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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:12 | |
Each week, one pair of duelling dealers will face | 0:00:12 | 0:00:15 | |
a mighty challenge. | 0:00:15 | 0:00:17 | |
I've got a heavy profit here. | 0:00:17 | 0:00:19 | |
Putting their reputations on the line... | 0:00:19 | 0:00:21 | |
Who's there? | 0:00:21 | 0:00:23 | |
..they'll give you the insider's view of the trade... | 0:00:23 | 0:00:26 | |
HE GROWLS | 0:00:26 | 0:00:27 | |
..along with their top tips and savvy secrets... | 0:00:27 | 0:00:30 | |
That could present a problem for me. | 0:00:30 | 0:00:32 | |
..showing you how to make the most money... | 0:00:32 | 0:00:35 | |
Ready for battle. | 0:00:35 | 0:00:36 | |
..from buying and selling. | 0:00:37 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:40 | |
Coming up, Christina gets a lesson in negotiation... | 0:00:42 | 0:00:46 | |
Without any kind of discussion, without any kind of discussion. | 0:00:46 | 0:00:52 | |
I'm keeping it zipped, I promise. | 0:00:52 | 0:00:54 | |
..Mark explains how to spot a dear deer... | 0:00:54 | 0:00:57 | |
When you're looking at cold-painted bronze, | 0:00:57 | 0:00:59 | |
what you're really looking for is a mark for Franz Bergmann. | 0:00:59 | 0:01:02 | |
..and the Magpie learns to talk to animals. | 0:01:02 | 0:01:06 | |
Do you think it's a dodo? Is it a dodo? | 0:01:06 | 0:01:11 | |
No, it's Put Your Money Where Your Mouth Is. | 0:01:11 | 0:01:14 | |
Welcome, one, welcome, all, to an early morning start | 0:01:28 | 0:01:31 | |
in this battle of the bric-a-brac in Belgium. | 0:01:31 | 0:01:34 | |
Today, two superstars of the antiques trade have travelled | 0:01:34 | 0:01:38 | |
in the dark of night hoping to collect some continental bargains | 0:01:38 | 0:01:41 | |
to sell on and make a profit back in Blighty. | 0:01:41 | 0:01:45 | |
First up, an all-round entertaining tower of talent armed with antiques | 0:01:45 | 0:01:50 | |
knowledge and an arresting personality. | 0:01:50 | 0:01:52 | |
It's Mark "The Maverick" Stacey. | 0:01:52 | 0:01:55 | |
APPLAUSE | 0:01:55 | 0:01:56 | |
I want to get on and see what else we can find. | 0:01:56 | 0:02:00 | |
And sharing Mark's lime light is a show-stealing, | 0:02:00 | 0:02:02 | |
deftly-dealing and always-appealing expert. | 0:02:02 | 0:02:06 | |
She's ready to maximise her profit margins. | 0:02:06 | 0:02:08 | |
Why, it's Christina "The Magpie" Trevanion. | 0:02:08 | 0:02:12 | |
It just keeps giving, doesn't it? It's amazing! | 0:02:12 | 0:02:14 | |
They're visiting the weekly Tongeren flea market, | 0:02:14 | 0:02:17 | |
located in the oldest city in Belgium and boasting over 300 exhibitors. | 0:02:17 | 0:02:22 | |
They've each got £750 worth of their own euros to spend, | 0:02:22 | 0:02:26 | |
and all the profit goes to their chosen charities. | 0:02:26 | 0:02:29 | |
So, Mark Stacey and Christina Trevanion, | 0:02:29 | 0:02:32 | |
it's time to put your money where your mouth is. | 0:02:32 | 0:02:36 | |
-Christina! -Good morning. -Is it morning? -Yeah. | 0:02:36 | 0:02:39 | |
It feels like the middle of the night. | 0:02:39 | 0:02:41 | |
Do you know what I love about antiques dealers? | 0:02:41 | 0:02:43 | |
They don't need a lot of sleep, do they? | 0:02:43 | 0:02:45 | |
They don't need a lot of sleep. | 0:02:45 | 0:02:46 | |
-You've got to be an early bird to catch the worm. -You really do! | 0:02:46 | 0:02:49 | |
And we've got £750 worth of euros to spend in this wonderful | 0:02:49 | 0:02:52 | |
street market here in Belgium. Have you been here before? | 0:02:52 | 0:02:55 | |
I have been here before. It's very good. How's your Flemish? | 0:02:55 | 0:02:59 | |
My language skills are internationally famous. | 0:02:59 | 0:03:02 | |
So you don't know anything? | 0:03:02 | 0:03:03 | |
-Not at all. -No. Fortunately, the Belgians do speak very good English. | 0:03:03 | 0:03:08 | |
-We're OK. -Yes. -We're OK, honestly. | 0:03:08 | 0:03:09 | |
I think it's a charming fair, there's lots to see. | 0:03:09 | 0:03:12 | |
-Really? -It's a big fair. | 0:03:12 | 0:03:13 | |
I might have to follow you around there because I have no idea... | 0:03:13 | 0:03:16 | |
No, no, I want you as far away from me as possible. | 0:03:16 | 0:03:18 | |
-Oh! -I want to sniff out the bargains first, you see? | 0:03:18 | 0:03:20 | |
-Come on, then, let's go sniffing. -Let's sniff. | 0:03:20 | 0:03:23 | |
So, our pair of bargain-sniffing bloodhounds are up early and hoping | 0:03:23 | 0:03:27 | |
to worm out the treasures and wriggle off with a nice, juicy profit. | 0:03:27 | 0:03:31 | |
And with 300 stalls to get around, let's hope they have an action plan. | 0:03:31 | 0:03:36 | |
This is a very big market. | 0:03:36 | 0:03:37 | |
I've been here before. There's lots of things to see, | 0:03:37 | 0:03:40 | |
but I want to take my time. I don't want to rush into it. | 0:03:40 | 0:03:43 | |
I've got just over 1,000 euros to spend, | 0:03:43 | 0:03:46 | |
so it's a lot of money and I want to find something that I think I can | 0:03:46 | 0:03:50 | |
make a big profit on. That's the name of the game. | 0:03:50 | 0:03:53 | |
Indeed, profit is king in this game of give and take, | 0:03:53 | 0:03:57 | |
and seeing what's on offer is key. | 0:03:57 | 0:03:59 | |
But it seems that there's a bit of a problem for Christina. | 0:03:59 | 0:04:02 | |
I've never been antiques shopping in the dark before. | 0:04:02 | 0:04:04 | |
That could be an interesting experience. | 0:04:04 | 0:04:06 | |
I'm always rattling on to people about checking for condition, | 0:04:06 | 0:04:09 | |
checking the item's all original, making sure it is absolutely right | 0:04:09 | 0:04:13 | |
before you go in and clinch that final deal. | 0:04:13 | 0:04:16 | |
It's dark, the visibility isn't great, | 0:04:16 | 0:04:19 | |
so I might have to get myself a little torch | 0:04:19 | 0:04:21 | |
before I do anything else. | 0:04:21 | 0:04:22 | |
Don't worry, Christina, the sun will be up soon. | 0:04:22 | 0:04:25 | |
Meanwhile, she heads off indoors in search of a torch. | 0:04:25 | 0:04:28 | |
And, although she doesn't find one, | 0:04:28 | 0:04:29 | |
she does discover something else she's hoping will shed light | 0:04:29 | 0:04:33 | |
-on the proceedings. -Wow, this is rather pretty, isn't it? | 0:04:33 | 0:04:36 | |
-It's an old one. -It's an electric hall light. | 0:04:36 | 0:04:41 | |
-But it's a little bit broken. -Oh! | 0:04:41 | 0:04:44 | |
It is a very low price. | 0:04:44 | 0:04:45 | |
Normally it's 120, 140, and now it's at... | 0:04:45 | 0:04:48 | |
45 euros. | 0:04:48 | 0:04:50 | |
Would you do it for 30? | 0:04:50 | 0:04:53 | |
-For 30, I can do it for 30. -You could do it for 30? | 0:04:53 | 0:04:56 | |
-I do it for 30. -30 euros. -OK. | 0:04:56 | 0:04:57 | |
Christina makes an early purchase, and once the currency is converted, | 0:04:57 | 0:05:01 | |
the glass hall lantern costs her £22.22. | 0:05:01 | 0:05:05 | |
I've always had an eye for a bargain and I always love a bargain. | 0:05:05 | 0:05:08 | |
I thought, "My goodness. | 0:05:08 | 0:05:09 | |
"At a fraction of the price, what's wrong with that?" | 0:05:09 | 0:05:12 | |
Getting up close, you can see that it has got a bit of a chip, | 0:05:12 | 0:05:15 | |
both to the lid and the base. | 0:05:15 | 0:05:16 | |
But, nonetheless, it's a really attractive hall lantern, | 0:05:16 | 0:05:19 | |
and if I can find somebody that's looking for a vintage lantern | 0:05:19 | 0:05:22 | |
for their hall, then I should be quids in at 30 euros. My goodness. | 0:05:22 | 0:05:27 | |
Christina's happy with her knocked-down price | 0:05:27 | 0:05:30 | |
and slightly knocked-about lantern. | 0:05:30 | 0:05:32 | |
And she's off the starters' marks, but as she steps outside, | 0:05:32 | 0:05:35 | |
she looks a bit intimidated. | 0:05:35 | 0:05:37 | |
Well, she's never been here before and the market is spread across | 0:05:37 | 0:05:41 | |
the entire town. | 0:05:41 | 0:05:43 | |
I could go that way, I could go that way, | 0:05:43 | 0:05:45 | |
I could go that way or I could go that way. | 0:05:45 | 0:05:47 | |
Oh! | 0:05:49 | 0:05:51 | |
Oh, dear! Poor old Christina, bewildered in Belgium. | 0:05:51 | 0:05:55 | |
Mark, meanwhile, is in full stride, | 0:05:55 | 0:05:57 | |
having found an acupuncture model of a man that's tickled his fancy. | 0:05:57 | 0:06:01 | |
I honestly have never sold one of these before, | 0:06:01 | 0:06:03 | |
so I don't know if it's worth £20 or £500. | 0:06:03 | 0:06:07 | |
The cheaper I can get it, the better. | 0:06:07 | 0:06:08 | |
What is your best price, Madame? | 0:06:08 | 0:06:11 | |
-90. -90 euros. | 0:06:11 | 0:06:13 | |
We can't do it for 85? | 0:06:13 | 0:06:16 | |
Please? | 0:06:16 | 0:06:17 | |
All right. | 0:06:17 | 0:06:19 | |
Mmm, settling on just a five-euro discount. | 0:06:19 | 0:06:22 | |
Mark must like it. | 0:06:22 | 0:06:24 | |
So he pays £62.96, and after cheekily hiding the model's modesty... | 0:06:24 | 0:06:29 | |
Oh! | 0:06:29 | 0:06:30 | |
..Mark takes his new friend to the side to get a closer look. | 0:06:30 | 0:06:34 | |
It's an acupuncture model, | 0:06:34 | 0:06:36 | |
probably 30 or 40 years old with all the lines and the pressure points of | 0:06:36 | 0:06:40 | |
where you put the pins. | 0:06:40 | 0:06:42 | |
It's a great-looking object. | 0:06:42 | 0:06:44 | |
It's vintage, it's now, people like these different things. | 0:06:44 | 0:06:47 | |
You'll go a long way to find another one. | 0:06:47 | 0:06:50 | |
And it might needle Christina. | 0:06:50 | 0:06:51 | |
Ever competitive, Mark, there, | 0:06:53 | 0:06:55 | |
finding the rarities in this foreign market. | 0:06:55 | 0:06:58 | |
In fact, you can learn a lot watching pros like these two. | 0:06:58 | 0:07:01 | |
Christina's key tactic when buying is always compliment the vendor. | 0:07:01 | 0:07:06 | |
-That's a great hat you've got going on there. -Thank you. | 0:07:06 | 0:07:09 | |
-What a charmer! -What bird is that? | 0:07:09 | 0:07:12 | |
It's a... | 0:07:12 | 0:07:14 | |
-pelican. -A p... -SHE LAUGHS | 0:07:14 | 0:07:17 | |
-A pelican. -No, I don't know. | 0:07:17 | 0:07:19 | |
It's a dodo, that would make it incredibly rare. | 0:07:19 | 0:07:23 | |
Yeah, he didn't say dodo. | 0:07:23 | 0:07:25 | |
He said, "I don't know!" | 0:07:25 | 0:07:27 | |
-How much have you got on that, my love? -15. -15 euros. | 0:07:27 | 0:07:30 | |
So you're charging 15 euros for something that's half there | 0:07:30 | 0:07:33 | |
-and you don't know what it is. -No. | 0:07:33 | 0:07:36 | |
-No. -Right, OK. | 0:07:36 | 0:07:38 | |
What about five euros? | 0:07:38 | 0:07:41 | |
-Would five euros take it? -What about ten? | 0:07:41 | 0:07:43 | |
-Eight, I'll split the difference with you. -I paid eight. | 0:07:43 | 0:07:46 | |
-Well, there we go. -Yes. -And you don't have to pack it up again. | 0:07:46 | 0:07:48 | |
-Eight euros and I'll take it. -OK. -Eight euros. | 0:07:48 | 0:07:51 | |
-Thank you very much. -You're welcome. | 0:07:51 | 0:07:53 | |
Well, whatever kind of bird it is, the little bird head | 0:07:53 | 0:07:55 | |
thing costs Christina £5.93, which is fine, but what is it? | 0:07:55 | 0:08:00 | |
I thought it was a teether. | 0:08:00 | 0:08:01 | |
Originally you'd see a piece of coral coming out of here, | 0:08:01 | 0:08:04 | |
which a child would chew on when they were teething. | 0:08:04 | 0:08:06 | |
It could potentially be the top of a walking cane. | 0:08:06 | 0:08:08 | |
It's very petite and very delicate. | 0:08:08 | 0:08:10 | |
It could be, it could very well be. | 0:08:10 | 0:08:12 | |
If it is, then there is a quite a buoyant market | 0:08:12 | 0:08:15 | |
for walking cane collectors. | 0:08:15 | 0:08:17 | |
I think it's quite an attractive thing, isn't it? | 0:08:17 | 0:08:20 | |
So, Christina is peck, peck, pecking her way through her purchases today. | 0:08:20 | 0:08:24 | |
But Mark is hot on her heels, | 0:08:24 | 0:08:26 | |
spotting a Lalique glass dish he likes the look of. | 0:08:26 | 0:08:29 | |
He dishes out 140 euros, or £103.70. | 0:08:29 | 0:08:34 | |
Now, this is post-Rene Lalique. | 0:08:34 | 0:08:36 | |
Rene Lalique was the founder of the factory, he died in 1945. | 0:08:36 | 0:08:40 | |
This one was made after his death. | 0:08:40 | 0:08:42 | |
Quite shortly after, I would say, maybe in the early '50s. | 0:08:42 | 0:08:46 | |
It's a nice, big, decorative thing. | 0:08:46 | 0:08:48 | |
I like it a lot, actually, and I wanted to find a piece of Lalique, | 0:08:48 | 0:08:52 | |
so I'm very pleased with it. | 0:08:52 | 0:08:53 | |
While Mark is chuffed with his equalising dish, | 0:08:53 | 0:08:56 | |
Christina has spotted a dressing case that's got her quite excited. | 0:08:56 | 0:09:00 | |
So we've got a vintage travelling trunk, | 0:09:00 | 0:09:05 | |
which is really rather lovely. | 0:09:05 | 0:09:07 | |
You've got this gilt-tooled name here, A Barrett & Sons, | 0:09:07 | 0:09:10 | |
63 and 64 Piccadilly. So, London-made piece. | 0:09:10 | 0:09:14 | |
Green-stained leather, but this has still got bottles in it | 0:09:14 | 0:09:17 | |
and they look to be the original jars as well. | 0:09:17 | 0:09:20 | |
And they're hallmarked. | 0:09:20 | 0:09:21 | |
That's going to be about 1912. | 0:09:21 | 0:09:25 | |
What's really nice is that it's got its dust cover as well. | 0:09:25 | 0:09:29 | |
It's got an Orient Line sticker. So you wonder, where's this been? | 0:09:29 | 0:09:32 | |
What wonderful travels that it could have been on. | 0:09:32 | 0:09:34 | |
So, having got her target in her sights, | 0:09:34 | 0:09:36 | |
she now needs to work some charm on stallholder Philip. | 0:09:36 | 0:09:40 | |
I was looking at the dressing case. | 0:09:40 | 0:09:43 | |
-That's good. -It's missing a few bits. | 0:09:43 | 0:09:45 | |
-Yes. -But we can sort of forgive that a little bit, can't we? | 0:09:45 | 0:09:48 | |
-Thank you. -Yeah. | 0:09:48 | 0:09:49 | |
SHE LAUGHS | 0:09:49 | 0:09:51 | |
Philip, I think I love you already. | 0:09:51 | 0:09:53 | |
Steady on now, she's at it again! | 0:09:53 | 0:09:55 | |
-So we're missing a mirror. -Yeah. | 0:09:55 | 0:09:58 | |
And we're missing some sort of jar... | 0:09:58 | 0:10:01 | |
-Yeah. -..maybe there. | 0:10:01 | 0:10:02 | |
And I'm guessing that's reflected in the price. | 0:10:02 | 0:10:04 | |
Can't you see the number? | 0:10:04 | 0:10:06 | |
947. | 0:10:06 | 0:10:07 | |
Oh, is that a number? Well, what's this? | 0:10:07 | 0:10:10 | |
-Secret information. -Oh, is it? | 0:10:10 | 0:10:12 | |
-Can I see it? 947. -Ssh! -Oh. | 0:10:12 | 0:10:15 | |
Philip's secret information reveals that the box is priced at 225 euros, | 0:10:15 | 0:10:20 | |
but Christina's charm is working. | 0:10:20 | 0:10:23 | |
I'll come down, without any kind of discussion, | 0:10:23 | 0:10:27 | |
without any kind of discussion. | 0:10:27 | 0:10:30 | |
Right. I'm keeping it zipped, I promise. | 0:10:30 | 0:10:33 | |
Yeah, we'll see how long that lasts. | 0:10:33 | 0:10:36 | |
-185. -185. | 0:10:36 | 0:10:38 | |
Philip... | 0:10:40 | 0:10:41 | |
Time for Christina to whip out her secret weapon - | 0:10:41 | 0:10:44 | |
the compliment. | 0:10:44 | 0:10:46 | |
I like a man in a tie | 0:10:46 | 0:10:48 | |
that's very willing to do a deal. | 0:10:48 | 0:10:50 | |
However, I was thinking 150 euros was really the most | 0:10:50 | 0:10:54 | |
I'd like to pay for it, really. | 0:10:54 | 0:10:56 | |
What would your absolute best price be on that, my darling? | 0:10:56 | 0:11:00 | |
Come on, Philip. Come on, Philip. | 0:11:00 | 0:11:03 | |
-16O. -160. 160. | 0:11:03 | 0:11:06 | |
-Yeah. -I love a man in a tie, Philip. | 0:11:06 | 0:11:08 | |
160 euros. | 0:11:08 | 0:11:10 | |
Oh, don't cry. Don't cry, Philip. Don't cry! | 0:11:10 | 0:11:13 | |
So, Philip sheds a few crocodile tears and Christina buys | 0:11:13 | 0:11:17 | |
the dressing case for £118.52. | 0:11:17 | 0:11:20 | |
What an emotional rollercoaster this ride has been, and there's plenty | 0:11:20 | 0:11:24 | |
more ups and downs and loop the loops to go. | 0:11:24 | 0:11:26 | |
So, let's see how our experts are getting on. | 0:11:26 | 0:11:30 | |
From a £750 kitty, | 0:11:30 | 0:11:32 | |
so far Mark "The Maverick" Stacey has picked up two items | 0:11:32 | 0:11:36 | |
but spent £166.66, | 0:11:36 | 0:11:38 | |
leaving him just over £583 to play with. | 0:11:38 | 0:11:42 | |
Christina has bought more for less, | 0:11:42 | 0:11:45 | |
picking up three items for £146.67, | 0:11:45 | 0:11:48 | |
leaving just over £603 to spend. | 0:11:48 | 0:11:52 | |
So, with Christina in the lead and Mark trying his best to keep up, | 0:11:52 | 0:11:55 | |
our pair of scrappy pups meet up to compare their day so far. | 0:11:55 | 0:11:59 | |
This is a fabulous market, is it not? | 0:12:01 | 0:12:02 | |
It really is. I've walked miles. | 0:12:02 | 0:12:05 | |
Have you? I haven't actually left this little section yet. | 0:12:05 | 0:12:07 | |
-Really? -No. -Oh, gosh, I've been up there, I've been down there. | 0:12:07 | 0:12:10 | |
I've been round and about. I thought I'd buy more Belgian stuff, | 0:12:10 | 0:12:13 | |
but I've bought a lot of English stuff. | 0:12:13 | 0:12:15 | |
Oh, really? I've bought mainly continental stuff, actually. | 0:12:15 | 0:12:18 | |
-It's good. -OK, I'll go and get more European. | 0:12:18 | 0:12:21 | |
How's your Flemish? | 0:12:21 | 0:12:23 | |
-My English is perfect, and they like that. -Really? -Absolutely. | 0:12:23 | 0:12:26 | |
-Dank u -wel. Dank u wel. | 0:12:26 | 0:12:28 | |
-Dank u wel... -SHE TRIES TO SPEAK FLEMISH | 0:12:28 | 0:12:31 | |
-Lovely. -Yeah? -See you. -Well done. | 0:12:31 | 0:12:33 | |
Mr Stacey looking quite rightly confused by Christina's Flemish-ish. | 0:12:35 | 0:12:39 | |
Mark is trailing behind Christina but it appears there may be | 0:12:41 | 0:12:44 | |
a reason, as he's set his heart on finding something specific. | 0:12:44 | 0:12:48 | |
The one thing I thought I would find is cocktail shakers. | 0:12:48 | 0:12:52 | |
Lots of goodies, but no cocktail shakers. | 0:12:52 | 0:12:55 | |
I've found a cocktail shaker, | 0:12:55 | 0:12:57 | |
but all of the silver plate has come off. | 0:12:57 | 0:12:59 | |
There must be another cocktail shaker in this whole market. | 0:12:59 | 0:13:02 | |
Please, tell me there's another cocktail shaker. | 0:13:02 | 0:13:06 | |
Well, there is a downside to looking for specific things. | 0:13:06 | 0:13:09 | |
It sometimes pays to have an open mind | 0:13:09 | 0:13:11 | |
and go wherever the wind takes you, | 0:13:11 | 0:13:13 | |
which is precisely what Christina is doing. | 0:13:13 | 0:13:17 | |
That's rather beautiful, isn't it? | 0:13:17 | 0:13:18 | |
Look at that. It's a weather vane. | 0:13:18 | 0:13:21 | |
It's obviously a piece of cut-out horse silhouette. | 0:13:21 | 0:13:25 | |
A nice bit of folk art. That's rather lovely. | 0:13:25 | 0:13:28 | |
So, Christina fires up her charm and quickly gets | 0:13:28 | 0:13:30 | |
the camera-shy vendor down from 400 to 380 euros. | 0:13:30 | 0:13:35 | |
I think it's tres expensive. | 0:13:35 | 0:13:37 | |
However, j'adore it. | 0:13:37 | 0:13:40 | |
Therefore, 380 and you have a deal... | 0:13:40 | 0:13:44 | |
I think. | 0:13:44 | 0:13:45 | |
THEY LAUGH | 0:13:45 | 0:13:47 | |
Well, language skills aside, she gets the weather vane for 380 euros, | 0:13:47 | 0:13:51 | |
which is a whopping £281.48. | 0:13:51 | 0:13:55 | |
So, why is she so keen on it? | 0:13:55 | 0:13:57 | |
Do you know, there's something wonderfully simple about folk art, | 0:13:57 | 0:14:01 | |
and this, to me, just epitomises it. It's just so wonderful, | 0:14:01 | 0:14:04 | |
this really simple but incredibly effective silhouette. | 0:14:04 | 0:14:07 | |
Can you imagine it sitting on the top of somebody's chateaux | 0:14:07 | 0:14:10 | |
in the middle of France somewhere? I think it's gorgeous. | 0:14:10 | 0:14:12 | |
I have paid through the nose for it because I adore it... | 0:14:12 | 0:14:16 | |
and hopefully it will pay off. | 0:14:16 | 0:14:18 | |
Now, remember, Maverick Mark is a man with a mission. | 0:14:18 | 0:14:22 | |
Oh, I've spotted something. | 0:14:22 | 0:14:24 | |
Look at him go! | 0:14:28 | 0:14:29 | |
Now, what have I been looking for all day? | 0:14:29 | 0:14:32 | |
A cocktail shaker, and I've found one. | 0:14:32 | 0:14:34 | |
It's silver plate, | 0:14:34 | 0:14:36 | |
it's got a maker's name on the bottom | 0:14:36 | 0:14:38 | |
and it's a great shape, actually. | 0:14:38 | 0:14:40 | |
I love that sort of Art Deco shape. | 0:14:40 | 0:14:42 | |
It's quite modern as well. | 0:14:42 | 0:14:44 | |
But before he goes to do a deal on the shaker, | 0:14:44 | 0:14:47 | |
he spots another piece of metalware. | 0:14:47 | 0:14:49 | |
Something to serve your claret. | 0:14:49 | 0:14:51 | |
It's a really contemporary, funky design. | 0:14:51 | 0:14:54 | |
Maybe I should try and put a little package together. | 0:14:54 | 0:14:57 | |
Now, Mark knows that all good things come in threes, | 0:14:57 | 0:14:59 | |
and his final piece is an ice bucket. | 0:14:59 | 0:15:02 | |
As a little group lot, everything you need for the dining room table. | 0:15:02 | 0:15:06 | |
You can serve your wine, you've got your ice for your gin | 0:15:06 | 0:15:09 | |
and tonic, or your cocktails. Excuse me, madam. | 0:15:09 | 0:15:13 | |
That's 30, that's 85 euros for the lot. | 0:15:13 | 0:15:18 | |
-I can make 75 for you. -Oh, you're so close. | 0:15:18 | 0:15:21 | |
Very good, but not quite good enough. So, 75... | 0:15:21 | 0:15:26 | |
You couldn't do them for 60? For the three, | 0:15:27 | 0:15:31 | |
-because I am taking three things. -65. -65. | 0:15:31 | 0:15:35 | |
-I think we've got a deal. -OK. -65. | 0:15:35 | 0:15:38 | |
Thank you. I've just spent 65 euros on three lovely objects. Woo-hoo! | 0:15:38 | 0:15:44 | |
-I love it. -Be honest now, who expected him to drop it? | 0:15:44 | 0:15:48 | |
Anyway, he's caught the shaker | 0:15:48 | 0:15:49 | |
and other tabletop essentials for £48.15, and he's back in the game. | 0:15:49 | 0:15:54 | |
Bolstered up by the drinking silverware, | 0:15:54 | 0:15:57 | |
Mark wastes no time getting his next target in his sights. | 0:15:57 | 0:16:00 | |
I've found this rather intriguing little item. | 0:16:01 | 0:16:03 | |
This is a little piece of amethyst, uncut amethyst, | 0:16:03 | 0:16:07 | |
which in itself is quite decorative. | 0:16:07 | 0:16:09 | |
But it's mounted with this little cast figure, | 0:16:09 | 0:16:11 | |
which has been hand-painted. | 0:16:11 | 0:16:13 | |
It's a process known as cold-painting, | 0:16:13 | 0:16:16 | |
so you paint the bronze or the metal after you've created it. | 0:16:16 | 0:16:19 | |
When you're looking at cold-painted bronze, | 0:16:19 | 0:16:22 | |
what you're really looking for is a mark for Franz Bergmann. | 0:16:22 | 0:16:25 | |
Franz Xaver Bergmann, | 0:16:25 | 0:16:27 | |
who was a very famous Austrian cold-painted bronze-maker. | 0:16:27 | 0:16:32 | |
And this is certainly very nice quality. | 0:16:32 | 0:16:33 | |
I rather like that, actually. | 0:16:33 | 0:16:35 | |
It says 410 underneath, but I don't know | 0:16:35 | 0:16:37 | |
whether that's a reference number or whether it's the price. | 0:16:37 | 0:16:40 | |
If it's the price, it's far too DEER. Ha-ha. | 0:16:40 | 0:16:43 | |
-DEER. -CHIRRUPING | 0:16:43 | 0:16:45 | |
Yes. | 0:16:45 | 0:16:46 | |
The deer is actually priced at 100 euros, but as usual, | 0:16:46 | 0:16:50 | |
-Mark is after a bargain. -Could you do any better than 100? | 0:16:50 | 0:16:54 | |
80. | 0:16:57 | 0:16:59 | |
-Could you do it for 70 for me? -75. | 0:16:59 | 0:17:02 | |
I thought you would say that. | 0:17:02 | 0:17:04 | |
They always say that. | 0:17:04 | 0:17:06 | |
I should have said 65, and then she would have said 70. | 0:17:06 | 0:17:08 | |
That's the market, you do it also. | 0:17:08 | 0:17:10 | |
I know. No, I know. | 0:17:10 | 0:17:13 | |
You really can't do it for 70? Please. | 0:17:13 | 0:17:17 | |
-OK. -70. Thank you. Thanks very much. | 0:17:17 | 0:17:21 | |
I've just bought that for 70 euros, and I'm very pleased with it. | 0:17:21 | 0:17:24 | |
Cold-painted bronze figures are very sought after. | 0:17:24 | 0:17:27 | |
If, when I do some research, I can attribute this to | 0:17:27 | 0:17:30 | |
Franz Bergmann, then there should be quite a good profit. | 0:17:30 | 0:17:33 | |
So, Mark's amethyst deer ornament converts to £51.85, | 0:17:33 | 0:17:37 | |
and he's finally drawn even with Christina. Four items each. | 0:17:37 | 0:17:42 | |
Now, The Magpie, obviously hungry, | 0:17:42 | 0:17:44 | |
swoops in on a man selling a glass cake display. | 0:17:44 | 0:17:47 | |
What are you eating? | 0:17:47 | 0:17:48 | |
Walnuts. Eating walnuts. | 0:17:50 | 0:17:53 | |
Oh! I'd love a walnut, why not? | 0:17:53 | 0:17:56 | |
Oh. | 0:17:58 | 0:17:59 | |
SHE LAUGHS | 0:17:59 | 0:18:01 | |
Well, that's novel. Oh. | 0:18:01 | 0:18:04 | |
Oh, wow, thank you. Are these... | 0:18:04 | 0:18:06 | |
-Have you collected these? -Yeah. -Oh, wow. | 0:18:06 | 0:18:10 | |
Oh, merci, monsieur. | 0:18:10 | 0:18:11 | |
Shopping on an empty stomach may not be the best idea, | 0:18:11 | 0:18:14 | |
but now she's dealing with her mouth full. Oh... | 0:18:14 | 0:18:17 | |
22 euros. | 0:18:17 | 0:18:20 | |
-22? -22. | 0:18:20 | 0:18:22 | |
-Would you take 15? -15? -Hm. | 0:18:22 | 0:18:26 | |
-18. -15. | 0:18:26 | 0:18:29 | |
-Go on. Yeah? -OK. -15 euros. | 0:18:29 | 0:18:32 | |
Thank you very much. Brilliant. | 0:18:32 | 0:18:34 | |
There will have to be a coffee and walnut cake that goes in there, won't it? | 0:18:34 | 0:18:38 | |
Yes, he hasn't got a clue what she's on about. | 0:18:38 | 0:18:40 | |
Just laughing to be polite. | 0:18:40 | 0:18:42 | |
Anyway, the glass cake display costs Christina £11.11. | 0:18:42 | 0:18:47 | |
In my mind, it's full of the most beautiful petit fours you've | 0:18:47 | 0:18:52 | |
ever seen. Can you imagine this full to the brim, full of cakes | 0:18:52 | 0:18:55 | |
and little pastry fancies? I just think it's gorgeous. | 0:18:55 | 0:18:58 | |
To be perfectly honest, I don't think it's got a huge | 0:18:58 | 0:19:01 | |
amount of age to it at all, but if I go and find a cake shop to | 0:19:01 | 0:19:03 | |
sell it to, or even a budding baker, I think I'll be quids in. | 0:19:03 | 0:19:07 | |
Quids in and spent up, Christina takes a well-deserved rest... | 0:19:07 | 0:19:11 | |
Can I really sleep in this chair? Can I? He says I can sleep in it. | 0:19:11 | 0:19:15 | |
..leaving Mark to acquire his final item. | 0:19:15 | 0:19:18 | |
He's obviously in a macabre mood and picks up some kind of ebonised | 0:19:18 | 0:19:22 | |
box with waxed body parts that cost him a whopping 200 euros, | 0:19:22 | 0:19:27 | |
or £148.15. | 0:19:27 | 0:19:29 | |
This is intriguing. I mean, I don't know what they are. | 0:19:31 | 0:19:33 | |
I mean, I can tell you that they are limbs. | 0:19:33 | 0:19:37 | |
There's an arm, a leg, there's a lower denture, | 0:19:37 | 0:19:40 | |
there's a foot, and then there's some sort of ear, I think. | 0:19:40 | 0:19:44 | |
It's got a nice warm look about it | 0:19:44 | 0:19:46 | |
and I'm sure that I could date these to the mid-19th century. | 0:19:46 | 0:19:51 | |
It's going to be a bit of a journey. | 0:19:51 | 0:19:53 | |
My problem is, has this really cost me an arm and a leg? | 0:19:53 | 0:19:58 | |
So, whilst both our experts draw breath | 0:19:58 | 0:20:01 | |
and withdraw from the market, let's see the scores on the board. | 0:20:01 | 0:20:05 | |
Mark and Christina each started the day with £750 worth of euros. | 0:20:05 | 0:20:10 | |
Mark has five purchases and has forked out for £414.81. | 0:20:10 | 0:20:15 | |
Christina has also done five deals, but she's spent a little more, | 0:20:15 | 0:20:19 | |
£439.26. | 0:20:19 | 0:20:22 | |
Market day is over, so it's time for our pair of continental competitors | 0:20:22 | 0:20:26 | |
to come together and cast a critical eye over each other's wares. | 0:20:26 | 0:20:30 | |
-This is a good showing. -It is, isn't? It's pretty eclectic. | 0:20:30 | 0:20:33 | |
-It certainly is. I like it a lot. -Tell me what your thought process... | 0:20:33 | 0:20:37 | |
Actually, I don't want to know what you're thought process was. | 0:20:37 | 0:20:40 | |
-I think it's just a very interesting item. -Really? | 0:20:40 | 0:20:42 | |
-I think I can go places with this. -Really? | 0:20:42 | 0:20:45 | |
Well, because it's an acupuncture model and I think it's charming. | 0:20:45 | 0:20:49 | |
-Yes, he's a great... -And he wasn't a lot of money, 85 euros. | 0:20:49 | 0:20:53 | |
-That's not bad, is it? -No. -Not bad at all. -Not much per inch. | 0:20:53 | 0:20:57 | |
SHE LAUGHS | 0:20:57 | 0:20:58 | |
-I absolutely love, love, love your weather vane. -Isn't it gorgeous? | 0:21:00 | 0:21:05 | |
I think he's wonderful. Didn't see it. I would have had it if I had. | 0:21:05 | 0:21:08 | |
Well, would you have paid what I paid? | 0:21:08 | 0:21:10 | |
-I don't know, what did you pay? -380 euros. It's a lot, isn't it? | 0:21:10 | 0:21:15 | |
-That is pricey. -But I loved it. -No, it's fantastic. -Just utterly... | 0:21:15 | 0:21:19 | |
-It's so simple. -I think it's great. | 0:21:19 | 0:21:21 | |
-So effective, a little bit like myself. -Simple. | 0:21:21 | 0:21:24 | |
-Yeah. -I think... -Vaguely effective. | 0:21:24 | 0:21:26 | |
-Yeah. Sorry, I left the end bit out. -Thanks. -Oh, naughty me. | 0:21:26 | 0:21:31 | |
I have to tell you, I completely adore... | 0:21:31 | 0:21:33 | |
-Tell me that's Lalique. -It is Lalique. It is Lalique. | 0:21:33 | 0:21:36 | |
-Tell me it's signed. -It is signed. | 0:21:36 | 0:21:38 | |
I do like it a lot, I love Lalique glass, | 0:21:38 | 0:21:40 | |
and I do have a specialist dealer who buys Lalique from me. | 0:21:40 | 0:21:44 | |
-Oh, fabulous. -So I'm hoping he's going to like that, | 0:21:44 | 0:21:47 | |
because I paid 140 euros for it. | 0:21:47 | 0:21:49 | |
-That's not too bad. -Which isn't bad for a big piece. | 0:21:49 | 0:21:51 | |
It's not a rare pattern, but I think I can get away with that one. | 0:21:51 | 0:21:53 | |
Gorgeous, really love that. | 0:21:53 | 0:21:55 | |
I'm going to brush over your glass. | 0:21:55 | 0:21:58 | |
-I don't know what you're talking about. -I think you do. | 0:21:58 | 0:22:00 | |
-What? -I think you do. | 0:22:00 | 0:22:02 | |
Made in France! | 0:22:02 | 0:22:03 | |
Yes, a lot of things are made in France, | 0:22:03 | 0:22:05 | |
but no necessarily good things. | 0:22:05 | 0:22:07 | |
But I do like your little... What is it? | 0:22:07 | 0:22:10 | |
-Well, I think it's a dodo. -It's not a dodo. | 0:22:10 | 0:22:12 | |
I think it's more likely to be something like a wading bird. | 0:22:12 | 0:22:16 | |
You think? With that long beak? | 0:22:16 | 0:22:18 | |
-With the long beak. -It could be a little walking stick handle. | 0:22:18 | 0:22:21 | |
-How much was that? -I paid eight euros for it. | 0:22:21 | 0:22:24 | |
-How much? -Eight euros. | 0:22:24 | 0:22:26 | |
Good lord, you really weren't in a spending mood. | 0:22:26 | 0:22:29 | |
Um... That's nothing, is it? | 0:22:29 | 0:22:30 | |
All in all, I think it's another good showing. | 0:22:30 | 0:22:33 | |
-Yes, seriously impressive, well done, you. -And you. -Best of luck. | 0:22:33 | 0:22:37 | |
Oh, I will need it. | 0:22:37 | 0:22:39 | |
And so our continental contestants turn tail and return | 0:22:42 | 0:22:46 | |
to their respective homes, laden with their treasure troves. | 0:22:46 | 0:22:50 | |
This game of two halves is about to step up a gear as they must | 0:22:50 | 0:22:53 | |
now sell all their wares. | 0:22:53 | 0:22:56 | |
Back in his Brightlingsea bunker, | 0:22:56 | 0:22:58 | |
Mark is buffing up his Belgian booty. | 0:22:58 | 0:23:01 | |
There's no peace for the wicked, is there? | 0:23:02 | 0:23:04 | |
Here I am in my silver cleaning gloves, trying to clean these | 0:23:04 | 0:23:07 | |
cocktail items. They are looking absolutely pristine. | 0:23:07 | 0:23:11 | |
But I had a fun day in Tongeren, a very big market, | 0:23:11 | 0:23:14 | |
full of lovely stuff. | 0:23:14 | 0:23:15 | |
And I spent ages looking for a cocktail shaker. | 0:23:15 | 0:23:19 | |
But I'm pleased with the other items as well. | 0:23:19 | 0:23:21 | |
My little cold-painted bronze chamois is rather nice, | 0:23:21 | 0:23:26 | |
perched on a rocky piece of amethyst. Beautifully done. | 0:23:26 | 0:23:31 | |
I think that's going to find a buyer. The Lalique plate, I love. | 0:23:31 | 0:23:34 | |
It's just post-war, but it's in great condition. | 0:23:34 | 0:23:37 | |
A nice big piece, actually. | 0:23:37 | 0:23:40 | |
Well, something that's really needled me is the acupuncture model. | 0:23:40 | 0:23:44 | |
Because actually, so far, I've got no leads, | 0:23:44 | 0:23:47 | |
and I don't know where I'm going to end up with that. | 0:23:47 | 0:23:49 | |
But we'll find it, we'll get there. And of course my body parts. | 0:23:49 | 0:23:54 | |
Interesting story - they are for Catholics who had illnesses | 0:23:54 | 0:23:59 | |
and you'd go and buy the body part that you've got an illness in. | 0:23:59 | 0:24:03 | |
You'd take it to church | 0:24:03 | 0:24:04 | |
and then you'd pray that the illness is cured. | 0:24:04 | 0:24:08 | |
So, rather macabre, but I do like a challenge. | 0:24:08 | 0:24:11 | |
There we are, look at that. Lovely and clean. | 0:24:11 | 0:24:15 | |
A polished performance from Mark there. | 0:24:15 | 0:24:17 | |
So, now she's back in Shropshire, how's Christina feeling? | 0:24:17 | 0:24:21 | |
So I had never been to Tongeren before in Belgium, and I absolutely loved it. | 0:24:21 | 0:24:25 | |
It was vast. And I'm really pleased with what I've bought back. | 0:24:25 | 0:24:28 | |
Firstly, I love this dressing case here | 0:24:28 | 0:24:31 | |
in this wonderful green leather. | 0:24:31 | 0:24:33 | |
I love the fact that it kind of evokes these wonderful | 0:24:33 | 0:24:36 | |
images of travelling in the early 20th century. | 0:24:36 | 0:24:39 | |
Then I bought this lantern. | 0:24:39 | 0:24:42 | |
Not quite sure why I bought that. It's a little bit damaged. | 0:24:42 | 0:24:45 | |
It's a relatively modern piece. I think it will be a good-looking thing, | 0:24:45 | 0:24:48 | |
maybe in somebody's hall, a lantern, it's quite in vogue at the moment. | 0:24:48 | 0:24:51 | |
The absolute piece de resistance for me | 0:24:51 | 0:24:54 | |
was this amazing weather vane, which I completely fell in love with. | 0:24:54 | 0:24:58 | |
I think I might have bought it with my heart rather than my head, | 0:24:58 | 0:25:01 | |
sadly, but I just think it's visually beautiful. | 0:25:01 | 0:25:04 | |
Moving on to my little silver-coloured | 0:25:04 | 0:25:08 | |
unidentified bird here. | 0:25:08 | 0:25:11 | |
Potentially a guillemot, potentially a water bird, | 0:25:11 | 0:25:14 | |
potentially a game bird. I think we'll just call it a bird. | 0:25:14 | 0:25:16 | |
I think it's a lovely thing, just the detail on it is so beautiful, | 0:25:16 | 0:25:20 | |
it's very, very realistic. | 0:25:20 | 0:25:22 | |
And then, of course, I bought my French cake stand, | 0:25:22 | 0:25:25 | |
and personally, I cannot wait to see that full of the most | 0:25:25 | 0:25:29 | |
beautiful French fancies, pastries, cakes. | 0:25:29 | 0:25:32 | |
Not good for the diet. | 0:25:32 | 0:25:34 | |
But, nonetheless, I've got a lot of work to do. | 0:25:34 | 0:25:36 | |
I've just got to find somebody with a big barn | 0:25:36 | 0:25:38 | |
for that weather vane, haven't I? | 0:25:38 | 0:25:40 | |
Hmm, she's a bit worried about that, isn't she? | 0:25:40 | 0:25:42 | |
But with their saddle bags bulging, both Christina | 0:25:42 | 0:25:45 | |
and Mark must now grab the reins and gallop off in search of profits. | 0:25:45 | 0:25:50 | |
It'll take research, tenacity and good old-fashioned legwork to win. | 0:25:50 | 0:25:54 | |
And lest we forget, no deal is done until the hand is shaken | 0:25:54 | 0:25:58 | |
and the money is taken. First to the fore is Mark. | 0:25:58 | 0:26:02 | |
He's headed to Colchester, hoping to shake out an early lead | 0:26:02 | 0:26:05 | |
with his first items. | 0:26:05 | 0:26:08 | |
I've brought my cocktail-related items to my friend, Matthew. | 0:26:08 | 0:26:11 | |
He and his partner love entertaining, | 0:26:11 | 0:26:14 | |
and particularly making very powerful cocktails. | 0:26:14 | 0:26:17 | |
So, fingers crossed, I'll be shaken but not stirred. | 0:26:17 | 0:26:21 | |
Remember, Mark paid just over £48 for the set. | 0:26:21 | 0:26:25 | |
Now, I know you were looking for something to go in the apartment. | 0:26:25 | 0:26:29 | |
Absolutely, yes. | 0:26:29 | 0:26:31 | |
Very much looking for something that's a bit smart, | 0:26:31 | 0:26:34 | |
a bit stylish, so... | 0:26:34 | 0:26:35 | |
Well, actually, I bought them in Belgium, so they're continental. | 0:26:35 | 0:26:38 | |
And it was quite stylish. And it was very dirty. I've cleaned it. | 0:26:38 | 0:26:42 | |
Have you? | 0:26:42 | 0:26:43 | |
And it is marked underneath, it's got a maker's name. | 0:26:43 | 0:26:46 | |
Who is the maker? | 0:26:46 | 0:26:48 | |
-Funnily enough, I don't know. -Right. -But it's nice to have it. -OK. | 0:26:48 | 0:26:52 | |
And then I spotted this, | 0:26:52 | 0:26:55 | |
which is like a bottle pourer. | 0:26:55 | 0:26:57 | |
And this, which is a little ice bucket, as you can see. | 0:26:57 | 0:27:01 | |
-And you haven't cleaned that one, then? -Funnily enough, I haven't. | 0:27:01 | 0:27:04 | |
I've been frightfully busy. | 0:27:04 | 0:27:07 | |
What do you think of them now you've seen them in the flesh? | 0:27:07 | 0:27:09 | |
Well, I like them very much, particularly the cocktail shaker, | 0:27:09 | 0:27:12 | |
because I definitely need a new cocktail shaker. | 0:27:12 | 0:27:16 | |
Um... | 0:27:16 | 0:27:17 | |
However, it's a little... | 0:27:17 | 0:27:19 | |
-A little tight. -Yes. | 0:27:19 | 0:27:21 | |
So, it won't be much use if I can't take the lid off. | 0:27:21 | 0:27:25 | |
I'm sure does come off. Wow. | 0:27:25 | 0:27:27 | |
Actually, it won't come off, will it? | 0:27:27 | 0:27:30 | |
Oh! There we are. | 0:27:30 | 0:27:31 | |
-I should have cleaned inside. -THEY LAUGH | 0:27:31 | 0:27:35 | |
Once the gunge has been cleaned, | 0:27:35 | 0:27:37 | |
I think it will actually work exquisitely. | 0:27:37 | 0:27:41 | |
-I'm sure it will. -Now, didn't I say that I thought | 0:27:41 | 0:27:43 | |
I wanted a very reasonable sort of £80-£120 for the three items. | 0:27:43 | 0:27:48 | |
Yes, yes. | 0:27:48 | 0:27:50 | |
This still needs a little bit of effort applied to it, | 0:27:50 | 0:27:53 | |
doesn't it, Mark? | 0:27:53 | 0:27:54 | |
So, I was thinking maybe more 60 or £70. | 0:27:54 | 0:27:59 | |
Gosh! | 0:27:59 | 0:28:00 | |
I mean, that's quite a difference, isn't it? £70. | 0:28:00 | 0:28:05 | |
-And I'll make you a cocktail as well. -Fantastic, let's do that. | 0:28:05 | 0:28:08 | |
MARK LAUGHS | 0:28:08 | 0:28:10 | |
Well, I am a bit shaken after that. | 0:28:10 | 0:28:12 | |
And so Mark makes a potent profit of £21.85 for the three items, | 0:28:12 | 0:28:17 | |
and toasts his success with a little snifter. | 0:28:17 | 0:28:21 | |
It's not leaking or anything, which is a good sign. | 0:28:21 | 0:28:23 | |
It is a bit of a challenge to get the lid on and off. | 0:28:23 | 0:28:26 | |
We're almost there, Mark. | 0:28:27 | 0:28:30 | |
POPPING | 0:28:30 | 0:28:31 | |
-Mm. Delicious. -Lovely. | 0:28:36 | 0:28:38 | |
Cheers. Meanwhile, Christina is also keen to get going with her first sale, | 0:28:38 | 0:28:42 | |
as she heads to a hamlet just outside Whitchurch in Shropshire. | 0:28:42 | 0:28:46 | |
So, I'm here to see my friend Diana. I've known her for ever and a day, | 0:28:46 | 0:28:50 | |
but you may know her from somewhere else. | 0:28:50 | 0:28:52 | |
I've brought my cake stand to show her. | 0:28:52 | 0:28:54 | |
She's pretty teched-up when it comes to baking, | 0:28:54 | 0:28:57 | |
so she's probably already got hundreds, but it's worth a shot. | 0:28:57 | 0:29:00 | |
So, she brings a French dish bought in Belgium to | 0:29:00 | 0:29:03 | |
Great British Bake Off contestant Diana. | 0:29:03 | 0:29:07 | |
-Just in time. -What are you doing? | 0:29:07 | 0:29:09 | |
Busy making raspberry buns, so you can have a go. | 0:29:09 | 0:29:12 | |
-Do I get to eat any? -Yes. -Oh, really! Oh, my God, OK. | 0:29:12 | 0:29:15 | |
-What should we do, what should we do? -Let's have an apron on first. | 0:29:15 | 0:29:18 | |
Is this going to make me a domestic goddess like you? | 0:29:18 | 0:29:20 | |
Whoopee! | 0:29:20 | 0:29:22 | |
Put the sugar in there. | 0:29:22 | 0:29:23 | |
-Pour it straight in? -Yeah. | 0:29:23 | 0:29:24 | |
How are you at cracking eggs? | 0:29:24 | 0:29:26 | |
Uh... Do you know? I haven't baked for so long. This is ridiculous! | 0:29:26 | 0:29:31 | |
Now, put the flour in there. | 0:29:31 | 0:29:33 | |
-Plugged in. Oh! -Oh! -LAUGHTER | 0:29:36 | 0:29:40 | |
That's what normally happens when I bake. | 0:29:40 | 0:29:43 | |
Now, in there we're going to fold in. | 0:29:43 | 0:29:47 | |
-Gently teased. -That's it. | 0:29:47 | 0:29:50 | |
-So, little finger and push. -There we go. | 0:29:50 | 0:29:53 | |
So, I don't know about you, but my tummy is rumbling. Can we put these in the over? | 0:29:53 | 0:29:56 | |
-Let's do it. 160 degrees. -Yeah. | 0:29:56 | 0:29:59 | |
-For 10, 15 minutes. -Brilliant. | 0:29:59 | 0:30:01 | |
Just enough time for me to show you this cake stand. | 0:30:01 | 0:30:03 | |
-Come and have a look. -OK, I knew there was an ulterior motive. | 0:30:03 | 0:30:06 | |
CHRISTINA LAUGHS | 0:30:06 | 0:30:08 | |
Yes, and as the cakes rise in the oven, | 0:30:08 | 0:30:10 | |
will Christina raise more than the £11 she paid for the glass display? | 0:30:10 | 0:30:15 | |
When you pick the lid up, it says there... | 0:30:15 | 0:30:18 | |
"France, 21," but it says "Arcoroc". | 0:30:18 | 0:30:21 | |
-I don't know what "Arcoroc" is. -Yes, they make very good | 0:30:21 | 0:30:23 | |
glass bowls, dishes, for catering. | 0:30:23 | 0:30:27 | |
-Really? -Yes. Yes. -You fount of all knowledge, you. My goodness. | 0:30:27 | 0:30:32 | |
It's a nice large size, it could be cheese, it could be... | 0:30:32 | 0:30:35 | |
-So, I need to sell it. -You're right. | 0:30:35 | 0:30:38 | |
And I was hoping to get in the region of about - | 0:30:38 | 0:30:41 | |
don't drop it, it's glass - about £30, £40 for it. | 0:30:41 | 0:30:45 | |
What's it worth to you? | 0:30:45 | 0:30:47 | |
-25. -Could I push you to 30? | 0:30:47 | 0:30:50 | |
-Yes. -Or is 25... -30 is fine. -Is it? | 0:30:51 | 0:30:55 | |
Yeah, that's fine. So the cakes are going to go up by about 50p. | 0:30:55 | 0:31:00 | |
-Oh, are they? -SHE LAUGHS | 0:31:00 | 0:31:03 | |
I'm a very expensive cooking lesson. | 0:31:03 | 0:31:05 | |
Christina makes a sumptuous profit of £18.89 for the cake display. | 0:31:07 | 0:31:12 | |
Fantastic. What a great result. | 0:31:12 | 0:31:16 | |
A profit, a baking lesson and a cake. | 0:31:16 | 0:31:20 | |
Mm. Mm. | 0:31:20 | 0:31:22 | |
I bet Mark is not doing quite so well. | 0:31:22 | 0:31:25 | |
Yeah, well done, but don't speak with your mouth full. | 0:31:25 | 0:31:28 | |
Belly full of cake, she is on the move again and heads towards | 0:31:28 | 0:31:31 | |
Tarporley in Cheshire | 0:31:31 | 0:31:32 | |
where she is out braving the elements for her second sale. | 0:31:32 | 0:31:36 | |
So, I'm here in a very dark and pretty blustery Cheshire | 0:31:37 | 0:31:42 | |
to see a chap called Charles, who collects silver. | 0:31:42 | 0:31:45 | |
Now, I'm here to show him my dressing case, | 0:31:45 | 0:31:46 | |
which obviously, the case isn't silver, but the contents is. | 0:31:46 | 0:31:49 | |
So let's see if he's interested. | 0:31:49 | 0:31:51 | |
And interested enough to make a profit on the £120 | 0:31:51 | 0:31:55 | |
she has invested in the case. | 0:31:55 | 0:31:58 | |
So I've brought you this dressing case, | 0:31:58 | 0:32:00 | |
which I thought you would quite like. | 0:32:00 | 0:32:02 | |
Open it up and see what you think. | 0:32:02 | 0:32:03 | |
But great that obviously it's got its original duster with it as well. | 0:32:03 | 0:32:07 | |
-And... -Oh, that's rather nice. -It is, isn't it? | 0:32:07 | 0:32:09 | |
Obviously, you've got a box missing there. | 0:32:09 | 0:32:11 | |
-You've got the hand mirror missing there. -Yeah, yeah. | 0:32:11 | 0:32:13 | |
But the jars, I think this one in particular. | 0:32:13 | 0:32:16 | |
-JAR SQUEAKS -Original squeak comes as an extra. | 0:32:16 | 0:32:19 | |
I don't pay extra for that. | 0:32:19 | 0:32:21 | |
-SHE LAUGHS -Are you sure? -Absolutely not. | 0:32:21 | 0:32:24 | |
So you've got... Each one is hallmarked, | 0:32:24 | 0:32:27 | |
-obviously on the outside, for London 1912. -OK. | 0:32:27 | 0:32:30 | |
And you've got the retailer stamp there, | 0:32:30 | 0:32:31 | |
-which is matched on the front of the case. -Barrett & Sons. | 0:32:31 | 0:32:35 | |
-Yeah, Barrett & Sons from Piccadilly. You like? -I do. | 0:32:35 | 0:32:38 | |
-Oh, dear, you looked pained. -THEY LAUGH | 0:32:38 | 0:32:42 | |
I'm going to have to pay for it. | 0:32:42 | 0:32:44 | |
I was hoping for £300 or £400 for it. | 0:32:44 | 0:32:46 | |
-Yes, that's a bit heavy, I think. -Is it? | 0:32:46 | 0:32:49 | |
It does need a little bit of TLC. There are bits missing. So, 250. | 0:32:49 | 0:32:55 | |
-250. -And that's the best I can go to. | 0:32:55 | 0:32:58 | |
-A little bit more? -No. | 0:32:58 | 0:32:59 | |
-Really? -Absolutely. | 0:32:59 | 0:33:01 | |
-I'll be hard with you today. -Oh, really? -Yeah. | 0:33:01 | 0:33:04 | |
HE LAUGHS | 0:33:04 | 0:33:06 | |
-Have I caught you on a bad day? -Probably. | 0:33:06 | 0:33:08 | |
-Can I come back tomorrow? -No. -THEY LAUGH | 0:33:08 | 0:33:12 | |
-250, Charles, you're a very fair man. -Jolly good. -I'm very grateful. | 0:33:12 | 0:33:16 | |
Thank you very much, enjoy it. | 0:33:16 | 0:33:18 | |
Christina makes a profit on the travel case of £131.48, | 0:33:18 | 0:33:23 | |
which puts her way out in front. | 0:33:23 | 0:33:25 | |
So Mark will really need to shake his leg with his next sale. | 0:33:25 | 0:33:29 | |
He's headed to London with his box of unusual wax limbs, | 0:33:29 | 0:33:32 | |
which was his biggest buy in Belgium and stands him at almost £150. | 0:33:32 | 0:33:38 | |
I'm very excited about this. | 0:33:38 | 0:33:40 | |
I've come to East London, to the cabinet of curiosities. | 0:33:40 | 0:33:45 | |
I'm getting a bit scared. | 0:33:45 | 0:33:46 | |
Are you scared? Should we be scared together? Come on. | 0:33:46 | 0:33:49 | |
Oh, yes, let's. | 0:33:49 | 0:33:51 | |
Mark descends into the dark, dark depths of the museum, | 0:33:51 | 0:33:54 | |
where dreams and nightmares merge and nothing is quite as it seems. | 0:33:54 | 0:33:58 | |
ECHOING VOICE: Muhahahahaha! | 0:33:58 | 0:34:00 | |
THUNDER | 0:34:00 | 0:34:02 | |
Wow, these cabinets are full of the most amazing things. | 0:34:02 | 0:34:05 | |
I could be here for hours, you know. | 0:34:05 | 0:34:07 | |
I'm hoping this piece is going to fit in. | 0:34:07 | 0:34:09 | |
Should we go see what Rory thinks? | 0:34:09 | 0:34:13 | |
-Hello, Rory. -Hello, how are you? | 0:34:13 | 0:34:14 | |
-I'm fine, nice to meet you. This is an amazing place. -Thank you. | 0:34:14 | 0:34:19 | |
Talking of the unusual, I've brought this, | 0:34:19 | 0:34:22 | |
my own little cabinet of curiosities. I bought it in Belgium. | 0:34:22 | 0:34:27 | |
And I think it's mid-19th century, so 1860-ish, in an ebonised frame. | 0:34:27 | 0:34:32 | |
And I've learnt a bit about these - these little wax body parts | 0:34:32 | 0:34:36 | |
are related to the Catholic faith. They're known as ex votos. | 0:34:36 | 0:34:41 | |
And at first, I thought it was something that people go and put | 0:34:41 | 0:34:44 | |
in a church to pray for a miracle to heal an arm or a leg or a foot. | 0:34:44 | 0:34:50 | |
Actually, it's the other way round. | 0:34:50 | 0:34:52 | |
Once it's been healed, they hang them in churches. | 0:34:52 | 0:34:55 | |
They're very interesting items. | 0:34:55 | 0:34:57 | |
You know, my family are actually from Belgium and we are | 0:34:57 | 0:35:00 | |
-Catholic, so you might have come to the right... -Oh, gosh! | 0:35:00 | 0:35:02 | |
Oh, right. Well, this is purely a fluke. | 0:35:02 | 0:35:05 | |
I'm feeling a lot happier now. | 0:35:05 | 0:35:07 | |
I'd like to get around 200 to 300. What do you think? | 0:35:07 | 0:35:10 | |
I think we could probably offer you 220. | 0:35:10 | 0:35:14 | |
That's a very good offer. | 0:35:14 | 0:35:16 | |
Do you think I could just nudge you up a bit to sort of, say, 250? | 0:35:16 | 0:35:19 | |
-We could meet somewhere in the middle, maybe 230. -230. | 0:35:21 | 0:35:25 | |
-I can't say no, it's a reasonable profit. -Brilliant. | 0:35:25 | 0:35:28 | |
So Mr Stacey puts the Mark in macabre | 0:35:28 | 0:35:31 | |
and makes a chilling profit of £81.85 for the wax body parts. | 0:35:31 | 0:35:36 | |
And he looks relieved to be heading back above ground. | 0:35:36 | 0:35:40 | |
Well, it just shows you, doesn't it? If you buy interesting things | 0:35:40 | 0:35:44 | |
and you find the right buyer, you really can make a decent profit. | 0:35:44 | 0:35:48 | |
Mark heads east for his next sale all the way to Maldon, in Essex. | 0:35:48 | 0:35:53 | |
I'm hoping I find a buyer for one of my favourite pieces, | 0:35:53 | 0:35:56 | |
the Lalique charger. His name is Robin, he's an auctioneer. | 0:35:56 | 0:36:00 | |
He does collect Art Deco, so who knows? | 0:36:00 | 0:36:03 | |
I might be in for a bumper auction result. | 0:36:03 | 0:36:06 | |
HE LAUGHS | 0:36:06 | 0:36:08 | |
Remember, he paid just over £103 for the dish. | 0:36:08 | 0:36:12 | |
Robin, I know you like Lalique, don't you? | 0:36:12 | 0:36:14 | |
Yeah, my sister is the avid Lalique collector in the family. | 0:36:14 | 0:36:17 | |
-It's not the oldest piece, obviously. -No, it's not. | 0:36:17 | 0:36:19 | |
-But it's not a new piece. -No. It's not. -It's 50, 60 years old. | 0:36:19 | 0:36:22 | |
Yes, I think it's just after the war. | 0:36:22 | 0:36:24 | |
I think it's just after Lalique died. | 0:36:24 | 0:36:27 | |
Maybe early 1950s. | 0:36:27 | 0:36:28 | |
-Yeah, I can... -I think that's right. | 0:36:28 | 0:36:31 | |
I did give you an estimate of 200 to 300. | 0:36:31 | 0:36:34 | |
Now you've seen in the flesh, | 0:36:34 | 0:36:36 | |
is it something you feel you could make an offer on? | 0:36:36 | 0:36:38 | |
I could make an offer, | 0:36:38 | 0:36:39 | |
but I do think you might be slightly disappointed. | 0:36:39 | 0:36:41 | |
-Now I've seen it... -Oh, dear. -..so your 200 to 300... | 0:36:41 | 0:36:44 | |
There's nothing wrong with ambition. | 0:36:44 | 0:36:46 | |
Well, we all have ambition, don't we? | 0:36:46 | 0:36:48 | |
We all have ambition in life, Robin. What would you think of? | 0:36:48 | 0:36:52 | |
I'd probably be looking around about £100. | 0:36:52 | 0:36:54 | |
Oh, that's too low. That's too low, that's less than I paid for it, to be honest with you. | 0:36:54 | 0:36:58 | |
So, you are saying 200, so 150 is sort of midway. | 0:36:58 | 0:37:02 | |
It is sort of midway. Could I possibly squeeze you to 160? | 0:37:02 | 0:37:06 | |
-That's it, 160. -Thank you, Robin. | 0:37:08 | 0:37:10 | |
My sister will be happy she's got a gift. | 0:37:10 | 0:37:13 | |
Mark makes £56.30 on the Lalique dish | 0:37:13 | 0:37:16 | |
and gets three-two lead, but not for long. | 0:37:16 | 0:37:19 | |
Christina is hoping to light up her profit margins with her glass lamp. | 0:37:19 | 0:37:23 | |
I'm here in Teddington where I've heard about a shop, which is | 0:37:24 | 0:37:27 | |
a bespoke lifestyle retailer. | 0:37:27 | 0:37:29 | |
Now, they sell one-off really, really quirky, wonderful things. | 0:37:29 | 0:37:32 | |
I'm hoping they might be interested in my lamp, | 0:37:32 | 0:37:34 | |
which I've had PAT tested. | 0:37:34 | 0:37:37 | |
And with the cost of that electrical test, the lampshade now stands | 0:37:37 | 0:37:40 | |
at just over £28, so will creative director Kate see a profit in it? | 0:37:40 | 0:37:46 | |
We spoke on the phone and I tracked you down because I read that | 0:37:46 | 0:37:50 | |
your shop does wonderfully eclectic things | 0:37:50 | 0:37:52 | |
and you might be interested in glass, Kate. | 0:37:52 | 0:37:54 | |
-Well, we do so glass. We do. -OK. | 0:37:54 | 0:37:56 | |
It tends to be mid-century, kind of coloured. | 0:37:56 | 0:38:00 | |
When you say mid-century, would sort of...about five years ago work? | 0:38:00 | 0:38:04 | |
That's fairly contemporary, really, isn't it? | 0:38:04 | 0:38:06 | |
I'm always interested in having a look, actually, so, yeah. | 0:38:06 | 0:38:09 | |
Well, I have just wandered into your shop randomly, | 0:38:09 | 0:38:11 | |
-holding a light fitting. -Ah! | 0:38:11 | 0:38:13 | |
This would be the one. | 0:38:13 | 0:38:15 | |
It is quite wonderful in its simplicity, | 0:38:15 | 0:38:17 | |
but, at the same time, there might be a few chips... | 0:38:17 | 0:38:21 | |
Hm, I did spot that. | 0:38:21 | 0:38:23 | |
I don't think we'd be able to sell it to anyone else. | 0:38:23 | 0:38:26 | |
OK, well, I have had a PAT tested, | 0:38:26 | 0:38:28 | |
so it is safe and ready to go. | 0:38:28 | 0:38:29 | |
-So, potentially, we could use it even as a display piece? -Exactly! | 0:38:29 | 0:38:33 | |
-Yeah. -OK, I'm liking that. That sounds good. | 0:38:33 | 0:38:36 | |
I was hoping for maybe £50, £60 for it. | 0:38:36 | 0:38:38 | |
-KATE INHALES SHARPLY -To be quite honest, | 0:38:38 | 0:38:41 | |
I'd be kind of starting at about 20. | 0:38:41 | 0:38:43 | |
Oof. OK. What about £30? | 0:38:43 | 0:38:46 | |
-PAT tested? -Yeah. | 0:38:46 | 0:38:48 | |
-OK. -£30? -We'll do that. | 0:38:48 | 0:38:50 | |
-I'm happy at £30. -OK. | 0:38:50 | 0:38:52 | |
Well done, Kate. I wish you many happy hours with your new... | 0:38:52 | 0:38:54 | |
-Thank you very much. Come back... Ooh! -..hall lantern. | 0:38:54 | 0:38:56 | |
-Oh, it's yours now. -THEY LAUGH | 0:38:56 | 0:38:59 | |
I haven't given you the money yet. | 0:38:59 | 0:39:01 | |
Yes, with the £6 PAT-testing bill, | 0:39:01 | 0:39:03 | |
Christina makes £1.78 for the lantern. | 0:39:03 | 0:39:07 | |
Not the biggest profit so far, but while she licks her wounds, | 0:39:07 | 0:39:10 | |
let's take a glance at the scores so far. | 0:39:10 | 0:39:13 | |
Mark Stacey has sold three items, | 0:39:14 | 0:39:16 | |
racking up a profit of £160. | 0:39:16 | 0:39:20 | |
Christina has also sold three | 0:39:20 | 0:39:22 | |
and is only a few pounds behind - £152.15 so far. | 0:39:22 | 0:39:26 | |
Yes, Mark has a slight lead on The Magpie, | 0:39:28 | 0:39:31 | |
so it's important he doesn't put a foot wrong, | 0:39:31 | 0:39:33 | |
until he does just that. | 0:39:33 | 0:39:37 | |
After an unfortunate trip, our hero ends up with his leg in plaster, | 0:39:37 | 0:39:41 | |
so he decides to call his opponent to give her an update. | 0:39:41 | 0:39:45 | |
-OVER PHONE: -'You know when I said break a leg?' | 0:39:47 | 0:39:49 | |
-I didn't actually mean it. -'I knew it was your fault.' | 0:39:49 | 0:39:51 | |
Listen, how's the foreign market for you? | 0:39:51 | 0:39:53 | |
-'That lovely weather vane.' -I haven't sold that yet. | 0:39:53 | 0:39:57 | |
That was the star of the show for me. | 0:39:57 | 0:39:59 | |
Oh, you were very jealous about that, weren't you, darling? | 0:39:59 | 0:40:01 | |
-No, I do, I love it. -How have you been getting on? | 0:40:01 | 0:40:03 | |
'Well, profits have been reasonable,' | 0:40:03 | 0:40:05 | |
but I had a whole schedule of things | 0:40:05 | 0:40:07 | |
to do, and then of course this puts you back to square one, as it were. | 0:40:07 | 0:40:11 | |
Oh, sweetheart. Well, look, very, very best of luck. | 0:40:11 | 0:40:14 | |
-'And to you, Christina.' -'Break a leg.' | 0:40:14 | 0:40:16 | |
-HE LAUGHS -She said break a leg again. | 0:40:16 | 0:40:19 | |
What's she trying to do, sabotage me completely? Help. | 0:40:19 | 0:40:23 | |
Yes, well, while Christina shows a modicum of concern, | 0:40:23 | 0:40:27 | |
it does mean she has a slight advantage. | 0:40:27 | 0:40:29 | |
With Mark temporarily laid up, she can race ahead with her sales. | 0:40:29 | 0:40:34 | |
So, with her biggest purchase in hand, The Magpie | 0:40:34 | 0:40:37 | |
flutters down to the capital to see whether a fair wind is blowing. | 0:40:37 | 0:40:41 | |
I'll let you into a little secret - | 0:40:41 | 0:40:42 | |
I'm really rather nervous about this. | 0:40:42 | 0:40:44 | |
I spent an awful lot of money on this weather vane | 0:40:44 | 0:40:46 | |
because I absolutely adored it. | 0:40:46 | 0:40:48 | |
I've brought it down to London with me | 0:40:48 | 0:40:50 | |
to visit a chap called Robert Young, | 0:40:50 | 0:40:51 | |
who has a reputation as being the UK's leading folk art specialist. | 0:40:51 | 0:40:55 | |
I sincerely hope he likes it. | 0:40:55 | 0:40:57 | |
Well, let's hope he does, as Christina paid a whopping £281. | 0:40:57 | 0:41:02 | |
-She may need more than just luck. -How lovely to meet you. | 0:41:02 | 0:41:06 | |
We spoke on the phone about my weather vane. | 0:41:06 | 0:41:08 | |
What do you think now you've seen it in the flesh? | 0:41:08 | 0:41:11 | |
-It's got some good points and some bad, to be honest. -OK. | 0:41:11 | 0:41:14 | |
What we like about this, what's nice about the movement... | 0:41:14 | 0:41:17 | |
-It has got something nice. -A little bit. | 0:41:17 | 0:41:20 | |
..is the long back, the longer than normal back. | 0:41:21 | 0:41:24 | |
You know, it's elongated, so it's not anatomically correct. | 0:41:24 | 0:41:28 | |
And so that accentuates the movement. | 0:41:28 | 0:41:30 | |
And is that good that it's not anatomically...? | 0:41:30 | 0:41:32 | |
For this it is, because what's important about this is the movement. | 0:41:32 | 0:41:35 | |
And it's lived on a building and it's lasted. | 0:41:35 | 0:41:37 | |
This is a sensitive point here where... | 0:41:37 | 0:41:39 | |
Yeah, I was worried about that. | 0:41:39 | 0:41:41 | |
But actually that's quite a good sign. | 0:41:41 | 0:41:43 | |
-Oh, good! -Because you can't fake that. -It's... | 0:41:43 | 0:41:46 | |
-What we don't like is the fact that it has been interfered with. -Right. | 0:41:46 | 0:41:51 | |
This paint is not old. It's not original to it. | 0:41:51 | 0:41:55 | |
-And we know that because you can see... -It's all flaking off. | 0:41:55 | 0:41:57 | |
-Not only that, but it's painted over rust. -Oh. | 0:41:57 | 0:42:01 | |
And then on the other side, I noticed when we were looking | 0:42:01 | 0:42:03 | |
at it, you see it's got a rather sort of grotty feeling. | 0:42:03 | 0:42:07 | |
-Someone has put wax... -Grotty?! Grotty. What? | 0:42:07 | 0:42:11 | |
-SHE LAUGHS -It's got a waxy sort of... | 0:42:11 | 0:42:13 | |
-It's been worked. -So, you don't like it, but you do like it. | 0:42:13 | 0:42:16 | |
I think you do like it, really. | 0:42:16 | 0:42:19 | |
Um...I do quite like it, yeah. | 0:42:19 | 0:42:22 | |
Phew! He likes it. Now, what about the price? | 0:42:22 | 0:42:26 | |
Well, having done a very brief look online, | 0:42:26 | 0:42:30 | |
-I would be hoping for maybe £600 or £700 for it. -You'd be lucky. | 0:42:30 | 0:42:34 | |
-Oh, really? -The problem is that we have to do work to it, | 0:42:34 | 0:42:37 | |
and we don't like doing work to anything. | 0:42:37 | 0:42:39 | |
-I wouldn't be able to pay you more than 500. -More than £500. | 0:42:39 | 0:42:44 | |
Are you absolutely sure? | 0:42:44 | 0:42:46 | |
I can make it a little bit less if you want. | 0:42:46 | 0:42:47 | |
-No, no, don't do that! -THEY LAUGH | 0:42:47 | 0:42:50 | |
£500, Robert, we have a deal. | 0:42:50 | 0:42:52 | |
Thank you very, very much. | 0:42:52 | 0:42:54 | |
Would you look at that, she paid big but made big. | 0:42:54 | 0:42:57 | |
The weather vane spins a whacking profit of £218.52, | 0:42:57 | 0:43:03 | |
by cleverly tracking down the perfect buyer. | 0:43:03 | 0:43:06 | |
Fantastic, just over £200 profit, but the real bonus for me | 0:43:06 | 0:43:10 | |
is the fact I've managed to find somebody who appreciates that | 0:43:10 | 0:43:12 | |
weather vane as much as I did. I'm gutted to have sold it. | 0:43:12 | 0:43:15 | |
But never mind, let's hope it will be plain sailing from here on in. | 0:43:15 | 0:43:20 | |
Now, while Mark is nursing a broken leg, he has managed to make it | 0:43:20 | 0:43:24 | |
to London and he is heading to the City College of Acupuncture, | 0:43:24 | 0:43:27 | |
but the only health he's worried about is that of his profits. | 0:43:27 | 0:43:31 | |
So, he's on a research mission - | 0:43:31 | 0:43:33 | |
firstly, to find out what his model was used for | 0:43:33 | 0:43:36 | |
but also about acupuncture in general. | 0:43:36 | 0:43:39 | |
These nuggets of information will hopefully help his sales technique. | 0:43:39 | 0:43:43 | |
He's meeting head lecturer Anand. | 0:43:43 | 0:43:45 | |
Have you seen this type of model before? | 0:43:46 | 0:43:49 | |
Yes, it's pretty standard, actually. | 0:43:49 | 0:43:51 | |
Basically, he's a 3-D map of the body | 0:43:51 | 0:43:53 | |
with what we call channels on there, which these lines are. | 0:43:53 | 0:43:58 | |
The little dots that are on it are actually acupuncture points. | 0:43:58 | 0:44:01 | |
So, the practitioner would know where the points are on the body. | 0:44:01 | 0:44:05 | |
At City College Acupuncture, we use them all the time for teaching purposes. | 0:44:05 | 0:44:08 | |
-Actually here, look at our one. -Oh, yes. | 0:44:08 | 0:44:10 | |
Much smaller. It's a female. | 0:44:10 | 0:44:12 | |
-And this is accurate, is it, as far as you can see? -Yes, it is. It is. | 0:44:12 | 0:44:16 | |
-Yeah. -I think this one is probably 30 years old or something like | 0:44:16 | 0:44:20 | |
-that, looking at it. -Yeah. | 0:44:20 | 0:44:21 | |
When did acupuncture start? | 0:44:21 | 0:44:24 | |
It's got a history going back a couple of thousand years in China. | 0:44:24 | 0:44:27 | |
-Really? -Yeah. -I'm trying to get my head around this cos I mean, I'm not | 0:44:27 | 0:44:31 | |
a lover of needles, like most people, I think... | 0:44:31 | 0:44:33 | |
-Yeah, I'm exactly the same. -..even taking a blood test or whatever. | 0:44:33 | 0:44:36 | |
But how can a needle going into a point in the palm of your | 0:44:36 | 0:44:41 | |
hand affect the pain in your hand or whatever it is? | 0:44:41 | 0:44:45 | |
OK, if we look at, say... | 0:44:45 | 0:44:47 | |
Apply acupuncture for treating a muscle contraction, | 0:44:47 | 0:44:52 | |
what you do, put them needle in | 0:44:52 | 0:44:54 | |
and the body's reaction to being invaded by something | 0:44:54 | 0:44:57 | |
is to flood that area with blood, specifically where the | 0:44:57 | 0:45:00 | |
injury is and that rehydrates that muscle, which allows it to | 0:45:00 | 0:45:04 | |
relax, which takes pressure off the nerve and stops pain. | 0:45:04 | 0:45:08 | |
-Gosh! -So, it's actually quite a simple idea. | 0:45:08 | 0:45:11 | |
Well, as you can see, I've fractured my leg. | 0:45:11 | 0:45:14 | |
Is there anything acupuncture can do for me, do you think? | 0:45:14 | 0:45:17 | |
-I... Yeah, most definitely. -Should we have a go? -Yeah, sure. -Great. | 0:45:17 | 0:45:21 | |
So, it's time to put the theory into practice. | 0:45:21 | 0:45:25 | |
I think because I've put more emphasis in on this side of | 0:45:25 | 0:45:30 | |
the crutches when I use them, | 0:45:30 | 0:45:32 | |
I have got a bit of an ache around the shoulder joint there. | 0:45:32 | 0:45:34 | |
-OK, that makes perfect sense. -Is there is that something you could | 0:45:34 | 0:45:37 | |
-maybe help with? -Yeah, of course. | 0:45:37 | 0:45:39 | |
What I have is a small needle here. | 0:45:40 | 0:45:42 | |
This is as fine as I hair, so you won't actually feel anything. | 0:45:42 | 0:45:46 | |
-My finger might cause a little discomfort. -Are you sure? -I'm positive. | 0:45:46 | 0:45:49 | |
Pushing what's called a guide tube will anaesthetize the area. | 0:45:49 | 0:45:52 | |
And that's the needle. | 0:45:52 | 0:45:54 | |
-Oh! I... Is it in already? -Yeah. | 0:45:54 | 0:45:56 | |
-Oh! It is in. I didn't feel a thing. -Good. | 0:45:56 | 0:46:00 | |
Don't try this at home. | 0:46:00 | 0:46:02 | |
I'm so relaxed. It really has sort of... I can't believe it. | 0:46:02 | 0:46:06 | |
Don't ask me how, but it has really taken that pain away. | 0:46:06 | 0:46:11 | |
I've learned so much about acupuncture, | 0:46:11 | 0:46:13 | |
and do you know what, I really get the point. | 0:46:13 | 0:46:17 | |
Yeah, but don't get too relaxed, Mark. | 0:46:17 | 0:46:19 | |
There's a competition to be won and you still haven't sold the model. | 0:46:19 | 0:46:23 | |
Christina is also doing some investigating. | 0:46:23 | 0:46:26 | |
Yes, our Magpie has decided to take her own bird head to a bird park. | 0:46:26 | 0:46:31 | |
She's gone in search of a match. | 0:46:31 | 0:46:33 | |
I'm here in Farnham to meet a chap called Duncan, | 0:46:33 | 0:46:36 | |
who is the curator at Birdworld here. | 0:46:36 | 0:46:38 | |
I'm hoping that Duncan might be able to identify this little chap for me | 0:46:38 | 0:46:41 | |
and perhaps with that knowledge, I might be able to get a better price. | 0:46:41 | 0:46:45 | |
Who knows? Let's go and find out. | 0:46:45 | 0:46:47 | |
Do you recognise this? | 0:46:47 | 0:46:49 | |
It looks a bit like you? | 0:46:49 | 0:46:50 | |
Not quite a long enough beak, though, darling, I'm afraid. | 0:46:50 | 0:46:53 | |
SHE LAUGHS | 0:46:53 | 0:46:56 | |
Do you think it's a dodo? Is this a dodo? | 0:46:56 | 0:46:59 | |
He agrees! | 0:47:01 | 0:47:02 | |
Yes, well, having limited success asking the birds, | 0:47:03 | 0:47:07 | |
Christina moves on to a human in the form of Duncan. | 0:47:07 | 0:47:10 | |
Tell me about the fascination in bird-watching cos it seems to me | 0:47:10 | 0:47:13 | |
that there has been quite a resurgence and interest in birds | 0:47:13 | 0:47:16 | |
-and watching them. -Yeah, it's always been there. | 0:47:16 | 0:47:19 | |
You know, the Victorians started out with bird-watching. | 0:47:19 | 0:47:21 | |
They didn't watch so much as shoot and stuff and collect eggs | 0:47:21 | 0:47:25 | |
-and that sort of thing. -Yeah. Not great for conservation. | 0:47:25 | 0:47:28 | |
Not great for conservation, but conservation wasn't really a concept then. | 0:47:28 | 0:47:32 | |
Cos often you do find, especially in the antiques world, | 0:47:32 | 0:47:35 | |
that it was when Darwin published his theory of evolution, | 0:47:35 | 0:47:37 | |
from then onwards, there was sort of this massive explosion of interest | 0:47:37 | 0:47:40 | |
in the natural world, wasn't there? | 0:47:40 | 0:47:42 | |
You know, Darwin got on to places like the Galapagos Islands | 0:47:42 | 0:47:44 | |
where it Darwin's finches, which led into the theory of | 0:47:44 | 0:47:47 | |
evolution, which was the start of the whole real conservation ideas. | 0:47:47 | 0:47:52 | |
-Yeah. -He came up with that. Birds led to that. And move forward. | 0:47:52 | 0:47:56 | |
Yeah, God bless Origin Of The Species, eh? | 0:47:56 | 0:47:58 | |
Oh, absolutely. | 0:47:58 | 0:48:00 | |
In 1859, Charles Darwin's On The Origin Of Species marked | 0:48:00 | 0:48:05 | |
a turning point in Victorian Britain and intensified its | 0:48:05 | 0:48:08 | |
interest in the natural world. | 0:48:08 | 0:48:10 | |
Increasingly, everyday objects were decorated with flora, | 0:48:10 | 0:48:13 | |
fauna and unusual species. | 0:48:13 | 0:48:16 | |
Newly discovered animals became fashionable | 0:48:16 | 0:48:18 | |
as subjects for paintings and prints. | 0:48:18 | 0:48:21 | |
And whilst this was also the time when conservationism came about, | 0:48:21 | 0:48:24 | |
ironically, it was also the heyday for taxidermy. | 0:48:24 | 0:48:28 | |
Poor little birdies. | 0:48:28 | 0:48:30 | |
See, I think this is Victorian and I think it kind of ties in with | 0:48:30 | 0:48:33 | |
that whole Victorian love of the natural world. | 0:48:33 | 0:48:37 | |
Would that be right? | 0:48:37 | 0:48:39 | |
Well, it's the sort of thing they'd do, for sure. | 0:48:39 | 0:48:42 | |
Yeah, what do you think it is? | 0:48:42 | 0:48:44 | |
Well, I jokingly said it might be a dodo | 0:48:44 | 0:48:47 | |
and that's why it might be incredibly rare. | 0:48:47 | 0:48:49 | |
-OK. If it was a real dodo, it would be very rare. -Yes, exactly. | 0:48:49 | 0:48:53 | |
-But it's nothing like a dodo. -Oh. OK. | 0:48:53 | 0:48:56 | |
-If I tell you a dodo is a pigeon, from the pigeon family. -Really? | 0:48:56 | 0:49:00 | |
Yeah. A big pigeon, but a pigeon. | 0:49:00 | 0:49:02 | |
-Dodos are pigeons? -Yeah. | 0:49:02 | 0:49:04 | |
-Absolutely. -Really? -Yeah, yeah. -Hm! | 0:49:04 | 0:49:06 | |
Now, think about what you know about a pigeon, what it looks like. | 0:49:06 | 0:49:08 | |
-Does that look anything like a pigeon? -Not really. -No. | 0:49:08 | 0:49:12 | |
No, it's nothing like a pigeon. | 0:49:12 | 0:49:15 | |
Luckily, Duncan thinks he knows what it might be. | 0:49:15 | 0:49:18 | |
So, these guys in here are looking like they might be better | 0:49:18 | 0:49:20 | |
potentials for this. | 0:49:20 | 0:49:23 | |
Yeah, we haven't got any exactly like that in here, | 0:49:23 | 0:49:26 | |
but these are waders, which I believe this is. | 0:49:26 | 0:49:29 | |
I think, looking at the shape of the beak, it's got a fairly constant | 0:49:29 | 0:49:32 | |
curve going on from end-to-end, I think it's actually a curlew. | 0:49:32 | 0:49:36 | |
-A curlew. -Which is a fairly common British bird, OK? | 0:49:36 | 0:49:41 | |
Certainly would have been around in huge numbers in Victorian times. | 0:49:41 | 0:49:44 | |
Amazing, yeah. | 0:49:44 | 0:49:45 | |
They would have also eaten them quite well and quite widely | 0:49:45 | 0:49:48 | |
-at that time. -Really? -Oh, yeah. -You would have eaten a curlew? | 0:49:48 | 0:49:50 | |
-Personally, I wouldn't, but the Victorians would have. -Really? | 0:49:50 | 0:49:53 | |
-Oh, yeah. -Can we feed these guys? -Yeah, we can. -Hello. | 0:49:53 | 0:49:55 | |
So, just toss a few down. | 0:49:55 | 0:49:57 | |
-Who are you? Oh, my God! -That's Wally. | 0:49:57 | 0:50:00 | |
-Hello, Wally. -He's in northern bald ibis. | 0:50:00 | 0:50:02 | |
You notice he has got a beak very similar to your walking stick cane. | 0:50:02 | 0:50:05 | |
-Yes, it's curved down. -Curved down all the way through. | 0:50:05 | 0:50:08 | |
And he'll feed in a very similar way to the curlew. | 0:50:08 | 0:50:10 | |
-Hello, Wally, can I stroke you? -'Course you can. | 0:50:10 | 0:50:12 | |
-WALLY SQUAWKS -Oh! I don't think Wally likes me. | 0:50:12 | 0:50:15 | |
-Nice and gentle. -Can I? Ow! | 0:50:15 | 0:50:17 | |
-Oh, is it the diamond ring? -I don't think Wally... Oh, really? | 0:50:17 | 0:50:21 | |
Yes, Wally does appear to have taken a strong dislike to The Magpie, | 0:50:21 | 0:50:24 | |
but now that Christina has established | 0:50:24 | 0:50:27 | |
that her bird is a curlew, | 0:50:27 | 0:50:28 | |
all she needs to do is peck out a profit and sell the piece. | 0:50:28 | 0:50:33 | |
Mark, meanwhile, still has two more items of his selling conundrum | 0:50:33 | 0:50:36 | |
and he's up next. | 0:50:36 | 0:50:38 | |
He's taking his acupuncture model to Ramsgate-based antiques collector Vicky. | 0:50:38 | 0:50:42 | |
So he's been pricked and poked about in the name of profit, | 0:50:42 | 0:50:46 | |
but will it earn him more than the £63 he paid for it? | 0:50:46 | 0:50:50 | |
-What do you think about it? -I love it. I love his face. | 0:50:50 | 0:50:53 | |
-It's very vintage, isn't it? -Yes. -Movie stars from the '50s, | 0:50:53 | 0:50:56 | |
they're very chiselled, aren't they? Very sort of upright. | 0:50:56 | 0:50:59 | |
He's a good-looking lad, isn't he? He's got many attributes about him. | 0:50:59 | 0:51:04 | |
-Yes. -All right, keep it clean, Stacey! | 0:51:04 | 0:51:07 | |
And obviously he was originally used as an acupuncture model to | 0:51:07 | 0:51:11 | |
show patients their points, their power points. | 0:51:11 | 0:51:15 | |
And actually, I went to an acupuncture college and met | 0:51:15 | 0:51:18 | |
a senior lecturer in acupuncture and he informs me | 0:51:18 | 0:51:20 | |
that all of these sort of channel lines, you know, | 0:51:20 | 0:51:23 | |
where they put all the needles, are absolutely accurate. | 0:51:23 | 0:51:27 | |
And the history of acupuncture stretches back for over 2,000 years. | 0:51:27 | 0:51:30 | |
Wow! I'm definitely interested. | 0:51:30 | 0:51:33 | |
I was kind of thinking around the 100 mark. | 0:51:33 | 0:51:36 | |
Is there any way I could force you up another tenner? | 0:51:36 | 0:51:40 | |
-Yes. -Are you sure? -Let's do it. -Because I still think, actually, | 0:51:40 | 0:51:43 | |
if you decide to sell, there's a bit of a profit margin. | 0:51:43 | 0:51:46 | |
There's still something in it for me. | 0:51:46 | 0:51:47 | |
But I think you're going to have him for a while. | 0:51:47 | 0:51:49 | |
-I do think so. -Let's shake on 110. | 0:51:49 | 0:51:51 | |
Mark makes a profit of £47.04 for the model | 0:51:51 | 0:51:55 | |
and he's down to his final item, | 0:51:55 | 0:51:57 | |
so heads further along the coast with his amethyst-mounted | 0:51:57 | 0:52:00 | |
bronze beast, and he's hoping Hove-based collector Sue will | 0:52:00 | 0:52:04 | |
want to pay more than the £51 he paid for it. | 0:52:04 | 0:52:08 | |
Sue, as soon as I saw this, I thought of you. | 0:52:08 | 0:52:11 | |
It's lovely to be thought of. Isn't it beautiful? | 0:52:11 | 0:52:14 | |
Oh, I do like that, Mark. | 0:52:14 | 0:52:15 | |
I don't think I have seen one quite like this before. I mean... | 0:52:15 | 0:52:18 | |
The detail on the fur and painting of the eyes, | 0:52:18 | 0:52:20 | |
-I think there's a certain amount of quality there. -There is. | 0:52:20 | 0:52:23 | |
It would fit in with your collection, Sue. | 0:52:23 | 0:52:25 | |
A lot of it depends on how expensive you are. | 0:52:25 | 0:52:28 | |
Well, I was hoping for sort of around 120-150. Is that...? | 0:52:28 | 0:52:33 | |
I'll give you 100 but no more. | 0:52:33 | 0:52:36 | |
You've got that look on, haven't you? | 0:52:36 | 0:52:38 | |
Well, I'm not going to shake your hand, shall we have a cuddle? | 0:52:38 | 0:52:40 | |
-Awww... -Thank you so much. I knew you'd love it. | 0:52:40 | 0:52:43 | |
Well, the rules do state that a handshake seals the deal, | 0:52:43 | 0:52:46 | |
but on this occasion, a cuddle seems to suffice. | 0:52:46 | 0:52:49 | |
Well, he has got a broken leg. | 0:52:49 | 0:52:51 | |
Mark nearly doubles his money and makes £48.15 for his deer, | 0:52:51 | 0:52:56 | |
and he's done. | 0:52:56 | 0:52:59 | |
Well, I'm pleased with that. | 0:52:59 | 0:53:00 | |
You know, it's so nice when you find the right buyer for something | 0:53:00 | 0:53:03 | |
and as soon as I saw that, I knew Sue would love it. | 0:53:03 | 0:53:07 | |
And I've made a jolly good profit on it. | 0:53:07 | 0:53:10 | |
And what's more, I'm all sold up for the foreign market. | 0:53:10 | 0:53:14 | |
Having been pecked within an inch of her life, | 0:53:14 | 0:53:16 | |
Christina has made her way to London armed with her silver bird head | 0:53:16 | 0:53:21 | |
and the knowledge of what it is. | 0:53:21 | 0:53:23 | |
So, I know what this is, but I don't know what went here, sadly. | 0:53:23 | 0:53:26 | |
I've come to Michael German Antiques in London | 0:53:26 | 0:53:28 | |
to meet a chap called Dominic. | 0:53:28 | 0:53:29 | |
Hopefully he'll be able to enlighten me | 0:53:29 | 0:53:31 | |
as to exactly what it was used for. And he might even want to buy it. | 0:53:31 | 0:53:35 | |
Remember, her ornithological objet d'art cost her almost £6. | 0:53:36 | 0:53:41 | |
My goodness, this is a treasure trove, is it not? | 0:53:41 | 0:53:43 | |
Well, there's quite a few things in here. We pack it all in. | 0:53:43 | 0:53:47 | |
So, tell me about the history of the walking cane. | 0:53:47 | 0:53:49 | |
I assume it grew out of necessity, did it not? | 0:53:49 | 0:53:51 | |
I mean, if you had a walking cane... | 0:53:51 | 0:53:53 | |
-But then it became a subject of fashion. -It did. | 0:53:53 | 0:53:56 | |
People very much confuse them for ambulatory aids, | 0:53:56 | 0:53:59 | |
but in fact the canes we sell are mainly from the Victorian period | 0:53:59 | 0:54:04 | |
and they were primarily a fashion accessory. | 0:54:04 | 0:54:06 | |
Truly, perhaps, the first fashion accessory. | 0:54:06 | 0:54:09 | |
We've been talking a lot about walking canes, | 0:54:09 | 0:54:12 | |
and what I've brought you, I'm not entirely sure | 0:54:12 | 0:54:14 | |
-it was a walking cane head. -Right. | 0:54:14 | 0:54:16 | |
-Shall I show you? -Go on, then. | 0:54:16 | 0:54:18 | |
-Ta-da! -Goodness! Yes, that is... | 0:54:18 | 0:54:22 | |
-Are you thoroughly underwhelmed? -Well, no, it's... | 0:54:22 | 0:54:25 | |
It's not without charm, is it? | 0:54:25 | 0:54:26 | |
Now, what type of bird head? | 0:54:26 | 0:54:28 | |
-Ah! Now, I can enlighten you as to this. -Can you? -It is a curlew. | 0:54:28 | 0:54:32 | |
Well, I wouldn't have guessed, but that adds to its value and... | 0:54:32 | 0:54:35 | |
Whereas sort of plain ducks and birds and swans, | 0:54:35 | 0:54:40 | |
but ducks and swans are perhaps the most common, | 0:54:40 | 0:54:42 | |
being a curlew adds to its interest. | 0:54:42 | 0:54:44 | |
I was confused because obviously this section here is rectangular. | 0:54:44 | 0:54:48 | |
Generally speaking, obviously the cane handles tend to be | 0:54:48 | 0:54:52 | |
-round in diameter. -Exactly. | 0:54:52 | 0:54:54 | |
And this would imply, to me, that it's come from a parasol originally. | 0:54:54 | 0:54:59 | |
Right. What do you think would be a fair price? | 0:54:59 | 0:55:03 | |
What would you be willing to pay for it? | 0:55:03 | 0:55:05 | |
Well, 55 would be the very, very best. | 0:55:05 | 0:55:07 | |
-I'm very happy at £55. -Good. -Absolutely. | 0:55:07 | 0:55:10 | |
Thank you very much. | 0:55:10 | 0:55:12 | |
Christina makes a final profit of £49.07 for the silver curlew | 0:55:12 | 0:55:15 | |
and she's all sold up. | 0:55:15 | 0:55:16 | |
Fantastic. What more could a girl want? | 0:55:18 | 0:55:20 | |
I found out that it was a curlew, | 0:55:20 | 0:55:22 | |
I found out that it was a parasol handle and I sold it for a profit. | 0:55:22 | 0:55:26 | |
The final piece of a jigsaw puzzle is now complete. | 0:55:26 | 0:55:28 | |
But was it enough for her to take flight and win today's competition? | 0:55:28 | 0:55:33 | |
All will soon be revealed, | 0:55:33 | 0:55:34 | |
but first, let's see what they spent in Belgium. | 0:55:34 | 0:55:37 | |
Having each started the day with £750 worth of euros to spend, | 0:55:37 | 0:55:42 | |
Mark made five purchases and spent £414.81. | 0:55:42 | 0:55:47 | |
Christina also took home five items and, with electrical tests, | 0:55:47 | 0:55:51 | |
spent marginally more - £445.26. | 0:55:51 | 0:55:55 | |
But who has made the most profit? | 0:55:55 | 0:55:58 | |
All the money from today's challenge | 0:55:58 | 0:55:59 | |
will go to Mark and Christina's chosen charities, | 0:55:59 | 0:56:02 | |
so let's find out who is our | 0:56:02 | 0:56:04 | |
Put Your Money Where Your Mouth Is champion. | 0:56:04 | 0:56:07 | |
-Christina, we did have fun in Belgium, didn't we? -Didn't we just! | 0:56:08 | 0:56:12 | |
-We started in the dark... -I know! You bought some lovely things. | 0:56:12 | 0:56:15 | |
-Oh, that weather vane! -I loved that weather vane. | 0:56:15 | 0:56:18 | |
I'm dreading the result on that one. | 0:56:18 | 0:56:20 | |
What about your weird and wacky and wonderful wax things? | 0:56:20 | 0:56:23 | |
The ex votos. | 0:56:23 | 0:56:25 | |
-What? -Ex votos, they're called. -Oh, OK. How fascinating! | 0:56:25 | 0:56:28 | |
And I sold them to a wonderful macabre museum in Hackney, | 0:56:28 | 0:56:32 | |
-in London. -That sounds exciting. -Which is great. -Yeah. | 0:56:32 | 0:56:35 | |
You bought some other lovely things as well, didn't you? | 0:56:35 | 0:56:37 | |
That lovely dodo walking stick. | 0:56:37 | 0:56:39 | |
-Which wasn't a dodo. -Really? -Yeah. -Oh! | 0:56:39 | 0:56:41 | |
-Surprisingly enough. -I was convinced! | 0:56:41 | 0:56:43 | |
I found out it was a curlew. | 0:56:43 | 0:56:45 | |
It would have been so much rarer had it been a dodo. | 0:56:45 | 0:56:47 | |
Wouldn't it just! I would have made much more money, probably. | 0:56:47 | 0:56:52 | |
What about your lovely little Bergmann bronze? | 0:56:52 | 0:56:54 | |
Yes, the little chamois. Well, I found a right buyer for it. | 0:56:54 | 0:56:58 | |
-I did all right on that, actually. -Oh, good, well done. | 0:56:58 | 0:57:01 | |
How all right did you do? I'm intrigued. | 0:57:01 | 0:57:03 | |
-Oh, ready, after three? -OK. | 0:57:03 | 0:57:05 | |
-Ready? -One... -BOTH: Two, three. | 0:57:05 | 0:57:09 | |
-Oh, Christina! Well done! -Oh, my goodness! | 0:57:09 | 0:57:13 | |
-That was amazing! -What was your biggest profit? | 0:57:13 | 0:57:15 | |
What was my biggest profit? I think it has to be the weather vane. | 0:57:15 | 0:57:19 | |
-What did you make on it? -I sold it for £500. | 0:57:19 | 0:57:21 | |
-You did very well. -I was very pleased, | 0:57:21 | 0:57:24 | |
but bearing in mind what you've been through, | 0:57:24 | 0:57:26 | |
I think that is phenomenal. | 0:57:26 | 0:57:27 | |
I'm very happy, and well done, you. Congratulations. | 0:57:27 | 0:57:30 | |
Thank you. Come on, we need to get inside and get a cup of tea. | 0:57:30 | 0:57:32 | |
-You need to get that leg up. -I'll... | 0:57:32 | 0:57:34 | |
CHRISTINA LAUGHS | 0:57:34 | 0:57:36 | |
And so Christina is the winner, having made triple-figure | 0:57:38 | 0:57:41 | |
profits on the dressing case and the weather vane. | 0:57:41 | 0:57:44 | |
I can't believe it. I really can't believe it. | 0:57:45 | 0:57:47 | |
It just goes to show that all that hard work wasn't in vain. | 0:57:47 | 0:57:51 | |
Christina trumped me with that wonderful weather vane. | 0:57:51 | 0:57:54 | |
I wish I'd seen that. The wind was in her favour. | 0:57:54 | 0:57:59 | |
Together, they raised over £670 for good causes | 0:57:59 | 0:58:02 | |
and for Mark, that's The Dream Factory in Essex. | 0:58:02 | 0:58:06 | |
My charity is a small charity who make dreams come true for | 0:58:06 | 0:58:10 | |
children and young adults with life-limiting | 0:58:10 | 0:58:13 | |
and severe disablement. | 0:58:13 | 0:58:14 | |
My profits will be going to the Beechtree Community Centre | 0:58:14 | 0:58:17 | |
in Whitchurch, which includes a day centre for elderly people to | 0:58:17 | 0:58:20 | |
combat loneliness and isolation within the community. | 0:58:20 | 0:58:23 | |
It's been a roller-coaster ride of thrills and spills and our | 0:58:23 | 0:58:26 | |
excellent experts really have put their money where their | 0:58:26 | 0:58:28 | |
mouths are and shown they can make a convincing profit from buying | 0:58:28 | 0:58:32 | |
and selling antiques when their own money is on the line. | 0:58:32 | 0:58:35 |