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This is Put Your Money Where Your Mouth Is, the show that pitches | 0:00:02 | 0:00:04 | |
TV's best-loved antiques experts against each other | 0:00:04 | 0:00:07 | |
in an all-out battle for profit. | 0:00:07 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:11 | |
Each week, one pair of duelling dealers will face | 0:00:11 | 0:00:14 | |
a different daily challenge. | 0:00:14 | 0:00:17 | |
I've got a heavy profit here. | 0:00:17 | 0:00:18 | |
Putting their reputations on the line... | 0:00:18 | 0:00:21 | |
Who's there? | 0:00:21 | 0:00:22 | |
They'll give you the insider's view of the trade... | 0:00:23 | 0:00:26 | |
..along with top tips and savvy secrets... | 0:00:27 | 0:00:30 | |
That could present a problem, I think. | 0:00:30 | 0:00:32 | |
..showing you how to make the most money... | 0:00:32 | 0:00:34 | |
Ready for battle! | 0:00:34 | 0:00:35 | |
..from buying and selling. | 0:00:37 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:40 | |
Coming up, Butterfingers Bliss shows how not to handle antiques. | 0:00:41 | 0:00:47 | |
Ooh! Ooh! Oh, I'm so sorry! | 0:00:47 | 0:00:50 | |
James reveals that you need to look to the past if you want | 0:00:50 | 0:00:53 | |
up-to-the minute interiors... | 0:00:53 | 0:00:55 | |
This has survived since the early 1960s and I think this is sort of | 0:00:55 | 0:01:00 | |
bang-on trend. | 0:01:00 | 0:01:02 | |
And Confident Kate's not too shy to blow her own trumpet. | 0:01:02 | 0:01:05 | |
This is Put Your Money Where Your Mouth Is. | 0:01:07 | 0:01:11 | |
Today, we're at Hemswell car boot in Lincolnshire, | 0:01:26 | 0:01:29 | |
where our treasure trackers are up bright and early in a bid to uncover | 0:01:29 | 0:01:33 | |
some serious boot-sale spoils | 0:01:33 | 0:01:35 | |
and brush the dust off the best bargains. | 0:01:35 | 0:01:39 | |
First up, it's the Indiana Jane of today's antiques dig. | 0:01:39 | 0:01:43 | |
She's armed to the teeth with expert knowledge | 0:01:43 | 0:01:45 | |
and she won't rest till | 0:01:45 | 0:01:47 | |
the rarest relics are nestled safely in her satchel. | 0:01:47 | 0:01:50 | |
It's Kate "Absolute" Bliss. | 0:01:50 | 0:01:53 | |
I think it's time to go up a gear and get this in the bag. | 0:01:53 | 0:01:56 | |
Her rival is a veteran raider of the lost artefacts, | 0:01:57 | 0:02:00 | |
whose enviable experience keeps his eye on the prize and his mind on | 0:02:00 | 0:02:04 | |
the profits. He wants the best idols and won't stop until he's got them. | 0:02:04 | 0:02:09 | |
It's James "Bingo" Braxton. | 0:02:09 | 0:02:12 | |
I think I'm going to beat that Bliss. | 0:02:12 | 0:02:15 | |
They've each got £250 of their own money to spend | 0:02:15 | 0:02:19 | |
and all the profits go to their chosen charities, so here we go - | 0:02:19 | 0:02:24 | |
James Braxton and Kate Bliss, | 0:02:24 | 0:02:26 | |
it's time to put your money where your mouth is. | 0:02:26 | 0:02:29 | |
-Hello, Kate. -Hi! Well, this is exciting, isn't it? | 0:02:29 | 0:02:32 | |
It all happens up north. | 0:02:32 | 0:02:33 | |
It does. Well, Lincolnshire, 800 stalls. | 0:02:33 | 0:02:36 | |
-That's a lot, isn't it? -800 stalls. And £250 to spend. | 0:02:36 | 0:02:39 | |
Yeah. So, what's your strategy, then? | 0:02:39 | 0:02:41 | |
I'll buy quickly - small, portable things, I think. | 0:02:41 | 0:02:44 | |
-OK. -Cheap. -You're not going for the big furniture this time? | 0:02:44 | 0:02:47 | |
-No, no. -OK. | 0:02:47 | 0:02:48 | |
Too much work. Never buy work, Kate. | 0:02:48 | 0:02:51 | |
What about you? Small and precious? | 0:02:51 | 0:02:54 | |
Well, actually, maybe not small and precious, unless it leaps out at me, | 0:02:54 | 0:02:57 | |
-of course. -Are you giving me some kind of code, Kate? | 0:02:57 | 0:02:59 | |
-What's going on? -But I think I'm going to go for something a bit wacky. | 0:02:59 | 0:03:04 | |
-Wacky? -Yeah. -OK. | 0:03:04 | 0:03:05 | |
What, plastic, '50s? | 0:03:05 | 0:03:07 | |
No, a bit wackier than that. | 0:03:07 | 0:03:10 | |
-Good luck. -Best of luck, best of luck. | 0:03:10 | 0:03:12 | |
It's set to be a painstaking and precise hunt for heirlooms. | 0:03:12 | 0:03:16 | |
Kate has had a quick scoot around the outdoor and indoor stalls | 0:03:16 | 0:03:20 | |
and has formulated her plan. | 0:03:20 | 0:03:22 | |
They look like quite established stalls inside, whereas outside here, | 0:03:23 | 0:03:27 | |
all the action's happening. | 0:03:27 | 0:03:29 | |
Car boots are arriving all the time and I think this is where | 0:03:29 | 0:03:32 | |
the fresh-to-the-market stuff that I want is. | 0:03:32 | 0:03:35 | |
So, outdoorsy Kate is resolutely sticking to the antiques-rich atmosphere | 0:03:35 | 0:03:40 | |
of the exterior stalls. | 0:03:40 | 0:03:42 | |
And what about James? | 0:03:42 | 0:03:43 | |
Does he think he's forged a winning system? | 0:03:43 | 0:03:47 | |
My tactic today is just to engage the stallholder, draw them out, | 0:03:47 | 0:03:52 | |
see what sort of goodies they've got | 0:03:52 | 0:03:54 | |
lying on their little blue tarpaulins. | 0:03:54 | 0:03:57 | |
So, Bingo's on the charm offensive, is he? | 0:03:57 | 0:04:00 | |
Well, we all know flowers are a good start. | 0:04:00 | 0:04:03 | |
Look at this! What are these? Sunflowers? | 0:04:03 | 0:04:05 | |
Well, I hope so, yeah. | 0:04:05 | 0:04:07 | |
Nice bit of oak, isn't it? | 0:04:07 | 0:04:09 | |
Is this your own work, madam? | 0:04:09 | 0:04:10 | |
-No, it isn't. -It isn't? -No. | 0:04:10 | 0:04:13 | |
There it is, the old Braxton charisma in full effect. | 0:04:13 | 0:04:16 | |
And it seems to be working. | 0:04:16 | 0:04:19 | |
Yeah, I think it's rather attractive. | 0:04:19 | 0:04:21 | |
You've got the taste. I like it. | 0:04:21 | 0:04:23 | |
-How much have you got on it? -Well, I'd probably ask about 14. | 0:04:23 | 0:04:28 | |
14? Really? | 0:04:28 | 0:04:29 | |
I think it's really nice. | 0:04:29 | 0:04:31 | |
They're not real flowers, Bingo! | 0:04:31 | 0:04:33 | |
How about a tenner, madam? | 0:04:33 | 0:04:34 | |
-Yeah, go on. Seeing as it's you. -Go on! | 0:04:34 | 0:04:35 | |
Oh, you lovely lady! | 0:04:35 | 0:04:37 | |
-OK, cheers. -You lovely lady! | 0:04:37 | 0:04:39 | |
He parts with £10 for the painting | 0:04:39 | 0:04:41 | |
and Bingo the Bewitcher made that look easy. | 0:04:41 | 0:04:44 | |
Well, it's nice to find an antique at a car boot. | 0:04:44 | 0:04:48 | |
And this certainly fulfils it. | 0:04:48 | 0:04:50 | |
It's a nice fielded panel, painted on oak. | 0:04:50 | 0:04:53 | |
When was it painted? | 0:04:53 | 0:04:54 | |
Well, it has a really Edwardian feel. | 0:04:54 | 0:04:57 | |
It reminds me...you know, if you were going to encapsulate a garden, | 0:04:57 | 0:05:00 | |
a garden near me in East Sussex is Great Dixter, | 0:05:00 | 0:05:04 | |
and this really is Great Dixter, the extension was Edwin Lutyens, | 0:05:04 | 0:05:09 | |
sort of natural products, | 0:05:09 | 0:05:11 | |
these lovely flowers there... | 0:05:11 | 0:05:12 | |
That's who I need to sell it to - I need to sell it to a great gardener. | 0:05:12 | 0:05:17 | |
Yes, jubilant James thinks he can smell a profit in his first purchase. | 0:05:17 | 0:05:21 | |
What a positive start to the day. | 0:05:21 | 0:05:23 | |
Across the market, Kate is also having a smashing time. | 0:05:23 | 0:05:27 | |
Look at this - this is a copy of a Faberge egg. | 0:05:28 | 0:05:33 | |
What a shame it's not the real one. | 0:05:33 | 0:05:36 | |
Ooh! I'm so sorry! | 0:05:36 | 0:05:38 | |
Thank goodness it's not a real one, Kate! | 0:05:38 | 0:05:41 | |
Am I banned? Nothing broken! | 0:05:41 | 0:05:42 | |
Better move on quick, Kate, before you get chucked out. | 0:05:42 | 0:05:45 | |
A pair of knightly bottle toppers has caught her eye, | 0:05:45 | 0:05:49 | |
and she sets out on a crusade to rescue them. | 0:05:49 | 0:05:52 | |
-How much are these? -You can have them for a tenner. | 0:05:52 | 0:05:55 | |
Let's have a little look. I thought I saw a bit of damage on there, | 0:05:55 | 0:05:58 | |
but I'm just going to check that out. | 0:05:58 | 0:06:00 | |
Yeah. | 0:06:04 | 0:06:05 | |
Will you do a fiver, just because there's a bit of a nick on the top? | 0:06:07 | 0:06:11 | |
Yeah, I'll take a fiver. | 0:06:12 | 0:06:14 | |
Done. | 0:06:14 | 0:06:15 | |
-Thank you. -Good luck with them. -Thank you. | 0:06:17 | 0:06:19 | |
Kate slashes the price in half, | 0:06:19 | 0:06:22 | |
and without even clashing swords with the vendor. | 0:06:22 | 0:06:24 | |
But before the money's out of her pocket, she spots something else. | 0:06:24 | 0:06:29 | |
-Isn't that fun? -I think it's to do with the Teddy Bear Club. | 0:06:29 | 0:06:34 | |
It says silver. | 0:06:38 | 0:06:39 | |
A little club medallion or something? | 0:06:43 | 0:06:46 | |
-Never seen one of those before. -I haven't. | 0:06:46 | 0:06:49 | |
I'll give you a tenner for the two. | 0:06:49 | 0:06:51 | |
Yes? Great. | 0:06:51 | 0:06:53 | |
Brilliant. | 0:06:54 | 0:06:56 | |
Don't need any change. | 0:06:56 | 0:06:58 | |
-Brilliant. -Thank you. -Thank you very much. Have a good day. | 0:06:58 | 0:07:01 | |
-Cheers. -Great! Two buys in one. | 0:07:01 | 0:07:03 | |
Indeed, and with that, | 0:07:03 | 0:07:05 | |
Miss Bliss has leapt in front of her rival and leads two items to one. | 0:07:05 | 0:07:09 | |
I think I have got a bargain here. | 0:07:09 | 0:07:12 | |
The first thing, a pair of bottle pourers, so they act like stoppers, | 0:07:12 | 0:07:16 | |
but you flip up the novelty visors on these helmets | 0:07:16 | 0:07:20 | |
and you can actually pour through them. | 0:07:20 | 0:07:23 | |
They're not very old, but I think they're great fun. | 0:07:23 | 0:07:26 | |
Silver plate, and there's got to be a profit there. | 0:07:26 | 0:07:29 | |
But the second thing is really interesting. | 0:07:29 | 0:07:32 | |
Now, I've never seen one of these before. | 0:07:32 | 0:07:35 | |
It's a little lapel fob, so you would wear it through your buttonhole. | 0:07:35 | 0:07:39 | |
And on the medallion here it says, | 0:07:39 | 0:07:42 | |
"The Most Cheerful Order of Merrythoughts." | 0:07:42 | 0:07:45 | |
Now, Merrythought was a company producing soft toys from the 1930s, | 0:07:45 | 0:07:50 | |
based in Shropshire, and it particularly specialised in teddy bears. | 0:07:50 | 0:07:54 | |
I think this is great fun. | 0:07:54 | 0:07:56 | |
It's probably silver, and the little wishbone | 0:07:56 | 0:07:58 | |
on the end here is going to be my good-luck charm. | 0:07:58 | 0:08:02 | |
Yes, and you may need that luck, | 0:08:02 | 0:08:03 | |
as James has only gone and found a... | 0:08:03 | 0:08:06 | |
let's say a vintage chair? | 0:08:06 | 0:08:08 | |
It's got a really good look, hasn't it? | 0:08:09 | 0:08:11 | |
And Bingo knows the best way to secure a seat is to sit on it. | 0:08:11 | 0:08:15 | |
This has a good house-clearance feel about it. | 0:08:15 | 0:08:18 | |
It is house-clearance stuff. | 0:08:18 | 0:08:21 | |
How much is that... How much is this chair? | 0:08:21 | 0:08:23 | |
-35. -Oh, it goes back, as well, look. | 0:08:23 | 0:08:26 | |
So it has two settings. | 0:08:26 | 0:08:28 | |
Do you know, I'm getting quite excited about this chair now, | 0:08:28 | 0:08:31 | |
because not only does it fold, but it also has two settings. | 0:08:31 | 0:08:35 | |
I've just found it out. | 0:08:35 | 0:08:37 | |
Madam! Come over here, tell me about this folding chair. | 0:08:38 | 0:08:41 | |
Good look, isn't it? | 0:08:41 | 0:08:42 | |
-Yeah. -It's survived, as well. -Well, yeah. Yeah, it's a good chair. | 0:08:42 | 0:08:46 | |
The thing is, well, | 0:08:46 | 0:08:48 | |
it's still got its plastic. | 0:08:48 | 0:08:51 | |
Yeah, a bit grubby, but apart from that, it's all right, isn't it? | 0:08:51 | 0:08:54 | |
Yeah, clean up good, scrub up lovely. | 0:08:54 | 0:08:56 | |
And would you take 30 for it? | 0:08:56 | 0:08:58 | |
-I will take 30. -You've got 30, madam. | 0:08:58 | 0:09:02 | |
These are the antiques of the future. | 0:09:02 | 0:09:04 | |
Well, they're the antiques of now, madam, aren't they, now? | 0:09:04 | 0:09:07 | |
-Absolutely, sir. -Blimey. | 0:09:07 | 0:09:09 | |
Yeah, blimey indeed. So much for only buying small items! | 0:09:09 | 0:09:12 | |
Bingo's, um, "antique" chair is his for £30 and, as with so many things | 0:09:12 | 0:09:18 | |
from the '60s, it's really set off his imagination. | 0:09:18 | 0:09:22 | |
Do you know, this has got... | 0:09:22 | 0:09:24 | |
It's very Bond-like, this. | 0:09:24 | 0:09:26 | |
This is early '60s, isn't it? | 0:09:26 | 0:09:28 | |
It has that sort of Dr No, Goldfinger look about it. | 0:09:28 | 0:09:33 | |
It's painted gold, the frame is all gold, | 0:09:33 | 0:09:35 | |
and it's got this rather fun sort of plastic. | 0:09:35 | 0:09:38 | |
Very simple way of upholstering a chair. | 0:09:38 | 0:09:42 | |
It's just a cord that is wrapped | 0:09:42 | 0:09:44 | |
round and round and round, and the gold | 0:09:44 | 0:09:47 | |
and the light blue looks really good, it looks really sunny, | 0:09:47 | 0:09:50 | |
it looks very sort of American and it's just a really clever design. | 0:09:50 | 0:09:55 | |
Look, I just fold it up like that, I just put it down, shake it, | 0:09:55 | 0:09:59 | |
and there we are! Go on, Dad, you sit down. | 0:09:59 | 0:10:02 | |
And, oh! It's in the reclining mode. | 0:10:02 | 0:10:05 | |
So you just bring these two things up here, just bring it around, | 0:10:05 | 0:10:09 | |
slap them down and then you're sitting up. | 0:10:09 | 0:10:11 | |
What a lovely piece. | 0:10:11 | 0:10:13 | |
This has survived since the early 1960s and I think this is sort of | 0:10:13 | 0:10:18 | |
bang on trend. | 0:10:18 | 0:10:19 | |
This is retro, vintage, it's folding, and I'm off. | 0:10:19 | 0:10:23 | |
I'm going to go and enjoy the sun. | 0:10:23 | 0:10:25 | |
Yeah, watch you don't trap your Goldfinger in there. | 0:10:25 | 0:10:29 | |
The man with the Midas touch | 0:10:29 | 0:10:30 | |
is jolly excited about his retro recliner, | 0:10:30 | 0:10:32 | |
and he's not the only one in a tizzy, because Miss Bliss, | 0:10:32 | 0:10:36 | |
as predicted by James, has found a stall full of bling and is besotted. | 0:10:36 | 0:10:41 | |
Look at that. Cor, look at that! | 0:10:41 | 0:10:45 | |
Oh, you've got earrings to match. Ooh! | 0:10:45 | 0:10:48 | |
I quite fancy these. | 0:10:48 | 0:10:51 | |
I love the colours in that. | 0:10:51 | 0:10:52 | |
There's not a lot she doesn't like here. | 0:10:52 | 0:10:54 | |
Our treasure hunter has struck gold. | 0:10:54 | 0:10:57 | |
So what could you do if I took... | 0:10:57 | 0:10:58 | |
I can't decide whether that one or that one. | 0:10:58 | 0:11:00 | |
A fiver for the two. | 0:11:00 | 0:11:02 | |
-Fiver for the two? -Yeah. | 0:11:02 | 0:11:04 | |
That's nice. | 0:11:04 | 0:11:06 | |
OK. Fiver for the two? | 0:11:07 | 0:11:09 | |
-Yeah. -Done. Thank you very much. Lovely. | 0:11:09 | 0:11:12 | |
Kate has somehow restrained herself from emptying the whole stall, | 0:11:12 | 0:11:15 | |
and nabbed two necklaces for a bargain £5. | 0:11:15 | 0:11:20 | |
Now, these two bits of costume jewellery certainly | 0:11:21 | 0:11:23 | |
don't have much age about them, | 0:11:23 | 0:11:24 | |
but they've got a lovely look about them, | 0:11:24 | 0:11:27 | |
and the reason I bought them is, this one particularly | 0:11:27 | 0:11:29 | |
is a little bit in the style | 0:11:29 | 0:11:31 | |
of an American costume jewellery designer | 0:11:31 | 0:11:33 | |
who was working in the 1920s right through to the '60s - Miriam Haskell. | 0:11:33 | 0:11:39 | |
Now, Haskell pieces are highly desirable, | 0:11:39 | 0:11:41 | |
so I've bought these as a bit of fun. | 0:11:41 | 0:11:43 | |
So, Miss Bliss has made a light-hearted purchase, | 0:11:44 | 0:11:47 | |
but what of our veteran deal-doer James Braxton? | 0:11:47 | 0:11:51 | |
He's bound to be taking things a lot more seriously... | 0:11:51 | 0:11:54 | |
See, this is value for money, isn't it? | 0:11:54 | 0:11:56 | |
..or not! | 0:11:56 | 0:11:57 | |
Eight quid. Don't look so shocked, sir. | 0:11:57 | 0:12:01 | |
That is very good, isn't it? Very comfy. | 0:12:01 | 0:12:04 | |
-Oh, yeah, that's the one. -That's the one, isn't it? | 0:12:04 | 0:12:07 | |
That's very nice. | 0:12:07 | 0:12:09 | |
-Cos you've got to dress accordingly for any event, haven't you? -Absolutely. | 0:12:09 | 0:12:12 | |
You look very fine. | 0:12:12 | 0:12:13 | |
With Kate in the lead, it's time for James to swap that hat for his thinking cap, | 0:12:15 | 0:12:19 | |
cast his net wide and see what he can catch. | 0:12:19 | 0:12:22 | |
He's got a nibble. | 0:12:22 | 0:12:24 | |
That's quite cool, isn't it? | 0:12:24 | 0:12:28 | |
For a chippy. | 0:12:28 | 0:12:30 | |
Now, how much have you got on it? | 0:12:30 | 0:12:32 | |
-12 quid. -Would you take a tenner for it? | 0:12:32 | 0:12:35 | |
I've got a tenner. Come on. Like that. | 0:12:35 | 0:12:37 | |
Bingo got his pincers into that little pot, and he wouldn't let go. | 0:12:39 | 0:12:43 | |
But what is it? | 0:12:43 | 0:12:44 | |
So, this is a salt shaker. | 0:12:44 | 0:12:47 | |
Often single hole for salt, you can regulate. | 0:12:47 | 0:12:49 | |
Salt's not so good for you, so you don't want too much. | 0:12:49 | 0:12:51 | |
If you have lots of holes, it's generally for dusting sugar | 0:12:51 | 0:12:55 | |
over strawberries or whatever. | 0:12:55 | 0:12:57 | |
What attracted me to it is, one, the feel of it - | 0:12:57 | 0:13:00 | |
it's got this fabulous eggshell glaze. | 0:13:00 | 0:13:03 | |
And it's got a great motif. | 0:13:03 | 0:13:05 | |
But I love the lobster. Look at that, nice, red lobster. | 0:13:05 | 0:13:08 | |
We've got the lobster pot, we've got stylised fish. | 0:13:08 | 0:13:11 | |
Sort of era, '60s, '70s. | 0:13:11 | 0:13:13 | |
It's got a great retro look, | 0:13:13 | 0:13:14 | |
and a retro fish-and-chip shop would absolutely love this. | 0:13:14 | 0:13:19 | |
And it was mine for a tenner. | 0:13:19 | 0:13:21 | |
And with that, our dealers are neck and neck with three buys apiece. | 0:13:21 | 0:13:24 | |
We're at the halfway mark, | 0:13:24 | 0:13:26 | |
so let's see who is leading and who is floundering. | 0:13:26 | 0:13:29 | |
Both our dealers arrived with £250 of their own money to spend. | 0:13:29 | 0:13:33 | |
James has spent £50 so far, leaving £200 in his kitty. | 0:13:33 | 0:13:38 | |
Kate, however, has spent considerably less - just £15 - | 0:13:38 | 0:13:43 | |
leaving her with a much larger £235 for the rest of the day. | 0:13:43 | 0:13:48 | |
Hey. You found the sausages! | 0:13:50 | 0:13:52 | |
Yeah. I've had such a good morning, I've been strolling around. | 0:13:52 | 0:13:56 | |
-Really? -And I'm just restoring the minerals now. | 0:13:56 | 0:13:59 | |
-Are you? -Yeah. Have you been inside? | 0:13:59 | 0:14:01 | |
Yeah, I've been inside all the time, actually. | 0:14:01 | 0:14:03 | |
Some great stuff in there. Definitely worth a look. | 0:14:03 | 0:14:06 | |
-You're giving me a bum steer, aren't you? -Am I? -Are you? | 0:14:06 | 0:14:09 | |
JAMES LAUGHS | 0:14:09 | 0:14:10 | |
I stayed in the sunshine and I managed to find bits and bobs. | 0:14:10 | 0:14:14 | |
-Yeah? -I think the youngest item I bought is about 50 years old, and I bought some antiques. | 0:14:14 | 0:14:20 | |
-Yeah? I found the odd one, I have to say. -Have you? -Sun's come out - I'm feeling quite relaxed. | 0:14:20 | 0:14:24 | |
What, small and precious? Or not? | 0:14:24 | 0:14:26 | |
No, not, actually. Little bit of shiny stuff, blingy stuff. | 0:14:26 | 0:14:30 | |
-Any furniture? -No furniture yet. | 0:14:30 | 0:14:32 | |
-Really? -How about you? | 0:14:32 | 0:14:34 | |
Yeah, I've bought some furniture. | 0:14:34 | 0:14:36 | |
-Yeah? -No other clues, though, Kate. -OK. -No other clues. | 0:14:36 | 0:14:38 | |
All right. Well, I'm off for one of those. | 0:14:38 | 0:14:40 | |
Well, good luck. | 0:14:40 | 0:14:42 | |
Well, what a shocker. | 0:14:42 | 0:14:44 | |
Sneaky old Kate's trying to send her rival on a wild goose chase indoors, | 0:14:44 | 0:14:49 | |
while James is playing secret squirrels over his stash. | 0:14:49 | 0:14:52 | |
Mind games are rife today. | 0:14:52 | 0:14:55 | |
Poor old Kate. | 0:14:55 | 0:14:56 | |
There's still the same smile, but there's real panic in the eyes. | 0:14:56 | 0:15:00 | |
Anyway, I am having a lovely time in the sunshine | 0:15:00 | 0:15:02 | |
and that's where I'm going to stay. | 0:15:02 | 0:15:05 | |
Now, it's quite late morning now | 0:15:05 | 0:15:06 | |
and things are definitely getting harder to find. | 0:15:06 | 0:15:09 | |
I think I need to get a shift on. | 0:15:09 | 0:15:12 | |
That's the spirit. | 0:15:12 | 0:15:13 | |
Kate is planning to speed up in order to buy up. | 0:15:13 | 0:15:16 | |
Better buckle up, then. | 0:15:16 | 0:15:17 | |
Ooh, this might help. | 0:15:17 | 0:15:20 | |
-Can I have another look at this buckle, please? -Course you can. | 0:15:20 | 0:15:24 | |
There you go. | 0:15:24 | 0:15:25 | |
-It's a nice bit of enamelling, isn't it? -It is, yeah. | 0:15:26 | 0:15:28 | |
It's all there - there's no damage to it. | 0:15:28 | 0:15:30 | |
I think it's about 1920s, 1930s. I've not dated it yet. | 0:15:30 | 0:15:34 | |
-How much is that? -That's 35. | 0:15:34 | 0:15:36 | |
Hm. | 0:15:36 | 0:15:38 | |
It's a job to know... Buckles used to be really in, didn't they? | 0:15:38 | 0:15:41 | |
They did, yeah. Yeah. | 0:15:41 | 0:15:42 | |
They've just gone off the boil a wee bit. | 0:15:42 | 0:15:45 | |
-It's a lovely bit of enamelling, though. -Yeah. | 0:15:45 | 0:15:48 | |
It's nice. | 0:15:48 | 0:15:50 | |
I'm just...wondering. | 0:15:50 | 0:15:53 | |
-I'm going to have a think. I might well come back. -Yeah, no problem. | 0:15:53 | 0:15:56 | |
I'm dithering. | 0:15:56 | 0:15:57 | |
Dithering?! Rather than putting her foot down as planned, | 0:15:57 | 0:16:01 | |
Kate has put the brakes on for now. | 0:16:01 | 0:16:04 | |
And while she ponders her options, | 0:16:04 | 0:16:07 | |
Bingo has dug up a bit of old iron | 0:16:07 | 0:16:09 | |
he hopes he can polish into a precious profit. | 0:16:09 | 0:16:12 | |
Now, I've just bought this from a stall. | 0:16:12 | 0:16:14 | |
I'm rather pleased with this. I bought it only for £15. | 0:16:14 | 0:16:17 | |
Orme & Sons. Now, the clue is in the name. | 0:16:17 | 0:16:19 | |
Manchester. It's incredibly heavy. | 0:16:19 | 0:16:22 | |
It's like an iron, a flat iron. | 0:16:22 | 0:16:24 | |
And I know this is for smoothing the baize of a billiard table. | 0:16:24 | 0:16:29 | |
We've got the smooth side there, | 0:16:29 | 0:16:31 | |
so after you set up your billiard table, | 0:16:31 | 0:16:33 | |
you'd smooth it out, tighten it all up, fabulous. | 0:16:33 | 0:16:37 | |
That is a lovely item, for only £15. | 0:16:37 | 0:16:40 | |
This weighs almost the same as me. | 0:16:40 | 0:16:42 | |
It's quite a specialist item. | 0:16:42 | 0:16:43 | |
I'm going to have to find a sort of billiards club | 0:16:43 | 0:16:46 | |
or a mad billiards player who will love this. | 0:16:46 | 0:16:49 | |
Really lovely item. | 0:16:49 | 0:16:51 | |
An item from a bygone era. | 0:16:51 | 0:16:53 | |
# Any old iron, any old iron | 0:16:53 | 0:16:56 | |
# Any, any, any old iron... # | 0:16:56 | 0:16:58 | |
And while Bingo wanders off to do the ironing, | 0:16:58 | 0:17:00 | |
Kate has buckled up and belted over to, well, a belt buckle stall. | 0:17:00 | 0:17:05 | |
-Can I have another look at your buckle? -Course you can. | 0:17:05 | 0:17:08 | |
What's the very best you could do on it? | 0:17:08 | 0:17:12 | |
-29. -Oh! | 0:17:12 | 0:17:15 | |
-Really? -Yeah. | 0:17:15 | 0:17:17 | |
-Really? -It's nice, cos under the enamel, as well, | 0:17:17 | 0:17:20 | |
you've got the rose, you've got the lovely pattern. | 0:17:20 | 0:17:22 | |
-Yeah, it is nice. -The pin's hallmarked, as well. | 0:17:22 | 0:17:24 | |
-Yep. -It's nice. | 0:17:24 | 0:17:26 | |
It's not loose, is it? It's quite... | 0:17:26 | 0:17:28 | |
No, you're right. It is really nice quality. | 0:17:28 | 0:17:31 | |
I can do 28. | 0:17:31 | 0:17:33 | |
Go on, then. Thank you. | 0:17:35 | 0:17:37 | |
That's Kate's biggest spend so far, and she's enamoured. | 0:17:37 | 0:17:42 | |
Now, there are quite a lot of people out there who collect buckles, | 0:17:42 | 0:17:45 | |
and this is a really nice example. | 0:17:45 | 0:17:48 | |
I can tell you the date exactly because it's made of silver | 0:17:48 | 0:17:51 | |
and it's hallmarked just on the back here for 1911. | 0:17:51 | 0:17:55 | |
But the best thing about it is the enamel work, | 0:17:55 | 0:17:58 | |
and this is where the silver has been engraved in a beautiful little | 0:17:58 | 0:18:02 | |
pattern of roses, and then the liquid coloured enamel, | 0:18:02 | 0:18:06 | |
or liquid glass, has been laid over the top, | 0:18:06 | 0:18:08 | |
and it's in really good condition. | 0:18:08 | 0:18:10 | |
And that's key when you're buying enamelled items. | 0:18:10 | 0:18:12 | |
If there is any damage, then the price plummets. | 0:18:12 | 0:18:15 | |
This one's perfect. | 0:18:15 | 0:18:17 | |
Bingo has now finished his ironing and is looking for his next chore. | 0:18:17 | 0:18:22 | |
Our domestic goddess has settled on the idea of baking. | 0:18:22 | 0:18:26 | |
How much for a load of stuff like that, then, Janet? | 0:18:26 | 0:18:29 | |
25 for the lot. | 0:18:29 | 0:18:32 | |
-For the lot? -Yeah, for the whole lot. | 0:18:32 | 0:18:34 | |
There's some Forster's pieces in there. | 0:18:34 | 0:18:37 | |
Cos we're all baking mad now. | 0:18:41 | 0:18:43 | |
It's gone crazy, honestly. | 0:18:43 | 0:18:45 | |
-There's tonnes of it. -How does that go, then? | 0:18:45 | 0:18:49 | |
Yes, he's no Paul Hollywood and that's for sure. | 0:18:49 | 0:18:52 | |
Erm... Don't ask! | 0:18:52 | 0:18:53 | |
"Finest for all sponges"? | 0:18:56 | 0:18:58 | |
Absolutely. | 0:18:58 | 0:19:00 | |
-Is that good? -Absolutely. Yeah. | 0:19:00 | 0:19:03 | |
MAN SPEAKS QUIETLY | 0:19:03 | 0:19:05 | |
Really? So that's what I should be buying, should I? | 0:19:05 | 0:19:08 | |
Baking stuff? | 0:19:08 | 0:19:10 | |
-Don't know. This is... You know, I'm not used to baking stuff. -Yeah. | 0:19:10 | 0:19:15 | |
Neither was I ten years ago. | 0:19:15 | 0:19:18 | |
Can I make you a bid for that cookware? | 0:19:18 | 0:19:20 | |
-You can. A sensible bid. -A sensible bid? How does 15 sound? | 0:19:20 | 0:19:24 | |
15? 18 and they're yours. | 0:19:24 | 0:19:27 | |
18 and they're mine? | 0:19:27 | 0:19:28 | |
Really? All that baking. | 0:19:28 | 0:19:30 | |
18 quid and that lot's yours. | 0:19:30 | 0:19:31 | |
Do you think, you know, with that, I could sort of get into Bake Off, | 0:19:31 | 0:19:35 | |
-couldn't I? Carry the box... -Yeah, take it there. | 0:19:35 | 0:19:38 | |
Take it there. | 0:19:38 | 0:19:40 | |
I'll assault them with me rock cakes, shall I? | 0:19:40 | 0:19:43 | |
18. There you are. | 0:19:43 | 0:19:45 | |
-That's for you, Janet. -Thank you. | 0:19:45 | 0:19:48 | |
Goodness me - Mary Berry won't know what's hit her. | 0:19:48 | 0:19:50 | |
Do you know what? Tins are close to the nation's heart. | 0:19:50 | 0:19:54 | |
And here's this lovely heart-shaped tin. | 0:19:54 | 0:19:57 | |
You'd get a little sponge shooting out of this. | 0:19:57 | 0:19:59 | |
Everything raises in a tin like this. | 0:19:59 | 0:20:02 | |
Made in the 1940s. | 0:20:02 | 0:20:03 | |
And then you come over to a later tin here, | 0:20:03 | 0:20:06 | |
and this is sort of slightly mechanical. | 0:20:06 | 0:20:08 | |
So if you've got a sticky bottom, | 0:20:08 | 0:20:10 | |
that you just rush this round here and then out it comes. | 0:20:10 | 0:20:14 | |
You know, I never knew I was into baking until I found this box. | 0:20:14 | 0:20:17 | |
£18 of tins, and this is my route to fame and fortune. | 0:20:17 | 0:20:23 | |
So, with five items rising in his proving drawer, | 0:20:23 | 0:20:26 | |
James calls it a day. | 0:20:26 | 0:20:28 | |
But, across the market, | 0:20:28 | 0:20:30 | |
Kate hasn't forgotten she's on a quest for something quirky. | 0:20:30 | 0:20:34 | |
-How much is your trumpet? -35. -35. | 0:20:34 | 0:20:39 | |
-Is it all working? -Yeah. -It looks like it's all working. | 0:20:39 | 0:20:42 | |
I don't want to pay 35, what could you do? | 0:20:43 | 0:20:45 | |
I think the lowest I could go to is 25. | 0:20:45 | 0:20:48 | |
Ooh. | 0:20:48 | 0:20:50 | |
I was hoping for about 15. | 0:20:52 | 0:20:54 | |
-No, sorry. -No? | 0:20:54 | 0:20:57 | |
This vendor isn't dancing to Kate's tune yet. | 0:20:57 | 0:20:59 | |
Time to blow a bit harder. | 0:20:59 | 0:21:01 | |
20 quid, final offer. | 0:21:03 | 0:21:04 | |
-23. -23? | 0:21:04 | 0:21:06 | |
No. | 0:21:07 | 0:21:09 | |
I'm thinking 20, will you do 20? | 0:21:09 | 0:21:11 | |
-Mm... -I think that's a fair price, if you're happy with that. | 0:21:11 | 0:21:15 | |
-OK, yeah. -Yeah? | 0:21:18 | 0:21:20 | |
Brilliant, thank you. | 0:21:20 | 0:21:22 | |
And she's done it. | 0:21:22 | 0:21:23 | |
Band leader Bliss trumpety-trumped her way to a £20 deal. | 0:21:23 | 0:21:28 | |
Now, this is what you call the punt of the day. | 0:21:28 | 0:21:30 | |
I am not a trumpeter, but I can tell you it hasn't got a name, | 0:21:30 | 0:21:34 | |
and I know the better-made ones | 0:21:34 | 0:21:35 | |
certainly would have a good retailer or maker's mark on it. | 0:21:35 | 0:21:39 | |
It has got its case, though, and looks to be in working order. | 0:21:39 | 0:21:42 | |
So this is a bit of a gamble, | 0:21:42 | 0:21:44 | |
but let's hope, when it comes to selling, | 0:21:44 | 0:21:46 | |
I hit the high note. | 0:21:46 | 0:21:47 | |
Well, with Kate off to blow her own trumpet, | 0:21:47 | 0:21:50 | |
and the stalls starting to pack up, | 0:21:50 | 0:21:52 | |
our national treasures have completed their search. | 0:21:52 | 0:21:55 | |
But before they reveal their discoveries to each other, | 0:21:55 | 0:21:58 | |
it's time to tot up the totals. | 0:21:58 | 0:22:00 | |
They both started the day with £250 of their own money to spend. | 0:22:02 | 0:22:05 | |
James is hoping he's seen off the competition with his five purchases, | 0:22:05 | 0:22:09 | |
costing £83. | 0:22:09 | 0:22:11 | |
But Kate thinks she's dug deeper with her five items that cost £63. | 0:22:11 | 0:22:17 | |
Of course, all that matters now is profit. | 0:22:17 | 0:22:21 | |
Our deal-doing duo have spent their dosh, | 0:22:21 | 0:22:23 | |
and now it's time to compare their wares. | 0:22:23 | 0:22:26 | |
Now, you look far too relaxed, waltzing around there. | 0:22:27 | 0:22:29 | |
And now I can see why. | 0:22:29 | 0:22:31 | |
Now I've seen all your lovely things. | 0:22:31 | 0:22:33 | |
I know, they're very bizarre, aren't they? | 0:22:33 | 0:22:35 | |
Well, do you know, I can see you doing many things, James, | 0:22:35 | 0:22:37 | |
but baking isn't one of them. | 0:22:37 | 0:22:40 | |
Well, I'm a polymath, Kate, as you know. | 0:22:40 | 0:22:42 | |
-We all have to bake now. -Yep. | 0:22:42 | 0:22:44 | |
Have to raise something, don't you? | 0:22:44 | 0:22:46 | |
Bicarbonate... | 0:22:46 | 0:22:47 | |
I like your Yorkshire pudding tin. I'd use that one. | 0:22:47 | 0:22:49 | |
-Would you? -Yeah. | 0:22:49 | 0:22:50 | |
-What's the tip there? -Fat in first, really hot, | 0:22:50 | 0:22:54 | |
then the batter. | 0:22:54 | 0:22:55 | |
Then the batter. | 0:22:55 | 0:22:57 | |
Oh! I can taste it now! | 0:22:57 | 0:23:00 | |
And what about you? What are these carbuncles over here? | 0:23:00 | 0:23:03 | |
Yeah, you like these? | 0:23:03 | 0:23:04 | |
Do you know, these really shouted at me. | 0:23:04 | 0:23:06 | |
The lady had a load of costume jewellery and these just leaped out at me. | 0:23:06 | 0:23:09 | |
This one particularly. | 0:23:09 | 0:23:10 | |
I thought it was quite Miriam Haskell, | 0:23:10 | 0:23:12 | |
-that American costume jewellery designer. -OK. | 0:23:12 | 0:23:15 | |
They're a bit of fun, really. I mean, they weren't expensive. | 0:23:15 | 0:23:18 | |
So what are they - fiver each, tenner each? | 0:23:18 | 0:23:21 | |
-Fiver for the two. -Really, fiver for the two? | 0:23:21 | 0:23:22 | |
-Yeah. -That's good value. | 0:23:22 | 0:23:26 | |
Now, tell me about this. | 0:23:26 | 0:23:27 | |
Trouser press? | 0:23:27 | 0:23:29 | |
No, it isn't. It's so heavy - it's in fact for billiard tables. | 0:23:29 | 0:23:34 | |
-Is it? -It's for ironing the baize. -That is amazing! | 0:23:34 | 0:23:38 | |
Flattening the baize. It's lovely, isn't it? | 0:23:38 | 0:23:40 | |
-You wouldn't think it had a sporting association. -Nor did the stall holder. | 0:23:40 | 0:23:44 | |
He thought it was just a doorstop or something. | 0:23:44 | 0:23:46 | |
That's fabulous. How much was that? | 0:23:46 | 0:23:47 | |
-15. -Not bad. | 0:23:47 | 0:23:50 | |
Not bad. And your trumpet? | 0:23:50 | 0:23:52 | |
My trumpet is a bit of a punt. | 0:23:52 | 0:23:54 | |
-I'm not a trumpeter. -No. | 0:23:54 | 0:23:56 | |
But it's in working order. I think it looks great. | 0:23:56 | 0:23:58 | |
-You've got the case. -Nice case, isn't it? -Yeah. | 0:23:58 | 0:24:01 | |
And what, £50 for that? | 0:24:01 | 0:24:03 | |
-20. -That is cheap, Kate. | 0:24:03 | 0:24:06 | |
-Is it? Are you a trumpeter? -That is so cheap. | 0:24:06 | 0:24:10 | |
-That's outrageous! -Tell me about your Van Gogh lookalike. | 0:24:10 | 0:24:13 | |
My Van Gogh... | 0:24:13 | 0:24:14 | |
With the lovely sunflowers, it's painted on a fielded oak panel. | 0:24:14 | 0:24:18 | |
I'm looking for a sort of Edwardian gardener. | 0:24:18 | 0:24:22 | |
-Yeah. -And I'm full of gardens around me, | 0:24:22 | 0:24:24 | |
so I think, you know, that's going to be elevated to the home now. | 0:24:24 | 0:24:27 | |
It's going to be hung. | 0:24:27 | 0:24:29 | |
-Maybe. -Maybe. -No, I like it. I do like it. -Maybe. Maybe. | 0:24:29 | 0:24:32 | |
Well, we've certainly got variety, haven't we? | 0:24:32 | 0:24:34 | |
Haven't we? You can't dispute that. | 0:24:34 | 0:24:36 | |
We've done very well. | 0:24:36 | 0:24:37 | |
Well done, Kate. Happy selling. | 0:24:37 | 0:24:40 | |
So, our booter rooters leg it home | 0:24:42 | 0:24:45 | |
to hatch some shrewd selling strategies. | 0:24:45 | 0:24:47 | |
This part of the challenge is the real game-changer. | 0:24:47 | 0:24:50 | |
Matching the right buyer to the right item | 0:24:50 | 0:24:53 | |
can make a world of difference in this game of profit. | 0:24:53 | 0:24:56 | |
Back at Braxton Towers, Bingo is sizing up his stockpile. | 0:24:56 | 0:25:01 | |
I had to work quite hard to find my antiques in my Lincolnshire | 0:25:01 | 0:25:04 | |
car-boot sale, but the first one I found was this rather nice fellow. | 0:25:04 | 0:25:08 | |
Painted about, sort of, 1890s to 1910, | 0:25:08 | 0:25:12 | |
were these rather lovely sunflowers. | 0:25:12 | 0:25:15 | |
When I saw it, I thought, grand house, grand gardens. | 0:25:15 | 0:25:19 | |
So I've got to find a combination of the two for that. | 0:25:19 | 0:25:21 | |
And then, this rather lovely 1960s chair. | 0:25:21 | 0:25:23 | |
Very clever form of upholstery here. | 0:25:23 | 0:25:27 | |
You've just got a plastic cord that's wrapped round. | 0:25:27 | 0:25:32 | |
Very cheap. It's got one small tear there, but otherwise perfect, | 0:25:32 | 0:25:35 | |
and that's lasted 50 years, which is quite remarkable. | 0:25:35 | 0:25:38 | |
And I love this. This really stood out. | 0:25:38 | 0:25:40 | |
Why did it stand out? Because of its rather clever design. | 0:25:40 | 0:25:43 | |
It's a salt cellar. | 0:25:43 | 0:25:45 | |
This is a salt shaker here, | 0:25:45 | 0:25:47 | |
and it's made by a good maker called Crown Devon. | 0:25:47 | 0:25:50 | |
It has this lovely eggshell glaze. | 0:25:50 | 0:25:52 | |
A very nice touch, that. | 0:25:52 | 0:25:54 | |
And with the lovely lobster. | 0:25:54 | 0:25:55 | |
A small clutch of items, but watch out, Miss Bliss, | 0:25:55 | 0:25:58 | |
let's see what profits I make from them. | 0:25:58 | 0:26:01 | |
Indeed. | 0:26:01 | 0:26:02 | |
James has also to find buyers | 0:26:02 | 0:26:04 | |
for his vintage baking tins and Victorian flat iron. | 0:26:04 | 0:26:09 | |
Over in Herefordshire, Kate is confident with her cache. | 0:26:09 | 0:26:13 | |
My trumpet, you can see, is fairly straightforward. | 0:26:13 | 0:26:16 | |
It's all in working order, | 0:26:16 | 0:26:18 | |
and it would be lovely to sell this to somebody who's just learning | 0:26:18 | 0:26:21 | |
or perhaps even to somebody who's just started playing in a band, | 0:26:21 | 0:26:25 | |
and to see it used. | 0:26:25 | 0:26:26 | |
Because I'm a firm believer that instruments were made to be played. | 0:26:26 | 0:26:30 | |
Now, my bottle pourers here, in the shape of knights' visors or helmets, | 0:26:30 | 0:26:36 | |
I think, are great fun, and at £5, I think they're a steal. | 0:26:36 | 0:26:41 | |
And it would be great to offer these to perhaps a vineyard that does | 0:26:41 | 0:26:45 | |
wine-tasting, perhaps a vineyard at a castle, even better - | 0:26:45 | 0:26:49 | |
where the knights theme can come in. | 0:26:49 | 0:26:51 | |
I don't know. That needs a little bit more work. | 0:26:51 | 0:26:54 | |
My buckle, with its beautiful enamel, | 0:26:54 | 0:26:57 | |
is probably the best-quality piece. | 0:26:57 | 0:27:00 | |
It's silver hallmarked, it's in fantastic order, | 0:27:00 | 0:27:03 | |
which is unusual for enamel pieces. | 0:27:03 | 0:27:05 | |
And they've even gone to the bother | 0:27:05 | 0:27:07 | |
of putting this lovely wreath of roses around it. | 0:27:07 | 0:27:10 | |
I'm thinking a buckle collector for this, | 0:27:10 | 0:27:13 | |
because they are not the most commercial items. | 0:27:13 | 0:27:16 | |
It's more of a cabinet piece | 0:27:16 | 0:27:17 | |
for somebody who collects little objets d'art like this, | 0:27:17 | 0:27:20 | |
or pieces of enamel. | 0:27:20 | 0:27:21 | |
Kate also needs to line up buyers for her Mary Thorpe lapel fob | 0:27:21 | 0:27:25 | |
and modern costume jewellery. | 0:27:25 | 0:27:28 | |
It's time for our dealers to knuckle down and exhaust all available | 0:27:28 | 0:27:32 | |
methods in a bid to accumulate the most money for their chosen charities. | 0:27:32 | 0:27:36 | |
But remember, until they've shaken on it and the money has changed hands, | 0:27:36 | 0:27:40 | |
no deal is truly sealed. | 0:27:40 | 0:27:43 | |
James has decided the picturesque Suffolk market town of Bury St Edmunds | 0:27:43 | 0:27:48 | |
is the perfect place to launch his selling campaign. | 0:27:48 | 0:27:51 | |
He's brought the Crown Devon lobster motif salt shaker that cost him £10 | 0:27:51 | 0:27:55 | |
to show local French restaurateur Pascal. | 0:27:55 | 0:27:58 | |
But will Pascal think it's worth shelling out more for? | 0:27:58 | 0:28:02 | |
I've brought you a salt cellar. | 0:28:02 | 0:28:04 | |
I bought it, funnily enough, in this sort of market, | 0:28:04 | 0:28:07 | |
and what I was attracted to was this very bold lobster, | 0:28:07 | 0:28:12 | |
with his lobster pot, and then these rather stylised, I suppose, | 0:28:12 | 0:28:16 | |
little sardines or whitebait or whatever. | 0:28:16 | 0:28:19 | |
-Yeah, yeah. -Rather fun, I thought. | 0:28:19 | 0:28:21 | |
-What do you think of it? -So, yeah. | 0:28:21 | 0:28:24 | |
So, tell me about it. So, it's from Devon? | 0:28:24 | 0:28:27 | |
-Yeah. -Is it hand painting, or...? | 0:28:27 | 0:28:29 | |
Yeah, it's a pattern that was moulded, | 0:28:29 | 0:28:31 | |
and then this decoration would have been transferred onto it, | 0:28:31 | 0:28:35 | |
and then somebody would have added the colour with a paint brush. | 0:28:35 | 0:28:38 | |
So, it has some human interaction. | 0:28:38 | 0:28:41 | |
OK. Do you know the year, or...? | 0:28:41 | 0:28:43 | |
Yeah. Stylistically, it's '50s, '60s. | 0:28:43 | 0:28:48 | |
My mum has got Crown Devon collection | 0:28:48 | 0:28:50 | |
and my mum has started to give me some of them. | 0:28:50 | 0:28:52 | |
-Funny! -So, I didn't know that. | 0:28:52 | 0:28:55 | |
So, when I came up, I thought, "Oh, Pascal, restaurateur, chef. | 0:28:55 | 0:28:59 | |
"He will like it because of the fish," but... | 0:28:59 | 0:29:02 | |
So, you have Crown Devon? | 0:29:02 | 0:29:04 | |
Now, price-wise, I wanted to put it in the hands of somebody good. | 0:29:04 | 0:29:08 | |
What would you be willing to pay for that? | 0:29:08 | 0:29:11 | |
-It's a nice item. -What have you got on your mind? | 0:29:11 | 0:29:14 | |
I was thinking about £70, Pascal. | 0:29:14 | 0:29:16 | |
£70... | 0:29:18 | 0:29:21 | |
I wish to have the pepper with it and do a set. Um... | 0:29:21 | 0:29:26 | |
I will go for £50. | 0:29:26 | 0:29:29 | |
-£50. -£50. -Pascal, as in the tradition of all remaining friends, | 0:29:29 | 0:29:34 | |
how about in the middle? £60. | 0:29:34 | 0:29:37 | |
-55. -55? -55. -55. 55. | 0:29:37 | 0:29:40 | |
-The five will pay... -You say three times 55 - deal done! | 0:29:40 | 0:29:44 | |
The five will pay for the petrol. | 0:29:44 | 0:29:46 | |
Well, Bingo's catch has come in. | 0:29:46 | 0:29:48 | |
He's more than quintupled his money, | 0:29:48 | 0:29:51 | |
making a delicious £45 profit on sale number one. | 0:29:51 | 0:29:54 | |
Well, that was an unexpected pleasure. | 0:29:54 | 0:29:57 | |
Not only did he like the item, but his mother collects them. | 0:29:57 | 0:30:02 | |
What a stroke of luck! | 0:30:02 | 0:30:04 | |
Also hoping for a bit of good fortune is Miss Bliss. | 0:30:04 | 0:30:08 | |
She's in Hay-on-Wye looking for a magpie who's keen to take those sparkly necklaces off her hands. | 0:30:08 | 0:30:14 | |
I've heard about a new dress agency that's opened up in Hay | 0:30:14 | 0:30:17 | |
that also sells costume jewellery, | 0:30:17 | 0:30:20 | |
and I'm hoping that the owner might want to build up her stock a bit and take a look at my necklaces. | 0:30:20 | 0:30:24 | |
They owe her £5, but will shop owner Brenda think they're worth a higher price? | 0:30:24 | 0:30:29 | |
So, we have this one, which I think will look super with a, sort of, | 0:30:29 | 0:30:35 | |
-little black dress... -Oh, great. -You could call it vintage style. | 0:30:35 | 0:30:38 | |
-It does look vintage, yeah. -But I don't think there's any great age to it, | 0:30:38 | 0:30:43 | |
-um...so I think it was probably made in the last ten, 20 years, I would say. -Very, very pretty. | 0:30:43 | 0:30:48 | |
-It's quite nice with the white pastes on it. -Yeah. | 0:30:48 | 0:30:52 | |
And then there's this one as well, which is very different, | 0:30:52 | 0:30:56 | |
-which is a bit of fun, really. -It is, yeah. -Lovely blue colours. | 0:30:56 | 0:31:01 | |
-It's quite jazzy. -Nice and cheerful. | 0:31:01 | 0:31:03 | |
Yeah, it is, isn't it? | 0:31:03 | 0:31:04 | |
Quite chunky, so would they be your cup of tea, do you think? | 0:31:04 | 0:31:07 | |
-They would. -Start you off in your new cabinet. | 0:31:07 | 0:31:09 | |
They'd be perfect, yeah. | 0:31:09 | 0:31:10 | |
So what sort of price were you thinking of? | 0:31:10 | 0:31:13 | |
Well, I'm thinking possibly about, um... | 0:31:13 | 0:31:17 | |
about 25 each. How does that sound? | 0:31:17 | 0:31:20 | |
-Hm. Prefer a little bit lower. -Mm. | 0:31:20 | 0:31:23 | |
-Cos I need to make a mark-up on it, obviously. -Sure. | 0:31:23 | 0:31:26 | |
Of course. Where do you see them at? | 0:31:26 | 0:31:28 | |
Say...40? | 0:31:28 | 0:31:30 | |
-40 for the two? -Yeah. | 0:31:30 | 0:31:32 | |
-If that's good for you, that will do for me. -Oh, wonderful. That's great. That was easy! | 0:31:32 | 0:31:36 | |
Wasn't it? Thank you very much indeed! | 0:31:36 | 0:31:38 | |
Thank you. That's super. | 0:31:38 | 0:31:40 | |
Kate sells the necklaces for an astonishing eight times the price she paid, | 0:31:40 | 0:31:44 | |
making her first profit of £35. | 0:31:44 | 0:31:47 | |
What a glittering start! | 0:31:47 | 0:31:48 | |
Our ambitious pair are on fire. | 0:31:48 | 0:31:51 | |
And keen on fanning those profit flames, | 0:31:51 | 0:31:53 | |
James has travelled to the Big Smoke, and is following a hot lead. | 0:31:53 | 0:31:58 | |
I'm in the London borough of Hackney, and I've come across a little market | 0:31:58 | 0:32:03 | |
which has just suddenly sprung up in the last five years. | 0:32:03 | 0:32:07 | |
I'm hoping to sell my bakers' tins. | 0:32:07 | 0:32:09 | |
Well, let's hope the stallholder James has in mind likes them. | 0:32:09 | 0:32:12 | |
The tins cost £18, but will Bingo rise to the challenge of getting Terry to buy them? | 0:32:12 | 0:32:18 | |
Ah, Terry, it's your lucky day, mate. | 0:32:19 | 0:32:22 | |
I've got all these fabulous tins. | 0:32:22 | 0:32:25 | |
You are... The ladies are going to be falling over you. | 0:32:25 | 0:32:28 | |
-OK. I'll even throw in a dog bowl. -Terrific. Yeah, yeah, yeah. | 0:32:28 | 0:32:32 | |
And we've got lots of cupcakes, you know... Still got its tin... | 0:32:32 | 0:32:37 | |
This is quality stuff. This isn't your modern stuff, | 0:32:37 | 0:32:40 | |
-and especially... -What are you looking for all this? | 0:32:40 | 0:32:44 | |
-..especially look at this! They're going to love that, aren't they? -Yeah, yeah. Terrific. | 0:32:44 | 0:32:48 | |
Now, I'm sure you can shift this, Terry. | 0:32:48 | 0:32:50 | |
It's a little box of interest. | 0:32:50 | 0:32:52 | |
Well, what do you want for it? | 0:32:52 | 0:32:54 | |
I was thinking that, OK? I love that. | 0:32:54 | 0:32:57 | |
-Yeah. -I think that's five or ten quid. | 0:32:57 | 0:32:59 | |
I'll give you 30 quid for the lot. | 0:32:59 | 0:33:02 | |
I tell you what - | 0:33:02 | 0:33:04 | |
I'll throw that one in, for the lot, | 0:33:04 | 0:33:08 | |
and 40 quid for the lot. | 0:33:08 | 0:33:10 | |
-Go on, then. -Well done, Terry. | 0:33:10 | 0:33:12 | |
You know it makes sense. | 0:33:12 | 0:33:14 | |
James provided all the ingredients for a tasty £22 gain, | 0:33:14 | 0:33:18 | |
proving he's a master baker when it comes to cooking up a profit. | 0:33:18 | 0:33:22 | |
Back in Herefordshire, Kate's had her head in the books, | 0:33:22 | 0:33:25 | |
and she's made a surprising new discovery | 0:33:25 | 0:33:28 | |
about her little lapel fob, | 0:33:28 | 0:33:30 | |
and it's not what she thought it was. | 0:33:30 | 0:33:34 | |
Now, I've been doing a little bit of research into my wishbone fob here, | 0:33:34 | 0:33:38 | |
which is probably one of the quirkiest items I've ever bought. | 0:33:38 | 0:33:42 | |
Now, originally, because it says "Order Of Merrythoughts" on the medallion, | 0:33:42 | 0:33:46 | |
I thought it was connected to the Merrythought teddy bear company, | 0:33:46 | 0:33:50 | |
but in actual fact, it's got nothing to do with that whatsoever. | 0:33:50 | 0:33:54 | |
I've done a little bit of digging around, and found in an archive from the Glasgow Herald newspaper, | 0:33:54 | 0:34:00 | |
dating from 1931, | 0:34:00 | 0:34:02 | |
that there's a little piece that introduces exactly what this is, | 0:34:02 | 0:34:07 | |
and it says, "The Most Cheery Order Of Merrythoughts..." | 0:34:07 | 0:34:10 | |
It's NOT seeking subscriptions from the public, | 0:34:10 | 0:34:14 | |
but nevertheless, "everyone is invited to take up membership, | 0:34:14 | 0:34:18 | |
"and assist in the spreading of its gospel | 0:34:18 | 0:34:21 | |
"by being an optimist, a cheery soul, and a good sport," | 0:34:21 | 0:34:26 | |
and it just goes on to say that this organisation | 0:34:26 | 0:34:29 | |
has actually been formed under the Companies Act in 1931 | 0:34:29 | 0:34:34 | |
"to bring happiness amongst all classes in Great Britain" | 0:34:34 | 0:34:39 | |
and its watchword is "jingle your wishbone." | 0:34:39 | 0:34:43 | |
This was given to subscribers of the Daily Chronicle newspaper | 0:34:43 | 0:34:47 | |
in the 1930s, and was a symbol of that club, | 0:34:47 | 0:34:52 | |
which actually, if there's anything serious about such an order, | 0:34:52 | 0:34:56 | |
it says here, it's that it supports children's holiday charities. | 0:34:56 | 0:35:00 | |
Now, I think that is a lovely idea. | 0:35:00 | 0:35:03 | |
But now I know exactly what it is, | 0:35:03 | 0:35:06 | |
I think that can't but help me to sell it and add value to it. | 0:35:06 | 0:35:11 | |
So, armed with all the happy facts, Kate takes the £5 silver fob to Hereford | 0:35:11 | 0:35:15 | |
to show goldsmith Colin, and is hoping her research pays off. | 0:35:17 | 0:35:21 | |
I've brought you something quite quirky. | 0:35:21 | 0:35:24 | |
It's a little fob chain, I would call it. | 0:35:24 | 0:35:28 | |
-Yeah. -I think you would probably wear it through your buttonhole. | 0:35:28 | 0:35:31 | |
I think you probably would. Through a lapel. | 0:35:31 | 0:35:33 | |
It's that sort of length, isn't it? | 0:35:33 | 0:35:34 | |
It is, isn't it? Yeah. | 0:35:34 | 0:35:36 | |
It says on the little medallion, | 0:35:36 | 0:35:38 | |
"The Most Cheery Order of Merrythoughts." | 0:35:38 | 0:35:42 | |
And I thought, "That's interesting - what's that?" | 0:35:42 | 0:35:44 | |
And I found out, it basically was | 0:35:44 | 0:35:47 | |
a club formed in about the 1930s | 0:35:47 | 0:35:50 | |
by members who read the Daily Chronicle newspaper. | 0:35:50 | 0:35:54 | |
I'm pretty sure it is silver. | 0:35:54 | 0:35:56 | |
It says sterling on the fob, it feels like silver. | 0:35:56 | 0:35:59 | |
-And I like the wishbone on the end. -The wishbone is lovely, isn't it? | 0:35:59 | 0:36:03 | |
That's the bit I love. And funnily enough, in America, apparently, | 0:36:03 | 0:36:06 | |
wishbones are known as merrythoughts. | 0:36:06 | 0:36:09 | |
It's a sort of nickname. | 0:36:09 | 0:36:11 | |
-Yeah. -Hence the combination of the two, I guess, the association. | 0:36:11 | 0:36:15 | |
It's very nice, yes. | 0:36:15 | 0:36:17 | |
And I've got a friend who would love this. | 0:36:17 | 0:36:18 | |
-Really? -Yes, I do, who is a cheery soul. | 0:36:18 | 0:36:21 | |
I was hoping for somewhere between sort of £30-£50. | 0:36:21 | 0:36:24 | |
How does that sound? | 0:36:24 | 0:36:27 | |
Well, I'd certainly do 30. | 0:36:27 | 0:36:29 | |
-OK. -You might tempt me up a little bit. | 0:36:29 | 0:36:32 | |
-Really? -You could tempt me. | 0:36:32 | 0:36:33 | |
Could you sort of go for the middle area and say 40? | 0:36:33 | 0:36:37 | |
-OK, yeah. I will. -Fantastic. | 0:36:37 | 0:36:39 | |
-Thank you very much. -Lovely. I really hope the friend likes it. | 0:36:39 | 0:36:42 | |
So do I! | 0:36:42 | 0:36:44 | |
Nothing gives Kate merry thoughts like a £35 profit. | 0:36:44 | 0:36:48 | |
Our jolly girl has drawn level. | 0:36:48 | 0:36:50 | |
But Bingo is not about to be outdone. | 0:36:50 | 0:36:52 | |
Not even a rainy day will dampen his profit-hunting spirits. | 0:36:52 | 0:36:56 | |
Spot the contrast. Umbrella, deckchair. | 0:36:56 | 0:36:59 | |
The two don't rather go, but anything can go in Norman Road. | 0:36:59 | 0:37:03 | |
The epicentre of trendy Hastings. | 0:37:03 | 0:37:07 | |
Anything goes, eh? | 0:37:07 | 0:37:08 | |
James is hoping home interior design shop owner Samantha will agree, | 0:37:08 | 0:37:13 | |
and give him a stylish return on his £30 investment. | 0:37:13 | 0:37:16 | |
Here is the fellow in person. | 0:37:16 | 0:37:19 | |
Nice. | 0:37:19 | 0:37:20 | |
What-what do we call this colour? | 0:37:20 | 0:37:23 | |
-Azure? -Azure. | 0:37:23 | 0:37:24 | |
-That sounds very exotic, doesn't it? -I think so. | 0:37:24 | 0:37:27 | |
The reason I bought this item is it's a great survivor - 1960s. | 0:37:27 | 0:37:31 | |
But what I loved about it, you just lift the arms, easy peasy, | 0:37:31 | 0:37:35 | |
-and you've got a recliner. -Yeah, that's lovely. | 0:37:35 | 0:37:38 | |
-It's clever. -You see this plastic tubular thing now. | 0:37:38 | 0:37:41 | |
I've seen it, it's come back around. | 0:37:41 | 0:37:44 | |
-Has it come back around? -It has. | 0:37:44 | 0:37:46 | |
So for an old dinosaur like me, | 0:37:46 | 0:37:48 | |
if I wait long enough, it comes back, doesn't it? | 0:37:48 | 0:37:52 | |
It's definitely come back around. | 0:37:52 | 0:37:54 | |
I didn't know I'd be bang on trend today! | 0:37:54 | 0:37:57 | |
-It's a lovely chair. -It's a lovely chair and it's a lovely colour. | 0:37:57 | 0:38:01 | |
45 years old, how about a pound for every year of its life, Sam? | 0:38:01 | 0:38:07 | |
Wow. I would... I would say 30. | 0:38:07 | 0:38:10 | |
-30? -Yeah. | 0:38:10 | 0:38:12 | |
I've got to make a bit of money on it. | 0:38:12 | 0:38:13 | |
How about in the middle, 42? | 0:38:13 | 0:38:16 | |
SHE LAUGHS | 0:38:16 | 0:38:17 | |
No. | 0:38:17 | 0:38:19 | |
THEY LAUGH | 0:38:19 | 0:38:20 | |
No, I'm toying. 40? £40. | 0:38:20 | 0:38:23 | |
40, 40. | 0:38:23 | 0:38:24 | |
-I would say... -Come on, Sam! | 0:38:24 | 0:38:26 | |
-38. -38, you have yourself a deal. | 0:38:26 | 0:38:32 | |
And that small but comfortable £8 profit brings us to the halfway mark. | 0:38:32 | 0:38:37 | |
So let's find out how our knick-knacking ninjas are doing so far. | 0:38:37 | 0:38:40 | |
In the lead, James has sold three of his five items, | 0:38:44 | 0:38:47 | |
racking up a starting profit of £75. | 0:38:47 | 0:38:50 | |
Trailing slightly, Kate has done two deals, | 0:38:52 | 0:38:54 | |
and has a profit of £70 in her pocket. | 0:38:54 | 0:38:58 | |
This game is incredibly close, | 0:38:58 | 0:39:00 | |
but Kate is one of the most determined experts around. | 0:39:00 | 0:39:04 | |
She wants to win, and changes up a gear | 0:39:04 | 0:39:07 | |
to make sure she leaves James in her dust. | 0:39:07 | 0:39:09 | |
She's travelled to Gloucestershire, | 0:39:09 | 0:39:11 | |
and our prize-fighter is preparing for battle. | 0:39:11 | 0:39:15 | |
Now, I think my bottle pourers were a real steal at the car boot, | 0:39:15 | 0:39:18 | |
and I always had in mind for them either a vineyard, | 0:39:18 | 0:39:21 | |
to put on wine bottles, or a castle, because they're knights' helmets. | 0:39:21 | 0:39:25 | |
Or a vineyard and a castle, but that was a bit of a tall order, | 0:39:25 | 0:39:29 | |
so I've gone for the vineyard. | 0:39:29 | 0:39:31 | |
Did you follow that, viewers? | 0:39:31 | 0:39:32 | |
The pourers cost Kate £5, | 0:39:32 | 0:39:34 | |
but will vineyard boss Thomas top up her "bouteille de profits"? | 0:39:34 | 0:39:40 | |
-Hello, Kate. -How do you do? -Very nice to meet you. -And you. | 0:39:40 | 0:39:43 | |
-So, how many vines have you got? -We've got 75 acres. | 0:39:43 | 0:39:46 | |
We make about 250,000 bottles of wine a year. | 0:39:46 | 0:39:49 | |
Gosh, that is a lot of wine, isn't it? | 0:39:49 | 0:39:52 | |
-Well, yeah, for you or me to drink, it would be a heck of a lot of wine to drink! -Yeah! | 0:39:52 | 0:39:57 | |
Well, I thought you must do tastings here, obviously. | 0:39:57 | 0:39:59 | |
-Just one or two. -Just one or two! | 0:39:59 | 0:40:01 | |
So I wondered if bottle pourers might come in handy. | 0:40:01 | 0:40:06 | |
Have a look. They're a bit of a novelty, really. | 0:40:06 | 0:40:10 | |
-They are, aren't they? -They are. | 0:40:10 | 0:40:12 | |
They're obviously knights' helmets, and you flip the visor up | 0:40:12 | 0:40:15 | |
and you... There's a little pouring aperture there. | 0:40:15 | 0:40:19 | |
But I would say, they're definitely plated, as you can see, | 0:40:19 | 0:40:22 | |
silver-plated, I would suggest. | 0:40:22 | 0:40:24 | |
They've certainly got a little bit of age. | 0:40:24 | 0:40:26 | |
-I wouldn't say they were antique, though. -No. | 0:40:26 | 0:40:28 | |
Are they for wine or are they more for whisky? | 0:40:28 | 0:40:30 | |
You just wonder whether they're... | 0:40:30 | 0:40:32 | |
you know, whether they're more for spirits than for wine. | 0:40:32 | 0:40:35 | |
Would you say? Cos the aperture is quite small. | 0:40:35 | 0:40:37 | |
You might be waiting a while for your wine to pour! | 0:40:37 | 0:40:41 | |
Well, what do you think? | 0:40:41 | 0:40:43 | |
They're a bit of fun, aren't they? | 0:40:43 | 0:40:44 | |
We sell a lot of bottle pourers, because it's always fun to have | 0:40:44 | 0:40:48 | |
a bit of nonsense about the place. | 0:40:48 | 0:40:50 | |
-Yeah, a bit of a talking point, perhaps. -Yes. | 0:40:50 | 0:40:52 | |
OK. Lovely. Well, because it's a pair, | 0:40:52 | 0:40:55 | |
I was hoping for around the sort of £150 mark. | 0:40:55 | 0:40:58 | |
-Hm! -How does that sound? | 0:40:58 | 0:41:00 | |
-I would have thought that's fairly. expensive. -Hm-mm. OK. | 0:41:00 | 0:41:04 | |
£60? | 0:41:04 | 0:41:05 | |
I was hoping really for about the sort of 120 mark. | 0:41:05 | 0:41:08 | |
That's quite a lot of money, isn't it? £60 each? | 0:41:08 | 0:41:11 | |
Can we go to 110? | 0:41:11 | 0:41:14 | |
-That's good for me. -OK, super. -Thank you very much. | 0:41:14 | 0:41:17 | |
My goodness me. She's £105 up! | 0:41:17 | 0:41:21 | |
Her glass is brimming with earnings and Kate is brimming with pride. | 0:41:21 | 0:41:26 | |
Bingo is suddenly playing a serious game of catch-up. | 0:41:26 | 0:41:30 | |
He's back in Hastings with his sunflower picture, | 0:41:30 | 0:41:32 | |
and whilst he hasn't tracked down a grand house to sell it to, | 0:41:32 | 0:41:35 | |
he has found a green-fingered florist. | 0:41:35 | 0:41:38 | |
He's hoping the £10 he paid for it is but a seed | 0:41:38 | 0:41:41 | |
that will bloom into a beautiful profit. | 0:41:41 | 0:41:44 | |
But will shop owner Mao want to pluck it? | 0:41:44 | 0:41:47 | |
-Hello, Mao. -Hello, James. | 0:41:49 | 0:41:51 | |
Here's my lovely sunflower panel. I think it's very attractive. | 0:41:51 | 0:41:54 | |
Sort of painted in about the 19... | 0:41:54 | 0:41:56 | |
Turn of the century, about 1900. | 0:41:56 | 0:41:58 | |
-Right. -And I must say, I think it would look rather good on your... | 0:41:58 | 0:42:03 | |
in your thing. It really stands out, doesn't it? | 0:42:03 | 0:42:05 | |
Yes, the colour goes with all the wreaths we've got here. | 0:42:05 | 0:42:08 | |
It does. It does. | 0:42:08 | 0:42:10 | |
I was rather hoping to get somewhere in the region of £40-£60. | 0:42:10 | 0:42:16 | |
I think it's a beautiful painting, and it's on oak. | 0:42:16 | 0:42:19 | |
Yes, maybe 40. | 0:42:19 | 0:42:21 | |
40? Ohh! You see? | 0:42:21 | 0:42:23 | |
You think around 40? | 0:42:23 | 0:42:25 | |
Yes, I think so, yes. | 0:42:25 | 0:42:27 | |
Could you do a little more, 45? | 0:42:27 | 0:42:30 | |
Er, no, I'd like to keep it for 40, I think. | 0:42:30 | 0:42:34 | |
I'm not going to fiddle around. You can have it for 40. | 0:42:34 | 0:42:37 | |
-Wonderful. -Thank you very much indeed. | 0:42:37 | 0:42:39 | |
Well, James has cultivated a fragrant profit of £30, | 0:42:43 | 0:42:47 | |
and is closing in on his rival. | 0:42:47 | 0:42:48 | |
Meanwhile, Clever Kate, knowing that knowledge is power and power equals pounds, | 0:42:50 | 0:42:55 | |
has travelled to London, | 0:42:55 | 0:42:56 | |
hoping professional jazz musician Andy Davis can give her some intriguing info on her trumpet | 0:42:56 | 0:43:02 | |
and help her make more brass from her brass. | 0:43:02 | 0:43:06 | |
-Andy! That sounded amazing! -Oh, thanks a lot. Thanks. | 0:43:10 | 0:43:13 | |
-Great to meet you. -Nice to meet you, too. | 0:43:13 | 0:43:14 | |
-Sounds like you've been playing a little while. -It's been a week now... | 0:43:14 | 0:43:18 | |
No, it's been about 20 years. | 0:43:18 | 0:43:19 | |
-Has it? -Yeah, yeah, so done a fair bit of practice in my time. | 0:43:19 | 0:43:22 | |
Well, your trumpet looks lovely. | 0:43:22 | 0:43:24 | |
It's a Bach Stradivarius trumpet. | 0:43:24 | 0:43:26 | |
This one is worth round about £2,000 bought new. | 0:43:26 | 0:43:30 | |
Well, from your lovely trumpet, | 0:43:30 | 0:43:32 | |
-which sounds amazing, I have to say... -Thank you very much. | 0:43:32 | 0:43:35 | |
-..to my little number here... -Yeah. | 0:43:35 | 0:43:37 | |
-I'm a musician myself, actually. I play the violin. -Oh, wow. | 0:43:37 | 0:43:39 | |
I have not got a clue about brass instruments, | 0:43:39 | 0:43:42 | |
-so I took a bit of a punt on this. -Yeah. | 0:43:42 | 0:43:45 | |
OK? So have a little look at it. Now, the one thing that struck me, | 0:43:45 | 0:43:51 | |
the one thing I know about instruments generally | 0:43:51 | 0:43:54 | |
is that, obviously if they've got a name | 0:43:54 | 0:43:56 | |
that helps you to date it, and it's also a sign of quality. | 0:43:56 | 0:44:00 | |
-Now, I could not find a name on this. -I can't see anything on it! | 0:44:00 | 0:44:02 | |
-No. At all. -I've never, ever seen this before. There's not actually a make on it. | 0:44:02 | 0:44:08 | |
It's a trumpet with no name. | 0:44:08 | 0:44:10 | |
And that's unusual, is it? | 0:44:10 | 0:44:11 | |
Yeah. I've never seen it before in my life. | 0:44:11 | 0:44:14 | |
-Ooh. -I'm going to play this trumpet now. | 0:44:14 | 0:44:17 | |
HE PLAYS A SIMPLE SCALE | 0:44:17 | 0:44:20 | |
Ooh. | 0:44:20 | 0:44:22 | |
Well, at least it works. | 0:44:22 | 0:44:24 | |
I've never played a trumpet like this before. | 0:44:24 | 0:44:26 | |
-First impressions, I have to say, aren't so good. -OK. | 0:44:26 | 0:44:29 | |
It has a weird, um, pitching on it. | 0:44:29 | 0:44:33 | |
It plays like a C trumpet, but it looks like a B flat trumpet. | 0:44:33 | 0:44:36 | |
-I've brought you an enigma! -Yeah, this is crazy. This is crazy. | 0:44:36 | 0:44:40 | |
If I was going to sell it to, say, a music shop | 0:44:40 | 0:44:45 | |
-that retails second-hand trumpets, for instance... -Yeah? | 0:44:45 | 0:44:47 | |
..are we in the sort of £100 ballpark, | 0:44:47 | 0:44:50 | |
are we in the sort of £40-£50 ballpark | 0:44:50 | 0:44:53 | |
or are we in the sort of tenner? | 0:44:53 | 0:44:54 | |
-I would say you're looking at the £50 ballpark. -Would you? -Yeah. -OK. | 0:44:54 | 0:44:58 | |
Well, it seems Kate has more questions than answers, | 0:44:58 | 0:45:01 | |
and while Andy can't identify her unusual trumpet, he can teach her how to play it, | 0:45:01 | 0:45:05 | |
and just how musical is Miss Bliss? | 0:45:05 | 0:45:08 | |
All you have to do is play the first three notes | 0:45:08 | 0:45:12 | |
of the C major scale, which are C, D and E. OK? | 0:45:12 | 0:45:15 | |
TRIES TO PLAY NOTES | 0:45:15 | 0:45:18 | |
Can't do it without laughing! | 0:45:22 | 0:45:24 | |
This is terrible. | 0:45:24 | 0:45:26 | |
Yeah - better stick to the violin, eh? | 0:45:26 | 0:45:28 | |
Now, also on a fact-finding mission is our Bingo, | 0:45:28 | 0:45:32 | |
and like Kate, he knows that unearthing valuable information | 0:45:32 | 0:45:36 | |
can booster sales and increase profits. | 0:45:36 | 0:45:38 | |
He's brought his flat iron to show restorer Peter Ludgate, | 0:45:38 | 0:45:42 | |
who's a specialist in cue sports, no less. | 0:45:42 | 0:45:46 | |
This is the mighty item I want to know more and more about. | 0:45:46 | 0:45:49 | |
-It's a billiard flat iron. -Yeah. | 0:45:49 | 0:45:52 | |
Orme and Sons from Manchester. | 0:45:52 | 0:45:55 | |
-Are they a really good manufacturer? -They were one of the best Victorian manufacturers. -One of the best. | 0:45:55 | 0:45:59 | |
That would go on the range in the kitchen. | 0:45:59 | 0:46:02 | |
What, for all those Victorian industrialists building their mighty houses | 0:46:02 | 0:46:07 | |
with...what, everybody had a billiard room, did they? | 0:46:07 | 0:46:09 | |
Absolutely, and the under butler or somebody, it would be his job to heat it up | 0:46:09 | 0:46:14 | |
and then iron the billiard table before the master played a game of billiards, | 0:46:14 | 0:46:19 | |
but the problem was that they got terribly hot, | 0:46:19 | 0:46:22 | |
so you had to be very careful you didn't scorch the table. | 0:46:22 | 0:46:26 | |
Billiards most likely developed from the French for bille or balles, | 0:46:26 | 0:46:30 | |
and the game called trucco, | 0:46:30 | 0:46:33 | |
which was similar to croquet and played on lawns. | 0:46:33 | 0:46:36 | |
When the game moved indoors, green cloth was used to simulate the grass, | 0:46:36 | 0:46:40 | |
and the clubs replaced with cues. | 0:46:40 | 0:46:44 | |
By the mid 19th century, the quality of tables had improved considerably, | 0:46:44 | 0:46:48 | |
with slate bases and newly discovered vulcanised rubber used for cushions, | 0:46:48 | 0:46:53 | |
but the quality of the baize was key, | 0:46:53 | 0:46:56 | |
and caring for it was paramount. | 0:46:56 | 0:46:59 | |
So you heat the iron up, | 0:46:59 | 0:47:02 | |
and it's always best to put a slight angle on it | 0:47:02 | 0:47:04 | |
and take it up the table | 0:47:04 | 0:47:06 | |
and it smoothes the mat down, | 0:47:06 | 0:47:08 | |
and you always... | 0:47:08 | 0:47:09 | |
It would smooth the mat. | 0:47:09 | 0:47:10 | |
Now, you put it a slight angle | 0:47:10 | 0:47:12 | |
so that it doesn't leave lines, like a tennis court. | 0:47:12 | 0:47:15 | |
You certainly don't do what one of our clients did, which was have stripes going up and down, | 0:47:15 | 0:47:20 | |
which was...he was very proud of but completely messed up the game! | 0:47:20 | 0:47:23 | |
-Does it always go... -From the baulk up to the spot end. | 0:47:23 | 0:47:29 | |
It always runs up the table. | 0:47:29 | 0:47:30 | |
On a really good quality cloth, | 0:47:30 | 0:47:32 | |
when the ball goes up the table, | 0:47:32 | 0:47:34 | |
it's smooth and silent. When it comes back, | 0:47:34 | 0:47:36 | |
there's a gentle hiss | 0:47:36 | 0:47:37 | |
as it runs against the baize. | 0:47:37 | 0:47:40 | |
So James knows how to use his flat iron, but how much is it worth? | 0:47:40 | 0:47:44 | |
What's the best price you've ever got for a smoothing iron? | 0:47:44 | 0:47:47 | |
-I think the best price I've got is about £200. -Really? | 0:47:47 | 0:47:51 | |
Yeah. | 0:47:51 | 0:47:53 | |
This is... This is a particularly nice one, in good condition. | 0:47:53 | 0:47:58 | |
I bought this for 15. | 0:47:58 | 0:48:00 | |
Well, I think you've probably got a bargain. | 0:48:00 | 0:48:02 | |
Now I've just got to find a purchaser. | 0:48:02 | 0:48:04 | |
-Really I need to target somebody who has a nice billiard room. -Yeah. | 0:48:04 | 0:48:08 | |
-Absolutely. -Part of the furniture. | 0:48:08 | 0:48:10 | |
And if they had a William Orme table, they might be very tempted. | 0:48:10 | 0:48:13 | |
So, James could be sitting on a little gold mine! | 0:48:13 | 0:48:16 | |
Now, back to Kate. Her trumpet research threw up some interesting questions, | 0:48:16 | 0:48:21 | |
but all she knows for sure is that it cost her £20, | 0:48:21 | 0:48:24 | |
so armed with nothing but her new musical talents, | 0:48:24 | 0:48:27 | |
she heads to a music shop in Cheltenham | 0:48:27 | 0:48:30 | |
and hopes owner Ian wants to buy her brass. | 0:48:30 | 0:48:34 | |
-# Yeah, yeah -Let's get down with the trumpets | 0:48:34 | 0:48:36 | |
-# Yeah, yeah -Let's get down with the trumpets | 0:48:36 | 0:48:38 | |
-# Yeah, yeah -Let's get down with the trumpets. # | 0:48:38 | 0:48:41 | |
This is the trumpet I told you about on the telephone. | 0:48:42 | 0:48:45 | |
-Have a look inside. -Oh, right. | 0:48:45 | 0:48:47 | |
There it is. | 0:48:47 | 0:48:49 | |
Right. Pity, really, because the case is a bit nicer than the trumpet. | 0:48:49 | 0:48:53 | |
Oh, that's not a good start, I would say. | 0:48:53 | 0:48:55 | |
This is something that's made in India, I think. | 0:48:55 | 0:48:58 | |
And is probably not as old as it looks. | 0:48:58 | 0:49:00 | |
So, what makes you say that it's from India? | 0:49:00 | 0:49:03 | |
I recognise the finger buttons, to start with. | 0:49:03 | 0:49:06 | |
I've seen those on instruments of the same ilk. | 0:49:06 | 0:49:09 | |
-Right. -It's not very well-made - that's the other giveaway. | 0:49:09 | 0:49:13 | |
And they didn't bother stamping a name on it, | 0:49:13 | 0:49:15 | |
because if it was well-made, they'd want to put their name on it. | 0:49:15 | 0:49:18 | |
-Right... -Not terribly exciting, but go on. | 0:49:18 | 0:49:20 | |
OK, do you want to try it out? | 0:49:20 | 0:49:22 | |
Let's see if we can get a note out of that, shall we? | 0:49:22 | 0:49:24 | |
Yeah. Interesting, just while you | 0:49:24 | 0:49:26 | |
put that in, what do you think of the mouthpiece there? | 0:49:26 | 0:49:28 | |
That's actually an American mouthpiece. | 0:49:28 | 0:49:30 | |
Made by Old's. It's actually a flugelhorn mouthpiece. | 0:49:30 | 0:49:33 | |
So it's the wrong mouthpiece for the instrument anyway, but it will work. | 0:49:33 | 0:49:38 | |
-I'm sure. -It'll work? -Well, let's see. | 0:49:38 | 0:49:40 | |
All right. | 0:49:40 | 0:49:41 | |
HE PLAYS A FEW NOTES | 0:49:41 | 0:49:45 | |
Oh, beautiful, isn't it? | 0:49:45 | 0:49:47 | |
It sounds good when you play it. | 0:49:47 | 0:49:49 | |
It sounded great! | 0:49:49 | 0:49:50 | |
I took it to a very good jazz trumpeter, and he tried it out for me, had it a little go, | 0:49:50 | 0:49:56 | |
and he thought that it looks like a B flat trumpet | 0:49:56 | 0:50:00 | |
but it plays more like a C trumpet, he thought, | 0:50:00 | 0:50:04 | |
which he didn't quite understand, so that might fit with the fact that it's not | 0:50:04 | 0:50:09 | |
particularly well-made, that it's slightly off-pitch. | 0:50:09 | 0:50:12 | |
It's because they've copied an old instrument, | 0:50:12 | 0:50:15 | |
which would have been a high-pitch instrument, | 0:50:15 | 0:50:17 | |
-which was the old military band pitch. -Yes. | 0:50:17 | 0:50:19 | |
A modern orchestral pitch is low pitch. | 0:50:19 | 0:50:21 | |
-It's about a quarter of a tone sharp... -Right. | 0:50:21 | 0:50:23 | |
..to what it should be. | 0:50:23 | 0:50:25 | |
I see. Because they've copied it. They haven't copied it that accurately. | 0:50:25 | 0:50:28 | |
Well, they've copied the old instrument very accurately, | 0:50:28 | 0:50:31 | |
but it's no good for modern pitch. | 0:50:31 | 0:50:33 | |
And what about the mouthpiece? | 0:50:33 | 0:50:35 | |
-The mouthpiece is the nicest thing. -Is it? -Yeah! | 0:50:35 | 0:50:37 | |
-What's that worth? -If you wanted to buy that new, probably £45. | 0:50:39 | 0:50:42 | |
OK, all right. | 0:50:42 | 0:50:43 | |
Lovely. After all that, would you like to buy it? | 0:50:43 | 0:50:47 | |
I might take a punt. | 0:50:49 | 0:50:51 | |
You might take a punt? | 0:50:51 | 0:50:53 | |
What if we said 25 for the trumpet and... | 0:50:53 | 0:50:57 | |
um... | 0:50:57 | 0:50:58 | |
20 for the mouthpiece? | 0:50:58 | 0:51:02 | |
-45 altogether? -45 altogether. | 0:51:02 | 0:51:04 | |
And the case, of course. | 0:51:04 | 0:51:06 | |
-And the case. -You get the case thrown in. | 0:51:06 | 0:51:09 | |
All right, we'll do that. | 0:51:09 | 0:51:10 | |
-45, yes? -Yeah. | 0:51:10 | 0:51:11 | |
See if we can make a go of that. | 0:51:11 | 0:51:13 | |
Wonderful. Thank you very much indeed. | 0:51:13 | 0:51:17 | |
Well, that ended on a high note. | 0:51:17 | 0:51:19 | |
A £25 profit and even better, | 0:51:19 | 0:51:22 | |
with that trumpet off her hands, she won't be able to play it again. | 0:51:22 | 0:51:25 | |
With just his well-researched flat iron left to sell, | 0:51:25 | 0:51:29 | |
James is armed with all the info he needs to make a killing, | 0:51:29 | 0:51:32 | |
including a tip-off on a possible buyer in the shape or snooker fan John in East Sussex. | 0:51:32 | 0:51:39 | |
Here we go. | 0:51:39 | 0:51:40 | |
-Hello, John. -Good to see you. -Very nice to see you. | 0:51:40 | 0:51:43 | |
Now, here's the mighty... Feel the weight of that. | 0:51:43 | 0:51:46 | |
Let me feel that. | 0:51:46 | 0:51:48 | |
-Feel the weight of that. -That is some weight. | 0:51:48 | 0:51:50 | |
It is heavy, isn't it? | 0:51:50 | 0:51:52 | |
-Four kilos? -I would have thought so. | 0:51:52 | 0:51:53 | |
Anyway, you know what it is. | 0:51:53 | 0:51:55 | |
-It's a smoothing iron. -Smoothing iron. | 0:51:55 | 0:51:57 | |
-Yeah. Do you have one? -I don't. I have a modern one. | 0:51:57 | 0:52:00 | |
It's electric, it's got a thermostat control. | 0:52:00 | 0:52:05 | |
It takes a little while to heat up, but probably not as long as this. | 0:52:05 | 0:52:08 | |
I'm really pleased to see Burroughes & Watts label there. | 0:52:08 | 0:52:11 | |
They were the sort of Rolls-Royce manufacturers. | 0:52:11 | 0:52:15 | |
And Orme & Sons were the big boys up in Manchester, | 0:52:15 | 0:52:19 | |
so, the Northern ones. | 0:52:19 | 0:52:20 | |
Burroughes & Watts were London-based. | 0:52:20 | 0:52:23 | |
And they, in fact, acquired Orme & Sons in Manchester, | 0:52:23 | 0:52:28 | |
and I love the fact that they've got this lovely industrial design. | 0:52:28 | 0:52:34 | |
If we can get sort of anywhere between 100 and 200, | 0:52:34 | 0:52:37 | |
-I'd be a very happy bunny. -OK. | 0:52:37 | 0:52:40 | |
How do you...? Now, looking at it, are you sold on it? | 0:52:40 | 0:52:43 | |
-I'm certainly interested. -You are interested. | 0:52:43 | 0:52:45 | |
I'm interested. I'll give 100 quid for it. | 0:52:45 | 0:52:50 | |
But I'll give you an extra 50 quid | 0:52:50 | 0:52:53 | |
if we have a game of who gets closest to the cushion. | 0:52:53 | 0:52:57 | |
Fabulous. No, I'm well up for that. | 0:52:57 | 0:53:00 | |
And it's the nail-biting finale to Bingo's selling spree. | 0:53:00 | 0:53:05 | |
Can he get his yellow ball closer to the cushion than John's green ball | 0:53:05 | 0:53:10 | |
and walk away with that extra £50 bonus? | 0:53:10 | 0:53:14 | |
-On the count of three. -On the count of three. OK. | 0:53:14 | 0:53:18 | |
Three, two, one. | 0:53:18 | 0:53:19 | |
It's a steady shot from both players. | 0:53:19 | 0:53:22 | |
Oh, James has it! | 0:53:24 | 0:53:26 | |
Aah, there you go! | 0:53:26 | 0:53:28 | |
I'd better get the cash out! | 0:53:30 | 0:53:31 | |
# Snooker loopy, nuts are we | 0:53:33 | 0:53:35 | |
# Me and him and them and me... # | 0:53:35 | 0:53:38 | |
Well, with surprising skill and cue control, | 0:53:38 | 0:53:40 | |
James won the higher price fair and square | 0:53:40 | 0:53:43 | |
and walks away with £135 profit. | 0:53:43 | 0:53:47 | |
Nobody expected that. | 0:53:47 | 0:53:49 | |
Bingo is all sold up. | 0:53:49 | 0:53:51 | |
But over in Cheltenham, Kate has one final chance | 0:53:51 | 0:53:55 | |
to make her fortune with the silver belt buckle. | 0:53:55 | 0:53:57 | |
It was Kate's most expensive item at £28, | 0:53:57 | 0:54:00 | |
but can she tempt vintage boutique owners | 0:54:00 | 0:54:03 | |
Theresa and Paul with more? | 0:54:03 | 0:54:06 | |
I told you about this on the telephone, | 0:54:06 | 0:54:08 | |
and I'm hoping it might fit in with your mix. | 0:54:08 | 0:54:11 | |
Either the vintage fashion, maybe, | 0:54:11 | 0:54:12 | |
or even as a little cabinet piece for a collector. | 0:54:12 | 0:54:16 | |
As you can see, it's a little buckle, but the enamelling on it - | 0:54:16 | 0:54:19 | |
which is why I liked it - is really lovely, because... | 0:54:19 | 0:54:23 | |
-Beautiful. -Yes. -Nicely hallmarked there. | 0:54:23 | 0:54:25 | |
It's Birmingham 1911. | 0:54:25 | 0:54:27 | |
-Right. -And in fact it's L and S, which is Levi and Salomon. | 0:54:27 | 0:54:30 | |
So, just into the reign of George V. | 0:54:30 | 0:54:32 | |
Exactly. Just into George V. | 0:54:32 | 0:54:34 | |
A real sign of quality. | 0:54:34 | 0:54:35 | |
They're known for their nice quality works. | 0:54:35 | 0:54:38 | |
It's quite stunningly simple, as well. | 0:54:38 | 0:54:40 | |
Very elegantly simple. | 0:54:40 | 0:54:41 | |
-That's right. -And wearable today. It's still a practical piece. | 0:54:41 | 0:54:45 | |
Exactly. For those people who like to wear nice quality period pieces, | 0:54:45 | 0:54:48 | |
because they don't really make things like that these days - | 0:54:48 | 0:54:52 | |
not in that sort of detail, obviously with the age. | 0:54:52 | 0:54:55 | |
-Yes. -So, I was hoping for sort of towards 150-ish. | 0:54:55 | 0:55:00 | |
How does that sound? | 0:55:00 | 0:55:02 | |
That's probably a little bit rich for us, actually. | 0:55:02 | 0:55:05 | |
Well, Kate is certainly aiming high with this sale. | 0:55:05 | 0:55:09 | |
Remember, James was slightly in the lead at the halfway point, | 0:55:09 | 0:55:11 | |
and after his success with the flat iron, | 0:55:11 | 0:55:15 | |
this sale could be the decider for Kate. | 0:55:15 | 0:55:17 | |
Before we reveal all, | 0:55:17 | 0:55:20 | |
let's have a quick reminder of how much they spent at the boot sale. | 0:55:20 | 0:55:24 | |
From his £250 budget, James bought five items, costing £83. | 0:55:24 | 0:55:30 | |
Kate also made five purchases and spent a total of £63, | 0:55:30 | 0:55:35 | |
but who has made the most profit? | 0:55:35 | 0:55:38 | |
All the money that James and Kate have made | 0:55:38 | 0:55:40 | |
will go to charities of their choice. | 0:55:40 | 0:55:42 | |
So, without further ado, let's find out who is today's | 0:55:42 | 0:55:45 | |
Put Your Money Where Your Mouth Is champion. | 0:55:45 | 0:55:48 | |
Hi. Glad you could show up! | 0:55:50 | 0:55:52 | |
-How are you doing? -I'm very good, very good. | 0:55:52 | 0:55:55 | |
The car boot was quite a struggle, wasn't it? | 0:55:55 | 0:55:57 | |
You know, it was a bit of a struggle. | 0:55:57 | 0:55:59 | |
It's finding those gems, | 0:55:59 | 0:56:01 | |
and they were a bit thin on the ground, I thought. | 0:56:01 | 0:56:03 | |
I like that lovely enamelled buckle. | 0:56:03 | 0:56:05 | |
-That was really nice. A really nice quality piece. -Big profit, Kate? | 0:56:05 | 0:56:09 | |
Sold OK, sold OK. | 0:56:09 | 0:56:11 | |
JAMES LAUGHS | 0:56:11 | 0:56:13 | |
I want to know about your... First of all, your lovely flower picture. | 0:56:13 | 0:56:16 | |
-That was pretty, wasn't it? -Yeah, your Van Gogh in the making. | 0:56:16 | 0:56:20 | |
I sold that to a very lovely flower shop. | 0:56:20 | 0:56:22 | |
-Did you? -Yeah. Looked very good on the wall. | 0:56:22 | 0:56:25 | |
So, what about your unusual flat iron, your table iron? | 0:56:25 | 0:56:28 | |
Do you really want to know, Kate? | 0:56:28 | 0:56:31 | |
-Oh! -Beware of humble objects. -No! | 0:56:31 | 0:56:33 | |
-It did really well, didn't it? -Beware. | 0:56:33 | 0:56:35 | |
Beware. Shall we see how well? | 0:56:35 | 0:56:37 | |
-I've got bad vibes. -No, rubbish! | 0:56:37 | 0:56:39 | |
I've got really bad vibes. | 0:56:39 | 0:56:41 | |
Come on, put me out of my misery. | 0:56:41 | 0:56:43 | |
-One, two, three. -Go! | 0:56:43 | 0:56:45 | |
262, 240! | 0:56:45 | 0:56:48 | |
-How close is that?! -See, Kate? | 0:56:48 | 0:56:51 | |
-Oof! That was close. -That was close. | 0:56:51 | 0:56:55 | |
Wow, Mrs Bliss. | 0:56:57 | 0:56:59 | |
Look at that - just a few drinks in it. | 0:56:59 | 0:57:01 | |
-I'm buying the drinks. -Ohh! | 0:57:01 | 0:57:04 | |
Come on, it was pretty close. | 0:57:04 | 0:57:06 | |
Yes, Kate "Absolute" Bliss triumphs, | 0:57:06 | 0:57:08 | |
and it was her buckle that strapped her into the winning seat... | 0:57:08 | 0:57:12 | |
My thoughts are probably around £80. | 0:57:12 | 0:57:15 | |
Could you just do a wee bit more and say the £100 mark? | 0:57:15 | 0:57:20 | |
-How would 90 sound? -£90 sounds good to me. | 0:57:20 | 0:57:23 | |
-Fantastic. -Thank you very much. | 0:57:23 | 0:57:25 | |
Thank you very much. | 0:57:25 | 0:57:26 | |
..giving her a smart £62 profit and making her the champion. | 0:57:26 | 0:57:31 | |
Well, I think Bingo thought he had that one in the bag. | 0:57:31 | 0:57:34 | |
He was pretty confident about his flat iron. | 0:57:34 | 0:57:37 | |
It may only have been by that much, but I beat him. | 0:57:37 | 0:57:41 | |
I enjoyed the car boot. | 0:57:41 | 0:57:42 | |
A bit of a struggle, but I managed to find some nice wheat amongst | 0:57:42 | 0:57:46 | |
the chaff, but still it wasn't quite enough to beat "Absolute" Bliss. | 0:57:46 | 0:57:51 | |
Between them, they've made over £500 and every penny of that will go to good causes. | 0:57:51 | 0:57:56 | |
My chosen charity is the Herefordshire branch of SSAFA, | 0:57:56 | 0:58:00 | |
because it gives lifelong support | 0:58:00 | 0:58:02 | |
to servicemen, veterans and their families. | 0:58:02 | 0:58:05 | |
My chosen charity is the Windmill Hill Windmill Trust, | 0:58:05 | 0:58:09 | |
bought at auction over 20 years ago, | 0:58:09 | 0:58:11 | |
saved from dereliction and about to grind corn. | 0:58:11 | 0:58:15 | |
Our excellent experts have really put their money where their mouths are, | 0:58:15 | 0:58:19 | |
and shown they can make a profit from buying and selling antiques when their own money is on the line. | 0:58:19 | 0:58:25 |