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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:10 | |
I think I see a bargain! | 0:00:10 | 0:00:12 | |
Each day, one pair of duelling dealers | 0:00:12 | 0:00:14 | |
will face a mighty challenge... | 0:00:14 | 0:00:16 | |
Oh, yeah. | 0:00:16 | 0:00:18 | |
..putting their reputations | 0:00:18 | 0:00:19 | |
on the line. | 0:00:19 | 0:00:21 | |
Ready for battle. | 0:00:21 | 0:00:22 | |
They'll give you the insider's view of the trade... | 0:00:22 | 0:00:24 | |
I'm a big boy. | 0:00:24 | 0:00:26 | |
-I'm a player. -..along with their top tips | 0:00:26 | 0:00:28 | |
and savvy secrets... | 0:00:28 | 0:00:29 | |
It's not all about what you spend, it's about what you make. | 0:00:29 | 0:00:32 | |
..showing you how to make the most money... | 0:00:32 | 0:00:35 | |
It really is war. | 0:00:35 | 0:00:36 | |
..from buying and selling. | 0:00:36 | 0:00:38 | |
You've got to be in there like a whippet. | 0:00:38 | 0:00:40 | |
Coming up... | 0:00:42 | 0:00:43 | |
Paul's negotiation attempts are derailed. | 0:00:43 | 0:00:46 | |
I'd be well chuffed. | 0:00:46 | 0:00:47 | |
-Yeah, I know you would. -Yeah, full steam ahead. No? | 0:00:47 | 0:00:50 | |
-You're on the right track. -35, that's it. | 0:00:50 | 0:00:53 | |
John gives a lesson in changing interior trends... | 0:00:53 | 0:00:57 | |
20 years ago, I wouldn't even have looked twice at this. | 0:00:57 | 0:00:59 | |
I'd have left it in the house when we were clearing it, | 0:00:59 | 0:01:02 | |
but now these are all the rage, this whole industrial thing. | 0:01:02 | 0:01:05 | |
..and Paul attends a postmortem for one of his beloved buys. | 0:01:05 | 0:01:09 | |
The violin has suffered a fairly catastrophic blow to the back | 0:01:09 | 0:01:12 | |
of the head which has wrenched the neck out of the block. | 0:01:12 | 0:01:15 | |
This is Put Your Money Where Your Mouth Is. | 0:01:15 | 0:01:18 | |
AS DAVID ATTENBOROUGH: Welcome, antiques enthusiasts, | 0:01:33 | 0:01:36 | |
to a war of the watering hole, | 0:01:36 | 0:01:38 | |
as two sleek and sinuous specimens of the natural world | 0:01:38 | 0:01:42 | |
square up to each other | 0:01:42 | 0:01:43 | |
in a battle to prove who is king of the bargain-hunting beasts. | 0:01:43 | 0:01:47 | |
And today's alpha males are poised to pounce. | 0:01:48 | 0:01:51 | |
First up, with his lion's mane of blonde hair, | 0:01:52 | 0:01:55 | |
he's been sniffing out and stalking down a deal | 0:01:55 | 0:01:58 | |
since the age of six. | 0:01:58 | 0:02:00 | |
He's the big cat when it comes to collectables. | 0:02:00 | 0:02:02 | |
It's... | 0:02:02 | 0:02:05 | |
Well, I'm not one to blow my own trumpet, | 0:02:05 | 0:02:07 | |
but I really feel I'm in my element here. | 0:02:07 | 0:02:09 | |
His competition is a lean and speedy hyena | 0:02:09 | 0:02:12 | |
who hopes to beat him to it in the hunt for priceless prey. | 0:02:12 | 0:02:15 | |
A ruthless scavenger, it's auctioneer... | 0:02:15 | 0:02:18 | |
MONKEY WHOOPS | 0:02:20 | 0:02:23 | |
Paul, I think I see some trouble BREWING for you. | 0:02:23 | 0:02:26 | |
Their natural habitat, the sunny plains of Essex, | 0:02:26 | 0:02:29 | |
and Marks Tey car-boot sale | 0:02:29 | 0:02:31 | |
where they will have £250 of their own money | 0:02:31 | 0:02:34 | |
to spend on the tastiest objects. | 0:02:34 | 0:02:36 | |
They'll then have to sell the lot, | 0:02:36 | 0:02:38 | |
with all the profits going to their chosen charities. | 0:02:38 | 0:02:41 | |
So let's see how our beasts size each other up. | 0:02:41 | 0:02:44 | |
-Ah, good morning, John. -Good morning, Mr Hayes. | 0:02:44 | 0:02:46 | |
-How are you, all right? -I'm very well. | 0:02:46 | 0:02:47 | |
Early morning, the sun is out, and you can smell that fresh-cut grass. | 0:02:47 | 0:02:50 | |
-Do you know what I can smell? -Go on. | 0:02:50 | 0:02:52 | |
Bargains, and lots of them, hopefully. | 0:02:52 | 0:02:54 | |
-Have you got any tactics for today? -I think buy quality. | 0:02:54 | 0:02:57 | |
What I've made a mistake for in the past | 0:02:57 | 0:02:59 | |
is buying things that are damaged or poor-quality items. | 0:02:59 | 0:03:01 | |
So I'm going to try and hedge my bets and buy nice things | 0:03:01 | 0:03:04 | |
that don't need any work, basically. What about you? | 0:03:04 | 0:03:06 | |
Well, for me, I've got a tendency to buy things | 0:03:06 | 0:03:08 | |
I can't then get in my car, | 0:03:08 | 0:03:10 | |
so I'm going to try and keep it small, if you see what I mean. | 0:03:10 | 0:03:12 | |
If I can't pocket it, don't buy it. | 0:03:12 | 0:03:14 | |
Sounds a good one to me. I tell you what there is here - a cup of tea. | 0:03:14 | 0:03:17 | |
-Do you want one? -Why not? A good way to start. | 0:03:17 | 0:03:19 | |
-Do you take sugar? -No, I'm sweet enough. | 0:03:19 | 0:03:21 | |
There's no time for a cosy cuppa, Paul, | 0:03:21 | 0:03:23 | |
when you're fighting to be top of the food chain. | 0:03:23 | 0:03:26 | |
John may have revealed his plan to be the first to the booty, | 0:03:26 | 0:03:29 | |
but has he pulled a fast one on Paul already? | 0:03:29 | 0:03:32 | |
I said to Paul my strategy was not to buy big things, | 0:03:33 | 0:03:37 | |
but that's a little bit of a white lie | 0:03:37 | 0:03:39 | |
because you don't always have a choice, | 0:03:39 | 0:03:41 | |
and time isn't always on your side at a car-boot, | 0:03:41 | 0:03:43 | |
because if you're too hesitant, you browse, | 0:03:43 | 0:03:45 | |
you think, "I might come back to that in a minute and have a look," | 0:03:45 | 0:03:47 | |
it's usually gone, so get those bargains bought. | 0:03:47 | 0:03:50 | |
So, "He who hesitates is lost," says wily John | 0:03:50 | 0:03:53 | |
who is going for the impulse buy, | 0:03:53 | 0:03:55 | |
while gentleman Paul is aiming for a more measured approach. | 0:03:55 | 0:03:59 | |
Now, it's really easy to get carried away | 0:03:59 | 0:04:01 | |
and buy any old tat cos it's all here. | 0:04:01 | 0:04:04 | |
So I'm trying to set myself a strategy today, | 0:04:04 | 0:04:06 | |
which is to buy quality and to buy things | 0:04:06 | 0:04:08 | |
that don't need any work, and to beat that John Cameron. | 0:04:08 | 0:04:11 | |
Let's hope his simple strategy plays out | 0:04:13 | 0:04:15 | |
because John is already on the scent of his first bit of car-boot booty - | 0:04:15 | 0:04:18 | |
a vintage lorry. | 0:04:18 | 0:04:20 | |
Got a few interesting toys here. | 0:04:20 | 0:04:22 | |
Are you particularly interested in the toys? Do you collect? | 0:04:22 | 0:04:26 | |
-Yeah, I do collect. -You do. What's the price on this? | 0:04:26 | 0:04:30 | |
£30. | 0:04:30 | 0:04:31 | |
£30 for it? And do you know if it's all there? | 0:04:31 | 0:04:34 | |
-Yeah. -Definitely all there, yeah? | 0:04:34 | 0:04:36 | |
Shake my hand, sir. Thank you very much. £30. | 0:04:36 | 0:04:39 | |
MUSIC: Highway To Hell By AC/DC. | 0:04:39 | 0:04:42 | |
We were too poor. | 0:04:42 | 0:04:43 | |
I never had anything quite like this, only the little ones. | 0:04:43 | 0:04:45 | |
So maybe I'm taking a bit of a trip down Memory Lane here. | 0:04:45 | 0:04:48 | |
Ah, he may be a bit misty-eyed over this childhood toy, | 0:04:48 | 0:04:51 | |
but John still knows a good deal when he sees one. | 0:04:51 | 0:04:54 | |
Matchbox is a typical British company, early post-war, 1950s. | 0:04:54 | 0:04:59 | |
This would have been a real, real quality toy at the time. | 0:04:59 | 0:05:02 | |
You can see exactly what this does. | 0:05:02 | 0:05:04 | |
It's a big, long lorry here with a folding bridge. | 0:05:04 | 0:05:08 | |
It's something that the engineers would have used during wartime | 0:05:08 | 0:05:11 | |
to bridge the rivers there. | 0:05:11 | 0:05:12 | |
Great thing about this is it's in absolute mint condition, | 0:05:12 | 0:05:17 | |
and that the box doubles up as part of the actual toy. | 0:05:17 | 0:05:21 | |
While John motors into an early lead with today's first purchase, | 0:05:21 | 0:05:25 | |
Paul's hunted down a very different kind of bridge. | 0:05:25 | 0:05:28 | |
Now, then, a little interesting item here. It's an old violin. | 0:05:29 | 0:05:33 | |
-How much is that one, mate, sorry? Oh, yeah, 45. -45, mate. | 0:05:33 | 0:05:36 | |
I've got to ask, is that the best price or can you do any better? | 0:05:36 | 0:05:39 | |
40 quid. You can't do £30? Just for cash, no? | 0:05:39 | 0:05:43 | |
It's got a bow with it, a case. | 0:05:43 | 0:05:44 | |
It's got a bow with it and everything? | 0:05:44 | 0:05:47 | |
-You can't do 35 quid and I'll take it with me? -Go on, then. | 0:05:47 | 0:05:50 | |
Thank you very much. I'll have that. | 0:05:50 | 0:05:51 | |
-What's that? Is that 30 quid? Is that right? -35. | 0:05:51 | 0:05:55 | |
Did we say 35? Oh, sorry. | 0:05:55 | 0:05:57 | |
HE LAUGHS | 0:05:57 | 0:05:59 | |
Yes, you weren't trying to fiddle him there, were you, Paul? | 0:05:59 | 0:06:02 | |
All right, all the best now. It's a do-it-yourself busking kit. | 0:06:02 | 0:06:06 | |
Thank you. Cheers now. | 0:06:06 | 0:06:08 | |
Well, that's one way to top up your profits, Mr Morecambe, | 0:06:08 | 0:06:11 | |
but is there more to this instrument than meets the eye? | 0:06:11 | 0:06:14 | |
I was laughing to myself, actually, | 0:06:14 | 0:06:16 | |
because the stallholder was saying, "I wish it was a Stradivarius." | 0:06:16 | 0:06:19 | |
Believe it or not, while I was on the stall there, | 0:06:19 | 0:06:22 | |
if you have a really quick look inside here, | 0:06:22 | 0:06:24 | |
it does actually say Antonio Stradivarius, | 0:06:24 | 0:06:27 | |
the greatest violin maker ever. | 0:06:27 | 0:06:29 | |
But of course, round about the year 1900, | 0:06:29 | 0:06:32 | |
they started to make versions of them, or copies of them in Germany. | 0:06:32 | 0:06:35 | |
This is 100 years old. | 0:06:35 | 0:06:36 | |
If it was a genuine Stradivarius, | 0:06:36 | 0:06:38 | |
we are retiring and living in the Maldives for the rest of our lives. | 0:06:38 | 0:06:41 | |
But do you know what? I play by ear. It's starting to hurt now. | 0:06:41 | 0:06:43 | |
HE LAUGHS | 0:06:47 | 0:06:49 | |
I thought it was funny. | 0:06:49 | 0:06:50 | |
Yes, well, Paul is happy with his mysterious instrument... | 0:06:50 | 0:06:53 | |
Let's see if John is sticking to his strategy of spot it and buy it. | 0:06:54 | 0:06:58 | |
-How much is that, out of interest? -£20. -£20 | 0:07:02 | 0:07:05 | |
Hm. OK. | 0:07:05 | 0:07:06 | |
I'll bear that in mind. Thank you. | 0:07:06 | 0:07:08 | |
So John goes against his own strategy by being hesitant, | 0:07:08 | 0:07:12 | |
while Paul, back at the violin store, | 0:07:12 | 0:07:14 | |
and throwing caution to the wind, | 0:07:14 | 0:07:16 | |
uncovers a couple of tasty Chinese antiques and pounces. | 0:07:16 | 0:07:21 | |
I've spotted some other bits and pieces here. A little red box. | 0:07:21 | 0:07:24 | |
-It's quite pretty, isn't it? So how much is that? -£12, mate, for that. | 0:07:24 | 0:07:28 | |
That's £12. And what's this other one here? | 0:07:28 | 0:07:30 | |
I'll do that for a tenner. | 0:07:30 | 0:07:32 | |
I'll do that for 12. | 0:07:32 | 0:07:34 | |
So 22 quid. | 0:07:34 | 0:07:35 | |
£22, well, I don't think I can argue with that, I don't think. | 0:07:35 | 0:07:38 | |
I'm not going to argue with you. I know it's hard. | 0:07:38 | 0:07:40 | |
It's an early morning, isn't it? 22 quid? Right, I'll have those two. | 0:07:40 | 0:07:43 | |
I'll give you some money. Thank you very much. | 0:07:43 | 0:07:46 | |
£22 for the little Oriental cup and box and Mr Morecambe is Mr Happy. | 0:07:46 | 0:07:51 | |
These are textbook items. This one is Chinese export market porcelain. | 0:07:51 | 0:07:57 | |
It dates from the 18th century. | 0:07:57 | 0:07:59 | |
This is some time in the 1700s. | 0:07:59 | 0:08:00 | |
And it's been hand-painted in underglaze blue | 0:08:00 | 0:08:02 | |
in a form of the Willow pattern. | 0:08:02 | 0:08:05 | |
The Willow pattern was actually an English invention, | 0:08:05 | 0:08:07 | |
but the Chinese copied it, believe it or not. | 0:08:07 | 0:08:09 | |
So this one, what a fantastic thing. It's a bargain, really. | 0:08:09 | 0:08:12 | |
You wouldn't get much tea in it, would you, I don't think? | 0:08:12 | 0:08:14 | |
The carved box is early 20th century. This is cinnabar lacquer. | 0:08:14 | 0:08:18 | |
When it's applied in real humidity, all the peels and layers, | 0:08:18 | 0:08:23 | |
they come with this wonderful sort of embossed design. | 0:08:23 | 0:08:27 | |
This one's on brass. | 0:08:27 | 0:08:28 | |
Beautifully done, very highly prized in China and very saleable here. | 0:08:28 | 0:08:32 | |
That's a great buy. These are absolute bargains. | 0:08:32 | 0:08:35 | |
They're worth twice as much as what I paid for them. | 0:08:35 | 0:08:37 | |
I'm very happy. | 0:08:37 | 0:08:38 | |
And so off he goes with a spring in his step. | 0:08:38 | 0:08:41 | |
But watch out, Paul, you're being stalked. | 0:08:41 | 0:08:44 | |
Oh, look, I can see Mr Morecambe, Paul Hayes there, | 0:08:44 | 0:08:47 | |
mooching amongst the stallholders there. | 0:08:47 | 0:08:50 | |
No doubt looking for the tea store here. | 0:08:50 | 0:08:53 | |
Well, I can't believe Paul Hayes hasn't seen this. | 0:08:54 | 0:08:57 | |
I mean, this guy drinks more tea | 0:08:57 | 0:08:59 | |
than the annual Women's Institute meeting. Look at that. | 0:08:59 | 0:09:03 | |
Nice modern thing, but I think this is right up his street. | 0:09:03 | 0:09:06 | |
It's no good finding items for your own rival to buy. | 0:09:06 | 0:09:09 | |
Anyway, he's not struggling. | 0:09:09 | 0:09:11 | |
While John's bought only once, | 0:09:11 | 0:09:12 | |
Paul is eyeing up a potential fourth purchase. | 0:09:12 | 0:09:16 | |
Now, one thing that's really collectable | 0:09:16 | 0:09:18 | |
tends to be naval memorabilia, | 0:09:18 | 0:09:20 | |
and what we've got here is what looks like a ship's bell. | 0:09:20 | 0:09:23 | |
It's got the date 1839 on the front. | 0:09:23 | 0:09:26 | |
But it's got some sort of inscription on the back, | 0:09:26 | 0:09:29 | |
and I can't quite read it. | 0:09:29 | 0:09:30 | |
These days, I've got to wear glasses, I'm afraid. | 0:09:30 | 0:09:32 | |
Let's just have a look. Excuse me, sir. I'm really sorry to bother you. | 0:09:32 | 0:09:36 | |
Do you know anything about this bell? | 0:09:36 | 0:09:38 | |
You've got something that says D Row or something on the bottom, or is that... | 0:09:38 | 0:09:41 | |
-I don't know. -You don't know anything about it at all? | 0:09:41 | 0:09:43 | |
-You don't know what this is? -No. -And how much have you got on it? -£40. | 0:09:43 | 0:09:46 | |
-£40. It's too much. Can I make you a little cheeky offer? -Yeah. | 0:09:46 | 0:09:51 | |
Could it be £20? | 0:09:51 | 0:09:52 | |
-Yeah, go on. -Smashing, right, there we are, I'll have that one. | 0:09:54 | 0:09:58 | |
Thank you very much, sir. All right, thank you. | 0:09:58 | 0:10:00 | |
And just like that, pack-leader Paul slashes the asking price in half. | 0:10:00 | 0:10:04 | |
OK, so I was drawn to this because it looks like it could be | 0:10:04 | 0:10:06 | |
off a ship, a ship's bell. | 0:10:06 | 0:10:08 | |
It's got the date 1839, and it has some sort of crest | 0:10:08 | 0:10:12 | |
which does look a little bit like Liverpool. | 0:10:12 | 0:10:14 | |
And I'm hoping that it's going to be off a Liverpool boat. | 0:10:14 | 0:10:16 | |
That would be fantastic. | 0:10:16 | 0:10:18 | |
Good naval items are really, really collectable. | 0:10:18 | 0:10:20 | |
So I'm hoping this one will ring the bell when I come to sell it. | 0:10:20 | 0:10:23 | |
Aye, aye, Captain. | 0:10:23 | 0:10:25 | |
That purchase leaves John trailing four buys to one | 0:10:25 | 0:10:28 | |
and he's the one who said he was going to spend quickly. | 0:10:28 | 0:10:31 | |
But he has had his interest piqued by a set of crates. | 0:10:31 | 0:10:34 | |
These are quite interesting. I've never seen them before. | 0:10:35 | 0:10:38 | |
They're ammunition boxes. Wooden crates. | 0:10:38 | 0:10:41 | |
I'm kind of thinking of the whole upcycling thing. | 0:10:41 | 0:10:44 | |
How much are they? | 0:10:44 | 0:10:45 | |
15 each. | 0:10:45 | 0:10:46 | |
And what they're doing, they're actually putting little legs on | 0:10:46 | 0:10:49 | |
-and they're turning them into bedside tables, coffee tables... -OK. | 0:10:49 | 0:10:54 | |
Yes, The Hammer can smell a potential deal. | 0:10:54 | 0:10:56 | |
Time to go in for the kill. | 0:10:56 | 0:10:58 | |
One, two, three, four, five, six, seven, eight, nine. | 0:10:58 | 0:11:01 | |
If I bought all nine... | 0:11:01 | 0:11:03 | |
Would you do them at a tenner each? | 0:11:03 | 0:11:05 | |
-Done. -There we are. | 0:11:08 | 0:11:09 | |
John spends £90 on nine empty boxes. | 0:11:09 | 0:11:12 | |
I hope he's got a plan in mind. | 0:11:12 | 0:11:14 | |
Absolutely no idea what I'm going to do with this, | 0:11:15 | 0:11:17 | |
but I'm hopeful we're going to make some EXPLOSIVE profits. | 0:11:17 | 0:11:20 | |
SHE LAUGHS | 0:11:20 | 0:11:21 | |
Do you like that? | 0:11:21 | 0:11:23 | |
Second deal done, | 0:11:23 | 0:11:24 | |
John's confident his ammunition boxes will go with a bang. | 0:11:24 | 0:11:27 | |
I think these boxes are a great purchase, and I can see | 0:11:27 | 0:11:31 | |
a whole host of things that one could possibly do with these. | 0:11:31 | 0:11:34 | |
I think that a bottle of wine would fit absolutely perfect in there. | 0:11:34 | 0:11:38 | |
So maybe they'll end up in a restaurant. | 0:11:38 | 0:11:40 | |
But Trish is pretty confident some of her customers sell these | 0:11:40 | 0:11:43 | |
for £40 each, probably in London. | 0:11:43 | 0:11:45 | |
But I'm confident we can get a little profit out of these. | 0:11:45 | 0:11:49 | |
So we've reached the halfway point. Let's see how the figures stack up. | 0:11:49 | 0:11:54 | |
Both our dealers arrived with £250 of their own money to spend. | 0:11:54 | 0:11:58 | |
Paul has bought four items and spent £77 so far, | 0:11:58 | 0:12:02 | |
leaving £173 in his kitty. | 0:12:02 | 0:12:05 | |
John, however, has bought two items and spent £120, | 0:12:06 | 0:12:10 | |
leaving him with a lower £130 for the rest of the day. | 0:12:10 | 0:12:14 | |
-How are you, The Wanderer? -Mr Hayes, how is it going? | 0:12:16 | 0:12:18 | |
Yeah, all right, actually. Do you know what? | 0:12:18 | 0:12:20 | |
I saw nothing, and then three things came at once. | 0:12:20 | 0:12:22 | |
-Like waiting for a bus, is it? -Exactly, yes. | 0:12:22 | 0:12:24 | |
-What about yourself? -Well, it's been pretty good. | 0:12:24 | 0:12:26 | |
Typically, a great mix of goods, | 0:12:26 | 0:12:28 | |
so you've got your regular serious professional car-booters | 0:12:28 | 0:12:31 | |
-that know a bit about antiques and collectables... -Yeah. | 0:12:31 | 0:12:34 | |
You've got the people selling brand-new stuff, pot plants | 0:12:34 | 0:12:36 | |
and all that sort of stuff, | 0:12:36 | 0:12:38 | |
and then people genuinely clearing out the house. | 0:12:38 | 0:12:40 | |
That's right. And what I'm surprised about, actually, | 0:12:40 | 0:12:42 | |
there are some very expensive items, | 0:12:42 | 0:12:44 | |
and they do seem to be able to sell them. | 0:12:44 | 0:12:45 | |
Fair play, you know. People asking hundreds of pounds for things | 0:12:45 | 0:12:48 | |
and we're in a field in the middle of Essex. | 0:12:48 | 0:12:50 | |
What you did wrong, you've dressed too smart. | 0:12:50 | 0:12:52 | |
They're looking at you and thinking, "Money." | 0:12:52 | 0:12:54 | |
No-one's ever looked at me and thought, "Money." | 0:12:54 | 0:12:56 | |
They might think I owe them some. Come on, we'll keep looking anyway. | 0:12:56 | 0:12:59 | |
-Good luck. -I'll see you in a bit. | 0:12:59 | 0:13:00 | |
Hm. | 0:13:00 | 0:13:01 | |
So John thinks perfectly-turned-out Paul | 0:13:01 | 0:13:03 | |
is just a little too dapper for his own good. | 0:13:03 | 0:13:06 | |
Or is he just trying to rattle an opponent | 0:13:06 | 0:13:09 | |
who's racked up more deals than he has? | 0:13:09 | 0:13:11 | |
Well, I think he's overtaken me a bit in the purchase stakes, | 0:13:12 | 0:13:15 | |
so I've got to get my head down and catch up with Paul | 0:13:15 | 0:13:18 | |
as far as the buying is concerned. | 0:13:18 | 0:13:20 | |
Now, the office is not The Hammer's usual hunting ground, | 0:13:20 | 0:13:24 | |
but he does like a nice set of drawers. | 0:13:24 | 0:13:26 | |
So, John, you've got 65 quid on it. | 0:13:28 | 0:13:31 | |
-Can you do anything a bit better on it? -Yeah, I'll do 60 quid. | 0:13:31 | 0:13:33 | |
-Can you do 60 on it? -Yeah. | 0:13:33 | 0:13:36 | |
-Is that all right? -You wouldn't do 50 for me, would you? | 0:13:36 | 0:13:38 | |
£50? | 0:13:38 | 0:13:40 | |
-It's giving it away, isn't it? I worked hard on this. -Did you? | 0:13:40 | 0:13:44 | |
-Yeah, go on, have that. -50? John, you are a gentleman. | 0:13:44 | 0:13:47 | |
There's something about Johns. They're all really decent people. | 0:13:47 | 0:13:50 | |
Hm, our Paul might have something to say about that. | 0:13:50 | 0:13:53 | |
I'll give you the money before you change your mind. | 0:13:53 | 0:13:55 | |
20 years ago, I wouldn't even have looked twice at this. | 0:13:55 | 0:13:58 | |
I would have left it in the house when we were clearing it, | 0:13:58 | 0:14:00 | |
but now these are all the rage, | 0:14:00 | 0:14:01 | |
this whole industrial thing. | 0:14:01 | 0:14:03 | |
This filing cabinet, the design is a design classic, | 0:14:03 | 0:14:06 | |
it's been around since the early post-war period. | 0:14:06 | 0:14:08 | |
Millions and millions of these would have been made. | 0:14:08 | 0:14:11 | |
Lots of them now discarded, rusted, scrapped. | 0:14:11 | 0:14:14 | |
But the ones that are remaining are now being eagerly sought out | 0:14:14 | 0:14:17 | |
and stripped back to this bare metal and then lacquered, | 0:14:17 | 0:14:20 | |
and at £50, this buy is straight out of the top drawer. | 0:14:20 | 0:14:25 | |
And there's no holding our predator of precious things back now | 0:14:25 | 0:14:28 | |
as John quickly sinks his teeth into a tasty modern metal creature, | 0:14:28 | 0:14:32 | |
spending £25. | 0:14:32 | 0:14:34 | |
I've just purchased this pretty much brand-new stainless steel | 0:14:34 | 0:14:38 | |
faux springbok skull. It's an item with impact, a decorative item. | 0:14:38 | 0:14:43 | |
Could be in a home, a nice modern home, | 0:14:43 | 0:14:45 | |
or even in a rather swish restaurant or something like that. | 0:14:45 | 0:14:48 | |
At the moment, taxidermy is very much in vogue, | 0:14:48 | 0:14:53 | |
which is interesting because I think, as a nation, | 0:14:53 | 0:14:57 | |
we've never been more conservation aware. | 0:14:57 | 0:15:00 | |
So this will appeal to those that are a little bit | 0:15:00 | 0:15:02 | |
more PC about that sort of thing. | 0:15:02 | 0:15:04 | |
I think, at £25, should see me leap in front of Mr Morecambe. | 0:15:04 | 0:15:08 | |
Actually, John, you've leapt exactly beside him. | 0:15:10 | 0:15:14 | |
Both our dealers are now level pegging with four items apiece. | 0:15:14 | 0:15:17 | |
Now John takes the weight off his paws. | 0:15:17 | 0:15:20 | |
All this buying up is making me rather tired. | 0:15:20 | 0:15:23 | |
I think I'm going to have five minutes just to top up the tan. | 0:15:23 | 0:15:26 | |
HE LAUGHS | 0:15:28 | 0:15:30 | |
Across the savanna, Paul's tracking his next purchase | 0:15:30 | 0:15:34 | |
and it's a blast from the past. | 0:15:34 | 0:15:36 | |
I've come across some vintage table soccer here, which I think | 0:15:36 | 0:15:39 | |
are fantastic games, these, and there's quite a lot of them. | 0:15:39 | 0:15:42 | |
The gentleman wants to sell them individually | 0:15:42 | 0:15:44 | |
and he's asked me sort of £10 or £15 a box. | 0:15:44 | 0:15:47 | |
Could you do a price if I took the lot? | 0:15:47 | 0:15:48 | |
It would be bottom line, to be honest. | 0:15:48 | 0:15:50 | |
-You can't do £30 and I'll take the lot? -No, I can't. -You can't, no. | 0:15:50 | 0:15:53 | |
-35 and that's my lot. -You can't do 30 quid? | 0:15:53 | 0:15:55 | |
No, I can't. Definitely not. | 0:15:55 | 0:15:57 | |
35 is it. | 0:15:57 | 0:15:58 | |
Do you know what? I'm not going to argue over a fiver. | 0:15:58 | 0:16:00 | |
I know you've been here since five o'clock this morning. | 0:16:00 | 0:16:03 | |
Shall we shake that? | 0:16:03 | 0:16:04 | |
OK, the final whistle has gone. 35 quid. Thank you very much. | 0:16:04 | 0:16:07 | |
Extra time, that's it. | 0:16:07 | 0:16:09 | |
I do the jokes. You tell him. Right. | 0:16:09 | 0:16:11 | |
Well, the footie puns are coming quicker | 0:16:11 | 0:16:13 | |
than you can say eat my goal, | 0:16:13 | 0:16:15 | |
leaving no doubt that Paul is over the moon. | 0:16:15 | 0:16:18 | |
OK, cast your mind back now to the 1970s. | 0:16:19 | 0:16:21 | |
I bought this table football game. Fantastic. | 0:16:21 | 0:16:24 | |
I remember hours and hours with these bits and pieces | 0:16:24 | 0:16:26 | |
and what's nice is that these have turned up in pretty good condition. | 0:16:26 | 0:16:29 | |
If I just open the box of this little one here, | 0:16:29 | 0:16:31 | |
there is the actual playing field, and there are all the teams there, | 0:16:31 | 0:16:34 | |
the two nets and everything. | 0:16:34 | 0:16:36 | |
There is hours and hours of play here. | 0:16:36 | 0:16:38 | |
My theory was the gentleman wanted to split them | 0:16:38 | 0:16:41 | |
and sell them individually, which came to about 45 quid. | 0:16:41 | 0:16:43 | |
So I said, "Well, how much can you do for the lot?" | 0:16:43 | 0:16:46 | |
I managed to haggle him down to £35. I think that's a great buy | 0:16:46 | 0:16:48 | |
and I've got more chance of making two or three good sets | 0:16:48 | 0:16:51 | |
out of this lot. | 0:16:51 | 0:16:52 | |
Across the fields, John's been fishing | 0:16:57 | 0:17:00 | |
for something with a little more of a European flavour. | 0:17:00 | 0:17:03 | |
These look rather nice. These are genuine French faience | 0:17:03 | 0:17:08 | |
or pottery oyster plates. | 0:17:08 | 0:17:10 | |
You've got half a dozen oysters there | 0:17:10 | 0:17:12 | |
and then a little receptacle in the middle for either your Tabasco | 0:17:12 | 0:17:17 | |
or something else, a little shallot. | 0:17:17 | 0:17:19 | |
They've got France printed on the bottom there. | 0:17:19 | 0:17:22 | |
And that gives us an idea about age. | 0:17:22 | 0:17:24 | |
There was an act passed in America called the McKinley Tariff Act, | 0:17:24 | 0:17:29 | |
which stipulated that goods being imported into America | 0:17:29 | 0:17:32 | |
had to be marked with their country of origin. | 0:17:32 | 0:17:34 | |
And that's when you start to see the name of countries printed on there. | 0:17:34 | 0:17:38 | |
It changes to Made in England, Made in France or Made in Germany | 0:17:38 | 0:17:42 | |
between the two world wars | 0:17:42 | 0:17:43 | |
and certainly more so after the Second World War. | 0:17:43 | 0:17:45 | |
So I'd say this would put them at the kind of 1890s, 1910, | 0:17:45 | 0:17:50 | |
that sort of period. | 0:17:50 | 0:17:51 | |
Hiya. You've got 12 plates there. | 0:17:51 | 0:17:54 | |
You've got £5 a plate on them. What can you do on those? | 0:17:54 | 0:17:59 | |
OK, one-time offer. I'll do them at 40 for the lot. | 0:17:59 | 0:18:05 | |
-40 quid for the lot? -Yeah. -How can I possibly say no? | 0:18:05 | 0:18:08 | |
And as they come from France... | 0:18:08 | 0:18:09 | |
-BOTH: -Mwah. Mwah. | 0:18:09 | 0:18:11 | |
Merci beaucoup, Madame. | 0:18:11 | 0:18:13 | |
Thank you. | 0:18:13 | 0:18:14 | |
FRENCH ACCENT: Ah, what a little smoothie you are, John! | 0:18:15 | 0:18:21 | |
12 of those, all in good condition, | 0:18:21 | 0:18:23 | |
and there's plenty of seafood restaurants | 0:18:23 | 0:18:26 | |
down on the south coast that I should be able to pass these on to. | 0:18:26 | 0:18:29 | |
£40. Mwah! | 0:18:29 | 0:18:32 | |
Voila. | 0:18:32 | 0:18:33 | |
So with five purchases made and just £15 left in his kitty, | 0:18:33 | 0:18:37 | |
The Hammer calls it a day. | 0:18:37 | 0:18:39 | |
The fun part is now over. | 0:18:39 | 0:18:40 | |
The hard work is about to begin. | 0:18:40 | 0:18:42 | |
But, first, I want to see what Paul's bought. | 0:18:42 | 0:18:46 | |
Uh-oh. | 0:18:46 | 0:18:47 | |
Paul's strategy of swerving the tat and sniffing out the quality | 0:18:47 | 0:18:51 | |
has left him item-light. | 0:18:51 | 0:18:53 | |
Well, I must admit, time is really running out now. | 0:18:53 | 0:18:55 | |
A lot of the stalls are going home | 0:18:55 | 0:18:57 | |
so I'm really up against the clock now. | 0:18:57 | 0:18:59 | |
Luckily, he spots some light at the end of the tunnel. | 0:18:59 | 0:19:03 | |
TRAIN HORN BLARES | 0:19:03 | 0:19:05 | |
Are these old train plates, yeah? | 0:19:05 | 0:19:06 | |
Which one is the North of England? Have you any? | 0:19:06 | 0:19:08 | |
-That one, Great Northern. -Great Northern Railway. | 0:19:08 | 0:19:10 | |
That sounds like more me. Can I have a look at that one? | 0:19:10 | 0:19:13 | |
-You don't mind, do you? -No. | 0:19:13 | 0:19:14 | |
Do you know what? It always helps to ask | 0:19:14 | 0:19:15 | |
-cos you know far more about these things than I do. -I'm not an expert. | 0:19:15 | 0:19:18 | |
So that's a genuine bridge plate from the Great Northern Railway, | 0:19:18 | 0:19:22 | |
some time in the early 20th century. | 0:19:22 | 0:19:24 | |
-So that would be bridge number 158, is that right? -Yeah. | 0:19:24 | 0:19:27 | |
And what would be your best price on that one, | 0:19:27 | 0:19:29 | |
if that was for a young lad from the North, bringing it home? | 0:19:29 | 0:19:32 | |
NORTHERN ACCENT: Aw, Paul, love, | 0:19:32 | 0:19:34 | |
he's really playing t' Northern card now. | 0:19:34 | 0:19:36 | |
-I'll take 40 quid for it. -You'll take 40 quid for it. -Yeah. | 0:19:36 | 0:19:39 | |
-You couldn't do £30, could you? -No. -I'd be well chuffed. | 0:19:39 | 0:19:42 | |
-Yeah, I know you would. -Yeah, full steam ahead. No? | 0:19:42 | 0:19:45 | |
You're on the right track. | 0:19:45 | 0:19:47 | |
35, that's it. | 0:19:47 | 0:19:48 | |
-We can't do £30 and we'll shake on it? -No, 35. -35 quid. Go on, then. | 0:19:48 | 0:19:53 | |
We've got the same train of thought there. | 0:19:53 | 0:19:55 | |
-Do you want more jokes? -No. -No. | 0:19:55 | 0:19:57 | |
All right, fair enough. I don't blame you. | 0:19:57 | 0:19:59 | |
# All aboard the night train. # | 0:19:59 | 0:20:01 | |
Paul's puns may have hit the buffers with this stallholder, | 0:20:01 | 0:20:04 | |
but he's certainly not going to let that dampen his spirit. | 0:20:04 | 0:20:07 | |
I'm delighted that I bought this bridge plaque. | 0:20:08 | 0:20:11 | |
It's a bit of a punt, this one. | 0:20:11 | 0:20:12 | |
But railwayana is a massive collecting area. | 0:20:12 | 0:20:15 | |
There is somebody out there for all these sorts of things, | 0:20:15 | 0:20:18 | |
and I'm delighted I got this one. | 0:20:18 | 0:20:20 | |
In fact, I'm well chuffed. Woohoo! | 0:20:20 | 0:20:22 | |
So Punny Paul runs out of steam. | 0:20:22 | 0:20:25 | |
The sellers start to pack up | 0:20:25 | 0:20:26 | |
and our likely lads have completed their search. | 0:20:26 | 0:20:29 | |
But before they show each other their loot, | 0:20:29 | 0:20:31 | |
it's time to tot up the totals. | 0:20:31 | 0:20:33 | |
They both started the day with £250 of their own money to spend. | 0:20:39 | 0:20:43 | |
Paul is aiming to be top of the heap with his six items costing £147. | 0:20:44 | 0:20:50 | |
But John has splashed his cash further with five items | 0:20:50 | 0:20:54 | |
that cost £235. | 0:20:54 | 0:20:56 | |
And it'll be the most profit that wins the day. | 0:20:56 | 0:20:59 | |
What amazes me, all those stalls, and this is what we come back with! | 0:21:01 | 0:21:04 | |
-THEY LAUGH -It doesn't say a lot for us, Paul. | 0:21:04 | 0:21:06 | |
We've got some interesting things. What's your favourite? | 0:21:06 | 0:21:09 | |
I think it has to be the filing cabinet. | 0:21:09 | 0:21:11 | |
I mean, it's just so now, it's so current, and it was £50. | 0:21:11 | 0:21:14 | |
All the work's done. | 0:21:14 | 0:21:16 | |
Do you know what? It's that new market, industrial chic. | 0:21:16 | 0:21:18 | |
Well sorted, that's all I can say,. | 0:21:18 | 0:21:20 | |
-Anything of mine that you seem to like? -I like your Subbuteo. | 0:21:20 | 0:21:23 | |
-Oh, do you? -Make sure all the pieces are there. | 0:21:23 | 0:21:26 | |
-Check the limbs, that sort of thing. -Yeah. | 0:21:26 | 0:21:28 | |
One thing I didn't understand what you bought | 0:21:28 | 0:21:30 | |
are the ammunition cases, what's going on there? | 0:21:30 | 0:21:32 | |
That's not the sort of thing I'd have gone for. | 0:21:32 | 0:21:34 | |
Well, I think there's an irony there because someone like Banksy | 0:21:34 | 0:21:37 | |
would take something like that and turn the whole thing on its head. | 0:21:37 | 0:21:41 | |
An ammunition box from which now grows flowers, something like that. | 0:21:41 | 0:21:44 | |
That's a nice way to look at it. | 0:21:44 | 0:21:46 | |
-You're quite an old romantic, aren't you? -I am at heart. | 0:21:46 | 0:21:49 | |
-What's your least favourite of mine? -The least favourite | 0:21:49 | 0:21:51 | |
would be the cinnabar lacquer box and the Chinese cup. | 0:21:51 | 0:21:53 | |
-I probably would have steered away from those. -Right. Interesting. | 0:21:53 | 0:21:56 | |
So, you've got your ammo boxes, I've got my little boxes here. | 0:21:56 | 0:21:59 | |
It's one box to another. It's a boxing match, come on! | 0:21:59 | 0:22:01 | |
-Round two. Oh! Nearly broke... -BELL CLANGS | 0:22:01 | 0:22:03 | |
Nearly broke the cup then. | 0:22:03 | 0:22:05 | |
So, our experts make a dash for home | 0:22:08 | 0:22:11 | |
to produce their foolproof plans for selling at a profit. | 0:22:11 | 0:22:14 | |
This leg of the competition is tough, | 0:22:14 | 0:22:16 | |
but it can produce some dazzling deals. | 0:22:16 | 0:22:19 | |
They'll need to match the right buyer to the right item | 0:22:19 | 0:22:22 | |
and reap sky-high profits for their chosen charities. | 0:22:22 | 0:22:26 | |
At his auction house in Portsmouth, | 0:22:26 | 0:22:27 | |
John is sizing up his car-boot collection. | 0:22:27 | 0:22:30 | |
Now, overall, I'm fairly happy with the things I've bought. | 0:22:32 | 0:22:36 | |
But the profits are the things that I think are going to really be | 0:22:36 | 0:22:39 | |
the real test here. | 0:22:39 | 0:22:41 | |
My Super Kings Matchbox lorry-building, bridge-laying set. | 0:22:41 | 0:22:45 | |
What I will say is at £30 there's probably only about | 0:22:45 | 0:22:49 | |
a £10, £15 profit in there if I'm lucky. | 0:22:49 | 0:22:52 | |
So I will sell it, profit's not going to be fantastic. | 0:22:52 | 0:22:56 | |
This is the interesting piece, my polished metal filing cabinet. | 0:22:56 | 0:23:00 | |
Oh, how the antiques world has been turned on its head. | 0:23:00 | 0:23:03 | |
But I'm starting to get a bit concerned, | 0:23:03 | 0:23:05 | |
the rust is coming through. | 0:23:05 | 0:23:07 | |
So I might need to give this another little rubdown | 0:23:07 | 0:23:09 | |
before somebody lacquers it. | 0:23:09 | 0:23:11 | |
I'm not going to be doing any upcycling to it, though. | 0:23:11 | 0:23:14 | |
My oyster plates here, a set of 12 of them, | 0:23:14 | 0:23:17 | |
from Sarreguemines, very well known for just this sort of thing | 0:23:17 | 0:23:20 | |
and they are in excellent condition and I only paid £40 for those. | 0:23:20 | 0:23:24 | |
So I think there's going to be a good profit there. | 0:23:24 | 0:23:26 | |
Anyway, I'm going to have some fun selling. | 0:23:26 | 0:23:28 | |
I don't have any regrets. | 0:23:28 | 0:23:30 | |
Not many. | 0:23:30 | 0:23:32 | |
So, John's up for the challenge | 0:23:32 | 0:23:34 | |
and he also has to line up buyers for his munitions boxes | 0:23:34 | 0:23:38 | |
and metal springbok skull. | 0:23:38 | 0:23:40 | |
Up in Morecambe, Paul is casting his eye over his treasure trove. | 0:23:40 | 0:23:44 | |
Well, first of all, every little boy's dream, a vintage Subbuteo set. | 0:23:44 | 0:23:48 | |
Not just one but four or five. | 0:23:48 | 0:23:50 | |
I love these items, I think they're very collectable, 1970s vintage. | 0:23:50 | 0:23:54 | |
What's not to like? Even if you're not a fan of football. | 0:23:54 | 0:23:56 | |
My violin. Stradivarius, | 0:23:56 | 0:23:58 | |
Antonio Stradivarius was the most famous violin-maker ever. | 0:23:58 | 0:24:02 | |
This, I suspect, is a late 19th-century, | 0:24:02 | 0:24:05 | |
early 20th-century copy of his work. | 0:24:05 | 0:24:08 | |
It needs a bit of restoration, | 0:24:08 | 0:24:09 | |
I've got an idea what I'm going to do with that one. | 0:24:09 | 0:24:12 | |
The one big development is this ship's bell with the date 1839. | 0:24:12 | 0:24:17 | |
I wasn't sure what that was. | 0:24:17 | 0:24:19 | |
But, upon research, it works out that it's from the Amistad, | 0:24:19 | 0:24:22 | |
which is a very famous transatlantic schooner during the slave period. | 0:24:22 | 0:24:26 | |
It's a copy of that, it's a commemorative piece | 0:24:26 | 0:24:28 | |
so it's going to be quite interesting what I can do | 0:24:28 | 0:24:30 | |
with that one, really. | 0:24:30 | 0:24:32 | |
I must admit my least favourite item | 0:24:32 | 0:24:33 | |
has to be the Chinese export porcelain mug. | 0:24:33 | 0:24:36 | |
I made one fatal error, | 0:24:36 | 0:24:38 | |
I didn't have my glasses with me. | 0:24:38 | 0:24:40 | |
And what I've found since is a very tiny crack in this one. | 0:24:40 | 0:24:43 | |
I'm gutted, to say the least, but it'll teach me the lesson, | 0:24:43 | 0:24:47 | |
bring my glasses, no matter how silly I look. | 0:24:47 | 0:24:50 | |
Indeed. And along with his glasses, he also needs to remember | 0:24:50 | 0:24:53 | |
to find buyers for his cinnabar box | 0:24:53 | 0:24:56 | |
and his railway bridge plaque. | 0:24:56 | 0:24:58 | |
It's time for our dashing dealers to explore all avenues | 0:24:59 | 0:25:03 | |
in their quest to accumulate the most money | 0:25:03 | 0:25:04 | |
for their chosen charities. | 0:25:04 | 0:25:06 | |
Their means of transport may be very different, | 0:25:06 | 0:25:08 | |
but they'll both drive a hard bargain. | 0:25:08 | 0:25:11 | |
And, remember, until they've shaken on it and the money's changed hands, | 0:25:11 | 0:25:14 | |
no deal is truly sealed. | 0:25:14 | 0:25:17 | |
Keen to start his selling journey, John heads to Southsea. | 0:25:17 | 0:25:20 | |
He's had the mid-century cabinet that cost £50 | 0:25:20 | 0:25:24 | |
delivered to local restaurant owner Andy | 0:25:24 | 0:25:26 | |
and hopes to file away his first profit. | 0:25:26 | 0:25:29 | |
-Andy, how are you doing? Good to see you. -How are you? -Very good. | 0:25:29 | 0:25:32 | |
Well, I have to say, when I bought this, | 0:25:32 | 0:25:34 | |
I was thinking of somewhere exactly like this bar. | 0:25:34 | 0:25:37 | |
-Everything's bare metal and wood. -Yeah, it's quite on-trend, isn't it? | 0:25:37 | 0:25:41 | |
Seeing the cabinet here in the place, | 0:25:41 | 0:25:43 | |
for me, it fits perfectly, this look. | 0:25:43 | 0:25:46 | |
And when I first bought it, | 0:25:46 | 0:25:48 | |
this rust wasn't so... It's starting to come through now. | 0:25:48 | 0:25:51 | |
I've actually seen some people that have stripped a vintage Vespa | 0:25:51 | 0:25:55 | |
back to the bare metal and then allowed it to start rusting slightly | 0:25:55 | 0:26:00 | |
and then lacquered it to kind of capture that look. | 0:26:00 | 0:26:03 | |
We don't mind a bit of rust. | 0:26:03 | 0:26:04 | |
You've got to find a balance between an antique | 0:26:04 | 0:26:06 | |
and something that is workable everyday. | 0:26:06 | 0:26:08 | |
-So, you like the cabinet? -Yeah, not bad, not bad at all. | 0:26:08 | 0:26:12 | |
It depends how much it is, really. | 0:26:12 | 0:26:13 | |
I think something like this has got to be worth | 0:26:13 | 0:26:15 | |
a couple of hundred quid today, what do you think? | 0:26:15 | 0:26:17 | |
The place is quite full, as you can see. | 0:26:17 | 0:26:20 | |
I think I'm down a bit, going 120, maybe, start there? | 0:26:22 | 0:26:26 | |
120, oh, it's a little bit less than I'd hoped. It's a nice thing. | 0:26:26 | 0:26:30 | |
The cheapest one you'll find online is 175 quid. | 0:26:30 | 0:26:33 | |
Would you do 150 on it? | 0:26:33 | 0:26:36 | |
-Er, 130 and a burger? -Ha-ha, 130 and a burger! | 0:26:36 | 0:26:39 | |
-A couple of beers after. -130 and a burger. I don't know about the beers | 0:26:39 | 0:26:43 | |
because I've got a lot of work, a lot of selling to do. | 0:26:43 | 0:26:46 | |
But 130 and a burger? I think you've got yourself a deal there. | 0:26:46 | 0:26:49 | |
-Perfect. -The burger definitely swung it. | 0:26:49 | 0:26:52 | |
Yes, the way to a deal with John is through his stomach, | 0:26:52 | 0:26:55 | |
and he makes a profit of £80, even though he didn't tackle that rust. | 0:26:55 | 0:26:59 | |
A nice sale and a meaty profit. | 0:26:59 | 0:27:02 | |
So, while John's relishing his first deal, | 0:27:04 | 0:27:07 | |
Paul is embarking on his maiden selling voyage. | 0:27:07 | 0:27:10 | |
He's hoping a maritime museum in Merseyside | 0:27:10 | 0:27:12 | |
will want the replica ship's bell that cost him £20, | 0:27:12 | 0:27:16 | |
particularly as it has a famous tale to tell. | 0:27:16 | 0:27:21 | |
This is a replica of the Amistad bell, | 0:27:21 | 0:27:24 | |
which was on board a transatlantic slave ship. | 0:27:24 | 0:27:27 | |
On 2 July 1839, 53 African slaves broke free from their chains, | 0:27:27 | 0:27:34 | |
ended up in America, and there was a massive court case at the time | 0:27:34 | 0:27:37 | |
which pitted president against president | 0:27:37 | 0:27:39 | |
and the end result was they were set free. | 0:27:39 | 0:27:42 | |
It's why I've come to a fort right at the edge of the Mersey. | 0:27:42 | 0:27:45 | |
This place has been in the same family for the last 40 years | 0:27:45 | 0:27:47 | |
and, hopefully, this is something that's going to be of interest here. | 0:27:47 | 0:27:51 | |
Stephen Spielberg even made a movie about the famous mutiny | 0:27:51 | 0:27:55 | |
and Paul hopes owner Stuart can find a home for the bell | 0:27:55 | 0:27:58 | |
amongst his other naval exhibits. | 0:27:58 | 0:28:01 | |
-Wow! -Yeah, this is where we keep all the artefacts | 0:28:01 | 0:28:03 | |
and the knowledge of the fort, bits and bobs like that. | 0:28:03 | 0:28:06 | |
It's very interesting. | 0:28:06 | 0:28:07 | |
-It's an amazing old building, isn't it? -Yeah. | 0:28:07 | 0:28:10 | |
Do you know roughly how old the actual fort is? | 0:28:10 | 0:28:12 | |
-Yeah, it was built in 1826. -1826. -Yeah. | 0:28:12 | 0:28:15 | |
Which is actually just a few years before this, this one is 1839. | 0:28:15 | 0:28:19 | |
-Yeah, yeah. -This is off the Amistad, | 0:28:19 | 0:28:21 | |
or it's a copy of the bell that used to be on the Amistad. | 0:28:21 | 0:28:23 | |
-The Amistad was quite a famous transatlantic schooner. -Mm-hm. | 0:28:23 | 0:28:27 | |
It had captured African captives | 0:28:27 | 0:28:30 | |
who mutinied and they were actually let free. | 0:28:30 | 0:28:35 | |
And I'd like to think that this might be something | 0:28:35 | 0:28:37 | |
-you'd have here at the fort. -Yeah, we'd like to create something | 0:28:37 | 0:28:39 | |
along them lines, I think it would take great pride of place in here, | 0:28:39 | 0:28:43 | |
-it's a lovely piece, lovely piece. -Right. Well, if I was to ask you | 0:28:43 | 0:28:46 | |
£60 for it, how does that sound? | 0:28:46 | 0:28:48 | |
-I tell you what, we'll keep it at 60. -Are you sure? -Fair enough. | 0:28:48 | 0:28:51 | |
-It's too much of a nice piece to negotiate. -Really nice of you. | 0:28:51 | 0:28:54 | |
-OK. -Very nice of you. I'll put that in your capable hands. | 0:28:54 | 0:28:57 | |
Thank you very much. | 0:28:57 | 0:28:58 | |
-I hope it's the start of a massive exhibition for you. -Yes, thank you. | 0:28:58 | 0:29:01 | |
Yes, Paul rings up a very respectful £40 profit with his bell | 0:29:01 | 0:29:05 | |
and leaves behind a piece of history. | 0:29:05 | 0:29:08 | |
That bell will stay on exhibition here | 0:29:08 | 0:29:10 | |
and lots of people will see it for generations to come | 0:29:10 | 0:29:12 | |
and it will tell the story of what was happening at that time. | 0:29:12 | 0:29:15 | |
I think it's quite uplifting, really. | 0:29:15 | 0:29:16 | |
And there was a bit of profit there for me as well. Brilliant. | 0:29:16 | 0:29:19 | |
After that ringing success, | 0:29:19 | 0:29:21 | |
Paul turns his attention to his oriental items, | 0:29:21 | 0:29:24 | |
selling his cinnabar box to dealer Ian in Stratford-upon-Avon. | 0:29:24 | 0:29:28 | |
I wouldn't mind giving you £20 for it. Does it give you a profit? | 0:29:28 | 0:29:30 | |
A little tiny bit, yeah, a little tiny bit. Shall we shake on that? | 0:29:30 | 0:29:33 | |
-Thank you very much, Ian. -Making a profit of £8. | 0:29:33 | 0:29:37 | |
And his cracked 18th-century Chinese cup | 0:29:37 | 0:29:40 | |
went to antiques dealer George in Brighton for its cost price of £10, | 0:29:40 | 0:29:44 | |
meaning Paul managed to break even and didn't suffer a loss. | 0:29:44 | 0:29:49 | |
With Paul leading three items to John's one, | 0:29:49 | 0:29:51 | |
The Hammer really needs to play catch-up. | 0:29:51 | 0:29:54 | |
He's hotfooted it to the pretty south coast town of Emsworth | 0:29:54 | 0:29:57 | |
with his early 20th century oyster plates. | 0:29:57 | 0:30:00 | |
They cost him £40 so can he shuck a profit from restaurant owner Tom? | 0:30:00 | 0:30:04 | |
-How are you doing? -Very good to meet you. Good to see you here. | 0:30:04 | 0:30:07 | |
So, the Emsworth village, it has or it had | 0:30:07 | 0:30:10 | |
a very well established tradition with the whole oyster farming. | 0:30:10 | 0:30:13 | |
Yeah, I believe so. | 0:30:13 | 0:30:15 | |
I believe so, I believe fishing here dates back probably | 0:30:15 | 0:30:18 | |
200, 300 years if not more. | 0:30:18 | 0:30:20 | |
So, here we have 12 oyster plates | 0:30:20 | 0:30:24 | |
that date to the turn of the last century. | 0:30:24 | 0:30:26 | |
So, probably around the height of oyster production in the area, | 0:30:26 | 0:30:30 | |
-it's when these plates were produced. -OK. Yes. | 0:30:30 | 0:30:34 | |
They were made in France by a factory called Sarreguemines. | 0:30:34 | 0:30:38 | |
It's marked on the bottom there. | 0:30:38 | 0:30:40 | |
And the factory itself had a wonderful tradition | 0:30:40 | 0:30:43 | |
in the production of ceramics. | 0:30:43 | 0:30:44 | |
And they actually produced a lot of the tiles for the Paris Metro. | 0:30:44 | 0:30:49 | |
We've got 12 of them here. Are they of interest to you, do you think? | 0:30:49 | 0:30:52 | |
I think so, John, they fit in well, what with the history of Emsworth | 0:30:52 | 0:30:55 | |
and the oysters and us selling oysters. | 0:30:55 | 0:30:57 | |
I know online you'd be paying anything from £20 to £30 a plate. | 0:30:57 | 0:31:02 | |
-OK. -I was hoping for something around sort of £15 a plate, | 0:31:02 | 0:31:07 | |
12 in there, it would be about 180, something like that. | 0:31:07 | 0:31:11 | |
-How does that sound to you? -Um, not too bad, John. | 0:31:11 | 0:31:14 | |
Would you go for 150? | 0:31:14 | 0:31:15 | |
-150 for the lot? -The lot, John? -Um... | 0:31:15 | 0:31:18 | |
Yeah, that's a fair price. | 0:31:18 | 0:31:20 | |
-And a plate of oysters. -And a plate of oysters? -Yeah. | 0:31:20 | 0:31:22 | |
-Well, I can't shake your hand quick enough! -Thanks, John. | 0:31:22 | 0:31:25 | |
Once again, a plate of food seals the deal for John | 0:31:25 | 0:31:28 | |
and he takes a pearly profit of £110. | 0:31:28 | 0:31:31 | |
But has he bitten off more than he can chew? | 0:31:31 | 0:31:34 | |
-They look quite big. Are they meant to be that big? -They are, yes. | 0:31:34 | 0:31:37 | |
We want to get the best in here, John. | 0:31:37 | 0:31:39 | |
-I haven't got to eat all of that, have I? -No, we'll share them. | 0:31:39 | 0:31:41 | |
-Right, OK. -If you don't mind. | 0:31:41 | 0:31:43 | |
-Bon appetit. -Cheers. | 0:31:43 | 0:31:44 | |
-Very good. -Thank you, John. | 0:31:50 | 0:31:52 | |
Having trouble swallowing, John? | 0:31:52 | 0:31:54 | |
That deal brings us to the halfway mark, | 0:31:58 | 0:32:00 | |
so let's see how the books are looking so far. | 0:32:00 | 0:32:02 | |
Paul has sold three of his six items, | 0:32:04 | 0:32:06 | |
stacking up a halfway profit of £48. | 0:32:06 | 0:32:10 | |
John has only sold two items so far, | 0:32:11 | 0:32:13 | |
but has netted a bigger profit of £190. | 0:32:13 | 0:32:17 | |
So, John has wheeled and dealed himself into an early lead | 0:32:21 | 0:32:23 | |
and he's not done yet. | 0:32:23 | 0:32:25 | |
He's in Southsea with his vintage truck set that cost him £30, | 0:32:25 | 0:32:29 | |
having cunningly tracked down a local toy expert, Geoff, | 0:32:29 | 0:32:32 | |
who deals in nostalgia from his Aladdin's shed. | 0:32:32 | 0:32:36 | |
Wow, look at this. This is the man cave, Geoff, is it? | 0:32:36 | 0:32:39 | |
It certainly is, yes. It goes back quite a long time now. | 0:32:39 | 0:32:43 | |
-There's stuff here from, well, 1940. -Wow. I've got something here. | 0:32:43 | 0:32:48 | |
I have a price tag in mind, | 0:32:48 | 0:32:50 | |
but first of all I want you to have a look at it | 0:32:50 | 0:32:52 | |
and see if it's of interest? | 0:32:52 | 0:32:54 | |
-This is really very early '70s. -Yeah? | 0:32:54 | 0:32:57 | |
The box is reasonable. | 0:32:57 | 0:33:00 | |
It's not mint. The item looks as if it's all complete, is it all there? | 0:33:00 | 0:33:05 | |
Well, I haven't had it out but you've even got, I can see, unused, | 0:33:05 | 0:33:08 | |
and a couple have dropped down, | 0:33:08 | 0:33:10 | |
you've actually got the stickers still in there. | 0:33:10 | 0:33:12 | |
It would be nice if it was a blue closed-top box. | 0:33:12 | 0:33:14 | |
Today, you would probably look for £250, £300. | 0:33:14 | 0:33:18 | |
Wow, just if it was mint, in a closed top, like a solid box? | 0:33:18 | 0:33:21 | |
In a closed, just a solid box. | 0:33:21 | 0:33:23 | |
And all you would have is a printed picture on the front. | 0:33:23 | 0:33:27 | |
To be honest, I think I would offer you about £30. | 0:33:27 | 0:33:31 | |
Mm. | 0:33:31 | 0:33:33 | |
Well, you're near where I need to be. You're near where I need to be. | 0:33:33 | 0:33:36 | |
I need little bit better than that, Geoff. | 0:33:36 | 0:33:38 | |
Could we do sort of 45 quid, anything like that, do you think? | 0:33:38 | 0:33:41 | |
Could we do £40? | 0:33:41 | 0:33:44 | |
£40 gives me a small profit | 0:33:44 | 0:33:46 | |
and I'm hoping it gives you a small profit too there as well, Geoff. | 0:33:46 | 0:33:49 | |
We'll probably wait and see. | 0:33:49 | 0:33:52 | |
It's not his biggest profit, but John adds that £10 to his coffer. | 0:33:52 | 0:33:55 | |
And, not content with taking Geoff's money, | 0:33:55 | 0:33:57 | |
The Hammer takes his advice too. | 0:33:57 | 0:34:00 | |
Have you got any tips on preserving things, keeping them mint? | 0:34:00 | 0:34:04 | |
I would suggest that they keep these items | 0:34:04 | 0:34:07 | |
in the bottom of the airing cupboard | 0:34:07 | 0:34:09 | |
because not only is it warm, but it is constant at one temperature. | 0:34:09 | 0:34:14 | |
And John's boxing clever when he takes his munitions cases | 0:34:14 | 0:34:18 | |
that cost £90 to interior design shop owner Keith in Southsea, | 0:34:18 | 0:34:23 | |
complete with a list of upcycling ideas. | 0:34:23 | 0:34:26 | |
Could you have yourself a nice little garden icebox? | 0:34:27 | 0:34:30 | |
Actually, there probably is enough room to pack some ice around there. | 0:34:30 | 0:34:33 | |
Also, possibly sort of a little cabinet on a wall, | 0:34:33 | 0:34:36 | |
-a bathroom cabinet. -Yeah. -Perhaps a little shelf in there. | 0:34:36 | 0:34:39 | |
Keith takes the boxes for £135 and John banks a profit of £45. | 0:34:39 | 0:34:45 | |
With that, John is in the lead with four deals to Paul's three. | 0:34:45 | 0:34:49 | |
But Mr Morecambe has many strings to his bow. | 0:34:52 | 0:34:55 | |
He's in Wallingford to meet violin shop owner Peter. | 0:34:55 | 0:34:59 | |
Well, do you know, they say that love is like a violin | 0:34:59 | 0:35:02 | |
and I hope this gentleman really loves this one. | 0:35:02 | 0:35:04 | |
This gentleman buys violins, restores violins. | 0:35:04 | 0:35:06 | |
There isn't anything he doesn't know about violins. | 0:35:06 | 0:35:08 | |
Hopefully, he can shed some light on this one | 0:35:08 | 0:35:10 | |
and we can play a sweet tune together. Who knows? | 0:35:10 | 0:35:13 | |
The would-be Stradivarius cost Paul £35. | 0:35:13 | 0:35:16 | |
But will it play a profitable melody? | 0:35:16 | 0:35:18 | |
-Hello? -Hello. -Is it Peter? -It is indeed. | 0:35:18 | 0:35:20 | |
Very, very pleased to meet you. | 0:35:20 | 0:35:22 | |
Look at this, this is wonderful. I can see I am in the right place. | 0:35:22 | 0:35:25 | |
-We've got one or two. -I want you to tell me, | 0:35:25 | 0:35:26 | |
have I bought a genuine Stradivarius violin? | 0:35:26 | 0:35:29 | |
-Fingers crossed. -There we go. | 0:35:29 | 0:35:32 | |
So, first of all, who was Antonio Stradivarius? | 0:35:32 | 0:35:35 | |
Stradivari is probably the world's most famous Italian violin maker | 0:35:35 | 0:35:40 | |
and he was of fantastic quality and craftsmanship | 0:35:40 | 0:35:43 | |
and still revered the world over. | 0:35:43 | 0:35:45 | |
Unfortunately, I can tell | 0:35:45 | 0:35:46 | |
even before I take this violin out of the case, | 0:35:46 | 0:35:48 | |
-this is not a genuine Stradivari. -OK! | 0:35:48 | 0:35:51 | |
-It's that easy, is it? -It is that easy when you've seen thousands. | 0:35:51 | 0:35:54 | |
So, the Stradivari label inside instrument would just indicate | 0:35:54 | 0:35:58 | |
that it's made in the manner of, maybe the shape or the outline. | 0:35:58 | 0:36:03 | |
It doesn't mean that it's a fake | 0:36:03 | 0:36:05 | |
or they were trying to pretend it was a genuine article. | 0:36:05 | 0:36:09 | |
-A casual glance indicates that this is French. -Really? | 0:36:09 | 0:36:12 | |
This type of instrument is generally referred to as Caussin school. | 0:36:12 | 0:36:16 | |
So Francois Caussin was a French copyist. | 0:36:16 | 0:36:20 | |
He replicated earlier instruments. | 0:36:20 | 0:36:23 | |
So, in fact, he was antiquing violins, but beautifully done. | 0:36:23 | 0:36:27 | |
That wear on there is deliberate? That isn't where somebody has... | 0:36:27 | 0:36:30 | |
Some and some. So this instrument, I believe, dates from about 1890 | 0:36:30 | 0:36:33 | |
so it has, you know, 120 years' worth of genuine wear | 0:36:33 | 0:36:37 | |
on top of the antiqued wear that was applied when it was originally made. | 0:36:37 | 0:36:42 | |
So, it's not worth millions and there's more bad news. | 0:36:42 | 0:36:45 | |
A postmortem reveals a history of mistreatment. | 0:36:45 | 0:36:48 | |
Some quite nasty damage here. | 0:36:48 | 0:36:50 | |
The violin has suffered a fairly catastrophic blow | 0:36:50 | 0:36:53 | |
to the back of the head which has wrenched the neck out of the block. | 0:36:53 | 0:36:57 | |
Oh, looks like the edge has been smashed off. | 0:36:57 | 0:37:00 | |
And you can see there that the fingerboard is just flattened | 0:37:00 | 0:37:02 | |
on top of the instrument. | 0:37:02 | 0:37:04 | |
Is it something that you'd be interested in taking on yourself? | 0:37:04 | 0:37:06 | |
We do restorations like this all the time. | 0:37:06 | 0:37:09 | |
The instrument goes back to pretty much as good as the day it was made. | 0:37:09 | 0:37:12 | |
It gets its voice back, it finds a new home, and everybody's happy. | 0:37:12 | 0:37:16 | |
In that condition, I think I'd be prepared to offer £80. | 0:37:16 | 0:37:20 | |
I'm not going to argue with that. Shall we shake hands on that? | 0:37:20 | 0:37:23 | |
-Absolutely. -OK. Thank you. | 0:37:23 | 0:37:25 | |
-It's been a real honour and a pleasure to meet you. -Thank you. | 0:37:25 | 0:37:27 | |
Wow. Can you teach me how to play it, that's the hard thing! | 0:37:27 | 0:37:30 | |
-THEY LAUGH -Maybe not! | 0:37:30 | 0:37:31 | |
And Paul hits the high notes with a healthy profit of £45. | 0:37:31 | 0:37:36 | |
Peter's a real genius, in my view, what he's doing there | 0:37:37 | 0:37:41 | |
and I'm delighted that he found a use for that violin. | 0:37:41 | 0:37:44 | |
It's a nice feeling, that. It's music to my ears in fact. | 0:37:44 | 0:37:47 | |
But it's not entirely full steam ahead for Mr Morecambe | 0:37:47 | 0:37:51 | |
who sells his railway bridge plaque to Philip, | 0:37:51 | 0:37:54 | |
an antiques dealer in Yorkshire, for £30, making a small loss of £5. | 0:37:54 | 0:38:00 | |
Now, you'll never guess where The Hammer is. Yes, Portsmouth, again. | 0:38:00 | 0:38:04 | |
And he's chasing down his fifth and final deal. | 0:38:04 | 0:38:07 | |
I've come to the historic Castle Road in Southseam | 0:38:07 | 0:38:10 | |
which is the real centre of the renaissance in vintage shops, | 0:38:10 | 0:38:13 | |
collectables and upcycling. | 0:38:13 | 0:38:15 | |
I've come to see dealer Lorraine with my faux springbok skull | 0:38:15 | 0:38:19 | |
hoping to make a profit that will put a spring back in my step. | 0:38:19 | 0:38:23 | |
So, will Lorraine jump for John's springbok | 0:38:23 | 0:38:25 | |
which cost him £25 at the car boot? | 0:38:25 | 0:38:28 | |
-Hi, Lorraine. -Hello, John. | 0:38:28 | 0:38:30 | |
Well, I'm hoping that what I've got here you're going to like. | 0:38:30 | 0:38:34 | |
It's the springbok skull. What do you think of it? | 0:38:34 | 0:38:38 | |
-He is actually quite funky, isn't he? -It's nice, isn't it? -Yeah. | 0:38:38 | 0:38:42 | |
-I do quite like him. -The nice thing about this is it combines | 0:38:42 | 0:38:44 | |
that industrial look with the whole taxidermy imagem | 0:38:44 | 0:38:48 | |
but without offending anyone. | 0:38:48 | 0:38:51 | |
It will fit with pretty much any style, I think. | 0:38:51 | 0:38:54 | |
-Its clean lines, it's tidy, it's nice. -OK. | 0:38:54 | 0:38:57 | |
-So, are you interested? -I am. -That's good. -I'm sure I could move that on. | 0:38:57 | 0:39:02 | |
-It's the sort of thing that my customers would like. -Yeah? -Yeah. | 0:39:02 | 0:39:05 | |
-Price, obviously, is key. -Mm. -You need to make a profit. -That's true. | 0:39:05 | 0:39:09 | |
I need to make a small profit, too. | 0:39:09 | 0:39:12 | |
How does... How does £80 sound for it? | 0:39:12 | 0:39:14 | |
I was thinking more along the lines of about 40. | 0:39:16 | 0:39:18 | |
Could you do 60 for it? | 0:39:18 | 0:39:20 | |
50? | 0:39:21 | 0:39:23 | |
55? | 0:39:23 | 0:39:25 | |
-55. -55, thank you. -OK. | 0:39:25 | 0:39:27 | |
John leaps away with a profit of £30 and can rest on his laurels. | 0:39:27 | 0:39:32 | |
Well, that is me all sold up and done and dusted. | 0:39:33 | 0:39:37 | |
I think I'm going to kick back, | 0:39:37 | 0:39:38 | |
enjoy the sunshine and count my money | 0:39:38 | 0:39:41 | |
and hope Mr Hayes isn't having such success. | 0:39:41 | 0:39:44 | |
In Morecambe, Paul is down to his final items, | 0:39:45 | 0:39:49 | |
the vintage table football sets that cost £35. | 0:39:49 | 0:39:52 | |
He's match-fit and ready to pitch one of the sets | 0:39:52 | 0:39:55 | |
to keen football fan Peter. | 0:39:55 | 0:39:58 | |
I don't know about you, Peter, but I am eight years old again. | 0:39:58 | 0:40:01 | |
-How fantastic is this? -It's absolutely superb, Paul. | 0:40:01 | 0:40:04 | |
-It's superb. -Did you have a set like this when you were younger? -I did. | 0:40:04 | 0:40:07 | |
I did have a set. Um... I think probably the last time I played | 0:40:07 | 0:40:10 | |
probably was in about 1978. | 0:40:10 | 0:40:12 | |
I picked out the best one that I thought you might be interested in. | 0:40:12 | 0:40:15 | |
It's in almost mint condition. | 0:40:15 | 0:40:16 | |
It comes with a box, everything with it. | 0:40:16 | 0:40:18 | |
Is this the sort of thing you can imagine buying | 0:40:18 | 0:40:21 | |
-just for yourself to use? -Oh, yes, yes, definitely. | 0:40:21 | 0:40:24 | |
It would be a good laugh. Something different on a Friday night, yeah. | 0:40:24 | 0:40:28 | |
So, if I was to ask you £30 for this, how does that feel? | 0:40:28 | 0:40:32 | |
Maybe 20 and a game? | 0:40:32 | 0:40:33 | |
You can have it for £20 if you can score a penalty against me, | 0:40:33 | 0:40:36 | |
-just for old times' sake. -That's fine, Paul. | 0:40:36 | 0:40:38 | |
-Does that sound all right to you? -We'll have a go. | 0:40:38 | 0:40:40 | |
It's a last-minute cliff-hanger for Paul's profit margins. | 0:40:40 | 0:40:43 | |
If this goes in, it's 20 quid, If I save it, it's 30. | 0:40:43 | 0:40:47 | |
-Oh, it's in! -PAUL LAUGHS | 0:40:50 | 0:40:53 | |
PAUL LAUGHS | 0:40:54 | 0:40:56 | |
-£20. -£20. -£20. | 0:40:56 | 0:40:57 | |
I thought you'd win as well. | 0:40:57 | 0:40:59 | |
Thank you very much, Peter. | 0:40:59 | 0:41:01 | |
Paul settled the remaining game sets to Yorkshire antiques dealer Philip, | 0:41:02 | 0:41:06 | |
scoring a small overall profit of £5. | 0:41:06 | 0:41:09 | |
And that brings us to the end of our selling spree. | 0:41:09 | 0:41:12 | |
So, which one of our plucky twosome | 0:41:12 | 0:41:15 | |
will be crowned the Prince of Profits? | 0:41:15 | 0:41:16 | |
Before we find out, let's take a look at what they've spent. | 0:41:16 | 0:41:20 | |
From a £250 budget, Paul bought six items costing £147. | 0:41:21 | 0:41:26 | |
John purchased five items and spent a total of £235. | 0:41:26 | 0:41:31 | |
But who has made the most profit? | 0:41:31 | 0:41:34 | |
All the money that Paul and John have made | 0:41:34 | 0:41:37 | |
will go to charities of their choice. | 0:41:37 | 0:41:39 | |
So, without further ado, let's find out who is today's | 0:41:39 | 0:41:42 | |
Put Your Money Where Your Mouth Is champion. | 0:41:42 | 0:41:46 | |
Ah! | 0:41:46 | 0:41:47 | |
-Mr Hayes. -How are you? | 0:41:47 | 0:41:48 | |
Do you know what? Don't you walk miles round those places | 0:41:48 | 0:41:50 | |
-before you find something you want? -You know what, I love them. | 0:41:50 | 0:41:53 | |
Something about rooting through other people's cast-offs, isn't it? | 0:41:53 | 0:41:56 | |
I had a great day, I really enjoyed it. | 0:41:56 | 0:41:58 | |
My ship's bell turned out to be from a very prominent ship. | 0:41:58 | 0:42:01 | |
But I think I did well with the violin, | 0:42:01 | 0:42:02 | |
the violin was probably my favourite item. What about you? | 0:42:02 | 0:42:05 | |
I think the metal filing cabinet did prove to me contemporary upcycling | 0:42:05 | 0:42:10 | |
-is the way forward. -Proves you can sell anything. | 0:42:10 | 0:42:12 | |
It was easy to sell it. That was the thing. I could have sold it twice. | 0:42:12 | 0:42:15 | |
But I think the best profits I've made were on those oyster plates. | 0:42:15 | 0:42:18 | |
-Oh, right! -I went down to a former fishing village | 0:42:18 | 0:42:21 | |
and managed to turn a decent profit. And had some wonderful oysters, too. | 0:42:21 | 0:42:25 | |
-Somebody shelled out for them, then! -THEY LAUGH | 0:42:25 | 0:42:27 | |
-All right, do you know what? -Shall we? -Shall we? OK. | 0:42:27 | 0:42:31 | |
-Good luck to you. -And you. | 0:42:31 | 0:42:33 | |
-Hooray! -Those oysters must have been very expensive. -They were! | 0:42:33 | 0:42:36 | |
A decent profit on there. But, do you know what? We had a great time. | 0:42:36 | 0:42:40 | |
-Not bad profits, either of us. -Yeah, well, I really enjoyed it as well. | 0:42:40 | 0:42:43 | |
Tell me more about these oysters, I'm getting a bit peckish. | 0:42:43 | 0:42:46 | |
Yes, John "The Hammer" Cameron triumphs and he's delighted. | 0:42:48 | 0:42:52 | |
I'm really happy to have won the car boot challenge. | 0:42:52 | 0:42:56 | |
There's something really interesting about rooting through | 0:42:56 | 0:42:59 | |
other people's rubbish to make money. | 0:42:59 | 0:43:01 | |
As Paul Hayes would have said, where there's muck, there's brass. | 0:43:01 | 0:43:04 | |
A little bit disappointed I haven't made a lot more money. | 0:43:04 | 0:43:07 | |
But I'm in the black and that's all that matters. | 0:43:07 | 0:43:10 | |
But tomorrow is another day and will be a chance for Paul | 0:43:10 | 0:43:13 | |
to fight back when he and John visit a French antiques market. | 0:43:13 | 0:43:18 |