Browse content similar to Eric Knowles v Chuko Ojiri - Foreign Antiques Market. Check below for episodes and series from the same categories and more!
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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best loved antiques experts | 0:00:04 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:10 | |
Think I see a bargain. | 0:00:10 | 0:00:11 | |
Each day, one pair of duelling dealers | 0:00:12 | 0:00:14 | |
will face a mighty challenge... | 0:00:14 | 0:00:16 | |
-Oh, yeah! -..putting their reputations on the line. | 0:00:16 | 0:00:20 | |
Ready for battle. | 0:00:20 | 0:00:21 | |
They'll give you the insiders' view of the trade... | 0:00:21 | 0:00:24 | |
I'm a big boy. I'm a player. | 0:00:24 | 0:00:26 | |
..along with their top tips and savvy secrets. | 0:00:26 | 0:00:29 | |
It's not all about what you spend. It's about what you make. | 0:00:29 | 0:00:32 | |
Showing you how to make the most money... | 0:00:32 | 0:00:35 | |
It really is war. | 0:00:35 | 0:00:36 | |
..from buying and selling. | 0:00:36 | 0:00:38 | |
You've got to be in there like a whippet. | 0:00:38 | 0:00:40 | |
Coming up, Eric comes over all continental... | 0:00:42 | 0:00:46 | |
So French. | 0:00:46 | 0:00:47 | |
A little naughty, you might say. | 0:00:47 | 0:00:50 | |
..Ochuko gets carried away in the buying... | 0:00:50 | 0:00:52 | |
I love it. Please! | 0:00:52 | 0:00:54 | |
..and Eric tries not to scare off the customers. | 0:00:54 | 0:00:57 | |
John, I'm creeping forward in trepidation here. | 0:00:57 | 0:01:01 | |
This is Put Your Money Where Your Mouth Is. | 0:01:01 | 0:01:04 | |
The fortress town of Villeneuve-les-Avignon | 0:01:20 | 0:01:23 | |
in the hills of southern France is bracing itself. | 0:01:23 | 0:01:27 | |
The locals have been prepared for battle since the 14th century, | 0:01:27 | 0:01:31 | |
but they never expected an antiques attack as bold as the one afoot. | 0:01:31 | 0:01:36 | |
With a cloudless summer's day expected, | 0:01:36 | 0:01:39 | |
this scrap is set to be a scorcher as our two commandos | 0:01:39 | 0:01:42 | |
of collectables clash once more. | 0:01:42 | 0:01:45 | |
Blimey, it ain't half hot, Mum! | 0:01:45 | 0:01:47 | |
Our first dealer to answer the call to arms | 0:01:47 | 0:01:49 | |
is the sergeant major of souvenirs, | 0:01:49 | 0:01:52 | |
a stiff-upper-lipped bastion of Britishness who's primed | 0:01:52 | 0:01:55 | |
and ready to face the French heat. | 0:01:55 | 0:01:58 | |
It's Eric "The Knowledge" Knowles. | 0:01:58 | 0:02:00 | |
I am buying for Britain today. | 0:02:00 | 0:02:03 | |
And ready to take the fight to foreign soils but maintain an entente cordiale | 0:02:03 | 0:02:07 | |
with the locals, it's our new cadet on the block. | 0:02:07 | 0:02:10 | |
Any vintage item in his firing line had better take cover, and quick. | 0:02:10 | 0:02:14 | |
It's Ochuko "The Hat" Ojiri. | 0:02:14 | 0:02:16 | |
In francais, Ochuko le Chapeau! | 0:02:16 | 0:02:20 | |
All of the profits made from selling today's items will go to | 0:02:20 | 0:02:24 | |
our experts' chosen charities, so the stakes couldn't be any higher. | 0:02:24 | 0:02:28 | |
This is not a drill. Repeat, this is not a drill. | 0:02:28 | 0:02:32 | |
This is the early bird trying to catch the worm. | 0:02:32 | 0:02:35 | |
Morning, Eric. Beautiful, isn't it? | 0:02:35 | 0:02:37 | |
-It's lovely. -How great is it to be here? | 0:02:37 | 0:02:39 | |
It's wonderful to be here in La Belle France. | 0:02:39 | 0:02:41 | |
I mean, you're a regular in this part of the world? | 0:02:41 | 0:02:43 | |
I'm more Italy, really. | 0:02:43 | 0:02:45 | |
That's more my comfortable stomping ground to buy bits. | 0:02:45 | 0:02:48 | |
I know what I'm looking for, but I don't know until I see it. | 0:02:48 | 0:02:50 | |
It takes an awful lot of rooting and... | 0:02:50 | 0:02:53 | |
-Is that not the fun? I like that. -I love this job. | 0:02:53 | 0:02:56 | |
The painful bit is spending your own money, but hey-ho. | 0:02:56 | 0:03:00 | |
It's the rules of the engagement. | 0:03:00 | 0:03:02 | |
-Yes! -OK. -Good luck, Eric. -Enjoy yourself. | 0:03:02 | 0:03:04 | |
With £750 worth of euros to spend, | 0:03:04 | 0:03:08 | |
our duelling dealers have each drawn up their battle plans. | 0:03:08 | 0:03:12 | |
I'm looking for French objects. | 0:03:13 | 0:03:15 | |
And by that, I'm looking for French objects | 0:03:15 | 0:03:17 | |
that I'm not going to be able to find back in the UK. | 0:03:17 | 0:03:22 | |
It's not an easy task, | 0:03:22 | 0:03:23 | |
but I'm there and I'm going to ferret | 0:03:23 | 0:03:24 | |
like there's no tomorrow. | 0:03:24 | 0:03:26 | |
So, Eric's strategy is to use his surroundings to his advantage, | 0:03:26 | 0:03:31 | |
while Ochuko is on a reconnaissance mission. | 0:03:31 | 0:03:34 | |
What I really want do now is to just quickly spin around. | 0:03:34 | 0:03:38 | |
Not commit to anything. | 0:03:39 | 0:03:41 | |
And just get a feel for the market. | 0:03:41 | 0:03:43 | |
And is it giving off any particular vibe so far? | 0:03:43 | 0:03:46 | |
-I feel a tingle. -Sacre bleu! | 0:03:46 | 0:03:49 | |
It seems France is appealing to The Hat's flamboyant side. | 0:03:49 | 0:03:53 | |
Nice little PVC chair. | 0:03:53 | 0:03:55 | |
Gold, sparkly, like me. | 0:03:55 | 0:03:58 | |
Yes... With our boys armed with very different tastes, | 0:03:58 | 0:04:01 | |
both advance deep into the market, | 0:04:01 | 0:04:04 | |
but with every overseas campaign comes the element of surprise. | 0:04:04 | 0:04:08 | |
Ooh-la-la! | 0:04:09 | 0:04:10 | |
Another one of my brilliant French expressions. | 0:04:10 | 0:04:13 | |
Ochuko's first sortie has uncovered one of the market's more colourful characters. | 0:04:15 | 0:04:20 | |
He's got a curious little cabinet, and The Hat wants to know more. | 0:04:20 | 0:04:24 | |
What year do you date this? | 0:04:24 | 0:04:25 | |
BC! | 0:04:33 | 0:04:34 | |
Um... | 0:04:42 | 0:04:43 | |
(Walk away!) | 0:04:45 | 0:04:47 | |
Ochuko retreats quickly, but is soon on the attack again as he spies | 0:04:47 | 0:04:51 | |
an unusual folding bed, and he's all fired up. | 0:04:51 | 0:04:55 | |
This is so interesting. | 0:04:55 | 0:04:57 | |
It's almost like a sun bed. | 0:04:57 | 0:04:58 | |
Looks 1930s to me. | 0:04:58 | 0:05:01 | |
And this is what I love about it. Look at this. | 0:05:01 | 0:05:04 | |
And it's got age and it's all intact. | 0:05:06 | 0:05:08 | |
Something like this at the right price, | 0:05:08 | 0:05:10 | |
I'm all over it. Something I wouldn't see in the UK. | 0:05:10 | 0:05:13 | |
C'est combien? | 0:05:13 | 0:05:14 | |
-200 euro. -Ouch! | 0:05:14 | 0:05:16 | |
I think I might need another tactic. | 0:05:16 | 0:05:18 | |
I'm going to ask about a couple of items and maybe we can do a job lot. | 0:05:18 | 0:05:22 | |
Canny Ochuko knows a double deal might mean a better price, | 0:05:22 | 0:05:26 | |
and thinks this vintage hostess trolley could be | 0:05:26 | 0:05:28 | |
the perfect second item. | 0:05:28 | 0:05:30 | |
-Quel age? -It's 1950. | 0:05:30 | 0:05:33 | |
1950s. | 0:05:33 | 0:05:34 | |
That's an interesting one. | 0:05:34 | 0:05:36 | |
This, I can do 80. | 0:05:36 | 0:05:37 | |
80? | 0:05:37 | 0:05:38 | |
My brain's ticking. I've got to get a good price. | 0:05:38 | 0:05:41 | |
-A price for the two-piece. -For the two, please. | 0:05:41 | 0:05:43 | |
-200. -200. 150? | 0:05:43 | 0:05:46 | |
-180, best price. -180. | 0:05:46 | 0:05:48 | |
Let's meet, 170. | 0:05:48 | 0:05:50 | |
-OK. -Thank you, sir. | 0:05:50 | 0:05:51 | |
Ochuko's new tactic pays off. | 0:05:51 | 0:05:53 | |
His cracking double vintage deal | 0:05:53 | 0:05:55 | |
secures the 1930s folding bed for just under £95 | 0:05:55 | 0:05:59 | |
and the 1950s hostess trolley for a smidge under £52. | 0:05:59 | 0:06:04 | |
Got two really great pieces. | 0:06:04 | 0:06:06 | |
1950s, 1930s. | 0:06:06 | 0:06:08 | |
Right up my street. Look at the work on this. | 0:06:08 | 0:06:12 | |
Beautiful iron, lovely patina. | 0:06:12 | 0:06:14 | |
And these trolleys are all the trend right now back in the UK. | 0:06:14 | 0:06:18 | |
And this is just so quirky. | 0:06:18 | 0:06:20 | |
All intact, original. | 0:06:20 | 0:06:22 | |
Gorgeous pieces. So happy. | 0:06:22 | 0:06:24 | |
Ochuko is ahead, but there's no time to relax and soak up the rays, | 0:06:24 | 0:06:28 | |
because Eric is on the prowl. | 0:06:28 | 0:06:30 | |
I'm just wondering how Ochuko is getting on. | 0:06:30 | 0:06:33 | |
I hope he's doing OK. | 0:06:33 | 0:06:35 | |
Not too OK. | 0:06:35 | 0:06:38 | |
Well, Eric, Ochuko is leading 2-0 | 0:06:38 | 0:06:40 | |
and is in his stride as he spots an unexpected collection. | 0:06:40 | 0:06:44 | |
Love this coral. Reminds me of a cabinet of curiosities. | 0:06:44 | 0:06:47 | |
Just the shapes... | 0:06:47 | 0:06:48 | |
-Bonjour. -Bonjour. -Parlez-vous anglais? | 0:06:48 | 0:06:52 | |
-A little bit. -A little bit. Is he from Hackney? | 0:06:52 | 0:06:54 | |
Well, he's not from Paris, that's for sure. | 0:06:54 | 0:06:57 | |
I love this coral. | 0:06:57 | 0:06:58 | |
Any information on it? | 0:06:58 | 0:07:00 | |
-The thing I can tell you is the price. -Go on. | 0:07:00 | 0:07:02 | |
-150 euros. -150 euros. | 0:07:02 | 0:07:04 | |
London guy... | 0:07:05 | 0:07:07 | |
London prices. | 0:07:07 | 0:07:09 | |
THEY CHUCKLE | 0:07:09 | 0:07:10 | |
There are seven pieces on offer and Ochuko has a better deal in mind. | 0:07:10 | 0:07:14 | |
10 euros apiece. | 0:07:14 | 0:07:15 | |
-That's... -That's 70 euros. | 0:07:15 | 0:07:17 | |
-I can't... -From a dealer to a dealer. | 0:07:17 | 0:07:19 | |
I can't do that. | 0:07:19 | 0:07:21 | |
-Meet me in between the two. -90. | 0:07:21 | 0:07:24 | |
Well, we said 80, didn't we, in between? Go on. | 0:07:24 | 0:07:26 | |
Well done. Thank you, sir. | 0:07:26 | 0:07:28 | |
-Brilliant. -You have to wrap them yourself, though. -Oh, no! | 0:07:28 | 0:07:31 | |
Ochuko captures the vintage coral for just under £69, | 0:07:31 | 0:07:34 | |
but can he see a profit? | 0:07:34 | 0:07:36 | |
I love these bits of coral that I just bought. | 0:07:36 | 0:07:37 | |
£69 for all of this | 0:07:37 | 0:07:40 | |
and on a good day, I can get £69 for this one piece. | 0:07:40 | 0:07:43 | |
£69 apiece is a bold claim, | 0:07:43 | 0:07:46 | |
so can Eric boldly catch up with an art deco coffee set? | 0:07:46 | 0:07:51 | |
That's a good shape, that. | 0:07:51 | 0:07:53 | |
You know? If that was in pottery, | 0:07:53 | 0:07:55 | |
it would be almost a bit of Clarice Cliff, wouldn't it? | 0:07:55 | 0:07:59 | |
That very angular handle. | 0:07:59 | 0:08:01 | |
Nice quality. And then, there's the sugar box. | 0:08:01 | 0:08:04 | |
Or as we say up north, pass me the sucriere, Mama! | 0:08:04 | 0:08:09 | |
The north of where, Eric? | 0:08:09 | 0:08:12 | |
-Bonjour. -Bonjour, monsieur. | 0:08:12 | 0:08:14 | |
Could you tell me a price? | 0:08:14 | 0:08:16 | |
One, two, three, what would they...? | 0:08:16 | 0:08:17 | |
-50, the three. -50, the three. | 0:08:17 | 0:08:20 | |
OK, I'll take those. | 0:08:20 | 0:08:21 | |
Eric's got himself a deal. | 0:08:22 | 0:08:24 | |
50 euros, or just over £43 for the coffee set. | 0:08:24 | 0:08:28 | |
But his work here is not done yet. | 0:08:28 | 0:08:30 | |
Eric's eagle eyes have spotted | 0:08:30 | 0:08:32 | |
another piece of silverware, and he swoops. | 0:08:32 | 0:08:34 | |
That's very Art Nouveau. | 0:08:34 | 0:08:37 | |
This, I can do 40. | 0:08:37 | 0:08:38 | |
40? | 0:08:38 | 0:08:40 | |
-30? -30? | 0:08:40 | 0:08:42 | |
Oui. It's a French plate dish. | 0:08:42 | 0:08:45 | |
It's attractive. Pure Art Nouveau, pure organic, | 0:08:45 | 0:08:48 | |
and it's worth 30 euros of anybody's money. | 0:08:48 | 0:08:50 | |
And 30 euros of Eric's money is £25.86 sterling. | 0:08:50 | 0:08:55 | |
Well, I've just gone and bought myself a very stylish French | 0:08:56 | 0:08:58 | |
art deco silver-plated coffee pot with milk and sugar. | 0:08:58 | 0:09:04 | |
Date wise, around about 1925, 1930. | 0:09:04 | 0:09:08 | |
It needs a jolly good clean. | 0:09:08 | 0:09:10 | |
I'll get it gleaming, | 0:09:10 | 0:09:11 | |
it will look far more desirable and obviously far more saleable. | 0:09:11 | 0:09:15 | |
Now, I bought this silver-plated dish | 0:09:15 | 0:09:18 | |
which is obviously Art Nouveau period. | 0:09:18 | 0:09:20 | |
That comes before art deco. | 0:09:20 | 0:09:22 | |
We are looking at around about 1900 with something like this. | 0:09:22 | 0:09:26 | |
And I assumed it was French. | 0:09:26 | 0:09:27 | |
And then I turned it over and the mark is in English. | 0:09:27 | 0:09:31 | |
Not that this was made in England. | 0:09:31 | 0:09:33 | |
It was made in the United States of America. | 0:09:33 | 0:09:36 | |
Um, Eric, what was your strategy? | 0:09:36 | 0:09:39 | |
I'm looking for French objects. | 0:09:41 | 0:09:43 | |
Not a huge profit to be had there. | 0:09:43 | 0:09:45 | |
I'm not quite sure what the market's like for American plated Art Nouveau | 0:09:45 | 0:09:48 | |
dishes, but no doubt within the next few days, I will find out. | 0:09:48 | 0:09:52 | |
So, Eric makes the score 2-3 and brings us to the halfway mark. | 0:09:52 | 0:09:57 | |
So, let's find out who is charging into the lead | 0:09:57 | 0:09:59 | |
and who's waving the white flag. | 0:09:59 | 0:10:02 | |
From a £750 budget, Eric's bought two items and spent just under £69. | 0:10:02 | 0:10:08 | |
Leaving him with just over £681 in his kitty. | 0:10:08 | 0:10:13 | |
Ochuko has spent considerably more - | 0:10:13 | 0:10:15 | |
£215.52 on his three items. | 0:10:15 | 0:10:19 | |
Leaving him just over £534 for the rest of the day. | 0:10:19 | 0:10:23 | |
-Hi. -How are you doing? | 0:10:24 | 0:10:26 | |
-Halfway there. -Yeah, we are, aren't we? Yeah. | 0:10:26 | 0:10:28 | |
-How are you getting on? -A slow start but I'm slowly getting there. | 0:10:28 | 0:10:31 | |
-It's different. -It is. | 0:10:31 | 0:10:32 | |
It's multi-various. | 0:10:32 | 0:10:34 | |
It's a lovely market. | 0:10:34 | 0:10:36 | |
I didn't see a lot of pottery. | 0:10:36 | 0:10:37 | |
-No. No. -No. | 0:10:37 | 0:10:39 | |
Ooh! | 0:10:39 | 0:10:40 | |
Well, hey ho, you know. | 0:10:40 | 0:10:41 | |
There is life after crockery... | 0:10:41 | 0:10:43 | |
-There is. -..you know. That's the important thing. -That's my life. | 0:10:43 | 0:10:46 | |
It is your life. Problem is that there's so little time. | 0:10:46 | 0:10:50 | |
-Yeah. -So don't think the rude, but it's always a pleasure. | 0:10:50 | 0:10:53 | |
-Move on. -Time's pressing! | 0:10:53 | 0:10:55 | |
Yes, the day is getting on and both our experts have their work cut out | 0:10:56 | 0:11:00 | |
if they are to escape from this mission with enough ammo | 0:11:00 | 0:11:03 | |
to stand them in good stead when it's time to sell. | 0:11:03 | 0:11:06 | |
So, how does the new recruit feel he's doing against the old guard? | 0:11:06 | 0:11:10 | |
I don't see a lot of pottery here. | 0:11:10 | 0:11:12 | |
And what I do see is maybe not the quality that Eric is used to. | 0:11:12 | 0:11:16 | |
I think I've got an advantage on him there. | 0:11:17 | 0:11:19 | |
Well, I'm having to learn about Ochuko | 0:11:19 | 0:11:21 | |
because he does keep his cards very close to his chest. | 0:11:21 | 0:11:23 | |
But I think he was being absolutely genuine insofar as we are working | 0:11:23 | 0:11:27 | |
very, very hard here today. | 0:11:27 | 0:11:30 | |
The Knowledge and the Hat are, indeed, toiling away and next, | 0:11:30 | 0:11:33 | |
Ochuko spies something that's right up his street, | 0:11:33 | 0:11:37 | |
a mid-century hatstand. | 0:11:37 | 0:11:38 | |
I think you're going to start to notice a bit of a theme. | 0:11:38 | 0:11:41 | |
'50s, colours, screams at me. | 0:11:41 | 0:11:46 | |
At the right price, I can do very well with this in my London market. | 0:11:46 | 0:11:49 | |
Let me try and find out how much it is. | 0:11:49 | 0:11:52 | |
-How much? -Er, 100. -100 euros. | 0:11:55 | 0:11:57 | |
Petit small, small. Please, please. | 0:11:59 | 0:12:01 | |
Oh, where's he gone? | 0:12:04 | 0:12:05 | |
I love it. Please! | 0:12:05 | 0:12:07 | |
45? So I can sell. | 0:12:09 | 0:12:11 | |
-It's a good price. -70. | 0:12:13 | 0:12:15 | |
So, she put 70. | 0:12:15 | 0:12:17 | |
We're nearly there. We are close. | 0:12:17 | 0:12:19 | |
This... Please, one more, one more. | 0:12:19 | 0:12:20 | |
You won't mind. | 0:12:20 | 0:12:21 | |
One more. | 0:12:23 | 0:12:24 | |
You are very, er... | 0:12:26 | 0:12:27 | |
Yes! | 0:12:32 | 0:12:33 | |
Thank you very much. | 0:12:33 | 0:12:34 | |
So, 65 euros. | 0:12:34 | 0:12:37 | |
Ochuko they're proving it really can help to get down on your knees | 0:12:37 | 0:12:40 | |
and beg as he hangs 65 euros, or just over £56 on the hatstand. | 0:12:40 | 0:12:44 | |
What a lovely item. | 0:12:46 | 0:12:48 | |
Hatstand. It's like a harp. | 0:12:48 | 0:12:50 | |
1950s harp. | 0:12:50 | 0:12:52 | |
Something I wouldn't find in the UK. | 0:12:52 | 0:12:54 | |
Very happy to find it here. | 0:12:54 | 0:12:55 | |
Look at these. | 0:12:55 | 0:12:57 | |
Gorgeous colours. | 0:12:57 | 0:12:59 | |
Tactile item. | 0:12:59 | 0:13:00 | |
It's not a lot to do to it. | 0:13:00 | 0:13:01 | |
It needs a bit of a clean-up. | 0:13:01 | 0:13:03 | |
I love the age. | 0:13:03 | 0:13:04 | |
I think this old clothesline could do with a little bit | 0:13:04 | 0:13:06 | |
of a spruce up, but apart from that, it's good to go. | 0:13:06 | 0:13:10 | |
I can see in a lovely east London hallway. | 0:13:10 | 0:13:13 | |
Finally got somewhere to hang my hat. | 0:13:13 | 0:13:15 | |
It might be better to keep your hat on as with the sun creeping higher, | 0:13:18 | 0:13:21 | |
Eric's getting rather hot under the collar. | 0:13:21 | 0:13:24 | |
Oh, I like those. Somebody being somewhat coquettish. | 0:13:24 | 0:13:28 | |
So French. | 0:13:28 | 0:13:30 | |
A little naughty, you might say, but still demure. | 0:13:30 | 0:13:34 | |
Interestingly enough... | 0:13:34 | 0:13:35 | |
The artist here is called Casanova. | 0:13:37 | 0:13:40 | |
Casanove, anyway. | 0:13:40 | 0:13:42 | |
Paris 1927. | 0:13:42 | 0:13:44 | |
Yeah, don't doubt that one. | 0:13:44 | 0:13:46 | |
Anyone for tennis? | 0:13:46 | 0:13:48 | |
Don't you love that? Yes. | 0:13:48 | 0:13:49 | |
More Virginia Wade, I think, than Andy Murray. | 0:13:49 | 0:13:52 | |
-120. -120. | 0:13:56 | 0:13:59 | |
Do I want those? Yes, I want those. | 0:13:59 | 0:14:02 | |
Oui. Oui, oui, oui. Merci beaucoup. | 0:14:02 | 0:14:04 | |
Eric is clearly quite taken by the cheeky French Mademoiselles, | 0:14:04 | 0:14:07 | |
shelling out just over £103 for the pair of pastel sketches. | 0:14:07 | 0:14:12 | |
Well, I don't normally go for graphic things, | 0:14:12 | 0:14:15 | |
but this is all original. | 0:14:15 | 0:14:17 | |
It's not a print. | 0:14:17 | 0:14:19 | |
Um... And I like the frame. | 0:14:19 | 0:14:21 | |
It's not burr wood. | 0:14:21 | 0:14:23 | |
It's all been done to resemble burwood...on both of them. | 0:14:23 | 0:14:27 | |
Does it matter? | 0:14:27 | 0:14:28 | |
No. They're good, they're stylish, they're ready to hang. | 0:14:28 | 0:14:32 | |
What more could you want? | 0:14:32 | 0:14:34 | |
Eric's French flappers flip his number of buys up to three, | 0:14:34 | 0:14:38 | |
but he's still trailing behind Ochuko. | 0:14:38 | 0:14:40 | |
Maybe he can draw even with this glass dish. | 0:14:40 | 0:14:44 | |
Oh, Schneider. | 0:14:44 | 0:14:45 | |
Very interesting. | 0:14:46 | 0:14:48 | |
This is probably around about 1925, 1930. | 0:14:48 | 0:14:52 | |
I love this frosted effect. | 0:14:52 | 0:14:53 | |
-Bonjour. -Bonjour. | 0:14:53 | 0:14:56 | |
OK. | 0:15:01 | 0:15:03 | |
Monsieur. Merci beaucoup. | 0:15:03 | 0:15:04 | |
And without even the merest whiff of a haggle, | 0:15:04 | 0:15:07 | |
the decorative plate is Eric's for just over £86. | 0:15:07 | 0:15:10 | |
Not cheap, but will it serve up a profit? | 0:15:10 | 0:15:13 | |
Well, I've gone down the art deco route once again | 0:15:14 | 0:15:17 | |
with a piece of glass that, from a distance, | 0:15:17 | 0:15:20 | |
I felt sure was going to be by Daum. | 0:15:20 | 0:15:22 | |
D-A-U-M. | 0:15:22 | 0:15:24 | |
Now, they are a maker in Nancy. | 0:15:24 | 0:15:26 | |
But when I turned it over, I find the name Schneider, | 0:15:26 | 0:15:28 | |
which is a good glass-maker. | 0:15:28 | 0:15:31 | |
I'm not normally happy to spend money, but I was very happy to spend | 0:15:31 | 0:15:34 | |
100 euros on this dish. | 0:15:34 | 0:15:35 | |
I think it's got potential, with a capital P. | 0:15:35 | 0:15:40 | |
Eric's P purchase makes it 4-all, | 0:15:40 | 0:15:43 | |
until Ochuko finds a vintage TV unit with a T and V. | 0:15:43 | 0:15:49 | |
He turns on and tunes in, buying it for just under £69, | 0:15:49 | 0:15:52 | |
then drops out with his final item. | 0:15:52 | 0:15:55 | |
So, what's he got? | 0:15:55 | 0:15:56 | |
I think what's really working for me in this market, in a sea of brown, | 0:15:56 | 0:16:00 | |
these beautiful bright mid-century colours are really singing to me. | 0:16:00 | 0:16:05 | |
Look at that yellow primary, look at the blue. | 0:16:05 | 0:16:08 | |
So strong. | 0:16:08 | 0:16:10 | |
Classic 1950s. | 0:16:10 | 0:16:11 | |
Back in those days, you put your magazines down there, | 0:16:11 | 0:16:14 | |
you put your big TV on here. | 0:16:14 | 0:16:17 | |
It's all original. It's all in good condition. | 0:16:17 | 0:16:20 | |
And in my market, I think I can get anything from 250 to 300 for that. | 0:16:20 | 0:16:25 | |
Maybe a bit optimistic, but watch me. | 0:16:25 | 0:16:27 | |
Ochuko's finished spending, and just in the nick of time. | 0:16:27 | 0:16:32 | |
Everybody is packing up, going home. | 0:16:32 | 0:16:33 | |
Midday sun is beating down. | 0:16:33 | 0:16:35 | |
I'm all bought up. Started strong, ended strong. | 0:16:35 | 0:16:40 | |
Eric, on the other hand, is still beavering away and he needs to get | 0:16:40 | 0:16:43 | |
a wriggle on. | 0:16:43 | 0:16:44 | |
So far, my strategy has been working. | 0:16:44 | 0:16:47 | |
I've been buying some good objects, I'm very happy with the prices I've paid. | 0:16:47 | 0:16:50 | |
So I now go into the final phase. | 0:16:50 | 0:16:53 | |
I have to buy more and so I am going to go into what I call | 0:16:53 | 0:16:58 | |
desperation phase! | 0:16:58 | 0:17:00 | |
Yes, it looks like it's D-Day for Eric, but being such a seasoned campaigner, | 0:17:00 | 0:17:04 | |
he knows that some of the best bargains can be bagged | 0:17:04 | 0:17:07 | |
at the very end of the day. | 0:17:07 | 0:17:10 | |
What have you got here that you think should have sold today? | 0:17:10 | 0:17:13 | |
Traders really don't want to take their unsold stock home again, | 0:17:13 | 0:17:17 | |
so Eric is wisely using this to his advantage. | 0:17:17 | 0:17:20 | |
The seller directs him towards an antique fishing basket. | 0:17:20 | 0:17:24 | |
I've seen these. Looks like it's got some age to it, this. | 0:17:24 | 0:17:27 | |
A creel. Ooh! | 0:17:28 | 0:17:31 | |
120. That's a bit heavy. | 0:17:31 | 0:17:33 | |
Bonjour. You must have very little fish in France. | 0:17:33 | 0:17:37 | |
Could you stick a fish in there? | 0:17:37 | 0:17:39 | |
You are obliged to fish a special size. | 0:17:39 | 0:17:41 | |
Bigger. So if it goes in there, you cannot keep it. | 0:17:41 | 0:17:44 | |
Oh, is that it? Oh, I see. | 0:17:44 | 0:17:46 | |
How old is this? Do you know? | 0:17:46 | 0:17:48 | |
-How old? -I think beginning of the 20th century. | 0:17:48 | 0:17:52 | |
Yeah. Um... What is your best? | 0:17:52 | 0:17:54 | |
Your demi prix? | 0:17:54 | 0:17:56 | |
Your demi, demi prix? | 0:17:56 | 0:17:57 | |
-100. -I'm going to take a risk on this because, do you know, | 0:17:57 | 0:18:01 | |
I don't really know what that's worth. | 0:18:01 | 0:18:04 | |
I just think it's an interesting object. | 0:18:04 | 0:18:07 | |
In for a penny, in for 100 euros. | 0:18:07 | 0:18:09 | |
Yeah. Let's see what I've got. | 0:18:09 | 0:18:11 | |
Goodbye, old friend. | 0:18:13 | 0:18:14 | |
Eric nets the fishing basket for just over £86 | 0:18:16 | 0:18:19 | |
and he's all bought up. | 0:18:19 | 0:18:21 | |
And a little puzzled. | 0:18:21 | 0:18:23 | |
What have I bought? | 0:18:23 | 0:18:25 | |
I mean, living dangerously. | 0:18:25 | 0:18:26 | |
I've bought myself quite a handsome, I think, woven basket fishing... | 0:18:26 | 0:18:31 | |
They're called a creel, aren't they? | 0:18:31 | 0:18:33 | |
It's got some age to it. | 0:18:33 | 0:18:34 | |
I dare say this could have been around in the early part | 0:18:34 | 0:18:38 | |
of the 20th century. I'm very happy with it. | 0:18:38 | 0:18:40 | |
I mean, whether I paid too much or not, I don't know. | 0:18:40 | 0:18:42 | |
And on top of that, | 0:18:42 | 0:18:44 | |
it all got better because the lady I just bought it from | 0:18:44 | 0:18:47 | |
gave me a fishing line! | 0:18:47 | 0:18:49 | |
Anyway, she said the Mediterranean was that way. | 0:18:49 | 0:18:53 | |
What she didn't say was that it was 45 kilometres away. | 0:18:53 | 0:18:56 | |
And as Eric sets off for sea, the buying battle of | 0:18:57 | 0:19:00 | |
Villeneuve-les-Avignon is over. | 0:19:00 | 0:19:02 | |
But there's just time to tot up the totals. | 0:19:02 | 0:19:04 | |
They both started the day with £750 worth of their own euros to spend. | 0:19:06 | 0:19:11 | |
Eric hopes his five finds will have that foreign flair | 0:19:11 | 0:19:14 | |
that he was looking for. | 0:19:14 | 0:19:16 | |
His total spend was £344.83. | 0:19:16 | 0:19:20 | |
But Ochuko hopes his portfolio will win the day. | 0:19:20 | 0:19:23 | |
His five sellables cost him £340.52. | 0:19:23 | 0:19:27 | |
Time for a bit of show and tell. | 0:19:27 | 0:19:30 | |
-Hey! -Eric! | 0:19:30 | 0:19:31 | |
-Good to see you again. -Got there! -We did! | 0:19:31 | 0:19:33 | |
Hot work. Still is, isn't it? | 0:19:33 | 0:19:34 | |
I want to know what you paid for that very nice little trolley there. | 0:19:36 | 0:19:40 | |
Lovely, isn't it? Roundabout £50. | 0:19:40 | 0:19:42 | |
-Is that all? -Yes, I think I've done well with that. Yeah. | 0:19:42 | 0:19:45 | |
That would have been a very expensive item when it was new. | 0:19:45 | 0:19:48 | |
It's going to be an expensive item now. | 0:19:48 | 0:19:50 | |
And what about a good night's sleep? | 0:19:50 | 0:19:52 | |
Do you think you'll get a good night's sleep on that sort of camp bed? | 0:19:52 | 0:19:55 | |
I just love it. It's all original. | 0:19:55 | 0:19:57 | |
Well, I'd like to give it a try, but I mean, how long does it extend? | 0:19:57 | 0:20:00 | |
Enough for you, not for me. | 0:20:00 | 0:20:02 | |
OK. All right. | 0:20:02 | 0:20:03 | |
Well, I can't compete with the organic side. | 0:20:03 | 0:20:07 | |
Although I can now go fishing. | 0:20:07 | 0:20:09 | |
Yeah, fishing for customers. | 0:20:09 | 0:20:11 | |
Well, I'm going to... I stuck my neck out with this. | 0:20:11 | 0:20:14 | |
That cost me the equivalent of about £87. | 0:20:14 | 0:20:18 | |
Where would you find it in the UK? | 0:20:18 | 0:20:19 | |
Well, probably on the shoulder of a fisherman. | 0:20:19 | 0:20:22 | |
It will be now. | 0:20:22 | 0:20:24 | |
But I did go very much with the art deco, with my dish. | 0:20:24 | 0:20:28 | |
That's by a firm called Schneider, a very good glass-maker. | 0:20:28 | 0:20:31 | |
-Where would you date that? -About 1930s. | 0:20:31 | 0:20:33 | |
-Yeah. -Thereabouts. -Nice smoked glass. -Yeah. | 0:20:33 | 0:20:36 | |
-Three years earlier, 1927... -These, I like these. | 0:20:36 | 0:20:39 | |
I particularly like this lady. | 0:20:39 | 0:20:41 | |
-She is very coquettish, isn't she? -Yes, she is. | 0:20:41 | 0:20:44 | |
So, I think it is fair to say... | 0:20:44 | 0:20:46 | |
We've both done OK, haven't we? | 0:20:46 | 0:20:48 | |
-We came, we saw and we conquered. -We did. | 0:20:48 | 0:20:51 | |
And so, our French foragers make a sharp exit back to Blighty, | 0:20:56 | 0:21:01 | |
leaving the Continent behind in order to see what wide range | 0:21:01 | 0:21:04 | |
of opportunities they can cook up at home. | 0:21:04 | 0:21:07 | |
They must both now attempt to turn their goods into gain, | 0:21:07 | 0:21:10 | |
selling them for profit that's destined for their chosen charities. | 0:21:10 | 0:21:14 | |
In his London lair, Ochuko is planning ahead. | 0:21:14 | 0:21:18 | |
I love France. I got absolutely amazing pieces. | 0:21:18 | 0:21:21 | |
My mid-century TV stand has been repainted but very true to the time. | 0:21:21 | 0:21:26 | |
It could be a shop display. | 0:21:26 | 0:21:28 | |
Someone may even use it as a desk. | 0:21:28 | 0:21:30 | |
Love this coat stand. | 0:21:30 | 0:21:31 | |
I considered changing these strings, but in my experience, | 0:21:31 | 0:21:36 | |
people that collect these kind of items want them all to be original. | 0:21:36 | 0:21:40 | |
Out of everything that I bought in France, this is my favourite. | 0:21:40 | 0:21:43 | |
Done some research on it. | 0:21:43 | 0:21:45 | |
And it is actually called a cabinetta. | 0:21:45 | 0:21:47 | |
Early 20th century. | 0:21:47 | 0:21:48 | |
They were used for military campaigns. | 0:21:48 | 0:21:51 | |
A real high-ranking officer would have this as his camp bed. | 0:21:51 | 0:21:55 | |
What a brilliant way to rest your head in quite a traumatic situation. | 0:21:55 | 0:21:59 | |
My coral. Very rare and valuable thing. | 0:21:59 | 0:22:02 | |
A lot of people would love this in their home. | 0:22:02 | 0:22:04 | |
People just have it on the side, people use it as bookends. | 0:22:04 | 0:22:07 | |
Now, all I've got to do is sell it, and that's the difficult bit. | 0:22:07 | 0:22:11 | |
And he's also got to find a buyer for the vintage trolley. | 0:22:11 | 0:22:14 | |
In his High Wycombe kitchen, Eric is cooking up plans. | 0:22:14 | 0:22:18 | |
Well, of all the buying venues, | 0:22:18 | 0:22:20 | |
I've got to admit that my favourite is the overseas market. | 0:22:20 | 0:22:25 | |
Took a bit of a flyer, I went out and I bought myself a fishing creel. | 0:22:25 | 0:22:29 | |
A French fishing creel. What did I pay for it? | 0:22:29 | 0:22:32 | |
Probably a tad too much. | 0:22:32 | 0:22:35 | |
I boldly went where I shouldn't have gone in my right mind, | 0:22:35 | 0:22:38 | |
but having said that, it's still a nice saleable object | 0:22:38 | 0:22:42 | |
to the right person. | 0:22:42 | 0:22:44 | |
But my favourite items have got to be | 0:22:44 | 0:22:46 | |
my two drawings by a man called Casanove. | 0:22:46 | 0:22:50 | |
He is listed and he seems to have been a very proficient | 0:22:50 | 0:22:54 | |
commercial artist, working in France, I think in Paris, | 0:22:54 | 0:22:59 | |
during the 1920s and the 1930s. | 0:22:59 | 0:23:02 | |
The silver-plated tea set is art deco. | 0:23:02 | 0:23:04 | |
You can tell that by the sort of cubistic shape, the panel forms. | 0:23:04 | 0:23:08 | |
The use of what appears to be a Makassar-type ebony. | 0:23:08 | 0:23:12 | |
I intend to polish this up | 0:23:12 | 0:23:14 | |
and once that is gleaming, it will look the money. | 0:23:14 | 0:23:19 | |
And Eric will also be looking for money | 0:23:19 | 0:23:21 | |
from his silver Art Nouveau bowl | 0:23:21 | 0:23:23 | |
and glass art deco dish. | 0:23:23 | 0:23:26 | |
And so both our experts apply the necessary elbow grease, | 0:23:26 | 0:23:29 | |
along with the leg, phone and web work | 0:23:29 | 0:23:32 | |
to find the match for each item. | 0:23:32 | 0:23:34 | |
They'll both try to turn their purchases into profit, | 0:23:34 | 0:23:37 | |
but no deal is sealed until they've shaken on it | 0:23:37 | 0:23:40 | |
and the money's changed hands. | 0:23:40 | 0:23:42 | |
And first off the mark is Eric, | 0:23:43 | 0:23:45 | |
who's in Kent, hoping to sell his pastel mademoiselles. | 0:23:45 | 0:23:49 | |
I'm going to show them to a man that I know for a fact recognises | 0:23:49 | 0:23:53 | |
good, freehand drawing when he sees it, | 0:23:53 | 0:23:56 | |
so, fingers crossed, we can do a deal. | 0:23:56 | 0:23:58 | |
The pictures cost Eric just over £103, | 0:23:58 | 0:24:02 | |
so will fine art dealer Ashton help him draw out a profit? | 0:24:02 | 0:24:06 | |
Ashton, hi. Good to see you. | 0:24:06 | 0:24:08 | |
-Good to see you. -And you too. And you too. I come... | 0:24:08 | 0:24:11 | |
I'd like to say I come bearing gifts, | 0:24:11 | 0:24:13 | |
but I come bearing two women, in actual fact. | 0:24:13 | 0:24:16 | |
-Really? Wow! -At first glance, you might think, | 0:24:16 | 0:24:19 | |
that's an interesting print, but if you look very carefully... | 0:24:19 | 0:24:24 | |
it is a drawing. This one is a bit more lively. | 0:24:24 | 0:24:26 | |
-As in, anyone for tennis? -Right. OK. | 0:24:26 | 0:24:30 | |
My tennis player has got a wonderful sense of movement, | 0:24:30 | 0:24:33 | |
but as for this girl, there's a sort of demure, if I might even say | 0:24:33 | 0:24:37 | |
sensuality about her. | 0:24:37 | 0:24:39 | |
I love the styling of it. | 0:24:39 | 0:24:40 | |
Very confident line, as well. | 0:24:40 | 0:24:43 | |
And dated, it's by the same artist. | 0:24:43 | 0:24:45 | |
I'm amazed that they are by the same hand. | 0:24:45 | 0:24:47 | |
-They look so different. -Yeah. | 0:24:47 | 0:24:49 | |
Sort of thing you'd be interested in? | 0:24:49 | 0:24:51 | |
I would. They are jolly nice quality. | 0:24:51 | 0:24:53 | |
I can see that hanging in a little boudoir somewhere. | 0:24:53 | 0:24:56 | |
-Me too. Me too. -And that in the games room. -Yes. Exactly. | 0:24:56 | 0:25:00 | |
I reckon them around about 250, maybe a bit more. | 0:25:00 | 0:25:03 | |
-Gosh, wow! -We'll start at 250. That's for two. | 0:25:03 | 0:25:06 | |
Two originals. | 0:25:06 | 0:25:08 | |
I would be looking more at the sort of 140-ish. | 0:25:08 | 0:25:11 | |
Right. I'll go down to 190. | 0:25:11 | 0:25:14 | |
-Go on. -I think we'd need to go to about 160. | 0:25:14 | 0:25:19 | |
We'll split the difference. 170. | 0:25:19 | 0:25:21 | |
-170, OK. -170? | 0:25:21 | 0:25:22 | |
-Yeah. -It's a deal. | 0:25:22 | 0:25:24 | |
That's a profit of £66.55 for the two pictures. | 0:25:25 | 0:25:30 | |
It was difficult to say au revoir to my two mademoiselles, | 0:25:30 | 0:25:35 | |
but a profit is a profit. So, bonne chance, mademoiselles. | 0:25:35 | 0:25:40 | |
The Hat is hoping for his first sale | 0:25:40 | 0:25:42 | |
as he arrives in London's hip and happening Hackney. | 0:25:42 | 0:25:46 | |
I'm here with my lovely 1950s atomic coat stand. | 0:25:46 | 0:25:50 | |
I don't want to sell it but I've got to. | 0:25:50 | 0:25:52 | |
I paid about £56. | 0:25:52 | 0:25:53 | |
I'd love to double my money. | 0:25:53 | 0:25:55 | |
So, Ochuko's got profitable aspirations for his retro stand, | 0:25:55 | 0:26:00 | |
but will vintage shop and bar owner Hannah agree? | 0:26:00 | 0:26:03 | |
It's a coat stand. I call it a hatstand. | 0:26:04 | 0:26:06 | |
Of course you would. | 0:26:06 | 0:26:07 | |
How old would you say this is? | 0:26:08 | 0:26:10 | |
-To me, it's '50s. -OK. | 0:26:10 | 0:26:11 | |
-What would you say? -I would say the same. | 0:26:11 | 0:26:14 | |
I have seen reproductions, but this kind of looks like the genuine article. | 0:26:14 | 0:26:17 | |
This is what I love - | 0:26:17 | 0:26:18 | |
to find something in such original condition. | 0:26:18 | 0:26:21 | |
We're always looking for interesting ways of displaying things. | 0:26:21 | 0:26:24 | |
-Yes. -We are a music venue at nights, so it's quite useful for people | 0:26:24 | 0:26:26 | |
-to have somewhere to put their coats and hats. -Yeah, brilliant. | 0:26:26 | 0:26:29 | |
So it might be something that we could accommodate. | 0:26:29 | 0:26:32 | |
I'll be really straight. I wanted to go 180. | 0:26:32 | 0:26:34 | |
Ooh! | 0:26:34 | 0:26:36 | |
But I'm going to start 165. | 0:26:37 | 0:26:40 | |
-It's... -I've done your bit already. | 0:26:40 | 0:26:42 | |
It's a bit steep. You have, you bargained yourself down, I like it. | 0:26:42 | 0:26:46 | |
I know. It'll be £40. | 0:26:46 | 0:26:48 | |
I'll just shut up. I mean, I'd hoped to be around the £100 mark. | 0:26:48 | 0:26:52 | |
-£100, OK. -It is something I'm going to use. | 0:26:52 | 0:26:54 | |
So, in that sense, I can justify spending a bit on it, | 0:26:54 | 0:26:57 | |
-more than I would if I was going to be resell it. -Yes. | 0:26:57 | 0:27:00 | |
What about if we say... | 0:27:00 | 0:27:02 | |
130? | 0:27:02 | 0:27:04 | |
120 and I could definitely meet you. | 0:27:05 | 0:27:07 | |
Let's say 125. In the middle. Brilliant. | 0:27:07 | 0:27:09 | |
-Thank you so much. -Thank YOU so much. | 0:27:09 | 0:27:11 | |
Ochuko makes a profit of almost £69 for his first sale, | 0:27:11 | 0:27:15 | |
making it one all in terms of sales | 0:27:15 | 0:27:17 | |
and giving him the slight edge in terms of money made. | 0:27:17 | 0:27:21 | |
I virtually doubled my money. | 0:27:21 | 0:27:23 | |
I've got nowhere to hang my hat, but I've made a great profit. | 0:27:23 | 0:27:26 | |
I don't know how the Knowledge is doing though. | 0:27:26 | 0:27:28 | |
Actually, Ochuko, Eric is in Kent, | 0:27:28 | 0:27:30 | |
embarking on a journey into the world of art deco. | 0:27:30 | 0:27:35 | |
Well, this is Westerham, | 0:27:35 | 0:27:36 | |
and for years this has been something of an antique centre. | 0:27:36 | 0:27:40 | |
But today a lot of people deal online, | 0:27:40 | 0:27:42 | |
so it's always nice to have the opportunity | 0:27:42 | 0:27:45 | |
to go into an antique shop or a gallery. | 0:27:45 | 0:27:48 | |
I'm here to meet John, and he specialises in art deco. | 0:27:48 | 0:27:51 | |
And I've got one very special art deco dish. | 0:27:51 | 0:27:54 | |
So I'm off to do a deal. | 0:27:54 | 0:27:57 | |
The dish owes him just over £86, | 0:27:57 | 0:28:00 | |
so will art deco specialist John want to plate him up a profit? | 0:28:00 | 0:28:04 | |
-John, hello. Hello, hello. -Eric, great to see you. | 0:28:04 | 0:28:07 | |
-How are you? -Nice piece of furniture that, isn't it? -Thank you. | 0:28:07 | 0:28:10 | |
Yes, that's a modern burr walnut. | 0:28:10 | 0:28:12 | |
Talking about quality, John, | 0:28:12 | 0:28:14 | |
I've brought what I think is very much a quality glass dish. | 0:28:14 | 0:28:18 | |
Now, who would you have thought would have made this? | 0:28:18 | 0:28:21 | |
First impression would be Daum, something like that. | 0:28:21 | 0:28:23 | |
Daum? Absolutely. | 0:28:23 | 0:28:25 | |
That's exactly what I thought. | 0:28:25 | 0:28:26 | |
-Yeah. -And then I turned it over | 0:28:26 | 0:28:29 | |
-and it says Schneider. -Oh, right. | 0:28:29 | 0:28:31 | |
I've never seen a piece of Schneider glass like this before. | 0:28:31 | 0:28:33 | |
No, more colourful usually, isn't it? | 0:28:33 | 0:28:35 | |
Date-wise, I think it's probably round about 1930. | 0:28:35 | 0:28:38 | |
Yeah. There or thereabouts, absolutely. | 0:28:38 | 0:28:40 | |
And it's in great condition as well. | 0:28:40 | 0:28:41 | |
It's a bit of a statement, when you see them | 0:28:41 | 0:28:44 | |
on a good art deco piece of furniture. | 0:28:44 | 0:28:47 | |
One lifts the other. | 0:28:47 | 0:28:49 | |
-Absolutely. -Let's have a look. | 0:28:49 | 0:28:51 | |
Yeah, subtle. That is subtle, isn't it? | 0:28:51 | 0:28:54 | |
Well, I have to say, it does complement it very well. | 0:28:54 | 0:28:56 | |
It does do that. In a modern context, it just works, | 0:28:56 | 0:29:00 | |
particularly with the more geometric detail to it. | 0:29:00 | 0:29:02 | |
Yes. So, would this be on your shopping list? | 0:29:02 | 0:29:05 | |
-Absolutely. No, it's just got to be the right price, Eric. -OK. | 0:29:05 | 0:29:07 | |
I was wanting somewhere around about the 300 mark for it. | 0:29:07 | 0:29:12 | |
Yeah... I mean, that's not far away from a retail price. | 0:29:12 | 0:29:15 | |
So I'm looking at, say, 175. | 0:29:15 | 0:29:18 | |
-Is that too far for you? -I would... | 0:29:18 | 0:29:21 | |
I would be happier if we could get nearer the two. | 0:29:21 | 0:29:26 | |
I'm happy to do the two. | 0:29:26 | 0:29:27 | |
-You're happy to do two? -Yeah, yeah, yeah. It's worth it. | 0:29:27 | 0:29:30 | |
Good lad. Excellent. Well done. | 0:29:30 | 0:29:31 | |
-Thank you, Eric. -Thank you very much. | 0:29:31 | 0:29:33 | |
Eric makes an impressive profit of almost £114 for the dish. | 0:29:33 | 0:29:38 | |
Well, I think it's fair to say that I've made quite a good profit there | 0:29:38 | 0:29:41 | |
but the main thing is that John is also left | 0:29:41 | 0:29:44 | |
with an object from which he will also make a good profit. | 0:29:44 | 0:29:47 | |
And in my business, that's the name of the game. | 0:29:47 | 0:29:50 | |
Yes, Eric makes the biggest profit so far | 0:29:50 | 0:29:53 | |
and sends the ball flying back into Ochuko's court. | 0:29:53 | 0:29:56 | |
So, from the charming market town of Westerham | 0:29:56 | 0:29:59 | |
to super-stylish east London. | 0:29:59 | 0:30:01 | |
Back in my home turf of Dalston, | 0:30:01 | 0:30:03 | |
I've come to one of the hippest hairdressers on the strip, | 0:30:03 | 0:30:07 | |
and I'm going to sell them my trolley. | 0:30:07 | 0:30:09 | |
You may think, drinks trolley, hairdressers? Watch this. | 0:30:09 | 0:30:13 | |
The drinks trolley cost Ochuko almost £52, | 0:30:13 | 0:30:16 | |
so will salon owner Andy want it | 0:30:16 | 0:30:19 | |
and will he think about getting his hair cut? | 0:30:19 | 0:30:22 | |
I've got something perfect for you. | 0:30:22 | 0:30:24 | |
I know that you serve your customers drinks. | 0:30:24 | 0:30:26 | |
-You're all about customer service. -That is a big part, yeah. | 0:30:26 | 0:30:29 | |
-So, I've got a drinks trolley. -Nice. | 0:30:29 | 0:30:32 | |
-How old is this? -I was told, as I bought it, 1950s. | 0:30:32 | 0:30:35 | |
-OK. -But the more I've looked into it, I think it could be even 1930s. | 0:30:35 | 0:30:38 | |
-All right. -This style, with the wrought iron, is a bit earlier. | 0:30:38 | 0:30:42 | |
And I just... I love the oxidisation. | 0:30:42 | 0:30:44 | |
-I love the green. -Yeah, man, I love the colour. | 0:30:44 | 0:30:47 | |
Like you said, it's nice oxidation. | 0:30:47 | 0:30:50 | |
Perfect to serve, like, a cocktail or a fruit smoothie. | 0:30:50 | 0:30:53 | |
I think it would be perfect, yeah. | 0:30:53 | 0:30:56 | |
-How much do you want? -200. | 0:30:56 | 0:30:58 | |
200? | 0:30:58 | 0:30:59 | |
Well, I was more hoping for half of that, £100, my friend. | 0:31:00 | 0:31:04 | |
£100. | 0:31:04 | 0:31:06 | |
I want you do have it. Let's say 175. | 0:31:06 | 0:31:08 | |
-120... -120. | 0:31:08 | 0:31:11 | |
165? | 0:31:11 | 0:31:13 | |
150, I'll have it straightaway. | 0:31:13 | 0:31:15 | |
Can you put a fiver on for luck? | 0:31:15 | 0:31:17 | |
155? | 0:31:17 | 0:31:19 | |
-Let's call it 160. -160! | 0:31:19 | 0:31:21 | |
Look at that! That's how you make a profit. | 0:31:23 | 0:31:26 | |
Indeed it is. | 0:31:26 | 0:31:28 | |
That's a top profit of just over £108 for the trolley. | 0:31:28 | 0:31:32 | |
While Ochuko is plying his trade in the Big Smoke, | 0:31:32 | 0:31:36 | |
Eric's art deco pilgrimage continues | 0:31:36 | 0:31:38 | |
and it's led him, and his polished-up silver coffee set, | 0:31:38 | 0:31:42 | |
that cost just over £43, to the door of a man named Bevis. | 0:31:42 | 0:31:46 | |
I feel a little bit like a time traveller because I'm surrounded by | 0:31:46 | 0:31:49 | |
wonderful early-medieval buildings in the Hospital of St Cross, | 0:31:49 | 0:31:54 | |
just outside Winchester. | 0:31:54 | 0:31:56 | |
Now, I'm here to meet a gentleman who in the late 1960s wrote | 0:31:56 | 0:32:00 | |
the very first book in English on art deco. | 0:32:00 | 0:32:02 | |
So, if Eric is the Prince of Porcelain, | 0:32:02 | 0:32:05 | |
Bevis is the Godfather of Art Deco. | 0:32:05 | 0:32:09 | |
Well, I have to admit, Bevis, | 0:32:09 | 0:32:10 | |
that you have always been a mentor to me. | 0:32:10 | 0:32:13 | |
In the early days when I became interested in deco, | 0:32:13 | 0:32:17 | |
your books were the only ones that were available at that stage. | 0:32:17 | 0:32:21 | |
Thank you very much, Eric. | 0:32:21 | 0:32:23 | |
I wrote the first book on art deco when I was 28, in 1968. | 0:32:23 | 0:32:28 | |
And I've still got a bit of art deco. | 0:32:28 | 0:32:30 | |
Well, in all fairness, I've brought a few bits of deco. | 0:32:30 | 0:32:33 | |
That's rather stylish. And French, I imagine. | 0:32:33 | 0:32:36 | |
It is French. So, Bevis, what do you think? | 0:32:36 | 0:32:38 | |
Well, I've always liked the later phase of art deco. | 0:32:38 | 0:32:43 | |
I regard deco as essentially domesticated Cubism. | 0:32:43 | 0:32:48 | |
And to me, Cubism doesn't belong in the frames, as pictures, | 0:32:48 | 0:32:52 | |
it belongs in objects like this. | 0:32:52 | 0:32:54 | |
And I think they are marvellous. | 0:32:54 | 0:32:57 | |
So, what sort of price are you looking for? | 0:32:57 | 0:33:00 | |
Well, I was thinking around about the 120 mark. | 0:33:00 | 0:33:05 | |
I would be more in line for £80. | 0:33:05 | 0:33:08 | |
Do you think we might nudge it one more £10 note? | 0:33:09 | 0:33:11 | |
Do you think we might get 90 for it? | 0:33:11 | 0:33:13 | |
-I'd agree to that. -You'd agree to 90. Shake, OK. | 0:33:13 | 0:33:16 | |
That's a profit of almost £47 for the coffee set. | 0:33:16 | 0:33:20 | |
It's been a great privilege actually | 0:33:21 | 0:33:24 | |
to meet up again with the great Bevis Hillier | 0:33:24 | 0:33:27 | |
and the cherry on top of the cake is - I doubled my money. | 0:33:27 | 0:33:32 | |
And the end of Eric's art deco journey | 0:33:32 | 0:33:34 | |
brings us to the halfway mark of ours. | 0:33:34 | 0:33:36 | |
So, let's see who is at the top of the leaderboard | 0:33:36 | 0:33:39 | |
and who is at the bottom of the pile. | 0:33:39 | 0:33:42 | |
So far, Eric has sold three items and made a profit of £227.24. | 0:33:42 | 0:33:47 | |
Ochuko has only shifted two, but has made £177.25. | 0:33:47 | 0:33:53 | |
So, Eric is in the lead, but there's plenty more work | 0:33:53 | 0:33:56 | |
for both our boys to do, and it's still very much anyone's game. | 0:33:56 | 0:34:00 | |
Eric is all wellied up and hoping to cast a line | 0:34:00 | 0:34:03 | |
and haul in some more profits with his next sale. | 0:34:03 | 0:34:07 | |
Well, I'm actually crossing the River Itchen, | 0:34:07 | 0:34:10 | |
which is one of Hampshire's wonderful chalk streams. | 0:34:10 | 0:34:14 | |
I'm here to meet John Hotchkiss. | 0:34:14 | 0:34:15 | |
Now, he's an expert on fly fishing. | 0:34:15 | 0:34:18 | |
I'm hoping he's going to take an interest in my wicker creel | 0:34:18 | 0:34:22 | |
and obviously I'm hoping that I'm going to hook myself a sale. | 0:34:22 | 0:34:26 | |
# Gone fishing | 0:34:26 | 0:34:29 | |
# By a shady-wadey pool... # | 0:34:30 | 0:34:34 | |
The fishing basket cost Eric just over £86, | 0:34:34 | 0:34:38 | |
but will John bite? | 0:34:38 | 0:34:39 | |
John, I'm creeping forward in trepidation here. | 0:34:41 | 0:34:43 | |
Only because I know you can't startle the fish, can you? | 0:34:43 | 0:34:47 | |
-Yes. -Good to see you anyway. -Yeah, good to see you. | 0:34:47 | 0:34:50 | |
This is the fishing creel. | 0:34:50 | 0:34:51 | |
-That's rather nice. -You have a handle of it. | 0:34:51 | 0:34:54 | |
You can see that... | 0:34:54 | 0:34:56 | |
..it's got what almost looks like an army issue canvas strap. | 0:34:57 | 0:35:00 | |
-Yeah. -I mean, date-wise, I'm thinking maybe '30s... | 0:35:00 | 0:35:05 | |
Yeah, I would have said that. Mid '20s, '30s. | 0:35:05 | 0:35:08 | |
This is so splendid because I've got a lot of split cane rods, | 0:35:08 | 0:35:14 | |
older rods, but that would sit perfectly in my fishing room. | 0:35:14 | 0:35:18 | |
This is music to my ears. It really is. | 0:35:18 | 0:35:21 | |
Well, I mean, | 0:35:21 | 0:35:22 | |
my opening gambit on something like this would be £140, | 0:35:22 | 0:35:26 | |
-something like that. -OK. | 0:35:26 | 0:35:28 | |
I think I would be prepared to pay about... | 0:35:28 | 0:35:31 | |
-85. -85. | 0:35:31 | 0:35:34 | |
Let's say 120, are we getting anywhere near the mark, or...? | 0:35:34 | 0:35:38 | |
-90? -90. -How does that sound? | 0:35:38 | 0:35:41 | |
If we can just round that up to £100... | 0:35:41 | 0:35:45 | |
-OK. -..I think we've got a deal. | 0:35:45 | 0:35:48 | |
-Eric, you've got a deal. -OK. | 0:35:48 | 0:35:50 | |
Eric catches a tiddler of a profit, making just shy of £14. | 0:35:50 | 0:35:55 | |
So, he has just one item to go - the silver dish. | 0:35:55 | 0:35:59 | |
In London, Ochuko still has three, | 0:35:59 | 0:36:01 | |
but he's hoping to sell two in one next, | 0:36:01 | 0:36:03 | |
as he arrives at Spitalfields market with the vintage coral and TV stand. | 0:36:03 | 0:36:08 | |
Together, the items owe him just under £138 | 0:36:08 | 0:36:12 | |
and he's visiting the shop where he used to work, | 0:36:12 | 0:36:15 | |
in the hopes of squeezing a profit out of his old mentor, Fiona. | 0:36:15 | 0:36:19 | |
It's just great to be back, you know. It's been a long time. | 0:36:19 | 0:36:22 | |
This is where I've really learned to do what I've done. | 0:36:22 | 0:36:25 | |
-I know, you've set it out. -I've set it out neatly for you. | 0:36:25 | 0:36:28 | |
So, what do you think? It's a 1950s TV stand. | 0:36:28 | 0:36:32 | |
It's something you can retail or a great display. | 0:36:32 | 0:36:34 | |
Yeah. It pops out. It would be more of a prop for the shop. | 0:36:34 | 0:36:37 | |
-Yeah. -It looks great. | 0:36:37 | 0:36:39 | |
And as you know, coral is so on trend. | 0:36:39 | 0:36:41 | |
And it's just... Look how sculptural it is. | 0:36:41 | 0:36:44 | |
-Just how different... Different pieces. -Yes. | 0:36:44 | 0:36:46 | |
Like you said, it's on trend. | 0:36:46 | 0:36:47 | |
-Yeah. -We've got a little fish story going on. | 0:36:47 | 0:36:50 | |
And we're going to continue that in our autumn/winter season. | 0:36:50 | 0:36:53 | |
So, it's something that would fit in with what we do, definitely. | 0:36:53 | 0:36:56 | |
OK. So, let's talk money. | 0:36:56 | 0:36:58 | |
-What are you saying? -Let me go individual first. | 0:36:59 | 0:37:02 | |
The coral, I want 200 for the lot. | 0:37:02 | 0:37:06 | |
That'll be a bit of a struggle for us to sell it on at that price. | 0:37:06 | 0:37:10 | |
I'm thinking maybe 120. | 0:37:10 | 0:37:12 | |
I'm thinking 150. | 0:37:12 | 0:37:15 | |
-135. -135. | 0:37:15 | 0:37:18 | |
OK. We've got 135 for the coral, possibly. | 0:37:18 | 0:37:21 | |
This desk... I think 190. | 0:37:21 | 0:37:25 | |
I was thinking more 130. | 0:37:25 | 0:37:27 | |
OK, 130. So that's 265 for both. | 0:37:27 | 0:37:30 | |
It's lower than what I wanted. | 0:37:30 | 0:37:32 | |
310. | 0:37:34 | 0:37:35 | |
And that is pushing me. | 0:37:35 | 0:37:38 | |
You're skinning me. Round figures. You know I like round figures. | 0:37:38 | 0:37:41 | |
£300, you've got a deal. | 0:37:41 | 0:37:43 | |
Come on, you want to do it. Come on. | 0:37:43 | 0:37:45 | |
Yeah. Very happy with that. | 0:37:45 | 0:37:47 | |
So, Ochuko makes just over £81 on the vintage coral | 0:37:47 | 0:37:50 | |
and the same again on the TV stand. | 0:37:50 | 0:37:53 | |
And he rounds off his sales in Taunton | 0:37:53 | 0:37:55 | |
where he sells his camp bed to Sir Benjamin Slade, | 0:37:55 | 0:37:58 | |
who hires out his family home for large events. | 0:37:58 | 0:38:01 | |
Could possibly be very practical for the wedding business, yes. | 0:38:01 | 0:38:04 | |
Agreeing £150 for the bed, | 0:38:04 | 0:38:06 | |
Ochuko makes a final profit of a shade over £55. | 0:38:06 | 0:38:10 | |
Thank you very much. Gentleman. | 0:38:10 | 0:38:12 | |
Ochuko's splendid sale means he's all done. | 0:38:12 | 0:38:15 | |
But Eric is also surrounded by splendour for his final sale. | 0:38:17 | 0:38:21 | |
Well, I'm in one of the many hallowed corridors | 0:38:22 | 0:38:24 | |
of Cliveden house here in Berkshire. | 0:38:24 | 0:38:26 | |
I'm here to hopefully do a deal on my American silver dish | 0:38:26 | 0:38:30 | |
because there is a strong American connection with this stately home. | 0:38:30 | 0:38:35 | |
Yes, it used to belong to a notable American family. | 0:38:35 | 0:38:39 | |
Whether that will help Eric find a profit on the £23 it cost him | 0:38:39 | 0:38:43 | |
from general manager Sue remains to be seen. | 0:38:43 | 0:38:46 | |
The house itself, tell me, when did it all start? | 0:38:48 | 0:38:50 | |
So, there's 350 years' worth of history. | 0:38:50 | 0:38:53 | |
So, 1666, Duke of Buckingham. | 0:38:53 | 0:38:55 | |
So he was the first to build here. | 0:38:55 | 0:38:57 | |
But I think the period in time which is really so very interesting is | 0:38:57 | 0:39:00 | |
really the Astors. So, so, first bought by William Waldorf Astor, | 0:39:00 | 0:39:03 | |
wealthiest man in America. | 0:39:03 | 0:39:05 | |
He came over with his family and bought this house in 1893. | 0:39:05 | 0:39:08 | |
Queen Victoria was not impressed... | 0:39:08 | 0:39:10 | |
-No? -..that it had gone to an American. | 0:39:10 | 0:39:12 | |
-Dreadful! -Well, for me, | 0:39:12 | 0:39:14 | |
I have to say I would probably look at this piece as something of... | 0:39:14 | 0:39:17 | |
Well, a piece of Americana. | 0:39:17 | 0:39:19 | |
But when you look at it, it is pure French Art Nouveau. | 0:39:19 | 0:39:24 | |
Stylistically, something like this, you would say dated to about 1900. | 0:39:24 | 0:39:29 | |
It is only plate, but it is quite a rarity. | 0:39:29 | 0:39:32 | |
-Do you just want to have a...? -It's a very attractive piece, isn't it? | 0:39:32 | 0:39:35 | |
And I might imagine a house like this would have had | 0:39:35 | 0:39:38 | |
a great store of silver, once upon a time. | 0:39:38 | 0:39:40 | |
In fact, we still have a room below stairs | 0:39:40 | 0:39:43 | |
which we know to be the silver room. | 0:39:43 | 0:39:45 | |
I just saw that as... winging its way to Cliveden... | 0:39:45 | 0:39:49 | |
-Something that might sit here? -Yeah, I did. | 0:39:49 | 0:39:51 | |
Do you have an idea of what the value of this might be? | 0:39:51 | 0:39:54 | |
Well, I've got a starting price. | 0:39:54 | 0:39:57 | |
I thought that it would probably be in the region of maybe £80 | 0:39:57 | 0:40:01 | |
-or thereabouts. -Well, I was wondering | 0:40:01 | 0:40:04 | |
if that might be somewhere nearer 45. | 0:40:04 | 0:40:07 | |
-I was wondering. -What about £55? | 0:40:07 | 0:40:10 | |
Well, I think, at 55, I'd be pleased to have that in the house. | 0:40:10 | 0:40:14 | |
-You would. -I would. I think we can agree on that. | 0:40:14 | 0:40:16 | |
-Well, I want you to be pleased, Sue. OK? -I am. | 0:40:16 | 0:40:19 | |
Eric makes a smidge over £29 on the dish | 0:40:19 | 0:40:21 | |
and brings the selling to an end. | 0:40:21 | 0:40:24 | |
Well, I've had a fascinating time here | 0:40:24 | 0:40:27 | |
learning about the Astors, and in all fairness, | 0:40:27 | 0:40:30 | |
I don't think I will ever look at Cliveden house again | 0:40:30 | 0:40:34 | |
with the same eyes. | 0:40:34 | 0:40:36 | |
And on top of that, I actually managed | 0:40:36 | 0:40:38 | |
to make a reasonable profit on my dish. | 0:40:38 | 0:40:40 | |
So, all that remains now is to find out | 0:40:40 | 0:40:43 | |
who made a mountain of profit | 0:40:43 | 0:40:44 | |
and who is left with a molehill of despair. | 0:40:44 | 0:40:47 | |
They both started the day with £750 worth of their own euros to spend. | 0:40:47 | 0:40:52 | |
Eric bought five items and spent a total of £344.83p. | 0:40:52 | 0:40:57 | |
Ochuko matched the number bought, but spent slightly less, | 0:40:57 | 0:41:00 | |
picking up five for £340.52p. | 0:41:00 | 0:41:04 | |
But all that matters now is the bottom line. | 0:41:04 | 0:41:06 | |
All of the money that Eric and Ochuko have made | 0:41:06 | 0:41:09 | |
will go to charities of their choice, | 0:41:09 | 0:41:10 | |
so let's find out who is today's | 0:41:10 | 0:41:12 | |
Put Your Money Where Your Mouth Is champion. | 0:41:12 | 0:41:15 | |
-Hiya, Eric. How are you doing? We've made it. -We've made it. | 0:41:16 | 0:41:19 | |
We have as well, yeah. | 0:41:19 | 0:41:21 | |
So, quite an experience, buying over in La Belle France. | 0:41:21 | 0:41:24 | |
I loved it. What I liked is that maybe trends that we have here, | 0:41:24 | 0:41:28 | |
they don't have there. | 0:41:28 | 0:41:29 | |
So it's a good opportunity to make money, to make a good profit. | 0:41:29 | 0:41:32 | |
-That's what I found. -So, what was your favourite sale? | 0:41:32 | 0:41:35 | |
I did very well on that 1930s, I think, actually, drinks trolley. | 0:41:35 | 0:41:41 | |
-Oh, I like that. -A lovely thing. I made a great profit on it. | 0:41:41 | 0:41:43 | |
-A lot of work in that, wasn't it? -Yeah, really ornate. | 0:41:43 | 0:41:46 | |
-How about you? -Well, my art deco silver-plated coffee set, | 0:41:46 | 0:41:50 | |
sold it to a mentor of mine called Bevis Hillier. | 0:41:50 | 0:41:54 | |
-Did he love it? -Yeah, he did. | 0:41:54 | 0:41:56 | |
And I was really pleased that he wanted it. | 0:41:56 | 0:41:59 | |
He really did want it. | 0:41:59 | 0:42:00 | |
-So, shall we see how we got on? -Shall we see? I'm curious. | 0:42:00 | 0:42:03 | |
-I'm scared. -OK, well, don't worry, | 0:42:03 | 0:42:06 | |
as they say in certain movies, we're all scared, son. | 0:42:06 | 0:42:09 | |
OK. One, two, three. | 0:42:09 | 0:42:12 | |
-Whoa! -The boy got there. | 0:42:12 | 0:42:15 | |
-He came good. -He did. | 0:42:15 | 0:42:17 | |
-That's a healthy profit, isn't it? -That is a healthy profit. | 0:42:17 | 0:42:20 | |
-A very healthy profit. -I think we've both done well there. | 0:42:20 | 0:42:22 | |
Well, I think, all things being equal, | 0:42:22 | 0:42:24 | |
-I'm game to do another one in La Belle France, aren't you? -I'd love to go right now. | 0:42:24 | 0:42:28 | |
Yes, Ochuko takes it again | 0:42:28 | 0:42:30 | |
because even though Eric took the single highest profit | 0:42:30 | 0:42:32 | |
on the glass dish, Ochuko made more overall. | 0:42:32 | 0:42:36 | |
Wow! Can't quite believe that. | 0:42:38 | 0:42:40 | |
I won by not a massive margin, Eric made a very respectable profit, | 0:42:40 | 0:42:45 | |
but to beat someone of his knowledge and his stature is just an honour. | 0:42:45 | 0:42:49 | |
So, I'm staring into the jaws of defeat, | 0:42:49 | 0:42:52 | |
but it wasn't by a huge margin. | 0:42:52 | 0:42:55 | |
And full credit to the new boy. | 0:42:55 | 0:42:56 | |
I think he did very well, | 0:42:56 | 0:42:58 | |
because that really was a tough French market. | 0:42:58 | 0:43:02 | |
But Eric gets to fight once more | 0:43:02 | 0:43:04 | |
when he takes on his opponent on his own turf, | 0:43:04 | 0:43:06 | |
as they go head-to-head at the auction tomorrow. | 0:43:06 | 0:43:10 |