and legal, | 0:26:38 | 0:26:41 | |
and that's cost me around another tenner, so I'm really | 0:26:41 | 0:26:45 | |
hoping that will deliver the goods and bring me a profit. | 0:26:45 | 0:26:48 | |
But I have found a fabulous retro old electric shop. | 0:26:48 | 0:26:52 | |
It's right up their street, and I think, with a bit of luck, | 0:26:52 | 0:26:56 | |
they might take my glass lampshade as well. | 0:26:56 | 0:26:59 | |
Kate also has to find homes for her optician's set, | 0:26:59 | 0:27:03 | |
the retro tea set, and the Victorian riding crop. | 0:27:03 | 0:27:07 | |
Now, both our savvy sellers must begin the phone work, legwork, | 0:27:07 | 0:27:11 | |
and web work that will make their profits go stratospheric. | 0:27:11 | 0:27:15 | |
Don't forget, no deal is truly sealed until a hand is shaken, | 0:27:15 | 0:27:18 | |
and the money is taken. | 0:27:18 | 0:27:20 | |
James is first out of the station with the vintage railway signals | 0:27:23 | 0:27:27 | |
that cost him just over £56. | 0:27:27 | 0:27:30 | |
He's in rural Sussex to meet rail enthusiast David. | 0:27:30 | 0:27:33 | |
He's hoping he'll want to add the signals to his | 0:27:33 | 0:27:36 | |
impressive railway collection. | 0:27:36 | 0:27:38 | |
TRAIN WHISTLE BLASTS | 0:27:39 | 0:27:40 | |
Now, David, what are we surrounded by here? | 0:27:40 | 0:27:43 | |
We're surrounded by a multi-collection, | 0:27:43 | 0:27:46 | |
over many years, started a long time ago. | 0:27:46 | 0:27:49 | |
When I spoke to you on the phone, you immediately identified these | 0:27:49 | 0:27:52 | |
as a true enthusiast would, and you said something about semaphore. | 0:27:52 | 0:27:57 | |
What does that mean? | 0:27:57 | 0:27:58 | |
They're the old-fashioned way of signalling trains. | 0:27:58 | 0:28:01 | |
-Yeah. -Unfortunately, we don't have any to show on the model railway. | 0:28:01 | 0:28:06 | |
But basically, it is the way... | 0:28:06 | 0:28:09 | |
Now it's all done like a traffic light system. | 0:28:09 | 0:28:12 | |
-Yeah. -In the old days, they would be at several positions. -OK. | 0:28:12 | 0:28:16 | |
If you bought these, David, where would you put them? | 0:28:16 | 0:28:19 | |
Well, I would attempt to hang them up in here, believe it or not. | 0:28:19 | 0:28:22 | |
Yeah, they'll work really well, because you'll be able to get a nice fixing. | 0:28:22 | 0:28:25 | |
They would look particularly fine in here. | 0:28:25 | 0:28:28 | |
They'd bring a real bit of colour. | 0:28:28 | 0:28:30 | |
David, you would make me a very happy man if you paid £200 for them | 0:28:30 | 0:28:35 | |
How does that sound? | 0:28:35 | 0:28:37 | |
-A bit too much. -A bit too much. | 0:28:37 | 0:28:39 | |
What do you think they're worth? | 0:28:39 | 0:28:41 | |
-I think they'd be worth £120. -£120. Well, I tell you what, | 0:28:41 | 0:28:46 | |
can I tickle you up a bit? | 0:28:46 | 0:28:48 | |
-£150, and you've got a great deal. -£130. | 0:28:48 | 0:28:52 | |
-£135, and you've got yourself a deal. -All right, £135. | 0:28:52 | 0:28:55 | |
-Well done. -Yes, James read the signals | 0:28:55 | 0:28:58 | |
correctly and makes a profit of just under £79. | 0:28:58 | 0:29:01 | |
It's a strong start, and he chugs further up the profit track | 0:29:01 | 0:29:05 | |
when he sells his 1930s money box to collector of curiosities, Andy... | 0:29:05 | 0:29:10 | |
£50, put it there. | 0:29:10 | 0:29:11 | |
..popping another £35.90 worth of coins in his profit piggy bank. | 0:29:12 | 0:29:17 | |
So, what of Kate? | 0:29:18 | 0:29:20 | |
Well, she's in Hay-on-Wye with a cheeky plan for a double sale. | 0:29:20 | 0:29:24 | |
She hopes her PAT-tested 1960s lamp, | 0:29:24 | 0:29:27 | |
which now owes her just over £68, | 0:29:27 | 0:29:30 | |
and the glass lampshade which cost her just over a fiver, will | 0:29:30 | 0:29:33 | |
bathe vintage shop owner, Hannah, in a warm, orange, spend-inducing glow. | 0:29:33 | 0:29:37 | |
This is the lamp I told you about. It's by Herbert Terry. | 0:29:39 | 0:29:43 | |
This is called the "Eyeball Lamp." | 0:29:43 | 0:29:45 | |
This is from the '60s range in design. | 0:29:45 | 0:29:48 | |
And they called it the 2,000 Series, which, of course, | 0:29:48 | 0:29:51 | |
was very futuristic at the time. | 0:29:51 | 0:29:53 | |
-Very modern. -I love the orange. -It's a good colour. | 0:29:53 | 0:29:55 | |
And the black. Yeah. | 0:29:55 | 0:29:57 | |
And the fact it's in a box is quite... | 0:29:57 | 0:29:59 | |
It's very '60s, having that geometric shape, | 0:29:59 | 0:30:02 | |
and then that kind of eyeball... | 0:30:02 | 0:30:04 | |
-It's got a great '60s look to it, hasn't it? -Mmm. | 0:30:04 | 0:30:06 | |
Now, I bought this, and since buying it I've had it all safety tested. | 0:30:06 | 0:30:10 | |
It's good to go. It's in working order. What do you think? | 0:30:10 | 0:30:14 | |
Is it something that would go well in the shop? | 0:30:14 | 0:30:16 | |
It would fit really well in the shop, and I think customers | 0:30:16 | 0:30:19 | |
would like it, and hopefully I'd be able to sell it. | 0:30:19 | 0:30:21 | |
Obviously, that depends on what I'd be selling it for. | 0:30:21 | 0:30:25 | |
Well, just before I talk price on that, I have brought | 0:30:25 | 0:30:28 | |
something else, which I wondered might be up your street. | 0:30:28 | 0:30:33 | |
And that is this rather nice glass lampshade. | 0:30:33 | 0:30:38 | |
Now, I have noticed you've got one very similar... | 0:30:38 | 0:30:41 | |
-I think we've got one exactly the same. -..in the back of the shop. | 0:30:41 | 0:30:43 | |
So, I was wondering if you might like a nice pair. | 0:30:43 | 0:30:46 | |
A lovely pair of lampshades. I'd be very interested in that, too. | 0:30:46 | 0:30:50 | |
Great. What do you think price wise? | 0:30:50 | 0:30:52 | |
Are you looking to sell the two together? | 0:30:52 | 0:30:54 | |
-I am. I could do you a great deal. -A special price. | 0:30:54 | 0:30:57 | |
I said, roughly, I know, | 0:30:57 | 0:31:00 | |
between £100-£200 in my e-mail to you, for the lamp. | 0:31:00 | 0:31:04 | |
I have seen them sell online for 125, | 0:31:04 | 0:31:07 | |
not quite in such good order as mine. | 0:31:07 | 0:31:10 | |
I think that's maybe a little bit high. | 0:31:10 | 0:31:12 | |
I would be happy to give you £80 for it, which would allow me | 0:31:12 | 0:31:15 | |
then to make a profit on top. | 0:31:15 | 0:31:17 | |
What if we said... | 0:31:17 | 0:31:19 | |
Cos I think the lampshade, | 0:31:19 | 0:31:22 | |
-I was hoping for about £25 for the lampshade. -OK. | 0:31:22 | 0:31:26 | |
So... | 0:31:26 | 0:31:27 | |
So you could do me a good price at £100 for the two. | 0:31:27 | 0:31:29 | |
BOTH LAUGH | 0:31:29 | 0:31:31 | |
-Go on, then. That sounds like a good deal. -I'm happy with that. | 0:31:31 | 0:31:34 | |
-Brilliant. -Thank you. | 0:31:34 | 0:31:36 | |
So, that double sale makes Kate a combined profit of £25.98. | 0:31:36 | 0:31:40 | |
It's slightly less than she wanted, but mean's Kate is | 0:31:40 | 0:31:44 | |
now on a level pegging with Bingo, | 0:31:44 | 0:31:47 | |
who, it seems, has decided to hit the bottle. | 0:31:47 | 0:31:50 | |
Oh, no, sorry, scrap that. He is actually working. | 0:31:50 | 0:31:53 | |
He's brought his vintage spirits to a London whisky bar to show | 0:31:53 | 0:31:56 | |
general managers, Lizzie and Jenny. | 0:31:56 | 0:31:59 | |
And he's hoping for a rosy-cheeked return on the £51 investment. | 0:31:59 | 0:32:03 | |
-Here are the bottles I sent you photos of. -Fantastic. | 0:32:03 | 0:32:06 | |
I bought these at auction, and I rather like... | 0:32:06 | 0:32:09 | |
-It's a very tactile bottle. -Yeah. | 0:32:09 | 0:32:11 | |
I wanted to try and date this, | 0:32:11 | 0:32:13 | |
and I thought, sort of, maybe 1940s or '50s, but then you think, | 0:32:13 | 0:32:18 | |
we were all at war, Second World War, up until '45. | 0:32:18 | 0:32:23 | |
So it's probably about, I think, 1950s, this bottle. | 0:32:23 | 0:32:26 | |
And are you both quite expert on this? | 0:32:26 | 0:32:30 | |
I think that's probably... Well, I can only speak for myself. | 0:32:30 | 0:32:34 | |
I could never call myself an expert. | 0:32:34 | 0:32:37 | |
-I'm training my palate to enjoy it. -Training your palate. | 0:32:37 | 0:32:40 | |
Dan, who's a real expert, so we might have to call him over | 0:32:40 | 0:32:44 | |
and see his thoughts. | 0:32:44 | 0:32:45 | |
-Dan is your expert? -Dan is our whisky man. | 0:32:45 | 0:32:48 | |
Time to send in the reinforcements. | 0:32:48 | 0:32:50 | |
It's Dan, the whisky man. | 0:32:50 | 0:32:52 | |
-We're trying to date it, Dan. -The spring cap tells me it's | 0:32:52 | 0:32:55 | |
pre-1970s. The wire, because it's not gold, | 0:32:55 | 0:33:00 | |
and there's no sign of it fading from gold, | 0:33:00 | 0:33:04 | |
tells me it's pre-1958. | 0:33:04 | 0:33:08 | |
I would say this is a 1950s bottle. | 0:33:08 | 0:33:12 | |
-I'm happy with that. 60-year-old. -Can I ask a question? | 0:33:12 | 0:33:15 | |
Does this have any significance? | 0:33:15 | 0:33:18 | |
Do these come specifically as a pair, | 0:33:18 | 0:33:20 | |
or have they just been sold as a pair? | 0:33:20 | 0:33:24 | |
I've never seen them with a miniature on the side. | 0:33:24 | 0:33:29 | |
That's worth a fortune. | 0:33:29 | 0:33:31 | |
THEY LAUGH | 0:33:31 | 0:33:32 | |
An absolute fortune, that one. | 0:33:32 | 0:33:34 | |
It looks like a later addition. | 0:33:34 | 0:33:36 | |
Very good. Anyway, knotty question - price. | 0:33:36 | 0:33:39 | |
What are you looking for? | 0:33:39 | 0:33:40 | |
I was looking for... I saw some up on various sites. | 0:33:40 | 0:33:45 | |
And they were quite high prices. | 0:33:45 | 0:33:49 | |
I couldn't do that to you, could I? | 0:33:49 | 0:33:51 | |
-I don't know. -You could try. | 0:33:51 | 0:33:53 | |
I was looking for around £300 for the two. | 0:33:53 | 0:33:55 | |
For the two. For me, that's a bit of a bonus, but this is the bottle of interest. | 0:33:55 | 0:34:01 | |
£300... | 0:34:01 | 0:34:04 | |
That price may be in line with a bottle that has the box. | 0:34:04 | 0:34:09 | |
Yeah. I'd be more, kind of, halving what you're looking for. | 0:34:09 | 0:34:14 | |
What, to around £200 is where you were thinking of, Lizzie? | 0:34:14 | 0:34:16 | |
Well, yeah, £170, probably. | 0:34:16 | 0:34:18 | |
How about a special price, £220? Go on, give me an offer. | 0:34:18 | 0:34:21 | |
-One... -£200. | 0:34:21 | 0:34:23 | |
-£190? -£190. Lizzie, come on. Thank you very much indeed. | 0:34:23 | 0:34:27 | |
-Thank you, Jenny. -Thank you. | 0:34:27 | 0:34:29 | |
That's the spirit. | 0:34:29 | 0:34:31 | |
James pours out a substantial £138.30 profit for the whisky, | 0:34:31 | 0:34:36 | |
and, keen to capitalise on his earning streak, | 0:34:36 | 0:34:39 | |
takes the vase, which cost just under £45, | 0:34:39 | 0:34:42 | |
to show antiques dealer, Robert, in St Leonards-on-Sea. | 0:34:42 | 0:34:47 | |
Now, I've got this very heavy vase. | 0:34:47 | 0:34:49 | |
Put it in your hands. All right. | 0:34:49 | 0:34:51 | |
I think this is a nice, heavy fellow. It's cased glass. | 0:34:51 | 0:34:54 | |
And it's got these thousand flowers, so millefleur canes. | 0:34:54 | 0:34:58 | |
But sometimes, like paperweights, you get a bigger section. | 0:34:58 | 0:35:02 | |
But they're quite thin, aren't they? Filmy. | 0:35:02 | 0:35:05 | |
It's nice. It's a nice piece. | 0:35:05 | 0:35:08 | |
Where do you think it's from? | 0:35:08 | 0:35:10 | |
-It's Italian, isn't it? -Do you think it's Italian? | 0:35:10 | 0:35:13 | |
I think so. Very attractive piece. | 0:35:13 | 0:35:16 | |
-It's a big piece, isn't it? -Yep, it's a good piece. | 0:35:16 | 0:35:18 | |
Keep talking about attractive pieces. | 0:35:18 | 0:35:20 | |
How much is it? | 0:35:20 | 0:35:22 | |
Big money, Robert. | 0:35:22 | 0:35:23 | |
You don't often find this sort of thing, do you? | 0:35:23 | 0:35:26 | |
I'd like to get, sort of... | 0:35:26 | 0:35:28 | |
I don't know, 130, 120, something like that for it. | 0:35:29 | 0:35:33 | |
-That's a lot of money. -Is it? | 0:35:33 | 0:35:36 | |
I think so. What about 60 quid? | 0:35:36 | 0:35:38 | |
-I think that's too little for that. -Really? -Yeah. | 0:35:38 | 0:35:41 | |
I think it's too little for that. | 0:35:41 | 0:35:43 | |
I can go slightly under. 95. | 0:35:43 | 0:35:45 | |
£70. | 0:35:46 | 0:35:48 | |
-95... -That's a fair offer. | 0:35:48 | 0:35:51 | |
No, I think that's too little for that. | 0:35:51 | 0:35:53 | |
80 quid and you've got a deal. Go on. | 0:35:53 | 0:35:55 | |
Go on. | 0:35:55 | 0:35:57 | |
-80... -70 quid. | 0:35:57 | 0:35:59 | |
No, go on. £80. | 0:35:59 | 0:36:01 | |
It's more like it. £80. Come on. | 0:36:01 | 0:36:04 | |
-75 quid. -No. | 0:36:04 | 0:36:06 | |
-Otherwise it'd be 85. Go on. Put it there, £80. -80 quid. Go on. | 0:36:06 | 0:36:10 | |
Cor, that was hard work. | 0:36:10 | 0:36:12 | |
But gives Bingo £35.35 profit | 0:36:12 | 0:36:14 | |
and brings us to the halfway mark. | 0:36:14 | 0:36:17 | |
Time for our dealers to meet once more, because this dogged duo | 0:36:17 | 0:36:21 | |
have been given the chance to get together | 0:36:21 | 0:36:23 | |
and find out who's in the lead. | 0:36:23 | 0:36:26 | |
I'm a little bit worried here, I'll be absolutely honest with you. | 0:36:26 | 0:36:30 | |
Put my cards on the table. | 0:36:30 | 0:36:31 | |
Cos I think you had a few good lots in there. | 0:36:31 | 0:36:34 | |
Don't mention the dog bed. | 0:36:34 | 0:36:36 | |
Oh, come on. That was quite expensive, wasn't it? | 0:36:36 | 0:36:40 | |
-LAUGHING: -It was. | 0:36:40 | 0:36:41 | |
No, I bought some chunky ones. | 0:36:41 | 0:36:43 | |
I've been selling away quite steadily. | 0:36:43 | 0:36:46 | |
And I've made all right profits. All right. | 0:36:46 | 0:36:48 | |
Have you? I don't like the sound of that. | 0:36:48 | 0:36:52 | |
-I've still got quite a few to go, you see. -Really? | 0:36:52 | 0:36:54 | |
-Mm. -Yeah. My railway did all right, which... Shall we look? | 0:36:54 | 0:36:58 | |
-Shall we see? -I'm not sure I want to. | 0:36:58 | 0:37:00 | |
If I'm not in the lead, I will be a... Hmm. Hmm. | 0:37:00 | 0:37:03 | |
Hmm. Hang on, wait for me. | 0:37:03 | 0:37:05 | |
Wait for me. Wait for me. | 0:37:05 | 0:37:07 | |
Oh! "In the competition | 0:37:08 | 0:37:10 | |
"you have made less profit than your opponent." You're ahead. | 0:37:10 | 0:37:14 | |
Yeah, more profit at the moment, but I have sold more items than you. | 0:37:14 | 0:37:19 | |
So, you know, everything to live for, Kate. | 0:37:19 | 0:37:23 | |
I'm not sure about that. I think | 0:37:23 | 0:37:25 | |
-I have a bit of a steep wall to climb. -Do you? | 0:37:25 | 0:37:27 | |
-Mm. -Excellent! | 0:37:27 | 0:37:30 | |
Get out of here! | 0:37:30 | 0:37:31 | |
Well, this was always going to be a tricky one | 0:37:32 | 0:37:34 | |
because I did think James had a few good lots there. | 0:37:34 | 0:37:37 | |
But it sounds like he's still got that dog's basket, | 0:37:37 | 0:37:40 | |
which I was never convinced on. | 0:37:40 | 0:37:42 | |
So it's still all to play for. | 0:37:42 | 0:37:45 | |
I'm not entirely happy about that, | 0:37:45 | 0:37:49 | |
although I'm currently with more profit, | 0:37:49 | 0:37:51 | |
I know Kate is a fearsome adversary. | 0:37:51 | 0:37:55 | |
And I know she's got some more items to sell. | 0:37:55 | 0:37:58 | |
I haven't got many items to sell. | 0:37:58 | 0:38:01 | |
It's touch-and-go who's going to win this one. | 0:38:01 | 0:38:04 | |
That's right, Bingo, so let's see where things stand. | 0:38:04 | 0:38:08 | |
In the lead, James has sold four items, making a profit of £288.15, | 0:38:08 | 0:38:14 | |
while Kate has only sold two items, and notched up £25.98 in profit | 0:38:14 | 0:38:22 | |
So, Kate's got a lot of catching up to do in round two. | 0:38:22 | 0:38:26 | |
She'll need to whip up a frenzy of zealous buyers | 0:38:26 | 0:38:29 | |
if she's to overtake James, and... | 0:38:29 | 0:38:31 | |
Hold up. It looks like she means business. | 0:38:31 | 0:38:34 | |
# Whip crack-away | 0:38:34 | 0:38:36 | |
# Whip crack-away | 0:38:36 | 0:38:37 | |
# Whip crack-away... # | 0:38:37 | 0:38:39 | |
Costing over £150, | 0:38:39 | 0:38:41 | |
the late Victorian riding whip was Kate's most extravagant purchase, | 0:38:41 | 0:38:45 | |
so she'll need horse-and-carriage master Mark to dig deep. | 0:38:45 | 0:38:49 | |
-Hi, you must be Mark. -Pleased to meet you. -How do you do? | 0:38:49 | 0:38:52 | |
-And who are these fellows? -This is Apollo, and Harry there. | 0:38:52 | 0:38:55 | |
They are just gorgeous creatures, aren't they? | 0:38:55 | 0:38:58 | |
-They are. They're half-brothers. -Are they? -Yes. | 0:38:58 | 0:39:00 | |
-A carriage pair. -How long have you been carriage driving? | 0:39:00 | 0:39:03 | |
-About ten years. -I hear you're very experienced and you've driven | 0:39:03 | 0:39:07 | |
for the royal family, is that right? | 0:39:07 | 0:39:08 | |
That's actually where I started learning my carriage driving, at | 0:39:08 | 0:39:12 | |
-the Royal Mews. And I worked there for about two years. -Fantastic. | 0:39:12 | 0:39:16 | |
Well, this is the riding whip that I told you about. | 0:39:16 | 0:39:19 | |
-Wow. -Have a little look at it. | 0:39:19 | 0:39:21 | |
It actually dates from the Victorian period, I think, this shaft, | 0:39:21 | 0:39:25 | |
-which is made of holly wood. -Yes, that's right. | 0:39:25 | 0:39:27 | |
Now, I know a lot of whips, and I would call it a coaching whip. | 0:39:27 | 0:39:30 | |
Would you call it a coaching whip, or a carriage whip? | 0:39:30 | 0:39:33 | |
-Yes. Yes, that would be right. -Because of the length of it? | 0:39:33 | 0:39:36 | |
Yes. And it would be used for a pair. | 0:39:36 | 0:39:39 | |
As you can see, the string on the end is quite short, | 0:39:39 | 0:39:43 | |
so it wouldn't quite reach in a team situation. | 0:39:43 | 0:39:47 | |
This is ideally used for a pair of horses. | 0:39:47 | 0:39:50 | |
Why was holly wood used? | 0:39:50 | 0:39:51 | |
Cos I've noticed on quite a lot of Victorian pieces, | 0:39:51 | 0:39:54 | |
holly wood is quite commonly used for the shaft. | 0:39:54 | 0:39:57 | |
It was a very fashionable thing. | 0:39:57 | 0:39:59 | |
I believe that it was to help when you wrapped the string | 0:39:59 | 0:40:04 | |
after you've used your whip, | 0:40:04 | 0:40:06 | |
to hold it in place, to stop it from sliding up to the end | 0:40:06 | 0:40:10 | |
and creating a loop that might get caught in something. | 0:40:10 | 0:40:13 | |
Oh, I see. So actually, | 0:40:13 | 0:40:15 | |
the knobby bit that are diagnostic to holly wood | 0:40:15 | 0:40:18 | |
actually have that function to help hold the string in place? | 0:40:18 | 0:40:21 | |
Yes, I believe so. | 0:40:21 | 0:40:22 | |
-Well, do you need one, Mark? This is the question. -We do. -Do you?! | 0:40:22 | 0:40:25 | |
Yes, we've just broken our modern carbon fibre one, | 0:40:25 | 0:40:29 | |
so we are looking for one. Definitely. | 0:40:29 | 0:40:32 | |
Well, the price I was hoping for | 0:40:32 | 0:40:35 | |
was, sort of, around the 200, 250 mark. | 0:40:35 | 0:40:39 | |
How does £250 sound? | 0:40:39 | 0:40:41 | |
I think it sounds, erm, about our budget, more or less. | 0:40:41 | 0:40:45 | |
We wouldn't want to go any more, but it's a lovely piece. | 0:40:45 | 0:40:49 | |
It's a nice comfortable whip to hold, | 0:40:49 | 0:40:52 | |
and that's what really is most important, for me. | 0:40:52 | 0:40:54 | |
As well as that, it looks very striking, | 0:40:54 | 0:40:56 | |
and being Victorian, I think it would give the right impression. | 0:40:56 | 0:41:00 | |
-I'm happy with that, if you are. -Thanks very much. -Fantastic. | 0:41:00 | 0:41:03 | |
-Yes, super. -Thank you very much. -Thank you. | 0:41:03 | 0:41:05 | |
Kate makes just over £97 profit, and, like a true pro, | 0:41:05 | 0:41:09 | |
insists on sticking around to make sure it works. | 0:41:09 | 0:41:13 | |
So should I get in there? | 0:41:23 | 0:41:26 | |
So, foot on here, there, and... | 0:41:26 | 0:41:28 | |
On a hot summer's day, there would not be a better way to travel. | 0:41:35 | 0:41:40 | |
While Kate tarries in a carriage, | 0:41:41 | 0:41:43 | |
bloodhound Bingo's on a fact hunt in Worcester. | 0:41:43 | 0:41:46 | |
He wants to find out more information about his automobile | 0:41:46 | 0:41:50 | |
badges in order to find the right buyer. | 0:41:50 | 0:41:52 | |
So he's brought them to the Caravan Club communications manager, | 0:41:52 | 0:41:56 | |
hoping she can pack him full of caravanning knowledge | 0:41:56 | 0:42:00 | |
and steer him to a good profit. | 0:42:00 | 0:42:02 | |
-Hello. -Hello, James. | 0:42:02 | 0:42:04 | |
This looks a very organised site. | 0:42:04 | 0:42:06 | |
When did the Caravan Club start? | 0:42:06 | 0:42:09 | |
The Caravan Club was founded in 1907 by 11 people. | 0:42:09 | 0:42:14 | |
Ten men and one woman, | 0:42:14 | 0:42:16 | |
who all came together to enjoy the great pastime | 0:42:16 | 0:42:21 | |
of being in the outdoors and touring holidays. | 0:42:21 | 0:42:24 | |
And to enjoy the health benefits. | 0:42:24 | 0:42:25 | |
My catalyst for coming to see you. | 0:42:25 | 0:42:28 | |
-This is what I wanted to know about. -Ah! | 0:42:28 | 0:42:31 | |
Oh, how wonderful. | 0:42:31 | 0:42:32 | |
Very interesting, these badges. | 0:42:32 | 0:42:34 | |
They are extremely challenging to date. | 0:42:34 | 0:42:37 | |
What I'm hoping, if this is preWW2 | 0:42:37 | 0:42:41 | |
there will be a number on the back. | 0:42:41 | 0:42:42 | |
There will be a two- or three-digit number on the back. | 0:42:42 | 0:42:45 | |
-That will give us a much better idea. Are you ready? -Yeah. | 0:42:45 | 0:42:49 | |
Let's see. | 0:42:49 | 0:42:51 | |
Alas, no. Oh, dear. | 0:42:51 | 0:42:53 | |
So I know it's post-Second World War, this. | 0:42:53 | 0:42:56 | |
-Yes. -Yeah. OK. I'm happy with that. | 0:42:56 | 0:42:59 | |
It looks to me, by the damage and the quality of the thing, | 0:42:59 | 0:43:04 | |
-it looks '50s or '60s, doesn't it? -It does. | 0:43:04 | 0:43:06 | |
These would have cost around ten shillings to make at that time. | 0:43:06 | 0:43:10 | |
Right, so is this my pathway to riches? | 0:43:10 | 0:43:13 | |
-James, no. -No. More than ten shillings though? | 0:43:13 | 0:43:17 | |
Well, as ten shillings is around £10 in today's money, | 0:43:17 | 0:43:21 | |
let's hope it's a lot more. | 0:43:21 | 0:43:23 | |
I think normally it would've been around £60. | 0:43:23 | 0:43:27 | |
It does have some damage on it. | 0:43:27 | 0:43:29 | |
Do you still issue these rather nice chrome and enamel badges? | 0:43:29 | 0:43:32 | |
No, we don't, but we still have the horseshoe on our pennants, | 0:43:32 | 0:43:37 | |
which is on our logo. | 0:43:37 | 0:43:38 | |
The horseshoe is an homage to how caravans were originally towed. | 0:43:38 | 0:43:43 | |
Which was true horse power. | 0:43:43 | 0:43:45 | |
It was by horse. | 0:43:45 | 0:43:47 | |
And I've got something quite interesting to show you. | 0:43:47 | 0:43:50 | |
Lead on. | 0:43:50 | 0:43:51 | |
Yes, the birth of caravanning came about as many city slickers | 0:43:51 | 0:43:54 | |
wanted to escape the smog and pollution from the | 0:43:54 | 0:43:57 | |
industrialised cities at the end of the 19th century. | 0:43:57 | 0:44:00 | |
And while many went on seaside holiday and camping, | 0:44:00 | 0:44:03 | |
there were a few who wanted to glamp in style. | 0:44:03 | 0:44:06 | |
This is The Wanderer, | 0:44:06 | 0:44:08 | |
and it's the first-ever custom-built for leisure caravan. | 0:44:08 | 0:44:12 | |
It was built in 1884. | 0:44:12 | 0:44:14 | |
It was commissioned by Dr William Gordon Stables. | 0:44:14 | 0:44:17 | |
-May I have a look round it. -I'd love you to see it. | 0:44:17 | 0:44:21 | |
This is the main salon, is it? | 0:44:21 | 0:44:23 | |
It is. As in a modern caravan, | 0:44:23 | 0:44:26 | |
this area would have been used for lounging, eating - | 0:44:26 | 0:44:30 | |
if they weren't dining alfresco. | 0:44:30 | 0:44:32 | |
-Sleeping area. -You make it sound so glamorous. | 0:44:32 | 0:44:36 | |
-It is. -Dining alfresco. | 0:44:36 | 0:44:38 | |
Very nice, isn't it? Lovely. | 0:44:38 | 0:44:40 | |
So, armed with a breadth of knowledge on his automobile badges, | 0:44:40 | 0:44:43 | |
James must hit the open road | 0:44:43 | 0:44:45 | |
and track down the right place to sell them. | 0:44:45 | 0:44:48 | |
Kate is in Shrewsbury, with her sights set firmly | 0:44:48 | 0:44:52 | |
on selling item number four. | 0:44:52 | 0:44:54 | |
I've brought my ophthalmic set to an independent opticians. | 0:44:54 | 0:44:58 | |
I've only spoken to them on the phone before. | 0:44:58 | 0:45:00 | |
It's a very modern shop. | 0:45:00 | 0:45:02 | |
I hope it's what they're expecting. | 0:45:02 | 0:45:05 | |
Well, Kate has just over £117 | 0:45:05 | 0:45:08 | |
invested in the set, and is hoping | 0:45:08 | 0:45:10 | |
optometrist Allison sees fit to give her a profit. | 0:45:10 | 0:45:14 | |
This is the optician's set. | 0:45:14 | 0:45:15 | |
It's a really nice oak box, actually, that it's in, | 0:45:15 | 0:45:18 | |
which helps us to date it to about, I would say, turn of the century. | 0:45:18 | 0:45:23 | |
About 1900, maybe 1910. | 0:45:23 | 0:45:25 | |
That sort of time is when the first cases came out. | 0:45:25 | 0:45:28 | |
-They weren't around much before then. So... -Right. | 0:45:28 | 0:45:30 | |
..if it's that sort of time it's one of the first. | 0:45:30 | 0:45:33 | |
Well, let's have a look inside. | 0:45:33 | 0:45:35 | |
So, as you can see, | 0:45:35 | 0:45:37 | |
it's all really nicely fitted. | 0:45:37 | 0:45:40 | |
And, I mean, I would think it is a lens testing kit, isn't it? | 0:45:40 | 0:45:46 | |
It's for testing your eyes with various degrees of lenses. | 0:45:46 | 0:45:49 | |
What can you tell me about it? | 0:45:49 | 0:45:52 | |
It's a very large set, which is great. | 0:45:52 | 0:45:55 | |
It goes up to 20 dioptres - plus and minus. | 0:45:55 | 0:45:58 | |
It does look pretty old to me. I really like it. | 0:45:58 | 0:46:01 | |
-Good! I've noticed your set over there. -Yeah. | 0:46:01 | 0:46:05 | |
Although it's shiny and obviously new and modern, | 0:46:05 | 0:46:08 | |
-it's not dissimilar, is it, in the layout? -No. | 0:46:08 | 0:46:10 | |
It's very similar. In fact, it might be shinier, | 0:46:10 | 0:46:13 | |
but it's not particularly modern. | 0:46:13 | 0:46:15 | |
I happen to like older things. | 0:46:15 | 0:46:18 | |
Yes, it's got the same layout of lenses, | 0:46:18 | 0:46:20 | |
same tray for putting bits and pieces in. | 0:46:20 | 0:46:22 | |
So is this something you might be interested in buying, Allison. | 0:46:22 | 0:46:26 | |
I certainly might be. It would make a fantastic window display. | 0:46:26 | 0:46:29 | |
Because the box is in really nice condition, | 0:46:29 | 0:46:32 | |
I was hoping for something between 150 and 200. | 0:46:32 | 0:46:35 | |
Perhaps around 180. | 0:46:35 | 0:46:37 | |
Right, it sounds a little bit on the high side, | 0:46:37 | 0:46:40 | |
because it would be lovely in our window | 0:46:40 | 0:46:43 | |
but it's quite an expensive thing to buy purely for window display. | 0:46:43 | 0:46:46 | |
Um... I was thinking more... | 0:46:46 | 0:46:49 | |
120 or 130, something like that really. | 0:46:49 | 0:46:52 | |
Mm-hmm. | 0:46:52 | 0:46:54 | |
Could I say... I could come down and meet you a little bit. | 0:46:54 | 0:46:57 | |
Could I say £140? How does that sound? | 0:46:57 | 0:47:00 | |
£140 sounds fine. I would definitely go for that. Thank you very much. | 0:47:00 | 0:47:04 | |
-Wonderful. Thank you very much, Alison. -Shake on that. | 0:47:04 | 0:47:07 | |
Yes, that's a 20.20 profit of £22.50, | 0:47:07 | 0:47:10 | |
and there's just time to check that steely gaze. | 0:47:10 | 0:47:14 | |
So, nice healthy retinas, which is great news for you. | 0:47:14 | 0:47:17 | |
That is brilliant news. | 0:47:17 | 0:47:18 | |
Let's hope I've got an eye for a profit. | 0:47:18 | 0:47:21 | |
Hmm, it seems she does, | 0:47:21 | 0:47:24 | |
as she takes her model of Queen Mary's doll house | 0:47:24 | 0:47:26 | |
to show specialist, George, in Hay-on-Wye. | 0:47:26 | 0:47:29 | |
-40 will do. -Thank you very much. | 0:47:29 | 0:47:32 | |
And walks out with a small but perfectly formed £22.37 profit. | 0:47:32 | 0:47:36 | |
Smashing. | 0:47:36 | 0:47:38 | |
Bingo is on the road again near Battle | 0:47:38 | 0:47:40 | |
with his vintage car badges. | 0:47:40 | 0:47:42 | |
These badges took me all the way to Worcestershire. | 0:47:43 | 0:47:46 | |
And I found out more about this one in particular. | 0:47:46 | 0:47:48 | |
I know it's after the Second World War. 1950s, 1960s. | 0:47:48 | 0:47:52 | |
And the caravan I'm about to see | 0:47:52 | 0:47:55 | |
is of a similar age. | 0:47:55 | 0:47:56 | |
It could be a perfect combination. | 0:47:56 | 0:47:59 | |
The badges owe James just over £28. | 0:47:59 | 0:48:02 | |
He hopes Jimmy, who's renovating a vintage American caravan, | 0:48:02 | 0:48:06 | |
can find a place to stick 'em. | 0:48:06 | 0:48:08 | |
-Permission to come aboard. -Hello, James, how are you doing? | 0:48:08 | 0:48:11 | |
-Very good, Jimmy, how are you? -Yeah, good. Good to see you. | 0:48:11 | 0:48:13 | |
This is... | 0:48:13 | 0:48:15 | |
This looks absolutely fabulous from the outside, | 0:48:15 | 0:48:17 | |
but the inside needs a bit of imagination, doesn't it? | 0:48:17 | 0:48:19 | |
It does, it does. | 0:48:19 | 0:48:21 | |
Yeah, yeah, I've got my work cut out for me. | 0:48:21 | 0:48:24 | |
I think I'll be back here tomorrow with a sledgehammer, knocking out cupboards. | 0:48:24 | 0:48:27 | |
Jimmy, what are you hoping to do with this item? | 0:48:27 | 0:48:29 | |
-I'm hoping to turn it into a mobile cocktail bar. -Fabulous. | 0:48:29 | 0:48:32 | |
So that's the plan, yeah. | 0:48:32 | 0:48:33 | |
How old is this? | 0:48:33 | 0:48:35 | |
I've been told from the people who | 0:48:35 | 0:48:37 | |
-sold it to the people I bought it from... -Yeah. | 0:48:37 | 0:48:39 | |
..in Texas that it's the 1961 model. | 0:48:39 | 0:48:41 | |
-Look, here is the great badge. -This is what we're here for. | 0:48:41 | 0:48:44 | |
The Caravan Club badge. | 0:48:44 | 0:48:46 | |
-OK. -Obviously been used a lot. | 0:48:46 | 0:48:49 | |
These...these... | 0:48:49 | 0:48:51 | |
These were attached to badge rails on the front of the car. | 0:48:51 | 0:48:55 | |
It's obviously had some stone chips on it. | 0:48:55 | 0:48:57 | |
Yeah, to the front grille of the car. | 0:48:57 | 0:48:59 | |
I know it's post-Second World War. | 0:48:59 | 0:49:03 | |
So it's probably 1950s or '60s. | 0:49:03 | 0:49:07 | |
This is rather fun. | 0:49:07 | 0:49:08 | |
So, this shows you where the Caravan Club stems from, | 0:49:08 | 0:49:12 | |
this horseshoe, because caravans were towed by horses. | 0:49:12 | 0:49:16 | |
And also, a good luck symbol. | 0:49:16 | 0:49:17 | |
-Yeah. Horseshoe's a good luck symbol? -Good luck symbol. | 0:49:17 | 0:49:20 | |
Good to know, good to know. | 0:49:20 | 0:49:21 | |
And also, you get this funny fellow, which is slightly unassociated. | 0:49:21 | 0:49:27 | |
I don't think it's a car badge, but I tell you what you could do, | 0:49:27 | 0:49:29 | |
you could have "Star Cocktail" or something in there. | 0:49:29 | 0:49:32 | |
Yeah, yeah, exactly. Perfect. These are interesting to me. | 0:49:32 | 0:49:36 | |
Good. Tell you what, Jimmy, I wanted... | 0:49:36 | 0:49:39 | |
I want to try and get, sort of, north of £50. How about £70? | 0:49:39 | 0:49:44 | |
How does that sound? | 0:49:44 | 0:49:45 | |
£70. Erm, a little bit steep to me | 0:49:45 | 0:49:48 | |
given that it wasn't something I was looking for specifically. | 0:49:48 | 0:49:51 | |
But I do like it. | 0:49:51 | 0:49:53 | |
-You've only got floors to do, light... -Exactly. | 0:49:53 | 0:49:56 | |
I've got to think about the project. I'd love to. Yeah. | 0:49:56 | 0:49:59 | |
So how much? | 0:49:59 | 0:50:01 | |
I mean, you mentioned the figure | 0:50:01 | 0:50:02 | |
of £50, maybe we could meet in the middle at £60. | 0:50:02 | 0:50:05 | |
You've got yourself a deal. | 0:50:05 | 0:50:06 | |
-Deal. -Thank you, Jimmy. And best of luck with this. -Thank you very much. | 0:50:06 | 0:50:10 | |
He hitches up his profit wagon with that £31.80 gain, | 0:50:10 | 0:50:14 | |
and more than doubles his money. | 0:50:14 | 0:50:16 | |
Kate is in Cheltenham and has just one item left to sell - | 0:50:16 | 0:50:20 | |
her vintage tea set. | 0:50:20 | 0:50:22 | |
I've cleaned my Picquot Ware up a bit. | 0:50:22 | 0:50:24 | |
And I've brought it to a lovely vintage shop | 0:50:24 | 0:50:26 | |
which also sells coffee. | 0:50:26 | 0:50:28 | |
Let's hope it's their cup of tea. | 0:50:28 | 0:50:30 | |
It owes her just under £65, | 0:50:30 | 0:50:32 | |
so can she persuade Sylvia to take it off her hands for more? | 0:50:32 | 0:50:36 | |
I told you about this on the telephone - my Picquot Ware. | 0:50:37 | 0:50:40 | |
I've just noticed your lovely coffee machine here. | 0:50:40 | 0:50:43 | |
-That's stunning, isn't it? -It's fantastic. -It's gorgeous. | 0:50:43 | 0:50:46 | |
And really '50s in style, which is pretty much what this is. | 0:50:46 | 0:50:49 | |
-Late '50s, early '60s, maybe. -Right, yeah. | 0:50:49 | 0:50:52 | |
And if I put it down there, you can see | 0:50:52 | 0:50:55 | |
it's got the name quite clearly on the bottom there. | 0:50:55 | 0:50:59 | |
Picquot Ware. | 0:50:59 | 0:51:00 | |
I love it. I really love it. | 0:51:00 | 0:51:02 | |
It's something that would really sell well in our shop. | 0:51:02 | 0:51:05 | |
We have actually sold a piece like this before. | 0:51:05 | 0:51:09 | |
Whether we get it for the price or not is a different story, so... | 0:51:09 | 0:51:13 | |
-OK, so we'd better talk price. -Well, can I just bring my husband in? | 0:51:13 | 0:51:16 | |
Because he really loves this type of stuff. | 0:51:16 | 0:51:19 | |
It's really his thing and he loves it. | 0:51:19 | 0:51:22 | |
Of course, you just want to gang up on me, don't you? Two against one. | 0:51:22 | 0:51:25 | |
I do, it's better in numbers. Paul! | 0:51:25 | 0:51:27 | |
Let's hope he's not too far... Oh, there he is. | 0:51:27 | 0:51:29 | |
-1960s, right? -Late '50s I would say. | 0:51:29 | 0:51:33 | |
Late '50s, early 60s.. | 0:51:33 | 0:51:34 | |
I've seen them go for quite a range of prices, actually. | 0:51:34 | 0:51:38 | |
But I think this is a really nice example. It's all in good condition. | 0:51:38 | 0:51:42 | |
-Yeah, I can see that. -You've got the tray as well. | 0:51:42 | 0:51:45 | |
So, you know, the top end would be around the £150 mark. | 0:51:45 | 0:51:49 | |
-BOTH: Ooooh! -Not much in it for us on the back end. | 0:51:49 | 0:51:52 | |
-It's retail price. -Yeah, that would be far too high for us. -OK. | 0:51:52 | 0:51:58 | |
I would be quite happy to pay about £70 for it. | 0:51:58 | 0:52:01 | |
We feel that's a fair price. | 0:52:01 | 0:52:05 | |
I need a wee bit more than that, I have to say. | 0:52:07 | 0:52:09 | |
Just a wee bit more. If I could just... | 0:52:09 | 0:52:11 | |
Could you come up and meet me at, say, the £100 mark? | 0:52:11 | 0:52:14 | |
-How does that sound? -Still a wee bit high. -£80 sounds better. | 0:52:14 | 0:52:17 | |
I've come down quite a way. | 0:52:17 | 0:52:19 | |
-We will go up a little bit more, if you want. -I think £80. | 0:52:19 | 0:52:22 | |
Kate's met her match here. Can she squeeze the price up any more? | 0:52:22 | 0:52:26 | |
You're killing me. You're killing me. | 0:52:26 | 0:52:29 | |
-Why don't we say £90? You're really twisting my arm. -£90? -Final price. | 0:52:29 | 0:52:35 | |
-£90. -£90. Could you do 90? | 0:52:35 | 0:52:38 | |
-£90. Fantastic. -Sounds a good deal to me. | 0:52:38 | 0:52:41 | |
Thank you very much. | 0:52:41 | 0:52:42 | |
Oh, she did it. | 0:52:42 | 0:52:44 | |
Kate pours that final £25.37 into her profit pot, | 0:52:44 | 0:52:48 | |
and what does that mean, Kate? | 0:52:48 | 0:52:50 | |
I'm all sold up. Well, I don't know what Bingo's doing, | 0:52:50 | 0:52:53 | |
but I'm going home for a nice cup of tea. | 0:52:53 | 0:52:56 | |
Yes, back in East Sussex, it's not quite tea-time for James, | 0:52:57 | 0:53:01 | |
as he has one more item left to shift. | 0:53:01 | 0:53:03 | |
And it's the one we've all been waiting for - | 0:53:03 | 0:53:06 | |
the carved Indian seat that James thought would make | 0:53:06 | 0:53:09 | |
a cracking dog bed. Hmm. | 0:53:09 | 0:53:11 | |
How's that going to go, then? | 0:53:11 | 0:53:13 | |
I've tried to find a passionate dog owner, but I came to a dead end, | 0:53:13 | 0:53:17 | |
so I've brought my exotic eastern seat to an exotic tent hire company. | 0:53:17 | 0:53:23 | |
It's too heavy for me to carry, so I've had it delivered. | 0:53:23 | 0:53:27 | |
SIGHS With the idea of costly canine sleeping solutions behind him, | 0:53:27 | 0:53:31 | |
Bingo's popped in a sort of brown cushion thing, | 0:53:31 | 0:53:34 | |
and is about to ender a whole new world of glamping. | 0:53:34 | 0:53:37 | |
The carved seat cost just over £152, but will James be | 0:53:41 | 0:53:45 | |
sitting on a profit when he shows it to company boss Catherine? | 0:53:45 | 0:53:49 | |
-Here is the item. -This is beautiful. | 0:53:49 | 0:53:51 | |
-Really lovely. -I think it's beautiful. | 0:53:51 | 0:53:54 | |
Do you know, Catherine, I think you and I have similar taste. | 0:53:54 | 0:53:58 | |
I have tried to get somebody with a dog, a passionate dog owner, | 0:53:58 | 0:54:03 | |
-and I've just come up against a brick wall, really. -Have you? | 0:54:03 | 0:54:07 | |
Well, I think maybe we can look at it in different ways. | 0:54:07 | 0:54:10 | |
Perhaps it doesn't have to be for a dog. | 0:54:10 | 0:54:12 | |
Perhaps it could be for a musician to sit in, in a tent. | 0:54:12 | 0:54:17 | |
I think it definitely was intended for that. A sitar player. | 0:54:17 | 0:54:20 | |
Do you know that, for definite? | 0:54:20 | 0:54:22 | |
I think so, because the figures on the legs are | 0:54:22 | 0:54:26 | |
emblematic of musicians. | 0:54:26 | 0:54:28 | |
Yep, there's lots of different musical instruments being | 0:54:28 | 0:54:31 | |
played on each of the legs. | 0:54:31 | 0:54:33 | |
I'm sure that, at some point in the future, a sitar player will sit | 0:54:33 | 0:54:37 | |
in this, in one of my tents, playing the sitar, | 0:54:37 | 0:54:39 | |
-for a Mhendi party or for a wedding or something. -Yeah. | 0:54:39 | 0:54:43 | |
It looks really lovely, really lovely piece. | 0:54:43 | 0:54:45 | |
I know exactly what I'm going to do with it. | 0:54:45 | 0:54:47 | |
Right, out with the cushion. | 0:54:47 | 0:54:49 | |
Out with the cushion, | 0:54:49 | 0:54:51 | |
in with something that's a little bit more fitting. | 0:54:51 | 0:54:55 | |
-Yeah. It's bringing more colour, isn't it? -Little bit more colour, exactly. | 0:54:55 | 0:54:59 | |
Yes, you can't have something brown in there, I don't think. | 0:54:59 | 0:55:02 | |
-It's transformed. -It is. | 0:55:02 | 0:55:05 | |
-Now, knotty business of price, Catherine. -Yes. | 0:55:05 | 0:55:09 | |
OK, how much do you want for it? | 0:55:10 | 0:55:13 | |
-I wanted to try and get about £220 for it. -OK, OK. | 0:55:13 | 0:55:18 | |
I think, actually, there's quite a lot there. | 0:55:18 | 0:55:21 | |
I think it's been used, I think it's quite nicely carved. | 0:55:21 | 0:55:26 | |
-Yeah, actually, you know what? I think that's a fair price. -OK. | 0:55:26 | 0:55:29 | |
-Catherine, thank you. -I'll go with that. -Thank you very much indeed. | 0:55:29 | 0:55:33 | |
And that final £67.25 profit signals the end of our selling spree. | 0:55:33 | 0:55:39 | |
Will James have been able to hang on to his lead | 0:55:39 | 0:55:41 | |
or will Kate take home the victory cup? | 0:55:41 | 0:55:44 | |
We'll find out soon, | 0:55:44 | 0:55:46 | |
but first, here's a reminder of how much they spent at auction. | 0:55:46 | 0:55:49 | |
Having each started the day with £1,000 to spend, | 0:55:49 | 0:55:53 | |
James bought six items, spending a total of £347.80. | 0:55:53 | 0:55:57 | |
Kate also bought six lots, spending £426.53, | 0:55:58 | 0:56:03 | |
including PAT testing costs. | 0:56:03 | 0:56:05 | |
But who's made the most profit? | 0:56:05 | 0:56:08 | |
All of the money that James and Kate have made from today's | 0:56:08 | 0:56:11 | |
challenge will go to charities of their choice. | 0:56:11 | 0:56:14 | |
So, let's find out who is our | 0:56:14 | 0:56:16 | |
Put Your Money Where Your Mouth Is champion. | 0:56:16 | 0:56:20 | |
-Hey. -Good to see you again. -You too. How are you? | 0:56:20 | 0:56:23 | |
Very good, very good, but how are you after all your selling? | 0:56:23 | 0:56:26 | |
Yeah, well, OK. I think it's fair to say, | 0:56:26 | 0:56:29 | |
at the auction, I bought a little bit out of my comfort zone, | 0:56:29 | 0:56:31 | |
but the selling was great fun. | 0:56:31 | 0:56:33 | |
-I had my eyes tested when I sold the optician's set. -All good? -All good. | 0:56:33 | 0:56:38 | |
-How about you? -Yeah, no, I did all right. | 0:56:38 | 0:56:40 | |
I went to see a most fabulous model railway set, | 0:56:40 | 0:56:44 | |
-and my whisky did all right. -Did it now? | 0:56:44 | 0:56:47 | |
Because I was a little bit dubious about that whisky. | 0:56:47 | 0:56:50 | |
I have to say, I did knock it. But it went well, did it? | 0:56:50 | 0:56:52 | |
It had age, that's the thing. | 0:56:52 | 0:56:54 | |
-OK, shall we find out. -Are we ready? | 0:56:54 | 0:56:56 | |
-I'm dying to find out. -Are you ready? | 0:56:56 | 0:56:58 | |
-Ready...go! -Go! | 0:56:58 | 0:57:00 | |
-Ooooooh! You've trounced me! -Kate. -Well done. | 0:57:02 | 0:57:06 | |
-Dear oh dear, what's going on? -£387! | 0:57:06 | 0:57:10 | |
So, what was in the whisky? | 0:57:10 | 0:57:13 | |
-It was seriously old, was it? -Gold, Kate. Gold. | 0:57:13 | 0:57:15 | |
-Let me tell you about it. -You've done well. | 0:57:15 | 0:57:18 | |
-Let me tell you about it. -Congratulations. | 0:57:18 | 0:57:20 | |
JAMES LAUGHS | 0:57:20 | 0:57:21 | |
A convincing win from James, making more than double Kate's profit, | 0:57:21 | 0:57:24 | |
and it was the whisky that made him the most money. | 0:57:24 | 0:57:27 | |
I'm not just pleased, I'm absolutely delighted. | 0:57:27 | 0:57:30 | |
There seems to be gold in them whisky bottles. | 0:57:30 | 0:57:32 | |
Well, I am gutted. | 0:57:32 | 0:57:34 | |
Fair dos to Bingo, he has smashed me on that one. | 0:57:34 | 0:57:37 | |
But what I'm really cross about is that he spotted that whisky, | 0:57:37 | 0:57:41 | |
which to me looked disgusting, | 0:57:41 | 0:57:43 | |
and he couldn't have found a better person to sell it to. | 0:57:43 | 0:57:46 | |
Hats off, old boy. | 0:57:46 | 0:57:48 | |
Between them, they've made over £580 and every penny of that | 0:57:48 | 0:57:52 | |
will go to good causes. | 0:57:52 | 0:57:54 | |
My chosen charity is the Windmill Hill Windmill Trust. | 0:57:54 | 0:57:58 | |
Bought at auction over 20 years ago, | 0:57:58 | 0:58:00 | |
saved from dereliction. | 0:58:00 | 0:58:02 | |
And about to grind corn. | 0:58:02 | 0:58:04 | |
My chosen charity is the Herefordshire branch of SSAFA, | 0:58:04 | 0:58:07 | |
because it gives lifelong support to servicemen, | 0:58:07 | 0:58:10 | |
veterans and their families. | 0:58:10 | 0:58:13 | |
Our excellent experts have really | 0:58:13 | 0:58:15 | |
put their money where their mouths are and shown they can make a profit | 0:58:15 | 0:58:20 | |
from buying and selling antiques when their own money is on the line. | 0:58:20 | 0:58:23 |