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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:12 | |
Each week, one pair of duelling dealers | 0:00:12 | 0:00:14 | |
will face a different daily challenge. | 0:00:14 | 0:00:17 | |
I've got a heavy profit here. | 0:00:17 | 0:00:19 | |
Putting their reputations on the line... | 0:00:19 | 0:00:21 | |
Who's there? | 0:00:21 | 0:00:23 | |
..they'll give you the insider's view of the trade... | 0:00:23 | 0:00:26 | |
HE GROWLS | 0:00:26 | 0:00:28 | |
..along with their top tips and savvy secrets... | 0:00:28 | 0:00:30 | |
That could present a problem for me. | 0:00:30 | 0:00:32 | |
..showing you how to make the most money... | 0:00:32 | 0:00:35 | |
Ready for battle. | 0:00:35 | 0:00:37 | |
..from buying and selling. | 0:00:38 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:41 | |
Coming up - things get ugly in the auction room. | 0:00:41 | 0:00:44 | |
I know who's bidding against me. | 0:00:44 | 0:00:47 | |
Del Boy running me up. | 0:00:47 | 0:00:50 | |
Eric shows his rival how it's done. | 0:00:50 | 0:00:52 | |
He's not even letting the dust settle. | 0:00:52 | 0:00:54 | |
He's started selling already. | 0:00:54 | 0:00:57 | |
-And Danny meets his match. -Style never goes out of fashion. | 0:00:57 | 0:00:59 | |
Absolutely. And fashion never goes out of style. | 0:00:59 | 0:01:02 | |
Hey, hold on a minute. Are you nicking my lines, or what? | 0:01:02 | 0:01:04 | |
This is Put Your Money Where Your Mouth Is. | 0:01:04 | 0:01:07 | |
Welcome, one and all, to another ultimate war of acquisition. | 0:01:22 | 0:01:26 | |
Today's battlefield is the picturesque town | 0:01:26 | 0:01:28 | |
of Crewkerne in Somerset. | 0:01:28 | 0:01:30 | |
It may look quaint and charming but make no mistake, | 0:01:30 | 0:01:33 | |
battle lines are being drawn as two commanders | 0:01:33 | 0:01:36 | |
of collectables prepare to advance on an auction house. | 0:01:36 | 0:01:40 | |
Leading the charge is a decorated officer of all things porcelain. | 0:01:41 | 0:01:45 | |
He's a crack shot auction assassin, | 0:01:45 | 0:01:47 | |
it's Eric "The Knowledge" Knowles. | 0:01:47 | 0:01:50 | |
You've got to have confidence in your goods. | 0:01:50 | 0:01:52 | |
And I have. | 0:01:53 | 0:01:54 | |
And ready to repel Eric's assault | 0:01:56 | 0:01:58 | |
is a profit-seeking private on parade. | 0:01:58 | 0:02:00 | |
AS WINSTON CHURCHILL: Never has so much been considered for so many | 0:02:03 | 0:02:06 | |
by just one man. | 0:02:06 | 0:02:07 | |
It's Danny "Del Boy" Sebastian. | 0:02:07 | 0:02:11 | |
Let's get busy. | 0:02:11 | 0:02:12 | |
Today's battlefield is Lawrence's Auction Room. | 0:02:15 | 0:02:18 | |
Our boys have £1,000 of their own money | 0:02:18 | 0:02:20 | |
to deploy at will, | 0:02:20 | 0:02:22 | |
with all profits heading straight to their chosen charities. | 0:02:22 | 0:02:26 | |
So, Eric Knowles and Danny Sebastian, | 0:02:26 | 0:02:29 | |
it's time to put your money where your mouth is. | 0:02:29 | 0:02:33 | |
-Good morning, sir. How are you? -Good morning, Eric. | 0:02:33 | 0:02:36 | |
-I'm good, thank you. -You are? -I am. | 0:02:36 | 0:02:38 | |
-Are you a regular at the saleroom? -Not at all. | 0:02:38 | 0:02:40 | |
We've got a full, full morning ahead of us. | 0:02:40 | 0:02:43 | |
You was here last night so you've seen the catalogue | 0:02:43 | 0:02:45 | |
and you know what's going on. | 0:02:45 | 0:02:48 | |
Yeah, well, it was only a sneaky preview because... | 0:02:48 | 0:02:50 | |
-That's all you need. -Well... -It's the great Eric Knowles. | 0:02:50 | 0:02:53 | |
500! Thank you, we're going to get on well, me and you. | 0:02:53 | 0:02:56 | |
THEY LAUGH | 0:02:56 | 0:02:57 | |
That being said, 500 lots to get through today | 0:02:57 | 0:03:00 | |
so I think we are going to be really businesslike, you know. | 0:03:00 | 0:03:03 | |
So I'll give you a tip, Danny. Follow your nose. | 0:03:03 | 0:03:05 | |
-Follow your gut also. -OK. On that note, go for it. | 0:03:05 | 0:03:09 | |
Yes, it's nose against gut. Oh. | 0:03:12 | 0:03:13 | |
So, will Eric's slow and steady, old-school approach | 0:03:13 | 0:03:15 | |
get the better of his challenger's cheeky chutzpah? | 0:03:15 | 0:03:20 | |
As Eric took the initiative to preview the lots last night, | 0:03:20 | 0:03:23 | |
you might think that gives him an advantage, | 0:03:23 | 0:03:25 | |
but Del Boy had the same opportunity | 0:03:25 | 0:03:27 | |
and clearly didn't think he needed it. | 0:03:27 | 0:03:29 | |
In fact, he's feeling pretty chipper about what's on offer | 0:03:29 | 0:03:32 | |
and thinks his rival's strengths might not serve him well, here. | 0:03:32 | 0:03:37 | |
I know Eric Knowles loves good-quality porcelain and china, | 0:03:39 | 0:03:44 | |
and I've not seen it here today | 0:03:44 | 0:03:46 | |
so I'm going to have a good look around | 0:03:46 | 0:03:49 | |
and I think I might be in with a chance of winning this one. | 0:03:49 | 0:03:52 | |
Young pup Danny is hopeful that success awaits, | 0:03:52 | 0:03:55 | |
but Eric is an old hand at auctions | 0:03:55 | 0:03:58 | |
and has more than one trick up his sleeve. | 0:03:58 | 0:04:01 | |
One thing I've learned to do is I've... | 0:04:01 | 0:04:03 | |
I go through the lots | 0:04:03 | 0:04:04 | |
and the things I really want, I put a star | 0:04:04 | 0:04:06 | |
against them but I will also mark up a few other lots. | 0:04:06 | 0:04:10 | |
Now, the other lots are not star lots, | 0:04:10 | 0:04:12 | |
they are what I call desperation lots. | 0:04:12 | 0:04:14 | |
Contingency plans for desperate times. | 0:04:14 | 0:04:17 | |
Yes, you'd have to get up pretty early in the morning | 0:04:17 | 0:04:20 | |
to get one over on Eric | 0:04:20 | 0:04:21 | |
and since he arrived at the auction last night, | 0:04:21 | 0:04:24 | |
Danny has his work cut out. | 0:04:24 | 0:04:25 | |
But he's already found something he likes the look of - | 0:04:25 | 0:04:28 | |
a mahogany desk chair. | 0:04:28 | 0:04:30 | |
It's real nice condition. It's got a lovely scroll back, | 0:04:33 | 0:04:35 | |
it's got that patina on it where it's been worn. | 0:04:35 | 0:04:38 | |
I think it's really lovely. And it seems all structurally sound, | 0:04:38 | 0:04:42 | |
there's no woodworm. | 0:04:42 | 0:04:44 | |
This might be a piece that I'll be going after. | 0:04:44 | 0:04:47 | |
Everyone's got an office in the house, or if not, | 0:04:47 | 0:04:50 | |
in their office. | 0:04:50 | 0:04:51 | |
An office in their office? That's a lot of office. | 0:04:51 | 0:04:54 | |
Meanwhile, Eric has spotted a print, | 0:04:54 | 0:04:56 | |
and he must like it - he's gone all whispery. | 0:04:56 | 0:05:00 | |
I've got one behind me, I don't want to draw attention to it, you see, | 0:05:00 | 0:05:04 | |
because it's one of my favourite American artists. | 0:05:04 | 0:05:08 | |
A man called Maxfield Parrish, and it's in nice condition and... | 0:05:08 | 0:05:13 | |
I want to buy that. | 0:05:13 | 0:05:15 | |
Oh, Eric's all excited | 0:05:15 | 0:05:17 | |
and Danny is getting worked up too by an old workbench. | 0:05:17 | 0:05:20 | |
This, I love. | 0:05:22 | 0:05:23 | |
A nice workbench, it's an industrial piece, | 0:05:23 | 0:05:25 | |
probably used in something like a woodworker's workshop. | 0:05:25 | 0:05:29 | |
I would say it's about 1950s, probably 1960s. | 0:05:29 | 0:05:33 | |
If I can get that for about £60, £70, £80, | 0:05:33 | 0:05:38 | |
I'll be a happy man. | 0:05:38 | 0:05:40 | |
Danny is wearing his heart on his sleeve. | 0:05:40 | 0:05:42 | |
Eric is still in whisper mode, as he homes in on another item. | 0:05:42 | 0:05:46 | |
It's um...nice... | 0:05:46 | 0:05:49 | |
Chinese fourfold screen inlaid with mother of pearl. | 0:05:49 | 0:05:53 | |
A lovely thing. It's missing bits of mother of pearl, not too much. | 0:05:53 | 0:05:58 | |
I'm going to have a go. | 0:05:58 | 0:06:00 | |
So they've both picked out the pieces they want | 0:06:00 | 0:06:03 | |
to take home, and now it's time. | 0:06:03 | 0:06:06 | |
The auctioneer takes his seat on high. | 0:06:06 | 0:06:07 | |
HE BANGS GAVEL | 0:06:07 | 0:06:09 | |
Morning, everyone. | 0:06:09 | 0:06:10 | |
And our experts take to their positions. | 0:06:10 | 0:06:13 | |
They are up against the rest of the room, | 0:06:13 | 0:06:15 | |
not to mention the reserve bids on the auctioneer's book. | 0:06:15 | 0:06:18 | |
It's Eric who's first to have a punt on a deceptively youthful lady. | 0:06:18 | 0:06:22 | |
Well, there is a lot coming up which is just described | 0:06:24 | 0:06:27 | |
as a statue on a plinth. | 0:06:27 | 0:06:29 | |
It looks ancient, it looks like it could be 18th century. | 0:06:29 | 0:06:32 | |
It's not, I think it's probably precast concrete. | 0:06:32 | 0:06:35 | |
They look good in somebody's garden, | 0:06:35 | 0:06:37 | |
it looks like it's been around | 0:06:37 | 0:06:38 | |
since before the Battle of Trafalgar. | 0:06:38 | 0:06:41 | |
Lot 41, statue on a plinth. | 0:06:41 | 0:06:44 | |
35. 38, 40, 2, now. | 0:06:44 | 0:06:46 | |
At 42 on my right. | 0:06:46 | 0:06:48 | |
All done, I sell at 42. | 0:06:48 | 0:06:50 | |
HE BANGS GAVEL | 0:06:50 | 0:06:51 | |
Oh, he's got me a little bit worried here now. | 0:06:52 | 0:06:54 | |
I didn't even spot this statue on a plinth. | 0:06:54 | 0:06:57 | |
And so the old guard takes an early 1-0 lead | 0:06:57 | 0:07:00 | |
against the young pretender, | 0:07:00 | 0:07:02 | |
taking home his decorative lady for £51.83, including fees. | 0:07:02 | 0:07:07 | |
She might actually be one of a set of four, | 0:07:09 | 0:07:12 | |
maybe one of the four seasons, so we would be looking at summer. | 0:07:12 | 0:07:17 | |
Well, what she does have to her advantage is that | 0:07:17 | 0:07:19 | |
she has been around for, not a long time, | 0:07:19 | 0:07:22 | |
but enough time for lichens to build up on the surface | 0:07:22 | 0:07:26 | |
and this gives it a sense of antiquity. | 0:07:26 | 0:07:30 | |
All in all, she comes complete with a lucky horseshoe. | 0:07:30 | 0:07:35 | |
And it does seem to bring him luck, | 0:07:35 | 0:07:37 | |
as he also snaps up the collection of prints | 0:07:37 | 0:07:39 | |
which includes the Maxfield Parrish picture he saw earlier. | 0:07:39 | 0:07:42 | |
That's my Maxfield Parrish. | 0:07:42 | 0:07:44 | |
-£18! -And with fees, that's a total of £22.21 | 0:07:45 | 0:07:49 | |
for the prints. | 0:07:49 | 0:07:50 | |
Eric is showing Danny thing or two about auctions, | 0:07:50 | 0:07:53 | |
but it's The Knowledge who's taken a leaf out | 0:07:53 | 0:07:55 | |
of Del Boy's book next as he spots a lot which might just help | 0:07:55 | 0:07:59 | |
him reach great heights. | 0:07:59 | 0:08:00 | |
83 is coming up. It's a wooden stepladder. | 0:08:02 | 0:08:07 | |
But I've noticed that it's quite... | 0:08:07 | 0:08:09 | |
It's got a bit of vintage going on here. | 0:08:09 | 0:08:11 | |
Everybody is using ladders nowadays as props. | 0:08:11 | 0:08:13 | |
It's something that I always go for because they are so handy, | 0:08:13 | 0:08:16 | |
they are shelving, you know they make a great prop. | 0:08:16 | 0:08:19 | |
I never normally go for anything like that but, | 0:08:19 | 0:08:22 | |
again, if it's at the right price... | 0:08:22 | 0:08:23 | |
Let's hope I buy him at the right money. | 0:08:23 | 0:08:26 | |
Great minds, eh? | 0:08:26 | 0:08:27 | |
With Eric 2-0 ahead, | 0:08:27 | 0:08:29 | |
this is Danny's first opportunity to get in the game. | 0:08:29 | 0:08:32 | |
Lot 83 is a wooden stepladder. | 0:08:32 | 0:08:35 | |
Interest here, I have to start at 25. At £25 with me. | 0:08:35 | 0:08:39 | |
-All done, I sell... -Look at that, simultaneous bidding! | 0:08:39 | 0:08:42 | |
30, 32. | 0:08:42 | 0:08:44 | |
-Neither of them is backing down. -38. 40. | 0:08:44 | 0:08:48 | |
42. | 0:08:48 | 0:08:50 | |
At 42 on my right, at 42. | 0:08:50 | 0:08:52 | |
All done? Selling at 42. All done? | 0:08:52 | 0:08:56 | |
I know who was bidding against me. | 0:08:56 | 0:08:59 | |
Del Boy, running me up. | 0:08:59 | 0:09:01 | |
He can have them. £42 just a little bit | 0:09:01 | 0:09:04 | |
too much money, I feel for them. | 0:09:04 | 0:09:05 | |
Well, actually, after auction costs, Eric pays £51.83. | 0:09:05 | 0:09:10 | |
He may have outbid Del Boy, but was it a wise step? | 0:09:10 | 0:09:13 | |
Well, this is my ladder. | 0:09:15 | 0:09:16 | |
This is something I think probably dates to the early part | 0:09:16 | 0:09:20 | |
of the 20th century. | 0:09:20 | 0:09:22 | |
It could well date, you know, to actually before | 0:09:22 | 0:09:26 | |
the First World War. | 0:09:26 | 0:09:27 | |
However, I might do a little bit more finding out | 0:09:27 | 0:09:30 | |
and at least I know that there was one other person | 0:09:30 | 0:09:35 | |
keen to acquire it. | 0:09:35 | 0:09:37 | |
And when that one person just happens to be your opponent, | 0:09:37 | 0:09:41 | |
then victory is made just that little bit sweeter. | 0:09:41 | 0:09:45 | |
Ah, the sweet smell of a 3-0 lead. | 0:09:45 | 0:09:48 | |
But Danny is hoping to wheel himself into the game | 0:09:48 | 0:09:51 | |
as he has spotted a bit of gardenalia. | 0:09:51 | 0:09:53 | |
There's a lovely rustic, distressed wheelbarrow | 0:09:53 | 0:09:57 | |
just coming up, so I just want to get something in the bag. | 0:09:57 | 0:09:59 | |
With a bit of luck, they'll think it's rotten and going a bit, | 0:09:59 | 0:10:02 | |
you know, distressed, a bit holey. | 0:10:02 | 0:10:05 | |
I might get it for nowt, this one. | 0:10:05 | 0:10:07 | |
-Lot 98. -Here we go. -Interest here, I start at 30. | 0:10:07 | 0:10:11 | |
-Oh! -30, 32, 35, 38. | 0:10:11 | 0:10:14 | |
Always the way - what I want, so does everybody else. | 0:10:14 | 0:10:17 | |
All done, I sell. | 0:10:17 | 0:10:20 | |
45. 48. | 0:10:20 | 0:10:22 | |
50. | 0:10:22 | 0:10:23 | |
Five, 60. | 0:10:23 | 0:10:25 | |
I sell at 60. Yes, sir. | 0:10:25 | 0:10:28 | |
-928. -Whoops-a-daisy, Danny. | 0:10:28 | 0:10:31 | |
Dropping my paperwork, | 0:10:31 | 0:10:32 | |
everything's going all over the place, | 0:10:32 | 0:10:34 | |
I'm so excited, or am I nervous? | 0:10:34 | 0:10:36 | |
Hold it together, Del Boy. | 0:10:36 | 0:10:38 | |
His nerves are jangling like a wind chime as he pays just over £74 | 0:10:38 | 0:10:42 | |
for the wheelbarrow, and he's off to a start. | 0:10:42 | 0:10:45 | |
Eric, however, has three buys already | 0:10:45 | 0:10:47 | |
and is bidding on his next. | 0:10:47 | 0:10:49 | |
90, 95, 100. | 0:10:49 | 0:10:51 | |
At £100, all done. | 0:10:51 | 0:10:53 | |
He is back on again! | 0:10:54 | 0:10:56 | |
I don't know what is going on here | 0:10:56 | 0:10:57 | |
but he's finding a lot of lots early. | 0:10:57 | 0:10:59 | |
I've got to level with you, I'm not sure what I've bought, | 0:10:59 | 0:11:02 | |
but...instinctively, I liked the picture. | 0:11:02 | 0:11:05 | |
Eric's bid blind on a picture and spent a whopping £123.40. | 0:11:05 | 0:11:09 | |
It's a risky strategy, so what's he got himself? | 0:11:11 | 0:11:14 | |
I love the composition. It obviously was painted in around about 1900, | 0:11:15 | 0:11:20 | |
give or take, 1890, maybe 1910. | 0:11:20 | 0:11:23 | |
It's an unusual composition. | 0:11:23 | 0:11:26 | |
It's...it's not signed. I would've liked it to be signed. | 0:11:26 | 0:11:30 | |
Hmm... | 0:11:30 | 0:11:32 | |
I'll have to play this one very carefully. | 0:11:32 | 0:11:35 | |
Um, I did spend a fair amount of money on it | 0:11:36 | 0:11:38 | |
but, you know, you've got to speculate to accumulate. | 0:11:38 | 0:11:42 | |
Hmm, Eric sounds a little unsure | 0:11:42 | 0:11:45 | |
whether his impulsive buy was a good one, | 0:11:45 | 0:11:47 | |
but with four buys to Danny's slippery wheelbarrow, | 0:11:47 | 0:11:50 | |
his opponent is getting anxious. | 0:11:50 | 0:11:53 | |
I want him to just finish, | 0:11:53 | 0:11:54 | |
sit down and leave the rest of the game to me. | 0:11:54 | 0:11:57 | |
Yeah, there's not much chance of that. | 0:11:57 | 0:12:00 | |
So I'm having a go on a couple of brown stoneware jars. | 0:12:00 | 0:12:05 | |
They are sort of barrels, really. | 0:12:05 | 0:12:07 | |
£70. £70 with me. One more. | 0:12:07 | 0:12:10 | |
It's against you. 75. | 0:12:10 | 0:12:12 | |
My far right at 75. | 0:12:12 | 0:12:14 | |
-Last time. -He's won another! | 0:12:14 | 0:12:16 | |
I tell you what, Eric's nearly there, | 0:12:16 | 0:12:18 | |
he's nearly done and dusted. | 0:12:18 | 0:12:19 | |
# Roll out the barrel... # | 0:12:19 | 0:12:23 | |
Yes, his overnight preparations are apparently paying off | 0:12:25 | 0:12:29 | |
when he takes the two flagons for £92.56, after fees. | 0:12:29 | 0:12:31 | |
Technically, they are referred to as salt-glazed barrels, | 0:12:33 | 0:12:37 | |
and they are barrels that would have taken spirits | 0:12:37 | 0:12:40 | |
and they would have actually been in a pub | 0:12:40 | 0:12:44 | |
in around about...about 1820, or thereabouts. | 0:12:44 | 0:12:49 | |
I paid a reasonable amount for them, they weren't overly expensive, | 0:12:49 | 0:12:52 | |
there's still a profit in them, I'm convinced, | 0:12:52 | 0:12:55 | |
and that's what this business is all about. | 0:12:55 | 0:12:57 | |
Are you listening, Del Boy? Are you listening? | 0:12:57 | 0:12:59 | |
Hmm, could it be that our mild man of memorabilia | 0:12:59 | 0:13:02 | |
is getting a tad overconfident? | 0:13:02 | 0:13:04 | |
Let's just see how far ahead he is at this stage of the buying. | 0:13:04 | 0:13:08 | |
Both our dealers arrived with £1,000 of their own money. | 0:13:10 | 0:13:13 | |
Eric has an impressive five lots to his name, | 0:13:13 | 0:13:16 | |
costing £341.83, | 0:13:16 | 0:13:19 | |
leaving just over £658 in the bank. | 0:13:19 | 0:13:23 | |
Danny has spent a smidge over £74 on his one purchase, | 0:13:23 | 0:13:27 | |
leaving him almost £926 to fight with. | 0:13:27 | 0:13:31 | |
Are you enjoying yourself? | 0:13:34 | 0:13:36 | |
I was until you started buying up everything. | 0:13:36 | 0:13:38 | |
I thought, "Hold on a minute. Am I going to get a chance?" | 0:13:38 | 0:13:40 | |
-I'm not buying the things you want, Danny! -No, we do... | 0:13:40 | 0:13:42 | |
Actually, we did. There was a pair of ladders came between us. | 0:13:42 | 0:13:46 | |
Yes, there was a pair of ladders! | 0:13:46 | 0:13:48 | |
Yes! I just thought you paid too much for that. | 0:13:48 | 0:13:50 | |
Well, there was somebody bidding underneath me | 0:13:50 | 0:13:52 | |
who nearly paid too much. | 0:13:52 | 0:13:54 | |
-Well, it was me... -That's I'm trying to say. -Ooh! | 0:13:54 | 0:13:57 | |
-£42?! -Listen, when was the last time you bought a ladder | 0:13:57 | 0:14:01 | |
for that sort of money? | 0:14:01 | 0:14:03 | |
Listen... Hang on for a second. | 0:14:03 | 0:14:04 | |
-What, are you still bidding? -Yes. | 0:14:04 | 0:14:06 | |
There's something coming up in a sec. | 0:14:06 | 0:14:09 | |
-I thought you'd bought all you lots. -I've bought a few. | 0:14:09 | 0:14:11 | |
My stuff is coming up, it's coming up, | 0:14:11 | 0:14:13 | |
-after dinner, my stuff is coming up. -I knew it. | 0:14:13 | 0:14:16 | |
-Hopefully. -You are pacing yourself. | 0:14:16 | 0:14:18 | |
Of course I am, yes. | 0:14:18 | 0:14:19 | |
I thought, "There's a man that doesn't peak too soon." | 0:14:19 | 0:14:22 | |
-I tell you what I thought. -Go on. | 0:14:22 | 0:14:23 | |
-Half of this crowd will be gone home. -Yes. | 0:14:23 | 0:14:26 | |
-Might be cheaper. -A lot of them will be picking up their | 0:14:26 | 0:14:28 | |
-children from school. -Exactly. | 0:14:28 | 0:14:31 | |
Exactly. Well, we'll let you know. | 0:14:31 | 0:14:32 | |
Hang on, what's he up to? | 0:14:32 | 0:14:34 | |
Listen, I'd love to chat, but I've got to bid. | 0:14:34 | 0:14:36 | |
-Nothing personal. -See you later. -I'll be watching you. | 0:14:36 | 0:14:39 | |
Oh, the daggers are out in the auction today | 0:14:39 | 0:14:42 | |
with Eric lauding his strong start over Danny. | 0:14:42 | 0:14:45 | |
There will be blood, yes, before this is over, | 0:14:45 | 0:14:48 | |
unless Danny can pull his socks up. | 0:14:48 | 0:14:49 | |
So, what's the plan then, Del Boy? | 0:14:49 | 0:14:52 | |
There's a few things that I've put a mark down, | 0:14:52 | 0:14:55 | |
and they sort of come one after the other, | 0:14:55 | 0:14:58 | |
not directly, but, you know, they are going to be coming real quick. | 0:14:58 | 0:15:01 | |
Now, if I can win them lots, I'll have caught up to Eric Knowles. | 0:15:01 | 0:15:05 | |
I'll be back in the game. | 0:15:05 | 0:15:07 | |
Yes, you can't keep a good man down. | 0:15:07 | 0:15:10 | |
Although Eric is certainly trying, | 0:15:10 | 0:15:11 | |
as he quickly nets himself a nautical picture. | 0:15:11 | 0:15:14 | |
I'm selling this one at 18. | 0:15:16 | 0:15:17 | |
Sailing away with the engraving for just over £22 with fees. | 0:15:17 | 0:15:21 | |
Now, Danny was hoping that the lack of pottery | 0:15:21 | 0:15:24 | |
at this auction might work to his advantage, | 0:15:24 | 0:15:26 | |
but what's this? | 0:15:26 | 0:15:28 | |
Eric appears to have found a job lot with a hidden treasure. | 0:15:28 | 0:15:31 | |
There is a fabulous bohemian enamelled glass vase and cover | 0:15:33 | 0:15:35 | |
in tiptop condition. | 0:15:35 | 0:15:37 | |
£60 is bid. At 65. 70, 5, 80. | 0:15:37 | 0:15:41 | |
-Oh, they've spotted the vase. -£90, still with me | 0:15:41 | 0:15:44 | |
at 90 on the book. 95. | 0:15:44 | 0:15:46 | |
100, 110, 120. | 0:15:46 | 0:15:48 | |
130. | 0:15:49 | 0:15:50 | |
At 130 in the room now, last time. | 0:15:50 | 0:15:53 | |
HE BANGS GAVEL | 0:15:53 | 0:15:54 | |
The job lot costs Eric £160.42 with fees. | 0:15:54 | 0:16:00 | |
I've just gone and bought this job lot. | 0:16:00 | 0:16:02 | |
However, there's only one object there I want | 0:16:02 | 0:16:05 | |
and it's this glass vase and cover. | 0:16:05 | 0:16:08 | |
I know it looks like ceramic. | 0:16:08 | 0:16:09 | |
I can see that all the gilding is good, | 0:16:09 | 0:16:12 | |
the enamelling is exquisite. | 0:16:12 | 0:16:14 | |
You've got these two storks or cranes. | 0:16:14 | 0:16:19 | |
All that is hand-decorated, all hand-enamelled. | 0:16:20 | 0:16:24 | |
This is as good as the day it was made | 0:16:24 | 0:16:26 | |
and it was probably made in around about 1875, | 0:16:26 | 0:16:30 | |
no later than 1895, I think. | 0:16:30 | 0:16:33 | |
So that's a fifth buy for Eric | 0:16:33 | 0:16:35 | |
and a potential diamond in the rough. | 0:16:35 | 0:16:38 | |
Danny really needs to get buying and quick. | 0:16:38 | 0:16:41 | |
Could these boots walking him back into the game? | 0:16:41 | 0:16:44 | |
Got a nice set of leather riding boots coming up. | 0:16:44 | 0:16:48 | |
They're vintage, I'd say they are about 1950s, | 0:16:48 | 0:16:51 | |
got a lovely pair of trees in them as well. | 0:16:51 | 0:16:53 | |
And Danny's up against the bids | 0:16:53 | 0:16:55 | |
on the auctioneer's book for the boots. | 0:16:55 | 0:16:57 | |
-At 45, we're selling. -Here we go. -50. 50, 55, | 0:16:57 | 0:17:00 | |
60, 65. 70, 75. | 0:17:00 | 0:17:03 | |
-Are you bidding? -Go on, then. -£80. Selling at 80 now. | 0:17:04 | 0:17:07 | |
Selling? | 0:17:07 | 0:17:08 | |
I didn't really want to pay that much for it. | 0:17:08 | 0:17:11 | |
Eric's got me on the back foot, he's got all his lots, nearly, | 0:17:11 | 0:17:15 | |
and I'm just starting mine. | 0:17:15 | 0:17:16 | |
I don't know what he's doing, | 0:17:16 | 0:17:19 | |
but he's just paid £80 for a pair of leather boots. | 0:17:19 | 0:17:23 | |
I mean, I can only hope they were at one stage worn by Elvis. | 0:17:25 | 0:17:29 | |
AS ELVIS: Thank you very much. | 0:17:29 | 0:17:31 | |
Danny pays £98.72 for the boots, | 0:17:31 | 0:17:34 | |
so will they help him walk off with a profit? | 0:17:34 | 0:17:37 | |
I've had a good look around them and they are in lovely condition. | 0:17:37 | 0:17:41 | |
All the leather, it's not been cracked or overly worn, | 0:17:41 | 0:17:44 | |
the heels are good | 0:17:44 | 0:17:46 | |
and they've got a lovely pair of antique trees inside. | 0:17:46 | 0:17:50 | |
It's got a little maker's name on it. | 0:17:50 | 0:17:52 | |
Faulkners and Son. Lovely condition. | 0:17:54 | 0:17:58 | |
Nice little handles, it's just a nice lot | 0:17:58 | 0:18:00 | |
and can really be used anywhere. | 0:18:00 | 0:18:02 | |
A great decorative piece. | 0:18:02 | 0:18:05 | |
# One of these days these boots are gonna walk all over you... # | 0:18:05 | 0:18:09 | |
Go on, then! | 0:18:09 | 0:18:10 | |
With his boots in the bag, Danny marches on | 0:18:10 | 0:18:13 | |
and gets his hand in the air, | 0:18:13 | 0:18:15 | |
bidding on a box of retro Meccano. | 0:18:15 | 0:18:17 | |
Selling at 75 now. | 0:18:17 | 0:18:19 | |
HE BANGS GAVEL | 0:18:19 | 0:18:20 | |
And winning the lot for £92.56 with fees. | 0:18:20 | 0:18:23 | |
Danny now has three items to his name | 0:18:25 | 0:18:27 | |
and he makes that four when he buys the 1920s mahogany chair | 0:18:27 | 0:18:31 | |
that he saw earlier | 0:18:31 | 0:18:32 | |
in his usual flamboyant bidding style. | 0:18:32 | 0:18:36 | |
-Hey-up! -All done at 140. | 0:18:36 | 0:18:39 | |
I'm happy with that lot. | 0:18:39 | 0:18:41 | |
Costing a total of £172.76 with fees, | 0:18:41 | 0:18:45 | |
so it is 4-7, and Danny's catching up with Eric. | 0:18:45 | 0:18:49 | |
The workbench is up next | 0:18:49 | 0:18:50 | |
and it is another must-have item for Del Boy. | 0:18:50 | 0:18:53 | |
-Got to win this. -55 anywhere? All done at 55. | 0:18:54 | 0:18:57 | |
-Hey-up! -60. 65? | 0:18:57 | 0:19:00 | |
70. 75? | 0:19:00 | 0:19:02 | |
-80. -Go on. -Is that a bid? -Yes. -85. | 0:19:02 | 0:19:06 | |
-90? -Yes. | 0:19:06 | 0:19:07 | |
95? No. | 0:19:07 | 0:19:09 | |
On the right there at 90, and selling. | 0:19:09 | 0:19:11 | |
HE BANGS GAVEL | 0:19:11 | 0:19:13 | |
It seems like they like industrial down here. | 0:19:13 | 0:19:16 | |
£95. | 0:19:16 | 0:19:17 | |
Plus the fees, just over 100 quid, but it's a nice piece. | 0:19:17 | 0:19:20 | |
I'm going to wax it up, I'm going to pretty it up, | 0:19:20 | 0:19:22 | |
I'm going to make it look good, | 0:19:22 | 0:19:24 | |
and I know it's going to sell for good money. | 0:19:24 | 0:19:26 | |
I'm happy with that last lot. | 0:19:26 | 0:19:28 | |
The workbench puts him back £111.06, including fees. | 0:19:32 | 0:19:34 | |
So hopefully there is still a workable profit in it | 0:19:34 | 0:19:37 | |
and with his fifth item, Danny hangs up his bidding paddle. | 0:19:37 | 0:19:41 | |
That's me done, bought my last lot, happy with it. | 0:19:41 | 0:19:44 | |
It's been a good day all round. | 0:19:44 | 0:19:47 | |
Go and pay my bill now and pick up my items. | 0:19:47 | 0:19:49 | |
Danny has come back from nowhere and decisively bought | 0:19:51 | 0:19:54 | |
what he hopes will be a winning assortment of sellables, | 0:19:54 | 0:19:57 | |
but Eric, he's not done yet. | 0:19:57 | 0:20:00 | |
He's been waiting for the fourfold screen | 0:20:00 | 0:20:02 | |
and joins the bidding at £65. | 0:20:02 | 0:20:05 | |
New bidder, 60, 65, 70. | 0:20:05 | 0:20:07 | |
75, 80. 85, 90? | 0:20:07 | 0:20:10 | |
With the gentleman at 85. | 0:20:10 | 0:20:13 | |
HE BANGS GAVEL | 0:20:13 | 0:20:15 | |
I'm very pleased with that buy. | 0:20:15 | 0:20:17 | |
Having bought it, of course, I've now got to sell it, | 0:20:17 | 0:20:20 | |
so you've got to have confidence in your goods. | 0:20:20 | 0:20:23 | |
And I have. | 0:20:25 | 0:20:26 | |
Eric seals his final deal for £104.90 for the folding screen | 0:20:26 | 0:20:31 | |
and with that, the auction comes to an end. | 0:20:31 | 0:20:34 | |
Our experts must head home with their antiques under their... | 0:20:34 | 0:20:38 | |
Hold on, what's Knowlesy up to now? | 0:20:38 | 0:20:40 | |
Make me an offer I can't refuse. | 0:20:40 | 0:20:41 | |
Yes, I'm quite happy to give you £50 for the few pieces that... | 0:20:41 | 0:20:45 | |
-£50? -Yes. -Put it there. | 0:20:45 | 0:20:48 | |
Eric is already doing deals on the unwanted items | 0:20:48 | 0:20:51 | |
from his job lot of china. | 0:20:51 | 0:20:53 | |
The lot cost Eric £160.42 and he's already | 0:20:53 | 0:20:57 | |
made £50 of that back. | 0:20:57 | 0:20:58 | |
Thank you very much. The deal is done. | 0:20:58 | 0:21:00 | |
Eric's not even letting the dust settle. | 0:21:00 | 0:21:03 | |
He's started selling already. | 0:21:03 | 0:21:05 | |
I've got to pull my socks up, I tell you. | 0:21:05 | 0:21:06 | |
Got to pull my socks up. | 0:21:06 | 0:21:08 | |
Yes, our young pretender still has a thing or two to learn | 0:21:08 | 0:21:10 | |
from the grand master. | 0:21:10 | 0:21:12 | |
From a £1,000 budget, Eric ended up walking away with eight purchases, | 0:21:12 | 0:21:17 | |
shelling out £629.36. | 0:21:17 | 0:21:21 | |
Our late bloomer, Danny, managed to squirrel away five items, | 0:21:21 | 0:21:25 | |
costing £549.14. | 0:21:25 | 0:21:29 | |
Time to glance over each other's hauls. | 0:21:29 | 0:21:32 | |
Are you happy with your purchases? | 0:21:32 | 0:21:34 | |
Oh, I'm over the moon. | 0:21:34 | 0:21:35 | |
To be honest with you, I can't find a favourite lot at the minute | 0:21:35 | 0:21:39 | |
because I love my workbench, | 0:21:39 | 0:21:42 | |
I love the 1920s chair. | 0:21:42 | 0:21:45 | |
It's all good lots here today. | 0:21:45 | 0:21:47 | |
Yeah. And you almost loved my ladder. | 0:21:47 | 0:21:50 | |
I just felt that at that money... | 0:21:50 | 0:21:53 | |
40, going on, bits on top, £50, | 0:21:53 | 0:21:57 | |
I thought, "I'll let you keep that one, Eric." | 0:21:57 | 0:21:59 | |
OK, well, that's very generous of you on our first meeting. | 0:21:59 | 0:22:01 | |
You're welcome. Your favourite piece? | 0:22:01 | 0:22:03 | |
Favourite piece, I think, has to be the glass vase. | 0:22:03 | 0:22:08 | |
The glass vase. And what's going to bring in the most profit, | 0:22:08 | 0:22:10 | |
now you've made half your profit on this lot already, the glass vase? | 0:22:10 | 0:22:14 | |
Well, it's a very good question. | 0:22:14 | 0:22:16 | |
I'm hoping that it might be the screen. | 0:22:16 | 0:22:19 | |
I need to have a good look at that. | 0:22:19 | 0:22:21 | |
Danny, this is a game of look and learn. | 0:22:21 | 0:22:25 | |
Our pair of intrepid experts have finished the buying, | 0:22:28 | 0:22:32 | |
so now it's time to sell. | 0:22:32 | 0:22:34 | |
But before we dive into those turbulent waters, | 0:22:34 | 0:22:37 | |
our heroes are back home with their hauls. | 0:22:37 | 0:22:39 | |
Danny is in Wellingborough, ironing out his plan of attack. | 0:22:39 | 0:22:43 | |
Well, all said and done, the auction was a good day, really. | 0:22:43 | 0:22:46 | |
It was a bit difficult initially but it came to a head | 0:22:46 | 0:22:49 | |
where I've bought this lovely workbench. | 0:22:49 | 0:22:52 | |
It may look like a bit of tat at the minute. | 0:22:52 | 0:22:54 | |
As soon as I get it waxed and sanded, | 0:22:54 | 0:22:56 | |
it's going to look absolutely fabulous. | 0:22:56 | 0:22:58 | |
I've got a chap, a friend of mine who restores and refurbishes, | 0:22:58 | 0:23:03 | |
so he's going to sand it, he's going to wax it, | 0:23:03 | 0:23:06 | |
I think he's even going to put a shelf underneath, | 0:23:06 | 0:23:08 | |
just to make it look a bit more gutsy and strengthen it up. | 0:23:08 | 0:23:11 | |
Then, of course, it's going to be worth strong money. | 0:23:11 | 0:23:14 | |
I've got this Meccano box, didn't cost me too much money. | 0:23:14 | 0:23:18 | |
There's a lot of gear in it, so it'll make a good profit on that. | 0:23:18 | 0:23:21 | |
Now, my Edwardian chair, this desk chair. | 0:23:21 | 0:23:25 | |
Fantastic, lovely scroll back on it. | 0:23:25 | 0:23:28 | |
I'm going to have to find a new home for that. | 0:23:28 | 0:23:30 | |
My barrow, my old French barrow, very nice. | 0:23:30 | 0:23:34 | |
I know a fair few gardeners, florists, | 0:23:34 | 0:23:37 | |
so I don't think I'm going to struggle with that. | 0:23:37 | 0:23:40 | |
My boots and my trees, these are great. | 0:23:40 | 0:23:43 | |
They're going to need a polish, | 0:23:43 | 0:23:45 | |
just to freshen them up a little bit, | 0:23:45 | 0:23:46 | |
they're about 1920s, 1930s, I would have said. | 0:23:46 | 0:23:49 | |
They're going to get a healthy profit and I'm going to try | 0:23:49 | 0:23:52 | |
and sell them at a sort of equestrian centre. | 0:23:52 | 0:23:55 | |
All said and done, I think it was a good day. | 0:23:55 | 0:23:58 | |
I know Eric bought a lot of stuff that day, | 0:23:58 | 0:24:01 | |
but I think with what I've got, | 0:24:01 | 0:24:03 | |
they all warrant fairly strong money, | 0:24:03 | 0:24:05 | |
so therefore I'm not worried that Eric's going to run away | 0:24:05 | 0:24:09 | |
and leave me in profit. | 0:24:09 | 0:24:11 | |
I'll be right on his shirt. | 0:24:11 | 0:24:13 | |
So it's fair to say Danny's confident, | 0:24:13 | 0:24:15 | |
but over in Wycombe, | 0:24:15 | 0:24:16 | |
how is Eric feeling about his considerably large haul? | 0:24:16 | 0:24:20 | |
I was very happy with what I did buy, | 0:24:20 | 0:24:22 | |
even if it is a lot. | 0:24:22 | 0:24:24 | |
In fact, I've got eight items here. | 0:24:24 | 0:24:26 | |
Certainly my two stoneware spirit barrels, | 0:24:26 | 0:24:31 | |
and also my Chinese hardwood screen, | 0:24:31 | 0:24:35 | |
not forgetting the girl on the plinth. | 0:24:35 | 0:24:39 | |
As for my painting, which I've shown to a friend of mine, | 0:24:39 | 0:24:44 | |
and he's got quite a good knowledge of this area, he liked it. | 0:24:44 | 0:24:48 | |
He thinks it might be by a gifted amateur, | 0:24:48 | 0:24:52 | |
but what I really need to do is take the back off, | 0:24:52 | 0:24:55 | |
just to see if there's any signature. | 0:24:55 | 0:24:57 | |
It would make a world of difference cos I love that painting. | 0:24:57 | 0:25:00 | |
I don't want to sell it, but I've got to. | 0:25:00 | 0:25:03 | |
But, that being said, if I was to say which of all the things | 0:25:03 | 0:25:07 | |
I bought is going to offer me the biggest profit, | 0:25:07 | 0:25:10 | |
well, fingers crossed, | 0:25:10 | 0:25:12 | |
it's going to be my continental enamelled blue glass vase and cover. | 0:25:12 | 0:25:18 | |
So all I've got to do now is actually do the selling. | 0:25:18 | 0:25:23 | |
Indeed. Both our dealers must get down to business, | 0:25:23 | 0:25:27 | |
as they scour the land for the right buyers, | 0:25:27 | 0:25:30 | |
utilising every resource available to find a match | 0:25:30 | 0:25:32 | |
and maximise their profits. | 0:25:32 | 0:25:34 | |
And remember, no deal is sealed without the shake of a hand. | 0:25:34 | 0:25:38 | |
Eric kicks off his selling spree in London, | 0:25:39 | 0:25:42 | |
and he's going underground in search of profit on his flagons | 0:25:42 | 0:25:46 | |
that cost him £92.56. | 0:25:46 | 0:25:48 | |
Well, here I am in the cellars | 0:25:50 | 0:25:52 | |
of one of London's oldest wine merchants. | 0:25:52 | 0:25:55 | |
They've been here since the 17th century. | 0:25:55 | 0:25:57 | |
They're Berry Brothers & Rudd, and I'm here to meet Simon Berry | 0:25:57 | 0:26:02 | |
because he's expressed an interest in my spirit barrels. | 0:26:02 | 0:26:08 | |
-Hello, Simon, I've found you. -Eric, you have, yes. | 0:26:08 | 0:26:11 | |
-It's a warren, I'm sorry about that. -No, fascinating, fascinating. | 0:26:11 | 0:26:14 | |
Yeah, this is a place you can lock me in overnight, not a problem. | 0:26:14 | 0:26:17 | |
-Not an issue. -As long as you've got a corkscrew. -Oh, of course, yes. | 0:26:17 | 0:26:21 | |
Of course. Well, anyway, these are the barrels. | 0:26:21 | 0:26:24 | |
I think quite fascinating. | 0:26:24 | 0:26:26 | |
We are looking somewhere between 1820, maybe 1835. | 0:26:26 | 0:26:31 | |
They're 200 years old, almost. | 0:26:31 | 0:26:33 | |
Well, yeah, they're getting on that way. | 0:26:33 | 0:26:35 | |
-Certainly getting on that way. -What would they have been used for? | 0:26:35 | 0:26:38 | |
I mean, would they have been in a pub or a private house? | 0:26:38 | 0:26:41 | |
Yeah, I think they would have been in a pub. | 0:26:41 | 0:26:43 | |
I don't think it's the sort of thing you would get in a private house | 0:26:43 | 0:26:46 | |
unless, of course, it was down in the butler's pantry, or whatever. | 0:26:46 | 0:26:51 | |
Do you think that they are going to find home in this establishment? | 0:26:51 | 0:26:55 | |
Because you have a bit of a collection | 0:26:55 | 0:26:57 | |
of wine memorabilia and suchlike. | 0:26:57 | 0:26:59 | |
We've got a collection of wine memorabilia | 0:26:59 | 0:27:01 | |
and indeed stoneware, but nothing like this. | 0:27:01 | 0:27:04 | |
So, personally, I'm always looking for things | 0:27:04 | 0:27:06 | |
that have a little bit of interest there. | 0:27:06 | 0:27:09 | |
And because they've got the royal warrant, | 0:27:09 | 0:27:13 | |
and because they've got the Prince of Wales's warrant as well, | 0:27:13 | 0:27:16 | |
and we hold the warrant for both the current Prince of Wales | 0:27:16 | 0:27:18 | |
and for Her Majesty the Queen, | 0:27:18 | 0:27:20 | |
I think I know exactly where I'm going to put them. | 0:27:20 | 0:27:24 | |
I was looking for in the region of a couple of hundred pounds | 0:27:24 | 0:27:27 | |
-for the pair, but... -For the pair? | 0:27:27 | 0:27:29 | |
Yeah, but, you know, I am open to negotiation. | 0:27:29 | 0:27:33 | |
How about if we went for... | 0:27:33 | 0:27:38 | |
£80 each, therefore 160. | 0:27:38 | 0:27:41 | |
160 for the pair? | 0:27:41 | 0:27:43 | |
I think if we could just nudge it, just nudge it that £10 note, | 0:27:43 | 0:27:48 | |
do you think we could do something at 170? | 0:27:48 | 0:27:50 | |
-OK. -Do you think so? -Yeah, I think we could. | 0:27:50 | 0:27:53 | |
I am for hire if you need anybody here for sampling. | 0:27:53 | 0:27:57 | |
Now, now, it's a bit early for a celebratory tipple, | 0:27:57 | 0:28:00 | |
but with an opening profit of £77.44, | 0:28:00 | 0:28:03 | |
Eric is delighted to have popped his cork. | 0:28:03 | 0:28:06 | |
Well, that was a fascinating place to do business. | 0:28:08 | 0:28:10 | |
It's like stepping into the age of Charles Dickens, | 0:28:10 | 0:28:13 | |
but it was a very gratifying sale because my spirit barrels | 0:28:13 | 0:28:16 | |
are now where they would have been back in | 0:28:16 | 0:28:19 | |
the early 19th century. | 0:28:19 | 0:28:21 | |
It's a good start for Eric and one that he immediately builds on | 0:28:21 | 0:28:25 | |
when he takes his garden statue to Hertfordshire landscaper Jason. | 0:28:25 | 0:28:29 | |
-115? We've got a deal. -We've got a deal. | 0:28:31 | 0:28:33 | |
And makes a statuesque profit of £63.17, | 0:28:34 | 0:28:38 | |
making it two sales to Danny's nil. | 0:28:38 | 0:28:41 | |
But Del Boy is hoping he'll soon be off the mark, as he heads to Olney, | 0:28:41 | 0:28:44 | |
a town just north of Milton Keynes, with a mind to ride off | 0:28:44 | 0:28:48 | |
with a profit for his riding boots from Kathryn, | 0:28:48 | 0:28:50 | |
a co-director of an equestrian shop. | 0:28:50 | 0:28:53 | |
I'm just wondering, have I come to the wrong place, | 0:28:53 | 0:28:56 | |
because I've got a nice vintage pair of riding boots, but these, | 0:28:56 | 0:28:59 | |
all these boots here, to me, look like fashion boots. | 0:28:59 | 0:29:01 | |
Oh, we've got a bit modernised, yes. | 0:29:01 | 0:29:03 | |
You have got a bit modernised, haven't you? Yeah. | 0:29:03 | 0:29:06 | |
Tell me, do these sell? What's going on here? | 0:29:06 | 0:29:08 | |
Yeah, well, these are dressage boots here. | 0:29:08 | 0:29:10 | |
These are probably for training. | 0:29:10 | 0:29:11 | |
So, I mean, which one looks the best, then? | 0:29:11 | 0:29:14 | |
I've got my beautiful vintage... | 0:29:14 | 0:29:16 | |
I'd date them around about the 1920s. | 0:29:16 | 0:29:18 | |
-Yeah. -Very well-made. I mean, this is a classic design. | 0:29:18 | 0:29:22 | |
-Style never goes out of fashion. -Absolutely. | 0:29:22 | 0:29:24 | |
And fashion never goes out of style. | 0:29:24 | 0:29:26 | |
Hey, hold on a minute, are you nicking my lines or what? | 0:29:26 | 0:29:28 | |
-What's going on? -They look like they've been really well-kept, | 0:29:28 | 0:29:31 | |
really well looked after. | 0:29:31 | 0:29:32 | |
That was the hard work I put into it. | 0:29:32 | 0:29:33 | |
-You should have seen them. -You polished them yourself? | 0:29:33 | 0:29:36 | |
You'd think I was in the forces, wouldn't you, | 0:29:36 | 0:29:38 | |
-with a polish like that? It's like a mirror! -Exactly. | 0:29:38 | 0:29:40 | |
You must have heard of this name, Faulkner & Sons. | 0:29:40 | 0:29:43 | |
Yes, beautiful boot trees, aren't they? | 0:29:43 | 0:29:45 | |
-This is going to fit right into this shop, you know. -Absolutely. | 0:29:45 | 0:29:48 | |
What do you think they'd be used for? | 0:29:48 | 0:29:50 | |
I think originally these boots would have been for hunting, | 0:29:50 | 0:29:52 | |
going out in the field. A good general boot. | 0:29:52 | 0:29:55 | |
What would you use them for? | 0:29:55 | 0:29:56 | |
We'd use them as a nice prop. | 0:29:56 | 0:29:58 | |
We could make them look beautiful in the shop. | 0:29:58 | 0:29:59 | |
Would they be something that you're interested in? | 0:29:59 | 0:30:02 | |
Yeah, absolutely. I think they'd really fit in with our shop. | 0:30:02 | 0:30:05 | |
It's all down to price, isn't it? | 0:30:05 | 0:30:07 | |
-Mm-hm. -I was thinking roundabout the 240 mark. | 0:30:07 | 0:30:10 | |
OK, we were thinking more about the 120 mark. | 0:30:10 | 0:30:14 | |
Excuse me? | 0:30:14 | 0:30:16 | |
-120? -Yeah. | 0:30:16 | 0:30:17 | |
-You've chopped me right in half. -I know. | 0:30:17 | 0:30:19 | |
Well, it needs to be a bit more than that, Kathryn. | 0:30:19 | 0:30:22 | |
What about 160? | 0:30:22 | 0:30:23 | |
Oh, Kathryn. | 0:30:23 | 0:30:25 | |
That beautiful smile's going to succumb me, I know, but... | 0:30:25 | 0:30:28 | |
-I hope so. -It needs to be a little bit richer than that. | 0:30:28 | 0:30:32 | |
Oh, Kathryn, how about 195? | 0:30:32 | 0:30:35 | |
180. | 0:30:36 | 0:30:38 | |
185 and we've got a deal. | 0:30:38 | 0:30:40 | |
-Great, OK. Deal. -Oh, thank you very much. Thank you, Kathryn. | 0:30:40 | 0:30:43 | |
There's only one word I use when I have a great deal like that | 0:30:46 | 0:30:49 | |
and make plenty of profit. | 0:30:49 | 0:30:51 | |
Boot-iful. | 0:30:51 | 0:30:52 | |
Yes, a boot-iful profit of £86.28 | 0:30:52 | 0:30:56 | |
means that Danny has entered the race. | 0:30:56 | 0:30:58 | |
But it's Eric next with his Chinese screen. | 0:30:58 | 0:31:01 | |
Well, I'm in rural South Oxfordshire. | 0:31:01 | 0:31:03 | |
I'm here to meet Teesha. | 0:31:03 | 0:31:05 | |
Teesha has a gallery in Oxford, but she is also | 0:31:05 | 0:31:10 | |
something of a multi-tasker because she's got | 0:31:10 | 0:31:12 | |
a bed and breakfast out here. | 0:31:12 | 0:31:15 | |
I'm here actually to do a deal on my Chinese screen. | 0:31:15 | 0:31:19 | |
Teesha's family hails from the same part of China as the screen, | 0:31:19 | 0:31:23 | |
so will she want to buy it? | 0:31:23 | 0:31:26 | |
How can I best describe it? | 0:31:26 | 0:31:27 | |
Well, as you can see, fourfold, inlay. | 0:31:27 | 0:31:31 | |
I think date-wise about 1880. | 0:31:31 | 0:31:36 | |
It has got this wonderful inlay | 0:31:36 | 0:31:39 | |
and, if you look at the tree here, you can see it's very, very ornate. | 0:31:39 | 0:31:44 | |
Do you ever see this type of screen in China? | 0:31:44 | 0:31:48 | |
Older days, yes, they used, but now people do not often use this. | 0:31:48 | 0:31:53 | |
Would that look the part in your gallery in Oxford, do you think? | 0:31:53 | 0:31:57 | |
It could be. What's the price? | 0:31:57 | 0:31:59 | |
I was looking for around the £300 mark. | 0:31:59 | 0:32:02 | |
I was thinking around the 200 mark. | 0:32:02 | 0:32:06 | |
What if we went 250, would that go? | 0:32:06 | 0:32:08 | |
250 is not a good figure. | 0:32:08 | 0:32:10 | |
Chinese like eight. | 0:32:10 | 0:32:12 | |
Oh, do you? All right, then, 280! | 0:32:12 | 0:32:16 | |
-OK. -I was thinking 218. | 0:32:16 | 0:32:19 | |
Oh, 218! If we said 238, | 0:32:19 | 0:32:24 | |
would that be just as good? | 0:32:24 | 0:32:26 | |
-OK. -Are you sure? -Yeah. | 0:32:26 | 0:32:28 | |
-You are sure? -Yeah, you sure? -Yes, I'm sure. | 0:32:28 | 0:32:30 | |
-Shake hands. -It's a deal. | 0:32:30 | 0:32:31 | |
Eric makes an impressive profit of a smidge over | 0:32:31 | 0:32:34 | |
£133 for the screen. | 0:32:34 | 0:32:37 | |
He then goes on to sell the gilt-framed pictures, | 0:32:37 | 0:32:39 | |
including the Maxfield Parrish, to gallery owner Chrissy | 0:32:39 | 0:32:43 | |
for a further profit of £97.79. | 0:32:43 | 0:32:46 | |
Danny needs to catch up. He's paid £75 to have | 0:32:47 | 0:32:51 | |
his workbench restored. | 0:32:51 | 0:32:52 | |
It now owes him over £186. | 0:32:52 | 0:32:56 | |
He's had it delivered to Stockport Antiques Emporium owner Gabby, | 0:32:56 | 0:33:00 | |
and hopes he can still carve out a profit. | 0:33:00 | 0:33:03 | |
-Hey, I tell you what, it looks -well, here. It does indeed. | 0:33:05 | 0:33:08 | |
-What do you think, Gabby? -It's come home. | 0:33:08 | 0:33:09 | |
Love it. This is very now. | 0:33:09 | 0:33:11 | |
Everyone's after one of these. | 0:33:11 | 0:33:13 | |
In actual fact, I've probably got a buyer straight away | 0:33:13 | 0:33:16 | |
-for a shop fitting, as a front counter. -Oh, wow! | 0:33:16 | 0:33:20 | |
-I mean... -And I've also seen them with a bit of slate set in here, | 0:33:20 | 0:33:23 | |
as well, which is really nice, especially in the kitchen, | 0:33:23 | 0:33:26 | |
and you can oil them down. | 0:33:26 | 0:33:28 | |
-A bit of slate? -Mm, dropped in, just into the tool well, here. | 0:33:28 | 0:33:32 | |
-Let's talk about price. -Come on then. Spit it out. | 0:33:32 | 0:33:37 | |
550. | 0:33:37 | 0:33:38 | |
Ouch! OK. | 0:33:38 | 0:33:40 | |
Got to be a bit more in it for me. | 0:33:42 | 0:33:44 | |
Listen, Gabby, there's plenty in it for you. | 0:33:44 | 0:33:48 | |
I mean, I've priced it up, I've reckoned it up. | 0:33:48 | 0:33:51 | |
I've seen about what these are going for and it's a great thing. | 0:33:51 | 0:33:56 | |
There's a little quirky bit here with this little door. | 0:33:56 | 0:33:58 | |
There's two vices. It cost me a lot of money, you know. | 0:33:58 | 0:34:01 | |
Two vices, yeah, OK, I'll take that. | 0:34:01 | 0:34:04 | |
500? | 0:34:04 | 0:34:05 | |
Will you go 520? | 0:34:07 | 0:34:09 | |
No. I've got to screw these hinges off. | 0:34:09 | 0:34:13 | |
-Yes, I know. -They're horrible. -I know, they are horrible, yes. | 0:34:13 | 0:34:15 | |
They wouldn't have been so bad had they been inside, | 0:34:15 | 0:34:18 | |
-but they are quite... -Cheap. -510. | 0:34:18 | 0:34:20 | |
500, come on, we like round numbers. | 0:34:20 | 0:34:21 | |
-We do like round numbers. I'll have a deal at that. -Right. | 0:34:21 | 0:34:24 | |
-Thank you very much, Gabby. -Thank you. | 0:34:24 | 0:34:26 | |
Incredible. Danny's spending pays off, | 0:34:26 | 0:34:28 | |
and he makes the best profit so far, almost £314 on the bench. | 0:34:28 | 0:34:34 | |
He's back in the game and understandably as pleased as punch, | 0:34:34 | 0:34:37 | |
but how's he doing in the scores? Let's find out. | 0:34:37 | 0:34:40 | |
Eric has so far done five deals, giving him at total profit | 0:34:43 | 0:34:46 | |
of £384.48. | 0:34:46 | 0:34:48 | |
Danny has only sold two of his five, but after his success with the bench | 0:34:50 | 0:34:54 | |
he's just in the lead with a little over £400 of pure profit. | 0:34:54 | 0:34:59 | |
With figures like that, only a fool would speculate | 0:35:02 | 0:35:05 | |
on who's going to win today's clash. | 0:35:05 | 0:35:08 | |
Danny is up next with | 0:35:08 | 0:35:10 | |
his job lot of Meccano. | 0:35:10 | 0:35:12 | |
He's decided to split it into groups and sell it online. | 0:35:12 | 0:35:16 | |
He's had some initial success with a couple of rarer pieces, | 0:35:16 | 0:35:19 | |
some headlights and a steering wheel... | 0:35:19 | 0:35:21 | |
Oh, yes! We've got a bid! In fact, we've got four. | 0:35:23 | 0:35:28 | |
And it's made £50. | 0:35:28 | 0:35:29 | |
..and does shift the rest, | 0:35:29 | 0:35:31 | |
but after postage, packaging and auction costs were deducted, | 0:35:31 | 0:35:35 | |
he only makes a total profit of just £7.02. | 0:35:35 | 0:35:39 | |
Meanwhile, Eric is continuing on his selling quest | 0:35:40 | 0:35:43 | |
with his prize buy, the blue glass vase. | 0:35:43 | 0:35:47 | |
It still owes him just over £123, | 0:35:47 | 0:35:50 | |
so will London-based antiques dealer Mousa | 0:35:50 | 0:35:53 | |
like it enough to give Eric a profit? | 0:35:53 | 0:35:56 | |
I was intrigued to know your opinion. | 0:35:56 | 0:36:00 | |
Would you say Bohemia, rather than France? | 0:36:00 | 0:36:03 | |
I think it might be any, Bohemian or French, | 0:36:03 | 0:36:06 | |
but in my opinion, it is French. | 0:36:06 | 0:36:09 | |
But the date, I think about 1870, 1880. | 0:36:09 | 0:36:11 | |
-Beautiful. -It's beautiful, yeah. | 0:36:11 | 0:36:13 | |
Well, I'm expecting around the 400 mark, | 0:36:13 | 0:36:17 | |
so where do you come in on that one? | 0:36:17 | 0:36:20 | |
I would be coming to £300. | 0:36:20 | 0:36:22 | |
Can I just push my luck and go to 370 or...? | 0:36:22 | 0:36:27 | |
Then why don't we shake hands on 350? | 0:36:27 | 0:36:30 | |
350, we've got ourselves a deal. | 0:36:30 | 0:36:32 | |
Eric walks out with his biggest profit so far. | 0:36:32 | 0:36:35 | |
Remember, the vase was bought as part of a job lot and, | 0:36:35 | 0:36:38 | |
with the rest either sold at the auction house | 0:36:38 | 0:36:41 | |
or given to a charity shop, | 0:36:41 | 0:36:42 | |
it means Mr Knowles has made almost £240 on the lot. | 0:36:42 | 0:36:46 | |
That is what, in the business, you call a sleeper, | 0:36:48 | 0:36:51 | |
when you get a price like that. | 0:36:51 | 0:36:53 | |
Having said that, I'm only too pleased | 0:36:53 | 0:36:55 | |
that I had an early night before the auction. | 0:36:55 | 0:36:58 | |
And he steps his profits up again when he sells his ladder | 0:36:58 | 0:37:02 | |
to Buckinghamshire antiques dealer Chloe. | 0:37:02 | 0:37:05 | |
Can we meet halfway at 60? | 0:37:05 | 0:37:08 | |
-Is that halfway? -Between 50 and 70. | 0:37:08 | 0:37:10 | |
Yeah, it probably is, isn't it? | 0:37:10 | 0:37:12 | |
Put your hand there. | 0:37:12 | 0:37:14 | |
Making a small profit of just £8.17, | 0:37:14 | 0:37:17 | |
and ticking another item off his list. | 0:37:17 | 0:37:20 | |
Danny needs to catch up, and he's hoping to do just that | 0:37:20 | 0:37:23 | |
with his mahogany chair, and so he carries it over | 0:37:23 | 0:37:26 | |
to the same Stockport emporium where he sold his workbench, | 0:37:26 | 0:37:30 | |
and he's hoping antiques dealer Laura will like it enough | 0:37:30 | 0:37:33 | |
to add some profit on top of the £172 that he paid for it. | 0:37:33 | 0:37:37 | |
This is a nice early 20th-century scroll top, | 0:37:37 | 0:37:41 | |
with a rail back and a solid seat. | 0:37:41 | 0:37:44 | |
I'd say it's got a 360-swivel and it's also got the rocking action. | 0:37:44 | 0:37:48 | |
-Oh, yeah. -What do you think of it? | 0:37:48 | 0:37:50 | |
Well, it's a wonderful piece. I mean, it's got such great curves | 0:37:50 | 0:37:54 | |
and it's certainly not the type of desk chair | 0:37:54 | 0:37:56 | |
-you see every day. -You like it? | 0:37:56 | 0:37:58 | |
I do like it, I do like it, but I think what I need to find out | 0:37:58 | 0:38:01 | |
is if I'm going to like the price. | 0:38:01 | 0:38:03 | |
Say 300. | 0:38:03 | 0:38:04 | |
300, OK. That is a little high, | 0:38:04 | 0:38:09 | |
I think, for this chair. | 0:38:09 | 0:38:11 | |
Would you do 225? | 0:38:11 | 0:38:12 | |
-HE SIGHS -260. | 0:38:14 | 0:38:16 | |
-I can do 250. -255. We'll go in the middle. | 0:38:16 | 0:38:20 | |
-I'll do that. I'll do that, 255. -Oh, Laura, it's been a pleasure. | 0:38:20 | 0:38:23 | |
Danny makes a profit of £82.24 for the chair and, finishing up, | 0:38:23 | 0:38:27 | |
he sells his wheelbarrow to a tearoom in Ribchester, | 0:38:27 | 0:38:30 | |
as a shop display, wheeling out a profit of £65.96. | 0:38:30 | 0:38:36 | |
And that's him all sold up. Hoping not to be far behind, | 0:38:36 | 0:38:39 | |
Eric's bought his watercolour to Edenbridge, in Kent. | 0:38:39 | 0:38:42 | |
A little bit of investigation fails to reveal a signature. | 0:38:42 | 0:38:46 | |
However, it does lead him to the door of picture dealer John. | 0:38:46 | 0:38:49 | |
But will he want to buy it? | 0:38:49 | 0:38:52 | |
Well, I've got to admit that when I saw this, | 0:38:52 | 0:38:54 | |
I was just captivated by it. | 0:38:54 | 0:38:56 | |
I've had it out of the frame, there is no signature. | 0:38:56 | 0:38:58 | |
However, initially I did know there was a name on the back | 0:38:58 | 0:39:02 | |
that said Cortez, C-O-R-T-E-Z, | 0:39:02 | 0:39:06 | |
so I start looking online | 0:39:06 | 0:39:09 | |
and I can't find anybody with the name Cortez. | 0:39:09 | 0:39:12 | |
However, I then thought, "Well, maybe it's Cortes," | 0:39:12 | 0:39:17 | |
and when I did that, I came up with Edouard Cortes, | 0:39:17 | 0:39:21 | |
and then I started seeing that this man was prolific. | 0:39:21 | 0:39:25 | |
He was born in, I think, 1882, or something like that, | 0:39:25 | 0:39:28 | |
died in 1969, and I start looking at his oil paintings. | 0:39:28 | 0:39:34 | |
And several of his oil paintings I find that he features a mother | 0:39:34 | 0:39:39 | |
and a child side by side. | 0:39:39 | 0:39:41 | |
-There are several problems with that attribution. -Go on. | 0:39:41 | 0:39:44 | |
Born in 1882, and we reckon this is about 1900, 1905, | 0:39:44 | 0:39:51 | |
it would be a very juvenile picture at that stage of his career. | 0:39:51 | 0:39:55 | |
I can't see anything stylistically in the handling of the medium | 0:39:55 | 0:40:00 | |
which would make me think it was by Cortes, I have to say. | 0:40:00 | 0:40:03 | |
Frustrating that there's absolutely nothing on the back whatsoever. | 0:40:03 | 0:40:06 | |
-Nothing. -I might die before I discover who it's by | 0:40:06 | 0:40:10 | |
but it's very, very charming. | 0:40:10 | 0:40:12 | |
I'm prepared to make an offer on it, something just over £200. | 0:40:12 | 0:40:15 | |
Are we near the 220? | 0:40:15 | 0:40:16 | |
-About 220, yes. -About 220. -Yeah. | 0:40:16 | 0:40:19 | |
-Have we got a deal? -We've got a deal. | 0:40:19 | 0:40:21 | |
So Eric fails to get a definitive answer on the name of the painter, | 0:40:21 | 0:40:24 | |
but his instincts pay off | 0:40:24 | 0:40:26 | |
and he makes a profit of £96.60 on the painting. | 0:40:26 | 0:40:30 | |
He makes it a full house when he sells his nautical engraving | 0:40:30 | 0:40:34 | |
to maritime art specialist David. | 0:40:34 | 0:40:36 | |
Maybe we could meet in the middle, say 45? | 0:40:37 | 0:40:40 | |
45? Listen, 45 is perfectly good by me. | 0:40:40 | 0:40:45 | |
Making a final profit of £22.79, | 0:40:45 | 0:40:48 | |
and that's both our profit panthers over the finish line. | 0:40:48 | 0:40:51 | |
So let's remind ourselves of how much they spent today. | 0:40:51 | 0:40:54 | |
From a £1,000 budget, Eric bought eight lots and spent £629.36. | 0:40:57 | 0:41:04 | |
Danny bought only five items, but adding restoration costs | 0:41:04 | 0:41:06 | |
and online auction charges, spent more in the end, £654.11. | 0:41:06 | 0:41:12 | |
But who brought home the biggest profits? | 0:41:12 | 0:41:15 | |
All of the money made will go to our dealers' chosen charities, | 0:41:15 | 0:41:19 | |
so who is today's champion? | 0:41:19 | 0:41:21 | |
-Hey, how are we doing? -Not so bad. | 0:41:21 | 0:41:23 | |
-How are you? -I'm fine. -Always a pleasure to see you. | 0:41:23 | 0:41:26 | |
Oh, thank you, Danny. Well, it's nice to get back into | 0:41:26 | 0:41:29 | |
the auction scene, for me. | 0:41:29 | 0:41:31 | |
I spent most of my life working for an auction house. | 0:41:31 | 0:41:33 | |
What was your best buy? | 0:41:33 | 0:41:35 | |
It's got to be that job lot with all the miscellaneous china, | 0:41:35 | 0:41:39 | |
most of which was worth very little. | 0:41:39 | 0:41:41 | |
There was a glass vase and cover. | 0:41:41 | 0:41:42 | |
-Right. -It was fabulous. | 0:41:42 | 0:41:45 | |
And it was about 1880, probably Bohemian, | 0:41:45 | 0:41:49 | |
beautifully enamelled, | 0:41:49 | 0:41:51 | |
and I found a man who really was keen to have it. | 0:41:51 | 0:41:54 | |
So what was your best buy, Danny? | 0:41:54 | 0:41:57 | |
Well, my best buy, funnily enough, would have been my workbench. | 0:41:57 | 0:42:00 | |
-Do you remember that workbench full of...? -Yes, I do. | 0:42:00 | 0:42:03 | |
..woodworm and all sorts going on. | 0:42:03 | 0:42:05 | |
Yeah, well, I got it treated, I got it sanded, I got it re-waxed, | 0:42:05 | 0:42:08 | |
I got a little shelf put on the bottom. | 0:42:08 | 0:42:10 | |
Then I sold it to this lady, she's got a big antiques centre. | 0:42:10 | 0:42:14 | |
-Oh, right. -Went down very well. But it looked the business. | 0:42:14 | 0:42:18 | |
-Come up trumps. -Good lad. | 0:42:18 | 0:42:20 | |
-OK, well, let's see if you're going to come up trumps here. -Yes. -OK. | 0:42:20 | 0:42:23 | |
-Let's have a peep. -Are you ready? -I am. | 0:42:23 | 0:42:25 | |
-We'll do a one... -A one... | 0:42:25 | 0:42:27 | |
A two, and a three! | 0:42:27 | 0:42:30 | |
-Ooh! -Ooh! | 0:42:30 | 0:42:32 | |
Well, hey, that's a very healthy profit. | 0:42:32 | 0:42:35 | |
-Yours is even healthier! -And that's what matters! | 0:42:35 | 0:42:38 | |
-In your box it does, yeah, but not in mine. -Come on. -Come on then. | 0:42:38 | 0:42:43 | |
Yes, Eric wins today's contest by a country mile | 0:42:43 | 0:42:46 | |
and it's all down to that blue glass vase. | 0:42:46 | 0:42:50 | |
Well, I realise I came up with a tidy profit there | 0:42:50 | 0:42:53 | |
but, in all fairness, Danny really did give me a run for my money. | 0:42:53 | 0:42:57 | |
So at the end of the day, I have to be eternally grateful | 0:42:57 | 0:43:01 | |
to one Bohemian glass vase and cover. | 0:43:01 | 0:43:03 | |
I'm absolutely gutted. | 0:43:03 | 0:43:05 | |
I actually thought I was going to win that one. | 0:43:05 | 0:43:08 | |
It just goes to show, | 0:43:08 | 0:43:09 | |
don't count your chickens before they're hatched. | 0:43:09 | 0:43:12 | |
But Danny will get another shot at the crown tomorrow | 0:43:12 | 0:43:15 | |
when our boys go into battle at an antiques market in Belgium. | 0:43:15 | 0:43:18 |