Browse content similar to James Braxton v Kate Bliss - Auction. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is Put Your Money Where Your Mouth Is, the show that pitches TV's | 0:00:02 | 0:00:05 | |
best loved antiques experts against each other, in an all out | 0:00:05 | 0:00:08 | |
battle for profit. | 0:00:08 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:12 | |
Each week, one pair of duelling dealers will face a different | 0:00:12 | 0:00:16 | |
daily challenge. | 0:00:16 | 0:00:17 | |
I've got an 'eavy profit here. | 0:00:17 | 0:00:19 | |
Putting their reputations on the line. | 0:00:19 | 0:00:21 | |
Who's there? | 0:00:21 | 0:00:23 | |
They'll give you the insiders view of the trade. | 0:00:23 | 0:00:26 | |
Along with their top tips and savvy secrets. | 0:00:27 | 0:00:30 | |
- That could present a problem for me. | 0:00:30 | 0:00:32 | |
Showing you how to make the most money... | 0:00:32 | 0:00:35 | |
Ready for battle. | 0:00:35 | 0:00:36 | |
..from buying and selling. | 0:00:37 | 0:00:39 | |
Get in there. | 0:00:39 | 0:00:40 | |
Coming up, Kate's got her eye on a growing collectors trend. | 0:00:42 | 0:00:46 | |
There is a buoyant market for ophthalmic antiques. Look at those. | 0:00:46 | 0:00:51 | |
James has delusions of grandeur when it comes to pet beds. | 0:00:51 | 0:00:54 | |
Not really for me, is it? I think it has the look of a dog basket. | 0:00:55 | 0:00:59 | |
And Kate takes to the open road in search of profit. | 0:01:00 | 0:01:04 | |
On a hot summer's day, there would not be a better way to travel. | 0:01:04 | 0:01:09 | |
This is Put Your Money Where Your Mouth Is. | 0:01:09 | 0:01:11 | |
Ah, Kent. The Garden Of England, peaceful, beautiful, restful. | 0:01:29 | 0:01:34 | |
Yes, this is just the calm before the storm, as the tranquillity | 0:01:36 | 0:01:39 | |
of this quintessentially English countryside is about to be | 0:01:39 | 0:01:42 | |
shattered by two raging warhorses of worthy wares. | 0:01:42 | 0:01:46 | |
Fighting for Sussex, it's the auction room assassin. | 0:01:48 | 0:01:51 | |
Knowledge is his armour, and bidding prowess is his sword. | 0:01:51 | 0:01:55 | |
Why, it's... | 0:01:55 | 0:01:56 | |
Always a good thing to unsettle your opponent. | 0:01:59 | 0:02:01 | |
And flying the flag for Herefordshire is a cunning | 0:02:01 | 0:02:04 | |
combatant. She's got style, she's got stealth, | 0:02:04 | 0:02:07 | |
and she won't stop until she's got the wealth. | 0:02:07 | 0:02:10 | |
I'm quite excited. | 0:02:14 | 0:02:15 | |
Today's battleground is the Hop Farm auction room, an eclectic | 0:02:15 | 0:02:19 | |
sale where our daring duo will both be risking £1,000 of their own money. | 0:02:19 | 0:02:25 | |
And all the profit they make will go to charities of their choice, | 0:02:25 | 0:02:28 | |
so, bidding cards at the ready. | 0:02:28 | 0:02:31 | |
James Braxton and Kate Bliss, | 0:02:31 | 0:02:34 | |
it's time to put your money where your mouth is. | 0:02:34 | 0:02:37 | |
-Morning, James! -Morning, Kate, how are you? | 0:02:39 | 0:02:41 | |
Well I'm well considering the long trek down here, | 0:02:41 | 0:02:43 | |
of course it's a stones throw for you. | 0:02:43 | 0:02:45 | |
Yes, welcome to Kent, it's about an hour for me. Home territory. | 0:02:45 | 0:02:49 | |
Well, I actually had a really good run down yesterday, | 0:02:49 | 0:02:51 | |
from Herefordshire, and I had a little pop in to the auction | 0:02:51 | 0:02:54 | |
-house, just before they closed... -What's it like? | 0:02:54 | 0:02:56 | |
..and had a little look. Well, it's certainly variety. | 0:02:56 | 0:03:00 | |
Variety - now that's a euphemism, isn't it? | 0:03:00 | 0:03:03 | |
No, it's quite a mixed bag, | 0:03:03 | 0:03:05 | |
but I think most things look fairly affordable, so I think even | 0:03:05 | 0:03:09 | |
I might struggle to spend the whole £1,000 that we've got to spend. | 0:03:09 | 0:03:13 | |
-That's of course including the buyer's premium, isn't it? -Right. | 0:03:13 | 0:03:16 | |
So that's rather like a film really, it's billing. General Items, starring Some Antiques. | 0:03:16 | 0:03:22 | |
-Well, yes. -Go on, show me, show me. | 0:03:23 | 0:03:26 | |
So, James is going in blind - he could have previewed the sale | 0:03:28 | 0:03:32 | |
last night as well, but he chose not to. | 0:03:32 | 0:03:35 | |
A sign of a confident Bingo, perhaps. | 0:03:35 | 0:03:38 | |
Remember, both of our gavel grafters are auctioneers by trade, | 0:03:38 | 0:03:42 | |
and even though Kate has done her homework, with over 650 varied | 0:03:42 | 0:03:46 | |
lots going under the hammer, she can only have scratched the surface. | 0:03:46 | 0:03:50 | |
So, she will still need a good game plan. | 0:03:50 | 0:03:53 | |
My strategy today is to be absolutely | 0:03:54 | 0:03:57 | |
rigid about my price limits. | 0:03:57 | 0:03:59 | |
I think it's fair to say that I can get a little bit swept away | 0:03:59 | 0:04:02 | |
with the whole auction fever. And today, I'm going to be ruthless. | 0:04:02 | 0:04:06 | |
Stick to the limit, there's a competition to win. | 0:04:06 | 0:04:09 | |
Yes, Kate is planning to be super strict, and aim for self control. | 0:04:09 | 0:04:14 | |
Now, Bingo has had a chance to run his eye over the lots. | 0:04:14 | 0:04:17 | |
Has he spotted any gems amongst the junk? | 0:04:17 | 0:04:20 | |
It's a nice little auction room, in fact, the more I've looked, | 0:04:20 | 0:04:24 | |
the more I've marked. I'll know pretty quickly, | 0:04:24 | 0:04:28 | |
within the first ten lots, whether I'm going to have a good day, or a difficult one. | 0:04:28 | 0:04:32 | |
Bingo thinks he's got a few prize pieces up his sleeve, | 0:04:33 | 0:04:37 | |
but he's keeping an open mind. | 0:04:37 | 0:04:39 | |
There's a lot on offer here, so that could prove to be a canny tactic. | 0:04:39 | 0:04:43 | |
Determined not to be left in the dark, Kate's radar has detected a | 0:04:45 | 0:04:49 | |
retro lamp, with an estimate of £25 to £35, and her eyes have lit up. | 0:04:49 | 0:04:56 | |
Now, I think this little lamp is one of the grooviest pieces in the sale. | 0:04:56 | 0:05:00 | |
It dates from the 1960s, and its origins are in the Anglepoise lamp, | 0:05:00 | 0:05:04 | |
which was invented in the 1930s, by a man called George Carwardine. | 0:05:04 | 0:05:09 | |
Now, Carwardine invented a spring, which allowed the lamp to | 0:05:09 | 0:05:12 | |
move in every conceivable position, but to hold its position. | 0:05:12 | 0:05:16 | |
And that's exactly what we've got here. | 0:05:16 | 0:05:19 | |
Now, Carwardine gave the design to the manufacturers | 0:05:19 | 0:05:22 | |
Herbert Terry & Sons, who are based in Worcestershire, | 0:05:22 | 0:05:25 | |
and they devised the series of Anglepoise lamps. | 0:05:25 | 0:05:28 | |
This comes from their more futuristic series, the 2000 series, in the 1960s. | 0:05:28 | 0:05:34 | |
I love it. | 0:05:34 | 0:05:35 | |
Not to be outdone, James steams towards something he hopes | 0:05:37 | 0:05:40 | |
-will get him on the right track. -Now these are all railway signs. | 0:05:40 | 0:05:45 | |
Now, being a rail enthusiast, | 0:05:45 | 0:05:47 | |
of course I know exactly what yellow and blue means. | 0:05:47 | 0:05:51 | |
Regrettably, I don't, but I know somebody who does. | 0:05:51 | 0:05:55 | |
Generally made in Birmingham. | 0:05:55 | 0:05:57 | |
Most sort of metalwork's generally made in Birmingham. | 0:05:57 | 0:06:00 | |
£30 to £40 - that doesn't sound like too bad. | 0:06:00 | 0:06:04 | |
You know, if I was a railway enthusiast, | 0:06:04 | 0:06:06 | |
this is the sort of thing I'd want in my bedroom. | 0:06:06 | 0:06:09 | |
Hmm, I'm not sure Mrs Bingo would agree with that, James. | 0:06:09 | 0:06:12 | |
Meanwhile, refusing to be outmanoeuvred, | 0:06:12 | 0:06:14 | |
Kate eyeballs her next target, and brings it sharply into focus. | 0:06:14 | 0:06:19 | |
Now look what I've just found. | 0:06:19 | 0:06:21 | |
This is an optician's lens set, presumably for testing eyes, | 0:06:21 | 0:06:25 | |
and you've got numerous different lenses here, | 0:06:25 | 0:06:27 | |
and this is the frame to slot them in. Look at those. | 0:06:27 | 0:06:33 | |
Well, there is a buoyant market for ophthalmic antiques. | 0:06:33 | 0:06:37 | |
I haven't got a clue about these, but they look | 0:06:37 | 0:06:40 | |
quite funky, don't they? | 0:06:40 | 0:06:41 | |
Also with his eye on the prize, | 0:06:41 | 0:06:43 | |
-James has spotted a carved Indian seat. -Not really for me, is it? | 0:06:43 | 0:06:48 | |
I think it has the look of a dog basket. | 0:06:48 | 0:06:51 | |
Now, people are potty about their dogs. | 0:06:51 | 0:06:54 | |
You know, that is great, isn't it? If you want to spoil your doggy. | 0:06:54 | 0:06:59 | |
Not so sure about the ply, | 0:06:59 | 0:07:01 | |
but maybe the seat was sort of webbing underneath, | 0:07:01 | 0:07:05 | |
an Indian seat, and you'd have sort of luxurious cushions. £150 to £200. | 0:07:05 | 0:07:11 | |
I don't think its got a tremendous amount of age. | 0:07:11 | 0:07:14 | |
It's quite crudely carved, we've got | 0:07:14 | 0:07:16 | |
all these sort of guardian figures - musicians by the look of it. | 0:07:16 | 0:07:20 | |
But...with a cushion in there, great dog basket, fabulous dog basket. | 0:07:20 | 0:07:28 | |
Is he barking mad or a visionary genius? Only time will tell. | 0:07:28 | 0:07:33 | |
But, back in the land of the sensible, | 0:07:33 | 0:07:34 | |
Kate's decided it's time for tea. | 0:07:34 | 0:07:37 | |
This is a great little retro tea set. | 0:07:37 | 0:07:40 | |
It's known as Picquot Ware, and what we've got here is | 0:07:40 | 0:07:43 | |
an alloy of manganese and aluminium. | 0:07:43 | 0:07:45 | |
The pieces are cast as one piece, | 0:07:45 | 0:07:47 | |
to ensure there aren't any leaks around the spout, and then | 0:07:47 | 0:07:50 | |
it's polished, so it's not plated, it's just polished magnalium. | 0:07:50 | 0:07:55 | |
Now it's not rare, the products were quite prolific, but you've | 0:07:56 | 0:07:59 | |
got a nice four piece here and the tray, which you don't often see. | 0:07:59 | 0:08:04 | |
And I quite fancy it. The estimate is £65 to £75, | 0:08:04 | 0:08:07 | |
which is probably all the money at auction, | 0:08:07 | 0:08:09 | |
but if it goes a little bit cheaper, I'm after it. | 0:08:09 | 0:08:12 | |
So, they've both run the gauntlet of possible profit makers, | 0:08:14 | 0:08:17 | |
and without further ado, | 0:08:17 | 0:08:19 | |
it's time for our enemies to lower their visors and draw | 0:08:19 | 0:08:21 | |
their swords, because this is going to be a tense tussle for trinkets. | 0:08:21 | 0:08:25 | |
And as the auction gets going, James has carefully chosen | 0:08:25 | 0:08:29 | |
his vantage point for the proceedings. | 0:08:29 | 0:08:32 | |
Kate's just round the corner there, she can't see what I'm doing. | 0:08:32 | 0:08:36 | |
I might have a go at this glass vase, it's not my usual | 0:08:36 | 0:08:38 | |
sort of thing, it's sort of art glass, but I'll have a go. | 0:08:38 | 0:08:41 | |
If I get it for under a tenner, I'm a happy man. | 0:08:41 | 0:08:45 | |
22, the heavy studio coloured glass vase. £15 for this, £15. | 0:08:45 | 0:08:49 | |
I can hear James twitching there in the corner. | 0:08:50 | 0:08:52 | |
-I think he's bidding on this. -12 anywhere. £12 bid. | 0:08:52 | 0:08:57 | |
Oh he's got competition. | 0:08:57 | 0:08:59 | |
16. 16's there, 18. 20. | 0:09:00 | 0:09:03 | |
22. 24. | 0:09:04 | 0:09:06 | |
26. 28. | 0:09:06 | 0:09:09 | |
30. 32. 34. 36. | 0:09:09 | 0:09:12 | |
34's there, 36 in front. | 0:09:12 | 0:09:14 | |
And there's not just competition in the room, this sale is online, | 0:09:14 | 0:09:17 | |
and the invisible bidders, are closing in. | 0:09:17 | 0:09:21 | |
36 has jumped online. 36 has jumped, 38 to you sir. | 0:09:21 | 0:09:25 | |
38's there. At £38, in the room at 38. | 0:09:25 | 0:09:30 | |
GAVEL BANGS | 0:09:30 | 0:09:31 | |
-He's bought it. -Yes, James held firm and the vase is his | 0:09:31 | 0:09:35 | |
for £44.65 including fees. | 0:09:35 | 0:09:38 | |
That's more than four times the price he wanted to pay, | 0:09:38 | 0:09:41 | |
so does he still think there's a profit in it? | 0:09:41 | 0:09:44 | |
Here we are, rather interesting vase. | 0:09:44 | 0:09:46 | |
It's very colourful, and you've got these canes of glass, | 0:09:46 | 0:09:49 | |
multicoloured glass, he's chopped them at right angles, | 0:09:49 | 0:09:53 | |
and then they're inserted on the inside. | 0:09:53 | 0:09:56 | |
It's rough on the inside, smooth on the outside, | 0:09:56 | 0:09:59 | |
so it's obviously been polished or something. Profit or loss, hmm... | 0:09:59 | 0:10:03 | |
At the moment I think more the latter. | 0:10:03 | 0:10:06 | |
Uh-oh. Has James made a terrible mistake? | 0:10:06 | 0:10:09 | |
We'll have to wait and find out. | 0:10:09 | 0:10:11 | |
Bingo may be 1-0 up, | 0:10:11 | 0:10:13 | |
but Kate is about to launch her own covert attack. | 0:10:13 | 0:10:16 | |
Her target is a 19th century riding whip. | 0:10:16 | 0:10:19 | |
I'm talking really quietly cos I don't want James to hear. | 0:10:19 | 0:10:23 | |
Now this is a really nice piece. | 0:10:23 | 0:10:26 | |
They've actually catalogued it as a riding crop, and my idea | 0:10:26 | 0:10:29 | |
of a riding crop is quite a short whip, the kind that jockeys use. | 0:10:29 | 0:10:33 | |
This is actually a really long whip with a lovely long shaft handle, | 0:10:33 | 0:10:38 | |
and it's silver mounted. So I'd quite like this. | 0:10:38 | 0:10:42 | |
The estimate here is £50 to £70. | 0:10:42 | 0:10:46 | |
If I can get it for around there, we're looking good. | 0:10:46 | 0:10:49 | |
-1889 holly wood riding crop, silver tipped. £50 anywhere? -I'm waiting. | 0:10:49 | 0:10:54 | |
£45 it's got to be. £45 there. | 0:10:54 | 0:10:56 | |
Ooh, somebody's in. | 0:10:56 | 0:10:57 | |
45 there, 46 anywhere. 46, 48. | 0:10:57 | 0:11:00 | |
50, 55. | 0:11:00 | 0:11:01 | |
60, 65. | 0:11:01 | 0:11:03 | |
70, 75. | 0:11:03 | 0:11:05 | |
80, 85. | 0:11:05 | 0:11:06 | |
We're above the estimate. | 0:11:06 | 0:11:08 | |
Will Kate stick to her strategy of not pushing her prices? | 0:11:08 | 0:11:12 | |
120, 130. | 0:11:12 | 0:11:14 | |
Uh, no. | 0:11:14 | 0:11:15 | |
130's there, 140. At £130. | 0:11:15 | 0:11:19 | |
GAVEL BANGS | 0:11:19 | 0:11:20 | |
£130. What did I say about the strategy? | 0:11:20 | 0:11:25 | |
And with the auction fees added, that's a hefty outlay. | 0:11:25 | 0:11:28 | |
Now there's a buoyant market for horse riding | 0:11:31 | 0:11:33 | |
and racing associated items, and this whip is no exception. | 0:11:33 | 0:11:38 | |
It's got a lovely wooden shaft, with all these lovely knobbly bits on it, which are really tactile. | 0:11:38 | 0:11:43 | |
I think it's probably holly wood, and is in really nice condition. | 0:11:43 | 0:11:48 | |
This whip would either be used in carriage driving, or in lunging a horse, | 0:11:48 | 0:11:52 | |
which is used to direct the horse, so it's very definitely not an item of cruelty, | 0:11:52 | 0:11:58 | |
it's an item of instruction. Little bit of damage just to the end here. | 0:11:58 | 0:12:01 | |
It probably would have had a little leather piece on the end, | 0:12:01 | 0:12:04 | |
but I think it's a lovely thing, dating probably from | 0:12:04 | 0:12:07 | |
the late Victorian, early Edwardian period. | 0:12:07 | 0:12:10 | |
Our warriors are level pegging on one item a piece. | 0:12:10 | 0:12:12 | |
But, James soon chugs out in front. | 0:12:12 | 0:12:15 | |
He buys the three railway signals he saw earlier. | 0:12:15 | 0:12:18 | |
At £48. | 0:12:18 | 0:12:21 | |
-GAVEL BANGS -171. | 0:12:21 | 0:12:23 | |
And he's chuffed to bits. | 0:12:25 | 0:12:27 | |
-I'm very happy. -And there's now no stopping him. | 0:12:28 | 0:12:31 | |
Up next is the carved Indian seat/dog bed he spotted earlier. | 0:12:31 | 0:12:35 | |
-And he's about to go fetch. -130 anywhere? | 0:12:35 | 0:12:39 | |
130. Thank you sir. 140 anywhere? | 0:12:39 | 0:12:42 | |
-Let the show begin. -130's in the room, 140 next if you want. | 0:12:42 | 0:12:46 | |
At 130, maiden bid, it's going. At 130. | 0:12:46 | 0:12:50 | |
GAVEL BANGS | 0:12:50 | 0:12:51 | |
130. Get in there, cheap. | 0:12:51 | 0:12:53 | |
Cheap. | 0:12:56 | 0:12:57 | |
I think he's chuffed with that. | 0:12:57 | 0:12:59 | |
He is indeed, with auction fees, Bingo pays.. | 0:12:59 | 0:13:02 | |
And he's blazing ahead with three items to Kate's one. | 0:13:06 | 0:13:09 | |
But Miss Bliss is back by royal appointment, | 0:13:09 | 0:13:12 | |
and has found something palatial to take a flutter on. | 0:13:12 | 0:13:16 | |
It's a little model of Queen Mary's dollhouse, | 0:13:16 | 0:13:20 | |
and I think it's quite sweet. | 0:13:20 | 0:13:21 | |
I think Kate looks rather anxious, I think she's preparing to bid, | 0:13:21 | 0:13:25 | |
so ears open, eyes open, let's see what she's going for. | 0:13:25 | 0:13:29 | |
-Is he on Her Majesty's Secret Service? -James is spying on me. | 0:13:29 | 0:13:34 | |
The guide price is £20 to £25 | 0:13:34 | 0:13:37 | |
and Kate is about to make a distinctly un-royal cheeky offer. | 0:13:37 | 0:13:40 | |
What can I do you? | 0:13:43 | 0:13:44 | |
15 I can do, has to be. 15? | 0:13:44 | 0:13:50 | |
Thank you very much, 15's there, 16 anywhere else? | 0:13:50 | 0:13:52 | |
Go on, keep bidding. Somebody bid. | 0:13:52 | 0:13:54 | |
At £15, she takes it at 15. | 0:13:54 | 0:13:56 | |
GAVEL BANGS | 0:13:56 | 0:13:57 | |
-Yes! 15. -Kate pays.. | 0:13:57 | 0:13:59 | |
..and is jubilant. | 0:14:02 | 0:14:04 | |
It's a piece of Cauldon Ware china, known as Parian Ware, which is | 0:14:04 | 0:14:07 | |
the name for white china, which is then glazed. | 0:14:07 | 0:14:10 | |
And it dates from the early part of the 20th century. | 0:14:10 | 0:14:13 | |
But this was made to commemorate the Queen's dollhouse. | 0:14:13 | 0:14:18 | |
I think this is going to appeal to people who love royalist | 0:14:18 | 0:14:21 | |
memorabilia, but also to people who love dollhouses. | 0:14:21 | 0:14:25 | |
And that flurry of bidding brings us to the halfway mark, so let's | 0:14:25 | 0:14:29 | |
find out who's leading the charge and who's waving the white flag. | 0:14:29 | 0:14:33 | |
-How are you doing? -I've bought a couple. -Yeah. -Bought a couple. | 0:14:58 | 0:15:03 | |
Chuffed with what you've got? | 0:15:03 | 0:15:05 | |
Uhh, one I paid too much for, one I paid all right for, | 0:15:06 | 0:15:09 | |
-and the third one, I got a bargain. -OK, well, can't be bad, evens out. | 0:15:09 | 0:15:15 | |
It's all right, isn't it? | 0:15:15 | 0:15:16 | |
I think I probably paid too much for one, definitely, | 0:15:16 | 0:15:19 | |
and the other one was a bargain, but, hmm, | 0:15:19 | 0:15:22 | |
I don't know whether there's a strong market for it. We'll see. | 0:15:24 | 0:15:27 | |
Good luck. | 0:15:27 | 0:15:29 | |
And after that brief ceasefire, | 0:15:29 | 0:15:30 | |
our dealing duo dot back to their trenches and take aim once more. | 0:15:30 | 0:15:35 | |
With no time to lose, Kate reveals her next plan of attack. | 0:15:35 | 0:15:39 | |
There's an orange glass lampshade just down here, that's coming | 0:15:39 | 0:15:43 | |
up in just a second, and they've catalogued it as Art Deco. | 0:15:43 | 0:15:46 | |
I think it's probably a bit later, but I might have a quick go at it. | 0:15:46 | 0:15:50 | |
The estimate is £5 to £10, so there could be a bright profit in it. | 0:15:50 | 0:15:54 | |
It's £5 for the lampshade. £5 anywhere, 5 I have there. £5.. | 0:15:54 | 0:15:59 | |
-Is that five? -Well it is in Roman numerals. | 0:15:59 | 0:16:02 | |
-At 5 it is.. -Get the hammer down. | 0:16:03 | 0:16:05 | |
£6. Are you bidding, sir? | 0:16:05 | 0:16:09 | |
You dare! | 0:16:09 | 0:16:10 | |
-Nope. -You dare! | 0:16:10 | 0:16:10 | |
Very generous of you. | 0:16:10 | 0:16:12 | |
For goodness' sake, I don't want it. | 0:16:12 | 0:16:14 | |
That was jolly lucky, I nearly got it for £6. | 0:16:16 | 0:16:18 | |
£5. The little devil, he nearly bid against me, just for the hell of it. | 0:16:18 | 0:16:23 | |
That is called one for spite. | 0:16:23 | 0:16:26 | |
Kate draws even with her third purchase, paying.. | 0:16:26 | 0:16:28 | |
But, will she be able to bask in the warm orange glow of profit? | 0:16:31 | 0:16:34 | |
I don't think it's particularly old, it's a great shape, | 0:16:34 | 0:16:38 | |
and it's got a wonderful retro look to it. | 0:16:38 | 0:16:40 | |
And lit up, she's going to look stunning. | 0:16:40 | 0:16:43 | |
And shine a light, she's at it again. | 0:16:43 | 0:16:47 | |
The 1960s lamp she spotted earlier, with a guide price of £25 to £35, | 0:16:47 | 0:16:51 | |
is up next, and she's bidding intently. | 0:16:51 | 0:16:54 | |
22 is with me, 24 if you want. | 0:16:54 | 0:16:56 | |
24 to you. 24 I'm out, 24 is in the room. | 0:16:56 | 0:16:59 | |
And the bidding steps up a gear. | 0:16:59 | 0:17:01 | |
46. 48. | 0:17:01 | 0:17:04 | |
50. | 0:17:05 | 0:17:07 | |
48 it is. Staying under the 50, at £48. Selling, at £48. | 0:17:07 | 0:17:13 | |
GAVEL BANGS | 0:17:13 | 0:17:14 | |
Yes. That's with me. 48. | 0:17:14 | 0:17:17 | |
Tenacious Kate held her ground, and sealed the deal. | 0:17:17 | 0:17:20 | |
That looks very stylish, | 0:17:22 | 0:17:23 | |
it's the first bid of Kate's I've quite liked. | 0:17:23 | 0:17:26 | |
Ooh, saucer of milk for one. | 0:17:27 | 0:17:29 | |
Now, Absolute Bliss is absolutely storming it, | 0:17:29 | 0:17:32 | |
and quickly extends her new lead, with the retro tea set. | 0:17:32 | 0:17:36 | |
At 55. | 0:17:36 | 0:17:38 | |
GAVEL BANGS Buying it under the estimate for.. | 0:17:38 | 0:17:40 | |
I'm chuffed with that. | 0:17:43 | 0:17:45 | |
Bingo's trailing 5-3 behind Kate, and the stress is getting to him. | 0:17:45 | 0:17:50 | |
The heart is going like that. So much pressure. | 0:17:50 | 0:17:54 | |
Ooh, steady on there, Bingo, don't keel over. | 0:17:54 | 0:17:57 | |
An Art Deco money box he likes the look of, with a guide | 0:17:57 | 0:17:59 | |
price of £10 to £15, is up next, so he could be in with a chance of catching up. | 0:17:59 | 0:18:05 | |
Right, this is my lot. | 0:18:06 | 0:18:07 | |
Oh, it looks absolutely rubbish on the photo, that's good. | 0:18:07 | 0:18:11 | |
£10 for this. £10. 10 I'm bid. | 0:18:11 | 0:18:13 | |
£12 for this. £12 sir? Thank you. | 0:18:13 | 0:18:16 | |
12 at the back, 14 anywhere. | 0:18:16 | 0:18:18 | |
£14 it is, if you want. | 0:18:18 | 0:18:20 | |
At £12, last chance. At 12. | 0:18:20 | 0:18:23 | |
GAVEL BANGS | 0:18:24 | 0:18:26 | |
£12 for the money box. Very pleased with that. | 0:18:26 | 0:18:29 | |
The penny's dropped and so has the hammer. | 0:18:29 | 0:18:31 | |
Bingo steals away the money box for.. | 0:18:31 | 0:18:33 | |
It's a humble money box. | 0:18:36 | 0:18:38 | |
But it has a really good look about it, it has the look of | 0:18:38 | 0:18:43 | |
PG Wodehouse about it. I'd say 1920s to 1930s, bit of damage there. | 0:18:43 | 0:18:47 | |
I think I could repair that. Here's our character. | 0:18:47 | 0:18:50 | |
I like this, I like cut-outs, because, funny enough, | 0:18:50 | 0:18:54 | |
they're only two dimensional, but they become animated, and he's | 0:18:54 | 0:18:58 | |
made a rather sedentary object into something like a bit of fun. | 0:18:58 | 0:19:03 | |
Our enterprising expert is really motoring now, | 0:19:03 | 0:19:06 | |
purchasing a handsome pair of vintage car badges. | 0:19:06 | 0:19:09 | |
Last chance, selling at 24, to 171. | 0:19:09 | 0:19:12 | |
This is turning into a close one. | 0:19:16 | 0:19:18 | |
The vintage optician's set that Kate had her eyes on earlier, with an | 0:19:18 | 0:19:21 | |
upper estimate of £150, is the next lot, | 0:19:21 | 0:19:25 | |
but there's already pre-bids on the books. | 0:19:25 | 0:19:28 | |
Starts at 85, 90 if you want. | 0:19:28 | 0:19:30 | |
-Ohh. -90 if you want on the set, £90 on the lens set, anywhere? | 0:19:30 | 0:19:35 | |
£90 on this, for 90, 95, 100. | 0:19:35 | 0:19:38 | |
-No. -100. 100 it's yours. | 0:19:38 | 0:19:41 | |
-Is she going to bid? -Go on, then. | 0:19:41 | 0:19:43 | |
100, you've got it. 100's yours. 110 anywhere else. | 0:19:43 | 0:19:47 | |
At 100. | 0:19:47 | 0:19:49 | |
GAVEL BANGS | 0:19:49 | 0:19:50 | |
Nope, that wasn't an optical illusion, folks. | 0:19:50 | 0:19:53 | |
In case you blinked and missed it, | 0:19:53 | 0:19:54 | |
here's Kate's lightning quick bidding reflexes again. | 0:19:54 | 0:19:58 | |
Like a coiled cobra she snatched the ophthalmic case for... | 0:20:01 | 0:20:04 | |
..and brings her purchases to six. | 0:20:07 | 0:20:09 | |
That's mine. | 0:20:10 | 0:20:11 | |
Bingo is once again eating Kate's dust, | 0:20:11 | 0:20:14 | |
but he's a brave little soldier, so he gets himself up, brushes himself | 0:20:14 | 0:20:18 | |
down, and goes into battle for something to drown his sorrows in. | 0:20:18 | 0:20:22 | |
Coming up, it's a rather nice Dimple whisky. Lovely. | 0:20:22 | 0:20:27 | |
589, £45 anywhere for this, 40 I'll go. | 0:20:27 | 0:20:33 | |
40 I'm in, thank you. 42 anywhere, 42's there, 44. | 0:20:33 | 0:20:37 | |
46. 44's there, 46 anywhere else? | 0:20:37 | 0:20:40 | |
At £44. | 0:20:40 | 0:20:42 | |
-GAVEL BANGS -Thank you. | 0:20:42 | 0:20:44 | |
Bingo seals the deal at... | 0:20:44 | 0:20:46 | |
..but can he pour a wee dram of profit? | 0:20:49 | 0:20:51 | |
70% proof, it's laid in somebody's sideboard, | 0:20:51 | 0:20:55 | |
it hasn't lost a lot, considering the stopper it's got. | 0:20:55 | 0:20:59 | |
There's quite a good market for old whisky, and this certainly is old. | 0:20:59 | 0:21:05 | |
Look at that - it's either '30s or '50s, by the lettering. | 0:21:05 | 0:21:10 | |
I think this is a winner, | 0:21:10 | 0:21:11 | |
and also, I get a little miniature as well with it. | 0:21:11 | 0:21:14 | |
It's rather sweet, isn't it? So we get the two together. | 0:21:14 | 0:21:17 | |
I'm fortunately able to sell single bottles like this, | 0:21:17 | 0:21:20 | |
because I have a personal license, so not only am I a landlord, | 0:21:20 | 0:21:24 | |
a publican, | 0:21:24 | 0:21:26 | |
but I also have a personal license to sell said wines and liquors. | 0:21:26 | 0:21:30 | |
-I think there's a good profit in those. -So, after James' final flutter, | 0:21:30 | 0:21:35 | |
let's call a temporary truce, as we tot up the totals. | 0:21:35 | 0:21:38 | |
James bought six lots. | 0:21:43 | 0:21:44 | |
Kate bought six lots. | 0:21:48 | 0:21:49 | |
But all that matters now is profit. | 0:21:53 | 0:21:55 | |
Our duelling dealers have had themselves a good clean scrap, | 0:21:56 | 0:22:00 | |
but what do they make of each other's spoils of war? | 0:22:00 | 0:22:03 | |
-So, how did it go? -Yes, very good. | 0:22:03 | 0:22:05 | |
I was determined not to go above the prices that I'd set. | 0:22:05 | 0:22:10 | |
-Did you set prices? -I set prices, and it went out of the window. | 0:22:10 | 0:22:13 | |
-Well you obviously need disciplining, what's this? -This? | 0:22:13 | 0:22:17 | |
-Actually this is one of my favourite items. -Is this for coaching? | 0:22:17 | 0:22:20 | |
Yes, or for carriage riding. | 0:22:20 | 0:22:21 | |
-I think carriage, because you've got length haven't you? -Yes. | 0:22:21 | 0:22:24 | |
What's going on with the spirits, then? | 0:22:24 | 0:22:26 | |
The spirits, well, I like this, it came out of a house clearance, | 0:22:26 | 0:22:29 | |
and I think this is from either the '30s or the '50s, | 0:22:29 | 0:22:31 | |
-and very little evaporation. -You sure it's whisky? | 0:22:31 | 0:22:36 | |
-Of course I'm sure it's whisky. -OK, OK. -What about the old spectacles? | 0:22:36 | 0:22:40 | |
I know there's a really buoyant collectors' | 0:22:40 | 0:22:42 | |
market for ophthalmic antiques, if you like. | 0:22:42 | 0:22:45 | |
-Is there? -Yes, oh yes. Tell me about this. | 0:22:45 | 0:22:49 | |
I'm going to find the most extraordinary dog owner in the UK, for a basket. | 0:22:50 | 0:22:55 | |
It sounds like you've got it sewn up. | 0:22:55 | 0:22:57 | |
Good luck. | 0:23:00 | 0:23:01 | |
The auction was but a warm-up battle for the main event - | 0:23:05 | 0:23:08 | |
out-and-out selling war. | 0:23:08 | 0:23:11 | |
For it's only now that our pair of auction action heroes | 0:23:11 | 0:23:14 | |
can prove they've got what it takes to defeat their nemesis. | 0:23:14 | 0:23:17 | |
Both now head back to their bunkers to plan a path to profit. | 0:23:18 | 0:23:22 | |
Over in his Sussex abode, James is rifling through his wares. | 0:23:22 | 0:23:27 | |
So, this is my selection from the auction. | 0:23:27 | 0:23:30 | |
This was the first thing, | 0:23:30 | 0:23:31 | |
these fabulous semaphore railway signal arms. | 0:23:31 | 0:23:35 | |
There's nothing reproduction about these. | 0:23:35 | 0:23:37 | |
You can see where they were bolted on to the mechanical arms, | 0:23:37 | 0:23:40 | |
so they're fun. | 0:23:40 | 0:23:42 | |
And I'm hoping to sell those to a great railway enthusiast. | 0:23:42 | 0:23:46 | |
And then, the next thing that leapt out at me | 0:23:46 | 0:23:49 | |
was this rather fun 1920s money box. | 0:23:49 | 0:23:51 | |
I think some lovely dad would have made that for a child or something. | 0:23:51 | 0:23:55 | |
In fact, funnily enough, I do the odd profile, | 0:23:55 | 0:23:58 | |
so that's my car with one of my sons, and it's rather fun. | 0:23:58 | 0:24:02 | |
You bring a photograph to life. | 0:24:02 | 0:24:04 | |
And then, our mighty dog basket here. | 0:24:04 | 0:24:07 | |
I think it was a sort of Indian musician's seat here. | 0:24:07 | 0:24:11 | |
But, from a musician's seat, | 0:24:11 | 0:24:13 | |
with the introduction of a small rug, it becomes a dog basket. | 0:24:13 | 0:24:17 | |
Ready for the European market. | 0:24:17 | 0:24:19 | |
Well, Miss Bliss, will you be in the basket, or will I be in the basket? | 0:24:19 | 0:24:23 | |
Well, let's hope nobody ends up in the basket. | 0:24:25 | 0:24:27 | |
So, James will also need to find buyers for his vintage whisky, | 0:24:27 | 0:24:31 | |
his glass vase, and his vintage car badges. | 0:24:31 | 0:24:35 | |
Over in her Herefordshire home, Kate is also looking through her lots. | 0:24:35 | 0:24:40 | |
Now, these are my more affordable items. | 0:24:40 | 0:24:43 | |
The model of the dollhouse is a bit of fun, and I'm hoping | 0:24:43 | 0:24:47 | |
I can find a royal memorabilia enthusiast who's going to love that. | 0:24:47 | 0:24:52 | |
Now, my lamp, I really loved. It's pretty groovy for me. | 0:24:52 | 0:24:56 | |
It's not the sort of thing I go for, 1960s lighting. | 0:24:56 | 0:25:00 | |
I've had it PAT tested, so it's all safe and legal, | 0:25:00 | 0:25:04 | |
and that's cost me around another tenner, so I'm really | 0:25:04 | 0:25:07 | |
hoping that will deliver the goods and bring me a profit. | 0:25:07 | 0:25:10 | |
But I have found a fabulous retro old electric shop. | 0:25:10 | 0:25:15 | |
It's right up their street, and I think, with a bit of luck, | 0:25:15 | 0:25:17 | |
they might take my glass lampshade as well. | 0:25:17 | 0:25:21 | |
Kate also has to find homes for her optician's set, | 0:25:21 | 0:25:25 | |
the retro tea set, and the Victorian riding crop. | 0:25:25 | 0:25:28 | |
Now, both our savvy sellers must begin the phone work, legwork, | 0:25:29 | 0:25:33 | |
and web work that will make their profits go stratospheric. | 0:25:33 | 0:25:37 | |
Don't forget, no deal is truly sealed until a hand is shaken, | 0:25:37 | 0:25:41 | |
and the money is taken. | 0:25:41 | 0:25:42 | |
James is first out of the station with the vintage railway signals | 0:25:45 | 0:25:49 | |
that cost him just over £56. | 0:25:49 | 0:25:51 | |
He's in rural Sussex to meet rail enthusiast David. | 0:25:52 | 0:25:55 | |
He's hoping he'll want to add the signals to his | 0:25:55 | 0:25:58 | |
impressive railway collection. | 0:25:58 | 0:25:59 | |
TRAIN WHISTLE BLASTS | 0:26:01 | 0:26:02 | |
Now, David, what are we surrounded by here? | 0:26:02 | 0:26:05 | |
We're surrounded by a multi-collection, | 0:26:05 | 0:26:08 | |
over many years, started a long time ago. | 0:26:08 | 0:26:11 | |
When I spoke to you on the phone, you immediately identified these | 0:26:11 | 0:26:14 | |
as a true enthusiast would, and you said something about semaphore. | 0:26:14 | 0:26:18 | |
What does that mean? | 0:26:18 | 0:26:20 | |
They're the old-fashioned way of signalling trains. | 0:26:21 | 0:26:24 | |
If you bought these, David, where would you put them? | 0:26:24 | 0:26:27 | |
Well, I would attempt to hang them up in here, believe it or not. | 0:26:27 | 0:26:30 | |
Yeah, they'll work really well, because you'll be able to get a nice fixing. | 0:26:30 | 0:26:33 | |
They would look particularly fine in here. | 0:26:33 | 0:26:36 | |
They'd bring a real bit of colour. | 0:26:36 | 0:26:38 | |
David, you would make me a very happy man if you paid £200 for them | 0:26:38 | 0:26:43 | |
How does that sound? | 0:26:43 | 0:26:45 | |
-A bit too much. -A bit too much. | 0:26:45 | 0:26:47 | |
What do you think they're worth? | 0:26:47 | 0:26:49 | |
-I think they'd be worth £120. -£120. Well, I tell you what, | 0:26:49 | 0:26:54 | |
can I tickle you up a bit? | 0:26:54 | 0:26:56 | |
-£150, and you've got a great deal. -£130. | 0:26:56 | 0:27:00 | |
-£135, and you've got yourself a deal. -All right, £135. | 0:27:00 | 0:27:03 | |
-Well done. -Yes, James read the signals | 0:27:03 | 0:27:06 | |
correctly and makes a profit of just under £79. | 0:27:06 | 0:27:09 | |
It's a strong start, and he chugs further up the profit track | 0:27:09 | 0:27:13 | |
when he sells his 1930s money box to collector of curiosities, Andy... | 0:27:13 | 0:27:18 | |
£50, put it there. | 0:27:18 | 0:27:19 | |
..popping another £35.90 worth of coins in his profit piggy bank. | 0:27:20 | 0:27:25 | |
So, what of Kate? | 0:27:26 | 0:27:28 | |
Well, she's in Hay-on-Wye with a cheeky plan for a double sale. | 0:27:28 | 0:27:32 | |
She hopes her PAT-tested 1960s lamp, | 0:27:32 | 0:27:35 | |
which now owes her just over £68, | 0:27:35 | 0:27:37 | |
and the glass lampshade which cost her just over a fiver, will | 0:27:37 | 0:27:41 | |
bathe vintage shop owner, Hannah, in a warm, orange, spend-inducing glow. | 0:27:41 | 0:27:45 | |
This is the lamp I told you about. It's by Herbert Terry. | 0:27:47 | 0:27:51 | |
This is called the "Eyeball Lamp." | 0:27:51 | 0:27:53 | |
It's very '60s, having that geometric shape, | 0:27:53 | 0:27:56 | |
and then that kind of eyeball... | 0:27:56 | 0:27:57 | |
-It's got a great '60s look to it, hasn't it? -Mmm. | 0:27:57 | 0:28:00 | |
Now, I bought this, and since buying it I've had it all safety tested. | 0:28:00 | 0:28:04 | |
It's in working order. What do you think? | 0:28:04 | 0:28:06 | |
Is it something that would go well in the shop? | 0:28:06 | 0:28:08 | |
It would fit really well in the shop, and I think customers | 0:28:08 | 0:28:12 | |
would like it, and hopefully I'd be able to sell it. | 0:28:12 | 0:28:14 | |
Obviously, that depends on what I'd be selling it for. | 0:28:14 | 0:28:17 | |
Well, just before I talk price on that, I have brought | 0:28:17 | 0:28:21 | |
something else, which I wondered might be up your street. | 0:28:21 | 0:28:25 | |
Now, I have noticed you've got one very similar... | 0:28:25 | 0:28:28 | |
-I think we've got one exactly the same. -..in the back of the shop. | 0:28:28 | 0:28:31 | |
So, I was wondering if you might like a nice pair. | 0:28:31 | 0:28:34 | |
A lovely pair of lampshades. I'd be very interested in that, too. | 0:28:34 | 0:28:37 | |
Great. I said, roughly, I know, | 0:28:37 | 0:28:40 | |
between £100-£200 in my email to you, for the lamp. | 0:28:40 | 0:28:43 | |
I think that's maybe a little bit high. | 0:28:43 | 0:28:45 | |
I would be happy to give you £80 for it, which would allow me | 0:28:45 | 0:28:48 | |
then to make a profit on top. | 0:28:48 | 0:28:50 | |
-What if we said...I was hoping for about £25 for the lampshade. -OK. | 0:28:50 | 0:28:55 | |
So... | 0:28:55 | 0:28:57 | |
So you could do me a good price at £100 for the two. | 0:28:57 | 0:28:59 | |
BOTH LAUGH | 0:28:59 | 0:29:01 | |
-Go on, then. That sounds like a good deal. -I'm happy with that. | 0:29:01 | 0:29:04 | |
-Brilliant. -Thank you. | 0:29:04 | 0:29:05 | |
So, that double sale makes Kate a combined profit of almost £26. | 0:29:05 | 0:29:09 | |
It's slightly less than she wanted, but, in terms of sales, | 0:29:09 | 0:29:13 | |
she's now level pegging with Bingo, | 0:29:13 | 0:29:15 | |
who, it seems, has decided to hit the bottle. | 0:29:15 | 0:29:18 | |
Oh, no, sorry, scrap that. He is actually working. | 0:29:18 | 0:29:20 | |
He's brought his vintage spirits to a London whisky bar to show | 0:29:20 | 0:29:24 | |
general managers, Lizzie and Jenny. | 0:29:24 | 0:29:26 | |
And he's hoping for a rosy-cheeked return on the £51 investment. | 0:29:26 | 0:29:31 | |
-Here are the bottles I sent you photos of. -Fantastic. | 0:29:31 | 0:29:34 | |
I bought these at auction, and I rather like... | 0:29:34 | 0:29:37 | |
-It's a very tactile bottle. -Yeah. | 0:29:37 | 0:29:39 | |
I wanted to try and date this, | 0:29:39 | 0:29:40 | |
and I thought, sort of, maybe 1940s or 50s, but then you think, | 0:29:40 | 0:29:45 | |
we were all at war, Second World War, up until '45. | 0:29:45 | 0:29:50 | |
So it's probably about, I think, 1950s, this bottle. | 0:29:50 | 0:29:54 | |
And are you both quite expert on this? | 0:29:54 | 0:29:57 | |
Dan, who's a real expert, so we might have to call him over | 0:29:57 | 0:30:00 | |
and see his thoughts. | 0:30:00 | 0:30:02 | |
-Dan is your expert? -Dan is our whisky man. | 0:30:02 | 0:30:04 | |
Send in the reinforcements. | 0:30:04 | 0:30:06 | |
-We're trying to date it, Dan. -The spring cap tells me it's | 0:30:06 | 0:30:10 | |
pre-1970s. The wire, because it's not gold, tells me it's pre-1958. | 0:30:10 | 0:30:16 | |
I would say this is a 1950s bottle. | 0:30:18 | 0:30:21 | |
-I'm happy with that. 60-year-old. -Can I ask a question? | 0:30:21 | 0:30:25 | |
Does this have any significance? | 0:30:25 | 0:30:27 | |
Do these come specifically as a pair, | 0:30:27 | 0:30:29 | |
or have they just been sold as a pair? | 0:30:29 | 0:30:32 | |
- I've never seen them with a miniature on the side. | 0:30:32 | 0:30:36 | |
Looks like a later addition. | 0:30:36 | 0:30:39 | |
Very good. Anyway, knotty question - price. | 0:30:39 | 0:30:41 | |
I was looking for around £300 for the two. | 0:30:41 | 0:30:43 | |
For the two. For me, that's a bit of a bonus, but this is the bottle of interest. | 0:30:43 | 0:30:48 | |
- That price may be in line with a bottle that has the box. | 0:30:48 | 0:30:53 | |
- Yeah. I'd be more, kind of, halving what you're looking for. | 0:30:53 | 0:30:58 | |
What, to around £200 is where you were thinking of, Lizzie? | 0:30:58 | 0:31:00 | |
Well, yeah, £170, probably. | 0:31:00 | 0:31:02 | |
How about a special price, £220? Go on, give me an offer. | 0:31:02 | 0:31:06 | |
-One... -£200. | 0:31:06 | 0:31:07 | |
-£190? -£190. Lizzie, come on. Thank you very much indeed. | 0:31:07 | 0:31:11 | |
-Thank you, Jenny. -Thank you. | 0:31:11 | 0:31:14 | |
That's the spirit. | 0:31:14 | 0:31:15 | |
James pours out a substantial £138.30 profit for the whisky, | 0:31:15 | 0:31:20 | |
and, capitalising on his earning streak, sells his glass vase | 0:31:20 | 0:31:25 | |
to St Leonards-on-Sea-based antiques dealer, Robert. | 0:31:25 | 0:31:28 | |
Put it there, £80. | 0:31:28 | 0:31:30 | |
And that £35.35 profit brings us to the halfway mark. | 0:31:32 | 0:31:35 | |
So, let's just see where things stand. | 0:31:35 | 0:31:37 | |
In the lead, James has sold four items, making a profit of £288.15, | 0:31:40 | 0:31:46 | |
while Kate has only sold two items, and notched up £25.98 in profit | 0:31:46 | 0:31:53 | |
So, Kate's got a lot of catching up to do in round two. | 0:31:54 | 0:31:58 | |
She'll need to whip up a frenzy of zealous buyers | 0:31:58 | 0:32:01 | |
if she's to overtake James, and... | 0:32:01 | 0:32:03 | |
Hold up. It looks like she means business. | 0:32:03 | 0:32:06 | |
# Whip crack-away | 0:32:06 | 0:32:07 | |
# Whip crack-away | 0:32:07 | 0:32:08 | |
# Whip crack-away... # | 0:32:08 | 0:32:10 | |
Costing over £150, | 0:32:10 | 0:32:12 | |
the late Victorian riding whip was Kate's most extravagant purchase, | 0:32:12 | 0:32:16 | |
so she'll need horse-and-carriage master Mark to dig deep. | 0:32:16 | 0:32:21 | |
-Hi, you must be Mark. -Pleased to meet you. -How do you do? | 0:32:21 | 0:32:23 | |
-And who are these fellows? -This is Apollo, and Harry there. | 0:32:23 | 0:32:27 | |
They are just gorgeous creatures, aren't they? | 0:32:27 | 0:32:29 | |
Well, this is the riding whip that I told you about. | 0:32:29 | 0:32:32 | |
It actually dates from the Victorian period, I think, this shaft, | 0:32:32 | 0:32:35 | |
-which is made of holly wood. -Yes, that's right. | 0:32:35 | 0:32:37 | |
Now, I know a lot of whips, and I would call it a coaching whip. | 0:32:37 | 0:32:41 | |
Would you call it a coaching whip, or a carriage whip? | 0:32:41 | 0:32:43 | |
-Yes. Yes, that would be right. -Because of the length of it? | 0:32:43 | 0:32:47 | |
Yes. And it would be used for a pair. | 0:32:47 | 0:32:49 | |
As you can see, the string on the end is quite short, | 0:32:49 | 0:32:54 | |
so it wouldn't quite reach in a team situation. | 0:32:54 | 0:32:57 | |
This is ideally used for a pair of horses. | 0:32:57 | 0:33:01 | |
-Well, do you need one, Mark? This is the question. -We do. -Do you?! | 0:33:01 | 0:33:04 | |
Yes, we've just broken our modern carbon fibre one, | 0:33:04 | 0:33:07 | |
so we are looking for one. | 0:33:07 | 0:33:09 | |
Well, how does £250 sound? | 0:33:09 | 0:33:13 | |
I think it sounds, erm, about our budget, more or less. | 0:33:13 | 0:33:17 | |
We wouldn't want to go any more, but it's a lovely piece. | 0:33:17 | 0:33:20 | |
It's a nice comfortable whip to hold, | 0:33:21 | 0:33:23 | |
and that's what really is most important, for me. | 0:33:23 | 0:33:25 | |
As well as that, it looks very striking, | 0:33:25 | 0:33:27 | |
and being Victorian, I think it would give the right impression. | 0:33:27 | 0:33:31 | |
-I'm happy with that, if you are. -Thanks very much. | 0:33:31 | 0:33:33 | |
-Fantastic. -Yes, super. | 0:33:33 | 0:33:35 | |
-Thank you very much. -Thank you. | 0:33:35 | 0:33:37 | |
Kate makes just over £97 profit, and, like a true pro, | 0:33:37 | 0:33:40 | |
insists on sticking around to make sure it works. | 0:33:40 | 0:33:43 | |
So, foot on here, there, and... | 0:33:50 | 0:33:52 | |
On a hot summer's day, there would not be a better way to travel. | 0:34:00 | 0:34:04 | |
But, Kate's not the kind of girl to tarry long in a carriage, | 0:34:04 | 0:34:08 | |
and quickly bolts to Shrewsbury, with her sights set firmly | 0:34:08 | 0:34:11 | |
on selling her antique optician's set to optometrist Alison. | 0:34:11 | 0:34:15 | |
Could I say £140? How does that sound? | 0:34:15 | 0:34:18 | |
£140 sounds fine. I would definitely go for that. Thank you very much. | 0:34:18 | 0:34:22 | |
-Wonderful. Thank you very much, Alison. -Shake on that. | 0:34:22 | 0:34:25 | |
Yes, that's a 20:20 profit of £22.50, | 0:34:25 | 0:34:28 | |
and there's just time to check that steely gaze. | 0:34:28 | 0:34:32 | |
So, nice healthy retinas, which is great news for you. | 0:34:32 | 0:34:35 | |
That is brilliant news. | 0:34:35 | 0:34:37 | |
Let's hope I've got an eye for a profit. | 0:34:37 | 0:34:40 | |
Oh, look out, Bingo! | 0:34:40 | 0:34:41 | |
He's on the road near Battle, | 0:34:41 | 0:34:43 | |
with the vintage Caravan Club badges that owe him just over £28. | 0:34:43 | 0:34:48 | |
He's hoping Jimmy, who's renovating a vintage American caravan, | 0:34:48 | 0:34:51 | |
can find a place to stick 'em. | 0:34:51 | 0:34:53 | |
-Permission to come aboard. -Hello James, how are you doing? | 0:34:55 | 0:34:58 | |
-Very good, Jimmy, how are you? -Yeah, good. Good to see you. | 0:34:58 | 0:35:01 | |
This is... | 0:35:01 | 0:35:02 | |
This looks absolutely fabulous from the outside, | 0:35:02 | 0:35:04 | |
-but the inside needs a bit of imagination, doesn't it? -It does, it does. | 0:35:04 | 0:35:07 | |
Jimmy, what are you hoping to do with this item? | 0:35:07 | 0:35:09 | |
-I'm hoping to turn it into a mobile cocktail bar. -Fabulous. | 0:35:09 | 0:35:12 | |
So that's the plan, yeah. | 0:35:12 | 0:35:14 | |
-Look, here is the great badge. -This is what we're here for. | 0:35:14 | 0:35:17 | |
The Caravan Club badge. | 0:35:17 | 0:35:18 | |
These were attached to badge rails on the front of the car. | 0:35:18 | 0:35:23 | |
I know it's 1950s or '60s. This is rather fun. | 0:35:23 | 0:35:26 | |
So, this shows you where the Caravan Club stems from, | 0:35:26 | 0:35:31 | |
this horseshoe, because caravans were towed by horses. | 0:35:31 | 0:35:34 | |
And also, a good luck symbol. | 0:35:34 | 0:35:36 | |
-Yeah. Horseshoe's a good luck symbol? -Good luck symbol. | 0:35:36 | 0:35:39 | |
Good to know, good to know. | 0:35:39 | 0:35:40 | |
And also, you get this funny fellow, which is slightly unassociated. | 0:35:40 | 0:35:44 | |
I don't think it's a car badge, but I tell you what you could do, | 0:35:44 | 0:35:47 | |
you could have "Star Cocktail" or something in there. | 0:35:47 | 0:35:49 | |
Yeah, yeah, exactly. Perfect. These are interesting to me. | 0:35:49 | 0:35:53 | |
I want to try and get, sort of, north of £50. How about £70? | 0:35:53 | 0:35:58 | |
How does that sound? | 0:35:58 | 0:35:59 | |
£70. Erm, a little bit steep to me. | 0:35:59 | 0:36:01 | |
I mean, you mentioned the figure | 0:36:01 | 0:36:03 | |
of £50, maybe we could meet in the middle at £60. | 0:36:03 | 0:36:05 | |
You've got yourself a deal. | 0:36:05 | 0:36:07 | |
-Deal. -Thank you, Jimmy. And best of luck with this. -Thank you very much. | 0:36:07 | 0:36:11 | |
He hitches up his profit wagon with that £31.80 gain, | 0:36:11 | 0:36:14 | |
and more than doubles his money. | 0:36:14 | 0:36:16 | |
Not to be outmanoeuvred, Kate takes her early 20th century model | 0:36:16 | 0:36:20 | |
of Queen Mary's dollhouse to show specialist George in Hay-on-Wye. | 0:36:20 | 0:36:25 | |
£40 will do. Thank you very much. | 0:36:25 | 0:36:28 | |
And walks out with a small but perfectly formed £22.37 profit. | 0:36:28 | 0:36:32 | |
Smashing! | 0:36:32 | 0:36:33 | |
With just one item left to sell, | 0:36:33 | 0:36:35 | |
Kate has brought her retro tea set to a vintage shop in Cheltenham. | 0:36:35 | 0:36:40 | |
It owes her just under £65, | 0:36:40 | 0:36:42 | |
so can she persuade owner Sylvia to take it off her hands for more? | 0:36:42 | 0:36:46 | |
I told you about this on the telephone - my Picquot Ware. | 0:36:47 | 0:36:50 | |
-Late 50s, early 60s, maybe. -Right, yeah. | 0:36:50 | 0:36:53 | |
-And it's got the name quite clearly on the bottom there. -I love it. | 0:36:53 | 0:36:58 | |
I really love it. | 0:36:58 | 0:36:59 | |
It's something that would really sell well in our shop. | 0:36:59 | 0:37:02 | |
Whether we get it for the price or not is a different story, so... | 0:37:02 | 0:37:06 | |
-OK, so we'd better talk price. -Well, can I just bring my husband in? | 0:37:06 | 0:37:09 | |
Because he really loves this type of stuff. | 0:37:09 | 0:37:12 | |
It's really his thing and he loves it. | 0:37:12 | 0:37:15 | |
Of course, you just want to gang up on me, don't you? Two against one. | 0:37:15 | 0:37:18 | |
I do, it's better in numbers. Paul! | 0:37:18 | 0:37:20 | |
Let's hope he's not too far... Oh, there he is. | 0:37:20 | 0:37:22 | |
I think this is a really nice example. It's all in good condition. | 0:37:22 | 0:37:25 | |
-Yeah, I can see that. -You've got the tray as well. | 0:37:25 | 0:37:28 | |
So, you know, the top end would be around the £150 mark. | 0:37:28 | 0:37:32 | |
-BOTH: Ooooh! PAUL: -Not much in it for us on the back end. | 0:37:32 | 0:37:35 | |
-SYLVIA: -Yeah, that would be far too high for us. -OK. | 0:37:35 | 0:37:38 | |
I would be quite happy to pay about £70 for it. That's a fair price. | 0:37:38 | 0:37:42 | |
Could you come up and meet me at, say, the £100 mark? | 0:37:42 | 0:37:45 | |
-How does that sound? -Still a wee bit high. - £80 sounds better. | 0:37:45 | 0:37:48 | |
I've come down quite a way. | 0:37:48 | 0:37:50 | |
We will go up a little bit more, if you want. - I think £80. | 0:37:50 | 0:37:54 | |
Kate's met her match here. Can she squeeze the price up any more? | 0:37:54 | 0:37:57 | |
-Why don't we say £90? You're really twisting my arm. -£90? -Final price. | 0:37:57 | 0:38:03 | |
-£90. -£90. Could you do 90? £90. Fantastic. -Sounds a good deal to me. | 0:38:03 | 0:38:08 | |
Thank you very much. | 0:38:08 | 0:38:09 | |
Oh, she did it. | 0:38:11 | 0:38:12 | |
Kate pours that final £25.37 into her profit pot, | 0:38:12 | 0:38:16 | |
and what does that mean, Kate? | 0:38:16 | 0:38:18 | |
I'm all sold up. | 0:38:18 | 0:38:20 | |
Well, I don't know what Bingo's doing, | 0:38:20 | 0:38:21 | |
but I'm going home for a nice cup of tea. | 0:38:21 | 0:38:24 | |
Yes, back in East Sussex, it's not quite tea-time for James, | 0:38:25 | 0:38:29 | |
as he has one more item left to shift. | 0:38:29 | 0:38:32 | |
And it's the one we've all been waiting for - | 0:38:32 | 0:38:34 | |
the carved Indian seat that James thought would make | 0:38:34 | 0:38:37 | |
a cracking dog bed. Hmm. | 0:38:37 | 0:38:39 | |
How's that going to go, then? | 0:38:39 | 0:38:41 | |
I've tried to find a passionate dog owner, but I came to a dead end, | 0:38:41 | 0:38:45 | |
so I've brought my exotic eastern seat to an exotic tent hire company. | 0:38:45 | 0:38:51 | |
It's too heavy for me to carry, so I've had it delivered. | 0:38:51 | 0:38:55 | |
SIGHS With the idea of costly canine sleeping solutions behind him, | 0:38:55 | 0:38:59 | |
Bingo's popped in a sort of brown cushion thing, | 0:38:59 | 0:39:01 | |
and is about to ender a whole new world of glamping. | 0:39:01 | 0:39:05 | |
The carved seat cost just over £152, but will James be | 0:39:09 | 0:39:13 | |
sitting on a profit when he shows it to company boss Catherine? | 0:39:13 | 0:39:17 | |
-Here is the item. -This is beautiful. | 0:39:17 | 0:39:20 | |
I have tried to get somebody with a dog, a passionate dog owner, | 0:39:20 | 0:39:25 | |
-and I've just come up against a brick wall, really. -Have you? | 0:39:25 | 0:39:30 | |
Well, I think maybe we can look at it in different ways. | 0:39:30 | 0:39:32 | |
Perhaps it doesn't have to be for a dog. | 0:39:32 | 0:39:34 | |
Perhaps it could be for a musician to sit in, in a tent. | 0:39:34 | 0:39:38 | |
I think it definitely was intended for that. A sitar player. | 0:39:38 | 0:39:42 | |
Do you know that, for definite? | 0:39:42 | 0:39:43 | |
I think so, because the figures on the legs are | 0:39:43 | 0:39:48 | |
emblematic of musicians. | 0:39:48 | 0:39:50 | |
Yep, there's lots of different musical instruments being | 0:39:50 | 0:39:53 | |
played on each of the legs. | 0:39:53 | 0:39:54 | |
I'm sure that, at some point in the future, a sitar player will sit | 0:39:54 | 0:39:58 | |
in this, in one of my tents, playing the sitar, | 0:39:58 | 0:40:01 | |
-for a Mhendi party or for a wedding or something. -Yeah. | 0:40:01 | 0:40:05 | |
It looks really lovely, really lovely piece. | 0:40:05 | 0:40:07 | |
I know exactly what I'm going to do with it. | 0:40:07 | 0:40:10 | |
Right, out with the cushion. | 0:40:10 | 0:40:11 | |
Out with the cushion, | 0:40:11 | 0:40:13 | |
in with something that's a little bit more fitting. | 0:40:13 | 0:40:17 | |
-Yeah. It's bringing more colour, isn't it? -Little bit more colour, exactly. | 0:40:17 | 0:40:21 | |
Yes, you can't have something brown in there, I don't think. | 0:40:21 | 0:40:24 | |
-It's transformed. -It is. | 0:40:24 | 0:40:26 | |
-Now, knotty business of price, Catherine. -Yes. | 0:40:28 | 0:40:30 | |
OK, how much do you want for it? | 0:40:32 | 0:40:35 | |
-I wanted to try and get about £220 for it. -OK, OK. | 0:40:35 | 0:40:40 | |
I think, actually, there's quite a lot there. | 0:40:40 | 0:40:44 | |
I think it's been used, I think it's quite nicely carved. | 0:40:44 | 0:40:48 | |
-Yeah, actually, you know what? I think that's a fair price. -OK. | 0:40:48 | 0:40:51 | |
-Catherine, thank you. -I'll go with that. -Thank you very much indeed. | 0:40:51 | 0:40:55 | |
And that final £67.25 profit signals the end of our selling spree. | 0:40:55 | 0:41:00 | |
So, who will take home the victory cup? | 0:41:00 | 0:41:02 | |
We'll find out soon, | 0:41:02 | 0:41:04 | |
but first, here's a reminder of how much they spent at auction. | 0:41:04 | 0:41:07 | |
Having each started the day with £1,000 to spend, | 0:41:10 | 0:41:12 | |
James bought six items, spending a total of £347.80. | 0:41:12 | 0:41:17 | |
Kate also bought six lots, spending £426.53, | 0:41:19 | 0:41:23 | |
including PAT testing costs. | 0:41:23 | 0:41:25 | |
But, who's made the most profit? | 0:41:25 | 0:41:27 | |
All of the money that James and Kate have made from today's | 0:41:28 | 0:41:31 | |
challenge will go to charities of their choice. | 0:41:31 | 0:41:33 | |
So, let's find out who is our Put Your Money Where Your Mouth Is champion. | 0:41:33 | 0:41:39 | |
-Hey. -Good to see you again. -You too. How are you? | 0:41:40 | 0:41:42 | |
Very good, very good, but how are you after all your selling? | 0:41:42 | 0:41:46 | |
Yeah, well, OK. I think it's fair to say, | 0:41:46 | 0:41:48 | |
at the auction, I bought a little | 0:41:48 | 0:41:49 | |
bit out of my comfort zone, but the selling was great fun. | 0:41:49 | 0:41:53 | |
-I had my eyes tested when I sold the optician's set. -All good? -All good. | 0:41:53 | 0:41:57 | |
-How about you? -Yeah, no, I did all right. | 0:41:57 | 0:42:00 | |
I went to see a most fabulous model railway set, | 0:42:00 | 0:42:04 | |
-and my whisky did all right. -Did it now? | 0:42:04 | 0:42:07 | |
Because I was a little bit dubious about that whisky. | 0:42:07 | 0:42:09 | |
I have to say, I did knock it. But it went well, did it? | 0:42:09 | 0:42:12 | |
It had age, that's the thing. | 0:42:12 | 0:42:14 | |
-OK, shall we find out. -Are we ready? | 0:42:14 | 0:42:16 | |
-I'm dying to find out. -Are you ready? | 0:42:16 | 0:42:18 | |
-Ready...go! -Go! | 0:42:18 | 0:42:19 | |
-Ooooooh! You've trounced me! -Kate. -Well done. | 0:42:21 | 0:42:26 | |
-Dear oh dear, what's going on? -£387! So, what was in the whisky? | 0:42:26 | 0:42:32 | |
-It was seriously old, was it? -Gold, Kate. Gold. | 0:42:32 | 0:42:35 | |
-Let me tell you about it. -You've done well. | 0:42:35 | 0:42:37 | |
-Let me tell you about it. -Congratulations. | 0:42:37 | 0:42:39 | |
JAMES LAUGHS | 0:42:39 | 0:42:40 | |
A convincing win from James, making more than double Kate's profit, | 0:42:40 | 0:42:44 | |
and it was the whisky that made him the most money. | 0:42:44 | 0:42:47 | |
I'm not just pleased, I'm absolutely delighted. | 0:42:47 | 0:42:49 | |
There seems to be gold in them whisky bottles. | 0:42:49 | 0:42:52 | |
Well, I am gutted. | 0:42:52 | 0:42:54 | |
Fair dos to Bingo, he has smashed me on that one. | 0:42:54 | 0:42:57 | |
But what I'm really cross about is that he spotted that whisky, | 0:42:57 | 0:43:00 | |
which to me looked disgusting, | 0:43:00 | 0:43:02 | |
and he couldn't have found a better person to sell it to. | 0:43:02 | 0:43:05 | |
Hats off, old boy. | 0:43:05 | 0:43:07 | |
But, never fear, determined Kate will come back fighting | 0:43:07 | 0:43:10 | |
tomorrow at a car boot sale in Lincolnshire. | 0:43:10 | 0:43:13 | |
Ooh! Oh! | 0:43:13 | 0:43:14 |