Browse content similar to Eric Knowles v Chuko Ojiri - Auction. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:10 | |
I think it is a bargain. | 0:00:10 | 0:00:11 | |
Each day, one pair of duelling dealers | 0:00:12 | 0:00:15 | |
will face a mighty challenge. | 0:00:15 | 0:00:16 | |
Oh, yeah. | 0:00:16 | 0:00:17 | |
Putting their reputations on the line... | 0:00:17 | 0:00:20 | |
Ready for battle. | 0:00:20 | 0:00:21 | |
..they'll give you the insider's view of the trade. | 0:00:21 | 0:00:24 | |
I'm a big boy, I'm a player. | 0:00:24 | 0:00:26 | |
Along with their top tips and savvy secrets. | 0:00:26 | 0:00:29 | |
It's not all about what you spend, it's about what you make. | 0:00:29 | 0:00:32 | |
Showing you how to make the most money... | 0:00:32 | 0:00:35 | |
-It really is war. -..from buying and selling. | 0:00:35 | 0:00:38 | |
You've got to be in there like a whippet. | 0:00:38 | 0:00:39 | |
Coming up, Chuko panics in the auction room. | 0:00:42 | 0:00:45 | |
Real sinking feeling and a feeling of desperation, | 0:00:45 | 0:00:47 | |
to be brutally honest. | 0:00:47 | 0:00:49 | |
Eric's eye is firmly in the past. | 0:00:49 | 0:00:52 | |
Victoriana, so not now, but am I bothered? No. | 0:00:52 | 0:00:56 | |
And Chuko broadens his customer base. | 0:00:56 | 0:00:59 | |
What do you think? Good? | 0:00:59 | 0:01:00 | |
Have I done well? | 0:01:00 | 0:01:01 | |
This is Put Your Money Where Your Mouth Is. | 0:01:01 | 0:01:03 | |
Ladies and gentlemen, prepare for a galactic clash | 0:01:18 | 0:01:21 | |
as a pair of antiques experts fight the ultimate battle to buy, | 0:01:21 | 0:01:25 | |
sell and make interstellar profits for their chosen charities. | 0:01:25 | 0:01:29 | |
Our first contender is a man with such gravity | 0:01:29 | 0:01:32 | |
that his rivals burn up in his atmosphere. | 0:01:32 | 0:01:36 | |
It's Eric 'The Knowledge' Knowles. | 0:01:36 | 0:01:38 | |
Let the battle commence, you might say. | 0:01:38 | 0:01:41 | |
He is on a meteoritic collision course with greatness as he enters | 0:01:41 | 0:01:45 | |
his rival's orbit. It is Ochuko 'The Hat' Ojiri. | 0:01:45 | 0:01:49 | |
It's going to be me knocking him out. | 0:01:49 | 0:01:51 | |
Our pair have boldly arrived | 0:01:51 | 0:01:53 | |
at Reeman Dansie auction house in Colchester, | 0:01:53 | 0:01:55 | |
where they'll be putting their own money on the line. | 0:01:55 | 0:01:59 | |
This truly promises to be an antiques contest | 0:01:59 | 0:02:01 | |
that is out of this world. | 0:02:01 | 0:02:03 | |
But who will come out on top? | 0:02:03 | 0:02:06 | |
-Good morning. -Morning, Eric. | 0:02:06 | 0:02:08 | |
-How you doing? -Very well, sir. | 0:02:08 | 0:02:10 | |
What are you like with auctions, then? | 0:02:10 | 0:02:11 | |
It's not my thing. But I'm going to have a real good look. | 0:02:11 | 0:02:14 | |
I don't want come over as being smug, | 0:02:14 | 0:02:16 | |
but there's so many fantastic things in there | 0:02:16 | 0:02:19 | |
if you know where to look. | 0:02:19 | 0:02:20 | |
-LAUGHING: -When you know what you're doing. | 0:02:20 | 0:02:22 | |
That being said, we've got how much to spend? | 0:02:22 | 0:02:25 | |
-£1,000? -Yes, but it's not really, because you've got to bear in mind | 0:02:25 | 0:02:28 | |
that you can spend about 800 of that, | 0:02:28 | 0:02:31 | |
the rest goes in your buyer's premium and all that stuff. | 0:02:31 | 0:02:34 | |
I don't think there's £800 to spend in there. | 0:02:34 | 0:02:36 | |
-Oh, you don't? Really? -Let's see. | 0:02:36 | 0:02:39 | |
I might have to borrow some from you, then. | 0:02:39 | 0:02:41 | |
So, remember, the motto today is - don't worry, be happy. | 0:02:41 | 0:02:45 | |
Be hatty. | 0:02:45 | 0:02:46 | |
THEY LAUGH | 0:02:46 | 0:02:48 | |
Yes, as you might expect, two contrasting approaches. | 0:02:48 | 0:02:51 | |
For Eric, an auction house is like putting on a pair of well-worn slippers. | 0:02:51 | 0:02:55 | |
Chuko is way out of his comfort zone. | 0:02:55 | 0:02:58 | |
It's not my natural habitat, I don't blend in here. | 0:02:59 | 0:03:03 | |
City boy hits the country. | 0:03:03 | 0:03:04 | |
But before the bidding begins, our contestants consider the path ahead. | 0:03:05 | 0:03:10 | |
This is a very diverse sale. | 0:03:10 | 0:03:12 | |
So I'm going to have to spread my net far and wide. | 0:03:12 | 0:03:15 | |
In other words, I will take into account | 0:03:15 | 0:03:17 | |
ceramics, furniture, pictures, textiles. | 0:03:17 | 0:03:22 | |
So Eric's keeping an open mind and Chuko, too, | 0:03:22 | 0:03:25 | |
seems to be warming to the auction room. | 0:03:25 | 0:03:27 | |
The more I've looked around here, the more optimistic I'm getting. | 0:03:27 | 0:03:32 | |
There is no way I won't find something here. | 0:03:32 | 0:03:35 | |
There's always a diamond in the rough. | 0:03:35 | 0:03:37 | |
And, sure enough, he quickly spots a possible diamond. | 0:03:39 | 0:03:43 | |
A nest of tables with a guide price of 20 to £40. | 0:03:43 | 0:03:49 | |
These are really interesting to me. | 0:03:49 | 0:03:51 | |
Pull one out. | 0:03:52 | 0:03:53 | |
Strong British company - G Plan. | 0:03:55 | 0:03:59 | |
For me, it's a feeling, it's the colours. It's the palette. | 0:03:59 | 0:04:02 | |
These tiles scream the '50s, and for my market, | 0:04:02 | 0:04:05 | |
that is absolutely perfect. | 0:04:05 | 0:04:07 | |
There's a little-known scene called granny chic that's really come into | 0:04:07 | 0:04:11 | |
fashion and these are bang-on-trend. | 0:04:11 | 0:04:13 | |
From granny chic to the grandaddy of ceramics, | 0:04:13 | 0:04:17 | |
Eric has found a porcelain figure he likes the look of. | 0:04:17 | 0:04:20 | |
Well, this is an interesting figure insofar as, | 0:04:20 | 0:04:23 | |
in the catalogue, it says Charles Vyse. | 0:04:23 | 0:04:26 | |
Charles Vyse was a potter doing figures similar to this, | 0:04:26 | 0:04:30 | |
down in Chelsea. | 0:04:30 | 0:04:33 | |
It's quality insofar as the way it's all been hand-painted. | 0:04:33 | 0:04:37 | |
Quite a nice, believable face. | 0:04:37 | 0:04:39 | |
Little rosebud lips. | 0:04:39 | 0:04:42 | |
Date-wise, it's probably somewhere around about 1910. | 0:04:42 | 0:04:48 | |
If she's struggling to find a buyer... | 0:04:48 | 0:04:50 | |
..I may well end up in this gal's suitor. | 0:04:51 | 0:04:54 | |
Not sure what Mrs Knowles would say about that. | 0:04:54 | 0:04:57 | |
Meanwhile, Chuko has found a pestle and mortar. | 0:04:57 | 0:05:00 | |
Marble. | 0:05:00 | 0:05:02 | |
-GROANING: -Heavy. | 0:05:02 | 0:05:03 | |
Heavy lump of a piece. | 0:05:03 | 0:05:05 | |
I've no idea what the age is. | 0:05:05 | 0:05:07 | |
All I know is it's beautiful and it's got a story, again. | 0:05:07 | 0:05:11 | |
I'm looking at these colours. | 0:05:11 | 0:05:12 | |
Look at these lovely ambers and greys | 0:05:12 | 0:05:16 | |
and little dents and marks. | 0:05:16 | 0:05:19 | |
We use these to crush our food, | 0:05:19 | 0:05:21 | |
they were also used to crush and create medicines. | 0:05:21 | 0:05:24 | |
Interesting, practical and beautiful. | 0:05:25 | 0:05:28 | |
Auction estimate of 40 to £60, | 0:05:28 | 0:05:31 | |
so if I can get this anywhere in between that, I'll give it a go. | 0:05:31 | 0:05:35 | |
And so, as the bidders take their places | 0:05:35 | 0:05:37 | |
and the auctioneer assumes his position, | 0:05:37 | 0:05:39 | |
the time for perusing is over. | 0:05:39 | 0:05:42 | |
I love this bit. | 0:05:42 | 0:05:43 | |
It's nerve-racking. | 0:05:43 | 0:05:45 | |
There's an energy in the room, I can feel it. Am I going to win? | 0:05:45 | 0:05:48 | |
Am I going to lose? | 0:05:48 | 0:05:50 | |
Chuko's nerves are jangling, a fact which Eric is planning to exploit. | 0:05:50 | 0:05:54 | |
The auction's not his natural habitat. | 0:05:54 | 0:05:57 | |
I hope he just doesn't come a cropper. | 0:05:57 | 0:05:59 | |
-Well, I don't really, but... -HE LAUGHS | 0:06:00 | 0:06:02 | |
Eric, you devil, you. | 0:06:02 | 0:06:03 | |
And so, with hearts aflutter, our brave pair take a deep breath | 0:06:03 | 0:06:07 | |
and prepare for the inevitable | 0:06:07 | 0:06:09 | |
as the auction kicks off. | 0:06:09 | 0:06:11 | |
Start now, then. | 0:06:11 | 0:06:13 | |
And first to get his hand in the air is Eric on the pottery figure, | 0:06:13 | 0:06:17 | |
estimated at 60 to £80. | 0:06:17 | 0:06:20 | |
Somewhere in the back of my mind, | 0:06:20 | 0:06:21 | |
I think I've seen that type of decoration before. | 0:06:21 | 0:06:24 | |
It's obviously early-20th century, but it's not signed. | 0:06:24 | 0:06:28 | |
Signed or not, it's not long before the bidding approaches the estimate. | 0:06:28 | 0:06:32 | |
55, 60. 65. | 0:06:32 | 0:06:36 | |
70. 75. 80. | 0:06:36 | 0:06:40 | |
£80, over here, all done. 80. | 0:06:41 | 0:06:44 | |
We're off to a start. | 0:06:44 | 0:06:46 | |
There are a lot of ceramic dealers here today. | 0:06:46 | 0:06:49 | |
I'm going to be given a run for my money. | 0:06:49 | 0:06:51 | |
Eric wins the figure for just shy of £100 including costs | 0:06:51 | 0:06:56 | |
and he's up and running. | 0:06:56 | 0:06:58 | |
Eric's giving me a cheeky look. | 0:06:58 | 0:07:00 | |
Chuko is keen to get going, too. | 0:07:00 | 0:07:03 | |
But as the prices start to soar... | 0:07:03 | 0:07:06 | |
150. No? | 0:07:06 | 0:07:09 | |
..he struggles to get a bite of the cherry. | 0:07:09 | 0:07:11 | |
This really is a baptism of fire. | 0:07:11 | 0:07:14 | |
55, £55 on my left. | 0:07:14 | 0:07:17 | |
They are crushing me. | 0:07:17 | 0:07:20 | |
34 in our place. | 0:07:20 | 0:07:21 | |
-Is he going for it? -£34? | 0:07:21 | 0:07:23 | |
All done. | 0:07:23 | 0:07:24 | |
Real sinking feeling and a feeling of desperation, | 0:07:24 | 0:07:27 | |
to be brutally honest. | 0:07:27 | 0:07:29 | |
Oh, dear. | 0:07:29 | 0:07:30 | |
Well, this is bidding. | 0:07:30 | 0:07:32 | |
Yes, but he will have to win something | 0:07:32 | 0:07:34 | |
to stand a chance in this game. | 0:07:34 | 0:07:36 | |
Although, it's Eric with his hand in the air next. | 0:07:36 | 0:07:39 | |
And he goes after a job lot | 0:07:39 | 0:07:40 | |
including a stationary cabinet, | 0:07:40 | 0:07:42 | |
a mahogany box, and a slop pail with a guide price of 30 to £60. | 0:07:42 | 0:07:47 | |
All this lot, at 20 now. £20 only. | 0:07:47 | 0:07:50 | |
22, 24. | 0:07:50 | 0:07:52 | |
26. 28. | 0:07:52 | 0:07:55 | |
30 anywhere? | 0:07:55 | 0:07:56 | |
30. 32. 32? | 0:07:56 | 0:07:59 | |
Bidding? 34. | 0:07:59 | 0:08:01 | |
36. | 0:08:01 | 0:08:03 | |
£36. | 0:08:03 | 0:08:05 | |
Another one hits the dust. | 0:08:05 | 0:08:07 | |
Eric wins the lot for £44.64 all in, | 0:08:07 | 0:08:10 | |
but just what exactly is the rag-tag bundle he's bought? | 0:08:10 | 0:08:14 | |
Well, this is the lot. | 0:08:14 | 0:08:16 | |
It is a slop pail - | 0:08:16 | 0:08:19 | |
not a very romantic term - | 0:08:19 | 0:08:22 | |
but it is by Royal Doulton, it was probably made up there in Burslem | 0:08:22 | 0:08:26 | |
in Stoke-on-Trent. | 0:08:26 | 0:08:28 | |
To the best of my knowledge, it is not damaged in any shape or form. | 0:08:28 | 0:08:32 | |
But it's just a nice sort of Arts & Crafts type of design. | 0:08:32 | 0:08:36 | |
Transfer printed and then hand-painted on top. | 0:08:36 | 0:08:39 | |
A bit of a bonus, really, | 0:08:39 | 0:08:40 | |
is the fact that it's got this stationary box. | 0:08:40 | 0:08:42 | |
It has got a pencil and various other little bits in it. | 0:08:42 | 0:08:47 | |
Little box. And what have we got here? | 0:08:48 | 0:08:51 | |
Oh, look! Well, that's interesting, I didn't see that, | 0:08:51 | 0:08:54 | |
that's come off the front, though, that's 1914. | 0:08:54 | 0:08:58 | |
So that's rather poignant, isn't it? | 0:08:58 | 0:09:00 | |
So, pop that back in there. | 0:09:00 | 0:09:02 | |
It's been through the wars, I can see it's got a bit of a tear there. | 0:09:02 | 0:09:06 | |
Hopefully, I may even get my money back | 0:09:06 | 0:09:09 | |
just selling the stationary box. | 0:09:09 | 0:09:11 | |
We'll see. | 0:09:12 | 0:09:13 | |
Eric is pleased with his second purchase, | 0:09:13 | 0:09:15 | |
while Chuko is hoping to get in on the action with a pestle and mortar. | 0:09:15 | 0:09:20 | |
I'm not going to let this go, no-one will beat me. | 0:09:20 | 0:09:23 | |
He says. | 0:09:23 | 0:09:24 | |
Yes, but it looks like Chuko has competition and it's not long before | 0:09:24 | 0:09:27 | |
it's heading towards the top end of the guide price of £50. | 0:09:27 | 0:09:31 | |
46. 48. | 0:09:31 | 0:09:34 | |
50. | 0:09:34 | 0:09:35 | |
55. 60. | 0:09:35 | 0:09:38 | |
£60 at the back. | 0:09:38 | 0:09:41 | |
All done. | 0:09:41 | 0:09:42 | |
He's done it. He's bought something. | 0:09:44 | 0:09:46 | |
And that something was a pestle and mortar that cost him £74.40 | 0:09:46 | 0:09:50 | |
after auction costs. | 0:09:50 | 0:09:52 | |
But Eric is really settling into his stride now as he eyes up a selection | 0:09:52 | 0:09:56 | |
of botanical watercolours. | 0:09:56 | 0:09:58 | |
Got an estimate of 60-80. | 0:09:58 | 0:10:00 | |
I'd be happy to get them nearer the 60. | 0:10:00 | 0:10:03 | |
50. | 0:10:03 | 0:10:04 | |
So Eric gets going with the subtlest bidding style | 0:10:04 | 0:10:07 | |
in Put Your Money history. | 0:10:07 | 0:10:09 | |
50 I have. 55 down here now. | 0:10:09 | 0:10:12 | |
Let's see that again. | 0:10:12 | 0:10:14 | |
Yes, that's the bid. | 0:10:14 | 0:10:16 | |
Selling now at 55. | 0:10:16 | 0:10:19 | |
And Eric wins the lot and buys the pictures for £68.20 all-in. | 0:10:19 | 0:10:24 | |
So, what's he got? | 0:10:24 | 0:10:26 | |
They're four framed and mounted watercolours of botanical specimens. | 0:10:26 | 0:10:32 | |
They're obviously probably lifted from an album | 0:10:32 | 0:10:35 | |
or maybe rescued from an album. | 0:10:35 | 0:10:37 | |
I do have somebody in mind who is very big when it comes to botany, | 0:10:37 | 0:10:42 | |
but the actual drawings themselves are obviously, I would suspect, | 0:10:42 | 0:10:46 | |
early-19th century. That being said, | 0:10:46 | 0:10:50 | |
I'm way out of my comfort zone with something like this. | 0:10:50 | 0:10:53 | |
But in times of need, needs must. | 0:10:53 | 0:10:56 | |
Well, that very profound note signals Eric's third buy | 0:10:56 | 0:11:00 | |
and brings us to the halfway mark. | 0:11:00 | 0:11:02 | |
From a £1,000 budget, | 0:11:03 | 0:11:05 | |
Eric has bought three lots and spent just over £212, | 0:11:05 | 0:11:09 | |
leaving him with almost £788 still burning a hole in his pocket. | 0:11:09 | 0:11:14 | |
Chuko has only won one bid costing £74.40 | 0:11:14 | 0:11:19 | |
meaning he has £925.60 to spend. | 0:11:19 | 0:11:23 | |
-How are you, Eric? -Oh, Chuko, I'm fine, thank you. | 0:11:23 | 0:11:26 | |
-How you getting on? -Slow but sure. | 0:11:26 | 0:11:28 | |
It's not easy, is it? | 0:11:28 | 0:11:30 | |
-No. -It's not going cheap. | 0:11:30 | 0:11:31 | |
No, these people know what they want, don't they? | 0:11:31 | 0:11:33 | |
And they're quite prepared to pay for it. | 0:11:33 | 0:11:35 | |
-Halfway through. -We're halfway through, aren't we? | 0:11:35 | 0:11:37 | |
-I think we're doing all right. -Well, we're off the mark. | 0:11:37 | 0:11:39 | |
-There's still a lot to play for. -Yep. | 0:11:39 | 0:11:41 | |
-You follow your nose and I'll follow mine. -Good luck. | 0:11:41 | 0:11:43 | |
Mmm, a bit of bluffing there from Chuko, | 0:11:43 | 0:11:46 | |
who's only bought one thing. With a 3-1 lead, | 0:11:46 | 0:11:48 | |
Eric is able to relax | 0:11:48 | 0:11:50 | |
while Chuko will need to pull his socks up to catch up. | 0:11:50 | 0:11:53 | |
Maybe a new auctioneer will bring him luck as a bound collection of | 0:11:53 | 0:11:57 | |
newspapers from 1918 go up. | 0:11:57 | 0:11:59 | |
With an upper estimate of £30, the lot is reaching the top end. | 0:11:59 | 0:12:04 | |
I'll take 28. | 0:12:04 | 0:12:05 | |
And Chuko wants in. | 0:12:05 | 0:12:07 | |
28. 30? Why not? | 0:12:07 | 0:12:10 | |
£30 is bid. | 0:12:10 | 0:12:12 | |
32. 34? | 0:12:12 | 0:12:14 | |
No, £32. | 0:12:14 | 0:12:15 | |
At the back there. 32... | 0:12:15 | 0:12:18 | |
I just got inspired at the last minute. | 0:12:18 | 0:12:20 | |
I didn't really expect to go for that one. | 0:12:20 | 0:12:22 | |
Just too much of an interesting item. | 0:12:22 | 0:12:25 | |
He wins the lot for just under £40, fees included. | 0:12:25 | 0:12:29 | |
This is dated to Friday, February 1st, 1918. | 0:12:29 | 0:12:33 | |
The final year of the First World War. | 0:12:33 | 0:12:35 | |
Real history, and that's what a lot of this is about. | 0:12:35 | 0:12:37 | |
That is why I've bought it. It's emotive. | 0:12:37 | 0:12:40 | |
The fashion, the style... | 0:12:40 | 0:12:42 | |
I can see this going to a really good home with someone | 0:12:42 | 0:12:44 | |
that loves war memorabilia. I think that's the way forward. | 0:12:44 | 0:12:47 | |
Chuko's hoping for a hefty profit margin on the newspapers | 0:12:47 | 0:12:51 | |
and the next item he's after is even meatier. | 0:12:51 | 0:12:54 | |
So I've got these early-19th century bone letters coming up. | 0:12:54 | 0:12:56 | |
I really like these. They're kind of old and modern at the same time. | 0:12:56 | 0:12:59 | |
The bone letters are estimated at 50 to £70. | 0:12:59 | 0:13:03 | |
40. 40 bid. | 0:13:03 | 0:13:05 | |
At £40 now. At 40. | 0:13:05 | 0:13:06 | |
42. Two now there. | 0:13:06 | 0:13:08 | |
At 42. All done at 42, then? | 0:13:08 | 0:13:11 | |
I got that one easy. Easier! | 0:13:11 | 0:13:14 | |
He buys the bone letter counters for a smidge over £52 | 0:13:14 | 0:13:17 | |
with fees included. | 0:13:17 | 0:13:18 | |
So does he think a profit should be as easy as ABC? | 0:13:18 | 0:13:22 | |
Look at these lovely bone letters. | 0:13:22 | 0:13:25 | |
Early-19th century. | 0:13:25 | 0:13:26 | |
They could have been made yesterday. | 0:13:26 | 0:13:28 | |
I could see them being made into jewellery, necklaces. | 0:13:28 | 0:13:32 | |
A good thing, I think, is to sell them individually | 0:13:32 | 0:13:34 | |
and the ones that I'm left with, I'll use for Scrabble. | 0:13:34 | 0:13:37 | |
Our Chuko definitely appears to have found his stride now | 0:13:37 | 0:13:41 | |
as he draws even with Eric. | 0:13:41 | 0:13:43 | |
Hopefully, the tide's turned and Lady Luck's on my side. | 0:13:43 | 0:13:47 | |
It certainly looks that way as the tortoise of this race attempts to | 0:13:47 | 0:13:50 | |
overtake the hare and Chuko goes after a selection of paperweights. | 0:13:50 | 0:13:55 | |
Although it seems like Eric's got wind of the fact. | 0:13:55 | 0:13:57 | |
30 to 40 is a nice estimate. | 0:13:57 | 0:14:00 | |
He might have to pay more. | 0:14:00 | 0:14:01 | |
I've got a good feeling. I know the name. | 0:14:01 | 0:14:03 | |
But the auctioneer already has bids online. | 0:14:03 | 0:14:07 | |
40 I have. 42? | 0:14:07 | 0:14:09 | |
42. 44? | 0:14:09 | 0:14:11 | |
6? 48. | 0:14:11 | 0:14:13 | |
Go for it, man. | 0:14:13 | 0:14:15 | |
50. 5. | 0:14:15 | 0:14:17 | |
60. 65. 68? | 0:14:17 | 0:14:21 | |
I must go 70. | 0:14:21 | 0:14:23 | |
75 clears me. 75, back of the room. Where's 80? | 0:14:23 | 0:14:26 | |
That's enough, that's enough. | 0:14:26 | 0:14:28 | |
Put the hammer down. Put the hammer down. | 0:14:28 | 0:14:30 | |
I'm selling at 75. | 0:14:30 | 0:14:32 | |
Dropped the hammer! | 0:14:32 | 0:14:34 | |
75. Yeah, that was enough. | 0:14:34 | 0:14:36 | |
Yes. Really pleased. | 0:14:36 | 0:14:38 | |
Wish you all the best(!) | 0:14:42 | 0:14:43 | |
Eric's having a little cheeky nod over there. | 0:14:45 | 0:14:47 | |
He's put his feet up and I've raced ahead of him. | 0:14:47 | 0:14:49 | |
After commission, the paperweights cost Chuko £93. | 0:14:49 | 0:14:52 | |
So was he bidding blind or has he got a plan up his sleeve? | 0:14:52 | 0:14:56 | |
Really happy with these. | 0:14:56 | 0:14:57 | |
Decided to go with the limited-edition paperweights. | 0:14:57 | 0:15:00 | |
Caithness is a name that I recognise. | 0:15:00 | 0:15:02 | |
They were founded in Scotland in the '60s. | 0:15:02 | 0:15:04 | |
They were prolific throughout the '70s. | 0:15:04 | 0:15:07 | |
Thanks to this book, I know that these are dated around 1970. | 0:15:07 | 0:15:11 | |
I know there's a lot of collectors of these paperweights. | 0:15:11 | 0:15:14 | |
I've just got to find one and sell them. | 0:15:14 | 0:15:17 | |
Chuko is now leading 4-3 and keen to get back in on the action. | 0:15:17 | 0:15:22 | |
Eric goes after a Victorian display unit known as a whatnot. | 0:15:22 | 0:15:26 | |
It's proving popular | 0:15:26 | 0:15:27 | |
and the bidding is already tickling the upper guide of £180. | 0:15:27 | 0:15:31 | |
170. 180. | 0:15:31 | 0:15:35 | |
190. 200. | 0:15:35 | 0:15:37 | |
At 200 with the gentleman standing. | 0:15:37 | 0:15:39 | |
Now at 200. It will be sold. | 0:15:39 | 0:15:40 | |
All done? For £200. | 0:15:40 | 0:15:43 | |
That's a big spend. | 0:15:43 | 0:15:44 | |
Yes, and it wins the whatnot for £248 with costs. | 0:15:44 | 0:15:48 | |
So, why the whatnot and what's he got? | 0:15:48 | 0:15:51 | |
Well, this is the most money I've spent today. | 0:15:51 | 0:15:53 | |
It was, without question, | 0:15:53 | 0:15:55 | |
one of the best objects and furniture that I've seen here today. | 0:15:55 | 0:15:58 | |
The only minus point is that it is lacking | 0:15:58 | 0:16:00 | |
a barley twist support at the back. That being said, it is, | 0:16:00 | 0:16:05 | |
as they stay up North, it's a reet belter. | 0:16:05 | 0:16:09 | |
Because it's a good 'un. Victorian. | 0:16:09 | 0:16:11 | |
If you look, they've got ceramic casters. | 0:16:11 | 0:16:13 | |
We're talking around about 1850, 1860, | 0:16:13 | 0:16:17 | |
so the time of the Great Exhibition of 1851. | 0:16:17 | 0:16:19 | |
It's a very smart object. | 0:16:19 | 0:16:21 | |
Victoriana, so not now, but am I bothered? | 0:16:21 | 0:16:25 | |
No! Quality item. | 0:16:25 | 0:16:26 | |
Go for quality every time, you'll never go wrong. | 0:16:26 | 0:16:29 | |
Well, that's the theory, anyway. | 0:16:29 | 0:16:32 | |
Yes, but whether it brings in a profit in reality | 0:16:32 | 0:16:34 | |
remains to be seen. | 0:16:34 | 0:16:36 | |
Eric and Chuko are now level pegging, each with four purchases. | 0:16:36 | 0:16:40 | |
And up next is the nest of tables that Chuko saw earlier. | 0:16:40 | 0:16:44 | |
Auction estimate, 20 to £40. | 0:16:44 | 0:16:46 | |
If I can get this for under 20, I'll be very happy. | 0:16:46 | 0:16:50 | |
The auction room's emptied out a little bit. | 0:16:50 | 0:16:52 | |
Chuko is not going to have much in the way of competition. | 0:16:52 | 0:16:56 | |
He could be in for a nice surprise. | 0:16:56 | 0:16:58 | |
Let's face it, the lad deserves it. | 0:16:58 | 0:17:01 | |
Yes, the room has thinned out, but unfortunately for Chuko, | 0:17:01 | 0:17:04 | |
there's still one tenacious bidder hanging in there. | 0:17:04 | 0:17:07 | |
22. 24. | 0:17:07 | 0:17:09 | |
26. 28. | 0:17:09 | 0:17:12 | |
£28, then. And selling at 28. | 0:17:12 | 0:17:15 | |
Yes, sir. 618. Thank you. | 0:17:15 | 0:17:18 | |
So happy. Got the G Plan. | 0:17:18 | 0:17:20 | |
Little bit over what I wanted to pay. | 0:17:20 | 0:17:23 | |
Good profit in there for me. | 0:17:23 | 0:17:25 | |
Yes, he stood his ground, and the tables are his for just under £35. | 0:17:25 | 0:17:29 | |
Chuko likes his retro, | 0:17:29 | 0:17:30 | |
but Eric is steadfastly sticking to his plan of going for Victoriana. | 0:17:30 | 0:17:34 | |
There is a jardiniere next that he's already looked at. | 0:17:34 | 0:17:37 | |
Unfortunately, he's not the only one. | 0:17:37 | 0:17:40 | |
There's been a lot of... A lot of dealers looking at it. | 0:17:40 | 0:17:43 | |
That never bodes too well. | 0:17:43 | 0:17:46 | |
But, as Doris Day said, | 0:17:46 | 0:17:49 | |
"Que sera, sera." | 0:17:49 | 0:17:51 | |
What's that mean? | 0:17:51 | 0:17:53 | |
It means, "What will be, will be." | 0:17:53 | 0:17:55 | |
But whether this jardiniere will be going home with Eric is another | 0:17:55 | 0:17:58 | |
question. The estimate is 40 to £60. | 0:17:58 | 0:18:01 | |
£40. | 0:18:01 | 0:18:02 | |
Yes. Yes. | 0:18:02 | 0:18:04 | |
-30. -30, I'll take. | 0:18:04 | 0:18:05 | |
Where's 2? 30 I have. | 0:18:05 | 0:18:07 | |
Where's 2? 32. | 0:18:07 | 0:18:08 | |
34. 36. | 0:18:08 | 0:18:10 | |
38. 40. 42. 44. | 0:18:10 | 0:18:13 | |
No, 42, then. 42 and selling. | 0:18:13 | 0:18:16 | |
It's a weird thing, but the quirky often come good. | 0:18:17 | 0:18:21 | |
So Eric's purse takes a final pounding of just over £52 | 0:18:21 | 0:18:25 | |
once costs have been added. | 0:18:25 | 0:18:28 | |
It is quite a rustic-looking jardiniere. | 0:18:28 | 0:18:31 | |
It's a coopered barrel on top of what appears to be something like a | 0:18:31 | 0:18:36 | |
miniature cricket table. | 0:18:36 | 0:18:38 | |
It's quirky. | 0:18:38 | 0:18:40 | |
And Eric's quirky purchase takes us to the end of this bidding battle, | 0:18:40 | 0:18:43 | |
so, before our competitors come together, | 0:18:43 | 0:18:46 | |
let's see how they spent today. | 0:18:46 | 0:18:48 | |
From a £1,000 budget, Eric made five purchases and spent £512.12. | 0:18:50 | 0:18:56 | |
Chuko matched his five items, but only spent £293.88. | 0:18:56 | 0:19:01 | |
Hi, Eric. How did you get on? | 0:19:03 | 0:19:06 | |
Well, it was a gladiatorial contest, that, wasn't it? | 0:19:06 | 0:19:08 | |
-They weren't letting stuff go cheap, were they? -No way. | 0:19:08 | 0:19:11 | |
I was surprised to see you go for paperweights. | 0:19:11 | 0:19:14 | |
Shall I be really honest? | 0:19:14 | 0:19:15 | |
Go on. | 0:19:15 | 0:19:16 | |
I was desperate! | 0:19:16 | 0:19:17 | |
THEY LAUGH | 0:19:17 | 0:19:18 | |
-I was desperate. -Yeah. | 0:19:18 | 0:19:19 | |
I thought, "If I'm going to buy paperweights, | 0:19:19 | 0:19:21 | |
"buy the ones with the certificates." | 0:19:21 | 0:19:23 | |
-Quite right. Quite right. -Collectable. -Yeah, yeah. | 0:19:23 | 0:19:25 | |
-Caithness. -Yeah. -Scottish. -Yeah. | 0:19:25 | 0:19:28 | |
They were dated '70s. | 0:19:28 | 0:19:30 | |
-People want these. -Yeah. | 0:19:30 | 0:19:32 | |
I'm shocked at these botanical prints. | 0:19:32 | 0:19:34 | |
They're not prints, they're original watercolours. | 0:19:34 | 0:19:36 | |
Are they? Have I missed a trick? | 0:19:36 | 0:19:37 | |
Well, I don't know. Did you view them? | 0:19:37 | 0:19:39 | |
-I did view them. -Oh, then you missed a trick. | 0:19:39 | 0:19:42 | |
On the back, there's a full description of what you're looking at. | 0:19:42 | 0:19:45 | |
-Massively on-trend. -Yeah. -All of that botanicals, massively on trend. | 0:19:45 | 0:19:48 | |
Which is your favourite object of the things you've bought? | 0:19:48 | 0:19:50 | |
I love these little bone letters. | 0:19:50 | 0:19:52 | |
Yeah. See, I reckon those are probably Napoleonic prisoner of war, | 0:19:52 | 0:19:56 | |
you know. Seriously. | 0:19:56 | 0:19:57 | |
-Wow. -Yeah. So I think you've done OK there. | 0:19:57 | 0:20:01 | |
I'm going to turn them into some beautiful necklaces, I think. | 0:20:01 | 0:20:05 | |
-Have you got no conscience or what? -I've got conscience. | 0:20:05 | 0:20:07 | |
I love beautiful things. | 0:20:07 | 0:20:09 | |
-OK. -I love turning things from then into now. | 0:20:09 | 0:20:12 | |
The one that fascinates me most, believe it or not, | 0:20:12 | 0:20:15 | |
-is this figure. -Yeah. You're not going to like me. | 0:20:15 | 0:20:18 | |
-Why is that? -That's my least favourite object. | 0:20:18 | 0:20:20 | |
Oh, that doesn't bother me at all. | 0:20:20 | 0:20:21 | |
-It doesn't? -No. No, you're a nice bloke, | 0:20:21 | 0:20:23 | |
but it doesn't mean you've got a monopoly in taste. | 0:20:23 | 0:20:25 | |
-I know. -OK. -I've got a monopoly in bad taste! | 0:20:25 | 0:20:27 | |
-Well... -Bad meaning good. | 0:20:27 | 0:20:29 | |
I think, all things being equal... | 0:20:29 | 0:20:30 | |
Not a bad day's work. | 0:20:31 | 0:20:33 | |
..we did a pretty good day's work out there, yeah. | 0:20:33 | 0:20:35 | |
-OK. -Let's discuss this over a cup of tea. | 0:20:35 | 0:20:37 | |
So, our auction heroes pack up their purchases and head back to their | 0:20:40 | 0:20:45 | |
respective base camps, | 0:20:45 | 0:20:46 | |
where they must now turn their acquisitions into assets. | 0:20:46 | 0:20:49 | |
And all of the money made will go to their chosen charities. | 0:20:49 | 0:20:53 | |
In his London lair, Chuko is drawing up his battle plans. | 0:20:53 | 0:20:57 | |
The auction was very difficult for me, | 0:20:57 | 0:20:59 | |
but I think I did quite well | 0:20:59 | 0:21:01 | |
considering I was out of my comfort zone. | 0:21:01 | 0:21:03 | |
This pestle and mortar, I think, is my favourite object. | 0:21:03 | 0:21:06 | |
I think this has been replaced. | 0:21:06 | 0:21:07 | |
It's a bit too clean. | 0:21:07 | 0:21:09 | |
But it's a great item. | 0:21:11 | 0:21:12 | |
These paper weights... | 0:21:12 | 0:21:13 | |
I'm not sure I've made the right choice on these. | 0:21:13 | 0:21:17 | |
Looking into it, maybe not quite as rare as I thought, | 0:21:17 | 0:21:20 | |
but I will find a buyer for them. | 0:21:20 | 0:21:22 | |
My lovely bone letters. | 0:21:22 | 0:21:24 | |
When I first bought this, I thought that they were Napoleonic, | 0:21:24 | 0:21:27 | |
but looking little bit more into it, digging a little bit deeper, | 0:21:27 | 0:21:31 | |
the evidence points towards them being Victorian teaching aids | 0:21:31 | 0:21:35 | |
and I've got a fantastic idea for them. | 0:21:35 | 0:21:37 | |
I'm going to get then made into handcrafted brass necklaces | 0:21:37 | 0:21:42 | |
and the good thing is, there won't be another like them. | 0:21:42 | 0:21:45 | |
They will be unique, one-off pieces. But I think, all in all, | 0:21:45 | 0:21:48 | |
I've got some great items | 0:21:48 | 0:21:50 | |
and I'm really looking forward to selling them. | 0:21:50 | 0:21:52 | |
So, Chuko also has to find buyers for the mid-century nest of tables | 0:21:52 | 0:21:57 | |
and the bound early-20th century newspapers. | 0:21:57 | 0:22:00 | |
Over in his High Wycombe homestead, | 0:22:00 | 0:22:02 | |
Eric is sifting through his sellables. | 0:22:02 | 0:22:04 | |
Well, buying at any auction can be tricky, | 0:22:04 | 0:22:07 | |
but I'm very satisfied with what I've managed to buy. | 0:22:07 | 0:22:11 | |
Starting with my Royal Doulton slop pail. | 0:22:11 | 0:22:14 | |
Way back in the Victorian age, people had jugs and basins, | 0:22:14 | 0:22:17 | |
usually in their bedrooms. After pouring the water into the basin, | 0:22:17 | 0:22:21 | |
it then had to be disposed of and it was the maids' duty to pour it into | 0:22:21 | 0:22:27 | |
the slop pail. It would be taken downstairs and then, of course, | 0:22:27 | 0:22:30 | |
it would be disposed of. | 0:22:30 | 0:22:32 | |
Well, my Canterbury whatnot, I thought, | 0:22:32 | 0:22:34 | |
was one of the best pieces of furniture in the entire auction. | 0:22:34 | 0:22:37 | |
Now, just to explain, the Canterbury is the section below. | 0:22:37 | 0:22:41 | |
Now, that is designed to take sheet music and its unusual when you | 0:22:41 | 0:22:47 | |
combine it with another shelf, which forms the whatnot. | 0:22:47 | 0:22:51 | |
This young lady is proving a little bit difficult for me to track down | 0:22:51 | 0:22:56 | |
when it comes to maker. | 0:22:56 | 0:22:57 | |
There's no signature on her, but it is a quality figure. | 0:22:57 | 0:23:01 | |
Completely hand-decorated | 0:23:01 | 0:23:04 | |
and the modelling on the flowers is fantastic, | 0:23:04 | 0:23:07 | |
but who made her? | 0:23:07 | 0:23:08 | |
She is, without question, my mystery woman of the moment. | 0:23:08 | 0:23:13 | |
Eric also has to sell his botanical watercolours, | 0:23:13 | 0:23:16 | |
the Victorian jardiniere and his early-20th-century stationery boxes. | 0:23:16 | 0:23:22 | |
Now, both players take to the roads, | 0:23:22 | 0:23:24 | |
pick up the phones and draw on every resource available to help them find | 0:23:24 | 0:23:28 | |
the right buyer for each item and turn profit up to the max. | 0:23:28 | 0:23:32 | |
As usual, each deal must be secured with a handshake | 0:23:32 | 0:23:36 | |
and the exchange of cash. | 0:23:36 | 0:23:38 | |
And first to get going is Eric, having travelled to Kew Gardens, | 0:23:38 | 0:23:42 | |
hoping to plant the seeds of success. | 0:23:42 | 0:23:45 | |
Well, these four botanical watercolours are my favourite buy. | 0:23:45 | 0:23:50 | |
And where better to sell them than Kew Gardens? | 0:23:50 | 0:23:53 | |
I'm here to meet Richard. He's the Director of Horticulture | 0:23:53 | 0:23:56 | |
and I've agreed to meet him somewhere near the Aquatic Garden. | 0:23:56 | 0:24:01 | |
The prints cost Eric just over £68, but first, | 0:24:01 | 0:24:05 | |
he has to find his contact. | 0:24:05 | 0:24:07 | |
Eric? Not that way. | 0:24:09 | 0:24:10 | |
Looks like Eric's been sent up the garden path. | 0:24:12 | 0:24:15 | |
So, after a bit of a diversion, | 0:24:15 | 0:24:17 | |
Eric locates Director of Horticulture Richard. | 0:24:17 | 0:24:20 | |
Do you know when these were painted? | 0:24:22 | 0:24:24 | |
Just looking at these sort of script that's been used, | 0:24:24 | 0:24:27 | |
it strikes me maybe somewhere between 1820, 1850. | 0:24:27 | 0:24:30 | |
I mean, I'm thinking early-19th century. | 0:24:30 | 0:24:32 | |
-I'm just going to have a slightly closer look. -Please do. | 0:24:32 | 0:24:36 | |
So, someone who has quite a good eye for detail. | 0:24:36 | 0:24:39 | |
Someone who is clearly looking at the plants from a scientific perspective | 0:24:39 | 0:24:44 | |
perhaps, rather than seeing them as being decorative art pieces. | 0:24:44 | 0:24:47 | |
Around that period, it was often the pastime of gentlemen or ladies | 0:24:47 | 0:24:52 | |
to spend their time doing such things and really taking care with | 0:24:52 | 0:24:56 | |
-the detail to get things right. -So, having seen them, | 0:24:56 | 0:25:00 | |
are these four drawings something you're going to be interested in? | 0:25:00 | 0:25:05 | |
They have attracted my interest. | 0:25:05 | 0:25:07 | |
From Kew's perspective, | 0:25:07 | 0:25:08 | |
we do always look at new representations of things, | 0:25:08 | 0:25:12 | |
even from old artists. | 0:25:12 | 0:25:14 | |
My opening gambit is £400. | 0:25:14 | 0:25:16 | |
£100 per watercolour, but let's see where we go. | 0:25:16 | 0:25:19 | |
To be honest, Eric, I'd probably honestly be looking at suggesting | 0:25:19 | 0:25:23 | |
something around 50 per artwork. | 0:25:23 | 0:25:25 | |
50 per artwork? | 0:25:25 | 0:25:26 | |
-Yeah. -So we're looking at £200. | 0:25:26 | 0:25:29 | |
250? | 0:25:29 | 0:25:31 | |
Would 240 be acceptable to you? | 0:25:31 | 0:25:33 | |
240 would be acceptable to me. | 0:25:33 | 0:25:35 | |
It's more easily divisible by four. | 0:25:35 | 0:25:37 | |
-It certainly is. -Right, well, we have a deal. | 0:25:37 | 0:25:39 | |
-We have a deal. -Thank you so much. -It's a great pleasure. -Wonderful. | 0:25:39 | 0:25:42 | |
Yes, that's a blooming good opening profit of almost £172 for the | 0:25:42 | 0:25:47 | |
pictures and Eric is over the moon. | 0:25:47 | 0:25:49 | |
Well, that was obviously a pretty good profit, but in all honesty, | 0:25:49 | 0:25:54 | |
the money is incidental because what matters is the fact that those | 0:25:54 | 0:25:58 | |
botanical watercolours have now been returned | 0:25:58 | 0:26:01 | |
to what you might call their natural habitat. | 0:26:01 | 0:26:04 | |
Chuko is also in his natural habitat of trendy East London | 0:26:04 | 0:26:08 | |
and he's been carrying out his upcycle plans | 0:26:08 | 0:26:11 | |
with four of the bone letters. | 0:26:11 | 0:26:14 | |
I've done something absolutely spectacular | 0:26:14 | 0:26:17 | |
with those lovely bone carvings. Look at these. | 0:26:17 | 0:26:21 | |
A ring, two necklaces and a dog collar. | 0:26:21 | 0:26:26 | |
Upcycling to a different level. | 0:26:26 | 0:26:29 | |
Really happy with these. | 0:26:29 | 0:26:31 | |
With an extra £120 spent, | 0:26:31 | 0:26:33 | |
Chuko needs to make just over £170 before he's into profit. | 0:26:33 | 0:26:38 | |
Before the jewellery conversion, though, | 0:26:38 | 0:26:40 | |
he showed the letters to Stoke Newington-based hairdressers | 0:26:40 | 0:26:43 | |
Christophe, Declan, Faye, and Ella the dog. | 0:26:43 | 0:26:49 | |
And now he's going to reveal his products, | 0:26:49 | 0:26:51 | |
hoping they like what he's done. | 0:26:51 | 0:26:53 | |
I've got your bespoke necklaces here. | 0:26:53 | 0:26:56 | |
The inside... It's all carved bone. | 0:26:56 | 0:27:00 | |
And they're Victorian, so they're at least 130 years old. | 0:27:01 | 0:27:06 | |
And what we've had done, this is all solid brass, | 0:27:06 | 0:27:08 | |
they're bespoke and all handmade. Shall we try and put this on Ella? | 0:27:08 | 0:27:11 | |
-Yeah. -You do it. You have a go. | 0:27:11 | 0:27:12 | |
-Come here, dog. -Oh, she looks amazing. | 0:27:12 | 0:27:16 | |
So, what are your reactions? What do you think? Good? | 0:27:18 | 0:27:21 | |
-Have I done well? -Really good. -I love it. | 0:27:21 | 0:27:23 | |
-Yeah? -Very nice. I love it. -Shall we get stuck into the horrible bit? | 0:27:23 | 0:27:27 | |
I'm going to go in at a very reasonable offer. | 0:27:27 | 0:27:30 | |
£100 apiece. | 0:27:30 | 0:27:32 | |
I would go for 50. | 0:27:32 | 0:27:33 | |
The inside alone, I think, is 50. | 0:27:33 | 0:27:36 | |
I think... What about 90? | 0:27:36 | 0:27:38 | |
I'd stay at 50. Really. | 0:27:38 | 0:27:41 | |
-Yours may not be getting sold. -THEY LAUGH | 0:27:41 | 0:27:44 | |
What do you think? | 0:27:44 | 0:27:46 | |
I'd go on par with Christophe and say... | 0:27:46 | 0:27:49 | |
Well, the potential is I'll be buying two. | 0:27:49 | 0:27:52 | |
I'd say 55? | 0:27:52 | 0:27:53 | |
I think the ring has got less. I'd say about 50. | 0:27:53 | 0:27:56 | |
I can't do it for 50. | 0:27:56 | 0:27:58 | |
My maximum is 60. | 0:27:58 | 0:28:00 | |
OK, this is what we're going to do. 70. | 0:28:00 | 0:28:02 | |
-Let's say 65. -65? | 0:28:02 | 0:28:05 | |
Yeah, I'd go 65. | 0:28:05 | 0:28:07 | |
-Let's do it. -Yeah? | 0:28:07 | 0:28:09 | |
Thank you very much. | 0:28:09 | 0:28:10 | |
Thank you. | 0:28:10 | 0:28:12 | |
-Thank you. -Thank you. | 0:28:12 | 0:28:14 | |
Woof! So, four happy customers there. | 0:28:16 | 0:28:19 | |
Phew! | 0:28:19 | 0:28:20 | |
Tip of the trade - never sell to more than one person at once. | 0:28:20 | 0:28:25 | |
It was like a poker game and they all knew my cards. | 0:28:25 | 0:28:28 | |
It was tough going, but I made a healthy profit. | 0:28:28 | 0:28:32 | |
Indeed, and his total profit comes to almost £108 when he sells the | 0:28:32 | 0:28:37 | |
rest of the letters for £20 to antiques collector | 0:28:37 | 0:28:40 | |
Anthony in Brighton. | 0:28:40 | 0:28:41 | |
But he's still behind Eric, | 0:28:41 | 0:28:43 | |
who is in Limington next with his whatnot. | 0:28:43 | 0:28:46 | |
I've actually sent my Canterbury walnut whatnot ahead of me. | 0:28:46 | 0:28:51 | |
I've come here to meet an antique dealer | 0:28:51 | 0:28:53 | |
that I've known for almost 40 years. | 0:28:53 | 0:28:55 | |
I'm just hoping that the view that he has taken is a positive one | 0:28:55 | 0:28:59 | |
because I'm hoping also he's going to buy it. | 0:28:59 | 0:29:02 | |
When Eric won the lot of the whatnot, it cost him a lot. | 0:29:02 | 0:29:06 | |
£248 in total. | 0:29:06 | 0:29:09 | |
Ooh... | 0:29:09 | 0:29:10 | |
Yeah, one or two nice things here, Charles. | 0:29:10 | 0:29:12 | |
One or two nice things. | 0:29:12 | 0:29:13 | |
Well, we're trying to keep the standards up, Eric. | 0:29:13 | 0:29:16 | |
I just buy what I like. | 0:29:16 | 0:29:17 | |
I share that criteria and that was true, actually, | 0:29:17 | 0:29:20 | |
when it came to buying a piece of Victorian furniture. | 0:29:20 | 0:29:25 | |
It's beautifully made, a fine craftsman made that. | 0:29:25 | 0:29:28 | |
-You couldn't even afford to make the drawer linings today... -No. | 0:29:28 | 0:29:31 | |
..let alone get the veneers and the mahogany - | 0:29:31 | 0:29:33 | |
which you're not allowed to cut down any more - to make it. | 0:29:33 | 0:29:36 | |
Even though they're not commercial any more, they will be, | 0:29:36 | 0:29:39 | |
and I still think they're a work of art within themselves. | 0:29:39 | 0:29:41 | |
It does come with a problem. | 0:29:41 | 0:29:43 | |
Which is, you've probably noticed, | 0:29:43 | 0:29:46 | |
it's got one missing barley twist at the back. | 0:29:46 | 0:29:48 | |
I had noticed that one. At least it's at the back, not the front. | 0:29:48 | 0:29:51 | |
-True. -How much do you want for it? -Well, I would... | 0:29:51 | 0:29:54 | |
What I'm hoping for is somewhere in the region of around about - | 0:29:54 | 0:29:58 | |
and I don't want to be greedy here - | 0:29:58 | 0:30:00 | |
around about the £300 mark. | 0:30:00 | 0:30:03 | |
Hm... | 0:30:03 | 0:30:05 | |
-I'm thinking more like 240. -240? | 0:30:05 | 0:30:07 | |
Because I think we're going to have to spend a couple of hundred | 0:30:07 | 0:30:10 | |
pounds on that to do the work. | 0:30:10 | 0:30:11 | |
OK. Well, I'm not going to nit-pick. | 0:30:11 | 0:30:13 | |
245. This is what they call damage limitation. | 0:30:13 | 0:30:17 | |
-I think damage limitation's fair. OK. -All right. | 0:30:17 | 0:30:20 | |
-I'll take it off you. -You're a good lad. -Thank you. | 0:30:20 | 0:30:22 | |
Eric loses £3 on the sale of the whatnot. | 0:30:22 | 0:30:25 | |
Didn't make a profit, | 0:30:25 | 0:30:27 | |
but I only made a very small loss. | 0:30:27 | 0:30:29 | |
I'm going to put it down to damage limitation. | 0:30:29 | 0:30:32 | |
I'm not saying it was expensive when I bought it, | 0:30:32 | 0:30:36 | |
but maybe it was a little dear. | 0:30:36 | 0:30:39 | |
That's actually quite a big deer. | 0:30:41 | 0:30:43 | |
In spite of this minor setback, | 0:30:43 | 0:30:45 | |
Eric is soon zooming ahead again as he sells his jardiniere | 0:30:45 | 0:30:49 | |
to Buckinghamshire-based pub manager Tina... | 0:30:49 | 0:30:51 | |
-£105 and you've got yourself a deal. -Perfect. | 0:30:51 | 0:30:53 | |
..for a profit just shy of £53. | 0:30:53 | 0:30:57 | |
Eric now has a 3-1 lead. | 0:30:57 | 0:30:59 | |
But not for long if Chuko's got anything to do with it. | 0:31:00 | 0:31:03 | |
He's in Harpenden, | 0:31:03 | 0:31:04 | |
having tracked down what he hopes is the perfect place to sell his | 0:31:04 | 0:31:08 | |
historical bound newspapers. | 0:31:08 | 0:31:10 | |
I'm at a newspaper archive. | 0:31:10 | 0:31:12 | |
Hopefully, they're going to give me good news. | 0:31:12 | 0:31:14 | |
The bound newspapers cost almost £40, | 0:31:14 | 0:31:17 | |
so he's hoping archive manager Thomas | 0:31:17 | 0:31:20 | |
will help him unfold a profit. | 0:31:20 | 0:31:22 | |
I've got my 1918 Daily Mail here. | 0:31:22 | 0:31:24 | |
Oh, fantastic. Let's have a look. | 0:31:24 | 0:31:27 | |
Will you be able to tell if this is the original thing? | 0:31:27 | 0:31:29 | |
I mean, you can tell that it's an old document. | 0:31:29 | 0:31:31 | |
-Yes. -It would be quite hard work to reproduce this with tea bags. | 0:31:31 | 0:31:35 | |
And it's noticed that the front page itself, | 0:31:35 | 0:31:38 | |
they didn't used to have any news on them. | 0:31:38 | 0:31:41 | |
It was filled with classified ads, because that was the real estate, | 0:31:41 | 0:31:45 | |
the selling space which is to fund the newspapers. | 0:31:45 | 0:31:48 | |
So you didn't actually get into the nitty-gritty of the day's events | 0:31:48 | 0:31:52 | |
until the second pages. | 0:31:52 | 0:31:54 | |
This has probably got a bit of value for you. | 0:31:54 | 0:31:56 | |
Yeah, as we approach milestone birthdays from 1918, | 0:31:56 | 0:32:00 | |
people turning 100 years old, | 0:32:00 | 0:32:03 | |
what better gift than a piece of real history | 0:32:03 | 0:32:06 | |
from the time you were born? | 0:32:06 | 0:32:07 | |
So let me try and sell it to you. | 0:32:07 | 0:32:09 | |
How does 150 sound to you? | 0:32:09 | 0:32:11 | |
It is a little high. | 0:32:14 | 0:32:15 | |
We'd need to get them authenticated and stuff, | 0:32:15 | 0:32:18 | |
so I'd be looking ideally below 100. | 0:32:18 | 0:32:21 | |
What about 120? | 0:32:21 | 0:32:23 | |
120... | 0:32:23 | 0:32:25 | |
I mean, we could meet halfway and aim for the... | 0:32:25 | 0:32:29 | |
-115? -..110 mark? | 0:32:29 | 0:32:31 | |
Erm... 110's good. | 0:32:31 | 0:32:34 | |
-Perfect. -Thank you very much, Tom. -Thank you. -That's a good deal. | 0:32:34 | 0:32:36 | |
Chuko shakes and makes just over £70 profit on the newspapers, | 0:32:36 | 0:32:40 | |
so let's just take a moment to read all about it | 0:32:40 | 0:32:44 | |
and see how our pair are doing so far. | 0:32:44 | 0:32:46 | |
Eric has sold three items, | 0:32:47 | 0:32:49 | |
making the biggest profit and the first loss, | 0:32:49 | 0:32:52 | |
but totalling a running profit of almost £222. | 0:32:52 | 0:32:56 | |
Chuko is behind in sales, having sold two lots, | 0:32:56 | 0:33:00 | |
making just over £178 profit. | 0:33:00 | 0:33:03 | |
Eric is in the lead | 0:33:06 | 0:33:07 | |
and he's hoping to push further towards the finishing line | 0:33:07 | 0:33:10 | |
by coming to Haslemere to plant the seeds of a good sale | 0:33:10 | 0:33:13 | |
with flower shop manager Lucy | 0:33:13 | 0:33:15 | |
and grow a pretty profit from the slop pail that cost him £30. | 0:33:15 | 0:33:19 | |
What I do notice about your place is you're really big on what I call | 0:33:21 | 0:33:24 | |
inventive displays. | 0:33:24 | 0:33:25 | |
We're absolutely spoiled for all the beautiful things that we have in the | 0:33:25 | 0:33:29 | |
shop, so, yeah, it's lovely. | 0:33:29 | 0:33:31 | |
Well, I've brought along a beautiful thing. | 0:33:31 | 0:33:33 | |
-Well, I think it's beautiful. -Yeah. | 0:33:33 | 0:33:35 | |
It might have been described as utilitarian | 0:33:35 | 0:33:38 | |
when it was first put to use. | 0:33:38 | 0:33:40 | |
Made by Royal Doulton, up at their Burslem factory in Stoke-on-Trent. | 0:33:40 | 0:33:45 | |
-OK. -Probably in about 1905. | 0:33:45 | 0:33:49 | |
-Yeah. -So it probably qualifies as Edwardian. | 0:33:49 | 0:33:52 | |
But I just thought it was a wonderful splash of colour. | 0:33:52 | 0:33:55 | |
It's a printed design | 0:33:55 | 0:33:57 | |
and then they've hand-coloured on top of the printed design. | 0:33:57 | 0:34:01 | |
-Oh, OK. -So when I saw that, I thought of your place. | 0:34:01 | 0:34:06 | |
-Do you think it would work? -I think it would, yeah. | 0:34:06 | 0:34:09 | |
I think it's really, really beautiful. | 0:34:09 | 0:34:11 | |
-Excellent. -Yeah, really lovely. | 0:34:11 | 0:34:13 | |
All right, I'm going to pitch | 0:34:13 | 0:34:15 | |
-somewhere in the region of about £80 for it. -OK. | 0:34:15 | 0:34:19 | |
But you come back at me. | 0:34:19 | 0:34:21 | |
I'd say around 60. | 0:34:21 | 0:34:22 | |
If I push you an extra £10, is that going to work? | 0:34:22 | 0:34:25 | |
How about I met you in the middle at 65? | 0:34:27 | 0:34:29 | |
OK. Meet in the middle, £65. | 0:34:29 | 0:34:32 | |
-Lovely. -You've got a deal. | 0:34:32 | 0:34:34 | |
Eric makes £35 on the slop pail. | 0:34:34 | 0:34:36 | |
That's flower power! | 0:34:36 | 0:34:38 | |
So, that would be, like... | 0:34:38 | 0:34:41 | |
-Well, that probably like so, would it? -Yeah. | 0:34:41 | 0:34:44 | |
So, I just need to think this out. | 0:34:44 | 0:34:48 | |
It's not 100% perfect. | 0:34:48 | 0:34:50 | |
-It's a good work in progress. -Is it? | 0:34:50 | 0:34:52 | |
Eric's flower-arranging skills might be lacking, | 0:34:52 | 0:34:55 | |
but he knows how to arrange a sale | 0:34:55 | 0:34:58 | |
and he sells his stationery box and mahogany box | 0:34:58 | 0:35:01 | |
for a further profit of just over £20. | 0:35:01 | 0:35:04 | |
Chuko is now trailing behind 2-4, | 0:35:04 | 0:35:06 | |
but he's hoping to cook up some profits in London | 0:35:06 | 0:35:09 | |
with his third item. | 0:35:09 | 0:35:11 | |
I've got my pestle and mortar here all wrapped up. | 0:35:11 | 0:35:14 | |
I'm at Dom's house. | 0:35:14 | 0:35:16 | |
This guy's been integral in street food markets over the years | 0:35:16 | 0:35:19 | |
and I think he'll find good use for this. | 0:35:19 | 0:35:21 | |
Hopefully, I can grind a profit out of him. | 0:35:21 | 0:35:23 | |
So, with a purchase price of £74, | 0:35:25 | 0:35:27 | |
will the pestle and mortar bring in a profit now? | 0:35:27 | 0:35:30 | |
-Where did you find this thing, man? -I actually got it in an auction. | 0:35:32 | 0:35:35 | |
-Really? -So it's circa 1900. | 0:35:35 | 0:35:37 | |
It's beautiful. It's big. Not sure if it's going to fit in my kitchen. | 0:35:37 | 0:35:41 | |
-But it's lovely. -Is that a bargaining tactic? | 0:35:41 | 0:35:43 | |
-I'm just being straight up with you, man. -Just being real? -Yeah, I'm just being real. | 0:35:43 | 0:35:46 | |
-I like it. -Do you know why I thought of you? | 0:35:46 | 0:35:48 | |
Because for me, when I think of food and I think of drinks, | 0:35:48 | 0:35:51 | |
-I think of you. -I hear you, man. | 0:35:51 | 0:35:53 | |
I'm not sure if I need a bird bath, though, bruv. | 0:35:53 | 0:35:55 | |
THEY LAUGH | 0:35:55 | 0:35:57 | |
Do you know what I mean, though? | 0:35:57 | 0:35:59 | |
But it's cool and we can definitely make this work. | 0:35:59 | 0:36:01 | |
It's a solid piece. It's been around a long time. | 0:36:01 | 0:36:04 | |
I even... I like these little nibbles and little knocks out of it. | 0:36:04 | 0:36:06 | |
-Gives it a bit of character, yeah. -I think this may have been replaced. | 0:36:06 | 0:36:09 | |
-That end. -That's very clean, isn't it? | 0:36:09 | 0:36:11 | |
-That's pretty new. -And that's all walnut, solid. | 0:36:11 | 0:36:14 | |
-OK. -And it's just a lovely thing. | 0:36:14 | 0:36:16 | |
-So, how much are you looking for it? -I want to be fair. | 0:36:16 | 0:36:19 | |
I was thinking 150. | 0:36:19 | 0:36:21 | |
OK... I can see why you're thinking that. | 0:36:21 | 0:36:24 | |
How old did you say this is, 120 years? | 0:36:25 | 0:36:27 | |
I was going to give you a pound for every year. | 0:36:27 | 0:36:29 | |
-So if we say... -125 years! | 0:36:29 | 0:36:32 | |
Yeah! | 0:36:32 | 0:36:33 | |
THEY LAUGH | 0:36:33 | 0:36:35 | |
-125, come on. -125. | 0:36:35 | 0:36:37 | |
Well done. Brilliant. | 0:36:37 | 0:36:38 | |
Chuko grinds out a profit of £50.60 | 0:36:38 | 0:36:42 | |
and they toast the sale with a cup of Moroccan mint tea. | 0:36:42 | 0:36:46 | |
-Cheers. -Nice one, man. | 0:36:46 | 0:36:48 | |
And he makes further profits from his G Plan tables, | 0:36:48 | 0:36:51 | |
selling them to Sophie, who works at a London coffee shop. | 0:36:51 | 0:36:55 | |
-It looks really, really good, so I would go for 125, then. -Brilliant. | 0:36:55 | 0:36:58 | |
Chuko makes just over £90 profit on the nest of tables. | 0:36:58 | 0:37:02 | |
He's got one item to go, | 0:37:02 | 0:37:04 | |
but in Marlow, Eric is also down to his last. | 0:37:04 | 0:37:08 | |
There's been a floral theme to his purchases, | 0:37:08 | 0:37:10 | |
but will the mystery flower girl that cost just over £99 | 0:37:10 | 0:37:14 | |
wilt under the gaze of vintage shop owner Sara? | 0:37:14 | 0:37:18 | |
Well, I brought along a lady that initially I thought | 0:37:18 | 0:37:23 | |
was an English flower, | 0:37:23 | 0:37:25 | |
but I've come round to the reasoning that what I'm looking at | 0:37:25 | 0:37:30 | |
-is probably a Fraulein. -Ah! | 0:37:30 | 0:37:32 | |
So, let me introduce you to my flower girl. | 0:37:32 | 0:37:35 | |
-Has she got a name? -Well, I'm tempted to call her Gretel. | 0:37:35 | 0:37:38 | |
The thing that fascinates me about this... | 0:37:38 | 0:37:41 | |
Because, you know me, I'm a pot man, is the way it's been made. | 0:37:41 | 0:37:45 | |
It's been made in such a way that it's not mass-produced | 0:37:45 | 0:37:49 | |
because it's all hand-painted. | 0:37:49 | 0:37:52 | |
The frustration about it is that it's not signed. | 0:37:52 | 0:37:55 | |
And I don't mind admitting that when I bought that, I thought, | 0:37:55 | 0:37:59 | |
"I'm sure I can find out who made it." | 0:37:59 | 0:38:01 | |
And I've done a lot of homework, | 0:38:01 | 0:38:03 | |
but what I do love is this design on this girl's gown | 0:38:03 | 0:38:08 | |
because the more I look at that, | 0:38:08 | 0:38:11 | |
the more I see that being a sort of a Viennese-y type of decoration. | 0:38:11 | 0:38:15 | |
So, what do you think, Sara? Has she spoken to you? | 0:38:15 | 0:38:19 | |
She's not the sort of thing I would normally go for | 0:38:19 | 0:38:22 | |
but, actually, she's speaking to me now, just more as | 0:38:22 | 0:38:26 | |
an interest than the person that she is, if you like. | 0:38:26 | 0:38:29 | |
So, yeah, yeah, I think I'd be interested in giving her a go. | 0:38:29 | 0:38:32 | |
Gretel, by the way, she is bilingual, | 0:38:32 | 0:38:35 | |
so what she's saying to you is, "Buy me." | 0:38:35 | 0:38:37 | |
-Is she, now? -Yes, that's exactly what she's saying to you. | 0:38:37 | 0:38:40 | |
I was hoping that I might get somewhere in the region of around | 0:38:40 | 0:38:44 | |
-about £80 for her, but... -OK. | 0:38:44 | 0:38:46 | |
-50? -50... | 0:38:46 | 0:38:48 | |
Shall we do her 55? | 0:38:48 | 0:38:50 | |
Why don't we do her 55? | 0:38:50 | 0:38:51 | |
-£55. -Done. -OK. | 0:38:51 | 0:38:52 | |
-Thank you. -Thank you. | 0:38:52 | 0:38:54 | |
-Welcome, Gretel. -OK? | 0:38:54 | 0:38:56 | |
Thank you. And, Gretel... | 0:38:56 | 0:38:58 | |
Auf Wiedersehen, mein Liebchen. | 0:38:58 | 0:39:00 | |
Yes, well, Eric loses just over £44 on his final sale. | 0:39:00 | 0:39:06 | |
Now, you're probably wondering, | 0:39:06 | 0:39:07 | |
why on earth did I sell that figurine at a loss? | 0:39:07 | 0:39:10 | |
Well, the fact is that when I bought it, | 0:39:10 | 0:39:13 | |
a profit was always going to be dependent upon me finding out | 0:39:13 | 0:39:17 | |
who the maker was and, alas, I came a cropper. | 0:39:17 | 0:39:20 | |
Yes, I bought it with my heart and not with my head. | 0:39:20 | 0:39:24 | |
And if you're watching, Chuko, stop chuckling! | 0:39:24 | 0:39:28 | |
Eric is done, but Chuko is in Taunton with one item to go - | 0:39:28 | 0:39:32 | |
his 1970s paperweights that cost £93, | 0:39:32 | 0:39:36 | |
but will baronet Sir Benjamin Slade | 0:39:36 | 0:39:38 | |
want them for his extensive family home? | 0:39:38 | 0:39:41 | |
I've got these Caithness paperweights. | 0:39:41 | 0:39:44 | |
I bought them at auction. | 0:39:44 | 0:39:45 | |
-Yeah. -And they just caught my eye. | 0:39:45 | 0:39:47 | |
And I've got a bit of a magpie's eye. | 0:39:48 | 0:39:50 | |
And I'm hoping that you have, too. | 0:39:50 | 0:39:52 | |
I thought they'd make a great gift or... | 0:39:52 | 0:39:53 | |
-Where did you buy them? -In Colchester. | 0:39:53 | 0:39:56 | |
-Oh, yeah? -It was one of the few collectable things that I recognised | 0:39:56 | 0:39:59 | |
there, so I'm hoping that you can show me a profit in there. | 0:39:59 | 0:40:02 | |
Very handy to give a girlfriend, or I could | 0:40:02 | 0:40:05 | |
just sort of put them on the paper to stop it blowing around in some of | 0:40:05 | 0:40:09 | |
-the bedrooms. -Yeah. | 0:40:09 | 0:40:10 | |
Because we need... | 0:40:10 | 0:40:12 | |
I really need about 34 of them because I've got 34 bedrooms. | 0:40:12 | 0:40:15 | |
-I'm going to come back to you! -Yeah. | 0:40:15 | 0:40:18 | |
So, I mean, reasonably, I thought £20 a head. | 0:40:18 | 0:40:22 | |
140. That's just straight up. | 0:40:22 | 0:40:24 | |
I didn't want to go... | 0:40:24 | 0:40:25 | |
Well, I don't know. | 0:40:26 | 0:40:28 | |
-I think... -I started too low. | 0:40:28 | 0:40:30 | |
..I'd call it 120. | 0:40:30 | 0:40:33 | |
Can I nudge you up just a touch? | 0:40:33 | 0:40:35 | |
-A touch? -Just a touch. | 0:40:35 | 0:40:37 | |
-130. -No, no, no, 125. | 0:40:37 | 0:40:39 | |
125, that's fair. | 0:40:39 | 0:40:40 | |
-Thank you. -Thanks, then. | 0:40:40 | 0:40:42 | |
So, Chuko makes a final profit of £32 for the paperweights | 0:40:42 | 0:40:46 | |
and he's done and dusted. | 0:40:46 | 0:40:48 | |
It's almost time to reveal who's won, but before we do, | 0:40:48 | 0:40:51 | |
let's remind ourselves of how much our experts spent. | 0:40:51 | 0:40:54 | |
From a £1,000 budget, Eric made five purchases and spent £512.12. | 0:40:56 | 0:41:02 | |
Chuko matched his five items but, after his upcycling costs, | 0:41:02 | 0:41:06 | |
spent £413.88. | 0:41:06 | 0:41:09 | |
All the money from this challenge | 0:41:09 | 0:41:11 | |
will go to Eric and Chuko's chosen charities, so let's find out | 0:41:11 | 0:41:14 | |
who is the Put Your Money Where Your Mouth Is champion. | 0:41:14 | 0:41:18 | |
-How are you doing? -I'm good, Eric. How are you? -I'm fine. | 0:41:18 | 0:41:21 | |
Would you say that the auction world is your natural habitat? | 0:41:21 | 0:41:24 | |
-I don't think it is. -No? -It's just that air of desperation | 0:41:24 | 0:41:27 | |
-that you've got to buy something and if you miss a lot... -Yeah. | 0:41:27 | 0:41:31 | |
-The odds are against you, aren't they? -It's a lottery, isn't it? | 0:41:31 | 0:41:33 | |
Yeah. Tough, tough. | 0:41:33 | 0:41:35 | |
-So... But you did buy. -I did buy. -Yeah. And what came good for you? | 0:41:35 | 0:41:39 | |
I loved my bone letters. I did something very special. | 0:41:39 | 0:41:41 | |
I turned them into these lovely little trinkets. | 0:41:41 | 0:41:44 | |
-I didn't pierce them... -No? -Because they're beautiful objects, | 0:41:44 | 0:41:46 | |
but they were just placed inside these lovely necklaces. | 0:41:46 | 0:41:49 | |
-In fact, a dog collar, as well. -Oh, really? | 0:41:49 | 0:41:52 | |
So a dog's walking around with a little 19th-century bone letter. | 0:41:52 | 0:41:55 | |
Somewhere in central London, obviously. | 0:41:55 | 0:41:57 | |
Obviously! Yeah. How about you? | 0:41:57 | 0:41:59 | |
Well, I suppose the highlight really for me were the botanical drawings. | 0:41:59 | 0:42:03 | |
Because they are now in a national institution. | 0:42:03 | 0:42:07 | |
-They were lovely. -They were lovely. -I wish I'd bought those. -Yes. | 0:42:07 | 0:42:10 | |
So, erm... | 0:42:10 | 0:42:11 | |
shall we do the business? | 0:42:11 | 0:42:13 | |
Three, two, one... | 0:42:13 | 0:42:14 | |
-Ooh! -Still healthy. | 0:42:17 | 0:42:18 | |
-Still healthy! -Edged. I've edged away. | 0:42:18 | 0:42:21 | |
You have. You have as well, well done. | 0:42:21 | 0:42:23 | |
Well done, he said, through gritted teeth. | 0:42:23 | 0:42:25 | |
THEY LAUGH | 0:42:25 | 0:42:27 | |
Now, this is a wonderful garden. | 0:42:27 | 0:42:29 | |
I'm going to show you a very interesting tree. Come on. | 0:42:29 | 0:42:31 | |
Yes, after Eric made two losses, Chuko is victorious, | 0:42:31 | 0:42:35 | |
making money on every item sold. | 0:42:35 | 0:42:37 | |
We've both made respectable profits. | 0:42:38 | 0:42:40 | |
The auction's so difficult. | 0:42:40 | 0:42:43 | |
I'm surprised I managed to pip Eric at that one. | 0:42:43 | 0:42:45 | |
I think what I did was adding value. | 0:42:45 | 0:42:47 | |
Those bone carved letters were beautiful, | 0:42:47 | 0:42:50 | |
but I think I made them more beautiful. | 0:42:50 | 0:42:52 | |
Well, by their very nature, | 0:42:52 | 0:42:53 | |
auctions are something of a lottery and you need a sleeper, | 0:42:53 | 0:42:57 | |
something that nobody else recognises. | 0:42:57 | 0:42:59 | |
I thought I'd found her in the pottery girl, the flower seller, | 0:42:59 | 0:43:03 | |
but unfortunately, I couldn't track her down | 0:43:03 | 0:43:06 | |
and it made the difference between victory and defeat. Defeat for me. | 0:43:06 | 0:43:11 | |
But tomorrow, | 0:43:11 | 0:43:13 | |
Eric gets to fight again at a car-boot sale in Chesterfield. | 0:43:13 | 0:43:16 |