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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:12 | |
Each week, one pair of duelling dealers will face a different | 0:00:12 | 0:00:16 | |
-daily challenge. -I've got a heavy profit here. | 0:00:16 | 0:00:18 | |
Putting their reputations on the line... | 0:00:18 | 0:00:21 | |
Who's there? | 0:00:21 | 0:00:23 | |
..they'll give you the insider's view of the trade... | 0:00:23 | 0:00:26 | |
HE GROWLS | 0:00:26 | 0:00:27 | |
..along with their top tips | 0:00:27 | 0:00:29 | |
and savvy secrets... | 0:00:29 | 0:00:30 | |
That could present a problem for me. | 0:00:30 | 0:00:32 | |
..showing you how to make the most money... | 0:00:32 | 0:00:34 | |
Ready for battle. | 0:00:34 | 0:00:36 | |
..from buying and selling. | 0:00:37 | 0:00:39 | |
Get in there. | 0:00:39 | 0:00:40 | |
Coming up, James reveals the hidden dangers of sailing... | 0:00:42 | 0:00:46 | |
It's lignum vitae. | 0:00:46 | 0:00:47 | |
It's the only wood that'll actually sink. | 0:00:47 | 0:00:50 | |
..Kate uncovers a Victorian craft... | 0:00:50 | 0:00:53 | |
It's actually burnt on with a really fine, hot needle point | 0:00:53 | 0:00:57 | |
and then it's stained to bring that lovely floral design up in relief. | 0:00:57 | 0:01:02 | |
..and someone proves popular with the buyers. | 0:01:02 | 0:01:05 | |
I've come here to sell you something. | 0:01:05 | 0:01:07 | |
-Oh, no. -Yeah, I'm afraid so. I'm afraid so. | 0:01:07 | 0:01:10 | |
This is Put Your Money Where Your Mouth Is. | 0:01:10 | 0:01:13 | |
From the Peterborough Festival of Antiques, | 0:01:29 | 0:01:32 | |
this is Strictly Come Dealing. | 0:01:32 | 0:01:35 | |
Please give a warm welcome to your talented contestants. | 0:01:35 | 0:01:38 | |
First, it's the prima ballerina of buying. | 0:01:38 | 0:01:41 | |
With a spring in her step, her antiques knowledge is on point | 0:01:41 | 0:01:44 | |
and her selling spins are dizzying but perfectly placed. | 0:01:44 | 0:01:48 | |
It's Kate "Absolute" Bliss. | 0:01:48 | 0:01:52 | |
I'm looking for something of really top quality. | 0:01:52 | 0:01:55 | |
And determined to be the lord of the dealing dance, | 0:01:55 | 0:01:58 | |
it's the sure-footed, twinkle toes of treasures. | 0:01:58 | 0:02:01 | |
He's going to groove over the gold and tap dance on the trophies. | 0:02:01 | 0:02:05 | |
It's James "Bingo" Braxton. | 0:02:05 | 0:02:08 | |
We're just generally sort of groping around, aren't we? | 0:02:08 | 0:02:11 | |
And it's a good job they've been rehearsing hard | 0:02:11 | 0:02:14 | |
as our heirloom hunters are facing each other | 0:02:14 | 0:02:16 | |
at one of the largest antiques fairs in Europe. | 0:02:16 | 0:02:19 | |
With over 1,000 stalls to quick-step around, inside and out, | 0:02:19 | 0:02:23 | |
our dancing dealers must tango towards the most profitable pieces | 0:02:23 | 0:02:27 | |
without missing a beat. | 0:02:27 | 0:02:29 | |
They've each got £750 of their own money to spend | 0:02:30 | 0:02:34 | |
and all the profits go to their chosen charities. | 0:02:34 | 0:02:37 | |
So, Kate Bliss and James Braxton, it's time to sew on those sequins | 0:02:37 | 0:02:42 | |
and put your money where your mouth is. | 0:02:42 | 0:02:45 | |
-Morning. -Morning, Kate. How are you? | 0:02:45 | 0:02:47 | |
-Yeah, well. We're here in Peterborough. -Peterborough and look. | 0:02:47 | 0:02:51 | |
I didn't know antiques were fashionable again. Look at this. | 0:02:51 | 0:02:54 | |
I know. They're queuing to get in. | 0:02:54 | 0:02:55 | |
-All queuing to get in and we're here early birds, aren't we? -Yeah. | 0:02:55 | 0:02:58 | |
-Well, you know what they say. -Early bird catches the worm. | 0:02:58 | 0:03:01 | |
Yeah. What are you going to be looking for? | 0:03:01 | 0:03:03 | |
Erm...I'm going to be looking for mainly bargains. And you? | 0:03:03 | 0:03:07 | |
I don't know about you but I've got a bit of a feeling | 0:03:07 | 0:03:10 | |
about a big spend today. | 0:03:10 | 0:03:11 | |
-A big spend? Well, you've got £750. -Yeah, a lot of money. | 0:03:11 | 0:03:14 | |
-A lot of money. -And it's a big fair, isn't it? -It is a big fair. | 0:03:14 | 0:03:17 | |
-I've got my walking shoes on. -Well done. | 0:03:17 | 0:03:19 | |
I think there's a bit of ground to cover. | 0:03:19 | 0:03:21 | |
-I don't know about you but I'm going to beat that queue. -OK, hurry. | 0:03:21 | 0:03:24 | |
See you later. | 0:03:24 | 0:03:25 | |
So our dealers are going to be foxtrotting to a different beat | 0:03:25 | 0:03:28 | |
at this antiques fair. | 0:03:28 | 0:03:30 | |
James is planning to keep a close eye on his wallet, | 0:03:30 | 0:03:32 | |
while Kate wants to splash the cash. | 0:03:32 | 0:03:35 | |
Staying at opposite ends of the buying scale | 0:03:35 | 0:03:37 | |
in order to outwit the competition. | 0:03:37 | 0:03:39 | |
Very clever. | 0:03:39 | 0:03:40 | |
But Miss Bliss has other plans afoot. | 0:03:40 | 0:03:44 | |
Now, in the past, I've had some really good finds from this fair | 0:03:45 | 0:03:48 | |
and there's loads to go at here. | 0:03:48 | 0:03:50 | |
I did say to James I'd like to spend a little bit of money | 0:03:50 | 0:03:53 | |
but basically it depends what's here. | 0:03:53 | 0:03:54 | |
So I'm going to have a really open mind. | 0:03:54 | 0:03:57 | |
James seemed particularly relaxed this morning | 0:03:57 | 0:03:59 | |
but I think the key is before the sun's up | 0:03:59 | 0:04:02 | |
to get round those stalls | 0:04:02 | 0:04:03 | |
because hordes of people are going to be descending. | 0:04:03 | 0:04:06 | |
So Kate is eager to beat the crowds | 0:04:06 | 0:04:08 | |
but what cunning plan does Bingo have up his sleeve? | 0:04:08 | 0:04:13 | |
My strategy is really to get involved. | 0:04:13 | 0:04:16 | |
I think we've got an opportunity here - it's still only 8 o'clock - | 0:04:16 | 0:04:20 | |
to get those bargains. | 0:04:20 | 0:04:21 | |
There's a lot of people here and here is my opportunity | 0:04:21 | 0:04:25 | |
to secure them before the vandal hordes arrive. | 0:04:25 | 0:04:29 | |
Yes. So both our professional prancers have, | 0:04:29 | 0:04:32 | |
unbeknown to each other, | 0:04:32 | 0:04:34 | |
hatched a synced-up plan to get ahead of the masses. | 0:04:34 | 0:04:37 | |
This could be a close conga. | 0:04:37 | 0:04:39 | |
Bingo has done his warm up and, feeling flexible, | 0:04:39 | 0:04:42 | |
boogies on over to a backgammon board that he likes the look of. | 0:04:42 | 0:04:45 | |
But a closer inspection reveals a dirty little secret. | 0:04:45 | 0:04:49 | |
Oh, there's damage there. | 0:04:50 | 0:04:52 | |
There's always damage on these things. | 0:04:52 | 0:04:54 | |
How much on your board? | 0:04:54 | 0:04:56 | |
-It's 55. -55. | 0:04:56 | 0:04:59 | |
I'll take a tenner off it. | 0:04:59 | 0:05:00 | |
45? It's just the damage here, isn't it? | 0:05:00 | 0:05:03 | |
Oh, I suppose had it been perfect it would have been a lot more. | 0:05:03 | 0:05:07 | |
They used to be made in Damascus. | 0:05:07 | 0:05:08 | |
-I wonder if they're still making them now. -I don't know | 0:05:08 | 0:05:10 | |
-but it's got a lot of work in it. -There's a lot of work in it. | 0:05:10 | 0:05:13 | |
40 quid. Go on, then. | 0:05:13 | 0:05:14 | |
There we are. Thank you very much indeed, sir. | 0:05:14 | 0:05:17 | |
Yes, a short shrift deal there | 0:05:17 | 0:05:19 | |
and James secures his first buy of the day. | 0:05:19 | 0:05:22 | |
This is probably made in Damascus, the capital of Syria. | 0:05:22 | 0:05:25 | |
It's a backgammon set. | 0:05:25 | 0:05:27 | |
We've got chess on the outside and it's this tessera marquetry. | 0:05:27 | 0:05:31 | |
I had a specialism of Tunbridge ware, | 0:05:31 | 0:05:33 | |
which is exactly the same. | 0:05:33 | 0:05:35 | |
It's these little canes that are cut | 0:05:35 | 0:05:38 | |
and this sort of very complex geometry here. | 0:05:38 | 0:05:42 | |
Got a couple of losses, a bit of damage there... | 0:05:43 | 0:05:45 | |
and a bit of damage there. | 0:05:45 | 0:05:47 | |
It's not hugely old. | 0:05:47 | 0:05:48 | |
It's not 19th century but it's not bad, it's got some age. | 0:05:48 | 0:05:53 | |
And it's a good size and at £40, bit of a bargain. | 0:05:53 | 0:05:57 | |
Yes, James is so far sticking to his thrifty strategy | 0:05:57 | 0:06:00 | |
but what of our big-spender, Kate? | 0:06:00 | 0:06:02 | |
Well, she's sashayed over to something she hopes | 0:06:02 | 0:06:05 | |
will speed her to the finish line. | 0:06:05 | 0:06:07 | |
-A nice sturdy one, isn't it? -It is, yeah. -Made for speed. | 0:06:07 | 0:06:10 | |
-How much is that? -25. | 0:06:11 | 0:06:14 | |
What's the name on it, then? | 0:06:14 | 0:06:16 | |
-Davos. -Yeah, what's that? -We bought it in France. | 0:06:16 | 0:06:20 | |
Would you take a tenner? | 0:06:21 | 0:06:23 | |
-What's your best? -20. | 0:06:24 | 0:06:25 | |
Go on, then. I like that. | 0:06:28 | 0:06:30 | |
-Great, that'll do. -Thank you. -Thank you. Let me find you some money. | 0:06:30 | 0:06:34 | |
It's not quite the big-money item she was looking for | 0:06:34 | 0:06:37 | |
but at least that haggle was no uphill struggle. | 0:06:37 | 0:06:40 | |
I saw this, and it brings back so many happy memories | 0:06:40 | 0:06:43 | |
of tobogganing. I don't think you're ever too old to toboggan. | 0:06:43 | 0:06:46 | |
I think it's probably French. | 0:06:46 | 0:06:49 | |
Everything looks like it's original. | 0:06:49 | 0:06:51 | |
You've got a bit of rust to the runners here, as you would expect. | 0:06:51 | 0:06:54 | |
Probably dates from the '50s, maybe a little bit later, | 0:06:54 | 0:06:57 | |
and you've got a stamp here on the top - Davos. | 0:06:57 | 0:07:01 | |
Now, I don't know what that is. | 0:07:01 | 0:07:03 | |
It's either the manufacturer, maybe the place where it came from, | 0:07:03 | 0:07:06 | |
so I'm going to be looking that up. | 0:07:06 | 0:07:07 | |
But for £20...I think that's great. | 0:07:07 | 0:07:11 | |
But even-stevens is not enough for our ambitious girl | 0:07:11 | 0:07:15 | |
and she quickly pirouettes into the lead, | 0:07:15 | 0:07:17 | |
spearing some early-20th-century pickle forks for £40. | 0:07:17 | 0:07:21 | |
I don't normally go for little...pickle forks | 0:07:23 | 0:07:26 | |
but this is such a sweet little set. | 0:07:26 | 0:07:27 | |
You've got a pair with mother-of-pearl handles | 0:07:27 | 0:07:31 | |
and little silver forks on the end there. | 0:07:31 | 0:07:33 | |
Just a neat little set, isn't it? | 0:07:33 | 0:07:35 | |
And they'll come in handy if Kate ever gets herself into a pickle. | 0:07:35 | 0:07:39 | |
'Ere. Yes? No? Anyone? Oh, never mind. | 0:07:39 | 0:07:42 | |
Meanwhile, Bingo's been moonwalking tirelessly around the fair | 0:07:42 | 0:07:46 | |
and seems ready for a little sit down. | 0:07:46 | 0:07:49 | |
How much on your stools? | 0:07:50 | 0:07:52 | |
-They're £15 each. -Can you lift one off? Can I just see? | 0:07:52 | 0:07:55 | |
-They look very well constructed. -Oh, they are. | 0:07:55 | 0:07:59 | |
You can upcycle them and do them in nice... | 0:07:59 | 0:08:03 | |
Upcycle them. | 0:08:03 | 0:08:04 | |
Goh, don't know if I've got the energy, sir, for upcycling. | 0:08:04 | 0:08:08 | |
Haven't got the energy? | 0:08:09 | 0:08:10 | |
Well, Bingo, fame costs, | 0:08:10 | 0:08:13 | |
and right here is where you start paying...with sweat. | 0:08:13 | 0:08:17 | |
Do you think I might go through? | 0:08:17 | 0:08:19 | |
Very good for the posture. | 0:08:20 | 0:08:22 | |
-Shall I have a punt, then? -Go on. | 0:08:23 | 0:08:26 | |
Have you got six good ones? | 0:08:26 | 0:08:28 | |
Four rubbers, lots of rust. | 0:08:28 | 0:08:30 | |
Rubbers on that. | 0:08:30 | 0:08:32 | |
Just check the rubbers. | 0:08:32 | 0:08:34 | |
I don't like that one, hasn't got any rubbers. | 0:08:34 | 0:08:37 | |
Yes, if ever there were a discerning customer, it's our Bingo. | 0:08:37 | 0:08:40 | |
That looks a very fine one. | 0:08:42 | 0:08:45 | |
I want to leave you with some. | 0:08:45 | 0:08:46 | |
Oh, I thought you wanted six? | 0:08:46 | 0:08:48 | |
No, I think four. | 0:08:48 | 0:08:50 | |
Mrs Bingo might be delighted to paint these. | 0:08:50 | 0:08:53 | |
But then I've got to cut all the wood... | 0:08:53 | 0:08:56 | |
There's a lot of work to be done. | 0:08:56 | 0:08:59 | |
Clever James knows it can pay to lay it on thick before attempting a haggle. | 0:08:59 | 0:09:04 | |
Now, the price. | 0:09:04 | 0:09:06 | |
It's a lot of work and what do they say, sir? "Don't buy work." | 0:09:06 | 0:09:10 | |
I keep saying it to myself. What am I doing? How about 50, sir? | 0:09:10 | 0:09:14 | |
-55, sir. -55. Thank you very much indeed, sir. | 0:09:14 | 0:09:17 | |
Yes, a steady performance there from James, | 0:09:17 | 0:09:19 | |
securing the stools for £5 under the asking price. | 0:09:19 | 0:09:24 | |
Made in Belgium, they're really solid. | 0:09:24 | 0:09:28 | |
These have done a lifetime's work already | 0:09:28 | 0:09:31 | |
and yet here is Bingo Braxton, he's going to save them, | 0:09:31 | 0:09:36 | |
he's going to repaint them, he's going to reseat them, | 0:09:36 | 0:09:40 | |
and give them a new lease of life - not in Belgium but in England. | 0:09:40 | 0:09:45 | |
Wow, that purchase has left Bingo pepped up and full of pizzazz. | 0:09:45 | 0:09:50 | |
And whilst he's high-kicking to his heart's content outdoors, | 0:09:50 | 0:09:53 | |
Kate has sneaked inside and is cosying up | 0:09:53 | 0:09:56 | |
to a late-Victorian cake stand. | 0:09:56 | 0:09:58 | |
It's quite a decorative one, isn't it? | 0:10:00 | 0:10:02 | |
-What's that going to be? -48. | 0:10:02 | 0:10:04 | |
It's a nice little bit of pokerwork. I particularly like this handle. | 0:10:05 | 0:10:09 | |
Could you do a wee bit less for me? | 0:10:09 | 0:10:12 | |
45. That's it. | 0:10:12 | 0:10:15 | |
45... | 0:10:15 | 0:10:17 | |
Couldn't do 40? A round figure? | 0:10:17 | 0:10:19 | |
-No. -I'll probably lose money if I go down to 40, so 45 is a bit better. | 0:10:19 | 0:10:23 | |
That's fair enough. | 0:10:23 | 0:10:24 | |
OK, yeah, let's do it. I like it. | 0:10:24 | 0:10:26 | |
45. | 0:10:26 | 0:10:27 | |
Hm, so Kate settles on just a £3 discount. Very out of character. | 0:10:28 | 0:10:33 | |
Perhaps she knows something that we don't. | 0:10:33 | 0:10:37 | |
So what we've got here is a really lovely three-tier cake stand. | 0:10:37 | 0:10:41 | |
You don't normally see them so highly-ornate. | 0:10:41 | 0:10:44 | |
And the word for this type of decoration is known as pokerwork. | 0:10:44 | 0:10:47 | |
So the flowers and ribbons here aren't painted on | 0:10:47 | 0:10:51 | |
or inlaid like marquetry. | 0:10:51 | 0:10:53 | |
It's actually burnt on with a really fine, hot needle point | 0:10:53 | 0:10:58 | |
and then it's stained to bring that lovely floral design up in relief. | 0:10:58 | 0:11:02 | |
And it's the same here with this chequered handle. | 0:11:02 | 0:11:05 | |
I can feel an afternoon tea coming on. | 0:11:05 | 0:11:08 | |
But before leading lady Kate has a chance to put the kettle on, | 0:11:08 | 0:11:12 | |
she spots something sparkly that she thinks might look great with her costume. | 0:11:12 | 0:11:16 | |
Pretty, very pretty. | 0:11:16 | 0:11:18 | |
-Do you think they're '70s? -Possibly, yeah. | 0:11:18 | 0:11:21 | |
Yeah. | 0:11:21 | 0:11:22 | |
So, pair of little earrings, they've got the old-fashioned little screw backs. | 0:11:22 | 0:11:27 | |
The nice thing about them is that the enamel is absolutely perfect. | 0:11:27 | 0:11:32 | |
They're a really sweet pink colour, aren't they? | 0:11:35 | 0:11:37 | |
What's the very best on those? | 0:11:37 | 0:11:39 | |
I can only go to 48. | 0:11:39 | 0:11:42 | |
Couldn't do 40? No. | 0:11:42 | 0:11:45 | |
-Have to be 48. -Have to be 48. | 0:11:45 | 0:11:49 | |
I quite fancy them myself. | 0:11:52 | 0:11:54 | |
This is a competition, not a shopping spree. | 0:11:54 | 0:11:58 | |
Always a good sign if you want them yourself. | 0:11:58 | 0:12:02 | |
48, did you say? | 0:12:02 | 0:12:04 | |
Yes, buy what you like and like what you buy. | 0:12:04 | 0:12:06 | |
But when Miss Bliss parts with them, will they turn her a profit? | 0:12:06 | 0:12:11 | |
Now I am super chuffed with these. | 0:12:11 | 0:12:14 | |
They're probably '70s and vintage jewellery | 0:12:14 | 0:12:16 | |
from this sort of period is really coming back in at the moment. | 0:12:16 | 0:12:20 | |
They are Norwegian silver enamelled. | 0:12:20 | 0:12:22 | |
Now, the Scandinavians are really good at enamelling. | 0:12:22 | 0:12:25 | |
You can really see the quality. | 0:12:25 | 0:12:28 | |
They're on silver and the silver's actually been engraved | 0:12:28 | 0:12:32 | |
with tiny little flowers on each of the petals | 0:12:32 | 0:12:35 | |
before the pink enamel was laid over the top. | 0:12:35 | 0:12:40 | |
Perfect condition... I love 'em. | 0:12:40 | 0:12:43 | |
So, will Kate bring the dance floor to a halt with those bobby-dazzlers? | 0:12:43 | 0:12:46 | |
Stay tuned to find out. | 0:12:46 | 0:12:48 | |
Our challengers have cha-chaed their way to the halfway mark, | 0:12:48 | 0:12:51 | |
so time to foxtrot off and check on the scores so far. | 0:12:51 | 0:12:55 | |
From a £750 budget, | 0:12:58 | 0:13:00 | |
James Braxton has bought two items so far and has spent thriftily, | 0:13:00 | 0:13:04 | |
just £95, leaving him with £655 to play with. | 0:13:04 | 0:13:09 | |
Kate Bliss has bought four items but isn't exactly breaking the bank. | 0:13:10 | 0:13:14 | |
Spending just £153, leaving £597 still in the kitty. | 0:13:14 | 0:13:19 | |
-There you are. -There we are, yeah. | 0:13:23 | 0:13:25 | |
-Have you been hiding? -No, I haven't. I've been lurking. | 0:13:25 | 0:13:28 | |
I've been doing very much the outside stalls but... | 0:13:28 | 0:13:31 | |
Have you found anything? | 0:13:31 | 0:13:32 | |
I've bought some items and I've bought work again. | 0:13:32 | 0:13:36 | |
-Work? -Oh, dear. | 0:13:36 | 0:13:38 | |
I've got to paint it, I've got to make seats. | 0:13:38 | 0:13:42 | |
It's all going to look very home-made. | 0:13:42 | 0:13:44 | |
-You're going to be busy. -I'm going to be busy, no tele for me. | 0:13:44 | 0:13:47 | |
Have you spent much money? | 0:13:47 | 0:13:49 | |
Not enough. I need a big purchase. | 0:13:49 | 0:13:51 | |
-What about you? -I don't know about you but I'm finding it | 0:13:51 | 0:13:53 | |
really hard to spend a lot of money. I'm really pleased with what I've | 0:13:53 | 0:13:56 | |
bought. I've bought a few things but they're all less than £100. | 0:13:56 | 0:13:59 | |
I'm not deliberately not spending much. | 0:13:59 | 0:14:02 | |
I'm just not finding anything that I like that's really expensive. | 0:14:02 | 0:14:06 | |
-Come on, get your wallet out, girl. -I'm normally quite good at that. | 0:14:06 | 0:14:09 | |
-Come on. -What about you? You're normally a big splash-the-cash man. | 0:14:09 | 0:14:12 | |
-Yeah. Get that wad out. -Yeah. | 0:14:12 | 0:14:13 | |
-I'm just getting into my stride, I think. -OK, good luck. | 0:14:13 | 0:14:16 | |
See you later. | 0:14:16 | 0:14:17 | |
So, both our dealers are finding it difficult to splash their cash | 0:14:17 | 0:14:21 | |
and Kate has waltzed back indoors. | 0:14:21 | 0:14:23 | |
Well, I'm glad James is finding it hard to spend money too. | 0:14:24 | 0:14:28 | |
Now, I think I've left him outside. | 0:14:28 | 0:14:29 | |
I've come inside to these quite dark sheds. | 0:14:29 | 0:14:32 | |
There's some really nice things in here, | 0:14:32 | 0:14:34 | |
so I'm looking for something of really top quality. | 0:14:34 | 0:14:37 | |
Miss Bliss is twisting and turning amongst the indoor stalls but | 0:14:37 | 0:14:40 | |
she won't be alone for long as James is about to stamp his way inside. | 0:14:40 | 0:14:45 | |
There's some very good stuff in these sheds. | 0:14:47 | 0:14:50 | |
From memory - I haven't been to Peterborough for about... | 0:14:50 | 0:14:52 | |
..a long time, about five, eight years - | 0:14:53 | 0:14:55 | |
but I remember these sheds, these open sheds were very good, | 0:14:55 | 0:14:59 | |
so let's go. | 0:14:59 | 0:15:00 | |
Now, frontrunner Kate has clicked her castanets | 0:15:00 | 0:15:03 | |
over to a silver sugar shaker | 0:15:03 | 0:15:05 | |
with a price tag of £139. | 0:15:05 | 0:15:07 | |
And it's all about to get serious. | 0:15:07 | 0:15:09 | |
-Danish silver? -Yes. | 0:15:10 | 0:15:12 | |
But the good thing is, you can actually date it | 0:15:12 | 0:15:14 | |
cos there is a little number 22 underneath for 1922. | 0:15:14 | 0:15:19 | |
I thought it was English, funnily enough. | 0:15:19 | 0:15:21 | |
I thought it was English Arts & Crafts. | 0:15:21 | 0:15:24 | |
But now I've seen that it isn't, which makes me want it | 0:15:24 | 0:15:27 | |
for a little bit less money. | 0:15:27 | 0:15:30 | |
-Right... -Um... | 0:15:31 | 0:15:33 | |
-I'll give you one price. -Yes. -No further negotiations. -Oh, dear. OK. | 0:15:33 | 0:15:37 | |
£95. | 0:15:38 | 0:15:40 | |
95? | 0:15:41 | 0:15:42 | |
I'm going to have a think. | 0:15:44 | 0:15:45 | |
Hm, so not even a £44 discount | 0:15:45 | 0:15:48 | |
has convinced Miss Bliss to splash the cash. | 0:15:48 | 0:15:51 | |
But, hold your horses, does she have a sneaky double deal in mind? | 0:15:51 | 0:15:55 | |
It seems so when she clocks, well, a clock. | 0:15:55 | 0:15:58 | |
It came off a factory wall in France. | 0:15:58 | 0:16:01 | |
Obviously had an electric motor in it originally | 0:16:01 | 0:16:03 | |
but they run on a different voltage to us... | 0:16:03 | 0:16:06 | |
-Right. -..hence it's now converted to quartz. | 0:16:06 | 0:16:08 | |
But underneath the motor it had the exact day and year it was made. | 0:16:08 | 0:16:13 | |
-Is that right? -1954. | 0:16:13 | 0:16:14 | |
I wouldn't be averse to having that on my wall. | 0:16:14 | 0:16:16 | |
Exactly, yeah. | 0:16:16 | 0:16:18 | |
And it's a really nice decorator's piece. | 0:16:18 | 0:16:20 | |
What's your best on that, then? | 0:16:20 | 0:16:21 | |
-What does it say, 110 on it? -Yeah. | 0:16:21 | 0:16:24 | |
Er...I would need 85 for that. | 0:16:24 | 0:16:27 | |
OK. | 0:16:28 | 0:16:30 | |
Hm, you can almost hear the cogs turning. | 0:16:30 | 0:16:33 | |
And if I took the sugar shaker? | 0:16:33 | 0:16:36 | |
We said 95, didn't we? | 0:16:36 | 0:16:38 | |
-Yeah. -Um... -If we took the two... | 0:16:38 | 0:16:41 | |
OK, shall we say... | 0:16:41 | 0:16:44 | |
80, and 90 for the caster. That would be it. | 0:16:44 | 0:16:48 | |
80, and 90 for the caster. That's 170. | 0:16:48 | 0:16:51 | |
OK, I was hoping for 150. | 0:16:51 | 0:16:54 | |
So if I meet you in the middle at 160? | 0:16:54 | 0:16:57 | |
Cash. | 0:16:57 | 0:16:58 | |
-Can we say 165? -165. | 0:16:58 | 0:17:01 | |
-Yeah? -Yeah. -Is that a nod? | 0:17:01 | 0:17:02 | |
-I'm happy with that. -Are you? -Yes. | 0:17:02 | 0:17:04 | |
-Sure? -Sure. -Fantastic. | 0:17:04 | 0:17:06 | |
That was a masterclass. Kate bought in bulk and drove the price down. | 0:17:07 | 0:17:11 | |
£80 for the clock and £85 for the sugar shaker. | 0:17:11 | 0:17:15 | |
Now, I saw this right at the back of the stall | 0:17:15 | 0:17:18 | |
and was quite excited because I love Arts & Crafts silver. | 0:17:18 | 0:17:21 | |
It's got all the hallmarks of that, hammered finish, | 0:17:21 | 0:17:24 | |
lovely little cast frieze. | 0:17:24 | 0:17:27 | |
It is, of course, a sugar shaker, but looking at it more closely, | 0:17:27 | 0:17:30 | |
you can see it's got Danish marks on the bottom | 0:17:30 | 0:17:33 | |
and a date number for 1922. | 0:17:33 | 0:17:36 | |
So one good purchase and something completely different. | 0:17:36 | 0:17:40 | |
Now, I love this because of its simplicity, actually. | 0:17:40 | 0:17:43 | |
It's got a really heavy cast-aluminium frame, | 0:17:43 | 0:17:46 | |
a very industrial look, which is quite in at the moment. | 0:17:46 | 0:17:50 | |
And quite a simple face with these baton numerals | 0:17:50 | 0:17:53 | |
that harks back to the '30s, really, the Art Deco movement. | 0:17:53 | 0:17:56 | |
Now, it's a shame that a hole has been cut in the back | 0:17:56 | 0:17:59 | |
but it does mean that it's working. | 0:17:59 | 0:18:01 | |
Shove a battery in and it's good to go. | 0:18:01 | 0:18:04 | |
Talking of which, time ticking, I better crack on. | 0:18:04 | 0:18:08 | |
Indeed, and Captain Bingo has already set sail, | 0:18:08 | 0:18:11 | |
securing a ship's wheel for £50... | 0:18:11 | 0:18:14 | |
Thank you. Thank you. Really kind. | 0:18:14 | 0:18:16 | |
..which he hopes will steer him to victory. | 0:18:16 | 0:18:19 | |
As master of the ship, I would expect to be probably... | 0:18:19 | 0:18:24 | |
It's power boaty. It doesn't seem big enough for a sail ship. | 0:18:24 | 0:18:28 | |
So it's probably a little fishing boat. | 0:18:28 | 0:18:31 | |
What I like about this item - it's got some real weight | 0:18:31 | 0:18:35 | |
and weight with wood is often associated | 0:18:35 | 0:18:38 | |
with a wood called lignum vitae. | 0:18:38 | 0:18:40 | |
It's the only wood that'll actually sink. | 0:18:40 | 0:18:43 | |
Whether there's any merit in having a wheel on a ship | 0:18:43 | 0:18:47 | |
that will actually sink is, er, up for grabs, really, isn't it? | 0:18:47 | 0:18:52 | |
But I like it. £50, great fun. Try and sell this to a ship builder. | 0:18:52 | 0:18:58 | |
He's a man with a plan and, at this vital stage of the competition, | 0:18:58 | 0:19:01 | |
having a cast iron course of action is key. | 0:19:01 | 0:19:04 | |
I want to find something that sort of grabs me, grasps me, | 0:19:04 | 0:19:08 | |
you know, with two hands. | 0:19:08 | 0:19:10 | |
I want an item of quality. Until I find it, I'm not going to buy anything. | 0:19:10 | 0:19:14 | |
Ooh, well, that told us! | 0:19:14 | 0:19:17 | |
Now, Kate has been sauntering around the stalls, | 0:19:17 | 0:19:19 | |
and, having spied a collection of late-Victorian matchboxes, | 0:19:19 | 0:19:23 | |
has struck upon a bright idea. | 0:19:23 | 0:19:25 | |
Now I've just spotted some little advertising vesta cases in there. | 0:19:25 | 0:19:30 | |
Now I know a collector in Herefordshire who I think | 0:19:30 | 0:19:33 | |
would love these but I'm not sure whether those are the right ones. | 0:19:33 | 0:19:36 | |
So I'm just going to give him a call and have a chat. | 0:19:36 | 0:19:39 | |
But this collector is no pushover. | 0:19:39 | 0:19:42 | |
But it's something you MIGHT be interested in? OK. Thanks, Ewan. | 0:19:42 | 0:19:45 | |
Nice to talk to you. Bye. | 0:19:45 | 0:19:47 | |
Well, it sounds like he might be interested but if not, | 0:19:49 | 0:19:52 | |
there's definitely a demand for them, | 0:19:52 | 0:19:54 | |
so we'd better go and have a chat. | 0:19:54 | 0:19:56 | |
Of course, he might not like them | 0:19:56 | 0:19:57 | |
and remember, nothing is decided until that all-important handshake, | 0:19:57 | 0:20:01 | |
but Kate is going to put her money where her mouth is | 0:20:01 | 0:20:03 | |
and take the risk. | 0:20:03 | 0:20:05 | |
Here goes. | 0:20:05 | 0:20:06 | |
What could you do if I took those two? | 0:20:06 | 0:20:09 | |
Erm...I've got 55 on each of them... | 0:20:09 | 0:20:12 | |
-Have you? OK. -..so we'll do it for 80. | 0:20:12 | 0:20:16 | |
Well, it's a good start but Kate thinks she can do better. | 0:20:16 | 0:20:19 | |
That one's just a little bit discoloured, isn't it? | 0:20:19 | 0:20:21 | |
Could you knock just a wee bit more off cos of the discolour? | 0:20:21 | 0:20:24 | |
-I'll do 35 on that. -OK. | 0:20:24 | 0:20:27 | |
And 30 on that. | 0:20:28 | 0:20:31 | |
-Done. -OK. -Thank you very much indeed. -Thank you. | 0:20:31 | 0:20:33 | |
Yes, another dual deal for Miss Bliss. | 0:20:33 | 0:20:36 | |
Let's hope her contact doesn't already have those designs | 0:20:36 | 0:20:38 | |
in his collection. | 0:20:38 | 0:20:40 | |
These are known as vesta cases after Vesta, the goddess of the hearth, | 0:20:40 | 0:20:45 | |
and essentially you put your matches in here... | 0:20:45 | 0:20:48 | |
..and you've got a little striker on the bottom. | 0:20:49 | 0:20:52 | |
But these are a little bit more interesting | 0:20:52 | 0:20:54 | |
because they're advertising vesta cases. | 0:20:54 | 0:20:56 | |
On this one it says "Cash & Co - footwear experts" | 0:20:56 | 0:20:59 | |
and you've got a little boot on the back. | 0:20:59 | 0:21:01 | |
And this one says "M Blackburn - my tailor" | 0:21:01 | 0:21:05 | |
based in Wigan. | 0:21:05 | 0:21:06 | |
Now, I know that Ewan has got a fantastic collection of these. | 0:21:06 | 0:21:11 | |
I just hope he likes these ones. | 0:21:11 | 0:21:12 | |
If not, I'll be looking for another collector. | 0:21:12 | 0:21:15 | |
And speaking of collectors, | 0:21:15 | 0:21:17 | |
Captain Bingo is turning into quite the seafaring superfan | 0:21:17 | 0:21:20 | |
and, sticking to his nautical theme, | 0:21:20 | 0:21:22 | |
drops anchor next to something he hopes could make him | 0:21:22 | 0:21:25 | |
a titanic profit. | 0:21:25 | 0:21:27 | |
God, there's some work in that, isn't there? | 0:21:27 | 0:21:29 | |
1940s, '50s. Most of it's mahogany. | 0:21:29 | 0:21:33 | |
It's lovely, isn't it? | 0:21:33 | 0:21:35 | |
What could be the best on that? | 0:21:35 | 0:21:37 | |
-I'd do that for 150. -OK. | 0:21:37 | 0:21:39 | |
Knowing it can pay to buy a bundle, James trawls the stall and spots | 0:21:39 | 0:21:42 | |
a folding table, which could give him a bit of haggling leverage. | 0:21:42 | 0:21:47 | |
It could be used on the deck of a boat. | 0:21:47 | 0:21:50 | |
If you had a smart yacht, you'd like that, wouldn't you? | 0:21:50 | 0:21:53 | |
And how much have you got on that? | 0:21:53 | 0:21:55 | |
The very best on that would be £25. | 0:21:55 | 0:21:57 | |
It looks good on the table. | 0:21:57 | 0:21:59 | |
He's a salesman, this man, isn't he? | 0:22:00 | 0:22:02 | |
-Do you want to make it easy? -What? | 0:22:02 | 0:22:04 | |
170. | 0:22:04 | 0:22:05 | |
170 for the lot? For the two? | 0:22:05 | 0:22:08 | |
Yeah. | 0:22:08 | 0:22:10 | |
-Thank you very much indeed, thank you. -Cheers. | 0:22:10 | 0:22:12 | |
Really kind. | 0:22:12 | 0:22:13 | |
Bingo sails away with the table and model boat | 0:22:18 | 0:22:21 | |
and he's twice as happy as he was before. | 0:22:21 | 0:22:23 | |
I like this. It's a beautiful model. | 0:22:25 | 0:22:26 | |
It's a mahogany model of a dinghy, but just beautifully done. | 0:22:26 | 0:22:31 | |
It's missing a stand, it's missing a sail, | 0:22:31 | 0:22:34 | |
but apart from that, it's pretty well got everything else. | 0:22:34 | 0:22:37 | |
It needs a good Hoover. | 0:22:37 | 0:22:38 | |
I think I can add value easily to this item by merely cleaning it. | 0:22:38 | 0:22:43 | |
He's on a roll, and soon spots something | 0:22:43 | 0:22:45 | |
he hopes can help him perfect his twirl. | 0:22:45 | 0:22:49 | |
Is that a barber's chair? | 0:22:49 | 0:22:51 | |
So you approach it that way, do you? | 0:22:51 | 0:22:54 | |
-You straddle it. -Lean right in. | 0:22:54 | 0:22:58 | |
Oh, I see. | 0:22:58 | 0:22:59 | |
And it sort of... Oh, it pivots. | 0:22:59 | 0:23:02 | |
Most useful. | 0:23:02 | 0:23:04 | |
What a cool thing! | 0:23:05 | 0:23:07 | |
I've never seen one like this. | 0:23:07 | 0:23:09 | |
It is the three-legged stool principle. | 0:23:09 | 0:23:12 | |
Here we are, I've got two legs and my stool. | 0:23:12 | 0:23:17 | |
And then you can move round, look. | 0:23:17 | 0:23:19 | |
You can move. | 0:23:19 | 0:23:21 | |
It is a quite remarkable... | 0:23:22 | 0:23:24 | |
This is, this is an object built for purpose. | 0:23:24 | 0:23:27 | |
That is the coolest stool. | 0:23:27 | 0:23:29 | |
James is obviously enamoured by the stool, | 0:23:29 | 0:23:32 | |
but with a £150 price tag, can he cut a deal? | 0:23:32 | 0:23:35 | |
-100 quid, madam? No? -Sorry. | 0:23:35 | 0:23:37 | |
-What's the best price on this? -120. | 0:23:37 | 0:23:40 | |
-That's the best. -120? | 0:23:40 | 0:23:43 | |
In for a penny, in for pound. Thank you very much indeed. | 0:23:43 | 0:23:46 | |
£120 for the barber's stool, | 0:23:46 | 0:23:48 | |
and Bingo's day of dealing has come to a stylish end. | 0:23:48 | 0:23:53 | |
Exhausted and spent up, | 0:23:53 | 0:23:54 | |
our challengers have charlestoned back to their dressing rooms. | 0:23:54 | 0:23:57 | |
The judges have marked them on technique, flair and creativity. | 0:23:57 | 0:24:01 | |
And the scores are in. | 0:24:01 | 0:24:03 | |
Starting with £750, James Braxton wanted to spend | 0:24:03 | 0:24:07 | |
thriftily today, but bought six items for £435. | 0:24:07 | 0:24:11 | |
Kate Bliss was aiming to make a big spend. | 0:24:14 | 0:24:16 | |
She may have bought seven items, but actually spent less than James, | 0:24:16 | 0:24:19 | |
just £383. | 0:24:19 | 0:24:22 | |
The buying show is over, so it's time for our duo | 0:24:22 | 0:24:25 | |
to take a bow and critique each other's performances. | 0:24:25 | 0:24:30 | |
Lovely Kate, how have you found today? | 0:24:30 | 0:24:31 | |
I've had a lovely day, | 0:24:31 | 0:24:33 | |
and I'm actually pretty pleased with what I've got. | 0:24:33 | 0:24:35 | |
-You look like you've bought quite a bit of... You've got... -Wood. | 0:24:35 | 0:24:38 | |
A lot of wood and a bit of work to do on those tools. | 0:24:38 | 0:24:42 | |
You know, I am an amateur craftsman, | 0:24:42 | 0:24:44 | |
so I'll get the old jigsaw out, round those up. | 0:24:44 | 0:24:47 | |
They'll look very different. What about your clock? What's this? | 0:24:47 | 0:24:50 | |
Have you felt the weight of this? This is a seriously heavy clock. | 0:24:50 | 0:24:52 | |
That is heavy. | 0:24:52 | 0:24:54 | |
That's out of a French factory. | 0:24:54 | 0:24:55 | |
Favourite item? | 0:24:55 | 0:24:57 | |
Favourite item...that - | 0:24:57 | 0:25:01 | |
the barber's stool is great fun. | 0:25:01 | 0:25:03 | |
-Does it go round and round? -Well, it really works. -I love those. | 0:25:03 | 0:25:07 | |
-I like it. I really like it. -Your favourite item? | 0:25:07 | 0:25:10 | |
Probably the earrings, actually. | 0:25:10 | 0:25:13 | |
They're Norwegian silver, | 0:25:13 | 0:25:15 | |
but the enamelling on them is really lovely. | 0:25:15 | 0:25:17 | |
-Very nice. Very nice, lovely. Well, best of luck, Kate. -Well, and you. | 0:25:17 | 0:25:21 | |
-See you on the other side. -See you on the other side. Best of luck. | 0:25:21 | 0:25:24 | |
Our pair of dynamic dealers must now dance to a different tune | 0:25:27 | 0:25:30 | |
as they swap their beautiful buying ballet for the frenetic | 0:25:30 | 0:25:34 | |
footwork of the selling salsa. | 0:25:34 | 0:25:36 | |
The hunt for profit becomes their new driving force, | 0:25:36 | 0:25:39 | |
and making the most money is their mantra. | 0:25:39 | 0:25:42 | |
Using all available methods, | 0:25:42 | 0:25:44 | |
Kate and James will scour the country for buyers, | 0:25:44 | 0:25:47 | |
both striving to accumulate the biggest possible profits | 0:25:47 | 0:25:50 | |
to go to their chosen charities. | 0:25:50 | 0:25:52 | |
So, at Braxton Towers, | 0:25:52 | 0:25:54 | |
how is James feeling about his assorted acquisitions? | 0:25:54 | 0:25:58 | |
Well, what a hoard it is. And quite a utilitarian hoard, isn't it? | 0:26:00 | 0:26:04 | |
Sort of rather purposeful-looking stools. | 0:26:04 | 0:26:06 | |
Sort of something that we remember from our chemistry block. | 0:26:06 | 0:26:10 | |
I need to replace the seats on those. | 0:26:10 | 0:26:12 | |
They cost me just under £15 each, so if I can get £35 each, | 0:26:12 | 0:26:18 | |
I'll be doing very well on those. | 0:26:18 | 0:26:20 | |
And then I've got this lovely... | 0:26:20 | 0:26:21 | |
This is one of my favourite items, this sort of grate folding table. | 0:26:21 | 0:26:26 | |
It's extremely heavy, but it's very nice. | 0:26:26 | 0:26:29 | |
That needs to go to a boat owner for some sort of fancy sailing yacht. | 0:26:29 | 0:26:33 | |
And then, my fabulous stool. | 0:26:33 | 0:26:36 | |
It's like the third leg, this, | 0:26:36 | 0:26:38 | |
and it's on a very purposeful spring here. | 0:26:38 | 0:26:42 | |
I'm hoping to sell that to a rather cool... Maybe a barbershop. | 0:26:42 | 0:26:46 | |
He'd rather like that. It's very comfortable. | 0:26:46 | 0:26:49 | |
It gives a barber occasional respite. | 0:26:49 | 0:26:52 | |
But I'm hoping, with this little lot, Kate gets no respite. | 0:26:52 | 0:26:57 | |
James will also need to sell the 20th-century backgammon board | 0:26:57 | 0:27:02 | |
and his nautical items - the small ship's wheel | 0:27:02 | 0:27:05 | |
and the early to mid-20th-century model boat. | 0:27:05 | 0:27:08 | |
Back at her Herefordshire home, Kate is getting down to business. | 0:27:08 | 0:27:13 | |
My best buy is without doubt my cake stand, | 0:27:13 | 0:27:16 | |
and I brought this home and my husband said, | 0:27:16 | 0:27:18 | |
"Wow, that's a great example." | 0:27:18 | 0:27:20 | |
And it really is the best example of pokerwork that I've seen, | 0:27:20 | 0:27:25 | |
and I've never seen one with a chequered handle. | 0:27:25 | 0:27:28 | |
My pickle forks, I saw and I had to buy. | 0:27:28 | 0:27:30 | |
I think they're really sweet. They are made of silver. | 0:27:30 | 0:27:33 | |
Actually, now I've got them back home, | 0:27:33 | 0:27:35 | |
I've researched the hallmark | 0:27:35 | 0:27:37 | |
and they are a little bit earlier than I thought. | 0:27:37 | 0:27:39 | |
They are actually late-Victorian, | 0:27:39 | 0:27:41 | |
just, because they date from 1901. | 0:27:41 | 0:27:44 | |
And I want to sell these to somebody who really appreciates what they | 0:27:44 | 0:27:47 | |
were made for, and I think I've found a pickling specialist. | 0:27:47 | 0:27:51 | |
Which brings me to my first buy of the day. Now, I've researched the | 0:27:51 | 0:27:55 | |
stamp here, Davos, which of course relates to Davos, the little town in | 0:27:55 | 0:28:00 | |
the Swiss Alps. And it was in Davos that the Davos sledge was named | 0:28:00 | 0:28:05 | |
after the very first tobogganing run in about 1883. | 0:28:05 | 0:28:09 | |
But now I've done the research, I just need to find a buyer. | 0:28:09 | 0:28:12 | |
Somebody who will push me over the finishing line | 0:28:12 | 0:28:16 | |
so that I can glide to victory. | 0:28:16 | 0:28:18 | |
Kate will also need to shift the 1920s silver sugar shaker, | 0:28:18 | 0:28:22 | |
1950s clock, | 0:28:22 | 0:28:24 | |
the late-Victorian matchboxes | 0:28:24 | 0:28:27 | |
and the vintage enamel earrings. | 0:28:27 | 0:28:30 | |
So both our experts are revved up and raring to go on their selling | 0:28:30 | 0:28:34 | |
sprees, so quickly hit the phones, the web and the road in search of potential buyers. | 0:28:34 | 0:28:39 | |
But remember, no deal is sealed until they've shaken on it | 0:28:39 | 0:28:42 | |
and the money has changed hands. | 0:28:42 | 0:28:45 | |
Keen to maximise his earning potential, | 0:28:45 | 0:28:48 | |
surprisingly handy James has donned a rather fetching apron, | 0:28:48 | 0:28:51 | |
and is about to put his restoration skills to the test. | 0:28:51 | 0:28:56 | |
To add value and repair these stools, | 0:28:56 | 0:28:58 | |
the first thing I've got to do is the seats. | 0:28:58 | 0:29:01 | |
They are in a very parlous condition. | 0:29:01 | 0:29:03 | |
So the first thing I've got to do is just draw the mat on a template, | 0:29:03 | 0:29:07 | |
and I'm not using a pencil, I've got a bradawl, | 0:29:07 | 0:29:10 | |
because it forms a really good guide for the saw. | 0:29:10 | 0:29:15 | |
Now I've scored the surface, | 0:29:15 | 0:29:17 | |
I'm going to use the jigsaw just to cut it out. | 0:29:17 | 0:29:20 | |
And that's the final bit. | 0:29:27 | 0:29:28 | |
I'm going to turn it over and just mark the drill holes. | 0:29:28 | 0:29:32 | |
Restoration can be both easy and fun. | 0:29:36 | 0:29:38 | |
Like that. | 0:29:41 | 0:29:43 | |
It's always very difficult to replicate... | 0:29:43 | 0:29:47 | |
the original fittings from modern manufactured items, | 0:29:47 | 0:29:51 | |
so although these stools date from not a long time ago, | 0:29:51 | 0:29:55 | |
they're probably 1960s, '70s, | 0:29:55 | 0:29:58 | |
it's quite nice to have the original fittings | 0:29:58 | 0:30:01 | |
so I'll just put all these in. | 0:30:01 | 0:30:06 | |
There we are. New seat, old bolts, old frame, | 0:30:11 | 0:30:15 | |
and will last another 40 years. | 0:30:15 | 0:30:17 | |
Now all James needs to do is find the right buyer, | 0:30:17 | 0:30:21 | |
and in the Welsh town of Hay-on-Wye, with her pickle forks, | 0:30:21 | 0:30:24 | |
Kate is confident she's already done that just that. | 0:30:24 | 0:30:27 | |
What better home for my pair of top-quality pickle forks | 0:30:27 | 0:30:30 | |
than an award-winning pickle and jam-making tea room? | 0:30:30 | 0:30:34 | |
And what have we here? Exactly that. | 0:30:34 | 0:30:37 | |
I'm hoping for between £60 and £80. | 0:30:37 | 0:30:40 | |
Let's hope they like them. | 0:30:40 | 0:30:43 | |
Yes, with £40 invested in them, | 0:30:43 | 0:30:45 | |
Kate really needs owners Mike and Rachel to fall for her forks. | 0:30:45 | 0:30:50 | |
You seem the perfect home to me | 0:30:50 | 0:30:52 | |
for my lovely little pair of pickle forks. | 0:30:52 | 0:30:55 | |
So here they are. They come in a beautiful, original leather case, | 0:30:55 | 0:30:59 | |
actually, which is typically sort of late Victorian in date. Open it up | 0:30:59 | 0:31:05 | |
and it's in lovely order. You've got a velvet lining there. | 0:31:05 | 0:31:09 | |
You've got probably the retailers here. The name here for Edinburgh. | 0:31:09 | 0:31:14 | |
Interestingly, the pickle forks are actually made of English silver | 0:31:14 | 0:31:18 | |
with lovely little mother-of-pearl handles. | 0:31:18 | 0:31:20 | |
And the silver was actually assayed, or tested, in Birmingham. It's quite | 0:31:20 | 0:31:24 | |
unusual for me in the antiques business to have a pair like that, | 0:31:24 | 0:31:28 | |
in their original case. Because they date from 1901, so they are well | 0:31:28 | 0:31:33 | |
-over 100 years old. -They are dainty, aren't they? -They are small. | 0:31:33 | 0:31:36 | |
What kind of pickles do you think they would have been used for? | 0:31:36 | 0:31:39 | |
Small... I was thinking small gherkins or something like that. | 0:31:39 | 0:31:42 | |
-Yeah, something like that. -Yeah, you wouldn't use them for | 0:31:42 | 0:31:45 | |
-pickled onions or something. -No, or pickled eggs. -No. -No. | 0:31:45 | 0:31:47 | |
You're going to struggle, aren't you, with a pickled egg on there? | 0:31:47 | 0:31:50 | |
-Yeah. -Sliding off, yeah. -OK. | 0:31:50 | 0:31:53 | |
-Yeah, they're very nice. -They're beautiful. -Mm-hm. | 0:31:53 | 0:31:55 | |
Are they something you think you might like to purchase as part of | 0:31:55 | 0:31:58 | |
-your collection or to put on display? -Yeah, no, they'd go on | 0:31:58 | 0:32:01 | |
display with the others we've got here. No, they'd be nice. | 0:32:01 | 0:32:05 | |
I was hoping for sort of around the £80, £90 mark. | 0:32:05 | 0:32:08 | |
Because they are quite a nice pair, in their box, | 0:32:08 | 0:32:11 | |
which you don't often see. How do you feel about that? | 0:32:11 | 0:32:14 | |
They are a bit small, aren't they, you know, for £80, £90? | 0:32:14 | 0:32:17 | |
Can you do a bit better? Maybe 60, 70? | 0:32:17 | 0:32:21 | |
-60, 70... I'd prefer the 70. -Right. -Um... | 0:32:21 | 0:32:25 | |
-SHE SIGHS -You couldn't do 80? | 0:32:25 | 0:32:28 | |
Eh... 75? | 0:32:30 | 0:32:33 | |
75... | 0:32:33 | 0:32:34 | |
If you did 80, I could give you a bit of a hand with the pickling, | 0:32:34 | 0:32:38 | |
if that's any good. | 0:32:38 | 0:32:39 | |
-Yes, yeah. -How does that sound to you? -Yeah, no, that sounds good. | 0:32:39 | 0:32:42 | |
As it happens, we do have some pickled red cabbage to jar. | 0:32:42 | 0:32:47 | |
-Do you? -Yeah, so £80 if you are willing to give us a hand. | 0:32:47 | 0:32:49 | |
-And I'll give you a bit of labour this morning. -That'll be fine. | 0:32:49 | 0:32:52 | |
-Is that all right? -Yeah, no, that's good. | 0:32:52 | 0:32:54 | |
Fantastic. I love a bit of red cabbage. | 0:32:54 | 0:32:56 | |
-Thank you. -Thank you very much indeed. | 0:32:56 | 0:32:59 | |
So Kate got the price she wanted and preserves a tasty profit of £40. | 0:32:59 | 0:33:04 | |
-It's such a fab colour, isn't it, Rachel? -It is beautiful. | 0:33:06 | 0:33:09 | |
Look at that. This is going to be messy. | 0:33:09 | 0:33:11 | |
Oh, that's really good. | 0:33:13 | 0:33:14 | |
Kate may be first out of the blocks, but James is hot on her heels. | 0:33:15 | 0:33:18 | |
He's brought his nautical items to a Suffolk yacht club | 0:33:18 | 0:33:21 | |
in hopes of securing a double sale. | 0:33:21 | 0:33:25 | |
I've come to see Sean, managing director of a large | 0:33:25 | 0:33:29 | |
and rather glamorous shipbuilding company. | 0:33:29 | 0:33:32 | |
I'm hoping to make a profit, | 0:33:32 | 0:33:33 | |
otherwise I'm in rather dire straits. | 0:33:33 | 0:33:36 | |
He sank £150 into the model boat, and £50 into the wheel, | 0:33:36 | 0:33:41 | |
so it's time for Bingo to batten down his hatches and haggle his way across the high seas. | 0:33:41 | 0:33:46 | |
Now, here is my rather humble offering in comparison | 0:33:46 | 0:33:49 | |
to this mighty fellow we're on. | 0:33:49 | 0:33:51 | |
Well, this isn't a humble offering, this is a... | 0:33:51 | 0:33:54 | |
Just like what you're sitting on, | 0:33:54 | 0:33:56 | |
this is a handmade, beautifully crafted wooden yacht. | 0:33:56 | 0:34:00 | |
And...I'm rather taken with that. | 0:34:00 | 0:34:03 | |
This is, I would say, 1930s. | 0:34:03 | 0:34:04 | |
It's in a pretty rough old state | 0:34:04 | 0:34:06 | |
and the poor old thing's had a bit of a hard time. | 0:34:06 | 0:34:09 | |
She's very shallow draft, | 0:34:09 | 0:34:11 | |
you can see that the rudder doesn't extend below the line of the boat. | 0:34:11 | 0:34:16 | |
This would have been probably from somewhere like the Broads, | 0:34:16 | 0:34:20 | |
shallow waters. | 0:34:20 | 0:34:21 | |
This is a classic, traditional boat building in miniature. | 0:34:21 | 0:34:25 | |
-Yeah. -And it's beautifully done because these little ribs | 0:34:25 | 0:34:28 | |
would all be made from taking slivers of timber - | 0:34:28 | 0:34:31 | |
in this case, it's mahogany... | 0:34:31 | 0:34:33 | |
-Yeah. -..and steaming them, probably just over a kettle, | 0:34:33 | 0:34:36 | |
-to bend them into shape. -Right. | 0:34:36 | 0:34:38 | |
I think it's lovely. It needs a lot of work, and I shall take great | 0:34:38 | 0:34:41 | |
delight in re-rigging it. | 0:34:41 | 0:34:42 | |
Well, Sean seems very taken with Bingo's maritime offering, | 0:34:42 | 0:34:46 | |
but will he be as keen on the price? | 0:34:46 | 0:34:50 | |
-I said to you an estimate, 200 to 300. -Oof! | 0:34:50 | 0:34:54 | |
I'm going to be brutal with you because it's going to take me quite | 0:34:54 | 0:34:56 | |
a lot of work to put this back alive, | 0:34:56 | 0:34:59 | |
but I'm going to offer you £150 for it. | 0:34:59 | 0:35:02 | |
How about...how about 220? | 0:35:02 | 0:35:06 | |
-Done. -220? Thank you very much indeed. -Done. | 0:35:06 | 0:35:09 | |
-Thank you, Sean. -I think that's... I'm a very happy with that. -Yeah. | 0:35:09 | 0:35:13 | |
And so is James, adding £70 to his profit pot. | 0:35:13 | 0:35:17 | |
Now, will his little ship's wheel steer him further towards victory? | 0:35:17 | 0:35:20 | |
Now what do you think of this? | 0:35:20 | 0:35:22 | |
The problem with these, this one - I hate to tell you - | 0:35:24 | 0:35:29 | |
-is a modern machine-made one. -Oh, no! | 0:35:29 | 0:35:32 | |
Yeah, I'm afraid so. | 0:35:32 | 0:35:33 | |
So as somebody who makes everything from scratch, | 0:35:33 | 0:35:36 | |
this has very little interest to you. | 0:35:36 | 0:35:39 | |
Um, no. | 0:35:39 | 0:35:40 | |
Well, that told James. | 0:35:40 | 0:35:43 | |
Very pleased to have sold Sean my model boat, | 0:35:43 | 0:35:45 | |
but the ship's wheel, the voice of reason, | 0:35:45 | 0:35:48 | |
unfortunately it's machine-made, and against a hand-built yacht, | 0:35:48 | 0:35:52 | |
it seems a little incongruous. | 0:35:52 | 0:35:54 | |
So it's back to the drawing board for old Bingo, | 0:35:54 | 0:35:57 | |
but it's not all bad news | 0:35:57 | 0:35:59 | |
as he takes his barber's stool to Brighton barber Alex. | 0:35:59 | 0:36:02 | |
-Free haircut and 125? -Yeah. Put it there. | 0:36:02 | 0:36:05 | |
THEY LAUGH | 0:36:05 | 0:36:07 | |
Cutting a deal with a pretty tiny but stylish profit of £5 | 0:36:07 | 0:36:11 | |
plus a free haircut. Suits you, sir. | 0:36:11 | 0:36:14 | |
James is leading at this stage with two sales to Kate's one, | 0:36:14 | 0:36:18 | |
but back in Hay-on-Wye, can Kate draw level | 0:36:18 | 0:36:20 | |
with her vintage earrings? | 0:36:20 | 0:36:22 | |
I've brought my lovely enamelled earrings to see | 0:36:22 | 0:36:25 | |
a good friend of mine, who's been in the jewellery trade for several years. | 0:36:25 | 0:36:29 | |
Now I fell in love with these, | 0:36:29 | 0:36:31 | |
but I may have paid a little bit over the odds, | 0:36:31 | 0:36:35 | |
so Marie-Claire might give me a little bit of a rough ride. | 0:36:35 | 0:36:38 | |
They set her back £48 and Kate fears she may have bought with her heart, | 0:36:38 | 0:36:43 | |
so she'll need to screw on her selling head if she's to make a profit. | 0:36:43 | 0:36:46 | |
Now, I brought you something which I'm hoping is going to be | 0:36:46 | 0:36:50 | |
your kind of thing. | 0:36:50 | 0:36:51 | |
They are Norwegian silver | 0:36:51 | 0:36:54 | |
with beautiful enamel. They're screw back earrings, | 0:36:54 | 0:36:59 | |
but the enamel is beautiful. | 0:36:59 | 0:37:03 | |
Now these, I would say, are probably about 1970s. | 0:37:03 | 0:37:07 | |
I should think they're probably a little earlier because they've got the screws. | 0:37:07 | 0:37:10 | |
Screws tended to be phased out a little bit by then. | 0:37:10 | 0:37:12 | |
-I should think they're probably a '50s one. -Oh, would you? | 0:37:12 | 0:37:16 | |
I would do, especially with the shape, the floral shape. | 0:37:16 | 0:37:18 | |
-I think it's an orchid, isn't it? -I think so. | 0:37:18 | 0:37:20 | |
-Lovely pink enamel. -It is lovely pink enamel. | 0:37:20 | 0:37:24 | |
I really... I fell in love with them. | 0:37:24 | 0:37:27 | |
Just put them in the light so we can see. | 0:37:27 | 0:37:29 | |
The pink is very pretty on the enamel, Kate. | 0:37:29 | 0:37:31 | |
I think it's in rather good condition as well. | 0:37:31 | 0:37:34 | |
They are absolutely gorgeous. | 0:37:34 | 0:37:35 | |
-Am I talking you into them? -I don't know, how much did you pay for them? | 0:37:35 | 0:37:39 | |
Well, I actually paid 48. | 0:37:39 | 0:37:42 | |
-OK! -Oh, dear. | 0:37:42 | 0:37:44 | |
I think the fact that they're...Norwegian, | 0:37:44 | 0:37:46 | |
everybody loves Scandinavian silver, | 0:37:46 | 0:37:50 | |
the enamelling is one of the best, from Scandinavia, apart from Russia. | 0:37:50 | 0:37:56 | |
-I mean, I'm not going to get an awful lot more than 48 for them. -OK. | 0:37:56 | 0:38:00 | |
So... | 0:38:00 | 0:38:02 | |
-I think probably around 50 is going to be my best, Kate. -Really? | 0:38:04 | 0:38:07 | |
-I'm sorry, I couldn't give you any more than that. -Well, you know, | 0:38:07 | 0:38:11 | |
a profit is a profit at the end of the day. | 0:38:11 | 0:38:13 | |
-Let's do it. -Fantastic. -Thank you. | 0:38:13 | 0:38:16 | |
Yes, every penny counts in this game and Kate adds 200 of them to her profit purse. | 0:38:16 | 0:38:20 | |
200 pennies, that is. | 0:38:20 | 0:38:22 | |
Well, I always knew that was going to be a tricky sale, | 0:38:22 | 0:38:25 | |
and you know, some times the best way forward is to be completely open about what you paid. | 0:38:25 | 0:38:30 | |
I've still got a few pennies in the pot, and I got a strong reminder - | 0:38:30 | 0:38:34 | |
head, not heart. | 0:38:34 | 0:38:37 | |
Onwards and upwards, Miss Bliss. | 0:38:37 | 0:38:39 | |
Now, James has packed the games board that cost him £40 | 0:38:39 | 0:38:43 | |
and headed to London, | 0:38:43 | 0:38:44 | |
hoping to make his fortune from his friend, backgammon player Jules. | 0:38:44 | 0:38:48 | |
-Now here's the... -Wow! -..the Damascus board. | 0:38:48 | 0:38:52 | |
Well, it's beautiful, isn't it? Beautiful. Mother-of-pearl? | 0:38:52 | 0:38:56 | |
All this, mother-of-pearl. And the incredible intricate mosaic. | 0:38:56 | 0:38:59 | |
Supposedly these were made on the street, | 0:38:59 | 0:39:03 | |
or in workshops. Have you ever seen them being made? | 0:39:03 | 0:39:06 | |
I have seen them being made, and I've been to all the souks where they make them too. | 0:39:06 | 0:39:12 | |
I mean, the degree of work that goes into these is incredible. | 0:39:12 | 0:39:14 | |
You know, this is bone and, you know, hardwood and softwood. | 0:39:14 | 0:39:18 | |
Mother of pearl too. I've seen them being made in Damascus. | 0:39:18 | 0:39:21 | |
-Cairo as well. -Do you like the board. -It's a beautiful board. | 0:39:21 | 0:39:24 | |
This is a really good sort of bridge, isn't it? | 0:39:24 | 0:39:27 | |
-That's not a bad bar, they call it. -Bar. | 0:39:27 | 0:39:30 | |
Some of the tiny little bits of wood here that have just come away. | 0:39:30 | 0:39:33 | |
It's a... Yeah, it's a nice board. I mean, make me an offer. | 0:39:33 | 0:39:36 | |
-Well, I was hoping for 200 quid. -Oof! | 0:39:36 | 0:39:39 | |
I was thinking more along £30 to £40. | 0:39:39 | 0:39:41 | |
JAMES LAUGHS | 0:39:41 | 0:39:43 | |
-So we are miles apart here, aren't we? -Yeah. -The board is not antique. | 0:39:43 | 0:39:46 | |
I mean, I can come up a bit, but not a whole lot. | 0:39:46 | 0:39:49 | |
I'll give you £50 for it. | 0:39:49 | 0:39:51 | |
I think I'd want more than that, Julesy. | 0:39:51 | 0:39:53 | |
How about 80 quid? | 0:39:53 | 0:39:55 | |
-80 quid? -80 quid. I'd say 50... -60? | 0:39:55 | 0:39:59 | |
No, I think it's got to be 80, chief. | 0:39:59 | 0:40:01 | |
80 is a good... | 0:40:01 | 0:40:04 | |
-80 is a good buy. -You think so? -Yeah. -I'm not sure if I think so. | 0:40:04 | 0:40:08 | |
THEY LAUGH | 0:40:08 | 0:40:10 | |
-Um... -I'd give you a tickle on it. -OK, I'd say I'd split... -70. | 0:40:10 | 0:40:14 | |
-70 is fine. -70. Go on, well done. -Done. -Well done. | 0:40:14 | 0:40:17 | |
James took a gamble there, | 0:40:17 | 0:40:19 | |
but Lady Luck was smiling and he adds £30 to his balance sheet. | 0:40:19 | 0:40:22 | |
Now, Kate is back in her homeland of Herefordshire, | 0:40:24 | 0:40:27 | |
hoping to strike a deal on her late-Victorian matchboxes. | 0:40:27 | 0:40:31 | |
Now, I've had Ewan in mind to buy my vestas ever since | 0:40:31 | 0:40:34 | |
I saw them at the fair | 0:40:34 | 0:40:36 | |
because I know that he's got an extensive collection. | 0:40:36 | 0:40:39 | |
I've spoken to him about them, he's seen photographs, | 0:40:39 | 0:40:41 | |
but he hasn't actually seen the real thing. | 0:40:41 | 0:40:44 | |
So here goes, and I really hope he likes them. | 0:40:44 | 0:40:47 | |
Ewan is a knowledgeable specialist collector, so this really won't be | 0:40:47 | 0:40:51 | |
a walk in the park. For Kate, it's a tough task ahead | 0:40:51 | 0:40:54 | |
to make a profitable return on her £65 investment. | 0:40:54 | 0:40:57 | |
-Ewan, hi. How are you doing? -How are you? | 0:40:57 | 0:41:01 | |
-You said you had a collection, but look at this! -I know. | 0:41:01 | 0:41:05 | |
-This is fabulous. -It's amazing, isn't it? -Yeah. | 0:41:05 | 0:41:08 | |
-So how many have you got? -There's got to be around about 400 there. | 0:41:08 | 0:41:11 | |
There's 80 in each tray, and there's | 0:41:11 | 0:41:12 | |
-a few drawers there, isn't there? So... -Wow! -Yeah, it's amazing. | 0:41:12 | 0:41:15 | |
I've gone a little bit overboard, I know, but at the end of the day, | 0:41:15 | 0:41:18 | |
it's something that I love | 0:41:18 | 0:41:20 | |
and I think the social history that comes with it | 0:41:20 | 0:41:23 | |
is amazing, really, to be fair. | 0:41:23 | 0:41:24 | |
There are real pieces of social history. I mean, just looking | 0:41:24 | 0:41:28 | |
at the names on them, there's some wonderful names here. | 0:41:28 | 0:41:30 | |
They're called celluloid vestas, | 0:41:30 | 0:41:33 | |
or celluloid match safes over in America. | 0:41:33 | 0:41:35 | |
So they're made from silver-plate and then the celluloid is | 0:41:35 | 0:41:38 | |
wrapped round and then advertising motif is printed on, basically. | 0:41:38 | 0:41:41 | |
That's right, it is, yeah. | 0:41:41 | 0:41:42 | |
Well, I have finally found you two. That one has got the boot on it, | 0:41:42 | 0:41:46 | |
-which I think is really nice. -Very nice, yeah. | 0:41:46 | 0:41:48 | |
Now, the other one, I thought was really interesting. | 0:41:48 | 0:41:51 | |
It is a little bit fox. | 0:41:51 | 0:41:53 | |
But again, it's a really nice name. You've got Blackburn. | 0:41:53 | 0:41:56 | |
-My tailors. -So the question is, Ewan, do you like them now | 0:41:56 | 0:41:59 | |
-you've had a chance to look at them? -Yeah, they are very nice, | 0:41:59 | 0:42:03 | |
like I say. At the end of the day, they're ones I haven't got and, | 0:42:03 | 0:42:06 | |
as you can see, I'm a bit of an addict. | 0:42:06 | 0:42:08 | |
-So I suppose I would be interested in them. -I was thinking maybe for | 0:42:08 | 0:42:11 | |
the nice one, perhaps somewhere around 60, 70? | 0:42:11 | 0:42:16 | |
And maybe for the one that is a little bit stained, | 0:42:16 | 0:42:20 | |
sort of 40-ish? 30, 40, you think? | 0:42:20 | 0:42:24 | |
-Perhaps? -Yeah, I will give you 30 for that one. -OK. -I will give you | 0:42:24 | 0:42:28 | |
-30 for that one. -Right. -But this one is a little bit... | 0:42:28 | 0:42:31 | |
a little bit steep at 60. | 0:42:31 | 0:42:33 | |
-Is it? -Just a bit. | 0:42:33 | 0:42:35 | |
I'll give you £80 for the two of them. How would you feel about that? | 0:42:35 | 0:42:39 | |
Could you, just...just to help me a wee bit, could you just go to 90? | 0:42:39 | 0:42:45 | |
I'll meet you halfway. 85, isn't it? | 0:42:45 | 0:42:48 | |
-You drive a hard bargain. -I do. -85 it is. | 0:42:48 | 0:42:51 | |
And that £20 profit brings us to the halfway mark, | 0:42:51 | 0:42:54 | |
so time for our dealers to come together once more, | 0:42:54 | 0:42:57 | |
because this plucky pair have been given the chance to mate up | 0:42:57 | 0:43:00 | |
and find out who is in the lead so far. | 0:43:00 | 0:43:02 | |
-So how are you doing? -Well, there's a story. | 0:43:04 | 0:43:07 | |
-I'm doing OK, actually. -Oh, dear, I'm worried now. | 0:43:07 | 0:43:11 | |
I've sold, I would say I've sold half, | 0:43:11 | 0:43:14 | |
and I've got a couple to go. How about you? | 0:43:14 | 0:43:18 | |
I don't know. If you're feeling OK, I think I should feel almost miserable. | 0:43:18 | 0:43:21 | |
-Shall we see who's doing...? -Shall we? There's a message in here, apparently. | 0:43:21 | 0:43:25 | |
-Ready, one, two, three. -The big reveal. | 0:43:25 | 0:43:28 | |
Oh, dear. So far in the contest, you've made more profit than... Me?! | 0:43:28 | 0:43:33 | |
You! It says, so far in the competition, | 0:43:33 | 0:43:36 | |
you have made less profit. | 0:43:36 | 0:43:37 | |
-Will I maintain my lead? -I wonder how much is in it. | 0:43:37 | 0:43:40 | |
-Well, good luck, but not too much, OK? -And you. | 0:43:40 | 0:43:45 | |
I'm worried now. | 0:43:45 | 0:43:48 | |
I know now, currently, I have more profit, | 0:43:48 | 0:43:52 | |
but that could be short-lived. | 0:43:52 | 0:43:54 | |
Kate is a fearsome adversary, she's got more items to sell, | 0:43:54 | 0:43:57 | |
I've got less. I think it's going to be very close. | 0:43:57 | 0:44:00 | |
That was a bit disappointing. I thought I was doing all right | 0:44:00 | 0:44:03 | |
till I spoke to James, so now I've really got to crack on, | 0:44:03 | 0:44:06 | |
and have a sprint finish. | 0:44:06 | 0:44:09 | |
Yes, Kate must now dig deep and fight for that extra profit to pip her opponent to the post, | 0:44:09 | 0:44:14 | |
but let's see how much work she has to do. | 0:44:14 | 0:44:17 | |
In the lead, James has sold three of his six items | 0:44:20 | 0:44:22 | |
and made £105. | 0:44:22 | 0:44:25 | |
Kate has sold the same number of items | 0:44:25 | 0:44:28 | |
but earned just £62 profit. | 0:44:28 | 0:44:30 | |
So, Bingo has the sweet smell of success tantalising his nostrils, | 0:44:34 | 0:44:38 | |
and he's ready to charge onwards. | 0:44:38 | 0:44:41 | |
He's had a closer look at the ship's wheel | 0:44:41 | 0:44:43 | |
that he tried and failed to sell earlier | 0:44:43 | 0:44:45 | |
and he's starting to think it might not be a mass produced, decorative piece after all. | 0:44:45 | 0:44:50 | |
When you look at it again | 0:44:52 | 0:44:54 | |
it's all made in sections, it's pegged, | 0:44:54 | 0:44:56 | |
the dowels project differently, some are smoothed down, | 0:44:56 | 0:44:59 | |
some have risen. | 0:44:59 | 0:45:01 | |
I'm just going to see to what extent the brass extends. | 0:45:01 | 0:45:05 | |
You know, is the whole thing collared here, | 0:45:05 | 0:45:07 | |
or is it just for show. | 0:45:07 | 0:45:09 | |
If it isn't just for show | 0:45:09 | 0:45:12 | |
it would imply that it actually has a use. | 0:45:12 | 0:45:15 | |
Well, better get polishing then, Bingo. | 0:45:15 | 0:45:18 | |
It really is beginning to come up. | 0:45:18 | 0:45:21 | |
I'm just going to do... Let's see | 0:45:21 | 0:45:23 | |
whether this is brass, as well. | 0:45:23 | 0:45:25 | |
Which I think it is, I'm getting copper deposit here now. | 0:45:25 | 0:45:29 | |
This is definitely made for purpose. | 0:45:29 | 0:45:31 | |
I couldn't have hoped for a better result. | 0:45:31 | 0:45:34 | |
This whole central section is made of brass | 0:45:34 | 0:45:36 | |
from which radiates the spokes. | 0:45:36 | 0:45:38 | |
Why bother to put this whole thing in brass | 0:45:38 | 0:45:40 | |
if you're going to hang it on the wall. | 0:45:40 | 0:45:42 | |
This actually was at the helm of a boat | 0:45:42 | 0:45:45 | |
and by doing this I'll reassure the buyer | 0:45:45 | 0:45:47 | |
and I should get a really good price. | 0:45:47 | 0:45:51 | |
Well, well, well... | 0:45:51 | 0:45:52 | |
His elbow grease may have added substantial value. | 0:45:52 | 0:45:55 | |
And, with wind in his sails, and the wheel in his hands, | 0:45:55 | 0:45:58 | |
Captain Bingo navigates his way | 0:45:58 | 0:46:00 | |
to the coastal Sussex town of St Leonards-on-Sea. | 0:46:00 | 0:46:03 | |
# Somewhere beyond the sea... # | 0:46:06 | 0:46:10 | |
The wheel cost James £50, | 0:46:10 | 0:46:12 | |
but can its newly gleaming condition | 0:46:12 | 0:46:14 | |
attract a higher price | 0:46:14 | 0:46:16 | |
from antiques dealer, Robert. | 0:46:16 | 0:46:18 | |
-Get it in your hands, Robert. -Oh, super. Yeah, nice. | 0:46:18 | 0:46:21 | |
-You see these, don't you, on small boats? -Yeah. | 0:46:21 | 0:46:24 | |
-The size is comparable to the rudder size. -Oh, I see. | 0:46:24 | 0:46:29 | |
It is rather a nice one. How much are you looking for? | 0:46:29 | 0:46:32 | |
-I'm looking for big money, Robert. -Are you? -I want three... | 0:46:32 | 0:46:35 | |
You know, only three figures for this. | 0:46:35 | 0:46:37 | |
-And what would that be? -What do you think it's worth? What, 150? | 0:46:37 | 0:46:42 | |
Oh, I think that's a little bit much. | 0:46:42 | 0:46:43 | |
I think it needs to be really near the £100. | 0:46:43 | 0:46:48 | |
£100 mark? OK. | 0:46:48 | 0:46:49 | |
-Special price to you, Robert, 110. -110, that sounds brilliant. | 0:46:49 | 0:46:53 | |
-Go on, put it there. Put it there. -I'll buy that from you. Thank you. | 0:46:53 | 0:46:56 | |
You're going to put it on your riverboat now, aren't you? | 0:46:56 | 0:46:58 | |
-I will, yeah. -THEY LAUGH | 0:46:58 | 0:47:01 | |
Anchors aweigh, Bingo! | 0:47:01 | 0:47:02 | |
He more than doubled his money, making a bracing profit of £60. | 0:47:02 | 0:47:06 | |
Desperate to fight back, though, | 0:47:07 | 0:47:09 | |
Kate makes a delicious £75 on her Victorian cake stand | 0:47:09 | 0:47:13 | |
when she sells it to Hereford tea shop owners | 0:47:13 | 0:47:16 | |
Asanghar and Michelle... | 0:47:16 | 0:47:18 | |
120. | 0:47:18 | 0:47:19 | |
..and then moves quickly on to potential sale number five, | 0:47:19 | 0:47:23 | |
her mid-20th century Swiss sledge. | 0:47:23 | 0:47:26 | |
Now, I think my sledge was a bargain at the antiques fair, | 0:47:26 | 0:47:29 | |
and I'm bringing it to some Christmas tree growers | 0:47:29 | 0:47:32 | |
here in Herefordshire. | 0:47:32 | 0:47:33 | |
Now, they have a lovely seasonal display, a winter wonderland, | 0:47:33 | 0:47:37 | |
and I'm really hoping my sledge will fit in. | 0:47:37 | 0:47:39 | |
It set her back £20, but will owners Colin and Davina put her on the path | 0:47:41 | 0:47:46 | |
to profit, or will it be an uphill struggle? | 0:47:46 | 0:47:49 | |
This is what I've brought you, which is actually, I have to say, | 0:47:49 | 0:47:53 | |
-a pretty good sledge. -It's a lovely sledge. -It's good. | 0:47:53 | 0:47:55 | |
It's a great size. | 0:47:55 | 0:47:56 | |
You can certainly get two little kiddies on there. | 0:47:56 | 0:47:59 | |
I don't know, Davina and I will probably be, | 0:47:59 | 0:48:01 | |
-haring down the banks on it! -Looking at that slope... | 0:48:01 | 0:48:04 | |
You could get a fair lick-up down there. | 0:48:04 | 0:48:06 | |
-What does it say? -It says... It's made of ash and oak, I think. | 0:48:06 | 0:48:11 | |
And it's stamped Davos. | 0:48:11 | 0:48:13 | |
Now, only the pukka sledges are stamped Davos, | 0:48:13 | 0:48:16 | |
-which refers to the place in Switzerland. -Oh. | 0:48:16 | 0:48:18 | |
And Davos, in fact, was where tobogganing itself actually started | 0:48:18 | 0:48:23 | |
at the end of the 19th century. | 0:48:23 | 0:48:25 | |
So it's a pretty good quality sledge. | 0:48:25 | 0:48:27 | |
It's... I don't think it's got a huge amount of age to it. | 0:48:27 | 0:48:30 | |
I think there's a bit of age to it, but it's certainly not antique. | 0:48:30 | 0:48:34 | |
But you can see the runners are all in good condition. | 0:48:34 | 0:48:36 | |
You've got the metal runners there to slide along the snow. | 0:48:36 | 0:48:40 | |
-So, what do you think? -Yeah. | 0:48:40 | 0:48:42 | |
Is it the kind of thing that would go well in your display? | 0:48:42 | 0:48:44 | |
Let me turn that back round. | 0:48:44 | 0:48:46 | |
-I've got an idea of a position that it could go. -Yeah, I think so. | 0:48:46 | 0:48:49 | |
Well, I know I said to you somewhere between £60 to £90. | 0:48:49 | 0:48:53 | |
-The 90 sounds a little bit dear. -OK. -Quite a lot dear, actually. | 0:48:53 | 0:48:57 | |
DAVINA LAUGHS | 0:48:57 | 0:48:59 | |
-What about... -You're going to barter, are you? | 0:48:59 | 0:49:02 | |
-70 would be better. -Would it? | 0:49:02 | 0:49:03 | |
OK, I'll drop to 80. How does that sound? | 0:49:03 | 0:49:06 | |
Could you come up to 80? | 0:49:06 | 0:49:08 | |
-Do you think we should go the 80? -I think we should. -We'll go the 80. | 0:49:08 | 0:49:11 | |
-We'll never get something like that again. -No, we won't get it again. | 0:49:11 | 0:49:14 | |
-It's lovely. -OK, 80 it is. -Sure? -Yes. -Brilliant. | 0:49:14 | 0:49:16 | |
-I'm going to shake your hand before you change your mind. -Thank you very much, Kate. | 0:49:16 | 0:49:20 | |
What an impressive bit of money-making from Miss Bliss. | 0:49:20 | 0:49:24 | |
She quadruples her investment and glides away with a £60 profit. | 0:49:24 | 0:49:28 | |
Now she just needs to pop the sledge into its new home. | 0:49:28 | 0:49:31 | |
Sort of like that. | 0:49:31 | 0:49:34 | |
Pressies on the top. | 0:49:34 | 0:49:36 | |
I think that looks fantastic. | 0:49:36 | 0:49:38 | |
And with that, Kate slides into the lead. | 0:49:38 | 0:49:41 | |
I don't think my sledge could've found a better home. | 0:49:41 | 0:49:43 | |
There's a good bit of profit in the kitty too. | 0:49:43 | 0:49:46 | |
I'm picking up speed, Bingo. | 0:49:46 | 0:49:49 | |
Yes, you want to watch your back, James. | 0:49:49 | 0:49:51 | |
With two items left to sell, | 0:49:51 | 0:49:53 | |
he's cast his net wide and thinks he's found the perfect home | 0:49:53 | 0:49:56 | |
for his folding table. | 0:49:56 | 0:49:59 | |
I'm in Hastings outside the Fishermen's Museum. | 0:49:59 | 0:50:02 | |
It has a whole boat inside. | 0:50:02 | 0:50:04 | |
Anyway I've brought along my folding teak table | 0:50:04 | 0:50:07 | |
because these look very similar to hatch covers | 0:50:07 | 0:50:09 | |
that you might get onboard deck. | 0:50:09 | 0:50:12 | |
Anyway, I hope they like it. | 0:50:12 | 0:50:14 | |
It cost him £20 | 0:50:14 | 0:50:16 | |
but can James reel in more money from museum representative, Mick? | 0:50:16 | 0:50:21 | |
Feel the weight of this, Mick. | 0:50:21 | 0:50:23 | |
-I've come here to sell you something. -Oh, no. No, no. | 0:50:23 | 0:50:26 | |
No, I'm afraid so. | 0:50:26 | 0:50:28 | |
Made of, I think, teak. And I like this sort of... | 0:50:28 | 0:50:32 | |
What do you call these? Sort of like hatch covers, are they? | 0:50:32 | 0:50:35 | |
-They're gratings. -Gratings. -They're called gratings. | 0:50:35 | 0:50:37 | |
I thought, with the grating, I thought it would go quite well. | 0:50:37 | 0:50:41 | |
But the lovely thing about it - | 0:50:41 | 0:50:42 | |
I always think weight is a sign of quality. | 0:50:42 | 0:50:46 | |
-Eh... -Do you think the museum would have a nice use for that? | 0:50:46 | 0:50:50 | |
-Well, I expect we could find somewhere to put it. -Yeah. | 0:50:50 | 0:50:53 | |
And in fact, funny enough, it's a humble object, | 0:50:53 | 0:50:56 | |
and you'll think, in a of couple years' time, | 0:50:56 | 0:50:59 | |
"How did we survive without James' lovely folding table?" | 0:50:59 | 0:51:04 | |
-That's what you'll be saying, isn't it, Mick? -Not necessarily. | 0:51:04 | 0:51:06 | |
-JAMES LAUGHS -How about 35 for it, Mick? | 0:51:06 | 0:51:10 | |
-MICK SIGHS DEEPLY -Oh, dear. | 0:51:10 | 0:51:12 | |
Go on, what do you think it's worth to you? What do you think, 30? | 0:51:12 | 0:51:15 | |
I wouldn't say that at all. No, no. | 0:51:15 | 0:51:18 | |
Oh, dear, now he's going to get tough on me, isn't he? | 0:51:18 | 0:51:20 | |
-I reckon 20. -20... | 0:51:20 | 0:51:22 | |
I tell you what, split the difference, | 0:51:22 | 0:51:25 | |
don't put yourself in a corner, 25. | 0:51:25 | 0:51:28 | |
25, come on. Put it down there. | 0:51:28 | 0:51:30 | |
-OK, then, you've pushed me into it. -Well done. | 0:51:30 | 0:51:32 | |
That's £5 profit in the bag. | 0:51:32 | 0:51:34 | |
With just his Belgian stools left to shift, clever old James | 0:51:34 | 0:51:38 | |
has zeroed in on a Belgian restaurant in Eastbourne | 0:51:38 | 0:51:41 | |
and with just under £58, including restoration costs to earn back, | 0:51:41 | 0:51:45 | |
Bingo hopes this won't be a 'bum' deal. | 0:51:45 | 0:51:49 | |
Hello, Stephane. I've brought you these stools. | 0:51:49 | 0:51:52 | |
I think you need more retro furnishings, Stephane, | 0:51:52 | 0:51:55 | |
and these will fit the bill. | 0:51:55 | 0:51:57 | |
-I had to replace some of the studs. -Yeah. | 0:51:57 | 0:51:59 | |
Which I've done with bigger, brassier ones. | 0:51:59 | 0:52:02 | |
But they're rather nice and they're very comfy. | 0:52:02 | 0:52:05 | |
I mentioned a price to you, I wanted sort of 100/150. | 0:52:05 | 0:52:10 | |
I was rather hoping for £30/£40 a stool. | 0:52:10 | 0:52:13 | |
There's still some work to do. | 0:52:13 | 0:52:16 | |
Some painting, I'll let you choose the painting. | 0:52:16 | 0:52:19 | |
But they are going to go on... These have lasted 50 years already. | 0:52:19 | 0:52:22 | |
They are going to go on for another 50/100. | 0:52:22 | 0:52:25 | |
-I hope so! -How do you see them? | 0:52:25 | 0:52:27 | |
In the middle £35 a stool? | 0:52:27 | 0:52:29 | |
That's still a bit too high. | 0:52:29 | 0:52:31 | |
I would say... | 0:52:31 | 0:52:33 | |
£15 each. | 0:52:34 | 0:52:36 | |
Ohh...too low. | 0:52:36 | 0:52:38 | |
Special price, £25 a stool. | 0:52:38 | 0:52:40 | |
£100, come on. | 0:52:40 | 0:52:42 | |
-If you bring down to 20. -How about we do the difference, 22.50. | 0:52:42 | 0:52:46 | |
22.50 and then we're just under the 100. You'll be happy | 0:52:46 | 0:52:50 | |
and I'll be happy. | 0:52:50 | 0:52:51 | |
-Yeah. -Good. Thank you, Stephane. | 0:52:51 | 0:52:53 | |
-No problem, a pleasure. -Thank you. | 0:52:53 | 0:52:55 | |
So that £90 deal brings in a profit of over £32 | 0:52:55 | 0:52:59 | |
and it's a full house for Bingo. | 0:52:59 | 0:53:02 | |
So the pressure is on for Kate to sell her final items, | 0:53:02 | 0:53:06 | |
starting with the £85 silver sugar shaker. | 0:53:06 | 0:53:10 | |
It's her most expensive purchase | 0:53:10 | 0:53:12 | |
so her sales pitch to Glasbury-on-Wye restaurant manager, | 0:53:12 | 0:53:15 | |
Kate, will have to be sugar-coated. | 0:53:15 | 0:53:18 | |
Have a little look, what do you think of it? | 0:53:20 | 0:53:22 | |
It's lovely, it's really nice | 0:53:22 | 0:53:24 | |
and I really like the design around here. | 0:53:24 | 0:53:26 | |
You said it was 1920s. | 0:53:26 | 0:53:29 | |
Exactly right. This one is Danish silver, not English silver | 0:53:29 | 0:53:32 | |
and you can tell that straightaway by looking at the bottom. | 0:53:32 | 0:53:35 | |
So you've got a three turreted tower there which is a mark | 0:53:35 | 0:53:39 | |
that symbolises Danish silver and quite unusually for silver hallmarks | 0:53:39 | 0:53:43 | |
you've got a little 22 there | 0:53:43 | 0:53:45 | |
and that number is relating to the date. | 0:53:45 | 0:53:48 | |
So we can tell that it's 1922. | 0:53:48 | 0:53:51 | |
Would you think of buying this for display purposes | 0:53:51 | 0:53:54 | |
or would you be interested in actually using it | 0:53:54 | 0:53:57 | |
-as a sugar caster? -Well, we might use it. | 0:53:57 | 0:53:59 | |
I mean, we have some pastry chefs who would make very good use of that. | 0:53:59 | 0:54:04 | |
But whether it's too precious to let them use it, I don't know. | 0:54:04 | 0:54:07 | |
THEY LAUGH | 0:54:07 | 0:54:08 | |
I'm hoping for around the £200 mark. | 0:54:08 | 0:54:12 | |
It is a really nice, quality piece. | 0:54:12 | 0:54:14 | |
What were you thinking? | 0:54:14 | 0:54:15 | |
150. | 0:54:15 | 0:54:17 | |
That sounds good, could you do a little bit more? | 0:54:19 | 0:54:22 | |
Could you come up and meet me just a wee bit? | 0:54:22 | 0:54:24 | |
160? | 0:54:24 | 0:54:27 | |
-160 is great. -Thank you very much. -Thank you. That's super. | 0:54:27 | 0:54:31 | |
And she's done it, almost doubling her money | 0:54:31 | 0:54:35 | |
and adding a sweet £75 to her coffer. | 0:54:35 | 0:54:38 | |
With the finish line looming and time ticking away, | 0:54:38 | 0:54:41 | |
Kate targets a cafe on the River Wye | 0:54:41 | 0:54:44 | |
and hopes owner Jane can give her old £80 clock a new home. | 0:54:44 | 0:54:49 | |
I love the look you have in here. | 0:54:49 | 0:54:51 | |
I'm thinking that my clock might fit in quite well. | 0:54:51 | 0:54:54 | |
My clock has a very industrial look, and this, of course, | 0:54:54 | 0:54:58 | |
is cast-aluminium, so it is incredibly heavy, | 0:54:58 | 0:55:01 | |
if you want to have a feel of it. | 0:55:01 | 0:55:03 | |
It's really nice and simple, isn't it? | 0:55:03 | 0:55:05 | |
-That's what I... -Yes, it is. -It's lovely. | 0:55:05 | 0:55:07 | |
I was told by the person I bought it from that it came | 0:55:07 | 0:55:10 | |
out of a French factory. | 0:55:10 | 0:55:12 | |
You can see the remnants of the dirt there, which I quite like. | 0:55:12 | 0:55:15 | |
-Yes. -It shows you it's a genuine piece. -Yes. | 0:55:15 | 0:55:18 | |
-It's ready to go. -I really like it. I do really like it. | 0:55:18 | 0:55:21 | |
I've had a clock in here that I just haven't liked for ages | 0:55:21 | 0:55:24 | |
and I've been looking for one, so this is amazing. I love it. | 0:55:24 | 0:55:26 | |
-Well, it's very handy for me. -Yeah, very handy. -Opportune. -It is. | 0:55:26 | 0:55:30 | |
Well, because it is an original sort of '50s piece, it's | 0:55:30 | 0:55:34 | |
in great condition, all in working, | 0:55:34 | 0:55:36 | |
I was hoping for somewhere around sort of 220, something like that. | 0:55:36 | 0:55:42 | |
How does that sound? | 0:55:42 | 0:55:43 | |
Yes, Kate is definitely trying her hardest with this sale. | 0:55:43 | 0:55:46 | |
Remember James was the lead at the halfway point and this sale could make all the difference. | 0:55:46 | 0:55:51 | |
But, before we reveal all, let's have a quick reminder of how much | 0:55:51 | 0:55:55 | |
they spent at the antiques fair. | 0:55:55 | 0:55:57 | |
Having each started the day with £750 to spend, | 0:56:00 | 0:56:03 | |
James bought six items and spent £437.74, | 0:56:03 | 0:56:08 | |
including restoration costs. | 0:56:08 | 0:56:10 | |
Kate bought seven items, spending a total of £383. | 0:56:10 | 0:56:14 | |
But who made the most profit? | 0:56:14 | 0:56:17 | |
All the money that James and Kate have made from today's | 0:56:17 | 0:56:20 | |
challenge will go to charities of their choice, so let's find | 0:56:20 | 0:56:23 | |
out who is today's Put Your Money Where Your Mouth Is champion. | 0:56:23 | 0:56:27 | |
-Well, hello. -Hi. -On this blustery afternoon. | 0:56:27 | 0:56:31 | |
It is sort of sailing weather, isn't it? | 0:56:31 | 0:56:33 | |
Yeah, cos you had a bit of a marine theme going on, didn't you? | 0:56:33 | 0:56:36 | |
Yeah, I had my nice, little model boat that somebody really loved | 0:56:36 | 0:56:39 | |
and that funny ship's wheel. | 0:56:39 | 0:56:41 | |
What about that funny ship's wheel? How did that go? | 0:56:41 | 0:56:44 | |
It was more difficult than I thought, one of my last sales. | 0:56:44 | 0:56:48 | |
-And you? -Well, my sledge, which I loved as soon as I saw it, | 0:56:48 | 0:56:52 | |
-that went whizzing along. -Good. | 0:56:52 | 0:56:54 | |
Oh, my little pickle forks were a very small purchase, | 0:56:54 | 0:56:58 | |
but I had lots of fun learning how to make lovely pickle. | 0:56:58 | 0:57:01 | |
-It's a learning process. -It's a learning curve. -It really is. | 0:57:01 | 0:57:05 | |
-Yeah. Come on, I'm... -Come on. -The suspense is killing me. -Come on. | 0:57:05 | 0:57:08 | |
Ready, steady... | 0:57:08 | 0:57:10 | |
Go! | 0:57:10 | 0:57:11 | |
-Oh! -Yes! Well done, you. -Yes! | 0:57:11 | 0:57:14 | |
Just-ish. | 0:57:14 | 0:57:16 | |
There is no just in it, there's about £180. | 0:57:16 | 0:57:20 | |
JAMES LAUGHS | 0:57:20 | 0:57:22 | |
-Well done, you. -Oh, brilliant. -Well done. -I think it must have been... | 0:57:22 | 0:57:26 | |
-What was it? -..the sledge, actually. | 0:57:26 | 0:57:28 | |
-The sledge, really? -It's going to be a bad winter. | 0:57:28 | 0:57:31 | |
Yes, indeed, the sledge helped. | 0:57:31 | 0:57:33 | |
But it was also the sale of her 1950s wall clock that pushed her | 0:57:33 | 0:57:37 | |
past the winning post... | 0:57:37 | 0:57:39 | |
How does just the very round 200 sound? | 0:57:39 | 0:57:41 | |
Why don't we settle on 180? | 0:57:41 | 0:57:43 | |
-Can you go just a tiny bit and say 190? -190, it's a deal. | 0:57:43 | 0:57:46 | |
..making a timely £110 profit and making Kate the winner. | 0:57:46 | 0:57:51 | |
Chuffed, that's the word. I am really chuffed. | 0:57:51 | 0:57:54 | |
And all that hard work has paid off. | 0:57:54 | 0:57:56 | |
I was pleased with my sales, but Kate did much better than I. | 0:57:56 | 0:58:00 | |
Oh, well, you can't win 'em all. | 0:58:00 | 0:58:02 | |
Yes, between them they've made over £584 and every penny | 0:58:02 | 0:58:06 | |
of that will go to charity. | 0:58:06 | 0:58:08 | |
My chosen charity is the Herefordshire branch of SSAFA, | 0:58:08 | 0:58:12 | |
because it gives lifelong support to servicemen, veterans | 0:58:12 | 0:58:15 | |
and their families. | 0:58:15 | 0:58:17 | |
My chosen charity is the Windmill Hill Windmill Trust. | 0:58:17 | 0:58:21 | |
Bought at auction over 20 years ago, saved from dereliction | 0:58:21 | 0:58:25 | |
and about to grind corn. | 0:58:25 | 0:58:27 | |
Our excellent experts have really put their money | 0:58:27 | 0:58:30 | |
where their mouths are and shown they can make a profit | 0:58:30 | 0:58:33 | |
from buying and selling antiques when their own money is on the line. | 0:58:33 | 0:58:37 |