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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:10 | |
I think I see a bargain. | 0:00:10 | 0:00:12 | |
Each day, one pair of duelling dealers | 0:00:12 | 0:00:14 | |
will face a mighty challenge... | 0:00:14 | 0:00:16 | |
-Oh, yeah. -..putting their reputations on the line. | 0:00:16 | 0:00:20 | |
-Ready for battle. -They'll give you the insider's view of the trade... | 0:00:20 | 0:00:24 | |
I'm a big boy. I'm a player. | 0:00:24 | 0:00:26 | |
..along with their top tips and savvy secrets... | 0:00:26 | 0:00:29 | |
It's not all about what you spend, It's about what you make. | 0:00:29 | 0:00:32 | |
..showing you how to make the most money... | 0:00:32 | 0:00:35 | |
-It really is war. -..from buying and selling. | 0:00:35 | 0:00:38 | |
You've got to be in there like a whippet. | 0:00:38 | 0:00:40 | |
Coming up, Kate reveals one of the tools of the trade. | 0:00:42 | 0:00:46 | |
This is the thermal diamond tester and it measures the thermal | 0:00:46 | 0:00:50 | |
conductivity of a gemstone. | 0:00:50 | 0:00:52 | |
Caroline gives out vintage advice. | 0:00:52 | 0:00:56 | |
Have a look inside. | 0:00:56 | 0:00:57 | |
Under the arms, where you would expect to see wear, look, | 0:00:57 | 0:01:00 | |
that's absolutely clean. | 0:01:00 | 0:01:02 | |
And Kate discovers a watched kettle never whistles. | 0:01:02 | 0:01:05 | |
This is a bit of a puzzle. | 0:01:05 | 0:01:07 | |
This is Put Your Money Where Your Mouth Is. | 0:01:08 | 0:01:10 | |
Welcome, antiques aficionados, | 0:01:27 | 0:01:29 | |
to a vintage mystery straight out of Sherlock Holmes, | 0:01:29 | 0:01:33 | |
in which two super sleuths must follow their noses and unearth some | 0:01:33 | 0:01:36 | |
collectable clues, all in pursuit of a handsome profit. | 0:01:36 | 0:01:40 | |
So, let's meet our detective duo. | 0:01:41 | 0:01:44 | |
First on the scene, | 0:01:44 | 0:01:45 | |
her English Rose charm hides a forensic eye for the eclectic. | 0:01:45 | 0:01:49 | |
This Nancy Drew of dealing won't rest until | 0:01:49 | 0:01:52 | |
she identifies the gems amongst the junk. | 0:01:52 | 0:01:54 | |
It's Kate "Absolute" Bliss. | 0:01:54 | 0:01:57 | |
Do you know what? I think I'm doing all right. | 0:01:57 | 0:01:59 | |
Pitted against her is a real Juliet Bravo when it comes to tracking down | 0:02:01 | 0:02:05 | |
a stylish bargain. | 0:02:05 | 0:02:06 | |
With a love of clothes, jewellery, and all things French, | 0:02:06 | 0:02:09 | |
it's Caroline "The Hawk" Hawley. | 0:02:09 | 0:02:11 | |
Oh, that's a bit short, isn't it? | 0:02:13 | 0:02:15 | |
Today, our plot unfolds at the Battersea car-boot sale in London, | 0:02:16 | 0:02:20 | |
where our profit-hungry Poirots will be sniffing out the very best buys | 0:02:20 | 0:02:24 | |
to sell at a later date. | 0:02:24 | 0:02:25 | |
They've got £250 of their own money to spend, | 0:02:26 | 0:02:30 | |
with all the profits going to their chosen charities. | 0:02:30 | 0:02:32 | |
But, remember, every car-boot sale is stuffed with red herrings | 0:02:32 | 0:02:36 | |
and dead ends, so whose methods of detection will guarantee a win? | 0:02:36 | 0:02:40 | |
It's time to find out. | 0:02:40 | 0:02:42 | |
-Hi, Caroline. -Hi, Kate. -Good to see you. -How are you? | 0:02:44 | 0:02:47 | |
Yeah, really well. How are you? | 0:02:47 | 0:02:48 | |
Great. I've never been here before. | 0:02:48 | 0:02:50 | |
Yeah. Have you not? I've been once before but a long time ago. | 0:02:50 | 0:02:53 | |
-Yeah. -But, in my experience, | 0:02:53 | 0:02:54 | |
it was actually a pretty good little car-boot. | 0:02:54 | 0:02:57 | |
Well, I believe the sellers come in in staggered, sort of, | 0:02:57 | 0:02:59 | |
timed intervals. | 0:02:59 | 0:03:01 | |
So you've got fresh stock coming in. | 0:03:01 | 0:03:02 | |
-Yeah. -Do you buy in the first instance? -Oh, I don't know! -Or do you wait? | 0:03:02 | 0:03:05 | |
Well, I think I'm going to, sort of, keep my powder dry, | 0:03:05 | 0:03:09 | |
spend a little bit and then hang on for later. | 0:03:09 | 0:03:11 | |
The thing about a car-boot is you just never know what you're going | 0:03:11 | 0:03:14 | |
-to see, do you? -No. -It could be the crown jewels or it could all be | 0:03:14 | 0:03:17 | |
shampoo and white trainers. You just don't know. | 0:03:17 | 0:03:19 | |
You don't, but I think this one is a good mixture, I believe, | 0:03:19 | 0:03:24 | |
of both trade and privates. | 0:03:24 | 0:03:26 | |
-Yeah. -And I think there's going to be some quite high-quality private | 0:03:26 | 0:03:29 | |
-stuff coming in. -You've got your hopes up, haven't you? -I have, actually. I'm very optimistic. | 0:03:29 | 0:03:33 | |
-Well, we'd better get started, then. -We had, indeed. Bonne chance, cherie. -Good luck. | 0:03:33 | 0:03:38 | |
Yes, it may be all smiles on the surface but don't be fooled by their | 0:03:38 | 0:03:41 | |
bonhomie. Behind their sunny exteriors lies the determination of | 0:03:41 | 0:03:46 | |
two femmes fatales, preparing to do anything to capture the best bargains. | 0:03:46 | 0:03:50 | |
Kate, for one, never lets a single detail slip her notice. | 0:03:50 | 0:03:55 | |
Well, I think this is going to be interesting. I'm up against a lady | 0:03:55 | 0:03:58 | |
for the first time and I think I've got my work cut out. | 0:03:58 | 0:04:01 | |
Caroline said she wanted to keep her powder dry, | 0:04:01 | 0:04:04 | |
but, do you know what, at a car-boot, if you snooze, you lose, | 0:04:04 | 0:04:08 | |
and if I see it, and I like it, I'm buying it. | 0:04:08 | 0:04:11 | |
Hm, Kate's not messing about today. | 0:04:11 | 0:04:14 | |
But nor is Caroline. | 0:04:14 | 0:04:15 | |
The Hawk may have led Kate to believe she was planning a cautious game | 0:04:15 | 0:04:18 | |
but this cunning sleuth is as keen as mustard. | 0:04:18 | 0:04:22 | |
I can't wait to get started. | 0:04:22 | 0:04:23 | |
I think I'm going to swoop very quickly. | 0:04:23 | 0:04:25 | |
I'm going to look for a bit of vintage, maybe a bit of jewellery, | 0:04:25 | 0:04:29 | |
and whatever else takes my fancy. | 0:04:29 | 0:04:31 | |
And it's Caroline's love of vintage that leads her towards her first | 0:04:31 | 0:04:35 | |
potential purchase, a well-travelled case. | 0:04:35 | 0:04:39 | |
Could I ask you your very, very, very best price on this suitcase, please? | 0:04:39 | 0:04:43 | |
20. | 0:04:43 | 0:04:44 | |
18? And I'll take it away. | 0:04:46 | 0:04:48 | |
-Go on, then. -Go on. Thank you. | 0:04:48 | 0:04:50 | |
MUSIC: Holiday by Madonna | 0:04:50 | 0:04:53 | |
Well, I've just grabbed it. | 0:04:56 | 0:04:58 | |
Haven't even looked inside it. | 0:04:58 | 0:04:59 | |
Probably 1920s, 1930s. | 0:04:59 | 0:05:02 | |
I think anybody is going to buy this cos it tells a story. | 0:05:02 | 0:05:05 | |
Look at all the labels - it's been everywhere. | 0:05:05 | 0:05:08 | |
You can sit it in the corner of the room or you can take it off on your | 0:05:08 | 0:05:11 | |
hols with you. Either way, it's a win-win, open and shut case. | 0:05:11 | 0:05:17 | |
Hm, more of a shut and shut case if you haven't looked inside, | 0:05:17 | 0:05:19 | |
Miss Marple. And across the market, | 0:05:19 | 0:05:22 | |
Kate's keen eye has spotted a couple of sparklers. | 0:05:22 | 0:05:25 | |
And she wastes no time in getting her fingerprints all over them. | 0:05:25 | 0:05:29 | |
How much are those? | 0:05:29 | 0:05:30 | |
Those ones are £10. | 0:05:30 | 0:05:33 | |
They have got, erm, gold posts. | 0:05:33 | 0:05:34 | |
-Nine carat. -But I'm not sure. I think they're probably CZs. | 0:05:34 | 0:05:39 | |
Will you take a fiver? | 0:05:39 | 0:05:41 | |
-I'll take a fiver, as it's you. -Lovely. -Lovely, thank you. | 0:05:41 | 0:05:44 | |
Kate has snapped them up. | 0:05:47 | 0:05:48 | |
Could our jewellery sleuth have uncovered something really special? | 0:05:48 | 0:05:52 | |
I had a quick look at them on the stall before I bought them and I was | 0:05:52 | 0:05:55 | |
almost absolutely sure that they're not diamonds. | 0:05:55 | 0:05:59 | |
I can tell by the way the stone is cut, the shape of it, | 0:05:59 | 0:06:03 | |
and also the clarity of it. | 0:06:03 | 0:06:05 | |
When I go on a shopping trip, | 0:06:05 | 0:06:07 | |
I usually have one of these, just in case. | 0:06:07 | 0:06:09 | |
This is what's known as a thermal diamond tester and it measures | 0:06:09 | 0:06:14 | |
the thermal conductivity of a gemstone. | 0:06:14 | 0:06:16 | |
You put the little needle | 0:06:16 | 0:06:19 | |
on the top facet of the stone. | 0:06:19 | 0:06:21 | |
Now, if this was a diamond, those lights would shoot up and hit red. | 0:06:21 | 0:06:27 | |
And, as you can see, it isn't. | 0:06:27 | 0:06:30 | |
But do you know what? With studs like this, actually, sometimes, | 0:06:30 | 0:06:35 | |
it's the look that matters. | 0:06:35 | 0:06:36 | |
With those economical earrings, | 0:06:37 | 0:06:39 | |
Kate's hardly spent big and she continues this thrifty streak | 0:06:39 | 0:06:43 | |
with the purchase of some mid-century bookends, | 0:06:43 | 0:06:46 | |
taking them into custody for just £3. | 0:06:46 | 0:06:49 | |
These, in their day, would have been really smart. | 0:06:50 | 0:06:54 | |
They are Italian leather. | 0:06:54 | 0:06:55 | |
But the thing I love is this hinge. | 0:06:55 | 0:06:58 | |
It's known as a piano hinge and if you think of the hinge on a grand | 0:06:58 | 0:07:01 | |
piano lid, it's been beautifully engineered so every piece fits | 0:07:01 | 0:07:05 | |
together really nicely. | 0:07:05 | 0:07:08 | |
Those little screws tell me that it probably dates from | 0:07:08 | 0:07:11 | |
the post-war period, 1950s, I would think. | 0:07:11 | 0:07:13 | |
Now, I quite like their faded glory, but I think, to sell them, | 0:07:15 | 0:07:20 | |
I might have a bit of a restoration project on my hands. | 0:07:20 | 0:07:23 | |
With that cut-price purchase, | 0:07:23 | 0:07:25 | |
Kate is leading two items to Caroline's one, | 0:07:25 | 0:07:27 | |
but The Hawk's future could be looking bright. | 0:07:27 | 0:07:30 | |
It's very, sort of, stylish, isn't it? 1970s. | 0:07:30 | 0:07:33 | |
On this rainy, grey day in Battersea, what is the best price, | 0:07:33 | 0:07:38 | |
sir, on this very sunny, sunshiny dinner service? | 0:07:38 | 0:07:41 | |
-45. -Can I make you a little cheeky offer? | 0:07:41 | 0:07:44 | |
-40? -OK, go for it. | 0:07:44 | 0:07:46 | |
40, thank you. | 0:07:46 | 0:07:48 | |
MUSIC: Lovely Day by Bill Withers | 0:07:48 | 0:07:50 | |
Wow, how lovely is this? | 0:07:51 | 0:07:52 | |
It's right on trend, 1970s, made by Midwinter - six dinner plates, | 0:07:52 | 0:07:58 | |
the terrines, the big plates, the small ones, | 0:07:58 | 0:08:00 | |
it's got everything going for it. | 0:08:00 | 0:08:02 | |
And at £40 the lot, how much is it a piece? | 0:08:02 | 0:08:05 | |
I haven't worked it out but it's not a lot. | 0:08:05 | 0:08:07 | |
19 items, 40 quid, that's £2.11 per piece, of course. | 0:08:09 | 0:08:13 | |
Caroline then wrestles the lead from Kate's clutches with vintage | 0:08:14 | 0:08:17 | |
purchase number three, splashing out £12 on this '60s baby bath. | 0:08:17 | 0:08:23 | |
Now, it's got a look of G Plan, retro look about it. | 0:08:23 | 0:08:27 | |
I'm going to try and find the maker of this. | 0:08:27 | 0:08:30 | |
And I just think it's an amazing thing, in its original condition, | 0:08:30 | 0:08:34 | |
complete with a little plughole. | 0:08:34 | 0:08:36 | |
It's great. I can't imagine who's going to buy it. | 0:08:36 | 0:08:39 | |
But that's the fun of it, isn't it? Isn't it? | 0:08:39 | 0:08:42 | |
It certainly is, but Caroline had better watch her back | 0:08:42 | 0:08:45 | |
because Kate is coming up behind and fast. | 0:08:45 | 0:08:48 | |
She's discovered the store where The Hawk bought her retro stoneware | 0:08:48 | 0:08:52 | |
and has identified not one but two potential purchases, | 0:08:52 | 0:08:55 | |
starting with some 1970s salad servers. | 0:08:55 | 0:08:58 | |
Hi, there. What's the best price on those and maybe the kettle as well? | 0:09:00 | 0:09:04 | |
Oh... That would be 22. | 0:09:04 | 0:09:07 | |
You've got five on those, but they're not by any particular | 0:09:08 | 0:09:10 | |
-manufacturer, though. -No, but my best is four on that one. | 0:09:10 | 0:09:13 | |
OK, what about the kettle? | 0:09:13 | 0:09:14 | |
I can go down for 20? | 0:09:14 | 0:09:16 | |
I was thinking more like a tenner. | 0:09:16 | 0:09:18 | |
No, it would have to be a bit more than that. I'm selling it for... | 0:09:18 | 0:09:21 | |
-This stuff belongs to a friend of mine. -Right. | 0:09:21 | 0:09:24 | |
So I have to check with her. | 0:09:24 | 0:09:25 | |
OK. Well, Harry's just got to check the price with a close friend | 0:09:25 | 0:09:29 | |
that he's selling these items on behalf of. Fingers crossed. | 0:09:29 | 0:09:32 | |
Oh, that has to be 15. | 0:09:34 | 0:09:36 | |
And these have to be four as well. | 0:09:36 | 0:09:37 | |
Aah... Done. | 0:09:37 | 0:09:39 | |
-OK? -19 for the two, fantastic, that's great. | 0:09:39 | 0:09:43 | |
Kate scores a domestic double with her '80s kettle and '70s cutlery. | 0:09:43 | 0:09:48 | |
Well, I'm really pleased that I found this stall. | 0:09:48 | 0:09:50 | |
And it was the salad servers, actually, that first caught my eye. | 0:09:50 | 0:09:54 | |
Silver plate, combined with what I think is probably rosewood for the | 0:09:54 | 0:09:57 | |
handles - I think these would look great in a contemporary kitchen. | 0:09:57 | 0:10:02 | |
But it's this that I think is my real winner, and, on the bottom, | 0:10:02 | 0:10:05 | |
here, we've got Alessi. | 0:10:05 | 0:10:07 | |
Now, that's an Italian manufacturer known for high-end kitchen wares | 0:10:07 | 0:10:11 | |
and this is no exception. | 0:10:11 | 0:10:13 | |
It's a melodic, whistling kettle, and that's why you've got | 0:10:13 | 0:10:16 | |
two apertures there when it's on the boil. | 0:10:16 | 0:10:19 | |
The style is very contemporary, | 0:10:19 | 0:10:22 | |
and I think this could be one of my best buys today. | 0:10:22 | 0:10:25 | |
And with four items bought to Caroline's three, | 0:10:25 | 0:10:28 | |
Kate stays with this vintage stall for her potential fifth buy, | 0:10:28 | 0:10:32 | |
a '60s lampshade. | 0:10:32 | 0:10:33 | |
I quite like the look of this. | 0:10:33 | 0:10:35 | |
Do you know, there's something fantastically kitsch about that. | 0:10:35 | 0:10:38 | |
What's the best on it? You've got 20 on there. | 0:10:38 | 0:10:40 | |
-What's...? -My best would be 15. | 0:10:40 | 0:10:42 | |
Well, I'm going to make you an offer of ten. | 0:10:42 | 0:10:44 | |
-Has to be 15. -In for a penny, in for a pound, we'll do it. | 0:10:44 | 0:10:46 | |
-OK, great. -Thank you very much. | 0:10:46 | 0:10:48 | |
It's not the kind of thing I would usually go for at all, | 0:10:48 | 0:10:52 | |
but there could be money in it. | 0:10:52 | 0:10:54 | |
She may be out of her comfort zone but she is convinced she's done | 0:10:54 | 0:10:58 | |
a sweet deal. | 0:10:58 | 0:10:59 | |
Now, many might think I've just paid £15 for a giant lemon sherbet. | 0:10:59 | 0:11:05 | |
But, actually, for me, this is a great piece of British retro design. | 0:11:05 | 0:11:10 | |
The manufacturer is actually a company called Rotoflex, | 0:11:10 | 0:11:13 | |
and the designers were John and Sylvia Reid. | 0:11:13 | 0:11:16 | |
Now, they specialised in a type of spun plastic and if you look at this | 0:11:16 | 0:11:20 | |
closely, the texture is quite fantastic. | 0:11:20 | 0:11:24 | |
Now, mid-century modern pieces which have a retro look are really | 0:11:24 | 0:11:27 | |
flavour of the month at the moment | 0:11:27 | 0:11:29 | |
and I'm hoping if I find the right enthusiast, | 0:11:29 | 0:11:32 | |
this might just leave Caroline in the shade. | 0:11:32 | 0:11:35 | |
Yes, Kate's shady purchase brings us to the halfway mark, | 0:11:37 | 0:11:40 | |
so let's find out who is close | 0:11:40 | 0:11:41 | |
to solving the case of the missing antiques, | 0:11:41 | 0:11:43 | |
and who is scrabbling around without a clue. | 0:11:43 | 0:11:46 | |
Both our dealers arrived with £250 of their own money to spend. | 0:11:46 | 0:11:51 | |
Kate has spent frugally - | 0:11:51 | 0:11:52 | |
£42 on five items, leaving £208 in her kitty. | 0:11:52 | 0:11:57 | |
Caroline has bought less but spent more - | 0:11:57 | 0:11:59 | |
three items for £70, leaving her with £180 for the rest of the day. | 0:11:59 | 0:12:04 | |
Hey, how are you doing? | 0:12:06 | 0:12:08 | |
-All right. -How are the energy levels? | 0:12:08 | 0:12:10 | |
It's a bit fast and furious, isn't it? | 0:12:10 | 0:12:12 | |
-Yeah, isn't it? -There's loads more people coming over there. | 0:12:12 | 0:12:15 | |
I haven't even made it over there, have you? | 0:12:15 | 0:12:17 | |
A little tiny bit and then I came back here. I think it's better around here, actually. | 0:12:17 | 0:12:21 | |
-I'm going to check that bit out. -Do you know what I think? -What? | 0:12:21 | 0:12:23 | |
Why would people come later? I think the most serious dealers are going to be here early. | 0:12:23 | 0:12:27 | |
-Do you know, you have really thought about this. -I have indeed. | 0:12:27 | 0:12:29 | |
You've kind of psychologically analysed this. | 0:12:29 | 0:12:32 | |
I can see why they call you The Hawk. | 0:12:32 | 0:12:34 | |
-I'll see you later. -See you soon, bye. | 0:12:34 | 0:12:36 | |
Ah, the epitome of civility in public, | 0:12:36 | 0:12:39 | |
but what private thoughts lie behind those diplomatic words? | 0:12:39 | 0:12:43 | |
I know Kate is heading off over there but I think the best strategy is to | 0:12:43 | 0:12:47 | |
stay round here with the early birds and I think by this time they are | 0:12:47 | 0:12:52 | |
going to be a bit desperate to get rid of the rest of their stock. | 0:12:52 | 0:12:55 | |
So I'm going to be on the hunt for people who want to go home. | 0:12:55 | 0:12:59 | |
Do you know what? What she says about the best things coming first | 0:12:59 | 0:13:02 | |
makes perfect sense. And I'm really pleased I've cracked on and bought | 0:13:02 | 0:13:05 | |
what I have done so far. | 0:13:05 | 0:13:08 | |
All fired up, cheeky Kate is hell-bent on arresting | 0:13:08 | 0:13:11 | |
anything retro before Caroline spies it. | 0:13:11 | 0:13:13 | |
So, when she spots a vintage clothes stall, | 0:13:13 | 0:13:16 | |
it's not long before she's got it surrounded. | 0:13:16 | 0:13:19 | |
You know, you can't tell the size until you try it on. | 0:13:19 | 0:13:22 | |
Oh, yeah. I like that. | 0:13:24 | 0:13:26 | |
It's quite warm, too, isn't it? | 0:13:26 | 0:13:28 | |
-Cosy. -Yes, and we're not getting any summer. | 0:13:28 | 0:13:30 | |
So what's the best on that? | 0:13:30 | 0:13:31 | |
The best on that, well, I was asking for a tenner on that. | 0:13:31 | 0:13:33 | |
Oh, my word. Did you say a tenner for the two? | 0:13:33 | 0:13:36 | |
No way! | 0:13:36 | 0:13:38 | |
You're having a laugh! For the two of them, £15. | 0:13:39 | 0:13:43 | |
How in is tweed at the moment? | 0:13:43 | 0:13:45 | |
-That's the question. -And inside, it's all nicely lined. | 0:13:45 | 0:13:49 | |
Yeah. I'd still like a tenner for the two. | 0:13:49 | 0:13:52 | |
You've got such a lovely face, I'll do you 12. | 0:13:52 | 0:13:54 | |
-13 is good. -Do you know what? 12 would be great. | 0:13:54 | 0:13:58 | |
I am keeping the hangers though. | 0:13:58 | 0:14:00 | |
OK, I'll let you keep the hangers, if you'll let me have them for £12. | 0:14:00 | 0:14:03 | |
Yes? | 0:14:03 | 0:14:05 | |
Thank you very much indeed. | 0:14:05 | 0:14:07 | |
The jackets have had their collars felt by Inspector Kate | 0:14:07 | 0:14:10 | |
and she thinks she's onto a winner. | 0:14:10 | 0:14:12 | |
Back in my home county of Herefordshire, | 0:14:12 | 0:14:15 | |
tweed is actually coming back into fashion. | 0:14:15 | 0:14:17 | |
These are quite a commercial size, they are not too big or too small. | 0:14:17 | 0:14:21 | |
And my favourite is this lovely green herringbone pattern. | 0:14:21 | 0:14:25 | |
Having said that, I think the buttons are pretty hideous. | 0:14:25 | 0:14:29 | |
And that's the first thing I'll change. | 0:14:29 | 0:14:32 | |
And for the right vintage enthusiast, | 0:14:32 | 0:14:34 | |
there's a good profit there. | 0:14:34 | 0:14:35 | |
That buy has put Kate on six purchases, | 0:14:35 | 0:14:38 | |
while Caroline trails on three. | 0:14:38 | 0:14:40 | |
But not for long, as she's spotted these retro school chairs | 0:14:40 | 0:14:43 | |
and is hoping to go to the top of the class. | 0:14:43 | 0:14:45 | |
-Are these your chairs? -They are, yes. They are £2 each. | 0:14:45 | 0:14:48 | |
I think we had something similar at school in the '70s. | 0:14:48 | 0:14:51 | |
Yeah, I would say, early '70s, yeah. | 0:14:51 | 0:14:53 | |
-Definitely. -Just need a bit of a touch-up, don't they, | 0:14:53 | 0:14:56 | |
-at the bottom. -You could just repaint the metal on those, yeah. | 0:14:56 | 0:14:59 | |
-They've got all the little feet. -The little feet are still on there. | 0:14:59 | 0:15:02 | |
Canny Caroline looks for something to sweeten the deal. | 0:15:02 | 0:15:05 | |
I've spotted something else. | 0:15:05 | 0:15:06 | |
I know it's modern, but the little cake stand, the heart-shaped one. | 0:15:06 | 0:15:11 | |
It's quite a good shape on that. | 0:15:11 | 0:15:13 | |
It is. I know it's a new thing, but I think it's rather cute. | 0:15:13 | 0:15:17 | |
-That's five, that one. -That's five. | 0:15:17 | 0:15:19 | |
What would you do if I got this and the chairs. | 0:15:19 | 0:15:22 | |
Can you do a better price? | 0:15:22 | 0:15:24 | |
I can just do the lot for 12, that lucky pound off. | 0:15:25 | 0:15:27 | |
12. Eight... | 0:15:27 | 0:15:29 | |
I think my prices are so low in the first place... | 0:15:29 | 0:15:32 | |
Make it a tenner. | 0:15:32 | 0:15:33 | |
I'll do it for 11. I can't shift on that. | 0:15:34 | 0:15:37 | |
OK. Go on, £11. | 0:15:37 | 0:15:40 | |
-Thanks. -Thank you. | 0:15:40 | 0:15:41 | |
It was only a discount of £2 but Caroline knows that every penny | 0:15:41 | 0:15:45 | |
counts in this game. | 0:15:45 | 0:15:47 | |
Well, I'm going to have to eat my hat. | 0:15:47 | 0:15:50 | |
I said there wouldn't be anything exciting to find in this new bit, | 0:15:51 | 0:15:55 | |
but, within moments, I found these. | 0:15:55 | 0:15:58 | |
Now, I think these will be good in a nursery, | 0:15:58 | 0:16:01 | |
they'll be good in a private house. | 0:16:01 | 0:16:02 | |
I just think they are really fun. | 0:16:02 | 0:16:04 | |
The only problem with them - these legs, so I'm going to paint those, | 0:16:04 | 0:16:07 | |
I haven't decided what colour yet, but they are just lovely. | 0:16:07 | 0:16:10 | |
This cake stand, it's as new as new can be. | 0:16:10 | 0:16:14 | |
But for £3, | 0:16:14 | 0:16:16 | |
not even I can go wrong and I've got a brilliant idea | 0:16:16 | 0:16:19 | |
-what I'm going to do with this. -Sounds intriguing. | 0:16:19 | 0:16:22 | |
And Caroline really has her finger on the pulse now, | 0:16:22 | 0:16:25 | |
nabbing this vintage dress for £8. | 0:16:25 | 0:16:28 | |
It's a stunning piece of 1960s. | 0:16:28 | 0:16:32 | |
Now, not only the style tells me that, but the feel of the velvet. | 0:16:32 | 0:16:37 | |
This is not nylon velvet, it's not polyester, this is cotton velvet. | 0:16:37 | 0:16:42 | |
Beautiful, beautiful quality. | 0:16:42 | 0:16:44 | |
A little tip when you buy vintage, | 0:16:44 | 0:16:46 | |
open it up and have a look inside, under the arms, | 0:16:46 | 0:16:49 | |
where you would expect to see wear or residue of deodorant. | 0:16:49 | 0:16:54 | |
That's absolutely clean. | 0:16:54 | 0:16:56 | |
I think this has probably hardly, if at all, been worn. | 0:16:56 | 0:17:00 | |
I personally have a collection of 28 little black dresses. | 0:17:00 | 0:17:05 | |
-What? Did she say...? -28 little black dresses. | 0:17:05 | 0:17:09 | |
I would love this to be number 29 in my collection. | 0:17:09 | 0:17:12 | |
But, sadly, sell it I must and I can't wait to find the girl | 0:17:12 | 0:17:17 | |
that's going to wear this. It's stunning. | 0:17:17 | 0:17:20 | |
And what better to go with her 29 little black dresses? | 0:17:20 | 0:17:23 | |
Why, these seven pairs of vintage shoes of course. | 0:17:23 | 0:17:26 | |
They are Caroline's for £30 the lot. | 0:17:26 | 0:17:29 | |
The lady was telling me that these came from a shop on the Kings Road | 0:17:29 | 0:17:33 | |
in the '80s. Patent leather, leather lined, brand-new. | 0:17:33 | 0:17:37 | |
They really are the business. I'm delighted. | 0:17:37 | 0:17:40 | |
And with this job lot of jazzy footwear, | 0:17:40 | 0:17:43 | |
she is first to finish buying. | 0:17:43 | 0:17:45 | |
Well, I've bought really, really unusual stuff | 0:17:45 | 0:17:49 | |
and I have absolutely no idea what Kate's bought. | 0:17:49 | 0:17:54 | |
And, I have to say, I'm really excited to see. | 0:17:54 | 0:17:58 | |
Caroline is all bought up but Kate is still on her final stakeout. | 0:17:58 | 0:18:02 | |
Hello, hello, hello. She's found something. | 0:18:02 | 0:18:04 | |
-Quite heavy, isn't it? -It is, it's chunky. -Yeah. | 0:18:04 | 0:18:07 | |
Ideal as a seat, maybe? | 0:18:09 | 0:18:10 | |
Yes, I suppose it could be a seat, couldn't it? | 0:18:10 | 0:18:13 | |
I didn't think of that. | 0:18:13 | 0:18:14 | |
-What could you do for me? -30? | 0:18:14 | 0:18:16 | |
I'm thinking quite a bit less actually. | 0:18:16 | 0:18:18 | |
-Can I be cheeky? -You can try. | 0:18:18 | 0:18:20 | |
Can I say ten? | 0:18:20 | 0:18:22 | |
Just cos it is quite faded and I do think it's quite modern. | 0:18:22 | 0:18:25 | |
I could go to 24. | 0:18:25 | 0:18:27 | |
I could come up a bit and say 15. | 0:18:27 | 0:18:29 | |
Probably nearer 20. | 0:18:31 | 0:18:33 | |
I think that's probably my best, to be honest. | 0:18:33 | 0:18:35 | |
Could you do 15? Final offer. | 0:18:37 | 0:18:39 | |
-OK. -Done. Thank you very much. | 0:18:39 | 0:18:42 | |
So, Kate sticks to her guns and gets 50% off the original asking price. | 0:18:42 | 0:18:47 | |
Well, this little chest has the look of old pine or satinwood, | 0:18:49 | 0:18:53 | |
but, actually, it's a modern teak imported wood. | 0:18:53 | 0:18:57 | |
The key is in the weight of it. | 0:18:57 | 0:18:59 | |
If it was old pine, it would actually be relatively light. | 0:18:59 | 0:19:02 | |
But if I try and lift this up, it's actually quite heavy. | 0:19:02 | 0:19:06 | |
Now, this is a bit faded. It's not old. | 0:19:06 | 0:19:09 | |
It's a bit tatty around the bottom. | 0:19:09 | 0:19:11 | |
But paint it, and I think I've got a very good buy. | 0:19:11 | 0:19:14 | |
And on that confident note, the boot fair buying comes to a close and our | 0:19:15 | 0:19:20 | |
super sleuths have collected their most profitable prime suspects. | 0:19:20 | 0:19:23 | |
But before they reveal their items to each other, | 0:19:23 | 0:19:26 | |
it's time to tot up the totals. | 0:19:26 | 0:19:29 | |
They both started the day with £250 of their own money to spend. | 0:19:29 | 0:19:33 | |
Kate is hoping to make her mark with seven items, costing a modest £69. | 0:19:33 | 0:19:39 | |
But Caroline thinks she'll be on top | 0:19:39 | 0:19:41 | |
with her seven items that cost £119. | 0:19:41 | 0:19:44 | |
But all that matters now is profit. | 0:19:44 | 0:19:48 | |
Our dynamic dealers have spent their dosh, | 0:19:48 | 0:19:50 | |
so it's time to present their purchases. | 0:19:50 | 0:19:53 | |
-Well, Kate... -What a day. | 0:19:53 | 0:19:55 | |
What a day. I can see, you know, there's a few similarities. | 0:19:55 | 0:19:58 | |
We've both got a bit of vintage. | 0:19:58 | 0:19:59 | |
-Yes. Yeah. -Maybe that's where it ends. | 0:19:59 | 0:20:02 | |
-What do you think? -Wow! | 0:20:04 | 0:20:06 | |
It's a bit of an eyeful, isn't it? | 0:20:06 | 0:20:07 | |
-Yeah. -It's my lemon sherbet. -I can see that. | 0:20:07 | 0:20:10 | |
I mean, just the texture of it is amazing. | 0:20:11 | 0:20:12 | |
It really is like a lemon sherbet. | 0:20:12 | 0:20:15 | |
-Yeah, I can feel it tingling on my tongue. -So can I. Yes. | 0:20:15 | 0:20:18 | |
Then when I saw these earrings, I thought, "No, we only had 250 quid!" | 0:20:18 | 0:20:22 | |
A carat each. What do you think? | 0:20:22 | 0:20:23 | |
Leave the diamonds in the safe and wear those on a night out. | 0:20:23 | 0:20:26 | |
-Brilliant. -Well, anyway, enough of mine, let's have a look at yours. | 0:20:26 | 0:20:30 | |
-Go on, then. -Tell me about these shoes. | 0:20:30 | 0:20:32 | |
Seven pairs. Have you got lots of friends with the same size feet? | 0:20:32 | 0:20:36 | |
I think they are great quality. | 0:20:36 | 0:20:37 | |
Patent leather, leather-lined, they are jazzy. | 0:20:37 | 0:20:40 | |
But this, Caroline, I absolutely love. | 0:20:40 | 0:20:43 | |
Do you? | 0:20:43 | 0:20:45 | |
Yeah. And it's my size. | 0:20:45 | 0:20:47 | |
-It would look lovely on you. -I like that. | 0:20:47 | 0:20:50 | |
All in all, I think we've both done rather well. | 0:20:50 | 0:20:53 | |
I kind of hope so. | 0:20:53 | 0:20:54 | |
Certainly an eclectic mix. | 0:20:54 | 0:20:56 | |
Come on. I'm buying you a cup of tea. | 0:20:56 | 0:20:58 | |
Thanks, Kate. | 0:20:58 | 0:20:59 | |
So our antiques aficionados hit the high road for home, | 0:21:03 | 0:21:07 | |
where they have to come up with their strategies for selling at a profit | 0:21:07 | 0:21:10 | |
and banking the biggest amount of money for their chosen charities. | 0:21:10 | 0:21:14 | |
This stage of the challenge is highly demanding, | 0:21:14 | 0:21:17 | |
but results can be stellar. | 0:21:17 | 0:21:18 | |
Find the perfect buyer for the perfect item and there are | 0:21:18 | 0:21:22 | |
plentiful profits to be made. | 0:21:22 | 0:21:23 | |
In her nest in East Yorkshire, The Hawk is picking over her haul. | 0:21:23 | 0:21:28 | |
Wow! My car-boot bootie. | 0:21:28 | 0:21:31 | |
And isn't it bootiful? | 0:21:31 | 0:21:33 | |
The cake stand - | 0:21:33 | 0:21:35 | |
I've found the most gorgeous wedding venue and I'm going to add a little | 0:21:35 | 0:21:39 | |
sweetener to it. | 0:21:39 | 0:21:41 | |
And I think that is just going to fly. | 0:21:41 | 0:21:44 | |
Dinner service - it's Midwinter, Flower Song is the pattern. | 0:21:44 | 0:21:49 | |
The designer is Jesse Tait. | 0:21:49 | 0:21:51 | |
It's a very full service. | 0:21:51 | 0:21:52 | |
We've got six large plates, six small, the terrines, it's stunning. | 0:21:52 | 0:21:57 | |
And I'm looking for a really cool, hip, young couple to buy that. | 0:21:57 | 0:22:02 | |
Moving on to my baby bath. | 0:22:02 | 0:22:04 | |
On further researching the matter, | 0:22:04 | 0:22:06 | |
I've found that this was designed in 1955 and sold from '55 to 1960. | 0:22:06 | 0:22:12 | |
Honestly, I'm having a little bit of trouble finding a buyer of it. | 0:22:12 | 0:22:16 | |
But I will persevere and I will find a buyer. | 0:22:16 | 0:22:19 | |
These little chairs hail from the 1970s. | 0:22:19 | 0:22:22 | |
They look rather plain at the moment with this dark grey thing. | 0:22:22 | 0:22:25 | |
But watch this space cos I've had a brilliant idea and I am going to | 0:22:25 | 0:22:30 | |
transform them totally and make them the most stunning chairs | 0:22:30 | 0:22:35 | |
you've ever seen. | 0:22:35 | 0:22:37 | |
Big promises there from Caroline. | 0:22:37 | 0:22:40 | |
She also has to line up buyers for her '60s velvet dress, | 0:22:40 | 0:22:43 | |
vintage suitcase and shiny '80s shoes. | 0:22:43 | 0:22:47 | |
In her Herefordshire kitchen, | 0:22:47 | 0:22:49 | |
Kate is also sizing up her car-boot collectables and considering | 0:22:49 | 0:22:52 | |
restoration and repairs. | 0:22:52 | 0:22:54 | |
Well, I'm back home and I'm just taking stock of all my purchases. | 0:22:54 | 0:23:00 | |
Now, the jackets, I think I've got some classy buttons which not only | 0:23:00 | 0:23:04 | |
am I going to put onto that one, | 0:23:04 | 0:23:05 | |
but I think they'd really lift the brown one as well. | 0:23:05 | 0:23:08 | |
The chest, I think, is great. | 0:23:08 | 0:23:09 | |
But it'll look so much better when it's painted. | 0:23:09 | 0:23:12 | |
And it would be quite nice to find a quirky setting for this, | 0:23:12 | 0:23:16 | |
where not only could it be used as storage but for a seat as well. | 0:23:16 | 0:23:21 | |
My bookends, I've thought about restoring and, actually, | 0:23:21 | 0:23:25 | |
I'm going to leave them exactly how they are. | 0:23:25 | 0:23:27 | |
You've got to be careful when you are restoring old leather because if | 0:23:27 | 0:23:31 | |
I don't match the colour exactly, these could look a disaster. | 0:23:31 | 0:23:35 | |
But my all-time favourite piece is my kettle. | 0:23:35 | 0:23:39 | |
It's so stylish. | 0:23:39 | 0:23:41 | |
And what I really want to do is sell it to someone who is going to use it | 0:23:41 | 0:23:46 | |
and where this melodic whistle can really be shown off. | 0:23:46 | 0:23:49 | |
I can't wait to hear it. | 0:23:49 | 0:23:51 | |
No rest for the wicked. | 0:23:51 | 0:23:52 | |
I'm really keen to get started and make some money. | 0:23:52 | 0:23:55 | |
But, first, I'd better get my paintbrush out | 0:23:55 | 0:23:58 | |
and set to work on this fella. | 0:23:58 | 0:23:59 | |
So, Kate is off to find her sewing kit and a pot of paint. | 0:23:59 | 0:24:03 | |
She also needs to find buyers | 0:24:03 | 0:24:05 | |
for her '70s salad servers, modern earrings, | 0:24:05 | 0:24:07 | |
and retro lampshade. | 0:24:07 | 0:24:09 | |
It's time for our elegant experts to fire up their laptops, | 0:24:09 | 0:24:12 | |
pick up their phones and sniff out | 0:24:12 | 0:24:14 | |
the buyers in their goal to accumulate | 0:24:14 | 0:24:16 | |
the most cash. But, remember, until they've shaken on it, | 0:24:16 | 0:24:19 | |
and the money has changed hands, no deal is truly sealed. | 0:24:19 | 0:24:23 | |
-Cheers. -Cheers. -For her first sale, | 0:24:23 | 0:24:25 | |
where else would Kate take her £3 bookends but a town | 0:24:25 | 0:24:29 | |
famous the world over for its connection to books and literature? | 0:24:29 | 0:24:33 | |
I'm right on the border between England and Wales in Hay-on-Wye, | 0:24:33 | 0:24:37 | |
which is known as the town of books | 0:24:37 | 0:24:39 | |
because of the mass of book shops here. | 0:24:39 | 0:24:42 | |
But I'm not taking my bookends to a book shop, | 0:24:42 | 0:24:44 | |
that would be too easy. | 0:24:44 | 0:24:46 | |
I'm going to take them to a pub. | 0:24:46 | 0:24:47 | |
That's an interesting decision. | 0:24:48 | 0:24:50 | |
Kate is meeting Scarlett, | 0:24:50 | 0:24:52 | |
manager of the pub that has been in her family for 30 years. | 0:24:52 | 0:24:55 | |
Hay is the town of books, isn't it? | 0:24:56 | 0:24:58 | |
-It is, yeah. -So you must get a lot of literary minds coming in | 0:24:58 | 0:25:01 | |
-and having lunch here. -We do. It can make for a bit of a busy lunchtime, | 0:25:01 | 0:25:04 | |
getting a lot of people who are quite opinionated about their | 0:25:04 | 0:25:06 | |
literature, and talking about different subjects. | 0:25:06 | 0:25:09 | |
Well, I've brought you a pair of bookends and I think they've got | 0:25:09 | 0:25:12 | |
a lovely bit of sort of faded glory about them. | 0:25:12 | 0:25:14 | |
In their day, which was probably the early part of the 20th century, | 0:25:14 | 0:25:18 | |
they would have been quite striking and really of some quality. | 0:25:18 | 0:25:22 | |
You can see they've been edged with gilt and they've got this lovely | 0:25:22 | 0:25:25 | |
fleur-de-lis motif on them. | 0:25:25 | 0:25:27 | |
I know you've got a few little nice antiquey pieces around the pub. | 0:25:27 | 0:25:31 | |
-Yeah, we do. -So what do you think, Scarlett? Do you think they'd fit in here? | 0:25:31 | 0:25:34 | |
Well, I think they are both really lovely bookends. | 0:25:34 | 0:25:36 | |
We've got a lot of rich reds and kind of nice antiquey bits that | 0:25:36 | 0:25:39 | |
people love to come and have a look at. And this could really work well | 0:25:39 | 0:25:43 | |
with our current collection. | 0:25:43 | 0:25:45 | |
How much are you looking for them? | 0:25:45 | 0:25:46 | |
I was hoping for around the £60 mark. | 0:25:46 | 0:25:49 | |
How does that sound to you? | 0:25:49 | 0:25:51 | |
Would you take 40 for them? | 0:25:51 | 0:25:53 | |
Could I push you up to 50? | 0:25:53 | 0:25:54 | |
A nice round 50? | 0:25:54 | 0:25:56 | |
How about 47? We'll settle on 47. | 0:25:56 | 0:25:58 | |
47, that comes down a wee bit, I'm happy with that. | 0:25:58 | 0:26:01 | |
Yeah? Perfect. We've got a deal. | 0:26:01 | 0:26:03 | |
-Lovely, thank you, Scarlett. -Thank you. | 0:26:03 | 0:26:05 | |
Wowzer. Kate sells the bookends for a novel profit of £44 and they find | 0:26:05 | 0:26:10 | |
their way straight onto the shelf. | 0:26:10 | 0:26:12 | |
-They look perfect. -Yeah? -Really nice. | 0:26:12 | 0:26:14 | |
Miss Bliss may have got her first sale under her belt, | 0:26:15 | 0:26:18 | |
but Caroline is hot on her heels. | 0:26:18 | 0:26:20 | |
The Hawk goes south, | 0:26:20 | 0:26:22 | |
to creative hot spot East London, where there are more vintage | 0:26:22 | 0:26:25 | |
homeware dealers than you can shake a stick at. | 0:26:25 | 0:26:28 | |
A vintage stick, that is. | 0:26:28 | 0:26:29 | |
I'm here in East London to see Jihan with my Midwinter dinner service. | 0:26:30 | 0:26:34 | |
It's just the sort of thing that she buys. | 0:26:34 | 0:26:36 | |
So, hopefully, she's going to fall for mine. | 0:26:36 | 0:26:38 | |
The 19-piece set cost her £40. | 0:26:40 | 0:26:43 | |
-So, it's arrived safely. -Yes, it all has. | 0:26:43 | 0:26:46 | |
Now, I've done a bit of research and found out that | 0:26:46 | 0:26:49 | |
-the designer is Jesse Tait. -That's correct. | 0:26:49 | 0:26:52 | |
She was revolutionary in design work, moving away from the kind of | 0:26:52 | 0:26:56 | |
traditional chintz and floral designs. | 0:26:56 | 0:26:58 | |
-You collect but you also sell, don't you? -That's right. | 0:26:58 | 0:27:01 | |
-This is your business. -Yes, so we collect Midwinter tableware. | 0:27:01 | 0:27:05 | |
But then also sell mid-century tableware, mid-century furniture, | 0:27:05 | 0:27:08 | |
so it's actually, like, really good stuff for us. | 0:27:08 | 0:27:11 | |
I was hoping to get 190. | 0:27:11 | 0:27:15 | |
We'd kind of be looking to pay more at the kind of 140 price... | 0:27:15 | 0:27:19 | |
-Right. -..for this kind of stuff. | 0:27:19 | 0:27:21 | |
-Yeah. -Mostly because it's not complete | 0:27:21 | 0:27:24 | |
with coffee cups or teacups. | 0:27:24 | 0:27:26 | |
But it is a very nice piece. | 0:27:26 | 0:27:28 | |
Could we settle on 150? | 0:27:28 | 0:27:30 | |
I think we can do 150. | 0:27:30 | 0:27:32 | |
-Brilliant. 150. -Thank you very much. | 0:27:32 | 0:27:35 | |
A successful sale and Caroline can dine out on her delicious profit | 0:27:35 | 0:27:39 | |
of £110. | 0:27:39 | 0:27:41 | |
Still on a retro roll, | 0:27:43 | 0:27:45 | |
Caroline sells her '60s velvet dress to Hannah, | 0:27:45 | 0:27:47 | |
the buyer for a vintage clothing shop in Oxford... | 0:27:47 | 0:27:50 | |
Could we close the deal at 35? Would you take that? | 0:27:51 | 0:27:54 | |
Yes, do you know, I would. Yes. | 0:27:54 | 0:27:56 | |
..making £27 profit and going one deal ahead. | 0:27:58 | 0:28:01 | |
In a bid to add value to her chest of drawers, | 0:28:02 | 0:28:04 | |
Kate has spruced it up with a fashionable shade of paint, | 0:28:04 | 0:28:08 | |
and has made her way from home across the border into Wales. | 0:28:08 | 0:28:11 | |
Now, I've had a bit of a quirky idea for my little chest of drawers. | 0:28:13 | 0:28:16 | |
I've had it delivered to a very blowy glamping site | 0:28:16 | 0:28:20 | |
just outside Hay-on-Wye. | 0:28:20 | 0:28:22 | |
Now, I've come to meet the owner, Kesari, | 0:28:22 | 0:28:24 | |
and I'm hoping my little chest is going to fit very nicely | 0:28:24 | 0:28:28 | |
in one of her tents. | 0:28:28 | 0:28:30 | |
Kate originally paid a modest £15 for this item, | 0:28:30 | 0:28:33 | |
but now she's painted it and added a cushion, | 0:28:33 | 0:28:36 | |
could there be a profitable treasure in the chest? | 0:28:36 | 0:28:39 | |
-So, what do you think of it, Kesari? -I think it's stunning. It really, | 0:28:39 | 0:28:42 | |
really goes well with, you know, all of our furnishings, | 0:28:42 | 0:28:45 | |
how we decorated all of the tents. | 0:28:45 | 0:28:47 | |
It's a sweet little chest of drawers. | 0:28:47 | 0:28:48 | |
Obviously, you've got a little bit of storage in there, | 0:28:48 | 0:28:51 | |
which I should imagine you need. | 0:28:51 | 0:28:52 | |
But also it is just the perfect height for a little seat, | 0:28:52 | 0:28:56 | |
so you've got an extra bonus there to use it as a little perch as well. | 0:28:56 | 0:29:00 | |
Normally I would paint the furniture and you've done it in exactly | 0:29:00 | 0:29:03 | |
the same colour as I would have used. | 0:29:03 | 0:29:05 | |
Well, I was hoping for somewhere between 150 and 200. | 0:29:05 | 0:29:09 | |
Given that it's finished completely, | 0:29:09 | 0:29:11 | |
I'd probably pay between 120 and 160. | 0:29:11 | 0:29:16 | |
If I push you to the 160, I'll throw the cushion in as well. | 0:29:16 | 0:29:20 | |
-How does that sound? -Brilliant, deal. | 0:29:20 | 0:29:23 | |
Done. | 0:29:23 | 0:29:25 | |
And the chest is soon installed in its new home. | 0:29:25 | 0:29:27 | |
Great. | 0:29:29 | 0:29:30 | |
Chest plus paint plus cushion delivers Kate a stonking profit | 0:29:30 | 0:29:34 | |
of £132.01. | 0:29:34 | 0:29:36 | |
And she's delighted. | 0:29:36 | 0:29:38 | |
Well, I'm just really glad that all my elbow grease and hard work | 0:29:38 | 0:29:42 | |
has paid off. | 0:29:42 | 0:29:43 | |
With the scores at two deals each, | 0:29:43 | 0:29:45 | |
Kate is off to Daventry in Northamptonshire. | 0:29:45 | 0:29:48 | |
She's set her sights on selling the chic whistling kettle that she | 0:29:48 | 0:29:52 | |
picked up for £15 to Avril, | 0:29:52 | 0:29:54 | |
the owner of a distinctly different cafe. | 0:29:54 | 0:29:58 | |
-Hello there. -Hello, Kate. | 0:29:58 | 0:29:59 | |
-It looks superb. -Thank you very much. | 0:29:59 | 0:30:01 | |
-Would you like to come on board? -I would love to. | 0:30:01 | 0:30:04 | |
-If you come down backwards. -Backwards is best, is it? | 0:30:04 | 0:30:07 | |
That's lovely. | 0:30:07 | 0:30:08 | |
-Great. This is lovely, Avril. -And into my little galley. | 0:30:09 | 0:30:13 | |
-Into here. -You can see the working area. | 0:30:13 | 0:30:15 | |
Yes. So this is the kettle. | 0:30:15 | 0:30:17 | |
Well, I think we should give it a go. | 0:30:17 | 0:30:19 | |
Sounds good to me. | 0:30:19 | 0:30:20 | |
Remember, this is a whistling kettle, | 0:30:22 | 0:30:24 | |
so all they need to do is wait. | 0:30:24 | 0:30:26 | |
So, what's it like being on the water? | 0:30:26 | 0:30:28 | |
And having to cook in here? | 0:30:28 | 0:30:30 | |
You can sway a little bit but it is a fun, friendly thing, | 0:30:30 | 0:30:33 | |
which is why I'm interested in your kettle. | 0:30:33 | 0:30:35 | |
-Yeah. -Because that's also a fun, friendly thing. | 0:30:35 | 0:30:38 | |
Well, I think it is a really nice, stylish piece. | 0:30:38 | 0:30:40 | |
It's by Alessi, Italian designers. | 0:30:40 | 0:30:43 | |
And, actually, this piece dates from 1983, | 0:30:43 | 0:30:47 | |
designed by a chap called Richard Sapper. | 0:30:47 | 0:30:49 | |
But that whistle on the end, | 0:30:49 | 0:30:51 | |
which should be a two-tone melodic whistle... | 0:30:51 | 0:30:53 | |
Well, I'm looking forward to it. | 0:30:53 | 0:30:55 | |
-It's steaming. -We're getting a lot of steam. | 0:30:55 | 0:30:59 | |
Yes, but how long does this kettle need to start producing its | 0:30:59 | 0:31:02 | |
distinctive tune? | 0:31:02 | 0:31:03 | |
MUSIC: Hot in Herre by Nelly | 0:31:03 | 0:31:05 | |
This is a bit of a puzzle. | 0:31:05 | 0:31:07 | |
It seems the kettle was in the car-boot sale for a reason. | 0:31:07 | 0:31:10 | |
It ain't whistling. | 0:31:10 | 0:31:12 | |
Yes, the silent kettle has been found out. | 0:31:12 | 0:31:14 | |
But Kate is not about to let a sale disappear. | 0:31:14 | 0:31:17 | |
I mean, is it still something you might be interested in buying, | 0:31:17 | 0:31:20 | |
Avril, even without the whistle? | 0:31:20 | 0:31:21 | |
I think I would be still interested in buying it, Kate, yes. | 0:31:21 | 0:31:24 | |
OK. Well, I think we'd definitely better bring the price down, | 0:31:24 | 0:31:28 | |
from where I saw it at, as it doesn't whistle. | 0:31:28 | 0:31:31 | |
How does £40 sound for it, for a stylish Italian kettle? | 0:31:31 | 0:31:35 | |
That sounds very fair. | 0:31:35 | 0:31:36 | |
All right. £40 then, Avril. | 0:31:36 | 0:31:38 | |
That's super. Thank you very much. | 0:31:38 | 0:31:39 | |
-Thank you very much. -Well, any chance of a cup of tea? | 0:31:39 | 0:31:42 | |
Absolutely. | 0:31:42 | 0:31:44 | |
Well, that contrary car-boot find makes Kate a profit of £25 | 0:31:44 | 0:31:48 | |
and at least it boils water. | 0:31:48 | 0:31:50 | |
-Cheers. -Cheers. | 0:31:50 | 0:31:52 | |
Still rather red-faced from the great Daventry kettle disaster, | 0:31:52 | 0:31:55 | |
Kate puts in a call to Caroline to see how her rival is doing. | 0:31:55 | 0:31:59 | |
-Hello. -Caroline. | 0:31:59 | 0:32:01 | |
Hi, Kate. | 0:32:01 | 0:32:03 | |
You won't believe it. Do you remember my whistling kettle? | 0:32:03 | 0:32:05 | |
-I do. -Yeah. I had a wee bit of a hitch. | 0:32:06 | 0:32:10 | |
-What? -It didn't whistle. | 0:32:10 | 0:32:12 | |
-Oh, no. -How embarrassing is that? | 0:32:12 | 0:32:14 | |
But I managed to just sell it anyway. | 0:32:14 | 0:32:16 | |
Are you selling lots? | 0:32:16 | 0:32:17 | |
I'm all right. I'm selling and I'm busy, busy, busy. | 0:32:17 | 0:32:21 | |
Yeah, you sound far too confident, actually, Caroline. | 0:32:21 | 0:32:24 | |
-Oh, yeah? -Well, listen, great to talk to you. | 0:32:24 | 0:32:27 | |
And you, Kate. | 0:32:27 | 0:32:29 | |
-Bye. -Bye. She thinks I sound confident. | 0:32:29 | 0:32:32 | |
Well, I do. What have I got to worry about? | 0:32:32 | 0:32:34 | |
SHE WHISTLES | 0:32:34 | 0:32:36 | |
A bit worried now. | 0:32:36 | 0:32:37 | |
To alleviate her worries, | 0:32:39 | 0:32:41 | |
Kate sells her 1970s salad servers to contact Amanda in Herefordshire | 0:32:41 | 0:32:46 | |
for £25, dishing up a healthy profit of £21. | 0:32:46 | 0:32:50 | |
And that brings us to the halfway mark, | 0:32:50 | 0:32:52 | |
so let's find out how our selling queens are doing so far. | 0:32:52 | 0:32:56 | |
Kate has sold four items, stacking up a profit of £222.01. | 0:32:57 | 0:33:03 | |
Caroline has sold only two items and has a smaller profit of £137. | 0:33:03 | 0:33:09 | |
So Kate is two deals up but, determined to strike back, | 0:33:11 | 0:33:14 | |
The Hawk is in South London | 0:33:14 | 0:33:16 | |
with her mid-century baby bath that cost £12. | 0:33:16 | 0:33:19 | |
She hopes to make a splash with vintage furniture shop owner Moses. | 0:33:19 | 0:33:24 | |
Hi. This is the baby bath I was telling you about on the telephone. | 0:33:25 | 0:33:31 | |
It was designed in 1955. | 0:33:31 | 0:33:33 | |
-Right. -And made between 1955 and 1960. | 0:33:33 | 0:33:36 | |
-Mm-hm. -I think it's a very original piece. -Yeah. | 0:33:36 | 0:33:41 | |
I think it's a very interesting mid-century modern piece. | 0:33:41 | 0:33:44 | |
-Yes. All the ticks. All the ticks. -All the ticks? | 0:33:44 | 0:33:48 | |
So, what do you think about it? | 0:33:48 | 0:33:51 | |
It's an unusual piece. | 0:33:51 | 0:33:52 | |
I'm not sure I would put a baby of mine in there. | 0:33:52 | 0:33:55 | |
I think it's going to be a planter. | 0:33:55 | 0:33:56 | |
Well, I was thinking between 80 and 120. | 0:33:56 | 0:34:01 | |
-Ouch. -Oh, ouch. | 0:34:01 | 0:34:02 | |
I felt that. | 0:34:02 | 0:34:03 | |
Whatever you're thinking, divide it by two. | 0:34:05 | 0:34:07 | |
Divide it by two?! Oh! Could we do... | 0:34:07 | 0:34:11 | |
..75? | 0:34:12 | 0:34:13 | |
I'm just trying to think on the resale value. | 0:34:13 | 0:34:16 | |
So I'm thinking 65 and... | 0:34:16 | 0:34:20 | |
-..save you taking it back. -70 and you've got yourself a deal. | 0:34:21 | 0:34:25 | |
70? 70 breaks the bank. | 0:34:25 | 0:34:28 | |
65 breaks my heart. | 0:34:28 | 0:34:30 | |
£66, I think we've got a deal. | 0:34:30 | 0:34:33 | |
£66 and you have a deal. | 0:34:33 | 0:34:36 | |
-Done. -Thank you. | 0:34:36 | 0:34:37 | |
With her heart still intact, | 0:34:37 | 0:34:39 | |
Caroline rinses a profit of £54 from her vintage bath. | 0:34:39 | 0:34:43 | |
Also in London, she targets a Phileas Fogg-themed bar with her | 0:34:45 | 0:34:49 | |
decorative 1930s suitcase... | 0:34:49 | 0:34:51 | |
-I'll shake on 80. Thank you very much. -Excellent. | 0:34:51 | 0:34:53 | |
..and picks up a £62 profit from marketing manager Tom. | 0:34:53 | 0:34:57 | |
They are level pegging with four sales each, | 0:34:58 | 0:35:01 | |
and Kate is in Worcestershire, | 0:35:01 | 0:35:02 | |
hoping for a sweet deal on her colourful '60s lampshade. | 0:35:02 | 0:35:05 | |
Remember, it cost her £15. | 0:35:05 | 0:35:08 | |
Here on the high street is quite an unusual tearooms. | 0:35:08 | 0:35:11 | |
It's retro at one end and vintage at the other. | 0:35:11 | 0:35:15 | |
Now, I'm hoping that, somewhere, this is going to fit in. | 0:35:15 | 0:35:19 | |
She's meeting tearoom owner and design buff Susan. | 0:35:20 | 0:35:24 | |
-Hi, Susan. -Hello, Kate. -Hi, there. -Pleased to meet you. | 0:35:24 | 0:35:27 | |
I mean, this has got to be the retro end. | 0:35:27 | 0:35:29 | |
This is definitely the retro end, yes. | 0:35:29 | 0:35:31 | |
Yeah. I love your three-piece suite and your wallpaper. | 0:35:31 | 0:35:34 | |
-Thank you very much, yes. -How did all this come about? | 0:35:34 | 0:35:37 | |
Well, basically, I'm a baker by trade, so in the tearoom, I make all | 0:35:37 | 0:35:39 | |
my own cakes. | 0:35:39 | 0:35:41 | |
But I've also come through breast cancer and while I was in | 0:35:41 | 0:35:45 | |
remission, I did an interior design course at college. | 0:35:45 | 0:35:48 | |
So I've got an interest in retro and different styles and things. | 0:35:48 | 0:35:51 | |
And this actually looks quite in keeping, doesn't it? | 0:35:51 | 0:35:54 | |
-It does, yeah. -What do you think? -Very space-age, yeah. | 0:35:54 | 0:35:57 | |
I love it. I love the colour. | 0:35:57 | 0:35:58 | |
Well, I don't know what you think. | 0:35:58 | 0:36:00 | |
I was hoping for somewhere between sort of £80 and £120. | 0:36:00 | 0:36:04 | |
-Right. -How does that sound to you? | 0:36:04 | 0:36:05 | |
Yes, I think that sounds really good, yeah. | 0:36:05 | 0:36:07 | |
Yeah. Yeah. Obviously, it's in nice condition as well. | 0:36:07 | 0:36:10 | |
Yes. So what do you think? | 0:36:10 | 0:36:12 | |
A round 100? | 0:36:12 | 0:36:14 | |
Yes, I think so. Yeah. | 0:36:14 | 0:36:16 | |
-Are you happy with that? -If that's OK with you, yeah. | 0:36:16 | 0:36:18 | |
I'm delighted with that, if you are happy. | 0:36:18 | 0:36:20 | |
-Lovely, yeah. -I think this has got to be the ideal place, Susan. | 0:36:20 | 0:36:23 | |
I think it will fit in well, yes. | 0:36:23 | 0:36:25 | |
-Yeah, definitely. -Fantastic. -Thank you very much. | 0:36:25 | 0:36:28 | |
An item in great condition matched with the perfect buyer makes for | 0:36:28 | 0:36:32 | |
a stress-free haggle and Kate's switched on an £85 profit. | 0:36:32 | 0:36:36 | |
And in the moneymaking mood, | 0:36:36 | 0:36:38 | |
she adds a further £35 to her profit pot when she sells her | 0:36:38 | 0:36:42 | |
stud earrings to an antiques dealer in Dorset. | 0:36:42 | 0:36:45 | |
Caroline is now two deals down and who would be in her shoes, | 0:36:45 | 0:36:49 | |
as she tries to sell her fancy '80s footwear to Ian, | 0:36:49 | 0:36:52 | |
owner of a vintage clothing shop in Whitby? | 0:36:52 | 0:36:55 | |
There are seven pairs. | 0:36:56 | 0:36:58 | |
-They obviously like the blue ones. -Yeah, there's a lot of blue. | 0:36:58 | 0:37:01 | |
When I bought them, | 0:37:01 | 0:37:02 | |
the lady said they were sold on the Kings Road in the '80s. | 0:37:02 | 0:37:05 | |
-Yeah. -And a lot of unknown designers put their shoes in and they were | 0:37:05 | 0:37:09 | |
sold from there. As you can see, there is no maker. | 0:37:09 | 0:37:12 | |
Yeah, I think apart from some slight marking there, | 0:37:12 | 0:37:15 | |
they are in fantastic condition. | 0:37:15 | 0:37:16 | |
How much do you think they are worth? | 0:37:16 | 0:37:19 | |
Well, I was hoping to get around £20 a pair. | 0:37:19 | 0:37:24 | |
How would you feel about more like 15 a pair? | 0:37:24 | 0:37:27 | |
Right, 15... | 0:37:27 | 0:37:30 | |
-105? -105, yes, right. | 0:37:30 | 0:37:32 | |
I'm going to have to be... | 0:37:32 | 0:37:34 | |
Could you do 16? | 0:37:36 | 0:37:38 | |
And the maths as well? | 0:37:39 | 0:37:40 | |
16, I can do 16, but I think I need a calculator. | 0:37:40 | 0:37:44 | |
-Right, OK. 16, thank you. -Thank you very much. | 0:37:44 | 0:37:48 | |
That's £112 and she adds £82 to her profit pot. | 0:37:48 | 0:37:54 | |
And from high fashion to high calories, | 0:37:54 | 0:37:56 | |
Caroline has gone all Mary Berry with her cake stand, | 0:37:56 | 0:37:59 | |
raiding her own pantry to rustle up some home-made heart-shaped treats | 0:37:59 | 0:38:03 | |
to sweeten the sale for Laura, | 0:38:03 | 0:38:05 | |
owner of a wedding venue in East Yorkshire... | 0:38:05 | 0:38:07 | |
Could you make it 50? | 0:38:07 | 0:38:09 | |
-Yes. -Yes. Yes. | 0:38:09 | 0:38:11 | |
..for a profit of £47 with sugar on top. | 0:38:11 | 0:38:16 | |
They are now both down to their final items. | 0:38:16 | 0:38:19 | |
In Herefordshire, classy Kate | 0:38:19 | 0:38:21 | |
is giving her tweed jackets an extra twist. | 0:38:21 | 0:38:24 | |
They are in really nice condition | 0:38:24 | 0:38:26 | |
but I think the buttons let them down. | 0:38:26 | 0:38:29 | |
They look a bit cheap to me. | 0:38:29 | 0:38:30 | |
I think leather-covered buttons, | 0:38:30 | 0:38:32 | |
I think will just make it look a whole lot better. | 0:38:32 | 0:38:36 | |
The new buttons cost almost £8, so Kate needs to do a good job. | 0:38:36 | 0:38:41 | |
Jackets up to scratch, and now owing her just under £20, | 0:38:41 | 0:38:45 | |
Kate is in Ledbury, | 0:38:45 | 0:38:46 | |
hoping for a stylish profit from vintage storeowner Kelly. | 0:38:46 | 0:38:50 | |
Kate, hi. How are you? | 0:38:50 | 0:38:51 | |
Good to see you. These are the jackets I told you about. | 0:38:51 | 0:38:54 | |
Right, lovely, OK. | 0:38:54 | 0:38:55 | |
-Would you like to come inside and have a look? -Sure, thank you. | 0:38:55 | 0:38:58 | |
I was hoping for around the sort of £40-£50 each. | 0:38:58 | 0:39:03 | |
I would probably be looking at between £20-£25 each. | 0:39:03 | 0:39:08 | |
Could I say 60 for the two? | 0:39:08 | 0:39:11 | |
Push you just a little bit. | 0:39:11 | 0:39:13 | |
We can do that, I think. I think we can stretch to that. | 0:39:13 | 0:39:16 | |
-OK. Lovely. -Thank you very much indeed. -Thank you very much. | 0:39:16 | 0:39:18 | |
And after allowing for the cost of the new buttons, | 0:39:18 | 0:39:21 | |
the stylish pair nets Kate a profit of just over £40 and she reaches | 0:39:21 | 0:39:25 | |
the end of her selling journey. | 0:39:25 | 0:39:27 | |
Well, that's it, I'm all sold up. | 0:39:27 | 0:39:30 | |
And I'm feeling all right. | 0:39:30 | 0:39:31 | |
The only thing I'm slightly worried about is how Caroline has got on | 0:39:31 | 0:39:35 | |
and I can't wait to find out. | 0:39:35 | 0:39:36 | |
Well, our Hawk is also nearing the end of her campaign, but before | 0:39:38 | 0:39:42 | |
she does her final deal, she has promised us a miracle transformation | 0:39:42 | 0:39:46 | |
of her £8 school chairs. | 0:39:46 | 0:39:48 | |
And after a decoupage session with her friend Amanda, | 0:39:48 | 0:39:51 | |
she is ready to unveil her works of art. | 0:39:51 | 0:39:54 | |
MUSIC: Sit Down by James | 0:39:54 | 0:39:56 | |
The chairs now owe her just over £24 and to find out if she is | 0:39:56 | 0:40:00 | |
sitting on a profit, she brings them to Staithes in North Yorkshire. | 0:40:00 | 0:40:04 | |
She's meeting vintage tearoom owner Trudi, | 0:40:04 | 0:40:07 | |
who also sells furniture from her shop. | 0:40:07 | 0:40:09 | |
Lovely to see you. | 0:40:09 | 0:40:10 | |
-Hello. -Well, I hope you've got time to have a look at my lovely chairs. | 0:40:10 | 0:40:14 | |
-What do you think? -I think they look really effective. | 0:40:14 | 0:40:17 | |
And would you sell them as single chairs? | 0:40:17 | 0:40:19 | |
I think I would probably sell them as a pair. | 0:40:19 | 0:40:21 | |
I don't know many people who have got four children. | 0:40:21 | 0:40:24 | |
-Don't you? -But I think a couple of pairs, | 0:40:24 | 0:40:25 | |
I think they would fly out of the shop. | 0:40:25 | 0:40:27 | |
Well, I was thinking something like 120 for the four. | 0:40:27 | 0:40:31 | |
Ooh, 120... | 0:40:31 | 0:40:33 | |
And is there a bit of a deal in that? | 0:40:33 | 0:40:35 | |
Yeah. Is 110 any good? | 0:40:35 | 0:40:37 | |
I was thinking a round 100. | 0:40:37 | 0:40:39 | |
-A round 100. -Would you be happy with that? -OK. I would. | 0:40:39 | 0:40:42 | |
-That would be lovely. -Thank you. | 0:40:42 | 0:40:44 | |
Caroline's weeny little chairs make her a big fat profit of nearly £76 | 0:40:44 | 0:40:49 | |
after upcycling costs. | 0:40:49 | 0:40:51 | |
Our car-boot bonanza has ended but before we find out who is sitting on | 0:40:51 | 0:40:55 | |
the antiques throne and who is languishing in the dungeon, | 0:40:55 | 0:40:59 | |
let's have a reminder of what they spent. | 0:40:59 | 0:41:01 | |
Starting with a budget of £250, | 0:41:01 | 0:41:04 | |
Kate bought seven items costing nearly £90, | 0:41:04 | 0:41:07 | |
including new buttons and a cushion. | 0:41:07 | 0:41:09 | |
Caroline also bought seven items and spent just over £135, | 0:41:09 | 0:41:14 | |
including her upcycling costs. | 0:41:14 | 0:41:16 | |
But who has made the most profit? | 0:41:16 | 0:41:19 | |
All the money that Kate and Caroline have made will go to charities of | 0:41:19 | 0:41:22 | |
their choice, so without further ado, let's find out | 0:41:22 | 0:41:26 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:41:26 | 0:41:30 | |
-Hello, Kate. -How are you doing? | 0:41:30 | 0:41:32 | |
-Good to see you. -And you. -Hey, that car-boot seems like ages ago. | 0:41:32 | 0:41:37 | |
-Gosh, well, it was. -Well, it was, yeah. | 0:41:37 | 0:41:38 | |
I was on a mission that day but, do you know, when I got home, | 0:41:38 | 0:41:41 | |
I realised that I'd sort of made a bit of work for myself. | 0:41:41 | 0:41:44 | |
Do you remember my lovely cylindrical chest? | 0:41:44 | 0:41:47 | |
-Yes. -With the really nice shape. -Yes. -Well, I ended up painting that, | 0:41:47 | 0:41:50 | |
which took a little bit longer than I thought. | 0:41:50 | 0:41:52 | |
-What about you? -Well, I did a little bit of upcycling myself. | 0:41:52 | 0:41:55 | |
-Yeah? -Do you remember those little chairs, the school chairs? | 0:41:55 | 0:41:58 | |
-Yeah. -Well, I got some decoupage papers, | 0:41:58 | 0:42:01 | |
cut it all up and covered them, | 0:42:01 | 0:42:04 | |
the tops, the bottoms, painted the legs, | 0:42:04 | 0:42:07 | |
they looked absolutely brilliant. | 0:42:07 | 0:42:10 | |
-Wow! -But it took hours and hours and hours. | 0:42:10 | 0:42:12 | |
And so addictive. | 0:42:12 | 0:42:14 | |
-Really? -Yes. -Sort of quite therapeutic? | 0:42:14 | 0:42:16 | |
Yes, it is. It's fantastic. | 0:42:16 | 0:42:17 | |
But the whole house is now in danger of being decoupaged. | 0:42:17 | 0:42:21 | |
-Shall we see how we've done? -Shall we? -Come on. -I'm really nervous now. | 0:42:21 | 0:42:26 | |
-OK, are we ready? -One... -Two... | 0:42:26 | 0:42:28 | |
BOTH: Three. | 0:42:28 | 0:42:29 | |
Oh, you thrashed me! | 0:42:31 | 0:42:33 | |
Must have been your decoupage. | 0:42:33 | 0:42:35 | |
I think it was. All those hours. | 0:42:35 | 0:42:36 | |
Well done, you. Well, you know what they say, | 0:42:36 | 0:42:39 | |
-a bit of elbow grease pays off. -Yes, it does. | 0:42:39 | 0:42:41 | |
OK, I'd better buy the tea. | 0:42:41 | 0:42:43 | |
Well done, you. | 0:42:43 | 0:42:44 | |
Yes, Caroline is today's winner and it was her old school chairs | 0:42:45 | 0:42:49 | |
that were an education in how to make a profit. | 0:42:49 | 0:42:52 | |
Well, the car-boot queen has struck again. | 0:42:53 | 0:42:56 | |
I'm very, very pleased with that result. | 0:42:56 | 0:42:59 | |
It was the chairs that did it. | 0:42:59 | 0:43:01 | |
Well, that's a great win for Caroline | 0:43:01 | 0:43:02 | |
and I'm really pleased for her. | 0:43:02 | 0:43:04 | |
It sounds like she put the hours in. | 0:43:04 | 0:43:06 | |
And I think I need to learn about decoupage. | 0:43:06 | 0:43:09 | |
Well, after that defeat, | 0:43:10 | 0:43:11 | |
Kate will want to whistle up a victory tomorrow when she | 0:43:11 | 0:43:14 | |
and Caroline enter a battle of the bidding at an auction in Kent. | 0:43:14 | 0:43:18 |