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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:11 | |
Each week, one pair of duelling dealers | 0:00:11 | 0:00:14 | |
will face a different daily challenge. | 0:00:14 | 0:00:17 | |
I've got a heavy profit here. | 0:00:17 | 0:00:18 | |
-Putting their reputations on the line... -Who's there? | 0:00:18 | 0:00:22 | |
-..they'll give you the insider's view of the trade... -Rrroar. | 0:00:23 | 0:00:27 | |
..along with their top tips and savvy secrets... | 0:00:27 | 0:00:30 | |
That could present a problem. | 0:00:30 | 0:00:32 | |
-..showing you how to make the most money... -Ready for battle. | 0:00:32 | 0:00:35 | |
-..from buying and selling. -Get in there! | 0:00:37 | 0:00:40 | |
Coming up, Danny Sebastian plots an antiques invasion. | 0:00:42 | 0:00:46 | |
Wouldn't mind getting a bit of pottery, really, | 0:00:46 | 0:00:48 | |
just to show Eric that I can play him at his own game. | 0:00:48 | 0:00:51 | |
Eric Knowles brushes up on his bronze-making. | 0:00:51 | 0:00:55 | |
It's given me a good idea of all the work that's gone into producing it. | 0:00:55 | 0:01:00 | |
And there's a singsong in the selling. | 0:01:00 | 0:01:04 | |
# Sewing machine, sewing machine The greatest thing I've ever seen | 0:01:04 | 0:01:07 | |
# Sewing machine sewing machine The greatest thing I've ever seen. # | 0:01:07 | 0:01:11 | |
This is Put Your Money Where Your Mouth Is. | 0:01:11 | 0:01:14 | |
Willkommen, bienvenue and goede dag | 0:01:28 | 0:01:32 | |
to this latest conquest of the collectibles from the Continent. | 0:01:32 | 0:01:36 | |
Our two valiant challengers have spurned the warmth of their beds | 0:01:36 | 0:01:39 | |
in favour of an early morning stroll | 0:01:39 | 0:01:41 | |
around the antiques market at Sint-Truiden in Belgium, | 0:01:41 | 0:01:45 | |
all in the name of buying, selling | 0:01:45 | 0:01:47 | |
and beating their opponent to a winning profit. | 0:01:47 | 0:01:49 | |
Our first contender is a knight of the round Chippendale table, | 0:01:49 | 0:01:53 | |
determined to throw down the gauntlet | 0:01:53 | 0:01:55 | |
and be victorious in his quest to find the finest antique spoils. | 0:01:55 | 0:02:00 | |
It's Eric "The Knowledge" Knowles. | 0:02:00 | 0:02:04 | |
This is where you do battle. | 0:02:04 | 0:02:06 | |
Keen to thwart Eric's challenge is the prince of paraphernalia. | 0:02:06 | 0:02:10 | |
He's the silver-tongued golden boy from Wellingborough, | 0:02:10 | 0:02:13 | |
Danny "Del Boy" Sebastian. | 0:02:13 | 0:02:16 | |
Plenty of nice stuff here, plenty of nice stuff. | 0:02:16 | 0:02:19 | |
They've each got £750-worth of their own euros to spend | 0:02:20 | 0:02:24 | |
and all the profit goes to their chosen charities | 0:02:24 | 0:02:27 | |
but who will be able to stake their claim | 0:02:27 | 0:02:29 | |
and secure the best of today's bounty? | 0:02:29 | 0:02:32 | |
Eric Knowles and Danny Sebastian, | 0:02:32 | 0:02:35 | |
it's time to put your money where your mouth is. | 0:02:35 | 0:02:39 | |
-Good middle of the night to you, cos it feels like it. -It is that. | 0:02:39 | 0:02:43 | |
But I'm used to that, because I worked the markets, | 0:02:43 | 0:02:46 | |
-I've done the fairs. -Yeah. | 0:02:46 | 0:02:48 | |
But generally, by now, usually, I've sold up and gone home. | 0:02:48 | 0:02:52 | |
Looking at what I've seen, | 0:02:53 | 0:02:55 | |
-it looks like it's going to be a very nice fair today. -OK. | 0:02:55 | 0:02:58 | |
-There's plenty of vehicles, there's plenty of people. -Yep. | 0:02:58 | 0:03:01 | |
You can always spot the bargains, | 0:03:01 | 0:03:03 | |
cos they've got a red light flashing over the top of them. | 0:03:03 | 0:03:06 | |
Talk for yourself. You're a connoisseur in this game, | 0:03:06 | 0:03:08 | |
so YOU can always spot... Shall I follow your lead? | 0:03:08 | 0:03:12 | |
You can follow my lead and whatever you do, | 0:03:12 | 0:03:14 | |
buy the thing next to whatever I buy, | 0:03:14 | 0:03:16 | |
you'll probably make more of a profit. | 0:03:16 | 0:03:18 | |
-I'll keep that in mind. -Good on you. OK. -Good luck. -Go for it. | 0:03:18 | 0:03:21 | |
-Remember, we're batting for Britain. -That will do. | 0:03:21 | 0:03:25 | |
So, on the surface, | 0:03:26 | 0:03:28 | |
both our experts are presenting a unified front. | 0:03:28 | 0:03:30 | |
But how long will this entente cordiale last, | 0:03:30 | 0:03:33 | |
especially as Danny, it appears, isn't as confident as he let on. | 0:03:33 | 0:03:38 | |
There's only one thing that's really worrying me | 0:03:39 | 0:03:41 | |
and that is the communication lapse. | 0:03:41 | 0:03:43 | |
Obviously, they speak Belgian or Flemish here and I speak English. | 0:03:43 | 0:03:47 | |
I haven't really got a clue how to speak Flemish, | 0:03:47 | 0:03:49 | |
so I've just got to work with my pen, | 0:03:49 | 0:03:52 | |
but I'm raring to go and I want to buy some good gear. | 0:03:52 | 0:03:55 | |
Yes, the pen is mightier than the Flemish phrasebook, Danny. | 0:03:55 | 0:04:00 | |
Now, "The Knowledge" Knowles knows this market well, | 0:04:00 | 0:04:03 | |
so how's HE going to approach this campaign? | 0:04:03 | 0:04:05 | |
Got to be methodical cos there's a lot of area to cover. | 0:04:06 | 0:04:10 | |
It's about the size of a football pitch and a bit bigger, | 0:04:10 | 0:04:13 | |
so I'll have to do two or three circuits, | 0:04:13 | 0:04:15 | |
just to make sure I cover everything. | 0:04:15 | 0:04:18 | |
So, Eric plans to scout out the stalls before he spends his euros. | 0:04:18 | 0:04:22 | |
Danny, on the other hand, | 0:04:22 | 0:04:24 | |
has already homed in on a potential purchase... | 0:04:24 | 0:04:26 | |
..a milk urn. | 0:04:27 | 0:04:29 | |
How much? | 0:04:31 | 0:04:32 | |
-Ah, non. -It appears Danny's pen has been replaced by a calculator. | 0:04:33 | 0:04:40 | |
-Oh, oh, oh, oh. -20. | 0:04:40 | 0:04:42 | |
25. 25. 25. 25. 25. | 0:04:42 | 0:04:46 | |
-22. -25. 25. 25. -22. | 0:04:46 | 0:04:49 | |
Well, no translation necessary, but just to be absolutely clear... | 0:04:49 | 0:04:53 | |
..au lait... | 0:04:53 | 0:04:55 | |
-OK. -OK | 0:04:57 | 0:04:59 | |
Yes, unable to resist the sheer enthusiasm of the man, | 0:04:59 | 0:05:02 | |
Danny settles on 25 euros for the urn, | 0:05:02 | 0:05:05 | |
which converts into £18.52. | 0:05:05 | 0:05:07 | |
So, is he happy with his first purchase? | 0:05:07 | 0:05:10 | |
This is a lovely brass urn. I'd date it round about mid-20th century. | 0:05:11 | 0:05:17 | |
Very, very decorative piece and I find, nowadays, | 0:05:17 | 0:05:20 | |
that people just buy them, they like them | 0:05:20 | 0:05:23 | |
and this is quite a nice piece, being brass. | 0:05:23 | 0:05:26 | |
They generally come in aluminium. | 0:05:26 | 0:05:28 | |
Going to milk this one, I tell you, for a good profit. | 0:05:28 | 0:05:31 | |
Yes, you'll be churning out the money, Del Boy. | 0:05:31 | 0:05:33 | |
Across the market, Eric is sticking to his word | 0:05:33 | 0:05:37 | |
and is methodically perusing up and down every aisle. | 0:05:37 | 0:05:40 | |
-20? -For the two. | 0:05:40 | 0:05:42 | |
20 for the two. OK, thank you. | 0:05:42 | 0:05:44 | |
But he's yet to spot anything he likes the look of, | 0:05:45 | 0:05:48 | |
so he decides a change of tack is in order. | 0:05:48 | 0:05:51 | |
I'm going to have to keep an open mind here | 0:05:51 | 0:05:53 | |
and maybe go for the quirky. | 0:05:53 | 0:05:55 | |
But, there again, my competitor, when it comes to quirks, | 0:05:55 | 0:06:00 | |
he knows a good quirk when he sees one. | 0:06:00 | 0:06:03 | |
Yes, he does indeed. | 0:06:03 | 0:06:05 | |
Ooh, what's that quirky little thing you've spotted there, Danny? | 0:06:05 | 0:06:09 | |
Seems like a very early telephone. Um, it's got no digits on it but... | 0:06:09 | 0:06:14 | |
HANDLE SQUEAKS | 0:06:14 | 0:06:16 | |
You've obviously got to wind it to get your numbers out, I suppose. | 0:06:16 | 0:06:20 | |
Quite interesting. | 0:06:20 | 0:06:21 | |
So, intrigued by the piece, | 0:06:21 | 0:06:23 | |
Danny moves in to negotiate with the camera-shy vendor. | 0:06:23 | 0:06:26 | |
-How much for this old phone? -95. -Ow! | 0:06:26 | 0:06:30 | |
That's a low blow! | 0:06:30 | 0:06:32 | |
-Very low blow. -It comes from the mines. -From the mines? | 0:06:32 | 0:06:37 | |
-Very interesting. What sort of period? How old? -1938. -1938? | 0:06:37 | 0:06:41 | |
-Roughly. -What's the best price you can do me? | 0:06:41 | 0:06:44 | |
-80. -72. -No, no, 75. | 0:06:44 | 0:06:47 | |
-Is that your best? -Yes. | 0:06:48 | 0:06:50 | |
# No need to ask He's a smooth operator... # | 0:06:50 | 0:06:53 | |
Slick and smooth, 75 euros for the mining phone converts to £55.56, | 0:06:53 | 0:06:59 | |
but was it a good call? | 0:06:59 | 0:07:02 | |
I'm going to be very interested in finding out | 0:07:03 | 0:07:06 | |
a little bit more about it. | 0:07:06 | 0:07:08 | |
Something that I've not really seen before. | 0:07:08 | 0:07:10 | |
The gentleman's telling me it was used in the mines. | 0:07:10 | 0:07:12 | |
I suppose you'd be ringing and telling upstairs | 0:07:12 | 0:07:15 | |
that the coal bucket's full. | 0:07:15 | 0:07:17 | |
Seems all intact as well, even the handles. | 0:07:17 | 0:07:20 | |
It's got that nice firmness about it, that's just right. | 0:07:20 | 0:07:23 | |
# Hey, baby I'm the telephone man... # | 0:07:23 | 0:07:25 | |
With two buys to Eric's zero, | 0:07:25 | 0:07:27 | |
it seems our Del Boy has a spring in his step. | 0:07:27 | 0:07:31 | |
Plenty of nice stuff here, plenty of nice stuff. | 0:07:31 | 0:07:34 | |
Whilst Eric has barely moved an inch. | 0:07:34 | 0:07:37 | |
At the moment, I'm struggling to find anything | 0:07:37 | 0:07:40 | |
that comes under the heading of "old". | 0:07:40 | 0:07:43 | |
Right, aisle number two. | 0:07:43 | 0:07:45 | |
But, as Eric wades ever deeper into the market, | 0:07:45 | 0:07:48 | |
he soon casts his line and catches some pottery... | 0:07:48 | 0:07:51 | |
Let me look at this. | 0:07:51 | 0:07:52 | |
..reeling in a set of 19th-century plates with a price tag of 30 euros. | 0:07:54 | 0:07:59 | |
-You know where they say, "What is your best price?" -It's 10 euros. | 0:08:00 | 0:08:04 | |
-10 euros each? -Yes. -OK, excellent. | 0:08:04 | 0:08:08 | |
No haggle, Eric? 20 euros is £14.81 | 0:08:10 | 0:08:14 | |
and he's finally landed his first catch of the day. | 0:08:14 | 0:08:17 | |
Well, my two plates could well be relatively local, | 0:08:17 | 0:08:22 | |
because I'm seeing a BK there, on the back, | 0:08:22 | 0:08:25 | |
not very distinct, which tells me | 0:08:25 | 0:08:27 | |
that they were probably made by Boch Keramis, quite a well-known maker. | 0:08:27 | 0:08:32 | |
But what I love about these plates | 0:08:32 | 0:08:34 | |
is that they show French/ Belgian humour. | 0:08:34 | 0:08:40 | |
The top one shows a fisherman and he's hooked a whale, | 0:08:40 | 0:08:44 | |
only because he's got a lady's corset | 0:08:44 | 0:08:47 | |
and the stays in the corset were normally made from whalebone, | 0:08:47 | 0:08:52 | |
so that's the connection there. And this one... | 0:08:52 | 0:08:56 | |
My French is somewhat wanting, but the verse at the bottom says, | 0:08:56 | 0:08:59 | |
"Oh, I do like a man who knows how to row his own boat." | 0:08:59 | 0:09:03 | |
I think there's something in the saying there, | 0:09:03 | 0:09:06 | |
"I like a man who knows where he's going in life." | 0:09:06 | 0:09:09 | |
These plates, I don't think, | 0:09:09 | 0:09:11 | |
were ever meant to see a meal of any description. | 0:09:11 | 0:09:14 | |
They were made, primarily, to put on the wall. | 0:09:14 | 0:09:18 | |
They're there for nothing more than amusement. | 0:09:18 | 0:09:22 | |
So the prince of pottery has stayed in his area of expertise | 0:09:23 | 0:09:27 | |
with his first purchase | 0:09:27 | 0:09:29 | |
and it seems Del Boy has forgotten his early worries | 0:09:29 | 0:09:32 | |
and his confidence is growing in bounds - | 0:09:32 | 0:09:34 | |
so much, he feels spurred on to venture into Eric's turf. | 0:09:34 | 0:09:38 | |
Wouldn't mind getting a bit of pottery, really, | 0:09:39 | 0:09:42 | |
just to show Eric that I can play him at his own game. | 0:09:42 | 0:09:45 | |
-But it's got to be a good piece. -Hmm, this will be interesting - | 0:09:46 | 0:09:49 | |
taking on the ceramic lord himself at his own game. | 0:09:49 | 0:09:53 | |
-Oh... -What's going on here? -Hey, get off my ground, you. | 0:09:56 | 0:10:00 | |
-This is MY ground. -What are you on about? | 0:10:00 | 0:10:03 | |
I thought you were outside. | 0:10:03 | 0:10:05 | |
When I go out, then you come in. | 0:10:05 | 0:10:08 | |
Now, knowing your Wedgwood from your Wallendorfer in this game is key, | 0:10:08 | 0:10:12 | |
but it seems Danny's not averse to getting some inside information. | 0:10:12 | 0:10:17 | |
I tell you what, though, I've just seen a lovely bit of Royal Dux. | 0:10:18 | 0:10:21 | |
-Can I have your expert opinion? I thought it was quite pretty. -Yeah. | 0:10:21 | 0:10:25 | |
-What's it worth? -I don't know. You're the expert here, mate. | 0:10:25 | 0:10:28 | |
Yes, it's every man for themselves in this game, | 0:10:28 | 0:10:31 | |
so while Danny finds out the price... | 0:10:31 | 0:10:34 | |
600? Wow! That's a big figure. Bit too rich for me, I think, that one. | 0:10:36 | 0:10:41 | |
..Eric leaves his rival to it and moves outside, | 0:10:41 | 0:10:45 | |
where he snaps up a mantle clock for 35 euros or £25.93. | 0:10:45 | 0:10:51 | |
I'm very pleased with my clock garniture. | 0:10:51 | 0:10:55 | |
A lot of people might refer to it as being art deco. | 0:10:55 | 0:11:00 | |
To be technical, it is sort of more art moderne. | 0:11:00 | 0:11:04 | |
It's a style that finds its way in to mainstream art around about 1930. | 0:11:04 | 0:11:10 | |
Black Belgian slate with marble facings. It's very chic. | 0:11:10 | 0:11:16 | |
That purchase means our dealers are now level pegging | 0:11:16 | 0:11:19 | |
at two items apiece. | 0:11:19 | 0:11:21 | |
Around the corner, Danny is hoping it won't stay that way for long. | 0:11:21 | 0:11:25 | |
This is a lovely sewing machine. I quite like industrial. | 0:11:25 | 0:11:29 | |
And this is just a bit different. I've seen a lot of sewing machines. | 0:11:29 | 0:11:32 | |
I used to collect for a company in England that was buying them | 0:11:32 | 0:11:35 | |
for display purposes. but I've never seen one like this. | 0:11:35 | 0:11:38 | |
It's for leather, I think. Probably about 1940s. | 0:11:38 | 0:11:42 | |
Made of cast iron with the foot pedal. | 0:11:42 | 0:11:46 | |
But it's just a little bit different | 0:11:46 | 0:11:49 | |
and, with that, got my name all over it. | 0:11:49 | 0:11:52 | |
-Tell me, sir. -What? -How much? | 0:11:52 | 0:11:55 | |
-200. -No, no. -Yes. -No, no. -How much? | 0:11:55 | 0:11:58 | |
100? Oh, no! | 0:12:01 | 0:12:03 | |
What do you mean, oh, no? Come on. | 0:12:03 | 0:12:05 | |
-No, no, no, no. -How much? What's the best? | 0:12:05 | 0:12:08 | |
-No, no, no. -Give me a good price. | 0:12:08 | 0:12:10 | |
-180 is the last price. -150. | 0:12:10 | 0:12:13 | |
All right, go. | 0:12:15 | 0:12:16 | |
-150, I love that. -All right. -Have you tried to sell it before? | 0:12:18 | 0:12:21 | |
Yes, I have, many... | 0:12:21 | 0:12:22 | |
You've tried to sell it many times and no-one had bought it. | 0:12:22 | 0:12:26 | |
Yes, he was obviously waiting for you to come along, Del Boy. | 0:12:26 | 0:12:30 | |
That 150 euros converts to £111.11, | 0:12:30 | 0:12:34 | |
making this sewing machine his most expensive purchase so far. | 0:12:34 | 0:12:39 | |
That brings us up to the halfway point | 0:12:39 | 0:12:41 | |
in this Belgian buying bonanza. | 0:12:41 | 0:12:43 | |
Time to find out who's been commanding and conquering | 0:12:43 | 0:12:46 | |
and who's been waving the white flag. | 0:12:46 | 0:12:48 | |
With a £750 kitty, Eric has taken his time | 0:12:52 | 0:12:55 | |
and so far spent £40.74 on two items, | 0:12:55 | 0:12:59 | |
leaving a little over £709 in his pocket. | 0:12:59 | 0:13:03 | |
Danny spent fast and big, with three items costing £185.19, | 0:13:06 | 0:13:11 | |
which leaves him almost £565 for the rest of the day. | 0:13:11 | 0:13:15 | |
It's honesty time because I don't mind telling you, my friend, | 0:13:18 | 0:13:21 | |
-I am struggling out there. -It's hard, isn't it? -It IS hard. | 0:13:21 | 0:13:25 | |
But isn't that the challenge? | 0:13:25 | 0:13:28 | |
Danny, I'm trying to feed off your positivity, | 0:13:28 | 0:13:31 | |
but there have been times during this trawl | 0:13:31 | 0:13:34 | |
that I've lost the will to live. But now I've met you, I'm recharged. | 0:13:34 | 0:13:39 | |
Oh, well, that's what I didn't want to do! | 0:13:39 | 0:13:42 | |
I want to keep all that energy for myself. | 0:13:42 | 0:13:44 | |
Have you found a few bits though? | 0:13:44 | 0:13:46 | |
I have found a few bits but, like you say, it's difficult. | 0:13:46 | 0:13:48 | |
It's looking for those big value objects | 0:13:48 | 0:13:51 | |
that you think you're going to make some big money on | 0:13:51 | 0:13:54 | |
and, so far, I've just been fishing and catching tiddlers. | 0:13:54 | 0:13:58 | |
Just snap up what you know you're going to make a few quid on. | 0:13:58 | 0:14:01 | |
-OK, all right. So onwards... -And upwards. -Carry on, number one. | 0:14:01 | 0:14:05 | |
-Bonjour. -Take the bridge. -Take the bridge. | 0:14:05 | 0:14:08 | |
Well, Eric's made no bones about it. | 0:14:09 | 0:14:12 | |
He's been finding this market hard work | 0:14:12 | 0:14:14 | |
and, having spent just a fraction of his budget, | 0:14:14 | 0:14:17 | |
he's now on the lookout for his prize piece. | 0:14:17 | 0:14:20 | |
When you're going round a place like this, | 0:14:21 | 0:14:23 | |
you've really got to scan every stall, even though it looks | 0:14:23 | 0:14:26 | |
as though the things on there are of no great consequence, | 0:14:26 | 0:14:31 | |
because that's quite often where you find the hidden gem. | 0:14:31 | 0:14:35 | |
In spite of thinking big, | 0:14:36 | 0:14:38 | |
Eric's next purchase is hardly a bank breaker. | 0:14:38 | 0:14:41 | |
He spends 10 euros on an art deco inkwell, which converts to £7.41. | 0:14:41 | 0:14:46 | |
Meanwhile, Danny is turning up the heat, | 0:14:49 | 0:14:51 | |
spotting an early 20th-century blowtorch | 0:14:51 | 0:14:54 | |
with a price tag of 25 euros. | 0:14:54 | 0:14:56 | |
-But our Del Boy has a lower price in mind. -How much? | 0:14:56 | 0:15:01 | |
-VENDOR LAUGHS -Combien? | 0:15:02 | 0:15:04 | |
Hmm, it seems the high five was obviously too low. | 0:15:06 | 0:15:09 | |
Perhaps a pen and paper haggle will work. | 0:15:09 | 0:15:12 | |
18 and a smile. | 0:15:14 | 0:15:16 | |
-19? -19. -OK. | 0:15:16 | 0:15:19 | |
Thank you very much. Thank you. | 0:15:19 | 0:15:22 | |
A flash of those pearly whites helps Danny nab it for £14.07. | 0:15:22 | 0:15:28 | |
This is a lovely little brass blowtorch. | 0:15:29 | 0:15:32 | |
I'd estimate it to be about 1920s. | 0:15:32 | 0:15:36 | |
Quite nice. I think it's absolutely fantastic, really. | 0:15:36 | 0:15:39 | |
It's got some great writing on it. "Beware of imitations". | 0:15:39 | 0:15:43 | |
Got a nice wooden handle. It's nice and tactile. | 0:15:43 | 0:15:46 | |
You're going to want to pick it up and play with it. | 0:15:46 | 0:15:49 | |
It's a prime boy's toy. | 0:15:49 | 0:15:51 | |
Somebody's going to polish this up | 0:15:51 | 0:15:53 | |
and bring it back up to sparkling condition. I love it. | 0:15:53 | 0:15:57 | |
Danny's boy toy blowtorch nudges him back in the lead, | 0:15:57 | 0:16:01 | |
with four buys to Eric's three. | 0:16:01 | 0:16:03 | |
Inside the market, old Knowlesy is still trying to spot a big-money buy | 0:16:03 | 0:16:07 | |
and something catches his eye - a pair of early Victorian spectacles. | 0:16:07 | 0:16:12 | |
Can I look in the...? Thank you very much. | 0:16:12 | 0:16:15 | |
You've got to try them on, haven't you? | 0:16:19 | 0:16:21 | |
Careful, Eric, these are no ordinary specs. | 0:16:21 | 0:16:24 | |
They can reveal your inner hippy. | 0:16:24 | 0:16:26 | |
Yeah, baby! | 0:16:26 | 0:16:28 | |
They're nice. | 0:16:30 | 0:16:32 | |
-They suit you. -They suit me, do they? Oh, thank you. | 0:16:32 | 0:16:36 | |
-How much are they? -I'm asking 45. -45. | 0:16:36 | 0:16:41 | |
-If I was to offer 40, would that be acceptable? -Yeah. -OK. | 0:16:41 | 0:16:45 | |
So, Eric pays a thrifty £29.63 for the ocular objet d'art. | 0:16:45 | 0:16:51 | |
It's nice to see that they're in their original carrying case, | 0:16:51 | 0:16:54 | |
which is just carved wood. | 0:16:54 | 0:16:56 | |
But what makes these spectacles interesting | 0:16:56 | 0:16:59 | |
is the fact that they've got blue lenses. | 0:16:59 | 0:17:03 | |
Now, I can tell you these are not sunglasses. | 0:17:03 | 0:17:06 | |
Apparently, they're made for an eye condition. | 0:17:06 | 0:17:11 | |
I think it's something called astigmatism, | 0:17:11 | 0:17:13 | |
but I might have that bit wrong. But what I do know, | 0:17:13 | 0:17:16 | |
is that these date to around about 1840 to maybe 1860. | 0:17:16 | 0:17:24 | |
I'm now in search of a specialist spectacle collector. | 0:17:24 | 0:17:29 | |
And having spent just a tenth of his budget, | 0:17:29 | 0:17:32 | |
Eric goes back on the prowl, but time is running out. | 0:17:32 | 0:17:35 | |
As the stalls begin to shut down, | 0:17:35 | 0:17:37 | |
the question is, will he get his big-money buy. | 0:17:37 | 0:17:41 | |
Meanwhile, Danny is having a minor meltdown. | 0:17:41 | 0:17:44 | |
I hope I look worried cos I am. Time's running short. | 0:17:45 | 0:17:48 | |
Well, you won't find any more in there, Del Boy. | 0:17:49 | 0:17:52 | |
So, in the race to the finish line, Danny is feeling indecisive... | 0:17:52 | 0:17:56 | |
How much? | 0:17:56 | 0:17:58 | |
-10, 10 euros. -10 euros. -Yeah. | 0:17:58 | 0:18:01 | |
-I might be back. -Yeah. | 0:18:01 | 0:18:03 | |
..while Eric, who's been once round the track, | 0:18:03 | 0:18:06 | |
has headed back to the vendor who sold him the spectacles | 0:18:06 | 0:18:09 | |
and he has his eye on a 19th-century ornament. | 0:18:09 | 0:18:12 | |
I've just found this bronze model of a racehorse. | 0:18:13 | 0:18:17 | |
The first thing you obviously look for | 0:18:17 | 0:18:20 | |
is to see if there's a signature. | 0:18:20 | 0:18:22 | |
But nothing. | 0:18:22 | 0:18:24 | |
He's just missing a screw and he'll be back on his feet properly. | 0:18:24 | 0:18:29 | |
So, the price is 180. I'd like to offer 175. | 0:18:29 | 0:18:34 | |
Is there any chance we could do that for 175? | 0:18:34 | 0:18:38 | |
So, that's my biggest buy of the day. | 0:18:41 | 0:18:44 | |
So, after chomping at the bit to find a big-money buy, | 0:18:44 | 0:18:47 | |
Eric spends £129.63 and decides to call it a day. | 0:18:47 | 0:18:53 | |
Danny, however, is not far behind, | 0:18:53 | 0:18:55 | |
as he heads back to the mirror with a 10 euro price tag | 0:18:55 | 0:18:58 | |
and, despite having over £550 still in his kitty, | 0:18:58 | 0:19:02 | |
Del Boy's pleading poverty. | 0:19:02 | 0:19:04 | |
-10 euros. -Come down. I've run out of money. | 0:19:04 | 0:19:08 | |
-Can you do 5? -Oh, it's good. | 0:19:08 | 0:19:11 | |
And the deal is done. So, cue Danny's horse impression. | 0:19:11 | 0:19:14 | |
Yes? Eh-eh-eh. That's made my day. That's made my day. | 0:19:14 | 0:19:19 | |
And with that, Danny secures his final item, | 0:19:19 | 0:19:22 | |
in the last throes of the market, for 5 euros or £3.70. | 0:19:22 | 0:19:27 | |
It all got a bit desperate towards the end. I ran out of time. | 0:19:29 | 0:19:33 | |
I bought this mirror. It's quite a simple one. | 0:19:33 | 0:19:37 | |
It's got a nice brass frame on it and it's in the shape of a watch. | 0:19:37 | 0:19:41 | |
It's not bevelled edge but it only cost me 5 euros. | 0:19:41 | 0:19:45 | |
Very, very cheap, really, | 0:19:45 | 0:19:47 | |
so I don't think I'm going to have a problem selling this piece. | 0:19:47 | 0:19:51 | |
And that brings us to the end of our foreign foray, | 0:19:51 | 0:19:55 | |
so let's see what they spent in beautiful Belgium. | 0:19:55 | 0:19:58 | |
Starting the day with £750-worth of euros, | 0:19:59 | 0:20:02 | |
Eric purchased five items and spent £207.41. | 0:20:02 | 0:20:08 | |
Danny bought the same amount but spent a fiver less. | 0:20:10 | 0:20:13 | |
So, with neither dealer managing to splash the cash, | 0:20:16 | 0:20:19 | |
what will they make of each other's hauls? | 0:20:19 | 0:20:22 | |
Danny, I've got to say that we've both come pretty good. | 0:20:22 | 0:20:25 | |
We've come up trumps again, haven't we? | 0:20:25 | 0:20:27 | |
That's got to be your favourite, that little bronze. | 0:20:27 | 0:20:29 | |
Well, I'm hoping that I've backed a winner with that, | 0:20:29 | 0:20:32 | |
if you pardon the pun. | 0:20:32 | 0:20:33 | |
But racehorses and bronze racehorses | 0:20:33 | 0:20:36 | |
-invariably find the right type of buyer. -Definitely. | 0:20:36 | 0:20:40 | |
I love the plates because they're Belgian, | 0:20:40 | 0:20:43 | |
although they're lettered in French, but they're very humorous. | 0:20:43 | 0:20:46 | |
I won't go into too much detail, but that's Belgian humour for you. | 0:20:46 | 0:20:50 | |
In your case, I can see I'm dealing with a heavy metal man. | 0:20:50 | 0:20:53 | |
-You definitely are. We rock! -Do you? -Yes. I think my... | 0:20:53 | 0:20:58 | |
-That Singer, I like it. -It's a big one. | 0:20:58 | 0:21:00 | |
-It's actually a leather sewing machine for shoes. -Is it? -It is. | 0:21:00 | 0:21:06 | |
You'd know that because you're a Northamptonshire lad, aren't you? | 0:21:06 | 0:21:09 | |
-That's right. -What's this big thing? | 0:21:09 | 0:21:11 | |
This little baby here is an early Ericsson. It's a mine telephone. | 0:21:11 | 0:21:17 | |
Oh, is it? | 0:21:17 | 0:21:18 | |
Not quite sure how it worked but I suppose that was underneath | 0:21:18 | 0:21:22 | |
or upstairs and they'd telephone through and said... | 0:21:22 | 0:21:25 | |
-Oh, I see. -"Take the cart away." | 0:21:26 | 0:21:27 | |
They've got to be very careful with electric sparks, so once it's in... | 0:21:27 | 0:21:31 | |
-That looks like a very solid cast-iron cabinet. -That's right. -OK. | 0:21:31 | 0:21:36 | |
-Insulated and all that. -Right. -What's your favourite lot? | 0:21:36 | 0:21:40 | |
For me, my favourite lot... | 0:21:40 | 0:21:42 | |
Well, to be frank, I love the spectacles | 0:21:42 | 0:21:44 | |
because I saw the box, | 0:21:44 | 0:21:46 | |
I knew it should have had specs in and when they came out, | 0:21:46 | 0:21:48 | |
they were that little bit special | 0:21:48 | 0:21:50 | |
because they've got blue lenses and I think they use those | 0:21:50 | 0:21:55 | |
for a form of astigmatism or it's some eye defect, either way. | 0:21:55 | 0:21:59 | |
So, you get... | 0:21:59 | 0:22:00 | |
For every, let's say 500 pairs that you get with clear lenses, | 0:22:00 | 0:22:05 | |
-you'll get one with blue lenses. -Bit special then. -Yeah. | 0:22:05 | 0:22:08 | |
Listen, we've had a day out. | 0:22:08 | 0:22:10 | |
We could be at home doing the ironing, couldn't we? | 0:22:10 | 0:22:13 | |
-Look on the bright side of life. -I shall do. -OK. -Ciao. -See you. | 0:22:13 | 0:22:17 | |
Our pair of Belgian bargaineers must now head home to good old Blighty | 0:22:21 | 0:22:25 | |
and turn their attention to selling. | 0:22:25 | 0:22:27 | |
Eric and Danny will scour the breadth of our great nation, | 0:22:27 | 0:22:31 | |
from its metropoli to its manor houses, | 0:22:31 | 0:22:33 | |
in search of profitable homes for all their foreign spoils. | 0:22:33 | 0:22:37 | |
Each expert is driven, | 0:22:37 | 0:22:39 | |
driven to win and make more profit than their opponent, | 0:22:39 | 0:22:42 | |
with all their earnings going to a charity of their choice. | 0:22:42 | 0:22:45 | |
So, back in Wellingborough, | 0:22:45 | 0:22:47 | |
Danny is reflecting on his collectibles campaign. | 0:22:47 | 0:22:50 | |
The real cream of the crop here, today, | 0:22:50 | 0:22:54 | |
is this Singer cobblers sewing machine. | 0:22:54 | 0:22:58 | |
A great thing, that. | 0:22:58 | 0:23:00 | |
I've not seen any of these sewing machines with this base before, | 0:23:00 | 0:23:05 | |
so it's just a little bit different. | 0:23:05 | 0:23:07 | |
Nowadays, if you look on the high street, | 0:23:07 | 0:23:09 | |
you see that a lot of people have got old machinery | 0:23:09 | 0:23:12 | |
in their shops as props. | 0:23:12 | 0:23:14 | |
There's going to be a healthy profit on it. | 0:23:14 | 0:23:16 | |
Then I've got my little Sievert blowtorch. | 0:23:16 | 0:23:19 | |
Sievert is the maker's name. It's got writing on it. | 0:23:19 | 0:23:23 | |
It's even got "This is not an imitation". | 0:23:23 | 0:23:26 | |
Great, I think it's quite fun. | 0:23:26 | 0:23:28 | |
Got to try and find a collector of blowtorches, | 0:23:28 | 0:23:30 | |
or something of that description, for that piece. | 0:23:30 | 0:23:32 | |
My milk urn - nice little thing, that. | 0:23:32 | 0:23:34 | |
Quite commercial, whether someone wants to use them in the garden, | 0:23:34 | 0:23:37 | |
but I'm not going to use it in that field. | 0:23:37 | 0:23:39 | |
I'm going to stick a cushion on the top and sell it as... | 0:23:39 | 0:23:43 | |
..a seat, a stool. | 0:23:44 | 0:23:46 | |
Hmm, how very creative, Del Boy. Let's hope it pays off. | 0:23:46 | 0:23:50 | |
Don't forget, Danny will also need to find homes | 0:23:50 | 0:23:52 | |
for his miners' phone and mirror. | 0:23:52 | 0:23:55 | |
Over in Buckinghamshire, Eric is considering his Belgian bonanza. | 0:23:55 | 0:23:59 | |
Well, I'm now back from Belgium | 0:23:59 | 0:24:01 | |
and I've brought a little bit of Belgium back with me. | 0:24:01 | 0:24:04 | |
My horse, well, still need to find a stable for that, at the moment. | 0:24:04 | 0:24:08 | |
It's a nice object. | 0:24:08 | 0:24:10 | |
It's not a huge amount of money, but it's not signed | 0:24:10 | 0:24:13 | |
and with bronzes, you do like to see a signature. | 0:24:13 | 0:24:16 | |
Now, I've got to say that the spectacles, | 0:24:16 | 0:24:19 | |
I was delighted to find those. | 0:24:19 | 0:24:21 | |
I've always been interested in early specs and those are, | 0:24:21 | 0:24:25 | |
having done my research, | 0:24:25 | 0:24:27 | |
from around 1845 to maybe 1865, so relatively early. | 0:24:27 | 0:24:33 | |
I've got an art moderne clock. | 0:24:33 | 0:24:36 | |
You can say art deco, if you like, but I like to say moderne, | 0:24:36 | 0:24:39 | |
cos these are round about 1930, 1935. | 0:24:39 | 0:24:43 | |
In black Belgian slate. | 0:24:43 | 0:24:45 | |
And also Belgian is this wonderful, very heavy, | 0:24:45 | 0:24:49 | |
masculine marble inkstand. | 0:24:49 | 0:24:52 | |
Now, these really need to go into | 0:24:52 | 0:24:55 | |
a good and large art, dare I say it, moderne house. | 0:24:55 | 0:25:00 | |
There are one or two in this area, | 0:25:00 | 0:25:03 | |
so I'll be maybe knocking on a few doors. | 0:25:03 | 0:25:05 | |
He'll also need to find a profitable home | 0:25:05 | 0:25:08 | |
for his 19th-century Belgian plates. | 0:25:08 | 0:25:10 | |
So, now is the time to hit the phones, the internet and the road. | 0:25:10 | 0:25:15 | |
But remember, no deal is done until they've shaken on it | 0:25:16 | 0:25:19 | |
and they're counting the cash. | 0:25:19 | 0:25:21 | |
First off the starter's gun is Danny, | 0:25:22 | 0:25:24 | |
who's found a micropub in his home town of Wellingborough | 0:25:24 | 0:25:27 | |
where there's interest in the brass milk urn he bought for £18.52. | 0:25:27 | 0:25:32 | |
Danny planned to turn the urn into a stool, | 0:25:32 | 0:25:35 | |
so time to reveal his expert upcycling. | 0:25:35 | 0:25:38 | |
Tell you what I've got... | 0:25:39 | 0:25:41 | |
Stool. | 0:25:42 | 0:25:43 | |
Ooh! Well, it was a nice idea, | 0:25:43 | 0:25:46 | |
but will owner Martin appreciate all that effort? | 0:25:46 | 0:25:49 | |
If it's a stand-up day, take the stool off, umbrella stand, | 0:25:49 | 0:25:52 | |
especially if it's raining. | 0:25:52 | 0:25:54 | |
-Course. -Want to keep the door open, put it against the door, door stop. | 0:25:54 | 0:25:57 | |
-Lovely, that. -No, I do like, it. | 0:25:57 | 0:26:00 | |
Are you going to like the price, that's the question? | 0:26:00 | 0:26:03 | |
-Let's get to the business part. -Give us 75 quid. -No. | 0:26:03 | 0:26:07 | |
-As you say, micropub, microprices. -Micropub, micromoney, eh? | 0:26:07 | 0:26:12 | |
-I don't believe that for a second. I've seen this place packed! -£25. | 0:26:13 | 0:26:17 | |
-Ooh, no, Martin. -I do like it but... | 0:26:17 | 0:26:19 | |
You do like it, but you don't like ME. | 0:26:19 | 0:26:22 | |
Come on! 60 quid. | 0:26:23 | 0:26:26 | |
-40. -5. -40. Final offer. | 0:26:26 | 0:26:29 | |
Why are you being hard on me now? | 0:26:30 | 0:26:31 | |
Oh, dear, is Danny's milk urn going to turn sour on him? | 0:26:31 | 0:26:35 | |
-I like it but... -This is an adaptable thing | 0:26:35 | 0:26:37 | |
that is going to fit into your shop greatly. | 0:26:37 | 0:26:40 | |
How about meeting in the middle? £42.50. | 0:26:40 | 0:26:42 | |
-45. -42.50. -All the fours. | 0:26:42 | 0:26:45 | |
-42.50, I'll take it. -I'm going to grab it. | 0:26:45 | 0:26:49 | |
Well, Martin was no pushover, but our stubborn salesman manages | 0:26:49 | 0:26:53 | |
to milk a profit of £23.98, a nice little "urn-er"! | 0:26:53 | 0:26:57 | |
That's my first sale done. | 0:26:58 | 0:27:00 | |
I did double my money but, to be quite honest with you, | 0:27:00 | 0:27:03 | |
it was just a small purchase with a small profit. I need to up the ante. | 0:27:03 | 0:27:08 | |
So, Danny's desperate to do better. | 0:27:08 | 0:27:11 | |
Meanwhile, Eric has made his way to Soho, London, | 0:27:11 | 0:27:14 | |
and he's hoping to get up close and personal with his first buyer. | 0:27:14 | 0:27:18 | |
I'm here to meet a man who'll always see me right | 0:27:18 | 0:27:21 | |
because he sells spectacles. | 0:27:21 | 0:27:23 | |
Ah, good one, old boy. | 0:27:25 | 0:27:26 | |
Remember, Eric paid just under £30 for the spectacles, | 0:27:26 | 0:27:30 | |
but will framemaker | 0:27:30 | 0:27:32 | |
and vintage optics collector Tom like what he sees? | 0:27:32 | 0:27:35 | |
What is it about spectacles? There you are wearing a designer pair. | 0:27:37 | 0:27:41 | |
-Did you design those yourself? -These, yes, these are my own work. | 0:27:41 | 0:27:45 | |
The beautiful thing about spectacles | 0:27:45 | 0:27:46 | |
-is they're an amazing piece of design. -Yeah. | 0:27:46 | 0:27:49 | |
-They also help you see. -I hope I can get you excited with my spectacles. | 0:27:49 | 0:27:55 | |
19th century, steel, steel wire. | 0:27:56 | 0:28:00 | |
Oval lens with a blue tint. | 0:28:00 | 0:28:03 | |
Over the last 2,000 years, people have used | 0:28:03 | 0:28:05 | |
all types of colours of lenses | 0:28:05 | 0:28:06 | |
-to affect and ameliorate different medical conditions. -Right. | 0:28:06 | 0:28:10 | |
Blue was very popular in the 19th century, | 0:28:10 | 0:28:12 | |
partly because there's that psuedo-medical element, | 0:28:12 | 0:28:16 | |
but I think it became associated with status in society as well, | 0:28:16 | 0:28:19 | |
particularly the legal profession. | 0:28:19 | 0:28:21 | |
So, do you have a collection of early specs? | 0:28:21 | 0:28:24 | |
Yeah, absolutely, so I'd love to add to my 19th-century metal collection. | 0:28:24 | 0:28:29 | |
All these things are possible, Tom, all these things are possible. | 0:28:29 | 0:28:33 | |
But if I was to ask for, say...£80 for those, | 0:28:33 | 0:28:38 | |
-where would you come at me from? -So, 80 seems a bit punchy to me. | 0:28:38 | 0:28:42 | |
If I was looking at an auction or a collectors' fair, | 0:28:42 | 0:28:45 | |
I'd be looking more in the range of £40 to £45. | 0:28:45 | 0:28:49 | |
£55, do you think we could do a deal? | 0:28:49 | 0:28:51 | |
-I think we could do a deal. -Good lad. Put it there. | 0:28:52 | 0:28:55 | |
Eric certainly saw clearly on that deal, | 0:28:55 | 0:28:58 | |
adding £25.37 to his profit pot. | 0:28:58 | 0:29:02 | |
# Cos he's a dedicated follower of fashion... # | 0:29:02 | 0:29:06 | |
Yeah, that's enough now. Time to get back to selling. | 0:29:06 | 0:29:08 | |
Eager to build on his sales success, | 0:29:08 | 0:29:11 | |
Eric rolls his wheels to Oxfordshire. | 0:29:11 | 0:29:13 | |
He's brought his 19th-century Belgian plates | 0:29:13 | 0:29:15 | |
to show French restaurateur Antoine. | 0:29:15 | 0:29:18 | |
Un and deux. | 0:29:20 | 0:29:22 | |
-Parfait! -They're not actually French. | 0:29:23 | 0:29:26 | |
-Um, they're Belgian. -Very well. | 0:29:26 | 0:29:29 | |
Cos they've got the mark on the back for Boch, Boch Freres. | 0:29:29 | 0:29:34 | |
But they are in very good order and I think, datewise, | 0:29:34 | 0:29:38 | |
they're around about 1895, maybe 1900. | 0:29:38 | 0:29:42 | |
So, would you be kind enough to translate into anglaise pour moi? | 0:29:42 | 0:29:47 | |
-Avec grand plaisir. -OK. | 0:29:47 | 0:29:50 | |
-"Sports, fishing." -Yes? | 0:29:50 | 0:29:53 | |
-"Amazing, wonderful." -OK... | 0:29:53 | 0:29:57 | |
-"A deep-fried whale's bone." -I beg your pardon? | 0:29:57 | 0:30:01 | |
-If it makes any sense to you. -Yes, yes, it does. | 0:30:01 | 0:30:04 | |
-Then "corset". -Well, Eric seems to get it. | 0:30:04 | 0:30:07 | |
So, basically, we know that the corset | 0:30:07 | 0:30:11 | |
-has got whalebone stays, you know? -Yeah. | 0:30:11 | 0:30:14 | |
So, that is the connotation, yes? | 0:30:14 | 0:30:18 | |
-OK, and this is, obviously, French humour. -It is indeed, yes. -OK. | 0:30:18 | 0:30:24 | |
-Do they appeal to you, that's the thing? -They do indeed. | 0:30:24 | 0:30:27 | |
They remind me of my grandma's house, where she's got a few - | 0:30:27 | 0:30:31 | |
not those ones, sadly, so it gives me an idea. | 0:30:31 | 0:30:34 | |
-So, it depends, of course... -OK. Well, come at me with an offer. | 0:30:34 | 0:30:39 | |
Normally, I would spend about £20 for a present, | 0:30:41 | 0:30:44 | |
so what about that one at 20 and this one at 30? | 0:30:44 | 0:30:48 | |
-20 and 30 - that's £50. -It is, indeed. -OK. -Cash. | 0:30:49 | 0:30:53 | |
I tell you what. Let me offer another deal. | 0:30:53 | 0:30:56 | |
I'll offer you that at 25, OK, and I'll offer you that at 25. | 0:30:56 | 0:31:00 | |
-How does that sound? -Not quite the same. | 0:31:00 | 0:31:03 | |
But it's the same money! | 0:31:03 | 0:31:05 | |
It doesn't matter, at the end of the day. | 0:31:05 | 0:31:07 | |
Yes, with a joke befitting his plates, | 0:31:07 | 0:31:10 | |
Eric is laughing all the say to the bank, pocketing just over £35. | 0:31:10 | 0:31:14 | |
That sale nudges Knowlesy ahead with two sales to Danny's one. | 0:31:15 | 0:31:19 | |
But not to be outdone, Danny is eager to prove | 0:31:19 | 0:31:22 | |
his boots are made for walking with his next sale. | 0:31:22 | 0:31:25 | |
I'm here in Earls Barton, | 0:31:25 | 0:31:27 | |
the historical town of the boot and shoe industry, | 0:31:27 | 0:31:30 | |
to see Georgina. She has a village museum. | 0:31:30 | 0:31:33 | |
I'm going to try and sell her my Singer cobbler's machine. | 0:31:33 | 0:31:38 | |
Let's hope I don't get stitched up! | 0:31:38 | 0:31:41 | |
Remember, this cobbling collectible cost Danny a whopping £111.11, | 0:31:41 | 0:31:46 | |
so will he make his money back? | 0:31:46 | 0:31:49 | |
-Good morning, Georgina. -Hello. -I see you're having a lovely look at it. | 0:31:51 | 0:31:55 | |
Yes, well, I want to know what you've got me into here. | 0:31:55 | 0:31:57 | |
Course you do. What do you think? | 0:31:57 | 0:32:00 | |
-Yes, not bad, not bad. -Not bad? | 0:32:00 | 0:32:02 | |
It's going to need a bit of rubbing up, a bit of conditioning, | 0:32:02 | 0:32:06 | |
but I know a man that can do that. That's not a problem. | 0:32:06 | 0:32:08 | |
How it works, you see - that revolves at 360 degrees, | 0:32:08 | 0:32:13 | |
and that is why you can mend all sorts of things, | 0:32:13 | 0:32:16 | |
because you put the leather behind | 0:32:16 | 0:32:19 | |
and then you can stitch it and move it round. | 0:32:19 | 0:32:22 | |
-It seems like a great thing. -Yeah, it's a good bit of kit. | 0:32:22 | 0:32:24 | |
-I'm dreading this moment, to be honest. -Come on then. -Are you ready? | 0:32:24 | 0:32:28 | |
-Yeah. -330. -No! That's too much, Danny. -Too much? | 0:32:28 | 0:32:32 | |
Yeah, you got to go down a bit, I'm afraid. | 0:32:32 | 0:32:35 | |
If you sing the nursery rhyme "The sewing machine, the sewing machine, | 0:32:35 | 0:32:38 | |
"the greatest machine I've ever seen", I'll go up to 235. | 0:32:38 | 0:32:43 | |
Yes, Georgina has a bizarre bartering technique, hasn't she? | 0:32:43 | 0:32:47 | |
Well, this is a "Singer" sewing machine, but Eurovision this ain't. | 0:32:47 | 0:32:52 | |
I'm a terrible singer. | 0:32:52 | 0:32:54 | |
I can do a lot of things, but one thing I can't do is sing. | 0:32:54 | 0:32:57 | |
A great big man like you with a big booming voice? | 0:32:57 | 0:32:59 | |
-"Sewing machine, sewing machine." -Well, we'll have a... | 0:32:59 | 0:33:03 | |
-240, if I pass the test. -OK. | 0:33:03 | 0:33:07 | |
# Sewing machine, sewing machine | 0:33:07 | 0:33:08 | |
# The greatest thing I've ever seen | 0:33:08 | 0:33:10 | |
# Sewing machine, sewing machine | 0:33:10 | 0:33:12 | |
# The greatest thing I've ever seen. # | 0:33:12 | 0:33:14 | |
-You're done. It's... That's brilliant, OK. -Will that do you? | 0:33:14 | 0:33:17 | |
-I'll let you off. -Oh, lovely. You deserve a...mwah. | 0:33:17 | 0:33:20 | |
Wow, talk about singing for your supper! | 0:33:20 | 0:33:22 | |
But that performance brings Danny a tasty profit of £128.89. | 0:33:22 | 0:33:28 | |
And that sale puts our duo neck and neck, | 0:33:29 | 0:33:32 | |
but the singing salesman decides to get ahead | 0:33:32 | 0:33:35 | |
by heading to the market town of Kettering in Northamptonshire... | 0:33:35 | 0:33:38 | |
# Here comes the mirror man... # | 0:33:38 | 0:33:40 | |
..where he sells his novelty mirror to vintage cafe owner Jade... | 0:33:40 | 0:33:44 | |
-£18? -Yeah, go on then. -Give us a shake. | 0:33:44 | 0:33:47 | |
..making a modest profit of £14.30. | 0:33:47 | 0:33:50 | |
And with that, we're at the midway point of selling, | 0:33:52 | 0:33:54 | |
so let's see whose profit is knocking it out of the park | 0:33:54 | 0:33:58 | |
and whose sales are striking out. | 0:33:58 | 0:34:00 | |
So far, Eric has made a profit of £60.56 | 0:34:01 | 0:34:04 | |
on the two items that he's sold, | 0:34:04 | 0:34:07 | |
but Danny is way out in front, having sold three items, | 0:34:07 | 0:34:10 | |
giving him a meaty £167.17 profit. | 0:34:10 | 0:34:15 | |
Now, we all know that Eric is the prince of pottery. | 0:34:16 | 0:34:19 | |
Bronze isn't his forte, so to help him sell his equine sculpture, | 0:34:19 | 0:34:24 | |
he's decided to buff up on his bronzeware. | 0:34:24 | 0:34:27 | |
He's come to Oxfordshire to meet Hamish, | 0:34:28 | 0:34:31 | |
an artist and master sculptor, | 0:34:31 | 0:34:32 | |
to find out how much of a thoroughbred he's backed. | 0:34:32 | 0:34:35 | |
-It's got some age. -It's lovely, isn't it? Late 19th century. | 0:34:35 | 0:34:40 | |
It looks like it's been sand-cast | 0:34:40 | 0:34:44 | |
because of the slight pitting on the surface. | 0:34:44 | 0:34:46 | |
If you were lucky, you picked it up for a couple of hundred quid. | 0:34:46 | 0:34:49 | |
What would it cost today to make something like that? | 0:34:49 | 0:34:51 | |
We're looking at just over £1,000, just to make. | 0:34:51 | 0:34:54 | |
So, an asking price, from my perspective, | 0:34:54 | 0:34:57 | |
of, let's say, £200 to £250 should be considered to be reasonable? | 0:34:57 | 0:35:03 | |
-Very reasonable. -Good. | 0:35:03 | 0:35:05 | |
So, Eric may have got a bargain in Belgium, | 0:35:06 | 0:35:09 | |
but before he gets back to trying to find a buyer for the bronze, | 0:35:09 | 0:35:12 | |
he takes the opportunity to find out | 0:35:12 | 0:35:14 | |
exactly how this magnificent metal is cast today, | 0:35:14 | 0:35:17 | |
starting with the design and modelling of the sculpture from clay | 0:35:17 | 0:35:21 | |
and making it into a negative mould, which is fired and hardened. | 0:35:21 | 0:35:27 | |
We're finally ready for the bronze pouring, | 0:35:29 | 0:35:31 | |
which is where the magic happens. | 0:35:31 | 0:35:33 | |
The metal is heated to 1,200 degrees and poured in to fill the mould. | 0:35:33 | 0:35:38 | |
When a bronze is finished, it comes out the colour of a shiny 2p coin. | 0:35:38 | 0:35:41 | |
-Yes. -And what I now do is I patinate it. | 0:35:41 | 0:35:45 | |
You're basically changing the colour | 0:35:45 | 0:35:47 | |
and we use a mixture of heat and various different chemicals. | 0:35:47 | 0:35:49 | |
It's given me a good idea of all the work that's gone into producing this | 0:35:59 | 0:36:05 | |
and, by rights, I should be asking the best part of £1,000 for this. | 0:36:05 | 0:36:09 | |
-I think so. -But I don't think I'm going to get away with that. | 0:36:09 | 0:36:12 | |
-Listen... -Thank you very much for coming. | 0:36:12 | 0:36:14 | |
Well, £1,000 may be a bit steep | 0:36:14 | 0:36:17 | |
but, as Eric only paid just shy of £130, | 0:36:17 | 0:36:20 | |
he's still in a very strong position, | 0:36:20 | 0:36:23 | |
and armed with all that extra info about his horse, | 0:36:23 | 0:36:26 | |
is taking it to show an old antiquing acquaintance, Geoffrey, | 0:36:26 | 0:36:30 | |
who owns an upmarket gallery in Belgravia, London, | 0:36:30 | 0:36:32 | |
and specialises in bronze equine pieces. | 0:36:32 | 0:36:36 | |
-And that is my little horse. He's.. -I'll put my glasses on for this. -OK. | 0:36:37 | 0:36:42 | |
-He is what he is. -It's 19th century, isn't it? Quite squeaky in there. | 0:36:42 | 0:36:46 | |
Yeah, I like it. What do you want for this? | 0:36:46 | 0:36:50 | |
Well, I see this maybe around the 300 mark but... | 0:36:50 | 0:36:55 | |
Anything to do with horses, you're pretty well on the mark. | 0:36:55 | 0:36:59 | |
Well, that flattery, Eric, goes a long way, I have to say. | 0:36:59 | 0:37:03 | |
You know, I do like it. It's not quite our thing, but I like it. | 0:37:03 | 0:37:07 | |
I would be more tempted around the 250, you might push me to 260. | 0:37:07 | 0:37:12 | |
Geoffrey, I'm not going to push you anywhere. | 0:37:12 | 0:37:15 | |
If you're happy around the 250 mark, that's good enough for me. | 0:37:15 | 0:37:20 | |
Are you sure? No, I'm happy with that. I think I've got a bargain. | 0:37:20 | 0:37:24 | |
Listen, listen, I make a profit, you make a profit - | 0:37:24 | 0:37:27 | |
-that's what this game's all about. -Everybody's happy. -Yeah. -Perfect. | 0:37:27 | 0:37:31 | |
And make a profit he did - £120.37, to be exact - | 0:37:31 | 0:37:37 | |
proving his bronze horse was a solid bet. | 0:37:37 | 0:37:40 | |
Both dealers have sold their big-ticket items | 0:37:40 | 0:37:43 | |
for a healthy profit and the competition is still wide open. | 0:37:43 | 0:37:48 | |
On a roll, Eric goes on to sell his marble inkwell | 0:37:48 | 0:37:50 | |
to an antique dealer in London for £50, | 0:37:50 | 0:37:54 | |
earning himself a profit of £42.59. | 0:37:54 | 0:37:57 | |
He then travels to Westerham in Kent | 0:37:57 | 0:38:00 | |
with his art deco clock to meet Ashton. | 0:38:00 | 0:38:03 | |
-I would go in at £80. -I think, at £80, I can take a chance. | 0:38:03 | 0:38:09 | |
Clocking up a profit of just over £54 | 0:38:09 | 0:38:12 | |
and, with that, "The Knowledge" is all sold up. | 0:38:12 | 0:38:15 | |
While Eric's already crossed the finish line, | 0:38:15 | 0:38:18 | |
Danny still has two items to sell and he's not hanging around, | 0:38:18 | 0:38:22 | |
scooting north to the old Norman stronghold of Clitheroe, | 0:38:22 | 0:38:27 | |
where he sells his 1920s miners' phone | 0:38:27 | 0:38:30 | |
to Matt at his vintage emporium. | 0:38:30 | 0:38:32 | |
-Can I squeeze you for a bit more? -90? | 0:38:32 | 0:38:36 | |
-That will do. -Yeah? -Yeah, 90 quid will do. -Happy at that. -Yeah. | 0:38:36 | 0:38:40 | |
So, Danny can phone home and report a profit of £34.44. | 0:38:40 | 0:38:44 | |
And continuing his northern selling spree, | 0:38:44 | 0:38:47 | |
Danny heads to the picturesque village of Whalley in Lancashire | 0:38:47 | 0:38:51 | |
with his vintage blowtorch | 0:38:51 | 0:38:53 | |
to show head chef Gareth at a local restaurant and deli. | 0:38:53 | 0:38:57 | |
It cost Del Boy just over £14, but will he be able to cook up a profit? | 0:38:57 | 0:39:02 | |
Now then, I came here one time before | 0:39:04 | 0:39:07 | |
and I thought that creme brulee that I ate needed a bit more glaze. | 0:39:07 | 0:39:12 | |
I've got just the thing to put the job right. | 0:39:12 | 0:39:14 | |
-Yeah, it looks just the ticket. -Ah, that's what I like to hear. | 0:39:14 | 0:39:18 | |
It just looks the ticket, that, doesn't it? | 0:39:18 | 0:39:20 | |
But I'm not sure if it works. | 0:39:20 | 0:39:22 | |
I thought, you know what, I'm not going to muck about with it, | 0:39:22 | 0:39:25 | |
I'm going to leave it, but I think, in this kitchen, it... | 0:39:25 | 0:39:28 | |
A great souvenir, that could... This is a special one, this is, look. | 0:39:28 | 0:39:33 | |
-Looks good, doesn't it? -It certainly does. | 0:39:33 | 0:39:35 | |
Right then, shall we see what needs to go in it and fire it up? | 0:39:35 | 0:39:39 | |
I wouldn't bother with all that. I'm getting a bit... | 0:39:39 | 0:39:41 | |
You don't want to be firing it and all that carry-on. | 0:39:41 | 0:39:44 | |
Are you not confident in your product? | 0:39:44 | 0:39:46 | |
It's not to say I'm not confident in my product, | 0:39:46 | 0:39:48 | |
it's just that you've got to appreciate, Chef, | 0:39:48 | 0:39:53 | |
that this is an antique and I'm just... | 0:39:53 | 0:39:55 | |
It's had a lot of wear and tear, it's had a lot of usage. | 0:39:55 | 0:39:58 | |
-It's been in service longer than I have, that has. -Exactly my point! | 0:39:58 | 0:40:02 | |
The only problem I have is that this runs on kerosene | 0:40:02 | 0:40:05 | |
or something like that, or paraffin, | 0:40:05 | 0:40:07 | |
and we can only really use butane in the kitchen, | 0:40:07 | 0:40:09 | |
-with it being a food product. -Yes, but of course, you know, um, | 0:40:09 | 0:40:13 | |
make a nice little, you know, showpiece or... | 0:40:13 | 0:40:16 | |
-It would look nice in my kitchen, actually. -It can be yours. | 0:40:16 | 0:40:19 | |
-Right, if the price is right. -Exactly, exactly. | 0:40:19 | 0:40:22 | |
-Let's talk turkey. -Yeah, talk turkey? | 0:40:22 | 0:40:25 | |
-I prefer to talk goose - it's a bit more expensive. -Right. | 0:40:25 | 0:40:28 | |
-Well, I want 50 quid anyway, Chef. -£50? | 0:40:28 | 0:40:31 | |
45, for cash? | 0:40:32 | 0:40:33 | |
-And a free creme brulee? -Well, can we go 48? | 0:40:36 | 0:40:41 | |
-I'll go 48. -You'll go 48? Give us your hand here. | 0:40:41 | 0:40:44 | |
-Good man. -Excellent. -Deal's done. | 0:40:44 | 0:40:46 | |
Del Boy secures a delicious profit of £33.93 | 0:40:46 | 0:40:50 | |
and that sweet deal is Danny's final sale of the day. | 0:40:50 | 0:40:54 | |
I couldn't resist it. | 0:40:55 | 0:40:57 | |
Mmm, so sweet. And a sweet profit also. | 0:40:59 | 0:41:04 | |
With the moment of truth nearly upon us, who will be walking away | 0:41:05 | 0:41:08 | |
with today's crown and who will be left weeping at the sidelines? | 0:41:08 | 0:41:12 | |
First, a quick reminder of what they spent in Belgium. | 0:41:12 | 0:41:15 | |
Our duo started the day with £750-worth of euros to spend. | 0:41:17 | 0:41:21 | |
Eric backed five items, costing £207.41. | 0:41:21 | 0:41:26 | |
Danny also picked up five purchases and spent £202.96. | 0:41:26 | 0:41:32 | |
But now it's all about the profit. | 0:41:33 | 0:41:36 | |
All the money our boys have made will go to their chosen charities | 0:41:36 | 0:41:39 | |
so, without further ado, let's find out | 0:41:39 | 0:41:42 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:41:42 | 0:41:45 | |
Well, Danny. It's good to go travelling | 0:41:45 | 0:41:48 | |
-but it's good to get back home, isn't it? -It is, indeed. | 0:41:48 | 0:41:50 | |
Tell me about your best buy and your favourite item. | 0:41:50 | 0:41:54 | |
My best buy, without a doubt, was my cobbler's Singer sewing machine. | 0:41:54 | 0:41:57 | |
Very much your area, Northamptonshire. | 0:41:57 | 0:42:00 | |
-Well, of course, yes, the Cobblers. -Yeah. -Lovely people, lovely profit. | 0:42:00 | 0:42:04 | |
-Yeah? -What was your best one? | 0:42:04 | 0:42:06 | |
Well, profitwise, my little bronze horse came in at very good odds. | 0:42:06 | 0:42:10 | |
-It did, did it? -It did. -Galloped in and won. | 0:42:10 | 0:42:13 | |
Well, it led by more than a head, let's put it that way, all through. | 0:42:13 | 0:42:17 | |
-Shall we see how we got on? -Why not? Come on! -OK, one, two, three... | 0:42:17 | 0:42:21 | |
-Oh! -Oh! -You pipped me! -Oh. -You pipped me to the post. | 0:42:23 | 0:42:27 | |
-By a smidgeon. -Well, that's enough. | 0:42:27 | 0:42:30 | |
-It's enough. Come on, let's go and resolve this. -Yes, indeed. | 0:42:30 | 0:42:33 | |
Yes, Eric has won today's race | 0:42:35 | 0:42:36 | |
and it was that little bronze horse that got him a photo-finish win. | 0:42:36 | 0:42:40 | |
It's always good to win. | 0:42:42 | 0:42:43 | |
It's going to put my competition on the back foot there, | 0:42:43 | 0:42:46 | |
but in all fairness, I think it was miraculous that we both found | 0:42:46 | 0:42:50 | |
enough interesting objects to buy on the day. It was a tough call. | 0:42:50 | 0:42:54 | |
I wish I'd have squeezed a couple more quid out of my clients | 0:42:54 | 0:42:57 | |
cos it was close but it just weren't close enough. Better luck next time. | 0:42:57 | 0:43:02 | |
Yes, tomorrow, our pair get to fight it out in one last hurrah, | 0:43:02 | 0:43:06 | |
as they go head-to-head | 0:43:06 | 0:43:08 | |
in the contest to end all contests, the showdown. | 0:43:08 | 0:43:11 |