Browse content similar to Eric Knowles v Chuko Ojiri - Car Boot. Check below for episodes and series from the same categories and more!
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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:10 | |
I think I see a bargain. | 0:00:10 | 0:00:11 | |
Each day, one pair of duelling dealers | 0:00:12 | 0:00:14 | |
will face a mighty challenge. | 0:00:14 | 0:00:16 | |
Oh, yeah! | 0:00:16 | 0:00:18 | |
Putting their reputations on the line. | 0:00:18 | 0:00:20 | |
Ready for battle. | 0:00:20 | 0:00:22 | |
They'll give you the insider's view of the trade. | 0:00:22 | 0:00:24 | |
I'm a big boy, I'm a player. | 0:00:24 | 0:00:26 | |
Along with their top tips and savvy secrets. | 0:00:26 | 0:00:29 | |
It's not all about what you spend. It's about what you make. | 0:00:29 | 0:00:32 | |
Showing you how to make the most money... | 0:00:32 | 0:00:35 | |
It really is war. | 0:00:35 | 0:00:36 | |
..from buying and selling. | 0:00:36 | 0:00:38 | |
You've got to be in there like a whippet. | 0:00:38 | 0:00:40 | |
Coming up, it's all too much for Chuko. | 0:00:42 | 0:00:44 | |
-£10 on the ladder. -£10 on the ladder? | 0:00:44 | 0:00:46 | |
HE SIGHS | 0:00:46 | 0:00:48 | |
Eric finds an item from a far-off land. | 0:00:48 | 0:00:51 | |
If you want to know where it was made, here's a bit of a giveaway. | 0:00:51 | 0:00:54 | |
That mountain is Mount Fuji, because this is Japanese. | 0:00:54 | 0:00:58 | |
And Chuko gets a cracking deal. | 0:00:58 | 0:01:01 | |
JOINTS CRACK | 0:01:01 | 0:01:02 | |
I'm in one piece! | 0:01:02 | 0:01:03 | |
This is Put Your Money Where Your Mouth Is. | 0:01:03 | 0:01:06 | |
Hello, and welcome to a contest of fast and furious foraging | 0:01:21 | 0:01:25 | |
with a pair of boy racers, | 0:01:25 | 0:01:26 | |
each hoping to cross the chequered flag with the biggest profits. | 0:01:26 | 0:01:31 | |
In pole position is an absolute classic. | 0:01:31 | 0:01:34 | |
He's seen newer models come and go, | 0:01:34 | 0:01:36 | |
but he's still got enough fuel in his engine | 0:01:36 | 0:01:38 | |
to leave his rivals for dust. | 0:01:38 | 0:01:40 | |
A quitter never wins. | 0:01:44 | 0:01:45 | |
And a winner never quits. | 0:01:45 | 0:01:47 | |
And hoping to steal his thunder and overtake on the inside lane, | 0:01:47 | 0:01:51 | |
a young London dealer who drives home profit after profit. | 0:01:51 | 0:01:54 | |
The Hat's come north, all the way to a car booty. | 0:01:57 | 0:02:00 | |
I don't lose. Porkpie? I'll win the pie. | 0:02:00 | 0:02:03 | |
They're at Twin Oaks car-boot sale in Chesterfield | 0:02:03 | 0:02:05 | |
with £250 of their own money to spend on the finest booty, | 0:02:05 | 0:02:10 | |
which they'll need to sell on to accumulate profits | 0:02:10 | 0:02:13 | |
for their chosen charities. | 0:02:13 | 0:02:15 | |
Their engines are revving and their eyes are on the road. | 0:02:15 | 0:02:17 | |
But who will take home the trophy? | 0:02:17 | 0:02:19 | |
Let's find out. | 0:02:19 | 0:02:20 | |
-Hey, Chuko. -Morning, Eric, good to see you. | 0:02:22 | 0:02:24 | |
-North of the border. -Chesterfield. | 0:02:24 | 0:02:26 | |
Round Chesterfield way, yes. | 0:02:26 | 0:02:28 | |
It's a big car boot, I'll tell you. | 0:02:28 | 0:02:30 | |
Are you a booter? | 0:02:30 | 0:02:32 | |
I'll give it a go. It's not really my thing. | 0:02:32 | 0:02:34 | |
I love coming to boots, you know, | 0:02:34 | 0:02:35 | |
you never know if you're going to find anything. | 0:02:35 | 0:02:37 | |
As of yet, I've never found anything really of any great merit. | 0:02:37 | 0:02:41 | |
-That bodes well for me. -Yeah. | 0:02:41 | 0:02:42 | |
Well, there's an awful lot in the way of glad rags here, anyway, | 0:02:42 | 0:02:45 | |
so you should do well there. | 0:02:45 | 0:02:46 | |
But you've got £250 to spend. | 0:02:46 | 0:02:48 | |
-I'm going to try my very best to spend it. -There's no other way. | 0:02:48 | 0:02:51 | |
Give it a go, spend, spend, spend! | 0:02:51 | 0:02:53 | |
THEY LAUGH | 0:02:53 | 0:02:54 | |
Here we go. | 0:02:54 | 0:02:55 | |
THEY LAUGH | 0:02:55 | 0:02:57 | |
How very immature! | 0:02:57 | 0:02:59 | |
Still, neither of our brave battlers is sounding wildly optimistic | 0:02:59 | 0:03:02 | |
about the chances of untold car boot booty. | 0:03:02 | 0:03:05 | |
But with hundreds of sellers over this spacious site, | 0:03:05 | 0:03:08 | |
there's certainly a lot of ground to cover. | 0:03:08 | 0:03:10 | |
So, what is Eric's plan of attack? | 0:03:10 | 0:03:13 | |
This is one very big car boot. | 0:03:13 | 0:03:16 | |
So my tactics are going to be orientation. | 0:03:16 | 0:03:19 | |
In other words, I'm going to take each lane one at a time. | 0:03:19 | 0:03:23 | |
I'm not going to be distracted, I'm going to stick to that plan. | 0:03:23 | 0:03:27 | |
Eric is employing a machine-like, methodical approach. | 0:03:27 | 0:03:31 | |
So how will Chuko be dealing with today's challenge? | 0:03:31 | 0:03:34 | |
Car boots aren't my usual hunting ground. | 0:03:34 | 0:03:36 | |
I don't feel that comfortable here. | 0:03:36 | 0:03:38 | |
My strategy's going to be buy quickly. | 0:03:38 | 0:03:41 | |
Look, see, buy. | 0:03:41 | 0:03:43 | |
I need to find something of quality and of age. | 0:03:43 | 0:03:46 | |
Hopefully, it's here. | 0:03:46 | 0:03:47 | |
Yes, Eric and Chuko are two very different players of the game. | 0:03:47 | 0:03:50 | |
Slow and steady versus super speedy. | 0:03:50 | 0:03:53 | |
And Chuko's plan of attack leads him to his first potential purchase - | 0:03:53 | 0:03:57 | |
an old projector. | 0:03:57 | 0:03:59 | |
I've seen this, it looks really interesting to me. | 0:04:00 | 0:04:03 | |
If it works, great. | 0:04:03 | 0:04:05 | |
If it doesn't, it's a lovely decorative item. | 0:04:05 | 0:04:07 | |
Looking at the style of it, got to be mid-century. | 0:04:07 | 0:04:10 | |
-Hiya. -I need to find a price on this, if I can. | 0:04:10 | 0:04:13 | |
-15 quid. -Is it working? -It's untested as it is. | 0:04:14 | 0:04:17 | |
We've not had time to put anything into it yet. | 0:04:17 | 0:04:20 | |
But if we don't get rid of it today, | 0:04:20 | 0:04:21 | |
then we'll go back and do something with it. | 0:04:21 | 0:04:23 | |
I'm going to help you out. Can we go eight? | 0:04:23 | 0:04:26 | |
-Meet me in the middle at ten. -Do me nine. | 0:04:26 | 0:04:29 | |
Just so that'll give me that little bit of edge. | 0:04:29 | 0:04:31 | |
-Got to be ten. -Go on, then. Thank you very much. | 0:04:31 | 0:04:33 | |
So Chuko snaps up the projector for £10. | 0:04:33 | 0:04:37 | |
So, really happy. First buy, gone in, strategy - | 0:04:37 | 0:04:41 | |
look, see, buy. | 0:04:41 | 0:04:43 | |
Good piece, lovely patina, aged, heavy, solid 1950s piece. | 0:04:43 | 0:04:49 | |
Got to do a little bit of research when I get back. | 0:04:49 | 0:04:52 | |
Very happy. | 0:04:52 | 0:04:53 | |
Chuko flies off with his first purchase, | 0:04:54 | 0:04:56 | |
while Eric is still plodding along. | 0:04:56 | 0:04:59 | |
With the sun shining and the temperatures rising, | 0:04:59 | 0:05:01 | |
he's in no hurry. | 0:05:01 | 0:05:03 | |
So I'm practising what I preach. | 0:05:03 | 0:05:04 | |
This is the first aisle. | 0:05:04 | 0:05:06 | |
I'm going to zoom it. | 0:05:06 | 0:05:08 | |
Well, you say zoom it, Eric... | 0:05:08 | 0:05:10 | |
We're doing a methodical up and down, up and down, we'll be back. | 0:05:16 | 0:05:20 | |
OK. I know just how he feels. | 0:05:20 | 0:05:22 | |
Alas, poor old Eric. | 0:05:23 | 0:05:26 | |
Whereas over yonder the young upstart, Chuko, | 0:05:26 | 0:05:28 | |
is already on to his second stall. | 0:05:28 | 0:05:30 | |
Love this. Philips infrared health lamp. | 0:05:30 | 0:05:34 | |
In such good condition with the box. | 0:05:34 | 0:05:37 | |
This is something, if you had an ailment, | 0:05:37 | 0:05:39 | |
you'd shine that light on your back. | 0:05:39 | 0:05:42 | |
-Hiya. -Hi. -I like this. | 0:05:42 | 0:05:44 | |
What sort of money as it? | 0:05:45 | 0:05:46 | |
-I've got 15 on it. -You've got a good stall. | 0:05:46 | 0:05:48 | |
I like the stuff. You've got really good stuff. | 0:05:48 | 0:05:50 | |
Is there anything else that you've got that's interesting? | 0:05:50 | 0:05:53 | |
OK, this looks good. | 0:05:53 | 0:05:55 | |
18th-century sovereign scales. | 0:05:55 | 0:05:58 | |
It's by Wilkinson of Ormskirk. | 0:05:58 | 0:06:01 | |
It'll weigh two things. It can weigh a sovereign. | 0:06:01 | 0:06:03 | |
Put that over to weigh the half sovereign. | 0:06:03 | 0:06:06 | |
Lovely. Looks expensive. | 0:06:06 | 0:06:09 | |
There you go, you put it on there... | 0:06:09 | 0:06:12 | |
flip it over, half the weight. | 0:06:12 | 0:06:14 | |
-What sort of money? -Well, I've got 120 on it. | 0:06:14 | 0:06:16 | |
How does £100 sound? | 0:06:16 | 0:06:18 | |
That's a lot. I'm going to go in... | 0:06:18 | 0:06:20 | |
Hard. I'm a dealer, I need a dealer price. | 0:06:20 | 0:06:22 | |
So you've got to help me out. Let's do a combined price. | 0:06:22 | 0:06:26 | |
So, for the two, I'd say 70. | 0:06:26 | 0:06:27 | |
I might need nearer 100. | 0:06:29 | 0:06:30 | |
100? Let's say 80 and you've got your money. | 0:06:30 | 0:06:33 | |
-Go on. -Let's say 90. | 0:06:33 | 0:06:36 | |
85. | 0:06:36 | 0:06:37 | |
Brilliant, well done. | 0:06:37 | 0:06:39 | |
Chuko picks up his second and third items, | 0:06:39 | 0:06:41 | |
pushing him yet further into the lead. | 0:06:41 | 0:06:43 | |
Look at this. Infraphil health lamp. | 0:06:43 | 0:06:47 | |
Infrared, so what these were basically used for, | 0:06:47 | 0:06:49 | |
you've got a bit of pain, which I often have, stick it in the wall... | 0:06:49 | 0:06:54 | |
Put it on your back and you're good as new. | 0:06:54 | 0:06:57 | |
This is in remarkable condition but it's electrical and it's old, | 0:06:57 | 0:07:00 | |
so we have to get it PAT tested. | 0:07:00 | 0:07:02 | |
I've got something mid-century, firmly in my comfort zone. | 0:07:02 | 0:07:05 | |
I've got something 18th-century, a little bit off the beaten track. | 0:07:05 | 0:07:09 | |
A sovereign scale. | 0:07:09 | 0:07:10 | |
Well-crafted, it's got a maker's mark. | 0:07:10 | 0:07:13 | |
I don't think Eric's going to be very happy with me. | 0:07:13 | 0:07:16 | |
This isn't mid-century! | 0:07:16 | 0:07:18 | |
It's a real antique and I've bought it! | 0:07:18 | 0:07:20 | |
Right up Eric's street, I'd have thought. | 0:07:20 | 0:07:23 | |
But, unfortunately, it landed in my street. | 0:07:23 | 0:07:25 | |
And it's mine. Very, very pleased. | 0:07:25 | 0:07:27 | |
Profit there. A weighty profit there. | 0:07:29 | 0:07:31 | |
Yes, at a weighty price. | 0:07:31 | 0:07:33 | |
Chuko has now eaten £95 from his budget and has bagged three items. | 0:07:33 | 0:07:37 | |
Eric really does need to catch up and get spending | 0:07:37 | 0:07:41 | |
if he wants to win this race. | 0:07:41 | 0:07:43 | |
Which may explain why he's drawn to a racing bike. | 0:07:43 | 0:07:47 | |
Dawes is a good name, isn't it? | 0:07:47 | 0:07:49 | |
-You tell me. You're obviously a bike man. -Yeah. | 0:07:49 | 0:07:52 | |
Who do I know that wants a bike? | 0:07:52 | 0:07:54 | |
-Have you restored it? -No, it's as found, that. | 0:07:54 | 0:07:57 | |
It is as found, is it? | 0:07:57 | 0:07:58 | |
That's a £60 bike. | 0:07:58 | 0:08:00 | |
-Is that a ladies' bike? -It is, yeah. | 0:08:00 | 0:08:03 | |
So... Cor, who do I...? | 0:08:03 | 0:08:04 | |
I need a lady that needs a bike. | 0:08:04 | 0:08:07 | |
He does appear to be struck down with indecision. | 0:08:07 | 0:08:10 | |
HE SIGHS | 0:08:10 | 0:08:12 | |
My brain's working overtime. | 0:08:12 | 0:08:14 | |
We don't have all day, Eric. Chuko's already got three items! | 0:08:14 | 0:08:18 | |
I like it, but I'm thinking hard. | 0:08:18 | 0:08:21 | |
I've got to think of a lady who lives in a certain part of the world | 0:08:21 | 0:08:24 | |
where she's safe to cycle, cos I worry about cyclists all the time. | 0:08:24 | 0:08:28 | |
-OK, it's not the money issue, it's where do I go from here. -OK. | 0:08:28 | 0:08:32 | |
I normally work on the basis if I see it, I like it, I buy it, but... | 0:08:32 | 0:08:35 | |
OK, well, you have seen it and you appear to like it, so... | 0:08:35 | 0:08:39 | |
OK, all right. | 0:08:39 | 0:08:41 | |
Listen, I'm going to live dangerously, thank you very much. | 0:08:41 | 0:08:44 | |
Ladies and gentlemen, Eric finally buys the bike | 0:08:46 | 0:08:49 | |
for the asking price of £60 and not a haggle in sight. | 0:08:49 | 0:08:53 | |
So I've got myself what is described as a town bike. | 0:08:53 | 0:08:57 | |
I don't think you'd be doing the Tour de France | 0:08:57 | 0:09:00 | |
on anything like this. | 0:09:00 | 0:09:01 | |
In all truth, it's a beautiful piece of engineering. | 0:09:01 | 0:09:05 | |
The fact this is 1985, well, you know, | 0:09:05 | 0:09:08 | |
it's getting close to a sort of classic. | 0:09:08 | 0:09:11 | |
I haven't got a clue at this moment in time who I'm going to sell it to. | 0:09:11 | 0:09:15 | |
What I do know is that I could well be racing into the lead | 0:09:15 | 0:09:19 | |
with this bike when it comes to making a profit. | 0:09:19 | 0:09:22 | |
Hope you're watching, Chuko. | 0:09:22 | 0:09:24 | |
Well, he's still lagging behind in the buying, | 0:09:25 | 0:09:27 | |
although he does come closer to catching up | 0:09:27 | 0:09:29 | |
when he also picks up a large photograph of Rome for £5. | 0:09:29 | 0:09:34 | |
Ooh, it's signed! | 0:09:34 | 0:09:36 | |
It's signed down here. | 0:09:36 | 0:09:37 | |
Michael... | 0:09:37 | 0:09:39 | |
Angelo. | 0:09:39 | 0:09:41 | |
That's it, must be one of his early photographs. | 0:09:41 | 0:09:43 | |
Yes... I'm not sure about that. But what did he see in the picture? | 0:09:43 | 0:09:47 | |
Well, I've never seen anything quite like this before, | 0:09:47 | 0:09:51 | |
but it is, obviously, a photograph on canvas of The Eternal City. | 0:09:51 | 0:09:56 | |
Yes, we're speaking of Roma here. | 0:09:56 | 0:09:58 | |
Why did I buy it? Because it would look so right, possibly, | 0:09:58 | 0:10:03 | |
possibly, in an Italiano restorante. | 0:10:03 | 0:10:06 | |
I think that was £5 pretty well spent. | 0:10:06 | 0:10:09 | |
So, with Eric now properly in the game, | 0:10:09 | 0:10:12 | |
let's see how our racing pair are getting on. | 0:10:12 | 0:10:14 | |
From a £250 budget, Eric has bought two items and spent £65, | 0:10:16 | 0:10:21 | |
leaving him with £185 to spend. | 0:10:21 | 0:10:25 | |
Chuko is ahead with three items for a total of £95, | 0:10:25 | 0:10:28 | |
meaning he has £155 left. | 0:10:28 | 0:10:32 | |
And so our pair of boy racers take a pit stop to sound each other out. | 0:10:32 | 0:10:37 | |
-What do you think? -There's an awful lot to go for. | 0:10:37 | 0:10:39 | |
-There's a lot here. -I've just scratched the surface. | 0:10:39 | 0:10:42 | |
-Have you done any buying? -I've done a bit. I'm quietly confident. | 0:10:42 | 0:10:45 | |
There's treasure in those hills, I think. | 0:10:45 | 0:10:47 | |
-Oh, you think so? -Maybe. -Good. -How about you? | 0:10:47 | 0:10:50 | |
I feel really happy for you. | 0:10:50 | 0:10:51 | |
I've parted with a few pounds, yes, that's for sure. | 0:10:51 | 0:10:54 | |
-Cards close. -We always keep our cards close to our chest, don't we? | 0:10:54 | 0:10:57 | |
We've got to. You're very competitive, I've noticed that. | 0:10:57 | 0:11:00 | |
-You think so? -I didn't think that was your personality, | 0:11:00 | 0:11:03 | |
-but now we've been in this, together. -You're mistaken. | 0:11:03 | 0:11:05 | |
I'm just calm, cool and collected. | 0:11:05 | 0:11:07 | |
There you go, all right. | 0:11:07 | 0:11:08 | |
-Come on, come on. -Can I have my hand back?! | 0:11:09 | 0:11:12 | |
THEY STRAIN | 0:11:12 | 0:11:13 | |
ERIC LAUGHS | 0:11:13 | 0:11:15 | |
He thought I had a £5 note in my hand. | 0:11:15 | 0:11:18 | |
Come on now, boys, play nicely. | 0:11:18 | 0:11:21 | |
There's no shortage of competitive spirit today, | 0:11:21 | 0:11:24 | |
as both Eric and Chuko are clearly in it to win it. | 0:11:24 | 0:11:27 | |
So how does Eric rate his chances | 0:11:27 | 0:11:29 | |
now he's seen the whites of his opponent's eyes? | 0:11:29 | 0:11:31 | |
I think he's doing all right. He's being a little bit coy. | 0:11:31 | 0:11:34 | |
But you can't hide those lying eyes, if you're eagle-minded. | 0:11:35 | 0:11:40 | |
Yes, if you say so, Eric. | 0:11:42 | 0:11:43 | |
It seems the blistering heat | 0:11:43 | 0:11:45 | |
is sending our battling buyers doolally. | 0:11:45 | 0:11:48 | |
You start off happy, joyful, smiling. | 0:11:48 | 0:11:52 | |
And then you end up desperate in a very hot, bothered situation. | 0:11:52 | 0:11:56 | |
That's where I am now. But I will find gold. | 0:11:56 | 0:12:00 | |
Oh, dear. | 0:12:00 | 0:12:01 | |
The Hat's breakneck approach seems to be taking its toll | 0:12:01 | 0:12:04 | |
as the day gets hotter and hotter. | 0:12:04 | 0:12:07 | |
And the search for shade has Eric donning a hat as well. | 0:12:07 | 0:12:11 | |
I've just purchased this hat because it's getting pretty hot here. | 0:12:11 | 0:12:15 | |
And if you're watching, Chuko, | 0:12:15 | 0:12:17 | |
you should know better than anybody else if you want to get ahead - | 0:12:17 | 0:12:21 | |
you get a hat! | 0:12:21 | 0:12:23 | |
And maybe there's something in that, because a now cool-headed Eric | 0:12:23 | 0:12:26 | |
is quick to dive in and find something of interest - | 0:12:26 | 0:12:29 | |
although he does appear to have changed his accent. | 0:12:29 | 0:12:32 | |
What is this? | 0:12:32 | 0:12:33 | |
-Is it for cards, or...? -I think it is. -Is it? | 0:12:33 | 0:12:35 | |
-How much is it? -Two quid. | 0:12:37 | 0:12:39 | |
£2. | 0:12:39 | 0:12:41 | |
Can I buy this? There we go. | 0:12:41 | 0:12:44 | |
£2, I can just about afford. | 0:12:44 | 0:12:46 | |
-Fantastic. -Thank you. | 0:12:46 | 0:12:48 | |
Eric makes his third purchase, but what has he got for his money? | 0:12:48 | 0:12:51 | |
Well, that's quite a useful object. | 0:12:51 | 0:12:54 | |
It is for putting your playing cards in. | 0:12:54 | 0:12:57 | |
It's in nice condition. | 0:12:57 | 0:12:58 | |
And if you want to know where it was made, here's a bit of a giveaway. | 0:12:58 | 0:13:02 | |
When I turn it around, | 0:13:02 | 0:13:03 | |
that mountain is Mount Fuji because this is Japanese. | 0:13:03 | 0:13:08 | |
And the metal is called antimony. | 0:13:08 | 0:13:11 | |
This actually dates probably to somewhere between | 0:13:11 | 0:13:14 | |
around about 1910 to maybe 1925. | 0:13:14 | 0:13:18 | |
It's got to much of its original silvering, | 0:13:18 | 0:13:21 | |
underneath is a sort of a copper-type colour. | 0:13:21 | 0:13:24 | |
There are plenty of people out there playing bridge, poker, you name it. | 0:13:24 | 0:13:28 | |
And that's quite a chic playing card stand. | 0:13:28 | 0:13:31 | |
And I like that. | 0:13:31 | 0:13:33 | |
For £2, it was a bit of a no-brainer, if you know what I mean. | 0:13:33 | 0:13:38 | |
So Eric is showing that when it comes to spotting a bargain, | 0:13:38 | 0:13:42 | |
he's truly unmatched. | 0:13:42 | 0:13:43 | |
While Chuko is showing signs of strain. | 0:13:43 | 0:13:46 | |
This is tough. | 0:13:46 | 0:13:48 | |
I think Eric is struggling as much as I am. | 0:13:48 | 0:13:51 | |
Actually, Chuko, Eric's doing A-OK | 0:13:51 | 0:13:53 | |
and is eyeing up a fourth potential purchase. | 0:13:53 | 0:13:57 | |
-Hello. -Hi. | 0:13:57 | 0:13:58 | |
Just looking at your dish. | 0:13:58 | 0:14:00 | |
What a strange thing. | 0:14:00 | 0:14:01 | |
What sort of money are we talking about? | 0:14:01 | 0:14:04 | |
I were asking 15 for it. | 0:14:04 | 0:14:05 | |
What's the best you can do? | 0:14:05 | 0:14:07 | |
-£10. -£10. | 0:14:07 | 0:14:09 | |
I've no idea... | 0:14:09 | 0:14:12 | |
..who's going to want that, but there's a lot of work gone into it. | 0:14:12 | 0:14:14 | |
-I'm happy with that. Many thanks. -Thank you very much. -Thank you. | 0:14:14 | 0:14:18 | |
£10 lighter, Eric takes the tray - so what has he got for his money? | 0:14:18 | 0:14:22 | |
Well, I've just bought something | 0:14:22 | 0:14:24 | |
that qualifies as weird and wonderful. | 0:14:24 | 0:14:26 | |
It's almost certainly been bought somewhere, maybe Cairo, | 0:14:26 | 0:14:32 | |
in a bazaar, but it's just the quality of the engraving | 0:14:32 | 0:14:37 | |
which I find quite staggering. | 0:14:37 | 0:14:39 | |
Because we've got this sort of Egyptian hieroglyphic frieze, | 0:14:39 | 0:14:43 | |
we've got nine panels within these sort of palmettes. | 0:14:43 | 0:14:47 | |
And then, look, the surround is sort of pure Victoriana of about 1850. | 0:14:47 | 0:14:55 | |
This is obviously something to be looked at | 0:14:55 | 0:14:57 | |
rather than used as a tray. | 0:14:57 | 0:15:00 | |
But it would be... | 0:15:00 | 0:15:01 | |
Be very decadent to think you might get a cup of tea on this | 0:15:01 | 0:15:04 | |
first thing in the morning. | 0:15:04 | 0:15:06 | |
Yes. Very Harrogate. | 0:15:06 | 0:15:09 | |
Well, maybe you should visit Harrogate | 0:15:09 | 0:15:11 | |
when it's time to sell that, Eric. | 0:15:11 | 0:15:12 | |
Still, his tray gives him the edge in the buying. | 0:15:12 | 0:15:15 | |
It seems that his rigorously methodical approach | 0:15:15 | 0:15:17 | |
is finally paying off today. | 0:15:17 | 0:15:20 | |
Let's get this straight. | 0:15:20 | 0:15:21 | |
I may have walked the best part of ten miles | 0:15:21 | 0:15:23 | |
in 30 degrees of searing heat, but let me remind you, Chuko, | 0:15:23 | 0:15:27 | |
that a quitter never wins and a winner never quits. | 0:15:27 | 0:15:31 | |
Ah, but Chuko is no quitter, either. | 0:15:31 | 0:15:34 | |
I've spotted a few bits here that I like. This is interesting. | 0:15:34 | 0:15:38 | |
I'd say a mid-century stool. | 0:15:38 | 0:15:40 | |
Covered, nice. These ladders are always good as well. | 0:15:40 | 0:15:43 | |
Great shop display. | 0:15:43 | 0:15:44 | |
-Hello. -Hello! | 0:15:44 | 0:15:46 | |
So what have you got on this? | 0:15:46 | 0:15:48 | |
-£10 on the stool. -And also the ladder? | 0:15:48 | 0:15:51 | |
-£10 on the ladder. -£10 on the ladder. | 0:15:51 | 0:15:54 | |
Come on, now, no sitting down on the job. | 0:15:55 | 0:15:57 | |
Hold on. | 0:15:57 | 0:16:00 | |
I do like that. I like the ladder more, I think. | 0:16:00 | 0:16:02 | |
Let me go and have a look. | 0:16:02 | 0:16:04 | |
These are basic painters' and decorators' ladders. | 0:16:04 | 0:16:08 | |
But they've just got a bit of age, a bit unusual. | 0:16:08 | 0:16:11 | |
It's all crafted, isn't it? | 0:16:11 | 0:16:12 | |
If I can get it for the right price, I think there is profit in there. | 0:16:12 | 0:16:15 | |
I'm going to be cheeky. | 0:16:15 | 0:16:17 | |
Let's say...four. | 0:16:17 | 0:16:20 | |
-Five. -Five? Five, it's a deal. | 0:16:20 | 0:16:22 | |
Thank you very much. Thank you. | 0:16:24 | 0:16:26 | |
Yes, Chuko takes the ladder for £5. | 0:16:26 | 0:16:29 | |
This is a classic Brush Strokes ladder - painter and decorator. | 0:16:29 | 0:16:33 | |
In fact, I even like them more spattered with paint. | 0:16:33 | 0:16:36 | |
It's a bit rickety, it needs a nail, it needs a bit of love. | 0:16:36 | 0:16:40 | |
But all in all - £5? | 0:16:40 | 0:16:43 | |
Can't go that wrong. | 0:16:43 | 0:16:45 | |
And he quickly makes purchase number five, | 0:16:45 | 0:16:47 | |
picking up a vintage sack barrow for £15. | 0:16:47 | 0:16:51 | |
Oi-oi, look at that! | 0:16:51 | 0:16:53 | |
It's a beautiful thing. This was somebody's tool, | 0:16:53 | 0:16:55 | |
it's a piece of industrial history. | 0:16:55 | 0:16:57 | |
I need to find out exactly when it's from. | 0:16:57 | 0:16:59 | |
I'm guessing...early mid-century. | 0:16:59 | 0:17:02 | |
Again, a lot of these old, vintage items are great for shop displays. | 0:17:02 | 0:17:07 | |
How stylish would you look pushing your antiques | 0:17:07 | 0:17:10 | |
around a fair with this? | 0:17:10 | 0:17:12 | |
Love it. | 0:17:12 | 0:17:14 | |
I didn't pay a lot of money for it, | 0:17:14 | 0:17:15 | |
I'm sure I can carry off a profit with this. | 0:17:15 | 0:17:18 | |
And, with that, Chuko calls it a day | 0:17:21 | 0:17:23 | |
and finally gets to enjoy a little lie down. | 0:17:23 | 0:17:26 | |
HE YAWNS | 0:17:26 | 0:17:28 | |
Where's Eric? I've finished! | 0:17:28 | 0:17:30 | |
Actually, Eric's finished, too, | 0:17:30 | 0:17:32 | |
having rounded off his spending spree with a £3 mirror. | 0:17:32 | 0:17:36 | |
And is that Eric's reflection in there? | 0:17:36 | 0:17:38 | |
Er, maybe not. | 0:17:38 | 0:17:40 | |
I've just got myself a mirror photograph. | 0:17:40 | 0:17:44 | |
It is of John Wayne. | 0:17:44 | 0:17:45 | |
It says here, "In Tall In The Saddle," | 0:17:45 | 0:17:48 | |
which I think probably dates from the late 1930s. | 0:17:48 | 0:17:51 | |
I've got to do my homework. | 0:17:51 | 0:17:53 | |
But it's John Wayne. John Wayne is an icon. | 0:17:53 | 0:17:56 | |
I think I'm going to have no trouble whatsoever selling this on. | 0:17:56 | 0:18:00 | |
So if you're watching, Chuko, | 0:18:00 | 0:18:02 | |
get off your horse and drink your milk. | 0:18:02 | 0:18:05 | |
Having lassoed his fifth and final purchase, | 0:18:07 | 0:18:10 | |
Eric brings us to the end of this car boot buying bonanza. | 0:18:10 | 0:18:13 | |
So before our pair come together, let's see how they spent today. | 0:18:13 | 0:18:17 | |
From a £250 budget, Eric made five purchases and spend £80, | 0:18:19 | 0:18:24 | |
whereas Chuko spent £115 on his five items. | 0:18:24 | 0:18:28 | |
Eric, we've done it! | 0:18:29 | 0:18:30 | |
-Talk about squeeze. -I know. | 0:18:30 | 0:18:33 | |
What about that! | 0:18:33 | 0:18:34 | |
Big lump streamline or what? | 0:18:34 | 0:18:36 | |
I've got a feeling this could be rare. | 0:18:36 | 0:18:38 | |
I'm not going to do a lot to it. | 0:18:38 | 0:18:39 | |
I'm just going to clean it up a little bit. | 0:18:39 | 0:18:41 | |
That would look good in anybody's shop, wouldn't it? | 0:18:41 | 0:18:43 | |
-What is that? -Infrared - it will heal you. | 0:18:43 | 0:18:46 | |
-I promise. -THEY LAUGH | 0:18:46 | 0:18:48 | |
If all else fails, if it doesn't cure you, | 0:18:48 | 0:18:50 | |
you could cook a chicken in front of it, couldn't you? | 0:18:50 | 0:18:52 | |
That's the idea. My favourite bit is this. | 0:18:52 | 0:18:55 | |
Oh, I like that. | 0:18:55 | 0:18:56 | |
Let's have a look. What does it say? | 0:18:56 | 0:18:58 | |
Wilkinson, Ormskirk, Lancashire. | 0:18:58 | 0:19:00 | |
-Your neck of the woods. -Well, not far away. | 0:19:00 | 0:19:02 | |
I'm surprised you didn't see that. | 0:19:02 | 0:19:03 | |
I think that is a fabulous thing. | 0:19:03 | 0:19:05 | |
I would have wanted to have bought that. | 0:19:05 | 0:19:07 | |
You notice - look, look - no pottery! | 0:19:07 | 0:19:08 | |
-No pottery! -That must hurt. | 0:19:08 | 0:19:11 | |
Well, no. To be honest with you, | 0:19:11 | 0:19:13 | |
there was nothing much in the ceramic world out there I wanted. | 0:19:13 | 0:19:16 | |
-I could see that. -This, I thought, was interesting. | 0:19:16 | 0:19:18 | |
Japanese antimony - that's the material. | 0:19:18 | 0:19:21 | |
There it is for your decks of cards. | 0:19:21 | 0:19:23 | |
-What a gentlemanly way of playing poker. -Yeah. | 0:19:23 | 0:19:26 | |
And last but not least, my ladies' bike. | 0:19:26 | 0:19:29 | |
Immaculate condition, very nice. | 0:19:29 | 0:19:30 | |
And what's that, '80s? | 0:19:30 | 0:19:32 | |
1985. | 0:19:32 | 0:19:33 | |
So we're getting close to classic. | 0:19:33 | 0:19:36 | |
You're about 100 years out of where you'd normally be. | 0:19:36 | 0:19:39 | |
Yeah. Well, there you go. | 0:19:39 | 0:19:41 | |
All I hope, obviously, | 0:19:41 | 0:19:43 | |
is that mine sell for a lot more than what yours sell for. | 0:19:43 | 0:19:45 | |
-You've just beat me to it! I hope -I -win, and you lose. | 0:19:45 | 0:19:49 | |
Well, there you go. Yeah, I want a cup of tea, old bean. | 0:19:49 | 0:19:52 | |
Lead on. | 0:19:52 | 0:19:54 | |
-Oh! -ERIC LAUGHS | 0:19:54 | 0:19:55 | |
Our tussling twosome now shift gear from buying to selling | 0:19:58 | 0:20:01 | |
as they prepare to peddle their wares | 0:20:01 | 0:20:03 | |
and realise the profit potential of every purchase made, | 0:20:03 | 0:20:07 | |
with the money going to their chosen charities. | 0:20:07 | 0:20:09 | |
In his High Wycombe home, | 0:20:09 | 0:20:11 | |
Eric is ready for action. | 0:20:11 | 0:20:12 | |
So this is the end product. | 0:20:14 | 0:20:16 | |
It is the result of walking hours | 0:20:16 | 0:20:20 | |
under a scorching sun. | 0:20:20 | 0:20:22 | |
My John Wayne mirror, actually, | 0:20:22 | 0:20:25 | |
shows a still from the film Tall In The Saddle, | 0:20:25 | 0:20:29 | |
which was released in 1944. | 0:20:29 | 0:20:31 | |
This was produced almost certainly | 0:20:31 | 0:20:34 | |
in either the '70s or maybe even the early '80s. | 0:20:34 | 0:20:37 | |
Now, I do have a potential buyer for that. | 0:20:37 | 0:20:40 | |
My Japanese playing card case | 0:20:40 | 0:20:44 | |
might be something of a rarity, | 0:20:44 | 0:20:46 | |
if only for the fact that I've never seen one before | 0:20:46 | 0:20:49 | |
and I've only been in this sort of job since 1971(!) | 0:20:49 | 0:20:53 | |
My Egyptian tray, you might describe it as my problem child. | 0:20:53 | 0:20:57 | |
The quality of the craftsmanship that has gone into making this | 0:20:57 | 0:21:01 | |
is quite incredible. | 0:21:01 | 0:21:03 | |
It's just who do I know who is going to appreciate | 0:21:03 | 0:21:07 | |
such craftsmanship? | 0:21:07 | 0:21:09 | |
And then, finally, that wonderful panorama of the city of Rome. | 0:21:09 | 0:21:13 | |
But it does have a little bit of water damage. | 0:21:13 | 0:21:16 | |
But, fortunately, it's occurred | 0:21:16 | 0:21:19 | |
in the sky, amongst the clouds. | 0:21:19 | 0:21:21 | |
It's completely disguised. | 0:21:21 | 0:21:23 | |
It doesn't detract from the image whatsoever. | 0:21:23 | 0:21:27 | |
Now, all I've got to do is find the willing buyers. | 0:21:27 | 0:21:32 | |
Yes, including one for his ladies' bike. | 0:21:32 | 0:21:35 | |
Back in his London lair, Chuko is also plotting a plan of attack. | 0:21:35 | 0:21:39 | |
I've actually managed to get some great pieces. | 0:21:39 | 0:21:42 | |
Look at this Aldis projector. | 0:21:42 | 0:21:44 | |
It's a great, decorative piece. | 0:21:44 | 0:21:46 | |
I'm going to have to take the wiring off | 0:21:46 | 0:21:48 | |
and give it a bit of a clean before I sell it. | 0:21:48 | 0:21:51 | |
I've done my research with this coin scale. | 0:21:51 | 0:21:54 | |
And when sovereigns were currency, they were made of precious metals. | 0:21:54 | 0:21:57 | |
So this was, essentially, a counterfeit detector. | 0:21:57 | 0:22:00 | |
And, then, maybe going a little bit down-market, | 0:22:00 | 0:22:04 | |
my ladder is too old and too rickety to actually use, | 0:22:04 | 0:22:07 | |
but a lot of people nowadays will use these for display, | 0:22:07 | 0:22:10 | |
and that's exactly who I want to sell it to. | 0:22:10 | 0:22:12 | |
And, then, finally, I've got my vintage sack barrow. | 0:22:12 | 0:22:16 | |
Weathered, aged and industrial piece. | 0:22:16 | 0:22:19 | |
I didn't pay a great deal of money for it. | 0:22:19 | 0:22:21 | |
Should be a profit. | 0:22:21 | 0:22:22 | |
And he'll also need to get his infrared lamp up to spec, | 0:22:22 | 0:22:26 | |
then find a buyer for that. | 0:22:26 | 0:22:28 | |
Now, both our experts will hope to make good on their buys | 0:22:28 | 0:22:31 | |
as they reach for their contact books, | 0:22:31 | 0:22:33 | |
pick up their phones, | 0:22:33 | 0:22:34 | |
and take to the roads that they hope will lead to a profit. | 0:22:34 | 0:22:38 | |
Chuko and Eric know that no deal is done | 0:22:38 | 0:22:40 | |
until the hand is shaken and the cash is handed over. | 0:22:40 | 0:22:44 | |
Eric is hoping to be first off the mark | 0:22:44 | 0:22:46 | |
as he marches down to one of the more upmarket parts of London. | 0:22:46 | 0:22:50 | |
I'm on my old stomping ground of Knightsbridge. | 0:22:50 | 0:22:53 | |
Now, I spent 25 years of my life here, | 0:22:53 | 0:22:56 | |
working for a very large London auction house. | 0:22:56 | 0:22:59 | |
But bang next door is a very fine Italian restaurant. | 0:22:59 | 0:23:02 | |
When I clasped my eyes on that panoramic photograph of Rome, | 0:23:02 | 0:23:06 | |
I thought of one person. | 0:23:06 | 0:23:07 | |
I thought of the owner. | 0:23:07 | 0:23:09 | |
I thought of Antonio. | 0:23:09 | 0:23:10 | |
Ah, but what will Antonio think of the print that cost Eric £5? | 0:23:12 | 0:23:16 | |
Now, you do get some big names in here, don't you, | 0:23:16 | 0:23:19 | |
without going on too much? | 0:23:19 | 0:23:21 | |
We have... | 0:23:21 | 0:23:22 | |
the best, like Princess Diana, | 0:23:22 | 0:23:24 | |
Al Pacino. | 0:23:24 | 0:23:26 | |
Ava Gardner was here almost every day when she was alive. | 0:23:26 | 0:23:29 | |
The one thing I remember more about the decor here | 0:23:29 | 0:23:32 | |
were all the photographs. | 0:23:32 | 0:23:33 | |
Consequently, when I was out and about, | 0:23:33 | 0:23:36 | |
and I came across this large, panoramic view of Rome, | 0:23:36 | 0:23:39 | |
I immediately thought of you. | 0:23:39 | 0:23:42 | |
-So do you want to see it? -Please do. -OK. | 0:23:42 | 0:23:44 | |
Under a magnifying glass, the detail is just... | 0:23:44 | 0:23:47 | |
Roma. | 0:23:47 | 0:23:48 | |
I love Roma. I love... | 0:23:48 | 0:23:50 | |
For me, it's the best city in the world. | 0:23:50 | 0:23:53 | |
Now, I've got a small confession to make. | 0:23:53 | 0:23:55 | |
Can you see the clouds? | 0:23:55 | 0:23:56 | |
-Yes. -OK. | 0:23:56 | 0:23:58 | |
Some of those clouds have been accentuated | 0:23:58 | 0:24:00 | |
by a little bit of moisture. | 0:24:00 | 0:24:02 | |
But it's very fortunate that what has happened there | 0:24:02 | 0:24:06 | |
blends in perfectly with the rest of the clouds. | 0:24:06 | 0:24:10 | |
I'm looking for somewhere in the region of around £40 for this. | 0:24:10 | 0:24:14 | |
That's my opening gambit. | 0:24:14 | 0:24:15 | |
-You say £40? -Yes. | 0:24:15 | 0:24:17 | |
I'll give you 50. | 0:24:17 | 0:24:18 | |
I'm not sure that's the way it works. | 0:24:20 | 0:24:22 | |
When you barter, you tend to go the opposite way. | 0:24:22 | 0:24:24 | |
Because I like for Knightsbridge, | 0:24:24 | 0:24:27 | |
I cannot say, "I pay £40." | 0:24:27 | 0:24:29 | |
Oh, really? Oh, I see. | 0:24:29 | 0:24:30 | |
-£50? -Yes. | 0:24:30 | 0:24:32 | |
That's very generous of you. | 0:24:32 | 0:24:34 | |
OK, you think that's fair? | 0:24:34 | 0:24:35 | |
OK, listen, I'm not going to argue with you. | 0:24:35 | 0:24:37 | |
-Thank you. -Excelente. | 0:24:37 | 0:24:39 | |
Eric makes and opening profit of £45 for the Rome print, | 0:24:39 | 0:24:42 | |
but it wasn't the only picture he picked up at the car boot. | 0:24:42 | 0:24:46 | |
Still in London, Eric moves on to his next item. | 0:24:46 | 0:24:49 | |
I've come to Rayners Lane up here in North London | 0:24:49 | 0:24:52 | |
because, for the past 25 years or more, | 0:24:52 | 0:24:54 | |
I've been having my hair cut here by Andy, my barber. | 0:24:54 | 0:24:58 | |
Nowm Andy, I can tell you, is a very, very big John Wayne fan. | 0:24:58 | 0:25:02 | |
So when I saw this mirror of John Wayne himself, | 0:25:02 | 0:25:05 | |
I saw another face in there, and that was Andy's. | 0:25:05 | 0:25:07 | |
Now, Andy is probably going to drive a hard bargain, | 0:25:07 | 0:25:10 | |
so if I dare quote the great man himself, "Courage... | 0:25:10 | 0:25:14 | |
"is being scared to death but saddling up anyhow." | 0:25:14 | 0:25:18 | |
AS JOHN WAYNE: And, so, the one they call El Knowledge | 0:25:18 | 0:25:21 | |
tethers his trusty steed, and with trigger finger twitching | 0:25:21 | 0:25:25 | |
and keen eyes shifting, | 0:25:25 | 0:25:27 | |
he comes face-to-face with the man who once cut him. | 0:25:27 | 0:25:30 | |
Well, his hair. | 0:25:32 | 0:25:33 | |
So, tell me, John Wayne...? | 0:25:33 | 0:25:35 | |
When did he become your hero? | 0:25:35 | 0:25:37 | |
When I saw Rio Bravo. | 0:25:37 | 0:25:39 | |
Well, the funny thing is, | 0:25:39 | 0:25:40 | |
I sat in that chair for a few years, | 0:25:40 | 0:25:42 | |
and over those years I used to see bits of John Wayne appear. | 0:25:42 | 0:25:46 | |
Mindful of your memorabilia, | 0:25:46 | 0:25:49 | |
I just happened to be at a car boot not so very long ago. | 0:25:49 | 0:25:53 | |
I came across John Wayne. | 0:25:53 | 0:25:55 | |
But the truth was that this is the man that was looking at me. | 0:25:55 | 0:25:59 | |
Have a look at it. I just thought that might add to your collection. | 0:25:59 | 0:26:02 | |
I'm in a position to sell you that | 0:26:02 | 0:26:04 | |
at what I would say is a favourable price. | 0:26:04 | 0:26:07 | |
Around about... | 0:26:07 | 0:26:09 | |
-£30. -I will give you 28... | 0:26:09 | 0:26:12 | |
-..and a haircut. -£28 and a haircut? | 0:26:13 | 0:26:17 | |
-I think we've got ourselves a bit of a deal, OK? -Sure? | 0:26:17 | 0:26:20 | |
Put it there. | 0:26:20 | 0:26:21 | |
So Eric takes a seat in the barber's chair, | 0:26:21 | 0:26:23 | |
he's cut into the lead now with two sales to nil. | 0:26:23 | 0:26:26 | |
And Andy takes a little off the back and sides | 0:26:26 | 0:26:28 | |
while Eric makes a little more on top, | 0:26:28 | 0:26:31 | |
with £25 made on the mirror. | 0:26:31 | 0:26:33 | |
If I day quote from John Wayne himself, | 0:26:33 | 0:26:36 | |
"Tomorrow hopes that we've learnt from yesterday." | 0:26:36 | 0:26:40 | |
Wise words, Chuko. Wise words. | 0:26:40 | 0:26:43 | |
Yes, and Chuko is hoping to brighten up HIS tomorrow | 0:26:43 | 0:26:46 | |
with his first potential sale at a retro store in London. | 0:26:46 | 0:26:49 | |
What I'm going to try to do with this lovely vintage sack barrow, | 0:26:49 | 0:26:53 | |
which will look great in there for display, | 0:26:53 | 0:26:55 | |
is to take a little bit of their profit and add to mine. | 0:26:55 | 0:26:58 | |
Wish me luck. | 0:26:58 | 0:26:59 | |
And he'll be hoping visual merchandiser Sophia | 0:26:59 | 0:27:02 | |
will help him roll out with a profit on the £15 it owes him. | 0:27:02 | 0:27:06 | |
This I thought would make a great display for you guys - | 0:27:06 | 0:27:09 | |
be really good in here. | 0:27:09 | 0:27:10 | |
It's vintage, industrial, | 0:27:10 | 0:27:12 | |
good, solid sack barrow. | 0:27:12 | 0:27:14 | |
Do you think it would work in here? | 0:27:14 | 0:27:16 | |
Well, we are always looking for new props. | 0:27:16 | 0:27:18 | |
I'm the visual merchandiser, so it'd be a massive help to me, I'm sure. | 0:27:18 | 0:27:21 | |
You do wow with the visuals here. | 0:27:21 | 0:27:23 | |
-Thank you very much. -You do. | 0:27:23 | 0:27:24 | |
Let's get down to a price. | 0:27:24 | 0:27:26 | |
-Okey dokey. -I was thinking... | 0:27:26 | 0:27:28 | |
..125. | 0:27:29 | 0:27:30 | |
I don't know if I can give you 125. | 0:27:30 | 0:27:32 | |
THEY LAUGH | 0:27:32 | 0:27:33 | |
I've got to work with what I've got here! | 0:27:33 | 0:27:36 | |
I think...55. | 0:27:36 | 0:27:39 | |
-55? -Yeah. | 0:27:39 | 0:27:40 | |
Shall I just give you an amount that I think you will say yes? | 0:27:40 | 0:27:43 | |
-You can try. -Did you see what I'm trying to do? | 0:27:43 | 0:27:46 | |
Look into my eyes! | 0:27:46 | 0:27:49 | |
Can't see them under your hat. | 0:27:49 | 0:27:51 | |
This hat is never comes off. | 0:27:51 | 0:27:53 | |
Ever. | 0:27:53 | 0:27:54 | |
Let's say...£80. | 0:27:54 | 0:27:56 | |
80? | 0:27:57 | 0:27:58 | |
A little bit closer to what I was thinking. | 0:27:58 | 0:28:02 | |
-CHUKO YELPS -Go on, then. It's a deal. | 0:28:02 | 0:28:03 | |
-Thank you very much. -You're welcome. | 0:28:03 | 0:28:05 | |
It'll look great here. Really good. | 0:28:05 | 0:28:07 | |
I'll see what I can do with it. | 0:28:07 | 0:28:08 | |
I've already got some ideas in my head. | 0:28:08 | 0:28:09 | |
So after some pretty tough negotiating, | 0:28:09 | 0:28:12 | |
Chuko walks out £65 up, | 0:28:12 | 0:28:15 | |
and he's delighted. | 0:28:15 | 0:28:16 | |
I made a great profit. | 0:28:16 | 0:28:18 | |
I'm going to need that sack barrow back | 0:28:18 | 0:28:20 | |
to carry all the cash I've made. | 0:28:20 | 0:28:22 | |
Yes, he takes the lead, meaning Eric will have to pedal hard to catch up. | 0:28:22 | 0:28:26 | |
Or not. | 0:28:26 | 0:28:27 | |
He's taking his bike to Oxford-based bike shop owner Dave, | 0:28:27 | 0:28:31 | |
hoping to make something on the £60 it cost him. | 0:28:31 | 0:28:34 | |
-Dave, hello. Eric. -How are you? -Nice to meet you. | 0:28:35 | 0:28:38 | |
I've never bought a bike before. | 0:28:38 | 0:28:39 | |
I mean, I'm mainly... sort of ceramics and glass. | 0:28:39 | 0:28:42 | |
But I was told it dates from 1985, | 0:28:42 | 0:28:45 | |
so I'm wondering whether it comes under the heading | 0:28:45 | 0:28:48 | |
of, maybe, classic bike. | 0:28:48 | 0:28:50 | |
Well, my first impression is that it's extremely clean. | 0:28:50 | 0:28:52 | |
It is in very good condition. | 0:28:52 | 0:28:55 | |
Almost suspiciously good condition. | 0:28:55 | 0:28:56 | |
Almost as if it's been restored. | 0:28:56 | 0:28:58 | |
I can see there are things on there that are not original - | 0:28:58 | 0:29:01 | |
-they wouldn't have come out the factory with the bike. -Such as? | 0:29:01 | 0:29:03 | |
-The mudguards, for a start. -Oh, yeah? | 0:29:03 | 0:29:05 | |
-The pump is... -Yes. | 0:29:05 | 0:29:07 | |
-..not original. -Correct, yes, that's true. | 0:29:07 | 0:29:09 | |
And the kickstand isn't original either. | 0:29:09 | 0:29:11 | |
-Oh, this one here, down here? -It isn't a classic. It isn't. | 0:29:11 | 0:29:14 | |
-It's not? -No, it's an old bike in very good condition. | 0:29:14 | 0:29:16 | |
-I see. -It's certainly better than many of the second-hand bikes | 0:29:16 | 0:29:19 | |
-that we see from that era. -Oh, well, that's encouraging. | 0:29:19 | 0:29:22 | |
We just have to come down to something that's mutually agreeable. | 0:29:22 | 0:29:25 | |
I was thinking that, you know, | 0:29:25 | 0:29:28 | |
we might be around the £150 mark. | 0:29:28 | 0:29:30 | |
Realistically, we need to be sort of talking closer | 0:29:30 | 0:29:33 | |
to about 70 quid. | 0:29:33 | 0:29:34 | |
-£70? -Yeah. | 0:29:34 | 0:29:36 | |
I-I just feel, as a matter of honour, | 0:29:36 | 0:29:38 | |
just to tag on another tenner, if possible. | 0:29:38 | 0:29:40 | |
Do you think we could do the 80 on that? | 0:29:40 | 0:29:42 | |
Can we agree at 80 and close at 80? | 0:29:42 | 0:29:43 | |
The only thing I would ask, | 0:29:43 | 0:29:45 | |
I would like to think whoever does ride it does wear a helmet. | 0:29:45 | 0:29:49 | |
Yes, we do encourage helmet use. | 0:29:49 | 0:29:50 | |
I had bigger ideas for it, but if we're going to settle on 80, | 0:29:50 | 0:29:54 | |
-let's settle on 80. -80 quid it is. -OK. | 0:29:54 | 0:29:56 | |
So Eric makes his second sale and a £20 profit. | 0:29:56 | 0:30:00 | |
I know it wasn't a big profit, £20. | 0:30:01 | 0:30:04 | |
But, having said that, you know, it was a profit. | 0:30:04 | 0:30:07 | |
And if you're watching, Chuko, on YOUR bike, mate. | 0:30:07 | 0:30:10 | |
Well, he's on foot, actually, | 0:30:10 | 0:30:12 | |
and still hard at work as he arrives at an osteopath's for his next sale. | 0:30:12 | 0:30:17 | |
I've got my Infraphil infrared light. | 0:30:17 | 0:30:20 | |
Hopefully, I'll get a cracking good deal. | 0:30:20 | 0:30:22 | |
The light cost Chuko £15.50 after PAT testing, | 0:30:23 | 0:30:27 | |
but will osteopath Torben be interested in buying it? | 0:30:27 | 0:30:30 | |
-So it's an Infraphil. -Yes. | 0:30:30 | 0:30:32 | |
She's actually from the '70s. | 0:30:32 | 0:30:34 | |
Yeah, I've seen them. I think they're more white now. | 0:30:34 | 0:30:37 | |
Wow. | 0:30:38 | 0:30:40 | |
Don't look straight into it. | 0:30:40 | 0:30:42 | |
I've never used infrared before, I must say. | 0:30:42 | 0:30:44 | |
It's a proven technique. | 0:30:44 | 0:30:45 | |
Infrared light does penetrate the muscle and relax it, doesn't it? | 0:30:45 | 0:30:48 | |
Yes. I can imagine that it'll help loosening up the muscles | 0:30:48 | 0:30:52 | |
and get it ready to be adjusted. | 0:30:52 | 0:30:53 | |
So is it something you think you'd be interested in? | 0:30:53 | 0:30:56 | |
-I think so. -I'm thinking... | 0:30:56 | 0:30:58 | |
£65. | 0:30:58 | 0:30:59 | |
What about 35? | 0:31:01 | 0:31:02 | |
How does... | 0:31:04 | 0:31:05 | |
50 sound? | 0:31:05 | 0:31:07 | |
That sounds better. | 0:31:07 | 0:31:09 | |
I think you've still got a bit of stiffness in the neck. | 0:31:09 | 0:31:12 | |
What about if we do 45 and I'll loosen up your neck for you - | 0:31:12 | 0:31:16 | |
-how is that? -I don't even have to think about that. | 0:31:16 | 0:31:18 | |
45 and a click? | 0:31:18 | 0:31:20 | |
Sounds like a CRACKING deal to me. | 0:31:20 | 0:31:22 | |
Chuko loosens up a profit of £29.50 on the lamp, | 0:31:22 | 0:31:26 | |
and whilst he's there... | 0:31:26 | 0:31:28 | |
Can I keep my hat on, Torben? | 0:31:28 | 0:31:30 | |
No, you have to take your hat off. | 0:31:30 | 0:31:32 | |
The Hat is taking his hat off. | 0:31:32 | 0:31:34 | |
-Oh, man. -That is an honour. | 0:31:34 | 0:31:37 | |
The signals are not coming through here | 0:31:37 | 0:31:39 | |
to the arm muscles well enough. | 0:31:39 | 0:31:41 | |
I'll do a little flick like that. | 0:31:41 | 0:31:42 | |
There'll be a little click. | 0:31:42 | 0:31:44 | |
NECK CRACKS | 0:31:44 | 0:31:45 | |
Is that supposed to do that? | 0:31:45 | 0:31:47 | |
And here. | 0:31:47 | 0:31:49 | |
NECK CRACKS Oh, no, that's not right. | 0:31:49 | 0:31:51 | |
How's that? | 0:31:51 | 0:31:53 | |
Shocking. | 0:31:53 | 0:31:54 | |
And again. | 0:31:54 | 0:31:55 | |
SOMETHING CRACKS | 0:31:55 | 0:31:57 | |
No, that's enough of that. | 0:31:57 | 0:31:58 | |
Good. | 0:31:58 | 0:32:00 | |
I'm in one piece. | 0:32:00 | 0:32:01 | |
So Chuko's CRACKING deal brings us to the halfway mark | 0:32:01 | 0:32:05 | |
of this spectacular selling spree. | 0:32:05 | 0:32:07 | |
Let's take a moment to see how much our experts have made so far. | 0:32:07 | 0:32:11 | |
Eric has made three sales and brought home a profit of £90. | 0:32:11 | 0:32:15 | |
Chuko has only sold two items, | 0:32:15 | 0:32:17 | |
but is a smidge ahead with a profit of £94.50. | 0:32:17 | 0:32:21 | |
It's close - it's extremely close - | 0:32:22 | 0:32:24 | |
and Eric is hoping his next sale will help him regain his lead, | 0:32:24 | 0:32:28 | |
as he arrives in Chelsea. | 0:32:28 | 0:32:30 | |
I'm here to meet a certain William Rouse, who moves in certain circles. | 0:32:30 | 0:32:34 | |
To be precise, he moves in the Magic Circle. | 0:32:34 | 0:32:38 | |
He's brought the card box, hoping to magic up a profit | 0:32:38 | 0:32:41 | |
from the £2 it cost him. | 0:32:41 | 0:32:43 | |
Like everybody, | 0:32:43 | 0:32:44 | |
once they find out that you are a member of the Magic Circle, | 0:32:44 | 0:32:47 | |
they're going to say, "Show me a trick. Come on, show me a trick." | 0:32:47 | 0:32:50 | |
So show me a trick! | 0:32:50 | 0:32:52 | |
-I'd be delighted, yes. -OK. | 0:32:52 | 0:32:54 | |
If you don't mind, perhaps you could just slide out a card? | 0:32:54 | 0:32:57 | |
-OK. Yeah. -Very good. | 0:32:57 | 0:32:58 | |
Have a look at it, remember it, don't forget it, | 0:32:58 | 0:33:01 | |
but don't let me see it. | 0:33:01 | 0:33:02 | |
For the benefit of people at home... | 0:33:02 | 0:33:04 | |
-Lovely. -Perfect. Perhaps you could slide that back somewhere... | 0:33:04 | 0:33:07 | |
-OK, let's go there. -..around the middle of the pack. | 0:33:07 | 0:33:10 | |
-I'm going to attempt, I think, to locate your card. -OK. | 0:33:10 | 0:33:14 | |
And it's going to look a little bit like this. | 0:33:14 | 0:33:17 | |
-OK. -Just out of curiosity, what was the card you chose? | 0:33:17 | 0:33:19 | |
It was the nine of spades. | 0:33:19 | 0:33:21 | |
-The nine of spades? -Yeah. | 0:33:21 | 0:33:23 | |
-Fantastic. Fingers crossed... -OK. | 0:33:23 | 0:33:24 | |
..we should find... | 0:33:25 | 0:33:26 | |
..the nine of spades. | 0:33:28 | 0:33:29 | |
Excellent! | 0:33:30 | 0:33:32 | |
So Will gets the right card, | 0:33:32 | 0:33:33 | |
but will Eric get the right price for his box? | 0:33:33 | 0:33:36 | |
There it is... | 0:33:36 | 0:33:37 | |
..in all its glory. | 0:33:38 | 0:33:40 | |
Let me explain. It's made of a material called antimony. | 0:33:40 | 0:33:44 | |
Date-wise, it's around about | 0:33:44 | 0:33:46 | |
-1900 to 1910. -Mm-hm. | 0:33:46 | 0:33:50 | |
And what amazed me was that it's there to take two sets | 0:33:51 | 0:33:55 | |
of playing cards. | 0:33:55 | 0:33:56 | |
-Lovely. -Ever seen one of those before? | 0:33:56 | 0:33:59 | |
I've seen lots of card cases before, lots of boxes for cards, | 0:33:59 | 0:34:02 | |
but not a metal one, | 0:34:02 | 0:34:03 | |
-and certainly not one with the same design as this. -Amazing. | 0:34:03 | 0:34:06 | |
Well, I've only been doing this since 1971 | 0:34:06 | 0:34:09 | |
and this is the first one that I've seen. | 0:34:09 | 0:34:11 | |
So... But having said that, there's always somebody at home | 0:34:11 | 0:34:15 | |
that says, "Oh, I've seen a dozen of those." | 0:34:15 | 0:34:17 | |
-Well, -I -haven't. | 0:34:17 | 0:34:19 | |
But there it is. | 0:34:19 | 0:34:21 | |
I'm going to start off asking £30 for it anyway. | 0:34:21 | 0:34:24 | |
OK. | 0:34:26 | 0:34:27 | |
It's intriguing, it's somewhere to keep cards at home. | 0:34:27 | 0:34:29 | |
And it's a nice thing because there's a connection between ideas | 0:34:29 | 0:34:32 | |
of the mysterious East and magic, particularly from the period. | 0:34:32 | 0:34:35 | |
But the problem is perhaps it's not something I would be... | 0:34:35 | 0:34:37 | |
If I'm doing a show or something like that, | 0:34:37 | 0:34:39 | |
it's not something I would be using for it. | 0:34:39 | 0:34:41 | |
No, there is that. Where would you come in for something like that? | 0:34:41 | 0:34:44 | |
I don't know. Maybe £10 or £12, something like that? | 0:34:44 | 0:34:47 | |
-£10 or £12? -Enough that I can smile about it | 0:34:47 | 0:34:49 | |
when I see it and use it at home. | 0:34:49 | 0:34:51 | |
I'd smile a lot more at my home if I could, let's say, | 0:34:51 | 0:34:55 | |
settle on £20 for that object. | 0:34:55 | 0:34:57 | |
I think we can shake on 20. | 0:34:57 | 0:34:58 | |
Presumably an IOU would be fine for that? | 0:34:58 | 0:35:01 | |
Well, I'm sorry, Will, | 0:35:01 | 0:35:04 | |
but, given the opportunity, I think we would rather... | 0:35:04 | 0:35:07 | |
We'd rather take cash. | 0:35:07 | 0:35:08 | |
Perhaps we could try this, then. | 0:35:08 | 0:35:11 | |
If you won't accept an IOU... | 0:35:11 | 0:35:13 | |
-maybe £20 will work OK... -Ooh! -ERIC LAUGHS | 0:35:13 | 0:35:15 | |
-..by way of alternative. So, yes... -Fantastic! -..there's £20, | 0:35:16 | 0:35:20 | |
and thank you very much indeed. | 0:35:20 | 0:35:21 | |
We have a deal. | 0:35:23 | 0:35:25 | |
Better check that note, Eric. | 0:35:25 | 0:35:26 | |
Still, that's an £18 profit for the case | 0:35:26 | 0:35:29 | |
and Eric only has one item left. | 0:35:29 | 0:35:32 | |
Chuko has three. | 0:35:32 | 0:35:34 | |
He's back in London for his next sale. | 0:35:34 | 0:35:36 | |
It's the £5 ladder, which he brings to florist Joanna, | 0:35:36 | 0:35:39 | |
hoping to step out with a profit. | 0:35:39 | 0:35:42 | |
You've got such rustic charm in here. | 0:35:42 | 0:35:44 | |
I thought this would be a perfect display. | 0:35:44 | 0:35:46 | |
The reason I bought it is because you've got that display there. | 0:35:46 | 0:35:49 | |
-Yes, I have. -I wouldn't try and climb up it. -No. | 0:35:49 | 0:35:51 | |
Something you think you could work with? | 0:35:51 | 0:35:53 | |
I think definitely I could, yes. | 0:35:53 | 0:35:55 | |
-If the money's right? -If the money's right. | 0:35:55 | 0:35:57 | |
I was thinking something like £65. | 0:35:57 | 0:36:00 | |
-Was you?! -CHUKO LAUGHS | 0:36:00 | 0:36:02 | |
I wasn't! | 0:36:02 | 0:36:04 | |
Bit less. | 0:36:04 | 0:36:05 | |
-30? -30... | 0:36:05 | 0:36:06 | |
THEY GROAN | 0:36:06 | 0:36:08 | |
What if we say 40? | 0:36:08 | 0:36:11 | |
35? | 0:36:11 | 0:36:12 | |
-Go on, then, 40. -Oh, yes! | 0:36:13 | 0:36:15 | |
THEY LAUGH | 0:36:15 | 0:36:17 | |
Well done. | 0:36:17 | 0:36:18 | |
Chuko makes £35 and climbs further up the profit ladder. | 0:36:18 | 0:36:22 | |
He's in Oxfordshire next with the 1950s projector that cost him £10. | 0:36:22 | 0:36:27 | |
It turns out the projector wasn't in working order, | 0:36:27 | 0:36:30 | |
so Chuko has stripped out all the wiring for safety, | 0:36:30 | 0:36:33 | |
and he's hoping pub owners Damian and Johnny | 0:36:33 | 0:36:35 | |
will want it as a decorative piece in their pub. | 0:36:35 | 0:36:38 | |
-Good to see you. -You, too. -Love this place. | 0:36:38 | 0:36:41 | |
-Thank you very much. -It's just such eclectic taste. | 0:36:41 | 0:36:44 | |
-This wouldn't be out of place here. -I was going to say! | 0:36:44 | 0:36:46 | |
Right. | 0:36:46 | 0:36:48 | |
I want to add to it. | 0:36:48 | 0:36:50 | |
So, yeah, 1950s slide projector. | 0:36:50 | 0:36:53 | |
It's all stripped, so purely for decorative. | 0:36:53 | 0:36:56 | |
-Can it work? -I think so. | 0:36:56 | 0:36:57 | |
I think it'd make a really good light, | 0:36:57 | 0:37:00 | |
-or something really interesting in here, yeah. -OK. | 0:37:00 | 0:37:02 | |
-Could get bulb in there. -Yeah. | 0:37:02 | 0:37:03 | |
I think it would suit here very well. | 0:37:03 | 0:37:05 | |
-What are you asking for it? -Right, don't be scared... | 0:37:05 | 0:37:08 | |
-cos these go for a lot of money. They're rare. -OK. | 0:37:08 | 0:37:10 | |
They're rare. But I'm not going to hurt you too much. | 0:37:10 | 0:37:12 | |
But I would love to get about 120. | 0:37:12 | 0:37:14 | |
-120? -Yeah. -Ooh. | 0:37:14 | 0:37:16 | |
I was thinking more sort of, er... | 0:37:16 | 0:37:18 | |
-40? -Oxford prices... | 0:37:18 | 0:37:21 | |
for a London boy. | 0:37:21 | 0:37:23 | |
-THEY LAUGH -Ow! | 0:37:23 | 0:37:25 | |
Meet me up a little bit. | 0:37:25 | 0:37:26 | |
Let's say 90? | 0:37:26 | 0:37:27 | |
65. | 0:37:29 | 0:37:30 | |
BOTH: 65. | 0:37:30 | 0:37:31 | |
That's a good price. | 0:37:31 | 0:37:33 | |
I'm not going to argue at that. | 0:37:33 | 0:37:35 | |
-Thank you, Johnny. Thank you, Damian. -Thank you. | 0:37:35 | 0:37:37 | |
Enjoy. I think it will look brilliant in here. | 0:37:37 | 0:37:39 | |
Chuko kisses goodbye to the projector | 0:37:41 | 0:37:43 | |
but waves hello to £55 of profit. | 0:37:43 | 0:37:46 | |
Which brings us back to Eric's final sale, | 0:37:47 | 0:37:50 | |
the Egyptian tray that cost him £10. | 0:37:50 | 0:37:52 | |
He's brought it to Marlow-based vintage shop owner Sara. | 0:37:52 | 0:37:55 | |
I've got something that I'm hoping is going to be of interest to you | 0:37:55 | 0:37:58 | |
that looks very, very old. | 0:37:58 | 0:38:00 | |
It looks about 4,000 or 5,000 years old, but, obviously, it's not. | 0:38:00 | 0:38:03 | |
It's been carved by hand, | 0:38:03 | 0:38:06 | |
probably in a bazaar in Cairo, | 0:38:06 | 0:38:08 | |
sometime in the 20th century. | 0:38:08 | 0:38:10 | |
I would have thought the early 20th century. | 0:38:10 | 0:38:13 | |
I think that is perfect, | 0:38:13 | 0:38:15 | |
if you're serving drinks for two. | 0:38:15 | 0:38:18 | |
I mean, very decadent, I think, to use something like that. | 0:38:18 | 0:38:21 | |
I tell you what's going through my mind. | 0:38:21 | 0:38:23 | |
Where we are, there's a real trend for cocktails. | 0:38:23 | 0:38:26 | |
There's a cocktail called an Egyptian martini | 0:38:26 | 0:38:28 | |
and, somehow, the Egyptian tray with martini glasses | 0:38:28 | 0:38:31 | |
sort of fits together quite nicely. | 0:38:31 | 0:38:33 | |
You think you've got a market for that? | 0:38:33 | 0:38:35 | |
I think we might be able to do something with it... | 0:38:35 | 0:38:37 | |
-OK. All right. -..at a price. | 0:38:37 | 0:38:38 | |
At a price, yes. | 0:38:38 | 0:38:39 | |
I was looking for somewhere in the region | 0:38:39 | 0:38:42 | |
of around about, I don't know... | 0:38:42 | 0:38:44 | |
..£60, something like that? | 0:38:45 | 0:38:47 | |
-60 I think is a bit steep. -OK, fair enough. | 0:38:47 | 0:38:50 | |
Remember, I've got to sell it on. | 0:38:50 | 0:38:52 | |
I was going somewhere near the 30s. | 0:38:52 | 0:38:54 | |
Let's have a think now. | 0:38:54 | 0:38:55 | |
If we said 40, would that be encouraging to you? | 0:38:55 | 0:38:59 | |
What about 35? | 0:39:00 | 0:39:03 | |
35. You like the sound of that, don't you? | 0:39:03 | 0:39:05 | |
Just something, yes. | 0:39:05 | 0:39:06 | |
-Yeah. I'm going to say 35. -Well done. | 0:39:06 | 0:39:08 | |
-Come on, put your hand there. -Thank you, Eric. | 0:39:08 | 0:39:10 | |
So Eric carries off a final profit | 0:39:10 | 0:39:12 | |
of £25 for the tray. | 0:39:12 | 0:39:15 | |
Chuko has one item left to sell. | 0:39:15 | 0:39:17 | |
He's weighed up his options and travelled to Buckinghamshire. | 0:39:17 | 0:39:20 | |
I've got my coin scales here. | 0:39:21 | 0:39:23 | |
I really love these. | 0:39:23 | 0:39:24 | |
Great engineering. | 0:39:24 | 0:39:26 | |
I don't know too much about them. | 0:39:26 | 0:39:28 | |
Could be 1780, could be 1880. | 0:39:28 | 0:39:31 | |
But I know somebody that will know about them - Charles. | 0:39:31 | 0:39:34 | |
He's an auction consultant and he's a coin collector. | 0:39:34 | 0:39:38 | |
Hopefully, the scales will tip in my favour. | 0:39:38 | 0:39:41 | |
The scales cost £70 but what will the expert think? | 0:39:41 | 0:39:45 | |
So I've got these coin scales, lovely coin scales. | 0:39:45 | 0:39:47 | |
You have to be very fair with me cos I know very little about this... | 0:39:47 | 0:39:50 | |
-Yeah. -..and I know this is your area of expertise. -Yeah. | 0:39:50 | 0:39:53 | |
-What do you think? -Yes. -Well, the first thing to say | 0:39:53 | 0:39:55 | |
is that these aren't actually sovereign scales. | 0:39:55 | 0:39:57 | |
They are earlier than that. | 0:39:57 | 0:39:58 | |
This is actually a pair of guinea scales, | 0:39:58 | 0:40:01 | |
which means that it's from pre-1817. | 0:40:01 | 0:40:05 | |
You can tell from the paper label inside | 0:40:05 | 0:40:08 | |
that it's probably from about 1780. | 0:40:08 | 0:40:10 | |
Better than a sovereign scale. It means it's a bit more valuable. | 0:40:10 | 0:40:13 | |
-OK, brilliant. -What you did with it | 0:40:13 | 0:40:16 | |
is you put your gold guinea on here. | 0:40:16 | 0:40:18 | |
And if it tipped the scale just a little bit, like this, | 0:40:18 | 0:40:22 | |
your gold was good. Now, the market for these is... | 0:40:22 | 0:40:26 | |
a little bit weak, shall we say, | 0:40:26 | 0:40:29 | |
because once a coin collector has got one example... | 0:40:29 | 0:40:31 | |
-Yeah. -..he doesn't want to buy ten. | 0:40:31 | 0:40:34 | |
How would 95 sound? | 0:40:34 | 0:40:35 | |
95? I'm a London boy, I'm from Hackney. | 0:40:35 | 0:40:38 | |
My instinct is to nudge you to 100, | 0:40:38 | 0:40:40 | |
but I think you've been very fair, you've been very honest, | 0:40:40 | 0:40:43 | |
-and you've been very straight. -Thank you, Chuko. | 0:40:43 | 0:40:45 | |
I'll shake your hand at that. Thank you very much, Charles. | 0:40:45 | 0:40:48 | |
So Chuko walks away with a final £25 profit | 0:40:48 | 0:40:51 | |
and brings us to the end of this selling bonanza. | 0:40:51 | 0:40:54 | |
So before we find out who's earned the mantle of winner, | 0:40:54 | 0:40:57 | |
let's remind ourselves how much our pair spent. | 0:40:57 | 0:41:00 | |
From a £250 budget, Eric bought five items for £80 in total. | 0:41:02 | 0:41:07 | |
Chuko also bought five items but spent £115.50, | 0:41:07 | 0:41:11 | |
including PAT testing costs. | 0:41:11 | 0:41:14 | |
All the profits from today's challenge | 0:41:14 | 0:41:16 | |
will go to Eric and Chuko's chosen charities. So let's find out | 0:41:16 | 0:41:19 | |
who is the Put Your Money Where Your Mouth Is champion. | 0:41:19 | 0:41:23 | |
How are you doing? | 0:41:24 | 0:41:26 | |
-Hello, Eric. -How was your booty? Have you done any more car booting? | 0:41:26 | 0:41:29 | |
-I haven't. Have you? -Well, yes, I have, | 0:41:29 | 0:41:31 | |
but not as extensive as the one we went to. | 0:41:31 | 0:41:34 | |
-It was tough. -It was, wasn't it? | 0:41:34 | 0:41:36 | |
There was an awful lot of ground to cover. | 0:41:36 | 0:41:38 | |
-So what about the selling? -So my Infraphil, | 0:41:38 | 0:41:40 | |
I made a CRACKING good profit with that. | 0:41:40 | 0:41:43 | |
Oh, did you? | 0:41:43 | 0:41:44 | |
I took it to a chiropractor. | 0:41:44 | 0:41:46 | |
Let's just say he had a good relationship with my back. | 0:41:46 | 0:41:49 | |
Oh, right. | 0:41:49 | 0:41:50 | |
-How about you? -For me, | 0:41:51 | 0:41:53 | |
I called on a little bit of magic | 0:41:53 | 0:41:56 | |
when it came to my card case. | 0:41:56 | 0:41:59 | |
I did rub shoulders with a magician, | 0:41:59 | 0:42:02 | |
and I'm hoping a little bit of magic is about to rub off. | 0:42:02 | 0:42:05 | |
-Shall we have a look? -Here we go. | 0:42:05 | 0:42:07 | |
-Are you ready? -Three... -Two... -BOTH: -One... | 0:42:07 | 0:42:09 | |
-BOTH: -Oh! | 0:42:10 | 0:42:13 | |
-Close. -No! | 0:42:13 | 0:42:15 | |
THEY LAUGH | 0:42:15 | 0:42:16 | |
Don't patronise me! | 0:42:16 | 0:42:18 | |
No, I would never do that. | 0:42:18 | 0:42:20 | |
Either way, when it comes to the magic, | 0:42:20 | 0:42:22 | |
I think I'll just do a disappearing trick. | 0:42:22 | 0:42:24 | |
-Come on. -Let's go and make some. | 0:42:24 | 0:42:26 | |
Yes, Chuko is today's winner | 0:42:27 | 0:42:29 | |
after taking the two highest profits on the sack barrow and projector. | 0:42:29 | 0:42:33 | |
To win against Eric is always a hard fight. | 0:42:33 | 0:42:36 | |
And that's what I did - I fought really hard. | 0:42:36 | 0:42:39 | |
I'm proud of myself. | 0:42:39 | 0:42:40 | |
Why shouldn't I be? I won, but it was tough. | 0:42:40 | 0:42:43 | |
Well, it's very tough to spend big money at a car boot, | 0:42:44 | 0:42:47 | |
and it's when you spend the big money | 0:42:47 | 0:42:49 | |
you stand a chance of making the bigger profits. | 0:42:49 | 0:42:52 | |
But it's fair to say that Chuko was almost buying on demand. | 0:42:52 | 0:42:57 | |
He knows his market, | 0:42:57 | 0:42:58 | |
and I may have lost the battle, but I haven't lost the war... | 0:42:58 | 0:43:01 | |
yet. | 0:43:01 | 0:43:03 | |
But Eric gets to fight again tomorrow | 0:43:03 | 0:43:05 | |
when he takes on Chuko at the showdown. | 0:43:05 | 0:43:07 |