Browse content similar to Eric Knowles vs Ochuko Ojiri UK Antiques Fair. Check below for episodes and series from the same categories and more!
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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's | 0:00:03 | 0:00:04 | |
best-loved antiques experts | 0:00:04 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:10 | |
I think I see a bargain. | 0:00:10 | 0:00:12 | |
Each day, one pair of duelling dealers | 0:00:12 | 0:00:14 | |
will face a mighty challenge... | 0:00:14 | 0:00:16 | |
Oh, yeah! | 0:00:16 | 0:00:17 | |
..putting their reputations on the line... | 0:00:17 | 0:00:20 | |
I'm ready for battle. | 0:00:20 | 0:00:21 | |
..they'll give you the insider's view of the trade... | 0:00:21 | 0:00:24 | |
I'm a big boy. I'm a player. | 0:00:24 | 0:00:26 | |
..along with their top tips and savvy secrets... | 0:00:26 | 0:00:29 | |
It's not all about what you spend, it's about what you make. | 0:00:29 | 0:00:32 | |
..showing you how to make the most money... | 0:00:32 | 0:00:35 | |
It really is war. | 0:00:35 | 0:00:36 | |
..from buying and selling. | 0:00:36 | 0:00:37 | |
You've got to be in there like a whippet. | 0:00:37 | 0:00:39 | |
Coming up, Eric Knowles has a fashion crisis... | 0:00:42 | 0:00:46 | |
I've got nothing to go with this whatsoever. | 0:00:46 | 0:00:48 | |
..Chuko gets heckled during a haggle... | 0:00:49 | 0:00:52 | |
-Ten? -That's too cheap! | 0:00:52 | 0:00:54 | |
Oh, no! No, it isn't. | 0:00:54 | 0:00:56 | |
It isn't! | 0:00:56 | 0:00:58 | |
..and Eric is dealt a blow in the selling. | 0:00:58 | 0:01:01 | |
There's a little bit of bad news about it. | 0:01:01 | 0:01:03 | |
This is Put Your Money Where Your Mouth Is. | 0:01:05 | 0:01:07 | |
Welcome, all, to a collectables contest of Olympic proportions, | 0:01:24 | 0:01:27 | |
in which a pair of antiques athletes are each hoping to | 0:01:27 | 0:01:30 | |
cross the finishing line and win the gold medal for biggest profit. | 0:01:30 | 0:01:34 | |
MUSIC: Chariots Of Fire by Vangelis | 0:01:34 | 0:01:36 | |
First up, a new player of the game. | 0:01:36 | 0:01:38 | |
From trendy east London, | 0:01:38 | 0:01:39 | |
he specialises in 20th-century objets and vintage fashion. | 0:01:39 | 0:01:44 | |
Known as the Dapper Dealer From Dalston, | 0:01:44 | 0:01:47 | |
it's Ochuko "The Hat" Ojiri. | 0:01:47 | 0:01:49 | |
CHEERING | 0:01:49 | 0:01:50 | |
I may be the new kid. | 0:01:50 | 0:01:51 | |
They call me "The Hat", because I've got a lot of tricks under there. | 0:01:51 | 0:01:55 | |
And his competitor? He might not be a spring chicken, | 0:01:56 | 0:01:59 | |
but he's coiled and ready to strike. | 0:01:59 | 0:02:01 | |
In the peculiarities of porcelain, he's unmatched. | 0:02:01 | 0:02:04 | |
It's Eric "The Knowledge" Knowles. | 0:02:04 | 0:02:07 | |
It's going to be a meeting of two worlds, | 0:02:07 | 0:02:09 | |
the antique versus the vintage. | 0:02:09 | 0:02:12 | |
I love a challenge. | 0:02:12 | 0:02:14 | |
Yes, and today's challenge takes place | 0:02:14 | 0:02:16 | |
at Shepton Mallet Antiques And Collectors' Fair. | 0:02:16 | 0:02:19 | |
Our boys have £750 to spend, | 0:02:19 | 0:02:22 | |
and any profit they make will go to their chosen charities, | 0:02:22 | 0:02:25 | |
but, of course, the question is, who will be picking up the gold? | 0:02:25 | 0:02:29 | |
-Chuko, good to meet you. -Eric, good to see you. | 0:02:30 | 0:02:33 | |
-New kid on the block. -I know. | 0:02:33 | 0:02:34 | |
I'm scared, a bit nervous. | 0:02:34 | 0:02:36 | |
First day at school. Let's see how we get on. | 0:02:36 | 0:02:38 | |
You're an unknown quantity for me. | 0:02:38 | 0:02:39 | |
-I'm danger. -Yeah, I've got that sense of danger about you, actually. | 0:02:39 | 0:02:43 | |
You're a city dealer, aren't you? | 0:02:43 | 0:02:44 | |
You're a London lad? | 0:02:44 | 0:02:46 | |
-I'm a bit lost, but it's fresh air. -Yeah. | 0:02:46 | 0:02:49 | |
You don't get this in Hackney. | 0:02:49 | 0:02:50 | |
I think this is more you. | 0:02:50 | 0:02:52 | |
I'll be honest with you, I don't know Shepton Mallet. | 0:02:52 | 0:02:54 | |
I've never been here. | 0:02:54 | 0:02:55 | |
So we're on a level playing field? | 0:02:55 | 0:02:56 | |
-I think we probably are. -Yeah. A good start for me. | 0:02:56 | 0:02:59 | |
-Listen, put it there. -Good luck. | 0:02:59 | 0:03:01 | |
Before I forget, I think in the back of my car | 0:03:01 | 0:03:04 | |
I've got a collar for that shirt. | 0:03:04 | 0:03:06 | |
It's a grandad. | 0:03:06 | 0:03:08 | |
Yes, Chuko's shirt may be known as a "grandad shirt", but he's under | 0:03:09 | 0:03:12 | |
no illusions about who is the senior figure in this contest, | 0:03:12 | 0:03:16 | |
and he'd have to be a fool to be unfazed by the marathon | 0:03:16 | 0:03:19 | |
that lies ahead, against such a seasoned player of the game. | 0:03:19 | 0:03:22 | |
My plan today is to try and, sort of, | 0:03:23 | 0:03:26 | |
search out some classic antiques, | 0:03:26 | 0:03:29 | |
but, having said that, | 0:03:29 | 0:03:30 | |
the market today is very much geared towards retro and vintage, | 0:03:30 | 0:03:35 | |
and that, I have to say, is Chuko's real strength. | 0:03:35 | 0:03:40 | |
For him, it's just another day at the office. | 0:03:40 | 0:03:43 | |
Hmm. Is Eric being generous, | 0:03:43 | 0:03:44 | |
or does he really think this young whipper-snapper can sneak in | 0:03:44 | 0:03:48 | |
and snap up a victory from under his nose? | 0:03:48 | 0:03:50 | |
I've really got to find some unusual, quirky bits and pieces, | 0:03:50 | 0:03:54 | |
bits that Eric wouldn't look at, | 0:03:54 | 0:03:55 | |
and just go for something that hits me in the heart. | 0:03:55 | 0:03:58 | |
It's shaping up to be a contest of heart against head. | 0:03:58 | 0:04:02 | |
Shepton Mallet boasts up to 600 stalls, inside and out, | 0:04:02 | 0:04:05 | |
so there's a fair amount of ground to cover. | 0:04:05 | 0:04:08 | |
Chuko may be moving at a snail's pace, | 0:04:08 | 0:04:10 | |
but he's still the first to home in on a potential purchase. | 0:04:10 | 0:04:13 | |
Oh, I like these little baby walkers. | 0:04:15 | 0:04:16 | |
I've got a little baby, so stuff like this shouts at me. | 0:04:18 | 0:04:22 | |
"Triang baby walker." | 0:04:22 | 0:04:24 | |
1950s, late '50s, early '60s. | 0:04:24 | 0:04:27 | |
How much have you got on that? | 0:04:27 | 0:04:28 | |
I can do that for 25. | 0:04:28 | 0:04:31 | |
I'm going to be cheeky cos I've got to really push hard. | 0:04:31 | 0:04:34 | |
-Yeah. -I'm the new boy. | 0:04:34 | 0:04:36 | |
Ten? | 0:04:36 | 0:04:37 | |
I'll tell you what... | 0:04:38 | 0:04:39 | |
Ten? He's going to go ten, go on. | 0:04:41 | 0:04:43 | |
-That's too cheap! -That is too cheap. -No... | 0:04:43 | 0:04:45 | |
-Wrong! No! -It's too cheap. | 0:04:45 | 0:04:47 | |
No, it isn't. It isn't! | 0:04:47 | 0:04:49 | |
-£15. -15? Let's split it, 12.50? | 0:04:49 | 0:04:52 | |
Make it £12. I don't do 50p. | 0:04:52 | 0:04:53 | |
Oh, you're a good man, thank you very much. | 0:04:53 | 0:04:55 | |
Chuko is feeling positive, having snapped up the first buy of the day. | 0:04:57 | 0:05:02 | |
I'm really, really happy with this. | 0:05:02 | 0:05:04 | |
British-made, Triang baby walker, classic '50s colours... | 0:05:04 | 0:05:08 | |
It's quite easy to date because, after the '50s, | 0:05:08 | 0:05:11 | |
they took over Hornby and they were known as Triang Hornby. | 0:05:11 | 0:05:14 | |
A lovely piece. | 0:05:14 | 0:05:15 | |
Here we go. Oh, God. | 0:05:15 | 0:05:17 | |
I'm getting old. I'm in reverse. | 0:05:17 | 0:05:19 | |
So, Chuko has bolted into the lead and Eric is keen to catch up. | 0:05:22 | 0:05:25 | |
As the Prince Of Porcelain, he finds himself drawn to, yep, | 0:05:26 | 0:05:30 | |
you've guessed it... | 0:05:30 | 0:05:31 | |
I'm very fond of this pottery. | 0:05:32 | 0:05:33 | |
It's relatively modern, but when you look at it, I mean, | 0:05:33 | 0:05:36 | |
that is pure 1750, 1760, English tin-glazed, not in blue and white, | 0:05:36 | 0:05:43 | |
but in this manganese colour. | 0:05:43 | 0:05:45 | |
And it is a pottery just outside Oxford, | 0:05:45 | 0:05:49 | |
cos the River Isis runs through Oxford, | 0:05:49 | 0:05:52 | |
and this is a pottery known as Isis pottery. | 0:05:52 | 0:05:54 | |
It's all there on the base. | 0:05:54 | 0:05:56 | |
What I love about it is that it's all hand-painted. | 0:05:56 | 0:05:59 | |
It's just a little work of art. | 0:05:59 | 0:06:01 | |
So, he likes the pot, but will he like the price? | 0:06:01 | 0:06:04 | |
What's the best? | 0:06:04 | 0:06:06 | |
I don't deal in pottery. | 0:06:06 | 0:06:07 | |
-Oh, you don't? -I haven't got a clue. | 0:06:07 | 0:06:08 | |
Well, I'll tell you what, you write down the best price that you think, | 0:06:08 | 0:06:11 | |
and I'll write the best price that I'll pay. | 0:06:11 | 0:06:14 | |
MUSIC: X-Files Theme | 0:06:14 | 0:06:15 | |
Oh, Eric's gone all Derren Brown. | 0:06:15 | 0:06:17 | |
OK. | 0:06:17 | 0:06:18 | |
We've heard of mind games, but this is more like mind reading. | 0:06:18 | 0:06:21 | |
This is me, that's you. | 0:06:24 | 0:06:25 | |
There's a £10 difference between Eric's price and the seller's. | 0:06:26 | 0:06:30 | |
The question is, will that buy it? | 0:06:30 | 0:06:32 | |
Normally you would go in the middle. | 0:06:32 | 0:06:34 | |
What a gent! | 0:06:35 | 0:06:36 | |
So, after a brief foray into the world of whatever that was, | 0:06:36 | 0:06:40 | |
Eric buys the pottery for £25. | 0:06:40 | 0:06:43 | |
Well, I think that was a novel way of doing a deal. | 0:06:43 | 0:06:45 | |
If I wanted to buy that new, way back, | 0:06:45 | 0:06:49 | |
I would probably have to pay, you know, close to three figures. | 0:06:49 | 0:06:52 | |
On top of that, not only is it beautiful, it's practical, | 0:06:52 | 0:06:56 | |
and that's...that's the dynamic duo whenever you're buying anything. | 0:06:56 | 0:07:01 | |
Our dynamic duo are now both off the starter's mark | 0:07:01 | 0:07:04 | |
and both sticking to their strategy. | 0:07:04 | 0:07:06 | |
What quirky item will be next to catch Chuko's eye? | 0:07:06 | 0:07:10 | |
There's something Picasso-esque about this. | 0:07:10 | 0:07:13 | |
Look at this shape, this gorgeous, sensuous woman, | 0:07:13 | 0:07:17 | |
playing the harp, and a little bird on top. | 0:07:17 | 0:07:19 | |
It's nice. | 0:07:19 | 0:07:20 | |
25 each. | 0:07:20 | 0:07:22 | |
I thought this was, like, Native American, | 0:07:22 | 0:07:24 | |
like, with the feathers, can you see? | 0:07:24 | 0:07:25 | |
Oh, yes, yes, of course. | 0:07:25 | 0:07:27 | |
-Yeah, and the cactus... -No, you're right, aren't you? | 0:07:27 | 0:07:29 | |
But whilst he's debating about the paintings, | 0:07:29 | 0:07:31 | |
he's also drawn to a large wooden mask. | 0:07:31 | 0:07:34 | |
And the back is as interesting as the front, isn't it? | 0:07:34 | 0:07:36 | |
-I know, it is, it really is. -History with a story to it. | 0:07:36 | 0:07:39 | |
And it's real, isn't it? It's totally authentic. | 0:07:39 | 0:07:41 | |
-Yeah. -You couldn't fake that. | 0:07:41 | 0:07:43 | |
It's fierce, isn't it? | 0:07:43 | 0:07:44 | |
-It is. -What price have you got on that? | 0:07:44 | 0:07:46 | |
I've got 220 on it. | 0:07:46 | 0:07:48 | |
-Maybe we can do a deal with the other bits as well. -OK. | 0:07:48 | 0:07:51 | |
So, I'm going to ask you, what's your best, best price? | 0:07:51 | 0:07:56 | |
Right, let me just think. | 0:07:56 | 0:07:58 | |
Shall I go first? | 0:07:58 | 0:07:59 | |
Oh, go on, then. | 0:07:59 | 0:08:00 | |
Aw, I'm scared now! | 0:08:00 | 0:08:03 | |
Go first. | 0:08:03 | 0:08:04 | |
140. | 0:08:05 | 0:08:06 | |
This and those two. | 0:08:06 | 0:08:09 | |
That's... | 0:08:09 | 0:08:10 | |
-That's below? -That's not enough. -Below expectation? | 0:08:10 | 0:08:12 | |
I'll say 180 for that... | 0:08:12 | 0:08:15 | |
OK. | 0:08:15 | 0:08:17 | |
..and I can do those for 20 for the pair. | 0:08:17 | 0:08:21 | |
OK, so you're on 200? | 0:08:21 | 0:08:23 | |
Yes. | 0:08:23 | 0:08:24 | |
You can do it. | 0:08:24 | 0:08:25 | |
OK. | 0:08:25 | 0:08:27 | |
So, Chuko takes the giant mask for £180 and the paintings for £20. | 0:08:27 | 0:08:33 | |
-Thank you. -It's very difficult to know | 0:08:33 | 0:08:35 | |
exactly where this has come from. | 0:08:35 | 0:08:36 | |
It looks Indonesian to me. | 0:08:36 | 0:08:37 | |
It looks very theatrical. | 0:08:37 | 0:08:40 | |
It could have been on a building. It could have been on a gatepost. | 0:08:40 | 0:08:43 | |
It could have been a chair. | 0:08:43 | 0:08:45 | |
The good thing about this is, it can be anything. | 0:08:45 | 0:08:47 | |
I've no idea what it is. | 0:08:47 | 0:08:49 | |
Genuine age in there. | 0:08:49 | 0:08:50 | |
You can see, if I turn it round, | 0:08:50 | 0:08:53 | |
you can't manufacture this sort of age. | 0:08:53 | 0:08:56 | |
A really lovely piece, I'm very happy with it. | 0:08:56 | 0:08:58 | |
And I managed to bag these two as well - | 0:08:58 | 0:09:01 | |
just lovely decorative pieces. | 0:09:01 | 0:09:03 | |
1950s, lovely little bits, but this is...this is my baby. | 0:09:03 | 0:09:07 | |
Mwah! I love it. | 0:09:07 | 0:09:08 | |
Chuko now leads, three purchases to one, | 0:09:08 | 0:09:11 | |
but Eric has spotted a jewellery box that he's hoping will help him | 0:09:11 | 0:09:15 | |
catch up. It's priced at £125. | 0:09:15 | 0:09:18 | |
I can see the price. Is there any point in me offering £110 for this, | 0:09:18 | 0:09:22 | |
cash? What's the best? | 0:09:22 | 0:09:23 | |
-125 is the death. -That's the very best? | 0:09:23 | 0:09:25 | |
-ERIC TAPS THE TABLE -OK, 125 it is. | 0:09:25 | 0:09:28 | |
You know, don't ever say I don't try and haggle, OK? | 0:09:28 | 0:09:31 | |
Well, he may have tried to haggle, but he didn't succeed, | 0:09:31 | 0:09:34 | |
and he takes the box for £125. | 0:09:34 | 0:09:37 | |
Does that leave any room for profit? | 0:09:37 | 0:09:39 | |
Well, it is a box that's ready to go. | 0:09:39 | 0:09:42 | |
It's in nice condition. | 0:09:42 | 0:09:43 | |
It's been sympathetically restored. | 0:09:43 | 0:09:46 | |
It appears to be in rosewood. | 0:09:46 | 0:09:47 | |
It's a style that was introduced in the early part of the century, | 0:09:47 | 0:09:51 | |
but, when you get an example like this, | 0:09:51 | 0:09:54 | |
chronologically you know it's heading for mid-century. | 0:09:54 | 0:09:59 | |
What I did like was the fact it's got its original jewellery tray, | 0:09:59 | 0:10:03 | |
which is nicely hidden away, | 0:10:03 | 0:10:04 | |
and just to advise you that you have to pull out that pin, | 0:10:04 | 0:10:08 | |
or certainly lift it up, because it's sprung, | 0:10:08 | 0:10:10 | |
before you can then release the jewellery tray. | 0:10:10 | 0:10:13 | |
So, once this is locked, | 0:10:13 | 0:10:16 | |
there is no way you can extract that tray. | 0:10:16 | 0:10:19 | |
Clever, those Victorians. | 0:10:21 | 0:10:22 | |
Yes, and they're not the only ones, | 0:10:23 | 0:10:25 | |
with Eric yet again using his vast knowledge to make the score 2-3. | 0:10:25 | 0:10:30 | |
Both the old guard and the new kid on the block are buying well, | 0:10:30 | 0:10:33 | |
so let's take a moment to see what they've spent so far. | 0:10:33 | 0:10:37 | |
From a £750 budget, Eric has picked up two items and has spent £150, | 0:10:39 | 0:10:45 | |
leaving him with £600 still burning a hole in his pocket. | 0:10:45 | 0:10:50 | |
Chuko has made three purchases totalling £212, | 0:10:50 | 0:10:53 | |
meaning he has £538 to spend. | 0:10:53 | 0:10:56 | |
Thus far, it's a battle of trad antiques versus quirky objets, | 0:11:00 | 0:11:04 | |
and there's still more buying to be done, | 0:11:04 | 0:11:06 | |
so Chuko enters the indoor part of the market, only to encounter... | 0:11:06 | 0:11:10 | |
his opponent. | 0:11:10 | 0:11:12 | |
-Eric. How are you, sir? -Hey. I feel like... | 0:11:12 | 0:11:14 | |
-"We'll meet again." -I know... -I feel like Vera Lynn. | 0:11:14 | 0:11:17 | |
I'm on your territory now. | 0:11:17 | 0:11:18 | |
-We're inside. -There's something for everybody in here, isn't there? | 0:11:18 | 0:11:21 | |
-So I'm keeping my fingers crossed. -How have you done so far? | 0:11:21 | 0:11:23 | |
-Yeah, it's been good. -Yeah? -I've done a little bit of buying. | 0:11:23 | 0:11:26 | |
-I'd like to have done a bit more. -Yeah. | 0:11:26 | 0:11:28 | |
Because I've been at it for a while, and by that I mean today, | 0:11:28 | 0:11:32 | |
I don't mean... I don't mean, you know, in my career! | 0:11:32 | 0:11:35 | |
-I've taken a few risks. -Yeah? -One risk in particular. | 0:11:35 | 0:11:37 | |
-OK. -And I went out... | 0:11:37 | 0:11:39 | |
-My heart led. -Yeah. | 0:11:39 | 0:11:41 | |
And as with all risks, there's big reward. | 0:11:41 | 0:11:43 | |
-Is that right? -I hope so. | 0:11:43 | 0:11:45 | |
That's what I'm telling myself! | 0:11:45 | 0:11:46 | |
-That's your mantra? -Yeah. -OK. | 0:11:48 | 0:11:49 | |
-See you later. -See you later. | 0:11:49 | 0:11:51 | |
Nervous laughter from the new boy. | 0:11:51 | 0:11:53 | |
Chuko knows that Eric is in his element today, | 0:11:53 | 0:11:55 | |
as he banters and barters his way through this antiques market. | 0:11:55 | 0:11:59 | |
Omagh in Northern Ireland? | 0:11:59 | 0:12:01 | |
-Yes. -Are you from there? | 0:12:01 | 0:12:02 | |
-I was with you that time. -Oh, you were! Oh... | 0:12:02 | 0:12:05 | |
No wonder Chuko's showing signs of stress. | 0:12:05 | 0:12:08 | |
It really isn't in my comfort zone in here. | 0:12:08 | 0:12:11 | |
It's not my scene. | 0:12:11 | 0:12:12 | |
This is the most nervous I've felt all day. | 0:12:12 | 0:12:14 | |
But is Eric really as relaxed as he appears? | 0:12:14 | 0:12:18 | |
It's a bit like a swan, | 0:12:18 | 0:12:20 | |
cool and calm on the surface but paddling like crazy underneath. | 0:12:20 | 0:12:23 | |
That's me. | 0:12:23 | 0:12:25 | |
And with swan-like grace, Eric drifts towards a possible purchase | 0:12:25 | 0:12:29 | |
in the form of a jade pendant. | 0:12:29 | 0:12:31 | |
I've got here a Chinese, sort of hard stone. | 0:12:31 | 0:12:36 | |
I'm not sure if it's... | 0:12:36 | 0:12:38 | |
It's cold to the touch. It could be jade. | 0:12:38 | 0:12:40 | |
But it's pretty and it's good to go. | 0:12:40 | 0:12:43 | |
I mean, you could wear that... | 0:12:43 | 0:12:45 | |
I mean, I couldn't, because, to be frank with you, | 0:12:45 | 0:12:48 | |
I've got nothing to go with this whatsoever. | 0:12:48 | 0:12:51 | |
No, indeed, Eric - unlike the seller. | 0:12:51 | 0:12:54 | |
It's a hard stone, obviously. | 0:12:54 | 0:12:55 | |
I'm not sure if it's jade or not, but... | 0:12:55 | 0:12:57 | |
I'm guessing it's jade. | 0:12:57 | 0:12:58 | |
I mean, you could wear that now, couldn't you? | 0:12:58 | 0:13:00 | |
-I think it's very wearable. -Yeah. | 0:13:00 | 0:13:01 | |
"Combien?" as they say in certain parts of Europe. | 0:13:01 | 0:13:04 | |
The very best would be 60. | 0:13:04 | 0:13:05 | |
-£60? -Mm-hmm. | 0:13:05 | 0:13:07 | |
-OK, if that's the very best, that's a deal. -Thank you. | 0:13:07 | 0:13:10 | |
So, Eric takes the pendant without any sign of a haggle. | 0:13:10 | 0:13:14 | |
Well, this is my favourite buy of the day, no two ways about it, | 0:13:14 | 0:13:17 | |
because it's just so remarkably intact. | 0:13:17 | 0:13:21 | |
Jade, I hope, but, even if it's not, | 0:13:21 | 0:13:23 | |
it's still a remarkable piece of jewellery. | 0:13:23 | 0:13:26 | |
It's still got its original silk-work necklace, | 0:13:26 | 0:13:29 | |
which is a work of art in itself. | 0:13:29 | 0:13:32 | |
When it comes to the date, I'm going to say probably around about 1925, | 0:13:32 | 0:13:35 | |
simply the way that the composition has been tasselled. | 0:13:35 | 0:13:39 | |
This type of tasselling was very, very popular in the interwar years. | 0:13:39 | 0:13:44 | |
Eric's pendant purchase puts him level pegging with his opponent. | 0:13:44 | 0:13:48 | |
The young pretender is also indoors, | 0:13:48 | 0:13:50 | |
and is drawn to an unusual flamingo picture. | 0:13:50 | 0:13:55 | |
Hiya. Are you all right? | 0:13:55 | 0:13:56 | |
This was made by a gentleman from Weston-super-Mare, | 0:13:56 | 0:13:59 | |
and I bought it from him in a Bristol market... | 0:13:59 | 0:14:02 | |
Oh, I love it. I like it. | 0:14:02 | 0:14:03 | |
..in 1970. | 0:14:03 | 0:14:05 | |
How much have you got on it? | 0:14:05 | 0:14:06 | |
Well, I'd sell it for 30. | 0:14:06 | 0:14:08 | |
Do you know the problem? | 0:14:08 | 0:14:09 | |
I'm a dealer and I've got to try and make a big, big profit on it. | 0:14:09 | 0:14:12 | |
I do like it. It's very interesting. | 0:14:12 | 0:14:13 | |
Well, what would you offer me? | 0:14:13 | 0:14:15 | |
Are you a violent person? No? | 0:14:15 | 0:14:16 | |
No, no, no, I'm very gentle. | 0:14:16 | 0:14:18 | |
We're friends, aren't we? | 0:14:18 | 0:14:19 | |
Yes. Come on... | 0:14:19 | 0:14:21 | |
Go on, what are you going to say? | 0:14:21 | 0:14:23 | |
15. | 0:14:23 | 0:14:25 | |
Go on, take it off. | 0:14:25 | 0:14:26 | |
-Oh, you're a sweetheart. -Yeah, go on. | 0:14:26 | 0:14:28 | |
-Thank you very much. -Yes. | 0:14:28 | 0:14:30 | |
All of a sudden, it's sunny. | 0:14:30 | 0:14:32 | |
I'm optimistic. | 0:14:32 | 0:14:33 | |
-There you go. -Thank you very much. -Thank you very much. | 0:14:34 | 0:14:37 | |
# On our block all of the guys call her Flamingo... # | 0:14:37 | 0:14:43 | |
So, Chuko takes the flamingo picture and flies away. | 0:14:43 | 0:14:46 | |
Yes! | 0:14:48 | 0:14:50 | |
So happy, so happy. | 0:14:50 | 0:14:51 | |
I mean, this is the thing about dealing and buying. | 0:14:51 | 0:14:54 | |
One minute I felt so down, I thought it was the end of the world, | 0:14:54 | 0:14:58 | |
"Eric's going to destroy me, I'm not going to make any money," | 0:14:58 | 0:15:00 | |
and then I've just spotted | 0:15:00 | 0:15:02 | |
this beautiful piece with fantastic provenance. | 0:15:02 | 0:15:05 | |
What I think is genius about this is that he's used the knot | 0:15:05 | 0:15:08 | |
as the eye of the flamingo. | 0:15:08 | 0:15:11 | |
Brilliant! I paid £15 for this. | 0:15:11 | 0:15:14 | |
So, watch this space - there's a big profit in there for me. | 0:15:14 | 0:15:17 | |
Chuko's flamingo has cheered him up, | 0:15:19 | 0:15:21 | |
while Eric has found a quiet corner of the market, | 0:15:21 | 0:15:24 | |
and he's got his eye on a lady's purse. | 0:15:24 | 0:15:26 | |
Luckily, it's one that's for sale! | 0:15:26 | 0:15:29 | |
It's a bit of a time warp inside. | 0:15:29 | 0:15:32 | |
-It's seen better days. -Yes. | 0:15:32 | 0:15:33 | |
Well, I can understand it being so nice that people have used it. | 0:15:33 | 0:15:40 | |
Dare I ask what that could be, price-wise? | 0:15:40 | 0:15:44 | |
Well, you've heard it all before, haven't you? | 0:15:44 | 0:15:46 | |
We can lose the 20 and bring it down to 100. | 0:15:46 | 0:15:49 | |
-Can we shake on that? -Yes, sure. | 0:15:49 | 0:15:51 | |
Good lad. Thank you very much indeed. | 0:15:51 | 0:15:53 | |
-Yeah. OK... -A nice thing. A quality thing. | 0:15:53 | 0:15:55 | |
So, with £20 shaved off the asking price, Eric takes the purse. | 0:15:55 | 0:16:00 | |
This is a lovely thing. | 0:16:00 | 0:16:01 | |
It is referred to as pique work. | 0:16:01 | 0:16:04 | |
Now, that is when you get gold and silver | 0:16:04 | 0:16:07 | |
very intricately inlaid into tortoiseshell. | 0:16:07 | 0:16:11 | |
Strictly speaking, turtle shell. | 0:16:11 | 0:16:14 | |
The turtle is obviously a protected species, and quite rightly, | 0:16:14 | 0:16:18 | |
but way back in the 16th, 17th, 18th and 19th century, | 0:16:18 | 0:16:22 | |
lots and lots of items would incorporate turtle shell. | 0:16:22 | 0:16:27 | |
When you get a very busy design, | 0:16:27 | 0:16:28 | |
then it points to the middle to the late 19th century. | 0:16:28 | 0:16:33 | |
It's a lovely "objet de vertu", as we say up north. | 0:16:33 | 0:16:38 | |
Yeah, the north of France maybe. | 0:16:38 | 0:16:41 | |
Eric evens up the scores, then gets ahead, | 0:16:41 | 0:16:43 | |
as he picks up a figure of a footballer for £175. | 0:16:43 | 0:16:47 | |
It's his last and most expensive purchase, so what did he see in it? | 0:16:47 | 0:16:51 | |
Well, this is my biggest spend - £175 worth of spend. | 0:16:53 | 0:16:57 | |
I'm taking a bit of a chance with him, but he's all there. | 0:16:57 | 0:17:01 | |
We know exactly who this was presented to in the 1920s. | 0:17:01 | 0:17:05 | |
If it had been bronze, I would have had to pay at least £600-£800 | 0:17:05 | 0:17:09 | |
for him, but he's actually spelter, which is a zinc alloy, | 0:17:09 | 0:17:13 | |
which is then covered with a sort of bronze finish. | 0:17:13 | 0:17:17 | |
People in the trade, in the antique trade, | 0:17:17 | 0:17:19 | |
tend to refer to it as "poor man's bronze", | 0:17:19 | 0:17:21 | |
but bearing in mind there's still a lot of interest | 0:17:21 | 0:17:24 | |
in football memorabilia, I think, if the truth be told, | 0:17:24 | 0:17:28 | |
I'm going to score with this one. | 0:17:28 | 0:17:30 | |
With his football purchase, Eric calls it a day, | 0:17:30 | 0:17:32 | |
while Chuko is still looking for another, | 0:17:32 | 0:17:35 | |
which may be an old suitcase. | 0:17:35 | 0:17:37 | |
I've got one of these at home, but I haven't got the... | 0:17:39 | 0:17:41 | |
-The tray? -No. | 0:17:41 | 0:17:43 | |
Where do you date these? | 0:17:43 | 0:17:44 | |
That's probably 1970s. | 0:17:44 | 0:17:47 | |
This is about 1930s. | 0:17:47 | 0:17:49 | |
I like this one, but it's a bit... Inside, it's... | 0:17:49 | 0:17:51 | |
It looks lived, doesn't it? | 0:17:51 | 0:17:52 | |
Yeah. I mean, you do see them in good nick. | 0:17:52 | 0:17:54 | |
Yeah. | 0:17:54 | 0:17:56 | |
I mean, what people use these for now, coffee tables... | 0:17:56 | 0:17:59 | |
That's right. | 0:17:59 | 0:18:00 | |
Do you mind if I just lift it up and have a look? | 0:18:02 | 0:18:04 | |
It's a contender. | 0:18:08 | 0:18:09 | |
I can do 20 quid, if that helps. | 0:18:09 | 0:18:11 | |
For me, it's the condition. | 0:18:11 | 0:18:12 | |
Yeah, yeah, sure, sure. | 0:18:12 | 0:18:13 | |
And cos I've got one myself at home, | 0:18:13 | 0:18:15 | |
and I know the condition of it, | 0:18:15 | 0:18:17 | |
can we agree 15? | 0:18:17 | 0:18:19 | |
No, it's too tight, I'm afraid. | 0:18:19 | 0:18:20 | |
I'll do you 18. | 0:18:20 | 0:18:21 | |
With a £3 gap between them, | 0:18:21 | 0:18:23 | |
the vendor suggests deciding it on the toss of a coin. | 0:18:23 | 0:18:26 | |
-Tails. -Tails? | 0:18:26 | 0:18:28 | |
-Always tails. -Always tails? -Yup. | 0:18:28 | 0:18:30 | |
Chuko calls it tails, and sure enough... | 0:18:30 | 0:18:32 | |
it's heads. | 0:18:32 | 0:18:34 | |
MUTED TRUMPET PLAYS | 0:18:34 | 0:18:36 | |
Let's not toss. | 0:18:36 | 0:18:38 | |
-That's cost me 20 quid, all right? -Well done, well done. | 0:18:38 | 0:18:40 | |
Good sport, gentleman - beat me. | 0:18:40 | 0:18:43 | |
I never lose. | 0:18:43 | 0:18:44 | |
What's going on? | 0:18:44 | 0:18:45 | |
Thank you, sir. | 0:18:45 | 0:18:47 | |
Oh, well, he might have lost the toss, | 0:18:47 | 0:18:49 | |
but he's won the suitcase for £18. | 0:18:49 | 0:18:51 | |
Steamer trunks, named after - you've guessed it - steam travel. | 0:18:53 | 0:18:56 | |
What's great about these things is there's always a story with them. | 0:18:56 | 0:18:59 | |
I would love to know who "KTC" is. | 0:18:59 | 0:19:02 | |
It's just...history. | 0:19:02 | 0:19:04 | |
It's got a flat top, which dates it around the '30s. | 0:19:04 | 0:19:07 | |
The older ones were domed, and these were flat, | 0:19:07 | 0:19:10 | |
which made it a lot easier to stow them away. | 0:19:10 | 0:19:12 | |
It needs a bit of work. There's a bit of woodworm, you can see. | 0:19:12 | 0:19:15 | |
But for £18, it's a good, good profit for me. | 0:19:15 | 0:19:19 | |
And with that, Chuko packs his trunk and calls it a day. | 0:19:19 | 0:19:23 | |
I've kept my money close to my pocket today. | 0:19:24 | 0:19:26 | |
I've had one big spend, | 0:19:26 | 0:19:28 | |
and unfortunately I've got a bit of buyer's remorse about that. | 0:19:28 | 0:19:30 | |
I haven't spent a lot, | 0:19:30 | 0:19:32 | |
but it's not all about what you spend, it's about what you make. | 0:19:32 | 0:19:34 | |
And with five items each, | 0:19:34 | 0:19:36 | |
our experts blow the final whistle on this buying half. | 0:19:36 | 0:19:39 | |
So, before they cast a critical eye over each other's hauls, | 0:19:39 | 0:19:43 | |
let's find out how our boys spent today. | 0:19:43 | 0:19:45 | |
From a £750 budget, Eric made five purchases and spent £485. | 0:19:47 | 0:19:55 | |
Ochuko matched his five items but only forked out £245. | 0:19:55 | 0:20:01 | |
And so our purchasing powerhouses come together | 0:20:01 | 0:20:04 | |
to take a swift shufty over each other's acquisitions. | 0:20:04 | 0:20:07 | |
I can see that you've come and arrived with a vengeance, | 0:20:07 | 0:20:10 | |
and it goes without saying that there is the patter of tiny feet | 0:20:10 | 0:20:13 | |
-in your family, is there not? -I know. | 0:20:13 | 0:20:15 | |
-I'm a sucker. -I'll tell you something now, | 0:20:15 | 0:20:17 | |
there are people watching who are now old enough to remember | 0:20:17 | 0:20:21 | |
actually pushing one of those. | 0:20:21 | 0:20:23 | |
And then something that'd scare the pants off most normal people. | 0:20:23 | 0:20:27 | |
I love the colours, I love the fierceness of it... | 0:20:27 | 0:20:30 | |
It's what you might call a conversation piece. | 0:20:30 | 0:20:33 | |
So who do you think is going to buy that? | 0:20:33 | 0:20:35 | |
Somebody that will fall in love with it like I did. | 0:20:35 | 0:20:37 | |
I mean, it could be in a club, it could be in a tattooist's. | 0:20:37 | 0:20:40 | |
Somewhere where pain's involved, obviously. Yeah. | 0:20:40 | 0:20:43 | |
So, come on down and tell me if the price is right. | 0:20:43 | 0:20:46 | |
Well, forget about the price, what about the objects? | 0:20:46 | 0:20:48 | |
I think it's elegant. It's you. It's gentlemanly. | 0:20:48 | 0:20:52 | |
Isn't it? | 0:20:52 | 0:20:53 | |
-Don't patronise me, new boy. -I'm not! It's the truth! | 0:20:53 | 0:20:57 | |
What's your favourite bit? | 0:20:57 | 0:20:58 | |
Favourite bit, to be frank with you, the favourite bit is the necklace. | 0:20:58 | 0:21:02 | |
Yeah, that's my favourite as well. | 0:21:02 | 0:21:04 | |
-Is it? -Yes, I think so. | 0:21:04 | 0:21:05 | |
So, Eric, how much was the footballer? | 0:21:05 | 0:21:07 | |
-Well, how much would you have paid for it? -I would pay... | 0:21:07 | 0:21:09 | |
-Come on. -15? | 0:21:11 | 0:21:12 | |
15 quid?! | 0:21:12 | 0:21:14 | |
15 quid? | 0:21:14 | 0:21:15 | |
I mean, you might be able to buy a carved mask for 15 quid these days, | 0:21:15 | 0:21:19 | |
but not a footballer of that stature. | 0:21:19 | 0:21:22 | |
-That cost me £180, and I'm going on just pure size. -OK. | 0:21:22 | 0:21:27 | |
Little, large. | 0:21:27 | 0:21:29 | |
Yes. I'll tell you what, Ochuko, let's see who laughs last, OK? | 0:21:29 | 0:21:35 | |
I hope it's me. | 0:21:35 | 0:21:36 | |
-Good luck, Eric. -Yeah, yeah. | 0:21:37 | 0:21:39 | |
Where there's hope, there's usually a dreamer. | 0:21:39 | 0:21:41 | |
Our pair of experts have completed the first leg of this marathon, | 0:21:45 | 0:21:49 | |
but the finishing line is still some way off. | 0:21:49 | 0:21:51 | |
Having bought, our boys must now sell | 0:21:51 | 0:21:54 | |
and turn every purchase into profit. | 0:21:54 | 0:21:57 | |
In his High Wycombe hideaway, | 0:21:57 | 0:21:59 | |
Eric is on the stairs assessing his wares. | 0:21:59 | 0:22:02 | |
So, this is the result of trailing around an antique fair. | 0:22:02 | 0:22:08 | |
Do I have a favourite item? | 0:22:08 | 0:22:09 | |
Well, obviously I go towards ceramics. | 0:22:09 | 0:22:11 | |
Now, at first glance you would be convinced that you were looking at | 0:22:11 | 0:22:14 | |
a piece of English tin-glazed ware from around about 1750, | 0:22:14 | 0:22:19 | |
though, when you turn it upside down, it's dated November 2002. | 0:22:19 | 0:22:24 | |
What looks very Victorian is Victorian, | 0:22:24 | 0:22:27 | |
and that is my little pique purse. | 0:22:27 | 0:22:30 | |
There are three types of gold use on this. | 0:22:30 | 0:22:33 | |
Collectively, they make up a wonderful spectrum of colour. | 0:22:33 | 0:22:37 | |
Well, the plaque on this footballing trophy | 0:22:37 | 0:22:40 | |
tells me where it was presented, | 0:22:40 | 0:22:42 | |
so we are talking the Chatham district of Kent, | 0:22:42 | 0:22:45 | |
so I've been focusing some of my attention in that part of the world. | 0:22:45 | 0:22:49 | |
And then a little bit of jewellery, a beautiful jade necklace. | 0:22:49 | 0:22:53 | |
Finally, this beautiful brass-bound box. | 0:22:53 | 0:22:58 | |
Five pieces, um... | 0:22:58 | 0:23:00 | |
Each probably represents a blister on my feet, | 0:23:00 | 0:23:04 | |
because I walked miles that day, | 0:23:04 | 0:23:07 | |
but I think they're five pieces that should do me OK. | 0:23:07 | 0:23:10 | |
And from the peace of Eric's country retreat | 0:23:10 | 0:23:13 | |
to the metro, retro-chic of Chuko's underground lair. | 0:23:13 | 0:23:16 | |
All in all, I'm very pleased with what I've bought. | 0:23:16 | 0:23:19 | |
My Triang baby walker - | 0:23:19 | 0:23:21 | |
it's always going to have a special place in my heart. | 0:23:21 | 0:23:24 | |
It's the first thing that I bought on this whole journey. | 0:23:24 | 0:23:29 | |
I've got these pictures. | 0:23:29 | 0:23:30 | |
They've got a spiritual feel and element to them, | 0:23:30 | 0:23:33 | |
so I could see them maybe in a yoga studio. | 0:23:33 | 0:23:37 | |
My steamer trunk, I paid more than I wanted to, I lost the coin toss, | 0:23:37 | 0:23:41 | |
but it's still very good money. | 0:23:41 | 0:23:43 | |
This was my heartache of the day, my Balinese mask. | 0:23:43 | 0:23:47 | |
It's a great, great piece. I couldn't leave it alone. | 0:23:47 | 0:23:50 | |
It was looking at me. | 0:23:50 | 0:23:51 | |
I do have a little bit of buyer's remorse. | 0:23:51 | 0:23:53 | |
I don't know where to sell it. | 0:23:53 | 0:23:55 | |
And I think my favourite piece of all is this flamingo. | 0:23:55 | 0:23:58 | |
I really want to find a good home for it. | 0:23:58 | 0:24:00 | |
It could go in a tropical bar. | 0:24:00 | 0:24:03 | |
I think this is going to be my biggest profit. | 0:24:03 | 0:24:06 | |
All the way from Shepton Mallet to Dalston, | 0:24:06 | 0:24:09 | |
and now all I've got to do is shift it. | 0:24:09 | 0:24:11 | |
Yes, now both our profit-pursuing pair must put in all the hard work | 0:24:12 | 0:24:16 | |
necessary to search for the perfect suitor for each item. | 0:24:16 | 0:24:20 | |
With profit as their watchword, | 0:24:20 | 0:24:21 | |
no deal is done until the hand is shaken | 0:24:21 | 0:24:24 | |
and the money is in their palms, | 0:24:24 | 0:24:27 | |
and first off the marks is Eric, | 0:24:27 | 0:24:29 | |
who's brought his contemporary pottery to Wroxton in Oxfordshire. | 0:24:29 | 0:24:33 | |
Well, I've come along to meet a lady who shares a passion | 0:24:33 | 0:24:35 | |
with myself for Isis pottery. | 0:24:35 | 0:24:37 | |
Now, I've got to tell you I only own a single piece. | 0:24:37 | 0:24:40 | |
She is very much in the advanced stages of collecting, | 0:24:40 | 0:24:44 | |
but I don't think that she's got a colander bowl, | 0:24:44 | 0:24:49 | |
so I'm keeping this one under wraps. | 0:24:49 | 0:24:51 | |
I'm going to go and see if I can tempt her to purchase mine. | 0:24:51 | 0:24:56 | |
The pottery cost Eric £25, so will Wendy give him a profit? | 0:24:56 | 0:25:00 | |
Hello, Wendy! Hello. | 0:25:00 | 0:25:02 | |
Here's my...most of my Isis ceramic collections. | 0:25:04 | 0:25:08 | |
I've got other pieces around the house. | 0:25:08 | 0:25:10 | |
-You can see they're all different patterns. -Yeah. | 0:25:10 | 0:25:13 | |
I think they're antiques of the future. | 0:25:13 | 0:25:16 | |
They're handmade using techniques from the 17th and 18th century. | 0:25:16 | 0:25:21 | |
As you're aware, I've got a piece of Isis pottery | 0:25:21 | 0:25:24 | |
that I'm wanting to sell, but you've not seen it, have you? | 0:25:24 | 0:25:27 | |
-No. -Not even an image. | 0:25:27 | 0:25:29 | |
-No. Not... Nothing. -And I've been keeping it under wraps. | 0:25:29 | 0:25:31 | |
-You have. -Let me start to reveal all. | 0:25:31 | 0:25:35 | |
Oh! | 0:25:35 | 0:25:36 | |
-A colander! -A colander! Yes! | 0:25:36 | 0:25:39 | |
Oh! Oh, it's lovely. | 0:25:39 | 0:25:41 | |
Oh, won't it look pretty with a load of dark cherries... | 0:25:41 | 0:25:45 | |
-Oh, yes! -..sitting in it? | 0:25:45 | 0:25:46 | |
Yes. | 0:25:46 | 0:25:47 | |
I want it to go to a good home, | 0:25:47 | 0:25:49 | |
so, you know, I would probably start at £100, | 0:25:49 | 0:25:53 | |
but you tell me where you're beginning to feel comfortable. | 0:25:53 | 0:25:56 | |
-Gosh. Are you sure? -Yeah, don't worry, don't worry. | 0:25:56 | 0:25:58 | |
-50? -50. | 0:25:58 | 0:26:00 | |
Oh, no... | 0:26:00 | 0:26:01 | |
50, OK. I'm going to come back at you and say... | 0:26:01 | 0:26:06 | |
would 80 buy it? | 0:26:06 | 0:26:08 | |
-80 is a good... -80 is a good price? | 0:26:08 | 0:26:10 | |
A very good price. | 0:26:10 | 0:26:11 | |
Yes, well, listen, I'm happy at £80, | 0:26:11 | 0:26:13 | |
so if you want to shake at £80.... | 0:26:13 | 0:26:14 | |
-Right. Very good. -So, you're happy, I'm happy. | 0:26:14 | 0:26:16 | |
-I'm delighted. -But do you know what? | 0:26:16 | 0:26:18 | |
I'll be even happier if I could have a cup of coffee. | 0:26:18 | 0:26:20 | |
-Oh, gosh, yes, your coffee. -Yes? Come on, then. | 0:26:20 | 0:26:23 | |
Eric takes an early lead with a profit of £55 on the colander. | 0:26:23 | 0:26:27 | |
Well, I'm delighted with that deal, | 0:26:30 | 0:26:32 | |
because I've actually trebled my money, | 0:26:32 | 0:26:35 | |
and I've got a very satisfied buyer, | 0:26:35 | 0:26:39 | |
a lady with a passion for pots. | 0:26:39 | 0:26:41 | |
She's not a dealer, she's a collector, | 0:26:41 | 0:26:43 | |
and I could see the way her eyes lit up when she held that colander - | 0:26:43 | 0:26:47 | |
that destiny had brought us together in the shape of a pot. | 0:26:47 | 0:26:52 | |
Whether Eric is destined to win this competition remains to be seen, | 0:26:53 | 0:26:57 | |
but his future is looking even brighter | 0:26:57 | 0:26:59 | |
when he flogs his second item to his second Wendy, | 0:26:59 | 0:27:03 | |
as he sells his Chinese pendant to a jade collector | 0:27:03 | 0:27:06 | |
who's planning to take it back to its country of origin. | 0:27:06 | 0:27:09 | |
If we went to 120... | 0:27:09 | 0:27:12 | |
Oh, that would be perfect. | 0:27:12 | 0:27:14 | |
-Is it? -Yes! -It would be perfect for me. | 0:27:14 | 0:27:16 | |
-Yeah, yes. -Put your hand there. -Thank you very much. | 0:27:16 | 0:27:19 | |
That's a profit of £60 for the Chinese pendant. | 0:27:19 | 0:27:22 | |
Well, that was a pretty good deal - I managed to double my money - | 0:27:23 | 0:27:26 | |
and if you're watching, Chuko, that's the name of the game. | 0:27:26 | 0:27:30 | |
Actually, the name of the game is Put Your Money Where Your Mouth Is, | 0:27:30 | 0:27:33 | |
and Chuko's next. | 0:27:33 | 0:27:35 | |
He's in the capital with the flamingo picture that cost him £15. | 0:27:35 | 0:27:39 | |
He has high hopes it'll bring in his biggest profit, | 0:27:39 | 0:27:42 | |
but will businessman Riz want it for one of his London pubs? | 0:27:42 | 0:27:45 | |
-Mr Riz. -How are you? -How are you, sir? | 0:27:46 | 0:27:49 | |
Nice to see you. What have you got for me? | 0:27:49 | 0:27:50 | |
I've got something very good for you. | 0:27:50 | 0:27:52 | |
-Show me what you've got. -Big reveal. | 0:27:52 | 0:27:54 | |
Yes, it's quirky, it's got a bit of character. | 0:27:54 | 0:27:56 | |
The reason I thought of you is because you've got so many | 0:27:56 | 0:27:58 | |
different places, and I know that you like your places to be on trend. | 0:27:58 | 0:28:02 | |
-Yeah. -And I know tropical and flamingos, | 0:28:02 | 0:28:04 | |
-they're bigger than pineapples. -Yeah. | 0:28:04 | 0:28:05 | |
Flamingos ARE bigger than pineapples - | 0:28:05 | 0:28:07 | |
you can't argue with that. | 0:28:07 | 0:28:09 | |
-Let me start... -Yeah. | 0:28:09 | 0:28:10 | |
..at 200. | 0:28:10 | 0:28:12 | |
RIZ SIGHS | 0:28:12 | 0:28:14 | |
I'm way off 200, but I want the piece. | 0:28:14 | 0:28:16 | |
OK, yeah, 170. | 0:28:16 | 0:28:18 | |
I think you've still got to work with me there. | 0:28:18 | 0:28:20 | |
I'll do 120, final offer. | 0:28:20 | 0:28:22 | |
Otherwise I walk away. All right? I'm going to the pub. | 0:28:22 | 0:28:24 | |
I tell you what, 125, just... | 0:28:24 | 0:28:27 | |
I've come down a lot. | 0:28:27 | 0:28:28 | |
He's got it! | 0:28:29 | 0:28:31 | |
Chuko makes an impressive opening profit of £110, | 0:28:31 | 0:28:34 | |
and brings the selling score to 1-1, | 0:28:34 | 0:28:37 | |
and, staying in the city, | 0:28:37 | 0:28:39 | |
he turns his attention to his mid-century pictures. | 0:28:39 | 0:28:42 | |
They owe him £20, | 0:28:42 | 0:28:43 | |
so he may need yoga teacher Naomi to be flexible | 0:28:43 | 0:28:47 | |
when it comes to haggling. | 0:28:47 | 0:28:48 | |
-Hello, Ochuko. -How are you, Naomi? | 0:28:48 | 0:28:49 | |
-I'm good. -Are you all right? | 0:28:49 | 0:28:51 | |
-How are you doing? -Thanks so much for seeing these. | 0:28:51 | 0:28:53 | |
-Let me try and put them here. -No worries. Oh, lovely. | 0:28:53 | 0:28:55 | |
So, I bought these from an arts fair in Shepton Mallet | 0:28:55 | 0:28:57 | |
in the West Country. | 0:28:57 | 0:28:59 | |
They're '50s, which you can kind of tell by this surround, | 0:28:59 | 0:29:02 | |
how they're mounted. | 0:29:02 | 0:29:03 | |
They're really quite peaceful and serene. I just thought of you. | 0:29:03 | 0:29:06 | |
I'm really fussy about what comes in, | 0:29:06 | 0:29:09 | |
-but I really like them. -I'm so happy. | 0:29:09 | 0:29:11 | |
Yeah, they're beautiful, | 0:29:11 | 0:29:12 | |
and this actually looks like a yoga posture itself. | 0:29:12 | 0:29:15 | |
-Say we were on a yoga retreat... -Yeah. | 0:29:15 | 0:29:19 | |
..and we were in, let's say, Kerala... | 0:29:19 | 0:29:21 | |
Lovely. | 0:29:21 | 0:29:22 | |
-..and you saw these... -Yeah. | 0:29:22 | 0:29:24 | |
..and you loved the person that was selling them, | 0:29:24 | 0:29:26 | |
what would they be worth, including the airfare? | 0:29:26 | 0:29:30 | |
Including the airfare? Oh, God, Chuko, pressure. | 0:29:30 | 0:29:34 | |
-What would you like to pay? -Is 45 a good place to start? | 0:29:34 | 0:29:37 | |
-For both? -For both. | 0:29:37 | 0:29:39 | |
The yoga, the spirituality has gone out the window. | 0:29:41 | 0:29:43 | |
It's just hard-core bargaining straight away. | 0:29:43 | 0:29:46 | |
It's got to be good at £40 each. | 0:29:46 | 0:29:49 | |
What about 60? | 0:29:49 | 0:29:50 | |
It's quite difficult to mix spirituality | 0:29:50 | 0:29:52 | |
with commerce, isn't it? | 0:29:52 | 0:29:54 | |
-Yeah, yeah, and I'm not very good at bargaining. -Me... I'm... | 0:29:54 | 0:29:56 | |
If they had a price on, I'd either say, | 0:29:56 | 0:29:58 | |
-"Oh, yeah I'd buy them," or I wouldn't. -You'd know. I understand. | 0:29:58 | 0:30:01 | |
65 for the pair. | 0:30:01 | 0:30:03 | |
-All right, then. -Yeah? -Deal. | 0:30:03 | 0:30:05 | |
Thank you very much. | 0:30:05 | 0:30:06 | |
Chuko makes a profit of £45 on the pictures, | 0:30:06 | 0:30:09 | |
and tries his hand at a spot of yoga. | 0:30:09 | 0:30:12 | |
So we'll start, and just place your hands on your tummy, | 0:30:12 | 0:30:15 | |
and just take a few breaths. | 0:30:15 | 0:30:16 | |
Take a moment to let go of numbers and deals. | 0:30:16 | 0:30:20 | |
Exhale, breathing out. | 0:30:20 | 0:30:22 | |
And usually in yoga people take their hats off, | 0:30:22 | 0:30:25 | |
-but I'll let you get away with it. -OCHUKO LAUGHS | 0:30:25 | 0:30:27 | |
-It's not so bad? -No. | 0:30:27 | 0:30:29 | |
-Forget all this spirituality. -RECORD SCRATCHES | 0:30:29 | 0:30:32 | |
I've got things to sell. I've got deals to make. | 0:30:32 | 0:30:34 | |
Yes, you do indeed, | 0:30:34 | 0:30:36 | |
but first let's take a moment to see how our experts have got on so far. | 0:30:36 | 0:30:40 | |
Eric has made two sales and brought home a profit of £150. | 0:30:42 | 0:30:46 | |
Chuko has also sold two, but is ahead with a profit of £155. | 0:30:46 | 0:30:51 | |
So, at this stage in the game, | 0:30:52 | 0:30:54 | |
Ochuko has the edge in terms of profit, | 0:30:54 | 0:30:57 | |
but Eric is in no mood to back down - | 0:30:57 | 0:30:59 | |
he's in Bovingdon hoping to bag his third sale. | 0:30:59 | 0:31:02 | |
I'm here to meet a lady called Lizzie. | 0:31:02 | 0:31:04 | |
Now, I do know Lizzie because she runs a big car boot at Ascot. | 0:31:04 | 0:31:08 | |
Now, I know that she's a collector of jewellery, but she also likes | 0:31:08 | 0:31:11 | |
to collect little miniature works of art, | 0:31:11 | 0:31:14 | |
so I sent her an image of my little French pique coin purse. | 0:31:14 | 0:31:19 | |
She's taken an interest in it, | 0:31:19 | 0:31:20 | |
so I'm going to meet her to see if we can do a deal, | 0:31:20 | 0:31:23 | |
to coin a phrase. | 0:31:23 | 0:31:25 | |
The purse cost Eric £100, | 0:31:25 | 0:31:27 | |
so he may have his work cut out if he's going to snatch a profit. | 0:31:27 | 0:31:32 | |
Hello, Lizzie. How are you? | 0:31:32 | 0:31:34 | |
-I'm fine, thank you. -Good to see you. | 0:31:34 | 0:31:36 | |
I brought along my little pique purse. | 0:31:36 | 0:31:40 | |
It's French. It's about 1850, 1860. | 0:31:40 | 0:31:44 | |
-The interior is still there, OK? -Oh... | 0:31:44 | 0:31:47 | |
It is three-colour gold. | 0:31:47 | 0:31:49 | |
Truly remarkable, the sheer craftsmanship | 0:31:49 | 0:31:51 | |
that's gone into making that. | 0:31:51 | 0:31:53 | |
It's not very worn on the outside. | 0:31:53 | 0:31:55 | |
No. It's a bit tired on the inside, | 0:31:55 | 0:31:57 | |
but you expect that for something which is made of silk. | 0:31:57 | 0:32:00 | |
It is very nice. It's very pretty. | 0:32:00 | 0:32:02 | |
I do think I might use it, but I don't think it would take it. | 0:32:02 | 0:32:05 | |
-No, no. -If you went out in the evening and just wanted... | 0:32:05 | 0:32:07 | |
That would be so decadent, but it would not be advisable. | 0:32:07 | 0:32:12 | |
You're buying a work of art. | 0:32:12 | 0:32:14 | |
It is very, very nice. | 0:32:14 | 0:32:16 | |
-Right. -And it's very different as well. | 0:32:16 | 0:32:18 | |
I've never seen anything like this before. | 0:32:18 | 0:32:20 | |
I'm quite taken with it. | 0:32:20 | 0:32:21 | |
Oh, good. Are we going to do the business? | 0:32:21 | 0:32:23 | |
It depends on the price. | 0:32:23 | 0:32:24 | |
Well, I was looking in the range of 250. | 0:32:24 | 0:32:29 | |
I'd probably go in at 175 or something like that. | 0:32:29 | 0:32:34 | |
If we could do the deal round the 200 mark... | 0:32:34 | 0:32:37 | |
Let me try one more on you. | 0:32:37 | 0:32:39 | |
£190. | 0:32:39 | 0:32:41 | |
-I think we've got a deal. -Hey, put it there. | 0:32:41 | 0:32:43 | |
-Thank you. -OK. | 0:32:43 | 0:32:45 | |
Eric bags a £90 profit, and he finds a home for his purse. | 0:32:45 | 0:32:49 | |
He's in Westerham in Kent next, | 0:32:49 | 0:32:50 | |
hoping to push further into the lead with his jewellery box, | 0:32:50 | 0:32:54 | |
for which Eric has extremely high hopes. | 0:32:54 | 0:32:57 | |
I'm here to see a dealer who only deals in top quality. | 0:32:57 | 0:33:01 | |
I'm not messing around with the middlemen, | 0:33:01 | 0:33:03 | |
I'm going to the man at the top, | 0:33:03 | 0:33:05 | |
so I can only hope that he shares my opinion about | 0:33:05 | 0:33:08 | |
the quality of this fabulous box. | 0:33:08 | 0:33:10 | |
The box cost him a weighty £125, | 0:33:13 | 0:33:15 | |
so will he see a return on his investment from dealer Ashton? | 0:33:15 | 0:33:20 | |
You know what it's like with all these things - | 0:33:20 | 0:33:22 | |
-it's not until you actually see it. -Mm-hmm. | 0:33:22 | 0:33:25 | |
Just hold it, get a feel of it. | 0:33:25 | 0:33:27 | |
It's a big base. | 0:33:27 | 0:33:28 | |
It is rosewood, I believe, but let's put it down. | 0:33:28 | 0:33:31 | |
The interior is lacking insofar as it would have had a tray. | 0:33:31 | 0:33:36 | |
-Ah! -I thought about perhaps putting a tray in, | 0:33:36 | 0:33:40 | |
but then I realised that I really need to let the next person | 0:33:40 | 0:33:44 | |
-in the chain do what they think is right. -Yeah. Mm-hmm. | 0:33:44 | 0:33:47 | |
-But it gets better... -OK. | 0:33:47 | 0:33:48 | |
..because if we look down here, | 0:33:48 | 0:33:50 | |
as you can see, completely original. | 0:33:50 | 0:33:52 | |
I love this regal red. It's great. | 0:33:52 | 0:33:54 | |
Yes, it's quite opulent, isn't it? | 0:33:54 | 0:33:56 | |
-It's good quality. -It's just a handsome... | 0:33:56 | 0:33:58 | |
The nice thing is it's not also been engraved - | 0:33:58 | 0:34:00 | |
-it's plain on the top there. -Exactly. | 0:34:00 | 0:34:02 | |
-Can we do business? -OK. | 0:34:02 | 0:34:03 | |
I mean, I'm looking for around the £200 mark on it. | 0:34:03 | 0:34:07 | |
That's optimistic. | 0:34:07 | 0:34:08 | |
Yeah, well, listen, I was born optimistic. | 0:34:08 | 0:34:11 | |
-My glass is always half full, OK? -All right. | 0:34:11 | 0:34:13 | |
OK, well, talking of half full, I would say about halfway there. | 0:34:13 | 0:34:16 | |
-Oh, right. -Around the 100? | 0:34:16 | 0:34:17 | |
Right, I could do business around about 170. | 0:34:17 | 0:34:23 | |
It's got to be below the 150. | 0:34:23 | 0:34:24 | |
OK. Can we do business at 145? | 0:34:24 | 0:34:27 | |
-Yes, go on. -Go on. Good lad. | 0:34:27 | 0:34:28 | |
-Good thing. -Good thing. | 0:34:28 | 0:34:30 | |
-You know my taste well, sir. -I'm... I'm learning. | 0:34:30 | 0:34:33 | |
So, after all that, Eric makes a modest £20 profit | 0:34:33 | 0:34:37 | |
and takes a 4-2 lead. | 0:34:37 | 0:34:38 | |
Ochuko does not want to be left behind, so he has come to Oxford | 0:34:39 | 0:34:43 | |
to meet business partners Johnny and Fraser. | 0:34:43 | 0:34:46 | |
Their pub has some quirky decor, | 0:34:46 | 0:34:48 | |
and Ochuko hopes they'll want to add the trunk that cost him £18. | 0:34:48 | 0:34:52 | |
-Hi, guys. -Hi, Ochuko. -Are you all right, Johnny? | 0:34:52 | 0:34:55 | |
-Nice to meet you. -How are you doing, sir? All right, Fraser? | 0:34:55 | 0:34:58 | |
Um... | 0:34:58 | 0:34:59 | |
A trunk. | 0:34:59 | 0:35:01 | |
A 1930s steamer trunk. | 0:35:01 | 0:35:03 | |
-It's in good nick, it's old. -It's nice. Yeah. | 0:35:03 | 0:35:05 | |
It's got its old labels on it. | 0:35:05 | 0:35:07 | |
The wood's in good order. | 0:35:07 | 0:35:08 | |
-We've got this tray inside... -Look at that. Lovely. | 0:35:08 | 0:35:10 | |
..and I don't think I've ever seen one | 0:35:10 | 0:35:12 | |
-with the tray still there. -No. | 0:35:12 | 0:35:13 | |
-It'll look good in here, won't it? -It'd look amazing. Yeah. | 0:35:13 | 0:35:15 | |
The tricky bit... | 0:35:15 | 0:35:17 | |
I'll tell you what, I'll give you £20. | 0:35:17 | 0:35:19 | |
Ouch. | 0:35:19 | 0:35:21 | |
65. | 0:35:21 | 0:35:22 | |
-That's where I'd put it. -OK. | 0:35:23 | 0:35:25 | |
I'll tell you what, I'll go up to 40. | 0:35:25 | 0:35:27 | |
-I actually bought this on a coin toss... -OK. | 0:35:27 | 0:35:30 | |
-..so I'm thinking, let's toss for a final sale. -OK. | 0:35:30 | 0:35:34 | |
-I'd say 50, heads. -50. 50, heads. | 0:35:34 | 0:35:38 | |
40, tails. | 0:35:38 | 0:35:39 | |
-40, tails. -Yeah? -OK. | 0:35:39 | 0:35:40 | |
Aw! Best of three? | 0:35:44 | 0:35:45 | |
£50! | 0:35:48 | 0:35:50 | |
Thank you very much. | 0:35:52 | 0:35:53 | |
He lost the toss when he bought it, | 0:35:53 | 0:35:55 | |
but wins the toss on the sale and makes a £32 profit. | 0:35:55 | 0:35:59 | |
Both our experts are certainly turning consistent profits, | 0:36:00 | 0:36:04 | |
and Eric hopes to score again with his 1920s football trophy. | 0:36:04 | 0:36:08 | |
He's hoping Cotswolds-based sporting-memorabilia dealer Manfred | 0:36:08 | 0:36:13 | |
will give him a win on his hefty £175 outlay. | 0:36:13 | 0:36:18 | |
Well, it's been presented to AR Hughes, MAA. | 0:36:18 | 0:36:22 | |
I'm not sure what that is. | 0:36:22 | 0:36:24 | |
Master At Arms. | 0:36:24 | 0:36:25 | |
Oh, Master At Arms. Right, thank you. | 0:36:25 | 0:36:28 | |
It's spelter, which is like a zinc alloy. | 0:36:28 | 0:36:32 | |
Spelter is much harder to cast, as you probably know, than bronze, | 0:36:32 | 0:36:37 | |
but at that time it was much cheaper. | 0:36:37 | 0:36:40 | |
I'm afraid there's a little bit of bad news, | 0:36:40 | 0:36:44 | |
because it has actually been broken, | 0:36:44 | 0:36:46 | |
and this is something that happens to spelter quite often. | 0:36:46 | 0:36:49 | |
Let me join you with my specs. Where are we looking? | 0:36:49 | 0:36:52 | |
There's a hairline crack just there, | 0:36:52 | 0:36:54 | |
and it follows round the top of the boot. | 0:36:54 | 0:36:56 | |
Goodness me! I was totally, totally unaware of that. | 0:36:56 | 0:37:01 | |
I mean, it's been repaired, and it's been very well repaired. | 0:37:01 | 0:37:04 | |
Well, I'm wondering if it's even going to be of any interest to you. | 0:37:04 | 0:37:07 | |
It goes without saying that it does have an effect on the price. | 0:37:07 | 0:37:10 | |
-It does. -I'm now into what they call damage limitation. | 0:37:10 | 0:37:13 | |
I'm ready to take it on the chin. | 0:37:13 | 0:37:15 | |
If it wasn't broken, | 0:37:15 | 0:37:17 | |
it would be £140, £150. | 0:37:17 | 0:37:20 | |
-Right. -As it is... | 0:37:20 | 0:37:22 | |
probably £80. | 0:37:22 | 0:37:24 | |
What I'm doing, I'm reaching for a tissue. | 0:37:24 | 0:37:28 | |
But, no, I'll do my crying in the rain, as they say. | 0:37:28 | 0:37:31 | |
-Well, certainly at £80, it's yours. -All right. | 0:37:31 | 0:37:34 | |
Oh, dear! Eric walks away with a loss of £95, | 0:37:34 | 0:37:38 | |
not the news he was hoping for. | 0:37:38 | 0:37:41 | |
Well, needless to say I had no idea that damage existed on the figure, | 0:37:41 | 0:37:46 | |
and in one respect I'm very pleased | 0:37:46 | 0:37:50 | |
it was noticed before we did the deal, | 0:37:50 | 0:37:52 | |
but at the same time I'm devastated to be down a full £95. | 0:37:52 | 0:37:58 | |
So, if you don't want to see a grown man cry, look away now. | 0:37:58 | 0:38:03 | |
Oh, cheer up, Eric, things could be worse. | 0:38:03 | 0:38:05 | |
You may have made a loss, but at least you're all sold out. | 0:38:05 | 0:38:08 | |
Chuko, meanwhile, still has his big-ticket item. | 0:38:08 | 0:38:12 | |
I love that mask. I'm worried, I paid a lot for it. | 0:38:12 | 0:38:14 | |
It was my heart over my head. I'm here to see Max. | 0:38:14 | 0:38:18 | |
I've sold quite a few items to him over the years, | 0:38:18 | 0:38:21 | |
so hopefully head and heart will come together | 0:38:21 | 0:38:23 | |
and I'll make a profit. | 0:38:23 | 0:38:24 | |
The big wooden mask cost big money, £180, | 0:38:26 | 0:38:29 | |
so he's hoping London design-store owner and tribal-art enthusiast Max | 0:38:29 | 0:38:35 | |
will want to buy it for big money. | 0:38:35 | 0:38:37 | |
-Hiya, Max. -All right, mate, how's it going? | 0:38:37 | 0:38:39 | |
-Very well. It's reached here safe and sound. -It has, all in one. | 0:38:39 | 0:38:42 | |
A lovely thing. I think this would look good in here, because you mix | 0:38:42 | 0:38:45 | |
a lot of different styles. I thought of you straight away. | 0:38:45 | 0:38:48 | |
-Such nice colours. -I just fell in love with it. | 0:38:48 | 0:38:50 | |
It just did something to me, and I think it was the colours. | 0:38:50 | 0:38:53 | |
I think also the scale. | 0:38:53 | 0:38:54 | |
You're not used to seeing something that size, as well. | 0:38:54 | 0:38:57 | |
-Normally, the tribal mask is kind of like... -A tiny, little mask. | 0:38:57 | 0:39:00 | |
Yeah, yeah. I love the condition, | 0:39:00 | 0:39:02 | |
I think the weathering has really sort of enhanced it. | 0:39:02 | 0:39:05 | |
This is the thing, you know? | 0:39:05 | 0:39:06 | |
And I'm thinking possibly '50s because of the paint. | 0:39:06 | 0:39:09 | |
I think that might be the latest. | 0:39:09 | 0:39:12 | |
It's got to be at least that, hasn't it? | 0:39:12 | 0:39:14 | |
-It has. -For Christmas, we're doing like a tribal takeover | 0:39:14 | 0:39:18 | |
with Camille Walala, and she's going to be taking over three of our | 0:39:18 | 0:39:22 | |
-spaces, so I think it would be amazing for that. -Luck's on my side. | 0:39:22 | 0:39:26 | |
-And mine. -Do you want to buy it? | 0:39:26 | 0:39:28 | |
-Yeah, yeah, definitely. -I'm going to have a go at selling it to you. | 0:39:28 | 0:39:31 | |
-How does 300 sound? -Probably a bit too high, I think. | 0:39:31 | 0:39:35 | |
I'm glad you said a bit, so we're not a million miles away? | 0:39:35 | 0:39:39 | |
-Not a million miles away. -What would you like to pay? | 0:39:39 | 0:39:42 | |
I don't know, maybe, like, 240. | 0:39:43 | 0:39:46 | |
Can we meet between the two and say 280? | 0:39:46 | 0:39:49 | |
I could probably go to 260, but I think anything over that... | 0:39:49 | 0:39:52 | |
-..you're not going to feel happy with. -Yeah. | 0:39:52 | 0:39:55 | |
-Brilliant, thanks a lot. -Cheers. | 0:39:56 | 0:39:59 | |
Chuko makes £80 profit and he's down to his final item. | 0:39:59 | 0:40:03 | |
This time, he's in London's Brick Lane, where he's hoping to sell | 0:40:03 | 0:40:07 | |
the baby walker that cost him £12 to new mum Rosie. | 0:40:07 | 0:40:11 | |
-Hi, Rosie. How are you? -I'm good. How are you? | 0:40:11 | 0:40:14 | |
-Look at this. Let me put this down. -That's so cute. | 0:40:14 | 0:40:17 | |
Yeah. It's 1950s, a vintage girl like yourself. | 0:40:17 | 0:40:20 | |
Yeah, because Francis, he's only six months, | 0:40:20 | 0:40:23 | |
-but he'll be walking, I reckon, quite soon. -I love that. | 0:40:23 | 0:40:26 | |
-Although they're a bit slow, boys, aren't they? -Yeah, they are. | 0:40:26 | 0:40:29 | |
-THEY LAUGH -I love it. How much do you want for it? | 0:40:29 | 0:40:31 | |
I'd like to get about 45. | 0:40:31 | 0:40:33 | |
I try not to spend too much money on the boys, | 0:40:33 | 0:40:36 | |
-but, I mean, something like 30, maybe? -30. | 0:40:36 | 0:40:39 | |
-How would 35 sound? -£32.50? | 0:40:39 | 0:40:42 | |
-32.50! 35. -No, I can do 35. -Brilliant. -It's a deal. | 0:40:42 | 0:40:46 | |
It's gone to a good home. | 0:40:46 | 0:40:47 | |
With a final profit of £23 from the walker, Chuko is all sold up. | 0:40:49 | 0:40:53 | |
Now, all that remains is to find out who made the most money. | 0:40:53 | 0:40:57 | |
Before we do, let's remind ourselves of how much our experts spent. | 0:40:57 | 0:41:01 | |
Starting off with a budget of £750 each, | 0:41:03 | 0:41:06 | |
Eric Knowles spent £485 on his five items. | 0:41:06 | 0:41:10 | |
Chuko also bought five, but only spent £245. | 0:41:10 | 0:41:14 | |
But who made the most profit? | 0:41:14 | 0:41:17 | |
All the money from this challenge will go | 0:41:17 | 0:41:19 | |
to Eric and Chuko's chosen charities, so let's find out | 0:41:19 | 0:41:22 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:41:22 | 0:41:25 | |
-Well met, well met. -Hello, Eric. -How are you doing? | 0:41:27 | 0:41:30 | |
-Good. -What did we think of our antique fair, then? | 0:41:30 | 0:41:33 | |
It was my first day at school, so I was a bit nervous, | 0:41:33 | 0:41:36 | |
but, yeah, I enjoyed it. | 0:41:36 | 0:41:37 | |
I had my nemesis, the mask. I spent a lot of money on that. | 0:41:37 | 0:41:40 | |
It was touch and go. I made a bit of a profit on it. | 0:41:40 | 0:41:43 | |
-Excellent. -How about you? | 0:41:43 | 0:41:45 | |
Well, I did all right with my Isis pottery. | 0:41:45 | 0:41:48 | |
I found a dedicated collector. | 0:41:48 | 0:41:50 | |
-Always good. -Yes. However, my spelter footballer, | 0:41:50 | 0:41:54 | |
he got the red card, | 0:41:54 | 0:41:56 | |
only because the buyer spots a fracture in his ankle, | 0:41:56 | 0:42:00 | |
-and, yeah... -Frustrating. -A bit of a frustration there. | 0:42:00 | 0:42:04 | |
What I did notice is the margins of making a profit | 0:42:04 | 0:42:07 | |
when you're dealing with the trade are very small. | 0:42:07 | 0:42:10 | |
It's difficult. They know what they've got. | 0:42:10 | 0:42:12 | |
But I managed to make a good margin on that flamingo picture, | 0:42:12 | 0:42:15 | |
-I must say. -Oh, did you now? I'm delighted for you... | 0:42:15 | 0:42:17 | |
I can see! | 0:42:17 | 0:42:19 | |
But on that note, shall we do the necessary? | 0:42:19 | 0:42:24 | |
One, two, three! | 0:42:24 | 0:42:26 | |
Oh, my goodness me, you've doubled me and more. | 0:42:26 | 0:42:31 | |
I think it was down to my flamingo. | 0:42:31 | 0:42:33 | |
-Really? -Shall we go and see if there's any around here? | 0:42:33 | 0:42:35 | |
Well, we could try. I've got some binoculars in the car. | 0:42:35 | 0:42:38 | |
Come on, let's go and have a look. | 0:42:38 | 0:42:40 | |
A convincing win from Chuko, who made more than double Eric's profit, | 0:42:40 | 0:42:44 | |
and it was the flamingo picture that made him the most money. | 0:42:44 | 0:42:48 | |
I think if the outcome over my footballer | 0:42:48 | 0:42:50 | |
had been a little bit different, | 0:42:50 | 0:42:52 | |
then I may well have been in first place, but full marks to Chuko. | 0:42:52 | 0:42:57 | |
We were in the same arena and the boy done good. | 0:42:57 | 0:43:00 | |
Eric was really unlucky with that trophy | 0:43:00 | 0:43:02 | |
and I was very lucky to have found that flamingo picture. | 0:43:02 | 0:43:06 | |
Basically, it was a game of two halves. | 0:43:06 | 0:43:09 | |
Do you get it? Two halves? | 0:43:09 | 0:43:11 | |
Yes, a game where they put their money where their mouths are | 0:43:11 | 0:43:13 | |
and showed how to profit from buying and selling | 0:43:13 | 0:43:16 | |
when their own money is on the line. | 0:43:16 | 0:43:18 |