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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antique experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:10 | |
I think I see a bargain. | 0:00:10 | 0:00:12 | |
Each day, one pair of duelling dealers | 0:00:12 | 0:00:14 | |
will face a mighty challenge... | 0:00:14 | 0:00:16 | |
Oh, yeah. | 0:00:16 | 0:00:18 | |
..putting their reputations on the line. | 0:00:18 | 0:00:20 | |
Ready for battle. | 0:00:20 | 0:00:21 | |
They'll give you the insiders' few of the trade... | 0:00:21 | 0:00:24 | |
I'm a big boy. I'm a player. | 0:00:24 | 0:00:26 | |
..along with their top tips and savvy secrets... | 0:00:26 | 0:00:29 | |
It is not all about what you spend, it's about what you make. | 0:00:29 | 0:00:31 | |
..showing you how to make the most money... | 0:00:31 | 0:00:34 | |
It really is war. | 0:00:34 | 0:00:36 | |
..from buying and selling. | 0:00:36 | 0:00:38 | |
You've got to be in there like a whippet. | 0:00:38 | 0:00:40 | |
Coming up... Caroline's totting up her figures... | 0:00:42 | 0:00:45 | |
We have lots and lots of nudes. | 0:00:45 | 0:00:49 | |
..Kate shares her pearls of wisdom... | 0:00:49 | 0:00:52 | |
If it feels gritty on your teeth, you know that you've got a cultured, | 0:00:52 | 0:00:56 | |
or if you're lucky, natural pearl. | 0:00:56 | 0:00:59 | |
..and a buyer is putting words into Caroline's mouth. | 0:00:59 | 0:01:02 | |
I have £40. "60." | 0:01:02 | 0:01:06 | |
This is Put Your Money Where Your Mouth Is. | 0:01:06 | 0:01:09 | |
Roll up, roll up, viewers, | 0:01:22 | 0:01:24 | |
and jump aboard a rollicking ride as our daring duo perform | 0:01:24 | 0:01:29 | |
fantastic feats of strength and sleight of hand | 0:01:29 | 0:01:32 | |
to gather a carnival of collectables for the greatest profit. | 0:01:32 | 0:01:36 | |
First up, it's our high-wire haggler from Herefordshire. | 0:01:37 | 0:01:40 | |
She can balance her books with catlike agility, | 0:01:40 | 0:01:43 | |
and is spellbindingly daring when it comes to profit acrobatics. | 0:01:43 | 0:01:47 | |
It's Kate "Absolute" Bliss. | 0:01:47 | 0:01:49 | |
It's all about playing the auction game and keeping cool. | 0:01:49 | 0:01:53 | |
Pitted against her is East Yorkshire's most colourful performer, | 0:01:53 | 0:01:56 | |
who can contort a good deal out of anyone | 0:01:56 | 0:01:59 | |
with mesmerising, money-making skills. | 0:01:59 | 0:02:02 | |
And when it comes to aerial feats of selling, | 0:02:02 | 0:02:04 | |
she always lands on her feet. | 0:02:04 | 0:02:06 | |
It's Caroline "The Hawk" Hawley. | 0:02:06 | 0:02:08 | |
Swoop in before you know it and grab the deal. | 0:02:08 | 0:02:12 | |
Today, our travelling antiques experts are pitching up | 0:02:12 | 0:02:15 | |
at the Ibbett Mosely auction house in Sevenoaks, | 0:02:15 | 0:02:18 | |
with £1,000 of their own money to spend, and any profits | 0:02:18 | 0:02:21 | |
they make from selling will go to their chosen charities. | 0:02:21 | 0:02:24 | |
But who can juggle with fire, and who's a clown? | 0:02:24 | 0:02:28 | |
It's time to find out. | 0:02:28 | 0:02:30 | |
-Hey, you made it, then? -Morning, morning. | 0:02:30 | 0:02:32 | |
-Good to see you. -It's a good, good sale. | 0:02:32 | 0:02:35 | |
-Yeah. -Very small. -It's only about 300 lots, isn't it? | 0:02:35 | 0:02:38 | |
I actually quite like that, | 0:02:38 | 0:02:40 | |
because it's going to be fairly fast and furious. | 0:02:40 | 0:02:43 | |
-We're going to be on our toes. -It is, yeah. | 0:02:43 | 0:02:45 | |
But we've got £1,000, including the buyer's premium - | 0:02:45 | 0:02:48 | |
it's a hammer of about 850, isn't it? | 0:02:48 | 0:02:50 | |
Yes. So you've got to keep a mental tally. | 0:02:50 | 0:02:52 | |
-Do you want me to... -I'm hopeless at maths. | 0:02:52 | 0:02:54 | |
-..do it for you? -No, I think I'll manage, thank you very much. | 0:02:54 | 0:02:56 | |
-Come on, I'm going to get in the thick of it. -Good luck. -Bye. -Bye. | 0:02:56 | 0:02:59 | |
So Caroline hopes her superior maths skills will make her the ringmaster. | 0:02:59 | 0:03:04 | |
But before the bidding begins, both dealers take a chance | 0:03:04 | 0:03:07 | |
to browse and devise their auction action plans. | 0:03:07 | 0:03:10 | |
My strategy today is all about preparation and planning. | 0:03:11 | 0:03:16 | |
I've got down here early and had a really good snoop about, | 0:03:16 | 0:03:19 | |
and I'm hoping that will put me one step ahead of Caroline. | 0:03:19 | 0:03:23 | |
For Kate, it's all about a thorough trawl. | 0:03:23 | 0:03:27 | |
For Caroline, the key is keeping an open mind. | 0:03:27 | 0:03:30 | |
There's lots of things, so what I've done, I've marked | 0:03:30 | 0:03:33 | |
my catalogue with more things than I'm clearly going to buy, | 0:03:33 | 0:03:36 | |
but I'm covering all areas, and I think I'm going to be all right. | 0:03:36 | 0:03:40 | |
And her hawk eye soon spots something | 0:03:40 | 0:03:43 | |
she hopes will leave her bathed in glory. | 0:03:43 | 0:03:46 | |
It's a Victorian pottery footbath. | 0:03:46 | 0:03:48 | |
It dates from about 1840/1850. | 0:03:48 | 0:03:52 | |
If you spin it over, we can see here, Berlin Roses is the pattern. | 0:03:52 | 0:03:57 | |
Stone china. I think that makes a great statement piece. | 0:03:57 | 0:04:00 | |
I'm hoping it is going to be well inside the 100, | 0:04:00 | 0:04:03 | |
but we'll see. | 0:04:03 | 0:04:05 | |
Yes, with no guide prices provided at this auction, | 0:04:05 | 0:04:08 | |
both our dealers will have to rely on their own expert valuations. | 0:04:08 | 0:04:12 | |
And equestrian aficionado Kate is not one to be taken for a ride. | 0:04:12 | 0:04:16 | |
Well, this is one of the first things that I noticed | 0:04:16 | 0:04:18 | |
in the auction, straightaway. I used to ride as a kid, | 0:04:18 | 0:04:21 | |
so I'm familiar with horses' saddles. | 0:04:21 | 0:04:23 | |
There's actually a name under here, | 0:04:23 | 0:04:26 | |
JA Barnsby & Sons is in the top five saddle makers in the world, | 0:04:26 | 0:04:31 | |
and I'm hoping that Caroline has walked straight past it. | 0:04:31 | 0:04:36 | |
With that, Miss Bliss gallops off, | 0:04:36 | 0:04:38 | |
blissfully ignorant that Miss Hawley also wants to be in the pony club. | 0:04:38 | 0:04:42 | |
Now, this little lot I think is an absolute must. | 0:04:42 | 0:04:46 | |
I'm definitely going to go for it, | 0:04:46 | 0:04:47 | |
and it's got a huge amount of tack with it. | 0:04:47 | 0:04:50 | |
And this thermometer that would go, not in his mouth, but anyway. | 0:04:50 | 0:04:55 | |
That's... | 0:04:55 | 0:04:57 | |
So it may come down to a photo finish | 0:04:57 | 0:05:00 | |
for this late-20th-century saddle. | 0:05:00 | 0:05:02 | |
And, with the preview session coming to an end, it's time for our | 0:05:02 | 0:05:05 | |
circus stars to prepare themselves for today's matinee performance. | 0:05:05 | 0:05:09 | |
Well, here we go. | 0:05:09 | 0:05:10 | |
I'm in position right at the back of the room. | 0:05:10 | 0:05:13 | |
The Hawk is just over there. | 0:05:13 | 0:05:15 | |
And a bit of a hush has descended on the room. | 0:05:15 | 0:05:19 | |
Here we go, let's buy some stuff. | 0:05:19 | 0:05:21 | |
Something tells me we're going to have a great day, | 0:05:21 | 0:05:24 | |
but lots of competition. Bring it on! | 0:05:24 | 0:05:27 | |
Yes, and our showgirls had better both be ready, | 0:05:27 | 0:05:29 | |
as they're not only up against the room and each other, | 0:05:29 | 0:05:32 | |
but also invisible phone bidders. | 0:05:32 | 0:05:34 | |
There are no guide prices here, so until each lot comes up, | 0:05:34 | 0:05:38 | |
they won't know whether they have misjudged the value | 0:05:38 | 0:05:41 | |
of their saleroom favourites and can afford to bid. | 0:05:41 | 0:05:44 | |
Caroline is first to step out from behind the starcloth | 0:05:44 | 0:05:47 | |
as an item she spotted earlier is up for grabs. | 0:05:47 | 0:05:50 | |
Now, this is a Victorian footbath, | 0:05:52 | 0:05:54 | |
and I noticed Caroline looking at this closely. | 0:05:54 | 0:05:56 | |
Wish me luck. | 0:05:57 | 0:05:59 | |
Ten. Thank you, ten there. | 0:05:59 | 0:06:01 | |
15 now. 15 to you. | 0:06:01 | 0:06:04 | |
20. 25. | 0:06:04 | 0:06:05 | |
And she's bidding. | 0:06:05 | 0:06:07 | |
55, 60. | 0:06:07 | 0:06:08 | |
65, 70. | 0:06:08 | 0:06:10 | |
She's still going. | 0:06:10 | 0:06:12 | |
95, 100. | 0:06:12 | 0:06:14 | |
100 anywhere? | 0:06:16 | 0:06:17 | |
95, then. | 0:06:18 | 0:06:19 | |
She's got it. She's out of the blocks before me. | 0:06:21 | 0:06:24 | |
She is. Caroline buys the footbath for just over £112, including fees. | 0:06:24 | 0:06:29 | |
I'd have been happier if it was less, but it's a nice-looking thing. | 0:06:30 | 0:06:34 | |
Mmm, is Kate panicked by Caroline getting in first? | 0:06:36 | 0:06:39 | |
A modern print of a Spitfire comes up for grabs and, | 0:06:39 | 0:06:41 | |
without even a look during preview, Kate jumps into the cockpit. | 0:06:41 | 0:06:45 | |
10 now. £10. | 0:06:46 | 0:06:48 | |
-12 now. -I'm not going any more. | 0:06:48 | 0:06:50 | |
£10, then, all done? | 0:06:50 | 0:06:52 | |
That's me. | 0:06:53 | 0:06:55 | |
Kate's chocks away with her first purchase for £11.80, | 0:06:55 | 0:06:58 | |
including costs. | 0:06:58 | 0:06:59 | |
I'm going to go and have a look. | 0:07:01 | 0:07:02 | |
Hmm, shouldn't you have done that before you bought it, Kate? | 0:07:02 | 0:07:05 | |
Goodness me, she must be stressed | 0:07:05 | 0:07:08 | |
cos she's just rushed off down the front to look at it. | 0:07:08 | 0:07:10 | |
My grandfather flew Spitfires and Blenheim bombers | 0:07:10 | 0:07:13 | |
in the Second World War. | 0:07:13 | 0:07:15 | |
You can almost hear this thundering through the air. | 0:07:15 | 0:07:18 | |
There's also a great revival in World War memorabilia | 0:07:18 | 0:07:22 | |
and associated items, | 0:07:22 | 0:07:23 | |
so this is a great time to be looking to sell a piece like this. | 0:07:23 | 0:07:26 | |
Now, there's a bit of water damage, | 0:07:26 | 0:07:28 | |
and the frame probably isn't the best, but with a little bit of work, | 0:07:28 | 0:07:31 | |
I think I could really get this flying. | 0:07:31 | 0:07:33 | |
And that purchase has done wonders for the Bliss's confidence. | 0:07:35 | 0:07:38 | |
Do you know, it's interesting, here it's a psychological game. | 0:07:38 | 0:07:41 | |
I feel so much better now I've actually bought something. | 0:07:41 | 0:07:44 | |
Spirits up, Kate buys a Tunbridge Ware paper knife... | 0:07:44 | 0:07:48 | |
..for just under £65, including fees, and she's 2-1 up. | 0:07:49 | 0:07:53 | |
Now, this piece is probably a late-19th-century piece, | 0:07:53 | 0:07:57 | |
and it's made up of gluing together lots of slivers | 0:07:57 | 0:08:02 | |
or rods of different coloured woods | 0:08:02 | 0:08:04 | |
and then slicing them into tiny micro-mosaic pieces, | 0:08:04 | 0:08:08 | |
which are then inlaid in a piece of wood. | 0:08:08 | 0:08:11 | |
So this little item, actually, | 0:08:11 | 0:08:14 | |
combines a huge amount of elaborate craftsmanship. | 0:08:14 | 0:08:17 | |
With this piece, I've got a good feeling. | 0:08:17 | 0:08:20 | |
With no guide prices in the catalogue, both our experts | 0:08:20 | 0:08:23 | |
are finding starting prices a bit too high for their tastes, | 0:08:23 | 0:08:27 | |
and they're up against the wall. | 0:08:27 | 0:08:28 | |
All finished, then, at 220? | 0:08:28 | 0:08:30 | |
That's enough for me. | 0:08:30 | 0:08:32 | |
£220? | 0:08:32 | 0:08:33 | |
£150 was my limit. | 0:08:33 | 0:08:36 | |
Do you know, this saleroom is very expensive. | 0:08:37 | 0:08:39 | |
I don't know what I'm going to do, really. | 0:08:39 | 0:08:42 | |
So will they come to blows as they end up going for the same items? | 0:08:42 | 0:08:46 | |
The saddle is up next, and The Hawk is trying to gee herself up. | 0:08:46 | 0:08:50 | |
It's not going to appeal to lots of people, | 0:08:50 | 0:08:53 | |
but I don't know, I mean, is it a horsey area around here? | 0:08:53 | 0:08:57 | |
I think it probably is. Are there any horsey people in here? | 0:08:57 | 0:09:01 | |
I don't think there are. | 0:09:01 | 0:09:03 | |
Well, they wouldn't turn up in their jodhpurs and boots, would they? | 0:09:03 | 0:09:07 | |
Start me at £20 anywhere for it? 20. | 0:09:07 | 0:09:09 | |
And they're off. | 0:09:09 | 0:09:10 | |
22. 25. | 0:09:10 | 0:09:12 | |
It's the Hawk versus the outsider. | 0:09:12 | 0:09:15 | |
82. | 0:09:15 | 0:09:16 | |
And the outsider's fallen away | 0:09:16 | 0:09:17 | |
but who's this coming up on the inside? | 0:09:17 | 0:09:20 | |
100. | 0:09:20 | 0:09:21 | |
It's Absolute Bliss. | 0:09:21 | 0:09:22 | |
But who'll be first past the post? | 0:09:22 | 0:09:24 | |
185. | 0:09:24 | 0:09:26 | |
That's a lot of money. | 0:09:26 | 0:09:28 | |
At 185. | 0:09:28 | 0:09:29 | |
Coming in at 190. 190. | 0:09:29 | 0:09:32 | |
-No, I'm out. -At £190 in the corner. | 0:09:32 | 0:09:34 | |
-And Bliss wins it by a nose. -Yes! | 0:09:36 | 0:09:38 | |
Oh, dear. | 0:09:38 | 0:09:40 | |
Kate gets the late-20th-century horsey paraphernalia | 0:09:40 | 0:09:43 | |
for just over £224, costs included, | 0:09:43 | 0:09:46 | |
and gallops into a 3-1 lead. | 0:09:46 | 0:09:49 | |
But this tussle was a mere warm-up for the battle of the bling, | 0:09:49 | 0:09:53 | |
as our magnificent magnates prepare to get their hands on | 0:09:53 | 0:09:57 | |
a sparkling run of jewellery lots. | 0:09:57 | 0:09:59 | |
These tycoons of the auction house will stop at nothing | 0:09:59 | 0:10:02 | |
to secure the best gems and strike gold. | 0:10:02 | 0:10:05 | |
Now, when it comes to jewellery, | 0:10:05 | 0:10:07 | |
I think Caroline and I have quite similar tastes. | 0:10:07 | 0:10:10 | |
Kate certainly likes a bit of bijoux jewellery, and so do I, | 0:10:10 | 0:10:14 | |
and there isn't a lot of good stuff around. | 0:10:14 | 0:10:18 | |
The question is, who's got the nerves of steel? | 0:10:18 | 0:10:22 | |
So, £80 in the room now, 90 anywhere? | 0:10:23 | 0:10:26 | |
-100 anywhere else? -Kate's in. | 0:10:28 | 0:10:29 | |
-I think I might have a go. -So's Caroline. | 0:10:29 | 0:10:32 | |
-100 now. -Oh! Caroline's just snooked in there. | 0:10:32 | 0:10:35 | |
"Snooked"?! | 0:10:35 | 0:10:37 | |
110? 120? | 0:10:37 | 0:10:39 | |
130 now? | 0:10:39 | 0:10:41 | |
125, then? | 0:10:41 | 0:10:43 | |
130? | 0:10:43 | 0:10:44 | |
135? | 0:10:44 | 0:10:46 | |
-No. -So at £130 all done... | 0:10:46 | 0:10:49 | |
-Yes! -I'd better let her have one. | 0:10:50 | 0:10:53 | |
So, it's Caroline who's got the metal, | 0:10:53 | 0:10:56 | |
and the Victorian brooch and 1920s necklaces | 0:10:56 | 0:10:59 | |
set her back just over £153, | 0:10:59 | 0:11:01 | |
including costs. | 0:11:01 | 0:11:03 | |
Three little beauties. | 0:11:03 | 0:11:05 | |
Two-strand necklace, with a nine carat white gold clasp. | 0:11:05 | 0:11:10 | |
Single strand with marcasite and silver clasp. | 0:11:10 | 0:11:16 | |
Lovely thing, ready to go. | 0:11:16 | 0:11:18 | |
And this is really rather beautiful. | 0:11:19 | 0:11:22 | |
It's catalogued as amethyst. | 0:11:22 | 0:11:24 | |
I'm not sure, I'm going to have to check this to make sure it is. | 0:11:24 | 0:11:27 | |
It's got these little seed pearls and little diamonds around it, | 0:11:27 | 0:11:31 | |
but I'm very, very happy with this lovely lot. | 0:11:31 | 0:11:34 | |
Her appetite for jewellery whetted, | 0:11:34 | 0:11:37 | |
she fights Kate for a white gold ring... | 0:11:37 | 0:11:40 | |
All done at 170. | 0:11:40 | 0:11:42 | |
Well, I'm pleased with that. | 0:11:43 | 0:11:44 | |
I haven't got that one, Caroline's got it. | 0:11:44 | 0:11:47 | |
..and wins it for just under £201, costs included. | 0:11:47 | 0:11:51 | |
That is gorgeous. | 0:11:52 | 0:11:55 | |
-Can I keep it myself? -No, you can't. | 0:11:55 | 0:11:57 | |
Fashion nowadays is for white gold, platinum, silver. | 0:11:57 | 0:12:01 | |
It's 18 carat and these beautiful cut blue topaz. | 0:12:01 | 0:12:06 | |
It's very, very simple, | 0:12:06 | 0:12:09 | |
and I've got a few people that would be really interested in buying this. | 0:12:09 | 0:12:15 | |
Caroline's looking smug, but Kate's not on the rocks yet... | 0:12:15 | 0:12:18 | |
-Yes! -..finally getting her fingers on some bling | 0:12:20 | 0:12:23 | |
and paying just over £106 for this modern bracelet. | 0:12:23 | 0:12:26 | |
This little bracelet really caught my eye, made up of gold and pearls. | 0:12:26 | 0:12:32 | |
The little test, to tell whether they are cultured or simulated, | 0:12:33 | 0:12:37 | |
is to run the pearl over the enamel of your teeth, just like this. | 0:12:37 | 0:12:41 | |
Now, if it feels gritty on your teeth, | 0:12:42 | 0:12:45 | |
you know that you've got a cultured, or if you're lucky, natural pearl, | 0:12:45 | 0:12:49 | |
because the calcium carbonate, which the oyster secretes, | 0:12:49 | 0:12:54 | |
is made of little plates that feel gritty on your teeth. | 0:12:54 | 0:12:57 | |
Now, here I know we've got cultured pearls | 0:12:57 | 0:13:00 | |
and they're combined with nine carat gold | 0:13:00 | 0:13:03 | |
and, as long as I can find someone who likes it as much as I do, | 0:13:03 | 0:13:06 | |
I think I've got a winner. | 0:13:06 | 0:13:08 | |
Forced by high prices to scrap over a few precious lots, | 0:13:08 | 0:13:12 | |
our exhausted dealers have reached the halfway point. | 0:13:12 | 0:13:15 | |
Time to find out where the scores stand. | 0:13:15 | 0:13:17 | |
From their £1,000 budgets, Kate has netted four lots so far, | 0:13:18 | 0:13:22 | |
costing £407.10 | 0:13:22 | 0:13:25 | |
and leaving her with just under £593 to spend. | 0:13:25 | 0:13:28 | |
Caroline has bought three lots for £466.10, | 0:13:28 | 0:13:32 | |
leaving just under £534 in her kitty. | 0:13:32 | 0:13:36 | |
-Hey! -Hey! -We've had a good few battles, haven't we? | 0:13:39 | 0:13:42 | |
We have! We had a gallop on at that saddle, didn't we? | 0:13:42 | 0:13:44 | |
We had a right gallop. I really stuck my neck out, | 0:13:44 | 0:13:46 | |
it's one of the things, actually, that really shouted at me here. | 0:13:46 | 0:13:49 | |
But the jewellery, you were brave. | 0:13:49 | 0:13:51 | |
I wanted them, got somebody in mind for the ring, definitely. | 0:13:51 | 0:13:54 | |
-Yes, yeah. -But what's happened to the days where you'd find it | 0:13:54 | 0:13:57 | |
and you could buy it for 40 quid? | 0:13:57 | 0:13:59 | |
There's some strong buyers here, they're a tough team. | 0:13:59 | 0:14:01 | |
-They are a tough team, Kate, but so are we! -Talking of tough teams! | 0:14:01 | 0:14:05 | |
I'll see you later. Bye, Kate. | 0:14:05 | 0:14:07 | |
Let's hope she runs out of steam. | 0:14:09 | 0:14:11 | |
Well, that's not likely to happen any time soon, | 0:14:11 | 0:14:13 | |
so Miss Bliss had better burst into round two like a bat out of hell, | 0:14:13 | 0:14:18 | |
and she quickly makes a move on a Victorian wash set. | 0:14:18 | 0:14:22 | |
15 now? 15. | 0:14:22 | 0:14:24 | |
All done then at 15? 18 now at the back. | 0:14:24 | 0:14:27 | |
20 anywhere else? | 0:14:27 | 0:14:28 | |
At £18 all done... | 0:14:28 | 0:14:31 | |
Yes! Spontaneous or what? | 0:14:32 | 0:14:35 | |
It certainly was. | 0:14:35 | 0:14:36 | |
Kate spends just over £21 on the jug, bowl and chamber pot, | 0:14:36 | 0:14:40 | |
including costs, and she's leading, five lots to Caroline's three. | 0:14:40 | 0:14:45 | |
If there's one thing that sells well in the china market, | 0:14:46 | 0:14:49 | |
it's blue and white, and this is one of the most well-known | 0:14:49 | 0:14:52 | |
and famous patterns, called the Willow Pattern. | 0:14:52 | 0:14:55 | |
They are in fantastic condition and they're well over 100 years old. | 0:14:55 | 0:15:00 | |
You can tell that because on the bottom of the bowl | 0:15:00 | 0:15:03 | |
we have the name Wedgwood. | 0:15:03 | 0:15:06 | |
Crikey! Careful, Kate! | 0:15:06 | 0:15:08 | |
Willow, Wedgwood, England. | 0:15:08 | 0:15:11 | |
If it said "Made In England", that would signify a 20th-century piece, | 0:15:11 | 0:15:15 | |
but because we've got just England there, | 0:15:15 | 0:15:18 | |
we know it dates from about 1895, perhaps even 1900. | 0:15:18 | 0:15:22 | |
And today, even if you don't want to use them for washing, | 0:15:22 | 0:15:26 | |
they're lovely decorative items. | 0:15:26 | 0:15:29 | |
Kate's flushed with her potty success, | 0:15:29 | 0:15:31 | |
but Caroline's interested in a seat of a different kind. | 0:15:31 | 0:15:34 | |
So my next lot is this rather nice cane and chrome chair. | 0:15:34 | 0:15:40 | |
It's very 20th century, | 0:15:40 | 0:15:42 | |
but I think it's just the sort of thing that the kids are wanting. | 0:15:42 | 0:15:47 | |
Vintage furniture is The Hawk's bag, | 0:15:47 | 0:15:49 | |
but in this tough auction it's anybody's game. | 0:15:49 | 0:15:52 | |
I've got a funny feeling that Caroline's got her eye on it, | 0:15:52 | 0:15:55 | |
so if I want it, I'm going to have to be brave. | 0:15:55 | 0:15:58 | |
£30 I have to start on commission. 32. | 0:15:58 | 0:16:00 | |
As bidding hots up, The Hawk pounces. | 0:16:00 | 0:16:03 | |
65 anywhere? 65. 68 now? | 0:16:03 | 0:16:06 | |
£65 at the back there. | 0:16:06 | 0:16:08 | |
68 anywhere else? | 0:16:08 | 0:16:09 | |
No, I'm going to let her have it, I don't like it that much. | 0:16:12 | 0:16:15 | |
I'm happy with that. | 0:16:15 | 0:16:16 | |
I can place that all day long. | 0:16:16 | 0:16:20 | |
So, the Hawk gets a ringside seat and pays just under £77, | 0:16:20 | 0:16:24 | |
including costs, and she's at four buys to Kate's five. | 0:16:24 | 0:16:28 | |
Fantastic Scandinavian look about it. | 0:16:28 | 0:16:30 | |
I think it probably only dates from the 1980s. | 0:16:30 | 0:16:34 | |
There's no breaks, it's in really good condition. | 0:16:34 | 0:16:37 | |
I think that is going to look cool absolutely anywhere. | 0:16:37 | 0:16:40 | |
And let me just see, is it comfortable? | 0:16:40 | 0:16:43 | |
Ooh, it is. | 0:16:44 | 0:16:45 | |
There's no time to relax | 0:16:45 | 0:16:47 | |
because a mid-20th-century mirror is coming up, and guess what? | 0:16:47 | 0:16:51 | |
They're both battling for the same item once again. | 0:16:51 | 0:16:54 | |
This is a real decorator's dream. | 0:16:55 | 0:16:58 | |
I'm sure Caroline's interested cos I saw her looking at it. | 0:16:58 | 0:17:00 | |
It's good quality, I think it's really nice. | 0:17:00 | 0:17:04 | |
Fingers crossed I might get it. | 0:17:04 | 0:17:06 | |
£50. 60 anywhere? | 0:17:06 | 0:17:08 | |
60. 70? 80? | 0:17:08 | 0:17:11 | |
Let's hope it stays with me. | 0:17:11 | 0:17:13 | |
90 now in a fresh place. 100? | 0:17:13 | 0:17:16 | |
No bids from The Hawk yet. | 0:17:17 | 0:17:19 | |
140. 150. | 0:17:19 | 0:17:22 | |
It's not cheap. | 0:17:22 | 0:17:24 | |
165. | 0:17:24 | 0:17:26 | |
Caroline's coming in against me. | 0:17:26 | 0:17:27 | |
Looking for 170 now. | 0:17:27 | 0:17:29 | |
-170. -No, I'm out. | 0:17:30 | 0:17:32 | |
Done at 170. | 0:17:32 | 0:17:33 | |
Well, the little sneaker, just came in to try and pip me at the post, | 0:17:35 | 0:17:39 | |
but I've got it, and I'm pleased! | 0:17:39 | 0:17:42 | |
So, it's Kate who lands the mirror for just over £200, | 0:17:42 | 0:17:45 | |
including costs, and it's a showstopper. | 0:17:45 | 0:17:48 | |
Though it isn't old, if you look at the design of it, it goes | 0:17:49 | 0:17:52 | |
right back to the 18th century and the height of the Rococo style. | 0:17:52 | 0:17:56 | |
We've got C scrolls, called so because they're C-shaped, | 0:17:56 | 0:18:00 | |
and the fact that the carved wood is actually pierced | 0:18:00 | 0:18:03 | |
makes it quite a fragile structure, but also a very elegant one. | 0:18:03 | 0:18:08 | |
And with that buy, Kate now has six items to Caroline's four | 0:18:08 | 0:18:12 | |
and she's loving it. | 0:18:12 | 0:18:13 | |
Caroline's still struggling to buy a few things, | 0:18:13 | 0:18:16 | |
and actually she has got less than 50 lots to do it in, | 0:18:16 | 0:18:21 | |
so she's under pressure. | 0:18:21 | 0:18:22 | |
I can see the steam rising there. | 0:18:23 | 0:18:26 | |
So, I've got a few lots coming up... | 0:18:26 | 0:18:28 | |
..and I must try and stay calm. | 0:18:30 | 0:18:33 | |
And first on her wish list is a brass table lamp... | 0:18:33 | 0:18:37 | |
Start me at £20 anywhere for it? | 0:18:37 | 0:18:40 | |
..and after some illuminated bidding... | 0:18:41 | 0:18:43 | |
£42 all done. | 0:18:43 | 0:18:45 | |
Thank you. | 0:18:46 | 0:18:48 | |
..it's The Hawk's for just under £50. | 0:18:48 | 0:18:51 | |
Beautiful Corinthian column table lamp, in brass. | 0:18:52 | 0:18:57 | |
It's got a lot of age to it, well, I would say the 1920s/30s. | 0:18:57 | 0:19:01 | |
It will need completely rewiring and PAT testing | 0:19:01 | 0:19:05 | |
and I'm going to invest in a new shade for it, | 0:19:05 | 0:19:09 | |
and I think that would sit very nicely in many a home. | 0:19:09 | 0:19:14 | |
Miss Bliss is still in pole position, | 0:19:14 | 0:19:17 | |
and thinks this vintage toy car set might help her maintain her lead. | 0:19:17 | 0:19:20 | |
It's a popular item and the bidding is already up to £90. | 0:19:20 | 0:19:25 | |
At £100 with the lady. 110 anywhere else? | 0:19:26 | 0:19:29 | |
At £100 then, all done. | 0:19:29 | 0:19:31 | |
The vintage car set is Kate's for £118, fees included, | 0:19:32 | 0:19:36 | |
but is she happy with her lot? | 0:19:36 | 0:19:38 | |
This is in super condition. | 0:19:38 | 0:19:40 | |
It doesn't look like it's been played with. | 0:19:40 | 0:19:43 | |
We've got a trailer with a little model Ferrari | 0:19:43 | 0:19:46 | |
and then we've got the Land Rover that pulls it along. | 0:19:46 | 0:19:50 | |
Now, this probably dates from the early 1960s, | 0:19:50 | 0:19:53 | |
and it's got its box, which collectors love. | 0:19:53 | 0:19:56 | |
The model cars were Kate's seventh and final item, | 0:19:56 | 0:19:59 | |
but Caroline is not quite done. | 0:19:59 | 0:20:02 | |
Here we have quite a selection of nude sketches. | 0:20:02 | 0:20:06 | |
Caroline joins the bidding at triple figures. | 0:20:06 | 0:20:08 | |
With you at 150. 160 anywhere? | 0:20:08 | 0:20:11 | |
Done at 150. | 0:20:11 | 0:20:13 | |
Very pleased. Not least because it's getting near the end of the sale. | 0:20:13 | 0:20:17 | |
She seals the deal for £177, including costs. | 0:20:17 | 0:20:20 | |
Now, avert your eyes, she's about to get them out. | 0:20:20 | 0:20:24 | |
We have lots and lots of nudes. | 0:20:25 | 0:20:29 | |
Now, as far as I can see, most are not signed, | 0:20:29 | 0:20:33 | |
but I think, for somebody that is into drawing, | 0:20:33 | 0:20:38 | |
or somebody that's into nudes - | 0:20:38 | 0:20:40 | |
I think we all know a few of those... | 0:20:40 | 0:20:42 | |
Speak for yourself. | 0:20:42 | 0:20:44 | |
..I think these will make quite a good little lot. | 0:20:44 | 0:20:47 | |
And, with budget left to spend, The Hawk is back | 0:20:47 | 0:20:49 | |
in her vintage comfort zone, winning a '60s record case, | 0:20:49 | 0:20:52 | |
complete with discs. | 0:20:52 | 0:20:54 | |
All done at 20. | 0:20:54 | 0:20:56 | |
Oh, yeah. | 0:20:57 | 0:20:58 | |
It's hers for just under £24, including costs, | 0:20:58 | 0:21:01 | |
and she's in retro heaven. | 0:21:01 | 0:21:03 | |
I thought, initially, it would be £60, £80. | 0:21:04 | 0:21:08 | |
I know somebody, | 0:21:08 | 0:21:10 | |
and he is a DJ, specialising in 1950s/1960s, | 0:21:10 | 0:21:15 | |
and I'm really hoping he's going to be the man to buy them. | 0:21:15 | 0:21:19 | |
So, auction over, our high-wire heroines come back to Earth with a bump. | 0:21:19 | 0:21:23 | |
Let's tot up the totals. | 0:21:23 | 0:21:25 | |
From a £1,000 budget, Kate bought seven lots and spent £746.94. | 0:21:25 | 0:21:31 | |
Caroline also bought seven lots and spent a little more - | 0:21:31 | 0:21:35 | |
£792.96. | 0:21:35 | 0:21:38 | |
But all that matters now is profit. | 0:21:38 | 0:21:40 | |
Our mistresses of the big auction take a bow | 0:21:40 | 0:21:44 | |
and review each other's performance. | 0:21:44 | 0:21:46 | |
-What a battle we've had, what a day. -I've got the scars. | 0:21:46 | 0:21:49 | |
-Oh, dear! -Hey, the first thing I want to talk about is this saddle. | 0:21:49 | 0:21:53 | |
I'm really envious of you. | 0:21:53 | 0:21:55 | |
-I know you paid money for it, but I think it's a good thing. -Yeah. | 0:21:55 | 0:21:59 | |
They are so expensive. | 0:21:59 | 0:22:00 | |
I paid a lot of money for that, thanks to you. | 0:22:00 | 0:22:03 | |
You will get out of that very well, I'm sure. | 0:22:03 | 0:22:05 | |
Well, what do you think of my mirror? | 0:22:05 | 0:22:07 | |
I think it's stunning and it makes a great statement on the wall. | 0:22:07 | 0:22:11 | |
-And it's wood, isn't it? It's carved wood. -It is. It is carved wood. | 0:22:11 | 0:22:14 | |
-It's not old, though. -I thought it looked great. | 0:22:14 | 0:22:17 | |
-Gold your thing? -I personally prefer white gold, silver, | 0:22:17 | 0:22:21 | |
but I think that will sell. | 0:22:21 | 0:22:23 | |
What do you think of my nudes? | 0:22:23 | 0:22:25 | |
There's a serious amount of sketches in there. | 0:22:25 | 0:22:27 | |
-You've got a wad of them. -Yes. | 0:22:27 | 0:22:29 | |
But, actually, a little bit envious of those. | 0:22:29 | 0:22:32 | |
And this is really dinky. | 0:22:32 | 0:22:34 | |
It's so Swinging Sixties, isn't it? | 0:22:34 | 0:22:37 | |
-Isn't it? -You can see it with the little kinky boots and miniskirt, | 0:22:37 | 0:22:40 | |
-going down the disco. -You can. | 0:22:40 | 0:22:42 | |
This, I think, of its type, it's a lovely example, | 0:22:42 | 0:22:44 | |
but they're just a bit out of fashion, are they not? | 0:22:44 | 0:22:47 | |
I know, but roses are never out of fashion. | 0:22:47 | 0:22:49 | |
I love roses and I think just this blue and white... | 0:22:49 | 0:22:53 | |
I'm a sucker for it. And I know I've got my work cut out, | 0:22:53 | 0:22:56 | |
-but I will find a buyer. -Yeah. -It's been a long day, though, Kate. | 0:22:56 | 0:22:59 | |
Hasn't it just? Crikey! | 0:22:59 | 0:23:01 | |
I don't know about you, I could do with a good cup of tea. | 0:23:01 | 0:23:04 | |
Yes. And feet up, or feet in footbath. | 0:23:04 | 0:23:07 | |
Oh, yeah. Let's fill it up. | 0:23:07 | 0:23:09 | |
That's a great idea. Come on. | 0:23:09 | 0:23:12 | |
And there's no time to waste, as this auction was just the first step | 0:23:16 | 0:23:20 | |
on a long and thrilling journey. Now our dealers must go all-out | 0:23:20 | 0:23:23 | |
to sell their items and make more money than their rival, | 0:23:23 | 0:23:26 | |
with all the profits going to their chosen charities. | 0:23:26 | 0:23:30 | |
Both head back to their bunkers to map out their selling strategies. | 0:23:30 | 0:23:33 | |
In Herefordshire, Kate is sifting through her spoils. | 0:23:33 | 0:23:37 | |
Well, I'm back home at Bliss HQ and I've unpacked everything | 0:23:38 | 0:23:42 | |
and, actually, I've already cracked on and had a bit of work done | 0:23:42 | 0:23:45 | |
on my Spitfire picture. | 0:23:45 | 0:23:47 | |
I've had a specialist remount it to cover up that water damage | 0:23:47 | 0:23:50 | |
on the mount. That's cost me £25. | 0:23:50 | 0:23:53 | |
My mirror, now I've got it out of the auction house, | 0:23:53 | 0:23:56 | |
the only thing about this, which I discovered after I'd bought it, | 0:23:56 | 0:23:59 | |
is it has a little piece missing. | 0:23:59 | 0:24:01 | |
But, guess what? I have the piece. | 0:24:01 | 0:24:03 | |
So it just needs a little bit of wood glue | 0:24:03 | 0:24:05 | |
and we've got a perfect mirror. | 0:24:05 | 0:24:06 | |
My little letter opener, or paper knife, is quite a specialist area. | 0:24:06 | 0:24:11 | |
In fact, a lot of the collectors are around Tunbridge, | 0:24:11 | 0:24:15 | |
so I may even have to think about mailing that one out. | 0:24:15 | 0:24:18 | |
My gift set was actually only produced for three years, | 0:24:18 | 0:24:22 | |
between 1963 and 1966, | 0:24:22 | 0:24:25 | |
so it's not a particularly common piece. | 0:24:25 | 0:24:28 | |
So I need an historic racing car enthusiast who's going to love that. | 0:24:28 | 0:24:33 | |
So, time to saddle up and get going. | 0:24:33 | 0:24:36 | |
Kate will also need to find buyers for her modern bracelet | 0:24:36 | 0:24:40 | |
and Victorian wash set. | 0:24:40 | 0:24:42 | |
Over in East Yorkshire, Caroline is weighing up her wares. | 0:24:42 | 0:24:46 | |
Well, the spoils of auction. | 0:24:46 | 0:24:49 | |
Now, the pearls with the brooch/pendant, | 0:24:49 | 0:24:54 | |
I'm thinking that a girl can only have so many pearls. | 0:24:54 | 0:24:57 | |
So what I'm going to do is split those. | 0:24:57 | 0:25:00 | |
I think I'm going to find somebody for the necklaces | 0:25:00 | 0:25:04 | |
and somebody else for the brooch. | 0:25:04 | 0:25:07 | |
The ring is delightful. | 0:25:07 | 0:25:09 | |
I've had it looked at and it is not, in fact, blue topaz, | 0:25:09 | 0:25:14 | |
it's actually aquamarine. | 0:25:14 | 0:25:17 | |
This portfolio of nude drawings is really interesting, | 0:25:17 | 0:25:22 | |
but I can't find the artist, so I have to deduce that | 0:25:22 | 0:25:26 | |
it was just some keen amateur artist and I'm on the lookout for | 0:25:26 | 0:25:31 | |
quite a specialist collector, maybe artist. | 0:25:31 | 0:25:36 | |
And, finally, | 0:25:36 | 0:25:37 | |
this little 1960s record case is crammed full of little singles - | 0:25:37 | 0:25:42 | |
Beatles, Cilla Black, | 0:25:42 | 0:25:45 | |
so I'm going to find a super-cool guy or girl to sell those to. | 0:25:45 | 0:25:50 | |
Caroline also needs to find buyers for her Victorian footbath, | 0:25:50 | 0:25:53 | |
'80s chair and Corinthian lamp base. | 0:25:53 | 0:25:57 | |
Both our savvy sellers must open their contacts books, | 0:25:57 | 0:26:00 | |
man their mobiles and log on to their laptops, | 0:26:00 | 0:26:02 | |
using every resource they can to hunt down the sales | 0:26:02 | 0:26:06 | |
that will make their profits soar. | 0:26:06 | 0:26:08 | |
But, remember, until they've shaken on it | 0:26:08 | 0:26:10 | |
and the money has changed hands, no deal is truly sealed. | 0:26:10 | 0:26:14 | |
Kate is first to take off and, keen to sell her Spitfire print, | 0:26:14 | 0:26:17 | |
she pitches up at a windy Shobdon Airfield in Herefordshire. | 0:26:17 | 0:26:21 | |
Well, that plane's taking off, let's hope my sale does, too. | 0:26:21 | 0:26:26 | |
After restoration, the 20th-century print owes her just under £37, | 0:26:26 | 0:26:31 | |
so she hopes cafe-owner Jim will make her profits soar. | 0:26:31 | 0:26:35 | |
-Hi, you must be Jim? -Hi, Kate. -How do you do? -Great. And yourself? | 0:26:37 | 0:26:40 | |
Yeah, very well, thanks, great to meet you. | 0:26:40 | 0:26:43 | |
-Great. -Let's get the wrapping off. | 0:26:43 | 0:26:45 | |
It's a fabulous subject. | 0:26:45 | 0:26:46 | |
You've got the Spitfire coming out of a thundercloud. | 0:26:46 | 0:26:49 | |
-It's quite a dramatic picture. -It's very dramatic. | 0:26:49 | 0:26:51 | |
It is really very good, yeah. | 0:26:51 | 0:26:54 | |
Yeah. The artist, of course, is Barrie Clark. | 0:26:54 | 0:26:56 | |
He was born in the 1940s, in Hampshire, | 0:26:56 | 0:26:59 | |
and his passion is aircraft. | 0:26:59 | 0:27:03 | |
And this is actually one of the pictures he is best known for. | 0:27:03 | 0:27:06 | |
And I've spent a little bit of money on getting it remounted. | 0:27:06 | 0:27:10 | |
-So, what do you think of it? -It's fantastic, it's really lovely, | 0:27:10 | 0:27:13 | |
and I think it would fit in very well with what we have here. | 0:27:13 | 0:27:16 | |
Yeah. How does around the sort of £220 mark sound? | 0:27:16 | 0:27:20 | |
That's within our budget, I think so, yes. | 0:27:20 | 0:27:23 | |
-I mean, that's brilliant for me, if you're happy? -Yeah, absolutely. | 0:27:23 | 0:27:26 | |
-I think it's wonderful. -Wonderful. Let's shake on it. | 0:27:26 | 0:27:29 | |
Kate scores an impressive profit of just over £183 | 0:27:30 | 0:27:34 | |
after restoration costs, and she's flying high. | 0:27:34 | 0:27:38 | |
I don't think I could have found a better place for my Spitfire | 0:27:38 | 0:27:40 | |
to be on display. Now, I've done all my checks, | 0:27:40 | 0:27:43 | |
just ready for air traffic control to give me the all clear. | 0:27:43 | 0:27:46 | |
Yep. Can you hear me, boys? | 0:27:46 | 0:27:49 | |
I'm ready. | 0:27:49 | 0:27:51 | |
Yeah, I said I'm ready. Hello. | 0:27:51 | 0:27:54 | |
Hello! | 0:27:54 | 0:27:55 | |
Hello? | 0:27:55 | 0:27:57 | |
But, after that stunning success, | 0:27:57 | 0:27:59 | |
Kate comes back down to Earth with a bump | 0:27:59 | 0:28:01 | |
when she sells her Tunbridge Ware paper knife for a profit | 0:28:01 | 0:28:04 | |
of just 10p to collector Peter in Hereford. | 0:28:04 | 0:28:07 | |
In East Yorkshire, Caroline has brought her vintage pearl necklaces | 0:28:09 | 0:28:13 | |
to show a very discerning customer. | 0:28:13 | 0:28:16 | |
Well, I've come to the local pub to see Tracy and her granddaughter | 0:28:16 | 0:28:19 | |
Arabella, who's going to be two. | 0:28:19 | 0:28:22 | |
Now, I think these short ones will be absolutely beautiful | 0:28:22 | 0:28:26 | |
for Arabella, who loves to dress up. | 0:28:26 | 0:28:29 | |
And Grandma Tracy loves pearls, too. | 0:28:29 | 0:28:33 | |
Pearls for a two-year-old? | 0:28:33 | 0:28:36 | |
Caroline, you move in some fancy circles. | 0:28:36 | 0:28:38 | |
Hello. | 0:28:39 | 0:28:41 | |
Hello, Arabella. | 0:28:41 | 0:28:42 | |
Now, first of all I've brought those. | 0:28:42 | 0:28:45 | |
Oh, Caroline, they're lovely. | 0:28:45 | 0:28:48 | |
They're cultured pearls, they're about 1920s, 1930s, | 0:28:48 | 0:28:53 | |
and the clasp is silver. | 0:28:53 | 0:28:56 | |
Oh, look. Yes. | 0:28:56 | 0:28:57 | |
Just need to road test these. | 0:28:57 | 0:29:00 | |
And they're the sort of thing she can wear when she's 21, or... | 0:29:00 | 0:29:03 | |
-Oh, I think that's a yes. -That's a deal. | 0:29:03 | 0:29:06 | |
Hmm, they seem tough enough. | 0:29:06 | 0:29:08 | |
And then these, and the clasp this time is nine carat white gold... | 0:29:08 | 0:29:14 | |
-Oh, they're lovely. -..with a tiny diamond in. | 0:29:14 | 0:29:17 | |
-So, what for both? -150 for the both? | 0:29:17 | 0:29:21 | |
I think we've decided we're having those, don't you? | 0:29:22 | 0:29:25 | |
-Would you like those? -Yeah. | 0:29:25 | 0:29:27 | |
Shall we say 140 for them both? | 0:29:27 | 0:29:30 | |
140. | 0:29:30 | 0:29:31 | |
Yes. Go on, it's a deal. | 0:29:31 | 0:29:33 | |
-I wouldn't dare argue with Arabella! -It's a deal! | 0:29:33 | 0:29:35 | |
Bye, sweetheart. | 0:29:35 | 0:29:38 | |
-Bye. -Bye. -Bye. | 0:29:38 | 0:29:40 | |
Two very happy ladies and one extremely happy dealer. | 0:29:40 | 0:29:44 | |
The necklaces came with a Victorian brooch, | 0:29:44 | 0:29:47 | |
which Caroline sells to jewellery dealer Richard in Hull... | 0:29:47 | 0:29:50 | |
-190. -Sounds like a deal. | 0:29:50 | 0:29:54 | |
Lovely. That's beautiful. | 0:29:54 | 0:29:55 | |
..banking a profit of just over £176 for the entire lot. | 0:29:55 | 0:30:00 | |
And she completes her hat-trick of sparkling transactions | 0:30:01 | 0:30:04 | |
when she sells her 20th-century ring | 0:30:04 | 0:30:06 | |
to contact Libby in the Yorkshire Wolds. | 0:30:06 | 0:30:09 | |
-What about 300, then? -I'm going to say yes. | 0:30:09 | 0:30:12 | |
-Are you going to say yes? -I am going to say yes. -Thank you. | 0:30:12 | 0:30:14 | |
I should've said 250! | 0:30:14 | 0:30:16 | |
And with a third profit of just over £99, | 0:30:17 | 0:30:20 | |
Caroline is ahead by three sales to two. | 0:30:20 | 0:30:23 | |
Back in Herefordshire, | 0:30:25 | 0:30:26 | |
Miss Bliss is hoping for big profits from the saddle and tack | 0:30:26 | 0:30:30 | |
that cost her nearly £225. | 0:30:30 | 0:30:32 | |
She's had them delivered to a local stud farm. | 0:30:32 | 0:30:35 | |
I am a little bit nervous about this sale. | 0:30:35 | 0:30:38 | |
The saddle was THE thing that I wanted at the auction | 0:30:38 | 0:30:41 | |
and, of course, I had to battle Caroline hard for it. | 0:30:41 | 0:30:43 | |
You're hungry. | 0:30:43 | 0:30:45 | |
She's come to meet stable-owner Jenny and her master saddler, Michael. | 0:30:45 | 0:30:49 | |
-Hi there, Jenny. Good to see you. -Hello, Kate. | 0:30:49 | 0:30:52 | |
-You must be Michael. -Michael. How do you do? -How do you do? -Hi there. | 0:30:52 | 0:30:55 | |
-So this is a pretty special stud, isn't it? -Yes. | 0:30:55 | 0:30:58 | |
They are pure desert horses, mainly from the royal stud of Bahrain. | 0:30:58 | 0:31:03 | |
You've got another special owner, too, haven't you? | 0:31:03 | 0:31:05 | |
One very special owner and I'm very honoured, | 0:31:05 | 0:31:08 | |
Her Majesty the Queen keeps two of her stallions here. | 0:31:08 | 0:31:12 | |
Wow. Now, Michael, you're here to cast your eyes over my saddle. | 0:31:12 | 0:31:16 | |
This is a general-purpose saddle. | 0:31:16 | 0:31:18 | |
I mean, I can check the tree to see if the tree's OK. | 0:31:18 | 0:31:21 | |
So what's the tree? | 0:31:21 | 0:31:23 | |
The tree is basically what the saddle is made on. | 0:31:23 | 0:31:26 | |
-The tree is like the chassis of a car. -OK. | 0:31:26 | 0:31:30 | |
-Swing that round. -Yes. | 0:31:30 | 0:31:32 | |
Can you see how that shape is the shape that you would fit to | 0:31:32 | 0:31:35 | |
-a thoroughbred? -Right. | 0:31:35 | 0:31:37 | |
And most of the horses here, being Arabs, are | 0:31:37 | 0:31:40 | |
-much rounder in shape. -Oh, OK. | 0:31:40 | 0:31:42 | |
This would be far too narrow to put onto one of these horses. | 0:31:42 | 0:31:45 | |
-Is that right? -I mean, it's beautifully made. | 0:31:45 | 0:31:48 | |
It's made out of lovely leather. | 0:31:48 | 0:31:50 | |
Would you say this was, what, | 0:31:50 | 0:31:51 | |
somewhere between five, ten years old, something like that? | 0:31:51 | 0:31:54 | |
More like 35 to 40 years old. | 0:31:54 | 0:31:57 | |
Would you? You've got a little hat, as well, which I can throw in, | 0:31:57 | 0:32:00 | |
but I know you've got to be really careful about | 0:32:00 | 0:32:03 | |
-having second-hand riding hats. -That's right. We never do. | 0:32:03 | 0:32:06 | |
We don't know if that hat's had a knock, in which case it's not safe. | 0:32:06 | 0:32:10 | |
But what do you think of the saddle? | 0:32:10 | 0:32:12 | |
Well, I know Michael says it won't fit my horses, but I do like it. | 0:32:12 | 0:32:15 | |
I would be interested in it if the price was right, | 0:32:15 | 0:32:18 | |
just as a collector's item. | 0:32:18 | 0:32:20 | |
OK. So if I said, I mean, somewhere around the sort of 380...? | 0:32:20 | 0:32:25 | |
-How does that sound? -I think that'd be OK. | 0:32:25 | 0:32:28 | |
Well, that's great for me, if you're happy with that. | 0:32:28 | 0:32:30 | |
-I'm happy with that, yes. -Wonderful. | 0:32:30 | 0:32:32 | |
Yes, Kate trots off with a profit of just under £156 | 0:32:32 | 0:32:37 | |
and an equestrian treat into the bargain. | 0:32:37 | 0:32:40 | |
Now, I don't want to put any pressure on you, | 0:32:40 | 0:32:42 | |
but this horse does belong to Her Majesty the Queen. | 0:32:42 | 0:32:45 | |
-Really? -Really. | 0:32:45 | 0:32:46 | |
Honestly? Thank you, Jenny. | 0:32:46 | 0:32:48 | |
Lovely to meet you, Michael. Thank you very much for your help. | 0:32:48 | 0:32:51 | |
Well, keep up, Caroline. Tally ho! | 0:32:51 | 0:32:54 | |
Go on, walk on. | 0:32:54 | 0:32:56 | |
And once she's finished sitting on Her Majesty's horse, | 0:32:56 | 0:33:00 | |
she turns her attention to her Victorian potty, | 0:33:00 | 0:33:03 | |
which she's thankfully not sitting on - | 0:33:03 | 0:33:05 | |
selling it, along with the washing set, | 0:33:05 | 0:33:07 | |
to inn-owner Stewart in Herefordshire. | 0:33:07 | 0:33:10 | |
-Could I say 120? -That sounds like a reasonable price to me, yes. | 0:33:10 | 0:33:13 | |
-Lovely. -Deal. -Thank you very much indeed. | 0:33:13 | 0:33:16 | |
And with a profit of almost £99, she's one sale up. | 0:33:16 | 0:33:20 | |
Caroline is in Derbyshire, | 0:33:21 | 0:33:23 | |
hoping the singles case that cost her just over £23 | 0:33:23 | 0:33:26 | |
will put vintage entertainer Paul in a spin. | 0:33:26 | 0:33:29 | |
-Hi, Paul. -Hiya. -Hello, how are you? | 0:33:29 | 0:33:32 | |
I'm all right, thank you. | 0:33:32 | 0:33:34 | |
I brought this little case I was talking about. | 0:33:34 | 0:33:36 | |
Full of records, but I just think the case is fab. | 0:33:36 | 0:33:39 | |
Yeah, I like the case. That's really nice, yeah. | 0:33:39 | 0:33:41 | |
-Do you? It's you, isn't it? -Yeah. | 0:33:41 | 0:33:43 | |
-You can see it sort of swinging along Carnaby Street, or something, can't you? -Yeah. | 0:33:43 | 0:33:47 | |
I'm sure you've been swinging along with it, as well. | 0:33:47 | 0:33:50 | |
Oh. Just a little. | 0:33:50 | 0:33:53 | |
Is it something you'd like? | 0:33:53 | 0:33:55 | |
-Yeah. -I was looking for £60. | 0:33:55 | 0:33:59 | |
I think we've got better ways of negotiating with just, you know, | 0:34:01 | 0:34:04 | |
-face-to-face. -Right. -I've got this. -Oh, my goodness, what is this? | 0:34:04 | 0:34:09 | |
What is it? Oh, my goodness. | 0:34:09 | 0:34:11 | |
Paul, what are you doing? | 0:34:12 | 0:34:15 | |
Brilliant. | 0:34:15 | 0:34:17 | |
Hello. | 0:34:17 | 0:34:19 | |
To be honest, I was looking a little bit more about £40. | 0:34:20 | 0:34:26 | |
"60!" | 0:34:26 | 0:34:28 | |
What about if we met halfway? | 0:34:28 | 0:34:30 | |
About 50. "50?" | 0:34:30 | 0:34:32 | |
Oh, yes! | 0:34:32 | 0:34:34 | |
"I think that would be great." | 0:34:35 | 0:34:38 | |
-Brilliant. -Thank you. | 0:34:40 | 0:34:42 | |
Caroline leaves the stage with a profit of £26.40. | 0:34:42 | 0:34:45 | |
Not bad when someone else has negotiated for you. | 0:34:45 | 0:34:48 | |
Well, Paul's really happy with his record case. | 0:34:50 | 0:34:52 | |
He might have made me look a bit of a dummy, | 0:34:52 | 0:34:55 | |
but I've made a little bit of profit on that. | 0:34:55 | 0:34:58 | |
And that vintage ventriloquism brings us to the halfway point, | 0:34:58 | 0:35:02 | |
so let's take a look at the figures. | 0:35:02 | 0:35:04 | |
Kate has done four deals, making a profit of £437.86. | 0:35:04 | 0:35:10 | |
Caroline has also done four deals, | 0:35:10 | 0:35:12 | |
but has made a lower profit of £302.40. | 0:35:12 | 0:35:16 | |
So Caroline's got some catching up to do in round two, but she's got | 0:35:16 | 0:35:21 | |
naked ambition on her side, in a portfolio of nudes | 0:35:21 | 0:35:24 | |
that cost £177 under her arm. | 0:35:24 | 0:35:27 | |
She's meeting artist Chiria in Cambridgeshire. | 0:35:27 | 0:35:30 | |
Oh, these look really interesting. | 0:35:30 | 0:35:32 | |
I would say these were art school drawings. | 0:35:32 | 0:35:35 | |
Do you think they're all by the same hand? | 0:35:35 | 0:35:38 | |
I wouldn't have said that person drew that one. | 0:35:38 | 0:35:41 | |
You can just tell by the style of it. | 0:35:41 | 0:35:44 | |
Are these something that you might be interested in purchasing? | 0:35:44 | 0:35:48 | |
Yes, because I do teach, | 0:35:48 | 0:35:52 | |
and having examples of things is really very useful for me. | 0:35:52 | 0:35:57 | |
I was looking at between 250 and 300 for the lot. | 0:35:57 | 0:36:02 | |
Yeah. 265? | 0:36:02 | 0:36:06 | |
265. | 0:36:06 | 0:36:10 | |
-270? -270. -That's a deal. -It's a deal. -It's a deal. | 0:36:10 | 0:36:14 | |
Those sketches make Caroline a good profit of £93 | 0:36:14 | 0:36:17 | |
and she gets a little something extra on top. | 0:36:17 | 0:36:21 | |
I'm looking for features that are peculiar, if you like, to you. | 0:36:21 | 0:36:25 | |
Oh, I've got lots of those! | 0:36:25 | 0:36:28 | |
Oh, my goodness. | 0:36:29 | 0:36:31 | |
How clever are you? | 0:36:31 | 0:36:33 | |
And that's 275, please, Caroline. | 0:36:33 | 0:36:36 | |
I know! I owe you a fiver! | 0:36:36 | 0:36:38 | |
Caroline also sells her '80s chair for £100, | 0:36:39 | 0:36:42 | |
making a profit of just over £23. | 0:36:42 | 0:36:44 | |
It goes to David, who owns a B&B in Staithes, | 0:36:44 | 0:36:48 | |
and Caroline is sitting pretty. | 0:36:48 | 0:36:49 | |
Absolute Bliss is now running two sales behind, | 0:36:50 | 0:36:53 | |
but she's in Herefordshire, hoping to drive up her profits | 0:36:53 | 0:36:56 | |
with her vintage toy cars that cost £118, | 0:36:56 | 0:36:59 | |
so she's tracked down Jonathan, who restores historic racing cars. | 0:36:59 | 0:37:03 | |
-Ah. -You must be Jonathan. -Kate. Hello. -How do you do? | 0:37:05 | 0:37:07 | |
-Very well. -Very nice to meet you. | 0:37:07 | 0:37:09 | |
You've got some amazing things in here. What's this? | 0:37:09 | 0:37:11 | |
This is a 1965 Cobra which won 39 races. | 0:37:11 | 0:37:15 | |
Well, from the big thing to my little Corgi model. | 0:37:15 | 0:37:20 | |
As you can see, on the back, you've got a racing Ferrari. | 0:37:20 | 0:37:24 | |
-A 156 sharknose Ferrari. -Exactly. Yeah. | 0:37:24 | 0:37:28 | |
It won the World Championship in 1961 and there aren't any left. | 0:37:28 | 0:37:33 | |
-No real ones. So it's pretty unique. -Really? | 0:37:33 | 0:37:36 | |
Well, is this a piece you might like to add to your collection, | 0:37:36 | 0:37:39 | |
or perhaps put on the side in the workshop? | 0:37:39 | 0:37:41 | |
I think we could possibly find a home for it, for the right price. | 0:37:41 | 0:37:45 | |
I was hoping for around the £280 mark. | 0:37:45 | 0:37:48 | |
Sharp intake of breath! | 0:37:51 | 0:37:52 | |
-250? -250's a good round figure. | 0:37:54 | 0:37:57 | |
-I like the sound of that. -OK. -Yeah, I can do that. | 0:37:57 | 0:37:59 | |
-OK. Done. -Great. Thank you very much. | 0:37:59 | 0:38:02 | |
-Thank you. -Lovely. | 0:38:02 | 0:38:03 | |
And with this magnificent profit of £132, | 0:38:03 | 0:38:06 | |
Kate's hoping to throttle the competition. | 0:38:06 | 0:38:09 | |
Caroline, I hope you're keeping up, cos we are racing ahead. | 0:38:09 | 0:38:12 | |
Let's go, Jonathan. | 0:38:12 | 0:38:14 | |
Attempting to draw even, | 0:38:18 | 0:38:20 | |
Kate brings her modern pearl and gold bracelet to jeweller Robert | 0:38:20 | 0:38:23 | |
in Hereford, who weighs the gold and gives her a price. | 0:38:23 | 0:38:27 | |
About £170. | 0:38:27 | 0:38:29 | |
I mean, 170 is great for me. | 0:38:29 | 0:38:30 | |
-Yeah, you're welcome, darling. -Wonderful. | 0:38:30 | 0:38:33 | |
-Thank you so much. -Thank you very much. | 0:38:33 | 0:38:35 | |
Our golden girl walks away with a shiny profit of £63.80, | 0:38:35 | 0:38:39 | |
leaving her with just one item to sell. | 0:38:39 | 0:38:41 | |
Caroline's in Etton with her Victorian footbath, which cost £95. | 0:38:41 | 0:38:46 | |
She's hoping to make a splash with china collector Vicky. | 0:38:46 | 0:38:50 | |
Do you remember you bought a lovely blue and white plate from me, | 0:38:50 | 0:38:53 | |
-a long time ago? -Yes. | 0:38:53 | 0:38:55 | |
Well, that's why I thought of you when I bought | 0:38:55 | 0:38:58 | |
-this mid-19th-century footbath. -Oh, wow! That is lovely. | 0:38:58 | 0:39:02 | |
I love the shape, it's beautiful. | 0:39:02 | 0:39:05 | |
Yeah. I think they look beautiful potted up with something. | 0:39:05 | 0:39:08 | |
-Lavender. -With lavender. | 0:39:08 | 0:39:10 | |
Well, we're sitting here amongst the lavender. | 0:39:10 | 0:39:13 | |
Now, I was hoping for 220 for it. | 0:39:13 | 0:39:16 | |
-200? -200? | 0:39:17 | 0:39:20 | |
-Could you squeeze another fiver. 205? -All right, then. | 0:39:21 | 0:39:25 | |
-Oh, thank you, it's a deal. -You're on. -It's a deal. | 0:39:25 | 0:39:28 | |
Caroline adds nearly £93 to her profit pot | 0:39:28 | 0:39:32 | |
and Vicky adds another item to her collection. | 0:39:32 | 0:39:35 | |
Caroline's on a roll and heads to the beautiful seaside village | 0:39:35 | 0:39:38 | |
of Staithes in North Yorkshire with her 1920s lamp. | 0:39:38 | 0:39:42 | |
It owes her just under £90, after a rewiring and PAT testing costs, | 0:39:42 | 0:39:46 | |
and she sells it to Victorian B&B-owner Stuart for £100... | 0:39:46 | 0:39:51 | |
-OK, it's a deal. -Brilliant. | 0:39:51 | 0:39:54 | |
..making a small profit of just over £10, and she's all sold up. | 0:39:54 | 0:39:58 | |
Has Caroline's final profit pushed her ahead of Kate, | 0:39:58 | 0:40:02 | |
or will Miss Bliss's last deal be the decisive one? | 0:40:02 | 0:40:05 | |
Back home, she's repairing that slightly damaged mid-20th-century mirror. | 0:40:05 | 0:40:10 | |
So what I'm going to do is get my wood glue, | 0:40:11 | 0:40:13 | |
put a little bit just on here | 0:40:13 | 0:40:16 | |
and then repair it just like that. | 0:40:16 | 0:40:19 | |
All mended, she's brought it to show local hotel owner Yvonne. | 0:40:19 | 0:40:22 | |
Now, I am a little bit nervous about this piece. | 0:40:23 | 0:40:26 | |
It's cost me £200, | 0:40:26 | 0:40:28 | |
but I've done my research and I'm hoping that the glamorous interior | 0:40:28 | 0:40:31 | |
of this place will be just right. Fingers crossed. | 0:40:31 | 0:40:35 | |
Well, Yvonne, what do you think of this? | 0:40:36 | 0:40:38 | |
It's absolutely beautiful, Kate. | 0:40:38 | 0:40:40 | |
I have to tell you, it has had a very small repair, | 0:40:40 | 0:40:44 | |
just to one very end of the leafage scroll there, | 0:40:44 | 0:40:48 | |
and that's been re-glued. | 0:40:48 | 0:40:49 | |
But you can hardly notice it, I think, I'm sure you'll agree. | 0:40:49 | 0:40:52 | |
So, you think it would be fitting here? | 0:40:52 | 0:40:54 | |
I think it would look absolutely superb. | 0:40:54 | 0:40:56 | |
I think it would go with everything beautifully. | 0:40:56 | 0:40:58 | |
Well, I was hoping for sort of towards the £500 mark. | 0:40:58 | 0:41:02 | |
Well, £500 is a lot of money. | 0:41:02 | 0:41:04 | |
Kate's going all out, but, before we find out | 0:41:04 | 0:41:07 | |
whether she adds a glittering profit to her pot | 0:41:07 | 0:41:10 | |
and who becomes our queen of the knick-knacks, | 0:41:10 | 0:41:12 | |
let's recap what they spent at auction. | 0:41:12 | 0:41:15 | |
Both started the day with £1,000 to spend. | 0:41:15 | 0:41:18 | |
Kate bought seven items, | 0:41:18 | 0:41:20 | |
spending a total of £771.94, | 0:41:20 | 0:41:23 | |
including restoration costs. | 0:41:23 | 0:41:26 | |
Caroline also bought seven lots, | 0:41:26 | 0:41:29 | |
spending just under £833, | 0:41:29 | 0:41:31 | |
including electrical costs. | 0:41:31 | 0:41:33 | |
But who has made the most profit? | 0:41:33 | 0:41:35 | |
All of the money Kate and Caroline have made from today's challenge | 0:41:35 | 0:41:39 | |
will go to charities of their choice, so let's find out | 0:41:39 | 0:41:42 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:41:42 | 0:41:46 | |
-Hi. -How are you doing? | 0:41:47 | 0:41:50 | |
-I'm good. And you? -Yeah, pretty good. Excited. | 0:41:50 | 0:41:53 | |
-Been busy? -Yes, really busy. | 0:41:53 | 0:41:55 | |
-How did you get on, then? -Do you remember my Spitfire print? | 0:41:55 | 0:41:57 | |
-Yes. -That I bought on a knee-jerk reaction. | 0:41:57 | 0:42:00 | |
-Yes. -I sold it to a lovely cafe on an aerodrome. | 0:42:00 | 0:42:04 | |
-Nice! -It was good fun. How about you? | 0:42:04 | 0:42:06 | |
I want to know about your sketches. | 0:42:06 | 0:42:08 | |
Yes, they turned out to be art school sketches | 0:42:08 | 0:42:11 | |
and I sold them to a portrait artist, and she loves them. | 0:42:11 | 0:42:14 | |
And a bit of profit, too. | 0:42:14 | 0:42:16 | |
Yeah. We'd better cut to the chase, then. | 0:42:16 | 0:42:19 | |
-Let's get to the bottom line, Kate. -Oh, my goodness. OK. | 0:42:19 | 0:42:21 | |
-Are you ready? -I am. | 0:42:21 | 0:42:23 | |
One, two, three, go! | 0:42:23 | 0:42:25 | |
-Kate, that is amazing! -Wow, that's pretty good, too. | 0:42:27 | 0:42:30 | |
-Wow! -It was that Spitfire that got you there. | 0:42:30 | 0:42:33 | |
Well, the Spitfire and... | 0:42:33 | 0:42:34 | |
Oh, actually my mirror did very well, too. | 0:42:34 | 0:42:36 | |
Yes, Kate's the winner today with her profit pot topped and tailed | 0:42:36 | 0:42:40 | |
by the sale of a Spitfire print and that fancy mirror... | 0:42:40 | 0:42:43 | |
-Perhaps 410. -Great. | 0:42:43 | 0:42:45 | |
..for a profit of over £209, leaving Caroline in her wake. | 0:42:45 | 0:42:51 | |
Well, I didn't know whether I was quite going to pull that one | 0:42:51 | 0:42:54 | |
out of the bag. The Spitfire print was such an impulse buy - | 0:42:54 | 0:42:58 | |
boy, did THAT help me out! | 0:42:58 | 0:43:00 | |
And I won! Yes! | 0:43:00 | 0:43:02 | |
I'm very pleased with what I made | 0:43:02 | 0:43:05 | |
and I think Kate's done exceptionally well. | 0:43:05 | 0:43:07 | |
It must've been the Spitfire which flew. | 0:43:07 | 0:43:10 | |
But Caroline will have another opportunity to overcome her rival | 0:43:10 | 0:43:14 | |
tomorrow, when they visit an antiques market in France. | 0:43:14 | 0:43:18 |